Chi Hung Leung Complete Portfolio

Page 1



2012-2015 Portfolio Southern California Institute of Architecture Chi Hung Leung (626)620-3105 Brandon_Leung@Hotmail.com



Portfolio Introduction After two years studying in SCI-Arc, I gain lots of knowledge about architecture. Before I get into the development of my portfolio and experience with my education, I would like to begin with the definition of Architecture. By defining architecture, we learn that it is an art and technique of designing and building, as distinguished from the skills associated with construction. The practice of architecture emphasizes spatial relationships, orientation, the support of activities to be carried out within a designed environment, and the arrangement and visual rhythm of structural elements, as opposed to the design of structural systems themselves (see civil engineering). Appropriateness, uniqueness, a sensitive and innovative response to functional requirements, and a sense of place within its surrounding physical and social context distinguish a built environment as representative of a culture’s architecture. Therefore, architecture requires students to have a multiple, diverse insight and perspective to come up with a well-concluded design. The SCI-Arc diverse curriculum has taught me lots of things that I need to learn in different areas. For instance, the goals of GS Humanities I were to let students become familiar with the methods by which cultural values are transmitted by societies through their artistic heritage; and learn methods of representation, including symbolism, metaphor and allegory. Students were tasked with making connections between different modes of expression and phases of cultural development. Through the understanding of this course, I realize that portfolio is like an artistic heritage which is a platform for people to exchange thoughts. When I was preparing my portfolio, I put in a lot of efforts to organize courses systematically and show how each project was developed so others will be able to understand them. The course also teaches me the way to connect things through different modes of expression. Therefore, when I was structuring my portfolio, I utilized different techniques to express what I want to convey in each project either by graphics or words. Without taking this course, It would be difficult for me to come up with creative solutions when I was designing the structure of my portfolio. The way my work is represented is also based on the knowledge that I had accumulated in one of the CS courses, Intro to Urban System as well. The format of this course is a historical survey of urban design from the past 150 years, from 1860 to 2010. Urban systems by themselves are singular and limited and are often the responsibility of a specific engineering or social discipline. Therefore, the course emphasizes on the strategic integration of Urban systems as it is the domain of the architect-planner and the bewildering variety of integrated systems will be framed and explained through the lens of this survey. One of the things that I can get out of this class is the varieties of organizational strategies and rigid disciplines. Thus, when I was designing with the way my work is representing, I created a rigid layout to follow and applied certain logics to it. Over last couple semesters, I learned that drawings and models are representational tools to express my designs and communicate with others. Even though the fact that we were not designing realistic buildings yet, I am aware of the importance of the structure and tectonics and I tried to address them as much as I could in each project most of the times. To me, drawings show the details of programs and tectonics of the project mainly while Models focus on the visual rhythm and structural components of the project and its visualization. I also realized that computer softwares such as grasshopper and other CAD tools are essential because it helps students to express different ideas. In the near future, I will utilized the knowledge that I have been exposed to move towards my thesis as each course would contribute a certain degrees of unique, valuable lessons to my insight. I recognize that the needs of absorbing information from cross-media platforms and multi-perspective standpoints, as they are the essential nutrients for students to form a well-thought, distinctive language in my future education.


2A Studio Page 10 - 17

2B Studio Page 18 - 27

3A Studio Page 28 - 37

3B Studio Page 38 - 49

4A Studio Page 50 - 67


4B Studio Page 68 - 83

5A Studio Page 84 - 95

VS The Ornamental Dimension Page 96 - 99

AS Environmental System I Page 100 - 103

AS Environmental System II Page 104 - 107


West Broadway Street

Thompson Street

The musicTAUT is a non-profit project. It contains 3 theaters for student and public use, and classes for up to 720 students. 56,236 SQ FT 11 Floors 3 Theaters 500 Seats 1A Construction Type A1, A3, B Occupancy Types

1’-0” = 0’ - 1/32”

SITEplan

SKINpanelization

AS Difficult Sites Page 108 - 111

FRONTelevation

SKINtexturalization

recognized around the world as the spearhead of acoustical academia, consistently ranking in the top 5 globally with their world-renown Master of Music (M.Mus) and Master of Arts in Pedagogy of Music Theory (MA.MusT). The new facility, a mere three blocks from their current home, will allow them to comfortably double the student body: three new theatres enable student performances to be kept in house, with the addition of 15 classrooms, 10 large practice rooms and 6 recording studios to facilitate the arts. These new spaces are also available for public use, to better integrate the school into its neighboorhood.The NewYorkMusicInstitute is pursuing LEED gold on the musicTaut project, as it is commited to bettering the world around them; here, music is taught.

Permeable Roof 2' x 2' panel

Permeable Roof

2' x 2' panel

Radiant Floor 4" OC

A

Concrete

Primary Structure

24' steel pipe

structural floor

Secondary

6" x 6" steel member

Metal Decking

3" corrugated steel

Tertiary

3" x 3" steel member

I-beam

W18 x 119/W10 x 112

Panel

4' x 8' expanded mesh panel

MICROchunk_B

Hanging Ceiling gypsum board

Radiant Floor

4" OC

Catwalk 30" width

Concrete

structural floor

Glass

double-glazed

MICROchunk_A

D

Mullion

aluminum window frame

Metal Decking

3" corrugated steel

I-beam

W18 x 119/W10 x 112

Primary Structure 24' steel pipe

Hanging Ceiling

gypsum board

Secondary

6" x 6" steel member

Glass

double-glazed

Tertiary

3" x 3" steel member

Mullion

aluminum window frame

C

Panel

4' x 8' expanded mesh panel

Interior Finish

GFRG

Permeable Roof 2' x 2' panel

B

AS Integrated Facades Page 112 - 121

3D FLOORend_C

3D WALLsection_D

Panel

4' x 8' expanded mesh panel

Tertiary

3" x 3" steel member

Secondary

Primary Structure

6" x 6" steel member

Secondary

24' steel pipe

Panel

0.065" @ 500,000 ohms/ft²

Tertiary

gloss coat acrylic concrete sealer

Catwalk

Extruded Polystyrene Foam

Radiant Floor

Grade1

Concrete

10' OC

Metal Decking

interior panel

I-beam

30" width

Mullion

W18 x 119/W10 x 112

Hanging Ceiling

4" OC

Glass

structural floor

24' steel pipe

Primary Structure

6" x 6" steel member

Waterproof Membrane

4' x 8' expanded mesh panel

Finish coat

3" x 3" steel member

Rigid Insulation

30" width

Shotcrete

4" OC

Primary Steel Cage

structural floor

GFRG

3" corrugated steel

Catwalk

W18 x 119/W10 x 112

I-beam

aluminum window frame

Radiant Floor

gypsum board

Concrete

double-glazed

Metal Decking

3" corrugated steel

Hanging Ceiling

gypsum board

RENDEREDsection

FLOORend

3

WALLsection

1

2

THEATRE 902

9TH FLOOR

9TH FLOOR

EL112'-0"

EL 112’-0”

THEATRE 801

8TH FLOOR

AS Design Documentation Page 122 - 149

Occ. Type Sq Ft

# People Occ. Type Sq Ft

B

9046

90

B

9046

90

B

7116

71

B

7116

71

# People

B

7687

77

B

7687

77

B

9743

97

B

9743

97

B

9934

99

B

9934

99

B A1 A3

4169 41 50 Seats 50 1500 100

B A1 A3

4169 41 50 Seats 50 1500 100

B

3369

34

B

3369

34

B

706

7

B

706

7

B

577

6

B

577

8TH FLOOR

EL97'-11"

EL 98’-0”

CLASS ROOM

7TH FLOOR

7TH FLOOR

EL84'-0"

EL 84’-0”

6TH FLOOR

6TH FLOOR

EL70'-0"

EL 70’-0”

5TH FLOOR

5TH FLOOR

EL56'-0"

EL 56’-0”

CLASS ROOM

4TH FLOOR

4TH FLOOR

EL42'-0"

EL 42’-0”

CLASS ROOM

3RD FLOOR

3RD FLOOR

EL 28'-0"

EL 28’-0”

CLASS ROOM

2ND FLOOR

2ND FLOOR

EL14'-0"

EL 14’-0”

STREET LEVEL

STREET LEVEL EL 0’-0”

EL 0’-0”

LOBBY

East Elevation 1’-0” = 0’ - 1/16”

EXIT TO STREET

TRANSVERSEsection

EXIT TO STREET

SIDEelevation F

G

177'-4 3/4"

125'-6"

165'-6"

B

C

D

E

105'-6"

65'-6"

B A1 A3

2048 20 75 Seats 75 1500 100

B A1 A3

B

8350

B

83

6

EXIT TO STREET

2048 20 75 Seats 75 1500 100 8350

83

Return Air

I-Beam

Stand Pipe

Supply Air

I-Beam

Sprinkler

Outside Air

Rolled Steel

Fire Control Room

Mechanical Unit

Concrete

W10 x 112

W18 x 119

10' OC

A

36'-6 3/4"

FIREegress

Foundation

ADAaccess FIREsprinkers

9TH FLOOR EL112'-0"

THEATRE 902 CLASS ROOM

HVAClayout

8TH FLOOR

STRUCTURALaxon

EL97'-11"

CLASS ROOM

7TH FLOOR EL84'-0"

F

THEATRE 801

177'-4 3/4"

165'-6"

C

D

E

125'-6"

105'-6"

B

F

A

177'-4 3/4"

36'-6 3/4"

65'-6"

165'-6"

F

C

D

E

105'-6"

125'-6"

B

65'-6"

C

D

E

B

A

177'-4 3/4"

36'-6 3/4"

165'-6"

105'-6"

125'-6"

A

36'-6 3/4"

65'-6"

6TH FLOOR EL70'-0"

$ $ $ $

Structural Steel Rolled Steel Rib

$ $ $

25,607,736 1,743,588 27,351,324

$ $ $

3,915,480 5,612,188 9,527,668

3

Facade_Pipe Structure

PRACTICE ROOMS

CLASSROOM

2

RECORDING

CLASS ROOM

OPEN TO BELOW

Concrete Floor Shotcrete+GFRG

CLASSROOM

STUDENT LOUNGE

LOBBY CLASSROOM

PRACTICE ROOM

PRACTICE ROOM

SteelSystem_Structural Steel

33'-0"

CONCERT HALL 202

33'-0"

33'-0"

EL 28'-0"

RECORDING

PRACTICE ROOM MAIN THEATER

CLASS ROOM

3RD FLOOR

$924 @ 27,714 ft

Shell_Concrete Floor

$120 @ 32,629 SF

SystemAssembly_Sprinklers

$120 @ 95,012 SF

Sprinklers HVAC

OFFICE FACULTY OFFICES 1

1

1

Facade_Panel Structure

Core Glazing Finishes EL 0’-0”

$/SF 560

Costs Shell Costs Land Costs

Comission 18% 18%

Contingencies Estimation Construction

Margin 5% 10%

Total $6,048,000

$6,048,000

SystemAssembly $ $ $

SOFT COSTS Total $9,888,484.88 $1,088,640.00

11,032 8,160 19,192

$10,977,124.88

CONTINGENCIES Total $2,746,801.36 $5,493,602.71

$8,240,404.07

$21.40 @ 10,600 ft

LOBBY

STREET LEVEL

LAND COSTS Lot Size 10,800SF

Shell

_Core

$3.50 @ 3,152 ft

LOBBY 2ND FLOOR EL14'-0"

3,614 226,840 3,185,100 3,415,554

SteelSystem

2

2

CONCERT HALL 303

53'-0"

53'-0"

4TH FLOOR EL42'-0"

$1.91 @ 1892 ft

PRACTICE ROOM

CLASSROOM

CLASS ROOM

53'-0"

CONCERT HALL 303

Facade

Pipe Structure Panel Structure Expanded Mesh

3

3

5TH FLOOR

EL56'-0"

CONCERT HALL 101

Interior+Finishes $ $ $ $

11,401,440 1,107,925 2,112,924 12,509,365

OVERALL PROJECT COST Category Land Cost Shell Cost Soft Cost Contingency

Total $6,048,000.00 $54,936,027.00 $10,977,124.88 $8,240,404.07

$80,201,555.95

TOTAL SHELL COSTS $

Facade_Expanded Mesh $100 @ 31,851 SF

AS Smart Sustainable SYstem Page 150 - 173

LONGITUDINALsection

FIRSTfloor

THIRDfloor

SEVENTHfloor

SteelSystem_Rolled Steel Ribs

$462 @ 3,774 ft

Shell_Shotcrete+GFRG $172 @ 32,629 SF

SystemAssembly_HVAC

54,936,027

_Glazing

$2 @ 4,080 ft

$65 @ 17,045 SF

LOAN COSTS Loan $80,201,555.95

COSTanalysis

Chi Hung Leung Architecture

Consultant: Pavel Getov Jay Vanos

AS Construction Document Page 174 - 213 No.

Description

Date

Terms 3.81% @ 15yr

Monthly Payment $548,775



2A Studio



Project Overview Fire Protection Water Reservoir Location: South Antelope Valley, CA

Individual Project Instructor: Eric Kahn Sep - Dec 2012 If cube is 3D, knot is 2D, and Root is 1D, Knoop is a transitional transformation from volume to line. The figure is anexct which means two similar things separated by a slightly different dissimilitude from each other. All figure and roots are not the same in the knoop project. For example, there is an origin between knot and roots. Following the origin, there are two groups of similar roots. Even though they look the same, they have different amounts of arrayed branches. This project explores the integration between DIscrepancy and Dissimilitude. DIscrepancy refers to The state or quality of being discrepant; difference; inconsistency. It is also an instance of difference or inconsistency: There are certain discrepancies between the two versions of the story. On the other hand, dissimilitude has the similar meaning of disimilarity which means differences. It can also refer to a point of difference.

12 2A Studio | Fire Protection Water Reservoir


2A Studio|Bridge to Nowhere Water Station

17

2A Studio | Fire Protection Water Reservoir

13


Drawings

14 2A Studio | Fire Protection Water Reservoir


2A Studio | Fire Protection Water Reservoir 15


Text | Text


Text | Text

17


2B Studio



Project Overview Los Angeles Art Museum

Building Parts Diagram

Location: Little Tokyo, Los Angeles, CA Part 1

2B Studio

Part 2 Part 3 Part 4

Individual Project Instructor: Jenny Wu Jan - Apr 2013 The primiary interest of this project is to create a continuous spatial experience that is composed by a folded circulating gesture. Through the explorations of parts-to-whole relationship, the museum is composed by five diffierent parts. The architectural form of this museum encourages people to enter the building through its tail, and it will lead people all the way to the top floor of the whole museum. The secondary circulation lead people from the undergraound level to converge with the main circulation in the lobby. The secondary emphasis of this project is to create an architectural from that emerges from the ground gradually. This is why the spatial sequence of the museum starts in the underground level, and ends in the air.

20 2B Studio | Los Angeles Art Museum

Part 5 Part 6 Part 7


2B Studio | Los Angeles Art Museum

21


Drawings A

Small Photo DN

Large Photo Studio

Studio

DN

DN

Bo okstore UP UP

UP

Main Lobb y UP DN

Gallery

A

22 2B Studio | Los Angeles Art Museum


2B Studio | Los Angeles Art Museum 23


Drawings

10

5b

50’

11

50’

7 3 9 14’

3’

14’

4

1

5a

8

-7’ 2

24 Text | Text Section A-A @1/16” = 1’ - 0”

2

3’

6

BIBLIO CAD

1 2 3 4 5a,5b 6 7 8 9 10 11

Small Photo Studio Large Photo Studio Roof Passageway Outdoor Cafe Indoor Cafe Lobby Secondary Lobby Temporary Exhibition Space Gallery Restroom Kitchen

-7’


Text | Text 25


Rendered Section

26 Text | Text


Text | Text

27


3A Studio



Project Overview Pier 26 Natatorium

Structure Diagram

Mechanical Spaces Diagram

Location: Embarcadero, san francisco, CA 3A Studio

Primary A-Frame

Pump Station

Secondary Supportive A-Frame

Tertiary Supportive One Way Frame

Group Project Instructor: Christopher Korner Sep - Dec 2013

Circulation Diagram

Cistern

This project explores the relationship between structural morphology and overall building mass and organization in the design of a natatorium located on a pier in The Embarcadero in San Francisco. The proposal for this project is to create a multiplatform megastruture natatorium in order to form a modern, relaxing water pool experience while conserving the historic context of the surrounding environment. The inspiration is the Tokyo Bay Project by Kenzo Tange. Without altering the site, the natatorium is like a floating island that sits on top of the original pier columns so as to preserve the existing cultural context. The programs are located inside the giant A-frames with secondary structures supporting the pools. The beginning and the end of structure are composed by repeating A-frames structures. The middle section of the project consists a series of gathering pools in which the idea was from the gathering hot springs from nature. It also has water slides underneath the gathering pools, with several waterfalls coming off from different pools.

30 3A Studio | Pier 26 Natatorium

Level 3 Circulation Level 2 Circulation Level 1 Circulation LEVEL iii Matrix Diagram

LARGE POOL 15’ -3’ DEPTH / INTERIOR / COLD WATER / FRESH / LEISURE LARGE INDIVIDUAL POOLS 10’ DEPTH / EXTERIOR / WARM WATER / FRESH / LEISURE

Program Diagram

LARGE POOL 3’ - 15’ DEPTH / INTERIOR / COLD WATER / FRESH / LEISURE

2 SMALL + 2 WADING POOLS 3” - 8’ / EXTERIOR / WARM WATER / FRESH / LEISURE

LEVEL ii Matrix Diagram

LARGE POOL 15’ - 3’ DEPTH / INTERIOR / WARM WATER / FRESH / RECREATION

LARGE SLIDE 6” DEPTH / EXTERIOR / WARM WATER / FRESH / RECREATION

MEDIUM POOL 3’ - 10’ DEPTH / INTERIOR / COLD WATER / FRESH / LEISURE

LARGE POOL 3’ - 15’ DEPTH / INTERIOR / WARM WATER / FRESH / RECREATION 2 SMALL + 2 WADING POOLS 3” - 8’ / INTERIOR / COLD WATER / FRESH / LEISURE

LEVEL i Matrix Diagram

MEDIUM POOL 10’ DEPTH / INTERIOR / COLD WATER / FRESH / FITNESS

Large Swimming Pools Medium and Small Swimming Pools

Swimming Pool Placement Diagram

MEDIUM POOL 10’ DEPTH / INTERIOR / COLD WATER / FRESH / FITNESS


B

C

A

A

B

Third Level Floor Plan 1/32” scale

B

C

A

C

A

B

C

First Level Floor Plan 1/32” scale

3A Studio | Pier 26 Natatorium 31


Drawings

B

C

B

C

A

Second Level Floor Plan 1/32” scale

32 3A Studio | Pier 26 Natatorium


Third Level

Second Level

First Level

High Tide Low Tide

Section A 1/16” scale

3A Studio | Pier 26 Natatorium 33


Drawings

Third Level

Second Level

First Level

High Tide Low Tide

tion C 2” scale 34 3A Studio | Pier 26 Natatorium


Third Level

Second Level

First Level

High Tide Low Tide

Section B 1/32” scale 3A Studio | Pier 26 Natatorium 35


36 Text | Text


Text | Text 37


3B Studio



Project Overview School of Music Location: manhattan, new york Morphology A: Single Curved Mass

Primary program is bounded by single curvature planes to generate a morphology of creased edges and curved surfaces.

Group Project Instructor: Darin Johnstone Jan - Apr 2014 For the concept of this music school project, we used two different morphologies to different the performance spaces with from the typical programs. We wanted to bring out the continuity and the dynamics aspect of the performance space in the music school. THerefore, the theater spaces are connected to each other continuously. The appearance of the external facade came from the internal floor plan datum and the levels of importance. The more important of the internal program is, the more coffers and windows would be attracted to it. Because the largest theater is located at the right half of the music school, The right half of the external facade expresses a very intensed characteristic. This is why the right half of the external facade are appeared to be more dramatic and denser than the left half of the facade. On the other hand, we also want to connect the internal public spaces with the site environment. This is why we chose the combination of windows and coffer so as to support our argument. 40 3B Studio | School of Music

Morphology B: Prismatic Shell

quadrilateral tesselations envelope the auxiliary program to create an exterior prismatic skin.

Morphology A+B: Nested

The negative void from the impacted morphologies enables access to light wells and spatial affects.

Bound Theatres

Academic

Administrative

Program Massing

Acoustical

Circulation

Public


A

120’

120’

108’

108’

95’

95’

83’

83’

69’

64’

50’

50’

45’

45’

32.5’

22’

14’

12.75’

A

3B Studio | School of Music

41


Drawings

120’

108’

95’

83’

68’

55’

40’

27’

Section A-A @ 1/16" = 1'-0"

42 3B Studio | School of Music


A

120’

120’

108’

108’

95’

95’

83’

83’

69’

64’

50’

50’

45’

45’

32.5’

22’

14’

12.75’

A 3B Studio | School of Music

43


Drawings

44 3B Studio | School of Music


3B Studio | School of Music

45


Drawings

46 3B Studio | School of Music


Text | Text

47


Photos

48 Text | Text


Text | Text

49


4A Studio



Project Overview City Operations Location: Downtown Los Angeles, CA 4A Studio Group Project Instructor: Alexis Rochas Sep - Dec 2014 Existing LA Zoning

New 2D Zoning

Website: http://brandonleung.wix.com/studio4a Description: We looked at the downtown Los Angeles Zoning Map and discovered that it’s The existing zoning map of downtown Los Angeles is figural and each zone is well segregated from each other. There are four basic zoning which are residential zone, commercial zone, industrial zone, and green space. For instance, green space includes parks and public spaces while residential zone has residential houses, and apartments, etc. We have the idea that each city block even a single building has its own zoning. Through manipulating and redistributing the ratios between different zonings, each one square mile microzones will produce a variety of different results. We Also have the idea that the city won’t behave in a concentrated metropolis, but it could potentially be like a distributed metropolis, in which all of the one square mile microzone samples are all separated from each other.

52 4A Studio | City Operations

Existing Zoning New smapling Zoning


4A Studio | City Operations 53


1D Zoning Zoning describes the control by authority of the use of land, and of the buildings thereon. Areas of land are divided by appropriate authorities into zones within which various uses are permitted. 1D ZONING represents the zoning in ratio percentage. 2D ZONING represents the zoning in area. 3D ZONING represents the zoning in volumn. 4D ZONING represents the zoning changes through time. Time is the fourth dimension.

In a 1D perspective, we focus on manipulating and redistributing the ratios between different zonings.

54 4A Studio | City Operations


2D Zoning In a 2D zoning perspective, we replace the existing zoning with multiple zonings.

Existing Zoning

New Zoning

4A Studio | City Operations 55


2D Zoning We sampled one sq. mile grid of the zoning map and mix with different zonings area by changing the ratio between different zones. The process was to take away a certain percentage of a particular zone out and replace with equal amount of other zones.

56 4A Studio | City Operations

Existing Microzone Zoning

Existing Microzone Zoning

Existing Microzone Zoning

New Microzone Zoning

New Microzone Zoning

New Microzone Zoning


This image is showing the plan of all of the microzones.

4A Studio | City Operations 57


3D Zoning This 3D perspective shows the zoning changes from a big chunk of single zoning into multiple types of zoning

58 4A Studio | City Operations


3D Zoning These images are showing different iterations of striation and porosity in different buildings according to their zoning type.

4A Studio | City Operations 59


Zoning Massing

Industrial: Less Striation Low Porosity

60 4A Studio | City Operations

Commercial: Less Striation High, Large uniformed Porosity


Zoning Massing

Green Space: Less Striation No Porosity

Residential: Exaggerated Striation Moderate Dynamic Porosity

4A Studio | City Operations 61


Microzone Massing

62 4A Studio | City Operations


Microzone Massing

4A Studio | City Operations 63


Building Zoning

64 4A Studio | City Operations


4D Zoning In order to contain one million people, we expect the city to grow within a few decades through a 4D zoning perspective.

4A Studio | City Operations 65


Concentrated Metropolis

We have 3 approaches of how city would behave in the future to contain one million people. They are condensed metropolis, distributed metropolis and intermediate scale between condensed and distributed metropolis. This is the condensed metropolis, and we have 4 iterations for it.

66 4A Studio | City Operations


Distributed Metropolis

4A Studio | City Operations 67


4B Studio



Project Overview Superposition Location: Los Angeles, CA 4B Studio Group Project Instructor: Peter Testa Jan - Apr 2015 Description: The studio has 4 thematics; corner, section, enclosure and our research on PLAN in architecture. In conventional 3D modeling the plan is understood as discreet, separate and individual lateral cuts through a body. In our project we propose a reading of the plan as both continuous and discontinuous. Where plans are conventionally cut in a static and stratified way, we argue that plans can be understood as connected no matter how different they are and that they may be freely relocated within the building. In our work plan is understood as a series of cuts that can be recombined and sequenced, similar to the way key frames in an animation sequence can be edited/composited /superposed for new effects. This approach also supports the idea of multiple resolutions within a single plan, with higher or lower resolution in particular areas or elements of the plan. Each floor plan contains a great deal of information, as we superpose them new information is generated. Superposition takes place via separation and reconstitution of plan states.

70 4B Studio | Superposition

The drawings on the right and bottom are created by the robotic arms. We Overlay several different colors and thickness of the lineweights to achieve superpostion in order to represent the idea of floor plan should be both continous and discontinuous.


THe physcial models on the right are created by the robitc arms. We created the original toolpath based on the floor plan of Mansion Square House Building for robotic extruding pattern. After we extrude to a certain height, we take a plan view picture of the extruded physical model and put it into Photoshop to post-process the images. After the post processing procedure is done, we edit the new toolpath based on the images and extrude the new tool path again. This process is done repeatedly. During this repeated looping process, information will be transferred across different medium and produce a different results. For example, when the robotic arms are extruding our toolpath, they would create a slightly different route which is different than the digital toolpath. They also input more information to the physical model by creating multiple types of textures and extruded conditions to it. After documenting the physical model, the information from the physical model will be transferred to the digital version of the model. At this stage, we are able to manipulate the information. When we got a certain amount of tool paths pictures, and physical model, we would shuffle the plans and images of different chunk models and create a new result. The result will include a physical and a digital model that reveals the transformation of the process. The physical model will be related to the digital model, model pictures, and tool paths by sharing similar characteristics.

4B Studio | Superposition 71


Robotic Drawings

724B Studio | Superposition


4B Studio | Superposition

73


Robotic Drawings

744B Studio | Superposition


4B Studio | Superposition

75


Robotic Drawings

764B Studio | Superposition


4B Studio | Superposition

77


Robotic Drawings

784B Studio | Superposition


4B Studio | Superposition

79


Robotic Drawings

804B Studio | Superposition


4B Studio | Superposition

81


Physical Model

824B Studio | Superposition


4B Studio | Superposition

83


5A Studio



Project Overview San Paulo Museum of Art

Shape is... Adaptable It eliminates information and it is often at lowe resolution.

Graphic It avoids the rhetorical excess of geometric form or expressive mass, it exhibits the immediacy of the graphic

Location: Bela Vista, Brazil Zaha hadid Building and Ground Relationship Diagram

5A Studio

Hans Hollein Building and Ground Relationship Diagram

Building To Ground relationship

Individual Project Instructor: Elena Manferdini Sep - Dec 2015

Translating SHape into Museum diagram

Site Plan

Description: This project divides the site into two halves. One half is for the public to gather while another half of the site filters public circulation into the museum through the corridors between the sites. The public space is represented in black while the private space is represented in red. The site has a hierarchy between public-public and private-public area by raising up private-public area and leaving public area at the ground level. The project introduces cultural diversity by raising up the private-public spaces from the public spaces The site has a thick ground to filter the public to enter to the building without moving through the building. It also has a big public space which has access to the building. After the public circulation being filtered into the building, the private circulation was drawn upward. Because the ground level promotes public circulation, its programs are also public too. As people moving upward, they will experience the spaces and the building differently because some are private dominant spaces and vice versa.

2D Shape Diagrams

Section

3D Shape Diagrams

86 5A Studio | San Paulo Museum of Art

Section

Elevation


Axon

Physical Skin Model

Floor Plan

Physical Naked Model

5A Studio | San Paulo Museum of Art 87


Diagrams

After I read Somol’s 12 reasons to get back into shape, I became very interested in using several of them as my concept. Shape is also adaptable as it eliminates information and it is often at low resolution. Shape is Graphic which avoids the rhetorical excess of geometric form or expressive mass, it exhibits the immediacy of the graphic. Having these two reasons on my mind, I started to explore different shapes and their relationship with ground. For the orientation of the shape, I am interested in placing the object on the ground obliquely as most buildings are either horizontal or vertical. The shape has been divided into three parts based on horizontal, vertical and oblique ground planes.

88 5A Studio | San Paulo Museum of Art


For the shape and ground relationship, I am merging Zaha Hadid and Hans hollein’s approaches on the building being accessible at different spatial level and building spaces being part of the ground and advance them.

Exhibition Space Private Circulation

Multifunctional Space Office

Public Circulation

5A Studio | San Paulo Museum of Art 89


Midterm Physical Model For the surface finish treatments. I utilized red and purple as my main color scheme because I want to create a hierarchy among different parts of the color-dipped object. I also want to use the color scheme to manipulate the relationship between different spaces. Ground is represented by the greyscale texture.

90 5A Studio | San Paulo Museum of Art


Floor Plan

5A Studio | San Paulo Museum of Art 91


Sections

92 5A Studio | San Paulo Museum of Art


5A Studio | San Paulo Museum of Art 93


Renderings

94 5A Studio | San Paulo Museum of Art


5A Studio | San Paulo Museum of Art 95


VS The Ornamental Dimension



Project Overview Final Project

3A Seminar

Individual Project Instructor:Ramiro Diaz-Granados Sep - Dec 2013 This project produces something beyond surface relief where certain elements begin to emerge from the surface on the brink of detaching itself altogether. This is an ornamental panel that turns into a column essentially. The concept of the ornamental panel is to express the idea of growth and transformations. The panel started with a repetitive pattern in the left at first. As the gradient goes from the left to right, the panel adjusts to the new paradigms gradually. The changes in forms, colors, textures, and sizes are intended to contribute an influence to the original panel. By incooperating multivalence into the design of the ornamental panel, it does not just hold asethetic aspects but it also contains an unique set of values and contents.

98 The Ornamental Dimension | Final Project


The Ornamental Dimension | Final Project 99


AS Environmental System I



Project Overview farnsworth house Renovation Location: San Francisco, CA 3A Seminar

Enviromental Systems I farnsworth house

Interior Walls

Enclosed Volume Glass Perimeter

Group Project Instructor: John N Bohn Sep - Dec 2013

Flat Concrete Slab Roof

Steel Column

Concrete Floor Slab

Semi - enclosed Space

Concrete Floor Slab

We begin with an understanding of basic thermodynamics and climatic conditions of the site. Then, we examine the fundamental issues of passive energy systems as they apply to architectural production and performance. After we compute the physics of the buildin environment, basic environmental conditions and human comfort, we then relocate and renovate the precedent studies in order to improve the thermodynamics performance.

Meng_chenxiang chang_patrice Kalas_Michael Leung_Brandon

Solar,shadow,material composite Enviromental Systems I

Enviromental Systems I

farnsworth house

farnsworth house

Enviromental Systems I farnsworth house

Interior Walls

Enclosed Volume Glass Perimeter

Flat Concrete Slab Roof

Steel Column

Concrete Floor Slab

Semi - enclosed Space

Concrete Floor Slab

Enviromental Systems I farnsworth house

Enviromental Systems I farnsworth house

Enviromental Systems I farnsworth house

June 21, 2013, 1:00 PM SOLAR PATH

high speed

Low speed

Solar,shadow,material composite

102 Environmental System I | Farnsworth House Renovation


Enviromental Systems I

Enviromental Systems I

Enviromental Systems I

farnsworth house

farnsworth house

farnsworth house

Enviromental Systems I farnsworth house

Interior Walls

Enclosed Volume

June 21, 2013, 1:00 PM SOLAR PATH

Glass Perimeter

high speed

Flat Concrete Slab Roof

Low speed

Steel Column

Concrete Floor Slab

Semi - enclosed Space

Concrete Floor Slab

wind diagram

Environmental System I | Farnsworth House Renovation

103


AS Environmental System II



Project Overview Case Study: Raiffeisenhaus Wien.2 Case Study Raiffeisenhaus Wien.2 Tower Location: Vienna, Austria

Vienna, Austria An automated shading system in between the layers of the double facade optimizes thermal efficiency, but can be over-ridden by employees to better suit their preferences.

The RHW.2 Office Tower is the world‘s first Passive House office tower, with its certification coming from three main factors: •thermal efficiency of the well-insulated double facade •daylighting to reduce electrical lighting requirements •advanced mechanical systems

3B Seminar

The tower is only 60 feet deep, allowing natural daylight to penetrate far into the interior from both sides, with the inner layer having operable windows to allow natural ventilation. Occupancy and brightness sensors in each office reduce light and cooling loads, while using local site resources to further reduce costs: about 60% of the heating needs are fufilled from the waste heat of a neighboring data center, and water from the adjacent canal is used for cooling in the summer.

Group Project Instructor: Ilaria Mazzoleni & Russell Fortmeyer Jan - Apr 2014 In this class, we learned how the surrounding environment would have an effect on the building. The environmental factors such as lighting, air circulation and the ambient noise level would have a relationship with the performance-driven architectural designs. In this particular case study, we learned how to use mathematical formulas to figure out the total amount of natural ventilation area, and how it moves throughout the whole building. Arnold Kim, Melody Javaherian, Chi Hung Leung

106 Environmental System II | Case Study

3B3B Environmental Systems II

Ilaria Mazzoleni / Russell Fortmeyer Instructors

Spring 2014


Case Study: Raiffeisenhaus Wien.2

Vienna, Austria Case Study: Raiffeisenhaus Wien.2

Vienna, Austria Second Skin Fixed Windows

Air Handling Unit

Air Handling Unit

Inner Layer Operable Windows

3’ gap between layers for insulation and ventilation Floor area within 20’ of an openable window

Winter

Summer

Entraining preheated air in Winter

Case Study: Raiffeisenhaus Wien.2 Arnold Kim, Melody Javaherian, Chi Hung Leung

Exhausting heat in Summer

Typical Floor Plan Arnold Kim, Melody Javaherian, Chi Hung Leung

3B Environmental Systems II

Ilaria Mazzoleni / Russell Fortmeyer Instructors

Spring 2014

Vienna, Austria 3B Environmental Systems II

Ilaria Mazzoleni / Russell Fortmeyer Instructors

Spring 2014

Environmental System II | Case Study 107


AS Difficult Sites



AS/DS Address:

Mitigation Square Footage:Strategies: Building Massing / Vertical Barrier Zoning: Distance to Freeway:

Project Overview Imperial Hwy

105 FWY West

Air

Po

llu

tio

n

105 FWY East

fro

m

th

eF

re

ew

ay

120’

Mitigation Strategy Research

Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’

L-Shaped Building Massing with Vertical Barrier

Imperial Hwy t

s

ft/

Alabama St

36

Antwerp Ave

Success Ave

Location: Compton, CA

E 117th S

E 118th St

105 FWY West

SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone

3B Seminar

Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’

Unmodified Building Massing without Vertical Barrier

105 FWY East

Imperial Hwy

36

s

ft/

105 FWY West

llu

tio

n

105 FWY East

fro

m

th

eF

re

ew

ay

120’

Po

120’

Air

E 117th S

t

s

ft/

Alabama St

36

Antwerp Ave

Success Ave

Group Project Instructor: Darin Johnstone Jan - Apr 2014

E 118th St

SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone

tio

n

v

105 FWY East

fro

m

Pre

th

eF

re

ew

ay

120’

llu

t

s

ft/

E 118th St

SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone

Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’

O-Shaped Flat Roof Building Massing without Vertical Barrier

E 118th St

Imperial Hwy

105 FWY West

Po

llu

tio

n

SCI Arc / Applied Studies Seminar: Difficult Sites / Instruct

105 FWY East

fro

m

th

eF

re

ew

ay

120’

Air

Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’

U-Shaped Building Massing without Vertical Barrier Imperial Hwy t

ft/

Alabama St

36

Antwerp Ave

Success Ave

E 117th S

s

105 FWY West

Po

llu

tio

n

105 FWY East

fro

m

th

eF

re

ew

ay

120’

Air E 118th St

SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone

Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’

O-Shaped Flat Roof Building Massing with Vertical Barrier Imperial Hwy

fro

105 FWY East

m

E 117th S

t

th

eF

re

ew

ay

120’

n

ft/s

tio

36

llu

Alabama St

Po

Antwerp Ave

Success Ave

105 FWY West

Air

t

s

ft/

Alabama St

36

Antwerp Ave

Success Ave

E 117th S

E 118th St

E 118th St

110 Difficult Sites | Mitigation Strategy Research

t

Alabama St

36

Antwerp Ave

E 117th S

E 117th S Alabama St

Po

ind

gW

in ail

105 FWY West

Air

Success Ave

In this class, we want to find out whether it is possible to build a residential project that is located very close to major freeways in Los Angeles. Typically speaking, the city of Los Angeles would not allow anyone to build the houses on the lands that are very close to major freeways due to air pollutions heath concerns. We then analyze the environmental data and ran CFD ins order to stimulate a realistic environment and study the relationship between air movement and air pollutions. Based on the environmental research, each of us would come up with a mitigation strategy design, which is verified by the CFD model at the end.

Antwerp Ave

Imperial Hwy

Success Ave

Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’

Unmodified Building Massing with Vertical Barrier

SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone

SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone


Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’

Road Dispersion Model

Distance from the freeway to the vertical barrier Distance from the freeway to the site.

Distance from the freeway to the site.

PM 2.5 concentration vs distance from the center of road with vertical barrier

PM 2.5 concentration vs distance from the center of road without vertical barrier

SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone

Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’

O-Shaped Round Roof Building Massing with Vertical Barrier

Address: 116459 Antwerp Ave. Square Footage: 24,294 s.f. Zoning: LCR2 Distance to Freeway: 120’

O-Shaped Round Roof Building Massing without Vertical Barrier

Imperial Hwy

Imperial Hwy

105 FWY West

105 FWY West

Ai

ol

rP

lu

tio

n

fro

105 FWY East

m

ol

lu

tio

n

105 FWY East

fro

m

th

eF

th

eF

re

ew

ay

re

ew

ay

E 117th S

t

ft/s

Alabama St

36

ft/s

E 118th St

Antwerp Ave

Success Ave

t

Alabama St

36

Antwerp Ave

Success Ave

E 117th S

120’

rP

120’

Ai

E 118th St

SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone

SCI Arc / Applied Studies Seminar: Difficult Sites / Instructor: Darin Johnstone

Difficult Sites | Mitigation Strategy Research

111


AS Integrated Facade



Project Overview Final Project

Wind Tunnel Analysis

Facade Performance vs. Season Evaluation

Location: Kuala Lumper, Malaysia Summer Have the most dry days The least humidified season Fall Have the most wet days The most humidified season Winter

3A Seminar Individual Project Instructor: Greg Otto, Won Hee Ko Sep - Dec 2013 Description: Our final project is to design a facade of a building.We begun with analyzing the site along with the local climate. Then we chose one of the buildings which is located in the site and designed facade based on our research.

Spring Have high precipitation days

North East Most direct solar radiation

South East Minor solar gain Most wind load

South West Minor solar gain

North West Most direct solar radiation

Limit excessive sunlight Enable Air ventilation to create air circulation

Enable air ventilation

Enable air ventilation

Limit excessive sunlight Enable Air ventilation to create air circulation

Enable air ventilation

Enable air ventilation

Utilize HVAC control System Should have an enclosed environment to avoid rain and the huge wind load

Most direct solar radiation

Most direct solar radiation

Gain as much solar radiation Limit excessive sunlight as possible while and maintain a good maintaining internal heat thermal insoluation good insoluation

Limit excessive sunlight and maintain a good thermal insoluation

All facades have very similar level of solar radiation level

Most wind load

Enable air ventilation

Minor solar gain Most wind load

All facades have very similar level of solar radiation level

Most wind load Maintain a good thermal and moisture insoluation

Maintain a good thermal and moisture insoluation

Maintain a good thermal and moisture insoluation

Facade Information : Elevation System: Unitized Curtain Wall System

Facade Information : Section

Site: Kuala Lumpur, Malaysia Kuala Lumpur, malaysia, 3°7'N, 101°32'E, 22 m (72 ft) Kuala Lumpur has a tropical wet climate (Köppen-Geiger classification: Af ) with no dry or cold season as it is constantly moist (year-round rainfall). According to the Holdridge life zones system of bioclimatic classification Kuala Lumpur is close to the tropical moist forest biome. The annual average temperature is 26.6 degrees Celsius (79.8 degrees Fahrenheit). Total annual Precipitation averages 2366.2 mm (93.2 in). Annual sunshine averages 2228 hours.

Building: The Avare, Kuala Lumpur Type: : Luxury Residential complex

114 Integrated Facade | Final Project

Minor solar gain Gain as much solar radiation as possible while maintaining internal heat good insoluation

Maintain a good thermal and moisture insoluation


Facade Information : Floor Plan

Analysis and Diagrams Solar Gain and Solar Radiation Diagram

June 21st @ 12pm

Incidental Solar Radiation Solar Gain Sep 21st @ 12pm

Dec 21st @ 12pm

March 21st @ 12pm

Exploded Axon Diagram Building Structure

Inner Supporting Structure Tinted Double Glass Unit

Solar Panel

Solar Planel Frame

Integrated Facade | Final Project 115


Integrated Facade Final Project Chi Hung Leung Site: Kuala Lumpur, Malaysia Building: The Avare, Kuala Lumpur System: Stick system

116 Integrated Facade | Final Project

Wind Tunnel Analysis


Integrated Facade | Final Project 117


Site: Kuala Lumpur, Malaysia Kuala Lumpur, malaysia, 3°7'N, 101°32'E, 22 m (72 ft) Kuala Lumpur has a tropical wet climate (Köppen-Geiger classification: Af ) with no dry or cold season as it is constantly moist (year-round rainfall). According to the Holdridge life zones system of bioclimatic classification Kuala Lumpur is close to the tropical moist forest biome. The annual average temperature is 26.6 degrees Celsius (79.8 degrees Fahrenheit). Total annual Precipitation averages 2366.2 mm (93.2 in). Annual sunshine averages 2228 hours.

Facade Performance vs. Season Evaluation

Summer Have the most dry days The least humidified season Fall Have the most wet days The most humidified season Winter

South East Minor solar gain Most wind load

South West Minor solar gain

North West Most direct solar radiation

Limit excessive sunlight Enable Air ventilation to create air circulation

Enable air ventilation

Enable air ventilation

Limit excessive sunlight Enable Air ventilation to create air circulation

All facades have very similar level of solar radiation level

Enable air ventilation

Enable air ventilation

Most direct solar radiation

Most direct solar Minor solar gain radiation Gain as much solar radiation

Spring Have high precipitation days

Utilize HVAC control System Should have an enclosed environment to avoid rain and the huge wind load

Enable air ventilation

Minor solar gain Most wind load

All facades have very similar level of solar radiation level Maintain a good thermal and moisture insoluation

118 Integrated Facade | Final Project

Most wind load

Gain as much solar radiation Limit excessive sunlight as possible while and maintain a good maintaining internal heat thermal insoluation good insoluation

Building: The Avare, Kuala Lumpur Type: : Luxury Residential complex

North East Most direct solar radiation

Limit excessive sunlight and maintain a good thermal insoluation

as possible while maintaining internal heat good insoluation

Most wind load Maintain a good thermal and moisture insoluation

Maintain a good thermal and moisture insoluation

Maintain a good thermal and moisture insoluation


Facade Information : Elevation

Facade Information : Section

System: Unitized Curtain Wall System

Integrated Facade | Final Project 119


Facade Information : Floor Plan

Analysis and Diagrams Solar Gain and Solar Radiation Diagram

June 21st @ 12pm

Incidental Solar Radiation Solar Gain Sep 21st @ 12pm

Dec 21st @ 12pm

March 21st @ 12pm

120 Integrated Facade | Final Project


Exploded Axon Diagram Building Structure

Inner Supporting Structure Tinted Double Glass Unit

Solar Panel

Solar Planel Frame

Integrated Facade | Final Project 121


AS Design Documentation


Permeable Roof 2' x 2' panel

Permeable Roof

2' x 2' panel

Radiant Floor 4" OC

A

Concrete

Primary Structure

24' steel pipe

structural floor

Secondary

6" x 6" steel member

Metal Decking

3" corrugated steel

Tertiary

3" x 3" steel member

I-beam

W18 x 119/W10 x 112

Panel

4' x 8' expanded mesh panel

Hanging Ceiling gypsum board

Radiant Floor

MICROchunk_B

4" OC

Catwalk 30" width

Concrete

structural floor

Glass

double-glazed

MICROchunk_A

D

Mullion

aluminum window frame

Metal Decking

3" corrugated steel

I-beam

W18 x 119/W10 x 112

Primary Structure 24' steel pipe

Hanging Ceiling gypsum board

Secondary

6" x 6" steel member

Glass

double-glazed

Tertiary

3" x 3" steel member

Mullion

aluminum window frame

C

Panel

4' x 8' expanded mesh panel

Interior Finish

GFRG

Permeable Roof 2' x 2' panel

B

3D FLOORend_C Panel

3D WALLsection_D

4' x 8' expanded mesh panel

Tertiary

3" x 3" steel member

Secondary

Primary Structure

6" x 6" steel member

Secondary

24' steel pipe

Panel

0.065" @ 500,000 ohms/ft²

Tertiary

gloss coat acrylic concrete sealer

Catwalk

Extruded Polystyrene Foam

Radiant Floor

Grade1

Concrete

10' OC

Metal Decking

interior panel

I-beam

30" width

Mullion

W18 x 119/W10 x 112

Hanging Ceiling

4" OC

Glass

structural floor

24' steel pipe

Primary Structure

6" x 6" steel member

Waterproof Membrane

4' x 8' expanded mesh panel

Finish coat

3" x 3" steel member

Rigid Insulation

30" width

Shotcrete

4" OC

Primary Steel Cage

structural floor

GFRG

3" corrugated steel

Catwalk

W18 x 119/W10 x 112

I-beam

aluminum window frame

Radiant Floor

gypsum board

Concrete

double-glazed

Metal Decking

3" corrugated steel

Hanging Ceiling

gypsum board

FLOORend

RENDEREDsection

3

WALLsection

1

2

THEATRE 902

9TH FLOOR

9TH FLOOR

EL112'-0"

EL 112’-0”

THEATRE 801

8TH FLOOR

Occ. Type Sq Ft

# People Occ. Type Sq Ft

B

9046

90

B

9046

90

# People

B

7116

71

B

7116

71

B

7687

77

B

7687

77

9743

97

99

8TH FLOOR

EL97'-11"

EL 98’-0”

CLASS ROOM

7TH FLOOR

7TH FLOOR

EL84'-0"

EL 84’-0”

6TH FLOOR

6TH FLOOR

EL70'-0"

EL 70’-0”

5TH FLOOR

9743

97

B

9934

99

B

9934

B A1 A3

4169 41 50 Seats 50 1500 100

B A1 A3

4169 41 50 Seats 50 1500 100

B

3369

34

B

3369

34

B

706

7

B

706

7

B

577

6

B

577

6

5TH FLOOR

EL56'-0"

EL 56’-0”

CLASS ROOM

4TH FLOOR

4TH FLOOR

EL42'-0"

EL 42’-0”

CLASS ROOM

3RD FLOOR

3RD FLOOR

EL 28'-0"

EL 28’-0”

CLASS ROOM

2ND FLOOR

2ND FLOOR

EL14'-0"

EL 14’-0”

STREET LEVEL

STREET LEVEL EL 0’-0”

EL 0’-0”

LOBBY

B

B

East Elevation

EXIT TO STREET

1’-0” = 0’ - 1/16”

EXIT TO STREET

B A1 A3

TRANSVERSEsection

SIDEelevation G

177'-4 3/4"

F

165'-6"

125'-6"

B

C

D

E

B

105'-6"

65'-6"

2048 20 75 Seats 75 1500 100 8350

83

B A1 A3 B

EXIT TO STREET

2048 20 75 Seats 75 1500 100 8350

83

Return Air

Stand Pipe

Supply Air

Sprinkler

Outside Air

Fire Control Room

Mechanical Unit

I-Beam

W10 x 112

I-Beam

W18 x 119

Rolled Steel

10' OC

A

36'-6 3/4"

Concrete

Foundation


Project Overview BAM

Final Booklet

B

Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

Location: New York, CA

PROJECTdescription The TAUT Institute of Music is a non-profit project. It contains 3 theaters for student and public use, and classes for up to 720 students. 56,236 SQ FT 11 Floors 3 Theaters 500 Seats 1A Construction Type A1, A3, B Occupancy Types

Permeable Roof 2' x 2' panel

Permeable Roof 2' x 2' panel

Radiant Floor 4" OC

Primary Structure 24' steel pipe

Concrete

structural floor

Secondary

6" x 6" steel member

Metal Decking

3" corrugated steel

musicTAUT is the new home of the NewYorkMusicInstitute. The NewYorkMusicInstitute is recognized around the world as the spearhead of acoustical academia, consistently ranking in the top 5 globally with their world-renown Master of Music (M.Mus) and Master of Arts in Pedagogy of Music Theory (MA.MusT). The new facility, a mere three blocks from their current home, will allow them to comfortably double the student body: three new theatres enable student performances to be kept in house, with the addition of 15 classrooms, 10 large practice rooms and 6 recording studios to facilitate the arts. These new spaces are also available for public use, to better integrate the school into its neighboorhood.The NewYorkMusicInstitute is pursuing LEED gold on the musicTaut project, as it is commited to bettering the world around them; here, music is taught.

Tertiary

3" x 3" steel member

I-beam

W18 x 119/W10 x 112

A.0.0 COVERpage

Panel

4' x 8' expanded mesh panel

Hanging Ceiling gypsum board

Radiant Floor

4A Seminar

4" OC

Catwalk 30" width

Concrete

structural floor

BAM Thompson Street

La Guardia Pl

Golkar Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

TAUT

aluminum window frame

I-beam

W18 x 119/W10 x 112

Primary Structure 24' steel pipe

Hanging Ceiling gypsum board

Secondary

6" x 6" steel member

Glass

double-glazed

Tertiary

3" x 3" steel member

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

West Houston Street

B A M P

m

T

H A

Mullion Panel

4' x 8' expanded mesh panel

Interior Finish

A D

West Broadway Street

Thompson Street

A.0.2 SITEplan

1’-0” = 0’ - 1/32”

F

177'-4 3/4"

A

aluminum window frame

GFRG

Description:

C

D

E

165'-6"

125'-6"

B

105'-6"

BAM Golkar

A

36'-6 3/4"

65'-6"

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

3

music

53'-0"

THe students are required to produce a 9’x9’ drawing by the end of the semester. The drawing needs to incorporate multiple systems such as ADA, egress, fire sprinklers, and hvac systems, etc.

Metal Decking

3" corrugated steel

Mullion

Architects

music

Group Project Instructor: Scott Uriu, Pavel Getov Sep - Dec 2014

Glass

double-glazed

G

2

TAUT

MAIN THEATER

Houston St Performing Arts School, New York City 33'-0"

AS 3040 Fall 2014 Design Documentation

LOBBY

1

A B

A.1.0 FIRSTfloor F

G

177'-4 3/4"

125'-6"

B

C

D

E

165'-6"

105'-6"

65'-6"

THEATRE 902 CLASS ROOM

177'-4 3/4"

165'-6"

C

D

E

105'-6"

125'-6"

B

65'-6"

BAM Golkar

A

36'-6 3/4"

Architects 3

53'-0"

music

LOBBY

TAUT

8TH FLOOR

AS 3040 Fall 2014 Design Documentation

Golkar Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

EL97'-11"

CLASS ROOM

TAUT

7TH FLOOR EL84'-0"

THEATRE 801

6TH FLOOR EL70'-0"

Houston St Performing Arts School, New York City

5TH FLOOR

EL56'-0"

CONCERT HALL 303

CLASS ROOM

AS 3040 Fall 2014 Design Documentation

Primary structure 24ӯ steel pipe

Secondary

6” x 6” steel member

Tertiary

3” x 3” steel member

Panel

4’ x 8’ perforated aluminum

Radiant Floor 4” OC

Concrete

structural floor

Metal decking steel

4TH FLOOR EL42'-0"

BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

I-beam

Houston St Performing Arts School, New York City

33'-0"

RECORDING

RECORDING

CLASS ROOM

2

CONCERT HALL 303

Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

BAM Architects

9TH FLOOR EL112'-0"

F

A

36'-6 3/4"

W18 x 119/W10 x 112

CLASS ROOM

3RD FLOOR EL 28'-0"

Hanging ceiling

CONCERT HALL 202

GFRG

Glass

2ND FLOOR EL14'-0"

double-glazed

1

LOBBY

Mullion

aluminium window frame

STREET LEVEL EL 0’-0”

A.1.1 THIRDfloor

124 Design Documentation | Final Booklet

CONCERT HALL 101

A.2.0 LONGsection

A.4.1 SMALLchunk


Panel

4' x 8' expanded mesh panel

BAM

BAM

Architects

Architects

Golkar

Golkar

Tertiary

3" x 3" steel member

Secondary

6" x 6" steel member

Primary Structure 24' steel pipe

Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

Waterproof Membrane 0.065" @ 500,000 ohms/ft²

Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

music

GFRG

interior panel

Houston St Performing Arts School, New York City

Houston St Performing Arts School, New York City

Catwalk

AS 3040 Fall 2014 Design Documentation

Finish coat

gloss coat acrylic concrete sealer

Rigid Insulation

TAUT

Extruded Polystyrene Foam

Shotcrete Grade1

Primary Steel Cage 10' OC

30" width

TAUT AS 3040 Fall 2014 Design Documentation

I-beam

W18 x 119/W10 x 112

Radiant Floor 4" OC

Concrete

structural floor

Metal Decking

3" corrugated steel

Return Air Hanging Ceiling gypsum board

Supply Air

Outside Air

Mechanical Unit

A.4.4 2DwallSECTION

A.7.0 HVACdiagram

BAM

Pipe Structure Panel Structure Expanded Mesh

$ $ $ $

Facade

3,614 226,840 3,185,100 3,415,554

SteelSystem

$ 25,607,736 1,743,588 Costs 24” $Diameter Steel Pipe 27,351,324 $ Shell Costs Costs 4’ x 8’ Expanded MetalLand Lathe

Architects

$1.91 @ 1892 ft

SOFT COSTS Comission 18% 18%

Total $9,888,484.88 $1,088,640.00

$10,977,124.88

Brandon Leung Factory weld Shell

Concrete FloorKim $ 3,915,480 Arnold Member Shotcrete+GFRG 7” x$7” Steel 5,612,188 Melody Javaherian 9,527,668 $

SteelSystem_Structural Steel

$924 @ 27,714 ft

Shell_Concrete Floor

$120 @ 32,629 SF

SystemAssembly_Sprinklers

_Core

$3.50 @ 3,152 ft

$120 @ 95,012 SF

music $

11,032 8,160 19,192

TAUT

Facade_Panel Structure

CONTINGENCIES Contingencies

Expanded Metal Lathe Estimation SystemAssembly W 1$x 10 $

1/2” Dual Glazing Radiant Floor Structural Floor W 1 x 10 W 2 x 10

6” x 6” Steel Member Paniz Golkar

Sprinklers HVAC

Br A M Pa

Total $6,048,000

$6,048,000

Golkar

Structural Steel Rolled Steel Rib

Facade_Pipe Structure

$/SF 560

Construction

Margin 5% 10%

Ceiling

Total $2,746,801.36 $5,493,602.71

3” x 1” Diameter Pipe

Core Glazing Finishes

Interior+Finishes $ $ $ $

11,401,440 1,107,925 2,112,924 12,509,365

Houston St Performing Arts School, New York City

OVERALL PROJECT COST Category Land Cost Shell Cost Soft Cost Contingency

Total $6,048,000.00 $54,936,027.00 $10,977,124.88 $8,240,404.07

$80,201,555.95

TOTAL SHELL COSTS

AS 3040 Fall 2014 $ 54,936,027 Design Documentation

Facade_Expanded Mesh

$100 @ 31,851 SF

Facade_Pipe Structure

$1.91 @ 1892 ft

SteelSystem_Rolled Steel Ribs

$462 @ 3,774 ft

Shell_Shotcrete+GFRG

$172 @ 32,629 SF

SystemAssembly_HVAC

_Glazing

$2 @ 4,080 ft

Pipe Structure Panel Structure Expanded Mesh

$ $ $ $

Structural Steel Rolled Steel Rib

$ $ $

Facade

3,614 226,840 3,185,100 3,415,554

$65 @ 17,045 SF

Terms 3.81% @ 15yr

Monthly Payment $548,775

LAND COSTS Lot Size 10,800SF

$/SF 560

Total $6,048,000

$6,048,000

SteelSystem 25,607,736 1,743,588 27,351,324

LOAN COSTS Loan $80,201,555.95

SOFT COSTS Costs Shell Costs

Comission 18%

Total $9,888,484.88

m

T

H A

AS D

$8,240,404.07

3” x 3” Steel member

$21.40 @ 10,600 ft

G

A

LAND COSTS Lot Size 10,800SF

B

Design Documentation | Final Booklet 125


BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

PROJECTdescription The TAUT Institute of Music is a non-profit project. It contains 3 theaters for student and public use, and classes for up to 720 students. 56,236 SQ FT 11 Floors 3 Theaters 500 Seats 1A Construction Type A1, A3, B Occupancy Types

musicTAUT is the new home of the NewYorkMusicInstitute. The NewYorkMusicInstitute is recognized around the world as the spearhead of acoustical academia, consistently ranking in the top 5 globally with their world-renown Master of Music (M.Mus) and Master of Arts in Pedagogy of Music Theory (MA.MusT). The new facility, a mere three blocks from their current home, will allow them to comfortably double the student body: three new theatres enable student performances to be kept in house, with the addition of 15 classrooms, 10 large practice rooms and 6 recording studios to facilitate the arts. These new spaces are also available for public use, to better integrate the school into its neighboorhood.The NewYorkMusicInstitute is pursuing LEED gold on the musicTaut project, as it is commited to bettering the world around them; here, music is taught. 126 Design Documentation | Final Booklet

A.0.0 COVERpage


INDEX A.0.0 4.0.1 A.0.2 A.1.0 A.1.1 A.1.2 A.2.0 A.2.1 A.3.0 A.3.1 A.4.0 A.4.1 A.4.2 A.4.3 A.4.4 A.4.5 A.4.6 A.5.0 A.5.1 A.5.2 A.6.0 A.6.1 A.6.2 A.7.0 A.7.1 A.8.0

COVER PAGE GENERAL NOTES SITE PLAN FIRST FLOOR THIRD FLOOR SEVENTH FLOOR LONG SECTION SHORT SECTION FRONT ELEVATION SIDE ELEVATION BIG CHUNK SMALL SECTION THEATER CLOSEUP 3D WALL SECTION 2D WALL SECTION 3D FLOOR DETAIL 2D FLOOR DETAIL STRUCTURE DIAGRAM SKIN UNROLL SKIN PANELIZATION ADA ACCESS RESTROOM DETAIL EGRESS ROUTES HVAC DIAGRAM SPRINKLER DIAGRAM COST ANALYSIS

BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

Design Documentation | Final Booklet 127


BAM La Guardia Pl

Thompson Street

Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

West Houston Street

West Broadway Street

Thompson Street

128 Design Documentation | Final Booklet


F

125'-6"

105'-6"

BAM Golkar

A

36'-6 3/4"

65'-6"

Architects 3

53'-0"

165'-6"

B

2

MAIN THEATER

Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City

33'-0"

177'-4 3/4"

C

D

E

AS 3040 Fall 2014 Design Documentation

LOBBY

1

Design Documentation | Final Booklet 129


F

177'-4 3/4"

165'-6"

C

D

E

B

105'-6"

125'-6"

BAM Golkar

A

36'-6 3/4"

65'-6"

Architects 3

music

PRACTICE ROOMS 53'-0"

PRACTICE ROOM

CLASSROOM CLASSROOM

2

PRACTICE ROOM CLASSROOM

STUDENT LOUNGE

CLASSROOM

PRACTICE ROOM

PRACTICE ROOM

AS 3040 Fall 2014 Design Documentation

OFFICE FACULTY OFFICES 1

130 Design Documentation | Final Booklet

TAUT

Houston St Performing Arts School, New York City

33'-0"

OPEN TO BELOW

Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar


F

G

177'-4 3/4"

125'-6"

165'-6"

B

C

D

E

105'-6"

65'-6"

A

36'-6 3/4"

BAM Golkar

Architects

9TH FLOOR EL112'-0"

THEATRE 902 CLASS ROOM

8TH FLOOR

Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

EL97'-11"

CLASS ROOM

TAUT

7TH FLOOR EL84'-0"

THEATRE 801

6TH FLOOR EL70'-0"

Houston St Performing Arts School, New York City

5TH FLOOR

EL56'-0"

CONCERT HALL 303

CLASS ROOM

AS 3040 Fall 2014 Design Documentation

4TH FLOOR EL42'-0"

CLASS ROOM

3RD FLOOR EL 28'-0"

CONCERT HALL 202

2ND FLOOR EL14'-0"

LOBBY

STREET LEVEL EL 0’-0”

CONCERT HALL 101

Design Documentation | Final Booklet 131


BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

9TH FLOOR EL 112’-0”

music

8TH FLOOR EL 98’-0”

TAUT

7TH FLOOR EL 84’-0”

Houston St Performing Arts School, New York City

6TH FLOOR EL 70’-0”

AS 3040 Fall 2014 Design Documentation

5TH FLOOR EL 56’-0”

4TH FLOOR EL 42’-0”

3RD FLOOR EL 28’-0”

2ND FLOOR EL 14’-0”

STREET LEVEL EL 0’-0”

East Elevation 1’-0” = 0’ - 1/16”

132 Design Documentation | Final Booklet


BAM Permeable Roof 2' x 2' panel

Permeable Roof 2' x 2' panel

Radiant Floor 4" OC

Primary Structure 24' steel pipe

Concrete

structural floor

Secondary

6" x 6" steel member

Metal Decking

3" corrugated steel

Tertiary

3" x 3" steel member

I-beam

W18 x 119/W10 x 112

Panel

4' x 8' expanded mesh panel

Hanging Ceiling gypsum board

Radiant Floor 4" OC

Catwalk 30" width

Concrete

structural floor

Glass

double-glazed

Metal Decking

3" corrugated steel

Mullion

aluminum window frame

I-beam

W18 x 119/W10 x 112

Primary Structure 24' steel pipe

Hanging Ceiling gypsum board

Secondary

6" x 6" steel member

Glass

double-glazed

Tertiary

3" x 3" steel member

Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City

Mullion

aluminum window frame

Panel

4' x 8' expanded mesh panel

Interior Finish GFRG

AS 3040 Fall 2014 Design Documentation

A.4.0 BIGchunk Design Documentation | Final Booklet 133


Primary structure 24ӯ steel pipe

Secondary

6” x 6” steel member

Tertiary

3” x 3” steel member

Panel

4’ x 8’ perforated aluminum

Radiant Floor 4” OC

Concrete

structural floor

Metal decking steel

I-beam

W18 x 119/W10 x 112

Hanging ceiling GFRG

Glass

double-glazed

Mullion

aluminium window frame

134 Design Documentation | Final Booklet

BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation


BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

Design Documentation | Final Booklet 135


BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

136 Design Documentation | Final Booklet

A.4.3 3DwallSECTION


Panel

4' x 8' expanded mesh panel

Tertiary

3" x 3" steel member

Secondary

6" x 6" steel member

Primary Structure 24' steel pipe

Waterproof Membrane 0.065" @ 500,000 ohms/ft²

Finish coat

gloss coat acrylic concrete sealer

Rigid Insulation

Extruded Polystyrene Foam

Shotcrete Grade1

Primary Steel Cage 10' OC

BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

GFRG

interior panel

Houston St Performing Arts School, New York City

Catwalk

AS 3040 Fall 2014 Design Documentation

30" width

I-beam

W18 x 119/W10 x 112

Radiant Floor 4" OC

Concrete

structural floor

Metal Decking

3" corrugated steel

Hanging Ceiling gypsum board

A.4.4 2DwallSECTION Design Documentation | Final Booklet 137


Primary Structure

24' steel pipe

BAM Golkar

Secondary

6" x 6" steel member

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

3" x 3" steel member

music

Panel

Houston St Performing Arts School, New York City

Tertiary

4' x 8' expanded mesh panel

TAUT AS 3040 Fall 2014 Design Documentation

138 Design Documentation | Final Booklet


BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar 1/2” Dual Glazing 24” Diameter Steel Pipe

Radiant Floor

4’ x 8’ Expanded Metal Lathe

Structural Floor

Factory weld

W 1 x 10

7” x 7” Steel Member

W 2 x 10

6” x 6” Steel Member

Ceiling

Expanded Metal Lathe W 1 x 10 3” x 3” Steel member

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

3” x 1” Diameter Pipe

A.4.6

Design Documentation | Final Booklet 139


BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

I-Beam

W10 x 112

I-Beam

W18 x 119

Rolled Steel 10' OC

Concrete Foundation

140 Design Documentation | Final Booklet

A.5.0 STRUCTUREdiagram


BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

Design Documentation | Final Booklet 141


BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

142 Design Documentation | Final Booklet


BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

Exit to Public Way

Design Documentation | Final Booklet 143


BAM Golkar

Architects 3'-0"

music

TAUT

5'

-0

"

3'-9"

Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

5'

-0

"

3'-0"

6'-0"

144 Design Documentation | Final Booklet

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation


Exit to Public Way

Exit to Public Way

Occ. Type Sq Ft

# People

B

9046

90

B

7116

71

BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

B

7687

77

B

9743

97

B

9934

99

B A1 A3

4169 41 50 Seats 50 1500 100

B

3369

34

B

706

7

B

577

6

B A1 A3

2048 20 75 Seats 75 1500 100

B

8350

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

83 Design Documentation | Final Booklet 145


BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

Return Air

Supply Air

Outside Air

Mechanical Unit

146 Design Documentation | Final Booklet


BAM Golkar

Architects Brandon Leung Arnold Kim Melody Javaherian Paniz Golkar

music

TAUT

Houston St Performing Arts School, New York City AS 3040 Fall 2014 Design Documentation

Stand Pipe

Sprinkler

Fire Control Room

Design Documentation | Final Booklet 147


BAM

Pipe Structure Panel Structure Expanded Mesh

$ $ $ $

Structural Steel Rolled Steel Rib

$ $ $

Facade

3,614 226,840 3,185,100 3,415,554

Golkar

Facade_Pipe Structure

SteelSystem 25,607,736 1,743,588 27,351,324

Architects

$1.91 @ 1892 ft

Lot Size 10,800SF

Brandon Leung

Costs Shell Cos Land Cos

Shell

Concrete FloorKim Arnold Shotcrete+GFRG

$ 3,915,480 $ 5,612,188 Melody Javaherian 9,527,668 $

SteelSystem_Structural Steel

$924 @ 27,714 ft

Shell_Concrete Floor

$120 @ 32,629 SF

SystemAssembly_Sprinklers

_Core

$3.50 @ 3,152 ft

$120 @ 95,012 SF

Paniz Golkar

music

Sprinklers HVAC

SystemAssembly $ $ $

11,032 8,160 19,192

TAUT

Facade_Panel Structure

$21.40 @ 10,600 ft

Core Glazing Finishes

Continge Estimatio Construc

Interior+Finishes $ $ $ $

11,401,440 1,107,925 2,112,924 12,509,365

Houston St Performing Arts School, New York City

Category Land Cos Shell Cos Soft Cost Continge

TOTAL SHELL COSTS

AS 3040 Fall 2014 $ 54,936,027 Design Documentation

Facade_Expanded Mesh

SteelSystem_Rolled Steel Ribs

$100 @ 31,851 SF

$462 @ 3,774 ft

Shell_Shotcrete+GFRG

$172 @ 32,629 SF

SystemAssembly_HVAC

Facade_Pipe Structure

$1.91 @ 1892 ft

Pipe Structure Panel Structure Expanded Mesh

$ $ $ $

Structural Steel Rolled Steel Rib

$ $ $

Concrete Floor Shotcrete+GFRG

SteelSystem_Structural Steel

$924 @ 27,714 ft

Shell_Concrete Floor

$120 @ 32,629 SF

SystemAssembly_Sprinklers

$3.50 @ 3,152 ft

_Glazing

$2 @ 4,080 ft

Facade

3,614 226,840 3,185,100 3,415,554

25,607,736 1,743,588 27,351,324

Total $6,048,000

$6,048,000

SystemAssembly $ $ $

SOFT COSTS Costs Shell Costs Land Costs

Comission 18% 18%

Total $9,888,484.88 $1,088,640.00

$10,977,124.88

3,915,480 5,612,188 9,527,668

_Core

Facade_Panel Structure

$/SF 560

Shell

$120 @ 95,012 SF Sprinklers HVAC

LAND COSTS Lot Size 10,800SF

SteelSystem

$ $ $

Loan $80,201,5

$65 @ 17,045 SF

11,032 8,160 19,192

CONTINGENCIES Contingencies Estimation Construction

Margin 5% 10%

Total $2,746,801.36 $5,493,602.71

$8,240,404.07

$21.40 @ 10,600 ft

Core Glazing Finishes

Interior+Finishes $ $ $ $

11,401,440 1,107,925 2,112,924 12,509,365

OVERALL PROJECT COST Category Land Cost Shell Cost Soft Cost Contingency

Total $6,048,000.00 $54,936,027.00 $10,977,124.88 $8,240,404.07

$80,201,555.95

TOTAL SHELL COSTS $

Facade_Expanded Mesh

SteelSystem_Rolled Steel Ribs

Final @ 3,774 ftBooklet 148 Design Documentation |$462

$100 @ 31,851 SF

Shell_Shotcrete+GFRG

$172 @ 32,629 SF

SystemAssembly_HVAC

$2 @ 4,080 ft

_Glazing

$65 @ 17,045 SF

54,936,027

LOAN COSTS Loan $80,201,555.95

Terms 3.81% @ 15yr

Monthly Payment $548,775

A.8.0 COSTanalysis


Design Documentation | Final Booklet 149


AS Smart Sustainable System



Project Overview AS Smart Sustainable System

Wind Rose Diagam

Location: SCI-Arc Firm Name : Archigram Building Name : ArchiDynamic Brandon Leung Ryan Wang Dong Kwak Rafael Rama

4A Seminar

DOUBLE-LAYER SKIN DIAGRAM

Group Project Instructor: Jamey Lyzun Sep - Dec 2014

Spring & Fall

Winter

Summer

GLASS WINDOW FRAME VERTICAL BEAM

CONCRETE SLAB STEEL DECK I-BEAM

STEEL EXTERIOR FACADE VERTICAL BEAM PLASTIC TUBE HORIZONTAL BEAM WINDOW FRAME(STEEL) I-BEAM CONCRETE SLAB STEEL DECK CONCRETE PLYWOOD VAPER CONTROL LAYER I-BEAM

CONCRETE PLYWOOD VAPER CONTROL LAYER FIBERGLASS OR CELLULOSE INSULATION IN STUDE SPACE

Description:

West Elevation

VERTICAL BEAM DRY WALL CONCRETE GYPSUM BOARD GYPSUM BOARD(CLADDING)

FIBERGLASS OR CELLULOSE INSULATION IN STUDE SPACE DRY WALL CONCRETE HVAC GYPSUM BOARD(CLADDING)

Detail Drawing of the Second Skin and the Window

The final project was to remodel SCI-ARC and developed a few sustainable systems such as greywater recyclable program and stormwater collection system based on Shanghai Climate research.

Second Skin Structure Detail Axon

N

A-1

B-1

A-1. CAFETERIA A-2. LECTURE HALL A-3 MEETING ROOM A-4 CLASSROOM A-5TEMPORARY LIVING QUARTERS B-1. FITNESS CENTER

Area Function SCI-Arc

ART A RT D DISTRIC ISTRIC

Today the Arts District remains the home of artists, arts enterprises and many employed in L.A.s film and television industry. The Southern California Institute of Architecture (SCI-Arc), resides in the 110 year old, quarter mile-long (0.40 km) former Santa Fe Freight Depot that has been placed on the National Register of Historic Places. Across the street is a 438-unit apartment complex, "One Santa Fe," that opened in 2014. Designed by Michael Maltzan Architecture (MMA), a Los Angeles based architecture firm.

Area Movement

ART DISTRIC

The Arts District occupies the eastern side of Downtown Los Angeles, USA. Its borders are Alameda Street on the west, the 101 freeway on the north, the LA River to the east, and 10 freeway to the south. The Arts District is filled with older industrial and former railroad buildings. In 1981, the City of Los Angeles passed its "Artist in Residence" or "AIR" ordinance, which allowed residential use of formerly industrial buildings - artists had long used such spaces as living quarters illegally, and the AIR law sought to bring this practice into legality and regulation.

Today the Arts District remains the home of artists, arts enterprises and many employed in L.A.s film and television industry. The Southern California Institute of Architecture (SCI-Arc), resides in the 110 year old, quarter mile-long (0.40 km) former Santa Fe Freight Depot that has been placed on the National Register of Historic Places. Across the street is a 438-unit apartment complex, "One Santa Fe," that opened in 2014. Designed by Michael Maltzan Architecture (MMA), a Los Angeles based architecture firm.

Challenges face the Arts District today, not least of which is the loss of inexpensive lofts to developers who have converted some former loft and studio buildings into condos. Community leaders are struggling to balance the economic opportunities offered by gentrification with the need to preserve the character of the Arts District as a creative community that has made contributions to the cultural and economic well-being of Los Angeles for decades.

ART DISTRIC

Today the Arts District remains the home of artists, arts enterprises and many employed in L.A.s film and television industry. The Southern California Institute of Architecture (SCI-Arc), resides in the 110 year old, quarter mile-long (0.40 km) former Santa Fe Freight Depot that has been placed on the National Register of Historic Places. Across the street is a 438-unit apartment complex, "One Santa Fe," that opened in 2014. Designed by Michael Maltzan Architecture (MMA), a Los Angeles based architecture firm.

PUBLIC TRANSPORTATION HIGH DENSITY TRAFFIC MEDIUM DENSITY TRAFFIC LOW DENSITY TRAFFIC

152 Smart Sustainable System | Project Overview

Pedestrian


Solar Radiation Diagram Wind Tunnel Diagam

DOUBLE-LAYER SKIN DIAGRAM

Rainwater Collecting System & Greywater Recycling System

Because of the very strong sunlight on the south and west facade of the building, we add a second skin onto it. The second skin is a perforated skin with thousands of tubes, in order to reduce the direct sunlight. The second skin not only gives sustainable effect, but also gives a special visual effect with the variety of size of the perforations. These tubes can also rotate up and down, in order to reduce or gain sun light in different seasons. During spring and fall, the tubes stay straight so the reduction and gain from the sunlight is balanced. During Summer, because of the high temperature which is cost by the longer time of sunlight, the tubes are rotated downward to reduce the direct sunlight, so the interior of the building can stay cool. During Winter, because of the low temperature which is cost by the shorted time of sunlight, the tubes are rotated upward to gain the direct sunlight, so the interior of the building can stay warm.

Shanghai is a rainy city, especially in summer. Therefore, we put a lot of rainwater collecting tanks on the roof of the building and also under the ground. The rainwater collecting tanks provides fresh water to the bathrooms, so students can use the collected rainwater to flush the toilet and wash hands. The mastershield collects rainwater for the cisterns which are buried underground. The cistern underground and the tanks on the roof all provides water to the bathrooms and all of them are connected through the pipes, and there are also small tanks in side the walls to store water for the bathrooms. We are also interested in recycling the greywaters from the toilets and sinks, there are cisterns underground to collect the greywater to irrigate the grass and flowers.

MASTERSHIELD

Smart Sustainable System | Project Overview SPRINKLER

153


Firm Name : Archigram Building Name : ArchiDynamic Brandon Leung Ryan Wang Dong Kwak Rafael Rama

154 Smart Sustainable System | Final Project


SCI-Arc

ART DISTRIC

The Arts District occupies the eastern side of Downtown Los Angeles, USA. Its borders are Alameda Street on the west, the 101 freeway on the north, the LA River to the east, and 10 freeway to the south. The Arts District is filled with older industrial and former railroad buildings. In 1981, the City of Los Angeles passed its "Artist in Residence" or "AIR" ordinance, which allowed residential use of formerly industrial buildings - artists had long used such spaces as living quarters illegally, and the AIR law sought to bring this practice into legality and regulation.

Today the Arts District remains the home of artists, arts enterprises and many employed in L.A.s film and television industry. The Southern California Institute of Architecture (SCI-Arc), resides in the 110 year old, quarter mile-long (0.40 km) former Santa Fe Freight Depot that has been placed on the National Register of Historic Places. Across the street is a 438-unit apartment complex, "One Santa Fe," that opened in 2014. Designed by Michael Maltzan Architecture (MMA), a Los Angeles based architecture firm.

Smart Sustainable System | Final Project 155


Area Function

ART A RT D DISTRIC ISTRIC

Today the Arts District remains the home of artists, arts enterprises and many employed in L.A.s film and television industry. The Southern California Institute of Architecture (SCI-Arc), resides in the 110 year old, quarter mile-long (0.40 km) former Santa Fe Freight Depot that has been placed on the National Register of Historic Places. Across the street is a 438-unit apartment complex, "One Santa Fe," that opened in 2014. Designed by Michael Maltzan Architecture (MMA), a Los Angeles based architecture firm.

Today the Arts District remains the home of artists, arts enterprises and many employed in L.A.s film and television industry. The Southern California Institute of Architecture (SCI-Arc), resides in the 110 year old, quarter mile-long (0.40 km) former Santa Fe Freight Depot that has been placed on the National Register of Historic Places. Across the street is a 438-unit apartment complex, "One Santa Fe," that opened in 2014. Designed by Michael Maltzan Architecture (MMA), a Los Angeles based architecture firm.

156 Smart Sustainable System | Final Project


Area Movement

Challenges face the Arts District today, not least of which is the loss of inexpensive lofts to developers who have converted some former loft and studio buildings into condos. Community leaders are struggling to balance the economic opportunities offered by gentrification with the need to preserve the character of the Arts District as a creative community that has made contributions to the cultural and economic well-being of Los Angeles for decades.

ART DISTRIC

PUBLIC TRANSPORTATION

Pedestrian

HIGH DENSITY TRAFFIC MEDIUM DENSITY TRAFFIC LOW DENSITY TRAFFIC

Smart Sustainable System | Final Project 157


Wind Rose Diagam

158 Smart Sustainable System | Final Project


Wind Tunnel Diagam

Smart Sustainable System | Final Project 159


Solar Radiation Diagram

160 Smart Sustainable System | Final Project


DOUBLE-LAYER SKIN DIAGRAM

Spring & Fall

Summer

Winter

GLASS WINDOW FRAME VERTICAL BEAM

CONCRETE SLAB STEEL DECK I-BEAM

STEEL EXTERIOR FACADE VERTICAL BEAM PLASTIC TUBE HORIZONTAL BEAM WINDOW FRAME(STEEL) I-BEAM CONCRETE SLAB STEEL DECK CONCRETE PLYWOOD VAPER CONTROL LAYER I-BEAM

CONCRETE PLYWOOD VAPER CONTROL LAYER FIBERGLASS OR CELLULOSE INSULATION IN STUDE SPACE VERTICAL BEAM DRY WALL CONCRETE GYPSUM BOARD GYPSUM BOARD(CLADDING)

Detail Drawing of the Second Skin and the Window

FIBERGLASS OR CELLULOSE INSULATION IN STUDE SPACE DRY WALL CONCRETE HVAC GYPSUM BOARD(CLADDING)

Second Skin Structure Detail Axon

Smart Sustainable System | Final Project 161


N

A-1

B-1

A-1. CAFETERIA A-2. LECTURE HALL A-3 MEETING ROOM A-4 CLASSROOM A-5TEMPORARY LIVING QUARTERS B-1. FITNESS CENTER

162 Smart Sustainable System | Final Project


N

A-2

A-3

A-4

A-4

A-1. CAFETERIA A-2. LECTURE HALL A-3 MEETING ROOM A-4 CLASSROOM A-5TEMPORARY LIVING QUARTERS B-1. FITNESS CENTER

Smart Sustainable System | Final Project 163


N

A-5

A-5

A-1. CAFETERIA A-2. LECTURE HALL A-3 MEETING ROOM A-4 CLASSROOM A-5TEMPORARY LIVING QUARTERS B-1. FITNESS CENTER

164 Smart Sustainable System | Final Project


WATER TANK

N

Smart Sustainable System | Final Project 165


Rain Water Collection Cistern

Wind Turbine Area

Gathering + Green Space

Rain Water Collection Cistern

166 Smart Sustainable System | Final Project

PV Cells enveloped Bridge


Smart Sustainable System | Final Project 167


168 Smart Sustainable System | Final Project


LEED

ACCESS TO QUALITY TRANSIT

CERTIFICATE

Intent: To encourage development in locations shown to have multimodal transportation choices or otherwise reduced motor vehicle use, thereby reducing greenhouse gas emissions, air pollution, and other environmental and public health harms associated with motor vehicle use. Requirements : Locate any functional entry of the project within a ¼-mile (400-meter) walking distance of existing or planned bus, streetcar, or rideshare stops, or within a ½-mile (800-meter) walking distance of existing or planned bus rapid transit stops, light or heavy rail stations, commuter rail stations or ferry terminals. The transit service at those stops and stations in aggregate must meet the minimums listed in Tables 1 and 2. Planned stops and stations may count if they are sited, funded, and under construction by the date of the certificate of occupancy and are complete within 24 months of that date. Sci arc has Multiple bus stops in the surroundings in less than ¼-mile walking distance, however with the pedestrian bridge proposed, It will induce the students to walk across busy first street. towards south where are located multiple restaurants and cafe shops.

Smart Sustainable System | Final Project 169


LEED

WATER EFFICIENCY Rainwater Management

CERTIFICATE

Intent: To reduce runoff volume and improve water quality by replicating the natural hydrology and water balance of the site, based on historical conditions and undeveloped ecosystems in the region.

Abundance - Rainfall in Shanghai is abundant with 129 rainy days annually. Average annual rainfall is about 1,143.5 mm, placing Shanghai about equal to Vancouver in terms of precipitation.

Requirements : In a manner best replicating natural site hydrology processes, manage on site the runoff from the developed site for the 95th percentile of regional or local rainfall events using low-impact development (LID) and green infrastructure.

Seasonal Variability - The monthly rainfall in Shanghai varies greatly from month to month. Fifty percent of rainfall typically occurs between June and September during what are known as ‘plum rains,’ ‘typhoon season,’ or flood period. During this heavy rain period, average rainfall reaches 590 mm! As well, on an average of three days per year, Shanghai experiences torrential rains, during which more than 50 mm of rain fall in a single day.

Use daily rainfall data and the methodology in the U.S. Environmental Protection Agency (EPA) Technical Guidance on Implementing the Stormwater Runoff Requirements for Federal Projects under Section 438 of the Energy Independence and Security Act to determine the 95th percentile amount.

Geographic Variability - The spatial distribution of rainfall in Shanghai county is uneven with urban areas receiving a greater annual rainfall than the surrounding areas. Within the urban region, the amount of rain decreases from south to north.

Manage on site the annual increase in runoff volume from the natural land cover condition to the postdeveloped condition.

170 Smart Sustainable System | Final Project


LEED

INDOOR WATER USE REDUCTION

CERTIFICATE

Intent: To reduce indoor water consumption. Requirements : Building Water Use For the fixtures and fittings listed in Table 1, as applicable to the project scope, reduce aggregate water consumption by 20% from the baseline. Base calculations on the volumes and flow rates shown in Table 1. All newly installed toilets, urinals, private lavatory faucets, and showerheads that are eligible for labeling must be WaterSense labeled (or a local equivalent for projects outside the U.S.). Commercial Fixtures, fittings, and Appliances

Current Baseline (IP units)

Current Baseline (Sl Units)

Water closets (toilets)*

1.6 gallons per flush (gpf )

6 liters per flush (lpf )

Urinal*

1.0 (gpf )

3.8 lpf

Public lavatory (restroom) faucet

0.5 gpm at 60 psi

1.9 lpm at 415 kPa

Private lavatory faucet*

2.2 gpm at 60 psi

8.3 lpm at 415 kPa

Kitchen faucet

2.2 gpm at 60 psi

8.3 lpm at 415 kPa

Showerhead*

2.5 gpm at 80 psi per shower stall

9.5 lpm at 550 kPa per shower stall

* WaterSense label available for this product type gpf = gallons per flush gpm = gallons per minute psi = pounds per square inch lpf = liters per flush lpm = liters per minute kPa = kilopascals

Smart Sustainable System | Final Project 171


Rainwater Collecting System & Greywater Recycling System Shanghai is a rainy city, especially in summer. Therefore, we put a lot of rainwater collecting tanks on the roof of the building and also under the ground. The rainwater collecting tanks provides fresh water to the bathrooms, so students can use the collected rainwater to flush the toilet and wash hands. The mastershield collects rainwater for the cisterns which are buried underground. The cistern underground and the tanks on the roof all provides water to the bathrooms and all of them are connected through the pipes, and there are also small tanks in side the walls to store water for the bathrooms. We are also interested in recycling the greywaters from the toilets and sinks, there are cisterns underground to collect the greywater to irrigate the grass and flowers.

MASTERSHIELD

SPRINKLER

Greywater Recycling Cistern

Greywater Recycling Cistern

Rainwater Collecting Cistern

172 Smart Sustainable System | Final Project

Greywater Recycling Cistern

Rainwater Collecting Cistern


DOUBLE-LAYER SKIN DIAGRAM Because of the very strong sunlight on the south and west facade of the building, we add a second skin onto it. The second skin is a perforated skin with thousands of tubes, in order to reduce the direct sunlight. The second skin not only gives sustainable effect, but also gives a special visual effect with the variety of size of the perforations. These tubes can also rotate up and down, in order to reduce or gain sun light in different seasons. During spring and fall, the tubes stay straight so the reduction and gain from the sunlight is balanced. During Summer, because of the high temperature which is cost by the longer time of sunlight, the tubes are rotated downward to reduce the direct sunlight, so the interior of the building can stay cool. During Winter, because of the low temperature which is cost by the shorted time of sunlight, the tubes are rotated upward to gain the direct sunlight, so the interior of the building can stay warm.

South Elevation

West Elevation Smart Sustainable System | Final Project 173


AS Construction Documents


Chi Hung Leung Architecture

Consultant: Pavel Getov Jay Vanos

No.

Description

Date

Chi Hung Leung

Project number Date Drawn by Checked by

Project Number Issue Date Author Checker

A1.01 Scale

4/22/2015 3:17:40 PM

Residential House Site Axonometric


Project Overview Final Booklet

Sheet List

A1.00 A1.01 A1.02 A1.03 A2.00 A2.01 A2.02 A2.03 A2.04 A3.00 A3.01 A3.02 A3.03 A3.04 A3.05

Location: Los Angeles, CA

A3.06 A4.00 A4.01 A4.02 A4.03 A5.00 A5.01 A5.02 A5.03 A6.00 A6.01 E1.00

E1.01

E1.02

Chi Hung Leung Architecture

3

Consultant: Pavel Getov Jay Vanos

General Notes and Drawing Symbols Site Plan Site Axonometri c SIte Section - North Site Section - East Control Plan First Floor Plan Second Floor Plan Third Floor Plan Roof Plan Rendered Section Section 1 Section 2 Section 3 Section 4 Wall Section Details of Wall Section West Elevation North Elevation East Elevation South Elevation Enlarged Plan Kitchen Kitchen Elevation Enlarged Plan Bathroom Bathroom Elevation Door and Window Schedule Wall Types and Schedule First Floor Plan Electrical Plan Second Floor Plan Electrical Plan Third Floor Plan Electrical Plan

1

9

A4.01 1

1

No.

Description

Date

A1.03

1

1

A3.01

A3.04 34' - 7 7/32"

Chi Hung Leung

8

Residential House Cover Page

Drawn by

A0

3D View 0

A3.03

15' - 6"

Scale

DN

UP

1

Project Number Issue Date Author Checker

Project number Date

Checked by

1

2

0' - 0"

A0.5

Sheet Name Cover Page 3D Views Interior Rendering Parcel Profile Navigate LA Site Plan with Tax Assessor Map

10' - 1"

A0.3 A0.4

4/22/2015 3:16:32 PM

Sheet Number A0 A0.1 A0.2

4B Seminar Lobby R

9

R

Chi Hung Leung Architecture

7

Consultant: Pavel Getov Jay Vanos

4' - 0"

1 A1.02

Group Project Instructor: Jay Vanos, Pavel Getov Jan - Apr 2015

1

5

A3.02

1

6

A1.02

7

R

8

Date

A4.00

1

1

Library

Bedroom

7

8

6

Chi Hung Leung Residential House Site Section - East

A3.02

3/16" = 1'-0"

R

R

A1.03 Scale

R

Checked by

4/22/2015 3:17:42 PM

Drawn by

Description:

1

Project Number Issue Date Author Checker

Project number Date

A4.02 -

20' - 3 1/8"

Description

R

No.

29' - 8 1/8"

R

4

R

1

9

A4.01 1

Chi Hung Leung Architecture

Bathroom 6

5

5' - 5"

2

R

3

9' - 2 7/8"

3' - 9 27/32"

THe students are required to produce a revit-based digital model and a set of tecnical drawings.

1 A3.01 Consultant: Pavel Getov Jay Vanos

8

4

1 A3.03

7 1

19' - 0"

A1.02

1

15' - 7 7/32"

5' - 4 5/8" 0' - 0 29/32"

A4.02 -

A4.00 1

No.

Description

Date

1

6 1 A3.02

A4.03

5

4

Chi Hung Leung Residential House Control Plan 1

Date Drawn by Checked by

4/22/2015 3:17:43 PM

Project Number Issue Date Author Checker

Project number

A4.03

A2.00 1/4" = 1'-0"

Scale

Chi Hung Leung Architecture

Consultant: Pavel Getov Jay Vanos

Chi Hung Leung Architecture

Consultant: Pavel Getov Jay Vanos

3

2

1

9 Room Schedule

A4.01

11' - 0"

A3.01

Garage Bedroom Bathroom Living Room Kitchen Bathroom Library Bedroom Lobby Bathroom Closet Bedroom Closet Bedroom Lobby Bathroom Mechanical Room

5' - 4 5/8"

1 A3.04

1

8 1

47

A3.03

Bathroom

1 R

3

R

5' - 2"

R

R

2

3

15' - 6"

Bedroom 2

48

Number

Area

A1.03

23' - 7 7/32"

1

Name

1

1

58

1 2 3 4

506 SF 195 SF 92 SF 580 SF

5 6 7 8 9 10 11 12 13 14 15 16 17

112 SF 159 SF 537 SF 353 SF 464 SF 180 SF 118 SF 614 SF 109 SF 323 SF 272 SF 142 SF 63 SF

Chi Hung Leung Architecture

Consultant: Pavel Getov Jay Vanos

UP

7

No.

Description

Date

1 A1.02

1 R

R

57

2

Description

Date

16' - 1"

No.

1

28' - 1"

Garage

A4.02 -

R

R

R

A4.00 1

Living Room

1

4 R

6

1

No.

Revision 1

Description

Date 4-18-15

1 A3.02

45

12' - 0"

R

R

Kitchen

1

3D View 1

2

3D View 2

19' - 0"

Chi Hung Leung

5 10' - 6 31/32"

Residential House 3D Views

10' - 4 7/8"

4

Chi Hung Leung

Date

Project number Date Drawn by Checked by

Project Number Issue Date Author Checker

A2.01 Scale

176 Construction Documents | Final Booklet

1/4" = 1'-0"

Drawn by Checked by

A0.1 Scale 4/22/2015 3:17:43 PM

5' - 0"

1 A4.03

Project Number Issue Date Author Checker

Project number

Residential House First Floor Plan

Chi Hung Leung Residential House Interior Rendering Project Number Issue Date Author Checker

Project number Date Drawn by Checked by

A0.2 Scale

4/22/2015 3:16:40 PM

W

39

4/22/2015 3:16:37 PM

42

REF.

DW

5


9 3

9

3

Keynote Legend

06 11 00.H1

Key Value

Level 4a 31' - 0"

Level 4a 31'Roof - 0" 30' - 0" Level 4 30' - 0" 5 A3.06

1 A3.06

level 3 28' - 0"

Level 4a 31'Roof - 0" 30' - 0" Level 4 30' - 0"

06 11 00.B12 Roof 06 11 00.B12

Roof 30' - 0"

Chi Hung Leung Architecture

30' - 0"

Level 4 30' - 0"

Level 4 30' - 0"

level 3 28' - 0"

level 3 28' - 0"

Chi Hung Leung Architecture

06 13 23.C2

level 3 28' - 0"

Consultant: Pavel Getov Jay Vanos

06 11 00.B12 Consultant: Pavel Getov Jay Vanos

06 11 00.B12

5

First Detail of Second Callout of Section 2 1" = 1'-0" 1

3

Level 3 22' - 0" Level 3 20' - 0"

Detail of Callout of Section 2 1" = 1'-0"

Level 3 20' - 0"

6 A3.06

06 11 00.B12

2 A3.06

Level 3 20' - 0"

Level 3 20' - 0" 06 13 23.C2

Level 2 15' - 0"

06 11 00.B12 06 11 00.B12

Description

Date

No.

Level 2 10' - 0"

7 A3.06

6

3

2

Second Detail of Callout of Section 2 1" = 1'-0"

3

9 9

Level 2 12' - 0" 06 11 00.B12

Chi Hung Leung

Level 1 0' - 0"

Project Number Issue Date Author Checker

Project number Date Drawn by Checked by

1

A3.05

Callout of Section 2 1/2" = 1'-0"

1/2" = 1'-0"

Scale

Level 1 0' - 0"

Level 2 10' - 0"

Level 1 0' - 0"

06 13 23.C2

Residential House Details of Wall Section

Level 1 0' - 0"

Project number Date Drawn by

7

Checked by

Third Detail of Second Callout of Section 2 1" = 1'-0" 8

Fourth Detail of Second Callout of Section 2 1" = 1'-0"

3

Third Detail of Callout of Section 2 1" = 1'-0"

4

Scale

As indicated

Chi Hung Leung Architecture

Consultant: Pavel Getov Jay Vanos

Description

Date

No.

Chi Hung Leung

Project Number Issue Date Author Checker

Project number Date Drawn by Checked by

A0.3

Description

Date

Chi Hung Leung

Residential House Parcel Profile

Scale

Project Number Issue Date Author Checker

A3.06

Fourth Detail of Callout of Section 2 1" = 1'-0"

Chi Hung Leung Architecture

No.

Chi Hung Leung

Level 1 0' - 0"

Consultant: Pavel Getov Jay Vanos

Residential House Navigate LA Site Plan with Tax Assessor Map Project Number Issue Date Author Checker

Project number Date 4/22/2015 3:17:00 PM

Second Callout of Section 2 1/2" = 1'-0"

Level 1 0' - 0"

06 11 00.B12 06 11 00.B12

06 11 00.B12 06 11 00.B12

4/22/2015 3:17:52 PM

4 A3.06

8 A3.06

Level 2 10' - 0"

06 13 23.C2

Residential House Wall Section

Level 1 0' - 0" Level 1 0' - 0"

Date

Second Detail of Second Callout of Section 2 1 1/2" = 1'-0"

3 A3.06

Level 1 0' - 0" Level 1 0' - 0"

Description

4/22/2015 3:17:54 PM

No.

Level 2 12' - 0" Level 2 10' - 0"

Drawn by Checked by

A0.4 Scale

4/22/2015 3:17:19 PM

Level 2 15' - 0"

2

Keynote Text

06 11 00.B12 06 11 00.H1 06 13 23.C2

Level 4a 31' - 0"

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Technical Drawings

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