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It’s been a year for technology-driven acquisitions. Significant moves brought mega-brands together, while others demonstrate the expansion plans of familiar brands, as they acquired companies that may be less familiar to our industry.
At Infocomm, we saw the first fruit of the Blaze acquisition by Sonance in the shared demo room.
In July, in one of the most newsworthy acquisitions, Hall Technologies acquired substantially all assets of Atlona’s product portfolio from Panduit.

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Hall CEO Ken Eagle was well familiar with Atlona products from being Global Training Director at Atlona through 2021 before joining Hall as VP of Technology. He emphasized that Hall and Atlona products would continue to be supported with more customer support and technical resources, and the acquisition would lead to a broader range of products from both brands.
Just a month before, Audinate had acquired Iris to help fuel the Dante AV expansion with a control systems play, and NETGEAR acquired cybersecurity company Exium.
In August Kinly merged with Yorktel in a workplace experience and collaboration move. In September and October Ross Video acquired two companies that both support live, experiential audio and video. LAMA which brings innovation to live audio workflows, and ioversal which has a unique live production platform for interactive exhibits, live entertainment, large-scale productions, and projection mapping.
Last month, Imagine acquired Pixel Power to drive cloud for broadcast and streaming.
Now as we go to press, Biamp has entered into an agreement to acquire assets of ClearOne, Inc., including intellectual property and brands. The acquisition adds signal-processing designs and patents to the Biamp technology portfolio.
ClearOne has a 20-year track record in audio conferencing technology with contributions in DSP, acoustic echo cancellation, microphone array processing, and beamforming/beam-steering techniques. The run has had its controversy; a long-running and very public patent dispute with Shure was settled in 2022 with a confidential agreement, the dismissal of mutual lawsuits without liability, and a reported cross-patenting agreement that would allow both companies’ products to continue to thrive in the marketplace.
Now, three years later, ClearOne’s R&D, institutional knowledge (and some of the patents) will integrate into Biamp. The acquired assets include designs and several significant patents associated with beamforming microphone arrays and related audio signal-processing innovations.
Unlike the Hall/Atlona acquisition, where Hall is keeping Atlona products available and supported, Biamp “does not assume any obligations to continue selling, supporting, or developing ClearOne-branded products as a result of this transaction. The company’s focus is on thoughtful integration of selected IP and designs into future Biamp solutions.”
For me, this brings to mind an acquisition in my own personal history. In 2010, my husband was CEO of Electrosonic and sold the products division of the company to Extron. This was significant not for specific products or product lines; it was materially about the underlying wavelet technology developed under the great Electrosonic engineer Peter Smith, whose industry innovations date back to 1975. Smith went with the deal to Extron, and that technology remains part of Extron’s portfolio today, where it has been further evolved,

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1
Dolby Laboratories has announced Dolby Vision 2, which the company describes as its next evolution of picture quality innovation. Hisense is the first TV brand to announce it will be bringing Dolby Vision 2 to its lineup of TVs, with entertainment company CANAL+ also offering full support for the new technology.
Building upon Dolby Vision HDR, the company says that Dolby Vision 2 was designed specifically “to meet the evolving opportunities of television experiences today.”
Dolby Vision 2 is powered by a redesigned and more powerful image engine. Dolby says the new engine will be fueled by a content pipeline including popular movies and TV shows, weekly live sports broadcasts, and an expanding library of games in Dolby Vision. https://tinyurl.com/mu5ekjen

2
2.2 revealed, featuring 96Gbps of
Following reports that the next HDMI standard would be revealed at this year’s CES, the HDMI Forum this week announced HDMI 2.2, bringing with it a host of upgrades.
“New technology enables higher quality options now and in the future for content producers such as TV, movie and game studios, while enabling multiple distribution platforms,” reads the organization’s announcement.
Notable advancements include a 96Gbps bandwidth to support use cases such as 8K and even 16K, as well as emerging VR technologies. The expanded bandwidth should also help combat video compression on TVs that display higher resolution content. Also included is Latency Indication Protocol (LIP), said to improve audio and video synchronization, especially for multiple-hop system configurations such as those with an audio video receiver or soundbar. Notably, a new Ultra96 cable will be required to take advantage of the expanded bandwidth. https://tinyurl.com/5xr73c9s

3
Once heralded as the future of in-car AV, the auto industry has spent the latter half of the last decade slowly distancing itself from mobile platforms like Android Auto and Apple Carplay. In an era where in-car navigation was scarce and lackluster at best, the ability to pair a vehicle with the driver’s mobile device to control everything from entertainment to weather alerts caught on quickly. However, native support for these programs is starting to dwindle with each year, with notable manufacturers such as Tesla and General Motors opting for their own platforms.
The reason for this trend, it turns out, has less to do with the programs themselves and more to do with your data. When a driver opts to use Apple Carplay or Android Auto instead of a vehicle’s native infotainment system, the user’s data is harvested and stored by that platform and its associated company instead of the car manufacturer. As the lines continue to blur between cars and personal electronics, this data has become more valuable to auto companies. https://tinyurl.com/yecrc6cw


AVI-SPL acquired by 26North
4
26North has announced it will be acquiring a controlling stake in AVI-SPL from Marlin Equity Partners and other selling shareholders. Marlin and select shareholders will retain a minority interest in the company, while financial terms were not disclosed. AVI-SPL, which serves over 86% of the Fortune 100, delivers missioncritical audio-visual, collaboration solutions and experiential technology that power the modern workplace, spanning installation, integration, and managed services across North America, South America, Europe, the Middle East and Africa (EMEA), and the Asia-Pacific regions. https://tinyurl.com/mveb9s4
5Meyer Sound introduces the Galileo Extended Networking platform, or GEN-1—a new technology that brings networked connectivity and onboard signal processing directly to the loudspeaker. AES67compatible and optimized for Milan integration, GEN-1 represents a highly scalable, adaptable foundation for future system architectures.
GEN-1 builds on Meyer Sound’s pioneering legacy in self-powered loudspeakers—bringing that same spirit of integration to the digital signal chain. Traditional sound system designs rely on centralized DSP units to manage processing before distributing signals to loudspeakers. GEN-1 shifts that model by embedding processing at the loudspeaker, reducing cabling and rack requirements while minimizing points of failure. The result is a more streamlined and robust infrastructure—especially valuable in complex or large-scale deployments.

Debuting in the new ASTRYA-140™ screen channel loudspeaker, GEN-1 gives system designers greater flexibility in how they deploy Meyer Sound solutions—making it easier to tailor systems to specific performance and budget needs across immersive cinema, themed entertainment, or large multi-zone installs. https://tinyurl.com/28zhdzwy

6Samsung Display filed a complaint with the U.S. International Trade Commission (ITC) in 2023, alleging that BOE had infringed on several of the company’s patents relating to proprietary OLED technology. In July of this year, the ITC issued a preliminary ruling in favor of Samsung, stating that BOE had misappropriated trade secrets, “the importation of which has injured and threatens to substantially injure a domestic industry in the United States.”
Per the initial ruling, the ITC is issuing a ban on the import of BOE’s OLED panels for 14 years and eight months, in addition to a “cease and desist” to any and all of BOE’s US subsidiaries. While the final ruling is scheduled for November, it is uncommon for the ITC to overturn an initial ruling.
https://tinyurl.com/mr2fcfv5

Vertical turntable uses an optical pickup to play vinyl
7Netherlands-based Miniot has debuted the third iteration of its Wheel turntable, and the company claims that this version takes the vertical player’s concept and pushes it to its limits. It’s easy to see why, as the Wheel 3’s minimalist design is taken to the extreme, with a tonearm that sits inside the platter for unobscured viewing of the chosen vinyl record.
A new addition to the Wheel 3 is an optical pickup, replacing the traditional magnetic design. A diamond stylus tracks the grooves on the record, while the optical pickup measures the amount of light and shadow to track the position of the stylus.
“Unlike magnetic pickups, which measure acceleration, an optical pickup measures position, allowing it to ‘see’ sound all the way down to 0 Hz,” says Miniot. “Because it also continuously compares stylus and arm position measurements, it is pitch perfect from the first note.”
https://tinyurl.com/2td2x3ay


Launched in 2011, the Juno spacecraft is tasked with orbiting Jupiter, taking pictures of the planet and its many moons. Unfortunately, the gas giant’s intense radiation fields are an obstacle for the continued operation of any cameras, and by Juno’s 56th orbit of the planet, nearly all images being sent back to NASA were corrupted.
With few options for recovery, the team turned to a process called annealing, where a material is heated for a specified period before slowly cooling. Although the process is not well understood, the idea is that the heating can reduce defects in the material.
Test images sent back to Earth during the annealing showed little improvement the first week. Then, with the close approach of Io only days away, the images began to improve dramatically. By the time Juno came within 930 miles of the volcanic moon’s surface on Dec. 30, 2023, the images were almost as good as the day the camera launched, capturing detailed views of Io’s north polar region that revealed mountain blocks covered in sulfur dioxide frosts rising sharply from the plains and previously uncharted volcanos with extensive flow fields of lava.
https://tinyurl.com/yc776v6x

pliers that a wrench multitool typically sacrifices, while still being pocket-friendly – the W4 measures slightly over 6-inches while closed.
standard and ratchet turning to eliminate the need for resetting one’s grip each turn, while other conveniences include a bit holder, driver, steel knife, and 2-in-1 needlenose pliers. While the W4’s entire package might not be quite as versatile as some other multitools on the market, building its design around an adjustable ratcheting wrench puts it in a category of its own.
https://tinyurl.com/4zpm7npa


I think the world has changed. We are not in the top 10 semiconductor companies.”
These remarks come after Intel ended its 25-year run on the Dow Jones last year. The company was replaced by NVIDIA, whose early adoption of chips targeted at AI skyrocketed profits. Intel, who once considered acquiring NVIDIA for $20 billion, has since had a rocky path forward.
Tan also commented on NVIDIA’s dominance in AI training, with OpenAI’s ChatGPT powered exclusively with the rival company’s GPUs. “On training, I think it is too late for us,” said Tan. Instead, the CEO highlighted alternatives, including the emerging fields of edge AI and agentic AI, which forgo the cloud entirely. Tan hinted that the company is planning to capitalize on these fields with upcoming acquisitions: “Stay tuned. A few more people are coming on board.”
https://tinyurl.com/2fav4d5n

With the FAA proposing to loosen visual line of sight (BVLOS) control requirements and payload flexibility expanding exponentially, the whole topic of drones today is itself a fast fly-by. Mission-specific flying models now include helicopters, fixedwing flyers, and multi-copters, including vehicles with electric or gasoline-powered motors. Current challenges involve federal/state regulation and the mercurial status of availability for certain brands in the U.S. Huge advances in unmanned underwater vehicles (UUVs) have reached into the less-regulated undersea environment while bringing back stunning video from the deep. This survey provides a look into the wide design variety and rapidly evolving world of drones.

Writer BENNETT LILES
Contributing
Editor

A micro hovering UUV exploring the depths is the Advanced Navigation Hydrus, performing infrastructure inspection, sea bed surveys, and underwater cinematography. It is capable of shooting 4K/60 video while diving to nearly a thousand feet at a control range close to a mile. The craft uses inertial navigation (INS), ultra-short baseline system (USBL), and Doppler velocity log (DVL) for autonomous navigation. Operators can create complex missions through a point-and-click 3D map interface and seamlessly integrate their own software with the Hydrus system. Secure communication is conveyed through Wi-Fi on the surface, and below the waves fiber optic cable is the communication link. Hydrus is small enough to be hand-deployed and get into tight spaces. Untethered, the 20.5in. long vehicle can use inertial guidance for autonomous subsea structure and cable inspection, lighting objects of interest with 5000 lumens. Equipped with SkyLink 2.0 transmission allowing more than nine miles of RF control range and tri-band communication with automatic frequency hopping, the Autel Robotics EVO II Pro Enterprise V3 quadcopter is designed to keep distance shots steady. The longer the lens focal length, the steadier the platform must be. With that platform guided by 12 visual sensors and obstacle avoidance, the Sony 20-megapixel 1in. CMOS image chip can support a 4x optical zoom. The aperture range of f/2.8 to f/11 and 4K HDR enables visual detail in deep shadows. A full battery charge, maximized through thermal venting, provides up to 42 minutes of flight time. This craft is positioned through Real-Time Kinematic (RTK) for centimeter-level accuracy. With the many restrictions on what drones are allowed to fly over, a key feature for this craft is the ability to shoot close-ups from oblique angles.


The realm of practical drones is not limited to the wide-open spaces. The Cleo Robotics
Dronut DD1 is designed to operate with precision in tight indoor environments and GPS-denied spaces. The top and bottom cameras are capable of 1280x800 real-time video streaming, while the main camera shoots 3840x2160 video for recording and 1280x800 for streaming. For navigation in very low lighting, it has omnidirectional LED lights and 6-axis proximity sensing. The Dronut DD1 also carries a rear camera with proximity sensing, LED lighting, and real-time HD video. Powering the system is a fast-charging USB-C connection, failsafe power, and onboard power monitoring. The system’s ground controller unit is laid out around an 8in. 1920x1200 pixel touch screen display. On that device, two-axis joysticks can maneuver the craft at a range of over two miles.
Dramatic photography was built into the DJI Mini Pro 4 with an effect much bigger than its 15.6in. unfolded size. Weighing in at 249 grams with the standard battery, this tiny machine can do over 35mph with no wind and stay aloft for 34 minutes, or 45 minutes with the heavier Flight Battery Plus power supply. It is capable of video transmission in 2GHz and 5GHz bands over a distance of more than 12 miles where there is no signal or obstacle interference. A 3-axis mechanical gimbal steadies the camera and its 1/1.3-inch CMOS, 48MP imaging system. The lens field of view is 82.1 degrees at an effective 24 millimeter focal length and produces a remarkable sense of speed over the ground. The f/1.7 aperture allows very good low-light performance and the lens can focus down to one meter. The DJI RC 2 controller eliminates the need for a smartphone attachment by using the built-in DJI Fly app with its built-in 5.5in. 1920x1080 screen.


The Draganfly Apex is at the top level of the UAV realm in price, performance, and versatility. The vehicle can be fitted with a wide variety of accessory payloads, including real time FPV cameras, obstacle avoidance systems, and even a parachute. Flight times range from 17 minutes with a 6.6lb. payload to 40 minutes flying light. Among the payloads is the Sony A5100 sensor using a 3-axis gimbal and a 25MP RGB camera. Another payload option is the MicaSense RedEdge-P with its 2-axis gimbal for Nadir-only capture. This includes a high-resolution multispectral and RGB sensor with scientific-grade filters. The integrated FPV camera produces 1280x720p video with a wide-angle field of view. Onboard computing is done by Raspberry Pi CM4 in the core version and by Nvidia Jetson Orin on the Apex Ultra. The craft can be controlled at a distance of ten miles and the signal is FIPS AES 256 encrypted.
Another mission-configurable UAV system built by a big name in the industry is the Drone Volt Kobra. This platform is made for multiple connections, including Ethernet, CAN, UART/Serial, and HDMI. AES-128 encrypted data is used to the extent of its transmission range of 7.5 miles at 2.4Ghz. The 20,000mAh hot swappable battery keeps it flying for up to 30 minutes carrying a payload of 11 pounds. The vehicle can endure wind resistance of 54mph, but on a calm day it can speed along at nearly 45mph. When the work is done, the airframe can be folded up and the landing gear removed for packing. Among its optical payloads are the BraveStarCV Scorpio4 Mpx optical sensor, Next Vision Raptor 40x optical zoom camera, Merio-Temis XL 3-axis camera, and the GreenValley International LiAir X3-H.

Coming for January 2026 is the FreeFly Astro Max packed in its Astro Compact Travel Case with the FreeFly Pilot Pro Controller. The Astro Isolator reduces vibration from the vehicle to the payload for smooth video shooting. The two SL8 batteries needed for each flight are an extra purchase along with the SL8 Fast Charger. Carrying a maximum 6lb. payload, the Astro Max can stay in the air for 18 minutes, but with the Sony LR1 payload, it can fly for 28 minutes. Attaching to the universal Smart Dovetail connector, the LR 1 payload offers four lens options with thermal and range finder modules. The Pilot Pro Controller can accept a variety of radio transmitters, and it has an integrated tablet that folds out, allowing the operator to simultaneously monitor multiple video feeds while using hot-swappable batteries.
Drones are most often considered in terms of their long range and free roaming capability, but the Hoverfly Spectre amply demonstrates the valuable and advanced uses of the tethered models with their staying power, heavy load capacity, and communication advantages. With its 90-240VAC, 2000W power coming through the tether line, the Spectre can remain in the air indefinitely and function as an instant watch tower or long radio antenna. Local powering also enables it to have powerful engines and superior weightlifting to carry 8-pound payloads up to 200ft. in altitude. Control methods range from a ruggedized tablet, PC, ATAK, RaptorX, and SDK. The Software Development Kit enables control of the vehicle and sensors through the internet or other networks in a Common Operating Picture (COP). The three COP control levels include full control, payload-only control, and telemetry monitoring.



The Lumenier QAV Pro Mirage 360 4” Cinequads Edition, developed in partnership with Cinequads, is designed specifically for cinematic use and is able to get 6K 360-degree footage with the Insta360 ONE RS camera or 4K video with DJI O3 FPV System. The frame has an aluminum rearend structural brace with a LiPo battery strap and the vehicle is constructed with a retractable metalgeared servo carbon fiber landing gear. The radio link is optimized through the addition of aluminum SMA mounts for two Lumenier Micro AXII antennas. Designed with two 1-inch CMOS sensors, the Insta360 ONE RS camera can be powered separately using the drone’s battery eliminator circuit running its 4in. propellers. The DJI O3 Air Unit has a 1/1.7in. sensor and a 155-degree super-wide field of view. Fully equipped, the vehicle’s flight time is about five minutes.

Carrying a 48MP camera and capable of performing autonomous photography, the Parrot ANAFI Ai 4G robotic UAV can be paired with the Skycontroller 4. Video is encrypted with a key negotiated between the drone and remote controller. The open-source software development kit makes software tools available to craft specific feature sets for a range of mission types. This includes airborne custom code execution as well as ground control applications for iOS and Android operating systems. All these custom-coded solutions can be run on Parrot’s Sphinx drone simulation tool, providing a workout for sensors, 3D scenes, maps, and cameras in a safe environment. Secure controller-to-vehicle communication is established with a NIST FIPS140-2 Level 3 compliant, Common Criteria EAL5+ certified Wisekey Secure Element embedded in the controller and the drone.


Flight duration and heavy lifting are the ace cards for the single rotor Prodrone PDH-GS120 helicopter and its 120cc high-powered 2-stroke horizontally opposed two-cylinder gasoline engine. This design enables the vehicle to deal with wind while carrying a 33lb. payload and fly for up to two hours. Among its payload selections are zoom gimbal cameras and binocular gimbal cameras that team a zoom camera with an infrared imaging system. The flight controller is specifically designed to operate a single rotor helicopter drone and it incorporates inertial measuring, GPS, and a laser sensor. After automatic takeoff and landing, the 6.5ft. rotor is detachable for ground transportation. Frequent battery changes are eliminated with the 120W engine driven generator. This model can follow automated flight plans while engine temperature, speed, and power are read during flight.
Fitted with the appropriate sensor package, the well proven Skydio X10 can be customized for a range of missions. These packages include various focal length camera lenses, radiometric thermal cameras, and a flashlight with 22 lux brightness at about ten feet. Among this model’s capabilities are detecting tiny concrete cracks in low light, finding loose bolts in physical infrastructure and reading license plates from 800ft. above ground level. Using the thermal package at night, objects as small as a human figure can be detected nearly 4000ft. away. The X10 represents a large step up in computing power over previous Skydio designs, using the onboard NVIDIA Jetson Orin GPU. There are also individual person and vehicle tracking with the Skydio Shadow feature. The company expects general availability for its new building interior exploring R10 in early 2026.

The Walkera T210 Mini is fitted with a 1/2.3 inch CMOS 48MP 4K HD imaging system and transmits 3-axis stabilized video from over three miles away. This UAV can be controlled with the WK-V8 intelligent voice somatosensory control, WKRC-H9 remote controller, or FPV glasses and their head tracking function, which puts the operator right onboard. During the 30-minute flight time, the T210 Mini can use intelligent cruise for a constant speed over 55mph and automatically track targets. Visual optical flow+TOF positioning enables it to go from operating in wind speeds up to Level 7 out in the wild to avoiding objects within inches flying indoors. For this, propeller protectors are available. The stable positioning capability also aids time-lapse photography. The vehicle can be carried in a pocket and hand-launched at less than 249 grams, a key factor in the current regulatory environment. A very interesting fixed-wing design is the new WingtraRAY. Somewhat reminiscent of the Cold War vintage Convair XFY-1 Pogo manned fighter, this drone sits upright on its tail and reaches nearly 50mph in level flight after vertical takeoff, maximizing coverage area. For the protection of persons and property on the ground, it carries a parachute that can be automatically or manually deployed. With a mission-matched payload, the WingtraRAY can perform detailed mapping, infrastructure inspection, crop damage assessments, fleet/crew management, and wildlife monitoring, among other assignments. 3D flight planning assists in data gathering efficiency and the LIDAR payload can perform single-line corridor mapping and regulation compliance. More than a thousand acres can be covered in a single flight lasting as long as 59 minutes. The maximum takeoff weight is 10.6lbs while carrying a payload of 1.8lbs.

There are several refined and improved features on the six-rotor Yuneec Typhoon H Plus system, including upgrades on the ST16S Remote Control Unit. Video operation features Team Mode in which the flight and camera controls may be manipulated by separate operators. Auto flight modes allow the drone to perform a pre-designated function such as Follow Me, Curve Cable Cam, or Return Home while the ground operator concentrates on the photography. Intelligent front-facing sonar and Intel RealSense technology provide sophisticated collision avoidance and recording of obstacle locations for future reference. No tools are required for propeller removal and folding of all six arms. The Typhoon H Plus can go 30mph in level flight and stay in the air for 28 minutes on a full 4S 5250mAh LiPo battery charge. In optimum conditions, the control RF range is one mile.
The 249-gram, hand-sized Zero Zero Robotics HOVER Air 8K PROMAX is billed as a self-flying camera with a horizontal resolution of nearly 8000 pixels and a 107-degree field of view. The flight system is designed to allow maximum speed through very obstacle-dense terrain. It also has rear proximity sensing. The video system produces 4K/120 imaging, switchable to 4K/30 with a 2x digital zoom. 48MP JPG stills are captured and stored with Adobe’s DNG (Digital Negative) format. The imaging system uses a 1/1.3in. CMOS sensor, wide dynamic range, and a seven-layer lens. The frame is composed of Aerospace-grade HEM (Highly Elastic Material). The tiny Beacon device allows single-handed drone control, and it can be quickly built out to a dual joystick unit using a mobile phone attached for onboard camera viewing at a range of over half a mile. The HOVERAir app allows changes in flight modes, HD photo downloading, and other features.



As one of the seminal AV platforms, Sphere is finding its stride with programming, making use of its world’s largest 580,000 square foot LED exterior (Exosphere) and its dramatic interior LED canvas and immersive audio system. Here’s a look at what hit the boards there in 2025.
The year started with the Lexus-sponsored show on the Exosphere, celebrating cities around the world and culminating in a countdown as part of the Las Vegas fireworks show, “America’s Party 2025”, with fireworks launching from the rooftops of nine resorts across the Strip. Inside, just after midnight, Sphere content shifted to the venue’s first-ever electronica concert with Afterlife Presents Anyma ‘The End of Genesys.’ The event also featured art from self-described “psychedelic math artist” UON Visuals – the latest artist to create art exclusively for the Exosphere as part of Sphere’s XO Art program. UON Visuals is a 3D artist based in Vancouver, British Columbia, who uses math formulas and code to craft intricate animated patterns and dynamic color spectrums.
Soon after, at CES, Delta Airlines gathered 18,000 people in Sphere to celebrate the 100th anniversary of the longest-running US airline, with CEO Ed Bastian presenting the first-ever CES keynote at Sphere. Instead of just another keynote, Delta used all the immersive capabilities of Sphere, which not only included the floor-to-ceiling video and incredible audio, but also wind, aroma, and tactile in-seat effects to take viewers on an immersive virtual journey that included a massive Airbus A350-900 taxiing into Sphere, followed by a take-off, in-flight cockpit view, and landing spaced throughout the evening. The event was so successful that Lenovo has claimed Sphere for the 2026 CES keynote.
In February Sphere continued its marketing mojo as an entertainment brand–and the world’s largest digital signage platform–to formally introduce its mascot Orbi, the iconic emoji character that has appeared daily on the Exosphere since the opening in summer 2023. Coinciding with this reveal, Sphere launched its brand-new e-commerce website featuring original Sphere merchandise, including the “Orbi Collection.”
In March, Sphere leaned into its role of supporting experimental art to take advantage of its unique surfaces. Visual artist Jen Stark became the latest artist to design art for the Exosphere as part of the XO/Art Program, which features renowned artists’ work on Sphere’s immersive

exterior. Titled Cosmic Cascade, the 90-second display features a psychedelic waterfall of colors and patterns oozing down Sphere’s exterior in Stark’s signature style. This cascade of pulsating imagery creates what Stark calls “psychedelic camouflage.” Also in March, and as part of the XO/Art Program, Sphere announced its Second Annual Sphere XO Student Design Challenge to allow Clark County students to design the Exosphere’s Earth Day look. The Sphere XO Student Design Challenge is an ongoing collaboration among Sphere, the Clark County School District (CCSD), and University of Nevada, Las Vegas (UNLV) that gives local students the opportunity to have their work displayed on the world’s largest LED screen. Eight student artists ranging from elementary school through college were selected via a combination of public voting and artist judging. More than 100,000 Clark County-based students were invited to create art for the Exosphere around this year’s theme of Earth Day. In addition to seeing their work displayed on the Exosphere, winning high school and UNLV students received a $10,000 educational scholarship from Sphere, while winning elementary and middle school students earned a $10,000 donation from Sphere for their school’s art program to further art education in public schools, along with tickets for their entire school to attend The Sphere Experience.
Meanwhile, the Sphere is a unique and compelling concert venue. Kenny Chesney was
the first country artist to take advantage of all that power and described it this way. “You can’t truly understand until you start playing music with all the people there, feeling that energy and the way the visuals and the songs just consume people,” Chesney said of the decision to come back for second show next year, an intention he announced from the Sphere stage on the last night of his 2025 residency. “The more I watched the fans having this experience, the more ideas I had –both to reconfigure some of last year’s songs, and a few songs that seemed like they should get this immersive treatment.”
The other marquee concerts for Sphere this

year include residencies for the Backstreet Boys and the Eagles. Backstreet Boys took the summer shift to bring their seminal Millenium album to new life, and Eagles were back to headline the fall. In between August saw the residency of USBased Insomniac and Belgium’s Tomorrowland, two of the world’s most iconic music festival creators, who joined forces for UNITY, a fluent and powerful experiences that took audiences on a mindbending ride. With decades of combined history in immersive festival experiences, the collaboration was ideal for the kind of immersive music and storytelling Sphere supports, for those who know how to use it.


The comprehensive vision for Sphere Entertainment also includes creating original works via Sphere Studios.
This year’s original project The Wizard of Oz at Sphere was a resounding success with more than 500,000 tickets sold and over $65m in ticket sales. The original 1939 film was presented as a fully immersive experience for Sphere. In collaboration with Warner Bros. Discovery, Google, and Magnopus, Sphere maintained the integrity of the original while pushing the boundaries of Sphere’s experiential medium.
The creative team behind The Wizard of Oz at Sphere includes Academy Award and Emmy-nominated producer Jane Rosenthal (The Irishman); Academy Award-winning visual effects specialist Ben Grossmann (Hugo); Academy Award-winning editor Jennifer Lame (Oppenheimer); and Creative Director Zack Winokur (Little Island).
The original film, shot for a 4:3 movie screen in the 1930s, filled Sphere’s 160,000 sq. ft. interior display plane, which wraps up, over, and around the audience to create a fully immersive visual environment with 22-foot-tall ruby slippers on view on the Exosphere to tease the general public as well.
Ben Grossmann, CEO of Magnopus said, “Our guiding principle in The Wizard of Oz at Sphere is not just to leave the audience with a sense of wonder and delight from meeting the characters in a new way, but to leave them with the feeling
that they were there with them. This project brings together some of the greatest film historians, artists, and technologists to do what’s never been possible before, putting the audience inside the world of the film and giving them a whole new level of experience and adventure.”
To create this experience, Sphere Studios, the immersive content studio dedicated to developing experiences for Sphere, built a team of over a thousand artists, technologists, and researchers to leverage Sphere’s technologies. Using the film and key pieces of source material, including schematics, set plans, and scores, the approximately 75-minute film experience also took advantage of newly discovered archival material.
The Wizard of Oz at Sphere utilizes the venue’s haptic seats, environmental effects, and custom scents to make audiences feel a part of the movie. The film’s original songs were also remastered and their orchestrations re-recorded to take on new clarity via Sphere Immersive Sound’s 167,000 speakers.
“There’s Dorothy and ‘Over the Rainbow’ as you heard them before, and there will be Dorothy and ‘Over the Rainbow’ as you hear them now, with the film’s classic music taking on new clarity and immersion through Sphere Immersive Sound,” said Carolyn Blackwood, Head of Sphere Studios.
To take advantage of Sphere Immersive Sound’s 167,000 programmable speakers, and ability to direct sound anywhere in the venue, the original film’s mono score was re-recorded to
take on new clarity via Sphere Immersive Sound, while preserving the casts’ vocal performances. The mono audio had to first be separated into individual stems of vocals, dialogue, and sound effects. This process, a collaboration between Sphere Studios and Warner Bros. Post Production Creative Services, used advanced audio technologies to create the individual components without distortion or artifacts. Inside Sphere, the stems are being layered together to create the mix.
Respect for the original music extended to re-recording the score on the same scoring stage as the 1930s original – retaining the same acoustic environment. To further maintain the integrity of the original score, the re-recorded score features more than 80 musicians playing in the 1930s style of film music, including techniques such as pizzicato and vibrato that were standard for the era, but are less common in modern scores. Additionally, an ocarina, a small wind instrument used during the original recording session of “If I Only Had a Brain,” was also used for The Wizard of Oz at Sphere recording, having been passed down through generations of musicians. While re-recording the score, each section of the orchestra was also recorded individually with state-of-the-art miking. Coupled with Sphere Immersive Sound’s directional capabilities and the vocal and sound effect stems, it seems as though sound travels around the venue. For example, as the Tin Man tilts back and
forth during his number, the isolated sound of the strings oscillates to emphasize his movement in visual and sonic unison.
To enhance the immersion in The Wizard of Oz at Sphere , Sphere’s infrasound and haptic seat technology is being used for the first time to not only create vibrations, but also emit tones that emphasize moments in the film experience. For example, when the characters enter the haunted forest, an eerie tone will emanate from the seats, bringing the audience into the foursome’s perspective and imposing the same ominous feeling.
“This is the first time sound technology has been used in this way in any venue,” said Paul Freeman, Vice President and Principal Audio Artist, Sphere Studios.
The vibrations, infrasound, and Sphere Immersive Sound will come together for maximum impact during key moments of The Wizard of Oz at Sphere. When the main characters visit the Wizard in his throne room, his voice will boom throughout the venue,

complemented by tremors and low-frequency sounds from the seats.
The sound creative team for The Wizard of Oz at Sphere includes Grammy Awardnominated music producer/sound designer Paul Freeman (Spies); Grammy Award-winning music supervisor Julianne Jordan (A Star Is Born); Academy Award-nominated composer David
Newman (Anastasia); and Academy Awardwinning sound engineer Shawn Murphy (Jurassic Park). And from Warner Bros. Post Production Creative Services: sound engineer Tony Pilkington (Sinners); Academy Award-winning supervising sound editor/sound designer Richard King (Dune: Part Two); and Cinema Audio Society-nominated re-recording mixer Tim LeBlanc (Superman).















Stay on top of the action with high performance IP KVM. Deliver every detail of the match, delving into real-time game tactics and relay instant live commentary.
With seamless control of graphics engines, LED volume walls and camera tracking systems, the ADDERLink® INFINITY range streamlines engaging your audience throughout live sports broadcasting.
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The winners of Best in Market were chosen by AV experts from among submitted products. Congratulations to the teams behind each of these products.

The Fluke Networks LinkiQ Duo Cable+Wi-FI+Network Tester combines Fluke’s cable and network testing solution with Wi-Fi 6E analysis in a single tool. Designed to replace multiple devices, the LinkIQ Duo simplifies installation and troubleshooting for both wired and wireless networks. It merges Fluke Network’s cable testing capabilities with network and Wi-Fi analysis. The tester helps technicians validate each critical element, including qualifying the performance of the cabling between the network and the access point up to 10 Gb/s; validating the connectivity to the switch, along with the maximum data rates of the switch port; determining whether sufficient PoE is available; and verifying connectivity to key assets such as a Wi-Fi controller.
From the Judges: “It’s pure power in the hands of an installer in the field. The ability to test both wired and wireless networks, as well as commission cable runs, makes this an essential tool for contractors working with Category cable. The price point is approachable, and the value of this hardware is immense in today’s network-based AV configurations.”

This Dante-enabled, PoE-powered, fourchannel audio power amplifier delivers up to 20 watts per channel. It is designed to be mounted above ceiling tiles, utilizing the optional ATB 100 tile bride ceiling mount kit, where it is out of sight and near the speakers. It can also be mounted under a table with the included MBU 123 mounting hardware. Receiving audio and power over a single cable, the NetPA 204 POE automatically recognizes connected PoE, PoE+, or PoE++ to deliver the corresponding amount of output power. With its integrated DSP, the NetPA 204 POE includes essential signal processing that offers the ability to meet the requirements of complex, decentralized systems, while Dante Domain Manager and AES67 support ensure wide compatibility with enterprise configurations and other network audio devices. The NetPA 204 POE is housed in a fanless half-rack, 1U, plenum-rated enclosure. From the Judges: “This scores a perfect ten as Extron unlocks the full capability of Dante with quad zones speaker coverage. The onboard DSP and configuration via IP or USB-C make for easy deployment in the field or in the workshop.” “I appreciate Extron continuing to design hardware with plenum ratings allowing installation above drop ceilings as needed.”
DANTE2GAM
Pro AV needs a way to bridge between Dante and SDI. This compact, 12G-SDI

Dante audio embedder/disembedder Mini-Converter enables up to 32 channels of high-resolution Dante audio via 16 channels of SDI embedded audio in and out. Optional models—DANTE-12GAM-TR-LC and DANTE-12GAM-TRBNC—double that capacity to 64 channels with LC fiber or BNC SFP connectivity for longer runs and more demanding setups. The mini-converter is designed to be the first of its kind to support embedding or disembedding Dante audio over LC fiber and has a new enclosure design from AJA featuring a 2.2” LCD screen and control buttons for on-device configuration and status updates. Dual etherCON ports ensure Dante network redundancy, while built-in test signal generators allow for Dante transmission even without an incoming SDI video source. The unit also supports PoE+ power and integrates with Dante Controller and Dante Domain Manager software. It also supports AES67, SMPTE 2110-30, and PTPv2.
From the Judges: “DANTE-12GAM is an impressive tool for embedding or disembedding audio from video signals into Dante Controller. Support for Precision Time Protocol version 2 is essential for sync across Dante and SMPTE ST 2110 networks, which had previously been challenging, and the AJA Web UI makes it easy to configure.”
This new controller was designed to simplify AV network management through its profile-based configuration system for various IP-based audio, video, lighting, and control signals. What sets Engage 2.0 apart is its expanded multi-device management capability. Beyond managing AV switches, version 2.0 now includes management of Wi-Fi 7 wireless access points and the PR460X Professional Router, creating a unified platform for complete AV installations. Integrators can deploy, configure, and maintain entire networks, from video transport to internet connectivity, through a single interface. The software is based on NETGEAR AV OS, developed in partnership with over 460 manufacturers to ensure verified compatibility across certified professional AV equipment. It’s a free download. From the Judges: “NETGEAR had already simplified AVoverIP deployments with their AV line of switch gear. The new profile-based switch configuration is quick and easy to deploy in standards-based network environments, and the Engage 2.0 con troller takes it a step further than the web user interface. The ability to configure and update multiple switches through a single software platform saves time and reduces the likelihood of making mistakes.”


These cables from Comprehensive Connectivity Company were designed as an all-in-one connectivity solution with built-in adapters for HDMI, USB-C, and USB-A to allow users to connect a wide range of devices and displays with a single cable. The adapters are integrated directly into the cable head, eliminating the need for separate dongles or converters. With support for high-speed 4K video and data transfer, they combine the functionality of three essential cable types.
From the Judges: “These cables should become the go-to cable for integrators as they provide the utmost flexibility in workspaces due to the rapid connector changing capabilities.” “Additional features, including the integrated color coding and length markings, and lifetime warranty, make an even more compelling case for standardizing.”
This hyperconverged live production system was designed for broadcast ers, AV integrators, and live production teams. HyperMax combines switching, routing, video and audio processing, multiviewer monitoring, and high-resolution compositing into a compact, software-defined platform. At the heart is the Software Defined Production Engine (SDPE), a flexible processing blade that adapts to different production requirements through software. Instead of relying on multiple fixed-function devices, users can dynamically configure production modes and activate only the features needed for each event. Ross Platform Manager provides centralized configuration, licensing, and role-based control. Operators benefit from seamless integration with TouchDrive control panels. What sets Carbonite HyperMax apart is its ability to scale across diverse applications in broadcast, production, worship, and live events. It’s UHD-ready and IP capable (SMPTE 2110/2022-7).

From the Judges: “Carbonite HyperMax sets a new standard for modern production environments. It is the easiest production suite on the market to scale and adapt with dynamic role-based software licensing. As long as you don’t need more than over 200 I/Os with 4 MEs, or 8 MEs with 144 x 144 I/Os, there’s very little you won’t be able to do with HyperMax.”

This midrange compact 2U media server is engineered for immersive, frame-based, and generative media applications such as themed attractions, museums, projection mapping, LED walls, live events, and interactive exhibits. Unlike the company’s bulkier R-Series hardware, the P-Series 6 operates in a smaller, more affordable rackspace footprint. P-Series 6 supports frame-based playback as well as Unreal Engine, Unity, Notch, and TouchDesigner workflows. The P-Series 6 utilizes modern PCIe 5.0 architecture and professional GPUs offering genlock, framelock, and swaplock, ensuring sync across multiple outputs – typically up to four DisplayPort 1.4. Certified for safety and emissions to international standards and built for 24/7 operation, it is also offered without 7thSense software for use with third-party generative media engines.
From the Judges: “The 7thSense P-Series 6 media processor is another strong option in their quiver. Coming in as one of their mid-range products, the P-Series 6 can stand alone or can build upon a larger system of 7thSense hardware and software.” “7th Sense continues to deliver impressive hardware and flexibility without compromising on their mission to provide the ultimate show control experience.”

These contemporary systems (next 4 and neXt 8) scale up to 1601 channels to cover small to extra-large rooms and multipurpose spaces. A first-ofits-kind combined transceiver with onboard IntelliMix DSP is paired with upgraded wire less microphone transmitters, charging stations, and in tegration tools like Shure’s Designer 6 software, plus ShureCloud for remote control and management. to reduce tedious installation processes as it connects and pairs mics in seconds. Both MXW neXt 4 and neXt 8 offer a choice of microphone form factors, including a boundary option Certified for Microsoft Teams, a new gooseneck transmitter, bodypack, and lavalier/headset, solving multiple applications and use cases. The increased battery life claims up to 39 hours of operating time.
From the Judges: “The Shure Microflex Wireless neXt 4 and neXt 8 are the easiest multichannel microphones to incorporate into hybrid environments.”
“Shure’s legendary audio and system design shines in the Microflex Wireless, especially considering the various transmitters with a rechargeable battery option.”

The ADTECHNO Dante AV Ultra Encoder & Decoder (DAV-01) Series delivers 4Kp60 4:4:4 video, uncompressed multi-channel audio, and sub-frame latency over 1GbE Dante networks. Native Dante integration ensures simple discovery, routing, and control through Dante Controller and Dante Domain Manager. The DAV-01 also incorporates a 2.0-inch IPS panel that provides on-device video preview of both input and output signals, instant audio metering, and direct Dante configuration. This feature allows integrators to confirm connections, monitor signal integrity, and troubleshoot issues immediately on-site without external PCs or test equipment. The DAV-01 supports HDMI 2.0, 12G-SDI, PoE, and flexible network configurations. From the Judges: “ADTECHNO’s Dante AV Ultra Encoder and Decoder DAV-01 is an extremely well-built half-rack problem solver for transporting HDMI and 12G SDI signals over copper networks.” “The inclusion of a 2-inch screen on the front of the unit is very helpful. The inclusion of a headphone audio output jack for additional means of testing/troubleshooting is a welcome addition.”



Epson recently launched 12 new 3-chip 3LCD PowerLite L-Series laser projectors. Among this lineup is the lightweight and compact 8,000-lumen PowerLite L895E. It’s designed for double HD video resolution on-screen with 4K Enhancement Technology, with an emphasis on serving areas with high ambient light; it claims images up to 500 inches. It also supports multiple aspect ratios, including 16:10 and ultra-wide formats like 16:6 and 21:9. This model supports optical zoom, wide lens shift, geometric correction tools, and NFC. Built-in wireless communication enables monitoring and controlling projector fleets remotely from a web browser using the Epson Projector Management Connected app, and supports screen casting tools like Apple AirPlay, Epson iProjection, and Miracast. For multi-projector applications, there is an optional attachable PixAlign camera.
From the Judges: “One of the lightest and brightest projectors on the market, it checks a lot of boxes for Pro AV. One of the features I appreciate with the L895E is the clean chassis design using including a cable cover to hide attached cables from view.”
This wireless presentation and conferencing system has four input options, including dual USB-C. With 60W power delivery and MST support, HDMI, and wireless casting, the unit supports virtually any device a BYOD presenter might walk in with, no matter how they connect. It supports AirPlay, Miracast, and WyreStorm’s APO-DG2 USB-C wireless dongle, offering plug-and-play 4K@30 wireless casting, ideal for ad-hoc presentations without needing software installation. An upgraded USB 3.0 switcher supports auto-switching and enables high-speed data transfer for conferencing and collaboration. Two independent 4K HDMI outputs can mirror or matrix content across dual screens. It’s compatible with platforms like Microsoft Teams and Zoom. It pairs with WyreStorm in-desk solutions, 4K

“A strong performer in the wireless collaboration market, with one of its stronger features being the ability to support dual display outputs.” “Quad wireless streams, USB-C, and HDMI connectivity paired with USB 3.0 host capabilities really minimize the need for any additional

This transceiver uses the latest SDVoE ASIC technology to offer simultaneous TX/ RX operation, providing 4K/60 (4:4:4) video distribution with limitless scalability, zero-frame latency, and zero image artifacts. This single unit can simultaneously send and receive AVoIP data (it also offers dedicated Transmitter and Receiver modes). Features include PoE+ support, and dual (copper/fiber) network interfaces that enable signal extension distances of up to 100 meters (328 ft.) with CAT-6A twisted pair, and up to 30 km (18.6 miles) with single-mode fiber. The unit provides auxiliary H.264/5 video output streams that support viewing source thumbnails and remote viewing/recording with resolutions up to 1080 /30p. A single DN-300T replaces a pair of conventional SDVoE transmitters/receivers. Its ultra-compact, lowprofile form requires half the space that paired TX/RX require. This enables four units to occupy a single 1U of rack space. It includes a software-defined MultiViewer and Advanced Video Wall engines that power a wide range of applications without ancillary products. The DisplayNet platform is highly customizable, with adaptive software and firmware development.
From the Judges: “The DN-300T allows designers to mount four units in a single rack space, allowing for large deployments with minimal rack space requirements. The WebUI is easy to use, and the system is very easy to deploy in multiple configurations since DisplayNet built the system to be both silent and scalable.”
This new cloud-based platform extends the power of the industrystandard Soundvision 3D sound modeling software, making audio designs accessible to all project stakeholders. Historically, sharing complex technical designs with non-specialist stakeholders, such as architects, consultants, and venue owners, has been a significant challenge, often leading to misunderstandings and project delays. Soundvision Connect changes this by transforming detailed designs into interactive, explorable 3D experiences. This intuitive environment bridges the gap between technical precision and stakeholder understanding, enabling fast and informed decisionmaking. Users can easily share a design via email, allowing clients and collaborators to visualize the acoustical plan, review SPL mapping, and approve system designs without needing specialized software or training in a collaborative space where everyone can understand the project.
From the Judges: “This cloud-based platform provides designers with an easy way to share a system design with end users or other collaborators without the need to install Soundvision 3D. It should help system designers review design configuration options with clients more easily and close deals more efficiently.” “It shifts the collaboration paradigm and gives standing to a wider range of collaborators.”

This fanless digital signage player is powered by AMD Ryzen Embedded processors with integrated Vega GPU architecture for 4K visuals and advanced multimedia processing. Out-of-Band (OOB) management allows administrators to remotely power on, power off, or reboot devices, even when in-band functionality is unavailable – an ideal solution for mission-critical retail, transportation, corporate, and campus networks. Dual Gigabit LAN, HDMI 2.0 output, multiple USB ports, integrated WiFi 5, and Bluetooth 5.0 support connectivity, while support for Windows 11 IoT Enterprise provides security. The player has been tested for vibration and wide temperature ranges for peace of mind in harsh environments.
From the Judges: “Korbyt Aries III Fanless Digital Signage Player is a strong performer for integrators looking for hardware to support software-based digital signage environments.” “The low profile and fanless design make for easy deployment behind displays without sacrificing performance since the hardware supports remote management, including power cycling.”



This new product line is based on a next-generation hardware platform and represents a fundamental shift in design, combining performance with flexibility and long-term sustainability. The new extender series supports video resolutions ranging from Full HD up to 8K and is engineered for integration with both proprietary and future IP-based transmission technologies. At the heart of this platform is the JPEG XS codec co-developed with Fraunhofer. Claiming the first of its kind in KVM, the Draco XStreme series enables visually lossless video without frame drops, up to 16 bits of color, HDR support, less than 1 millisecond per frame of video transmission latency, and frame rates of up to 480 fps, all on JPEG XS. It’s designed to allow users to transmit 4K60 signals over a standard 1 GB network without visible loss. This product introduces IHSE’s first Dual-Head 4K60 extender, capable of transmitting two 4K60 video signals over a single cable. The company is also releasing a Single-Head 4K60 Extender that operates over a 1 GB link.
From the Judges: “Draco XStreme DP smashes expectations and limitations over other KVM systems but fully delivers the way all other IHSE products do. Being able to support resolutions up to 4k with 8K scalability over 1GB with precision color and frame accuracy is something few other than IHSE can deliver. I appreciate the ability to source single and dual-display models to adapt to different work environments.”


This new beltpack expands the FreeSpeak family of wireless intercom systems for power users. It combines the RF capabilities of the 1.9 GHz (DECT) frequency with an array of user-focused innovations. Nine configurable buttons, including eight dedicated channel buttons and a reply key, rival the functionality of a traditional intercom panel.
Four dedicated channel volume controls and a main volume control allow users to fine-tune audio levels for each channel. With Bluetooth 5.3, users can connect the beltpack to modern wireless headsets and earbuds. Its shorter height and high-brightness color display provide a comfortable fit, intuitive operation, and at-a-glance access to vital call information. Optimized for compatibility with Clear-Com’s Arcadia Central Station and Eclipse HX digital matrix, the new beltpack integrates with existing systems. It supports Dante and MADI for Eclipse users.
From the Judges: “Clear-Com creates the world’s most robust intercom communications systems, and the Free Speak Icon takes its place as the flagship solution for integrators. DECT frequencies are reliable and traverse well even in the most challenging environ ments. Extreme battery life and a customizable button layout, a stunning GUI display, and Dante integration round out the strength of the system.”
This all-in-one device combines encoding, decoding, recording, and streaming into one compact unit. It supports both HDMI 2.0 and SDI inputs and supports Full HD 1080p@60Hz. The device is compatible with RTSP, RTMP, HLS, SRT, and TS over UDP. A standout quality is its optional NDI|HX3 and Dante AV-H support via license activation. Its USB 3.0 port allows for fast, direct recording to local storage devices, while the web-based control interface ensures easy setup and management. The BG-STREAM-DE also integrates audio embedding and extraction with 3.5 mm analog ports. Simultaneous recording and streaming, and USB 3.0 local storage ensure secure backup while live content is streamed.
From the Judges: “The BG-STREAM-DE decoding/encoding solution is compact and provides a very simple user interface to stream or receive content. Integrators will appreciate the ability to select models supporting Dante AV or NDI to push the capabilities of the BG-STREAM-DE beyond similar products on the market. The SDI and HDMI loop-through capabilities also provide added flexibility and value for integrators, minimizing the need for additional hardware.”














The DisplayNet DN-300 Series delivers an unprecedented level of AVoIP performance, versatility and reliability— at a price point that defines the industry benchmark for value. Based on the latest SDVoE technology, the DN-300 Series provides 4K/60 (4:4:4) video distribution with limitless scalability, zero-frame latency and zero image artifacts.
These units offer unique features that provide system designers with exceptional versatility:
Switchable Transmitter / Receiver operation
Bi-directional Transceiver mode (DN-300T)
Dual (copper / fiber) 10G network interfaces
Long Range: 100 meters (copper), 30 km (optical)
Auxiliary H.264/5 video output streams
Powerful network security features

PoE+ support
Silent, fanless operation
Ultra-compact, rackmountable case
Versatile KVM Routing
DN-300H: USB HID device instant switching
DN-300T: full-bandwidth USB 2.0 routing
DisplayNet also provides software-defined MultiViewer and Advanced Video Wall engines that power a wide range of applications without the expense and complexity of ancillary products. A highly intuitive web-based UI and API greatly simplifies setup and installation, as well as integration into third-party control systems.
Contact us today to see how DisplayNet can move your next AV system into the future.
sales@dvigear.com
(888) 463-9927
www.displaynet.com


















Kenyon College, a 200-year-old liberal arts college in Gambier, Ohio recently expanded to include three multi-story buildings as part of its new West Quad. Designed by NV5 and deployed by Radiant Technology, the West Quad incorporates a range of Extron products including high-performance AV switching systems consisting of DTP and IP Link Pro control, and NAV Pro AV over IP systems for linking within and between spaces.
The buildings offer presentation equipment in over 100 classrooms, as well as other learning and meeting spaces. The AV systems include one or more computers, at least one video projection system or large screen display, and AV connectivity available on walls and furniture. Many rooms are equipped with additional sources, such as an optical media player, a document camera, webcams, one or more Smart Pen displays, and Apple TV with screen casting. Certain rooms also provide lecture capture and streaming capabilities.
“We evaluated various technologies and brands with Kenyon’s representatives for their new West Quad buildings. We determined that AV over IP using Extron’s NAV system was the right solution for this particular project and client,” said Jesse Fishman CTS-D, DSCE, senior systems designer, Technology and Acoustics at NV5. “Implementing NAV systems throughout the academic, administrative, and library buildings for classrooms, meeting rooms, and general-purpose spaces made the most sense.”
Within each room and space, NAV encoders and scaling decoders run through local switches, with the decoders distributing content at the native resolution for each display device. Learning space configurations change regularly; thus, the NAV endpoints are installed throughout the rooms. Connection points are provided on walls and floors and within furniture. The auditorium, seminar rooms, and presentation venues have the same type of flexibility, using more of the standard products and connection options. The NAV system also facilitates overflow by routing signals between rooms.
A range of other Extron equipment is deployed to provide complete AV systems. In some spaces, Extron DTP CrossPoint presentation matrix switchers provide switching within the room while connecting to the NAV system for complete routing flexibility. DMP Plus Series DSP processors are paired with XPA Series power amplifiers for enhanced audio reproduction. Intuitive AV system control is provided by a variety of TouchLink Pro touchpanels in a range of sizes and form factors. Mounted on lecterns, walls, and/or other furniture, the touchpanels work in conjunction with an Extron IP Link Pro control processor that monitors and controls each AV system. To manage bookings for reservable spaces, an easy-to-use TouchLink Room Scheduling Panel is installed outside of the door. Professors and staff can view room availability in real-time and reserve the space by following the on-screen prompts.


Owned by Boots, No7 Beauty Company is the United Kingdom’s leading skincare brand and a global beauty powerhouse, with products sold in more than 22,000 stores across 29 markets worldwide. As a beauty leader, its annual product launch is one of the most anticipated events on the calendar for media, retail partners, influencers, and industry leaders.
While the event has evolved year after year, the latest edition featured a new approach to design and production. Shifting to an end-on performance configuration, the stage included expansive wall-to-wall projections and a thrust stage extending into the audience to create a fully immersive environment.
Insight Presentation Systems, a UK-based integrator, was selected to design, execute, and manage the production.
Traditionally, these events relied heavily on standard SDI-based systems for video delivery. Insight Presentation Systems has worked with Visionary’s 5 Series, but only on a limited scale. “In the past, we’ve worked with Visionary, but it’s traditionally been a couple of screens here and there,” explained Technical Director Matthew Cook. “Our prior events with No7 Beauty Company relied on SDI and HDMI, but as video-over-IP continues to gain traction, we decided to leverage Visionary’s 5 Series for the event.”
With eight screens surrounding the stage and a need to deliver higher resolutions than SDI could easily accommodate, the production team determined that Visionary’s 5 Series offered an optimal solution. “Almost overnight, we shifted nearly the entire video system to Visionary,” said Cook.
Scaling Visionary to this magnitude for a live event carried some risk, particularly when it came to latency, which is a critical factor in live production.
“It was, in some ways, a baptism of fire,” said Project Engineer Jacques Batchelor. “We decided to just go for it and see how it performed. Fortunately, our prior experience gave us confidence that it would do what we needed.”
Visionary’s low-latency performance and the 5 Series Decoders’ network loop-through feature proved invaluable. “The network loop-through meant we didn’t have to run multiple network cables to the truss for projector control,” noted Batchelor.
The system integrated seamlessly into the existing network infrastructure, supported by strategically placed NETGEAR switches. “Since we already had a robust network in place, adding Visionary wasn’t a major change to our overall system design,” Batchelor explained. “Unlike other video products, Visionary fits into our existing network architecture without requiring major reconfigurations.”
During the event, a couple of technical challenges arose. Visionary’s technical support team responded quickly. “We had senior-level technical support within hours,” said Cook. “Chuck Larson [Director of Training and Support for Visionary] joined a call despite the time difference. While his involvement was focused on fixing our immediate issue, he genuinely wanted to understand our real-world use case to help shape future product development. The speed and level of response were impressive, especially given that we’re a relatively small operation.”


AV over IP by ALFATRON
ALF-IPK1 4K networked AV over IP encoder and decoder adopting the latest H.265 compression technology with resolutions up to 4K@30Hz.
Configure an IP Video Matrix or Video Wall setup using our mobile app.









This patented 4” square (720×720) desktop touch/control panel combines a beamforming Dante microphone, microphone, and 4K AV over IP. It has a 2.0GHz processor, 800MHz audio DSP, noise cancellation, feedback suppression and auto gain, ReAX Control Engine, and 1Gbps 4K60 AV over IP VPX Transmitter. IO includes one USB-C and one Mini HDMI connector, one USB-C 100-Watt pass-through power port, one USB-C display output, and 3.5mm headphone out and speaker. It offers server-side JavaScript, there are front and rear RGB LED indicators, ambient light and proximity, 1G, LAN PoE+, and it supports Bluetooth LE.

These AV over IP encoder/decoder units enable users to transmit lightly compressed audio and video signals with minimal latency and lossless quality. The ALFIPK1HE encoder and ALF-IPK1HD 4K decoder support input resolutions up to 4K@30Hz and are plug-and-play ready, allowing them with unmanaged network switches and eliminating the need for configuration. H.264/265 video codecs are supported via the HDMI 1.4 transmission standard with HDCP 2.2 4K copy protection. Both units support the MPEG4-AAC and LPCM stereo audio formats.
The ALF-IPK1HE encoder can be configured in an IP video matrix or video wall setup using the VDirector mobile control app for iOS. The encoder has a builtin scaler for fast switching, and RS-232 throughput is supported to the ALF-IPK1HD 4K decoder. Users can drag-and-drop sources to the desired displays for visual control. Additionally, this encoder features local audio de-embedding with line output. For operational convenience, the RS232 route follows the switching of the video source. Alfatron positions the ALF-IPK1HE encoder and ALF-IPK1HD 4K decoder as ideal for videowalls or TV distribution in sports bars and similar environments with the help of the Alfatron App.

This new controller was designed to simplify AV network management through its profile-based configuration system for various IP-based audio, video, lighting, and control signals. What sets Engage 2.0 apart is its expanded multi-device management capability. Beyond managing AV switches, version 2.0 now includes management of Wi-Fi 7 wireless access points and the PR460X Professional Router, creating a unified platform for complete AV installations. Integrators can deploy, configure, and maintain entire networks, from video transport to internet connectivity, through a single interface. The software is based on NETGEAR AV OS, developed in partnership with over 460 manufacturers to ensure verified compatibility across certified professional AV equipment. It’s a free download.


This flexible gateway device debuted at InfoComm. It integrates HDBaseT 3.0 wall plates, switchers, PTZ cameras, and more into the PlexusAV IPMX network, while also enabling output from IPMX to HDBaseT 3.0 for even more flexibility. The devices join the P-AVN lineup that includes encoders, decoders, transceivers, and wallplates, as well as bridging devices to unite legacy formats with IPMX, and input and output protocols such as MPEG-IP, IPMX, NDI-HX, RTSP, SRT, and RTMP. The line’s P-AVN-VA Visual Array is a bulk deployment system that simplifies configuration of the entire P-AVN ecosystem.





The Atlona OmniStream 111 (AT-OMNI-111) is a networked AV encoder for one HDMI source up to 4K/UHD at 60 Hz with 4:2:0 chroma subsampling, plus embedded audio and RS-232 control. OmniStream is designed for distributing AV over gigabit Ethernet in enterprises and other large-scale installations. The OmniStream 111 features SMPTE VC-2 visually lossless compression for critical-quality video applications, with extremely low, sub-frame latency from encode to decode. It also includes selectable AES-128 encryption and SMPTE 2042 forward error correction for AV distribution spanning multiple networks. This encoder is housed in a half-rack-width enclosure. The OmniStream 111 can be powered over the network through power over Ethernet (PoE), as well as from local AC power.









secure hybrid spaces and BYOD environments. Alongside its HDMI input, the NHD-510TX adds a USB-C input, HDMI loop-out, and USB 2.0 extension capability, allowing integration with modern laptops, peripherals, and collaboration tools. It includes Dante AV-A audio integration. This allows full audio-video synchronization across distributed systems without t analog cabling or third-party conversion. The NHD-510-TX also features sub-1-second switching and latency as low as 3ms in passthrough mode.













The Gefen GF-AVIP-MC AVoIP Matrix Controller is a flexible solution for controlling compatible video and KVM over IP based extenders within the same network, eliminating the need to configure each extender individually. Designed to be scalable, the controller is positioned by Gefen to be ideal for a wide range of applications including the management of large video walls, digital signage, luxury entertainment, and large-scale conference spaces. The GF-AVIP-MC features a web interface and support for KVM and 3rd-party touchscreens for intuitive control options. Changes to displays and sources happen in real-time, eliminating downtime for integrators.





This transceiver utilizes SDVoE ASIC technology to offer simultaneous TX/RX operation. Like all DisplayNet products, it provides 4K/60 (4:4:4) video distribution with limitless scalability, zero-frame latency, and zero image artifacts. The DN-300T is a fully bi-directional Transceiver and can simultaneously send and receive AVoIP data. (It can also be used in dedicated Transmitter and Receiver modes). Compatible with all DN-300 Series models, it has an ultra-compact, low-profile form. Features include PoE+ support, and dual (copper/fiber) network interfaces that enable signal extension distances of up to 100 meters (328 ft.) with CAT6A twisted pair and up to 30 KM (18.6 miles) with single-mode fiber. The unit includes auxiliary H.264/5 video output streams that provide support for viewing source thumbnails and for remote viewing/recording with resolutions up to 1080/30p. Its compact fanless size means that 4x units can occupy a single 1U of rack space. DisplayNet includes software-defined MultiViewer and Advanced Video Wall engines that power a wide range of applications without ancillary products. DisplayNet Server manages the entire DisplayNet system. It includes the DisplayNet API Engine, which supports the use of DisplayNet Manager, a web-based software application for system setup and configuration. The DisplayNet platform is highly customizable, with adaptive software and firmware development.








ADI is a leading distributor and solutions provider delivering a comprehensive portfolio of thirdparty and exclusive brands across security, AV, and smart living categories. Serving more than 110,000 customers worldwide, ADI provides integrators with access to products, local support, expertise, and a seamless omnichannel shopping experience.
ADI continues to strengthen its value proposition by combining global scale with local expertise and category depth. Our focus remains on delivering measurable benefits to integrators and partners through expanded product access, improved convenience, and enhanced service.
ADI OFFERS MORE PRODUCTS, MORE SUPPORT, AND MORE WAYS FOR CUSTOMERS TO GROW THEIR BUSINESS:
• Expanded access to over 350 leading third-party brands across AV, security, networking, smart living, and more.
• Exclusive access to award-winning brands, including Control4, Araknis, Luma, OvrC, WattBox, Episode, SunBrite, Triad, Access Networks, and Pakedge.
• More than 200 branch locations worldwide for same-day pickup and local support, along with integrated online and mobile shopping tools.
• Ongoing investment in technology, training, and innovation to help integrators deliver the best possible experience to their customers.
Our top priority remains providing exceptional solutions, reliable service, and dedicated support. ADI is committed to helping customers succeed by offering a wider range of products, more choices, and delivering even greater value.
REGIONS
North America
EXCLUSIVE BRANDS
• Access Networks
• Araknis
• Binary
• Control4
• Episode
• Luma
• OvrC
• Triad
• SunBrite
• WattBox
• ADI PRO
DISTRIBUTED/THIRD-PARTY BRANDS
• APC
• Atlona
• Audio-Technica
• Atlas IED
• AXIS Communications
• Bose Professional
• Bosch Security
• C2G
• Chief / Legrand AV
• Crown by Harman
• dbx by Harman
• DENON Professional
• Epson
• Furman
• JBL by Harman
• NETGEAR
• Panasonic
• Peerless-AV
• Philips Professional Displays
• Planar
• Q-SYS
• Samsung
• Sharp / NEC Displays
• Shure
• Sony Professional
• Soundcraft by Harman
• Tripp-Lite by Eaton
• Yamaha Commercial Audio



Almo Pro AV is the largest value-added North American Professional AV distributor offering its reseller partners the most expansive range of products, managed services, technical support, and training to drive business growth. Almo Pro AV delivers customized business development strategies, programs and educational events that enable partners to thrive. The business is comprised of a highlyaccomplished leadership team, more than 300 employees, a nationwide network of distribution centers, and a marketing team regarded as the most accomplished in the industry. Almo Pro AV provides the specialization and resources its vendor and customer partners need coupled with deep industry relationships. For more information about Almo Pro AV, go to www.almoproav.com
In June, Almo Pro AV (formerly Exertis Almo) returned to their roots with a refreshed brand identity and debuted a new logo. The move, intended to align with the trusted Almo Corporation name, reinforces Almo’s nearly 80-year legacy and ongoing commitment to Pro AV excellence. According to Dan Smith, Executive Vice President of Almo Pro AV, “The rebrand streamlines our operations under Almo Corporation, leveraging the identity our partners already know and have trusted for many years. We’re also doubling down on what we do best - Pro AV. With continuous AV market share growth for over two years, and record highs in March and April 2025 according to IDC data, our new branding reinforces our service-first approach for integrators and manufacturers alike.”
The E4 Experience continues to set the standard for regional Pro AV education and engagement, earning multiple 2025 industry awards including SCN’s Stellar Service and CI’s BEST and Quest for Quality. Now in its 16th year, this award-winning event series equips AV professionals with the tools, training, and tech to grow their business and stay ahead of trends. Hosted by Almo Pro AV, E4 brings together top manufacturers, handson demos, CTS RU-certified sessions, and strategic workshops - all in a single day, close to home. Whether you’re earning credits, exploring new tech, or networking with peers, the E4 Experience delivers the innovation to move your business forward.
The tour continues in 2026 with stops in Anaheim, CA on February 10, DC Metro on March 17, Dallas the week of September 16, and Boson on October 15. To register, go to www.e4experience.com.
As part of our ongoing commitment to fostering strong industry relationships, Almo ProAV has introduced a new event series: Plug-In. These regional networking events are designed to bring together AV professionals, manufacturer partners, and customers in a casual, approachable settingmaking it easier to connect, collaborate, and explore new opportunities throughout the year.
Unlike large-scale trade shows, Plug-In events are intentionally hosted in smaller markets where face-to-face interactions are often limited. By taking the experience on the road, we’re expanding our reach and creating more chances to meet with partners we may not typically get to see. From product discovery to shared conversations over local craft brews, Plug-In delivers value through genuine connection - right in your own backyard.
Almo’s well-established services portfolio now has a new name that focuses on connection. Named a 2025 SCN Gold Stellar Service Award winner, LinkLab’s thriving service collection benefits integrators by giving them access to a growing body of comprehensive services tools and support that can be supplemented and customized for individual Pro AV projects. LinkLab simplifies complex installs and delivers full-service solutions from engineering to execution. Benefits include scalability, flexibility, costefficiency, time savings, technological edge and expertise on demand.
Two of the newest services options available include Autora Digital Signage Management, a smart, simple solution for engaging DS content; and a new partnership with Ion Visual Solutions to bring expert Direct View LED deployment and support to integrators nationwide. Other LinkLab services include Engineering & Drafting, Design & 3D Modeling, Programming & Commissioning, and Labor Support. Learn more at www.linklabservices.com
Almo’s highly specialized fleet of more than 25 Business Development Managers bring a multitude of expertise, such as technical knowledge, system design assistance, in-depth brand/ product knowledge, bid and project registration capability, as well as a direct line to all the top manufacturers in the AV industry. Within this group, are the new Category Managers, focused on high growth and complex categories, such as direct view LED.
REGIONS
United States
LATAM





LINKLAB SERVICES OFFERED:
• Engineering & Drafting
• Design & 3D Modeling
• Programming & Commissioning
• Labor Support
• Digital Signage
CONTACT:
Almo Corporate HQ: 2709 Commerce Way Philadelphia, PA 19154
Web: AlmoProAV.com
Blog: blog.exertisalmo.com
LinkedIn: linkedin.com/company/ almoproav
X: x.com/AlmoProAV
Facebook: facebook.com/ AlmoProAV
Spotify: creators.spotify.com/pod/ show/almoproav
YouTube: youtube.com/@AlmoProAV

In the fast-paced world of professional AV, where innovation meets reliability, Broadfield Distributing stands as your partner committed to every system integrator and dealer’s needs. For over 45 years since 1980, this family-owned business with warehouses in New York and California, has been the go-to valueadded distributor for live streaming, production gear, and Pro AV equipment. But here’s the exciting news: Broadfield is always welcoming new system integrators and dealers to join our thriving network! Whether you’re a seasoned VAR or just starting out, our free dealer account unlocks exclusive access to top-tier products, unbeatable support, and growth opportunities that will supercharge your business.
Broadfield’s curated portfolio with more than 40 brands—from PTZ cameras to switchers and encoders— delivers seamless performance across key markets:
• Corporate AV: Elevate hybrid meetings with AV over IP solutions including Netgear AV switches, Turtle AV control solutions plus a large catalog of NDI and Dante AV solutions
• House of Worship: Elevate your church’s productions with Vizrt TriCaster systems, PTZ cameras from Panasonic, Canon, PTZOptics, BirdDog and more.
• Education: Stream lectures and events and add integration to school’s LMS systems with solutions from Epiphan, Matrox, Panasonic, Vizrt and more. Broadfield has the products you need to upgrade a classroom, a department or an entire campus.
• Sports Production: Find the right tools for every level of Sports from community leagues to the major leagues including production switchers, replay systems, sports analytics and graphics, and LED display solutions for improved in-venue experience.
• Broadcast AV and Event Staging: Deliver stunning productions with broadcast quality cameras, production tools and even media management and broadcast storage solutions from Facilis, Avid and SNS.
What sets Broadfield apart? We call this the Broadfield Advantage. We have built a Workflow Solutions Team with sales engineers available at your request to help you land and expand opportunities. Our hands-on technical support ensure you sell more and stress less and our marketing team is available as a service to help you get the digital and print materials you need while keeping you informed of new products, promotions and workflow solutions.
JOIN TODAY!
Don’t miss out— sign up for your free dealer account at www. broadfield.com and start accessing our dealer store with YOUR pricing today! Call 800-634-5178 or email broadfield@broadfield.com to get started. You’ll like doing business with Broadfield because we make it easy to do business!

LIVE DEALER WEBINARS
Watch our Broadfield LIVE Dealer Webinars live every Thursday at 1pm ET at www.broadfield.live. Join us for technical training, new product introductions, industry news and insights and more.
PRODUCTS & SERVICES
OFFERED
• Live production and streaming solutions
• NDI production systems, cameras & converters
• ST2110 Production solutions for broadcast AVIP systems
• LED Display solutions & Video Walls
• Video storage solutions
• Mixers and switchers
• On camera monitors, recorders, and playback
• PTZ, Mirrorless & Cinema Cameras
• Church, live event, and sports production equipment
BRANDS DISTRIBUTED
• Absen
• Vizrt
• PTZOptics
• AJA
• BirdDog
• Kiloview
• Telestream
• Epiphan Video
• Atomos
• Western Digital
• Imagine
• YoloLiv
• Panasonic
• Netgear
• Canon
• LiveU
• Facilis
• Matrox
• SNS
• Avid
• SanDisk
• And many more...
You’ll like doing business with Broadfield because we make it easy to do business!
CONTACT
Broadfield Distributing 179 Liberty Ave Mineola, NY 11501
Phone: 800-634-5178 or 516-676-2378
Email: broadfield@broadfield.com Web: www.broadfield.com
Our dealer sales staff is available Monday-Friday, 9am to 5pm ET to help answer any questions you may have regarding our products, system recommendations, compatibility, features, and more. Call us at 800-634-5178 to speak to your salesperson.

Value-added services are often overlooked when selecting a distributor. Many dealers and system integrators view their distributor merely as an ordering portal, prioritizing stock and price. However, why not partner with a distributor who seeks to build a mutually beneficial relationship? One that mirrors the relationship you have with your own customers? Since 1992, TecNec Distributing has provided this and more.

American craftsmanship is alive and thriving at TecNec. We’re the only distributor in the industry with a fully equipped, on-site custom shop delivering precision-built fiber and copper cables, AV panels, wall plates, cable reels, and field boxes. Our latest addition? A state-of-the-art laser cutter that lets us turn around custom metalwork faster than anyone in the game. Add sharp, professional finishes with our in-house UV printing services. We’re certified by Neutrik (opticalCON), Belden, Canare, LEMO, and QPC for Expanded Beam assemblies. From rugged SMPTE stadium cables to sleek Fortune 100 boardroom panels, we do it all. Try our free panel builder app and bring your next project to life.
Partnering with TecNec will remind you how satisfying it feels to be the customer. Our friendly, knowledgeable staff forms the backbone of our personalized customer-first service, facilitated through our dedicated account specialist system. We assign an inside representative well-versed in your area of expertise to keep you informed about the latest product trends, cost-effective alternatives, timely advice, and the fastest delivery options to ensure you receive what you need on time.
TecNec carries many exclusive brands. Why does it matter? We are able to control the sales channel on your behalf, enforcing MAP policies and sales protection on registered bids. This ensures you the highest possible margins and no undercutting. We are here to be your partner in business!
We have distribution agreements with most of the top brands in our industry, allowing you to buy at the same dealer pricing as your direct relationships with these brands. By using us as your one-stop shop, you can reduce the number of purchase orders you need to manage. Additionally, you can take advantage of our large inventory and benefit from faster delivery times.
No one works harder for customers than a company owner! In 2016, TecNec became 100% employee-owned. This means you benefit from working directly with owners who are dedicated to your profitability. Our team is united in the same goal: your success. Now more than ever, your success is our success.
Some of the nation’s largest integrators recognize the immense value of our kitting services, and you can too! Simply specify the cables, connectors, tooling, and wall panels you need, and we’ll deliver a unified kit for your field technicians. This ensures a consistent experience for both your technicians and customers, while simplifying your ordering process with a single SKU. Streamline installations for broadcast, commercial, educational, worship, military, and more.
BRANDS DISTRIBUTED
• Adder
• AJA Video
• Allen & Heath
• AMDJ
• Amphenol
• Atlas Sound
• Atlona
• Audinate
• Audio-Technica
• Audio Press Box
• Audix
• AV Pro Edge
• Belden
• Bittree
• Blackmagic Design
• Blustream
• BZBGear
• Camplex Fiber
• Canare
• Chauvet
• Chief Mounts
• Clear-Com
• Cobalt
• Contemporary Research
• D’San
• Datavideo
• Decimator Design
• Delvcam
• ESE
• For-A
• Freakshow HD
• FSR
• Gator Cases
• Gefen
• Genelec
• Hall Technologies
• Hammond MFG
• Hannay Reels
• Hollyland
• Icron
• JBL Professional
• Kings Brand
• Kramer
• Laird Digital Cinema
• Leader
• Luminex
• LYNX Technik
CONTACT
• Mackie Designs
• Marshall Electronics
• Middle Atlantic Products
• MuxLab
• My Custom Shop
• Netgear AV
• Neutrik
• NTi Audio
• Ocean Matrix
• Optical Cable Corp
• Patton Electronics
• Pelican Products
• Platinum Tools
• Pro Tapes & Specialties
• ProX Live Performance Gear
• PTZ Optics
• QSC
• Radio Design Labs
• Riedel Communications
• Roland Pro AV
• Sachtler
• Sennheiser
• Sescom
• Shure
• Skaarhoj
• SKB Cases
• Sony
• Studio Technologies
• Surgex
• Switchcraft
• Techflex
• Teradek
• Thor Fiber
• Tripp Lite
• West Penn Wire
• Whirlwind
• Williams AV
• Wohler
• Yamaha Commercial
Plus 150 More!
812 Kings Hwy
Saugerties, NY 12477
Web: www.tecnec.com
Phone: 800-543-0909 • 845-246-0428
Email: sales@tecnec.com
LinkedIn: linkedin.com/company/ tecnec-distributing
Facebook: facebook.com/ tecnecdistributing
Instagram: instagram.com/tecnec_ distributing/

TMP-Pro, the pro-audio, video, lighting, and accessories division of The Music People, an Exertis | Jam business, distributes hundreds of top brands, backed by expert product advice and technical support from certified specialists.
Our extensive distribution capabilities are built on strong relationships with established brands. We provide itemized quotes and simplify sourcing by offering a wide range of brands through a single point of contact, with no minimum order required.
As a distribution partner, we exceed expectations thanks to our specialists’ expertise in setting up and integrating pro-audio solutions. Our talented team of seasoned AVL installation pros are trained by the brands we represent, using the same rigorous methods the brands use to train their own technicians. With deep product and system knowledge, our specialists ensure the seamless integration of the essential components for each project’s success.
TMP-PRO ADVANTAGES:
ONE FOR ALL
We make it possible to source hundreds of revered pro-audio, video, lighting, and accessories brands on just one call using one purchase order.
NO STRINGS ATTACHED
We deliver competitive pricing that typically matches dealer-direct pricing, free of minimum orders, opening orders, and commitments.
ITEMIZED QUOTES
Regardless of your estimated order size, we itemize quotes to help streamline your bid preparations.
OPTIMIZED LOGISTICS
Order consolidation, staging, drop shipment to job sites, and a single point of contact make it easy to get what you need when and where you need it.
Our customer-service reps and sales specialists are committed to customer satisfaction. Whether you have an inquiry about a product application or a potential order, we’ll help you out.
DISTRIBUTED BY TMP-PRO
AMX (Harman) / ADJ / Atlas Sound / Audio-Technica / Audix / Bassboss
Biamp / Bose Professional / Chauvet / Clear-Com / Community / Crown (Harman)
dB Technologies / DPA Microphones / Elation Professional / Electro-Voice (Bosch)
Focusrite / Furman / HK Audio / JBL (Harman) / Lea Professional / Lewitt
Listen Technologies / Mackie / Martin Audio / Middle Atlantic Products (Legrand)
Point Source Audio / Presonus / Pro-X / QSC / Q-Sys / RCF / RF Venue
Roland Professional A/V / sE / Sennheiser / Shure / Sonance / Blaze / Symetrix
Tascam / Waves Commercial Audio / Yamaha Commercial Audio
REGIONS COVERED
United States
WAREHOUSE LOCATIONS
Northeast, Midwest, Southwest
HOUSE BRANDS:
• On-Stage
• On-Stage Production-Grade
• Allen & Heath
• Ashly
• CAD
• Provider
• Quest Commercial
ALSO AVAILABLE:
• AMX
• Anchor audio
• ART
• Atlona
• Auralex
• Avantone Pro
• Black Lion
Audio
• Blizzard
Lighting
• Bogen
• BSS Audio
• CBI
• Chief
• Countryman
• Da-Lite
• DAS
• DBX
• Dynacord
• Earthworks
• EAW
• Eiki
• Electro Harmonix
• Etymotic
• Galaxy
• Global Truss
• Hosa
• Intellistage
• Lowell
• NUX
• One Systems
• Powersoft
• Proco
• PTZ Optics
• Purelink
• Radio Design Labs
• Renkus Heinz
• Rolls Corporation
• Samson
• Schaller
• SKB
• Soundcraft
• Martin Professional
• Soundtube entertainment
• SSL
• Telefunken
Elektroakustik
• TOA
• West Penn
• Whirlwind
• Williams Sound
CONTACT

Web: www.tmppro.com
Email: marketing@musicpeopleinc.com
Phone: 1-800-289-8889
154 Woodlawn Road, Suite C Berlin, CT 06037


Rap superstar Nelly is bringing the heat to North American audiences with Ja Rule, Chingy, and Eve, among other acts for the Where The Party At tour, supported by d&b SL-Series KSL line arrays and SL-SUBs as deployed by Synergetic, based in the Philly suburbs. “For hip hop, ample headroom is a must, especially in the low end,” says Synergetic System Engineer, James DeWitt. “We’re managing to push sub bass all the way out to the lawns in these massive sheds. The SL-SUBs don’t even struggle, and I’m not seeing any gain reduction,” he
shares. “The amount of headroom and bass you get out of an SL-SUB is unmatched for hip hop. Nelly’s getting the volume levels he wants on stage. Both mix engineers have been super happy, they’re getting what they need at front-of-house and their mix is being translated throughout the venue,” DeWitt concludes. “This has been especially amazing in the music sheds, with their different roofs and combinations of inside and outside reflections. The system specifies 20 x SL-SUB subwoofers on the ground and 6 x – 8 x flown J-SUB per side, depending on the venue.

