DRAWING
86
the student
pages
ART
FOR
considered
is not
strivingto acquire a mastery by know
far he
can
will prove
Experiment the
whole
If the dark
figureis
all in All
results.
lightand
shade
with
the
lightwithout realistic
from
made
of this
use
In other
that whenever flatness
a
lightbehind the
spectator
shadow, and
again
have
painters
melting of words
a
used
a
the ness flat-
strong
and
the contour
continuous
results.
it,it shows
Caravaggio onwards,
,
points. an
student
clearlydefined,
viewed
ment move-
of realistic treatment.
the
to
as
do this he must
to
flat;if the light is behind
and
figureis seen
have
is
contour
and
in the way
go
and
structure
over
but
composing,
as
of the appearance,
means
how
STUDENTS.
all such way the half-
at
outline
implies
incompletelyexpressed figure. This
paradox suppliesthe clue to the study of form by light and shade, in its simplest terms. The
placed
object,whether before
in nature must
one
in
smudging The
background midway
in
the half
to
tone
between
tone
be the
tone
of
object. Now
Yet
livingfigure,should
or
dark, that is, equal in
light and the
a
cast
outline
backgrounds
line takes
its a
tone,
only edges. be always
"
cannot
one
in order
to
reveal
part of the object,nor
degree of background.
line the
a
outlines
no
imaginary line sensed
an
the
by
are
outlines;
use
is not
but
object and
there
contrast
This
tone
contrast
varying in intensityor
even
form.
of the background,
by the in
the
eye,
and
between can
presenting re-
the
be represented
width.
The
less mechanical ground backor place of a more and gives opportunity for close edge study