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The Chronicle
DUKE UNIVERSITY Ninety-Ninth Year, issue 133
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DURHAM, N.C.
FRIDAY, APRIL 9,2004
WWW.CHHONICLE.DDKE.KDU
Chafe bids A&S Council farewell by
lan Crouch
THE CHRONICLE
ANTHONY
CROSS/THE CHRONICLE
Dean of the Faculty ofArts & Sciences William Chafe addresses the Arts & Sciences Council Thursday.
Thursday’s meeting of the Arts & Sciences Council was one of departures and arrivals, as the council said goodbye to current Dean of the Faculty ofArts & Sciences William Chafe and welcomed Dean-elect George McLendon. Chafe gave his final presentation as the dean to the council, praising the faculty and evaluating its accomplishments during his nine-year tenure. “It’s been an honor to be part of this engaged, energetic and bold enterprise that we call Duke University,” he said, speaking with great admiration. Chafe credited the faculty for the significant increase in the University’s na-
tional and international reputation during the past decade. “The faculty is the lifeblood of every great educational institution,” he said. “You accomplish our most important mission: teaching the next generation. You also [have provided] the research, discovery, and imaginative and creative thinking that has made possible this university’s meteoric rise in the past decade.” Chafe said he was grateful for the opportunity to work with the broad range of faculty outside ofhis particular field of study. “I’ll never be a physicist, a psychologist or a scholar in Germanic studies, but what a joy being introduced to this world oflearning that an historian never dreamed of en-
countering,” he said. “It’s been an exciting
journey to discover so much I had not previously even been aware of, and better than that, it has been extraordinarily rewarding to get to know most ofyou as individuals.”
In addition to reflecting on the personal relationships he has enjoyed with faculty members, he discussed his cooperative working relationship with the faculty when responding to the various crises—including budgetary shortfalls that “sharply curtailed” faculty searches, issues ofacademic freedom and the uneasy intellectual climate following the Sept. 11 attacks—that arose during the past decade. SEE COUNCIL ON PAGE 10
Threatening note found in WEL room by
Andrew Collins THE CHRONICLE
A student in Maxwell House who has been active in educating her peers about sexual assault received a threatening note from an unknown person Thursday night. The note, written on the back of an anti-sexual assault poster she had designed and painted, read: “Your signs will not stop this me.” The cryptic warning came less than a week after students discovered two graffiti notes in Perkins Library and the West-Edens Link referencing rape. The victim, who asked to remain anonymous, said police told her they believe the WEL graffiti and Thursday’s incident are connected but the Perkins scrawling is probably unrelated. Administrators were officially mute on the issue, as Duke University Police Department Maj. Phyllis Cooper declined to speak with The Chronicle Thursday night and Assistant Dean of Students Deb Loßiondo also declined to comment. However, the victim said that police have already begun an investigation of Thursday’s note, focusing on
handwriting analysis.
The victim said she had no idea whether the note was intended as a serious threat or not. “I think the fact that someone’s willing to do this shows that something’s fundamentally wrong on our campus,” she said. “If it’s a joke and you don’trealize the impact it has on, in particular, the female population on this campus [and], in particular, a female, that [behavior] needs to be expelled [from] our campus. It shouldn’t be tolerated.” The perpetrator’s writing material was a sign that the victim had made and left outside her door, which the perpetrator then slipped under her door. The signs had been painted in response to the earlier graffiti in a bathroom in the WEL, where Maxwell House is located. That graffiti read: “I rape more and more.” Thursday’s incident became the focus of a meeting in the WEL that was originally scheduled to discuss the two prior graffiti incidents. Loßiondo was in attendance. SEE THREAT ON PAGE 11
Members of Duke Dhamaka present their routine, which they will perform at Bhangra Blowout in Washington, D.C. this weekend.
Duke Dhamaka dances Christina Ng THE CHRONICLE
by
It is the NCAA Tournament of the bhangra world. Similar to college basketball teams’ dream of reaching the Final Four, bhangra dance teams want to make it to Bhangra Blowout, the national bhangra dancing competition held annually in Washington, D.C. Tomorrow afternoon, Duke Dhamaka will be the Gonzaga of the contest, competing against nine bhangra powerhouses in its first Blowout appearance. Only'a year and a half old, Duke Dhamaka—which means excitement in sound and beat in Hindi and has the connotation of craziness—is a young team to make it to Blowout. Additionally, although some of the group’s members may have previous dance experience, most of them had never danced bhangra prior to joining Dhamaka. What they may lack in experience, however, they make up in devotion and enthusiasm. ‘The students are very dedicated and talented. They've got a really good spirit, a competitive spirit, but also have a lot of fun when they're doing it,” said Mekhala Natavar, Dhamaka’s faculty advisor and assistant professor of the practice of Asian and African languages and literature. “You can really see that camaraderie... inside and outside of the dance space.”
to
D.C.
The tight group dynamics stem not only from the fact they practice so often—twice a week for three hours each time—but also because the members are such good friends. “We’re basically a group of friends more so than a team. We’re a group of friends that love to dance,” said junior Raj Vasnani, Dhamaka captain and choreographer. ‘That’s the main reason why I think the dancers have such a great time on the team. It’s about displaying our heritage and having fun.” Bhangra, a traditional farmer’s folk dance that originated in the Punjab region of northern India, combines elements of Hindi, bhangra and hip-hop music as well as traditional dance aspects —such as the wrist flicking and scarf flickering—with a modern hip-hop twist. Although it is not yet considered a mainstream dance genre in India, bhangra is gaining rapid popularity in the United States, especially because it allows dancers to connect to their heritage. “Like reggae connects people to their roots in Africa, this music links people from America to their roots,” said Sachin Bansal, a junior from Punjab who has studied bhangra academically. “These are westernized South SEE DHAMAKA ON PAGE 10