Pressespiegel Theatertage am See 2016 by Claudius Beck

Friedrichshafen Bodensee-Schule

www.theatertageamsee.de

Pressespiegel 2016 Alle AktivitĂ¤ten des Vereins vom Herbst 2015 bis Sommer 2016

32. Theatertage am See Friedrichshafen 2016

Förderer

Förderer, Veranstalter und Kooperationspartner Förderverein Theatertage am See Friedrichshafen Ministerium für Kultus, Jugend und Sport Baden-Württemberg Bodensee-Schule St. Martin Friedrichshafen Katholische Freie Grund- und Hauptschule mit sozialwissenschaftlichem Gymnasium Landesakademie für Schulkunst, Schul- und Amateurtheater Schloss Rotenfels Landesverband Theater an Schulen Baden-Württemberg Landesverband Amateurtheater Baden-Württemberg Junges Ensemble Stuttgart (JES) Theater- und Spielberatung Baden-Württemberg Freiburger SchulprojektWerkstatt LAG TheaterPädagogik Baden-Württemberg

31. Theatertage am See Friedrichshafen 2015

Herausgeber: Förderverein Theatertage am See Friedrichshafen e.V. Postfach 2946 Zeisigweg 1 D-88023 Friedrichshafen am Bodensee Telefon: 07541 9216-32 oder 33 eMail: theatertage@bodensee-schule.de www.theatertageamsee.de September 2016

Leitung der Theatertage: Jürgen Mack, Britta Lutz, Gerhard Schöll, Selma Öngel-Chryssowergis, Andreas Glatz, Rita Weiß, Jutta Widmaier, Andrea Sprenger, Harald Eilers und Claudius Beck. Wir bedanken uns bei allen ungenannten Helferinnen und Helfer in der Organisation, Theatercafe, Gruppenbetreuung, Technik, Info, Küche, Reinigungsdienst und Hausmeisterei. Danke auch an die Mitglieder der Jury Presse und Öffentlichkeitsarbeit: Kulturagentur Claudius Beck Erlenweg 1 88682 Salem beck@claudiusbeck.de Fotos: Paul Silberberg und Pressefotografen Veranstalter: Förderverein Theatertage am See e.V.

Impressum

Die Preisträger mit Bürgermeisterin Köster und Juror Daigl

Preisträger 2016 Theaterpreis der Theatertage am See Sparte Amateurtheater (zwei gleichwertige Preisträger) Die Wölfinnen Zürich (CH) LAUT! Wolf. Puppe. Meerjngfrau. Autorin: Kira van Eijsden und Ensemble, Regie: Kira van Eijsden Layertruppe Mannheim Die Frauen von Troja Autorin: Nach Euripides von Sungard Rotschädl Die Wölfinnen Regie: Eva Layer

Sparte Schul- und Jugendtheater keinen Preis vergeben, da in diesem Jahr JUST stattfand.

Die Frauen von Troja

32. Theatertage am See Friedrichshafen 2016

Theaterpreis

Laudatio

Die Wölfinnen Zürich (CH) LAUT! Wolf, Puppe, Meerjungfrau Autorin und Regie: Kira van Eijsden „Die drei jungen Schauspielerinnen zünden ein Feuerwerk und agieren so wandlungsfähig, dass man meint, da seien mindestens ein Dutzend auf der Bühne. Laut, frech, energiegeladen setzen sie sich mit heutigen Frauenbildern auseinander, und obwohl die Themen an sich nicht neu sind (ungleiche Bezahlung oder der Schlankheitsterror der Modeindustrie, um nur zwei Beispiele zu nennen), wird das selbst entwickelte Stück niemals klischeehaft oder vorhersehbar. (...) Die Kraft der Performance entsteht auch durch die hohe Identifikation der Schauspielerinnen, man spürt, dass sie stets hinter dem stehen, was sie auf der Bühne sagen und tun. Ein weiteres Plus ist der Umgang mit dem Raum. Vor unseren Augen entsteht live das Bühnenbild, mit einem pinken Stift einfach auf den Boden gemalt, und die Requisiten tauchen aus ein paar bereitstehenden Papiertüten auf. Wir waren gleichermaßen bewegt wie begeistert.“ Layertruppe Mannheim (D) Die Frauen von Troja Von Sungard Rotschädl, nach Euripides |Regie: Eva Layer „Die Mannheimer Layertruppe bietet uns eine bisher vernachlässigte Perspektive: wir sehen die Folgen des Krieges und der Eroberung aus Sicht der Frauen. Statt epische Heldentaten auf dem Schlachtfeld zu betrachten, werden wir Zeuge des individuellen, menschlichen Leids. Dadurch wird die Tragödie nicht minder tragisch, im Gegenteil. Ein vielköpfiges, sehr klug und einfühlsam von Eva Layer geführtes Ensemble agiert in jeder Sekunde hochkonzentriert - beeindruckend und ergreifend, wie die jungen Darstellerinnen und Darsteller stets voll auf die Emotionen ihrer Figuren fokussiert sind, und genau das zieht uns als Zuschauer/innen in die Geschichte hinein und lässt die Tragödie gelingen.“ Auszüge aus der Laudatio der Jury, verfasst von Dr. Christoph Daigl

32. Theatertage am See Friedrichshafen 2016

Fotos

Workshops

Theatertage am See 2016 Presse SchwĂ¤bische Zeitung Kulturteil im Mantel, den 31. 10. 2015

Mitdenken und mitfĂźhlen

Theatertage am See 2016 Presse SchwĂ¤bische Zeitung Friedrichshafen lokal, den 3. Februar 2016

Theatertage am See 2016 Presse SĂ&#x153;DKURIER Friedrichshafen lokal, den 4. Februar 2016

Theatertage am See 2016 Presse Fortbildungsprogramm 2016 des Landesverbandes Amateurtheaters Baden-WĂźttemberg

Theatertage am See 2016 Presse SchwĂ¤bische Zeitung Friedrichshafen lokal, den 27. Februar 2016 Pressekonferenz Theaterprogramm

Theatertage am See 2016 Presse SÜDKURIER Friedrichshafen lokal, den 2.März 2016 Pressekonferenz Theaterprogramm

Theatertage am See 2016 Presse SÜDKURIER Friedrichshafen lokal, den 15. März 2016

Theatertage am See 2016 Presse SÜDKURIER Friedrichshafen lokal, den 17. März 2016

Theatertage am See 2016 Presse SchwĂ¤bische Zeitung Friedrichshafen lokal, den 19. MĂ¤rz 2016

Theatertage am See 2016 Presse SchwĂ¤bische Zeitung Friedrichshafen lokal, den 21. MĂ¤rz 2016

Theatertage am See 2016 Presse SÜDKURIER Friedrichshafen lokal, den 22. März 2016

Theatertage am See 2016 Presse Schwäbische Zeitung Friedrichshafen lokal, den 22. März 2016

SÜDKURIER Friedrichshafen lokal, den 22. März 2016

dividual is laws are often not enforced or provide on the global agenda. The international g puberty, exceptions for parental consent or tradi- community has agreed on a target to end bout their tional and customary laws. Child mar- these harmful practices through global gender inequality and goals. The cultural, social, economic and starts ear- riage reinforces Theatertage am See 2016 Presse r reaction violates human rights. Tolerating any religious causes of child marriage result the kathmandupost, 10.forApril injustice makes it easier others2016 to in the imprisonment of children in marmbarrass aller than exist. Child brides are often disempow- riage without their consent. In a patriarin weight ered, dependent on their husbands and chal society, marrying a perceived deprived of their fundamental rights to girl young presumes that her sexuality, They may health, education and safety. They are and therefore, her family’s honour, is esity and neither physically nor emotionally ready being protected. ct dieting to become wives and mothers. Child Education itself is a major protective escence is brides are at greater risk of experienc- factor for early pregnancy. The more

hibition of child marriage in the Article 39 (5). Village leaders, parents, girls and boys within communities can be extremely important in helping others take a stand against child marriage. They must include the issue of daughters in their political manifesto. Political leaders must take concrete steps to end child marriage by considering it a national issue. Verma is a youth leader in the Nepali Congress

A universal stage

tional Theatre Festival has offered momentum for international theatre scenario to grow

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the dramas depicted the historical and present effects of war driven by political interests, religious conflicts and authoritarian desires. Sad but true reflections on war-ridden nations like Syria, Iraq, Turkey, among others, were made through slightly symbolic yet unanimously understandable gestures. In a modernised adaptation and interpretation of the Greek mythology ‘Helen from Troy’, the German theatre group Layertruppe intimately staged the animosity, barbarism and suffering of women in war-torn cities. The amount of detail, onstage absorption and process of characterisation shown by the artists of the group depicted an extent of absurdity and extreme dedication to the art they practice. A scene in the play where an imprisoned girl gets battered and bruised by the guards was enacted so realistically that it compelled the audience to cringe and suffer from the brutality displayed onstage. Another interesting performance during the festival was the humorous, satirical play called ‘Train to Paradise’ by the group Stage Divers and United Unicorns. The play threw a strong satirical hit on the bureaucratic hassles and pessimistic thinking in various nations. Conceptualised and presented by a group of forced refugees (from Gambia, Iran and Syria), the perfor-

mance pinpointed the mistreatment suffered by asylum seekers and the unnecessary red tape in host countries.

Germany was practiced on a comparatively smaller scale and on topics that are much jovial and light-hearted.

Similarities and differences The gathering of 42 groups undoubtedly created a window to look into each other’s current theatre and its modules. In a country like Germany, where there is state-of-art theatre infrastructure, the stride that the theatre culture has made in the past 50 years is remarkable. An enduring and effective bond between the state and various independent theatre groups is responsible for this progress to a great extent. Under the independent theatre group association, there are more than 2,500 theatre groups actively working for the development of theatre in various parts of Germany. The working arrangement of most of the theatre artists, however, resembles Nepal’s theatre scenario. People doing theatre voluntarily or by balancing other professions are legion. The theatrical approach under frugal concepts is another commonality between independent theatre groups in Germany. On the contrary, European approach on artistic (facial) expressions and physical mimes were a bit subdued and plain compared to South Asian histrionics. In a discussion with Britta Lutz, vice-president of the organising committee, we came to know that physical theatre in

Remake and response The staging of each play was later followed by an interesting session called ‘Remake of the play’. This session focused on responses and interpretations of various theatre groups on each other’s plays. However, these reactions were not merely confined to verbal remarks but rather were conducted through performances as a representation of the group’s understanding and appreciation. The session was able to create a constructive atmosphere for dialogues and critical examination of different plays. Out of many topics for discussion, the major elements revolved around exploring each other theatre art forms, contextual relation of the projected content and the overall construct and choreography of the play. Looking back at the outcomes of the week-long festival and all these creative amenities incorporated by the organising team, I believe that the 32nd International Theatre Festival has offered a lot of space and momentum for the international theatre scenario to grow in the days ahead. Paudel is associated with Sarwanam Theatre as a theatre artist and director

identity to the class citizens. doctrine downg the policy of compulsory me was a serious established rich culture and t tion. This also cation for Ben mal, and their p structure negli This is comp tion of Madhe in addition to a ty, acquiring ci impossible for ability to read Nepali was ma not only turne class citizens them to the s lesser worth. attempt to cr centralised an was guided by t in the social sta ruling elite. Mahendra Do marked by th anti-India polit nationalism. The unprec sion of this was who were labe treated like col of the most rev this is the way While Nepal’s percent of the erated the ma revenue, its sh funds was alm income was Kathmandu. It case of East where all the re East Pakistan development of Like Pakista multiple coups monarch who mander-in-chie these coups d’é every 10 years have fought However, the co

Theatertage am See 2016 Presse Homepage des Bundesverwaltungsamtes

http://www.bva.bund.de/DE/Organisation/Abteilungen/Abteilung_ZfA/Auslandsschularbeit/ Fachberatung/FBK/Sofia/Aktuelles/2016/theatertageamsee_txt.html

Theatertage am See 2016 Presse SPIEL und BÜHNE - Fachzeitschrift für Amateurtheater und Kulturpolitik | 1 - 2016

Theatertage am See 2016 Presse SĂ&#x153;DKURIER Friedrichshafen lokal, den 22. Juni 2016

Theatertage am See 2016 Presse SĂ&#x153;DKURIER Friedrichshafen lokal, den 29. Juni 2016

Theatertage am See 2016 Presse SchwĂ¤bische Zeitung Tettnang lokal, den 29. Juni 2016

Theatertage am See 2016 Presse SĂ&#x153;DKURIER Friedrichshafen, den 4. Juli 2016

Theatertage am See 2016 Presse SchwĂ¤bische Zeitung Tettnang lokal, den 4. Juli 2016

28. Theatertage am See Friedrichshafen 2012