VW details brands affected by scandal
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ERLIN—Volkswagen’s (VW) commercial vehicles and cars from its Spanish unit SEAT are among the 11 million fitted with a diesel engine that can cheat on emissions tests, the company said on Tuesday.
In this November 20, 2008, file photo, a Volkswagen Jetta TDI diesel engine is displayed at the Los Angeles Auto Show. Green Car Journal named Volkswagen’s 2009 Jetta TDI as the “Green Car of the Year” at the show, making it the first clean-diesel vehicle to win the prize. Around €15 billion ($16.9 billion) was wiped off the market value of Volkswagen AG on September 21, following revelations that the German carmaker rigged US emissions tests for about 500,000 diesel cars. AP/Damian Dovarganes
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Strong El Niño on, but P-Noy still not aware of action plan By Cai U. Ordinario
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‘TaKlub’: hiding hope and despair Show BusinessMirror
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‘Taklub’: Hiding hope and despair punctuate her anguish and abandonment. Taklub is directed by Brillante Mendoza from the screenplay of Honeylyn Joy Alipio. Diwa de Leon provides the misic. The cinematography by Odyssey Flores alternates between crusty and soft-focused images, giving the film a touch of the documentarian. n
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T the end of Taklub, the Brillante Mendoza film, I kept wondering why I did not get a sense of sadness or despair or joy. There is nothing wrong with the film but there is an absence that was more palpable than the presences—the characters, the landscape and the pervasive dreary, bleak air. I wanted to be moved by the film, which explores life after the destruction of Supertyphoon Yolanda. Perhaps, that was the problematic situation I placed myself in. In Thy Womb, Mendoza’s acclaimed 2012 film, there was no problem about the story touching the audience. Mendoza crafted a world of the Badjao that was more truthful and had more candor than any previous attempt to capture this group of people on film. The power of Thy Womb is that the director’s camera was more focused, more dedicated to a simple, quiet story. The silences in the film did not stop the filmmaker to allow the scenarios and the actors to grow before us until they have bigger than life-size. This is the sort of transformation that makes films great, and urges us to rethink about the avowed power of cinema. It is, of course, not morally proper to celebrate destruction, especially if one had not been there at the center of the storm. But art, more than our moralizing and grieving, has the function to rewind time and allow us to see once more what indeed happened on that day. Yolanda has such a lyrical sound to it and when one appends that music in that name to an event of discord, then one has to grapple with memory—and with art. How to depict a land that is reduced to ruin and mud and ash? How to tell the story of the lives of people who did not have any wealth except each other? Mendoza has been through this path already, and his sharp aversion to melodrama pushes him to slash and burn through the horizon. Violence becomes poetry in his hands. In Taklub, he decides to be prosaic about it. This may be the reason I could not be moved by the scenes. This is not saying that there are no good scenes in the film. There are but, far from weaving them into the lives of the four lead characters, they are like threads that are unspooled. Julio Diaz has the most colorful character among the leads. In one scene, he carries the Cross in a ritual that bears the notion of self-flagellation to the extreme. Films are always the sum of choices, and in Taklub, Mendoza makes one of the best decisions ever: to portray the faith of the people to the point of pain. Here is a city battered by the storm and, as a response, the community decides to hold a penitential procession. Who taught them this religion of terrible sacrifice? A slice of life is but a
in Brillante Mendoza’s Taklub, the camera pays homage to nora aunor in many scenes where nothingness gathers itself into a force that compels us to watch and watch forever lest we miss out on the message of nature not meant to serve humanity always.
slice, but there is a scene in Taklub where Larry (Julio Diaz) comes to their house to meet up with Bebeth, the character played by Nora Aunor who loses her children in the terrible wrath of Yolanda. The exchange is full of candor and no bittersweetness to the two separated couple. The other woman remains outside, waiting by the tricycle, neither timid nor arrogant. A masterful rendition of pathos is caught by this scene. Renato, as played by Lou Veloso, is the character who sails out to sea and prays that he be swallowed by it. Renato has lost his loved ones and it is his fate that the sea always brings him back to shore and an unwelcomed safety. Again, there is a meeting between Bebeth and Renato, but the latter watches merely. This, I believe, is where the weakness of the film lies—in characters that do not seem to have anything between and among them. We are like Bebeth walking and walking in a hazy way, devoid of direction and purpose. Is Mendoza illustrating for us the critical state of life in Tacloban, where people wait aimlessly and where aid and assistance come to the land but do not reach those who need them? Those who believe in the genius of Nora Aunor will be relieved. In a role that can be deemed insignificant, Aunor never searches for moment as inferior actors are wont to do. In the first place, this peerless actor has no scenes that she, as the idiom goes, could chew on. Given the narrow space bestowed upon her by the screenplay,
Aunor once more shows that there are no small roles but only small actors. What we are treated to is Aunor, the actor, who, carrying herself in the film with her back in an almost scoliotic bend, manages to portray for us the unseen burden of those who experienced the sorrow, the surge and the deaths. All this in a long shot showing Aunor’s Bebeth leaving the hospital. It can be a cultural flaw but Bebeth, as essayed by Aunor, is the person whose resignation to fate is as fatal as the belief that, after a massive destruction, help will come. If ever the silences in Taklub work, it can only be ascribed to this actor who treats stillness not as gaps but as gorgeous emptiness where the soul is awed by its darkness or lightness. The camera pays homage to Aunor in many scenes where nothingness gathers itself into a force that compels us to watch and watch forever lest we miss out the message of nature not meant to serve humanity always. I wish though that Aunor was given more difficult scenes. At this point of her career, Nora Aunor can practically do anything. A huge ship is seen astoundingly beached, its prow hitting the sky. I think Nora Aunor’s Bebeth, like the ship, is stranded in the narrative about a land that lives by its name, which means “covered” in Filipino. I go back to Thy Womb, where Nora Aunor as Shaleha delineates a barrenness through a performance that is fertile in metaphors and as soaring as the birds that
glaiza de Castro Celebrates her journey as a musiCian via ‘dreams never end’ ConCert
gMa leading lady glaiza de Castro will be claiming the spotlight on october 3 for her first major solo concert at the Music Museum. Dubbed as Dreams Never End, glaiza will be channeling her inner rock star to perform some of the chart-topping hits from her self-produced album Synthesis. get to know a more profound glaiza as she shares her music with the people who continue to join her journey in reaching her dreams. Feeling ecstatic, the gMa artist Center star shares how she is preparing for the big night, “ever since the launch of Synthesis, i’ve become more inspired to share my music. excited ako to perform my songs to everyone, and above anything else, i want to make it intimate for my fans. this is going to be my way of saying thanks.” the singer-songwriter will be joined by her fellow artistfriends including Jay-R, Kitchie nadal, aiza Seguerra and Regine velasquez-alcasid. avid fans of the recently concluded groundbreaking series The Rich Man’s Daughter, who call themselves RaStro rebels, will be able to catch another glimpse of their favorite love team as Rhian Ramos will also be jamming with glaiza at the concert. Dreams Never End is directed by Rico gutierrez, with Marc lopez as the musical director and gMa network as its official media partner.
aBC news apologizes for false promotion of o.J. Simpson civil-trial deposition tapes ABC News has been promoting its airing of deposition tapes from O.J. Simpson’s civil trial as being seen for the first time since they were recorded in 1996. But had ABC News done a bit more digging, it would have learned that the tapes first aired on NBC’s Dateline in 1999. The news division had to issue an apology on Friday for the erroneous claim. “We were wrongly under the impression these deposition tapes were exclusive and had not aired before at length,” an ABC News spokesman said in a statement. “We learned this morning portions did air 15 years ago. We apologize for the mistake.” The airing of the tapes, scheduled for Friday night’s edition of the news magazine 20/20 was heavily touted in on-air promos and by Robin Roberts and George Stephanopoulos during Friday’s edition of Good Morning America. The Los Angeles Times also reported that ABC was airing the tapes for the first time after being in storage for nearly 20 years, based on information provided by the network and an interview with 20/20 coanchor Elizabeth Vargas, who is scheduled to present the video and related interviews on the program. However, once GMA aired on Friday, NBC News executives quickly noted that the tapes have aired before, most recently in a June 11, 2014, edition of Dateline NBC and in a 14-and-a-half minute segment that ran on the program on June 15, 1999.
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In year of diplomatic triumphs, Obama still dogged by Syria
Economic Planning Secretary and National Economic and Development Authority (Neda) Director General Arsenio M. Balisacan said the interagency task force will be submitting the plan to the President within the week. “We don’t have solid numbers yet, but based on the information we are See “El Niño,” A2
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economic briefing Bangko Sentral ng Pilipinas Governor and Chairman of the Monetary Board Amando M. Tetangco Jr. opens the Philippine Economic Briefing held at the Philippine International Convention Center in Pasay City. The briefing includes discussions on harnessing the Filipino talent and accelerating infrastructure development and financing. ALYSA SALEN
Vista Land allots ₧40B for Iloilo township By VG Cabuag
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By Catherine N. Pillas
he Philippine Atmospheric, Geophysical and Astronomical Services Administration (Pagasa) has officially declared that a strong El Niño now prevails in the country, but President Aquino has yet to see a blueprint to mitigate the ill effects of the likely weather disruptions drawn up by various agencies.
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ista Land & Lifescapes Inc., the real-estate arm of the Villar family, on Wednesday said it will spend some P40 billion in developing its vast property in Iloilo City into a master-planned community that will have, among others, malls, hospitals, residential and office buildings mainly for business-process outsourcing (BPO) firms. The company said its Vista City Iloilo will cover about 500 hectares, spanning the municipalities of Oton, Pavia and San Miguel on Panay Island. The property is close
PHL’S NEW GOAL: TOP 20% OF WEF RANKING
to the University of the Philippines Visayas, Central Philippine University, University of San Agustin and the West Visayas University, as well as the Western Visayas Medical Center and The Medical City Iloilo, the company said. Iloilo has recently attracted major players in the real-estate industry that are undertaking residential and commercial projects to take advantage of the growing domestic economy. Bordered by the provinces of Antique in the west and Capiz in the north, Iloilo has become the regional capital and the economic hub of Western Visayas.
Vista Land established its presence in Iloilo in September 2000, when it opened Savannah Glades. The project’s two main residential components are Savannah and Lumina. The project now has seven residential enclaves, covering more than 300 hectares. Savannah is the largest residential community on Panay Island. The residential community is supported by numerous amenities, including a school, five clubhouses, four basketball courts, one tennis court, jogging and biking paths, and numerous gazebos, parks and children’s playground. “The integration of the residen-
tial project with commercial development will complete Vista City Iloilo’s transformation with adequate security and convenient transportation services,” the company said. It added that the company has allocated at least 100 hectares for the City Center, where the BPO offices, shopping establishments and hotels will be located. The City Center will also include churches with columbarium, events places and amusement parks. Vista Land has established its presence in 35 provinces, and 90 cities and municipalities. To date, the group has 23 master-planned city developments spread all over the country.
ow that the Philippines has breached the upper third of the World Economic Forum’s (WEF) Global Competitiveness Report, it is now eyeing to enter the top 20 percent of the list by 2020, or a jump of at least 18 spots over a period of five years. And Guillermo M. Luz, privatesector cochairman of National Competitiveness Council (NCC), said the key to achieving this new target is the policy direction of the next leader. “Moving up into a new neighborhood of competitors means we have to be looking up at the top 20 percent, which means a ranking of 30 or higher in the next five years. Absolutely, everything depends on the next administration, because leadership matters,” said Luz in an interview at the Investor Relations Office’s Philippine Economic Briefing on Wednesday. The latest Global Competitiveness Report of the WEF placed the Philippines at the 47th spot out of 140 economies, up by 5 notches from 2014’s ranking of 52nd. This year’s five-spot jump represents the fifth time in a row that the Philippines improved its ranking in the WEF’s Global Competitiveness Report. Of the 12 pillars tracked in the report, the Philippines notched improvement in 10 pillars, with the biggest improvements noted in Labor Market Efficiency, Health and Primary Education, Market Size, Business Sophistication, Innovation and Macroeconomic Environment. The two pillars that registered declines are Institutions and Goods Market Efficiency. Factors that led to a drop in the country’s ranking in the Institutions pillar were government inefficiency, or red tape, in establishing a business. For the Goods Market Effieciency, a specific area that needs to be improved are customs procedures. Moving forward, the NCC said it will now focus on lessening the number of procedures to start a See “Wef,” A2
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