Connect Magazine | Issue #4 | Spring 2025

conn ct

A GREENER FUTURE

Sustainability in design, cabinet making and production: 2025 and beyond

Trade Show Reports

• LIGNA 2025

• interzum 2025

What it means to steal like a designer

Beyond the downlight grid: lighting design for interiors

Creating a sustainable business Plus!

Building living spaces.

From the editor

Welcome to issue 4 of Connect magazine! We’re diving into the huge (and I mean huuuuuge) issue of sustainability as our major theme this issue and it’s been quite the eye-opening experience talking to so many passionate and driven people in our industry. I’m so very grateful to all who shared their expertise for our main story.

Along the way I’ve discovered brilliant projects, amazing products and manufacturing processes, new ways of looking at the issue, programs and business principles and so much more. I hope you find this story both informative and inspiring — I know I did.

As always, we’re lucky to have a stellar line-up of contributing writers who always pitch such interesting and engaging stories. Pam Kershaw looks at how we can tackle the furniture and cabinetry waste crisis, Ben Fewtrell walks us through how to create a sustainable business, and Rob Ditessa brings us the remarkable story of JahRoc Furniture.

Selina Zwolsman shares her insights into lighting design for interior spaces and takes us beyond the downlight grid. Our friends at KBDi help us work through international design trends and how to use trends to inform and inspire our own work.

Plus, we’ve included a wrap-up from two extremely important international trade shows — interzum and LIGNA. Both held in Germany last May, interzum focuses on hardware and materials while LIGNA showcases the latest in machinery and technology.

I was also lucky enough to speak to Lewis Blair, one of ACFA’s longestserving trainers, who celebrated 15 years with the organisation in July. Lewis shares the story of his career and it was fascinating to see how far the industry has come in that time.

The ACFA Workplace Advice Team keeps us up to date with the new Furniture Safety Standards, and the team from HIA Economics brings us some good news for the second half of the decade.

If you have been working in the cabinet making, furniture or timber industry for years but don’t hold formal qualifications, you won’t want to miss information about how to use ACFA’s Recognition of Prior Learning (RPL) Program to have your skills recognised.

To cap off another incredible issue, don’t forget to check out the industry updates from our wonderful advertisers. These businesses help us do what we do best and we are incredibly grateful for their continued support, so please show them all some love.

Enjoy!

Connect magazine is published by the Australian Cabinet & Furniture Association.

ABN 80 000 071 787

Publisher: Dean Brakell, CEO, ACFA

Editor: Melanie Gardener

Advertising Sales: Fiona Joynes

Art Director: Liza Jane Smith, liza@monava.com.au

Contributing Writers: Rob Ditessa, Pam Kershaw, Selina Zwolsman, Ben Fewtrell, Dean Brakell, Glen Qi (HIA)

Printer: Neo Pty Ltd

Correspondence to: PO Box 157, Gosford NSW 2250

Front cover: Nina Di Marco, YDM Design Studio

Subscriptions: Connect magazine is produced as a hard-copy print publication as well as an online digital magazine. If you wish to subscribe please visit connectmagazine.com.au/

@connectmagazineaus @connect-magazine-aus

Copyright © Connect magazine (Property of the Australian Cabinet and Furniture Association). All rights reserved. The magazine or any part thereof may not be copied or reproduced without written permission from the publisher. Any specifications and/or claims here within are those of the manufacturer and/or supplier. Disclaimer: Statements by advertisers, expressed editorial opinion and/or contributors’ comments are not necessarily representative of those of ACFA Ltd or its members unless expressly stated. The publisher and editor assume no responsibility for errors or omissions or any consequence of reliance on this publication.

The Australian Cabinet and Furniture Association Ltd is a trade association that represents the interests of the cabinet making, kitchen, design, joinery, furniture, fit-out, and other wood, timber, stone and panel processing industries. Membership and advertising enquiries are welcome.

FEATURES

6 Design and Craftsmanship for a Greener Future

Sustainability in design, cabinet making and production: 2025 and beyond. By Melanie Gardener.

20 Sustainable Product Update

Give your next project a lift with our editor’s pick of the latest sustainable products.

30 Turning the Tables

Tackling Australia’s furniture and cabinetry waste crisis. By Pam Kershaw.

34 Creative Drive

Multi award-winning, WA-based, JahRoc Furniture thrives on creativity and a drive for quality, underpinned by artistic collaboration. By Rob Ditessa.

38 Visit Milan in 2026

Join us on an ACFA-hosted tour to visit Salone del Mobile.Milano and Milan’s renowned Design Districts.

40 Sustainable, Ef ficient, and Profitable What sustainability really looks like in business. By Ben Fewtrell.

42 Beyond the Downlight Grid

Smarter lighting design for kitchens and bathrooms. By Selina Zwolsman.

81 The Last Word: Making sense out of licensing for kitchens

Why ACFA continues to lobby for a uniform licensing system for cabinet making throughout the country. By Dean Brakell.

TRADE SHOWS

22 LIGNA 2025

This year LIGNA celebrated its 50th anniversary with an innovative trade show that brought the global wood industry together.

26 interzum 2025

This year’s interzum set a path for the future firmly focused on sustainable transformation.

ASSOCIATION UPDATES

46 Celebrating 15 Years

Lewis Blair celebrated 15 years with ACFA in July 2025 — we take a look at his illustrious career.

49 Inspiration v Imitation: stealing like a designer

The KBDi team helps us navigate the increasingly blurred line between influence and imitation.

54 Housing to pick up in second half of decade

Detached housing continues to lead the way for home building this decade. By Glen Qi, HIA economist.

65 Recognise your skills and get qualified today

Gain your MSF30322 Certificate III in Cabinet Making and Timber Technology through Recognition of Prior Learning (RPL).

76 New Furniture Safety Standards

The Australian Government has introduced the Consumer Goods (Toppling Furniture) Information Standard 2024, which came into effect on 4 May 2025.

INDUSTRY NEWS

56 The Cut-to-Size Boom

How our fastest-growing cabinet makers are scaling smarter.

58 NAV ECO

Since its inception, New Age Veneers has prioritised the responsible sourcing and manufacturing of its products.

60 HOMAG at LIGNA 2025

Under the new global campaign ‘Building Living Spaces’, the entire portfolio — from HOMAG, SYSTEM TM, KALLESOE, WEINMANN, SCHULER Consulting, tapio and BENZ — came together in Hall 14.

62 LEGRABOX Special Edition

Elevate any interior space with stunning drawer side designs.

64 Storage Space Organised the Smart Way

Introducing Hettich’s interior fittings range.

66 CABINET VISION Success Story

Planit Australia customer Anertex has been using CABINET VISION for more than 25 years.

68 Finista® Edge

New Finista® Edge drawer system, available from Lincoln Sentry from 1 September.

70 Häfele Déco Collection 2025 Elegant, contemporary and deliberately versatile.

72 Faster Installs, Fewer Callbacks

Hideaway Compact redefines installation standards.

74 Grass by Häfele Bringing furniture to life!

78 Solving the Industry’s Hidden Struggles

Enter Ayrmont ARMS™, an intelligent CRM and ERP system tailored to meet the unique needs of the cabinetry and renovation industry.

79 Fenix NTM Bloom FENIX NTM introduces Bloom, a new core technology made of paper and thermosetting resins based on phenol, available from Nover Australia.

82 Index

Sustainability Design and Craftsmanship for a Greener Future

Sustainability in design, cabinet making and production: 2025 and beyond

By Melanie Gardener

In 2025, sustainability has become a cornerstone of the building and renovation industry in Australia, reflecting an ongoing global shift towards environmental responsibility and conscious living.

Australian designers and cabinet makers are embracing eco-friendly materials, energy-efficient technologies, and innovative design principles to create spaces that are both aesthetically pleasing and environmentally sustainable. Beyond just materials and energy efficiency, the design and layout of a home play a crucial role in enhancing sustainability and ensuring the space is future-proofed for long-term living.

Eco-friendly materials

The use of sustainable materials is at the forefront of global design trends in 2025. Natural materials such as reclaimed and recycled timber products, recycled metal and glass, and organic fabrics and surfaces are gaining popularity, offering both durability and

Image courtesy Zephyr & Stone. Tari Peterson Photography

Image courtesy Zephyr & Stone. Tari Peterson Photography

a reduced environmental footprint. These materials not only add a touch of nature to interior spaces but also promote sustainability by minimising the demand for new resources.

Biggest shifts in sustainable design and manufacturing principles

One of the most significant shifts in sustainable building and renovation is the move towards circular design principles. Rather than creating spaces that require regular updates and replacements, there is a growing emphasis on creating interiors that can evolve over time without contributing to excessive waste. This means incorporating modular furniture, moveable elements, adaptable layouts, and timeless materials that ensure longevity while reducing landfill contributions.

Another major shift is the integration of smart, datadriven sustainability. Homes are now being designed with smart sensors that monitor energy and water consumption in real time, allowing homeowners to make informed decisions about their resource use. This technological advancement has made sustainable living more intuitive, with systems that automatically adjust lighting, temperature, and appliance usage based on efficiency goals.

Energy efficiency and smart technology

Energy efficiency is a critical aspect of sustainable interior spaces. Designers are integrating energyefficient lighting, appliances, and climate control systems to reduce energy consumption. Smart home technologies, such as automated lighting and temperature controls, allow for optimised energy use, contributing to lower utility bills and a reduced carbon footprint.

Water conservation

Water conservation remains a priority in Australia’s sustainability practices. The implementation of waterefficient fixtures, rainwater harvesting systems, and greywater recycling contributes to significant water savings. Today’s innovative projects demonstrate how urban homes can achieve self-sufficiency in water management through off-grid water systems and sustainable design.

Design and layout for sustainability

Beyond materials and technology, the overall design and layout of a home can significantly impact its sustainability.

Sustainability

Passive design principles

Passive design focuses on optimising a building’s orientation, insulation, and ventilation to maximise energy efficiency. This includes:

• Positioning windows and living areas to take advantage of natural light and heat from the sun (northern orientation in Australia).

• Incorporating cross-ventilation through window placement to reduce the need for air conditioning.

• Using ther mal mass materials, such as concrete or brick, to regulate indoor temperatures naturally.

Passive design reduces reliance on artificial heating and cooling, making homes more energy-efficient and comfortable year-round.

Ania Forster, director of interior design business Zephyr & Stone

Sustainability

Flexible and multi-use spaces

Sustainable design also involves future-proofing a home by creating adaptable spaces that can evolve with changing needs in both the short- and long-term. This includes:

• Open-plan layouts that allow for reconfiguration without major renovations.

• Multi-functional rooms that can serve different purposes, such as a home office doubling as a guest room.

• Modular fur niture that can be repurposed or expanded as a family’s needs change.

By designing with flexibility in mind, homeowners can extend the longevity of their interior spaces without frequent remodelling, which reduces material waste and construction-related emissions.

Ania Forster, director of interior design business Zephyr & Stone, is passionate about changing our approach to home building and design to focus on longevity and long-term planning, rather than shortterm outcomes or following trends too closely.

“I’ve seen too often where people have spent significant amounts of money but they don’t even enjoy

where they are living,” she says. “If the layout is wrong, or not suited to their lifestyle, it will always feel off.”

While Ania makes conscious choices about the products she specifies to ensure she is making sustainable decisions, she sees this as only one part of the eco-conscious approach to design and renovation. “I prefer to focus on maximising the beauty of the home with a particular emphasis on the floor plan, the layout in each room and the room sizes as the most valuable decisions made aren’t always the most visible,” she says. “The decisions you make before you make any selections can often determine the success of a project."

Ania adds that she sees a flow-on effect if these basic elements aren’t addressed correctly. “What happens when you sell your home?” she wonders.

“If the next person comes along and the layout isn’t functional then they are forced to renovate again to try to fix the problem, which leads to more wastage and a lost opportunity."

Ania prefers to focus on the grassroots foundation of a home and that normally necessitates taking a hard look at the floor plan. She likes to emphasise a good flow between rooms, logical layouts and spaces that work for the way her client likes to live.

Image courtesy Zephyr & Stone.

Tari Peterson Photography

“This philosophy really started for me when I began renovating and flipping houses. Very quickly I had to work out my property strategy and I realised I had to really think about the longevity of not only the products I was specifying but also the changes I was making to the interiors to ensure they were not only flexible and adaptable but that they would last well into the future,” she says.

Ania’s travels overseas, particularly to the UK and Peru, made her realise how differently we approach home construction in Australia. “Some of those buildings are 400 or 500 years old and, no, they aren’t perfect but they are still standing and they have a majesty and beauty that we just don’t see here at home,” she says.

One of her “non-negotiables” is multifunctional spaces within a home that can transform and be adapted as the needs of the homeowners changes over time. “What’s needed a decade from now can’t always be clearly seen so the most sustainable approach is to design rooms that allow for future planning and can meet a range of functions,” she adds. “Sustainability is not just about building what people want right now, but also thinking about their needs in the future."

Her tips for achieving this include making the budget work hard and managing the finishes until you are

able to achieve what you need to achieve. And, also, storage. “Make sure the kitchen is loaded with storage,” she laughs. “And don’t neglect the laundry — there is so much scope for extra storage here as well." She also cites the functionality of the kitchen with clever zone planning and a practical approach to long-term needs.

“Ideally, every home would be designed so it never needs renovating, but I know that’s not realistic,” Ania says. “But the next person to own your home shouldn’t want to immediately rip out what you’ve done. It’s a false economy to do a ‘cheap’ renovation as it will just end up in the skip bin."

She adds that her starting point with any renovation is to look at functionality and flow, to make sure that every room is optimised. “When something is well designed you often don’t notice it,” she says. “As soon as something is awkward or not functional it will stand out immediately and it will become something that annoys you every day.”

Sustainable storage and decluttering solutions

Minimalism and conscious consumption play a significant role in sustainable living. Well-designed storage solutions encourage organisation and reduce the tendency for excessive consumption. Built-in storage, modular shelving, and concealed

Image courtesy Zephyr & Stone. Tari Peterson Photography

Sustainability

compartments can help homeowners maintain a clutter-free environment while reducing the need for additional furniture.

Sustainable cabinet manufacturing

Cabinet makers play a pivotal role in the transition to sustainable interiors. In 2025, cabinet manufacturing in Australia is increasingly guided by environmentally responsible practices, from material selection to production methods and installation.

Sustainable materials and finishes

Eco-certified timber products, such as those accredited by the Forest Stewardship Council (FSC) or PEFC, are now the preferred choice among conscientious cabinet makers. Low-formaldehyde and non-toxic engineered boards are also replacing traditional MDF and particle boards, which have higher VOC emissions. Water-based and low-VOC finishes are now standard practice, promoting healthier indoor environments.

Efficient production and waste reduction

Advanced CNC machinery and digital fabrication tools allow for more precise cutting and efficient use of materials, reducing offcuts and waste. Many workshops now implement closed-loop recycling systems, where leftover materials are reused or sent for responsible processing.

Cabinet makers are also adopting lean manufacturing principles to streamline workflows, reduce energy use, and improve overall sustainability.

Durability and design for disassembly

Sustainably made cabinetry focuses on longevity. Components are designed to be durable and repairable, with modular construction that allows for easy disassembly and reuse. This makes it possible to replace worn parts without scrapping entire units, aligning with circular economy goals.

By incorporating these practices, cabinet makers contribute not just to the visual and functional quality of interiors, but also to the environmental performance of the entire space.

reDirect Recycling Wood Recovery Initiative

The polytec reDirect Wood Recovery Initiative commenced in 2020 and is designed to service customers by collecting raw and melaminecoated particleboard offcuts for reuse. The materials are repurposed into new particleboard within a closed-loop manufacturing process which reduces waste and preserves valuable plantation resources. By participating, customers contribute to a circular economy and build more sustainable manufacturing practices.

To date, more than 1000 customers have participated in the reDirect program, with more than 7000 annual truck trips transporting urban wood residue to the facility in Oberon where it is used to produce recycled-content particleboard.

Mathew Dwyer, head of reDirect Recycling, says “we have a lot of demand for our Wood Recovery Initiative. The team and I are working with our partners on how we can expand services ensuring the urban wood residue is economically diverted from landfill. My only regret is our program reach isn’t yet across every postcode for every polytec customer in Australia. We concentrated collections near our transfer and sorting centres. We are excited about future expansion across metropolitan areas of Victoria and South Australia.”

reDirect has an extensive wood recovery program for other market segments, offering a range of services including recycling of particleboard and timber offcuts, frame and truss timber, and pallets.

redirectrecycling.com.au/

Sustainability

Indoor-outdoor integration

Blurring the lines between indoor and outdoor spaces is a prominent trend in 2025. Large windows, natural materials, and seamless transitions between interior and exterior areas create a harmonious connection with nature. This design approach not only enhances the aesthetic appeal of a space but also promotes natural ventilation and lighting, reducing reliance on artificial climate control and lighting systems.

Future planning for sustainable homes

Sustainability in interior design extends beyond the present and into long-term planning for future generations.

Durability and timeless design

Investing in high-quality, durable materials and timeless design elements ensures that interiors remain relevant for decades. Rather than following fleeting trends, sustainable interior design focuses on classic styles, neutral colour palettes, and well-crafted furniture that can withstand wear and tear. This reduces waste and the need for frequent renovations.

Image courtesy Zephyr & Stone. Tari Peterson Photography

Image courtesy Zephyr & Stone. John Downes Photography

Sustainability

Upcycling and circular economy practices

A key aspect of future-proofing homes is embracing the circular economy where materials and products are reused, refurbished, or repurposed rather than discarded. Upcycling old furniture, sourcing secondhand materials, and incorporating reclaimed elements reduce the environmental impact of building and renovation works.

Integration of renewable energy sources

As Australia continues to embrace renewable energy, sustainable homes are incorporating solar panels, battery storage, and smart grid technology. Homeowners are designing their spaces to accommodate future energy innovations, such as vehicle-to-grid (V2G) charging, which allows electric vehicles to feed energy back into the home’s power system.

Product specification and sustainable impact

The effectiveness of sustainable design is heavily influenced by the products specified during the interior design process. Choosing the right products for the correct purpose can significantly enhance a home’s sustainability profile.

Low-impact materials and certifications

Specifying products that have been certified by recognised environmental standards (such as GECA, FSC, or GreenTag) ensures that they meet strict criteria for sustainability. These certifications assess lifecycle impacts, from raw material sourcing to manufacturing and disposal, giving designers and homeowners peace of mind about their environmental impact.

Non-toxic and health-conscious products

Volatile organic compounds (VOCs) from paints, finishes, and adhesives can negatively affect indoor air quality. Specifying low- or zero-VOC products supports healthier indoor environments. Similarly, selecting hypoallergenic and biodegradable textiles contributes to better overall wellbeing for occupants.

Locally sourced and durable products

Choosing locally manufactured products not only supports the local economy but also reduces the carbon footprint associated with transportation. Additionally, specifying durable, long-lasting products minimises the need for frequent replacements and maintenance, aligning with sustainable and economic design goals. ■

Image courtesy Zephyr & Stone

Salt & pepper side tables

“The Salt & Pepper side tables represent an exploration into combining post-consumer HDPE (High-Density Polyethylene) with traditional fabrication techniques to create sustainable furniture. The raw material is sourced in sheet format from Defy Design, a Sydney-based company that specialises in transforming plastic waste destined for landfill into impactful design products.

The manufacturing process employs traditional techniques of kerf bending and jig making through several distinct steps: routing, folding, welding, trimming, and assembly.

Routing The process begins with a custom timber jig that guides a trim router along nine tapered paths. The jig is clamped onto a flat sheet of HDPE, and a 60-degree router bit carves V-shaped grooves to a specific depth. A separate circular jig is used to carve out the tabletop, which includes a rebated ring on the underside. The overall shape is then cut out using a jigsaw, preparing it for the next stage.

Folding The base section is clamped into another jig while a heat gun is run along the outside edge until the plastic becomes soft enough to manipulate and fold. This

process is repeated for all seven edges, and the resulting shape forms the distinctive geometric taper and speckled swirls characteristic of the Salt & Pepper side tables.

Welding The final edge is plastic welded together internally using additional heat and a specialised tool that melts the HDPE, forming a strong bond.

Trimming The tapered hexagonal base is then fitted into a timber lathe, where the top and bottom edges are trimmed and shaped to match the rebated top and create a flat base.

Assembly The components come together by fitting a metal truss rod to the underside of the tabletop, which runs through the centre of the base where an oversized hexagonal washer and Nylock nut pulls the base and top together securely.

Although a CNC machine could handle much of the routing, the use of jigs offers a more crafted and honest approach. This method allows the recycled HDPE to emulate the aesthetic qualities of marble without the environmental impact of mining natural stone, while also serving as a deliberate contrast to the industrialised manufacturing processes of injection and blow moulding that the plastic had previously undergone.”

Carl Broeson — Carl Broeson Studio carlbroesenstudio.com/

Belah House Sustainability Case Study

Belah House is an exemplary blend of innovation, beauty, and sustainability

Designed by architecture and interior design studio Silvester Fuller in collaboration with owner Jamie Durie, renowned for his expertise in landscape design and sustainable living, this ecoconscious home redefines luxury while honouring environmental principles. Named after the Wiradjuri word for "Sun," Belah House reflects a profound connection to nature, embodying a vision where every aspect is designed for sustainability and longevity.

The three-year project led by Jamie Durie and his partner Ameka showcases a meticulous integration of advanced eco-friendly technologies and sustainable materials. Throughout the home, Neolith surfaces not only enhance aesthetics but also contribute to its sustainable footprint, offering a blend of functionality and elegance.

Belah House sets a new standard for sustainable luxury living with its innovative geothermal heating,

cooling systems, and renewable energy solutions. These technologies not only ensure energy efficiency but also promote grid independence, resulting in substantial savings and reduced environmental impact. The home's commitment to sustainability extends to its construction materials, including a groundbreaking Australian concrete that significantly reduces carbon emissions.

Situated on a challenging site characterised by a steep slope and protected vegetation, the design of Belah House deliberately integrates with its natural surroundings. Each architectural decision was informed by the landscape, respecting existing trees and terrain contours. This approach not only preserves the environment but also enhances the home's stunning organic appeal.

Inside, Belah House exemplifies luxury and functionality with its meticulously designed interiors. Neolith's surfaces feature prominently, from the sleek Calacatta countertops in the kitchen to the sophisticated Black Obsession in the bar area. These surfaces not only elevate the aesthetic but also ensure practicality and ease of maintenance, reflecting Neolith's commitment to sustainable design.

The bathrooms exemplify tranquillity with a mix of Neolith Colorado Dunes and Calacatta Luxe, adding a refined yet natural touch to the space. The

interplay of textures and tones enhances natural light, reinforcing the home's seamless connection to its environment.

By integrating sustainable practices without compromising on luxury, the project aims to inspire others towards more environmentally conscious living. Through initiatives such as the ZIP tap for instant water and recycled ocean plastic flooring, Belah House embodies a holistic approach to sustainable living, promoting both environmental stewardship and modern comfort.

With this ambitious project, Belah House not only redefines residential architecture but also sets a precedent for sustainable luxury. With its blend of cutting-edge technology, eco-friendly materials, and respect for nature, this home stands as a beacon of innovation and environmental responsibility in the architectural landscape.■

Neolith neolith.com/au/neolith-projects/belah-house-asustainable-sanctuary-by-jamie-durie/

Sustainability Case Study

Nudie Jeans Repair Shop Brisbane

Sydney-based sustainable design studio X+O redefines the future of bricks-and-mortar retail

The Nudie Jeans Repair Shop in Brisbane, designed by Sydney-based sustainable design studio X+O, showcases excellence in merging sustainability with retail innovation.

At just 33m², the store’s intention was to epitomise circular design principles, repurposing and integrating sustainable elements throughout its space. X+O's brief focused on retaining and repurposing existing materials while enhancing storage capacity and integrating circular design solutions. This approach not only minimised environmental impact but also created a physical embodiment of Nudie Jeans' commitment to sustainability.

Central to the store's design is its role as a repair hub, prominently featuring a sewing machine at the shopfront. This unique setup encourages customers to engage in "forever repairs," diverting clothing from landfills and fostering lasting relationships with the brand. The strategic placement of the repair station transforms the traditional retail experience into a

community-driven repair service, where sustainability meets consumer engagement.

Key design elements include custom-made sustainable denim tile finishes crafted from recycled Nudie Jeans and construction waste. These tiles adorn the denim bar and wall fixtures, symbolising the brand's journey from purchase to return and recycle.

Locally sourced DesignerPly Hoop Pine, known for its low carbon footprint and FSC certification, was utilised for shelving and fitting rooms, further enhancing the store's sustainable profile.

The innovative use of materials extends to the floor, facade, and light tracks, all repurposed to reduce

environmental impact. Full-height denim cubbies with integrated storage cupboards optimise space efficiency while maintaining aesthetic appeal. Each design choice reflects a meticulous consideration of materiality within a circular economy framework, reinforcing Nudie Jeans' brand values at every touchpoint.

Beyond functionality, the store's design prioritises customer experience by blending sustainability with service excellence. By reimagining the retail space as a repair store, X+O and Nudie Jeans have created a destination where sustainable practices and consumer interaction converge harmoniously.

The Nudie Jeans Repair Shop in Brisbane stands as a beacon of sustainable retail innovation, demonstrating how thoughtful design can redefine traditional brick-and-mortar experiences. It embodies a future where sustainability, circularity, and consumer engagement converge seamlessly, setting a new standard for retail spaces worldwide.

“We don’t believe sustainability should be an afterthought. For us, it’s a design standard,” says Rebecca Vulic, X+O director. “Our approach proves that resourcefulness, storytelling, and environmental responsibility can coexist beautifully in retail environments.”

As global brands face mounting pressure to reduce their environmental impact, X+O’s model offers an actionable template — one that blends aesthetics, sustainability, and scalability without compromising commercial outcomes.

• Better Future World Design Awards Silver Winner, Environmental Design

• Better Future Australian Design Awards Gold Winner, Environmental Design

• Better Future Sydney Design Awards Gold Winner, Environmental Design

• Dezeen Awards 2024 Sustainability Longlist, Sustainable Interior

• INDESIGNLIVE and shortlisted for the INDE. Awards, ‘The Influencer’

• Australian Design Review Interior Design Excellence Awards (idea.) Retail and Sustainability ■

Sustainability Case Study

Arup’s new workplace is a bold, tangible expression of the global consultancy’s mission of shaping a better world. To translate this ethos into space, Arup partnered with design business Hames Sharley and Noongar artist Peter Farmer, and his family from Peter Farmer Designs to co-create a workplace that nurtures deep connections between people, place, and culture.

Occupying three levels of WS2 — Perth’s first hybrid-timber office tower — the fitout embodies regenerative design from structure to storytelling. A central void was carved from CLT slabs to increase natural light and create visual connectivity; the removed panels were repurposed into raised platforms that can be reintegrated if needed.

Arup Workplace

Perth/Boorloo

Sustainable systems and cultural integration shine in Arup’s new workplace, located on Whadjuk Noongar Country

Sustainability was not a tick-box exercise, but a rigorous, multi-layered strategy. Arup is pursuing the Living Building Challenge (LBC) and has already achieved WELL Platinum certification. The fitout is all-electric to enable Arup to draw 100 per cent of its operational energy from local renewables. More than

99 per cent of construction waste was diverted from landfill, while salvaged materials — from storm-felled timber to second-life furniture — are woven throughout.

Material choices were equally considered. All timber was responsibly sourced with full provenance, while 27 per cent of materials were procured locally in and around Perth and 55 per cent within Australia — exceeding LBC minimums. More than 640 materials and products were individually vetted, and air-quality sensors are monitoring indoor health now the space is occupied.

Cultural and ecological narratives shape every level, with Noongar artist Peter Farmer, cultural adviser Miranda Farmer and family from Peter Farmer Designs collaborating to embed meaning and memory. Backgrounded by charred jarrah wall panelling (symbolising the regenerative power of fire), a welcome sculpture greets visitors. Elsewhere, riverline engravings on lockers and pod-like sculptures reference ancient stories and creator spirits.

The workplace promotes health and connection at every scale. 95 per cent of regularly occupied spaces have access to daylight and views, and lush indoor plantings support biophilic design principles. A sculptural three-storey staircase serves as a visual centrepiece, while the tensegrity principles of its construction reduce steel consumption.

Smart building systems and digital monitoring further enhance the sustainability outcomes. Arup has committed to an energy performance 30 per cent improved upon business-as-usual benchmarks, representing an ambitious 5.5-star NABERS tenancy rating, and intends to offset all the upfront carbon to achieve a carbon-neutral fitout.

Beyond its technical achievements, this workplace is a catalyst for collaboration, cultural dialogue, and environmental leadership. As Arup describes, it is a place “resonant with our commitment to sustainable development and creating an inclusive, inspiring environment for our people.” It is a testament to what can be achieved when sustainability, storytelling and design move forward together. ■

• Australian Interior Design Awards — Sustainability Advancement Award — 2025

• Australian Interior Design Awards — Workplace Design Award — 2025

• Australian Interior Design Awards — Best of State Commercial Design WA — 2025

• AIA WA Architecture Awards — The Julius Elischer Award for Interior Architecture — 2025

• AIA WA Architecture Awards — Commendation for Sustainable Architecture — 2025

• Property Council of Australia WA Property Awards — Best Commercial Fit Out or Redevelopment — 2025

• Sustainability Awards — Interior Design Award — 2024

Hames Sharley with Arup and Peter Farmer Designs hamessharley.com.au/project/arup-ws2

Kalasin from Bathco is a pedestal sink made from bamboo, a natural, durable and highly sustainable material. Unveiled at ISH earlier this year and designed by Lucio Traficante, Kalasin embodies the living structure of trees with its cylindrical shape evoking a tree trunk, growing outward in concentric rings. Crisscrossed with delicate longitudinal grooves, the surface reproduces the upward pattern of the tree’s natural growth. thebathcollection.com

Designed by Roberto Gobbo for Euromobil, Free Steel makes use of brushed AISI 304 stainless steel to create an elegant island bench for the kitchen. Stainless steel is known for its durability, hygiene and eco-sustainability, guaranteeing a recyclable solution that withstands the challenges of everyday life. Stainless steel is used for the frontal base units, grooves, plinths, top and welded sink. euromobil.com/en

Sustainable Product Update

Give your next project a lift with our editor’s pick of the latest sustainable products

MaxiWall from Big River Group is an Autoclaved Aerated Concrete that offers an alternative to traditional brick and block building materials. Its sustainable design prioritises energy efficiency and environmental responsibility, using 60 per cent less embodied energy than traditional masonry and producing 55 per cent less greenhouse emissions than concrete and brick. It also provides superior insulation qualities compared to other masonry products. bigrivergroup.com.au/

From Brisbane-based industrial designer Angus Armstrong Guy, this is the Repeat Chair — an innovative design handcrafted from more than 2000 recycled HDPE plastic bottle caps sourced from the Brisbane community. Using a simple, repeatable process of shredding and melting, the caps are transformed into plastic beams with the help of an electric oven and a hand-built timber mould. These beams are then cut, heated, and bent before being fixed into place, forming a comfortable and ergonomic seating design. alwaysgooddesign.com/

The Pipeflute Wall Hooks are a collection of sculptural wall hooks made from reclaimed stainless-steel offcuts from Naarm-based designer and maker, Carl Broesen. Carl describes the units as “referencing the rhythm of pan flutes” to take the humble hook and elevate it to a piece of architecture while focusing on the circularity of materials and sculptural intent. carlbroesenstudio.com/

The Sorbet Acoustic Panels were designed by Sze Tjin Yek as part of an Honours project which looked at ways to better manage commercial and household waste, particularly textile waste. The Sorbet acoustic panels are made from 100 per cent laundered and upcycled household textile waste and bonded together with a starch-based glue. Sorbet acoustic panels can be collected and reused to close the loop for a circular economy. sorbetacoustics.com/

Kaynemaile RE/8 mesh from Austaron Surfaces has adopted the use of Makrolon® RE by Covestro as its base material. It is produced using the same chemical infrastructure as traditional fossil-fuel based polycarbonates but sources bio-based raw materials (also known as ‘feedstocks’) from existing commercial bio-waste supply chains. All mesh is made from a single-chain polymer so the material can be cleaned back to its original state including the colours used.

austaronsurfaces.com/

The natural surfaces from the Organoid® collection use natural raw materials such as real Alpine hay from the Tyrolean region (where the company is based), moss from upcycling, flower petals, lichen and herbs are carefully applied by hand, mixed with an ecological binding agent and pressed into a thin layer. The natural properties of the raw materials are preserved for unique visual, tactile and olfactory experience.

austaronsurfaces.com/

Crafted from timber offcuts collected from the wood-working industry, TreeAzzo from Havwoods combines these reclaimed wood chips with a high-quality, VOCfree epoxy resin to form unique, design-led panels. Every panel is handmade, ensuring one-of-a-kind visual composition. TreeAzzo is available in two core panel constructions — 11mm fibre cement backing for flooring or 23mm plywood backing perfect for cabinetry, furniture, splashbacks and worktops. havwoods.com/au/

Eco Surfaces produces benchtops and other surfaces using washed and recycled glass. The surfaces are scratch and stain resistant, heat resistant and easy to clean utilising approximately 450 standard glass bottles per benchtop. Slab sizes are 3050mm x 1550mm x 20mm, with each slab weighing around 195kg. Containing less than 1 per cent crystalline silica, the slabs are safe for manufacture and installation in a range of interior environments. ecosurfacesaustralia.com.au/

LIGNA 2025

This year LIGNA celebrated its 50th anniversary with an innovative trade show that brought the global timber industry together

LIGNA was established in 1975 as a spin-off from Hannover Messe. Today, it is the leading trade show for products and services for primary and secondary industries — tools, machines and systems for custom and mass production, surface technology, timber-based panel production, sawmill technology, energy from timber, machine components and automation technology, as well as machines and systems for forestry.

2025 saw 1433 exhibitors from 49 countries, located across 10 exhibition halls, two pavilions and an impressive open-air site covering 114,078sqm in total. Close to 78,000 visitors from 156 countries attended over the four days of the trade fair.

This year’s focus was on digitalisation, automation, artificial intelligence, smart production, sustainable

and climate-friendly construction using timber and timber-based materials, and the responsible, futureoriented use of timber as a resource.

Dr. Jochen Köckler, CEO at Deutsche Messe AG, said, “despite all the benefits of digitalisation, nothing can replace the experience of seeing machines in live operation at a trade fair. I would like to thank all LIGNA exhibitors who demonstrated this so clearly here. The combination of innovation, technological progress, and passion is the best foundation for renewed investment.”

Whether in forestry, sawmilling, production, manufacturing, or craft industries, exhibitors presented solutions spanning the entire value chain, showing how current challenges can be addressed and turned into opportunities.

Trade Shows

LIGNA’s three focus topics were Connectivity, Sustainable Production and Engineered Wood to address key areas of concern for the industry as well as highlight solutions for sustainable development. Exhibitors embraced these topics with a wide variety of smart solutions, groundbreaking developments, and high-tech innovations.

Two new exhibition segments, LIGNA.Circular and LIGNA.TruckStop were popular with visitors. LIGNA. Circular in Hall 12 focused on the circular economy and sustainable material use. LIGNA.TruckStop was a hands-on way for carpenters, joiners and craftsmen from all trades to investigate the latest power tools for workshops and business management.

Felder Group was among the exhibitors at this year’s show and one of the highlights of its stand was the new Felder 700 Series with PCS safety technology. Con Badenhorst from Felder Group Australia says this will be a game changer for the industry with a full cabinet maker’s version, including the PCS safety technology, retailing from around $60,000 (ex-GST) with a smaller version available from around $28,000 (ex-GST). He adds that this is comparable to similar machines without any safety system.

The PCS (Preventative Contact System) is designed to recognise potential accidents before contact is made with the blade saw, only taking milliseconds to defuse a hazardous situation and reducing the result from catastrophic to minor at worst. The huge benefit to all is there is very little need for additional training. The system works with the blade as the sensor, so it has no cameras, no light curtains and remains functional with the saw guard swung away. It also conveniently activates when in contact with screws and nails to save blades. PCS is available in almost all series now.

This means the new technology is more accessible for all, creating safer practices and workspaces.

All Felder saws and those with PCS will still be produced in Austria and carry Felder's warranty with local extended warranty available up to five years. Sliding table X-Roll system will still carry the 10-year warranty.

Wood Tech sent representatives from QLD, NSW, SA and WA to LIGNA to explore exciting new opportunities for the Australian market and support existing suppliers. Jon Chamberlain from Wood Tech said “LIGNA is more than just a tradeshow — it’s the global benchmark for where the woodworking industry is heading. For Wood Tech, attending LIGNA 2025 as a full national sales team wasn’t just about discovering the latest in automation, smart factory tech, and CNC innovation — it was about reaffirming our commitment to bringing world-class solutions back to Australian manufacturers.

"What we saw in Germany will help shape the next chapter of our product line-up and service offering. Our customers rely on us for forward-thinking, reliable equipment and support — and our presence at LIGNA ensures we’re always ahead of the curve. As the local industry evolves, Wood Tech remains focused on delivering smarter, more sustainable, and more connected machinery solutions to workshops across the country.”

SCM Australia CEO Boris Chernyshev attended the show and said, “a clear trend was the growing interest from companies looking for highly automated, technologically advanced solutions — not only in traditional wood-working applications. This is precisely

Image courtesy HOMAG

Image courtesy Felder Group

the area where SCM has always excelled, and our goal is to deliver these cutting-edge technologies to the Oceania market.”

SCM Group represented across three stands totalling 3300sqm and the clear trend was the growing interest in highly automated, technologically advanced solutions. The Tecno Logica stand (a company that joined SCM Group in 2024) showcased a conceptual edgebanding machine that drew inspiration from automotive industry technologies. In the CNC machining centre category, SCM Group introduced two new models — Morbidelli x50 and Accord 500. In the solid timber processing segment, the topset xxl four-sided moulder drew significant attention.

Leitz Tooling Systems ANZ managing director, Sam Czyczelis, said “Spending time with our global Leitz colleagues was invaluable. The camaraderie, the exchange of technical knowledge, and the shared vision for our industry is something you simply can’t put a price on.”

Image courtesy SCM Group

Image courtesy Leitz

Leitz released a number of new products at LIGNA 2025 including a new compact hogger with a universal tooth design and consistent cutting width, a new PolyCut circular sawblade which is designed to handle materials prone to melting and chipping, an expansion of the ProfilCut Q Diamond system with Plug&Play functionality, and the new WhisperCut PLUS which is an advanced evolution of the Diamaster WhisperCut system.

Ross Campbell from HOMAG was at the show and shares his perspective: “HOMAG’s 5000sqm presence dominated the panel processing arena at the LIGNA

featuring many new innovations both machine and digital in a dynamic display. 114 semi loads of equipment installed, operating and connected by more than 300km of electrical cable laid demonstrated HOMAG’s leading commitment to the industry. It was a visual and moving feast of technology and processes with most visitors commenting ‘it was easily the busiest booth at the LIGNA. Just what you would expect from the industry leader’.”

With its new digital platform HOMAG INTELLIGENCE, the company presented a new milestone for the industry; a cloud-based solution that creates consistent and seamless networking of furniture sales and production processes. Highlights on the stand included the new SAWTEQ S-200 flex Tec and the STORETEQ P-310 second-level storage system, the DRILLTEQ V-310 smart robot system, the new CNC programming software woodWOP 9, the latest generation of the CENTATEQ N-210 high-performance entry-level solution for nesting processing, and the EDGETEQ P-200 and woodCommander 6 digital edgeband technology.■ Next LIGNA: 10–14 May 2027 LIGNA.de/en/

The Wood Tech team at LIGNA

interzum 2025

This year’s interzum set a path for the future firmly focused on sustainable transformation

The central theme of this year’s show was “Rethinking Resources: Circular and Bio-based Solutions” which saw exhibitors and attendees focus on playing an active role in creating a resource-efficient, sustainable future. This was an extension of the theme from the 2023 show which was the concept of “Neo-Ecology”.

Close to 60,000 visitors from 148 countries visited 1616 exhibitors from 57 countries encompassing 176,000 sqm of exhibition space over the four days of the trade fair. On display were a wide variety of innovative materials, intelligent components and smart technologies that are sure to shape the homes and workplaces of the future.

Maik Fischer, the director of interzum, said “By bringing together the two approaches — the circular economy and bio-based materials — the world’s leading trade fair for furniture production and interior design advances the development of product

innovations that are both long-lasting and produced from sustainable sources.”

With its new central theme, the trade fair highlighted two fundamental concepts in the stewardship of resources. Transitioning to a circular economy means keeping materials and products in the economic cycle for as long as possible by extending the duration of their use through reuse, repair, refurbishment and recycling. By contrast, bio-based solutions use materials produced from regrowing sources, making them environmentally friendly alternatives to petroleum-based products. Both approaches aim to minimise a product’s ecological footprint and promote sustainability.

interzum is divided into three exhibition segments — Function & Components, Materials & Nature, and Textile & Machinery. The first two segments are most relevant for our industry. The Function & Components segment includes fittings, lighting systems and semi-

Trade Shows

finished products for furniture and built-in parts with a focus on energy efficiency, comfort and convenience. Materials & Nature features timbers, veneers, parquet flooring, decorative surfaces, decor papers, timber-based materials, laminates, edging products and surface treatments, among other products with a focus on sustainable materials and environmentally sound raw materials.

Function & Components

As we often see in Europe, all major manufacturers have a focus on space utilisation and space maximisation, with the development of functional components that seek to create multi-dimensional and multi-functional space a high priority. Collaboration is a major theme with all major suppliers seeking to create co-operative and collaborative partnerships with the specification community. It’s no longer a simple sales transaction — these businesses want to play an active role in supporting their customers.

Materials & Nature

We are seeing emphasis on noise management and noise reduction/absorption with clever application.

In terms of colour palettes far fewer “whites” were on display — this is often the case in Europe where there seems to be a greater capacity for risk-taking when it comes to the use of colour.

There was a significant focus on creating hyperrealistic surface finishes with plenty of options to provide the designer and cabinet maker with a world of choice to mix-and-match either within a colour palette or provide contrast.

Matte surfaces were still dominant, with some, but not many, gloss options on display. There was very much a focus on technology and how far can the boundaries of technology be pushed in terms of material application.

Sustainability

Every major manufacturer has a focus on sustainability and most stands made a point of emphasising not only the materials that go into creating the products, but also the eco-friendly principles applied throughout the production and transportation process, as well as end-of-life recycling efforts. It’s an area that is of significant importance throughout the European manufacturing industry.

Trade Shows

Chef’s Table is an innovative swivel system from Kesseboehmer that allows bulky appliances to appear when needed then disappear back into the base unit after use. Suitable for appliances such as air fryers, food processors or bread-cutting machines, the parallel swivel mechanism has a load capacity of up to 19kg.

Hettich’s theme for the fair was “Transforming Spaces with innovative motion”. The Hettich FurnSpin, originally released in 2023, is a versatile furniture solution with broad applications in interior environments for managing space utilisation.

Blum’s AVENTOS HKi fully integrates into the cabinet side thanks to its extremely slim construction. This lift system fits perfectly into cabinet sides with a thickness of 16mm or more, making it virtually invisible from the outside. The integrated lift system remains invisible when closed, even with glass fronts.

Salice Air is a fully integrated and completely concealed hinge with three-directional adjustability. The hinge is available in three functional variations — unsprung, integrated soft-close, and push for handlefree applications.

The Vauth-Sagel VS ADD Frame is a solution for modern storage that balances aesthetics and functionality. Suitable for cabinet widths of 600mm, the frame is in black anodised aluminium with smokey glass elements. Accessories include wire frame for bottle storage, wine glass holder and shelf.

Nubo from Domus Line is a 100 per cent polycarbonate luminaire for glass shelf lighting. Designed for both 6mm and 8mm shelves the models can be configured with the light projection on either the front or rear side. A four-sided opal light chamber ensures even light distribution.

Raukantex pigmento from Rehau is a new timber-look edgeband that faithfully reproduces timber grain and streaks within the milling radius for a seamless natural look without visible transitions. The edge boasts outstanding quality, is impact-resistant and won’t chip.

Zenit 3.0 from Alvic is the new generation of silk-touch, antifingerprint, super-matte lacquered surfaces with increased surface scratch resistance, high abrasion resistance and maximum colour stability. Its microscopic surface structure provides low light reflection to create the super matte finish.

Master Oak by Unilin Panels is an innovative decorative surface that realistically mimics oak timber with a deep brushed finish and extreme matte surface. It offers superior scratch resistance, UV stability, and easy maintenance. Made from 95 per cent recycled timber, Master Oak is a sustainable and high-performance alternative.

Egger’s PerfectSense Ambiance is a velvety super-matte surface with a partial gloss effect that sparkles in the light. An elegant, expressive stone effect that is both hard wearing and easy to clean.

Häfele OneCable is a versatile and straightforward solution comprising a single profile with corner connectors into which a flat ribbon cable is inserted. Luminaires can be specified as needed for both diffused and focused lighting and controlled via the Connect Mesh app.

The latest premium walnut collection from Decospan, Walnut has a deep, intricate grain with warm hues making it very popular for application in any sophisticated space. Available as panels, sheets and edge banding, the collection is versatile, responsibly sourced and produced with minimal environmental impact.

Next interzum 11–14 May 2027 interzum.com/en/

Turning the Tables

Tackling Australia’s furniture & cabinetry waste crisis

The figures are confronting. Up to 95 per cent of commercial furniture and fittings go to landfill at the end of a typical five-year office lease. In Australian households, the tradition of passing down treasured furniture has given way to the mass disposal of “fast furniture”, with an estimated 85 per cent sent to landfill.

This is contributing to a looming environmental issue: Sydney landfills are predicted to reach capacity by 2030, with Melbourne close behind. Aside from the greenhouse gases released, imported furniture may contain PFAS (forever chemicals) which are not only extremely toxic but do not degrade in the environment.

Many organisations, including the Green Building Council of Australia, Good Environmental Choice Australia, the Product Stewardship Centre of Excellence and numerous recycling initiatives, are working to reverse this trend and promote a more circular economy. Recent Federal government action requires many large organisations to prepare annual sustainability reports containing mandatory climaterelated financial disclosures.

By Pam Kershaw

However, Australia's tax structure creates a disincentive for sustainable practices, according to Sasha Titchkosky, co-founder of Koskela, a leader in sustainable Australian furniture.

“Depreciation schemes encourage businesses to buy new, write off assets and replace them,” she says.

“A sustainable approach would reward repair, refurbishment and leasing models,” she adds. “Tax credits would be available for extending a product’s life, using recycled materials and returning assets for remanufacture."

Founded in 2000, Koskela became Australia’s first furniture B Corp (Certified B Corporation) in 2017, meeting rigorous standards of social and environmental performance.

Rethink and redesign

All its furniture is Australian made, reducing import emissions. The company works with sustainable materials and ethical suppliers, and its repair, maintenance and repurposing initiatives keep its products in the marketplace. It aims to eliminate company waste and be fully circular by 2027.

Photography: Nick DeLorenzo. Image courtesy Koskela

Koskela designs for longevity. Its sofas, for example, feature removable covers and replaceable panels, while mechanical fixings — rather than glue — make furniture repairs and disassembly easier. Solid timber is used sparingly: 5–8mm of hardwood on a substrate provides the benefits of solid timber with far less material.

Sasha points to the untapped potential of innovative materials. While MDF and chipboard dominate the Australian market, international alternatives now use substrates such as cardboard, hemp, coconut waste and even olive pips from the olive oil industry. Australia’s own olive and sugar cane industries could support similar developments.

Product stewardship

As a GECA-(Good Environmental Choice Australia) certified company, Koskela is committed to product stewardship, which means taking back products at the end of life.

But when commercial tenancies conclude, Koskela is never asked to collect furniture, thus losing the opportunity to refurbish for another customer, or dismantle and reuse in manufacturing, or recycle.

Koskela supports the “digital product passport” concept — a unique QR code that reveals the product origin, materials, construction and repair/rehome instructions. If government-mandated, this system

Sustainability

could hold all manufacturers accountable for their products’ lifecycle and make it easier for businesses to manage end-of-life processes responsibly.

To honour its product stewardship obligations, Koskela has introduced a commercial subscription service where it retains product ownership. Clients gain tax-deductible benefits, and Koskela retains control to refurbish or rehome items efficiently.

Its Rehoming program, introduced first for domestic clients and now extended to the commercial market, enables customers to trade in old Koskela furniture for store credits. Returned items, some more than 20 years old, are repaired, refreshed and resold.

Opportunities for cabinet makers

Sasha believes cabinet makers can play a valuable role in this circular economy, particularly in remanufacturing and repair.

“Those elements can’t be easily off-shored — they need to be done locally, and almost hyper locally. If there’s a project in Sydney, the refurbishment needs to happen in Sydney because the carbon that’s embodied in transporting furniture is quite high,” she says.

She believes cabinet makers could consider shifting from one-off transactions to ongoing relationships in retail and domestic projects. “Instead of being a buy/sell transaction, they could think about systems to contact those customers over time and provide a service to spruce up or refurbish cabinetry,” she adds.

During a complete renovation of spaces, some cabinetry could be disassembled and repurposed rather than going to landfill. Such sustainable practices can also serve as a powerful marketing point to environmentally aware clients.

Photography: Anson Smart. Image courtesy Koskela. Commercial project, iFM

Newman College auditorium — image courtesy Sustainable Living Fabrics. Designer: EIW Architects. Photography PS Structures

Green Design Hub 2023 bench made by So Watt and Cosentino with sustainable materials displayed on top — courtesy Circular Design Thinking

Sustainability

Learning from Europe

While interest in sustainable design is growing in Australia, Karie Soehardi, founder of Circular Design Thinking (CDT), says the industry still lags behind Europe.

“The biggest issue I find from a sustainability perspective in joinery is that custom joinery usually ends up in landfill because it’s site-specific. If we could look at joinery in modular or standard sizes, and ways to dismantle easily after a fitout expires, we would have a lot of reclaimed material that could be reused locally,” she says.

“If there are ways to join without glue and understand what type of finishes we are placing into joinery and cabinetry, then we would have healthy and circular materials to disassemble and reuse.

“But the theory of this needs to be backed up with strategic infrastructure to get those materials back into the hands of cabinet and furniture makers. That is where the digital product passports can come in,” she adds.

An environmental consultancy specialising in textiles, interiors and fitouts, CDT offers practical tools to help transition to circular economy models and meet Environmental, Social and Governance (ESG) reporting standards.

It works across the supply chain — from manufacturers to recyclers — and also collaborates with universities to commercialise innovative materials.

Pressure to make the interiors industry more sustainable is now coming from large organisations that must report their carbon emissions, as well as sustainability advocates within a business.

“Many manufacturers have been waiting for years for this to happen,” Karie says. “The major barrier is that the government is still only requesting voluntary information when it comes to sustainability for the FF&E (furniture, fixtures and equipment). We need legislation to create impact: look at Sweden where

those manufacturers are making money as they have to design out waste."

According to Britain’s Ellen MacArthur Foundation (a charity committed to the circular economy), 80 per cent of environmental impact can be designed out at the product concept stage. Therefore, opportunities exist for designers, cabinet and furniture makers to improve sustainability.

When CDT works with an organisation, it examines the entire makeup of prospective products, including packaging, and questions whether it can create a better version.

“We look at innovative and natural materials, and we value what we are redesigning with. So, if we were to take back the product, we would value the material enough to reuse, repurpose or remanufacture,” Karie says.

Sustainable textiles

Sustainability is a major selling point for Sustainable Living Textiles, which achieved GECA certification in 2005 and carbon-neutral certification by Climate Active (an Australian government initiative) in 2010. It manufactures furnishing textiles in Australia, using wool from meat sheep that is unsuitable for apparel but ideal for upholstery fabrics. Textiles can be recycled through Upparel, an Australian company that recycles through partners in Australia rather than sending waste offshore.

UTS. Image courtesy Sustainable Living Fabrics. Designer: Gardner Wetherill & Associates

Unwanted office furniture — courtesy Circular Design Thinking

Managing director Liz Miles says the company's third-party sustainability certification is its strongest selling point.

“Most designers see us because we’re sustainable, and they’re specifying for clients that require sustainable products or are designing for Green Star projects. Manufacturers of furniture in Australia also like to recommend our fabrics, so we become part of their story,” Liz says.

Sustainable Living Fabrics is listed on the Products Declare website of Australian Architects Declare, part of an international network of architectural practices committed to addressing climate change and biodiversity.

The company has about 22 ranges and nearly 400 different colours. The high-quality textiles are made to last, as are the classic designs, therefore ranges are rarely discontinued.

“A lot of architects and designers are trying to create less waste. When fitouts need refurbishment, hopefully they will refurbish in the fabric that was originally specified and maybe introduce a pop or highlight of a new colour. Reuse and refurbish whatever exists — this is another way designers are starting to design with a more sustainable outlook,” she adds. ■

The future of sustainable fitouts

Sustainability in interiors is increasingly supported by industry frameworks such as:

Green Building Council of Australia (GBCA): Its Green Star rating tools certify buildings and fitouts for environmental performance. The new Green Star Fitouts program will simplify certification for projects, focusing specifically on aspects the fitout owner can control. gbca.au

GECA (Good Environmental Choice Australia): Provides independent certification for products and services with reduced environmental and human health impacts. More than 2500 products are certified. geca.eco

Product Stewardship Centre of Excellence:

A not-for-profit helping brands, governments, and manufacturers design products for longer life, maximise reuse of materials and improve environmental outcomes. stewardshipexcellence.com.au

Responsible Wood & Forest Stewardship Council (FSC): Promote sustainable forest management through certification, ensuring that timber products are responsibly sourced. responsiblewood.org.au anz.fsc.org

Wildlife Retreat. Image courtesy Sustainable Living Fabrics. Designer: Interiors Chada

Image courtesy Sustainable Living Fabrics

Creative Drive

Multi award-winning, WA-based, JahRoc Furniture thrives on creativity and a drive for quality, underpinned by artistic collaboration

By Rob Ditessa

“I think it’s just about being different, and obviously quality is really important to us, making sure it’s really built well,” says Gary Bennett. Gary established JahRoc Furniture, a bespoke fine furniture business in partnership with his friend, and subsequently brother-in-law, and cabinet maker David Paris.

“We offered — pretty much from day one — a lifetime guarantee on our work,” he continues. “I don’t even know if anyone still does that. All the old guys in the industry just said ‘you guys are crazy, that’s going to bite you’. But we’ve had it all the time. We do get the odd claim, but we fix it or re-build it. I’ve even brought back a piece from Sydney, fixed it, and sent it back. We’ve found that type of commitment to our product for our clients builds a lifetime bond that keeps them coming back.”

From the start Gary wanted his work to be different, something that hadn’t been seen before. In his design work, he “wasn’t going to be led by any one influence, and just wanted to come up with new work, and to keep it fresh,” he says. He learned the art of design, he muses, through a sort of osmosis, by absorbing the shapes and colours of the world around him.

Gary’s collaborations with a variety of artists helped him learn how to see through an artist’s eye. “One particular guy, Shaun Atkinson, taught me how to see things I’d been looking at all my life but had not noticed,” he says. Shaun, the internationally acclaimed Western Australian artist, was noted for his pared-back silhouettes of the landscape and seascapes he painted using evocative shapes and colours.

Shaun’s studio and Gary’s workshop had a similar view, overlooking a beach, which eventually motivated both to collaborate on an exhibition of work inspired by the landscape surrounding their respective studios, only a few kilometres apart.

It was through this collaboration that Gary developed a deeper understanding of how to capture and reflect the colours, lines, and shapes, in the vista and geography around him. Shaun would point out a feature of the landscape or seascape in the way Gary was drawing a design. “I’d look up and there it was in the light or the scene in front of the workshop. I was sort of doing it unwittingly, I guess,” he says.

Their collaborative exhibition also included work by leading Australian poet John Kinsella. It was one of several artistic co-operations JahRoc accomplished, and this one took them to Italy.

“The [exhibition] in Italy was pretty cool because we were invited by the state government to go. They obviously saw the value of the project that we did as we were reflecting a real ‘sense of place’ in that

The Family Tree Dining Table — Butson

Solid jarrah 9ft Gun made by Jim Banks and Gary Bennett — 2010

work. In Italy, we were really just showing our work, so we didn’t have to go there and sell furniture, which was great,” Gary explains.

“Schools wanted me to talk to their students all about design, and timber. It was ironic really as I’d never really done that well at school. Yet here they were inviting me back to talk to their students. I was even asked to talk to the Business students at the University of Western Australia. Crazy really,” he laughs.

One of the awards won by JahRoc was the Wesfi Noel Hearn Fellowship Award for ‘Outstanding Contribution to the Development of an Export Market for WA Furniture’. The award, says the WA government’s heritage website, “is given to an outstanding individual whose further personal development will benefit the growth of the furniture industry in WA”.

Gary reflects, “The Fellowship was really cool to win. The Hearn family were an integral part of the West Australian furniture industry so I felt very honoured to be the inaugural recipient of the that award. The study tour of the Japanese timber and furniture industry had a profound and long-lasting effect on me personally and on our business.”

He adds, “The FIAA [now ACFA] Best of the Best awards also felt extremely rewarding to win. In the context of the Australian furniture industry, JahRoc was a very small player. So, when we were announced as the recipient of that award for the first time in 2003, I just couldn’t believe it. We went on to back it up with wins in that category again in 2005 and 2009.”

As they rode the wave to success, Gary and David, who are both keen surfers, embarked on a collaboration with Jim Banks, the surfing identity and surfboard shaper. JahRoc made pieces and furniture, and surfboards, with a surfboard theme that showed off the rich colours and grain textures of local timber. The project was aptly titled “Always Offshore”.

Another project, a commission from Sue Ulrich and painter Bill Anderson, put Gary to the test but also showcased his design and making skills, and his fortitude. The commission was for a chaise lounge, but Gary had never designed or made any soft furnishings. With imagination and his innate skills, and the determination of the client, he accomplished the work, and won the Excellence in Lounge Furniture in the National Furniture Industry of Australia Awards. He tells Connect, “’Sue’s Chaise’, as it was named, went on to take out the Best of the Best over all categories in 2002, which we felt was an amazing achievement to be recognised by our peers in that way.”

JahRoc’s creativity and drive for quality has been sustained by artistic collaborations as well as clients attracted from related businesses. In their previous location in York, an historic town located 100km east of Perth, where they renovated an old mill building, they eventually were sought out by 11 small concerns to share the building; one purpose was a music venue. The musicians, he remembers, came and walked through to see what they were doing and put in orders. They crafted a bed for singer Marcia Hines, and other furniture for folk singer John Williamson.

“People think we moved to Margaret River because it was good business down here,” Gary continues with a laugh, “but that wasn’t the case. I moved here because I liked to go surfing, and there just happened to be a market here for what we did. We were extremely lucky in that there are people from

L-R David and Joanne Paris, Lara and Gary Bennett — 2022

Sue's Chaise — 2002

all over the world who come and stay here. Some of them would purchase a special piece to get shipped back home. In some years, 30 to 40 per cent of our work was being shipped around the globe.”

Gary’s wife Lara, and David’s wife Joanne, ran the art and craft gallery, and Gary says that “certainly for the past 15 years they drove sales to levels we never thought possible. Our gallery in the main street of Margaret River became a must-see destination as one of the largest most diverse regional galleries in WA, so Lara and Joanne’s role in our business can’t be overstated.” David took on production, and administration of the business while Gary was in charge of sales, marketing, and designing and custom studio work.

Humans in general want nice things but, Gary acknowledges, some people can afford them, and some cannot. He recollects suggesting to one customer that he start a payment plan. “So, he started putting $50 a week in our bank, and that went on for about 12 years, and he accumulated a house full of the most beautiful furniture,” he says.

Despite expectations that the business would grow, Gary says one of the reasons JahRoc did not expand is the challenge of finding workers when, in the WA mining industry, young people can go up north and make three times what JahRoc can pay.

In addition, the price of timber has increased. “In my early days, I used to get it for almost nothing, pretty much off old buildings. They’d say ‘if you can pick it up and put it in the skip bin you can have it’, but it’s got more and more expensive. That will keep going because of supply and demand due to scarcity which has largely been brought on by poor government policy,” says Gary.

All of our native hardwoods are wonderful to work with, he enthuses, listing jarrah, marri, sheoak and blackbutt, noting their diversity in colour and grain. He says, “They cut well and because they are hard, joints stay really strong with minimal glue. Generally, we source material from local farmers, salvaging fallen logs or in some cases where roads and developments are happening. So, it is mostly salvaged material.”

He adds, “I love Japanese hand tools because they are beautifully made and function really well. Most of my big machines are Felder. Again, they are very well made in Austria and function well while lasting a long time.”

Looking back on his working life, Gary says, “I love being creative and, while timber can be very challenging with all its nuisances, it just feels good to work with. Nature is so astounding and I never cease to be amazed by the colours and grain patterns it offers. It sounds corny but it is one of nature’s great art forms.”

When asked about skills development, Gary says it is the construction sector that gets all the attention. “They shortened apprenticeships [and] it’s a bit sad they don’t get the training they should. You can’t learn to be a tradesman in three years, it’s

Gary Bennett

Image courtesy Gary Bennett

Favourites in the factory

Barker 1450 wide belt sander: An older machine, originally built in the 1960s in Melbourne, it ran for the first 25 years at the Wesfi plywood plant in Welshpool, WA. We acquired it in the late 1990s.

Balestrini mortice and tenoning machines: Invaluable for our chair-making process. Big solid beasts that, once set up, will spit out beautiful tight-fitting mortice and tenons all day long.

Griggio 3800 panel saw: The sheer size of this saw along with the tilting arbour make this machine a table maker’s best friend.

Casadei 520 buzzer with a combined 3000 mm bed: I call it the air craft carrier and when I need to flatten a side board top, or I’m doing a twin slab dining table or desk, I head out to the big workshop, and this one.

Leda 630 thicknesser: Another workhorse for fast efficient gauging of large-width timber slabs. Keep the blades nice and sharp, and it’s a dream to use.

Meber 900 band saw: This is a massive band saw that can also be used for milling veneers which is very handy in our furnituremaking process.

Linde H25T fork lift: It would be hard to operate handling the large timber stacks and slabs that we do without this machine.

Caterpillar 232B skid steer: Because we operate on a bush block there are places that the forklift won’t go due to the rough terrain, and that’s when this puppy comes into her own.

pretty much impossible. I don’t know what’s going to happen in the future in that regard and I don’t know how they can fix that without some targeted government policy in that direction,” he adds.

After 40 years, David has decided to retire, and the business is up for sale. Says Gary, “I’d love to find someone who would pick it up and run with it, because I still think there’s a future in studio, small-

Rocking Chair

scale high-end, hand-crafted furniture. The further we go into the future, there’ll be fewer skilled crafts people and native hardwoods available. I think that makes people revere it even more now. The smart people can see that coming.”

That’s why, he suggests, anyone who chooses this type of work can make an incredible life from fine furniture making. “I can’t think of a better way, for me anyway, a better way to make a living,” he concludes.■

JahRoc jahroc.com.au

L-R David Paris, Gary Bennett — 2015

Fish Hall Table in sheoak

Gary Bennett working on the Chaise Lounge — 2003

Visit Milan in 2026

Join ACFA on an international tour to visit Salone del Mobile.Milano and Milan’s renowned Design Districts

This 11-day International Design Tour will take in the latest releases in kitchen design, appliance technology, bathroom fittings and fixtures, the latest lighting concepts, featured young designers and furniture design at Salone del Mobile, Eurocucina, FTK (appliances) and The International Bathroom Exhibition.

ACFA invites you to join experienced tour leader Melanie Gardener, who brings years of insight from her time with Australian International Design Tours. Melanie has led countless groups through Milan’s Design Districts and through factory visits with sponsors and now brings that expertise to this exclusive ACFAhosted experience.

Attendees will also enjoy immersive visits to sponsors Unox Casa and Latho Components (with Cabinetti Panels) for a behind-the-scenes look into the design and manufacturing processes that bring these products to life. With evening events in Milan and visits to the renowned Milan design districts, plus time for some R&R, this is an event not to be missed!

Your itinerary 20–30 April 2026

• 20 April: Welcome dinner at Milan Hotel

• 21-22 April: Salone del Mobile show + evening Milan events

• 23-24 April: Milan Design District tours + evening Milan events

• 25 April: Free day (Italian Independence Day — Public Holiday)

• 26 April: Brescia Architectural walking tour with local guide + lunch

• 27 April: Palladian Villa tour, winery visit, wine tasting + lunch OR sponsor factory visit

• 28 April: Showroom and factory visits with Latho Components (Cabinetti Panels)

• 29 April: Showroom and factory visits with UNOX CASA + Farewell dinner

• 30 April: Tour concludes. Own arrangements for onward travel (closest airport for onward travel is Venice)

About the show

Salone del Mobile is Europe’s premier interior design show and attracts more than 370,000 international visitors every year. Held biennially, Eurocucina and Salone Bagno (The International Bathroom Exhibition) have become an integral part of the show’s offering. With the addition of the Future Technology for the Kitchen — FTK (appliances) section, the show is a must-see for anyone in the kitchen, bathroom, interior design or cabinet making/ joinery industries. Exhibitors come from around the world to show off their design flair, creativity and innovation. The show also comprises young designers, furnishings, fabrics, interior design, and furniture.

Our sponsors

UNOX CASA

Founded by Enrico Franzolin in a modest garage in Padua in 1990, UNOX has grown into a global leader in the manufacturing of professional ovens. Renowned for its dedication to Italian craftsmanship, the brand has earned the trust of top restaurateurs worldwide through a distinctive fusion of innovation, technology, and design.

With the Unox Casa division, these restaurantquality ovens are now available for the high-end residential market. SuperOven seamlessly integrates cutting-edge technology with iconic Italian design, tailored for the most coveted and sophisticated home kitchen spaces.

Constructed entirely from stainless steel, SuperOven is available in two models — Model 1 and Model 1S — and comes in two finishes: satin steel and matte black painted steel. The company is headquartered in Cadoneghe, Italy.

Latho Components & Cabinetti Panels

Located in Paderno del Grappa in the province of Treviso, Italy, Latho Components is a family business which has been producing surfaces and components for the furniture and interior design industry for more

than 50 years. Its production facility boasts more than 50,000sqm of covered factory and assembly areas which focus on the highest quality solid and veneer panel products as part of the Gizia group of companies. Latho Components is known for its industry-leading solutions and high-quality products, supported by its commitment to remaining 100 per cent made in Italy. We are visiting Latho Components in partnership with Cabinetti Panels. As the Australian distributor, Cabinetti Panels is also a family-owned business with a commitment to quality materials and finishes for the design and cabinet making sector.

E&S

Founded in 1962 and now part of the JB Hi-Fi Group, e&s is an appliance retail business built on a foundation of exceptional service and honest advice. The company’s passion for innovation and dedication to customer care have established it as an industry leader in Victoria. With a growing network of stores, including interstate expansion, e&s is the appliance retailer of choice for interior designers, builders, renovators, and homeowners, offering comprehensive solutions for home projects. ■

Costs

ACFA/KBDi Members

• $6999 per person (twin/double) or $8499 per person (single room).

Non-Members

• $7499 per person (twin/double) or $8999 per person (single room).

Deposit $2999 non-refundable*, per person (to be paid on return of booking form). Balance payable by 31 January 2026.

*see terms and conditions

Limited rooms so book now! acfa.net.au/2026-tour

Sustainable, Efficient, and Profitable

What sustainability really looks like in business

By Ben Fewtrell

When you hear the word sustainability, you probably think of responsibly sourced timber, recycling offcuts, low-VOC finishes, or solar panels on the workshop roof. And while all those things matter, sustainability runs a lot deeper than just the materials we choose.

As a business coach, I’ve worked with cabinet makers, kitchen designers and tradies across the country. And here’s what I’ve learned, the most sustainable businesses aren’t necessarily the ones with the greenest products. They’re the ones with smartest systems, efficient processes, strong margins, and the ability to weather the ups and downs of the market.

In other words, sustainability isn’t just about the planet. It’s about building a business that lasts.

Think beyond “green”

Don’t get me wrong, offering sustainable products is a great start. Clients are increasingly asking for ecosafe materials, locally sourced products, and greener finishes. But if your quoting is all over the place, your

workflows are inefficient, and you’re constantly undercharging, it doesn’t matter how “green” you are, your business won’t survive long enough to make a difference.

Sustainability needs to be baked into the way you run your business and not just what you sell.

Three ways to build a more sustainable business

1. Operational Sustainability: Reduce waste, reworks and stress

Every hour lost chasing missing details, redoing jobs, or correcting miscommunication is wasted time and that’s bad for business.

A great place to start is by using job management software to centralise everything, from quoting and ordering to job tracking and team communication. This helps avoid double handling, miscommunication, and time lost chasing information. You can also streamline your processes by setting up templated workflows for quoting, ordering, and installation. These create consistency, reduce mistakes, and make it easier to train new team members.

Another effective strategy is batching similar tasks in production. For example, cutting all panels for several jobs at once keeps machines running longer

without constant tool changes or reprogramming. This reduces downtime, increases output, and improves material efficiency, which all translates into less waste and more profit.

One of the biggest (and most overlooked) areas of waste is the install phase. If your process isn’t clearly documented, well communicated, and consistently followed, it can lead to unexpected delays, rework, and cost blowouts. Missing hardware, incorrect measurements, or vague handovers between factory and installers all add up. That’s why it’s so important to regularly review your install process. By spotting where time is being chewed up, you can tighten the workflow before it starts eroding your margins.

The less chaos in your operations, the more energy you can put toward growth and the less you’ll waste along the way.

2. Financial Sustainability: Know your numbers and charge accordingly

Sustainable businesses understand their numbers. They quote based on real costs, labour, materials, admin, overheads and build in buffer room for the unexpected.

That starts with creating a clear, realistic budget. Too many businesses operate off gut feel rather than a plan. But if you don’t know what you’re aiming for each month, it’s impossible to measure performance. Your budget should include projected revenue, labour costs, material spend, overheads and your target profit. From there, comparing budgeted vs. actuals each month helps you see what’s working, and what’s quietly draining your bottom line.

It also pays to track job profitability regularly. Look at quoted versus actual costs to see where margins are being lost. Over time, this gives you the data to quote more accurately and confidently, especially for jobs that include sustainable upgrades or premium finishes.

And don’t be afraid to charge for those upgrades. Clients are often willing to pay more for environmentally conscious choices, as long as you can explain the value. Sustainable design features, better finishes, and smart layouts offer long-term benefits, your pricing should reflect that.

Finally, make sure your team understands the true cost of callbacks, rework, and poor communication. When your crew sees how small mistakes affect profitability, they’re more likely to take ownership and that alone can protect your margins.

3. Marketing Sustainability: Position yourself as a quality, future-focused business

Sustainability is no longer a niche differentiator, it’s becoming a baseline expectation. But here’s the opportunity very few businesses know how to market it well.

If you’re making smart, sustainable choices, whether in materials, workflow, or the way you run your business, talk about it. Add a sustainability page to your website explaining your approach. Mention it in your quotes. Show behind-the-scenes examples on social media, such as how you reuse offcuts, minimise waste, or run your shop more efficiently.

Marketing your sustainability doesn’t mean rebranding your business as eco-friendly overnight. It’s about showing that you’ve thought about the future, that you care about quality, and that you operate with purpose. This type of positioning builds trust, especially with high-value clients who aren’t just shopping on price.

If you and your team can communicate your values clearly in everyday conversations, it sets you apart from the pack. You don’t need to shout about it, just show up with intention. That alone puts you ahead of most competitors.

Final

word: Built to last Trends come and go. Materials change. Markets shift.

But the businesses that survive and thrive are the ones that make sustainability part of their business model, not just their marketing.

If you want to build a business that’s efficient, resilient, and profitable over the long haul, don’t just think about the next job, think about the next 10 years. That’s sustainability. ■

Ben Fewtrell is the co-founder and managing partner at MaxMyProfit. With more than 20 years of experience in business growth, Ben is also the cocreator of the "Business Exceleration™ Blueprint" and co-hosts the Max Your Business Podcast. He’s known for his dynamic presentations and effective business coaching, helping companies boost their sales and efficiency.

Max My Profit maxmyprofit.com.au

Darcy Zerafa, Better Bathrooms & Kitchens

Beyond the Downlight Grid

Smarter lighting design for kitchens and bathrooms

By Selina Zwolsman

The standard kitchen downlight grid is fast becoming outdated, and for good reason. A well-lit kitchen or bathroom doesn’t just look better; it functions more effectively. It supports usability, boosts mood, and enhances the overall design.

Let there be light early (introduce the topic at the concept design phase)

Lighting is often neglected or postponed until the final stages of a project, but proactive lighting design helps avoid costly modifications and compromises down the line.

Establishing the ‘mood’ a client desires, along with their practical needs, of course, can guide many aspects of design, and should be your starting point.

For instance, a dark, masculine ensuite calls for a completely different lighting plan than a bright, spalike retreat. A family kitchen needs well-positioned task lighting and adaptable zones. A statement kitchen in a luxury home might prioritise ambience and architectural detail. When lighting is considered

at the concept stage, it can be integrated into the overall aesthetic and functional layout (and the budget, too).

Once you’ve identified the clients’ needs and the overall mood of the space, you have a great opportunity to enhance your design with lighting. Make a habit of adding light into 3D renders or early presentations. Show the client how a cabinet feature will look with and without lighting. Point out how the chosen lighting — and natural light, too — will bounce off or be absorbed by different materials. Think about how shadows may affect task zones and discuss how reflective light could influence the appearance of some colours.

If your client is seeking a statement space, a striking pendant could become the focal point of your design. Choosing this early can be a game-changer in ensuring your design gets all the right attention.

Of course, there’s more to gain from good lighting design than managing moods and making statements. Early collaboration with electricians, cabinetmakers, and other trades ensures fittings

integrate seamlessly with cabinetry and architecture, avoiding the inevitable costs and delays caused by switch or fitting relocations. By anticipating these potential issues, you’ll keep your client and your building buddies on side.

Understanding the three layers of light

Good lighting design generally relies on a layered approach, using a combination of:

• Ambient (general) lighting: for overall illumination of the space

• Task lighting: for specific activities such as food prep or make-up application

• Accent lighting: to create drama, interest, or focal points

A thoughtful combination of these three elements will provide better usability, a more engaging visual experience, and a more professional finish overall.

Here, we’ll examine these three layers of light in bathroom and kitchen settings.

Bathrooms: Balancing function, mood, and compliance

Bathrooms are among the most demanding spaces for lighting. You’re not only working to create a pleasant visual environment; you also need to

manage water proximity, moisture extraction, and user-specific requirements.

Ambient lighting

Most residential bathrooms rely on ceiling-mounted fittings or 3-in-1 units. Ensure your selections:

• Meet IP ratings for their installation zone (refer to AS/NZS 3000:2018 and NCC requirements)

• Provide sufficient general lighting for cleaning and ablutions

• Offer efficient extraction (calculate volume and required air changes)

Task lighting

Suitable illumination around the mirror is essential, especially if your client cares about their make-up application. The correct placement and quality of light can eliminate shadows and enhance usability.

Popular options include:

• Over-mirror fittings: great for downward and reflected light

• Integrated LED mirrors: neat, stylish, and practical

• Forward-facing ‘Hollywood’ lighting: ideal for clients who wear make-up or need clear illumination.

When planning lighting for bathrooms, you’ll always want to avoid:

• Downlights directly over the user’s head (casting unflattering shadows), and

• Fixtures that don’t meet minimum IP requirements near wet zones — always confirm the suitability of wet area lighting with your supplier.

Accent lighting

In a bathroom, you can add visual interest and a sense of luxury with:

• Under-vanity strip lighting

• Niche lighting in showers or feature walls

• Uplighting around architectural forms

When planning all layers of lighting in a bathroom, it’s essential to be aware of the requirements of the NCC and Australian Standard AS/NZS 3000. The regulations set out four zones (0, 1, 2 and 3) around water sources, each with specific luminaire IP ratings:

Zone 0: Inside the bath or shower base — only IPX7rated luminaires permitted.

Zone 1: Above bath or shower, to 2.25m high — requires IP44 rating minimum.

Nina Di Marco, YDM Design Studio

Design

Zone 2: Extends 0.6m outside Zone 1 and 2.25m high

— luminaires must be IP44 or Class II double insulated.

Zone 3: Beyond Zone 2, where normal fittings apply.

Determining these zones in your design is critical. For instance, many decorative pendants in bathrooms fail to comply because they aren’t rated for Zone 1 or 2 use, which can lead to delays or safety problems. Always verify the manufacturer’s IP ratings and installation instructions before specifying.

Kitchens: Where practical precision meets atmosphere

Kitchen lighting should be practical first and foremost, but as the heart of the home, it should also create ambience. Think about where light is needed and how to achieve it without cluttering the ceiling (hello, six-downlight grid) or relying on bulky fittings.

Ambient lighting

Rethink the default downlight layout. Instead:

• Use wide-beam downlights placed over traffic zones

• Avoid lights directly over the user’s head in working areas (preparation zones) and milling points (where family and guests may gather for coffee or drinks — no one wants the ‘ugly lights’ casting eerie face shadows here)

• Consider ceiling height and sur face reflectance when calculating output.

Task lighting

Task lighting is essential for functionality, particularly in areas such as:

• Benchtops (under-cabinet strip lighting is ideal)

• Cooktops (rangehood lighting often assists)

• Islands (pendants that cast both down and out are best — refer to the ‘ugly light’ comment above)

Accent lighting

A striking feature pendant or a cleverly placed accent light can take your design to the next level. Consider:

• Strip lighting under over heads or at kickboards

• Inter nal cabinet lighting (especially with glass fronts)

• Backlit splashbacks, island features or open shelves

• A statement pendant or feature light.

Anticipating interplay: Material + light

Lighting should never be planned in isolation from material and finish selections. Always consider the following:

• Matte vs. gloss: glossy finishes bounce and reflect light; matte finishes absorb light

• Dark sur faces may require more lighting to avoid looking gloomy but can lose their appeal if overilluminated. Use warm light where possible in dark rooms and ensure LED cabinet lights have the same colour tone as others in the space.

• Reflective materials help distribute light but can cause glare if not well controlled.

Natural light: A useful layer

Thoughtful lighting design goes beyond the electrical layout. In fact, it begins with daylight. A well-lit space combines both natural and artificial light to improve comfort, energy efficiency, and visual appeal. Effective daylighting design considers:

• The ideal window sizes, glazing types, and shading strategies for each orientation and room, based on solar angles, heat gain, and potential glare

• The type of light needed for each area — general, task, or background — and how daylight can support or supplement it

• The optimal placement of luminaires to complement natural light and ensure even distribution throughout the space

Daylighting includes both direct sunlight — a bright, focused source — and diffuse sky light, which provides softer, more even illumination. By designing with these two light sources in mind, you can reduce

Michael Davis, Michael Christopher Design

dependence on artificial lighting during the day and improve the overall performance of the home.

Natural light is a lighting layer in itself, and when it’s available, it should be factored into your design:

• Position vanities or work sur faces near windows.

• In darker spaces, consider placing reflective surfaces — such as light-coloured tiles or cabinetry – opposite windows. This can bounce natural light deeper into the space, reducing reliance on artificial lighting during the day.

• Plan for flexible use with blinds or window coverings. Window treatments such as translucent roller blinds or adjustable louvres help diffuse strong daylight and reduce glare, particularly at morning or late afternoon peaks. By anticipating the need for window treatments early in the design phase, you can avoid clashes with cabinetry or other fixtures and fittings.

But remember — natural light varies throughout the day, and some bathrooms and kitchens receive very

little or no sunlight. You’ll need to fill those gaps with dependable artificial lighting that mimics daylight quality.

Control + switching: Keep it simple

Layered lighting plans are only successful when they’re easy to use. That means:

• Logical grouping of switches (task, ambient, accent)

• Dimmers for mood control

• Smart lighting or scene-setting systems (especially for high-end clients)

Smart lighting systems are becoming more accessible and can enhance the user experience. By programming scenes (e.g., meal prep, clean up, relax), homeowners can easily choose lighting modes suited to their activity without juggling multiple switches.

Last but not least: Bring in the experts

Most designers are confident in selecting pendant styles and downlight placements. However, for more complex or high-end projects, consider engaging a professional lighting designer. They can provide:

• Lux level and beam spread calculations

• 3D visualisations of lighting effects

• Advice on colour rendering, glare control, and human-centric lighting

Your clients will appreciate the end result, and your collaboration with a lighting specialist can be a point of difference in a competitive market.

In summary, a good designer will always design with light in mind. Plan early, collaborate when needed, and take your interiors from ‘bright enough’ to ‘brilliantly executed.’ ■

Selina Zwolsman CKD Au, CBD Au is a qualified interior designer and experienced writer specialising in design and building-related content. She produces technical and editorial content for industry and training organisations, and assists small to medium business owners with web and media copy, email marketing campaigns and more. Selina has shared many design-related presentations with trade and consumer audiences and loves to promote the work of Australia’s best designers and manufacturers. Contact Selina via her website at nicelysaid.com.au.

Ashely Maddison, AM Interior Studio

Celebrating 15 Years

Lewis Blair celebrated 15 years with ACFA in July 2025 — we take a look at his illustrious career

Lewis grew up in New Zealand with his large family and left school aged 16 to take up a role in a sawmill, then qualified in and worked as a wood machinist. 1980 saw him leave New Zealand for Australia in search of broader experience and a wider range of opportunities.

His qualifications were not recognised in Australia so he bounced from role to role for a while, gaining skills and experience all the while. “I’m good with my hands and I’m quite practical in my approach,” Lewis says. “I’ve always had people skills and I take a hands-on approach to learning which has always served me well."

Lewis first encountered ACFA (then known as FIAA — Furniture Industry Association of Australia) at a home show in Sydney. At the time he was working for Benchtech, a kitchens and benchtop manufacturer who was exhibiting at the show, and the FIAA stand was across the corridor. Having watched Lewis’ interactions throughout the show, the then-CEO of FIAA, Martin Lewis, approached Lewis and offered him a job as a trainer.

“I told him there’s no way I could work with young kids,” laughs Lewis. “But he convinced me that my people skills could be useful and here I am still!."

This move coincided with new training and qualifications coming through for the industry so Lewis undertook to use Recognition of Prior Learning (RPL) to become qualified as a cabinet maker and furniture maker.

In July 2010, Lewis started as one of only a handful of trainers, which meant the team covered quite a fair territory. In those days, TAFE was the dominant training option for apprentices and onsite training was still a fairly new concept. “I thought it was important that we provide an alternative to TAFE,” explains Lewis. “It’s such a different training experience being on site and I found being on site provided a more wellrounded educational experience."

“Back in the old days I could have up to 120 apprentices I was visiting,” adds Lewis. “Now we have many more trainers on board so I’m looking after 38 apprentices."

He laughs when asked about the main differences between then and now. “Well, times have certainly

James Nightingale — RPL Student

Austin & Billy from Franchise Fit Out Group, Penrith

changed,” he says. “Technology has become so prevalent in the industry and that has very much changed the landscape." Lewis describes his early years as a trainer when all material was hard copy pen-and-paper and barely a phone or computer to be seen.

“In many ways technology has allowed for expansion and more precision, but I worry that important knowledge is being lost,” he laments. He uses the example of cutting plans and cutting lists being automatically generated and being sent to CNC machines and worries that apprentices are becoming glorified computer operators. “If the CNC crashes then they all go home,” he laughs wryly.

As many who work in the industry recognise, Lewis is concerned about the lack of young people taking up apprenticeships across the industry. “We focus too much on university as the only option. For those kids who are great with their hands but not necessarily with their book learning, and who are interested in a trade qualification, why force them to stay at school?” he asks.

Lewis is particularly keen on the new SBAT (SchoolBased Apprenticeship Training) system available as that allows students to access VET training and contribute to their qualifications while still at school. “I can relate to these kids,” he explains. “When I left

school my reading and writing were not good so I’ve been where they are now and I can see the potential they have."

He credits his success with his students to treating them with mutual respect and communication that is based on honesty. “I’m pretty patient,” he adds. “It takes a bit to press my buttons. I also recognise that an individual approach is needed — they aren’t all the same.”

Lewis is clear about what is currently broken in the system: “We’re going in the right direction but cabinet making is one of the lowest-paid trades and that’s hurting the industry. Bosses can’t afford to pay more so we need more support and subsidies from the government to attract quality applicants and allow them to earn a living wage."

He says he would like to see more “old-school” tradies passing on their knowledge and experience to the next generation to ensure core skills are not lost as they retire or move on.

Throughout his 15 years with FIAA/ACFA, Lewis has worked with many long-term staff in the organisation. Dean Brakell, ACFA CEO, says “Lewis has played an integral role over the past 15 years as a workplace trainer and assessor, consistently demonstrating a genuine commitment to developing others. His knowledge, patience and ability to connect with learners has had a lasting impact across the industry. We’re proud to celebrate this milestone with him.”

“I love my job. I like my contact with the apprentices and the employers, and also with the ACFA staff, and seeing the mutual respect we create. If it was possible I would continue training and assessing into the future,” Lewis concludes. ■

For more information contact ACFA on 1300 342 248 or Lewis directly on 0434 319 210.

Powney & Powney Supreme Kitchens, Wetherill Park

Brook from Bentley Wardrobes, PenrithBenjamin from Kitchen Vision, Mulgoa

David from Eye 4 Detail Joinery, Rouse Hill

Design Trends

Dave Harvey (DISKO Designs)

Inspiration v Imitation

What it means to "steal like a designer"

As designers and makers, we draw inspiration from all kinds of places. We gather images, materials, and ideas from our travels, clients, industry icons, and even childhood memories. But in a time of endless scrolling and instant sharing, the line between influence and imitation has never been more blurred.

When does admiration become replication? And how can you make sure your work remains original, ethical, and undeniably your own?

Austin Kleon’s bestselling book Steal Like an Artist challenges traditional ideas of originality. “Every new idea is just a mashup or remix of one or more previous ideas,” he writes. In his view, no creative work is truly original, but that doesn’t give us permission to copy. What matters is how we use our influences: how we transform what we see and admire into something new.

For kitchen and bathroom designers and cabinetmakers, this distinction is more than just academic. Recognising the difference between

drawing inspiration and falling into imitation is essential to stand out from the crowd — and to create work you can truly call your own.

In this feature, we’ll explore what it really means to ‘steal like a designer’ and showcase how five KBDi members (and design awards finalists) have achieved this. Their designs borrow boldly, remix wisely, and demonstrate that with a bit of creative alchemy, influence can turn into innovation.

How to embrace influence

Austin encourages creators to embrace influence, but to do so consciously and with integrity. “You don’t want to look like your heroes,” he writes. “You want to see like your heroes.”

In practice, this means understanding the why behind admired work, not just the what. Designers don’t work in a vacuum. We draw inspiration from architectural movements, cultural references, fashion, music, and even our clients’ personal stories. The skill lies in absorbing these references, breaking them down, and recomposing them into something new.

Design Trends

Case study: A nod to Art Deco

In this stunning kitchen design, Adelaide designer Tania Nikolitsis CKD Au, CBD Au (Tanik Design) was tasked with better connecting the kitchen and dining areas of a home with a strong Art Deco character.

The clients were especially fond of an existing decorative archway — a classic Deco detail — and initially hoped this element could be replicated in the new opening between the spaces.

While Tania was committed to meeting the brief, she felt a direct imitation of the arch wasn’t the best choice. The original feature already acted as a striking focal point; duplicating it would have lessened its impact and created significant design and structural issues.

Instead of copying the arch, Tania chose to echo its shape in the new design. Deco-inspired details and gentle curves were added to the joinery, offering a respectful nod to the original architecture without resorting to straight-out duplication.

This isn’t imitation because: By translating a beloved architectural feature into fresh design elements, Tania honoured the home’s history without resorting to repetition. This exemplifies what it means to ‘steal’ thoughtfully.

Case study: A 70s revival with a contemporary twist

In this compact kitchen renovation, designer Nathan Wundersitz CKD Au (SpaceCraft Joinery) set out to salute the architectural vibes of a 1970s-era home nestled in South Australia's McLaren Vale wine region.

The brief was twofold: to create a visually engaging and eraappropriate kitchen that would appeal to Airbnb guests while also ensuring durability, ease of cleaning, and a clutterfree aesthetic.

Rather than directly mimicking retro interiors, Nathan took inspiration from the era’s defining features and reimagined them through a modern lens. The palette was anchored by warm timber details, including custom Blackwood trims and half-round ribbing that subtly echoed the texture of vintage corduroy jeans.

Natural stone benchtops, under-cabinet lighting, and soft curves added elegance and whimsy, striking a balance between function and flair. The final outcome captured the essence of 70s design without falling into pastiche.

This isn’t imitation because: Nathan drew on the spirit of the 70s, not its exact forms. His design honours the era while offering contemporary usability — proof that influence doesn’t need to feel outdated.

Design Trends

Case

study: A bathroom steeped in heritage — and a hint of grandma’s blue rinse

In this Edwardian bathroom renovation, Melbourne designer Anna Wood CKD Au, CBD Au (Picchio Interiors) drew inspiration from a deeply personal source: her grandmother. The home, once owned by her grandparents, held sentimental value, and the renovation aimed to balance heritage with modern needs.

Central to the design was a custom vanity finished in Dulux 'Blue Rinse' — a gentle nod to her grandmother’s signature hair colour. This choice set a nostalgic yet refined tone for the entire space. Natural marble, bronze fixtures, playful polka dot flooring, and custom winged mirrors all come together to create a bathroom that is elegant, functional, and deeply meaningful.

This isn’t imitation because: Anna didn’t reference a design trend — she referenced a memory. By grounding the concept in personal history, she created a space that couldn’t be replicated by anyone else.

Case study: Bold restraint in a Memphis-Milano-inspired kitchen

In this vibrant kitchen makeover, Brisbane designer Dave Harvey (DISKO Designs) drew inspiration from the bold nonconformity of the Memphis Milano movement and took a dip into Bauhaus colour theory to breathe new life into a tired, 25-year-old apartment kitchen.

First, the layout was overhauled to enhance flow and functionality. With integrated features for the resident fur-babies, clever storage solutions, and a considerate approach to light reflection, Dave developed a practical plan for the smallfootprint kitchen while thoughtfully considering the adjoining spaces.

He then introduced the new colour-blocked scheme — featuring clay, sky blue, and yellow laminates — with sharp contrasting edge banding for visual impact. The white-tiled splashback pays homage to 80s nostalgia, while a striking sculptural red-handled Gessi tap injects a burst of energy.

This isn’t imitation because: Memphis Milano is easy to mimic, but hard to refine. Dave’s design borrows its energy and forms but delivers something fresh through considered restraint and functionality.

Design Trends

Case study: A Mediterranean-inspired social kitchen with soul

This family-centric kitchen design was inspired by a joyful surprise: the pending arrival of a new baby! With a bathroom renovation already in progress, the homeowners asked Melbourne designer, Carmel Wylie (GIA Renovations), to reimagine their kitchen as the heart of a lovely home where they could raise their family and entertain friends in equal measure.

Inspired by the clients’ love of coastal travel and a fondness for Art Deco styling, the brief called for a ‘social kitchen’ with warmth, personality, and plenty of practicality. Their wish list included a large island bench, a bar area, a coffee station, generous storage, and — if possible — a servery window to connect indoor and outdoor spaces.

To achieve this, Carmel reoriented the entire kitchen within the open-plan footprint, enabling better flow to the alfresco area and converting an existing window into a practical servery. Storage was planned with precision: a bi-fold appliance cabinet, multi-depth drawers across the island and back bench, and a full-height pull-out pantry beside the fridge created purposeful zones and long-term usability.

The island was treated as both a functional hub and a sculptural centrepiece. In addition to generous kitchen-side storage, it offers seating on three sides, making it ideal for casual meals and easy

What imitation looks like (and why you should avoid it)

The risk of imitation often comes from skipping the thinking part of design. Replicating a kitchen from Pinterest or Instagram — colour scheme, fixtures, layout and all — might result in something beautiful, but it’s not bespoke. It doesn’t solve a unique problem. And it doesn’t showcase the designer’s own creative voice.

Worse, uncredited mimicry can raise concerns about ethics, integrity, and intellectual property. Clients might not always realise when they’re viewing a copy, but your peers (and judges) usually do.

How to ethically ‘steal’ in the design industry

If you want to stay inspired without straying into copycat territory, here are some principles to follow:

• Study admired work to understand why it works, not just what it looks like.

entertaining. A standout detail is the artisan-inspired triple ball leg, custom turned and cleverly integrated to visually ‘dissolve’ into the stone benchtop.

Textural layers and earthy tones bring the Mediterranean influence to life. A restrained palette allows material contrasts to shine: a layered Dekton surface provides durability and visual weight, while natural stone is used sparingly to connect the island and rangehood with cohesion and elegance.

This isn’t imitation because: Carmel blended multiple influences — coastal, Art Deco, artisanal — into a design that was entirely her client’s. No single source is copied; instead, they’re woven together into something original.

• Draw influences from outside your field — fashion, nature, music, art, architecture.

• Remix ideas until they feel like yours.

• Always add your own voice, story, and context.

• And when in doubt: give credit.

Originality is built, not born

The most celebrated designs aren’t born in isolation — they’re cultivated through curiosity, self-awareness, and transformation. From a grandmother’s blue rinse to a postmodern splash of red, from 70s nostalgia to coastal textures, great ideas are everywhere.

What matters is what you do with them.

So, steal like a designer. Borrow bravely, remix wisely, and make something that only you could have created. ■

KBDi kbdi.org.au/home

1300 253 223

Housing to pick up in second half of decade

Detached housing continues to lead the way for home building this decade

By Glen Qi, HIA economist

The Reserve Bank of Australia (RBA) is in the midst of its rate-cutting cycle, cutting twice this year and with further cuts expected over the next two years. Although rates are expected to remain well above prepandemic levels on the back of strong population growth and government-led job creation, these very factors are also expected to drive a pickup in home building over the coming decade.

Overseas migration continued to drive a historically elevated population growth rate of 1.7 per cent last year. Continuation at this rate will see Australia’s population close in on 30 million by the end of the decade. Combined with further expected cuts to the cash rate and continued low unemployment, buyer confidence will continue to return, further increasing demand for housing.

After hitting a decade low in 2023, with 100,260 detached house commencements, housing construction has started to rebound. Detached house commencements are forecast to reach 120,910 by 2027.

Beyond 2027, detached house commencements are expected to decline. Limited land availability, rising regulatory costs and ongoing labour shortages are all expected to continue pushing up construction costs. As a result, demand will keep outpacing supply, further driving up prices for established homes and rents. This dynamic will push more households toward new builds, but affordability will only continue to deteriorate unless policy measures are taken to help lower the cost of land and delivering new homes to market.

Larger apartment projects take much longer than detached housing to complete and require greater certainty around cost and availability of materials and labour. Foreign investment would also be a major contributor to this sector, had it not been squeezed out of the country by increasing punitive state surcharges. Without these resources, it is not feasible to build these large projects.

As detached housing commencements begin to decline, multi-unit dwelling commencements are expected to rise. Increasingly unaffordable detached house prices will shift demand toward more affordable housing types, such as multi-unit dwellings. This in turn will push up established prices and make new builds more viable, eventually overcoming the tax and investment costs imposed by policymakers. In 2024, there were 60,940 multi-unit commencements, a 13-year low. This figure is not expected to surpass 100,000 again until 2029, for the first time since 2018. Combined with a surge in multi-unit construction in Queensland ahead of the Olympics, unit commencements are expected to sustain more elevated levels into the 2030s.

Local government restrictions on density and punitive taxes on foreign investment are putting a lid on higher density housing supply, keeping commencements at decade lows. States and territories that can provide affordable shovel-ready land will be best placed to drive home building activity.

Governments at all levels have tools to ease the constraints on home building — taxes, infrastructure, planning, approvals, regulations, skills and labour — meaning there is significant potential upside to home building in Australia. Reforms in these areas will be essential for meeting the Australian Government’s 1.2 million homes target over five years. Not only will this go a long way to addressing the housing crisis, it would also represent much-needed structural changes that would boost productivity and economic activity nationwide. ■

Housing Industry Association hia.com.au/

The Cut-to-Size Boom

How our fastest-growing cabinet makers are scaling smarter

Walk into any cabinetry workshop in 2025 and ask one question: “What’s stopping you from growing faster?”

You’ll hear the same answers: not enough time, too much admin, and factory bottlenecks choking output. Yet outside those factory walls, demand is surging.

Independent Google data shows that non-branded searches for “cut-to-size cabinetry” in Australia have skyrocketed — jumping from 128,920 in 2021 to 315,450 in 2024. Builders, cabinet makers and renovators are actively searching for faster, more flexible ways to get custom cabinetry.

50 manufacturers. one event. one shared goal: growth

That shift in demand brought together more than fifty of the country’s most forward-thinking cabinet manufacturers for the inaugural Cutting Edge Cabinet Makers’ Growth Expo, hosted at the Melbourne Convention Centre in June.

Brought to life by Cabinetry.Online, the event wasn’t about flashy booths or filler panels. It was designed as a playbook for lean growth, focused on automation, pricing that protects margin, smarter layouts, and the tools helping fast-growing shops keep their edge.

More than 70 attendees took part in sessions on lead generation, tech integration, staff onboarding, and how to scale production without adding headcount. Every speaker, every panel, came back to one question: “What are the most profitable manufacturers doing differently?”.

Andrew Steel: From one-man band to flatpack powerhouse

Andrew Steel didn’t just attend; he presented. And his story hit home. Eight years ago, Andrew was pushing his limits running ASC Flatpacks.

“Sweeping the floor at dawn, installing during the day, quoting after hours it was all hands-on,” he recalled. When demand for flat-pack cabinetry surged, he didn’t just hire more staff; he restructured. He installed two CNCs, added a return-feeder edge bander, and set a foundation for a factory that now runs five days a week, with 60–70 per cent of output dedicated to flat packs.

Retief Joubert: Cutting the chaos at Provence Brothers

Pieter and Retief Joubert of Provence Brothers shared their cautionary tale of trying to do everything, from installs and curved benches to quick favours that drained focus and killed flow.

“Because we could do it, we did do it,” Retief said. “But every extra variation slowed the whole line down.” The turnaround came after reviewing process and discovering something staggering: 15 days of lead time often hid less than 10 minutes of real production.

The pivot included:

• Redesigning the workshop around process, not machines, and outsourcing non-core tasks

• Adding Cabinetry.Online for automation

• Using goCabinets to generate leads

• Dropping installs and doubling down on cut-tosize supply.

“We don’t do everything anymore, but what we do, we do better and faster than anyone else,” Retief added. The company also added an online portal to its website, allowing builders, cabinet makers and DIY customers to order directly, with no back-and-forth or redrawing required. Systems, simplicity, and speed Manufacturers shared how they were leveraging partners to handle design, quoting and job prep, freeing their internal teams to focus on what matters most. Cabinetry.Online featured heavily, with demonstrations showing how detailing time could drop from 2.5 hours to just 20 minutes per job.

The cabinet makers scaling fastest aren’t doing more work, they’re doing the right work, with the right systems, and the right partners. They've moved from spreadsheets to live pricing, from quoting manually to letting customers order online, and from chasing every

job to building a clear, repeatable niche. If you’re still quoting by hand, pricing per sheet, or relying on install work to survive, it’s time to step back and ask yourself: “What’s really stopping you from growing faster?”.

All levels of the industry, from builders to large manufacturers, are embracing the rise of flat-packs through platforms such as goCabinets and Cabinetry. Online, streamlining operations and driving costeffective solutions.

The demand is real. The systems are proven. The opportunity is now. ■

Cabinetry.Online cabinetryonline.co

Materials

NAV ECO

Since its inception, New Age Veneers has prioritised the responsible sourcing and manufacturing of its products

NAV ECO is a Corporate Social Responsibility (CSR) program implemented by New Age Veneers to guide actions and choices throughout all company activities. It is built on a strategic ESG (Environmental, Social and Governance) Framework which aligns with NAV’s commitments to key UNSDGs (United Nations Sustainable Development Goals).

From the beginning of the company, NAV has driven the building of a more sustainable and resilient future through business operations and choices. Its main CSR objectives include to innovate sustainably, ensure ethical actions, empower communities, preserve nature and promote sustainability.

NAV has set a number of short-and long-term KPIs which include sourcing eco-friendly materials and suppliers, implementing eco-friendly samples and packaging, transparency in supply chain management, internal recycling of samples material, and increased sustainability practices at manufacturing sites, among others.

The company’s aim is “to be leaders in the Australian veneer industry, setting the highest standards of ethical and sustainable practices and innovating responsibly to create a positive impact on society and the environment”.

As a company, NAV takes its environmental responsibility seriously and takes a proactive role as a building material supplier to achieve sustainability certifications. It focuses on responsible product

sourcing, transparent practices, and a determination to have a positive societal and environmental impact. The majority of its product ranges contribute to Green Star Credits via Global GreenTag, PEFC and Responsible Wood certifications, Fire Testing Reports and VOC testing.

In addition, its NAVURBAN™, NAVURBAN Diamond™ and NAVURBAN Elements™ ranges are all GreenTag Certified (Level B4). For added assurance, these certified ranges have also achieved Global Green Tag’s Product Health Declaration (PHD).

The company’s CSR framework guides actions and choices made throughout NAV at all levels, supporting the team to make decisions with planet and people at the forefront. All its environmental claims follow ISO 14021:2000.

“At NAV, sustainable design innovation and the future of our industry are at the forefront to how we develop new business strategies and products,” says Amarni Story, marketing manager at NAV. “We strive to uphold ethical practices in both our products and business operations. A commitment reflected in our newly developed NAV-ECO program, which provides transparency across all our business KPIs AND alignment with the United Nationals Sustainability Goals." ■

New Age Veneers newageveneers.com.au (02) 9457 9622

REVIEW YOUR INSURANCE COVERAGE TODAY

If you’re a cabinet maker, shopfitter, joiner or in associated industries, you know that your work requires precision, skill, and attention to detail. Unfortunately, even the most careful craftsman can run into unexpected problems on the job. That’s why it’s important to have the right insurance coverage in place. Cabinet Makers Insurance Brokers is the best insurance broker for the joinery industry, and here’s why:

• Broader Industry Specific Coverage

• Greater Premium Savings

• Personalised Service

• Claims Management Support

HOMAG at LIGNA 2025

Building Living Spaces

LIGNA 2025 was a dynamic showcase filled with pioneering visions. Under the new global campaign ‘Building Living Spaces’, the entire portfolio — from HOMAG, SYSTEM TM, KALLESOE, WEINMANN, SCHULER Consulting, tapio and BENZ — came together in Hall 14. In conjunction with the global service network, pioneering software solutions and consulting services, visitors were given an unrivalled portfolio for the sustainable design of living spaces.

Against the backdrop of rising costs, a persistent shortage of skilled labour and growing responsibility for the environment and resources, HOMAG impressively demonstrated how sustainable solutions and efficiency go hand in hand. With digital and networked technologies and the integration of artificial intelligence, HOMAG demonstrated how machine learning can sustainably improve storage management or enable predictive machine maintenance, for example.

In addition to live shows, HOMAG presented its inventiveness in the Innovation Centre; right next to it, the machines were running at full speed and modern workpieces were created.

medium-sized businesses by combining manual flexibility with robot-supported efficiency. Together with the STORETEQ P-310 second-level storage system, the result is a resource-saving cell with transparently managed stock levels.

The DRILLTEQ V-310 continues along this path — but with CNC processing. The combined, smart robot system offers continuous 24/7 production during loading and de-stacking — with consistent precision. A decisive advantage in the context of the shortage of skilled labour is the chaotic stacking in batch size 1 operation.

Focused on the essentials — woodWOP 9 turns practical feedback into reality and impresses with an optimised user interface and operation: clear lines, a uniform colour scheme, the reduction of work steps and new programming aids.

The latest generation of the CENTATEQ N-210 shone as a high-performance entry-level solution for nesting processing. The development focused on central nesting functions with high efficiency and a low investment.

The EDGETEQ P-200 has revolutionised the carpentry trade in the field of edgeband technology. Digital edgeband printing takes individualisation, efficiency and creativity to a new level. It opens up new opportunities for carpenters to position themselves in the market and fulfil customer wishes even better.

Another edgebanding highlight: woodCommander 6 with HOMAG Select and edgeband reservation. With features such as customer-specific categorisation, workpiece visualisation and automatic program selection, the production software enables a more efficient production process.

Service remains a strategic focus

One answer to the question of maximising machine availability is predictive diagnostics. Now, HOMAG service provides an AI-supported uptime prediction. The solution learns and provides recommendations based on daily production data. In the event of imminent malfunctions, service contacts the customer directly by telephone. This prevents unplanned downtime.

The sR Bridge — the innovative remote service solution for much more secure remote maintenance — also contributes to secure production. This advanced solution enables an improved remote connection in accordance with the latest safety standards — even for older machines. ■

Live shows and machine innovations: Technology up close

The new SAWTEQ S-200 flexTec entry-level robot saw model makes high-tech automation accessible to

HOMAG Group AG homag.com/en/

LEGRABOX Special Edition

Elevate any interior space with stunning drawer

side designs

Redefine any contemporary interior with Blum’s new LEGRABOX Special Edition based on a new carbon black matte surface blended with highquality materials such as anti-fingerprint stainless steel, a unique 3D carbon look, and a luxurious rust structured finish.

Versatile design options

At the core of the LEGRABOX Special Edition is the inner drawer side in carbon black matte which lends a sophisticated touch to every drawer interior. When enhanced with complementary and contrasting finishes, LEGRABOX Special Edition becomes a stand-out feature in any interior.

The appeal of LEGRABOX Special Edition extends beyond aesthetics to tactile experiences. A range of

textured surfaces with the sleek carbon black matte, especially when paired with bespoke branding elements, create cohesive and personalised design solutions that speak to individual tastes.

Metallic finishes paired with a muted palette is a classic combination for striking visual harmony. The anti-fingerprint stainless-steel exterior contrasts beautifully with the subtle carbon black matte interior, highlighting both style and functionality.

LEGRABOX Special Edition offers a versatile colour range underscored by the carbon black matte interior. Designers can choose from a variety of decorative elements to achieve tone-in-tone elegance or striking contrasts, tailored to suit diverse interior preferences.

LEGRABOX Special Edition provides designers with unparalleled creative freedom, allowing you to create unique drawer side designs that blend eye-catching allure with timeless elegance. From rustic charm to contemporary minimalism, these drawer side designs ensure that every interior reflects individuality and elegance. With the addition of customisable branding elements. LEGRABOX Special Edition elevates any interior design to the next level.

Superior quality

By specifying LEGRABOX, you can give your clients peace of mind with top-quality functionality designed to stand the test of time. LEGRABOX features thin 12.8mm drawer sides and high loadbearing capacities of 40 and 70kg to maximise every centimetre of storage space available to you. LEGRABOX also comes with soft-close BLUMOTION as standard, your clients can elect to implement SERVO-DRIVE electrical-opening support system or TIP-ON BLUMOTION mechanical-opening soft-closing support system. ■

Blum Australia blum.com/au/en/legrabox/overview/ special-edition/

Hardware Storage Space Organised the Smart Way

Introducing Hettich’s interior fittings range

Hettich’s new Interior Fittings range is designed to elevate storage functionality across every corner of the home, making the most of every centimetre. The range transforms even the narrowest alcoves and most awkward corners into practical, well-organised storage areas.

Engineered and made in Italy, this new collection combines contemporary design with highperformance materials to deliver smarter, spaceoptimised solutions for wardrobes, kitchens, laundries and more.

From sleek pull-out fittings and versatile shelving systems to soft-close mechanisms and clever corner units, every product is developed with ease of access, durability, and modern living.

Among the standout solutions is the Iseo double swing-out larder, an intuitive system that brings pantry contents forward in one smooth motion, with baskets that elegantly swing outward as the door opens. For overhead cabinetry, the Atri pull-down shelf reimagines storage by bringing items down to worktop level, improving both visibility and reach.

Then there’s Lario, a smart pull-out designed for narrow gaps between larger cabinets and drawers, often overlooked yet ideal for efficient storage of everyday essentials.

From form to finish, every detail is considered. The product colour has been meticulously matched to Hettich’s anthracite drawer systems, ensuring a seamless, cohesive aesthetic. Sleek designs and premium finishes are further enhanced by deep anthracite tones that echo throughout the drawer interiors. The result? A bold, unified, and contemporary look that speaks to modern living.

These fittings help maximise space and keep everything within easy reach, no matter how big or small the project. Explore the full range of Hettich’s innovative interior fittings at designwithhettich.au. ■

Hettich Australia designwithhettich.au

Recognise your skills and get qualified today

Gain

your MSF30322 Certificate

III in Cabinet Making and Timber Technology through Recognition of Prior Learning (RPL)

Have you been working in the cabinet making, furniture, or timber industry for years, but don’t hold a formal qualification? You’re not alone and, more importantly, you don’t have to start over.

ACFA’s Recognition of Prior Learning (RPL) program is designed to formally recognise the skills and knowledge you have gained on the job. Whether you're a seasoned tradesperson, returning to the workforce, or looking to take the next step in your career, RPL offers a flexible, time-saving pathway to a nationally recognised qualification without classroom study or repeating what you already know.

ACFA’s team of experienced industry assessors will work with you to identify and verify your current skill set, using evidence from your work history, portfolio, and practical demonstration. It’s about validating what you’ve already achieved and turning it into a formal credential — something that can open doors to new opportunities, business growth, and even licensing requirements.

Don’t let a lack of paperwork hold you back from career progress or new contracts. With ACFA’s trusted

training network and tailored support, you can advance with confidence.

Take the first step today and see how close you are to gaining a nationally recognised qualification.

Enrol anytime

Enrolments for this program are taken on demand.

The process

The RPL Program involves collecting evidence and presenting the skills and knowledge you already possess. The flexibility is designed to allow you to complete the program around your current commitments. As an online-based program, this means the RPL Program is available to anyone across Australia.

Evidence-Based Assessment allows for previous experience to be formally recognised as part of a national qualification. ACFA’s assessors are required to verify the required skills and knowledge based on the relevant training package.

Duration — self-paced

This program is online and self-paced. This allows participants to complete training at their own pace. Once enrolled, participants have up to 12 months to complete the training program.

RPL prerequisite

To be eligible for this course, participants need to provide evidence of minimum of three (3) years industry experience.

Credit transfer eligibility

This program recognises previously completed studies and applies credit towards the qualification.

Costs

Enrolment and course fees can be found on the ACFA website. Total is based upon how many units you require to undertake further training to meet competency. ACFA and KBDi Members receive a discount towards the RPL Program. Find out more by visiting acfa.net.au/training/fees-funding/ ■

Disclaimer:*ACFA Does not guarantee employment at the completion of training

Software CABINET VISION

Success Story

Planit Australia customer Anertex has been using CABINET VISION for more than 25 years

Anertex is a family-run business that has proudly operated for more than 60 years, with the current owner involved for more than 40. Originally founded by his father, the business has continued to thrive under a legacy of craftsmanship, now paired with a strong focus on innovation and technology.

Today, Anertex manufactures a diverse range of high-quality commercial, domestic, and architectural joinery, supplying the industry across Victoria. Over the years, the company has experienced significant growth, now operating out of all three factories in its complex. This expansion has enabled greater production capacity and streamlined operations under one roof.

Recognising early signs of change within the cabinetmaking industry, Albert at Anertex was quick to adapt. More than 25 years ago, they began integrating digital tools, starting with the introduction of CABINET VISION to improve design efficiency and production flow.

Early on, Anertex worked closely with Raymond Johns (before Solid Setup+ existed) to help develop UCS (User Created Standards) and refine how CABINET VISION could work more efficiently for their operation. That collaboration allowed Anertex to get ahead of the curve, customising the software to suit their unique processes and extracting real value from the platform.

As the business expanded, so did the complexity of its operations. To keep up, Anertex built its own in-house ordering system, allowing full control over scheduling, stock management, and job tracking.

CNC machinery was also introduced to the manufacturing floor, significantly improving accuracy, speed, and consistency.

Today, technology sits at the core of Anertex’s dayto-day operations. CABINET VISION continues to play a vital role in reducing manual tasks, connecting design to production, and ensuring projects move smoothly through the factory. The company is also in the process of implementing GoCabinets, a solution that will streamline how customers place and manage orders, further enhancing efficiency and customer service.

Looking ahead, the team remains focused on future opportunities. New technologies are regularly explored, and there are plans to introduce a materialhandling system to optimise board movement within the workshop. These investments reflect Anertex’s ongoing commitment to improving accuracy, reducing waste, and saving time.

For Anertex, innovation isn’t a one-off project — it’s an ongoing strategy. The business continues to blend tradition with forward thinking, using technology to support its people, refine its processes, and deliver exceptional results to customers. ■ Planit

Streamline

CABINET VISION is the industry leading software tool for the cabinet & joinery industry. Enabling any furniture, commercial fit-out or cabinet manufacturer to fully automate and integrate their design through to manufacturing processes.

Perpetual or Subscription license options available now.

Finista® Edge

The next evolution in Finista® drawer systems, available 1 September

Finista® Edge is the next evolution of the Finista® drawer system designed to help cabinet makers achieve more with enhanced functionality and refined aesthetics. Available in either matt white or matt black, Finista® Edge will be available from 1 September 2025.

Engineered for speed and simplicity, Finista® Edge reduces manufacturing, assembly, and installation time — enabling faster, more efficient creation of interior spaces. With 3D adjustment and easy tilt adjustment inside the drawer, rather than under, precise adjustment of a Finista® drawer has never been easier for achieving optimal running and operation. The system has a 40kg load capacity and is fitted with easy-open and soft-close function as standard.

Four drawer heights are available — 93mm, 126mm, 174mm and 238mm, plus you can choose from three inner drawer options — 93mm, 174mm or 238mm. All drawers feature sleek 13mm sides, delivering a clean, modern aesthetic across the entire range.

Cabinet makers will love Finista® Edge’s integration with all popular CNC software programs including Cabmaster, Microvellum, Mozaik and PlanIt. And, the 20-year replacement warranty offers peace of mind and long-term value.

Designers will love the durability, smooth and quiet running, and good looks which make Finista® Edge drawers perfect for all interior applications.

To complement the Finista® Edge drawer range, Lincoln Sentry also introduces the Finista® Edge Uni-Bin waste solution and Finista® Edge Uni-Hamper laundry solution — both of which integrate perfectly with the Edge drawer. Both sport a simple design developed for easy assembly and installation to save you time and increase efficiency.

Finista® continues to be known for its comprehensive range of cabinet hardware solutions that combine style, practicality, and lasting quality. With the launch of Finista® Edge, the brand reinforces its commitment to innovation, durability, and ease of use.

To see Finista® Edge in action please connect with your territory manager or pop into your local Lincoln Sentry branch. ■

Lincoln Sentry 1800 551 919 lincolnsentry.com.au/c/finista finistamade.com.au

The new Finista® Edge drawer system enables more with enhanced functionality and aesthetics to suit modern spaces.

Designed for creating appealing, functional and durable spaces more efficiently, the new Finista® Edge drawer helps you achieve more with faster and easier cabinet production and installation* without compromising style, function or durability.

Finista® Edge is backed by a 20-Year replacement warranty**, giving you confidence and more peace of mind.

NEW DRAWER SYSTEM AVAILABLE 1 SEPTEMBER

* When compared to Finista® Swift Drawer System. ** See www.lincolnsentry.com.au for full Finista® Warranty terms and conditions

Häfele Déco Collection 2025

Elegant, contemporary and deliberately versatile

In a world that is constantly changing, it is often the fine, deliberate details that convey consistency.

Furniture designer Charlotte Perriand recognised early on that adaptation is an ongoing process — an idea that seems more relevant than ever today.

The Déco Collection 2025 follows precisely this approach: it sees handles not only as a functional element, but also as a style-defining detail that shapes rooms and makes attitudes visible. The new designs set clear accents, combining modern aesthetics with a depth of craftsmanship. Each handle is an expression of a changing time — a small but significant contribution to the design of our daily environment.

Discover the highlights of the collection: expressive design that shows attitude — tangible, visible, contemporary.

H2510/2515 — Haptically appealing and with fine aesthetics

Overlapping, addition, subtraction — that is the starting point for this innovative shape, for both the handle and the button. In addition to the look, the feel plays a special role here. The knurled surface combines its visual appeal with a better grip and robust material resistance.

H2520/2525 — Gentle and functional

You can see it straight away: minimalist in its overall appearance — with gentle, organic curves. The smoothly opening silhouette of the handles was developed to offer a super soft touch grip and create an attractive reflection of light with relaxed comfort to touch.

H2530/2535 — Timeless and yet full of character

The fascination of this handle results from the attractive combination of gently rounded volume and the precise angular sides. The convex surface results in a smooth grip area. A pure pleasure to look at and touch.

H2540/2545 — Lightweight, with a reliable grip

The 2025 Déco collection stands for design in transition — clear, strong in character and detailconscious. Handles become style-defining elements that define not only furniture, but entire rooms. With precise craftsmanship and a modern design language, the designs set specific accents inspired by classic lines, rethought for today. Each handle combines aesthetics and function at the highest level.

The upward curve of the ends is reminiscent of the roof ends of pagodas. Or is it the delicate curve of a swan's neck over its body? Either way, it makes a confident appearance. It's nice to see how elegantly light and robust can be combined.

H2550 — Wonderfully minimalist and really practical

An attractive combination: so soft and yet so functional. The construction is based on extrusion, after which the rounded edges are applied and a very unique impression is achieved, both to the eye and to the touch. Here, the hand immediately notices that a good grip is required, with a minimalist overall style. ■

Häfele Australia Pty Ltd 1300 659 728 hafele.com.au

H2540/2545

H2510/2515

Products Faster Installs, Fewer

Callbacks

Hideaway

Compact redefines installation standards

In an increasingly competitive market, efficiency, precision, and reduced post-installation callbacks are top priorities. The 2025 refresh of the Hideaway Compact range delivers improvements that squarely target the needs of kitchen manufacturers and installers.

Precision without pain: Enhanced door panel adjustments

One of the biggest challenges in waste bin installation is aligning the door panel flawlessly. Misalignment leads to unsightly gaps and, worse, return trips to fix doors that have drifted over time. Hideaway Compact tackles this by utilising the proven door adjustment system from the premium Concelo® range. Precise alignment of door fronts is now quick and intuitive using cams for vertical (+/- 2.5mm) and tilt (+/- 0.75°) adjustment and enlarged slots for horizontal adjustment.

Fix once, fix right: Improved door and body installation

Once door alignment is complete, the door position is securely fixed with three M6 bolts each side, dramatically reducing the likelihood of movement after installation — an upgrade that practically eliminates post-installation site visits.

Installation

support that works

Each product includes instructions with a QR code linking to installation animations — perfect for installation teams on site who need visual guidance fast. This small but significant touch reduces training time and ensures even new installers can execute with confidence.

Framed

door compatibility and handle freedom

The Hideaway Compact range now accommodates a wider array of cabinetry styles. Improvements to the door bracket design now allow framed doors down to a minimum rail width of 50mm, while a generous open area on the door bracket leaves plenty of

space for handle placement, empowering designers and manufacturers with freedom and flexibility in design.

Less rework, more results

The 2025 Hideaway Compact refresh is a prime example of design that’s attuned with the needs of kitchen manufacturers. It's faster to install, easier to adjust, and engineered to stay put. In a market where every minute on-site costs money, Hideaway Bins has made sure its bins won’t be the reason installers go back for round two. ■

The new Compact body design now uses Euroscrew fixing on both the top and sides, positioned at System 32 spacing. This not only enhances the pullout resistance — key to long-term durability — but also ensures consistent and repeatable positioning across models. The side mount fixings on the new Compact body have also been repositioned to make them easily accessible for faster installation.

To learn more, visit hideawaybins.com.au or contact one of Hideaway’s distribution partners — Häfele or Nover.

6-Way CAM system for quick and precise door adjustment

Locking bolts hold door firmly in place.

Uses System 32 drilling patterns and features high-strength Euro screws.

Every aspect of the product design has been revised to make installation faster and easier. A superior product for no additional cost! Contact your preferred distributor for a product demonstration.

Grass by Häfele

Bringing furniture to life!

GRASS has always been a pioneer in the furniture and kitchen industry. From the first concealed hinge to the invention of the double-wall drawer, the history of GRASS has been shaped by visionary engineering expertise and countless ground-breaking products.

The all-new GRASS by Häfele catalogue is a comprehensive collection of drawer systems, concealed runners and hinges for the Australian kitchen and furniture manufacturing industry and interior design markets.

The Nova Pro Scala is synonymous with versatility, neutral aesthetics, inspiration and creativity. It’s the embodiment of exceptionally easy opening, excellent running characteristics with minimum drawer deflection and outstanding reliability. The best furniture in the world is moved by GRASS.

The puristic design with its striking lines, right angles and small radii gives the double-wall metal drawer sides a timeless, technical and functional look. The special character of Nova Pro is hallmarked by its perfection down to the last detail and the modular system concept.

From the precision craftsmanship of every part as well as the colour and surface finishes, everything is focused on perfect function, top quality and lasting value.

Available in Ice white, Stone and the all-new ZIRCON finish, as well as Crystal glass sides and inner drawer fronts, Nova Pro has a range to suit all lifestyles.

Nova Pro One is the complexity minimiser. It’s the new number one when it comes to a compact range, performance proven millions of times over and maximum differentiation.

Complementing the range of Nova Pro drawers is the range of concealed runners — Dynapro and Dynaneo.

Dynapro, in line with the performance concept, offers a smart, multi-purpose system solution for all undermount drawer applications. Soft-close combined with Tipmatic soft-close opening system for handle-free drawer fronts means that drawers made of wood or steel can be produced as cost effectively as possible with minimal use of parts and can be used with the same slide system. Choose between fronts with or without handles.

Dynaneo is the innovative slide system for a load capacity of 30kg. High-quality plastic rollers and a newly developed centre rail ensure smooth running and maximum stability. In combination with the proven track record of the soft-close dampening technology and extremely low extension resistance, Dynaneo delivers the best possible performance in the mid-range, entry-level segment. ■

Häfele Australia Pty Ltd 1300 659 728 hafele.com.au

Dynapro

Nova Pro Scala — Stone

Nova Pro Scala — Zircon

Nova Pro One

We bring furniture to life!

The all-new GRASS by Häfele catalogue is a comprehensive collection of Drawer systems, Concealed runners and Hinges for the Australian kitchen and furniture manufacturing industry and interior design markets.

Standards & Compliance

New Furniture Safety Standards

The Australian Government has introduced the Consumer Goods (Toppling Furniture) Information Standard 2024, which came into effect on 4 May 2025

The new standard aims to raise awareness of the hazards associated with toppling furniture and reduce the risk of serious injury or death in the home.

What is toppling furniture?

The standard defines "toppling furniture" as freestanding household furniture that poses a tipping risk. However, it excludes:

• Fur niture that was bought by a consumer and is being resold

• Second-hand fur niture, including furniture that was previously bought and used commercially

• Fur niture designed to be fastened to a wall or other structure and that can’t be used unless it’s attached.

Furniture covered under the standard falls into the following categories:

• Category 1 fur niture – A clothing storage unit or bookcase with a height of 686mm or more. A clothing storage unit is an item of furniture designed to be used primarily to store clothes and that contains one or more doors, drawers or other extendable elements.

• Category 2 fur niture – Entertainment units of any height. Entertainment units are designed to be used primarily to house, support or carry a television.

• Category 3 fur niture – Hall tables, display cabinets, buffets, and sideboards with a height of 686mm or greater.

What are your obligations?

From 4 May 2025, businesses that manufacture, import, supply, or sell toppling furniture must comply with the following information requirements:

Point of sale

Clear and legible warnings about the risk of tip-overs and the importance of anchoring must be provided:

• Online: within the product description

• In-store: on or near the product

Affixed to the furniture

Permanent warnings must be attached to each product covered by the mandatory standard. These must be durable, clearly visible when the furniture is empty, and last the lifetime of the product.

Included in the instructions

Assembly or user instructions must include a prominent warning about the tipping risk and instructions for anchoring the product safely.

What should the warnings say?

Each warning must include:

• An alert word in upper case (such as “WARNING” or “DANGER”)

• A statement that children have died from furniture tip-overs

• An inter nationally recognised safety alert symbol

Each category of furniture also requires categoryspecific safety warnings, which must be included in all three areas outlined above.

What products does the mandatory standard not apply to?

The following items are excluded:

• Second-hand fur niture, including resales by businesses or individuals

• Fur niture designed to be affixed to a wall or structure and that cannot be used unless fixed (e.g., built-in wardrobes, some kitchen cabinets)

• Fur niture not in Categories 1–3, such as:

o Dining tables and chairs

o Beds

o Coffee tables

o Office chairs

o Low bookshelves or short side tables

o Any other piece of furniture not in category 1-3

Compliance & enforcement

The mandatory information standard commenced on 4 May 2025. From then, failure to comply with the mandatory information standard may constitute a contravention of the Australian Consumer Law and expose a business or individual to enforcement action by the ACCC with penalties of up to $50,000 per breach. Guidance materials to help suppliers comply with the mandatory standard can be found on the ACCC website. ■

ACFA Workplace Advisory Team Membership@acfa.net.au 1300 342 248

ENHANCING SKILLS IN OUR INDUSTRY

Cabinet & Furniture Making Apprenticeship Training

ACFA takes pride in its commitment to empower the next generation of our industry through apprenticeship training and provide a pathway for upskilling our workforce. ACFA’s workplacebased training model offers a personalised and flexible approach that sets it apart from other providers.

ACFA fosters a close relationship between business owners/Supervisors with our trainers, allowing them to work together to support and develop the apprentices’ skills.

For full fees & funding information, including available state subsidies, visit: acfa.net.au/training/fees-and-funding

Solving the Industry’s Hidden Struggles

In today’s fast-paced renovation industry, both kitchen cabinet manufacturers and design-installation businesses are grappling with an evolving set of operational and commercial challenges. While their business models differ, their pain points often overlap — and they’re more pressing than ever.

But a solution does exist and it's transforming the way renovation businesses operate. Enter Ayrmont ARMS™, an intelligent CRM and ERP system tailored to meet the unique needs of the cabinetry and renovation industry.

Kitchen

design & installation companies (non-manufacturing, showroom-based)

Sales consultants and designers in showroom-based businesses face a common dilemma: how to convert interest into sales efficiently and profitably. Accountability across design teams is often hard

to enforce; quoting is time-consuming and frequently inaccurate.

Kitchen cabinet manufacturers (with or without showrooms)

Manual quoting processes lead to pricing errors and rework. Production delays and workforce shortages add stress to already stretched teams. Inventory management becomes guesswork. These companies are also battling disconnected systems, custom order complexity, unclear lead times, and margin control challenges.

Despite the differences in their workflows, both business types share a few core frustrations: a lack of real-time visibility, fragmented communication across quoting, production, and installation, and inadequate system integration.

If your business is ready to move beyond firefighting and toward a streamlined, scalable future, it may be time to explore how Ayrmont ARMS™ can transform your operations. ■

Ayrmont Technologies ayrmont.com.au/

Fenix NTM Bloom

FENIX NTM introduces Bloom, a new core technology made of paper and thermosetting resins based on phenol. With Bloom, lignin technology has been utilised to significantly reduce the amount of phenol included in the resin by 50 per cent. Lignin is a natural

Innovative materials for interior design.

polymer which acts as the glue that holds the wood fibres together.

Four new colours have been specifically developed to bring innovation to and highlight the natural raw materials of the product. Bloom’s extreme matte surface is thanks to low light reflectivity which provides visual comfort as well as resulting in a soft-touch finish. Its anti-fingerprint properties make it perfect for highuse interior environments and its durability is ensured thanks to the thermal healing abilities for superficial micro-scratches.

Sustainability is at the core of the philosophy of Arpa Industriale and, with its Bloom surface, this eco-friendly solution is now available for use in Australian interiors.

The new colours now available at Nover Australia are Rosso Namib, Giallo Evora, Blu Shaba and Verde Kitami. All additional NTM colours will migrate to the Bloom technology over time.■

Nover Australia nover.com.au/fenix-panels/ 1300 668 371

Making sense out of licensing for kitchens

Why ACFA continues to lobby for a uniform licensing system for cabinet making throughout the country

By Dean Brakell

Licence, noun ~ 1. An official permission or permit to do, use, or own something, typically granted by a competent authority. 2. The legal authorisation to carry out a particular activity, such as driving, operating a business, or performing professional work*.

In Australia, we have a national qualification framework which recognises trade training throughout Australia. For example, a cabinet maker who is trained and obtains their cabinet making qualification in Western Australia, can then move to Queensland and have their qualifications recognised in that state.

So, my question to all the state and territory Fair Trading or equivalent ministers; why can’t we have a uniform licensing system across the country for cabinet making?

We support this not to undermine current consumer protections that are in place, but to ensure a consistent workable framework across Australia that meets the needs of today’s cabinet making industry.

As of June 2025, in NSW, there is a licence requirement threshold of $5000. Jobs valued at less than $5000 can be completed by an unlicensed individual. In Victoria, you need to be registered as a building practitioner with the Victorian Building Authority (VBA)to do work and sign domestic building contracts over $10,000.

In Queensland, the threshold is $3300 before a licence is required or if the work involves structural changes. In the ACT, a builder’s licence is not typically required unless the kitchen renovation work necessitates a building approval.

In South Australia, the legislation requires you to be a registered building supervisor or building contractor. In Western Australia, cabinet making and installation is exempt from Registered Builder requirements and you are not required to hold a licence unless the job value is greater than $20,000.

In Tasmania, it will depend on whether the work is classified as notifiable work or permit work. Such work must be carried out by licensed professionals, and appropriate approvals or permits are required. Kitchens fall under this broad definition and kitchen renovations and installations must be carried out by or under the supervision of a registered building practitioner.

In the Northern Territory, there are no licencing obligations for cabinet making manufacture or installation but if your kitchen is valued at more than $12,000, you may need to employ a licensed Building Contractor with one of two licenses: Building Contractor (Restricted) or Building Contractor (Unrestricted).

Carry the 5, divide it by 4 and multiple that by the square root of the numerator! Red tape anyone?

ACFA has been actively lobbying for a policy framework to be tabled with each Territory and State minister to work towards licensing harmonisation. We have had some success to date but much more needs to be done so our efforts will continue and members will be regularly updated on progress through our member bulletins.

Do you require a qualification to assist you in obtaining your license or trade registration? ACFA members can obtain assistance through various member services offered by ACFA. ■

For more information visit https://www.acfa.net.au/ resources/industry-licensing/ * The Cambridge Dictionary online

Company Name Page Number

All About Labels 80

Ayrmont 78

Blum 62, 63

Cabinet Makers Insurance Brokers 59

Cabinetry.Online 56, 57

Finlease 61 Grass 74, 75

Häfele 70, 71

Hettich 64, OBC

HIA Economics 54

Hideaway Bins 72, 73

Homag 2, 60

International Tour 2026 38, 80

KBDi 49, 53

Lincoln Sentry 68, 69

New Age Veneer 58, IBC

Nover Australia 79 Planit 66, 67

Australian Cabinet and Furniture Association Ltd (ACFA)

Connect The Magazine

Connect magazine will be published quarterly and distributed free to end users involved in the cabinetmaking, kitchen, design, furnishing and joinery industries. Every issue of Connect magazine brings you the most relevant and impactful stories from the cabinet making, furniture and design sectors. Our content is curated to keep you informed and be inspired. The Summer Edition — Industry Awards & Design; Autumn Edition — Machinery & Safety; Winter Edition — Business Insights, the Economy and Finance; Spring Edition — Design Trends & Sustainability.

ACFA The Association

ACFA, formerly named the Furnishing Industry Association of Australia (FIAA), is a not-for-profit industry association. ACFA, incorporated since June 1948, has a proud history of representing the needs of businesses in the sector. FIAA and the Cabinet Makers and Designers Association (CMDA) merged in 2018 and ACFA was born.

ACFA is a membership organisation with members located all around Australia. ACFA’s altruistic existence is to assist members in trade and commerce throughout Australia and to deliver high-quality education, training, information and resources to those who are involved in the cabinetmaking, kitchen, furnishing and joinery industries.

Membership information can be located at: acfa.net.au/membership/

ACFA

The Registered Training Organisation (RTO) RTO National Code: 90432

ACFA has been a Registered Training Organisation for more than 25 years. In that time, ACFA has served the needs of the furnishing, cabinet-making and kitchen sector with structured, flexible, accredited, and nationally recognised trade training. ACFA exists purely for the industry — the organisation speaks as a united voice to the community, consumers and all levels of Government to ensure the best interests of the industry.

ACFA offers both accredited and non-accredited training and more information can be found at: acfa.net.au/training/

Distribution

Connect magazine is distributed free of charge to ACFA and KBDi members, subscribers, ACFA database, and client databases of major suppliers and partners of ACFA. To be added to the distribution list, please visit the Connect magazine website: connectmagazine.com.au/

Bring your vision to life, with New Age Veneers

INTERIOR FITTINGS BY HETTICH

The Iseo Double Swing pantry solution brings ease, order, and efficiency to any kitchen. With pull-out systems, corner units, and clever storage solutions, these fittings help you maximise space and keep everything within easy reach, no matter how big or small your project.