January/February 2018
DANZ’N
Celebration 8 Years Serving Florida’s Dance Community!
Summer Time
4 Reasons for Summer Intensive
Doctor’s Advice Media Madness
Education
Financial Aid for College
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The Miami International Ballet Competition creates an opportunity for dancers from different cultures and countries to share their knowledge and passion for dance. Ages 9 - 25
Cash Awards Scholarship Awards Dance Contract Offers
Ta b l e o f C o n t e n t
F E AT U R E S 24
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40 CIRCLE OF INFLUENCE
CIRCLE OF CONCERN CIRCLE OF INFLUENCE
In Janaury/February Issue 2018 6 Notices 8 Message from the Publisher 9 Highlights
Dance Inspiration
10 Dance Highlights
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38 Personal Development
DANZ’N News
Eight Year Anniversary
A Subject of Concern
22 Summer Time
Four Reasons Summer Intensive
24 Cover Feature
Universal Ballet Competition
30 Doctor’s Advice
What’s Happening in the Dance Communities
Madness in the Media
10 Dance Highlights
34 Summer Programs
40 Reading Room The Spark
45 Calendar of Events
2018 Camps & Intensives
Dance News
36 Healthy Eating & Lifestyle
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Financial Aid for College
44 Community Resource Guide
Dance Highlight
14 Dance News
40 Education
Apple Cider Vinegar to the rescue
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Danz’n . The Community Dance Magazine . November/December 2017
Notices /// In Print & on The Web On the Cover
WEBSITE
Want to see your
www.DanznMagazine.com
Featured Students We accept submissions for students who has achieved exceptional accolades for winning a special award, overcoming a difficult situation, are involved with outreach programs, and have a great story to share.
Assistants to the Publisher Kiara Fedele Sergio Fedele
Founder/Publisher Karina Felix
Favorite People in Print?
Social Media Kiara Fedele Contributing Writers Jenne Vermes Kate Corallo Dr. Kathleen Davenport Natasha Felix
Teacher in the Spotlight We encourage students to nominate their favorite teacher to be featured in this segment. Students can go online and fill in the forms under submissions – Teacher in the Spotlight. We are always excited to recognize hard working and dedicated teachers.
Contributing Photographer VutiPhotography Publisher Ingenious Publishers
Dance Highlight This is your opportunity to share with everyone all the good news and updates about your studio, company and events. Visit our website under submissions and let us know what is going on in Florida’s Dance Communities. Short Stories Teacher, Moms, and dancers. Do you have a story to share, teach or educate. Submit your story to us to be published in one of the next upcoming editions.
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Universal Ballet Competition Celebrating 5 Year Anniversary
Next Edition is March/April 2018
Auditions & Jobs
• You can find a listing of Dance studios & Retail shops in your area
• A listing of Dance Competitions in Florida • The latest news and updates • Also more opportunities to expose your events and workshops online. • Don’t forget to subscribe to our newsletter.
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DANZ’N is a free publication that you can pick up at your nearest Dance Retail Stores. If you would like your own personal copy, subscriptions are only $19.95 for one year and $29.95 for two years. There is also a Student Subscription for only $9.95 for one year and $16.95 for two years. Students must submit any form of ID that shows their age. This fee covers the cost of shipping and handling. Subscribe: Mail check to 1310 Isleworth Court, RPB, Fl, 33411 or visit our website DanznMagazine.com.
LETTERS TO THE EDITOR
We want to hear from you. Send your letters to the attention of Editor, INFO@Danznmagazine.com. Letters must be signed and include a phone number in the event we need to contact you. (Your contact info will not be published.)
CALENDAR OF EVENTS
We publish in print and on our website; information about events, performances, festivals and fundraisers. Share these events by visiting our website under submission/Save the Date. Workshops, competitions, registrations, summer camps & intensives, will be published with your advertisement. Deadline for submitting information is approximately two and a half months before the month the event occurs.
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. Acknowledging Your Dedication to Dance!
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Message /// From the Publisher
Happy New Years! I am excited to ring in the New Year celebrating eight years of publishing, DANZ’N, a dance magazine that would become a part of the dance community of Florida. See pages 18-21 for a journey through the years. We are also celebrating Universal Ballet Competition five-year anniversary. DANZ’N was part of the launch of this company and we’re happy to see the growing success of UBC over the years. The 2018 Summer Guide edition, Jenne Vermes, takes a look at “Four Reasons” to partake in summer classes, and other alternatives. We also have a listing of our go-to Summer Dance Programs you should look into for early summer planning. Dr. Kathleen Davenport, in “Madness in The Media”, takes a sobering look at what is happening in the media and tackles a very sensitive topic that is an important point of conversation to have in the climate that we now have all around us. Health & Wellness Staff Writer, Kate Corallo, is sharing healthy options in “Apple Cider Vinegar to the Rescue”. Personal Development Coach, Natasha Felix, gives insight into “A Subject of Much Concern”. What’s your circle of Concern? Our education segment takes a look at “Financial Aid for College” for college bound students. As I myself have a student ready to embark into College life, I felt it important to share this article with other High School Seniors ready for their next life experiences. In the reading room, we share excerpts of “The Spark: The Legacy that Changed the Dance World”, authored by my long time friend and dance partner, Cheryl Ale. This is her lifetime journey as a dancer, growing into a dance teacher. Her candid look at the dance world will give you new insights into the realities of a dance teacher’s life.
Karina Felix Founder
On our Calendar of Event pages are several upcoming performances and activities. Remember to go online to see the full schedule of dance events around Florida. May the New Year continue to be a successful and rewarding year for all. I wish you all an amazing 2018! Keep DANZ’N!
Karina Felix
I W i s h Yo u A l l a n A m a z i n g 2 0 1 8 !
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Highlights - DANCE INSPIRATIONS -
“If you want to find the real competition, just look in the mirror. After awhile you’ll see your rivals scrambling for second place.” ~ Criss Jami, Killosophy ~
Dancer: Brandi Boetto
Photo by: Vuttiphotography
Dance Highlights /// Local News St. Augustine, Fl
West Palm Beach, Fl
Junior ROWITA Fellowships Available The Saint Johns Cultural Council is seeking applications for their Junior ROWITA Fellowships. The Fellowships were started in 2011 to help graduating high school women develop their artistic skills through continued study and training after graduating from high school. The fellowships are available to Saint Johns County high school women (public, private or homeschooled) who are entering arts based programs of higher education to advance their creative development and career. The Fellowship awards up to $1000 to qualifying applicants who have either applied or been accepted into in a BFA program or a summer institute or intensive Awards are given in three categories: Performing, Visual, and Literary Arts. In order to be eligible, candidates must have a 3.0 GPA, and acceptance into a college level arts program or summer institute. Applicants must also submit a letter describing their relationship with their art, a letter of recommendation from their arts teacher; and a DVD sampling of their work. All applications are reviewed by a panel of past recipients of the Dr. Gail Pflaster Award ROWITA, an honor that recognizes the contributions woman have made to the artistic environment in St. Johns County. The Jr. ROWITA Fellowship application is available online at www.stjohnsculture.com. Deadline for applications is midnight on the last day of February. Applications must be emailed to hala@ stjohnsculture.com, mailed, or delivered to the St. Johns Cultural Council Office located at 15 Old Mission Avenue, St. Augustine, FL 32084. For more information, contact the St. Johns Cultural Council at hala@stjohnsculture.com or call 904-8087330.
Wendy Whelan:
Former New York City Ballet Member January 22 at 11:30 am (Monday) Her Rise from Anomaly to Stardom A Dancer-to-Dancer Conversation with Steven Caras Like caviar, New York City Ballet dancer Wendy Whelan was at first an acquired taste. But soon this wiry, angular, one-of-akind artist inspired company directors Jerome Robbins and Peter Martins to feature her uniqueness. Whelan’s subsequent rise to Principal Ballerina status coincided with a rapidly growing fan base – an enormous audience who continue to cheer her on to this day. Now fifty, following hip surgery and a glorious farewell at NYCB, Whelan dances on, collaborating with today’s most innovative contemporary choreographers, promoting their important work in the process. Restless Creature, the new, aptly named documentary profiling Whelan’s life, is currently being held-over in theaters across the country. Excerpts will be featured in a revealing, dancer-to-dancer conversation with fellow NYCB alumnus, Steven Caras. Gimelstob Ballroom in the Cohen Pavilion Tickets: $95 Note: Admission includes lunch prepared by Catering by The Breakers at the Kravis Center. Sponsored by Susan Bloom
--------/// --------South Miami, Fl soMi DANCE FEST 2018 For one night only, three dance companies will unite to present the community with an eclectic and moving evening of contemporary dance & dance theater. The festival also provides community dancers
with an opportunity to train & explore with the directors and choreographers of each participating dance company, as well as, attend the festival performance. The soMi master class series offers a studio to stage experience for community dance artists 14yrs & older on Saturday, January 13 & Sunday, January 14, 2018 at Mandelstam DANCE in South Miami, the official home of iMEE Dance Company. Festival Programming includes a World Premiere creation by iMEE Guest Choreographer, Maurice Causey (Ballet Frankfurt, Netherlands Dance Theatre 1, Northwest Dance Project,) C’est la vie by Dimensions Dance Theatre of Miami Guest Choreographer, Kevin Jenkins (Inside/Out Series Jacob’s Pillow, West Wave Dance Festival) and REPRISE, excerpts from work-in-progress by Pioneer Winter Collective Choreographer, Pioneer Winter (MDC Live Arts Lab fellow, two-time Dance Miami Choreographic Program recipient.) Mr. Causey will create his third World Premiere creation for iMEE which will be performed by iMEE artists: Jessica Collado (appears courtesy of Houston Ballet,) Cristian Laverde Koenig, Melanie Martel and Randolph Ward. Each company will offer a body of work, providing a substantial amount of stage time to share their voices with South Florida audiences. A post-performance Q & A with the directors and choreographers will take place immediately following the performance. soMi DANCE FEST 2018 takes place at 8:00 pm on Saturday, January 13 at Mandelstam Theater, 8530 SW 57 AVENUE, South Miami, Tickets are $25-$35 and are available for purchase online at: Eventbrite / soMi DANCE FEST 2018 or at imeeonthemove.com. The soMi master class series takes place on Saturday, January 13 & Sunday, January 14, 2018 at Mandelstam DANCE, 8530 SW 57 AVENUE, South Miami, series package is available for purchase online at: imeeonthemove.com/ somi-master-class-series
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Frederick Capitelli Dancewear
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Key: Central Florida /// South Florida /// North Florida
Local News /// Dance Highlights
Orlando, Fl New Professional Ballet Company based in Orlando United Ballet Theatre is scheduled to begin performances in the summer of 2018. Led by Artistic Director Joseph Gatti and Executive Director James L. Boyd III, UBT will operate during the summer when most professional companies are on “lay off” and their dancers are looking for work. UBT will treat their dancers as athletes by allowing time for maintenance and recovery throughout the workday by providing physical therapy, massage services, and exercise equipment, an unprecedented approach to the professional ballet company cycle. “The top priority for United Ballet Theatre will be to preserve the dancers to ensure they have long and healthy careers,” said Gatti. “We are going to provide time for our dancers, during the normal workday of rehearsing, to work with personal trainers and physical therapists to ensure they are strengthening areas they want to improve
upon to ensure their long-term health and maximize their potential as dancers.” UBT will feature 8-10 professional dancers (including Gatti) plus other world-renowned guest artists from across the globe performing classical repertoire and brand new contemporary works. “I want to provide dancers the opportunity to maintain their income throughout the summer and work with some of the greatest teachers and choreographers from around the world,” said Gatti. “We want to set the bar for ballet in Florida and we want our dancers to become role models for students across the state.” UBT also expects ballet fans and audiences to reap the benefits when it comes to
how they treat their dancers. “The structure of UBT will empower our dancers to perform at their absolute best and that will positively impact the quality for our viewing audience,” said Gatti. “It’s also going to allow the dancers to preserve the passion for their roles so each performance isn’t just second nature or ‘going through the motions.’ As with the professional company cycle, it won’t just be about learning choreography and run-throughs after run-throughs.” In addition to Gatti and Boyd, the staff will include: Professional Ballet Teachers & Coaches: Stanislav Feco, Vadim Fedotov, Irina Depler, Magaly Suarez, Orlando Molina, Lasha Khozashvili. Personal Trainers: Jaime Diaz, Jacquelyn Haas, Heather Southwick (PT, MSPT), Phil Gatti The company will share studio space with the Russian Ballet School of Orlando and is currently in negotiations to secure a theatre for performances. To learn more or donate, please visit: http://www.unitedballettheatre.org
B A - 4 5 DIANA POMBO Dancer, Contestant on the World Of Dance
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Danz’n . Serving|Supporting|Promoting the Art of Dance . January/February 2018
Coming soon............
Infinite
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Finding balance in your Business, Personal and Spiritual Life.
A New Digital Lifestyle Magazine to Create a Lifestyle of Abundance Business: Career, Finance, Creativity, Prosperity Personal: Health, Happiness, Love, Travel Spiritual: Serenity, Awareness, Universal Connection. Sign up to Receive Your Free Copy by going to www.InďŹ niteLifestyleMagazine.com/Copy January/February 2018 . Danz’n
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Local News /// Dance Highlights North Miami Beach, Fl
Miami International Ballet Competition January 24 - 28, 2018 Julius Littman, North Miami Beach
Performing Arts Theater Get your tickets now to see this inaugural event to be held in North Miami Beach. We expect to attract an international following of spectators and artists that will come to our city to share their diverse cultures in a unique dance experience. Miami International Ballet Competition 15939 Biscayne Blvd, North . Miami Beach, FL 33160 Phone: 786-260-5940 Email: info@miamiibc.com
--------/// --------Palm Beach Gardens, Fl Ballet Palm Beach’s Annual Luncheon 2018 Tues, February 27, 2018
The Beach Club, Palm Beach. This luncheon features keynote speaker Steven Caras and a performance of Balanchine’s Tschaikovsky Pas de Deux. Proceeds will benefit Ballet Palm Beach’s performances and community programs. $150 per person
SUMMER 2018 Advanced to Pre-Professional Summer Intensive July 23- Aug 10 (Audition: 2/3/18 4pm-6pm)
Beginner to Intermediate Workshops June 11-June 22 ages 3-11 To Register: 561.630.8235 school@balletpalmbeach.org www.DanznMagazine.com
--------/// --------Sarasota, Fl The Sarasota Ballet Receives Arts Appreciation Grant from Gulf Coast Community Foundation The Sarasota Ballet today announced an Arts Appreciation grant award from Gulf Coast Community Foundation in support
of the 2017-2018 Season. “Gulf Coast continues to be an extraordinary resource for our Company,” says Joseph Volpe, Executive Director of The Sarasota Ballet. “Not only for the grants that help us to bring the highest quality of dance to Sarasota, but also for the learning opportunities they provide that enrich our board and staff.” This grant will support the 2017-2018 Season, which features seven programs, including 13 ballets by some of the most celebrated and prestigious choreographers and composers of the ballet world. “The repertoire of The Sarasota Ballet has been one of the main driving factors for the growth and success the Company has seen over the past 10 years,” explains Webb. “My goal this Season is to once again bring to our audience, and indeed our dancers, an array of works that showcase ballet’s versatility and beauty. In just a single season our audience will see works by such prestigious Choreographers as Sir Frederick Ashton and George Balanchine, while in the same evening witness Choreographers like Marcelo Gomes who are impacting the art form today. This artistic freedom is made possible in part by Gulf Coast Community Foundation and it enhances our Company and this community.” The 2017-2018 Season opened with Will Tuckett’s The Secret Garden 27-29 October. Audiences can now look forward to Company premieres of Sir Frederick Ashton’s The Dream, George Balanchine’s Theme and Variations and Bugaku, David Bintley’s ‘Still Life’ at the Penguin Café, Paul Taylor’s Airs, and Antony Tudor’s The Leaves are Fading, as well as a World Premiere by Marcelo Gomes, star of American Ballet Theatre. Revivals include Sir Frederick Ashton’s Illuminations and Marguerite and Armand, Ricardo Graziano’s Valsinhas, Matthew Hart’s John Ringling’s Circus Nutcracker and Robert North’s Troy Game.
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MARCH/APRIL 2018
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Danz’n . Serving|Supporting|Promoting the Art of Dance . January/February 2018
News/// Highlights
Dimensions Dance Theater of Miami awarded a Knight Arts Challenge Grant! MIAMI - Ten years ago, the Knight Arts Challenge was established to enable Miamians to bring their artistic ideas to life. This year, 43 winners from across South Florida will share $2.5 million for projects that show they have taken that creative mission to heart. Winners come from an array of backgrounds and disciplines, with projects that will help make art general in Miami so that it is seen, felt and heard throughout the city’s many neighborhoods. A project of the John S. and James L. Knight Foundation, the Knight Arts Challenge funds the best ideas for bringing South Florida together through the arts. The winning ideas were announced at a special event at the Pérez Art Museum Miami, followed by a communitywide celebration including performances in the adjacent Knight Plaza. Each year the awards celebrate Miami’s cultural diversity, and 2017 continues the tradition. One project explores the life of Cuban artist José Aponte, who was executed in 1812 when a book of his drawings was alleged to contain plans for a slave uprising. Another project jumps to the future for a virtual reality experience on the history of Stiltsville, the homes elevated above Biscayne Bay. Yet another will restore and publish the photos of Andy Sweet, whose work documents the history of 1970s South Beach and its Jewish retirees. Because Miami is so much more than South Beach, this year’s winners are activating projects from Doral to Pahokee to the Keys, often in unexpected locations. One will produce a Commuter Biennial, so that suburban neighborhoods can experience the kind of artistic interventions often reserved for the city’s downtown and annual art fairs. Another will fund miniconcerts at Metrorail stations during the morning commute. And don’t be alarmed if, on your way home from work, you encounter mermaids discussing the effects of climate change in a park. That’s simply the Miami Mermaid Debates. “The 10th Anniversary Knight Arts Challenge winners celebrate life and arts in Miami,” said Alberto Ibargüen, Knight Foundation president. “They embody what the arts do: they inspire and create common experiences that connect us to each other and to home, Miami.” The full list of winning ideas is below, and online at knightarts.org. “True to the challenge’s spirit, winners this year challenged themselves to bring unique passions to Miamians,” said Victoria Rogers, vice president for arts at Knight Foundation. “Miami is a young city. Our challenge winners and our artists are not only telling our stories, they are shaping our city’s identity every day.” Knight Foundation has invested more than $122 million in South Florida arts since 2005, including support for both large institutions, to more deeply engage the public, and grassroots efforts through the Knight Arts Challenge. Over the past decade, the challenge has helped raise the artistic quality in the city, providing organizations and individual artists the time, resources and infrastructure they need for quality work. In addition, the challenge has helped spur innovation and risk-taking, with 80 percent of projects encouraging or creating innovative arts programming. There are only three rules for applying to the challenge: 1) The idea must
January/February 2018 . Danz’n
. Acknowledging Your Dedication to Dance!
be about the arts; 2) The project must take place in or benefit South Florida; and 3) The grant recipients must find funds to match Knight’s commitment. The best receive Knight Foundation support. More than 10,000 ideas have been submitted over eight years. Previous funding for large institutions launched a new media program that includes the signature “Wallcasts” at the acclaimed New World Symphony campus, helped present top films at the Miami International Film Festival, brings Miami-Dade students on free field trips to the Pérez Art
We are thrilled to be selected for such an honor in only our second season serving the South Florida arts community. We look forward to the benefits this grant will bring to our company and our audiences. On behalf of all of us at DDTM - thank you for your support along our journey!” Jennifer Kronenberg & Carlos Guerra. - Founders
Museum Miami, and is building a new high-tech recital hall at the University of Miami Frost School of Music among other projects. Monday night, Knight Foundation also named 25 arts and civic leaders as Knight Arts Champions, honoring them for their vision, courage and tenacity in building Miami’s cultural community. They include painter José Bedia, author Edwidge Danticat and Miami-Dade Mayor Carlos Gimenez. Each received $10,000 contribution to an artist or arts organization of their choice. The list of Knight Arts Champions is below. For more on Knight Foundation’s arts program, and to view a full list of Knight Arts Challenge winners, visit knightarts.org. Connect on the Knight Foundation Facebook page here and via @knightfdn and #knightarts on Twitter and Instagram.
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2018 TOUR
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REGIONALS West Palm Beach, FL..............................................January 19 - 20 Daytona, FL..............................................................January 27 - 28 Ft. Myers, FL ..............................................................February 2 - 4 Woodbridge, VA ...................................................February 23 - 25 Atlanta, GA......................................................................March 3 - 4 Orlando, FL.....................................................................March 9 - 11 Statesboro, GA ...........................................................March 23 - 25 Tampa, FL ..........................................................................April 6 - 8 Hollywood, FL ..............................................................April 20 - 22 Jacksonville, FL ............................................................April 27 - 29 Raleigh, NC .........................................................................May 4 - 6
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AUDITION EDITION 2018
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Eight Year Anniversary /// Danzn
DANZ’N
A CELEBRATION OF DANCE! EIGHT YEARS OF SERVING, SUPPORTING & PROMOTING THE DANCE COMMUNITY OF FLORIDA. DANZ’N has gone through many changes and adjustments over the years. The concept started as acknowledging South Florida’s active dance community. This extended into acknowledging all of Florida as a state with an extensive dance history and a growing expansion of talent and events. When the idea of a regional magazine came into my mind, it was mostly based on the fact that dance students began and fell in love with dance in their neighborhood dance studio. A studio, a teacher, the music or the movements: whichever it was that made a dancer a dancer, and made that dancer become passionate and dedicated to this art form; investing time, money, time, dedication and so much time. The time and focus a young student puts into their dance experience, starting from a very young age, is incomparable to any other art form or sport. Dance becomes a life long commitment and for the very fortunate a lifetime career. Dance shows up in all other parts of our lives. Whether it’s in our career or personal life, the discipline required to be a dancer transcends into every aspect of the rest of our lives. When DANZ’N published it’s first issue in December 2009, under the name – The Dance Magazine of Florida, little did I know that it would reach so many people and help so many studios, companies and personalities reach a different height in their growth over the years. Believe me when I say that there were many times I felt like the magazine was not accomplishing its goals, and I was ready to throw in the towel. Then I would be approached by someone randomly that would say to me: “Thank you for what you do for the dance community”, and at that moment I would be re-energized and re-inspired to carry one and publish one more issue. Along the way the magazine went through two more name changes – World of Dance Magazineand now DANZ’N. What also happened for me throughout these years were the opportunities I was given of meeting such a wide range of people, having amazing experiences, and so much fun along my journey. I hope to be able to continue promoting dance through the magazine and that I can continue to give Florida the accolades it deserves as a mecca of a dance culture to be celebrated and revered. Thank you for eight years of partnership, support and appreciation! I look forward to meeting new faces in the community and assisting new businesses excel and grow. And now enjoy a passage through the years! Happy DANZ’N!
Karina Felix Founder
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Danz’n . Serving|Supporting|Promoting the Art of Dance . January/February 2018
Danz n ~ Acknowledging Your Dedication to Dance ~
May/June/July 2012
DANCE MAGAZINEA
THE
OF
FLORID
- SUMMER CAMPS & INTENSIVES GUIDE 2012
under Artistic Direction of Michele Zehner & Maria Konrad
- Reviews - Dance Highlights - Calendar of Events
- Go Bananas… - Stay for Summer School - Music for Ballet Masters
- How to Generate Early Fall Revenue and Create Urgency
Florida’s Premiere Dance Magazine
DANCE MAGAZINFloErida
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The Gateway to Florida’s Dance Community!
DANCE MAGAZINFloErida
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January/February 2013
The Clay Academy of Dance Arts Jane Tyree & Dan Guin Co-Directors Boca Ballet Theatre
Education Without Limits: The Growing Trend in LowResidency Dance MFA TEACHER IN THE SPOTLIGHT
Chelsea M. Fowler Dance 4 Life Academy
Advice on college dance and theatre auditions Parkway Middle School of the Arts
DanceMagFlorida.com
September/October 2012
Dancer Profile | Israel Rodriquez
Cover Model Search 2013
How to succeed and flourish in a University dance program
Promoting, Supporting and Preserving the Art of Dance in Florida
Celebrating eight years doing business in the dance community and we couldn’t have done it without your support.
The Gateway to Florida’s Dance World!
Dance MagazFinlo rie da
The
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SHAKE THE GROUND Impressive first year. Competition vs Conventional Instruction What type of dance studio fits your needs?
Injuries: What are Dancers to Do? How NOT to lose points in a dance competition Healthy Snacking
Dance Highlights Patricia Strauss
Teacher in the Spotlight
Fl Dance Competitions News & Updates
Studio Updates
Community Resource Guide Directory
Promoting, Supporting and Preserving the Art of Dance in Florida
Dance MagazFinlo rie da
The
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NOVEMBER/DECEMBER 2013
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Joseph J. Bucheck III Dance’s Unsung Hero
Six Things You Wouldn’t Normally See In “The Nutcracker”
Make-up for the Holidays Tendinitis
The Trials and Tribulations of Dancers’ Feet
Promoting, Supporting and Preserving the Art of Dance in Florida
During all these years we have found that having a good product is second to having outstanding supporters as you. World
DMagazine ance
Gateway to Florida Dance Community!
Florida’s
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November/December 2015
The Santa Fe College Dance Department
Competition Season:
Fit to Compete!
What all great athletes (Especially Dancers) have in common CARBS‌Good or Bad For Your Diet? FREE PUBLICATION
Dance Teacher Tips:
Finding the Right
Supporting, Promoting and Preserving the Art of Dance!
gateway to florida’s dance community
WORLD OF DANCE Magazine
January/February 2017 FREE PUBLICATION | SERVING, SUPPORTING, & PROMOTING THE ART OF DANCE
Cover Feature
Noise Complaint Healthy Eating & Lifestyle
Living Chemical-free
Person of Interest Maria Konrad
Doctor’s Advice Intensive Care
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W RLD OF DANCE Magazine
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A Dynamic Duo
Carlos Guerra & Jennifer Kronenberg
THANK YOU! For Your
Your Health is written all over your face The pros and cons of a full-out recital vs informal showcase The 3P’s of Success
April/May 2017
Continuous Support.
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World of Dance Youth Development Workshop
Personal Development
An Apple a Day
Summer Time ///Four Reasons Summer Plans
Four Reasons to Make a Dance Intensive Part of Your Summer Plans... .......and some other options for those who choose not to.
For dancers, summer isn’t just about free time, beaches and relaxing with friends; summer is a time for dancers to extend their learning experiences in the dance studio and on stage. The experience of a summer dance intensive or workshop is unique and rewarding, but it may not be on every dancer’s must-do list.
Choice: Intensive 1. By enrolling in an intensive, you often get the opportunity to dance in classes taught by faculty teachers and choreographers brought in from all over the world all in one place. This is especially important for pre-professional dancers, as it will help them build their resume by working with prestigious and renowned faculty as well as make contacts for potential professional work in the field. Many intensives are offered through professional companies like Joffery, American Ballet Theatre, and The Radio City Rockettes, giving students the opportunity to meet and work with current members of the company and faculty. January/February 2018 . Danz’n
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Four Reasons Summer Plans /// Summer Time
2. Intensives provide level-specific training that can help dancers progress at an appropriate pace. This also helps dancers work in classes of other students who are at or around their same ability level, which allows the teachers to tailor and structure their classes more specifically for each group. 3. Intensives often provide students with the opportunity to meet other dancers from all over the country, even the world. Whether students travel outside of their home city to attend intensives or they are fortunate to have access to an intensive at home, even at their own studio, they will get to spend many of their class hours working with dancers from other schools and from a variety of backgrounds. As a bonus, it is a great opportunity to make new friends as well.
3. Cross training is also ideal for students who want to keep active but would like to add some variety to their annual routine. Instead of dancing, students can try other forms of movement classes (i.e. gymnastics, aerial arts, yoga, etc.) or even sports to keep active and hone their physical skills. When faced with the task of choosing what to do with their summer, dancers can find endless options to choose from that can fit into anyone’s ideal summer plans. They simply have to decide what they would like to achieve during that time and find the right arrangement to help them do so.
Jenne Vermes - Staff Writer
Professor of Tap at Florida School of the Arts | Dancer/singer for The Cruxshadows | Dance teacher and choreographer throughout Jacksonville, FL,| Fitness and Health blogger: www.FIT-it-in. blogspot.com · Certified Zumba and Group Exercise instructor (AFAA) Contact me : annyk113@ gmail.com
4. Intensives often have elective classes that bring students opportunities to try new styles of dance that their home studios may not offer and perform in venues they may not otherwise have the chance to, such as well known theatres or open air concert halls.
Photos By: Heather Coronel Photography
Other options for dancers who aren’t up for an intensive but still want to dance through the summer: 1. Studio classes are usually offered at most schools throughout the summer, and enrolling in those will help dancers keep progressing and working on their skills and technique through the long break. Summer classes are often more focused on technique as there is not usually a recital to work toward at the end of the term. If classes are not offered at one’s studio for summer, dancers can ask their teacher or studio director where they would recommend they find classes to take nearby. 2. Workshops, mini-intensives and conventions are also ideal for students who want to keep growing in their art but don’t necessarily want to commit to the time and structure of a traditional intensive. Students can find weekend-long workshops and conventions giving them the ability to work with teachers and choreographers from the professional industry and from other areas of the world without devoting their entire summer to the experience if they don’t wish to.
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Danz’n . Serving|Supporting|Promoting the Art of Dance . January/February 2018
Cover Feature /// Miami International Ballet Competition
January/February 2018 . Danz’n
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Universal Ballet Competition /// Cover Feature
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Danz’n . Serving|Supporting|Promoting the Art of Dance . January/February 2018
Cover Feature /// Universal Ballet Competition
January/February 2018 . Danz’n
. Acknowledging Your Dedication to Dance!
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Universal Ballet Competition /// Cover Feature
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Danz’n . Serving|Supporting|Promoting the Art of Dance . January/February 2018
KRAVIS CENTER FOR THE PERFORMING ARTS presents
10 HAIRY LEGS
FINDING NEVERLAND
Tuesday, Thursday, Friday at 8 pm Wednesday, Saturday at 2 pm & 8 pm Sunday at 2 pm The winner of Broadway.com’s Audience Choice Award for Best Musical, this breathtaking smash “captures the kidat-heart,” says TIME Magazine. Vogue cheers, “It’s a must-see you’ll remember for years to come!” Directed by visionary Tony®-winner Diane Paulus and based on the critically-acclaimed Academy Award® winning film, FINDING NEVERLAND tells the incredible story behind one of the world’s most beloved characters: Peter Pan. Playwright J.M. Barrie struggles to find inspiration until he meets four young brothers and their beautiful widowed mother. Spellbound by the boys’ enchanting make-believe adventures, he sets out to write a play that will astound London theatergoers. With a little bit of pixie dust and a lot of faith, Barrie takes this monumental leap, leaving his old world behind for Neverland, where nothing is impossible and the wonder of childhood lasts forever. The magic of Barrie’s classic tale springs spectacularly to life in this heartwarming theatrical event. FINDING NEVERLAND is “far and away the best musical of the year!” (NPR). Alexander W. Dreyfoos, Jr. Concert Hall - Tickets start at $28 Beyond the Stage: Join us for a free pre-performance talk by Steven Caras at 6:45 pm on Jan. 2.
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January 19-20 Friday at 7:30 pm Saturday at 1:30 pm & 7:30 pm Celebrating the Artistry of the Male Dancer Despite an amusing name, the five principal dancers perform serious contemporary pieces that illustrate power and elicit emotion. The versatile, all-male company excels in a diverse range of existing and newly commissioned works — some poignant, others provocative and all incredibly original. Marshall E. Rinker, Sr. Playhouse - Tickets $32. Beyond the Stage: Join us for a free post-performance talk by Steven Caras immediately following the Jan. 19 performance.
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TANGO FIRE
Sunday, January 14 at 8 pm Passion, precision and poise collide in choreographer German Cornejo’s sizzling Tango Fire. The exhilarating performance, which includes 2015 Tango World Champions Ezequiel Lopez and Camila Alegre and other couples, blends the rawness and sophistication of a late Buenos Aires night with the dancers’ sensuous moves and rapid, intertwining latigazos, or “whips.” Alexander W. Dreyfoos, Jr. Concert Hall Tickets start at $20 Sponsored by The Chastain Charitable Foundation Beverly Sommer Beyond the Stage: Join us for a free pre-performance talk by Steven Caras at 6:45 pm.
--------/// --------CHICAGO THE MUSICAL
January 19-21 Friday at 8 pm Saturday at 2 pm & 8 pm Sunday at 2 pm This is a tale of fame, fortune and All That Jazz; one show-stopping song after another; and spectacular choreography. A legendary satire on corruption and ce-
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lebrity criminals, the Tony and Grammy winner is the longest running musical in Broadway history. Kravis on Broadway Seating- Alexander W. Dreyfoos, Jr. Concert Hall - Tickets start at $25. Beyond the Stage: Join us for a free pre-performance talk by Steven Caras at 6:45 pm on Jan. 20.
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CONTRA-TIEMPO Urban Latin Dance Theater
February 9-10 Friday at 7:30 pm Saturday at 1:30 pm & 7:30 pm Exhilarating and expressive, Contra-Tiempo combines salsa, Afro-Cuban and contemporary urban and abstract dance theater to create physically intense and politically astute performances. The troupe’s newest work, Agua Furiosa, blends a live vocalist, water themes, explosive movements and the performers’ own multicultural stories. Marshall E. Rinker, Sr. Playhouse Tickets $32 Beyond the Stage: Join us for a free post-performance talk by Steven Caras
--------/// --------URBAN BUSH WOMEN HAIR AND OTHER STORIES
Friday, February 16 at 7:30 pm Saturday, February 17 at 7:30 pm Bold, empowering and fierce, Urban Bush Women earned widespread acclaim for their innovative pieces that explore all aspects of the African diaspora. In their new work, Hair and Other Stories, they use a visceral, intellectual, and transcendent approach to construct a live experience that includes processional performance from imagined or real spaces, to engage audiences around the subjects of self-image, race, and gender inequality. Marshall E. Rinker, Sr. Playhouse Tickets $35 Beyond the Stage: Join us for a free post-performance talk by Steven Caras immediately following the Feb. 16 performance.
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Doctors Advice ///Media Madness
Madness in the Media I
t is hard to turn on a television, computer, or radio today and not hear of a new allegation of sexual misconduct. So I apologize for opening this magazine and having one more article because I know we are all tired of it. However, I wanted to write about ways to protect our dancers, teachers, and parents. We all want a safe place for our dancers to grow and be nurtured. Sometimes when we turn on the news, we can start to feel that there is no safe place anymore. How can we protect our families and ourselves? While we cannot prevent everything in life, within your family circle, there are ways to help protect your loved ones. Sex and sexuality are hard topics and are never easy to discuss. There are many ways to talk about these important subjects with the family, and choosing the “best” way may involve your beliefs, upbringing, and religious background. The most important thing is to talk about it. Having a child feel that he or she cannot talk about certain body parts makes it scarier to tell an adult if something inappropriate has happened. So make sure that your child knows you are a safe person to talk about uncomfortable topics. If you are a studio owner or educator, a student may also tell you about inappropriate behavior. It is important to be aware of the resources in your commu-
January/February 2018 . Danz’n
nity, and how you are expected to report and respond to a disclosure. You should not be expected to manage this issue alone and there are resources to help you know next steps (some listed below). If possible, have these conversations with another adult in the room or at least nearby (such as able to observe through a window). The dance studio should feel safe and secure for students. When we turn on scary stories in the news, we can start to feel that every adult is a predator. We have to remind ourselves that the vast majority of people in the world are good people who want the best for our families. In the dance studio, it is important for teachers to be able to touch dancers to help them feel the movement. It is also important in partnering classes for hands to be placed where
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they can best support the dancer. In both these cases, these areas of touch can be in sensitive areas. It is extremely common in partnering classes for hands to be accidently misplaced to support a dancer or catch a fall and end up on the genitalia. While perhaps uncomfortable, it is rare for these interactions to be inappropriate. However, inappropriate behavior can happen. As a teacher, keeping windows and/ or video available for parent viewing can help everyone feel more comfortable. As a student, keeping open dialogue with a partner, teacher, and a parent can help everyone involved. Also, students should feel empowered to ask an adult if something is appropriate or not, as sometimes it can be unclear. Being aware, but not panicking or automatically assuming the worse can create an open dialogue about okay touch and not okay touch. As a parent, watching for unexplained behavior changes in your child like no longer wanting to go to dance class, dancing with a certain partner, working with a specific teacher, may be early indicators to pay closer attention to interactions. This can also be true of the opposite red flags – only want to take class with a certain teacher, always wanting one on one late night private classes with another partner, etc. Again, open dialogue, observing classes, making sure there are no secrets can be ways to investigate any suspicious behavior changes. No matter how hard we try, there are times when situations are out of our control. If inappropriate behavior has occurred, whether related to dance or not, it is important to take action steps. Firstly, www.DanznMagazine.com
Media Madness /// Doctors Advice
the behavior must stop or be stopped. If inappropriate behavior was reported, our initial human reaction is often disbelief. Think how many times you have said “no, not him!” to the television lately. However, it is important to respond to the person’s story and remove the student from further potential interaction with the accused. Secondly, report accusations appropriately and accurately. This is not the time for rumors and whispering. This is the time for reporting any allegations and allowing investigators to do the job of determining facts. There are strict laws regarding reporting suspected child abuse and reporting is mandatory. Thirdly, the accused perpetrator should be removed from any potential role or situation where inappropriate behavior could occur until
facts are established. Lastly, counseling for both perpetrator and victim should be started (not done together). If the victim is a child, then parental counseling should also be started. This is recommended regardless if the accusations are proved true or false after investigation. There are many resources available for training and to assist in both prevention and reporting. The Boy Scouts of America is one organization that has Youth Protection Training, protocols for adult volunteers, and clear reporting procedures if needed. There are also clear recommendations with both written and video material for protecting volunteers, leaders, and students. The Florida Department of Education also has resources available online. While there are many opportuni-
ties to gain information, it is not always standard at every dance studio for adults to have undergone specific training. It is recommended that studios examine available options, assess the needs of their staff, students, and parents, and take action steps to ensure all are sharing a positive experience. Dancing, like life, is a balance. Many dancers have a “me too” story. Some of those stories are because of dance, but many have found healing in dance. Therefore, it is important not to “throw the baby out with the bathwater.” The world is not always safe, but it is beautiful and full of joy. We can all take practical measures to keep our families and ourselves safe while enjoying the full offerings of such a complicated and joyful world. Dance Happy Dance Healthy.
Dr. Kathleen L. Davenport Board certified Physiatrist who specializes in Sports, Dance and Performing Arts Medicine.
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Danz’n . Serving|Supporting|Promoting the Art of Dance . January/February 2018
The HARID Conservatory America's tuition-free professional training school for gifted young dancers
2018 Summer Intensive, June 25−July 20
Summer Intensive auditions will be held in 18 cities across the U.S. in January–March. Visit www.harid.edu/auditions for locations, dates, and other information.
Training · Mind · Body · Spirit
JUNE 4 – JULY 13 ,2018
Includes workshops, open classes and a curriculum that focuses on a range of disciplines including ballet, pointe, variations, partnering, contemporary, jazz, modern, dance history, enrichment, pilates.
www.fsde.co
For more information call 561.627.9708
NIES Summer
/// Camps & Intensives
SUMMER PROGRAMS 2018 ARTS BALLET THEATRE OF FLORIDA - VAGANOVA METHOD - JULY 2 - 28, 2018
CLASSICAL BALLET SEMINAR OF RUSSIAN TECHNIQUE The Summer Intensive Program has been designed to provide serious students ages 10 to 22 with a complete dance-training program. There are three levels of study available; Preparatory, Intermediate, and Advanced or Pre-Professional. There is also a Teachers Program. The curriculum includes a complete dance-training program for both male and female students who will be able to receive a unique approach to authentic, traditional Russian ballet training with the finest Russian teachers graduated from the Vaganova Ballet Academy. The program teaches the Russian ballet technique ( Vaganova Method) given by teachers who have graduated from the prestigious Vaganova Ballet Academy. All ballet teachers have been students of Vaganova, Tarazov, Plaht, among others, with a high quality expertise in Russian, American, European and Latin American ballet companies. https://www.artsballettheatre.org/summer-intensive
ugust 5, 2018
Douglas Martin AmericanPALM BEACH BALLET Repertory Ballet JUNE 11 - AUGUST 10
Experienced dancers and dance novices can find a dance opportunity with Ballet Palm Beach this summer. The Academy offers five levels of training in three types of workshops. All dancers, from our Gil Boggs youngest children to pre-professionals will culminate their workshops with an in-studio performance. Our exceptional faculty will provide caring and careful instruction to further each dancer’s technical Colorado Ballet and artistic development. Our facility has three light-filled studios with sprung floors, comfortable indoor and outdoor waiting areas, and an in-studio performance space for intimate dance presentations. Enrollment is limited. Please register early. Weekly classes may be available based on total number of registered workshop students; different rates apply. See ad on page 13
E’S MORE!
Ballet zalo Garcia.
uction tists!
Advanced to Pre-Professional Summer Intensive July 23- Aug 10
BOCA BALLET THEATRE July 2 – August 5, 2018
Artistic Directors: Dan Guin & Jane Tyree
SUMMER 2018
(Audition: 2/3/18 4pm-6pm)
Established in 1991, is the 6th largest dance company in Florida and one of the top civic companies in the United Beginner to Intermediate States. Over the last 16 years, the School of Boca Ballet Theatre has educated more than 5,000 young people and has Workshops performed for over 112,000 audience members from the Tri-County area and beyond. 500 students, including 100 adults, study in our 11,000 square foot state-of-the-art facility each week. Annually, BocaJune Ballet11-June Theatre 22 performs a ages 3-11 schedule of 13 performances in 4 different programs at the Esther B. Griswold Hall at Florida Atlantic University and for the community at Mizner Park Amphitheatre. See ad on back page http://www.bocaballet.org/performance-intensive-workshop To Register: 561.630.8235 school@balletpalmbeach.org
CONCHITA ESPINOSA ACADEMY JUNE 12 - JUNE 30
Summer at CEA continues Conchita’s philosophy of providing flexible options for integrating your child’s summer with creativity, adventure, and intellectual and artistic growth. Students have the option of participating in three- or six-week programs through a variety of experiences. Our ten-acre campus with its state-of-the-art theatre, multiple dance and music studios, art studio and kiln room provide the perfect environment for students to engage their passions and talents. Programs under the direction and supervision of our own professionals are designed for students to develop and enrich their talents, spark creativity and wonder, and provide the time to delve deeper into their spirits. All programs include outdoor, organized play and water fun. 12975 SW 6th Street, Miami, FL 33184, Office: 305-699-4993, Fax: 305-225-0184
November/December 2017 . Danz’n
. The Community Dance Magazine
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Camps & Intensives /// Summer
SUMMER PROGRAMS 2018 FLORIDA SCHOOL FOR DANCE EDUCATION JUNE 4 - JULY 13
Oou primary goal is to train dancers for their futures, whatever their aspirations may be. FSDE’s teachers believe in an all encompassing approach to training students. We realize that the lines of dance styles are becoming Training · Mind · Body · Spirit blurred and serious minded students must, above all, be versatile. Florida School for Dance Education also understands the awesome responsibility handed to us with the care of these students. We recognize that only through a nurturing environment will the students be able to explore and develop into confident and dynamic adults, no JUNE 4 – JULY 13 ,2018 matter which path they choose to pursue. See ad on Page 33
Includes workshops, open classes and a curriculum that focuses on a range of disciplines including ballet, pointe, variations, partnering, contemporary, jazz, modern, dance history, enrichment, pilates.
www.fsde.co
For more information call 561.627.9708
PARIS BALLET & DANCE Dates to be announced
The Summer Intensive is an incredible opportunity for a student to advance at a very quick and noticeable rate. During the session, they attend ALL classes every day, all day long with incredible instructors INCLUDING Word Renown Master Teachers Olivier Pardina and Yumelia Garica Students who participate in the Paris Ballet Summer Intensive or a national one approved by Paris Ballet and Dance are taken more seriously, and may have a better chance being considered during casting for special roles in productions. These students have proven their dedication and their commitment to self-improvement. See ad on page 32
The HAR
America's tuition-free profes
2018 Summer I
THE HARID CONSERVATORY June 25–July 20
The HARID Conservatory, in Boca Raton, Florida, was established in 1987 to provide superior professional training for gifted young dancers. Students from across the United States and from other countries are selected for enrollment through audition. Artistic talent and physical capability are the main criteria for admission. All students receive full tuition scholarships for study during the academic year. HARID offers high-school-age students comprehensive ballet training and an enriched academic education within a carefully supervised boarding-school environment. See ad on page 33
Summer Intensive auditions will be Visit www.harid.edu/audition
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Danz’n . Serving|Supporting|Promoting the Art of Dance . January/February 2018
Healthy Eating & Lifestyle /// Apple Cider Vinegaru
Apple Cider Vinegar to the Rescue!
For over 10,000 years, ACV has been used to rid the body of many inflammatory issues… “In 400 B.C. Hippocrates, The Father of Medicine, used ACV for its amazing natural cleansing, healing and energizing health qualities.”
reduces inflammation in the gut supports healthy alkaline pH levels eliminates acid reflux acts as natural antibiotic eases digestive issues prevents osteoporosis treats diabetes supports weight loss improves heart health
lowers blood pressure reduces high cholesterol levels eliminates candida overgrowth that causes yeast infections slows the aging process reduces headaches reduces dandruff treats athlete’s foot whitens teeth treats sinusitis
Ingestion of raw, organic, unfiltered ACV ‘with the mother’ meaning containing enzymes, proteins, and probiotics, dozens of minerals, amino acids, acetic acid, potassium and beta carotene promotes wellness and relief from a myriad of maladies like those listed above. ACV contains B1, B12, A and E, calcium, potassium, magnesium and other nutrients. Because of its acetic acids, ACV creates an environment where probiotics or the good bacteria and enzymes can thrive and survive. It’s antibiotic, anti-fungal, antiseptic properties can naturally alkalize the body and is believed to help to prevent cancer. January/February 2018 . Danz’n
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Apple Cider Vinegar /// Healthy Eating & Lifestyle
“Inflammation starts in the gut and all disease begins in the gut. Inflammation in the gut leads to discomfort in other areas of the body. Simply stated, acidity leads to inflammation. Inflammation leads to disease.” ~ Kate Celesta Corallo, The Kate Effect~
ACV aids in detoxification of the body, specifically the liver by helping improve the filtration system which in turn helps the circulatory system, boosting energy and improving the blood and skin. One dose of ACV and water will be break up mucus while cleansing the lymph nodes and improving the immune system.
• • • • •
------------------------Digestive issues, bloating, heartburn and gas can be curbed by taking this simple daily recipe:
Consuming more sour and fermented foods produces more alkalinity in the body. Eat more sour and less sweet. Holistic healers recommend this ACV recipe for Sinusitis. This recipe is not a substitute for your medical doctor’s advise. Always see your doctor for any sinus discomfort.
ACV for Sinusitis
------------------------
1/4 cup ACV 1 tablespoon honey 1 lemon 1 tablespoon cayenne pepper 1/2 cup water
Daily ACV Health Drink 1-2 tablespoons of ACV 8oz. glass of filtered water Add Manuka honey or maple syrup if you cannot tolerate the taste of ACV.
Pour the boiling water into your favorite mug. Add ACV. Stir in cayenne pepper and honey. Then add lemon juice. Add some grated ginger and turmeric.
This recipe may be taken 1-3 times daily in the morning, mid-morning, and mid-afternoon. -------------------------------------
-----------------------This tonic helps clear mucus to enhance breathing and may possibly keep the infection from becoming chronic. Capsaicin in the cayenne pepper reduces inflammation. Honey and lemon add anti-bacterial properties and a boost of vitamin C to help curb infection. Ginger and turmeric additionally aid in reducing inflammation in the nasal passages. Ahh…breathe!
ACV adds just the right level of acetic and lactic acids to the gut to relieve these uncomfortable issues. An acid-alkaline balance enhances the body’s natural pH for maximum efficiency. Keeping the body more alkaline will keep energy levels up and immunity high.
Now that you know the power of ACV, use it daily for wellness support.
Digestion can be enhanced by eliminating or reducing foods that are simple carbohydrates and highly acidic. Chronic inflammation begins in the gut and is triggered not only by simple carbohydrates, but also by proteins and grains high in gluten. Omega 6 fats such as sunflower and safflower oils that have been heated and oxidized and used in snack foods such as potato chips, create inflammation.
Writer’s suggestion: Use Bragg Organic - Raw - Unfiltered Apple Cider Vinegar with the ‘Mother’ - Unpasteurized and Naturally Gluten-Free.
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Alcohol, refined sugar, brown sugar, glucose, fruit concentrates, soft drinks, milk products and candy produce a high acidic level in the digestive tract.
Kate Celesta Corallo,
However, eating coconut sugar, dates, honey, sprouted grains, fermented foods like sauerkraut, herbs such as fennel, ginger, turmeric and licorice root aid in reducing inflammation in the body.
Nutrition, yoga, meditation, reiki,Essential oils www.thekateeffect.org |Twitter: #the_kate_effect | Instagram: @the_kate_effect facebook: The KATE Effect - balancing body, mind, soul young living essential, oils distributor # 1564335
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CN, RYT 500
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Danz’n . Serving|Supporting|Promoting the Art of Dance . January/February 2018
Personal Development /// Concern vs Influence
A Subject of Much Concern
In the 7 Habits of Highly Effective People, the late Stephen Covey presents a very valid concept referring to the effects of focusing on our Circle of Influence vs our Circle of Concern. That one decision can determine our level of success and sense of accomplishment in our lives.
Circle of Concern:
These are the things in our life we feel deeply about, they touch us, sometimes pains us when we see it happening around us; but we don’t have much, if any, influence on the outcome or have any say in how it is handled. Sometimes the issues are very serious ones; children literally starving to death in faraway countries, villages being destroyed in war and the citizens fleeing in the middle of the night to save their lives and that of their children. Very, very, sad and serious issues; but what can we really personally do to change their fate? Decisions being made by the government or your boss not performing the way you believe they should. Again, no real say in what and how things get done. On a much lighter note, what so and so posted to Facebook, Twitter and/or Instagram. These are all issues that are in your Circle of Concern. They concern you, sometimes they worry you, even anger you, but you don’t have the power or responsibility to bring any changes. This is not a circle you want to spend most of your time in. It will only upset you, frustrate you and make you feel powerless. Your stress levels and blood pressure go through the roof, while your Facebook friends continue to post whatever it is they choose to.
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Concern vs Influence /// Personal Development
CIRCLE OF CONCERN
CIRCLE OF INFLUENCE CIRCLE OF INFLUENCE
Circle of Influence:
If you’re having a tough time living mostly in your Circle of Influence, could it be that there’s some fear there? What are you afraid to confront? If things are in your control, are you afraid you will make the wrong decisions and then there’s no one else to blame but yourself? Is taking responsibility for what’s going on in your life too scary to deal with?
Exercise:
You should aim to increase your Circle of Influence while decreasing your Circle of Concern. When you focus on your Circle of Concern, nothing gets done. Your stress levels and feelings of helplessness rise. However, when you focus on your Circle of Influence, you spend time on things in which you can actually make a difference. This will give you the strength and empowerment to be proactive, effective, and efficient. Consequently, you will feel accomplished and successful. Ultimately, focusing on your Circle of Influence helps you live an intentional life of purpose.
Be careful not to place everything in your Circle of Concern. Saving the environment is a huge undertaking and no matter how much you want to save the planet, you are unable to bring a change by yourself. The big picture of saving the planet is in your Circle of Concern, however there are some things you can do, like recycling, using reusable bags, taking a glass or mug to work, instead of using plastic cups each time. Those small efforts are in your Circle of Influence, and that’s how you contribute to the bigger picture.
Choose your focus. Choose your life.
Includes everything that is in your control, that you have influence on, that you can personally make a difference in. The food choices you make at dinner time is in your Circle of Influence. Taking responsibility for your life, keeping your commitments and your promises to yourself and others are in your Circle of Influence. List all of the things that worry you, frustrate you, make you angry, sad, or happy, get you excited or eager. After each of these items, identify which ones are in your Circle of Influence and which ones are in your Circle of Concern? If you don’t know where each item belongs, ask yourself this question. Is there anything I can do about this that will bring a change? If the answer is yes, then it belongs in your Circle of Influence. If the answer is no, then it goes in your Circle of Concern.
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Live Daringly! Natasha Felix For a Free Circle of Influence Discovery session, you can reach out to Natasha Felix at https://goo.gl/2ziD7j or luminisinfo@gmail.com
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education///Financial Aid for College
Financial Aid Season for College Students is Here: What to Know
It’s not only football season. For current and incoming college students, it’s financial aid season, too, and that means completing the Free Application for Federal Student Aid (FAFSA). The FAFSA should be the first step families take in the planning-for-college process; it’s used by schools to put together financial aid packages, states use it to determine eligibility for state aid, and some scholarships require January/February 2018 . Danz’n
it as part of their applications. “Regardless of whether you think you will qualify for funding, don’t fumble by simply not completing the application,” says Martha Holler, senior vice president, Sallie Mae. By just completing the FAFSA, students can gain access to more than $120 billion
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in grants, work-study funds, and federal student loans. Sallie Mae is offering six key points to help families move the ball down the field this FAFSA season: • Get season tickets in advance. Complete the FAFSA as a high school senior — and every year in college, even graduate school.
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Financial Aid for College/// education
Having this information ready can expedite the process. • Don’t miss the opening kick-off. Some financial aid is awarded on a first-come, first-served basis, or from programs with limited funds, so the earlier families fill out the FAFSA, the better their chances for aid. Additionally, submitting the FAFSA earlier could mean receiving financial aid award letters earlier. Timing varies by school, so families should check with financial aid offices and school websites for specifics. • Go for the two-point conversion. Take advantage of the IRS Data Retrieval Tool to import and convert tax information directly into the FAFSA. After some critical changes were made to address privacy and security issues, the tool is back, and more applicants will be eligible to use it this year. • Watch out for trick plays. The only way to fill out a FAFSA is at fafsa.gov. Filing the FAFSA is always free, so watch out for sites that charge fees or make promises that sound too good to be true. Students can reduce the risk of identity theft by keeping their Federal Student Aid ID confidential and reporting any suspected fraudulent account activity immediately. • Don’t be a Monday morning quarterback. Completing the FAFSA earlier means receiving critical information like the Student Aid Report (SAR) sooner. The SAR provides basic information about student eligibility for federal student aid and answers to the FAFSA questions. The SAR also includes the Expected Family Contribution (EFC), which provides a clearer picture about eligibility for financial aid as families begin applying to colleges. Families who complete the FAFSA online typically receive their SAR within three to five days. • Make your final draft picks. Families should list at least one school on the FAFSA. Some state aid is based on the order of how schools are listed, so families should consider listing state schools first. For a full online playbook of tips and resources, visit SallieMae.com. Don’t drop the ball this season. Take steps to secure financial aid for your college future.
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It’s the only way to remain eligible for federal student aid, and the amount of aid can vary year-over-year.
• Review the playbook before the game. Before beginning the application, both parents and students should create a username and password, a Federal Student Aid ID, and gather Social Security numbers, driver’s license numbers, bank statements, tax returns and W-2 forms.
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Pursuing Your Passion is Fulfilling and Leads to Financial Freedom. ~ Robert G. Allen ~
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Danz’n . Serving|Supporting|Promoting the Art of Dance . January/February 2018
Reading Room /// The Spark
The Spark/// Reading Room
The Spark:
The Legacy that Changed the Dance World A love for the pure artistry of dancing is not something that fades. Excerpt of The Spark This book is for you, my wonderfully passionate, creative artist! You, like me, dreamed of being great dancers and in many ways we have continued to live that dream. You and I love the pure artistry of dancing and want to embody this passion in our lives, even if we’re no longer dancing professionally. Let’s really dig deep here for a moment and self reflect who are you now – why did you make the choices you made? What is stopping you now from living your greatest dream? I really didn’t know who I was when I left Pittsburgh Ballet Theatre. At that time I didn’t have a whole lot of money in the bank to pursue a degree in dance. And, really, who wants to sit in a classroom for four years of academia after a life of freedom, performing, and traveling? And then there’s the idea of learning how to teach from a ballet master. Where would we end the time? Once we’ve left the world of ballet companies or musical theater, our resources dwindle quickly, and waitressing (or whatever gig we can do at night) exhausts the body, so the next day we can hardly stand in ballet class for eight hours while we learn how to teach. If you were a celebrated principal in a ballet company, you almost want to leap to some other career entirely rather than reveal that although you are a superb artist, teaching feels daunting. You are overwhelmed by the prospect of teaching a myriad of ages, levels, and styles with all the layered complexities of this art and the ever-changing dance world of today. You may be in pain because you feel a bit kicked to the curb by the dance industry, like so many of us. We are left with no real basis for an income, no pension, just, “Oh, you were fabulous. Don’t let that stage door hit you in the derriere when you go... see yaaa!” Our beloved world of dance comes with many cruel, cold realities you probably never imagined you would be experiencing. Eventually, it comes down to this: you have a family, or children, or other responsibilities. Maybe you think you have to leave dance, the love of your life, and go do what the world is asking you to do to make the money necessary to provide a substantial living. I did that. I went into real estate, and I was surprised and stung to be judged for my art: “How could you be good in business, what www.DanznMagazine.com
could a dancer know about that?” For the most part, I was not taken seriously, so I didn’t talk much about dancing or my ballet company past. When you have to survive in this world as an artist with this kind of thinking, you may choose not to reveal the past 30 years of your life, like I did, since the evidential response is detrimental to you being able to make a living. But how long can you go on like that, with the pain of stuffing down your feelings and masking your true superpower? You feel like you wanna tear off your suit and just be who you were born to be on this planet, right? Let’s talk about “The Spark.” That inner light that makes you, YOU – and that is what you’re here to share! With our collective creative integrity and our authentic selves in place, whether as teachers of dancers or in any other vocation, we are capable of anything. Many of us return to the dance world after a hiatus spent in some other vocation. Some of us land a dream job heading up a large school where a company resides, and that can feel a little like being a deer in the headlights – now what?! However you came to teaching, you are likely struggling with developing a curriculum, because you can see that what’s being taught is not working either for the school or the students; you are not producing a nished dancer who is diverse enough to have the choice of where they would like to dance. Transitioning from dancer to teacher is a big responsibility, especially at the large-school level. It can sometimes feel like the dancer’s nightmare so many of us have experienced. You know the one, where you’re thrown into a new position or piece in a ballet with little or no rehearsal, have to rush to put your makeup on because you are already running behind, and then arrive on stage feeling anxiety- ridden because you barely know the choreography and there you are, performing in front of a live audience. Makes my heart pound just thinking about it! And yet this same kind of anxiety, of feeling befuddled and under-prepared, is very real for teachers and studio owners looking for tools to guide faculty and mentor hundreds of students. Being intelligent and resourceful, you know you need guidance, whether you have been elected to a position so many had been vying
43
to attain, or you are looking to take your dance studio to the next level. You know that in order to be a leader you must expand your knowledge base in order to create a real difference in this enormous body of work, the ever-changing performing arts. For those who get a degree in dance, the experience can be underwhelming, to say the least. I’m sorry to say that the academic world doesn’t teach what made you the passionate, accomplished, and diverse artist you have become. Too many dancers unlearn their artistry in the academic world, because the lessons we’re looking for are not on the stagnant pages of some textbook. Your answers are inside of you! You were born intelligent and intuitive, with a robust imagination and heightened sensory awareness that even now has nudged you to pick up this book!
--------/// ---------
In this book, we are going to take a journey of self- reaction, an experiential review of who we think we are today and what we believe about ourselves. I will introduce you to the many dimensions of intelligences that we possess naturally as dancers, attributes we’ve had all along but somewhere along the way lost. This bold new approach will show you how to be a resilient dance teacher, one who reawakens the passion and principles we all possess. The following chapters will help you discover your greatest potential as a teacher, and teach you how powerful you really are in this world. I am very excited to take you through the journey of this book. We are going to experience new transformative thoughts and feelings, develop ourselves emotionally and physically, and put intention into action. Purchase your copy of
The Spark Author: Cheryl Ale Founding Director: Revolutionary Principles of Movement (RPM) Book is available at: Pre-sale now available on Amazon !! https://www.amazon.com/Spark-LegacyChanged-Dance-World/dp/1683505891/ ref=nodl_
Danz’n . Serving|Supporting|Promoting the Art of Dance . January/February 2018
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Danz’n . Serving|Supporting|Promoting the Art of Dance . January/February 2018
Local Events /// CALENDAR OF EVENTS
Calendar of Events Miami, FL soMi DANCE FEST 2018 Saturday, January 13 8:00 pm For one night only, three dance companies will unite to present the community with an eclectic and moving evening of contemporary dance & dance theater. VENUE: Mandelstam DANCE in South Miami purchase online at: imeeonthemove.com/somimaster-class-series West Palm Beach, FL German Cornejo’s TANGO FIRE Sunday, January 14 at 8 pmPassion, precision and poise collide in choreographer German Cornejo’s sizzling Tango Fire. Alexander W. Dreyfoos, Jr. Concert Hall - Kravis Center West Palm Beach, FL 10 HAIRY LEGS January 19-20 Friday at 7:30 pm Saturday at 1:30 pm & 7:30 pm Celebrating the Artistry of the Male Dancer Despite an amusing name, the five principal dancers perform serious contemporary pieces that illustrate power and elicit emotion. Marshall E. Rinker, Sr. Playhouse Kravis Center West Palm Beach, FL CHICAGO THE MUSICAL January 19-21 Friday at 8 pm Saturday at 2 pm & 8 pm Sunday at 2 pmThis is a tale of fame, fortune and All That Jazz; one show-stopping song after another; and spectacular choreography. Alexander W. Dreyfoos, Jr. Concert Hall - Kravis Center Boca Raton, FL HARID CONSERVATORY AUDITION NOTICE BolshoiBalletAcademy BBASI 2018: NEW AUDITION SITE! We are excited to announce that we will be holding an additional audition in Boca Raton, Florida! When - Saturday, January 20, 2018 Where - The HARID Conservatory, 2285 Potomac Rd, Boca Raton, FL 33431 Ages 9-14: 2:30 PM - 4:00 PM January/February 2018 . Danz’n
of DC, Rosanna Tavarez of CA, and Crystal Edwards of FL. Also featured is a solo from the 1920s by pioneer of modern dance, Ted Shawn, as re-staged by Historical Modern Dance Specialist Jack Clark. Venue: Cook Theatre, 5555 N Tamiami Trl Tickets: $10-$49 Contact info: 941-345-5755 Contact: Leymis Bolaños Wilmott Email:info@sarasotacontemporarydance.org Website: info@sarasotacontemporarydance.org
Ages 15+: 4:30 PM - 6:00 PM Russian American Foundation | 1560 Broadway Suite 500 New York, NY 10036 | 212-687-6118 ext. 207 | asundelson@russianamericanfoundation. org | www.BolshoiBalletAcademy. com Palm Beach Gardens, FL MASTER CLASS with WENDY WHELAN Ballet Palm Beach Jan 22, 2018, 5pm Ballet Palm Beach will host a master class by Wendy Whelan, former NYC Ballet principal dancer. VENUE: Ballet Palm Beach, 10357 Ironwood Road Palm Beach Gardens, FL 33410 TICKETS: $25, reserve by phoning the studio at (561) 630-8235 and providing credit card payment information. The class will be held on Monday, January 22, 2018, at 5 p.m. at the studios of Ballet Palm Beach at 10357 Ironwood Road, Palm Beach Gardens, FL, 33410. Contact info: (561) 630-8235 Contact person: Michelle Beata Contact email: school@balletpalmbeach.org Box Office: (561) 630-8235
Sarasota, FL Moving Identities The Sarasota Ballet 26 – 29 January 2018 FSU Center for the Performing Arts Airs (Company premiere) Choreography by Paul Taylor Music by George Frideric Handel Valsinhas Choreography by Ricardo Graziano Music by Franz Schubert Troy Game Choreography by Robert North Music by Bob Downes Sarasota, FL CARMINA BURANA in Motion Sarasota Contemporary Dance Saturday February 3rd 4pm Sunday February 4th 7:30pm Fickleness of fortune and wealth, the ephemeral nature of life, and the pleasures and perils of drinking, gluttony, gambling and lust – this dramatic cantata has it all! Venue: Church of the Palms 3224 Bee Ridge Rd. Tickets: https://www.choralartistssarasota.org/tickets Contact info: 941-345-5755 Contact: Leymis Bolaños Wilmott Email: info@sarasotacontemporarydance.org Website: info@sarasotacontemporarydance.org
Miami, FL MIAMI INTERNATIONAL BALLET COMPETITION January 24 - 28, 2018 The Miami International Ballet Competition creates an opportuniyt for dancrs from different cultures and countries to share their knowledge and passion for dance. Ages 9-25 Venue: Julius Littman North Miami Beach Performing Arts Theater www.Mimibc.com Email: info@mimiIBC.com Sarasota, FL
West Palm Beach, FL
Dance Makers Sarasota Contemporary Dance Leymis Bolaños Wilmott Thursday January 25th, Friday January 26th, Saturday January 27th 7:30pm Sunday January 28th 2:00pm This performance will be the main event of the season, featuring new imaginative dance pieces by nationally acclaimed contemporary choreographers Millicent Johnnie of Brazil, Lucy Bowen McCauley
CABARET February 6-11, 2018 Tuesday, Thursday, Friday at 8 pm Wednesday, Saturday at 2 pm & 8 pm Sunday at 2 pm Welcome to the infamous Kit Kat Klub, where the Emcee, Sally Bowles and a raucous ensemble take the stage nightly to tantalize the crowd – and to leave their troubles outside. VENUE: Alexander W. Dreyfoos, Jr. Concert Hall.
. Acknowledging Your Dedication to Dance!
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Tickets start at $28 Beyond the Stage: Join us for a free pre-performance talk by Steven Caras at 6:45 pm on Feb. 6. West Palm Beach, FL CONTRA-TIEMPO Urban Latin Dance Theater February 9-10 Friday at 7:30 pm Saturday at 1:30 pm & 7:30 pm Exhilarating and expressive, Contra-Tiempo combines salsa, Afro-Cuban and contemporary urban and abstract dance theater to create physically intense and politically astute performances. Marshall E. Rinker, Sr. Playhouse Kravis Center Fort Lauderdale, FL UNIVERSAL BALLET COMPETITION February, 16 -18 Miramar, FL The Premier Ballet Competition bridges exceptionally talented dancers with quality dance education, opportunities in dance, and professional carers. A Celebration of Dance Gala includes professional guest artists. universalballetcompetition.com West Palm Beach, FL URBAN BUSH WOMEN HAIR AND OTHER STORIES Friday, February 16 at 7:30 pm Saturday, February 17 at 7:30 pm Bold, empowering and fierce, Urban Bush Women earned widespread acclaim for their innovative pieces that explore all aspects of the African diaspora. Marshall E. Rinker, Sr. Playhouse Kravis Center Palm Beach Gardens, FL Gatsby Ballet Palm Beach Sat, Feb 24 at 2pm and 7:30pm Sunday, Feb 25 at 4pm Set in the Roaring Twenties, the tragic tale is told through the eyes of Nick Carraway who moves next door to the enigmatic Jay Gatsby. Gatsby lives the American dream yet is missing one thing- his sweetheart Daisy, now married to another… Tickets: $19-$65 Benjamin Hall at The Benjamin School, Palm Beach Gardens, FL Contact: Dan Harris: 561-8415598 bpbboxoffice@gmail.com www.DanznMagazine.com
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AUDITION for FOUR COMPANIES Serious High School, College & Conservatory Dancers
in One Great Workshop
5-week intensive workshop • July 2, 2018 – August 5, 2018
Classes with these Directors... PLUS other fantastic faculty! Only 32 Dancers Accepted
Peter Boal Pacific Northwest Ballet
Douglas Martin American Repertory Ballet
Victoria Morgan Cincinnati Ballet
Gil Boggs Colorado Ballet
Photo by: Silvia Pangaro
BUT WAIT, THERE’S MORE!
Participants will perform with New York City Ballet Principal Dancers, Megan Fairchild and Gonzalo Garcia. The workshop culminates in full-length production of Coppelia, featuring these amazing guest artists! Faculty & Guest Artists subject to change
for Workshop Audition Information
BocaBallet.org • (561) 995-0709 Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, Florida Arts Council and the National Endowment for the Arts.
Artistic Directors: Dan Guin & Jane Tyree