COMPOSITION.
in the
and Cotsvvolds," frontispiece,
p. 51), circular
Mont
think
not
Remember or
the
the
should
lines
or
no
in
of the
and
outline
should
the
great be
not
broken
secured.
thus
is
wish
you
and
the
hardness
over
all
is
is
something hope
of
quality
the
thus
:
poplars,the Bear In
led
up
until
a
noble
before
lines
your in can
as
be
should and
Nature be
addition
great discretion
You
must
you
think
different
a
well
as
such
errors,
you
think
also
its
of
effect
to
there
position disblack
soft.
latter
linear
detect
design. have
throw
cannot
seeing instantly
can
you
oaks
your
the
H.
One
sky.
without
material
strong, the
pleasant
with
dark
the
by
and
refreshment
to
FIG.
storm,
and
frequentlyby
more
very
your
mind
not
feeling,the be
of
composition
are
a
composition
elms
first
in
your
they
to
that
mean
The
modified
make
cannot
the
where
a
wrong,
I
masses.
that
;
harmony
as
of
rules
frame
should
But
strong effect,such
the
as
the
masses,
sition oppo-
produce
to
of
the
good.
should
sudden
breadth
between
it be
that
half-tones.
by
of
sense
darks
lights,but
the
to
be
in
placed
The
not
needlessly interrupted; of
"
of the
be
mass
(see
convergent
equal
edge
well
as
Lake
42,
Aftermath," facing p. 72),but
be
the
facing '*
composition belongs,if
must
spaces
Meadow,"
Cotswolds," facingp.
"The any
harmony
object
any
and
order
masses
be
swing
tree
what
to
that
between
Berkshire
A
Revard," facing p. 6), or
Lonely Road," facing p. 64, does
"
in the
Morning
"
(see
from
Bourget
one
43
obtained of
an
and
your
perspective.
sympathetic, and have
by
a
a
opposing care.
aerial
and
soft
dark line
or
when
sleepy
light,but
which
should