Daniel Sanarko Portfolio Architectonic Collections

Daniel Sanarko

architectonic collection

Table of Contents

Title Page

Table Of Contents

CV | Resume

The Serpentine Gallery Theatre

Technological Explorations

The Resonance Museum

1 2 3 4-15 16-27 28-45

Resume

Biography Experience

Currently enrolled for Part-time studies at the University of Sydney studying for a Bachelor of Architecture and Environments

My passion for architecture and graphic design stems from both the creative and conceptual elements of the field. As an avid learner, I am always searching to grow and broaden my skill-set personally and within the creative realm.

I have a keen interest in architecture, graphic design and illustrative media communications.

Skills

• Verbal Communication Skills

• Diligence in Attention to Detail

• Outstanding Work Ethic

• Visual Media Communication

• Proficiency Across Adobe Suites

• Highly Skilled with Modeling Software

• Highly Skilled with Rendering

Software

2015 | Volunteer Karate Instructor

2018 - 2020 | Bartender at The New Brighton Hotel Northern Beaches Secondary College Balgowlah Boys Campus

2020 | Bartender at Manly Wine

2020 - Present | Full-Time Student

2021 - Present | Freelance Graphic Designer

2012 - 2014 St. Gregory’s College Campbelltown

2020 - Present

University of Sydney

Education

daniel@sanarko.com 0410012588

2015 - 2017 Contact

14b Boronia St, North Balgowlah 2093 @san.archo https://www.linkedin. com/in/daniel-sanarko in

London W2 3XA, Kensington Gardens, United Kingdom

51.5046° N, 0.1751° W

Situated amidst the pre-existing contemporary art havens of the Kensington Gardens, United Kingdom; this project aims to enrich the creative culture of the area by providing an architectural housing for the performing arts in this ‘Serpentine Gallery Theatre’.

The “small theatre” housing a 100-person audience, features a black box performance space inclusive of backstage areas, back of house open floor plan, transition to light spaces, and a large foyer area inclusive of a restaurant, bar, concession stand, entry ticket-booth and restroom facilities.

The undertaking of this project prioritised material selection and arrangement as a focal point to informing the process of design.

The material catalogue exercise was utilized to examine real world applications and uses of materials, their connections, and different states, finishes and variations. Stone and reinforced concrete are chosen for their respective qualities of grandiose permanence, foundational strength, and versatility of application.

Long Section

This long section presents the journey of access

Visitors are guided along the illuminated concrete admissions booth through which they will be afforded

The parametric open façade allows for plenty of natural light and between the picturesque external environments and the architectural

Passage through to the ‘tiny theatre’ is offered emerge into the windowless black box theatre,

access for both visitors, staff, and performers.

gardens where they are greeted by staff at the afforded access to the open space foyer and atrium. and cross breezing to infiltrate the structure,blurring the lines architectural fortitude this large stone-clad space provides.

through the light lock through which visitors will theatre, illuminated, and curated by LED back lights.

Staff and Performers will be offered backstage passage, with the exterior back entrance leading to a buffer space where they can either enter the backstage area on the same level or travel down the access ramp to the Back of House Basement area, fitted with a kitchenette, staff restrooms, changerooms, dressing tables, and a resting lounge as well as prop storage and mechanical spaces.

Interior Perspective Render

Interior Perspective Render

Exterior Perspective Render

Technological Explorations

The following segment is a collection of exercises aimed to explore and visualise building technologies used in provided case studies. The case studies contextualise the existing buildings with accompanying 2D architectural drawings. The task to then visualise and interpret these drawings into 3D axonometric designs, detailing connections and arrangements, was practiced increasing proficiency of architectural language and understanding.

Tectonic of Stone and Brick Study

Tectonic of Stone and Brick analysis examines the intricate stone placement and form of a retrofitted hotel in former sugar factory in Yangshuo

Alila Yangshuo Hotel |Guilin, China| 2017 | Vector Architects

Axonometric Hand Drawing

30 mm steel lattice painted substructure 40 x 40 mm galvanised square steel tube

350 x 120 x 96 mm Baisha marble block with 20 mm diaeter hole drilled in middle

442 x 150 x 150 mm hollow concrete block with 20 mm diameter grooved cut in side (wall thickness 25 mm)

20 m diameter reinforcement steel

450 x 258 x 120 mm precast concrete element consisting of: 90 mm reinfoced aerated concrete 50 mm thermal insulation 20 mm sealed cement mortar 150 mmreinforced concrete slab

Insulated Glazing of 8 mm toughened white glass with 12 mm cavity, 6mm toughened glass and steel frame 20 mm plaster base board, mesh reinforced, white textured, coated 30 mm back ventilation space 30 mm thermal insulation 150 mm lightweight concrete blockwork

40 x 20 mm bamboo slats, 69 mm apart 40 x 40 mm galvanised square steel tube

1.5 mm galvanised steel sheet 50 mm mineral wool thermal insulation 200 mm diametre rainwater pipe

Week 2 Case Study 3

Tectonic of Reinforced Concrete in Complex Architecture

Mixed Officce and Residential Block | Kassel, Germany | 1999 | Alexander Reichel, Kassel/Munich Assistants

Tectonic of reinforced concrete studies architectural forms of Case Study 2’s 1999 office and residentail block in Kassel, Germany.

Axonometric Hand Drawing

window element made of larch wood and finished with clear lacquer coating

12mm glass spandrel panel with toughened safety glass

Facade cladding panels made of 30 mm glass fibre reinforced concrete

flat roof terrace made of:

40 mm reconstituted stone slabs on spacers with protective mat 2 layers bitumenised roofing felt 80 mm mineral wool vapour barrier 200 mm reinforced concrete slab plaster skim finish to soffit Floor construction:

22mm industrial quality parquet flooring 45 mm screed polyethylene separating layer impact sound insulaton 30 mm mineral wool 200 mm reinforced slab (precaset concrete floor planks )

In situ reinforced concrete Precast concrete element

Tectonic of Steel in Complex Architecture

Casino of the Dresden Officers School | Dresden, Germany | 1998 | Auer + Weber + Partner, Stuggart

This study of steel in complex architecture examines the case study of this Dresden casino and bar with its dining halls and club rooms. The single-story structure maintains a breath of openness with its transparent outer shell being open on all sides to the surrounding park like setting.

Roof Construction

500 x 500 x 50 mm

marble Stepping Stone

65 mm layer of Grodan growing medium with vegetation layer on top

Facade Structure

171 mm ventilation substructure consisting of: 18mm ribbed wood base-board topping 125mm cavity with intergrel ducting 18mm ribbed wood base-board bottom 50 x 10 mm timber louvre ceiling

Detail Render of Cropped IPE beam cut to suit design of building façade

100 x 200 mm Steel Hollow Section Primary Beam Propped up on top of uncropped IPE 330 beam and secured by bolted down poles

30 mm RF700 acoustic rubber matting

Floor Construction

460 x 200 x 30 mm Marquina natural stone marble floor 28 mm Dial Rubber Carpet Underlay 60 mm Subfloor structure made from 19 mm Toungue and Groove Plywood boards

First layer of Weather Proofing Membrane

30 mm EPS seet insulation

Second layer of Weather Proofing Membrane

Cured On-Site concrete foundation

Exploded Axonometric

Double Glazed sliding Door with 51 x 195 mm multiplex birch lining secured with 51 x 162 x 7 mm steel angle welded to HEB 160 Steel Column Supports

45 mm thick gridded steel mesh covering welded to Cropped IPE 330 Structural Beam

Steel facade framing connected by 32 mm diameter poles attatched to mechanically operated aluminium louvres along building balcony patio

50 x 100 mm untreated Douglas Fir planks

Patio Constructed atop of Cantilever beams supporting HEA 100 steel beam

Tectonic of Timber in Complex Architecture

Tectonic of Timber in Complex architecture examines the construction and assemblage of the timber façade and their connections to the surrounding primary structures in this case study of an insect museum located just outside the city of Paris

Poissy Galore Insect Museum | Carrières-sous-Poissy, France| 2016 | AWP,HHF Architects

Reconstructed CAD Model

Roofing Construction

70 x 200 mm Larch Boarding stained white

40 x 20 mm battens stacked on top of 40 x 30 mm battens secured with fixing angle

Fixing angle attatched to trapezoidal

Fixing Secured to trapezoidal sheet metal underlay

20 mm timber boarding

60 x 200 mm timber purlin with Kingspan Kooltherm K8 Cavity Insulation panels In-between

15 mm wood- based panel substructure

Facade Structure

33 mm acoustic panel cross laminated timber with slits

15 mm wood based panel substructure

40 x 200 mm timber sud consturction with Kingspan Kooltherm K8 cavity insulation panels

15 mm wood based panel

Facade Underlay

70 x 200 mm larch boarding cladding stacked horizontal battens 25 x 50 mm and 50 x 50 mm secured together and in place by fixing angle

Exploded Axonometric

33 mm acoustic panel cross laminated timber with slits

Floor Construction

8 mm Sythentic Resin Coated Timber Floor Fitting

67 mm Subfloor made of 19 mm Tounge and Groove Plywood Sheets

Second 23 mm Insualtion Batt Boards Covered with Second layer of Weatherproofing membrane

54 mm Insulative Batt Boards

Weatherproofing membrane

288 mm Concrete Ledged Slab

Trapezoidal metal sheet underlay Detail Render with fixings and gutter flashing

Structural Systems Portal Frames

The case study presented is a factory joining hall, completed in 1991, This largescale warehouse sports an open assembly floorplan abundant in natural lighting for industrial work and is fitted with two largescale, single girder cranes supported by concrete props. This exercise affords comprehensive understanding of structural integrity and systems within a building.

Kaufmann Holz AG – Joining Hall | Reuthe, Austria | 1991 | Merz + Kaufmann, Dornbirn & DI Ingo Gehrer, Hochst

Dissected axonometric diagram exploring load bearing systems of primary structures (in red) and the secondary structures’ supportive frameworks and elements with load bearing functions (indicated in purple)

Primary Structure

Secondary Structure

Detail Render of joists supported by steel rope with capped fasteners and steel fixings, also conjoined by a system of nails and joints

External Wall

24 mm vertical boards

24 mm 3 plycore plywood 80mm ventilated cavity

Airtight barrier

Insulation 40 x 80 mm vapour barrier non-woven fabric, black

30 mm vertical boards

Weatherboarding

280 x 400 Parallam column

Parallam lattice beam

Crane rail support beam Steel support for crane rail

260 x 400 Crane rail support column with corbel

The Resonance Museum

As the built environment mediates natural environments, designed constructions affect inhabitants connection to the regional qualities of place, with designed environments often being separate from the region in which constructions are located

This studio embraces the haptic regional qualities of the site in order to develop design proposals which are specific to Sydney and the inhabitants whose stories are being documented and re-told

Wareamah

Site Context

Cockatoo Island

33.8471 S, 151.1716 E

The Slipway

The Slipway located on the north western most point of Cockatoo Island became the selected site for the project.

Cockatoo Island itself remains a UNESCO World Heritage Site and echoes remnants of it’s rich history as a First Nations meeting point between the Wallumedegal, Wangal, Cammeraygal and Gadigal People known as Wareamah; It became a penal establishment during the convict era; a reform school for delinquent teenagers; and during the maritime era, a ship repair dock

The task to design an Oral History Library that intrinsically engages human audition,inspired the design process to focus on acoustics and the aural landscape as the haptic prompt.

Conceptualisations

Beginning stages of geometric form finding was founded on precedents such as whispering galleries that produce aural phenomena, inspiring the use of an emerging spherical structure

Conic form-work was introduced as a structural instrument that could amplify or concentrate the aural environ from both the land and the sea

Step Progression of Form

Conceptualisations

The souvenir exercise fashions this conceptual avatar that physicalizes the acoustic manipulation of sound through curved, spherical form-work by speaking into it or playing music from within, the souvenir emits a reverberated ceramic rendition of the submitted sound

Souvenir Excercise

Exhibition Pearl Entrance

Disciplinary

Report: Entrance Hall Roof Materiality and Construction Details

Sprayed Concrete Shell 200 mm

Carbon Fibre reinforcement Mesh

Polymer Fabric Shuttering x3 layers at 75 mm tolerance

Cable Net 8mm

Entrance Hall

Exhibition Pearl External Perspective Render

Exhibition Pearl Internal Perspective Render

Disciplinary Report: Exhibition Pearl Materiality and Construction Details

Curved concrete ring assembled by stacking

No.22 size Glass Fibre Reinforced Polymer Rebar

Corten Steel railing 30mm attached to baseplate with polished mirror finish and secured with 12g m5.5 Philips Head Screw

Stainless Steel stairwell support rail welded to 6mm steel plates to support 40 mm composite timber steps with double coating of epoxy resin waterproofing

Reinforced Spiral Column 700 mm Helix reinforcement Rebar Structure

Curitorial Curtain Diagram

Curtains greet guests with their ephemeral presence. Their winding throughout the site allows to facilitate movement and guide users through to the different public spaces

Design Features

Acoustic manipulation diagram

The curtains also maintain to serve a second function of sound absorption. Their strategic schematic positioning help to define differing spaces weather that be loud or quiet spaces or public or private areas.

Sound emanates from source

Acoustic Slats for sound disruption

Curvature of building carries acoustics to the back of the auditorium

Majority of ambient noise absorbed and redistributed by acoustic curtains

Remainder of ambient noise carried and directed to the ground

Auditorium View Render

Library External Perspective Render