s Daniel Kis
rtficowlioro poad e r ks u t c e em it ac arch
2010-2016
1
about me Daniel Kiss Hungary 2000, Szentendre, Pismรกny str. 32. k23daniel@yahoo.com +36 30 966 03 28
education
2013-16 | Master of architecture, University of West Hungary, Institute of Applied Arts 2010-13 | Bachelor of architecture, University of West Hungary, Institute of Applied Arts 2009-10 | Corvin Drawing School, Budapest 2008-09 | Montázs Rajzstúdió, Budapest 2003-09 | Alternatív Közgazdasági Gimnázium, Budapest experience
2016 |Hello Wood, Budapest 2015 | MORFO Architecture & Design, Szombathely - Interior designer 2013/2015 | Modelart, Sopron - Model making study tour
2016 | Venice Architecture Biennale 2015 | Salone de mobile, Milano 2014 | Campus Hungary scholarship- Los Angeles, Ca, USA (3 months) 2012 | Venice Architecture Biennale events
2012-16 | Re-founder member of the WorkShopron Artistic Student College 2015 | AmiZoom Exhibition of the Art Camp of first year students - leader, 2015 | AmiZoom Art Camp, Orfalu, Vendvidék - leader, photographer 2015 | Sections of USA, photo exhibition of the 3 months scholarship - exhibitor 2014 | Amihangszer Art Camp, Orfalu, Vendvidék - leader, photographer 2013 | Na mi a helyzet? Exhibition of the Art Camp - leader 2013 | Amihangszer Art Camp, Orfalu, Vendvidék - leader, photographer Amihangszer Art 2012 | Camp, Keserűszer, Őrség - leader 2012 | AMInvázió Exhibition, Sokszem Galéria, Bp. - organizer, exhibited works 2012/2014 | Venice Architecture Biennale, Hungarian Pavilon, exhibited work language
2009 | English Intermediate „B” type exam Hungarian - native computer skills
Archicad, Artlantis, Rhinoceros 3d + Vray, Adobe Photoshop, Indesign, Illustrator, Premiere Pro, Resolume Arena, Ableton Live other
photography, cinematography, sound production, video mapping community organizing, event organizing
contents architecture competitions sculpture studies experimentations photography
architecture
Thesis Work: Aliquam Campus building for studios Homeless shelter Visitor Center competitions
Falco pavilion Budapest Box sculpture
Facade Torso Spatial Nexus experimentations
3D Projection - Roman ruins, Sopron 3D Projection - Russ Villa, Sopron AMIHangSzer Art Camp photography
The Blueshift Architectural photography
COAL LOADER
SOUND
SOUNDARCHITECTURE
SILENCE
LANDSCAPE
•
ESZTERGOM
ATMOSPHERE
SHIP CEMETERY
HYDROSPHERE LANDSCAPE ARCHITECTURE
SPACE
FLOATING PAVILION
NOISE
BUILT ENVIRONMENT
SEASONAL
REUSE OF A CONSTRUCTION
CHOREOGRAPHY
LOCATION
PERFORMANCE SPACE
PERFORMANCE ART
FEHÉR ÚTI LAKE
•
AMBIENT
ABSTRACT SPATIAL USE
SOPRON
thesis work aliquam
My thesis work covers an exploration of the invisible energy fields, relating to architecture itself and daily common problems as well. Working with a deep analyzing attitude towards the spatially perceiving and experiencing human being, besides explore the auditive and psychological aspects and effects of the architectural space. The interaction between sound and architecture methodizes several configurations, which are presented in different intepretations, through the cognitive-explorative path.
6
TOUR
USEAGE
MEDIUM
ACOUSTICS
PILISMARÓT
SOUND AND MAN
SOUND ENVIRONMENT PERCEPTION
MOBILITY
•
LOCOMOTION
DANUBE
STAGE DESI
• HUNGARY
IGN
Y
CONSTRUCTION
DEPLOYABLE STRUCTURE
ORIGAMI
LOTUS
BIOMIMETICS
OBJECT
RESPONSIVE
INSTANT
NOISE POLLUTION
EVENT
STREAM SPACE
AURAL SPACE
APPLICATION ATTRIBUTION INSTALLATION MODE
MOVEMENT THEATRE
HYDROPOWER
TENSILED MEMBRANE
DUNA
ON WATER ADAPTAION
•
PORTAL
INTROVERT
BUDAPEST
We live in an age over-receiving information, where most of the
MEDITATIVE
DISTRACT
DRAMATURGY
PERFORMANCE
FLOATHING
is resonating, moreover we are emitting resonance also. These
circulated impulse is apprehended in a generated and in a mostly vibrations are specified in different spreads and amplitude, so the digital way, as a huge set of information. The amount of the
most of the living things around us can be coded with frequency.
arriving information is more that we can perceive, however only
Entering into an architectural space, we are immediately adapting
very few pieces of information can be concerned as relevant.
to the environment empirically, thus it effects us unconsciously,
Basis of my proposition details the noise pollution of the built
depending on the quality of the spatial performance, We hear,
environment and the ignored acoustic factors of architecture.
we see and perceive, then react to it with different forms of
Basically, we experience, identify and inhale space with our sense
behaviour. My intention is to draw attention to this perceptional
organs. Then, these impulses effect us psychologically, which
problem, throughout my work I react to these phenomenons in
results in feeling well or bad in a certain space. The environment
an architectural context while analyzing several aspects.
7
HYDROP
MOVEMENT THEATRE
USEAGE
the lake, the concept is focused on the SOUND AND MAN
STAGE DESIGN
PERFORMANCE SPACE
LOCATION
BUILT ENVIRONMENT
MEDIUM
ORI
APPL
N
ACOUSTICS
NOISE
SOUND ENVIRONMENT
DANUBE, HUNGARY
E
NOISE
ACOUSTICS SPACE
ATMOSPHERE
CONSTRU
•
locomotion, temporality, furthermore using
LANDSCAPE
SOUND
contains the actuation of the construction,
CONSTRUCTIO
DEPLOYABLE STRUCTURE
COAL LOADER
DEPLOYABLE STRUCTURE
TOUR
TOUR
the concept follows from its usage, which
SILENCE
ESZTERGOM
PERCEPTION
REUSE OF A CONSTRUCTION
PILISMARÓT
ed from its temporality. The guideline of
NDARCHITECTURE
•
but the mode of the adaptation is proceed-
the space in variable modes.
HYDROSPHERE LANDSCAPE ARCHITECTURE
SOUND ENVIRONMENT
planned to be enviromentally fitting.
AMBIENT
lake. To emphasize the temporary use of
PERFORMANCE ART
in order to keep the untouched of the
space. The site of the deployment is
The site does not fit into its surroundings,
LOCOMOTION
CHOREOGRAPHY
SOPRON
• FEHÉR ÚTI LAKE
LOCATION
space, the deployment should be limited,
mobility and the variability of the built
Locomotion.
ABSTRACT SPATIAL USE
ABSTRACT SPATIAL USE
APP
OR TOUR
AMBIENT PERFORMANCE ART
REUSE OF A CONSTRUCTION
SEASONAL
PERFORMANCE SPACE
FLOATING PAVILION
In the course of designing in a natural
MOBILITY
PILISMARÓT
• SHIP CEMETERY
MEDIUM
Temporary | Locospecific.
BUILT ENVIRONMENT
SOUND AND MAN
ATMOSPHERE
LANDSCAPE
SILENCE
DEPLOYABLE STRUCTURE
FLOATING PAVILION
USEAGE
CONSTRUCTI
REUSE OF SEASONAL
PILISMARÓT
• SHIP CEMETERY
MOBILITY
HYDROSPHERE LANDSCAPE ARCHITECTURE
SHIP CEMETERY
SOUNDARCHITECTURE
ESZTERGOM
SEASONAL
ESZTERGOM
•
FLOATING PAVILION
•
FEHÉR ÚTI LAKE, SOPRON
COAL LOADER
MOBILITY
COAL LOADER
HYDROSPHERE LANDSCAPE ARCHITECTURE
CHOREOGRAPHY
REUSE OF A CONSTRUCTION
PILISMARÓT
SEASONAL
USEAGE
8
ATMOSPHERE
consol structure above the water.
LANDSCAPE
CHOREOGRAPHY
ment and able to extend itself to a
SHIP CEMETERY, PILISMARÓT
•
FLOATING PAVILION
deploy itself from the cargo compart-
SHIP CEMETERY
MOBILITY
I imagine a kind of structure, which can
SILENCE
dominate object of the landscape.
SOUNDARCHITECTURE
USEAGE
loader is showing up as an absurde and
cemetery as a base, this spot could be the starting point of the locomotion.
SOUND AND MAN
SOUND AND MAN
HYDROSPHERE LANDSCAPE ARCHITECTURE
ESZTERGOM
and timeless environment around the coal
In case of using one barge of the ship
MEDIUM
•
ATMOSPHERE
makes the atmosphere mystical. This unique
.
SOUND ENVIRONMENT
LANDSCAPE
COAL LOADER
SILENCE
SOUND ENVIRONMENT MEDIUM
Userspecific.
It is a very strong appearance visually, which
PTION
UNDARCHITECTURE
ON
COAL LOADER, ESZTERGOM
Atmosphere of an art piece.
•
APP
CHOREOGRAPHY
the designing of the construction. The kinetic performance of the object is SOUND AND MAN
HYDROSPHERE LANDSCAPE ARCHITECTURE
based on the conception where the artificially created water - human - urban connections melting into one substance.
TOUR
DEPLOYABLE STRUCTURE
MEDIUM
ATMOSPHERE
CHOREOGRAPHY
•
REUSE OF
PILISMARÓT
SEASONAL
USEAGE
FLOATHING
9 N
•
SHIP CEMETERY
FLOATING PAVILION
Furthermore, it proves the significance of
CONSTRUCTIO
ORI
APPL
HYDROPO
ABSTRACT SPATIAL USE
DEPLOYABLE STRUCTURE
USEAGE
LANDSCAPE
MOBILITY
TOUR
AMBIENT
of using Danube as an urban space.
SILENCE
ESZTERGOM
REUSE OF A CONSTRUCTION
sive behavior highlights the existence of urban noise pollution with audio-visual
CONSTRU
SOUND ENVIRONMENT
PILISMARÓT
NDARCHITECTURE
•
one construction. The ability of respon-
relations between man and water.
USEAGE
SEASONAL
energy functions as an essence during
performance of the event are all part of
methods. This is an alternative form SOUND AND MAN
FLOATING PAVILION
empiric values, where the urban nascent
ESZTERGOM
SOUND AND MAN
PERFORMANCE ART
REUSE OF A CONSTRUCTION
PILISMARÓT
SEASONAL
HYDROSPHERE LANDSCAPE ARCHITECTURE
•
PERFORMANCE SPACE
MOVEMENT THEATRE
DANUBE, BUDAPEST
built on mobile principles, based on
•
ATMOSPHERE
MEDIUM
LOCATION
FLOATING PAVILION
SHIP CEMETERY
MOBILITY
SOPRON
STAGE DESIGN
MEDIUM
I create a network of ideas, theoritically,
FLOATING PAVILION SEASONAL The position, userMOBILITY dramaturgy and the
HYDROSPHERE LANDSCAPE ARCHITECTURE
SOUND ENVIRONMENT
CEPTION
LOTUS
Offbeat.
SHIP CEMETERY
LANDSCAPE
BUILT ENVIRONMENT
ATMOSPHERE
SHIP CEMETERY
Responsive. COAL LOADER
SILENCE
NOISE
LANDSCAPE
•
SILENCE
CHOREOGRAPHY
LOCOMOTION
SOUNDARCHITECTURE
FEHÉR ÚTI LAKE
USEAGE
ABSTRACT SPATIAL USE
become a noisy and unpleasant medium. COAL LOADER • ESZTERGOM
PILISMARÓT
point of view of the adaption of space.
MOBILITY
SOUNDARCHITECTURE
urbanistic nature, moreover an emerging
SOUND ENVIRONMENT
ACOUSTICS
AMBIENT
ception. In our common knowledge, it has
OR
ior on the water - hydrospace - within its
The Danube runs across the city, and
but the intense traffic eliminates this per-
REUSE OF A CONSTRUCTION
SOUND
connection with the architectural behavPERCEPTION
SPACE
SOUND AND MAN
PERFORMANCE ART
HYDROSPHERE LANDSCAPE ARCHITECTURE
PERFORMANCE SPACE
ESZTERGOM
transportion aspects. The exploration is in
adaptation to the urbanistic space.
Often, we associate calmness with water,
DEPLOYABLE STRUCTURE
sions, according to functionality and
path of the construction, shows its
hydrospace becomes a border surface.
TOUR
method enables to extend its dimen•
ATMOSPHERE
MEDIUM
LOCATION
divides it into Buda and Pest, while the
ing. The biomimetic mode of the folding
COAL LOADER
LANDSCAPE
BUILT ENVIRONMENT
The programmatically formulated hydro
The ability of locomotion and selfextendCOAL LOADER
SILENCE
NOISE
SOUND ENVIRONMENT
ACOUSTICS
Urbanistic.
CONSTRUCTI
UNDARCHITECTURE
ON
CE
D
CONSTRUCTION
Kinetic.
This design scheme lets the ground-space expand, by the way of its folding properties, furthermore, several use of space is presented in the expanding and contracting performance. The variations of deploying the object, gives different alternatives of setting up a multidisciplinary performing arts scene.
10
SPACE
SILENCE
LANDSCAPE
ACOUSTICS
NOISE
•
LOCATION
MEDIUM
ATMOSPHERE
FEHÉ
PERFORMANCE
HYDROSPHERE LA
ESZTERGOM
BUILT ENVIRONMENT
SOUND ENVIRONMENT
SOUNDARCHITECTURE
PERCEPTION
SOUND
COAL LOADER
LOTUS. CONFIGURATION OF A RESPONSIVE DEPLOYABLE FLOATING OBJECT
11
FLOATHINGS
12
13
14
The design of a responsive spatial structure on the Danube area of Budapest. The aim is to reconnect the river to the city with different types of floating adaptations as well as to find a new opportunity to let the river become a public urban space with the presentation of deployable structures on the water. Previously arisen attributes, namely, the temporary using, the adaptation to the urban area and more solutions are all part of the constructions leading to the creation of valuable social events.
15
The location of the event is not static but been organized in a network of floating objects on the Danube. One of them is mobile, so the aim of the performance is composed as a journey. The starting point is located alongside the Margaret bridge, where a portal is created for mentally and emotionally preparing the visitors for the experience.
16
PORTAL TRANSITION
DOCK
LOTUS
17
campus building for studios Location: Sopron, Hungary | Project year: 2014 I designed an architectural expansion for the campus of our university, the Institute of Applied Arts. The strictly designed timber framing gives spaces for a unique use of working and community areas.
18
19
közösségi tér / kiállítótér
előadó
lounge
előadó intézegazgató
tárgyaló, fogadó
wc
wc
0.500
tároló / raktár
14,200
0,080 0,080 2,500
0,900
könyvtár
tanulmányi osztály
1,700
3,000
2,500
1,000 0,080
akciótér
7,500
Renderfarm Szerverfarm
15,200
0,150
0,150
2,300
0,600
sokszorosító grafika
olvasótér
21,200
Modellező
2,700
8,000
Raktár
6,400
3,500
3,500
9,000
A
lounge
művészellátó nyomda
fogadótér
terasz
szendvicsbár
1,300
8,300
6,300
1,400
5,600
8,100
2,400
38,000
B
3,600
Alkalmi előadó
20
C
D 0,500
1,660
5,500
5,000
5,000 29,500
5,000
5,000
1,930
D
C
The expansion stays separated from the existing building, in consequence the connection between them is designed in a form of a court The concept allows the court to be the part of the campus, where the students can spend their time with study, work or just relax.
Renderfarm Szerverfarm Stúdiótér
The ground floor contains the foyer and a community area, plus an open space for
Raktár
workshops. There are more open studios
B
located on the upper levels, which can be rented by design studios permanently.
A
Teakonyha
Stúdiótér
D
C
21
22
23
24
25
26
27
homeless shelter Location: Sopron, Hungary | Project year: 2015 Sopron has a low number of homeless people, still there is a official accomodation maintained for them, where they can stay and eat, for a solid fee, in case of registering on a daily basis. Having one fixed condition: lack of space, my concept is to design a low budget, lightweight construction, where the needy people can live a more habitual life.
28
29
gépészet Mosókonyha
A: 13,596 m2
A: 11,603 m2
H H
Fészer / Tár H H
oló Műhely A: 44,419 m2
Terasz A: 24,094 m2 Melegítő Konyha / Étkező
H
T
A: 26,959 m2
Nappali melegedő A: 37,563 m2
Fogadótér
Gépészet
A: 17,497 m2
A: 7,751 m2
0,2 50
2 2,3 ,800 00 0,2 50
Női Menedék Szállás
0,2 50
A: 45,262 m2 Iroda A: 9,206 m2
6,9 00 7,4 00
Férfi Menedék Szállás
0,2 50
A: 133,185 m2
30
H
H
H
The one story building follows the geometry of the property line, which creates a court in the center of the site. The architectural concept is based on the idea of motivate the homeless people to socialize with each other and start to live a desirable life again. Accordingly, the community and private areas are designed with the aim of architectural balance.
There are three different types of living modules, the daily - a large common space to sleep - the monthly accomodation - rental apartments - and the third that has more comfortable private space for the already employed.
31
12,230 3,300
0,100
3,300
0,100
2,480
0,100
2,480
0,180
0,800
1,700
0,800
0,100
0,600
két személyes átmeneti szállás
1,080
0,800
0,100
egy személyes átmeneti szállás
H
1,080
0,600
egy személyes átmeneti szállás
H
H
0,180
0,500
0,670
1,000
2,400
1,000
0,670
0,950
0,550
1,000
1,200
1,000
0,550 0,380
0,180
0,250
0,980
H
0,800
5,200
0,100
4,700
0,800
0,050 0,540 0,390
1,700 két személyes átmeneti szállás
0,750
0,800
2,000
0,250
0,180
+3,000 +2,600 +2,100
+0,800
±0,000
32
33
34
35
visitor center of sopron Location: Sopron, Hungary | Project year: 2013 The great past of Sopron demands a common space where its historical values are projected as an exhibition or installation. The center is located in a suburban area, next to the Roman Amphitheatre ruins, on a hillside. The concept was to create a portal for the amphitheatre area, which is incorporated in a folding-like structure, adapted to its sloping environment.
36
37
The architectural concept was to create with the idea of determining the visitor’s route through the building till the amphitheatre. The center is approachable from South, entering on a ramp, continouing into two kind of interior side by side, where the exhibition and the lounge take place. The exit
B
ends North arriving at the amphitheatre.
54,571 13,227
15,018
23,767
B2
2,561
2,40
2,40
-0,300
1,72
2,85 0,41
2,56
5,00
0,10 Raktár 15 m2
3,40 Női WC 10 m2
0,10 2,50 Férfi WC 7 m2
0,10
14,64
-0,30
8,50
0,41
0,10
0,43
Gépészet 23 m2
8,00
5,60
0,10
0,10
0,43
3,00
3,43 7,50
±0,000
A Kiállítótér 138 m2
7,00
Kávézó 80 m2 1,72
4,30
A
1,80
1,80
0,41
1,80
B2
1,72
B
0,41
-0,600
38
39
40
41
42
43
falco pavilion Location | Szombathely, Hungary Project year |2014 Client | Falco Wood Industry Our university is in contact with Falco Wood Industry, who produces commodity for furniture and interior applications. An exhibition was organized which presented the new collection of the chipboards. Our project was to design a pavilion using the pieces of this new collection. It showed the new trends with some spatial experience for the partners and for those visitors who had been already attended the exhibition.
44
45
46
47
budapest box Location: Budapest, Hungary | Project year: 2015 A competition had been announced for designing stand-units for the Christmas fair in the heart of Budapest. The major aim of the project was to create visually organic units which can be connected to each other while extending their dimensions to develop a Christmas village. Additionally, the modular design system becomes easy to transport as well as flexible for several structuring variations,
48
49
50
+271
+179
+109
+0,00 -
51
52
53
facade torso Location: Sopron, Hungary | Project year 2013 The cityscape of Sopron is still a unique treasure with its two thousand years of architecture history. Sadly many parts are demolished with the exception of a few inconspicous elements that are still noticeable on the facades. In the 17th century a large conflagration did a huge damage to the gothic style buildings. The elements of the facade were walled up and the renovation was progressed in baroque style. During the II. World War, Sopron was damaged by several bombs and these hidden gothic elements
54
appeared again by the crashed down facades.
The historic preservation focused on renovating with keeping the original medieval window openings. Nowadays if one visits Sopron, one definitely discovers this conventional atmosphere among the hidden stories of the oldtown.
The aim of the project was to introduce the hidden gothic elements of facade in torso sculptures made of gypsum. Especially, I focused on the narrow gothic style openings hidden behind the baroque style facades.
55
spatial nexus Location: Sopron, Hungary | Project year: 2013 In Sopron people have been living for more than two thousand years in the same place. The story of the buildings is continuously changing throughout the ages, yet this whole progress can be reviewed in the present by observing the current status of the city. The gypsum sculptures were intended to visually describe the spaces of the oldtown and the urban atmosphere including historic values.
56
57
3D projection | roman ruins Location: Sopron, Hungary | Project year: 2014 I have a stong interest in other aspects of understanding architectural space. I took part in the creation of audio-visual perfomances with a deep experimental approach. This projection took place at an ancient Roman environment in Sopron. The mapping projection was based on three differently angled surface of the place, including two sides of the medieval bailey and the Roman house ruins.
58
59
3D projection | russ villa Location: Sopron, Hungary | Project year: 2013 The Russ Villa is an old deserted house, located in the inner city of Sopron, yet in a hidden position, in the middle of a block. An event was organized to open this isolated property to the public for a day, with interactive programs that shed light on the potential values of the area. In order to find the atmosphere visually more impressive, we organized a projection on its facade, in an analog way with an overhead projector reflecting the mesmerizing floating of ink and oil.
60
61
amihangszer art camp Location: Orfalu, Hungary | Project year: 2012-16 The title AMIHangSzer is the official name of the art camp of first year students, which was organized by us, in the fabolous natural environment of VendvidĂŠk country, Orfalu. The aim of the camp is to establish a community, which they become a valid part of and active members afterwards. During the camp it is a tradition to build a pavilion together, as a common area, where events, workshops are organized, with a video projecting during the evenings.
62
63
the blueshift As if the ink flow can be projected to a facade, it can also be a macroscopic scale. This photography experiment is about 70x blow up on mixed liquids, such as ink, oil and soap in artificial light and in sunlight. The refraction of the light on the transparent liquids have the major role of this photoshoot.
64
65
66
67
view of hollywood
los angeles, california usa
2014 68
photography architecture landscape spatial textures
69
amsterdam the netherlands
2016
70
los angeles
california, usa
2014
71
london united kingdom
2015
72
73
venice italy
2016
74
florence italy
2016
75
new york, manhattan usa
2014
76
amsterdam the netherlands
2016
77
rotterdam the netherlands
2016
78
london united kingdom
2015
79
london united kingdom
2015
80
81
florence italy
2016
82
new york usa
2014
83