Buness
Katja Nagel
Varvara Roza
Paulina Billiri
Dr. Alkistis Prinou
Despina Gavala
Anent Temples
Kiera Chaplin
India Hicks
Leah Wood
Irene Vantaraki
Carole Feuerman
Ioanna Paraskeva
Dr Varvara Karagkiozaki
Greece Τhe Forgotten Say NO to violence agast women
Wednesday 19th March 2025 / 7-10 pm at SU MOS AN TWIGA House of Beluga by TWIGA Exclusive Nightclub Knightsbridge
Club Vivanova and their international partners invite you to enjoy a gourmet cocktail evening of luxury products, information and services shared amongst individuals and businesses having a common interest in positive and dynamic brand development. The first edition of The Ultimate Mixer London strives to bring together exceptional people in an exquisite location to cultivate new business opportunities.
Attending partners are invited from the following luxury retail and bespoke service business sectors - Automobile, Private Jet, Yachting, Watches, Jewellery, Wines and Spirits, Property, Banking, Fiscal Services, Family Office, Fashion, Interior Design, Event Hospitality, Contemporary Art, Beauty, Fitness, Wellbeing, Sustainability, Travel, Security, Recruitment, Concierge and Higher Education.
GREECE - CYPRUS - LONDON - MONTE CARLO
The fight for women’s rights is not just about equality —it’s about unlocking the full potential of humanity. Let’s be honest— women’s rights should be as unquestioned as gravity. Yet, here we are in the 21st century, still having discussions about.
Supporting women’s rights isn’t about taking anything away from anyone; it’s about ensuring that half the population has the same opportunities, freedoms, and respect as the other half. It’s not radical—it’s just fair.
Fast forward from the past to today, and we’re still dealing with wage gaps, workplace discrimination, and debates over whether women should have control over their own bodies. It’s exhausting.
As we look to the future, ensuring women’s empowerment is not just a moral imperative but a necessity for societal progress.
When we empower women, we uplift families and build a world where everyone, regardless of gender, has the chance to reach their full potential.
The time for change is now. Together, we can create a society where equality isn’t just an aspiration but a reality.
SEASHORES sunkissed during the whole day, till the spectacular sunset hour. Vast sandy coastline with crystal clear waters, ideal for endless play with the waves. 13 blue flag beaches and one of the
longest coasts in Greece. Picturesque seaside destinations, easily accessible by land, as well as marinas, anchorages and magnificent calm seas, ideal his is Olympian Land. AN EPIC LAND!
Haute Couture: HERMES Fall/Winter 2024-25 “Ready-to-Wear Collection”
12 Guila Clara Kessous A Passionate Peace Ambassador Exclusive interview byAda Iliopoulou
26 Hermès
Three Greek stories /
By Christos Zampounis
32 Kiera Chaplin / Κιάρα Τσάπλιν Model, multifaceted business woman and an activist
34 India Hicks / Ινδία
Humanitarian, Designer, Entrepreneur, Author and Mother of five
36 Superwoman at the top Burnout and how to avoid it
By Valentina Kordi
38 Leah Wood /
Artist & activist
42 Dr Varvara Karagkiozaki / Δρ. Βαρβάρα
Cardiologist - Founder of Nanotouche cosmetics
44 Irene Vantaraki / Ειρήνη
International Affairs Strategist “Α Mastermind Behind Global Networking”
50 Carole Feuerman /
Artist-Sculptor
52 Say No to violence against Women By Dr Danai Serfioti | Dr D |
54 Ioanna Paraskeva Artist for humanity
56 Edward Hopper [1882 – 1967]
The most important realist painter of the 20th century By Argy Pappas Tsiota
57 Women in BUSINESS Keysof Success FiveWomen Who Inspire and Lead in Business Excellence
• Dr Katja Nagel • Varvara Roza
• Paulina Billiri • Dr. Alkistis Prinou • Despina Gavala
68 Nassos Daphnis
The Pioneer of Hard Edge Geometric Abstract Minimalism
73 A Tribute Year to Takis (1925-2025)
The 100th Anniversary of his birth will be celebrated with exhibitions and events both in Athens and abroad
74 ANCIENT TEMPLES in Greece Text and Photography: Vangelis Rassias
• EDITORIAL TEAM: Fotini Androulaki, Ada Iliopoulou, Constantine G. Loukas, Evan Spiropoulos, Ilias Hatzis, Valentina Kordi, Argy Pappas Tsiota, Zeta Karaspiliou, Ioanna Paravalou, Alina Asteriadi, Ioanna Venieri, Eleni Politou, Danae Serfioti • PHOTOGRAPHY: Math Studio/ Marios Theologis, Studio Vangelis Rassias, Papadakis Press, Studio Panoulis, Notis Stamatelos, Alexios Gennaris • U.K Correspondent: Evanthia Anastopoulou
Fall/Winter 2024-2025
“Bikeuse Équestre”
The collection, designed by Nadège Vanhee, draws inspiration from equestrian and motorbike themes. Vanhee’s “Bikeuse Équestre” outfits featured cowboy boots with cropped leather pants and moto boots with skirts or dresses. Investment-worthy leather outerwear dominated, from equestrian jackets to pieces with shaved-shearling collars and ostrich feather embroidery. Vanhee ventured into bold, sexy designs with ribbed leather leggings and studded pencil skirts, balanced by softer, printed silk dresses. The collection blended sensuality, craftsmanship, and timeless elegance.
make-up Artist: @nuomeijiaye
Style: @printemps
Stylist: @thebleacheyebrow et @_anxngn
Beauty: @estheclinic_france
Would you imagine a woman, a humanitarian activist helping the Rohingya people in Bangladesh and supporting women victims in Congo with art therapy, to also become a muse for the prestigious French Printemps store during Fashion Weekfor a catwalk inspired by the peace we all yearn for? Well, it’s true! This remarkable woman exists. She is a UNESCO Artist for Peace named Guila Clara Kessous, an international diplomat and a committed ambassador for peace. She is also an expert in international negotiation consulting and a renowned executive coach, but above all, she is a woman who believes in the power of sisterhood. With a clear vision for a better world grounded in the values of women's rights, she pours something priceless into her work: all of her heart! Five years ago, she founded and continues to lead the Femina Vox International Forum, which highlights the voices of women worldwide, focusing on their rights, societal roles, and diplomacy. Held this year on March 5th, this event celebrates International Women’s Rights Day. In alignment with the United Nations’ 2025 theme, "For ALL women and girls: Rights. Equality. Empowerment," the forum offers a powerful global platform for women from all sectors to share their struggles, successes, and dreams. Because gender equality is still far from being achieved, and every voice matters in advancing women’s rights worldwide, more than twenty speakers, including Nobel Peace Prize laureates, First Ladies, and activists, have already shared their experiences and propose concrete solutions to drive change. This year’s theme calls for action to unlock equal rights, power, and opportunities for women, so we can empower future generations. Join me to discover the incredible spirit of Guila Clara Kessous – a truly one-of-a-kind individual.
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■ One might think that as times evolve, so would the progress of women’s rights. Sadly, that is not the case. Can you tell us more about the work you’re doing about women’s rights around the world?
A quick look at the numbers will reveal that women’s rights are still far from being realized. One in three women experiences violence in her lifetime, 70% of people living in poverty are women, despite performing over 75% of the world’s unpaid labor. Additionally, women hold only 26% of parliamentary seats and remain largely absent from international peace negotiations. While we refuse to fall into a victim mindset, these inequalities are a loud call to action. My work in women’s rights focuses on three key pillars. First, the groundwork: helping women who are victims of posttraumatic stress through art therapy, particularly drama therapy. By reconnecting survivors with their bodies through theater, "catharsis" – the expression of pain –becomes more accessible. Second, providing a platform for women’s voices through the International Forum Femina Vox, which I direct as UNESCO Artist for Peace. Finally, fostering women’s empowerment as an executive coach, working with leaders in both the private sector (C-suite, Fortune 100 companies), public sectors (Ambassadors, Ministers), and diplomatically through the “International Accords for Women in Diplomacy” initiative.
■ How did your commitment to women’s rights begin?
I clearly remember my encounter with Tatiana Bandalire Mukanire, head of the national movement of survivors of sexual violence in the Democratic Republic of Congo. She shared her personal story with me presenting her text Beyond My Tears, using it as a tool for art therapy. One powerful passage, "Letter to My Executioner," stood out, where she told the man who raped her that although she would never forget, she would not let him steal her hate. These encounters, along with listening to executive women from around the world share their stories of patriarchy’s humiliations, made me realize that I had to dedicate myself to advancing women’s rights. Whether as an "artivist" (an artist and activist) or an executive coach for both private and public sectors, I decided to engage fully, while also honoring my humanitarian duties as a UNESCO Artist for Peace. My focus remains on driving progress for women’s rights.
■ Could you tell us more about the Femina Vox International Forum on March 5th at UNESCO, which you organized with prominent dignitaries from around the world?
I founded the Femina Vox International Forum five years ago to amplify the voices of women from all corners of the globe. For the past four years, the event has been held under the high patronage of UNESCO, and this year, it will take place at UNESCO on March 5th. My mission was to create a global platform where women from every sector of society could share their struggles, successes, and hopes in a safe, supportive environment. Over the years, we have welcomed many remarkable leaders who have offered their valuable insights and proposed actionable solutions to drive meaningful change. Notable participants include Nobel laureates Congolese Dr. Denis Mukwege and Iranian Dr. Shirin Ebadi, celebrated activists like Eve Ensler, fashion philanthropist Diane von Furstenberg, renowned artists, ministers, and royals such as Her Royal Highness the Grand Duchess of Luxembourg, alongside First Ladies and esteemed actresses, including Claudia Cardinale and the First Ladies of Iceland, Greece, and Guyana.. Most importantly, the forum has provided a space for those on the front lines – individuals working across all five continents to create real, lasting change. Since its inception, the Femina Vox International Forum has hosted over 150 speakers, each sharing concrete initiatives to promote women’s rights in 112 countries, all while actively contributing to the global movement for gender equality.
■ The year 2025 marks the 30th anniversary of the Beijing Declaration and Platform for Action, a crucial milestone in the global pursuit of gender equality and women’s empowerment. How have you incorporated this significant dimension into the Femina Vox International Forum?
In 1995, in Beijing, the international community adopted the UN Declaration and Platform for Action for women’s rights. The Beijing Declaration continues to be a guiding force, shaping policies and driving investments in areas such as education, health, peace, media, political participation, economic empowerment, and the elimination of violence against women and girls. At the Femina Vox International Forum on March 5th, we are honored to welcome two exceptional women directly aligned with The Beijing Declaration from China: Mrs. Wang Yanping, an active participant in the Beijing Women’s Conference, and Mrs. Wang Xiangxian, an executive committee member of the Ninth National
Whether as an "artivist" (artist and activist) or an executive coach for both private and public sectors, I decided to engage fully, while also honoring my humanitarian duties as a UNESCO Artist for Peace. My focus remains on driving progress for women’s rights.
"artivist" (artist
Women’s Congress. We will also be joined by Mrs.Yvonne Yung Hun, a distinguished Chinese actress and former beauty queen, who will discuss the cultural and artistic aspects of this milestone. We will welcome famous dancer Qian Qu to open the Femina Vox program. Together, we will reflect on the legacy of the Beijing Declaration and its profound impact on the world we live in today. ■
■ Could you explain what “Feminist Diplomacy” is?
The term “feminism” is often misunderstood today, so it's important to clarify what we mean by “Feminist Diplomacy.” It’s an inclusive approach, meaning it doesn’t exclude men from the process. Feminist diplomacy focuses on four key areas:
• Combating sexual and sexist violence.
• Ensuring universal access to education.
• Promoting the economic emancipation of women.
• Increasing women’s participation in politics, decision-making, and peace negotiations.
This concept is crucial because women and girls make up half of the world’s population and hold immense potential. Investing in them boosts economies, strengthens societies, enriches diplomacy, and, ultimately, secures a better future for all.
■ In the "Diplomatic Entrepreneurship" approach you’ve developed, you place significant responsibility on companies. How can businesses contribute to the peacemaking vision you envision?
Having worked extensively as an executive coach for companies, I can attest that business plays a vital role in international peace as an essential organ of society. “Diplomatic Entrepreneurship” ties directly to SDG 16, which focuses on world peace and the importance of global stability. A company is more than just a place for meetings; it’s a space for unity. We need to recognize that the real value lies not just in the profits, but in the relational journey that leads to them. It’s about collaboration, tolerance, and the ability to “agree to disagree” while moving forward together in the same direction.
A company leader’s legacy shouldn’t just be about how they created jobs, but rather how they brought together people of diverse origins and nationalities, contributing to a reduction in hatred by emphasizing our shared humanity. Take, for example, large corporations with multiple branches in conflict zones—these
companies can provide a framework for coexistence, as they have the unique ability to bring people together beyond political divides. These firms are living examples that, when we make the effort to truly know and work with one another, the ideological brainwashing that seeks to trap people in stereotypes can be overcome. ■
■ On a broaden approach, you are writing a book about “diplomatic entrepreneurship”, could you give us a sense of what it will be about?
Of course. Diplomatic Entrepreneurship offers a personal approach that empowers civil society to take action, fostering a more inclusive, multilateral way of living together. Just as entrepreneurial initiatives in business seek to disrupt and create innovation that generates value, 'Diplomatic Entrepreneurship' nurtures the emergence of civil initiatives—ones that generate human values, independent of economic gain. The aim is to dismantle barriers and foster connections, which form the foundation of diplomacy. A striking example of this is sports diplomacy: the ping-pong exchanges between the United States and China in the 1970s helped pave the way for renewed Sino-American relations. This ultimately led to U.S. President Richard Nixon’s historic visit to China in 1972—an unthinkable political event without this act of diplomatic entrepreneurship. Another initiative that can be qualified of“diplomatic entrepreneurship”. During Liberia's civil war, women played a crucial role in ending the conflict by organizing nonviolent protests and forming the Women of Liberia Mass Action for Peace. They staged mass sit-ins, held peace rallies, and used their collective strength to pressure leaders into negotiations. Their efforts ultimately led to the 2003 peace talks, resulting in a
ceasefire and the eventual end of the war. This civil initiative seeking to create peace can be referred to an act of “feminist diplomacy”. Whether through cultural, artistic, sport, feminist initiatives, my book will encourage individuals to reflect on their own ability to structure “Diplomatic entrepreneurship”, keeping them connected to humanity while shaping the world through meaningful relationships for a global peacebuilding approach.
“International Accords for Women in Diploma-
■ What is it to be a UNESCO Artist for Peace especially when war is so present in different places of the world?
I became UNESCO Artist for Peace in 2012 upon the recommendation of my PhD advisor, Nobel Peace Prize Elie Wiesel to UNESCO Director-General. This title is part of the prestigious UNESCO Goodwill Ambassadors program. For more than five years, I have been organizing two international forums: '
• Femina Vox' for International Women's Rights Day on March 8th
• World Art Day on April 15th
The rest of the year, I dedicate myself to grassroots work, offering executive coaching with creative methodologies for women's empowerment as part of the Coach50 circle, and engaging in humanitarian missions, such as working with Rohingya women in Bangladesh through dramatherapy or supporting women victims of sexual assault in Congo. Additionally, I created the podcast “Women on Board” to help women to be members of executive boards in collaboration with Harvard Business Review and I founded the 'International Accords for Women in Diplomacy,' traveling extensively to foster a global network of women committed to this cause.
'Diplomatic Entrepreneurship' nurtures the emergence of civil initiatives—ones that generate human values, independent of economic gain.
invited him to the Eleganza Fashion Show I was co-elaborating at Harvard University with Jean Paul Gaultier to celebrate diversity through fashion alongside an inspiring student at the time, Nick Navarro, who later went on to found the Melange Fashion Show. I explained my work with art therapy as an “artivist” (a blend of artist and activist), and he responded in French with his unmistakable Italian accent, “J’ai la robe qu’il vous faut” (“I have the perfect dress for you”). That’s when I discovered Valentino’s iconic Peace Dress, which combines fashion and a powerful message of peace. The white gown is adorned with the word “peace” stitched in fourteen different languages across its front. Originally created as a statement on the Gulf War in 1991, this dress has since become a timeless symbol of peace. For me, it became not just a piece of fashion but a statement—almost like a uniform—that I carry as a symbol of my own advocacy for peace.
■ I picture you wearing a peace-inspired dress designed by Valentino. Could you share more about your collaborations with renowned fashion houses and how these partnerships come together?
In 2007, I had the privilege of meeting Mr. Valentino at his farewell white collection. After the show, I shared a moment with him and
■ This year marks the season of your collaboration with Parisian-based luxury department store retailerPrintemps. You’re a muse for the Paris fashion show on March 4th, held during Fashion Week in celebration of International Women’s Rights Day. Can you tell us more about it?
When I had the chance to meet with Jean Marc Bellaiche, CEO of Printemps Group together with Emmanuel Suissa, Chief Partnership Officer at Printemps Group, they reminded me the lead figure of Augustine Figeac, an important actress from Comédie Française, who founded the store together with Jules Jaluzot. She was embodying femininity and was the one to choose the name “Printemps” which means in French “Spring,” as a disruptive way to do a feminine temple of fashion and luxury store during the 19th century. Printemps store is directly linked to women’s rights as it was originally designed by a woman with the assertiveness of creating a different way to shop. The team “Parole Paris” came to me for this creative collaboration together with Printemps organizing a photoshoot symbolizing the pursuit of peace for women, featuring a live dove on set. It was aligned with the values I promote through the Femina Vox International Forum and I was
thrilled to accept. This led to my role as muse on the runway for Paris Fashion Week’s celebration of International Women’s Rights Day. The show will take place on the iconic 7th floor of the Printemps store in Paris, often referred to as 'the 7th Heaven.' The images from this collaboration are profoundly poetic, paying tribute to both the strength and vulnerability of women crying out for peace.
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• Jean Paul Gaultier(ως Creative Designer),
• Le Tanneur(ως Guest Designer),
• Claudie Pierlot(ως Artist in Residence),
• Quintessence(ως Guest Artist).
■ You have worked with fashion icon as famous actress Eva Longoria who honored you with the Women Empowerment Award from her Global Gift Foundation. Why do you believe fashion has the power to change the world?
Fashion is for me a powerful vector for change because it has the ability to open minds to an imaginative world. In the face of the
world’s violence, we need to dream—to envision a different reality where we connect through emotions. On another hand, fashion is deeply representative of the beliefs of the society we are living in. What fascinates me is together the dream part and the creative social statement that fashion reveals. One of my biggest inspirations in this regard is the fashion icon and philanthropist Diane von Furstenberg, who is not only celebrated for her genius fashion collections but also for her tireless advocacy for human rights and women’s empowerment. I’ve had the pleasure of collaborating artistically with brands like Cartier, as the Artistic Director for their antique jewelry collections, Jean Paul Gaultier as a Creative Designer, “Le Tanneur” as Guest Designer, Claudie Pierlot as Artist in Residence, and Quintessence as Guest Artist. Working with these brands is a true joy because of the creative challenges they present. My condition for any collaboration is always that a portion of the profits goes to charity, because as we say in French, “beauté” should always rhyme with “bonté”—beauty should be tied to goodness.
Fashion is for me a powerful vector for change because it has the ability to open minds to an imaginative world. In the face of the world’s violence, we need to dream—to envision a different reality where we connect through emotions.
■ Who are some of your favorite designers that you would love to collaborate with in the future?
I’ve always admired Audrey Hepburn, and I would be thrilled to collaborate with one of her most iconic designers, Hubert de Givenchy. Hepburn’s approach to fashion was truly unparalleled— she showed the world that elegance could also be a powerful form of empowerment. Her roles in films like Sabrina, My Fair Lady, and Breakfast at Tiffany’s revealed the paradox that women often face today, balancing their femininity with the emotional complexities that come with it. Italian, French, American and even Greek designers (like the amazing Mary Katrantzou) continue to be among my favorites.
■ When I met you in Egypt and Cannes for your masterclasses, I saw firsthand the impact of The International Accords for Women in Diplomacy that you created. Many prominent women, including the First Ladies of Serbia and Iceland, the Queen of Congo, and the Minister of Sports and Youth in Egypt, have signed these accords. Could you explain more about them?
The creation of these accords stemmed from a conversation I had with the Ambassadress of the UAE, whom I was coaching at the time. I expressed my frustration about the exclusion of women from peace processes. For instance, in the Abraham Accords, Abraham, seen as the patriarch, couldn’t have had descendants without his wives.
This sparked the idea for the 'Sarah and Hajar Accords' -a female- focused version of the Abraham Accords—inviting women from the governments of Morocco, the UAE, Israel, and Bahrain to sign, with the goal of promoting women’s rights in the Middle East and increasing their visibility in diplomatic negotiations.
The accords, which have been hailed as "historic," were signed on April 23, 2023, with the sponsorship of Iranian Nobel Peace Prize laureate Dr. Shirin Ebadi. Following the tragic events of October 7th, working on feminist diplomacy in the region became even more crucial, prompting the creation of The International Accords for Women in Diplomacy and the African Accords for Women in Diplomacy.
These initiatives aim to elevate women’s rights and ensure greater female inclusion in international discussions, embracing not only government leaders but also women in business, culture, and social spheres, recognizing their vital role in what I call "diplomatic entrepreneurship."
• Christine Lagarde,
• Claudia Goldin,
• Elisabeth Moreno,
Dame Jacinda Ardernμε
Samia Suluhu
■ You’ve had the privilege of collaborating with many First Ladies and Presidents around the world, including New Zealand's former Prime Minister Dame Jacinda Ardern and President Samia Suluhu Hassan of Tanzania. Could you share some memorable experiences from those encounters?
One of the first iconic women I had the honor of meeting was Simone Veil, French magistrate, Holocaust survivor, and politician who served as Health Minister in several governments and was President of the European Parliament from 1979 to 1982, the first woman to hold that office. I was fortunate to connect with her through my PhD advisor Nobel Peace Prize Elie Wiesel and her influence continues to inspire my peace-building efforts through civil initiatives.. Another unforgettable experience was exchanging with Eve Ensler, the playwright behind The Vagina Monologues. Her creation of "The City of Joy," a refuge for Congolese women who had been victims of sexual violence, left a lasting impression on me. Additionally, I had the chance to collaborate with Amma, the Indian spiritual leader, who has embraced over 40 million people during her lifetime. Her message of compassion and service to the world’s poor is deeply moving. I’ve also learned so much alongside influential women like Christine Lagarde, the first woman to lead the European Central Bank; Claudia Goldin, the Nobel Prize laureate in Economics or Former French Minister Elisabeth
Moreno for her powerful vision of women’s rights. These women have been an immense source of inspiration, showing the profound impact of leadership in promoting gender equality. The First Ladies you mention are particularly impressive because of the daily challenges they face in political power. For example, I admire the First Lady of Greece for a specific posture regarding her fight against gender violence.
I also admire Dame Jacinda Ardern’s bravery when she decided to step down, acknowledging she was no longer the 'right person' for the role. As for the President of Tanzania, she is the only female head of government in Africa, which means she must make decisions with incredible care to avoid any gender biases that could be perceived by the public. To me, she is a true role model hoping she will play a strategic role for the African Accords for Women in Diplomacy. Reflecting on all this, I realize how all those women influenced me positively and give me the fuel to go further in my quest of equality.
■ You’re also a supporter of the Mothers for Peace movement around the world. Could you tell us more about it?
Listening to Naama Barak Wolfman from Women Wage Peace and Marwa Hammad from Women of the Sun explaining how Israeli and Palestinian mothers marched together for peacewas a true inspiration during the 2024 edition of the International Forum Femina Vox. The last event they initiated was a march in Jerusalem on October 5th, 2024, just before the tragic events of October 7th. I wanted for United Nations to listen to their voice for peace and reached out to Yael Deckelbaum, the extraordinary singer who wrote "Prayer of the Mothers," the anthem for these peace marches. I invited her to perform with me at the United Nations in Geneva, where we sang the song in front of diplomats who stood and applauded. Having mother’s voices being heard at the United Nations was a powerful moment, highlighting the role mothers can play in shaping a peaceful world, especially when it comes to protecting children from the horrors of war.
■ Μπορείτε
■ Can you tell us about UNESCO’s “Transforming MEN’talities” program?
UNESCO’s “Transforming MEN’talities” program seeks to engage men as allies in the fight for women’s rights. Through events, masterclasses, and initiatives, the program highlights the concept of "positive masculinities," aiming to unlock the potential of men and women working together for gender equality. Figures like Nobel Peace Prize laureate Dr. Denis Mukwege, who has dedicated his life to supporting women recovering from sexual violence, serve as role models for men who champion women's rights. There are many men across different sectors who need greater visibility, as they are crucial to the global movement for gender equality. This is why I make sure to feature roundtable discussions about “Positive Masculinities” at the Femina Vox International Forum to promote collective action for women’s rights.
■ What would you like to say to every woman who silently endures her experiences in a man's world, often without the support of emotional intelligence?
To every woman in general, first I would like to emphasize the power of sisterhood. Sorority nowadays is not an option as we all need to support each other whether men or women to be more vigilant regarding sexism or sexual assaults. To every woman who feels isolated in the struggle you describe, I want to remind them that they are not alone. There are ways to connect, to speak about their suffering, and to begin
healing. Whether through art therapy or through supportive women’s groups, the first step is to find their voice and share what they’ve endured. Many of the women I work with live in constant fear, particularly when navigating patriarchal systems. The impostor syndrome —the “negative parrot voice”in your head telling you that you’re not enough— is something that can be overcome. You are deserving, legitimate, and capable. It’s difficult to ask for help, but that’s the first step toward breaking free from your comfort zone. Once you take that small step, you’ll be amazed by the empowerment and freedom it brings. The courage to speak out and seek support can unlock your true potential.
Thank you, and we wish you the best of success!
How did you start to care about women’s rights?
I’ve always believed in fairness and standing up for what’s right, but my passion for women’s rights really grew over time. I saw so many strong, talented women being underestimated, overlooked, or mistreated simply because of their gender. It wasn’t just something happening far away, it was everywhere, in every industry. I realized that if I had a platform, I needed to use it to amplify these issues and support real change.
Charlie Chaplin’s granddaughter talks to us about her experience in activism.
■ Since March 2019, you’ve been responsible for Fondation Fleur du Désert, a nonprofit organization founded by model and bestselling author Waris Dirie. Tell us more about it.
Yes, it’s been an incredible journey. Waris Dirie is such an inspiration, and her foundation does vital work in fighting against female genital mutilation (FGM) and advocating for women’s rights, especially in Africa. When I took on the role, my goal was to help expand the foundation’s reach and impact. We focus on education, awareness, and providing real opportunities for girls so they can have control over their own futures. It’s about giving them not just a voice, but the power to shape their own lives.
■
Fondation Fleur du Désert,
Take one step at a time, believe in yourself, and surround yourself with people who lift you up. You’ve got this!
Interview by Ada Iliopoulou
■ In 2020, you completed the first school in Africa for this action.
Yes, that was such a proud moment! Building a school had been a dream because education is the key to breaking cycles of poverty and inequality. This wasn’t just about giving kids a place to learn; it was about giving them hope and the tools to create a better future. Seeing the students there, knowing what opportunities now exist for them, it was truly life changing.
also showed me the importance of lifting other women up instead of seeing them as competition. She always said that strong women support each other, and that’s something I carry with me every day.
■ What did your mother teach you about people and other women?
My mother is an incredible woman. She taught me to always treat people with kindness and respect, no matter who they are. She
■ Tell us about your future plans for the Charlie Awards.
The Charlie Awards have always been about celebrating creativity, innovation, and people who make a real impact. Moving forward, I want to expand the platform even further, reaching more industries, recognizing even more incredible talent, and making it an even bigger celebration of people who are changing the world in their own way.
I’ve always believed in fairness and standing up for what’s right, but my passion for women’s rights really grew over time.
■ What are your new companies?
Right now, I have Sybabliss, my online store offering luxury fashion at discounted prices. Then there’s Bufarma, my skincare line, which is something I’m really excited about. It’s made with buffalo milk, which is incredibly innovative and packed with nourishing properties for the skin. And of course, there’s Generation, my alcohol brand, which I started with my brother, Spencer Chaplin. It’s all about celebrating life’s beautiful moments and bringing people together. Each of these projects is really close to my heart, and I can’t wait to see them grow.
■ What do you say to every woman who is trying to rebuild her life?
I’d tell her that she’s stronger than she thinks. Life can be unpredictable, and sometimes we have to start over, but that doesn’t mean we’ve failed. It means we have a new chance to create something even better. Take one step at a time, believe in yourself, and surround yourself with people who lift you up. You’ve got this.
How did your interest about women’s rights begin?
I grew up surrounded by strong, determined women whose everyday lives embodied courage and resilience. My Aunt and my mother were perfect examples of this.
■ You are a woman who had many trips to Ukraine to help women and children. Tell us about what you've experienced. The day after the Russian invasion of Ukraine Global Empowerment Mission arrived as one of the first international organizations on the Medyka border. I arrived a few weeks later, to volunteer, to raise funds and to write about what I saw. I now return every few months. I feel part of the GEM Ukraine family. I have headed deep into the East several times since, right to where we can hear missiles overhead and feel tremors under our feet. We are fully bullet proofed, which feels very unjust as we spend time with many women both old and young who are completely unarmed and unprotected. Even in the ghost towns there are people. Mainly elderly women, who could not or would not leave. In the cities hundreds. In the countryside handfuls. Everyone is desperate but everyone is grateful. Their spirit is still strong. The women tell us "We will never be Russian."
HUMANITARIAN, DESIGNER, ENTREPRENEUR, AUTHORANDMOTHER OF FIVE
Granddaughter of the last Viceroy of India, daughter of Lady Pamela Hicks and famed interior decorator David Hicks, India Hicks is a woman who has authored four design books, modeled for Ralph Lauren, among others but most of all she writes a history of life as a true humanitarian.
Interview by Ada Iliopoulou
■ You come from a family with a strong mother, the lady Pamela. How she inspired you?
My mother may have grown up surrounded by dazzling people, places, houses and history, but her parents made it clear from an early age, she was never allowed to «swan around». The moment she arrived in India at the tender age of 17, following her parents who had been appointed as the last Viceroy and Vicereine, she was put to work in the medical camps just outside Delhi. This led to a lifelong involvement with charitable organisations - and to me (and in turn my daughter) being aware from an early age that «from whom much is given much is expected. »
■ You are also a mother of five. How you manage both, kids and work? What do you propose to all of us?
Raising a family on a small island in the middle of the Caribbean is not without its challenges. Hibiscus Hill, our home, provided us with the blank canvas upon which we could paint our own story, and what followed was not only an enduring relationship with one another, but also with island life.The greatest gift I ever received is the love from all of five of my children. I always say “Remember this kids, you are the person who gets to write the rest of the story. So write a good one.”
Photographer: Giannis Vastardis
Assistant Photographer: Elena Vastardi
Makeup: Ioli G., @lolly__gr
Hair Stylist: Maria by Kings & Queens Faliro
Special thanks to Athens Capital Hotel for providing the space.
Outfit: by Themis Z
■ What would you say is the most important aspect of your vision for women's rights?
At its core, my vision is about empowerment and inclusion. I believe that every woman deserves the opportunity to define her own destiny, free from societal constraints or prejudice. It’s about creating environments where women are supported, celebrated, and given the tools to lead—because when women thrive, entire communities flourish.
■ You are also a patron for The King’s Trust. Tell us about it.
“Women Supporting Women” was established at The King’s Trust in 2018 to help young women who face disadvantage and adversity to transform their lives. It’s been a huge privilege to play a small part in supporting this initiative
■ Share with us a quote that can inspire all the women for the next step in their life.
“A woman’s strength is not defined by the challenges she endures, but by the light she brings to overcome them.”
Thank
By Valentina Kordi, Mindset & High-Performance Coach for Entrepreneurs, Executives and Teams-speaker & author
Real success is not only managing situations in the best possible way, it’s also managing ourselves.
«I can!»
An exclamation that drives all women who make it to the top of the corporate ladder, who successfully steer their business and who make the seemingly impossible, possible. “I can!”. A word that motivates executive or businesswomen to believe in themselves (even when other don’t) and make room for no other option but success in any goal they set. “I can!”. A sentiment that can trap them into the role of the superwoman, who needs to take up any challenge, any mission, in order to prove to her colleagues, to her subordinates, to her clients, but most of all, to herself, that the title of superwoman is rightfully theirs.
It's this drive that often leads women who have invested heavily on their career, but have simultaneously taken up other roles in their life, in which they need to be heroes, to exhaustion. Especially during the pandemic, which we are still going through, challenges have become more demanding, leading them to overexertion in order to respond successfully in whatever they need to accomplish. If you belong to this category, you should personally know that this is not viable. If, in this heroine role, you are trying to, not only take on a lot, but also be super productive and efficient, you should know that this is definitely not the right path.
How can you change it? It’s not something you can do overnight. What you can do now, though, in order to better manage your roles every day, is to give thought to what hides behind your need to save the world every chance
you get. What triggers your impulse to answer every challenge? I frequently listen to my clients’ excuses, as we work on ways for them to improve their time management, or their leadership skills, that there is no one else to pick up the slack, that others can’t do it, that no one will do it if they do not tackle the hard situations. Lurking behind these excuses, is usually the human need for validation of their worth and competence to make it to the top. Other women confide in me by saying that it’s just too hard for them to say no, that they need to be loved and appreciated, and they will do things that could have been done by anyone else on their team, or they promise to help their clients with things that aren’t theirs to undertake. But what is the inner need that feeds your heroine compulsion to say yes to anyone that asks for your help?
THE sEcOndthing you should notice in order to control this compulsion, is which words or phrases usually trigger this response. E.g.: saying “I can’t” will often send alarms ringing in your brain. It becomes the biggest enemy of your drive to show how worthy you are and the fact that you can do everything. Therefore, what you must do to quench it, is the exact opposite. You usually hurriedly say yes, but next time trick your brain. Tell it: “I can do it, but this does not make me productive; it takes time from something that makes me more efficient for the role I have chosen and the goals I have set”. “I only trust you”: a phrase people will often use to make you undertake a task that you wouldn’t ordinarily have to do, but it feeds your need to play the heroine. Instead of walking into the trap and impulsively saying “yes”, you can say: “I know, that’s why I think it best to ask...” and give the best possible option about who should do it, if not you.
Yes! Women can do everything! But do they have to prove it on every occasion, even if it damages their productivity, their efficiency, even if it takes them away from what’s really important for the results they are after and leads them to exhaustion? The answer is no! Besides, real success is not only managing situations in the best possible way, it’s also managing ourselves.
The British activist and artist Leah Wood, daughter of rock star Ronnie Wood from the Rolling Stones, arrived in Greece for her next project with the cultural movement Le Soleil Foundation.
As part of her visit, she participated in a photoshoot at the Acropolis Museum in front of the Caryatids.
YInterview by Ada Iliopoulou
ou are an activist and a supporter of women’s rights. How did your interest in this cause begin? My interest for women’s rights began to take shape about ten years ago. I felt a deep urge to express it through my art, so I started painting as a way to amplify my voice.
■
■ You are an artist who speaks from the heart. Have you ever worked specifically for women’s rights, or is your activism broader?
I am an artist, and I absolutely love what I do. While I haven’t formally worked for women’s rights organizations, I am deeply passionate about fighting for causes I believe in. Right now, I’m actively working to end whaling in Iceland alongside some incredible women—forces of nature who inspire me every day. I love surrounding myself with women who have a passion for life and a relentless drive to protect what they believe in.
■ You were in Greece for a secret event at the museum of contemporary art. Tell us more about your work inspired of Greece.
Recently, I had the chance to visit both Rhodes and Athens— each breathtaking in its own way. In Athens, I had a photo shoot and explored the Acropolis, immersing myself in the city's rich history. The stories behind the sculptures and religious scenes fascinated me. I will always love these stories and take them away with me. In Rhodes, I wandered through the charming streets of Lindos, meeting locals, visiting restaurants, and experiencing the warmth and joy of the people. While there, I created a series of seven butterfly paintings, which I later shipped to Athens for a one-nightonly exhibition. The butterfly, a powerful Greek symbol of rebirth and transformation, felt like the perfect representation of my journey. Now, I wait to see what unfolds!
■ Tell us more about your artwork style. My artistic style is a fusion of sculpture and painting—it’s almost three-dimensional. When viewed head-on, it appears as a painting, but from the side, the sculptural elements create a relief-like effect. I then coat my work in resin, preserving it for eternity.
■ What do you believe about the feminism? In this day and age there is no reason women should not have equal rights, all women have the ability to achieve anything they set their minds to!
■ What do you believe that a woman needs to feel creative and safe.
I think a woman needs to feel comfortable in her own skin and Happy in her own body.
■ The most valuable advice that your mother gave you?
The most valuable advice she ever gave me was to embrace laughter and joy—to be kind to people and to see the world through a joyful lens.
■ A message for every woman?
You are all beautiful souls. Treat yourself with love.
REVIVAL OF THE FLORENCE CARNIVAL
The Haute Couture Gala “Queens at the Palace” with Fashion Personalities
Haute couture Gala “Queens at the Palace»
For the second consecutive year, in the heart of Florence, the legendary Palazzo Vecchio hosted a secret masked gala with guests including fashion designers, artists, and VIPs from around the world. It was a charitable evening featuring one of the most spectacular shows, with performers dressed in haute couture costumes created by Antonia Sautter. The event took place in the Salone Dei Cinquecento, supported by major fashion houses and with the Council President, Randa Eid, bringing her energy alongside Federica Rotonda. The evening began with an orchestra of angelic figures dressed in white, playing violins and cellos. This was followed by musical and dance performances, along with a stunning showcase of costumes designed by Antonia Sautter, who also directed the artistic aspect of the event. The Queens of the Carnival included Michaela Ricci of the Ricci House, Giovanna Cicutto, visual artist Rita Sabo, and Claudia Jerger, Vice President of YOU FOUNDATION. Representing Greece was renowned journalist and President of the international cultural movement Le Soleil Foundation, Ada Iliopoulou, who also served on the committee judging the best costume among other distinguished personalities. The contribution to the presentation of the advanced cosmetics Nanotouche® by VK NANO, created by the Nanodoctor Dr. Varvara Karagkiozaki. Nanotouche® cosmetics were given to VIPs guests and used for the facial treatment of the artists of the event. One of the most successful moments of the show was a performance by a group singing “Satisfaction” by The Rolling Stones with elements of rock opera. The evening concluded with an all-night party inside the Palazzo, featuring collaborations from Gucci Garden, Ricci, Enrico Coveri, cosmetics brands, and many others. The next day, a parade followed, featuring masqueraders, stilt walkers, jugglers, and musical ensembles. The highlight was the award for the best presence, presented by the region’s first female mayor, Sara Funaro.
Dr Varvara Karagkiozaki started her career as a cardiologist but every day she proves that she is a person who speaks with her heart by creating a pioneering vision, the Greek cosmetics Nanotouche by VK NANO which have started to be discussed with excellent reviews all over the world.
Interview by Ada Iliopoulou
Youwant to keep women forever young… How did you start working with cosmetics?
My 20-year journey in nanomedicine led me to discover the science behind regenerative medicine. As a cardiologist and nanotechnology researcher, I realized how nanotechnology could contribute to anti-aging, cellular regeneration, and tissue repair. This inspired me to create the Nanotouche® skincare line—a fusion of cutting-edge science and aesthetic care, allowing every woman to maintain her youthful radiance. "Every Day Younger" is our motto and perfectly encapsulates our philosophy.
■ As part of your brand’s expansion, you participate in major international events. Tell us about your collaborations.
VK NANO has begun actively participating in global events such as the Paris Fashion Show and the Grand Ball of Florence, showcasing the power of cutting-edge technologies in skin regeneration. Additionally, we are developing strategic partnerships with luxury spas and medical clinics that integrate our products, strengthening our international presence.
My vision is to give every woman and man the opportunity to be "Every Day Younger"
■ What results can we expect from nanotechnology in skincare?
Nanotechnology allows us to work at a cellular level, revolutionizing the approach to anti-aging. By using nanocarriers that penetrate deeper into the skin, we can deliver antioxidants and active ingredients directly to the dermis, accelerate fibroblast renewal, enhance collagen synthesis, and provide long-lasting effects in firming, wrinkle reduction, and skin restructuring.
■ Can a Greek cosmetic brand compete in the international market?
Absolutely! Greek innovation, scientific research, and excellence can stand proudly in the global market. Nanotouche® is built on cutting edge technologies, clinically proven results, and sustainable practices. My goal is to create a global premium skincare brand that delivers scientifically backed skincare solutions naturally and effectively.
“4 Years Younger in 56 Days – Clinically Proven” Furthermore, Nanomed Clinic, our latest venture, represents the next step in regenerative medicine. We offer advanced non-invasive treatments, combining the latest in nanotechnology with personalized medical care. Our clinic is designed to become a global anti-aging and skin rejuvenation benchmark.
■ Tell us about the skincare line you created. Nanotouche® is the first skincare line to combine nanomedicine with everyday dermocosmetic care. It consists of four specialized series:
• CORE: Hydration and skin balance with antioxidant protection and sebum regulation.
• RADIANCE: Brightening and rejuvenation through active ingredients that reduce pigmentation, featuring an advanced blueberry-infused formula.
• AGELESS: Anti-aging and firming with clinically proven results in just 56 days, powered by a nanoformula with curcumin and polypeptides.
• ETERNAL MALE: A premium skincare line specifically designed for men's skin needs, enriched with botanical extracts and antioxidant, antiwrinkle agents.
■
■ What does beauty meansto you?
Beauty is not limited to external appearance. A beautiful woman exudes health, confidence, and inner balance. True beauty starts with self-care, internally and externally, and this is the message I aim to convey through my work. My vision is to give every woman and man the opportunity to be "Every Day Younger"—to become the best version of themselves through scientifically validated solutions and state-ofthe-art nanotechnology.
«The need for continuous development is imperative, as conditions in the global market are constantly changing»
“Α
Irene Vantaraki is a pioneering entrepreneur and lobbyist whose vision and determination have earned her international recognition. As the driving force behind "Monaco Day" and the "Greek House" in Davos during the World Economic Forum, Irene has gained a reputation for organizing high-profile events that foster dialogue, innovation, and collaboration. As a single mother who raised her son on her own, Irene's story is one of resilience and perseverance. Through hard work, she managed to establish a successful company that hosts world-class events at the Davos Lodge, bringing together global leaders, politicians, and innovators to tackle critical challenges. Her leadership in organizing “Monaco Day” reflects her commitment to creating platforms that blend economic excellence, sustainability, and technological advancement. Her passion for meaningful discussions and transformative solutions makes her a dynamic figure and an expert in International Affairs Strategy. As she says with the quote by Theodore Roethke: "What we need are more people who specialize in the impossible." Irene shares with us her journey, the challenges she has faced, and her goals for the future, offering a unique insight into the values and philosophy that guide her work and life.
Interview: Fotini Androulaki • Photography: Math Studio/ Marios Theologis • Make up: Maria Vogiatzi
«What we need are more people who specialize in the impossible»
■ How was the idea for Greek House Davos born, and what was the biggest obstacle you faced?
The idea for Greek House Davos was born from a deep personal reflection on the direction we want to take for the future of Greece and the next generations. The need to reshape Greece’s image internationally and strengthen its economic position became my goal as well. Through my travels, I observed entrenched perceptions of our country, often seen as economically weak despite its cultural richness. The biggest obstacle was overcoming these stereotypes. The current reality shows that some companies wield more power than certain nations. This raises concerns about Greece's position on the global stage. Greece needs to strengthen economically while addressing environmental and geopolitical challenges, particularly the environmental crisis that will impact the Mediterranean over the next 30 years. At the same time, it must preserve its identity as a bridge between East and West. Greek House aims to promote a resilient Greece, confident and wise in facing modern challenges.
■ How does Greek House Davos operate, and what is its vision?
Greek House is a successful international organization that, once again, will bring together prominent business leaders with a focus on Greek issues. However, its distinction is twofold, as it has emerged as one of the most influential business hubs at the annual Davos conference. Its success lies primarily in the exceptional individuals who participate and contribute to the development of innovative approaches and solutions to global issues. Furthermore, the true vision driving Greek House strengthens its ability to influence international developments. By creating a platform where leaders can exchange ideas, Greek House facilitates the dissemination of Greek ideas and culture while simultaneously promoting the Greek economy on a global scale.
«The biggest challenge was overcoming the stereotypes associated with my gender and managing doubt»
■ Monaco Day: What is the main vision behind organizing this event in Davos?
Monaco Day combines Monaco's ambition with its commitment to shaping a better future. The vision is to position Monaco as a dynamic hub of financial leadership, sustainable innovation, and global collaboration. The event highlights Monaco's strategic role in addressing global challenges—whether in finance, sustainability, energy, or technological advancements—while strengthening its influence as a center of innovation, culture, and luxury. ■
■ What were the key milestones in your career, and how did they shape you?
From a very young age, I felt a strong desire for independence and autonomy, and continuous learning has always played a central role in my life. At the age of 19, I combined my studies with working in the family office of a major shipping family, where I worked alongside the vice president. I consider this experience to have defined my professional profile for an international career, offering me knowledge and skills I could not have gained elsewhere. Amid the challenges and difficulties of the work environment, I found a space to grow and improve, building the future I had always dreamed of.
■ What is the biggest challenge you have faced as a woman in a male-dominated field like lobbying?
The biggest challenge was overcoming the stereotypes associated with my gender and managing doubt. I had to constantly prove my worth through hard work, knowledge, and professionalism. However, these difficulties made me more resilient and determined to achieve my goals and earn respect. Women have made progress in terms of equality and independence, but we still face challenges and stereotypes rooted in past eras.
■
«Success in the professional world never comes suddenly, and there is certainly no magic key to unlock it. For me, success means having access to numerous opportunities in our career»
■ You communicate and collaborate with internationally renowned entrepreneurs. Can you share the unique qualities of some personalities?
Throughout my extensive career, I have had the great honor of meeting many significant personalities, but none has left as profound an impression on my heart as Ecumenical Patriarch Bartholomew. Dedicated to peace, ecology, and the unity of Churches, his work transcends religious boundaries, influencing societal issues. With wisdom and humility, he unites diverse religious traditions, serving as a model of leadership and a source of inspiration for all. I am grateful to have had the opportunity to stand by him and learn from his gentle yet powerful presence.
Georgette Mosbacher,
■ What are the keys to success? Would you like to share an example from your own life?
Success in the professional world never comes suddenly, and there is certainly no magic key to unlock it. For me, success means having access to numerous opportunities in our career. After years of hard work and effort, we can confidently say that a professional path has stabilized. However, we are fully aware that nothing is guaranteed, and our struggle to stand out on the international stage is ongoing. Our experience from our offices in Switzerland has proven to be crucial, as it has opened the door to a global market and secured the international recognition we sought. This recognition is not the result of chance, but a product of hard work and relentless persistence. The need for continuous development is imperative, as conditions in the global market are constantly changing.
■ Which women do you admire and why?
I admire two women immensely. First, Georgette Mosbacher, founder of La Prairie, diplomat, and successful entrepreneur, who combined the business sector with international diplomacy. She possesses all the qualities I admire in a woman: sharpness, leadership, justice, and a love for life. The second is the wife of a leading entrepreneur, who together with her husband, has built a vast empire, and is the driving force behind his success.
These two women, with their unique contributions, showcase the strength and complexity of the female nature.
■ How does a woman, a single mother, manage to succeed in such a demanding professional field?
The strength of a mother is unique—she builds a bridge of resilience with every challenge she faces and crosses it with love and determination. A mother raising her child alone can succeed in a demanding professional field by drawing from her inner strength, setting proper priorities, and treating every obstacle as a lesson. My ability to balance roles with grace and persistence is a daily testament to this strength. Finally, my deep faith in God helps me view life as a miracle.
We know that as an artist and a woman in you are supporting the women’s rights. How did you start to understand that it is necessary?
Understanding the necessity of protecting women’s rights often brings with awareness of historical injustices and ongoing inequalities. I have seen inequalities.
When I was younger, I couldn’t get a gallery because of the art dealers who felt that my work was too “sensual” and that it wasn’t “appropriate”, and I often wonder if it would be appropriate if a man had done those pieces.
They were very prejudice against women and what I was doing.
So, it took all these years until today to have these works seen publicly in New York City at the Museum of Sex right now call “Long Island Girl.”
I am a women’s woman, I care about
I care to talk about women, and I think
speaks louder than my voice. I’m excited
women,
that my work
and
every day I’m happy I get to work on new pieces.
Interview by Ada Iliopoulou
«Long Island Girl».
■ You became famous because of your marvelous work with women’s body in many ways… remember the first time that you started to be inspired of it.
It wasn’t the fact that I was inspired, it was the fact that this was who I was. I was just doing what I enjoyed. But years later, I joined the International Women’s Forum with special women from all over the world who’ve accomplished things, and all the great women I’ve felt have had an influence on my life.
I put my sculpture of Catalina on a wall in the Jacob Javits Center with the national Association of Woman Artists in 1979.
The mayor was giving a speech, but everyone was looking at my sculpture Catalina and not listening to him.
He asked that Catalina be taken off the wall. It had gone on to become one of my most famous sculptures and that was my first swimmer. ■
■ Especially in Venice you presented women who were stouter. Why you made this.
This past year, in the Venice Biennale I presented two monumental pieces. One was a very large women called My Body My Rules. Her body was very voluptuous, her thighs were very big. So, this was a swimmer, but most of all, a woman protesting what was going on in the world at the time and it was the way I was able to speak through my work.
■ You had a swimmer in front of Tour Eiffel in Paris. Let us know about it and what’s next in France too
I submitted two pieces for the Olympics last summer in Paris, and the Mayor of Paris chose The Diver, which is a male doing a handstand and it shows his balance, perseverance, grace, and all the things an Olympian does.
They had it installed in such a beautiful location, right in front of the tower and it was a wonderful experience for me, and I think a great experience for a lot of other people.
But I was hoping that my sculpture Perseverance, a woman, would be chosen at the time.
However, I’m very happy to announce that the Mayor of Paris has decided to buy Perseverance, to be displayed this August and
that will be the story of the strong women who persevered which is from my own life.
■ What do you have to tell for this important day to all the women who live a difficult time and they want to change their life?
I am a women’s woman, I care about women, I care to talk about women, and I think that my work speaks louder than my voice.
I’m excited and every day I’m happy I get to work on new pieces. Hopefully I can help women who want to change their life and can be inspired by what I’m doing and can also follow their dreams.
"Violence against women and girls continues unabated in every continent, country and culture. It takes a devastating toll on the lives of women, their families, and society as a whole. Most societies prohibit this violence - yet, in reality, it is often covered up or implicitly forgiven" Ban Ki-Moon, UN Secretary-General
By Dr Danai Serfioti | Dr D | Chartered Psychologist Senior Lecturer in Clinical & Occupational Psychology, UK
WWomen have always played a central role in the evolution of the human species, not only because they become pregnant, but also because of their different roles in the family (eg mothers, spouses) and in society (e.g., they contribute to the economy). However, gender inequality still exists in almost every culture, and this is -directly or indirectly- a reason why women miss opportunities for education or work.
Unfortunately sometimes men cling to old perceptions (e.g., that women should only be responsible for children and housework), so they behave violently when women become independent because they feel they are not performing their obligations.
Violence against women can exist in many forms and in different contexts, thus reproducing the power relations between men and women, on a personal, professional and social level. Violence affects the fundamental rights of women / girls, and it exists and occurs regardless of social class or economic status.
"Violence against women" as a term includes any act of violence (or the threat of such an act) based on gender (woman). It results in physical, sexual, emotional / psychological, verbal or finan-
cial abuse, as well as direct or indirect coercion or deprivation of liberty. Violence against women can occur either in private or public life.
Forms of violence can be:
Domestic violence
Domestic violence against women is defined as any kind of physical, sexual or psychological violence perpetrated by a spouse or partner, as well as by members of their family.
Two forms of domestic violence are:
‣ The economic exploitation. For example, the spouse may exploit the partner's property or salary for personal gain.
‣ Emotional violen ce. For example, a husband may not be physically violent but may demean the woman as a human being, wife or mother.
Sexual harassment and rape
Sexual harassment is any behavior of sexual content that violates the dignity of women. This form of violence can occur in a family / friendly environment but also in the workplace. Such behavior creates a hostile and humiliating climate for the individual.
trafficking
Trafficking is a modern form of slavery and violence against women of all ages. The official international definition comes from the "United Nations Protocol to Prevent and Suppress the Illicit Trafficking in Persons for the Sexual and Economic Exploitation of Women
and Children". It is the illegal recruitment and movement of women through threats, coercion, use of force, abduction or deception. The purpose is sexual exploitation, prostitution, or other forms of forced labor.
the profile of abused women
‣ Passive behavior They take responsibility for the violent acts of the offender by enduring humiliation and insult.
‣ Low self-esteem They usually have traditional family values as well as gender stereotypes.
‣ Insecurity and lack of confidence. They do not feel capable of taking responsibility or initiating actions due to fear of failure. Also, financial independence plays a very important role. For example, it is much more difficult for a woman who does not work to make drastic decisions (e.g., to divorce her husband).
‣ Guilt and helplessness They feel they have done something wrong and believe they are responsible for their abuse, thinking that no one can support them.This situation forces the woman to live in constant fear. The shame and guilt they feel prevent them from seeking help because they think they will expose their family. In reality, however, this aggressive behavior can be passed down to future generations (if for example this family has children), teaching tolerancefor tomorrow's citizens. As a result of this constant stress, women suffer from many psychosomatic symptoms. They experience severe anxiety reactions, panic attacks, depression, psychosomatic illnesses, and problems with their sex life.
↳ The most common form of violence comes from anintimatepartner. one in three women will experience physical violence, rape or another formofabuse by her partner, at some point in her life.
↳ half of all female homicide victims have been murdered by a (current or former) spouse or partner.
↳ one in five women will fall victim to rape or attempted rape.
↳ Women aged 15-44 are at greater risk of rape or domestic violence than of cancer, traffic accidents, war or malaria.
↳ 130 million women and girls have undergonegenital mutilation.
↳ 2 million girls per year are at risk of genital mutilation.
↳ 40-50% of women in the European Union have reported experiencing some form of sexual harassment in the workplace.
↳ 55% -95% of women whoarevictims of domestic violence do not report the problem.
↳ The cost of violence against women is extremely high. It includes the immediate cost of services to treat and support abused women and their children as well as the prosecution of perpetrators.
How did you decide to engage with ART For Humanity?
Art for Humanity means art in the service of humanity. It is art that takes on the responsibility of bringing to light the darkest aspects of society and bringing issues that concern us all to the forefront. It is not just a form of expression but a powerful tool that can mobilize awareness, evoke emotional responses, and push society towards action. We all know that art has the power to transcend all barriers— cultural, social, or economic. When art takes a stand on serious social issues, it becomes a “weapon” that can help society evolve.
But this power comes with a serious obligation. The artists who choose to use their art to serve humanity cannot remain indifferent. They have the responsibility to express the truth, no matter how difficult it is, to reveal the unseen, to touch hearts, and awaken the conscience of the people.
In an era where various forms of violence and human rights violations are more prevalent than ever, art is the flame that can ignite change. Art can expose the violence hidden behind closed doors, challenge social inequalities, and give a voice to those who have none. The iamnotadoll_project captures this power of art in an innovative way. Although I initiated this project, it does not belong to me alone, and it has no end.
■
ART For Humanity.
Art for Humanity means art in the service of humanity.
Interview by Ada Iliopoulou
■ The theme of the iamnotadoll_project aligns with UN Sustainable Develop-ment Goals, specifically SDG 5 and 16.2, as well as fundamental human rights and children's rights. Please, tell us more about this project.
The iamnotadoll_project is an interactive art exhibition consisting of six unique sculptures. Each sculpture represents a form of violence that continues to affect many people today, reminding us that I have the right: To love, respect, and diversity.
(No to violence, no to bullying) - To my own body (No to sexual harassment) - To education, to play, to be a child (No to forced and early marriages and child abuse) - To freedom. No one can trade my body (No to human trafficking) - To safe communication (End cyber abuse) - To health. No one has the right to harm my body or my life (End FGM) The collection is called "I am not a doll" to emphasize the message that I am not an object.
■ The United Nations has a thematic guideline: "KEEPING THE PROMISE: ZERO VIOLENCE AGAINST CHILDREN". How does this connect with the project?
This UN theme directly reflects the vision and purpose of the iamnotadoll_project. Through the power of art, we strive to contribute to creating a world where children grow up free from violence, exploitation, and fear. The iamnotadoll_project has been included in a program by the Children’s Art Gallery of Greece, which has been approved for participation in the "We Keep the Promise: Zero Violence Against Children" initiative of the United Nations.
τάλλευση
iamnotadoll_pro-
“We Keep the Promise: Zero Violence Against Children”
■ What is the Black Box?
The Black Box is the heart of our interactive exhibition! It is the box where children and visitors leave their drawings, messages, and thoughts, giving a "voice" to our sculptures. Through this process, the sculptures "collect hope" and strength, symbolizing the need for a world free from violence and exploitation.
■ Τι
black box? Το
avoid. Through their drawings and messages, we see how sensitive they are and how much they need to be heard. If we want to create a world where violence is no longer tolerated, we must start by listening to our children.
■ What have you discovered from all these activities?
What has impressed me the most is the incredible power of children's voices. They are ready to speak, to express themselves, and to bring to the surface issues that adults often
■ Where can we see the project now?
@iamnotadoll_project is hosted at the Museum of the City of Athens, where it will remain throughout the 2024-2025 school year for educational activities. At the same time, we participate in various events and festivals in different locations. You can follow our upcoming appearances on our website or social media channels.
■ How can someone participate?
Participation is open to everyone! You can visit the exhibition and interact with the sculptures. Write a message or create a drawing and leave it in the Black Box or send it to us. Become an ambassador for the project by spreading the word and helping raise awareness. Host the exhibition in your space, whether it is a school, cultural venue, or event.
By Argy Pappas Tsiota
Artist - Art presentations
Art & Culture promotion
http://pappastsiota.wix.com/argy pappastsiota@gmail.com fb.com/argy.pappastsiota
The most important realist painter of the 20th century
TheAmerican painter Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century. No other artist managed to capture the solitude within the modern city and was named "the artist of empty spaces" offering an allegory and remindful look at life of America during the Great Depression. His paintings express aloofness, alienation and lack of communication which is characteristic of city life dwellers of modern industrial life. Nevertheless, his paintings depict a mystical poetic atmosphere with strong feelings being derived from the figures. The creation of the atmosphere being achieved through geometrical compositions, the use of traditional techniques and the minimal use of detail creates a vague feeling of emptiness. Hopper’s paintings are dominated by a heavy silence that comes into contrast with the bright light, leading to allegories of human situations, lack of communication, and the characteristic alienation of modern man’s life. Hopper was born at Nyack, in State of New York. By the age of ten he already showed his talent and later when he studied at the School of Fine Arts in New York, when he was exposed to new trends in Art by prominent teachers. While he was studying, he worked as an illustrator to make a living. During these difficult times, it took a while before he was acknowledged. Later, he visited Europe several times and this brought him close to the European artistic and social life. When he finally returned to New York, he felt the difference between Europe and America which influenced the concept of his work. Now inside his new studio, there was to be a rebirth, a new distinctive beginning which would determine and seal the new and unique artwork of Hopper which would bring forth fame and acknowledgment, the latter years of his life. After his death, he left 3,000 works of art which are housed by the most outstanding museums of America.
“Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world…”
One of his important quotes about his philosophy was “Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world…”
power in business is transforming industries, shattering stereotypes, and redefining leadership in the modern workplace. Today, more than ever, women are breaking barriers and rising to the top of corporate and entrepreneurial worlds with resilience, innovation, and an unwavering determination to succeed. They bring unique perspectives, emotional intelligence, and a collaborative spirit that inspires teams and drives progress. From self-made entrepreneurs to seasoned executives, women are proving that success in business is not just about profit, but about purpose, impact, and empowerment. This article highlights six remarkable women who have not only achieved exceptional milestones in their careers but have also embraced authenticity, adaptability, and a relentless focus on their goals as the keys to their success.
• Founder and CEO of the Change Management consultancy CEtaCEa
• Founder of Katja Nagel arts - artist
Katja Nagel is a Greek-German businesswoman and an artist, living in Munich, Athens and in Hydra. She is passionate about transforming, challenging, and mobilizing organizations, seeing these situations as true tests of leadership. Also as a successful artist she is handling a totally different world, proving the re-invention of her own self, managing her art as a start-up. She believes leadership thrives on the ability to constantly reinvent oneself and embrace the courage to try new things, experiment, and take bold actions. In her view, these qualities are vital for achieving success in today’s fast-paced and dynamic environment.
‣ RE-INVENT oneself to be able to invent the future ‣ Be FASTER than others ‣ Have the DISCIPLINE to carry on to experience the fruits of your efforts
• art advisor and artist’s strategic planner -
• Founder of «Varvara Roza Galleries» in London
Varvara Roza Galleries
Varvara Roza Galleries,
Varvara Roza is a dynamic force in London’s art world, known for her passion, determination, and Greek heritage. In just nine years, she has established herself as a trusted art advisor and gallerist, with a reputation that extends far beyond her roots. Her partnership with renowned auction houses and major Galleries worldwide solidifies her status as a key player in the global art market. At Varvara Roza Galleries, 8 Duke street, nestled in the heart of Mayfair, Varvara has created a cultural hub that showcases leading contemporary artists and Greece’s brightest artists introducing them into the global art market. She is determined to feature a multitude of artistic disciplines with an intent focus on giving a platform to exceptional talent, diversity and cultural relevance. When Varvara Roza undertakes an artist, success is inevitable. Her advice for success is Passion, Dedication, honesty, Confidence, Building Relationships of Mutual Trust.
Paulina Billiri, a self-made entrepreneur with determination and captivating confidence, has solidified her position as one of Athens' top real estate agents. For more than two decades, through her company, Luxury Realty, Paulina has proven herself indispensable in the refined world of international luxury real estate, her celebrity clients, her professional colleagues, and the community she serves. Representing some of the country's most prestigious and exclusive properties and serving distinguished and affluent clients, she has built one of the most respected names in top-tier real estate in Greece. Paulina highlights her keys to success: dedication without limits, and a balance of mental and physical strength. For her, focus and stability are the cornerstones of entrepreneurial achievement, driving her to consistently deliver exceptional results.
Dr. Alkistis Prinou is a pioneer in aesthetic medicine, inaugurating the era of longevity with a vision for the health of beauty and the revolutionary approach to weight loss through the most advanced medical method, High Definition Body Science. With a tradition spanning three generations and 12 state-of-the-art Dr. Prinou centers across Greece, she sets trends in the field of aesthetic medicine, developing innovative treatments for weight loss and anti-aging.
As the head of a cutting-edge scientific team, she combines precision medicine with aesthetic therapies that promote weight loss and skin health. The keys to her success are her inexhaustible energy, human-centered management, continuous scientific advancement, and innovation. Dr. Alkistis Prinou brings the future of aesthetic medicine into the present, setting new standards for health and beauty in Greece.
• Founder and CEO of Beautyworld Group
• Elected Member of the Chamber of Commerce of Cyclades Islands •
World Luxury Spa Awards, Best Beauty spa -Luxury Beauty
Despina Gavala is a true self-made entrepreneur. Although she studied education, life led her down new paths, inspiring her to embark on her first business venture at an early age. Specializing in the beauty industry, she has dedicated the past 30 years in Mykonos, managing three successful businesses in beauty, hospitality, and her own cosmetics line. A trusted beauty consultant for television shows, magazines, and fashion shows, she is among the first female influencers in Greece. Awarded three prestigious international honors at the World Luxury Spa Awards —Best Beauty Spa and Luxury Beauty Spa— her keys to success lie in her entrepreneurial spirit, boldness, and persistence.
geometric abstract minimalism
του Hard Edge Geometric Abstract Minimalism
(1914 - 2010)
Nassos Daphnis created three giant projects for City Walls Inc., when he stated:
“I think the time has come where art can be part of daily life. All people should be exposed daily to the art of mural painting. When they walk on a street, or go to work, or sit in a park works of art should surround them. It is this kind of continuous experience that in the long run will raise our aesthetic values to a higher level”
"CITY WALLS (1969-1975)" Exhibition, (10/1122/12 2022) at Richard Taittinger Gallery, NY.
the Greek-born American artist Nassos Daphnis was recognized for his mastery of geometric abstraction and his evolution into what became known as Hard-Edge Painting. He was actively supported by Leo Castelli Gallery for 39 years, which placed his work in some of the best collections around the world like MoMA, Guggenheim etc.
He was one of the pioneers of the Minimalist movement of New York. In the 1950’s when Barnett Newman was doing his stripe paintings with traditional brush strokes, Daphnis had already introduced the roller to erase the human touch and reach the perfection he always strived for.
Daphnis has been the recipient of numerous prestigious art awards. He was named a Guggenheim Fellow in 1977 and received the Francis J. Greenburger Foundation Award and the Pollock Krasner Foundation Award in 1986.
Richard TaittingerGallery presents CITY WALLS Inc., (1969-1975) with artworks of the Greek-born American artist Nassos Daphnis (1914-2010). Nineteen significant works and one print created by Daphnis during the City Walls period coincided with a revitalizing period for New York City and the public art scene.
Anuszkiewitz, Jason Crum, Nassos Daphnis, Knox Martin, Mel Pekarsky, Tania, Robert Wiegand
Arts Council of the Municipal Arts Society,
Nassos Daphnis (1914-2010) SS 1-70, 1970 Screenprint Print Size: 48h x 48w in (121.92h x 121.92w cm). Edition of 500 Donation to the City of Athens by the Nassos Daphnis Estate.
In the 1920s, New York surpassed London to become the most populous urbanized area in the world. After World War II, NYC emerged as the leading city of the world, but by the late 60’s industrial restructuring led to economic suffering and decay to befall the city. The art historian Paul Laster wrote: “One of the most innovative public art initiatives of the late 20th century, City Walls Inc., was founded by a group of avant-garde New York artists who wanted to enliven depressed areas of the city through the creation of colorful murals on the sides of large buildings. Many of the founding artists, including Nassos Daphnis, lived and worked in Lower Manhattan at a time when the groundbreaking SoHo art scene was just beginning to emerge. These artists’ murals played a vital role in this industrial area’s development and eventual economic transformation by making it a more inviting place to visit”. Established as a non-for-profit organization in 1967 by artists Richard Anuszkiewitz, Jason Crum, Nassos Daphnis, Knox Martin, Mel Pekarsky, Tania, Robert Wiegand, and other notable painters of the period, City Walls sponsored more than 50 murals by 28 different artists over the next decade. In 1977, it was consolidated with the Public Arts Council of the Municipal Arts Society, later becoming the Public Art Fund, and remains one of New York’s and America’s greatest public arts organizations. Richard Taittinger Gallery Showcases Nassos Daphnis' Enduring Legacy. Since 2015, Richard Taittinger Gallery in New York, exclusively represents the Nassos Daphnis Estate worldwide and has organized four Nassos Daphnis Solo exhibitions. Richard Taittinger was thrilled to present Nassos Daphnis City Walls Inc , in Athens in October 2023, under the auspices of Athens Municipality, celebrating the Nassos Daphnis City Wall mural, he offered as an introduction to the city of Athens.
Takis spent more than seventy years expanding art and taking it into domains previously belonging to experimental physicists. A leading figure in the kinetic art movement of the 1960s, he made sculptures, paintings, performances and sound works incorporating invisible forces as a fourth dimension especially magnetics, his lifelong subject of study.
The 100th Anniversary of his birth will be celebrated with exhibitions and events both in Athens and abroad. www.takisfoundation.org
In the fragmented photographs of ancient Greek monuments in Greece, their significance is not in the faithful replication of shapes and landscapes but in the creative process that awakens the depths of the human soul.
Nature and History together. We talk about teratogens of nature, but at the same time their maturely thought-out architectural lines, thatgive a human meaning. The monument alone, in its fatal loneliness, colorless, unexpressed, abandoned ruin, turns to man and causes them to go down intothestream History.
Text and Photography Vangelis Rassias
The Sanctuary of the Great Gods in Samothrace
Known as the Sanctuary of the Great Gods, is one of the principal Pan-Hellenic religious sanctuaries, located on the island of Samothrace. Mysterious ceremonies were held here, which date back to the 7th century BC, with the deities worshiped being different from those of the Olympian gods and related to the dark deities of Kaveiron. It was located near the ancient city of Samothrace - today's Paleopolis - and received missions of ambassadors from other city-states during the festivities. It remained an important religious site during the Roman period, with the emperor Hadrian visiting it and the author Marco Terentio Barron describing the mysteries before it began to disappear into obscurity in late antiquity. The site is also known as the place where the statue of the Victory of Samothrace was originally located. The sculpture has been on display at the Louvre Museum since 1884.
At the northern foot of Mount Olympus, Dion dominates. It was the pre-eminent holy city of Macedonians and the sanctuary of Zeus. It reached great prosperity during Hellenistic times, but also in Roman times, as it was one of the earliest Roman colonies in Macedonia. Alexander’s love for Dion is also evident from his desire recorded in his will, to build a luxurious temple dedicated to Zeus. Victim of the Ostrogothic invasion, Dion never healed it’s wounds. The floods of the Vafyra river, the earthquakes and the time will cover with oblivion the city that was abandoned during the 5th century AD. Its inhabitants moved to safer areas at the foot of Olympus.
First ancient Theater of larissa
The First Ancient Theater of Larissa, associated with the worship of the god Dionysus, is the largest theater in Thessaly with the capacity of 10,000 people. It is located on the south side of the Acropolis Hill (Fortress Hill), and it is the trademark of the city. It was built in the center of the ancient city during the reign of King Philip V of Macedonia at the end of the 3rd century BC. The theater was in use for six centuries until the end of the 3rd or beginning of the 4th century AD. The theater has the typical architecture of the Hellenistic theater with the three basic elements; hollow, orchestra and stage with a diameter of about 25 meters. During the reign of emperor Octavian Augustus and the successor of Tiberius, inscriptions were found in their honor on the cornices of the stage.
The ancient agora of Kos
The Ancient Agora was the commercial and social centre of Kos. It was originally built in the 4th century BC in a short distance from the city port. The currently visible part, apart from the market, are the fortification of the city, the sanctuaries of Aphrodite and Hercules, building with the remains of private houses, but also part of the ancient port. The ancient market consisted of three main galleries, North, East, and West which in their centre met in a large inner courtyard. The north part connected the market with the city walls while the other two had various shops that served the daily needs of the citizens. Most of the ancient market is buried under the modern city. In fact, its southern part came to light with recent excavations opposite the altar of Dionysus which led to the restoration of two columns which belonged to the ancient market.
The temple of apollo in ancient Corinth
The temple of Apollo was built around 530 BC and it is a trademark for Corinth. With monolithic Doric columns, originally had six columns in width and fifteen at length, of which today only seven stand in a prominent position above the ruins of the ancient market.
TheDome of Delphi
The Dome of Delphi belongs to the buildings that adorned the sanctuary of Athena Pronea. It has been described as one of the most beautiful and exceptional creation of ancient Greek architecture, with two moldings, triglyphs and metopes. The varied combination and mixture of different architectural styles in the same building was complemented by natural polychromy, resulting in the use of different materials. The building was designed by the architect Theodoros Phokeas. The architectural sculptures of Tholos have been paralleled with those of the Asclepieion of Epidaurus.
Some scholars suggest that the cyclic altan on display at the Archaeological Museum of Delphi that depicts women hanging red ribbons, belongs to the Dome structure.
The Athenian Treasure was dedicated by the Athenians for their victory over the Persians and housed the votive offerings of the Athenians to the god Apollo. It is located at the first turn of the IeraOdos, which led to the temple of Apollo and to the oracle of Delphi. It dates between 510 and 480 BC.
Afirst temple began to be built in the early 5th century BC but was destroyed before it was completed, by the Persians in 480 BC. Doric, double in representation, six by thirteen columns. The second temple began to be built in 449-448 BC by order of Pericles. The architect is unknown but he is probably the one who designed the temple of Hephaestus at the Agora of Athens, the Temple of Ares and the temple of Nemesis in Ramnounta, as these four temples were almost identical to each other.
The sanctuary of Poseidon had been almost ruined during the Roman period. In recent years, parts of the temple have been detached and transferred either to museums or in private collections.
Temple of “Nemesis” Ramnountas at Marathon
Ramnountas was an ancient town and municipality of Aiantida which was an area of Ancient Attica and a tribe of ancient Athens. Ramnountas today is an archeological site of Eastern Attica with its impressive ruins located northwest of the modern settlement of Agia Marina Grammatikou of the Municipality of Marathon. Τhere was a place of worship for the relentlessly revengeful goddess Nemesis. It is one of the best preserved archeological sites.
The Heraion of Olympia, also known as the temple of Hera in Olympia is located inside the sanctuary of Altea and on its northwest side. It was built on the southern foothills of Kronio hill and is one of the oldest examples of monumental temple construction in Greece. Ιt was built by the inhabitants of Skillounta (ancient city of Ilia) and according to Pausanias, it was built eight years after the assumption of the reign of Oxilos in Ilida around 1096 BC. The most valuable works of the sanctuary were kept in Heraion Olympia, among which was the famous Hermes of Praxiteles, the record of the holy truce, the statues of the Hours made of gold and ebony by the sculptor Emilos, the bank of Kolotis the shrine of Kypselos. Today the foundations are preserved, the huge uprights of the nave and the lower part of the columns. Four columns have been restored while fragments of the clay decoration of the thrigos and the clay central cape of the temple are exhibited in the Archaeological Museum of Olympia. In front of the temple there is the altar of Hera, on which the touch of the Olympic flame is made by the priestess, according to the ritual.
The Temple of goddess Athena Aphaia is located at a height of 160 meters on the east side of the island. The deity is identified with the Cretan Diktynna or Vritomarti. According to greek mythology, the king of Crete Minoas fell in love with Vritomarti, chased her and she fell into the sea to escape. However, she was rescued by fishermen who took her to Aegina, but she was still being chased. So, she took refuge in the sacred grove of Artemis and disappeared with the help of the goddess. Her relationship with Artemis is certain, as Vrito marti sometimes ismentionedas a nymph, her daughter, while Artemis herself has the cult names Aphaia, Vritomarti, Diktynna. When the locals tried to find her, they found a statue in its place and so they named it Aphaia (means invisible). In that place the Aeginians founded one sanctuary and later a temple was built, which dates back to the beginning of the 5th century BC.
The Temple of Zeus in Olympia
Temple of Zeus at Olympia was built between 427 and 456 BC and it was in Doric style. It is located in the courtyard of Altea in the sanctuary dedicated to Zeus and where the Olympic Games were held. The site was probably a place of worship from the end of the Mycenaean period. Until then, Zeus was worshiped in the temple of Hera. In 426 AD Theodosius II ordered the destruction of the sanctuary and the earthquakes of 522 and 551destroyedtheremainsof temple, leavingtheTemple of Zeus partially buried.
The temple of Epikourios Apollonin Vasse of Figalia is one of the most important and imposing of antiquity. It was dedicated by the Figαlleis to Apollo because he helped them overcome a plague epidemic. It stands at1,130 meters in the center of the Peloponnese, on the mountains between Ilia, Arcadia, and Messinia. The temple was built in the second half of the 5th century BC (420-410 BC). It’s attributed to Iktinos the architect of the Parthenon. This monument, one of the best preserved of classical antiquity, was the first in Greece to be declared a World Heritage Site by UNESCO in 1986. Part of the temple's frieze was detached in 1814 and is on display at the British Museum in London.
The Temple of Nemeios Zeus in Nemea
The temple of Nemeios Zeus is one of the monuments of classical architecture. Built in 330 BC, the temple was an architectural triumph of applied engineering, which combines the elements of the classical Doric temples with creative rendering of the Hellenistic element. It was the religious center of the sports competitions. The eastern facade as well as the western colonnade consisted of six columns ofDoric rhythm. Above these columns dominated the gable of the Temple. Along the colonnade consisted of twelve corresponding columns to the north and south side. The temple had a total of 32 columns about ten meters high with each vertebra weighing two and a half tons. A staircase led inside the Temple, to statue of Zeus.
In the years of the Christian era it was leveled. Thus, in the engravings of travelers of the 18th and 19th century it appears with all three columns standing. The only thing that saved the remains from their complete disappearance was the absence of a later settlement near the temple.
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