I can’t tell you how much I love SIX, and I definitely can’t tell you how much I love that we’re hosting these fabulous queens at the Palace! Get it? Queens? Palace?
(I know, I know. I’ll try not to lose my head over it.)
I genuinely love it when we at CAPA and Broadway in Columbus get to share the beautiful Palace Theatre with our Broadway audiences. And while I know you — especially our subscribers — feel familiar and at home at the Ohio Theatre, I hope you, too, love getting to visit this other jewel among our Downtown theatres.
The Palace is a genuine, beloved Columbus landmark. CAPA was fortunate to be given ownership and stewardship of the Palace from Katherine LeVeque in 1989. In keeping with its early history as a busy vaudeville show house, the Palace is now CAPA’s “workhorse” theatre, hosting perhaps the most varied slate of shows anywhere.
Next year, the Palace will turn 100 years old. That’s a birthday we plan to share with the entire community. You’re going to start hearing more about our celebration plans very soon. (Visit capa.com and sign up for our emails so you don’t miss any of this information.)
In the meantime, CAPA will be making birthday plans, and we’ll, of course, continue to present and produce the best in live entertainment, film, educational programming and more that you’ve come to expect.
Thanks, as always, for being a part of the Broadway in Columbus experience.
Chad Whittington President & CEO CAPA
President–Midwest
Leslie K. Broecker
Vice President–Midwest
Genevieve Holt
President & CEO
Chad Whittington
Executive Office Manager
Maggie Taylor
EVP & Chief Strategy Officer
Elfi Di Bella
VP of Marketing & Sales
Peter Keiser
Broadway Manager
Elizabeth Lamont
Broadway Marketing Manager
Lisa A. Minken
Creative Director
Sara Maassel
Communications Manager
Jim Fischer
Digital Marketing Manager
Abby Valencic
Director of Multimedia
Lydia Miller
VP of Programming
Rich Corsi
Programming Manager
Oliver Pontius
Director of Ticketing
Rhea Shaffer
Assistant Director of Ticketing
Roger Whitaker
Group Sales & Education
Ticketing Specialist
Joe Calmer
Director of Regional Marketing and Public Relations
Elizabeth Truitt Armstrong
Broadway Ticketing Specialist
Beth Hayes
VP of Operations
Jason Gay
Senior Director of Operations
Nate Riley
Volunteer Manager
Kristen Paige
Palace Theatre Dir. of Operations
Mark Szwabinsky
Palace Theatre Head Carpenter
Rex Buckingham
Sign language interpretation provided by STAGEHANDS 740-385-2042
Audio description provided by CAPA
KEEPING SIX A HIT
Producers Kenny Wax and Kevin McCollum discuss the appeal of the majestic musical.
BY RUTHIE FIERBERG
SIX opened on Broadway with a bang. Even though the show was set to open on March 12, 2020 (the fateful day that Broadway shut down), when it officially opened on October 3, 2021, SIX had already filled the Lena Horne Theatre (then the Brooks Atkinson) to over 100 percent capacity in its first week. Audiences were clamoring for the queens.
In the spring of 2022, the musical penned by newcomers Toby Marlow and Lucy Moss earned eight Tony Award nominations, including one for Best Musical, and won best score and best costume design of a musical.
SIX didn’t just begin as a hit — it has continued to be one. But what exactly is the fuss about?
The joy and celebratory atmosphere inherent in the pop-concert style helped launch the show with strength, said producers Kenny Wax and Kevin McCollum. As did the buzz from its London and pre-Broadway Chicago mounting.
But what bolstered that power and created longevity, they said, is the show’s wide appeal. “In its construction, as an 80-minute nonlinear musical, it breaks certain theater taboos but has managed to connect with a younger audience due to it being so fantastically whip-smart funny, clever, original and self-aware,” Wax told Broadway News. And while young audiences have certainly latched onto SIX, it’s not to the
The North American Tour Boleyn Company of SIX. Photo by Joan Marcus
exclusion of other demographics. As McCollum said, “This is a show for everyone.”
Of course, it’s been necessary to communicate that in the production’s branding. “The energy in our theater is off the charts and all of our messaging has explored different ways of saying that to different audiences,” McCollum said. “Theater is a destination, and we find ways to keep our audiences engaged with mementos and special moments.”
What’s more, the musical encourages repeat customers — and sees a lot of them. “Take any straw poll from a Broadway performance of SIX and you can be assured that many of the audiences are seeing the show for at least the second time,” Wax said. “We are in a constant dialogue with our fans both old and new, and we endeavor to keep the show on the tip of everyone’s tongue,” McCollum added.
SIX has also tended to change the full-time cast of six queens at once, as they did in December 2022 and 2023. “There aren’t any hard and fast rules — actually on occasions one or two people have left the company due to offers on other shows and have been replaced out of necessity,” Wax said. That said, he continued, “As a general rule, we feel that the best results occur when a full company can rehearse the show together from day one.”
“Anytime you have the opportunity to bring multiple queens in at the same time,” McCollum added, “you’re creating an environment which allows them to grow together as a company.”
“Recently we brought the front-line queens from the Aragon Company (the first touring company) into the Lena Horne because they were so exceptional and worked amazingly well as a team,” Wax said. “It’s the wonder of the collective performance that keeps the show going alongside its empowering message which is the strength of the show.” In addition to that message, the music continues to spread.
“Across all platforms, the songs from the show have streamed almost one billion times,” Wax said. “That is incredible reach for a mid-scale show without the blockbuster marketing budgets of other shows.”
“As one of the original U.K. producers, I find it incredible that our very British story about six women who were all married to the same man has found an audience in the U.S., not only in New York but also across America with the success of the touring productions,” Wax said. “But of course, the show is about far more than ‘ex wives.’ It’s really about contemporary women who are prepared to fix each other’s crowns and support each other. This is the true message of SIX.”
For more news and feature interviews like this one, visit BROADWAYNEWS.COM.
INSIDE THE DESIGN INNOVATION OF BACK TO THE FUTURE
Video designer Finn Ross on creating onstage time travel.
BY RUTHIE FIERBERG
When video designer Finn Ross took stock of the musical Back to the Future, he zeroed in on the titular scene: when Marty McFly goes… back to the future.
For anyone who has seen the iconic movie, this moment is the climax, when Marty (who previously time-traveled from 1985 back to 1955) attempts to return home to 1985. It involves a Delorean — careening corners and gaining enough speed to reach 88 miles per hour — plus a gigantic spark of electricity. For Ross, it was both the scene most crucial to get right and also the biggest challenge. As Ross said, “For me, it felt like if we don’t do this [right], we’ll lose the audience.”
Ross describes this scene in the film Back to the Future as “incredibly tight” with “almost no dialogue. It’s just cut, cut, cut, action, action, action, action.” The designer yearned to figure this out. “How do we do this onstage? How do we get the tightness, the energy, the excitement, the pace, the visual storytelling of it across to an audience?”
Part of that is the journey Marty takes through Hill Valley on his quest to gain enough speed to travel through time. He races past town landmarks, barreling through the 1955 version of his hometown. The musical’s entire creative team, including Ross, spent hours poring over still frames of the film to ensure accuracy in both time periods. Bob Gale, the film’s Oscar-nominated co-screenwriter and the musical’s book writer, discovered a schematic of Hill Valley, rendered by the movie’s original production designer.
“We basically laid this world out and built that into a 3D model of Hill Valley in both eras,” Ross said. So the video on the upstage LED video wall (which is the full length and height of the stage) accurately depicts Hill Valley. But what renders the Delorean’s ride through this media-supplied world so realistic
David Josefsberg and Lucas Hallauer. Photo by Evan Zimmerman for MurphyMade.
— instead of like a clunky theme-park ride — is Ross’ use of background and foreground.
“The scrim is the foreground, the car is the mid-ground and the world upstage — the LED wall — is the background,” Ross explained. The projections on the scrim and video on the back wall pivot around the car so it appears as though the car is actually winding around these streets. These two façades work together to create a more convincing, stage-wide optical effect.
But the coordination of the images on both surfaces must be exact. “We took this 3D model [rendered from the movie schematic] and put it into a game engine,” said Ross, as if the team were designing a video game. They “placed” a car in the game and equipped it with cameras on the front and back car bumpers. This allowed Ross to understand what angles of the neighborhood a driver would see to the front and rear. He could then shift the viewpoint of the media on the scrim and the LED wall accordingly. “So if the action is sweeping to the left on the upstage, then it’s sweeping to the right downstage,” he said. “It’s all [done] perfectly in time with each other, the colors synchronize, etc.” The stage manager and music director at each performance must align so that the cues for the car’s movement, the video and projections, the lighting, the actors and the orchestrations occur at the right second. And that’s just traveling back to the future.
Ross and the musical’s team also had to travel back in time at the start. The team collectively imagined the stage picture that would communicate time travel to an audience. “Time is linear in our conception of it,” Ross said. But the feeling the public associates with time-travel is as if “the whole world pulls and stretches to this place of abstraction.” Ross, scenic and costume designer Tim Hatley and director John Rando collaborated with a storyboard artist to break down the sequence frame by frame; then the team completed two workshops (one in a warehouse with the musical’s Delorean) to test the technology and hone the design.
The result is the musical’s first image of the Delorean defying time: inky blues, midnight blacks and hints of red streaking across the stage wall. As Ross said, it creates “a feeling of the deep, dark, dangerous storm and that tension and thrill in the air of what is to come.”
Beyond the necessary warping of the space-time continuum to create Back to the Future, Ross collaborated with his fellow designers to use video throughout the musical as a method of illustrating the worlds of 1955 and 1985. In seeking inspiration, Ross drew upon sci-fi illustrations of the 1950s and 1980s. “The ’80s was very shiny, very technology-driven, but in this slightly more cynical way than it was back in the ’50s. It was a lot more industrial and a lot more silvers and pinks — and less hopeful, maybe,” Ross described. “Whereas the sci-fi, the ’50s, was imagining this wild future that was based on nothing more than dreaming, rather than an existing technology set. The ’50s was more naïve and sweet, much more ‘Jetsons.’” Both of these aesthetics are reflected in the show’s overall design: Think the sleek, metallic quality in the song “It Works” (set in 1985) versus the zany, fluorescent look of “21st Century.” From top to bottom, Back to the Future succeeds at pushing the boundaries of theatrical design. And furthermore, if you ask Ross, Back to the Future has innovated the field.
“It felt like a real high point in just how integrated the worlds of scenery, costume, light, etc., were,” said Ross. And he thinks this could pave the way for further onstage feats. “It’ll be very interesting to see when the next big movie comes to the stage how things that people might have avoided adapting before — because they feel too difficult or too hard to land on the stage, [could be done],” he said. Beyond adaptations, Ross is excited about Back to the Future inspiring original stories told through extraordinary design and technology. “I love the idea of someone sitting in the audience watching [our show] and having a eureka moment for their idea — even if it isn’t in theater,” Ross said. “It’s just about realizing the impossible.”
For more in-depth interviews, up-to-date news and show reviews on Broadway, visit broadwaynews.com.
Scenic Design e MM a B ailey
K ENNY W AX, W ENDY & A NDY B ARNES, G EORGE S TILES, and K EVIN M C C OLLUM
present
by T OBY M ARLOW & L UCY M OSS
Costume Design g a B riella s lade
Lighting Design t i M d eiling
Associate Director g alia B a C kal e MM a e liza B eth s M ith n ella C ole k elly d eni C e t aylor h ailey a lexis l ewis a lizé C ruz t asia J ung B auer r eese C a M eron a nna h ertel C arlina P arker a B igail s P arrow
Orchestrations t o M C urran
Technical Supervision h udson t heatri C al a sso C iates
Tour Booking t he B ooking g rou P M eredith B lair & k ara g e B hart
Associate Producer s a M l e V y
Music Supervision (U.S.) r o B erta d u C hak
Casting t he tr C C o MPany P eter V an d a M , C sa
Tour Marketing & Publicity Direction B ond t heatri C al
General Management t heater M atters J ohn e . g endron
in association with C HICAGO S HAKESPEARE T HEATER with Music Supervision J oe B eighton
Choreography by C arrie -a nne i ngrouille
Directed by l u C y M oss & J a M ie a r M itage
Music Director V alerie M aze
Sound Design P aul g atehouse
Associate Choreographer e liza o h M an
Production Stage Manager J ay C arey
Advertising t he P ekoe g rou P Company Manager s te P hanie s M ith
Executive Producer (U.S.) l u C as M C M ahon
The Columbus Zoo is proud to partner with Broadway in Columbus
CAST
Emma Elizabeth Smith
Nella Cole
Kelly Denice Taylor
Hailey Alexis Lewis
Alizé Cruz
Tasia Jungbauer
Reese Cameron
Anna Hertel
Carlina Parker Abigail Sparrow
CAST
(in historical order)
Catherine of Aragon .............................. EMMA
ELIZABETH SMITH
Anne Boleyn ........................................................................NELLA COLE
Jane Seymour ............................................... KELLY DENICE TAYLOR
Anna of Cleves ............................................... HAILEY ALEXIS LEWIS
Katherine Howard .............................................................. ALIZÉ CRUZ
Catherine Parr TASIA JUNGBAUER
ALTERNATES
Alternates never substitute for the listed performers unless a specific announcement is made at the time of the appearance.
REESE CAMERON, ANNA HERTEL, CARLINA PARKER, ABIGAIL SPARROW
DANCE CAPTAIN CARLINA PARKER
AT THIS PERFORMANCE
Scan this QR Code to see the cast at this performance
SIX WILL BE PERFORMED WITHOUT AN INTERMISSION
The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers and watches.
MUSICAL NUMBERS
“Ex-Wives” .................................................................. The Queens
“No Way” .................................................... Catherine of Aragon
“Don’t Lose Ur Head” ............................................ Anne Boleyn
“Heart of Stone” ................................................... Jane Seymour
“Haus of Holbein” ..................................................... The Queens
“Get Down”........................................................... Anna of Cleves
“All You Wanna Do” .................................... Katherine Howard
“I Don’t Need Your Love” ................................. Catherine Parr
“Six” ............................................................................... The Queens
ONE: to Arthur (Henry’s older brother), November 14, 1501 (aged 15)
TWO: to Henry VIII, June 11, 1509 (aged 23)
Mary, born February 18, 1516 (later Queen Mary I).
Catherine also had two other children who died as infants, three stillborn children, and several miscarriages.
Religion, sewing, dancing, a bit more religion.
Probably a type of cancer.
Her refusal to accept that her marriage was invalid; her faith; her dramatic speech to Henry when he had her brought to court to seek the annulment of their marriage.
While Henry fought in France in 1513, Catherine was regent during the Battle of Flodden; when James IV of Scotland was killed in the battle, Catherine wanted to send his body to Henry as a present.
ANNE BOLEYN
QUEENSPIRATION
Beyoncé and Shakira.
BIRTH AND DEATH
MARRIAGE
CHILDREN
INTERESTS
QUEEN LINKS
CAUSE OF DEATH
REMEMBERED FOR...
DID YOU KNOW? DID YOU KNOW?
QUEENSPIRATION
JANE SEYMOUR
BIRTH AND DEATH
MARRIAGE CHILDREN
INTERESTS QUEEN LINKS CAUSE OF DEATH
QUEENSPIRATION REMEMBERED FOR... DID YOU KNOW?
c. 1501 – May 19, 1536
January 25, 1533 (aged 31)
Elizabeth, born September 7, 1533 (later Queen Elizabeth I). Anne also had at least two miscarriages.
Headlessness; bringing about England’s break with the Pope; having a sixth fingernail.
Because she was fluent in French, Anne would have acted as a translator during the visit of Emperor Charles V to court in 1522.
Lily Allen and Avril Lavigne.
1507 or 1508 – October 24, 1537
May 30, 1536 (aged 28 or 29)
Edward, born October 12, 1537 (later King Edward VI).
Religious faith, obedience. Lady-in-waiting to Anne Boleyn. Hemorrhage after the birth of Prince Edward; her child with Henry.
Adele and Sia. Being the “only one he truly loved”; having two troublesome brothers who fought over the regency of the young Prince Edward after King Henry’s death. While Anne Boleyn was still alive, Henry sent Jane a gift of money which she refused, apparently saying there “was no treasure in this world that she valued so much as her honor.”
ANNA OF CLEVES
ALSO KNOWN AS
BIRTH AND DEATH
MARRIAGE
Anne of Cleves (the Anglicisation of her name)
She is referred to as Anna here to distinguish between the two Annes & to honor the name she would have called herself in her own language.
1515 – July 16, 1557
January 6, 1540 (aged 24)
None. CHILDREN
INTERESTS
QUEEN LINKS
CAUSE OF DEATH
REMEMBERED FOR...
DID YOU KNOW?
QUEENSPIRATION
KATHERINE HOWARD
BIRTH AND DEATH
MARRIAGE CHILDREN
INTERESTS
QUEEN LINKS
CAUSE OF DEATH
REMEMBERED FOR... DID YOU KNOW?
Staying alive.
Anna visited Katherine Howard once she became queen and bowed down to her.
Probably cancer.
Being chosen from her portrait and then rejected when Henry met her.
When Henry first met Anna of Cleves, he disguised himself, possibly imagining some sort of a romantic reaction. According to a witness, when Henry kissed Anna, she turned away coldly from the hideous stranger molesting her. The witness, Lord Russell, observed that he “never saw His Highness so marvelously astonished.”
Nicki Minaj and Rihanna.
QUEENSPIRATION
CATHERINE PARR
BIRTH AND DEATH
MARRIAGE CHILDREN
INTERESTS
QUEEN LINKS
CAUSE OF DEATH
REMEMBERED FOR...
DID YOU KNOW?
QUEENSPIRATION
c. 1523 – February 13, 1542
July 28, 1540 (aged 17)
None.
Religious faith, obedience. Lady-in-waiting to Anna of Cleves; cousin to Anne Boleyn.
Executed on Tower Green, London.
Being completely used (and abused) by those with power over her.
From her arrest on November 8, 1541 until her execution three months later, Katherine stayed under house arrest at Syon House; in late January of 1542, an act was passed in Parliament that rendered it treason for a woman to become the king’s wife without “plain declaration before of her unchaste life,” meaning Henry could have her killed.
Ariana Grande and Britney Spears.
c. 1512 – September 5, 1548
ONE: to Sir Edward Burgh, a courtier, 1529 – 1533
TWO: to John Neville, Lord Latimer, 1534 – 1543
THREE: to Henry VIII, July 12, 1543
FOUR: in secret to Thomas Seymour, May, 1547
A daughter (to Thomas Seymour) who died as an infant.
Writing books, encouraging education, the Reformation. Catherine’s mother was lady-in-waiting to Catherine of Aragon and Catherine was friendly with Aragon’s daughter, Princess Mary.
Surviving.
Catherine was the first woman in England to publish books under her own name and in English.
Childbirth. Alicia Keys and Emeli Sandé.
WHO’S WHO in the CAST
EMMA ELIZABETH SMITH (Catherine of Aragon) is honored to make her national tour debut and to join the Queendom! TXSTMT grad. A thank you to God, her parents & sissy, family, & friends for their endless love. And to A&R, CTC, & TRC for their trust & support. @emmalizsmith
NELLA COLE (Anne Boleyn).
Broadway: The Illusionists. TV: “The Last OG” (co-star) HBO, E!, NBC, Nickelodeon. 1st Nat’l Tours: & Juliet, Pretty Woman, Cruel Intentions World Premieres: Becoming Nancy, This Ain’t No Disco. Nella makes pop music! @nellacole
KELLY DENICE TAYLOR (Jane Seymour) is most recently known for her run with the Aragon Tour and Broadway company of SIX!
Previously a recording artist under DMG (Walt Disney Records), Kelly has made a variety of TV appearances on Disney+, Disney Channel, ABC, and more! International: Disney Cruise Line, Universal Studios Japan. Endless thanks to my agents at FSE, to TRC, and the entire queendom! @kellydenicetaylor
HAILEY ALEXIS LEWIS (Anna of Cleves) is an Afro-Canadian triple-threat artist, and has performed in shows such as: SIX, Harry Potter and the Cursed Child, Hairspray, and more across Canadian theatres, and TV/Film credits such as: Disney’s Zombies, American Gods, and most recently, Welcome to Derry. Hailey would like to thank her mama for being her forever Queenspiration. @haileyalexislewis
ALIZÉ CRUZ (Katherine Howard). Credits—Theatre: Raven Falco, Bat Out of Hell (Paris Theatre, Las Vegas), Moana, Disney’s When You Wish (Tuacahn Amphitheater). Film: Skeletons in the Closet (Lead Stand-In), Stella Artois x Ludacris (Lead), The Wrecker (Extra). She thanks her family, Firestarter Entertainment, the SIX team, and all of you Queens on her journey to the throne! Let’s make her-story!
TASIA JUNGBAUER (Catherine Parr) is honored to be a part of the Queendom and bring this histo-remix across the country. Broadway: Moulin Rouge! (Arabia, Satine U/S). TV: “WeCrashed” (Apple TV). Pepperdine University (Ayo Waves!). A million thanks to team SIX and Gray Talent Group. And to Mom, Yasmin, Mike, and friends - I DO need your love!
REESE CAMERON (Alternate) (they/ them). What a DREAM! Credits: Funny Girl (tour), Wonderful Town (NYCC), Diary of a Tap Dancer (A.R.T.). Thank you Marc, Dustin, and Eden at Daniel Hoff! To the non-bi-
nary queer kid in the audience, you belong here. @reese.cameron23
ANNA HERTEL (Alternate). National tour debut! Anna is elated to join the SIX Queendom. Off-Bway: Rock & Roll Man, Jimmy Awards Best Dancer ‘17, BFA Elon MT. Grateful to Daniel Hoff Agency & SIX team. Love to her husband, and family! Glory to God! @anna_hertel
CARLINA PARKER (Dance Captain, Alternate). Hello Queendom! National tour credits: RENT (Mimi/ Joanne understudy, Assistant Dance Captain), Rock of Ages (Justice/ Regina understudy), Mamma Mia! (Ali/Lisa understudy). Other credits: Mamma Mia! (Lisa), Summer (Adult Mary Ellen, Diva understudy). “Much love to my family, friends, and every dog I’ve ever seen.”
Instagram: @carlina_parker
ABIGAIL SPARROW (Alternate). Abigail is thrilled to return to the Queendom! Recently: Jenna in Waitress (ACT of CT), SIX (Mirvish, NCL) Producer, musician - new album coming 2026. Love to family, friends, TALENTHOUSENYC, and TRC. @abigailsparrowofficial
TOBY MARLOW (Writer) is the other half of Marlow and Moss, the writing duo behind the musical SIX, alongside Lucy Moss. For SIX, the duo won the 2022 Tony Award for Best Score, two Drama Desk Awards, an Outer Critics Circle Award, and they received a Grammy nomination for the album SIX: Live on Opening Night. Other writing and composing credits include Hot Gay Time Machine (West End), Book of Queer (discovery+), The Monkey King (Netflix), Leo Reich: Literally Who Cares?! (Off-Broadway, Soho Theatre), “The 75th Annual Tony Awards” (CBS), Dylan Mulvaney’s Day 365 LIVE! (The Rainbow Room), Courtney Act: Fluid (international tour), and Kyle Hanagami’s Stay Inside. Toby also writes pop music, collaborating with artists such as Jinkx Monsoon (The Virgo Odyssey), and Alaska Thunder**** (“ROY G BIV”). @thetobymarlow
LUCY MOSS (Writer, Co-Director) won the 2022 Tony Award for Best Score for THIS VERY SHOW, alongside her close personal friend and colleague, Toby Marlow. Her work on SIX also made her the youngest woman ever to direct a musical on Broadway (lol). Other writer-director credits include Why Am I So Single? (West End); Hot Gay Time Machine (West End). Her directing credits include Legally Blonde (Regent’s Park Open Air Theatre); Ratatouille: The TikTok Musical (Actors’ Fund Online Benefit). Her songwriting credits
The spotlight shines brilliantly on 2025/2026 PNC Broadway in Columbus.
What you see on the stage is the result of hours and hours of learning the craft. Hitting your mark. Getting off book. At PNC Bank, we know how much behind-the-scenes work goes into making the difficult look effortless. To the performers shining brightly tonight, bravo! Brilliantly Boring since 1865 is
include The Monkey King (Netflix); Book of Queer (discovery+); “The 75th Annual Tony Awards” (CBS). Most importantly, she loves to kayak. You can find her on the internet @mucyloss.
JAMIE ARMITAGE (Co-Director) is a Tony Award-nominated director for his work on SIX. Directing credits include: The Red & The Black (Tokyo Metropolitan Theatre), Straight Line Crazy (The Shed; co-directed with Nicholas Hytner), Southern Belles: A Tennessee Williams Double Bill (King’s Head Theatre); Spring Awakening and Sweeney Todd (RCSSD); And Tell Sad Stories of the Death of Queens (King’s Head Theatre); Love Me Now (Tristan Bates Theatre). Writing/Directing credits include: An Interrogation (Hampstead Theatre & Summerhall). He is an associate director of the Bridge Theatre. He was a resident director at the Almeida Theatre from 2019 to 2021, and an associate artist at the King’s Head Theatre.
CARRIE-ANNE INGROUILLE (Choreography) (She/her). Carrie is an Olivier and Tony Awardnominated choreographer for her work on SIX. Choreography credits include Antigone (Regent’s Park Open Air Theatre), Our Generation (National Theatre), Wonderful Town (Opera Holland Park), This Is My Family (Chichester Festival Theatre), Tales of the Turntable (Southbank Centre), Jeeves & Wooster in Perfect Nonsense (Duke of York’s Theatre/U.K. tour), The Mad Hatter’s Tea Party (Royal Opera House), The Suicide (National Theatre), R&D (Hampstead Theatre), The Catherine Tate Show Live (U.K. tour), Into the Hoods Remixed (Peacock Theatre/ U.K. tour) and Some Like it Hip Hop (Peacock Theatre/U.K. tour). Carrie is currently the U.K. Associate Choreographer for Hamilton, London.
JOE BEIGHTON (Music Supervision) is a musical director and supervisor based in London. In 2019, he received an Olivier Award nomination for Outstanding Achievement in Music for his work on SIX. Musical supervisor credits include SIX (U.K. tours and West End, Broadway, Chicago [winner: Jeff Award for Musical Direction], Sydney Opera House; NCL); St. Anne Comes Home (Actors Church); Babies (BYMT). Joe studied music at the University of Cambridge before training at the Mountview Academy of Theatre Arts.
EMMA BAILEY (Scenic Design) is an award-winning set and costume designer based in Scotland. She originally trained as an architect and continued her studies at the prestigious Motley Theatre Design course. In 2011, she was awarded the Linbury Prize for Stage Design for her production of Roy Orbison in
Clingfilm at the Royal Opera House London. She trained at the Royal Shakespeare Company and has gone on to design for theatre, opera, music and fashion. emmabaileydesign.com
GABRIELLA SLADE (Costume Design) works as a costume designer in the U.K. and internationally. She won the 2022 Tony, Drama Desk & Outer Critics Circle Award for Best Costume Design for SIX and was nominated for an Olivier Award in 2019 Credits include Spice World 2019 (U.K. & Ireland Stadium Tour); The Cher Show; Bedknobs & Broomsticks; Curtains (U.K. & Ireland Tour). Gabriella is thrilled that SIX marks her Broadway debut.
TIM DEILING (Lighting Design). Nominated for the 2022 Tony Award for Best Lighting Design for SIX West End credits: SIX, Knights of the Rose, American Idiot, Cinderella, Dick Whittington, Vanities the Musical. He’s also lit many U.K. tours including Club Tropicana, Our House, HMS Pinafore and Summer Holiday. He’s worked on many plays/ musicals at regional U.K. theatres and throughout Europe. He’s also worked for many years as an associate to Ken Billington and The National Theater in London. Tim is an American living in London.
PAUL GATEHOUSE (Sound Design) is a Grammy, Tony and Drama Desk Award-nominated sound designer and music producer. Sound design: 42 Balloons (Lowry Theatre); The Little Big Things (@ sohoplace); Mandela (Young Vic); Identical (Nottingham Playhouse); Oliver! (Asia premiere in Tokyo); Rent (Hope Mill Theatre); SIX the Musical (London/ Broadway/ U.K. and U.S. tours/ Australia, Korea); Cameron Mackintosh and Disney’s Mary Poppins (London/ Tokyo/ Australia); The Witches of Eastwick (Cirkus Theatre, Stockholm); Amélie (MunichWerk7). Recordings: SIX: Live on Opening Night (producer/mixer); Mandela - Original Cast Recording (producer, mixer); Mel Brooks’ Young Frankenstein Original London Cast Recording (producer/mixer); Newsies (mixer); Miss Saigon: The Definitive Live Recording (recording engineer/mixer). Film: SIX the Musical (London).
TOM CURRAN (Orchestrations) is a Grammy, Tony, Olivier and Drama Desk Award-nominated orchestrator, arranger and music producer. Theatre credits include: The Great British Bake Off Musical (West End/ Cheltenham); Identical (Nottingham/ Manchester); SIX (Worldwide). As associate orchestrator: Funny Girl (Broadway/West End/U.K. tour); Barnum (Menier Chocolate Factory); High Society (The Old Vic). Orchestrations for Alexis Ffrench and
Marc Almond. Music department for Jeff Wayne’s The War Of The Worlds. Tom is a graduate of the Guildhall School of Music & Drama.
@tomcurran_music
ROBERTA DUCHAK (Music Supervision U.S.) Broadway: SIX. Broadway’s The Notebook (Vocal Coach), Hell’s Kitchen @ Public Theater (Vocal Coach), Regional: SIX (Chicago Shakespeare, A.R.T., Citadel, Ordway); Emma (Chicago Shakes); Past resident musical director at Drury Lane Theatre; Brigadoon (Goodman Theatre). Film: vocal coach for Russell Crowe and Hugh Jackman in Les Misérables. Winner of two Jeff Awards; five nominations. Notable acting credits: Ragtime (Broadway); Show Boat (National Tour); The 25th Annual Putnam County Spelling Bee (Chicago/ National Tour).
@robertaduchakvocalstudio
VALERIE MAZE (Music Director). Valerie is thrilled to be returning to SIX! Select Credits: SIX on Broadway and 1st National Tour. Conductor: Brigadoon (Goodman Theatre), Follies, Gypsy (Chicago Shakespeare), A Little Night Music (Writers Theatre, Jeff Award nomination), Evita (Drury Lane). At Lyric Opera of Chicago: Showboat, Oklahoma!, The Sound of Music (with Billy Zane), Carousel (with Steven Pasquale), The King and I (with Kate Baldwin), and My Fair Lady HUDSON THEATRICAL ASSOCIATES (Technical Supervisor). Over 100 Broadway productions and tours. Recent: Maybe Happy Ending, Sunset Blvd, Left on Tenth, Our Town, Oh, Mary!, Suffs, The Notebook, Hadestown, Hamilton, Aladdin. HTA is a member of Neil A. Mazzella’s Hudson family which includes Hudson Scenic Studios, Bridget Van Dyke, Sam Ellis, Sean Gorski, Brianna Stankiewicz, Brianne Tabak, and Irene Wang.
THEATER MATTERS (General Management) manages live entertainment globally. It is represented on Broadway by SIX and the upcoming Two Strangers Carry A Cake Across New York, and across North America by SIX and The Notebook. Recent productions include The Notebook, Days of Wine and Roses, The Play That Goes Wrong, Mrs. Doubtfire, The Devil Wears Prada and Peter Pan Goes Wrong.
THE TRC COMPANY (Casting) Led by partners Claire Burke, Kevin Metzger-Timson, Xavier Rubiano, and Peter Van Dam. Broadway: Dead Outlaw, BOOP! The Musical, Stephen Sondheim’s Old Friends, Buena Vista Social Club, Death Becomes Her, Left on Tenth, The Outsiders, Aladdin. National Tours: The Phantom Of The Opera, Water for Elephants, Beauty & The Beast, The Wiz, Back To The Future, Mamma Mia!, Les
Misérables. The TRC Company is proud to continue the casting legacy of Tara Rubin Casting and JohnsonLiff Casting.
GALIA BACKAL (Associate Director) is a first generation MexicanAmerican director, choreographer, and collaborator. Selected credits: El Huracán (Brooklyn College), Into the Woods (Prima Theatre), Does the Title Matter? (Circle in the Square Theatre School), El Corrido de California (Roundabout Theatre Company Refocus Project), Macbeth (Circle in the Square Theatre School), The Archive (Pace University), EVERYBODY (LIU Post), El Cóndor Mágico (The Civilians R&D Group). www.galiabackal.com
ELIZA OHMAN (Associate Choreographer) spent the pandemic teaching, dancing on her roof and handing out free samples of hempinfused seltzer. Dreams. Pre-pandemic she was seen onstage screaming/ crying in King Kong, as well as shows like Hamilton, “Fosse/Verdon,” “The Marvelous Mrs. Maisel” and “Dispatches From Elsewhere.” She practices the guitar daily, has seen little improvement, and loves Josh. Rom 12:12. @elizaohman
TAYLOR McMAHON (Resident Choreographer). At the core, Taylor thrives to curate creative spaces that place communication and collaboration above all else. Previously: Associate Choreographer Fly (La Jolla), One Thousand Nights and One Day (Prospect Theater) and co-creator Arts for Alz (@artsforalznyc). Choose kind. @taylorjmcmahon
ELIZABETH RACANELLI (Resident Choreographer) is so excited to be a part of the SIX Queendom. She was last seen performing in the Broadway and touring companies of Hamilton as a swing. She would like to thank the entire creative team for this special opportunity. Love to family, friends, MM, EGM, and AGM.
JAY CAREY (Production Stage Manager). Broadway: SIX, Ain’t Too Proud, Jersey Boys, Finding Neverland. Tours: SIX 1st National, Company, Ain’t Too Proud, Jersey Boys, The Curious Incident of the Dog in the Night-Time. A proud AEA member. Love to my three “Queens”Chris, Roxy, & Mom. @jaycarey212
ASHANI SMITH (Stage Manager) Nat’l Tours: Jagged Little Pill, Company, and Pretty Woman
Regional: The Preacher’s Wife (Alliance Theatre), The Color Purple, A Chorus Line, Lady Day (PA Shakespeare Festival). Proud member of Delta Sigma Theta Sorority Inc. Love to mom, Zion, and my amazing friends who continue to uplift me.
@ashanihadiyah
WILLIAM COLLINS (Assistant Stage
Manager). Touring: The Realish Housewives (The Second City). Also with The Second City, productions at Woolly Mammoth Theatre Company, The Kennedy Center, Huntington Theater, San Diego Repertory and Berkley Repertory. Six seasons with Peninsula Players Theater and the Chicago run of Hamilton. Love to Helen and Clara.
NEURO TOUR (Physical Therapy). Carolyn M. Lawson PT, founder and CEO NEURO TOUR & Neurosport Physical Therapy, leaders in entertainment and performing arts medicine We are honored to be part of this amazing production of SIX. NT, keeping performers, Happy, Healthy, & On Stage!
THE BOOKING GROUP (Tour Booking Agency) has represented 27 Tony Award-winning Best Musicals and Plays. Current tours include: Hamilton, Dear Evan Hansen, Come From Away, The Book of Mormon, 1776, Hadestown, Mean Girls, MJ The Musical, Pretty Woman, Six, Tina, To Kill A Mockingbird, Anastasia, Chicago, Fiddler on the Roof, Hairspray, My Fair Lady, R.E.S.P.E.C.T and Tootsie. Future tours include: Almost Famous, Funny Girl, Mamma Mia!, Mrs. Doubtfire, A Strange Loop, The Devil Wears Prada, and The Wiz
BOND THEATRICAL (Tour Marketing & Publicity) is an independentlyowned theatrical booking, marketing and publicity company representing award-winning Broadway shows and live entertainment properties. BOND connects artists and audiences by forming strategic, authentic and profitable partnerships between producers and presenters across North America. For a complete list of current projects, please visit BondTheatrical.com.
THE PEKOE GROUP
(Advertising/Social Media) is an advertising agency serving Broadway shows in NYC and on Tour. As a Certified Woman-Owned Business, The Pekoe Group is proud to represent SIX on Broadway and across North America.
KENNY WAX MBE (Producer), former president of the Society of London Theatre, is the worldwide producer of Tony Award-winning and Laurence Olivier-nominated SIX the Musical which was recently released in U.K. cinemas. Also represented in the West End and Off-Broadway by The Play That Goes Wrong, now in its 10th year, The Comedy About Spies, Just For One Day the Live Aid Musical and The Shark Is Broken. In development for production in 2026 is The Boy Who Harnessed The Wind and a co-production of Top Hat with Chichester Festival Theatre. Past Laurence Olivier
Award-winning productions include Top Hat (winner of three Olivier Awards, including Best New Musical), Once on This Island (Best New Musical), The Worst Witch and Hey Duggee (Best Family Entertainment) and the recently nominated Why Am I So Single? (Best New Musical).
WENDY BARNES & ANDY BARNES for GLOBAL MUSICALS (Producers). Global Musicals was founded by Wendy and Andy Barnes to produce new contemporary British musicals by lesser-known writers. Spotted by them as a student production at the Edinburgh Festival in 2016, SIX marked the company’s first production, which they now produce around the world. They recently produced the world premiere production of a new British musical 42 Balloons, by award-winning writer Jack Godfrey, which Jack submitted through their open submission program, Perfect Pitch, an ongoing resource for emerging writers. 42 Balloons received multiple 5-star reviews and will be opening a new production in Spring 2025. Other new musicals coming soon include Pieces of String & Wish List globalmusicals.com
GEORGE STILES (Producer) (he/him) is best known as an Olivier Awardwinning composer of stage musicals, most notably with lyricist Anthony Drewe. Their acclaimed shows include Honk! (Olivier Award for Best New Musical), Betty Blue Eyes, Soho Cinders and Mary Poppins, which played for six years at Broadway’s New Amsterdam Theatre and which recently enjoyed a triumphant West End revival and a second tour of Australia. George is a passionate supporter of new British musicals, nurturing new writing with the Stiles + Drewe Prize and Mentorship Award, and is proud to be making his Broadway producing debut with SIX alongside fellow champions of new British musicals, Kenny Wax, Wendy and Andy Barnes. With Kenny Wax, he will be producing the premiere of Marlow and Moss’ new show, Why Am I So Single? in London next year. stilesanddrewe.com
KEVIN McCOLLUM (Producer) received the Tony Award for Best Musical for Rent (1996), Avenue Q (2004) and In the Heights (2008). Current: SIX (Broadway, North American tour); Oh, Mary! (Broadway); The Devil Wears Prada (West End); Mrs. Doubtfire (West End); The Play That Goes Wrong (Off-Broadway). Additional Past Credits Include: The Notebook (Broadway); Days of Wine and Roses (Broadway); Peter Pan Goes Wrong (Broadway); Mrs. Doubtfire (Broadway); Motown: The Musical
(Broadway, West End, U.K. and U.S. tours); The Drowsy Chaperone (Broadway, U.K. and U.S. Tours); Something Rotten! (Broadway, U.S. tour); Hand to God (Broadway, West End); Baz Luhrmann’s La Bohème; [title of show] (Broadway). West Side Story film (2021) directed by Steven Spielberg. Upcoming: Black Swan, Night At The Museum, 42 Balloons
CHICAGO SHAKESPEARE THEATER (Producer) proudly produced the North American premiere of SIX. A leading international theater company and recipient of the Tony Award for Outstanding Regional Theatre, Chicago Shakespeare produces a yearround season featuring plays, musicals, world premieres and theatrical presentations from around the globe—alongside education programming for students, teachers and lifelong learners, and creative community engagement with artists across the city. The Theater is Chicago’s leading international presenter and has toured its own productions across five continents, garnering multiple accolades, including the prestigious Laurence Olivier Award. chicagoshakes.com
DATE: 11/13/25 SIZE: 4.625”w x 3.75”h
LUCAS McMAHON (Executive
Producer) is thrilled to be part of the Queens’ reign! He is represented on Broadway this season with The Notebook, Oh, Mary!, and SIX Other credits include Mind Mangler (Off-Broadway), Peter Pan Goes Wrong (Broadway and LA), The Play That Goes Wrong (Broadway, OffBroadway and national tour), Mike Birbiglia’s The New One (Broadway and national tour), Something Rotten! (Broadway and national tour), Hand to God (Broadway and West End), Mrs. Doubtfire (Broadway, national tour and West End) and Leo Reich: Literally Who Cares?! (OffBroadway).
SAM LEVY (Associate Producer) is an award-winning New York-based theatre producer. Credits include SIX (U.S. and Canada); Why Am I So Single? (West End); 42 Balloons (U.S. and U.K.); Come From Away (Broadway, West End, Toronto, Australia); The Ferryman (Broadway); The Mentalists (West End); Old Stock: A Refugee Love Story (New York and London). Over a decade with Arielle Tepper Productions, including director of programming at the Summer Play Festival at The Public Theater. Proud to be associated with SIX from its early days in the UK, to Broadway and beyond.
STAFF FOR SIX
GENERAL MANAGEMENT THEATER MATTERS
John E. Gendron
Ashley Berman
Bella Cordova Michael Camp Rachel Bonner
Arella Flur Katie Pope Annie Van Nostrand
COMPANY MANAGER
Stephanie Smith
Associate Company Manager Royce Matthews
ASSOCIATE PRODUCER Sam Levy
PRODUCTION SUPERVISOR
Molly Meg Legal
PRODUCTION MANAGEMENT HUDSON THEATRICAL ASSOCIATES
Stephen M. Kaus Sean Gorski Bridget Van Dyke
Brianna Stankiewicz Frank Swann
Brianne Tabak Irene Wang
TOUR BOOKING AGENCY THE BOOKING GROUP
Meredith Blair Kara Gebhart
Laura Kolarik Stephanie Ditman Sophie Tiesler www.thebookinggroup.com
TOUR MARKETING & PUBLICITY BOND THEATRICAL bondtheatrical.com
Temah Higgins Mollie Mann DJ Martin
Marc Viscardi Wendy Roberts
Jenny Bates
Melissa Cohen Harrison Mootoo
Alexandra De La Cerda Caroline Frawley
Bridget Gross Tony Joy Steph Kelleher
Deborah Mann Scotland Newton Elisabeth Reyes Linda Stewart Katelyn Wenkoff
ADVERTISING/SOCIAL MEDIA THE PEKOE GROUP
Amanda Pekoe Jessica Ferreira Christopher Lueck
Connor Santos Jenny Dorso Kiernan Matts
Ryan Meitzler Kelly Ganning David Blaakman
Audrey Armacost Ashley Steinberg Emily Mayo
CASTING THE TRC COMPANY
Claire Burke CSA, Kevin Metzger-Timson CSA, Xavier Rubiano CSA, Peter Van Dam CSA, Tara Rubin CSA, Merri Sugarman CSA, Louis DiPaolo CSA, Spencer Gualdoni CSA, Olivia Paige West CSA, Frankie Ramirez CSA
LEGAL COUNSEL
LEVINE PLOTKIN LLP
Loren Plotkin Conrad Rippy Susan Mindell
Daniel Watkins Emily Erstling Kevin Hess Cris Criswell
Production Stage Manager Jay Carey
Stage Manager ................................ Ashani Smith
Assistant Stage Manager William Collins
Associate Director Galia Backal
Associate Choreographer................... Eliza Ohman
Resident Choreographers Taylor McMahon, Elizabeth Racanelli
Associate Scenic Designer Meredith Ries
Associate Costume Designers Lisa Zinni,
Amanda Jenks
Assistant Costume Designer ........... Courtney Irizarry
Associate Lighting Designer Timothy Reed
Assistant Lighting Designers ................ Victoria Bain, Piper Phillips
Associate Sound Designers Joseph Haggerty, Josh Millican
Production Carpenter Andy Cappelli
Associate Production Carpenter ........... Adam Farber
Head Carpenter Gregory Pott
Assistant Carpenter Matthew McKim
Production Electrician......................... Jimmy Fedigan, Patrick Johnston
Head Electrician Edgar Vanegas
Assistant Electrician Jada Cox
Head Props Aaron Heeter
Production Sound ...................................Dillon Cody
International General Manager ....... Andrew Morgan
International Associate General Manager
Liv Marshall
International Associate Producer..... Demid Naumov
International Marketing Coordinator
Licensing Consultant
CREDITS
Olivia Johnston
Sacha Brooks
Scenery built, painted, and electrified by Hudson Scenic Studio. Automation and show control featuring Hudson Motion Control by Hudson Scenic Studio. Sound Shop: Sound Associates. Lighting equipment provided by PRG Lighting. Costumes executed by John Kristiansen New York Inc. Custom shoes by LaDuca. Custom Jewelry by R.Kaye Lmtd. Hosiery by Bratenders and Capezio. Wigs constructed by Chuck LaPointe.
Makeup provided by M·A·C
SPECIAL THANKS
We’d like to thank all the Queens and Ladies in Waiting past and present; Grace Taylor; FrannyAnne Rafferty; Freya Sands; Melody Sinclair; Katy Richardson; Justin Allin; Lauren Dix; Jamie Platt; Charlie Smith; Steve Gage; Lotte Wakeham; Cressida Carré; Andy Graham; Roberto Surace; Rebecca Fry; Jimmy Jones; the staff at the Arts Theatre; Kevin Wilson; Martin Barrow; Helen Snell; James & Rosie Pearson; Genevieve Ampaduh; Stephen Crocker and all the staff at Norwich Theatre; Andy Barnwell; Sylvia Addison; Pippa Ailion.
SIX was originally performed by the Cambridge University Musical Theatre Society and featured Megan Gilbert, Ashleigh Weir, Holly Musgrave, Tilda Wickham, Annabel Marlow, and Shimali De Silva.
For all tour booking inquiries, please contact The Booking Group www.thebookinggroup.com
To learn more about the production, please visit www.sixonbroadway.com Follow us on Twitter, Facebook, Instagram and TikTok: @sixustour
We are gathered in this theatre on the traditional
unceded homelands of the Miami, Shawnee, Kaskaskia, Hopewell Culture, and Ofo Nations, along with many other tribes that also called this area home. The entire team at SIX acknowledges these indigenous communities, the original stewards of this land; their elders both past and present; as well as future generations.
Please be advised that smoke, haze, and strobe lights are used during the performance.
WARNING
The photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside this theatre, without the written permission of the management, is prohibited by law. Violators may be punished by ejection and violations may render the offender liable for money damages.w
THE ACTORS AND STAGE MANAGERS EMPLOYED IN THIS PRODUCTION ARE MEMBERS OF ACTORS’ EQUITY ASSOCIATION, THE UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS IN THE UNITED STATES.
ATPAM, the Association of Theatrical Press Agents & Managers (IATSE Local 18032), represents the Press Agents, Company Managers and House Managers employed on this production.
Backstage Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).
The musicians employed in this production are members of the American Federation of Musicians.
AWAITING CONTENT
AWAITING CONTENT
INDIVIDUAL INVESTORS
Each season, CAPA relies upon generous gifts to bring world-class artists and programming to our stages and beyond. These partnerships help CAPA provide vital performing arts education and engagement to our community. We are honored to recognize the individuals and families that support CAPA every day that make our work possible. We are grateful for their commitment to the arts in our community.
Listed below are the combined gifts that were received between July 1, 2024 to June 30, 2025.
If we inadvertently omitted your name, please accept our sincere apologies. For a complete list of donors, please visit capa.com
$10,000+
Nick & Donna Akins ❖
The David and Elisa McCurdy Donor Advised Fund ❖✷✐
The DiMarco Family Fund of The Columbus Foundation ❖✐ In Honor of David & Mo Meuse
Jane & Michael J. Endres ❖✷
Larry & Marion Fisher ❖❤✷✐
Joe & Lori Hamrock ❖
Donna & Larry James ❖✷
Mike & Linda Kaufmann ❖❤
Monica & Doug Kridler ❖✷
Mary Lipinsky ❖
The Marilyn M. Scanlan Irrevocable Trust ❖
Jane & John McCoy ❖✷
Joan & Steve Parrish ❖
Liz Riley ❖✐
The Riley Family Foundation ❖✐
The Schoedinger Family ❖
Don & Teckie Shackelford ❖✷
Bob & Peggy Walter ❖✷ In Honor of Mr. John Finn
The Robert J. Weiler Company ❖✐
Scott Whitlock ❖✷
Anonymous ❖
$5,000–$9,999
John Beeler ❖✐
William & Christy Cooper ❖
The DeeDee & Herb Glimcher Philanthropic Fund ❖
John & Bebe Finn ❖
T.R. & Sara Gross ❖✷
Brian & Amanda Huprich ❖
The Karen F. Lane Fund of The Columbus Foundation ❖
The Largent Family Private Foundation Trust ❖
Ann & Michael E. LaRocco ❖
In Honor of David & Mo Meuse
Karen Hough Majidzadeh & Todd Majidzadeh ❖❤✷✐
In Memory of Mary Lee Cobb Hedrick
Mary Beth & Luke McCormick ❖✐
John McEwen ❖
Melanie Murray ❖
Ann & Ron Pizzuti ❖✷
Linda & Michael Stickney ❖❤✷
Melinda & Chad Whittington ❖❤✷✐
Lisa & Ronald Wilson ❖
Scott & Elizabeth Wise ❖
Anonymous (2) ❖
$2,500–$4,999
The Carroll Family ❖❤
Amy & Josh Corna ❖❤✷
Meredith & Jay Crane ❖
Kirsten Dell ❖
In Memory of Rusty Bell
Sandy Doyle-Ahern & Michael Ahern ❖
Trey & Lynne Dye ❖
In Honor of David & Mo Meuse
Cindi Englefield & Dave Kaylor ❖
Elisabeth Evan ❖
Michael & Mollie Ezzie ❖❤
The Hattie & Robert Lazarus Fund of The Columbus Foundation ❖
Ann & Tom Hoaglin ❖✷
Jill Jeffrey Kingsley ❖✷
David Kundert ❖
In Honor of David & Mo Meuse
The Lurie Family Charitable Fund of The Columbus Foundation ❖
The Lynnda & Steven Davis Family Foundation ❖❤✷
Doug & Cookie McIntyre ❖✷
Kimberly & Marc Minor ❖❤✷
Ohlinger Publishing Services ❖
Alicia & Greg Overmyer ❖
Edwin & Mary Jane Overmyer ❖✷
Curt & Peggy Robson ❖
Kathleen Lach & Dan Rowan ❖❤✷
Matt & Cathy Satterwhite ❖❤✷
Amy & Alan Shore ❖
The Susan Tomasky & Ronald Ungvarsky Family Foundation ❖✷
Kara J. Trott & Robert Philips ❖✷
Mr. & Mrs. William C. Wolfe, Jr. ❖
Laura & Jeff Yaroma ❖❤✷
Mary Yerina & Bob Redfield ❖✷
Anonymous ❖
$1,200–$2,499
Robert Allen & Diane Weaver
George S. Barrett ✷
Trudy Bartley
Carroll & Joe Bowman ✷
Steven Brechter
Nicole & Christopher Callam ❤
Mark & Mindy Corna ✷
Kristina & Matthew Daiker ❤
David English ❤
In Memory of Blair & Jone English
The David Feinberg & Felicia Franco-Feinberg Charitable Fund
James B. Ford, D.D.S. ✷
Robert Fry & Janice Quatman ✷
Babette Gorman & Jack Buckingham ✷
Debra & Duncan Griffin ❤
Mr. & Mrs. William Guy ✷
Richard Helmreich ❤
Stephen Ifeduba & Terrilyn W. Ifeduba ❤
Lisa Ingram & Greg Guy
The James Mohr Charitable Fund
Scott & Kimberly Jones ✷
Mary & Thomas Katzenmeyer ✷
In Honor of Patricia Eshman & William Steele
The Kent Johnson & Gillian Thomson Fund
Mary G. & C. Robert Kidder ✷
Tom Krouse ❤
Drs. Scott Kurzer & Shu Wang
Ray & Kemberly Lang In Memory of Kenneth E. Meiners
T. Earl LeVere, Esq ❤
Bailey Massari ✷
Sally Jeffrey ONeil
Cindy G. Owens ✷
Angela Pace ❤
Ann & Jack Ruscilli ✷
Marcy & Jonathan Schaffir ✷
Michael & Laure Schoedinger ❤
Jane & Tim Stehle
Holly & Sean Stokes ❤
Nancy Strause
Stephanie & Dr. Ronald M. Taddeo
Sheldon & Rebecca Taft ✷
In Memory of Frances Smith Rinehart
Linda & Rainer Teufel
Dr. Jeff Vasiloff
Cynthia & Dr. Steven Wanamaker
Julie & Jeff Wilkins ✷
Anonymous $600–$1,199
Carol Andreae & James Garland
George & Vanessa Arnold
Ashley & Judith Bird
Andre & Jennifer Bondurant
Mel & Audrey Bornstein
Barbara Brandt ✷
The C. John & Flo Ann Easton Family Fund
Cap Clegg
Karen Conner ✷
In Memory of Bill Conner
Tony & Doug Crabill
Dr. Patricia A. Cunningham
In Memory of Dr. Craig R. Hassler
Mike & Sharon Curtin
Jon & Anne Davis
Elfi Di Bella ✷
In Honor of Patricia Eshman & William Steele
Ric Dillon ✷
Heather & Brian DiMasi
(White of Dublin Bridal Boutique)
In Honor of David & Mo Meuse
Amy Gleason
Robin & Peter Hersha
Steven W. Hillyer
Kevin & Laurie Hommema
Charles & Lisa Howe
Frederick M. & Judith K. Isaac
Lauerhass Architecture
Jeff & Wendy Luedke
William J. & Donna McGraw III
James & Joni Medsker
Malcolm & Barbara Mogren ❤✷
Julia Noulin-Mérat & Patrick McGovern ✷
Dan & Jennifer Overmyer
Toshia Safford ❤
Dr. Philip & Mrs. Elizabeth Samuels
Scott Schiff
Paul & Dianne Schmeling
Joyce Schoedinger
The Revs. Bruce & Susan Smith
R. Tyler Stant
Allison H. Steiner & Ryan J. Harding ✷
In Honor of David & Mo Meuse
Ralph & Joan Talmage
Lynn & John Vottero
Charlotte A. Yates
In Memory of Allan J. Yates
Barbara & Bob Young
Anonymous (6)
We would be thrilled for you to join this list. Please contact Barbara Markus at bmarkus@capa.com or 614-719-6702 to discuss a partnership.
photo: Mitchell Multimedia
CORPORATE, FOUNDATION, & GOVERNMENT PARTNERS
$100,000+
American Electric Power
Greater Columbus Arts Council
Honda of America
Ohio Arts Council
OhioHealth
The Columbus Foundation
The Jane H. Zimmerman Arts Fund, The Martha G. Staub Fund, and The Richard G. and Mary Jo Seyler Fund
$50,000–$99,999
Nationwide Foundation
PNC Foundation
Wolfe Foundation
$25,000–$49,999
Continental Building Company
G & J Pepsi-Cola Bottlers, Inc.
The Huntington Bank
The McCutchen Foundation
In aligning their brands with ours, CAPA’s corporate partners demonstrate a commitment to the cultivation and nurturing of the performing arts in Columbus.
CAPA Partners also demonstrate their own commitment to quality, innovation, and excellence to CAPA’s audience who are discerning, sophisticated, loyal patrons. Thank you to these partners that made gifts between July 1, 2024 and June 30, 2025.
Nationwide Insurance
Vision Development
Worthington Companies Foundation
$10,000–$24,999
Broadway Across America
City of Columbus Recreation and Parks Department
Cooper Family Foundation
Construction Systems, Inc.
Crane Group Co.
Danbert, Inc.
Diamond Hill Investments
In Honor of Heather Brilliant
Edwards Companies
Electrical Service Professionals
Johnson Investment Counsel
KEMBA Financial Credit Union
Meuse Family Foundation
The Riley Family Foundation
Rockbridge
Schooley Caldwell Associates
Stonehenge Partners
Verizon Foundation
$5,000–$9,999
Abbott Laboratories
ADAMH Board of Franklin County
Bricker Graydon
BakerHostetler
Bath & Body Works
CASTO
Columbus Metropolitan Housing Authority
Denison University
Downtown Columbus, Inc
Fifth Third Bank
The Harry C. Moores Foundation
Ice Miller Community Involvement
IGS Energy
ImprovEdge
JP Morgan Chase M/I Homes Foundation
Nationwide Insurance
Overmyer Hall Associates
Porter Wright Morris & Arthur LLP
Premium Beverage Supply
PVS Chemicals
Schoedinger Funeral and Cremation Services
WBNS-10TV
Windsor Advisory Group
If we inadvertently omitted your name, please accept our sincere apologies. For a complete list of donors, please visit capa.com
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