Editor’s Letter
Once left crumbling amid the wreckage of war, the Benghazi International Stadium recently reopened, marking more than just the return of football to Libya – it signals a broader national revival. Like several of its neighbours, Libya has developed an ambitious 2030 Vision, with the redevelopment of the capital city and other key infrastructure a priority.
Much fanfare was made for the stadium’s spectacular opening ceremony which, like most projects we cover these days, was only made possible through a large deployment of audiovisual technology. As evident
displays are fast becoming an audience expectation.
Positioned at the crossroads of North Africa, Libya is aiming to emerge as a serious regional business hub. There’s no shortage of regional competition – Morocco also has grand development plans –but Libya is definitely a territory to keep an eye on as the next decade comes into view. Benghazi’s transformation is a powerful reminder: the upcoming years in AV will be driven as much by ambition as by innovation.
Richard Lawn General manager rlawn@proavl-mea.com
Nick Smith Digital media manager nsmith@proavl-mea.com
Sue Gould Advertising director sgould@proavl-mea.com
Chris Yardley Video editor cyardley@proavl-mea.com
Carolyn Valliere Sales associate cvalliere@proavl-mea.com
Jack Stennulat Digital content creator jstennulat@proavl-mea.com
Caroline Moss Contributing editor cmoss@proavl-mea.com
Adrian Baker Production manager abaker@proavl-mea.com
Karen Wallace Editorial coordinator kwallace@proavl-mea.com
Marne
Circulation manager circulation@proavl-mea.com
Bea Meikle News editor bmeikle@proavl-mea.com
Sue Su Guangzhou manager ssu@proavl-mea.com
Procom showcases Adamson’s
VGt at the Coca-Cola Arena
local distributor Procom recently held demo events on the VGt and VGs series at the Coca-Cola Arena in Dubai. Welcoming over 300 industry professionals over the course of two days, the events featured an in-depth product demonstration led by Jasper Ravesteijn, sales director – EMEA at Adamson.
The 17,000-capacity Coca-Cola Arena provided the perfect venue for the demonstration, offering a large-scale environment to showcase the real-world application of the series, which has been designed for large-format events and spaces.
“The Experience VGt event was a resounding success, demonstrating Procom Middle East’s commitment to delivering impactful solutions for our clients,” said Charbel Zoghi, commercial director at Procom Middle East. “By showcasing the sheer power and potential of Adamson’s VGt system at the Coca-Cola installations.”
According to both parties, the feedback from attendees was highly positive, with many visitors saying they were “blown away” by the system’s clarity, power and cardioid setup. The VGt’s size-to-output ratio and overall throw were also highly praised.
One attendee, Harshana De Silva, the founder of Alliance Events in UAE and Saudi Arabia, commented on their experience: “It was an absolute honour to be invited to the VGt launch at the Coca-Cola Arena. This is a massive system and I’d say it’s ideal for very large concerts and events – it’s a significant advancement. As an existing Adamson user, we look forward to adding this to our stock next year.”
Abhimanue Gautam, an audio engineer at Agora, echoed those sentiments: “This is an impressive system, in particular the
possibilities. The compact size for a 13-inch driver is quite remarkable and the way they stack together makes it ideal for touring. Overall, I’m very impressed with the new features of this system.”
Procom said it believes these demo days are invaluable for fostering collaboration and innovation, providing a platform for professionals to experience the latest technology firsthand, sparking new ideas and creativity. It’s also an opportunity for both the distributor and Adamson to gather real-world feedback.
Furthermore, both parties noted that hosting the event at the arena enabled them to showcase the system’s capabilities in its “full glory”, including rigging, dismantling and rack integration, beyond what a datasheet can offer.
“It was an honour to be able to present our newest flagship products to such a wide variety
“We saw a great turnout of professionals from all over the world, including Kenya, India, China, Finland, Kuwait and Hungary. The Coca-Cola Arena provided the perfect place to showcase the systems, as it is the type of venue the VGt and VGs systems would be deployed for in a real-life situation. The reactions from attendees were highly positive. A large part of the success of the event can be attributed to our local distributor Procom Middle East who did a fantastic job in hosting this event and made sure that all details were taken care of. Also, I would like to thank Ovation for letting us use part of their newly bought VGt and VGs systems. The Adamson team looks forward to a bright future with the Vergence Group product range.”
www.adamson.ai
www.procom-me.com
Powersoft announces Cohesion partnership
Powersoft has announced its partnership with Cohesion, a professional sound reinforcement design and manufacturing enterprise within the Clair Global Group. Under the Cohesion name, Powersoft will become a key technological partner, providing amplification and processing technologies for touring sound and venue installation applications worldwide. The partnership will serve as the foundation for the development of new technology. It has already seen the development of a new, customised amplification platform using Powersoft’s Unica technology at its core, created by engineers from both companies.
“I am thrilled to be a part of this new strategic agreement with Cohesion,” said Luca Lastrucci, CEO of Powersoft. “This agreement positions us as a reference technological partner for the development
our
ecosystem within the live event production and installed sound system landscape. The partnership with Powersoft aims to enhance this ecosystem, providing Cohesion with access to new avenues for delivering audio solutions.
Jeff Rocha, president of Clair Global’s product division and managing director of Cohesion, commented: “We’re excited to take live sound performance to the next level. With Powersoft and Cohesion as powerful technology partners, we will redefine the standards of the industry while enriching our offerings. We have a responsibility to meet or exceed the needs of our customers and building this lasting collaboration ensures that we continue to do so.”
www.cohesionaudio.com
www.powersoft.com
Powersoft’s Luca Lastrucci Jeff Rocha of Cohesion
Speaker and Speaker Enable
Monitor audio on the speaker by pressing the button or double press to lock on.
USB-C Input
USB-C connects video from laptop computers and powers the computer.
10G Ethernet
Connect to SMPTE-2110 IP video out and program return. Supports PoE++.
HDMI 4K Output Connect to projectors, TVs or LED screens.
HDMI 4K Input Connect to laptops or video products such as cameras.
USB-C Video Input
Connect to presenter’s laptop as a second display and power the laptop.
12G-SDI Output
Connect to equipment such as switchers, recorders or monitors.
LCD Display Monitor video with audio meters, timecode and the converter video standard.
Analog Audio Inputs Balanced microphone inputs with support for phantom power.
Analog Audio Outputs Balanced audio outputs for PA speakers or sound systems.
The Blackmagic 2110 IP Presentation Converter is designed to allow presenters to connect computers and video projectors into 12G-SDI and 2110 IP video systems. The converter can connect computer video from both HDMI and USB-C inputs, but when using USB-C, the converter will power the computer. There is a standards converter on the input, so connecting any type of computer will just work!
Latest SMPTE-2110 IP Video Technology
Blackmagic 2110 IP Presentation Converter conforms to the SMPTE 2110 standard for IP video. Its RJ-45 10G Ethernet connectors let you use low cost Cat 6 cables that can also power the converter, even when charging a laptop! All SD, HD and Ultra HD standards are supported, with high frame rate Ultra HD using Blackmagic IP10 codec for data rate reduction.
Powerful Audio Connections
Blackmagic 2110 IP Presentation Converter handles all your audio needs! It has 2 XLR audio inputs for microphones that support phantom power. There’s also 2 balanced XLR outputs for connecting PA speakers. Plus there’s a built in audio mixer to blend audio from the HDMI/USB-C video inputs and the analog XLR inputs. There is even a speaker and headphone connection on the front panel!
Front Panel for Monitoring and Control
The front panel controls and bright color LCD allow you to see the input video and audio at all times. This is a big help when a presenter connects a new computer because it gives them confidence that the computer is working. The LCD and buttons let you access almost every single operational feature of the presentation converter including 2110 routing and standard settings.
Standards Converts Video Inputs and Outputs
The Blackmagic 2110 IP Presentation Converter has 2 standards converters with one on the HDMI/USB-C video inputs and another on the HDMI output. The video input even emulates a HiDPI monitor so you can scale the user interface independently of the video standard. Now AV staff can let presenters plug in their own laptops without video problems!
Control Buttons Change settings in the converter menus with the menu and set buttons.
DLC enhances its Televic inventory
CTME expands its Saudi operations
Creative Technology Middle East (CTME) has announced a significant expansion of its operations in Saudi Arabia. The growth includes doubling warehouse capacity in Riyadh, expanding the local and international team of specialists and increasing the inventory of audiovisual equipment permanently stationed in the region.
supporting clients and meeting the evolving needs of the Saudi market,” confirmed Andy Reardon, managing director, CTME.
Mark Breakspear, sales and operations manager at DLC, explained that with traditional fixed seating plans often posing logistical challenges, Televic nameplates offer two key benefits, including the enablement of free seating, while ensuring efficient delegate identification both in the room and on camera feeds. “By integrating NFC card-based delegate identification, attendees simply insert their accreditation badge into the microphone, automatically logging them into the system.
The connected nameplate instantly displays their name, country or any other configured details, including logos,” he noted.
nameplates streamline head table transitions between sessions. “A pre-programmed meeting agenda allows panellist names to be set in advance, eliminating the need to swap out physical nameboards,” said Breakspear.
“With just a click, the next session’s panel is displayed instantly, making transitions seamless and efficient for both organisers and technicians.”
DLC has recently used the Televic nameplates on various high-profile events, such as the World Government Summit and Abu Dhabi Strategic Debate for Emirates Policy Centre. They will also be deployed for the 2025 IISS Shangri-La Dialogue In Singapore.
“Digital name signs are often an overlooked innovation,” concluded Breakspear. “While they may be considered a luxury rather than a necessity, it’s exciting to see more clients recognising their value and prioritising conference systems alongside their high audiovisual expectations.”
Waleed Zaghloul, brand manager at NMK Electronics, added: “We’re always committed to
CTME said that the expansion comes in response to its successful execution of numerous high-profile projects across Saudi Arabia, reinforcing its commitment to the kingdom’s rapidly growing entertainment and events sector.
“As we continue to deliver exciting projects in the region, this additional facility, equipment and dedicated staffing further reinforce our commitment to
Martin Hall, CTME general manager of Saudi Arabia, added: “Seeing highquality equipment arrive alongside our experienced team underscores just how dedicated we are to this market. Our local presence, combined with our global reach, is a winning formula for KSA.”
Through the expansion, CTME aims to provide enhanced support for the growing number of entertainment events, cultural festivities and commercial projects that align with Saudi Arabia’s Vision 2030 initiative.
www.ct-group.com/me
Martin Audio energises Mons Faraya
Lebanese ski resort Mons Faraya recently took ownership of a Martin Audio PA system, designed and installed by Technosound.
Covering approximately 1,400m2, the resort combines a chic restaurant vibe with an electrifying music bar that hosts international DJs, as well as indoor and outdoor pool areas, drawing in locals and tourists alike.
The venue was created by Youssef Hadid, Nazir Bassit and Chris Bosnoyan. Bassit and Hadid were recommended the Martin Audio system by Charbel Fahed of Technosound.
“They were seeking a top-tier sound system, so I recommended Martin Audio for its exceptional quality and performance,” said Fahed. “However, it wasn’t their first time working with Technosound, since my father, Pierre Fahed, had previously worked on several projects with Mr Hadid.”
Technosound’s Pierre Fahed and Tony el Bitar designed the system with the aim of ensuring every corner of Mons resonated with clear sound and pulsating energy. CDD15, CDD12 and Blackline X218 subs have been placed in the outdoor and pool areas, while
the remainder of the CDD12 speakers and Blackline X118 subs are stationed in the indoor areas of Mons.
Elsewhere, the manufacturer’s Adorn speakers have been installed in the rest room area to ensure guests remain immersed in the venue’s vibrant atmosphere. While there is a traditional stage, the system transitions from ambient background music during the day to high-octane beats at night. During the day, the music profile is lounge music, with a blend of mainly Afro House and chart-topping hits at night as well as during the après-ski events.
“Working with Technosound has been a fantastic experience,” remarked Bassit. “Their Martin Audio solution has helped transform Mons Faraya into a top-tier venue with exceptional sound quality. The system perfectly complements our dynamic atmosphere and our guests have consistently praised the audio experience. We highly recommend Technosound for their professionalism, expertise and commitment to excellence.”
www.martin-audio.com
SAUDI ARABIA
CTME worked on the Hans Zimmer concert in Riyadh
L–R: DLC Events’ Mark Breakspear and Rahul Almeida
Fully Digital Delegate Unit
HCS-4895D
Unlock Flexibility Elevate
Efficiency
Stable and Crystal-clear Audio
Fully digital audio transmission and a "daisy-chain" connection ensure seamless performance
Sleek and Intuitive Design
By inheriting the sleek DNA from TAIDEN wireless system and keeping its 4.3 inch touchscreen, the unit fits perfectly into every meeting room and allows for free coupling with the wireless system invested
Configurable Unit Roles
Through license authorization, this unit can be configured as chairman or dual delegate unit, with optional Sl and voting functions
Customizable Button Layout
With dual contactless lC card slots and customizable functional buttons, this unit efficiently caters to users'
HCS-5390 Series Digital IR Wireless Conference Unit
SLS Production invests in INFiLED
SLS Production has expanded its inventory with the addition of 1,000m INFiLED GX Series LED displays. The UAE-based events company has been working with INFiLED for three years and said the purchase is aimed at enhancing its offering for live events in the region.
“In the production business we need equipment that can perform under pressure while delivering stunning results, and INFiLED has consistently met our high standards,” noted Edwin Cheeran, managing director at SLS Production Middle East.
Cheeran added that the GX Series has been on the company’s radar for some time.
“Our goal is to push the boundaries of what we can offer visually and with INFiLED’s GX, we’re confident we can deliver unique, high-quality experiences that stand out in the market,” he said.
DAS Audio comes to Aktobe cultural centre
the perfect solution to achieve that,” Cheeran explained.
According to Cheeran, the manufacturer’s products stand out for their image clarity, ability to fit into SLS Production’s existing AV setup and their durability in demanding environments. He added that INFiLED’s products are ideal for larger-scale concerts and interactive installations where visuals need to make an impact.
“Our experience with INFiLED has been nothing short of excellent,” concluded Cheeran. “From the product quality, commitment to innovation and ongoing support, every aspect of our partnership has been exciting for us to see what other projects we can take on together in the future.”
www.infiled.com
www.slspro.net
Putting the Pulse into Wellfit Marina
The Aktobe Regional Philharmonic in Kazakhstan has upgraded its sonic signature with a permanent DAS Audio sound system. The system was delivered by Stepline, a local AV equipment supplier in the region.
Founded in 1944, the cultural centre has been named after composer Gaziza Zhubanova since 1998. The Philharmonic features the Kazakh Folk Instrument Orchestra Akhmet Zhubanov, a chamber choir, chamber orchestra and the Akku dance and classical music ensembles. In 2002, the venue introduced a new building equipped with modern technology for hosting performances. The space has now been upgraded with 30 Aero-40A line array units and eight Event-210A loudspeakers, while the low-end frequencies are reinforced by eight UX-218A subwoofers.
DAS Audio said that the project is part of the company’s plans to expand its presence in cultural venues, including renowned theatres and auditoriums around the world. www.dasaudio.com
Pulse Middle East has provided an extensive AV system for the recently opened Wellfit Marina, located on two floors of the Al Fattan Marine Towers in Dubai. The fourth flagship fitness club for the Wellfit brand, the new location spans 3,500m2 and features Martin Audio, Powersoft, Xilica and Pixilab systems, as well as LED displays. Offering a high-end member experience, Wellfit Marina provides fitness fanatics with hi-tech equipment and comprehensive wellness and recovery services. A key addition to the chain’s portfolio of mega clubs, the new location is centrally positioned at the heart of Dubai Marina and JBR and is the largest fitness facility in Dubai Marina.
Audiovisual consultant Pulse Middle East was engaged to supply and design videowall displays, LED strip lighting solutions and an audio system that all integrated into the facility’s design and functionality. The studios and main gym areas feature Martin Audio CDD loudspeakers alongside Blackline subwoofers to enhance the low end. Each studio is also equipped with Bluetooth devices, allowing instructors or clients to connect and play their own music through the system. Wireless microphones have been integrated to provide high-quality audio delivery for instructors during classes, alongside largeformat LED videowalls for interactive classes. In addition, the GX Studios and Spin Studio were equipped with integrations for Les Mills fitness
programmes, offering compatibility with the brand’s interactive workout solutions.
Martin Audio’s ACP ceiling pendant and ACS ceiling loudspeakers have been installed in the common and open spaces to deliver background music (BGM) throughout the facility.
In addition, the reception area and the studio spaces all feature large-format LED screens to provide an engaging, interactive experience for visitors and members.
There is a centralised AV room which houses all amplification and processing equipment for streamlined system operation and easy maintenance. At the heart of the control system is the Pixilab platform which manages not only LED screen content but also audio and lighting
within the studios. Pulse Middle East noted that the entire AV setup was designed to be userfriendly and efficient, with the Pixilab platform offering Wellfit employees a straightforward, user-friendly interface for managing content across all AV elements.
All audio processing and zoning is handled by a Xilica DSP, which is controlled via Pixilab using TCP commands allowing real-time adjustments to provide clear audio across all zones. Powersoft Unica amplifiers and video servers manage all audio and video processing and amplification, supported by network switches with dedicated VLANs to provide stable and reliable system communication.
Pulse Middle East said that the client is pleased with the AV system and has expressed its interest in expanding to additional locations, with plans for Pulse Middle East to continue leading Wellfit’s AV integration work.
“We are very proud of the Wellfit Dubai Marina project, not only for the technical achievement but also for how seamlessly our team adapted to the project’s dynamic schedule,” commented Hassan Makki, sound engineer at Pulse Middle East. “The result is a powerful, immersive environment that truly reflects Wellfit’s vision. Seeing the client’s satisfaction and their intention to grow further with us is the most rewarding outcome.”
www.pulse-me.com
Keystone Productions upgrades with DiGiCo
Keystone Productions has upgraded to a DiGiCo S21 console, provided by DWR Distribution. The Johannesburg-based company, owned by brothers Justin and Jonathan Le Roux, provides full technical support across shows, product launches and conferences in South Africa.
Keystone still had a few of its older consoles in rotation but, as its broadcast and live event workload grew, the brothers required a desk that could keep up with demand. “We talked to our freelance engineers and big rental companies and there was only one clear choice,” noted Justin Le Roux. “We needed a solid, futureproof investment and DiGiCo delivered.”
Although conferencing is Keystone’s speciality, the company delivers a lot of broadcast events. The brothers noted that the S21 fills that gap, working well across both applications.
by DWR’s support, with DWR’s DiGiCo
Dubai’s Atlantis The Royal hotel has implemented an L-Acoustics professional sound system for its grand lobby, installed by Creative Technology Middle East (CTME). The project brings concert-level sound to the hotel,
while meeting the distinct requirements of the architectural marvel.
Spanning 80m of expansive space, the grand lobby features 20m-high ceilings and floor-to-ceiling glass walls. “The brief called for
Keystone team has been incredible and
seeing their reactions as they discover what the console can do has been amazing,” said Robson.
Keystone’s resident audio engineer, Ryan Towell, said he pushed for the upgrade. “We needed a console that could integrate seamlessly with our existing L-Acoustics setup and the S21 was the perfect match,” he explained. “The feedback so far has been incredible and I can’t wait to get hands-on with it myself.”
Straight after receiving the desk, the team put it to work for a banking event, with Justin Le Roux noting that “since then, it hasn’t stopped – it’s already fully booked for the next few weeks. The S21 is built to last and we know it’ll serve us well for years to come.”
www.digico.biz
www.dwrdistribution.co.za
an audio system that could meet the highest professional standards while respecting the lobby’s dramatic architecture,” explained Huw Godfrey, head of system integration at CTME. “We designed a discreet solution that delivers exceptional versatility – providing both refined background music and concert-quality live performances without compromise – even in a space defined by soaring glass walls and reflective surfaces.”
RAL custom-coloured L-Acoustics X Series and S Series speakers have been integrated into the space, blending into the architectural elements while delivering uniform coverage across multiple levels. The system transforms from providing subtle ambience during daytime hours to powering vibrant evening performances.
Danny Lord, senior project manager at CTME, said that L-Acoustics was chosen for its ability to connect to the hotel’s existing Q-SYS infrastructure, provide custom RAL colour options and deliver a sleek design that could be discreetly integrated into the space.
The audio outfit includes the French manufacturer’s Syva colinear arrays, which integrate into architectural columns and wall edges, alongside compact Soka speakers that blend into the structure’s design elements. Fourteen 5XT coaxial enclosures are concealed within the wall mouldings at height, providing coverage to the upper levels of the space. This strategically positioned array of speakers aims to ensure consistent, high-quality sound throughout the expansive lobby. The system is completed by four SB10i and six Syva Low subwoofers for low-end frequencies, with four LA2Xi and two LA4X amplified controllers providing power and two Auvitran AVBx3 audio networking devices ensuring integration and control.
“We’ve created an audio environment that enhances the space, complementing the venue’s architectural magnificence while delivering exceptional sound quality,” concluded Lord.
www.ct-group.com/me www.l-acoustics.com
L–R: Keystone Productions’ Justin Le Roux, Ryan Towell and Jonathan Le Roux with their new DiGiCo S21
Active. Compact. Fierce.
The HDL 6-A is the ideal choice when line array performance is needed and a fast and easy set-up a must. A 1400 W 2-channel class-D amplifier powers the system. A powerful DSP processes the sound including crossover, phase correction, limiting and protection. The system features state-of-the-art RCF transducers – two powerful 6.0” woofers for a solid bass reproduction plus a high powered 1.7” voice coil compression driver mounted on a precise 100° x 10° waveguide delivers vocal clarity with high definition and an incredible dynamic. The HDL 12-AS is the ideal flyable bass complement for the HDL 6-A array system.
HDL 6-A
Martin Audio turns it up a notch
UGANDA
Kampala’s Noni Vie Lounge & Restaurant has upgraded its sonic signature with a Martin Audio system, inspired by a rig at a London nightclub. Situated in the bustling heart of Uganda’s capital, the lounge and nightclub serves as a premiere destination venue offering a restaurant, bar, dancefloor and two private rooms.
The proprietors opted for a Martin Audio system after experiencing the brand’s sound at London’s Tiger Tiger nightclub. Shortly after, they got in touch with the manufacturer’s Central and East African distributor Tech Ease Systems, with systems consultant Vincent Kasule, noting: “When I met the proprietors, I could see they were trying to create a modern club and restaurant that would be unique in Kampala, with an excellent audio experience.”
The initial emphasis was on having more of a laid-back, lounge-type venue. Martin Audio’s BlacklineX provided the bulk of the solution, while half a dozen CDD6 were earmarked for the VVIP Room, with four weatherised CDD8-WR units for the outside terrace. The dancefloor was populated with six Blackline X12 units, while X8 cabinets are split between the lounge and VIP room, as well as the bar section of the dance area.
Coverage in the restaurant is courtesy of Adorn ACP-55T pendant speakers, concealed discreetly within the floral
décor. These are complemented by six Adorn ACS-55TS ceiling speakers, feeding music to the toilets and ancillary areas. However, after the venue’s grand opening, the owners decided that they needed more high-energy dance sound,
MIFA Musique showcases Yamaha
Yamaha Music Gulf FZE (YMGF) recently hosted a professional audio event in collaboration with its distributor in Morocco, MIFA Musique, at Relais de Paris, in Bouskoura, near Casablanca. The event brought together 60 key industry professionals to explore the manufacturer’s latest pro audio solutions.
Attendees included installers, consulting firms, pro audio resellers, integrators and representatives from major media outlets, such as radio and television. The gathering provided a platform for networking, knowledge-sharing and hands-on demonstrations of Yamaha’s latest audio innovations.
A highlight was the training session on the DM7 and DM3 digital mixing consoles. Yamaha also introduced its ADECIA Ceiling Solution, designed for conference and meeting spaces, featuring the new VXC2P Dante/PoE ceiling speaker. Additionally, attendees experienced live demonstrations of Yamaha D-Series speakers and the manufacturer unveiled its new IP55-rated column line array speakers.
The event was attended by representatives from YMGF, including senior supervisor PA technical sales and marketing Kalith Ahamed, senior supervisor PA sales and marketing Abhishek Agarwal, and sales and marketing manager Vishal Karamchandani.
complemented by a further three SX110 units ceiling mounted in the restaurant, while five SX112 provide LF extension across the two VIP lounge areas. The system is powered by a combination of Martin Audio VIA5004 and VIA2004 amplifiers, while management is covered by the manufacturer’s dedicated DX0.6 and DX0.4 processors.
Since opening, the venue has played host to international DJs from South Africa, Jamaica and Europe. Kasule concluded by saying: “In terms of the audio experience Noni Vie is extremely impressive – in fact I think it’s the best sounding restaurant in the entire region.”
www.martin-audio.com
rated column line array speakers,” said Agarwal. According to Asmaa Nafik, from MIFA Musique’s marketing team: “The feedback from attendees has been overwhelmingly
expressed a strong interest in future events and more hands-on workshops.” As part of its commitment to supporting Morocco’s music industry, and professional musicians in Morocco.” www.mifamusique.com www.yamaha.com/2/proaudio
Available with high-quality HICON and NEUTRIK XLR connectors
Highly professional studio microphone cable
Extremely low capacitance due to HD-PP wire insulation
Carbon-coated class 6 copper (OFC 99.9999 %)
Double shielding
SOMMER CABLE based in Straubenhardt/Germany was founded in 1999 and is now one of the leading suppliers of professional high-quality cable and connection technology with a focus on the audio, video, broadcast, studio and media technology sectors. The product range including the in-house brands HICON, CARDINAL DVM and SYSBOXX covers cable bulkware, connectors, connection cables, individually adaptable distribution systems and electronics. A B2B shop with over 25,000 products is available 24/7.
Plug & Play grooves in Namibia
Plug & Play Events Solutions provided event production for Sunset Groove festival in Namibia, deploying systems from Chauvet Professional, ChamSys, Martin Audio and Allen & Heath. Hundreds of revellers flocked to Longbeach on Walvis Bay for the concert to see performances from acts such as Dwson, Dreece, ZEF and Housecat.
The entire lighting rig for the event was made up of Chauvet Professional fixtures, controlled through the Net-XII Art-Net Ethernet-to-DMX node. Two Colorado PXL Curve 12 LED battens were incorporated into the lighting design, complemented by two Vesuvio II smoke machines which illuminated bursts of fog with RGBA+UV LED colour mixing, providing dynamic effects for events and performances.
The setup was completed with two Maverick MK Pyxis moving heads leveraged for striking looks, with a ChamSys MQ70 console deployed for control.
For sound, the DJ booth monitors were set up with four of Martin Audio’s Torus T1215S 12-inch constant curvature array loudspeakers. These were reinforced with two SX218 subwoofers, offering a maximum SPL of 144dB. This entire monitor configuration was run on two iK42 power amplifiers, while Allen & Heath’s SQ5 desk handled mixing, paired up with the DX1608 stagebox. All solutions were provided by local distributor, Audiosure.
www.audiosure.co.za
Masterpiece drives sound at Yas Marina
Dubai-based distributor Masterpiece Pro AV partnered with Light House Studio to deliver an audio system comprising systems from JBL and Crown for the AMG Petronas race. Held at the Yas Marina Circuit during the Abu Dhabi Grand Prix, the event marked Formula 1 driver Lewis Hamilton’s last AMG Petronas race with Mercedes-Benz.
The system leveraged JBL’s VTX A8 and VTX A6 line array speakers to deliver music and announcements across the grandstands amidst the roar of the engines on the track. They were complemented by VTX B18 and VTX B15 subwoofers to cover the low-end frequencies, while Crown I-Tech
4x3500 amplifiers provided power to drive the system to its peak performance.
Mohamed Kashif Joosub, director of Light House Studio, commented on the project:
“The success of this event highlights the power of premium audio solutions in engaging audiences and enhancing live experiences. JBL’s innovative equipment and meticulous execution created moments that will resonate long after the final lap. Without Masterpiece’s support, this event wouldn’t have been the same – their exceptional contribution and unparalleled sound quality made all the difference.”
www.masterpieceproav.com
Blaze Audio amplifies the ambience at Rocca
The Grand Hayat – Rocca Restaurant in Doha, Qatar, has partnered with Sonic Electronics to upgrade its audio system.
In collaboration with a local systems integrator, Sonic Electronics installed the Blaze PowerZone 504 amplifier to power the restaurant’s audio outfit, chosen for its reliability and performance capabilities.
The restaurant sought a solution to enhance its ambience, providing clear sound quality throughout the venue. The PowerZone 504 amplifier was identified as the ideal choice to meet the client’s brief, offering minimised maintenance requirements and downtime, ensuring uninterrupted service for Rocca.
According to the team, the new system has met the project objectives, contributing to the venue’s ambience, complementing the restaurant’s upscale atmosphere and
enhancing the overall dining experience for customers. Furthermore, patrons have noted heightened satisfaction due to the sonic experience, resulting in longer dwell times and a greater frequency of return visits.
“The seamless integration of the Blaze PowerZone 504 amplifier at Grand Hyatt –Rocca Restaurant underscores Sonic Electronics’ dedication to delivering innovative audio solutions tailored to our clients’ precise requirements,” remarked Roshan George, business development manager, Sonic Electronics. “Through strategic partnerships with brands like Blaze Audio, we continue to redefine the audiovisual landscape, setting new benchmarks for excellence.”
www.blaze-audio.com ae.sonicelec.com
NOTA 142. The Ultra Compact PoE Amplifier. Built to Expand.
Nota is an ultra compact, versatile PoE/PoE+ amplifier designed for networked AoIP applications where space and wiring constraints are a concern. Tailored for AV and IT system integrators, it offers an intuitive installation process with a single Ethernet cable for power and data.
With its modular design and flexibility, Nota seamlessly integrates into existing systems and expands them as needed, ensuring efficient operation in any networked environment.
Nexo brings Mediterranean
Overlooking Marassi Beach, Bahrain’s Vida Hotel features the Lyra restaurant which has enhanced its sonic signature with a Nexo sound system. The Greek restaurant offers diners the traditional flavours of the Mediterranean and signature cocktails inspired by the rich mythology of Greek flora in a picturesque setting where ambience is key.
Inside, the relaxed dining experience has been elevated with Nexo’s ID14 loudspeakers, while outside on the dining terrace, the French manufacturer’s ePS6EN54 cabinets, from its ePS Outdoor range, offer protection from the benign Bahrain climate.
sound to the Persian Gulf
Although the region experiences very little rainfall, the high summer temperatures in a primarily desert environment can be challenging for speakers open to the elements. The ePS Outdoor range’s features, such as the use of UV-protected cloth and polyurethane coatings, help to protect the units in the climate.
Designed and installed by French systems integration and event technology specialist Dushow, amplification and processing for the system come from Nexo NXAMPMk2 Powered TD Controllers.
www.dushow.com
www.nexo-sa.com
Broadcast Solutions delivers for CIBC Global
Broadcast Solutions has completed a news broadcast centre for CIBC Global in Azerbaijan. The facility supports a 24/7 English-language news channel, AnewZ. There were strict time constraints on the project, with Broadcast Solutions receiving an initial contract from technical consultants on behalf of CIBC Global, just six months prior to the installation deadline. At that time, the broadcaster didn’t have a building ready for the new channel, nor staff, editorial policies or technology. From its Dubai facility, Broadcast Solutions took on every aspect of delivering the centre, from supervising civil works and interior fit-out to training staff on system operations. The Broadcast Solutions team decided to build around the nxtedition integrated production environment. “Broadcast Solutions was already in the process of establishing a centre of excellence for nxtedition implementations and we had complete confidence we could realise the functionality AnewZ needed in a platform that was intuitive for users,” said Laurent Mairet, managing partner of Broadcast Solutions’ operations in Dubai.
Editorial control for all the journalists and producers at AnewZ is provided by nxtedition. It also automates operation of the three news studios built as part of the project: one for anchors and up to four guests, a second stand-up studio for reporters and weather presenters, and a broadcast position in the heart of the newsroom.
Ross production switchers, Tascam audio mixers, Canon PTZ cameras and studio lighting were integrated into the system.
AnewZ is available in over 110 countries worldwide and 24/7 outputs go to local and international broadcast feeds. Journalists can also repackage stories for social media in the same nxtedition platform.
“We gave Broadcast Solutions a massive challenge,” said Rufat Hamzayev, executive director at AnewZ. “They came up with a technical solution which delivered all the editorial control and creativity we needed, which is fully reliable and runs on standard computers for ease of support. It is also completely intuitive to use and allows our operational teams to control our three studios from one central production room.”
www.broadcast-solutions.de
Johannesburg theatre upgrades with Robe and MA
The Keorapetse William Kgositsile Theatre at the UJ Arts Centre in Johannesburg has upgraded its technical capabilities with products from Robe and MA Lighting. The installation includes Robe LEDBeam 350 FW fixtures and a grandMA3 onPC command wing XT, complementing the theatre’s existing grandMA3 compact XT,
for newer productions, like video mapping and timecode, and moved to the grandMA3 onPC command wing XT.
According to Ramatapa, the grandMA3 consoles have proven to be a great addition: “We’ve never had any issues with either of our MA3 consoles. They operate smoothly and freelance technicians love working with it as
L–R: Tebogo Ramatapa and Thato Maroga
Part of the Faculty of Art, Design and Architecture (FADA), the UJ Arts Centre produces and presents a range of arts programmes, both for students and professionals. The theatre’s production manager Thato Maroga works closely with technical manager Tebogo Ramatapa, and a team of annual interns, to bring their shared passion for theatre to life.
“We do so many different things here,” said Maroga. “No weekday is ever the same. It’s not just theatre productions but also conferences, events, launches and even academic gatherings. It’s a fast-paced, dynamic environment.”
The Keorapetse William Kgositsile Theatre, which opened in 2005, has witnessed several upgrades throughout its history.
Initially, the facility was using a grandMA1 and grandMA3 compact XT console. But the team found the grandMA1 wasn’t sufficient
The new desk is used for a variety of events, from theatre shows to conferences and awards ceremonies. “We mostly focus on theatre, but it’s adaptable enough for everything we do,” noted Maroga. The theatre has also transitioned from a generic lighting setup to a more advanced LED system. The team originally sought wash lights but, after consulting with DWR’s Motlotlo Makhobotloane, they decided on the Robe LEDBeam 350 FW units. “We were looking for better coverage and punch for the stage and the LEDBeam 350 FWs fit our needs perfectly,” explained Ramatapa. “We’re really pleased with them. We’re even considering adding more in the future.”
www.dwrdistribution.co.za www.malighting.com www.robe.cz
NMK and Shure host Pro Sound Playoff
In celebration of its 100th anniversary, Shure and its partner NMK Electronics hosted a Pro Sound Playoff event showcasing the manufacturer’s latest pro audio technology. Set against the dynamic environment of neon lights and arcade activities at Triple 7 Dubai (777DXB), the affair brought together industry professionals, including sound engineers and media representatives.
Both parties noted the event was not only about technology but also emphasised experiencing sound “like never before”. Attendees had the chance to test Shure’s portfolio in a hands-on setting, network with fellow industry players and engage in interactive product demonstrations.
Taking centre stage at the event was the manufacturer’s latest releases, such as the
Digital PSM, SLXD4Q+ quad-channel receiver, SM39 vocal headset microphone, KSM11 B/C wired vocal microphone and Nexadyne instrument mics.
“Shure has recently launched an exciting array of groundbreaking products that are set to redefine audio excellence,” remarked Costandino Drimakis, director of strategic development, NMK Electronics. “By introducing these cutting-edge innovations to the region, we are reinforcing our commitment to empowering professionals with unrivalled quality and state-of-the-art technology. Our partnership with Shure truly reflects our shared vision of pushing the boundaries in pro audio.”
www.nmkelectronics.com www.shure.com
Axient
SOUTH AFRICA
HORIZON VHA
HORIZON VHA
Vertical Horizontal Line Array
Vertical Horizontal Line Array
VHA 406N/ND
Line Array
VHA 406N/ND
» Self powered 2-way line array
Line Array
» Class D 800W for LF / 400W for HF amplifier
» Self powered 2-way line array
» 4 x 6.5” woofers with 1.5’’ coil
» Class D 800W for LF / 400W for HF amplifier
» 1 x 1.4” neodymium compression driver with 2.5” coil
» 4 x 6.5” woofers with 1.5’’ coil
» Dimensions (H x W x D): 612 x 360 x 397 mm / 24 x 14 x 15.6 inch
» 1 x 1.4” neodymium compression driver with 2.5” coil
» Weight: 31.8Kg / 70 Lb
» Dimensions (H x W x D): 612 x 360 x 397 mm / 24 x 14 x 15.6 inch
» Weight: 31.8Kg / 70 Lb
VHA 118SN/SND
VHA 112SN/SND
Flyable Subwoofer
VHA 112SN/SND
» Self powered bass-reflex cabinet
Flyable Subwoofer
» Class D 1600W amplifier
» Self powered bass-reflex cabinet
» 1 x 12” woofer with 3” coil - neodymium
» Class D 1600W amplifier
» Dimensions (H x W x D): 612 x 360 x 397 mm / 24 x 14 x 15.6 inch
» 1 x 12” woofer with 3” coil - neodymium
» Weight: 26.3 Kg / 58 Lb
» Dimensions (H x W x D): 612 x 360 x 397 mm / 24 x 14 x 15.6 inch
» Weight: 26.3 Kg / 58 Lb
COMMON FEATURES
» Vertical and horizontal installation
Subwoofer
VHA 118SN/SND
Subwoofer
» Self powered bass-reflex cabinet
» Class D 2500W amplifier
» Self powered bass-reflex cabinet
» 1 x 18” woofer with 4” coil
» Class D 2500W amplifier
» Dimensions (H x W x D): 611 x 711 x 720 mm / 24 x 28 x 28.3 inch
» 1 x 18” woofer with 4” coil
» Weight: 61.2 Kg / 135 Lb
» Dimensions (H x W x D): 611 x 711 x 720 mm / 24 x 28 x 28.3 inch
» Weight: 61.2 Kg / 135 Lb
COMMON FEATURES
» DANTE audio streaming on board (ND/SND versions)
» Vertical and horizontal installation
» Compatible with the INFINITO System Management Suite software
» DANTE audio streaming on board (ND/SND versions)
» Network interface TCP/IP - AES70 compatible
» Compatible with the INFINITO System Management Suite software
» OLED display and encoder with push
» Network interface TCP/IP - AES70 compatible
» Cabinet in 0.47” birch plywood with anti-scratch varnish
» OLED display and encoder with push
» Cabinet in 0.47” birch plywood with anti-scratch varnish
www.fbt.it
Al Mashhad TV is an Avid user
Leveraging an end-to-end Avid solution, the Al Mashhad TV and Digital Platform built an entire broadcast operation from the ground up in 10 months. Operating from Dubai’s Studio City, the Arabic language station produces around seven hours of live broadcast per day, offering a mix of regular headline bulletin shows as well as high-profile segments in prime time.
The newsroom has a staff of nearly 40 people, supported by 15 correspondents spread across the region and worldwide. Utilising Avid systems, Al Mashhad’s workflow includes ingest, editing, shared storage, story creation, rundown management, studio playout, media management and archiving. A crucial element is collaboration, with simplified, instant sharing of stories and media between team members powered by the solution.
The Avid news system has been implemented to enable staff to produce a constant stream of high-quality stories, particularly for breaking news and fast-changing events. In addition to crafting shows in rundowns and writing stories, journalists can also directly access news wires from agencies, both local to the region and from international sources, which come into the Newsroom Management system automatically.
“Avid is known for being very stable, with fast turnaround workflows which are essential for news,” explained Kuppa Srinivas, head of technology for Al Mashhad. “Avid has many ready-to-use functions that make it easy for users to react and create. It is that adaptability which helps our users.”
Providing the backbone of the live production environment is 800 terabytes of Avid NEXIS shared storage, with MediaCentral in place
for collaborative editing workflows – either in the web-based MediaCentral Cloud UX or in a high-powered craft editor. Incoming video feeds from remote locations or satellite trucks are available within seconds of starting, so journalists and editors can get to work quickly with the latest footage for their stories. This is handled by the ingest team using MediaCentral Capture to control up to 24 simultaneous ingest channels from three FastServe Ingest
video servers. Producers work with iNEWS in the control room to output the show, with video playback from FastServe video servers controlled through MediaCentral Command. In addition to the main system, which is hosted in a data centre within the news facility, Al Mashhad has a second system running in a data centre nearby for full redundancy if required. Using a defined workflow, selected media is automatically moved between the two sites to allow continuous operation in the event of a failure of the main system using a dedicated WAN link.
During the project, Avid’s professional services team worked with Al Mashhad to define a tailored training programme, ensuring that all staff were trained in a three-week period, enabling them to effectively prepare for going on-air.
Looking ahead, Srinivas said that the station is exploring ways in which AI and story-centric workflows can help expand efficiency. “AI functions such as speech-totext and translation services to support Arabic languages, which are fully integrated into solutions, are required in a modern newsroom environment,” he concluded.
www.avid.com
KV2 goes underground at BSMNT Club
distributor Sound Source. The underground club is located in the upscale beach resort of Gammarth on a prime stretch of Tunisia’s Mediterranean coastline.
BSMNT is run by the organisers of Tunisia’s largest electronic music festival, Fabrika. This collective of artists, DJs and visual arts enthusiasts has a decade of experience in cultural events. “When the Fabrika community decided to take over BSMNT Club, they wanted fresh ideas and a new direction,” explained Zied Riahi, sales manager at Sound Source. “Their goal was to install a sound system that could meet the high standards of international DJs whilst also delivering an upscale customer experience.”
which made it the only electronic music event in the world with full KV2 coverage.
Sound Source’s brief for the Gammarth club installation was to design a highquality audio system capable of delivering an exceptional underground music experience. The KV2 system was chosen to transition between DJ sets and live performances while maintaining sonic clarity and power, suited to the club’s electronic music focus.
Riahi cited the project as an exciting challenge. “We had to tailor our equipment to the club’s unique setting, which is basically a large basement converted into a dancefloor,” he said. “We collaborated closely with the Fabrika
team, who trusted us to create an immersive soundscape.”
The main club area leverages two SL412 loudspeakers which provide wide dispersion at high frequencies while focusing low-mid frequencies, reducing unwanted reflections in the intimate club space. The SL Series’ 30cm depth also provided installation flexibility, with options for wall mounting, suspension, ground stacking or internal wall fixing. The setup is powered by two VHD3200D amplifiers and one SL3000D amplifier.
area, while the DJ booth has been outfitted with two EX12 monitors and one EX1.8 sub. “We’re incredibly proud of what we’ve achieved at BSMNT,” Riahi concluded. “We’ve installed a state-of-the-art KV2 Audio sound system that will thrill both clubbers and DJs alike. The SL Series loudspeakers are used in the world’s top electronic music clubs and BSMNT is no exception. With the addition of the VHD subwoofers, the club comes alive, offering a fully immersive sound experience.”
The owners of BSMNT said that the
“These speakers deliver crystal-clear, precise sound, essential for a club environment, and allowing DJs to play a wide range of genres while maintaining optimal quality,” noted Riahi. “Their ability to ensure uniform coverage across the dancefloor, even in a basement setting, was crucial.”
To enhance the club’s bass, Sound Source installed two VHD2.21 subwoofers in the main
overwhelmingly positive: “People come to BSMNT for our superior DJ lineup but, when they leave, they always talk about the sound system. The immersive audio experience that KV2 Audio equipment delivers has been a game-changer, elevating the overall ambience of our club.”
www.kv2audio.com
TUNISIA
UAE
Melomani showcases DAS Audio in Turkey
the Ara point source systems. Participants also had the opportunity to test Waves’ eMotion LV1 Classic in real time onstage.
According to the distributor, the feedback from participants was overwhelmingly positive. The Mara system was particularly praised for its compact design, powerful sound and performance in challenging acoustic environments. Similarly, the Waves eMotion LV1 Classic received positive remarks, especially for its portability and multichannel mixing capabilities.
stage conditions. The feedback we received was invaluable and the Turkish market will continue to play a key role in DAS Audio’s growth.”
Turkish distributor Melomani recently hosted a demo event showcasing the latest products from DAS Audio and Waves Audio. Held at the Luvia Hall of the WOW Istanbul Hotel in Yesilköy, the event brought together over 100 sound engineers and production professionals from across Turkey and featured a presentation led by DAS Audio CEO Javier Navarro.
Attendees had the opportunity to hear and experience firsthand the performance of the Mara and Sara line array systems, accompanied by the Mara-Sub and Sara-Sub subwoofers, as well as
During his speech at the event, Navarro highlighted the strategic importance of the Turkish market, emphasising how the event contributed to expanding the reach of DAS Audio products in the region. “We are extremely pleased to see Melomani’s success in Turkey,” he said. “These events provide a platform to demonstrate not only the technical capabilities of our products but also their performance under real-world
Melomani said that these events enable the company to directly engage with customers and partners, offering a platform to showcase the real-world performance of its products. “Attendees could explore not only the technical specifications of the products but also their application in live settings,” noted Melomani owner Hasan Dündar. “Melomani will continue to strengthen its connections with customers and partners in Turkey through such events, introducing the latest professional audio technologies. We remain committed to providing world-class products to professionals and contributing to the continued growth of the industry.”
www.dasaudio.com
www.melomani.com
Norwood Productions scales up with d&b
SOUTH AFRICA
Norwood Productions has bolstered its audio inventory with the addition of d&b audiotechnik equipment provided by Stage Audio Works. Through the investment, the production company aims to expand the scope of its involvement in the live events sector, enabling it to serve larger audiences and meet the international standards of touring artists.
Chris Norwood founded the company in 2018 out of his garage with just a small PA system of two tops and two subs, primarily catering for corporate events. The company’s recent purchase of the d&b V-Series PA system has enabled it to expand its capabilities for more audio applications. “In my opinion as a FOH engineer, d&b audiotechnik is the best PA system on the market,” said Norwood. “This major investment has been instrumental in our expansion into the live events world.”
The purchase includes both V-Series line array systems and V-Series point source loudspeakers, allowing the team to serve audiences from 80 people up to crowds of 6,000. Through collaboration with other local production companies who also offer d&b
largest events in the region.
“The point sources are awesome because they give us the ability to really scale down when we need to work on a small event,” said Norwood. “With these boxes, you can have
remains perfect – this is a key benefit for our business and is unique to d&b products.”
Norwood Productions has already deployed the system on high-profile events, including the King of Whip Motocross Contest. “For
King of Whip, we were delivering audio to grandstands with around 6,000 fans,” noted Norwood. “With ArrayCalc we have the tools to ensure perfect coverage, even for these sometimes-challenging environments.”
Looking ahead, the company said it foresees greater growth in the live events scene and hopes to provide its solutions to larger bands and artists touring in South Africa. “The audio quality provided by d&b is unmatched,” remarked Norwood. “It’s a game-changer for us. Paired with the ongoing support and excellent service of the Stage Audio Works team, there’s not much more I can ask for.”
Gary Furman, sales professional at Stage Audio Works, concluded: “We are thrilled to have been a part of this journey with Norwood Productions, equipping them with the best tools to thrive in the competitive production market.”
www.dbaudio.com
www.norwoodproductions.co.za
www.stageaudioworks.com
The d&b system was deployed for the King of Whip event
Redefining Flexibility and Performance
Discover the IX Series, five multichannel networked DSP amplifiers with power capacities up to 6,000 watts. Perfectly suited for a wide range of high-Z and low-Z applications — from office spaces and hospitality venues to educational facilities and houses of worship — each model features a fully featured 96 kHz DSP with a matrix mixer, FIR-Drive, Dynacord studio-quality FX, and mic/line inputs with Dante break-in capability.
The integrated TaskEngine facilitates automation and integration tasks, transforming the IX Series into an all-in-one solution that simplifies complexity and often eliminates the need for an additional DSP matrix. Built on advanced Dynacord technologies, the IX Series guarantees flawless and energy-efficient performance — and there’s much more to explore.
“My go-to amp solution for creating a fantastic, great-sounding ambience with exceptional flexibility. Listen better, feel better.”
James Heath Cooper | Field Sales Engineer
Learn more: dynacord.com/ixseries
dB Audio Namibia invests in Absen
NAMIBIA
dB Audio has bolstered its Absen NT2.9 LED stock to over 80m2 of panels supplied by South African distributor, DWR Distribution. The Namibian technical supply company believes the investment is particularly noteworthy in the region, as it supports the local market’s needs despite Namibia’s smaller economy.
dB Audio Namibia founder David Benade said that, over the years, the company has made an effort to invest in the local industry by training and developing its team members and by stocking reliable, highquality equipment. “The NT Series provides peace of mind,” he noted.
Char-Ann Husselmann, lead project manager at dB Audio Namibia, said the Absen NT Series aligns with the company’s
FVC Summit comes to Bahrain
BAHRAIN
The FVC UCC & AV Summit 2025 in Bahrain showcased the future of Unified Communications & Collaboration (UCC) and audiovisual solutions. Bringing together industry leaders, technology pioneers and strategic partners, the summit served as a platform for knowledge exchange, product demonstrations and networking opportunities.
The event offered attendees the opportunity for hands-on product demonstrations, with FVC showcasing its latest solutions designed to enhance business communication and productivity. It provided a platform for learning,
Furthermore, Yealink offered its IP phones and videoconferencing products, Ribbon highlighted its communication solutions and Neat introduced its video devices. Nureva was also present, showcasing its audio-conferencing systems, while Ashton Bentley highlighted its AV integration products. Barco brought its display solutions, including projectors and videowalls for professional settings, and MIDA showcased its AV solutions. Lastly, ClearOne highlighted its comprehensive range of audio and videoconferencing systems, WorkBooth presented its workspace tehnology and Pexip demonstrated its videoconferencing platform.
on emerging industry trends, hybrid work strategies and the evolving digital workplace. There were also ample opportunities for networking with industry professionals, partners and clients.
FVC was supported by its sponsors, including Zoom, which highlighted its latest videoconferencing solutions, and Poly | HP which showcased its range of audio and video equipment for hybrid working spaces.
The summit also featured Logitech as a key sponsor, with the brand demonstrating its portfolio of video collaboration tools, while Jabra showcased its latest audio and video solutions for business communication.
FVC’s commitment to empowering businesses with cutting-edge technology and fostering a collaborative ecosystem. As we continue to drive digital transformation across the region, we look forward to further strengthening partnerships and bringing even more innovative solutions to market.
“We extend our heartfelt gratitude to our sponsors, speakers and attendees for making FVC UCC & AV Summit 2025 a landmark event in the industry. We look forward to continuing this journey of growth and innovation in the years to come.”
www.fvc.com
goals, offering the visual quality and reliability it requires. “Absen is a renowned brand and with accredited training and reliable support from DWR Distribution, we’re confident in our ability to meet our clients’ needs,” she said.
DWR has been working with the Namibian company for almost two decades, with DWR’s Dylan Jones commenting: “It’s a professionally run company with a lot of heart. Thank you to David, Char-Ann and the team for your support and for making the effort to ensure your team attends training like the Absen Certified Engineer Program.”
www.dbaudio.com.na
www.dwrdistribution.co.za
Optimal Audio for Coppers Craft Bar & Grill
Coppers Craft Bar & Grill recently opened at Johannesburg’s Bel Air Shopping Centre with an Optimal Audio loudspeaker and control system, installed and supplied by Lynx Solutions. Paying homage to South
allocate sources across eight configurable zones into a customisable user interface. The Zone 8 controller can also connect to the DJ booth and feed audio through to all the speakers. Furthermore, it gives the restaurant
and restaurant blends the art of brewing and distilling with the region’s rich tapestry of culture.
The venue features 24 Optimal Audio Cuboid 5TX loudspeakers installed across the main area, balcony and the VIP area, offering coverage across the expanse of the space. The loudspeakers are reinforced with three Sub 10 cabinets, with two deployed in the main area and one covering the low end in the VIP area.
The manufacturer’s Zone 8 controller provides full custom control over each zone in the venue using the WebApp. The 8-zone audio controller features four stereo line inputs and two mic inputs with 48V phantom power plus two HDMI inputs for TV and video sound. The built-in DSP and controlling WebApp enable system programmers to independently build and
making it possible to stream football games. For amplification from the Zone 8 controller, two Wharfedale Professional DP-4035 amplifiers have been added to the rack. David Tripa was tasked with creating the audio system for Coppers Craft Bar & Grill that was both cost-effective and practical to use. “Optimal Audio was the perfect choice as it’s very easy to use and set up and is budget friendly,” he noted. “The punchy, rich high-fidelity sound that this small loudspeaker packs within is truly remarkable. The management team is very happy with the product as it’s fully automated, with no user intervention required as everything is programmed to run according to strict routines and presets.”
www.audiosure.co.za
www.optimal-audio.co.uk
SOUTH AFRICA
L–R: dB Audio’s Manu Jacobs and Char-Ann Husselmann
CTME putts the production into LIV Golf Concerts Thomsun wins Optocore’s Best Distributor Award
In respect of its performance over the past 12 months, Optocore has recognised its long-term partner in the Middle East, Thomsun Trading, with its Best Distributor Award.
L–R: Anju Ajesh, Ragesh C, Biju Thomas and PV Davis of Thomsun with Optocore’s Tine Helmle, Kamil Zajdel and RadhaMohan Rajani
Headquartered in Dubai, Thomsun has been the manufacturer’s distributor across the GCC region for over 15 years. “As the Middle East region sees continued growth, Thomsun are perfectly placed to continue representing us, providing quality support locally,” remarked Optocore sales manager Radha Mohan Rajani. “Their experience with our solutions makes them a perfect partner. Jose Dos Santos is a fantastic mediator between us and local clients who require our solutions or support. We thank Thomsun for their commitment, loyalty and hard work and look forward to many more such years.”
SAUDI ARABIA
Creative Technology Middle East (CTME) provided 360 event production for the LIV Golf Concerts held at Riyadh Golf Club. The three-day musical extravaganza kicked off with performances by DJ Snake alongside Raï musician Cheb Khaled, followed by headline performances from The Backstreet Boys and Swedish electronic music producer Salvatore Ganacci.
CTME provided a remit of audio, visual, lighting and integrated network systems to transform the golf club into a world-class performance venue. The full video package included a 300m2 ROE Vanish 8T LED screen that formed the visual backdrop. A complete camera package captured every moment across the three days, while playback was managed through a Disguise suite for content delivery and real-time control.
For sound, the company rolled out a d&b audiotechnik system featuring 96 KSL and 32 SL-SUB units, complemented by DiGiCo Quantum and SD-Series consoles for mixing, as well as Shure Axient and PSM1000 monitoring systems, and DirectOut’s Prodigy.MP for processing.
Wissam Shaheen, head of audio at CTME, cited the sound setup as “rock-solid as always – powerful, reliable and exactly how it should sound. Happy tour, happy client, happy crowd.”
The event’s digital comms system leveraged 40 Riedel Bolero beltpack intercoms supported by six Riedel Bolero antennas, providing uninterrupted coordination between technical teams. A Luminex GigaCore 26i network switch provided the necessary connectivity infrastructure.
LIV Riyadh’s illumination design transformed the venue through strategic placement of lighting fixtures. The setup included 12 Elation Pulse Panel FX, 20 Ayrton Argo 6 FX, 36 Ayrton Cobra, 24 Chauvet Strike Array 4 and eight Robe iFORTE fixtures.
Thomsun’s senior marketing manager, Jose Dos Santos, said that projects that had stalled due to the pandemic have been revived, resulting in an increase in demand for Optocore systems over the last couple of years. “The stability and reliability of Optocore systems, coupled with the redundant topology, has helped establish Optocore fibre networks as one of the preferred choices within the broadcast, rental and installation verticals,” he stated.
www.optocore.com
www.thomsunmusic.com
“It was fantastic to see our latest investments in IP-rated fixtures being put to work on such a high-profile show in Saudi,” noted Sam Connolly, head of lighting, Creative Technology. “The Ayrton Cobras, Argo 6 FX, Robe iFORTE, Elation Pulse Panels and Chauvet Strike Array 4 performed flawlessly, handling the conditions with ease. Seeing these lights in action, delivering stunning visuals while proving their reliability, reinforces why we chose them. We’re absolutely thrilled with how the show turned out.”
www.ct-group.com/me
Qvest delivers for IMI’s Yas Island HQ
To provide a smooth transition from the existing systems to the new infrastructure, a detailed migration plan was developed and executed. This plan maintained uninterrupted on-air capabilities and minimised operational disruptions throughout the process. Workflows were redefined and automated for content ingest, editing, transcoding and distribution, enhancing efficiency, scalability and reliability. Qvest also provided comprehensive training for SNA staff on the new systems, further supported by six months of onsite assistance. To ensure uninterrupted operations, the project integrated broadcast systems with redundant, fail-safe mechanisms. Real-time monitoring tools and quality assurance protocols were introduced to maintain high performance standards.
Qvest recently completed a broadcast transformation for Sky News Arabia (SNA), one of the flagship media brands under IMI Media Group, enabling SNA’s transition to the group’s new headquarters on Yas Island in Abu Dhabi. The new facilities, which bring many of IMI’s brands under one roof, aim to elevate operational efficiency and provide an environment that fosters collaboration.
As the master systems integrator, Qvest took charge of designing, supplying, installing and commissioning broadcast and digital media products for the project. The installation involved implementing an IP-based, ST-2110compliant broadcast infrastructure, which
supports workflows and integrates third-party systems such as Avid, Vizrt and Telestream. These efforts aimed to provide broadcast systems that are modernised and futureproof to meet evolving industry demands.
“The successful completion of this project marks a significant milestone for IMI as we unite our leading media brands under one roof at Yas Creative Hub,” said Brad Elliot, CTO at IMI. “These state-of-the-art digital facilities, studios and technologies, made possible through our collaboration with Qvest, have elevated our technological capabilities and redefined how we create and deliver content to our audiences.”
In addition, the systems integrator planned and integrated digital signage systems to enhance the visitor experience at the Yas Creative Hub. The installations included videowall systems, such as a dual-sided display in the Welcome Center, screens in the L4 Hub Area and high-resolution monitors on the L7 Executive Floor. These video control systems offer fibre connectivity and noise-free technology.
Philipp Glänzel, CTO and general manager at Qvest MENA, added: “By implementing cutting-edge technologies and streamlined workflows, we have successfully enhanced IMI’s operational capabilities and supported its vision of becoming a leader in the media landscape.”
www.qvest.com
K-array introduces the next generation of Dragon and Firenze Series
Power, precision, and innovation define the latest evolution in professional sound.
The new KXT12P and KXT18P expand the Dragon Series with tri-axial technology, passive radiators, and precision-crafted metal enclosures—engineered for high output and uncompromising clarity.
Also debuting is the updated Dragon-KX12 MKI, available in two tailored versions:
– KX12 I, compact and elegant, designed for seamless integration
– KX12F I – Firenze Edition, featuring a rotatable waveguide for ultimate adaptability
Ideal for demanding applications such as clubs sports venues, and DJ monitoring, these systems set a new standard in performance and versatility. K-array. Redefining clarity at full power.
Tying the knot
Powersoft’s acquisition of K-array created waves, but the marriage between the innovative Tuscan pro audio manufacturers is one of mutual respect and a shared desire to grow together
Cohesion and others. Then, in February, the Scandicci-based company announced a 51% purchase of K-array share capital. With solutions that complement one another, the acquisition expands and strengthens both brands’ credentials as leading pro audio solutions providers.
As leaders in the fields of amplification, high-performance loudspeaker engineering, signal processing and transducers, both K-array and Powersoft will strengthen their positions with added innovations, efficiencies and uniquely designed audio systems. Rather than being financially motivated, the takeover was based on a mutual long-term respect for one another’s achievements. “Neither of us directly approached the other with this idea,” reveals Powersoft co-founder and managing director, Claudio Lastrucci. “We were looking at each other for several years but, like in a marriage, you find the right moment and make the proposal. The moment came, and we took it. Powersoft’s turnover has been healthy since we founded the company in 1995, so we were not pressured into making this acquisition by our investors. The overriding reason we acquired K-array owes more to the existing natural synergies.”
collaborating for the best part of three decades.
“We have shared the same electronics since the beginning, and we formed a strong friendship through our technologies,” adds K-array president and co-founder, Alessandro Tatini.
K-array and Powersoft are similarly sized in terms of employees and have already been
At ISE2023, K-array revealed its new roadmap for the AV market sector. Comprising the K-array, KGear and KScape brands, K-array Group was created to offer solutions for any AV space or application regardless of scale. According to Tatini, the company needed to consolidate its offering to assist integrators, consultants and architects in specifying products: “To develop unique technologies, you must design crazy electronics and transducers. Our marriage with Powersoft gives the potential for stronger synergies to generate new
business opportunities without compromising the current core business of either company.”
Following the creation of the group, a bright future with accelerated sales growth beckoned, but the alarm bells were ringing. “Massimo [Ferrati, co-founder] and I are a lot more familiar with engineering than company growth, mergers and acquisition,” confesses Tatini. “With this projected growth, we were facing a future that was unsustainable and required investment. This led to the appointment of Simone Pratesi as CFO to contact companies in our market that might be interested in investing.”
Having cast the net far and wide, Pratesi concluded that K-array’s ideal partner was based just 20 minutes away from its San Piero e Sieve base. “Ultimately, we opted for
By being based here in Tuscany, we are in control of our manufacturing processes, which is vital when your brand is renowned for high quality and reliability.”
Forced to keep tight lipped prior to the acquisition announcement, Lastrucci was relieved when the news broke on the Italian stock exchange on 19 February:
“Everyone’s reaction seemed to mirror mine. It feels like being one big family working in the same direction together with an open willingness to share and go forwards. There are many commonalities and, by marrying the technologies and components from our respective electronics and electroacoustic domains, both brands will continue to manufacture innovative products.”
Tatini may be a Tuscan entrepreneur, but he is also as an expert grill chef who excels in entertaining customers and guests. However, he has no plans to fully retreat into the kitchen or other full-time leisure activities. “Retirement is not on my menu, because I’m having more fun now than ever before,” he says. “I sometimes laugh when others see Claudio and myself creating new prototypes, because we resemble kids in a toy store.”
www.k-array.com
www.powersoft.com
A handshake signs the deal: K-array co-founder Carlo Tatini (seated left) with Powersoft chairman Carlo Lastrucci (seated right)
L–R: K-array’s Alessandro Tatini with Powersoft’s Claudio Lastrucci
Strengthening its presence across MENA, Renkus-Heinz has appointed Asimetrik in Turkey. Istanbul-based Asimetrik boasts over 70 employees and more than 4,000 projects in its portfolio, providing distribution and integration services to clients across the region.
The partnership will expand the distributor’s portfolio with products such as the ICONYX family of digitally steerable arrays. “Our partnership means that we will now have a wider reach,” said Asimetrik VP, Gorkem Celikbilek, “and it will be much more practical for us to approach challenging
architectural spaces and multipurpose venues now that we can offer our customers the technology and quality that Renkus-Heinz provides.”
Karan Kathuria, sales and business development director, Renkus-Heinz, added: “Turkey is a key market for us. Our alliance with Asimetrik will ensure our most advanced pro audio solutions reach Turkish customers via the best channels, coupled with best-in-class pre- and post-sales support.”
www.asimetrik.com.tr www.renkus-heinz.com
StageOne has been named as the South African distributor for Spottune.
“We have been actively searching for a wireless commercial audio solution for restaurants, retailers and other commercial spaces,” remarked Peter Berry, managing owner of StageOne. “Spottune is exactly that solution. The global trend towards wireless audio installations aligns perfectly with what Spottune offers. We’re excited to
bring this sophisticated product range to our customers.”
Mads-Emil Poulsen, CEO, Spottune, commented: “StageOne has a deep understanding of the professional audio market and a strong network in South Africa, making them the ideal partner for Spottune.”
www.spottune.com www.stage-one.co.za
NMK to distribute Riedel
NMK Electronics has partnered with Riedel Communications in the Middle East. The alliance aims to enhance availability of signal distribution and communication solutions for integrators across the region. “As the industry evolves, it’s crucial for us to align with brands that share our vision for excellence and technological advancement,” remarked Nicolas Cox, MD, NMK Electronics. “Riedel’s expertise in delivering stateof-the-art communication and signal solutions
DWR Distribution has partnered with Sound Devices in South Africa. With over 20 years of experience in manufacturing, Sound Devices is known for its audio systems used on films, TV shows and documentaries worldwide.
“We are proud and grateful to DWR for supporting our distribution in South Africa and look forward to changing the RF world together. Let’s make history,” commented Sound Devices sales manager Kiah Hassall.
DWR’s Kyle Robson said the company is stocked up on Sound Devices solutions and ready to go. “Setting up our demo gear at the office has been an amazing experience and we can’t wait to showcase it to our clients,” he noted. “I especially look forward to offering the A20-Nexus and SuperNexus wireless receivers.”
www.dwrdistribution.co.za www.sounddevices.com
makes them an ideal fit for our ecosystem of partners.”
“We look forward to working together to bring next-generation technologies to the region, ensuring integrators and end users benefit from the very best the industry has to offer,” added Tobias Kronenwett, regional sales director MEA, Riedel.
www.nmkelectronics.com
www.riedel.net
TURKEY
SOUTH AFRICA SOUTH AFRICA
L–R: Renkus-Heinz’s Karan Kathuria, Monika Smetona and Karl Brunvoll with Asimetrik’s Gorkem Celikbilek and Bugra Kezan
Adam Hall Group expands into Turkey
Adam Hall has broadened its network with the appointment of Prosistem Elektronik. The alliance will see the distributor offer the LD systems, Gravity, Palmer and Defender brands in Turkey.
Prosistem was founded in 2000 and has grown to be a valued distribution company in the region for audio, lighting and video technology. Yurder Ertekin, managing director, Prosistem Elektronik,
commented: “We see great opportunities to position LD Systems and the other brands even more strongly in the Turkish market. It’s not just technical quality and innovative designs that play a part, but also the ongoing support from the Adam Hall Group.”
added: “As the gateway between the European,
TURKEY TUNISIA
DAS Audio has welcomed Saadi Youssef, director of Arts Prod Event, as its distributor in Tunisia. The manufacturer believes the alliance will reposition DAS Audio as a leading brand in the local market, providing its full portfolio and delivering comprehensive customer support.
Youssef possesses extensive experience in sound system engineering. In addition to distributing DAS Audio, he will provide customers with specialised technical service and high-level support.
DAS Audio Group’s export area manager –EMEA, Nacho Chulia Marin said one of the key
factors for the alliance is the specific approach made by Youssef to train local sound engineers
DAS Audio appoints Tunisian distributor
developing business with DAS Audio’s latest products,” he explained. “As more engineers and integrators get certified on Alma, it will lead to better and faster results for projects.”
Youssef added: “Since partnering with DAS, we’ve already contributed to the introduction and success of numerous references in the Tunisian market. I hope to continue to strengthen the presence of advanced sound system technologies in Tunisia with this partnership.”
www.dasaudio.com
Powersoft partners with Audio Technology
EGYPT
Powersoft has teamed up with Audio Technology, leveraging the latter’s reputation in MEA to strengthen its presence.
The distributor will focus on expanding Powersoft’s footprint in installations, live productions and hospitality projects and will offer training programmes, product demos and seminars for integrators and rental companies.
“The Egyptian market is growing and there is a huge demand for integrators to execute
large-scale projects and events,” noted Nermeen Iskander, marketing director, Audio Technology.
manager, commented: “With the country’s pro AV sector growing, we are confident that Audio Technology will help us deliver the best solutions to SIs, rental companies and end users.”
www.audioteceg.com www.powersoft.com
L–R: Richard Deffner and Alessio Foti of Adam Hall, Yurder Ertekin of Prosistem Elektronik and Adam Hall’s Markus Jahnel
L–R: Saadi Youssef shakes hands with Nacho Chulia Marin
L–R: Powersoft’s Varun Jagger with Mario Abadeer and Amir Riad of Audio Technology and Takis Tsonopoulos of Powersoft
Christie makes key appointments WORLD
Christie has enhanced its team with the appointments of Hideaki Takizawa as chief financial officer (CFO) and Sean James as executive VP of global sales and service.
Takizawa will align the company’s financial strategy with its overall goals to support continued growth and development.
He remarked: “I am honoured to join Christie and look forward to working with the talented team of employees and executives to maximise financial performance and drive sustainable growth.”
James, a 28-year veteran of the company, previously led the manufacturer’s enterprise and entertainment division. In his new position, he will continue to lead the company’s service organisation, as well as manage sales.
“When sales and service work together, they create seamless experiences that build trust and
Promotions at TOA
TOA Electronics has announced key appointments in EMEA. Kosuke Tanaka has been named general manager of the EMEA business department and managing director of TOA Electronics Europe (TEE), while Takatoshi Murai will serve as deputy general manager of the EMEA business department and director of TEE.
Prior to his promotion, Tanaka held Murai’s new role of deputy general manager of the EMEA business department. In his new position, he will focus on further strengthening TOA’s market position, driving digital transformation and deepening partnerships across the EMEA region.
EMEA region,” he said.
With this new leadership structure in place, TOA will continue to prioritise innovation,
Pulido joins PRO LAB
MIDDLE EAST
PRO LAB has welcomed Edgar Allan Pulido as brand manager for the video department, where he will oversee brand representation and strategy, sales and support, training and education initiatives, as well as inventory and pricing management.
He will also provide market research and reports, pre- and post-sales support, systems
design and solution engineering, and support for events and tradeshows. Before joining the distributor, Pulido served in a similar role at a Dubai-based AV rental company for 10 years, where he managed a team of video engineers and technicians.
www.prolabllc.com
customers as we grow together.” www.toa.eu
RENJITH ANANDAN
CHANNEL SALES MANAGER – UAE
EMEA
Hideaki Takizawa
Sean James
L–R: Kosuke Tanaka and Takatoshi Murai
Prosign Systems welcomes Jaswinder Guleria
Systems as MEA director, a move that will see him strengthening direct client relationships while supporting the company in its new role as UAE
“I’m thrilled to return to regional distribution after over 12 years in business development,” said Guleria. “This role allows me to dedicate more time to strengthening our client relationships.”
CONFERENCE SOLUTIONS | PUBLIC ADDRESS | PROFESSIONAL SOUND
20 - 22 MAY 2025
RIYADH FRONT | SAUDI ARABIA
BOOTH 1B51
MEYER SOUND
The mentor
Andrea Arenas talks to Bea Meikle about how mentoring has shaped her career and the benefits it can have for industry newcomers
of how the world-renowned show’s format differs to other live sound events, she notes that flexibility is not just necessary for the artists: “The involvement of acrobats makes the job different because your mixing approach is based on whatever they are doing as well as the whole concept of the show, which is very varied and physical – you have to be adaptable.”
This adaptability has aided Arenas to work across a multitude of formats in her career. Her extensive résumé has seen her working as sound engineer for Dragone’s La Pearle in Dubai and founding her own personal brand Sandtracks to share music for audiovisual projects under a common creative licensing. She also regularly works at Dubai Opera as a senior sound engineer.
For Arenas, having a mentor has significantly impacted her personal growth and development in the industry. “At the start of my career, I was eager to learn and lucky to have great mentors who were willing to show me the ropes,” she says. “I think that’s the best way to develop, especially in sound. It is a very hands-on job and experience is crucial. Shadowing someone and observing the way they work on a production is very valuable, and it doesn’t even have to be a long-term commitment; you can learn so much from just a few hours at one show. Whatever the arrangement, it will be worth it.”
She recalls being asked recently what her first points of teaching would be if she launched her own institution. “I think I would go into all the disciplines, to provide a broad outlook of audio engineering. I would then emphasise shadowing others so you can understand what the job is about and what you actually have to do day-to-day. Sometimes people have different ideas about what sound engineering involves or they don’t realise the physical aspects, such as moving heavy equipment. It is only when you are working on the job that you will encounter those situations.”
Having seen the effects of mentoring from both sides, Arenas has gained a well-rounded perspective. Another benefit she notes is offering trainees the chance to work with top-tier equipment that they maybe haven’t used before but will encounter in their future work. “In the audio industry, there are numerous avenues to pursue and each require a different approach. You could focus on live shows with an audience or instead handle RF or systems design,” she notes. “A mentor can take you along to various shows, exposing you to diverse working scenarios involving a wide range of equipment. This experience allows you to discern your preferences and decide what it is you most enjoy doing.”
working with a skilled professional who can share their knowledge
production, sound design and composing, freelance sound engineer Andrea Arenas has dipped her toe into all areas of the audio world. Currently, she is serving as head of sound for Ludõ by Cirque du Soleil in Mexico. However, this is not her first stint with the organisation, as she first ran away with the circus in 2017. Talking
One of Arenas’ mentors is Luis Ramos, a sound engineer from Portugal who is currently part of the Dubai Opera sound team. Arenas recalls working alongside him mixing monitors at the Dubai Opera for Moroccan artist Amine Boudchard’s concert. “Luis was amazing, he had a lot of knowledge. I was struggling with something and just from him telling me in the moment exactly how to do it, I learnt a new skill instantly. I think that is mentally important as I tend to remember those moments more and can then refer to them in future projects.”
Now, Arenas is following in those footsteps and often guides young engineers entering the industry through the Audio Engineering Society (AES) as well as via Instagram or her website. While she rarely gives lessons, she is keen to bring students along to shows so they can shadow and ask questions.
Similarly, each project can present different challenges and insights, which may not be applicable to the next job, but will inevitably be useful in the long run. “Continuous learning is essential for problem-solving and staying ahead, especially when technology is moving so fast. Even with limited knowledge, neglecting new trends for an extended period could result in falling behind in the industry.”
When asked what advice she would give to people who are starting out in their pro audio careers, Arenas says: “Try to develop a bigger picture of the industry and the role. Learn as much as you can, from as many people as possible. Also, do your own research to decide what part of the industry you want to work in and the methods and skills you will need on the jobs you are interested in. I am constantly learning – you cannot stop.”
www.andreaarenas.com
Arenas was sound engineer for Dragone’s La Pearle
Andrea Arenas
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Hatem Bitar
As WyreStorm Technologies’ presence continues to grow in the Middle East, regional business manager Hatem Bitar discusses changes in the market and the company’s next steps
How have you seen the AV market change since you’ve been at WyreStorm?
During the almost four years I’ve now been with WyreStorm, the pro AV market in the Middle East, Africa and Southeast Europe has undergone significant evolution. Initially, there was always a strong focus on traditional AV installations, but the shift towards IP-based solutions, AV-over-IP and cloud-driven technologies has been rapid. The market has matured greatly in terms of awareness, with customers now prioritising scalability, interoperability and sustainability in their AV investments.
For anyone not familiar with the brand, who is WyreStorm?
WyreStorm is recognised globally for providing innovative AV solutions that provide seamless connectivity, reliable signal transmission and simple yet future-ready AV-over-IP solutions. We emphasise that we’re not just a product manufacturer but a solutions provider, ensuring customers receive a solution that works and not just gimmicks or a set of feature-full boxes. With multiple industry awards recognising our products for excellence, our world-class warranty terms and our local support across the MEA region, our focus is on enhancing user experience for both the installer and operator.
What are WyreStorm’s short- and long-term goals for the region?
Our short-term goals are strengthening our market presence by further expanding our partner network, investing in training programmes and increasing awareness of our pro AV and AV-over-IP solutions. We want to become the partner of choice for AV installers.
Our long-term strategic goals are establishing WyreStorm as the go-to brand for high-performance AV solutions in emerging markets, expanding our footprint in the hospitality, corporate and education sectors, and continuously innovating to meet evolving customer needs.
Which markets and territories in MEA present the biggest opportunities?
Saudi Arabia naturally stands out due to its ambitious Vision 2030 initiatives, massive infrastructure projects and investments in smart cities. The UAE also remains a technology hub, while countries like Egypt, Qatar and Turkey are experiencing rapid digital transformation. In Africa, the South African and Nigerian markets present growing demand for AV solutions, particularly in corporate, education and private residential projects sectors.
How did the pandemic change technology trends in the markets WyreStorm serves?
The business environment has largely stabilised, but the pandemic accelerated trends that are now permanent, such as hybrid working and remote collaboration. The demand for seamless video conferencing, cloud-based AV solutions and wireless presentation systems remains strong. Additionally, supply chain resilience continues to be a focal point for businesses looking to futureproof their operations, and this was WyreStorm’s crucial strength point during the global supply crisis a few years ago.
What are the biggest obstacles to remote collaboration/hybrid learning?
Weak network infrastructure, interoperability among different platforms and user experience for non-technical end users all pose different challenges in hybrid learning and remote collaboration environments. WyreStorm addresses these challenges through our plug-and-play solutions, seamless platform integrations and secure AV-over-IP technology.
What are the common challenges you encounter in projects in this region?
The region has grown vastly when it comes to AV projects; however, a lot of deployments are still faced with project delays, compatibility issues among differing elements, budget constraints and skill gaps among some of the AV integrators. We have worked hard with our integration partners to make sure the AV package is appropriately
AV. We have also seen countries who are greatly committed to implementing professional AV systems in education and government facilities, such as Greece and Cyprus, in addition to Turkey, and we appreciate the level of professionalism that our technology partners are demonstrating there.
Tell us about your new KSA showroom?
Together with our Saudi distribution partner, IPS, we’ve designed a fully immersive experience centre in Riyadh showcasing WyreStorm’s pro AV solutions, including AV-over-IP, HDMI, HDBaseT and Unified Communications products, together with elements from several other AV manufacturers. Visitors can experience real-world scenarios, from corporate boardrooms to interactive classrooms and see how our technology enhances collaboration and engagement. The space will serve as a local training hub on various technologies and deployments for AV integration partners who would like to have their staff appropriately trained and ready for the field, and has been made in a way to allow partners to replicate their application, developing designs and testing mock-up deployments. We have already planned a series of technical training sessions, partner workshops and live demonstrations that are currently ongoing and will continue throughout the rest of the year, and we are also creating another experience centre in Dubai to serve our UAE customers with similar hands-on technical expertise there.
www.wyrestorm.com
Hatem Bitar
The new Saudi showroom
WyreStorm at the Saudi Light and Sound Expo 2024
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Breaking the ice
What does your role at Altair involve?
As director of business development, I search worldwide for new clients, resellers or distributors in regions where we are not present. I also focus on new applications where Altair products can be used, with the aim of expanding into more verticals where we would like to be more active. As we are a small company, my time needs to be split to work across different fronts, including customer service, marketing, technical assessment and even graphic design.
How did you get into playing hockey?
I’ve been a skateboarder all my life. If you know anything about the sport, you’ll know how hard it is on your body. Rails, stairs and ramps are not the safest choice when you are over 30 years old. So, I started looking for a “safer” sport, which is how I got introduced to ice hockey and roller hockey. I’d been a fan of the NHL video game, and wondered if it was something I could also try out in real life. That was how I got started, although it is not the best choice as they both are still quite physically demanding.
Do you play in a team?
I am in the Pingüinos team for roller hockey, which is in the regional championship league in Madrid, and, on ice I play in the MadCats team which competes in friendly tournaments. There are dozens of teams and several tiers in Spain, including the national tiers, but the level of playing there is incredibly high.
After having my second son recently, I have not been able to train as much. Now, when I get the chance to play roller hockey, I help our weakest team in the third division. However, two years back, we won the second division, and the team moved up to the first tier in Madrid.
Francisco Herrería, director of business development at Altair Audio, talks to Bea Meikle about his passion for hockey, among many other hobbies
What do you enjoy most about the sport?
First of all, I find the attitude in hockey to be less toxic than in football for instance, although the sport is as tough, if not more, and equally competitive. I also like the fact that the teams in my current tier are mixed and we play with both men and women. Additionally, the speed and how technical hockey is makes it very addictive to me.
What other hobbies are you involved with?
Right now, my main hobbies are roller hockey and ice hockey. However, I have been involved in lots of other activities such as snowboarding, kayaking, football, music, reading, gaming, drawing and going out into nature. I think it is safe to say, I will not get bored when I retire!
Are you involved in other activities surrounding the sport?
Ice hockey is not one of the most popular sports in Spain; however, I did get the chance to live commentate at some games for our national league – that was a fun experience. I wish I could continue with that, but it takes a lot of time. As I am now a father to a seven-month-old baby and a toddler, I don’t have as much free time and have to prioritise.
Has your passion for hockey ever crossed paths with your job in audio?
SAD Majadahonda, the local team in Madrid, was using a very poor audio system at one of their games and therefore the sound quality was not the best. Adhering to their low budget, I found a new system for the rink which consisted of a small mixer, some dynamic mics with desktop mic stands, headsets and some cabling. I did try to create a commentator station for them but, due to their low budget, they weren’t
For me, physical activity offers an escape from my reality, both from work and daily obligations at home. Furthermore, throughout my life, I’ve found that playing sports has helped me to regulate stress and take care of my overall health. If I didn’t have hockey and the other hobbies in my life, I think I would have “succumbed” to stress by now.
Any standout moments?
Winning the league in our second-tier roller hockey game was a standout moment. We also won some amateur tournaments on ice last year which was equally amazing. One ice hockey tournament that I love to play is at Christmas time in Zagreb, Croatia. As my in-laws live in Zagreb, I try to play there whenever I get the chance.
Francisco Herrería
Herrería (far left back row) with his roller hockey team Pingüinos
Herrería playing for his ice hockey team MadCats
Francisco Herrería
GET THE TEAM TOGETHER
Gateway to the past
PRO LAB lights up the Islamic University of Medinah’s iconic entrance for Saudi Founding Day
CELEBRATIONS FOR SAUDI FOUNDING DAY HAVE
become increasingly elaborate, and the 2025 edition was marked with multiple events held throughout the city. A national holiday, the day recognises the establishment of the first Saudi state in 1727 by Imam Mohammed bin Saud.
In support of Saudi Founder’s Day, PRO LAB recently demonstrated its audiovisual expertise with a projection mapping showcase at the Islamic University of Medinah. The showcase was part of a larger celebration featuring traditional festivities, with the AV display serving as a mesmerising centrepiece to draw audiences in.
“At PRO LAB, we thrive on transforming challenges into extraordinary visual experiences,” said PRO LAB CEO Rami Haber. “The Islamic University of Medinah project was a perfect blend of precision, creativity and cutting-edge AV technology, bringing history to life through stunning projection mapping.”
Handed a brief by Asaqefah Business Development to illuminate the grand entrance (aka The Gate) of the Islamic University Museum, PRO LAB created a dynamic visual canvas comprised of five 30,000-lumen Panasonic projectors with content fed from a pair of Dataton Watchpax 62 media servers. This setup ensured seamless projection mapping, delivering vibrant imagery that accentuated the architectural beauty of the gate. Segal AV designed the associated content.
mapping and colour calibration was essential to the team achieving a clean, immersive visual experience. A mixture of both hard-edge and soft-edge projector blending was employed to create a cohesive visual canvas across the gate’s surface, with Panasonic’s Web Interface allowing for real-time adjustments.
“Wind was also a big challenge,” shares Goumenaki. “It kept throwing off our calibration, so we had to keep adjusting throughout the setup to make sure the projection stayed rock solid. These kinds of challenges are what we thrive on at PRO LAB. It’s not just about setting up projectors, it’s about problem-solving and making sure the end result is something truly impressive.”
Notably, the Dubai-based distributor has been seeing increasing requests for similar visual spectacles at one-off events across the region. “We’re getting more requests than ever,” Goumenaki admits. “Clients are increasingly seeking immersive AV experiences to captivate their audiences and we’ve seen a surge in demand for projection mapping, largescale visual displays and multi-sensory environments.”
Reflecting on the event, Goumenaki says: “The most exciting part was seeing how technology and creativity come together to transform a historical landmark into a living, breathing story,” she concludes. “By leveraging precise content mapping, we transformed the gate into a breathtaking visual experience. Overcoming architectural and environmental challenges made the final result even more rewarding.”
“The team is grateful for the trust our client placed in us,” adds PRO LAB’s Edgar Pulido. “Despite the short notice, we didn’t hesitate to take on the project.”
“Strategic placement of the projectors was key to overcoming the challenges presented by the site’s layout,” explains Mina Goumenaki, video brand manager at PRO LAB. “Two scaffolding structures were carefully positioned to prevent interference from existing lighting fixtures and ensure optimal coverage. The Dataton Watchpax 62 servers facilitated content playback, with Watchout v7 managing content mapping, synchronisation and real-time adjustments.”
Panasonic’s high-performance PT-RQ35K projectors played a crucial role in the success of the installation. The intricate Islamic architectural design of the gate, featuring reflective
“Geometric Manager Pro makes warping, blending and alignment incredibly easy, and no licences are needed,” explains Goumenaki. “Plus, Panasonic projectors are built for tough environments – they’re reliable, durable and handle dust, wind and heat without breaking a sweat, which made them perfect for this project. Their colour accuracy is spot-on, delivering vibrant, true-to-life images straight out of the box. For projection mapping and live events, Panasonic delivers stunning visuals with minimal hassle – letting the content shine without the stress.”
Positioning the projectors was another hurdle for PRO LAB, as shadows, obstructions and keystone distortion had to be accounted for. The team conducted extensive trials to ensure the imagery aligned perfectly with the gate’s structure.
“This collaboration was a true example of effective partnership and teamwork, where expertise and specialties from both sides came together seamlessly and professionally,” adds Abdulkarim Madkhali, CEO of the Events and Conferences sector at Asaqefah Business Development. “From the early stages of the project, there was a clear vision, precise planning and flexible execution, all of which contributed to overcoming challenges and achieving tangible and remarkable results. Continuous communication and openness to the exchanging of ideas played a significant role in ensuring the project’s success, often exceeding our expectations. I’m truly proud of what we accomplished together and look forward with great enthusiasm to future projects that will allow us to build on this success and achieve even greater accomplishments.”
www.prolabllc.com
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Setting the stage
Having just acquired the first DiGiCo Quantum 326 to make its way out to the Middle East, Sound On Stage Events wasted absolutely no time putting the gear through its paces
AS AN AUDIO PROVIDER FOR SPECIALTY ORCHESTRAL
concerts, Sound On Stage Events owner Rawad Saad has been on the hunt for a desk capable of making the workflow supporting his high-channel count audio productions effortless
As live productions continue to get more elaborate, so too does the virtual signal flow tying everything together. With often more than 100 performers onstage, it’s not uncommon for channel counts to also head into triple figures. In fact, these days, it’s more than likely that each and every instrument is miked up in order to ensure full control and creativity over the resulting mix. A powerful and intuitive mixing surface is therefore one of the key tools in Saad’s bag. But alongside high capabilities, a console occupying a small footprint has increasingly become a necessity.
Having benefitted from a long-term relationship with Dubaibased distributor 7Hertz when the latest Quantum 326 was unveiled by DiGiCo, Saad was immediately intrigued and
successful partnership,” says 7Hertz Pro Audio’s CEO and founder Chadi El Masri. “Since our earliest days, we’ve partnered on landmark projects in Lebanon, including the iconic Beit Eddine International Festival, and many more through the GCC region. So, when DiGiCo unveiled the new Quantum 326 back in September last year, Rawad reached out with an exact specification for a newer, rider-friendly and compact console – one suitable for when space is limited. With Rawad’s requirements clear, a quick conversation with DiGiCo’s VP of sales, Ian Staddon, set everything in motion.”
No stranger to the brand, Sound On Stage Events’ workhorse desk in recent years has become the DiGiCo Quantum 5. Saad’s aim was to retain the power and familiarity of his Quantum 5, which is a popular console on tours with leading Arab artists, while gaining a smaller footprint and maintaining rider appeal.
“The decision to invest in the Quantum 326 was driven by its advanced processing power, flexibility and reliability in handling large-scale productions,” Saad explains. “Our team required a desk that could support high input counts, complex routing and dynamic processing while ensuring pristine audio quality. The Q326 stood out due to its state-of-the-art FPGA processing, Mustard Processing channel strips and seamless integration with our existing workflow. Additionally, its compact footprint was a significant advantage, allowing us to maximise space efficiency at FOH and monitor positions without compromising on performance. The smaller form factor also ensures easier transport and setup, making it an ideal choice for touring installations.”
Given the familiarity between Quantum models, the Sound On Stage Events team was already well-versed in the new desk’s features and capabilities. “Despite this, our team underwent extensive training provided by 7Hertz,” notes Saad. “This included hands-on workshops, operational deep dives and troubleshooting sessions to ensure our engineers were fully proficient with the console. Additionally, we conducted internal training to familiarise
Rawad Saad handling FOH duties for Kadim Al SahirThe Kadim Al Sahir stage setup at Emirates Palace
our wider technical team with the system’s workflow and capabilities.”
Having taken receipt of the goods in late January, the new model was sent out in the field almost immediately when Kadim Al Sahir came to Abu Dhabi’s Emirates Palace in early February. With reinforcement powered by a Coda Audio line array deployed either side of the stage comprising AiRAY, ViRAY, SCP-F and HOPS8 cabinets powered by Linus 14D and Linus 10 amplifiers, and audio capture from a combination of Schoeps MK4s and various DPA models, the Quantum 326 handled FOH duties alongside dual SD-Racks, while the team’s existing Quantum 5 took care of monitor duties, feeding Coda Audio CUE ONE, CUE TWO and CUE FOUR stage monitors, HOPS12 point source cabinets and SC2-F subs. IEMs were managed courtesy of 12 channels of Shure ECM 100.
“For the Kadim Al Sahir concert, we deployed a comprehensive AV setup,” notes Saad. “The system was configured to ensure pristine sound quality across the venue, with a focus on clarity, depth and dynamic range. The Q326’s expanded channel count and dynamic EQ capabilities allowed for precise tonal shaping, while its flexible automation features ensured seamless transitions between sections of the performance.”
The Kadim Al Sahir concert was quickly followed by another Q326 deployment at Emirates Palace when the Russian Youth Orchestra came to Abu Dhabi as part of an educational programme between the Russian Federation and the Abu Dhabi Ministry of Education that featured a variety of art and music education as well as two days of masterclasses.
“We handled the full production across the event’s four days, which included a conference and a two-hour concert for the Youth Orchestra with more than 110 musicians onstage. The Quantum 326 was tested to its limits throughout and performed exceptionally well during the concert, demonstrating its superior sonic clarity, intuitive
workflow and processing efficiency. Overall, it proved to be a powerful and reliable tool, reinforcing our confidence in its capabilities for future high-profile productions.”
With a similar sound reinforcement package as the Kadim Al Sahir concert, this event saw Sound On Stage Events deploy an L-R Coda Audio ViRAY system with low-end support from SCP-F subwoofers and additional fills from HOPS8 cabinets. A large selection of different mics were called on for the orchestra, including DPA 4099s, Neumann KM184s, and Shure B91, B52, B57, B58, SM81 and KT Dis. It was a purchase that came just at the right time for the company, which has enjoyed a particularly busy post-New
Year events season followed by some downtime in the warehouse for Ramadan.
“We’ve done a lot of large orchestral concerts recently, but we are also keen to explore more avenues with our ideas and designs. The flexibility of the Q326 will certainly help in this regard. The market has been quite healthy recently and we’re looking forward to more events where we get to deploy the Q326.”
www.7hertz.net www.digico.biz www.soundonstageevents.com
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The Russian Youth Orchestra brought two days of masterclasses in Abu Dhabi to a close
A new era
As the Benghazi International Stadium came back to life for the first time in over a decade, HiLights created an AV spectacle to mark the monumental occasion
WHEN THE MARCH 28 STADIUM IN THE LIBYAN CITY of Benghazi last held football matches, the country mainly watched games between local teams. Europe’s star players were reserved for the TV screens. This all changed recently. Financed by the Libyan Development and Reconstruction Fund, Benghazi International Stadium has been built according to the latest international standards set by FIFA. The covered stands can accommodate approximately 42,000 spectators, a significant increase compared to the venue’s previous capacity of 28,000. The stadium also includes special stands for VIP guests and diplomats, offering 1,266 seats each equipped with smart screens, as well as a high-quality in-house sound system ensuring clear audio and effective communication throughout the stadium.
Celebrating its completion, a massive opening event was recently presided over by Libya’s Marshal Khalifa Haftar, who organised a two-hour spectacle preceding a superstars’ football match. The opening ceremony programme featured live music, drones forming the Libyan flag in the sky, an eagle’s image, the famous “I Love Benghazi” phrase plastered across the field of play and holographic images of ships that appeared to come to life through full-pitch projection mapping. The climax of the show included concerts and a fireworks display. International football stars such
as Samuel Eto’o, Roberto Carlos, Patrick Kluivert, Clarence Seedorf, John Terry, Marco Materazzi, Julio Cesar and David Trezeguet then took to the field.
Despite the popularity of the figures involved, the match itself ended up being secondary to the spectacular opening ceremony. The first ball literally fell from the sky to the sounds of Coldplay’s Viva la Vida, after which a player on a hoverboard entered the field with the Libyan flag. Underscoring the importance of the event, the stadium’s opening marks a step towards normalisation and development for both the city and the entire country, which in February celebrated the 14th anniversary of the Libyan Revolution. It was regarded as a spectacle of creativity and innovation, featuring state-of-the-art production technologies, stunning visual effects and immersive sound.
In order to bring the opening ceremony to life, Cairo-, Dubaiand Riyadh-based event production company HiLights Group was enlisted by ICE International Events to design, deploy and manage the necessary audiovisual equipment. This included high-brightness projectors, outdoor LED screens and a full complement of additional stadium speakers.
Crucially, this was the second project for HiLights in Libya, presenting a raft of unexpected challenges which the HiLights team was forced to work through.
“ICE International Events was looking to create a largescale projection mapping display inside the stadium as the focal element of the opening ceremony extravaganza and approached us following recommendations,” comments HiLights Group Dubai chief operating officer, Mohamed Mamdouh. “Our scope of work included the supply and operation of LED screens, in addition to installing and operating the sound system and projection. We deployed a large number of Digital Projection Titan 37K projectors to ensure the event was supported with high-quality technology and equipment.”
Forming arguably the most impactful element, HiLights deployed 32 Digital Projection Titan 37000 WUXGA laser projectors installed in an edge-to-edge 3D projection technique completely covering the field of play. These were all mounted from the stadium’s upper catwalk and calibrated and blended using Dataton’s Watchpax 60, and transmitted content related to Libya’s history over the years.
To ensure optimal coverage and uniformity across the space, the projectors were deployed in stacks of three, at five locations on the left and five on the right. Each unit was then adjusted to achieve optimal throw distances and coverage.
“Our calculations were based on the stadium’s dimensions and the Titan projectors’ specifications, guaranteeing precise alignment for maximum visual impact,” explained Mamdouh, who noted that their brightness, resolution and reliability were paramount for the success of the show. “Providing clear and vibrant visuals, even in a large well-lit stadium environment, captivated attendees and brought the event to life.”
Augmenting the on-pitch projections was a large 300m2 LED display formed from VisioTek 3.9 pixel-pitch outdoor panels that served as the main show screen, with content synchronised with the projection mapping display. This was also fed from the Watchpax 60 via NovaStar MCTRL 4K processors.
For the audio component, the HiLights team arranged 26 portable loudspeaker clusters lining the periphery of the field based on sound engineers’ calculations. Each comprised three Adamson E15 full-range enclosures and a single E119 subwoofer. Two DiGiCo Quantum7s, a Quantum225, SD12 and two SD11 consoles were used for mixing. Microphones from Shure were also incorporated, equipped with DPA Microphones capsules for sound capture, while Shure’s
“For the main sound system, we went with Adamson’s E15 Series,” the COO explains, “which has consistently proven itself in large events thanks to its balanced coverage and ability to deliver clear, powerful sound across wide areas. For the microphones, Shure’s ULX-D 4Q system has always been our go-to choice for events where both audio quality and signal stability are critical. In high-pressure environments like this, every small detail matters and this system gives us the confidence we need. A DiGiCo Quantum7 was at the heart of our audio control. Our decision here wasn’t just based on its impressive specs – it’s a console we’ve worked with extensively in some of the most demanding environments, and it’s never let us down. Its ability to manage a huge number of channels while giving us the flexibility to adapt in real time makes it the perfect fit for projects of this size.
challenges, especially around the logistics of getting all the equipment into the country on time, along with the shortage of some essential items like cabling,” says Mamdouh.
“All these pieces of equipment have become an essential part of our setups for large-scale events. We rely on them not just for their technical capabilities, but also for their reliability in handling the complex requirements of events of this scale.”
Beyond the typical challenges of a huge event like this, the
“What really helped us overcome these challenges was the team itself. Everyone understood the bigger picture and was fully invested in making it work, no matter what obstacles came our way. We had backup plans ready for potential gaps in equipment or cabling, and we leaned heavily on the collective experience we’ve gained from previous projects in similarly tough environments. That experience allowed us to stay calm, think on our feet and find practical solutions quickly. In the end, despite the difficulties, the project reinforced our trust in each other as a team and strengthened our readiness for future projects – whether they’re the same size or even bigger.”
Given the team’s hard work, the end result could not have been better, garnering huge praise from the local Benghazi population, so much so that the celebrations quickly snowballed into a nationwide event – the mayor of Benghazi declared February 20 a public holiday, leading to the closure of both government offices and private businesses.
“HiLights Group was thrilled to be part of this landmark event,” concludes Mamdouh. “ICE International Events showcased their expertise in blending sports, art and culture, and the Libyan Development and Reconstruction Fund, under the direction of Eng Belqasim Haftar, celebrated a major milestone in Libya’s infrastructure with the stadium’s grand opening. We got amazing feedback and ICE now considers us their technical arm for future events. Everyone has been more than satisfied with the result.”
“The newly unveiled stadium is one of the largest in the country and is a cornerstone of a strategic plan to enhance sports facilities and promote the role of sports in community development, reflecting Libya’s commitment to empowering its youth and creating a modern environment for athletic excellence,” adds HiLights Group managing director, Ahmed Arafa. “It was a historic ceremony symbolising hope and progress, and we are very proud to have played a part. All credit to ICE Events for providing us with all of the content and storyboard for a brilliant concept.”
The inauguration of the revitalised stadium is more than just the opening of a sports facility; it is a testament to Libya’s resilience and its unwavering commitment to building a stable and prosperous future as the nation continues its journey towards development.
www.adamson.ai
www.digitalprojection.com
www.hilightsgroup.me
The ceremony included an elaborate light and drone show
The projection mapping show was designed to augment real-life elements
HiLights erected a large videowall in the centre of the pitch
Give the pe ple what they want
Follow the crowd here
The NEW Quantum326 Pulse incorporates all of the new design features introduced with the Quantum338, and of course uses three large-scale seventh generation FPGAs to continue the unrivaled Quantum legacy. The console merges tried and tested workflows with immense processing muscle, bold innovation and all of the Quantum features, giving you the ultimate tool set that is
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Moving with the times
mediaPro International highlights the increasing opportunities exhibitions are bringing to AV
required to power LEAP’s ever-expanding conference and presentation schedule, mediaPro International has witnessed firsthand how quickly the sector is maturing in Saudi Arabia. Small-scale, low pixel-pitch LED screens are fast being replaced with all-encompassing stage setups designed to maximise audience impact. Bigger is almost certainly better here, and the more lights and cameras that can be intertwined into proceedings, the better the action will be.
“Saudi Arabia’s vision is focused on developing a sustainable events market, with a strategic shift from oil dependence to strengthening tourism, hospitality and MICE [Meetings, Incentives, Conferences and Exhibitions] industries,” explains Jose F Kattukaran, director of sales and marketing at mediaPro International. “In the last few years, Saudi Arabia has invested heavily in infrastructure and transport, as well as the promotion of sports with many new venues. To achieve Saudi Arabia’s Vision 2030, the industry will see further expansion and growth in the country, and for us as a supplier, this presents extraordinary opportunities. The scale and calibre of events here continue to evolve, and each year we witness a new benchmark of professionalism within the industry. It’s truly remarkable.”
Having already been active in KSA prior to the pandemic, mediaPro has an on-the-ground team of more than 270 staff, with operations in Jeddah, Riyadh and Dammam. “We commenced operations in KSA in 2018 and, by the end of the year, were already delivering large-scale productions, including the Dakar Rally,” explains Kattukaran. “The stage constructed for that event was among the largest ever built in the Middle East and set a new benchmark for the region. This achievement reinforced our confidence in a promising future, overcoming industry complexities and setting the stage for continued growth.”
While Saudi Arabian megaevents have continued to thrive post-pandemic, it is the corporate market, rather than the traditional live events sector, that is experiencing the most rapid
Conference.
The annual LEAP event first kicked off in 2022 as a collaboration between Saudi’s Ministry of Communication
The Cityscape Global entrance
temporary structures were also required this year to meet the growing footprint.
“LEAP has expanded to great heights as one of the biggest tech events in the Middle East region, and mediaPro is proud to have been the AV collaborator for four consecutive years,” notes mediaPro director of sales, Fahad Khan. “In 2022, LEAP launched with great momentum, debuting the world’s largest kaleidoscope in its inaugural edition. The event saw an overwhelming response, with all halls filled with visitors and a lineup of distinguished guest speakers.”
That year, mediaPro International played a pivotal role in delivering key production elements, and again in 2023 when LEAP introduced DeepFest as part of its programming, further expanding its impact. In 2025, LEAP expanded from its initial venue at Riyadh Front to a larger space in Malham, and as a result mediaPro’s contributions grew significantly, encompassing the AV for the Main Stage, Orbit Talks 1–5, Investor Stage, Start-Up Stage, DeepFest Main Stage, Media Stage, Tech Arena, Announcement Stages 1 and 2, the gala dinner and façade lighting.
“For the Main Stage, we collaborated closely with Stufish, ensuring seamless execution of their design,” comments Kattukaran. “Additionally, our team designed and executed multiple stages beyond the main stage, overseeing the full audiovisual setup to deliver an exceptional experience.”
“The primary objective has traditionally been to ensure clear and intelligible content delivery,” explains Kattukaran. “While audio clarity remains a key priority – especially with clients specifying precise decibel levels for every seat – the industry focus has shifted towards crafting immersive experiences. Today, all AV elements must seamlessly integrate to enhance audience engagement. This includes visually striking stage designs, aesthetically cohesive loudspeakers and dynamic multimedia content that amplifies the presenter’s message.”
It’s a change also taking place outside of the major exhibitions. In recent months alone, mediaPro has provided similarly encompassing services to smaller platforms, such as Cityscape Global in Riyadh.
Bringing presentations to life on the Main Stage was intelligible audio from an expansive system of L-Acoustics Kiva II, SB15M, X15, X12 and 5XT cabinets and Yamaha CL5 for in-room reinforcement, supported by two Audipack soundproof translation booths for simultaneous interpretation. Visuals were delivered from a backdrop LED videowall of more than 700 Unilumin UGM 2 Lite tiles, a further 88 UGM 2 Lites for the horizontal LED screen and 300 Dicolor UT 390 tiles to create the ceiling mesh LED. Content was fed from Disguise VX4+ media servers via 18 Novastar MX40 Pro videowall processors. Close to 100 P800, W1960 and S400 lighting fixtures from Krypton completed the look.
“The majority of the stage designs at LEAP this year were conceptualised by our team, developed in close collaboration with the client to incorporate their feedback and objectives,” explains Khan. “We align our proposals with key factors such as audience size, event goals and presentation requirements, ensuring that our designs effectively support the client’s vision. Working with Tahaluf has been particularly rewarding, as they foster a partnership-driven approach rather than a traditional supplier relationship.”
For many suppliers catering to this sector, the sheer quantity of services required for such events is expanding rapidly, but perhaps the more interesting aspect is how designs themselves are changing. The days when an on-thefloor seminar area has a bit of IMAG for the audience to see the presenter and then some speakers on sticks to their side are long gone.
“We’ve been a key audiovisual partner since its launch in 2023,” states Khan, “where our team successfully executed multiple areas of the event, delivering high-quality AV solutions that enhance the attendee experience. In 2023, we collaborated closely with Stufish to bring the organiser’s vision to life, constructing a 28m x 15m entrance arch featuring a façade LED screen, designed by The French Creators and expertly executed by mediaPro.”
Building on this success, Cityscape Global 2024 saw mediaPro expanding its contributions by designing and executing three large entrance arches, along with multiple event zones and entrance areas. “While Stufish designed the main stage once again, mediaPro handled multiple areas including asset horizon, interconnecting arch, investor institutional forum, tech stage, deal’s hub, hackathon AV and the stadium stage.”
Exhibition AV requirements are quickly moving beyond essentials such as making sure people can see and hear everything clearly, instead placing an increased focus on ensuring a seamless and impactful visitor journey. As a result, the space opens up new avenues for those still yet to dive in.
www.mediaproav.com
Hybrid dining
Atop Dubai’s JW Marriott Marquis Hotel, Izel Lounge looks to d&b audiotechnik to entice customers up to its 71st-floor paradi
AS D&B AUDIOTECHNIK CONTINUES TO STAMP ITS mark on the Middle East region, it’s not only the big global tours and concerts where the brand is seeing increased success. With solutions spanning large-format cardioid line array systems right down to small, passive point source speakers, Dubai’s Izel Japanese restaurant and nightclub has become a new benchmark for d&b as local partner Provision AVL looks at further penetrating the hospitality sector with the German brand’s solutions after taking it on last year.
Opening its doors in early 2025 where the Hotel Cartagena once stood – and occupying the 71st and 72nd floors of the JW Marriott Marquis in Business Bay with a breathtaking view of the city – Izel Lounge is a Mediterranean and Japanese fusion restaurant. It describes itself as a vibrant nightlife destination, offering an unmatched blend of high-energy clubbing and an upscale dining experience.
There are several dual-dining/nightlife experiences on offer across the city, but what sets Izel apart is its ability to seamlessly transform according to the event, offering an
system and visually striking lighting, Izel is hoping to solidify its position as a premium entertainment hub in Dubai’s highly competitive nightlife scene.
The venue is the first nightclub venture in the UAE for an Indianbased investor, who went into its construction with a clear vision for exceptional audio quality. “Cost was not a constraint,” explains Provision AVL AV sales manager, Vinay Thomas. “Rather, the priority was to achieve uncompromised sound performance. The client was introduced to Provision AVL through another reference project and had already explored multiple audio solutions from various brands. However, after experiencing a live demonstration of d&b audiotechnik’s capabilities, their perception shifted completely, quickly solidifying the decision to implement the company’s high-quality audio products in the new venue.”
Provision AVL worked closely with the fitout contractor through multiple site meetings and discussions over a span of three
5S cabinets extend coverage to the outer areas
d&b 12S-D loudspeakers provide the main dancefloor reinforcement
Vega Pro Lighting strobe and spots line the upper staircase
weeks to design a customised sound solution that met the client’s expectations of seamlessly transitioning between a fine-dining experience and an energetic nightclub as the evening progresses. Music selection varies based on the event, featuring an eclectic mix of house, electronic and club beats to cater to a diverse audience. “The audio has to provide for a number of scenarios,” notes Thomas.
A configuration based on d&b’s XS installation series was chosen for its balance between affordability and high performance, delivering the brand’s signature sound with ample SPL levels. With the venue spanning two floors of nearly identical size and shape connected by a central winding staircase, the audio system was designed to provide even SPL and distribution of frequencies via four primary 12S-D loudspeakers and four 8S cabinets covering each floor’s main area, together with four smaller 5S upstairs and six 5S on the lower level for additional coverage. The space features separate audio zones for each floor, with the playback system controlled via two Pioneer CDJ setups, which manage background music and DJ performances, ensuring smooth operation for various events.
heads and strobes from the Vega Pro Lighting range lining the ceiling of both floors to create an immersive atmosphere that complements the high-energy club experience.
From final design approval to the handover and training phase, the entire process took the combined teams approximately two-and-a-half months. “The client was extremely satisfied with the final outcome, stating that the system exceeded expectations,” notes Thomas. “While not the first restaurant installation utilising d&b audiotechnik, this project stands out as one of Provision AVL’s best d&b club installations to date, setting a new benchmark in Dubai. Due to this success, discussions are already underway for a potential second project.”
Given that audio is a focus at Izel, the management had no qualms about hanging the speakers loud and proud. “The client was comfortable with exposed speakers mounted on the venue’s columns, prioritising functionality and performance over concealment. Space was a bit of an issue for the subwoofers, so we went with 18S-Subs that are very compact and deliver that much-needed low end for a venue of this sort,” explains Thomas.
One of the primary challenges in achieving optimal sound quality was the asymmetrical layout of the venue, which included multiple columns, corners and a mix of double-height and low-ceiling areas. “To ensure consistent sound distribution across the venue, we employed detailed acoustic calculations, simulations and fine-tuning techniques,” Thomas adds. In addition to the new dual-purpose audio setup, Provision AVL worked closely with the venue management to design an accompanying lighting rig, which features a variety of moving
“Choosing Provision AVL for our nightclub’s lighting and audio installation was the best decision we made,” adds the Izel Lounge owner. “Their expertise, professionalism and attention to detail transformed our venue into an electrifying experience for our guests. The lighting is stunning, the sound is flawless and the entire process was seamless. We couldn’t be happier with the results – thank you, Provision AVL, for exceeding our expectations.”
Looking ahead, Provision AVL has a robust pipeline of projects planned for 2025, covering educational, commercial and entertainment sectors, where d&b solutions are also gaining traction. “The demand for d&b audiotechnik in the Middle East is growing rapidly as the region’s entertainment, hospitality and live event industries continue to expand,” concludes Thomas. “More venues are prioritising high-quality, reliable audio solutions and d&b’s reputation for precision, innovation and immersive sound makes it the top choice. As specialists in professional audio solutions, we’ve seen firsthand how d&b’s systems positively affect the audience experience, whether in nightclubs, concert halls or large-scale events.”
www.dbaudio.com www.izellounge.com www.provisionavl.com
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Gobos are projected onto the dancefloor from the upper level
The view from the 71st-floor DJ booth
Peering into the future
Mohamed bin Zayed University of Artificial Intelligence has tasked AVI-SPL with bringing data to life for visitors to its cutting-edge Metaverse Lab
AS
AI CONTINUES TO TAKE HOLD IN THE WORLD,
the need for the next generation to be properly educated on its potentials (and pitfalls) is gaining increased importance. The UAE fully understands this and has positioned itself at the forefront of the conversation. The country was even the world’s first to appoint a Minister of State for Artificial Intelligence back in 2017.
The establishment of the Mohamed bin Zayed University of Artificial Intelligence (MBZUAI) in 2021 therefore became a key part of the UAE’s strategy for Artificial Intelligence 2031. The university now serves as a regional hub for AI research and education.
MBZUAI’s primary goal is to boost the visibility of its cutting-edge AI research to a global audience. To do so, it opted to make a bold statement with the creation of a new state-of-the-art Data Observatory to welcome visitors inside its Abu Dhabi-based Metaverse Lab, whose research involves using deep neural networks to visualise 3D environments using nothing more than video captured from a smartphone.
Powered by a large 270° curved LED videowall which is used for multiscreen presentations and data visualisation purposes, the Data Observatory additionally serves as an immersive 3D interactive display for 3D content from a game engine such as Unreal and Unity. Furthermore, a key purpose of the LED display is to produce complex environmental lighting for 4D volumetric capture systems for computer vision research, as well as basic virtual production applications.
“In late 2023, MBZUAI awarded AVI-SPL a contract to develop the Data Observatory for its campus,” explains AVI-SPL business development manager Nick Hartshorn.
“In addition to enhancing the visibility of the university’s groundbreaking AI research, the project aims to lay the
foundation of an innovative facility aimed at advancing the research capabilities of both faculty and students. The scalable design of the Data Observatory enables future applications in motion capture and teleportation between videowalls.”
In order to bring the Data Observatory to life, AVI-SPL executed the project by delivering a bespoke 270° videowall constructed from Absen PL2.5 Pro V10 panels. To support additional high-tech demands of the exhibit, the team also assembled a custom-built PC, powered by the latest NVIDIA RTX 6000ADA GPUs. This setup was designed to handle the sophisticated real-time content developed in-house by faculty and researchers, ensuring flawless performance and full control over the displayed content.
Battling tight time constraints, the systems integrator “meticulously” planned and installed the 270° videowall while ensuring seamless integration with the university’s technical infrastructure. AVI-SPL’s local and global XTG experience technology teams collaborated closely with the university’s project team to ensure the solution was perfectly tuned to handle real-time content without lag or interruption.
AVI-SPL’s project managers ensured most of the milestones were met on schedule, despite the logistical challenges posed by the space, which required additional on-the-spot customisation. Additionally, the team provided operational and software utilisation training to members of the project team to empower them to efficiently utilise the technology’s capabilities.
“The delivery of the 270° Data Observatory at MBZUAI represents a significant technical achievement,” comments Hartshorn. “The innovative setup allows for an immersive display of real-time AI research, facilitating enhanced
Observatory can present complex AI models and simulations in real time, showcasing MBZUAI’s research capabilities to global leaders and decisionmakers. It has not only elevated MBZUAI’s profile but also demonstrated the practical applications of their research in real-world scenarios.”
From an AV perspective, project requirements were tailored to fit the facility space, which included customising a videowall with a 7m diameter. “Achieving a uniform 270° curvature within this space required precise engineering,” says Hartshorn. The team determined that each panel needed to connect at 10° intervals. To accommodate this specification, Absen custom-developed a locking system that allowed for this unique degree of articulation.
A further substantial challenge was the tight timeline of just two months. “Typically, procuring professional LED panels involves lead times of 45–60 days or more,” furthers the BDM. “Due to our strong partnership with Absen, delivery could be expedited significantly. This accelerated delivery enabled completion of custom rigging, mounting and configuration of the system, ensuring everything was fully functional in time.”
Having been installed over the course of 2024, the Data Observatory enjoyed a visit from President Sheikh Mohamed at the beginning of 2025, highlighting the establishment’s importance to the country. Researchers and faculty members presented five AI-driven research projects via
genetics, media and robotics.
“The installation of the 270° videowall at our university represents a significant technical milestone, enabling the creation of immersive environments for real-time AI research,” comments Ariana Bermudez, project manager of the Metaverse Center at MBZUAI, and the first user of the Data Observatory. “This advanced setup enhances interactive experiences for both researchers and visitors, and plays a crucial role in our data acquisition efforts related to human avatars, relighting and future motion capture initiatives. Collaborating with AVI-SPL has been a positive experience; their team’s expertise in managing complex technical projects ensured the installation was completed efficiently within the tight project deadline.”
“The project’s completion stands as a testament to AVI-SPL’s capability to deliver complex, high-tech installations under stringent deadlines and spatial constraints,” concludes Hartshorn. “By providing an immersive platform for showcasing MBZUAI’s AI research, we’ve enhanced their ability to engage with a global audience and highlighted the practical applications of their work to key stakeholders. The project met its ambitious goals and set a new standard for future technological installations at educational and research institutions.”
www.absen.com www.avispl.com
The wall is formed from Absen PL2.5 Pro V10 panels
Dan Daley ponders the impossibility of spelling “animate” without AI
THE HEADLINES TELL THEIR OWN NARRATIVE: “WHY artificial intelligence will never replace musicians” followed with “Will AI replace musicians?” pursued closely by “AI will not replace artists but will devalue them” and then, precariously, “Will AI kill your music career?” There’s a lot of brave faces being put on in the music industry these days, accompanied by nervous watching of what the cool code kids are up to: animation. As the world awaits the drop of the antepenultimate season of Rick & Morty , whose popularity bestows it with a media schedule closer to that of a head of state rather than the animated series that it is (a dozen years after it debuted we’re still waiting on season 8), it’s useful to remember that North America and the US in particular is the world’s largest animation market. We love our cartoons. And why wouldn’t we? Bugs Bunny helped win WWII. Wiley E Coyote’s doomed attempts to do in the Road Runner are a parable for the pointlessness of existence worthy of Albert Camus or Confucius. The Jetsons promised the American Century would prosper well into the 21st and beyond; The Simpsons remind us that it’ll be unaffordable and poorly assembled.
A letter from America A letter from Europe
As a category, animation was valued in 2023 in North America at US$23.22b and is expected to grow to $36.73b by 2031. Unsurprisingly, voice acting as a career has taken on a new lustre in the US. Between primetime, reruns and syndication, voice actors on the most popular animated shows pull down compensation that many film actors envy. And with a reliable internet connection and quality audio interfaces and microphones, they may never have to leave the comfort of the own pyjamas to play their parts. Nonetheless, animation is still a big revenue generator for conventional recording studios, many of which have added voice production along with podcasting to their menus. So there’s panic in cartoonland as AI begins to make inroads into this lucrative landscape. The leading concern is that AI could generate high-quality voiceovers at much lower cost, potentially replacing human voice actors for many projects, particularly as voice actors on long-running shows – those Simpsons are now in their 37th season – age out or pass away. This became a negotiating point for the Screen Actors Guild (SAG) and AFTRA, the key US film and television performers’ unions, during their 2023 industry strike. The solution is less than
ideal: the new contract establishes terms for the creation and use of digital replicas of performers’ voices, giving them substantial control over any uses of AI-generated vocal reproductions, but it’s a deal that needs to be renegotiated on a case-by-case basis with individual production companies and actors.
You have likely already heard of – but not actually heard –the “silent album” made by Paul McCartney, Elton John, Kate Bush et al. to suggest what the world loses when AI uses their music without compensation. The animation industry has yet to figure out that kind of stunt to call attention to its own AI issues. The bottom line is that anyone who makes a living in front of a microphone has become vulnerable to AI’s sharp blade.
Rick & Morty may have one last note to add to the story. Before season 7, the producers needed to find a replacement for Justin Roiland, the series’ co-creator who voiced the lead characters but who was summarily booted by the production company for alleged sexual harassment (all charges were later dismissed). As it turned out, his replacements were two actual human beings. Thanks to AI, it may be the last time that happens.
In the face of converging technologies, it’s important to retain a distinction between the concert hall and the meeting room, argues Phil Ward
DESPITE A RECORD-SMASHING ISE IN BARCELONA, or perhaps because of it, there are two cultures that are clashing right now. One is entertainment technology, with the emphasis on entertainment; the other is AV, with the emphasis on V. It doesn’t help that, over the past 5–10 years, entertainment technology businesses have started to call themselves AV companies. This is partly because they have audio and video equipment on the go, as well as lighting and everything else, and partly because AV has become the buzzword of the day. For some reason. Anyway, it’s confusing everyone, including me.
One culture is steeped in live performance, for which the last word in professional audio, video and lighting is required, night after night. The other is steeped in meeting spaces, presentations and conferences, for which mineral water and biscuits are required, day after day. No doubt, the quality and sophistication of technology for these purposes has risen, not least because it is now supplied by the same people who supply Taylor Swift, if indirectly. But what hasn’t risen alongside is a true grasp of the opposite culture and, as a result, sales and marketing messages are struggling to keep up.
It may be that, in the UK for example, solutions giant Midwich has a controlling stake in Sound Technology, the local pro audio wing of Harman Professional. But their techniques of communication are blurring into a middle ground of part-consumer, part-B2B, part-something else that disguises the sales channels and camouflages the customers, leading to less effective communication. Why else would you find JBL citations in MusicRadar and American Songwriter right next to AKG in Popular Science and JBL, again, in Forbes magazine (“If you want a great-sounding pair of speakers for your desk…”; perhaps they come with a pen holder?).
I do not begrudge CEOs investing in JBL. You’ve got to get your Fleetwood Mac Greatest Hits somehow. But as the user base of professional audio and video expands – and expands into the culture of AV – the traditional constituency of professional engineers and producers is joined by management consultants, IT support staff, technicians and others with a genuine and well-placed desire to make the most of the sudden availability of better products. It’s a growing and pulsating business, but it’s a different business.
The tsunami of brands cascading through the Fira de Barcelona has people reeling. As has been noted, there is almost a NAMM, an LDI and an IBC growing inside ISE like aliens inside John Hurt, all of them carrying and requiring quite different cultural signposts to those you will recognise from systems integration culture and its older manifestations, like InfoComm. It will not be possible to swim through this change as if all playing fields are level and as if everything that’s happening is organic and natural. In fact, there could be continuing confusion amid unfettered aggrandisement and, I’m afraid, the messages most likely to be lost are the established professional ones.
It’s nice to have sexy photos of beautifully ergonomic desks and fixtures. Engineers no longer have to wear laboratory coats in recording studios. You can wear T-shirts (and keep your pens on the JBLs). Wit and style are always welcome, even when advertising an AVB switch. But ultimately, professional sales are closed because there have been deep, detailed and honest discussions about the true requirements of the customer, whose business must grow in an after-sales environment created by the right choice being taken. In the end, the relationship is based on need, not greed. The culture has to be understood.
When Clarity meets Versatility
Shining the way forward
Astera has carved out a niche in designing and manufacturing battery-powered, remotecontrolled LED lighting for the events and film industries. Pro AVL Central takes a look at the lighting manufacturer
THE ORIGINS OF ASTERA BEGAN WITH THE LIGHTING solutions development company, MyTronik, established in Germany in 2003 in the countryside near Frankfurt. With a background in electrical engineering and extensive experience in the lighting industry, founder Norbert Ernst had also worked in various roles encompassing product development and project management. Ernst established a foundation in the lighting industry with MyTronik, building a solid client base in Germany and pivoting towards the LED market as he recognised a growing demand for energy-efficient and versatile lighting products. In 2007, Ernst took a leap of faith by selling MyTronik and moving to China, taking advantage of the country’s manufacturing capabilities and lower production costs to launch his new company: Astera. Basing himself in Shenzhen, a renowned hub for technology and manufacturing, this new location provided access to a skilled workforce and the necessary resources to develop and produce highquality LED products.
Astera initially focused its efforts on developing LED tubes for professional lighting applications tailored to meet the needs of existing clients back in Germany by offering efficient and durable solutions for various scenarios. By 2008, working with German engineer Simon Canins, Ernst was upgrading the battery-powered tubes he’d developed three years earlier, equipping them with eight pixels and colour-chaser effects triggered
by wireless DMX or a handheld remote control. This wireless control system was a milestone for the company, enhancing the flexibility and functionality of its lighting solutions.
“Astera was one of the first companies to recognise the potential of battery-powered, remote-controlled lights,” explains Sebastian Buckle, Astera’s chief sales officer, who joined the company in 2010 and is based in Germany. As demand for flexible and convenient lighting solutions grew, the company transitioned to wireless technology. “This move positioned Astera at the forefront of the industry, offering customers innovative lighting solutions that provided greater control and mobility,” continues Buckle.
In 2010, Astera chose the Frankfurt Prolight + Sound tradeshow to launch its AL-series of eight battery-powered lights with wireless functionality. The new series had features demanded by event professionals seeking versatile lighting solutions that offered ease of use, portability and reliability in settings ranging from concerts to corporate events. The ALseries attracted new users from different markets, expanding the company’s customer base. Key markets at this stage included the UK, France, the Netherlands and the US, with early distributors set up primarily to serve the European and American markets as the company began to build a robust network to support its growth.
As mobile technology emerged as the preferred choice for enhanced control, the company transitioned to the AsteraApp system in 2014. This innovation allowed users to manage lighting settings more conveniently than with the previous ARC2 handheld RF remote. That same year, Astera also launched the X-series second generation of wireless LED lights featuring high-end components and new functionalities tailored for event professionals. This strategic move not only enhanced user
Astera’s suitably colourful Munich office
Astera founder, Norbert Ernst
experience but also helped the manufacturer to attract a more upmarket client base, further solidifying its position in the industry.
A significant expansion occurred in 2015 when Ernst returned to his German roots and opened an Astera office with service and development centres in Munich. This move was driven by the manufacturer’s growing global presence and the need for closer ties with European markets. The strategic relocation aimed to facilitate better access to key clients in the region, enhance collaboration with local distributors and position the company more favourably within the vibrant European lighting industry. Ernst himself remained in China, managing the transition remotely.
An integral part of the expansion into Europe included strengthening the team with key appointments in sales, marketing and technical support, with the new appointed staff bringing valuable experience to their respective roles. This included roles created in customer support and product management to better
A big year for the company, 2019 saw a major expansion of the business into a 10,000m2 facility in Shenzhen, nearly doubling the size of its production space. The new facility has allowed for the installation of state-of-the-art production equipment, enhancing the efficiency and quality of Astera’s manufacturing processes. Aligning with this growth, the Munich and Hong Kong offices also expanded significantly. The Munich office increased in size by approximately 30%, accommodating more collaborative workspaces and meeting rooms to support the growing team. Staff count in Munich rose by 25%, bringing in additional talent in sales, marketing and technical support to better serve the European market.
Growth has been driven by several factors, such as the establishment of strategic partnerships with Ambersphere (UK), Axente (France), Inner Circle Distribution (US), Controllux (the Netherlands) and Kaiser (Germany), all of which have expanded Astera’s global reach. Demand across various markets including film, combined with new product launches in recent years, has seen the company requiring more production space to meet the needs of its new and existing client base.
“This increase in production space and staff in China and
relationships and driving revenue growth.”
Buckle. “The city offered an ideal environment for service and development, allowing the brand to tap into local talent and resources to drive innovation and growth.”
Two years later, Astera launched the AX5 stage lighting fixture. Dubbed the “three-in-one light”, the luminaire aimed to replace three other types of fixture: wireless and wired PARs as well as battery uplights. According to the company, the AX5 quickly established itself in regions including North America, Europe and parts of Asia, contributing to a significant boost in sales and brand recognition worldwide.
By 2018, the company had set its sights on the booming film lighting industry, picking up on a demand for versatile lighting solutions. Seizing the opportunity, Astera entered this lucrative market with the release of the Titan Tube LED light, designed
specifically for film shoots, bringing in specialist staff with expertise in film lighting. Suitable for indoor and outdoor use and powered by either AC or battery, the Titan Tube can be controlled with the AsteraApp as well as wired or wireless DMX. It emits tuneable whites with ultra-high colour rendering and coloured light which can be applied to individual pixels or the entire tube. The Titan Tube went on to win several awards, including the Red Dot Design Award, a PLASA Award for Innovation, a Pro Moviemaker Gear of the Year Award in the lighting innovation category, an LDI Award and iF Design Award, gaining approval from customers around the globe.
“The Titan Tube revolutionised the industry, transforming the way filmmakers and lighting professionals work,” claims Buckle. “Its groundbreaking design, unmatched performance and LED colours set a new standard in cinematic lighting, making it an essential tool for every serious filmmaker worldwide.”
By 2021, Astera had a partner network of 50 distributors worldwide, with significant growth in North America, Europe and parts of Asia, particularly in India and Australia. The company is also making inroads into the MEA region. This has been supported by strategic partnerships and tailored marketing efforts aimed at resonating with local markets. The company participates in nearly 50 exhibitions worldwide and hosts open houses across various regions, as well as introducing regionally specific products including a special version of the B22 bulb for the UK and Australian markets. Astera’s entry into the film industry has played a critical role in driving growth, opening new revenue streams and expanding its customer base. To further diversify its portfolio, Astera launched a Fresnel light – a lamp positioned between a Fresnel lens and a reflector – in 2023. Looking to the future, Astera is exploring opportunities in the architectural and commercial lighting markets to further diversify its offerings and broaden its reach. Emerging markets for the company include South America and Africa – regions where it has identified a growing demand for professional lighting solutions.
“The perception of the brand has evolved from being a niche player to being recognised as a leader in innovative lighting solutions,” says Buckle, citing significant product launches such as the Titan Tube, PlutoFresnel, LunaBulb and QuikSpot. These milestones have played a crucial role in enhancing the company’s reputation and visibility.
“Astera’s journey has been one of continuous innovation and growth,” sums up Ernst, reflecting on the company’s evolution. “What started as a small venture has grown into a global leader in lighting solutions, driven by a passion for quality, creativity and technological advancement. As we look to the future, we remain committed to pushing boundaries, developing cuttingedge products and expanding our reach to serve even more professionals in the industry.”
www.astera-led.com
Demonstrating the waterproof qualities of the LunaBulb on location
Inside the factory in China
Sebastian Bückle, CSO of Astera
The QuikSpot battery-powered uplight
Joyning the dots
A startup company backed by a wealth of industry expertise is on a mission to democratise audio networking
It’s a subject particularly close to the heart of Joyned’s newest proponent, Lave, who helped develop the Milan standard while at the Avnu Alliance before driving its adoption at Adamson. Ethernet was never originally designed for real-time applications, it was always a “best effort” network, Lave explains. “Its
L–R: Fabian Braun and Richi Rozas at this year’s ISE
use prevailed just because of the huge uptake in enterprise markets. AVB [Audio Video Bridging] solved this issue, offering deterministic behaviour.”
“With AVB, there’s no need to isolate subsystems for congestion-free operation,” Braun adds. “As an open solution, it secures investments and makes networking ‘transparent’ to users, letting them focus instead on the audio experience.”
However, interoperability between devices remained a challenge – Milan resolves this by integrating AVB’s benefits while ensuring seamless communication.
“Just like when the 802.11 wireless standard was invented, a trade association was created called the Wi-Fi Alliance that attempted to harmonise everything,” notes Lave. “They had the technical standard but still needed an industry-wide interoperability standard to make everything talk to each other. Nowadays, you can walk into any coffee shop and your phone connects right away.”
In the AV world, the Avnu Alliance was created for this purpose, resulting in the Milan interoperability standard.
“It’s why you can take an L-Acoustics P1, send audio to an Adamson CS10 and also route it through a Meyer Sound Galaxy without even thinking about it,” says Lave. “Everything just works as long as you support the same sample rates.”
Extensive market research conducted by Joyned has highlighted that users, in particular, struggle with switch configuration in existing solutions. “If there are more than 10 endpoints on the network then things start to get complex,” says Braun. “Milan stays plug and play.”
In contrast, the proprietary approach does yield some distinct benefits, as there is a single body responsible for promoting the network and its technology, while facilitating and driving the platform’s use. This is where Joyned enters
“Before Joyned, Fabian was at d&b audiotechnik and was the d&b delegate at the Avnu Alliance working on Milan specification,” explains Rozas. “Together we started looking into forming a company that provides software solutions for the
at Adamson, adds invaluable expertise. Together, I think we’re uniquely positioned to address the topic.”
Joyned licenses embedded software solutions tailored for audio equipment manufacturers. Its Milan endpoint for XMOS microcontrollers supports up to 64x64 audio channels, stream counts of 8x8 and sampling rates up to 96kHz. Other offerings include an AVB switch for ARM microcontrollers, Milan-USB interface software and a reference design bridging USB audio and Milan networks. With several embedded solutions now available on the market, the challenge for Joyned is continuing to ensure its platforms can run on the latest microprocessors hitting the market. “However, expanding the network technology to the other verticals which are not properly addressed is also something we are keen to
One of the major strengths of AVB is that users don’t need an IT guy to accompany them. “You simply connect things and everything is plug and play,” says Lave. “So, we can see a huge benefit of the technology in the MI market or in recording studios. Here, people’s expertise is in producing, recording and performing, and the equipment is just a tool to enable them to do that. They don’t want to have to become the IT expert in order for things to work. The node cost with Milan is also low enough to make things viable for MI, where some of the alternatives are too prohibitive to reach down into that
Transporting trust
NEP works closely with RTS to provide technology for its fly packs and OB trucks as it expands across the world to cover major events. Richard Lawn takes a look at the longstanding partnership
FOR 40 YEARS, NEP HAS ESTABLISHED ITSELF AS THE leading technical production partner for content producers of live sports, entertainment, music and corporate events. Delivering thousands of productions every year and running a global network of operations, NEP continues to navigate the changing environment with a deep understanding of its clients’ dynamic requirements, demanding the same from its suppliers.
Dividing his attention between the Delhi, Dubai and Singaporean operations, Saeed Izadi, regional president for NEP’s Middle East and Asia region, highlights the tremendous growth his division has experienced since 2021 and growing investment in the region, including the opening of a large broadcast production facility in June 2023 located in the northeast of Singapore near to Changi Airport and the Expo convention venue.
The Singaporean facility connects to the NEP Group worldwide network via its global production ecosystem. In addition to a modern office space, the Changi site includes an engineering workshop inside an expanded 4,500m2 warehouse that contains an extensive collection of fly pack kits and other equipment that can be rapidly flown out to site. “As our business grew, we naturally needed more space to accommodate our inventory and manage the growing markets that we are servicing,” explains Izadi.
Providing dedicated connectivity via NEP Connect’s Anylive fibre network, NEP Group’s Asia-Pacific connectivity expansion utilises 10GB circuits between NEP Australia, NEP Japan, NEP Singapore and NEP US. By increasing the use of resources and solutions across NEP Group’s global production ecosystem, the investment continues to provide more opportunities for its clients. Those services include remote and studio production, audiovisual solutions, host broadcast, premium playout, postproduction and unique software-based media management.
“This facility has been client-driven and, by responding to the requirements of our regional broadcast partners, we can scale the solutions of the facility to meet the project’s needs, in both size and cost,” continues Izadi. “In 2024, we invested further assets into the Middle East because of the enormous growth currently being experienced for our global events such as the UFC fights and cricket. We predict an upward trend in business, and so we are scaling up the business by adding more infrastructure into the GCC.”
NEP’s Middle East and Asia team has also rolled out its first IP vehicle in the Middle East. The mobile unit, equipped with nearly 30 operating positions, includes a large RTS intercom frame. The inventory inside the OB, together with the numerous external inputs, ensures that the unit has sufficient flexibility for large events. NEP has also equipped the unit with its TFC (total facility control) system platform to control and monitor all equipment, including the feeds and the monitors. Crucially, the TFC broadcast control software allows hardware to be shared with IP technology wherever it may be in the world.
“Previously, a network engineer would be required to bridge the IT world with our audio, video and comms operations,” says Jean Claude Rahme, chief technology officer for NEP Middle East and Asia. “The inputs, mixes and programme output, including the vision mixers, routers, talkback matrices and multiviewers, are now connected to the TFC platform. Now we are on the network, the interconnect ability of IP allows us to easily scale up or down; we are no longer dictated by the physical size of the router. System expansion is made possible by connecting two IP trucks with single mode fibres and adding a further IP fly pack, and this setup allows us to connect unused equipment at other sites.”
Rebranded from Telex in 2013, RTS has remained a key partner of NEP for many years. “It’s a partnership that couples the best in service and after-sales for our needs,” continues
Inside an NEP OB truck
An RTS KP-5032 key panel being used on a live sports event
Saeed Izadi divides his time between NEP’s Delhi, Dubai and Singaporean operations
Rahme. “By working with one brand, we can easily interchange and supplement our inventory by having a standardised lineup for our fly packs and IP OB trucks. Being a multinational company is an added benefit, as RTS can service all our worldwide operations, and the local office here in Singapore has been consistently attentive and proactive.”
Specified on account of quality, simplicity and flexibility, the latest RTS investment made by NEP Singapore includes a large inventory of digital Odin intercom systems and KP-Series key panels, combining Omneo media networking technology with Dante audio-over-IP. With the introduction of IP switches, external panel connections are simplified and future infrastructures no longer rely on copper.
Available in 1U rack units, the Odin intercom system can scale up from a single frame with 16 ports to eight units with 128 ports via an optical Inter-Frame Link to create a single matrix of up to 1,024 ports. Connecting the past and the future, both legacy key panels and the current KP-Series can be supported going forwards. Furthermore, by adopting the AZedit and IPedit software applications, Odin can be set up and configured externally from a laptop or the front panel user interface.
“Featuring high-resolution, wideangle TFT displays, the integration of the KP-Series key panels has greatly simplified and sped up cabling infrastructure setups, to minutes if not seconds at the click of a button,” explains Rahme. “The
KP-Series and the Odin intercom series perfectly suit our current and
“By continually innovating and evolving their Omneo digital technology through customer feedback, including our own, we can now expand our services. Having the huge NEP Connect Anylive fibre network, which we previously rolled out in the region, made it an easy decision for us to invest in the KP-Series and Odin. Gone are the days of terminating Cat5 cabling and incorporating large inventories of copper including connectors within our setups. In addition to greatly reducing setup times, fibre greatly extends the bandwidth.”
“The innovations we’ve made into our Singapore production hub, our fly packs and our growing investment in the Middle East have been clientdriven,” concludes Izadi. “By focusing on and responding to the clients’ needs, we can scale our solutions to meet a project’s needs in size and cost. Having a partner like RTS, a company that offers dependable technology that lasts, we are able to continue our mission to provide the very best media solutions for our clients.”
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NEWPRODUCTS
Italy’s TT+ Audio has expanded its GTX portfolio with the addition of the GT 8 point source speaker and the GTS 19G subwoofer
FEATURING DUAL 8-inch neodymium woofers in a symmetrical configuration and a central 3-inch titanium-dome neodymium compression driver, the GT 8 is equipped with a rotatable constant-directivity True Resistive Waveguide (TRW) and housed in a polyurea-coated, marine-grade plywood enclosure. Designed for flexible placement and integration, the GTS 19G subwoofer shares the same long-excursion cone transducer as the GTS 29 and combines a single 19-inch transducer with a compact enclosure for small- and medium-sized configurations alongside the GT 8 or GTX 10.
In addition, the company has previewed its GTX 7C active cardioid line array and GTS 16C flyable cardioid subwoofer. Utilising separate amplification channels and advanced DSP for the front and rear transducers, TT+ says both systems achieve unmatched directivity and rear sound attenuation. The GTX 7C’s digitally controlled directivity provides an average
rear attenuation of 22dB up to 600Hz, with a maximum SPL of 140dB. The GTS 16C features a dual-woofer design with a 16-inch neodymium front woofer and a 14-inch rear woofer. Optimised with FiRPHASE linear 0° phase response and Bass Motion Control processing, the company says the development extends cardioid performance across a broader frequency range compared to conventional cardioid systems.
Finally, the GTS 16C features a dual-woofer design – a 16-inch neodymium front woofer and a 14-inch rear woofer – for precise low-frequency control. The cardioid solution is further optimised with FiRPHASE linear 0º phase response and Bass Motion Control processing, extending cardioid performance across a broader frequency range compared to conventional cardioid systems.
The manufacturer has also added three installation-specific GTX 10 modules – the GTX 10i, GTX 10Pi and GTX 10Wi – to its portfolio, with each unit individually designed to address diverse acoustic requirements.
Featuring 1.4-inch neodymium compression drivers and dual 10-inch neodymium woofers, these modules achieve up to 143dB max SPL and are suited for medium and large-scale installations.
To accommodate different venue geometries and dispersion needs, the GTX 10 offers three distinct coverage patterns: 70° x 15° for focused projection, 110° x 15° for broader horizontal coverage and 110° x 30° for wide-area applications. Featuring the manufacturer’s TRW, 4PATH technology and a symmetrical design, the GTX 10i units are housed in a rugged, weather-resistant enclosure with a highdurability polyurea coating, and have been built to withstand the most challenging environmental conditions. The IP version offers additional water-repellent fabric for enhanced weather resistance. Designed for optimal integration, all GTXi models pair with XPS 16K amplifiers.
www.ttaudio.com
CODA launches APS-Pro Series
CODA AUDIO has announced the launch of the APS-Pro Series comprising two models: the APS-Pro-D with a 10° cabinet angle for long throw and high granularity of control, and the APS-Pro-S with a 30° cabinet angle for short throw and wide nearfield coverage.
Developed from the manufacturer’s APS series, the APS-Pro-S and APS-Pro-D are compact, 3-way, arrayable point source loudspeakers, designed for small and medium-sized venues where a powerful and scalable solution is required. Both models deploy new versions of CODA’s Dual Diaphragm Coaxial Curved Wave Driver (DDC) for mid/high frequency. These new drivers are built to generate the appropriate 10° and 30° wavefronts at source, without having to rely on waveguides or flares. The dual 10-inch low-frequency drivers are mounted on an aluminium baffle – CODA’s Dynamic Airflow Cooling (DAC). DAC allows for higher power handling and more headroom at low frequencies, giving higher sound pressure levels for longer, without power compression. Each cabinet has an AES power rating of 1,400W and a peak SPL of 144dB (A weighted) per cabinet. Low frequency extends to 50Hz at –6dB, all from an enclosure that weighs 27kg.
Q-SYS expands AcousticDesign and NV Series
DELIVERING HIGH-FIDELITY
for a wide range of applications, QSC has expanded its Q-SYS AcousticDesign Series with the introduction of three large-format ceiling loudspeakers. Like the entire AD Series portfolio, the 8- and 10-inch models, together with an 8-inch subwoofer, deliver consistent tonal characteristics.
A bezel-less, blind-mount design meets architectural interior requirements.
Differentiating itself from the AD-C8T-SWZB 8-inch ceiling-mount subwoofer, the AD-C8T-ZB is an 8-inch, 2-way full-range ceiling-mount loudspeaker with a coaxial compression driver.
The APS-Pro’s output directivity is controlled by a magnetic Instafit APS-Coupler which combines all the elements of the loudspeaker into a single, pattern-controlled wavefront. With quick release grilles that require no tools, the new couplers allow
quick and easy changes to coverage angles, enabling the flexibility to adapt to different venue layouts and requirements. Both models can be flown singly or with additional APS-Pro cabinets in vertical arrays to match a system’s output to any requirement. Horizontal coverage can be changed between 60°, 90° and 120°, and asymmetrical configurations of 75°, 90°, 100° and 105° can be achieved by using different Instafit coupler configurations.
www.codaaudio.com
The AD-C10T-HPZB is a 10-inch loudspeaker with a coaxial compression driver.
Delivering network video distribution in spaces where traditional surface-mount enclosures are not ideal, the NV-1-H-WE single-channel HDMI wallplate encoder has been added to the Q-SYS NV Series. Ideal for flexible and divisible spaces or areas with reconfigurable furniture, the latest addition promotes the mixing and matching of endpoints based on connectivity requirements, I/O density and physical form factor.
The NV Series distributes low-latency video signals of up to 4K60 4:4:4 throughout a
Ceiling coverage for commercial spaces
AS THE successor to its Control 20 Series of ceiling speakers, JBL Professional’s Control 400 Enhanced Coverage Series aims to deliver superior performance, improved conical coverage, enhanced installation features and a more modern aesthetic to a range of commercial spaces. With six models to choose from, the series introduces JBL’s latest iteration of Radiation Boundary Integrator (RBI) technology: the Coplanar RBI (CRBI). The company says this technology enhances coverage with more consistent levels and can lead to fewer required speakers and amplifier channels. The series includes a variety of mounting enhancements. Terminal covers provide top and side cable entry ports and can be secured without tools using captive hand screws. The captive dogear design works with a range of ceiling thicknesses and all models include transformers to support both 70V/100V and low-impedance applications. Meanwhile, all six models include a redesigned magnetic grille to blend in with modern décors;
grilles can be painted to match any décor, and optional black and square grilles are also available.
Core models are the Control 426C/T and
augments designs requiring extended lowend performance.
Meanwhile, the manufacturer has added two flyable subwoofers to its SRX900 Series
Q-SYS system using Q-SYS Shift. Significantly reducing bandwidth without compromising latency, the adaptive codec manages network bitrate by refreshing only the changes between frames. As native Q-SYS peripherals driven by the Q-SYS OS, NV Series devices integrate into a Q-SYS system, to deliver no-code deployments and automated solutions without additional management or control hardware. In brief, the manufacturer has announced that Q-SYS VisionSuite now supports Google Meet. The Q-SYS VisionSuite AI Accelerator for presenter tracking joins the list of Q-SYS solutions certified for Google Meet.
www.qsys.com
to expand versatility and are ideal for situations where floor space may be limited.
Both units feature dual voice coil, Differential Drive woofers that reportedly deliver better heat dissipation, lower power compression and wider dynamic range. A large low-frequency port design improves airflow and reduces audible turbulence. A reinforced 18mm provides enhanced strength durability. subwoofers
and Control 424LP are low-profile units. The Control 426C/T-LS has been certified to the UL1480 standard, expanding application possibilities into life-safety designs. Finally, the Control 419CS/T is a high-power, lowdistortion 8-inch in-ceiling subwoofer that
of powered loudspeakers. Included are the SRX915SF 15-inch and SRX918SF 18-inch single woofer models that can be flown and configured with existing SRX900 line arrays and rigging accessories. The subwoofers are said
as the existing SRX900 subwoofers, offering a plug-and-
accessories has been introduced, compatible with both the existing and new SRX900 products. Alongside the new hardware offerings, a series of firmware and software updates have expanded the system further.
pro.harman.com
THE LIBRA 5CT from FBT is a 2-way pendant loudspeaker featuring a coaxial mono-magnet transducer with a 5-inch LF woofer and 1-inch HF dome tweeter.
e L F cone profile functions as a waveguide for the tweeter and delivers high sensitivity and consistent highperformance audio coverage and off-axis performance. The speaker incorporates a 6-position selectable tap switch for 70V and 100V from 3.5–60W as well as a Lo-Z 16Ω position.
The high-quality polypropylene ported enclosure delivers an effective lowfrequency response to 80Hz. The rear cover of the speaker can be placed after installation and hides the connection and suspension on the speaker end. through a cable cover.
EXPANDING ITS Evolve family of column loudspeakers in response to customer demand, Electro-Voice has introduced the Evolve 70 and Evolve 90 loudspeaker systems. Aiming to cater to audience sizes
CREST AUDIO has released its CPL+ Series consisting of 14 versatile loudspeaker configurations, with mounting options to accommodate a wide range of install and live applications. According to the manufacturer, this hybrid design makes the units suitable for classrooms, meeting facilities, restaurants, clubs, bars and live venues. For environments where spokenword intelligibility is critical, the speakers are equally suited in courtrooms, houses of worship, auditoriums, sport venues and transportation facilities.
The CPL+ Series features unobtrusive, flyable enclosures that are designed to be both attractive and discreet. A wide variety of mounting and flying options are available, including multiple eyebolt flying points, U-brackets, Versamount, special wall mounts and pole mount adapters.
are equally suitable for public address, music playback and/or live performance requirements in permanent and live sound applications.
The CPL+ Series includes two 2-way coax speakers (CPL 5C+, 25C+); six full-range
Ranging from a single 5-inch coaxial to 15-inch loudspeaker systems, the models complement each other in any combination to serve the needs of the venue and the artist. Crest denotes the CPL+ Series as “Hybrid”, meaning the enclosures
2-way speakers (CPL 6+, 26+, 8+, 10+, 12+ and 15+); two columns (CPL 4L+, 8L+); two coax wedges (CPL 12CM+, 15CM+); and two subwoofers (CPL 265B+, 15B+).
www.peaveycommercialaudio.com
More speakers, more control
BRITISH LOUDSPEAKER specialist
Funktion-One has announced several product launches starting with the F61 loudspeaker. Designed to cater for a range of applications including music venues, hospitality, fashion, galleries, studio reference and domestic use, the F61 follows the same design principles as the company’s F81.2 and F101.2, but in a more compact package, sitting between the F5.2 and F81.2. The company says the F61 achieves very low distortion and excellent integration between drivers for stable imaging and can be combined with the SB8A or SB10A self-powered bass loudspeakers to create a standalone system.
The Evo 2L is a mid-bass addition for the Evo 2 that increases headroom and enables the full output capacity of the mid/high elements. An intuitive coupling mechanism reportedly enables quick and safe attachment of an Evo 2L to the top or bottom of an Evo 2. Once connected, the assembly can be lifted by the Evo 2’s Butterfly Plate (BFP-2) as normal. Pairs of Evo 2 and Evo 2L can be flown together to form a system that is suitable for medium-sized live music venues and clubs. A foam-backed grille can be added for a more discreet appearance. The Evo 2SH takes the mid/high waveguide from the Evo 2 and makes it available as a
of up to 500 people, the large-format additions to the range feature 15- and 18-inch subwoofer options, larger mid/ hig h drivers, large voice coils and a
Meanwhile, neodymium column drivers, an aluminium distance pole and lightweight materials throughout deliver “fast 3-2-1” assembly.
The Evolve 70 delivers a maximum SPL of 133dB and the Evolve 90 offers 134dB. The Evolve 70 features a 15-inch subwoofer which takes low-frequency extension down to 35Hz; the Evolve 90 offers the only 18-inch subwoofer in its class, taking its low-frequency extension down to 28Hz. Both offer eight 4.7-inch neodymium drivers for 120°-wide consistent coverage via propriety waveguides, with array-formed asymmetrical 25° vertical coverage. Both also include connectivity for microphones, line level, Bluetooth and digital signals. These include XLR/TRS combo mic/ line inputs, XLR and RCA line level inputs, and digital AES/EBU. Both the Evolve 70 and Evolve 90 are also integrated into the recently updated QuickSmart Mobile App ecosystem, which allows the user to control it as part of a system with other Bluetooth-enabled EV portable speakers.
Available in black and white finishes, both are designed for rapid deployment, featuring the Evolve 3-2-1 approach for assembly, providing three pieces that fit together in two clicks to form one system. An aluminium distance pole separates the tops from the subs, while the neodymium drivers and
corrosion, making it suitable for undercover outdoor applications, such as stadiums and other situations where high output and speech intelligibility are required. The Evo 2SH can also be used as fills for larger systems. It
combining the Evo 2SH with low-frequency reinforcement, such as the Evo 2L, F115
www.funktion-one.com
F61
Evolve 70
Evolve 90
JOINING THE L38 full-range loudspeaker, 1 Sound has added the more compact L35 to the expanding Level Series. Utilising the integrated hardware recessed into the cabinet, the 3-way design can be flush-mounted on a wall or ceiling to stand only 150mm away from the surface. Displaying a unique and valuable dispersion pattern, the progressive horn design controls the audio directivity with a high capability to throw further. When discreetly
Available in an assortment of colours and finishes, the point source enclosure is rated IP55 for outdoor environments and operates within a 65Hz–18kHz (–6dB preset dependent) frequency range. The speaker combines dual 5-inch lowfrequency drivers, a central 5-inch coaxial driver with an HF element and three 5-inch passive radiators to enhance the bass response, while the rear panel incorporates dual NL4 connectors. Housed in Finnish plywood, the 9kg enclosure includes M8 and M6 rigging points adding
Exhibiting similar design and build characteristics as the L35, the Monitor M35 is distinguished by its low-profile 150mm height and discreet, compact dimensions. Making it ideal for live musical performers and keynote presenters, the passive 3-way monitor outputs the same full-range bandwidth as the L35. Equipped with the same 5-inch drivers, the progressive horn design is configured to provide a diffusion pattern from a broad 90° wide nearfield close to the monitor, narrowing to 50° further away, ensuring the energy is concentrated on the stage. Promoting clean cable management, the recessed connection panel doubles as a handle, but a recessed mounting bracket can be adopted for fixed mounting. The SUB28, or Banquet Sub, has been designed in response to requests made by interior designers demanding a low-profile
bass enclosure during banquet events, without sacrificing sonic quality and SPL capabilities. Incorporating two front-loaded 8-inch woofers that operate within a 45–150Hz (–6dB preset dependent) frequency range, the 202mm-high SUB28 can be discreetly positioned into compromised interiors. Two flown orientations parallel to a wall or ceiling are available courtesy of the four-per-side M8 rigging points and
Monitor M35
SUB28
HH Audio expands its catalogue
HH AUDIO has designed the Aptur range for commercial audio settings and includes ceiling, pendant, column array and subwoofer loudspeakers. The APT-CL column array loudspeakers have been created with an emphasis on pronounced audio directivity, while the APT-C 2-way ceiling-mounted speakers are available in three sizes (4-, 6.5- and 8-inch). The APT-CS 8-inch ceiling-mounted subwoofer extends the low-end frequency response
of the overall system. The APT-P 2-way 6.5-inch pendant loudspeaker extends the potential applications of the range to environments with cavernous high ceilings or spaces without a cavity space beyond the ceiling to mount a traditional ceiling speaker. The 8-inch APT-WS subwoofer echoes the low-frequency acoustic benefits of the APT-CS and provides low-end frequency extension with its di r ect radiating design.
Hunting high and low with Lavoce Italiana
LAVOCE ITALIANA has unveiled three HF compression driver models. Offering the benefits of an annular diaphragm design, the DF10.103M employs a polyester diaphragm housed in a ferrite motor structure with a 1-inch exit and 10-inch edgewound copperclad aluminium voice coil. With a 50W programme power rating and a 109dB sensitivity, the DF10.103M comes with a 1,800Hz recommended crossover point. Weighing 1.15kg with a diameter of 92mm, the DN10.20 is a 140W programme powerrated neodymium compression driver with a 1-inch exit and a 2-inch edgewound copper-clad
aluminium voice coil. A high temperature polymer dome material has been included in the optimised diaphragm assembly and phase plug design, to deliver 108dB sensitivity and a recommended crossover point of 1,200Hz.
Completing the trio, the DF14.250T includes a 1.4-inch exit compression driver and a ferrite motor structure that features a 2.5-inch edgewound copper-clad voice coil with a titanium diaphragm and surround. With a 160W programme power rating, the DF14.250T records 108dB sensitivity. Designed to enhance consistency, all Lavoce
The CL Series speakers are available in multiple configurations of highquality 4-inch mid-frequency and ¾-inch high-frequency drivers. The CL16J (4x 4-inch) and CL32J (8x 4-inch) both use asymmetrical projection to reduce the requirement for tilting the speaker on installation and optimise the coverage angle when installed at a static height. The CL32 (8x 4-inch) can be combined with either the CL32J or CL16J when a larger column system is required. CL Series column array speakers are all housed in a robust plywood enclosure and finished with scratch/wear-resistant paint.
www.hhaudio.com
large-format devices feature patented Integral Input Surface (IIS) phase plug topology. www.lavocespeakers.com
DF10.103M
DN10.20
ic audio enhances its Dante range
THE DL-D 30-130 Dante is an active 2-way bass-reflex ceiling speaker in a flat, low-profile design. With a power output of 30W and a Class-D amplifier, the speaker comes with a magnetic grille and screw mounting system to simplify installation. Thanks to the IEEE 802.3at/PoE plus RJ45 connection, the speaker is described as easy to integrate into existing networks. In addition to power supply via PoE, local power supply with 24V DC is also possible, providing flexibility during installation.
The MS-D 30-165 Dante monitor speaker is an active 2-way bass-reflex speaker with a power output of 30W and a Class-D amplifier. The 6.5-inch woofer and 1-inch tweeter provide sound fidelity across the entire frequency range of 77Hz–21.5kHz, reaching a maximum sound pressure level of 104.8dB. It comes with an IEEE 802.3at/PoE plus RJ45 connector, PoE and a local 24V DC input. The impact-resistant ABS housing not only provides robustness but also an IP56 protection against dust and water. The MS-D 30-165 Dante is
available in black or white and comes with a wall-mounting bracket.
Finally, the TS-D 320-1000 Dante is a digital, steerable line array system designed for challenging acoustics. It offers professional speech and music reproduction in demanding environments, avoiding unwanted sound reflections. With
Outline challenges acoustics
ITALIAN MANUFACTURER Outline has released three loudspeaker systems: the H-Series, P-Series and A-Series. Aimed at projecting intelligibility into acoustically challenging spaces, the H-Series consists of the H462 and H463 models which come with an extruded aluminium body and measure 110cm x 13cm x 13cm. The units have six 4-inch LF components coupled to an HF array with two or three 1-inch drivers respectively. They have a frequency response of 95Hz–19kHz and an output of 123dB and 126dB SPL respectively. Both speakers exhibit broad-range cardioid behaviour, with 90° horizontal dispersion by 30° or 20° respectively on the vertical axis, for a more diffused or more focused soundfield application. They also come with selectable +5/–15° vertical tilt, in either low-down or high-top
The P-Series point source range debuted last year with the P8 but has now been joined by the P4, P6, P12, P15 and P30 models, spanning from the P4 4-inch mid-woofer to the P30 double 15-inch subwoofer. Since the P8’s arrival, improvements have been made firstly in the port’s technology that has led to a reduction of airflow turbulence and secondly to timealignment in both mono- and bi-amped operations. The new arrivals come with integral carrying handles and asymmetrical cabinet sides, the new Weave-patterned front grille and a new polyurea coating graded to a proprietary off-black tone. Finally, the A-Series is a range of ultracompact loudspeakers designed for fixed installations and consists of the A41 and A81 column speakers and the A6S ultraslim subwoofer.
its digitally steerable directivity, the speaker can precisely direct sound to achieve optimal distribution and clear speech intelligibility. The 320W array features a built-in 8-channel Class-D digital amplifier and eight 100mm high-performance speakers that can be individually controlled, as well as an integrated Dante interface with two RJ45 sockets and a USB input. Additionally, the array can be operated without using the Dante network via the line input (3-pin Phoenix connector).
The user-friendly control software reportedly allows quick and easy access to the configuration of audio channels and all input and output DSP functions (such as noise gate, gain, limiter, delay and high/low pass filter). The vertical dispersion angle can be adjusted via software from +20° to –20°. The frameless, slim aluminium enclosure comes with a robust wall bracket, which allows an additional 10° change in the vertical dispersion angle through manual alignment.
www.ic-audio.com
RCF heralds the KX Flagship and SUB 9000 Series
WITH THE unveiling of the KX Series, RCF has advanced its self-powered speaker technology credentials. Currently consisting of eight 2-way models, the flagship line features RCF Precision transducers and Class-D power amplification. The three dual 10-inch models vary with the KXP 4-A with a narrow directivity, the KXL 4-A serves as an array and the KXW 4-A offers a wide directivity. Like the three dual 10-inch KX
speakers, the KX 45-A, KX 32-A, KX 10-A, KX 08-A and KX 515-A cabinets feature onboard digital signal processing, including proprietary FiRPHASE and Bass Motion Control.
Seamlessly integrated with the RDNet networked management system, the
KX Series speakers can be monitored, measured, controlled and fine-tuned. The eight speakers match all RCF SUB Series subwoofers, and can be paired using factorytuned Advanced Crossover Engine (ACE) presets. This transforms sub-top systems into fully optimised 3-way setups, ensuring tight bass performance and extended linearity across any environment. Housed in marinegrade Baltic birch plywood, the enclosures are treated with a weatherproof scratchresistant polyurea coating and are further equipped with ergonomic handles and steel rigging components.
Fulfilling the low frequencies, the SUB 9000 Series of self-powered subwoofers incorporate proprietary ACE presets and an RDTap contactless solution for system configuration. Heralded as the Italian manufacturer’s most powerful self-powered subwoofer line to date, the SUB 9000 Series consists of the single 19-inch SUB 9019-AS, the double 19-inch SUB 9029-AS and the single 16-inch SUB 9016-AS. The latest Precision transducers, paired with Class-D power amplifiers, combine to produce up to 8,000W (peak) with a max SPL of 142dB. Extending the lowest audible frequencies without affecting the woofer stability, all models are equipped with BMC processing. RDTap technology simplifies setup by allowing contactless configuration, even when the unit is unpowered, including advanced options such as cardioid configurations. With RDNet integration providing real-time monitoring and control, the SUB 9000 Series features weatherproof plywood cabinets with durable polyurea finishes, magnetic rain covers for connection panel protection and powerCON TRUE1 TOP AC connectors.
www.rcf.it
NEXT Audiogroup introduces the SP12 DAS Audio adds MARA to ARA
PORTUGUESE MANUFACTURER
NEXT Audiogroup has unveiled the SP12, a high-output, full-range, 3-way point source system designed for sound reinforcement in a wide range of applications. The speaker incorporates dual 12-inch neodymium LF drivers and an advanced coaxial 2-way ring radiator, coupled with an externally rotatable 80° x 45° waveguide. The combination of the waveguide and the dipolar configuration of the 12-inch drivers provides controlled directivity down to approximately 500Hz, maintaining a consistent dispersion pattern. The SP12 is equipped with a 3-channel, networkcapable Class-D amplifier, providing a peak output of 3,840W. The onboard advanced DSP operates at a 96kHz sampling rate, monitored via X-NET software for precise sound management.
PAN ACOUSTICS has launched what it claims to be the longest loudspeaker, the Pan Beam Maximus. With more than 100 high-quality drivers inside, the high SPL speaker has a typical range of 250m but this increases when transmitting speech. Thanks
to its precise multi-beam steering and crystal-clear sound, this “giant” is suitable for covering large areas with music and speech at major events.
www.pan-acoustics.de
Kramer introduces PoEpowered Dante speakers
The graphical interface provides control and real-time monitoring of all audio systems within a venue. The system automatically discovers and maps the network positions of cascaded speakers for seamless integration and management. The X-NET software provides individual control over key parameters such as equalisation, level, phase and delay, and allows unlimited groups to be created, enabling multiple units to be grouped and managed collectively. The system’s automatic fallback feature ensures maximum reliability, providing input signal redundancy between analogue and digital (AES or Dante) sources.
The SP12 has been designed for corporate and political events, sports arenas, stadiums, houses of worship, theatrical sound reinforcement, theme parks, concert halls, nightclubs, small festivals, live band performances, mobile DJ setups and side-fills.
www.nextaudiogroup.com
DESIGNED TO “simplify and enhance the entire AV experience”, Kramer has released a portfolio of PoE-powered Dante loudspeakers. Allowing systems integrators to mix and match speakers while maintaining consistent audio quality across an installation, each unit has a corresponding passive model with
the same industrial design and sound profile.
Forming part of the Panta Rhei ecosystem, the speakers are tuned for speech intelligibility and background music in conferencing, educational, retail and hospitality settings. Incorporating sound dispersion technology, the speakers provide consistent audio coverage. Characterised by an industrial design, features include front-access wiring for ceiling speakers and centralised speaker utility software for simplifying installation, setup and troubleshooting.
WITH THE introduction of the MARA self-powered line array system, DAS Audio has extended the ARA series. Positioning itself between the LARA and SARA systems for medium and large-scale events, MARA produces a continuous power of 4,200W RMS and can produce a maximum SPL of 148dB
Forming part of a broader audio portfolio including DSPs and amplifiers, the range features wall-mounted, ceiling and pendant models in various form factors, designed to suit varied environments.
www.kramerav.com
A sequence of events
KLING & FREITAG has released its
Sequenza 8 line array system designed for both touring and fixed installations. With a frequency range of 57Hz–22kHz (–10dB) and 68Hz–19kHz (–3dB) as well as a maximum SPL of 143dB, the system can be paired with PLM and D-Series system amplifiers. Patented TrueShape technology enables tool-free adjustment of the horizontal dispersion in three modes – N (60°), W (90°) and XW (120°) – with even asymmetric configurations available. Unlike conventional systems that adjust only part of the horn, TrueShape modifies the entire horn contour. The mid- and low-frequency sections are equally optimised with four 4-inch midrange drivers in bass-reflex enclosures that are said to provide
precise directivity, while outward-angled 8-inch woofers result in a compact enclosure design. The front rigging structure eliminates traditional ball lock pins. The Sequenza 8B single 18-inch subwoofer complements the system and comes with a frequency range of 33–143Hz (–10dB), power handling of 750W nominal, up to 3,000W peak and a max SPL of 138dB.
Finally, the German manufacturer has developed a Touring Amp Rack that offers 12 fully powered amplifier channels in a compact format, integrated power distributor and complete wiring, and a newly designed K&F CP³ Connector Panel for maximum flexibility.
www.kling-freitag.de
Dual 10-, 8- and 6-inch drivers combine in a cardioid setup to produce the lower and midrange frequencies. The high frequencies are managed by two M-78N compression drivers with 3-inch voice coils. The system also offers 80° and 100° horizontal coverage options to enhance its use across a wide variety of acoustic environments and event requirements.
Promoting efficiencies under varying voltage conditions, a 6-channel Class-D amplifier with DSP is incorporated with a switched-mode power supply and Power Factor Correction (PFC). Enabling precise sound control and minimal unwanted onstage emissions, the cardioid design provides rear attenuation of up to –12dB in the 80–200Hz range.
Complementing MARA, the self-powered MARA SUB cardioid subwoofer incorporates a 21-inch front-facing speaker and an 18-inch rear-facing speaker. Delivering low-frequency control, the design achieves rear attenuation of –14dB in the 32–125Hz range. Housed in a birch plywood enclosure and finished with ISOflex coating, the rigging system integrates both the MARA-SUB with MARA arrays.
With the addition of MARA and MARA-SUB, the ARA series represents a comprehensive solution for the professional audio sector. All ARA series solutions are supported by the Spanish manufacturer’s ALMA control and monitoring platform. ALMA integrates advanced tools including DASaim, which uses FIR filters to optimise directivity and sound coverage, and Health Check, to evaluate system conditions through NFC technology.
www.dasaudio.com
MARA array
Sequenza
FEATURING A comprehensive component upgrade, Dynaudio Acoustics’ passive M-series MkII speakers have been totally re-engineered. The MSP drivers, Esotar 3 soft-dome tweeters and crossover filters have all been redesigned, as has the cabinet structure, and the company says the MkII outperforms the original M-series monitors in every aspect. The lineup includes the M1 MkII, a compact dual LF, 2-way, nearfield monitor; the M2 MkII compact 3-way near-/midfield
monitor; the M3 MkII for small to medium music and film dubbing theatres; and the M4 MkII high-power loudspeaker system for use in large music studio monitoring applications.
www.dynaudio.com
Adamson
M10
ADAMSON SYSTEMS Engineering has announced the launch of the MG10, a dual 10-inch stage monitor loudspeaker with a 60Hz–20kHz frequency range. Capable of producing a maximum SPL of 139dB, the MG10 has an integrated 2-channel Class-D amplifier, which delivers a 2,400W total output. This is combined with Adamson’s proprietary onboard processing and a 50° x 100° vertical (HxV) coverage pattern. The speaker measures 52cm x 32cm x 54cm (WxHxD), weighs 26kg and features an
monitoring to elevated installations. A passive version – the M10 – offers 8Ω impedance and advanced Lake processing.
FletcherMachine has also been updated to V2.3, including firmware and remote updates. Improvements include enhanced network connectivity, especially for computers with multiple network adapters; user-selectable direction of initial sync between remote and engine; the ability to import software preferences from the previous version of the remote; and improved redundancy mode for setups with multiple engines. The leader/follower hierarchy for multi-remote configurations has also been updated.
FOLLOWING THE DH350 and DH450 compression drivers, B&C Speakers has added a patented HLX phase plug within its design. The heat-sink enhanced versions expand the range of applications by eliminating the need for custom heat management solutions. Adding a length to match the outer channels, the phase plugs incorporate a twisted central channel. Subsequently, the HLX models increase active diaphragm area, minimise the diameter, provide a lower 1kHz crossover point, lower distortion and are lower in weight.
Meanwhile, Lake Library V6.1 includes a new preset for the M10 and new EQ overlays and presets for ultracompact line arrays in stacked (3–6 cabinets) and pole mount (2–3 cabinets) configurations. An updated amplification chart now includes the M10, and limiter settings for all ultra compact line and point source
the
SENNHEISER HAS unveiled a new installation variant for its TeamConnect Ceiling Medium (TCC M): the TeamConnect Ceiling Medium Ceiling Tile (TCC M CT). The TCC M CT is said to allow for even easier installation of the TCC M into suspended grid ceilings, reducing installation time and costs for integrators onsite. The tile comes in a 60cm x 60cm solution and a 2ft x 2ft version primarily for the US market.
The TCC M CT completes the TCC solutions. It will be available as an assembled kit including a TCC M, front plate and safety ropes, and sold at the same dealer and retail prices as current TCC M flush- and surface-mounted kit options for
www.sennheiser.com
EXTENDING ITS WFS range of outdoor projector speakers, the WFS 4 CX and WFS 6 CX from Work Pro are designed to project audio over long distances and complement the company’s existing WFS 5 CX, WFS 500 CX R and WFS 10 CX R passive, 2-way, full-range models. With a power rating of 150W @ 8W, the WFS 4 CX combines a 1.5-inch compression driver with an
500mm x 500mm and weighs 20.3kg. Both are available in a white fibreglass enclosure as well as the standard black enclosure common across the entire range. Both also offer low-impedance 8W and 70V/100V line connectivity, allowing them to be adjusted for different acoustic solutions.
With an IP66 rating, Work Pro’s WFS range is suitable for both indoor and outdoor
range. The WFS 6 CX also features a 1.5-inch compression
electrical connection cables that enter the enclosure through a cable gland to prevent water, dust and moisture from damaging the transducers.
www.workpro.es
diameter 6CLA51 and 200mm-diameter 8CLA64. Operating within a 100Hz–4kHz frequency range, both models feature copperclad aluminium voice coils for improved bandwidth and clarity, and are characterised by a compact motor design that uses an inside coil and neodymium slug magnet. Optimised for midrange sensitivity in 2-way designs including small-format 2-way line array modules, the CLA series combines larger motors with higher power handling to the lightest woofers available.
www.bcspeakers.com
OLA MELZIG
PRODUCTION MANAGER
M&M PRODUCTION MANAGEMENT
I just love the new generation of the Artist user interfaces. The SmartPanel‘s intuitive workflow and its very visual layout are simply fantastic.
I can customize it in any way I need, which is absolutely crucial for the big live events I typically work on.“
ARTIST INTERCOM
Professional and reliable live communications. Seamless integration of Riedel‘s SmartPanel and Bolero wireless intercom. Easily scaling from 16 to 1024 ports with flexible licensing.
Photo by Ralph Larmann
Biamp extends Voltera lineup
BIAMP HAS added three 4,800W models to its Voltera family of networked amplified loudspeaker controllers (ALCs). The Voltera ALCs double the available wattage of the previously Voltera ALCs, in order to meet the needs of larger venue spaces, including stadiums, concert halls, event centres and indoor arenas.
The Voltera D 4800.4 supplies 4,800W into four channels, while the Voltera D 4800.2M and Voltera D 4800.4M supply the same wattage into two or four channels, respectively. Featuring onboard digital signal processing, the Voltera ALCs combine amplification and processing into a single cost-effective, networked solution suitable for spaces too
large for the existing line of products. The two Voltera D M models include an integrated TesiraFORTÉ digital signal processor, offering customers the same full performance of a standalone DSP, built into the 1U chassis, with ample processing for hosting full Tesirabased systems.
The Voltera ALCs are also compatible with Biamp VenueTune software, which offers system designers and installers a staged workflow to design, deploy and manage their AV systems. In addition, the ALCs can be configured using the ALAMOS loudspeaker library, which streamlines amplifier pairing and setup by automatically configuring Tesira and VenueTune profiles for hundreds of Cambridge, Desono and Commercial Audio loudspeakers.
www.biamp.com
Dynacord unveils IX Series power amplifiers
THE IX Series from Dynacord consists of five models tailored to industry-standard power specifications of 1,500W, 3,000W and 6,000W across two 8-channel and three 4-channel configurations in a compact 1U form factor. The series has been designed for AV systems integrators, installers and consultants, and offers the same functionalities as the manufacturer’s IPX flagship series.
The units have been created for sound system installations that require comparatively less output power. They can also be specified for complementary amplification duties in larger installations. Furthermore, the IX Series allows for integration with third-party platforms such as Crestron and Q-SYS via software plugins. Each IX model comes with eight (8-channel models) or four (4-channel models) mic/line inputs with switchable phantom power. The Dante input/output channels include direct, mix and amplifier outputs, providing extensive routing options. The onboard DSP features high-resolution processing at 96kHz, advanced DSP capabilities with input processing, a 16x16/12x12 channel matrix mixer, FIRDrive and Dynacord’s studio-quality effects. Additionally, the IX Series integrates taskENGINE for system logic derived from the MXE5-64 open architecture DSP to facilitate system automation, scheduling and third-party integration. Dynacord’s ghostPOWER via PoE (Power over Ethernet) is an extension of ghostPOWER technology implemented in the IPX and TXG series. It ensures that the DSP, Dante/control network and all analogue mic/line signal
inputs and mixes remain alive in the absence of mains power, providing a crucial advantage in mission-critical applications. Additionally, overall power consumption is significantly
The IX Series integrates into the SONICUE sound system software and is compatible with the IPX, TGX, L and C Series amplifier lines, as well as the MXE5-64 matrix mix
reduced with ecoRAIL, conserving energy and lowering ownership costs, while powerTANK provides flexible power allocation by acting as a power reservoir. With direct access to the total amp capacity, powerTANK can dynamically deliver power of up to 1,000W or even 1,800W (IX 60:4) per channel as needed. For maximum installation flexibility, the IX Series can individually drive both high- and low-impedance loads.
engine. The series also works with all peripherals within the SONICUE ecosystem, including the TPC-1 touchpanel controller and the WPN1 wall panel controller, and any device using SONICUE Control panels (Windows or iOS). The upcoming 1.5 software release of SONICUE will fully support the IX Series.
www.dynacord.com
AVAILABLE IN Network AES67 Connect and 96kHz-capable Dante Connect versions, LEA Professional has added the 3004 and 3004D IoT-enabled smart amplifiers to its Connect
drive up to 3,000W per channel into 2Ω, 4Ω and 8Ω as well as 70V and 100V RMS. They include advanced DSP with 96kHz linear phase FIR crossover filters, RMS and peak limiters, 32-bit floating-point DSP with built-in sample rate converters and Smart Power Bridge technology.
www.leaprofessional.com
NOTA IS a compact PoE/PoE+ amplifier from Powersoft that provides 140W of power across two channels in a pocked-sized footprint, making it suitable for commercial, conferencing and retrofit installations. Its ability to transmit power and data via a single Ethernet connection streamlines installation, reducing costs and minimising
BUILDING ON API’s heritage of premium recording consoles and based on the summing section of The Box, the US brand has introduced the ASM164 analogue mixer. Providing API summing performance, the 16-channel mixer is targeted at project studios, home studios and production facilities.
With balanced line level DB-25 connectors and a balanced stereo external input integrated into the rear of the 19-inch rack unit, the front panel includes 4-segment LED level and analogue
with external multimedia devices, doubling as a USB-to-AES67 converter for enhanced system flexibility, while its automated setup automatically matches the impedance curve of connected speakers and applies a highpass filter, protecting speakers from potential damage by ensuring efficient power transfer. Nota is rated for plenum mounting in enclosed spaces, and the provided kit allows multiple installation configurations on flat surfaces, poles and DIN rails. Additionally, remote monitoring via Powersoft’s Verso gateway and MyUniverso software provides real-time diagnostics from anywhere.
www.powersoft.com
PreSonus leaps forward with Quantum
FEATURING MAX-HD mic preamps, low-noise converters, low-latency drivers and front-facing instrument inputs, PreSonus Audio Electronics has introduced the Quantum audio interfaces. The USB-C audio interfaces are available in four distinct models: Quantum ES 2, ES 4, HD 2 and HD 8. The auto gain function sets the gain level for microphones and instruments, loopback audio speeds up monitor and streaming mixes, and reamping sends audio directly from the DAW and re-records it through different amps and effects. Adopting any mobile or desktop device, Universal Control includes basic routing and preamp functions such as preamp gain and phantom power. Integrating with Studio One, custom templates can be created and hardware controlled directly from a DAW.
Available in Essential, Studio and Pro tiers, the US brand has also added the Eris monitor series to its offerings. Integrating Bluetooth functionality, onboard tuning and headphone outputs, the Essential models
Eris 3.5 BT, Eris 4.5 BT, Eris 5 BT and Eris Sub 8 BT models. The compact Eris Studio 4, Studio 5 and Studio 8 monitors feature
frequency reproduction
Atmos-ready Eris Pro monitors feature a coaxial design and include provisions for wall and ceiling mounts within stereo or surround applications. Tuned to complement the Eris Pro or Studio speakers, an Eris Pro Sub 10 subwoofer can complement the Eris Pro 6 and Eris Pro 8 monitors.
www.presonus.com
NEXO HAS
Dante-equipped immersive audio processor featuring up to 128-in/64-out AFC Image object-based mixing with three-dimensional reverberation. The unit ships with 32 object inputs/16 speaker outputs included as standard, expandable in blocks of 32x16, 64x32 and 128x64 via a flexible licensing structure. The DME10 features 96kHz processing and is equipped with a wide range of DSP components that can be freely selected, connected and configured, allowing for flexible system construction. A separate speaker system and immersive processors are no longer required as it’s all inside the DME10. The processor combines with the company’s powered TD Controllers and point source and line array loudspeaker systems to create solutions for applications of any
DirectOut expands PRODIGY and MAVEN
A SERIES of dual network audio modules for PRODIGY and MAVEN have been released by DirectOut. Designed to enhance the flexibility and interoperability of the host device, the modules offer expanded audio network and sample rate conversion options and fit into the audio network slot (A slot) of all PRODIGY and MAVEN devices. They also feature bidirectional sample rate conversion (HD SRC) as a standard, allowing them to link to different audio networks independently of different clock masters.
Devices equipped with a single A slot, such as MAVEN.A or PRODIGY.MC, particularly benefit from the dual functionality of these modules. Users can either double the channel capacity of a DANTE.SRC.IO or interface with two different audio network protocols, providing a versatile and cost-efficient solution. The DANTE.DANTE.SRC.IO
AIMING TO simplify deployment and eliminate the need for specialised audio programming, RoomHub from Xilica is an intelligent audio processor that uses AI AutoDeploy technology to automatically discover and configure system components, analyse room acoustics and tune audio performance. Delivering scalable room audio without the complexity, the company hopes that the RoomHub will transform how enterprises deploy and manage audio for medium and large meeting rooms, divisible rooms and classrooms. Its onboard AI engine delivers real-time intelligence at the edge, using machine learning (ML) algorithms to power AI NoiseSense, a technology that distinguishes and filters both static and dynamic noise, while continuous MLdriven dereverberation adapts to changing room conditions. The RoomHub also adopts the second-
adapts intelligently to each space. Organisations can configure devices offline through an embedded web interface, while
configuration and advanced provisioning mean devices automatically configure themselves once connected to the network; meanwhile, the system
DME workflow by providing a comprehensive set of software tools designed for accessible use, supporting system design, operation and licence management.
The manufacturer has also updated its NS-1 system configuration and simulation software which now includes AFC Design Assistant for defining the quantity, density and placement of speakers, before predicting their performance and audience coverage. The speaker configuration can then be exported directly to AFC Image Controller for object-based mixing of the sources in a 3D space. Thirdparty integrations via OSC protocols are also supported to enhance versatility and adaptability across different platforms and setups.
www.nexo-sa.com
module offers two interfaces with 64 channels each and individual SRC for each Dante network. There are currently seven available modules in the range of options including the DANTE.MILAN.SRC.IO, DANTE.RAV.SRC.IO and DANTE.SG.SRC.IO. These focus on Dante conversions, enabling fully redundant, effortless conversions between Dante, Ravenna, Milan and SoundGrid network protocols.
In addition to the Dante solutions, the RAV.MILAN.SRC.IO and RAV.SG.SRC.IO, alongside the MILAN.SG.SRC.IO, can facilitate any conversion between all these popular audio network protocols. As with all DirectOut solutions, these modules include the manufacturer’s EARS redundancy switching.
www.directout.eu
can run regular and comprehensive checks across every connected device to catch issues before they impact users. After firmware updates, room changes or on schedule, the RoomHub automatically verifies every component and delivers health reports straight to a dashboard. The RoomHub’s compact form factor enables installation under tables, behind displays or in drop ceilings, while PoE and a fanless design further simplifies deployment. RoomHub also features Dante and dual USB-C connectivity for plug-and-play installation, multi-camera tracking keeps every participant in frame and integrated Bluetooth and Auracast technology enables enhanced accessibility through direct audio streaming to hearing assistance devices.
www.xilica.com
Dual network audio modules
KLANG:quelle XDM bridges analogue and digital
KLANG HAS unveiled the KLANG:quelle XDM, a 1U XLR breakout box that delivers 32-bit digital-to-analogue audio conversions from Dante or MADI inputs.
activity. The first port also supports Power over Ethernet (PoE) for streamlined setup. A high-resolution display and rotary control knob are said to make it easy to configure
channels of output with user-configurable options for analogue XLR or digital AES3 formats in a compact, rack-mountable unit. It can be used as an addition to a KLANG immersive processor or as a standalone tool in any pro audio environment.
The unit features two Neutrik etherCON halo network ports for Dante connectivity, with built-in LED rings indicating network
Sixteen Neutrik XLR outputs allow for dynamic routing. Stereo pairs can be configured to deliver either two mono analogue line level signals or a stereo digital AES3 signal through the same XLR connector. A blue halo light on the first XLR output of each pair provides an instant visual indicator of the selected output type.
www.klang.com
Bosch boosts Dicentis Flush
THE DICENTIS Flush range from Bosch has been expanded with the DCNM-FSL2 language selector and a Custom Dimension solution. The DCNM-FSL2 language selector allows for daisy-chain configuration where devices can be looped through using standard Cat5e (or higher) cabling or a standard PoE switch. The device can also operate in star configuration, where each device is connected to a PoE-compatible switch with an individual standard Cat5e (or higher) cable. This can be enabled by flipping a switch on the device.
solution where customers can get the modern functionality of a system in a made-to-measure package that will meet their aesthetic requirements. As a result, customers can now specify the width and height of their Dicentis Flush devices so that the units can fit into existing furniture without any adaption.
Meanwhile, the Dicentis Participant App is the latest addition to the Dicentis ecosystem. Launched initially for Android devices, the solution extends the feature set of the stationary Dicentis conference
are connected to the device. The DCNM-FSL2 supports up to 100 languages and control is via the four touch buttons alongside the 1.44-inch screen.
Dicentis Flush – Custom Dimension has been created as a flexible solution that can be built to the bespoke needs of customers. Particularly suitable for parliaments or councils that want to upgrade their existing solution but don’t want to adapt their furniture, Dicentis Flush – Custom Dimension offers a bespoke
Audac enters the NIO age
AUDAC HAS released a series of three network I/O mixing breakout boxes featuring Dante/AES67 outputs together with integrated mixing and audio processing. The NIO 204 interfaces 4x4 channels of Dante and AES67 inputs with four balanced line outputs and a terminal block input on the S-box modular multifunctional enclosure. The audio inputs can be switched between line and microphone level audio signals. It is suitable for any PoE networkbased installation and phantom power (+48V DC) can be applied to the input connectors for powering condenser microphones.
Integrated DSP functions including EQ and automatic gain control can be configured via the Audac Touch App. Backwards compatible with many existing Audac products, the 1U I/O expanders can be mounted under a desk, in a cupboard, on the wall or in a 19-inch equipment rack.
in addition to all the features built into the NIO 204 breakout box. The NIO 240 combines 4x4 channels of Dante and AES67 inputs with four mic/line outputs. Promoting a higher gain and reception range, all three units are compatible with a BAE100 extender kit. An integrated Bluetooth receiver (Version 4.2) offers further installation flexibility in bars, restaurants, retail, education, hotels and corporate applications.
www.audac.com
Virtually Professional
running the new Participant App. When in use, the Android device can be linked with a Dicentis Conference device to act as a single participant position. Devices are one time registered by a technician for security purposes. During the meeting, participants can easily log in as configured and are automatically linked with their conference device.
www.boschcommunications.com
AS THE audio industry shifts towards networked, software-based solutions, Audinate’s Dante Virtual Soundcard Pro (DVS Pro) builds on the foundation of its Dante platform to deliver higher channel capacity, integration into virtualised environments and more versatile installation options. Aiming to empower audio professionals across live sound, studio recording, broadcast and commercial AV applications, the DVS Pro supports up to 128x128 channels at 96kHz and seamlessly connects with a broader array of Dante-enabled devices with up to 64 flows to deliver the flexibility to easily scale their systems. Compatibility with virtual environments enables users to expand deployment possibilities, while clock leader and unicast clocking support enables Dante audio to operate entirely in software-based environments.
Meanwhile, the DVS Pro’s integration with the Dante platform also enables it to leverage the Dante control and management plane for easy audio routing and system management, as well as pair with Dante Domain Manager or Dante Director for advanced features like enhanced monitoring, user access control and cross-subnet routing.
Available for both Mac and Windows, it transforms any PC or Mac into a Danteenabled device. By utilising the computer’s standard wired network connection, the software eliminates the need for additional hardware. Audinate says this makes it ideal for a range of applications, from multitrack recording directly into DAWs like Pro Tools or Logic Pro, to media playback, conference systems and collaborative production.
www.audinate.com
Dedicated to 5G
FOLLOWING THE news that it has acquired MECSware, Riedel Communications has announced the launch of the transformative private 5G network solution Easy5G. Designed to revolutionise 5G usage in dynamic environments like live events, remote productions and industrial facilities, the solution is said to offer flexibility, simplicity and rapid deployment.
by weeks compared to traditional networks. No specialised 5G expertise or dark fibre is needed – Easy5G can be managed by general IT personnel using a standard switch infrastructure.
Unlike public 5G services that often struggle during productions and events with high user density, Easy5G operates on dedicated network frequencies. Its modular design pairs MECSware’s advanced Mobile Edge Cloud Server (MECS) with small-cell base stations, ensuring flexibility and scalability for a wide range of applications from wireless communication to live video transmission. Easy5G can link to Riedel’s MediorNet and Artist ecosystems, adding a wireless IP layer for audio, video and data workflows.
www.riedel.net
concept built into XTA hardware for the first time.
The DP648 completes the system for the manufacturer. The MX36 provides fast source switching, the DP648 offers comprehensive system management, and its DPA and DNA amplifiers bring the power to drive systems large and small. Control is enhanced by the grouping system which works across multiple DP648 processors and DPA amplifiers. The 32 groups behave like a virtual 32-output processor.
www.xta.co.uk
DiGiCo debuts the Quantum2
DIGICO HAS released a “T” software version of its most compact Quantum Range desk, the Quantum225T. Bringing refined hardware and Quantum processing, the Quantum225T’s functionality and worksurface have been reconfigured to provide the specialist theatre programming tools needed for theatre sound design, rehearsal and show operation. The manufacturer believes that Quantum225T users will appreciate the console’s “intuitive programming and workflow” that enhance the cue system with DiGiCo’s Auto Update and cue data management tools.
Auto Update allows designers to establish intricate inter-cue relationships, with changes made to channel settings automatically propagating to other related cues. Character variations, often a result of costume and prop changes, are handled with the Alias function,
and cast changes are easily managed through the Players function.
The Quantum225T’s channel processing and mixing functions are identical to its live-focused Quantum225 counterpart, but the crosspoint matrix gains individual nodal delays and matrix aliases. This enhanced matrixing system is said to play an important role within complex theatre output processing but without compromising any of the Quantum225T’s general processing capabilities.
The console sports a lightweight-yet-robust control surface in addition to comprehensive “in the box” mixing, reducing the need for outboard equipment. It comes with familiar features from the existing Quantum range, including Mustard Processing channel strips, Spice Rack plugin-style native FPGA processing options, Nodal Processing and True Solo.
The Quantum2 T is equipped with 96 input channels and 48 busses, as well Mustard and Nodal Processor tallies to 36 and 48, respectively. Mix minus is also included in the new feature set, plus a larger 24x24 matrix. There are four MADI ports and
for dual-operator workflows, Stagetec has updated its Avatus mixing console which that allows every panel to function as the central control section. Four dual-concentric
encoders per channel strip provide adjustments for up to 96 parameters for a single signal in addition to bidirectional routing for busses, VCAs, mute groups and link groups. The update also includes a temporary link functionality for grouped parameter adjustments in addition to crosshair-assisted touchscreen routing for precise configuration.
Offering flexible solutions for 1D, 2D or 3D movement of microphones, speakers or cameras, the Stagedrive multimedia winch system can handle payloads of up to 12kg. DEKRA-certified for operation over audience areas, automated trajectory calculations can be made for accurate movement along userdefined paths.
Harrison Audio reformats a legend
BASED ON its flagship 32Classic recording console, Harrison has developed the 32Classic Mix Strip (MS) for today’s hybrid workflows and tracking rooms. Making Harrison sound available in a 19-inch rack format, the 1U channel strip adopts the same design as the original 3232 and latest 32Classic console. The 32Classic MS features a Jensen JT-MB-CPCA transformercoupled microphone preamp, Harrison LP/HP filters with 3dB resonant peak and an iconic 4-band parametric EQ from the 32Classic console.
The input sections of the 32Classic MS include dedicated mic and line XLR inputs on the rear panel and a front-panel input with
selectable instrument/Hi-Z and mic options. The mic input features include 48V phantom power, a –20dB pad, phase flip and a tri-
colour LED meter. Independent gain controls on both the mic and line inputs ensure precise adjustments.
The transformer-coupled microphone preamp is a defining feature of classic Harrison recordings. The 32Classic MS mic preamp offers 70dB of clean gain to deliver a warm, rich tone. The Jensen JT-MB-CPCA transformer contributes to a full low end, open midrange and smooth natural highs. The transformer’s gentle roll-off at each end of the frequency spectrum and delicate phase shift promote its use for virtually any source material.
www.digico.biz
The Berlin-based developer has also revealed three new partners enlisting to the Stagenet IP signal management community. Devised as drag-and-drop software to connect a wide variety of devices, the data and orchestration solution organises and monitors AVoiP signals in the network. Arkona is an IP infrastructure specialist for audio/video routing, compression and visualisation; Manifold is a developer of cloud-based live production service clusters; and On-Hertz is a provider of software solutions for real-time audio production, locally or in the cloud.
www.stagetec.com
CONCERT SOUND 2.0 filter sets have been added to HK Audio’s Concert Sound portfolio, which features the Contour X, Cosmo and C-SUB families. The filter sets are said to deliver a revised sound signature, optimised user-friendliness and perfected system coherence. This
reportedly helps engineers to create an extended sound signature, so that HK Audio systems sound “fuller, bigger and more confident”. The new filters have been tested under live conditions and are now available for Lake and Armonía processors. Existing
and high-pass filters offer a musical 12dB/ octave slope. Ranging from 25Hz–3.1kHz, the high-pass filter includes a 3dB resonant peak, while the low-pass filter spans 160Hz–20kHz. An integrated mix bus allows outputs to be cascaded from multiple units for summing together via rear panel connectors and jumper cables. Output signals can be balanced using the fader control and pan controls, and the integrated mixbus adds flexibility to any setup. Several 32Classic MS can be chained together via the rear mixbus connectors to build a bespoke modular Harrison stereo summing mixer.
www.harrisonaudio.com
systems can be updated to Concert Sound 2.0 to take advantage of the new features. Updated Ease files are also available to further facilitate planning and implementation. The optimised FIR filters with a uniform phase response have been designed to provide the ideal combination of all components in the Concert Sound portfolio.
www.hkaudio.com
dual DMI ports for added connectivity, 8x8 analogue and four AES channels for local I/O, built-in UB MADI and optional Optocore, plus dual PSU.
Avatus
Allen & Heath brings wall control to nontechnical users
CREATED TO provide remote control over AHM, dLive or Avantis systems, Allen & Heath’s IP4 is a 4-button simple programmable wallplate controller. It has been designed with the non-technical user in mind, and can control zone level, source selection, mutes, level adjustment and scene/preset recall.
A Sommer forecast of flexibility
DESIGNED FOR demanding environments, Sommer Cable has developed an Ethernet cable for stable and powerful connections for transferring data over Cat.5e, Cat.6 and Cat.6A together with a Cat.7 PUR version for high-frequency Cat.7 transmissions. Common to the three variants, an SC-Mercator is available in different versions depending on the environment.
Multiple IP controllers can be connected to an AHM, dLive or Avantis system to provide control exactly where needed. The controller interfaces with the mixing system via standard TCP/IP network connections and can be networked with other controllers, computers and thirdparty devices using a standard Ethernet infrastructure. The IP4’s controls and functions are configured using AHM System Manager, Avantis Director or dLive Director software (PC or Mac), or via an Avantis mixer or dLive Surface.
Klotz caters for threedimensional sound events
SPECIALLY INTENDED for multichannel systems, Klotz has added the LSC3215YS multicore speaker cable to its catalogue. Designed for live operations, the sturdy 32x1.5mm² multicore incorporates 32 cores with bare stranded copper wire (class 6, VDE 0295) and a core cross-section of 1.5mm². Guaranteeing maximum tensile strength in operation in extreme conditions down to –20°C, a cold-resistant PVC outer jacket is stabilised by an additional Vectran LCP braid. Significantly reducing setup and dismantling times, the 32-way speaker multicore can replace up to four 8-way speaker cables for immersive loudspeaker
with an IP65 rating. Combining flexibility and durability, the X6TE combines the Neutrik NE8MX-B-Top housing with a flexible SC-Mercator Cat.6 Superflex network cable. A PUR jacket advances the cable’s abrasion-resistant feature and is resistant to mechanical influences and UV radiation.
Tasker pairs up
DMX CABLES are now essential in a large majority of operational situations, such as the transmission of digital audio signals, the control of stage lights and connecting to control desks. In most cases, these cables are found in theatres or dedicated public spaces; however, these venues require products that are approved for the medium fire risk CPR Cca class.
retardant and CPR Cca homologated, each cable pair is composed of two conductors of pure tinned copper with a section of 0.25mm², an aluminium foil tape and a pure copper drain wire, under an LSZH numbered sheath. The TSK902 CPR Cca, TSK904 CPR Cca, TSK908 CPR Cca and TSK912 CPR Cca come with two, four,
Available in two form factors for the US and EU/UK markets, the IP4 is compatible with Decora and MK Elements faceplates. The device also automatically matches firmware with connected devices for easy installation and system maintenance.
www.allen-heath.com
DESIGNED TO operate in the 5GHz band, AEQ has launched the Xplorer MAX wireless intercom terminal. Based on WM-DEC (Wireless Multimedia – Docsis Enhanced Communication) technology, the Xplorer MAX provides protection against interference and can operate up to 600m in an open field with a single antenna. Ideal for temporary deployments and large-scale environments, the Xplorer MAX minimises the need for multiple access points. Each access point can manage dozens of terminals simultaneously. Combining functionality and ergonomics in a compact beltpack format, the Xplorer MAX integrates an intuitive interface with four programmable keys per page, two volume encoders and a multifunction
For high-frequency Cat.7 transmissions, the P7TE or P7RE versions with the SC-Mercator Cat.7 PUR bulk ware cable provide a transmission frequency of 600MHz. The P7RE is also available with the latest Neutrik NE8MXR-B-TOP housing, which can be completely retracted allowing the connector to be mated to RJ45 sockets.
www.sommercable.com
Tasker has unveiled a range of products that are all compliant to the most advanced fire homologations needed worldwide. All of them are manufactured with innovative construction materials to make them suitable for indoor and outdoor installations, keeping their flexibility and softness unchanged.
With between one to 12 DMX channels in one cable and low smoke, flame-
console. The Capitol IP Plus comes with
operation, said to provide an intuitive
precise control of all
faders and 16-channel Dante connectivity as a base, expandable to 32 channels, the Capitol IP Plus has a routing capacity of 96x96 and is available in a silver or black finish. Its programmable keys reportedly allow hundreds of configurations via paging.
In addition, the console comes with Bluetooth connectivity on the surface, three amplified headphone circuits, four AES/EBU digital inputs and outputs, and up to 17 analogue inputs and 16 analogue outputs, including five microphones, in a basic configuration that can be expanded via Dante.
www.aeq.es
Conexia, Crossnet, TH5000 matrix and the
Audio-Technica tackles demanding environments
WITH THE ATM355VF, Audio-Technica has engineered a compact cardioid condenser to capture the nuanced sounds of violins, violas, flutes and other woodwind instruments. Capable of handling SPLs up to 148.5dB, the clip-on model features a highsensitivity microphone that delivers clear and balanced audio reproduction. Designed for both solo and ensemble performances in demanding environments, its cardioid polar pattern ensures frontal sensitivity for feedback control while isolating unwanted
The ATM355VF includes the AT8543 power module, which provides a switchable 80Hz lowcut filter to minimise low-frequency noise. The module connects via a locking 4-pin cW-type connector in wired applications and features a 3-pin XLRM output. The microphone also supports wireless configurations with multiple models with terminations compatible with cWand cH-style wireless bodypack transmitters. Fitted with a windscreen to isolate noise, the flexible gooseneck design can be precisely positioned to reduce strain on the 1.8m-long
Audix adapts OMX for different stages
ENGINEERED TO offer a handheld microphone for each of the three common stage scenarios, Audix has launched its OMX series. It comprises the OMX-E, for singers who move around more during a performance; the OMX-T, for vocalists on busy stages; and the OMX-M for vocalists with a close mic technique. The three zinc alloy handhelds are distinguished by a colourcoded ring just below each mic’s capsule. Displaying a hypercardioid pattern, the latest generation of Audix’s dynamic microphones integrate very low mass capsule technology and a flattop grille to guide towards correct positioning and technique.
Engineered to keep the singer’s mic free of unwanted bleed and feedback, the OMX-T isolates all the vocals while maximising rejection of other nearby signals. Aiming to retain detail without adding bass boost or losing clarity, the OMX-T adapts to concertlevel stages and distinguishes itself from the other models by a silver-coloured ring. Created for singers with varied mic techniques, the OMX-E is engineered to
cable. To tailor specific pickup characteristics, the clip-on can adopt interchangeable elements, including the UE-O omnidirectional and UE-H hyper cardioid elements. The ATM355VF also includes dedicated mounts to ensure secure attachment to a variety of instruments. Providing one-handed attachment and minimal contact, the AT8491V violin mount is designed for instruments with a body depth of 30–55mm. The AT8491F flute mount accommodates diameters ranging from 12–30mm, making it suitable for other wind instruments, and cylindrical objects including microphone stands. A wireless compatible version, the ATM355VFcH, is also available for use with Audio-Technica wireless products featuring the cH connector.
The manufacturer has also released its R-Series open-back range of headphones. The former ATH-R70x has been upgraded to the ATH-R70xa and is joined by the ATH-R50x. While the ATH-R70x utilised damping and its acoustic design for added low-frequency emphasis, the fully open-back sound of the ATH-R70xa relies solely on the performance of the driver – each diaphragm movement translates directly into sound without reliance on acoustic cavities or resonance for frequency enhancement and minimising distortion. The drivers in the ATH-R50x have been modelled after those used in the original
detachable cables, each with a 2.5mm twistlock connector at the left earcup and a 3.5mm gold-plated stereo mini-plug.
In brief, Audio-Technica has introduced a white version of its ATH-M20x professional monitor headphones.
www.audio-technica.com
DPA enters the wireless market
WITH THE release of the N-Series digital wireless microphone system, DPA Microphones has broken into the wireless equipment market. The N-Series is a fully digital, true diversity wideband solution in a robust and easy-tooperate format that is suitable for a wide array of live, house of worship and corporate events as well as installed applications and rental companies.
Along with the wireless receiver and bodypack transmitters, DPA has also launched its 2024 Vocal Microphone, designed specifically with the N-Series in mind. The system can also be used with a variety of industry microphones, including several DPA models.
Owing to its dedicated wideband capabilities, each N-Series solution enables users to quickly find audio channels in even the most densely RF populated areas and arenas, anywhere in the world. It operates in the 470–870MHz range, with each unit providing users 400MHz of flexibility and ease of use. This wideband philosophy reportedly ensures a more secure investment, not only because a single N-Series unit can be used in multiple locations, but also because it
N-Series also offers AES256 encryption for privacy, which is essential for corporate or governmental applications.
With the N-Series wireless system, DPA has unveiled the DPA Audio Controller, a software solution that allows remote control and monitoring of the system via either PC or Mac. DPA Audio Controller also features a comprehensive frequency analyser that covers the entire bandwidth of the system, spanning from 470–870MHz.
The N-Series bodypack transmitters are rounded to fit the contours of the body and are available with two connector options: LEMO 3-pin or DPA’s new MicroLock compact connector. Other professional microphones with these connector types can also be used with the DPA N-Series bodypacks.
Handheld transmitters are available with the DPA SL1 thread, which is rapidly becoming an industry standard as it is compatible with most vocal microphone cartridges. The N-Series package can be used with DPA’s high-end vocal mics, including the 2024 Vocal Microphone, as well as the 2028, d:facto 4018V and 4018VL microphones.
capture consistent detail and frequency response throughout an expanded range of distances relative to the performer. Ideal for varied performance styles, a green band circles the mic as an OMX-E.
Featuring a bronze-coloured ring, the OMX-M all-rounder blends a medium-tight capture zone with a subtle mid-high presence. Suitable for various musical genres, the low end is slightly attenuated to reduce boominess and its medium-tight control resists unwanted noise.
www.audixusa.com
Austrian Audio gets creative
DESCRIBED AS an inspiring creative tool for artists with a crisp, modern voice and intuitive feature set, Austrian Audio has released the OC-S10 Reference as its flagship recording microphone. At the core of the vocal and instrument reference mic, the specially selected CKR12 capsule is based on a free-floating design. Adopting an Open Acoustics Technology approach to capture sound with minimal obstructions, the OC-S10 uses a unique electronic design for a low noise floor. Multiple cardioid pattern settings – omnidirectional, wide cardioid, cardioid, hypercardioid and figure 8 – allow for different variations of this voice. These include the capability of multiple outputs accessed via dual, full-sized XLR outputs on the bottom of the capsule’s metal casing.
Customisation features including pad, low cut filter and microphone pattern settings are accessed via movable rings along the casing of the 690g OC-S10. A shockmount featuring a ball-joint connection promotes ease of positioning, and a magnetic
attached frameless metal mesh pop filter minimises reflections.
www.austrian-audio.com
Amadeus Acoustics transforms ART for more stages
AMADEUS ACOUSTICS has released an immersive engine as part of its ART platform for multichannel and multiroom applications. Building on the features of its predecessor, the ART::IP immersive performance software module advances sound control in 3D spaces. Supporting a 96kHz sample rate, the upgraded system delivers immersive sound processing for an infinite number of audience zones while maintaining a consistent spatial experience for every seat in the venue. Offering scalability
effects throughout the room, while performer sources are tailored for live instruments, singers or playback onstage. Performer sources are automatically snapped to the stage area, using the full headroom of the main PA system and applying optimised processing across all loudspeakers with automated precedence optimisation that maintains precise sound localisation. The audio consistently aligns with performers, regardless of where audience members are seated.
and versatility, the software module can manage up to 128 sound sources and 256 loudspeakers. Eliminating the need for individual mixes to account for fill speakers or challenging architectural spaces, the system automatically optimises processing for all audience zones. Brand-agnostic, the ART::IP integrates with any loudspeaker system to provide a continuous and immersive venuewide experience.
A standout feature created by the Austrian developer is the ability to define sources as either immersive or performer sources. Immersive sources handle spatialised sound
What’s neXt for Shure?
FOLLOWING ON from the 2024 release of the 2-channel Microflex Wireless neXt, Shure has extended the portfolio with 4and 8-channel count options for adoption in a variety of larger scale meeting and classroom environments. The MXW neXt 4 and neXt 8 combine IntelliMix DSP capabilities and I/O connections, including USB, Dante networked audio and analogue audio. With mics pairing in seconds, streamlined end-to-end workflows and intuitive system layouts are designed within the Designer 6 software. Providing remote control access to Shure networked audio devices, the MXW neXt 4 and neXt 8 are connected to Shure’s cloudenabled centralised management platform, ShureCloud.
The redesigned gooseneck transmitter boasts an increased battery life of up to 39 hours of operating time. Designed to
stereo input, customisable EQ and EQ presets for the passive MX loudspeakers. Compatible with video conferencing and communication platforms, the MXN amplifier can be mounted in a rack or on the wall or ceiling.
Featuring a compact, low-profile design, the mini pendant passive MXP-1 is suited for open architecture or wood slat ceilings. Available in a black or white finish, the paintable MXP-1 incorporates a Balanced Mode Radiator (BMR) driver that promotes enhanced speech intelligibility and wide dispersion for complete room coverage. Integrating the same BMR driver, the compact MXP-3 passive loudspeaker can be wall or ceiling mounted in meeting rooms requiring enhanced stereo audio.
integrate simply to the base unit, both the MXW neXt 4 and neXt 8 can be network-installed or used as a standalone system. Based on the AES256 algorithm, Shure Audio Encryption adopts a user-configured passphrase on all devices and ensures a confidential protected audio signal.
The MXW neXt 4 and neXt 8 offer a choice of four redesigned wireless microphone form factors, each with an added LCD highresolution matrix display for monitoring battery life and connection quality. The MXW1X bodypack, MXW2X handheld with a choice of mic capsules, MXW6X boundary (certified for Microsoft Teams) or MXW8X gooseneck can be pre-configured to handle multiple applications. The gooseneck charger can charge up to eight microphones and can be daisy-chained via Ethernet connection to the associated wireless access point.
With Amadeus Wavefield Panning, the system incorporates a delay-based panning feature for immersive 3D experiences. A unique motionspeed-dependent delay interpolation ensures that even sensitive sources, such as vocalists, can be moved with artefact-free precision. Other advancements include a fully 3D visual workflow for setup and monitoring, remote control integration with external platforms such as tracking systems, QLAB and Q-SYS plugins, and configurable downmix capabilities for external feeds.
www.amadeus-acoustics.com
Joining the existing MXN5W-C networked loudspeaker, Shure has expanded its Microflex (MX) Ecosystem portfolio with a lineup of ceiling and wall-mounted passive loudspeakers and a networked amplifier. Forming part of the Microflex Ecosystem, the MX loudspeakers are supported by standards-based security protocols to manage access and protect data including 802.1x and AES encryption for control when connected to the MXN-AMP.
When used with Microflex Ecosystem microphones, DSP and loudspeakers, the multichannel PoE+ amplifier delivers immersive audio across various room types. Features include Dante inputs and outputs, an analogue
Distinguished by its unobtrusive design, the MXP-5 ceiling-mount passive loudspeaker streamlines shallow depth installation and is ideal for retrofit configurations. The dual-driver architecture delivers full fidelity and optimum speech intelligibility. When paired with the MXN-AMP, up to eight MXP-5 loudspeakers can be daisy-chained in 70V mode. Sporting a sleek industrial design for open ceiling spaces, the MXP-6 passive pendant loudspeaker features a dual-driver architecture and can be powered by one MXN amplifier in 70V mode.
www.shure.com
MXW neXt
MXP-1
Tascam upgrades Hi-Res Editor
WITH AN updated version of its Hi-Res Editor software, Tascam can now support playback and export of DSD files without having to convert them to PCM audio.
Designed for use with the DA-3000 stereo master recorder, the Windows and Mac DSD/ WAV editing package is compatible with Apple Silicon. The latest software version supports the notarisation software feature distributed outside of the Mac App Store. Notarisation ensures compliance with macOS security standards and meets certain security guidelines set by Apple. With this update, the computer recognises the software as safe and allows the installation to proceed without security warnings.
Support for mono to L/R stereo conversion allows two mono files – which share the same audio format, sampling frequency and bit depth – to be combined to create a stereo file. Furthermore, support for L/R stereo to mono split is also supported, where one stereo file can be split into two individual mono files to easily create independent L/R channel audio. With the availability of the IF-ST2110 expansion card and 2.0 firmware, Tascam has upgraded its Sonicview 16/24 digital mixing consoles. Futureproofing IP-based connectivity operations, the expansion card fully supports SMPTE ST 2110 AV networks when inserted into the portable Sonicview. Providing access to 64 input and output audio channels, the
IF-ST2110 ensures full network redundancy through SMPTE ST 2022-7 compliance. With support for NMOS, AES67 and SAP protocols, it integrates with multiple IP protocols, bridging formats for diverse broadcast environments. In addition to two media
ports, a WebUI App is now accessible via a web browser, allowing configuration via the dedicated control port for optimised stream management.
The compact DR-05XP and DR-07XP portable stereo recorders have been designed for
panLab brings entry-level access to spatial audio
FORMING THE first major release since the company joined the Focusrite stable, TiMax has announced panLab as a free download from its website. The solution enables the simple and intuitive creation of spatialised audio designs in both entry-level and large-scale systems. Adding 3D rendering capabilities to QLab, alongside a wide range of mixing consoles and system processors and TiMax SoundHub, TiMax panLab gives entry-level access to spatial audio. According to the manufacturer, one of panLab’s major strengths is the simplicity of its 3D user, which provides a tool for creatives to craft multidimensional audio soundscapes. The honed design of the
original panLab spatial programming platform developed by the recently acquired Innovate Audio has now been combined with two decades of spatialisation and showcontrol experience within TiMax.
An update has also been announced to the company’s TiMax SoundHub with a new 695S Mac and PC client software release. Amongst other advancements, SoundHub 695S adds support for the Z axis in PanSpace and Timeline, adds the ability to select all objects of the same type within a cue and refines how audio loop points are modified.
www.timaxspatial.com
easy, one-handed operation in a variety of recording environments. With 32-bit float recording and up to 96kHz sample rate, Tascam says they ensure low-noise, distortionfree recordings, while 32-bit float resolution also means users never have to worry about losing audio takes that were recorded at a level that was too high or too low. Both models have built-in microphones capable of handling audio levels up to 125dB SPL. The two omnidirectional fixed condenser microphones on the DR-05XP can pick up sound from any direction, while the flexible DR-07XP has unidirectional stereo condenser microphones that can be set up in either AB or XY orientations. A stereo mini jack on both models lets users connect microphones with plugin power or external line sources for mono or stereo recording. Both recorders can also function as 2-in/2-out USB audio interfaces via USB-C.
With support for SDXC cards up to 512GB and a battery life of more than 17 hours, the DR-05XP and DR-07XP also feature a chromatic tuner, reverb effect, three low-cut filter options and automatic tone output to cameras for postproduction synchronisation. In brief, the manufacturer has announced the availability of v2.0.0 firmware for its Sonicview 16/24 digital mixing consoles.
www.tascam.com
Yamaha is planning ahead
PROVISIONAIRE PLAN from Yamaha is a browser-based audio system planning tool that extends Yamaha’s ProVisionaire suite of software applications for the design, operation and management of the company’s audio systems. Initially addressing Yamaha’s ADECIA remote conferencing system, ProVisionaire Plan enables users to automatically select and arrange ADECIA components such as microphones and speakers to create a system simply by entering information such as the dimensions of the room. By automatically selecting and arranging equipment with simple, intuitive actions, it aims to automate both the step-by-step design and onsite acoustic tuning phases of any ADECIA project, from system configuration to calibration.
results are presented visually, with the coverage area of the automatically placed microphones and speakers illustrated to justify the proposal. In addition, a 3D view allows investors to clearly envisage the system they are investing in. Yamaha plans to add more products to
Plan
ProVisionaire Plan in the future, expanding the number and range of systems it can be used to design.
Meanwhile, Sound xR has been designed to bring the Yamaha Group Companies together with a collective vision to bring immersive experiences to everyone. The Sound xR vision is to connect real with virtual environments, for example using the real venue data to create 3D modelling for a virtual venue, and create a virtual event for an “offsite” experience. Then, audiences can join from other platforms such as VR devices or smartphones and experience immersive audio via headphones. Or the reverse – users can reproduce virtual content at an onsite venue. In virtual spaces, Sound xR Core creates
ProVisionaire
Hi-Res Editor
panLab
Perfectly lined up
AIMING TO eliminate the need for painstaking vocal pitch matching and time alignment, the Sync Vx plugin from Waves Audio allows users to match the time and pitch of multiple vocal tracks to enable music producers and mix engineers to manage entire vocal arrangements in a single, streamlined display. It allows users to assign multiple reference tracks, fine-tune pitch and timing, or get creative with transposition and formant manipulation in the same plugin window. For postproduction engineers handling ADR tasks, Waves says the plugin provides a quick, efficient and precise way to match the time of re-recording dialogue to the original performance. In addition to aligning multiple vocal tracks that have already been recorded, the Sync Vx can also help improve the timing of a specific performance. If a singer does not deliver perfect phrasing, users can record their own voice and use its groove as a reference to easily nudge them into place. The plugin also features ARA technology for faster workflows and real-time sync; customisable shortcuts and ignore, bypass and sync-marker features; transpose and formant manipulation; the ability to tighten backing vocals and vocal doubles, and sync entire vocal sections
with four reference tracks; and adjust settings globally, per track or per region. Waves is also continuing its collaboration with Yamaha with the release of its WSG-PY64 I/O card.
Designed specifically to integrate Waves plugins with the Yamaha DM7 console, the WSG-PY64 has a latency of 0.8ms and delivers 64 I/O audio channels at 44.1kHz to 96kHz sample rates. It
enables users to connect to SoundGrid systems and SoundGrid-compatible devices, as well as record/playback in parallel to processing on Windows/Mac machines.
Finally, the manufacturer has announced a V15 update to its SoundGrid Rack for the Avid Venue | S6L console. The enhancements are said to make mixing workflows with Waves plugins faster
and improve loading snapshots. Live engineers can run up to 64 stereo virtual racks, each containing up to eight Waves plugins, directly within Avid’s Venue | S6L console – with tactile control from the console’s surface knobs. This setup reportedly eliminates the need for a computer host or external network switch.
Users can complete the system with the WSG-HD Waves SoundGrid Option Card, Venue software v8 or later, a Waves SoundGrid Server to process the plugins and a choice of Waves plugin licences.
www.waves.com
Sync Vx
S6L V15
Holophonix releases Version 2.3 software
HOLOPHONIX HAS unveiled Version 2.3 of its immersive sound processor, bringing two key advancements: enhanced interoperability and a “Wizard” for simplified setup. Designed to simplify the way users interact with spatial sound technology, the update reportedly reduces the complexities that often come with integrating new spatial sound technologies into existing systems.
Version 2.3 expands compatibility with professional audio equipment, including integration with Yamaha mixing consoles from the QL, CL and DM series. Integration with the PM series will be available in an upcoming update. It also boasts enhanced interoperability,
allowing for smooth integration with a variety of audio equipment commonly used in live performances, studio settings and installations. Whether connecting to mixing consoles, digital audio or workstations (DAWs), the software allows users to connect and manage their audio setup and is said to offer sound engineers greater flexibility in their workflows.
The Wizard feature is a step-by-step interactive guide that is said to make it easier for users to go from opening the software to having sound
Bose Professional accelerates to the cloud
CONTROLSPACE CLOUD is Bose Professional’s new cloud-based software tool that is said to bring smarter management, monitored performance and greater insight and reliability to ControlSpace devices. The software enables remote system monitoring and troubleshooting of ControlSpace devices from anywhere with cloud connectivity. It also allows users to instantly respond to and even anticipate system issues before they happen, reducing unnecessary site visits. Designed to be fully scalable, the tool also allows customers to monitor just one room or up to multiple organisations globally. System data includes connection status, faults, errors, clipping and limiter activation, while the software can be integrated with popular
Clear-Com adds to FreeSpeak family
added the FreeSpeak Icon beltpack to its FreeSpeak family of wireless intercom systems. Designed to meet the needs of technical teams across broadcast, live performance, corporate AV, sports and worship markets, the beltpack combines the RF capabilities of the 1.9GHz (DECT) frequency with an array of user-focused innovations, including nine configurable buttons, four individual channel volume controls and support for the latest Bluetooth 5.3 technology.
The beltpack’s nine configurable buttons, including eight dedicated channel buttons and a reply key, are said to rival the functionality of a traditional intercom panel. Four dedicated control allow users to fine-tune audio levels for each channel, reducing listening fatigue and enhancing overall comfort. With Bluetooth 5.3 compatibility, users can connect the beltpack to modern wireless headsets and earbuds. Optimised for compatibility with the manufacturer’s Arcadia Central Station and Eclipse HX digital matrix, the beltpack includes Dante and MADI for Eclipse users.
With the EHX v14 software update, Clear-Com has advanced its Eclipse HX digital matrix intercom system for mainstream production intercom solutions. Said to add “unmatched” SIP density and flexibility to Eclipse HX systems, EHX
platforms including email, Microsoft Teams and Slack.
The IP43-rated Lyric series is said to deliver “excellent output and unmatched vocal intelligibility” in a compact, installation-friendly form factor suitable for medium and large installations. Available in 2-way 8-inch (LC108) and 12-inch (LC112) models, the Lyric series features high-excursion coaxial drivers that incorporate Beamwidth Matching Waveguide technology for uniform (110° x 60°) coverage across the frequency range. The high-excursion coaxial drivers deliver up to 126dB max SPL, while the compact, rotatable cabinet with square grilles provides flexible installation options.
www.boseprofessional.com
providing seamless connectivity with a wide range of SIP-enabled devices, communication networks
d&b makes En-Space for Custom Rooms
ENGINEERED TO enable organisations, creatives and artists to recreate their specific signature acoustics in any environment, d&b audiotechnik has introduced En-Space Custom Rooms. The new customisation service is an extension of the En-Space virtual acoustics engine for the Soundscape immersive audio ecosystem.
Engineered with flexibility and customisation in mind, Custom Rooms allows for the creation of bespoke acoustic signatures for individual clients, using the En-Space measurement method. To expand the creative possibilities, three additional En-Space room slots are available on every DS100 Signal Engine. For ease of use, installation of custom signatures is available through web remote and controllability via OSC. In addition, Custom Rooms can be transferred to any environment, allowing customers to realise their sonic vision in a variety of settings.
Further enhancing the offerings of the En-Space module, d&b has introduced the d&b En-Space Control plugin, designed to integrate
into a Digital Audio Workstation (DAW) or other plugin host environment. The tool enables sound engineers and designers to control all En-Space parameters on the DS100 platform via the AES70 (OCA) protocol. The plugin allows DAWs to record En-Space parameters as automation envelopes or snapshots.
Meanwhile, ArrayCalc V12 is the latest version of d&b’s system planning and simulation software and introduces new features including the manufacturer’s virtual Patch Plan, an enhanced visualisation tool designed to streamline workflows and improve the accuracy of infrastructural planning. These enhancements are said to enable
can be expanded across SIP and intercom platforms. The US brand reports that it is the only manufacturer to supply direct SIP connectivity. The v14 update also introduces redundancy with SMPTE 2022-7 protocol for integration with third-party AoIP devices. This feature ensures continuous operation by providing redundancy on critical audio pathways, even when interfacing with non-Clear-Com AoIP systems. Minimising the risk of downtime and ensuring reliability, this addition underscores the US manufacturer’s support to interoperable communication for complex productions.
www.clearcom.com
users to plan and deploy sound systems with increased efficiency, reducing both time and effort. Patch Plan simplifies system design by providing a comprehensive visual representation of the system infrastructure. The visualisation of the system architecture and the ability to plan the system racks within ArrayCalc reportedly reduce the need for third-party tools.
Users can now visualise system infrastructure, understand device connections and quickly map out signal flow using smart patching options. A streamlined system rack design has been created to simplify the process of designing and connecting system racks, supporting both standard and custom configurations. Soundscape design support provides dedicated tools for Soundscape patch planning, while Milan integration means that users can visualise Milan streams and their associated channels, providing a better overview of signal distribution. d&b’s new CCL (Compact Cardioid Line Array) System can also be planned and simulated within ArrayCalc V12.
www.dbaudio.com
ControlSpace Cloud
Wharfedale Pro releases
Panasonic redefines professional video productions
DESIGNED
FOLLOWING THE launch of the XC-44F and XC-44N system management co nt rollers, Wharfedale Pro has expanded its audio ecosystem with the release of DSP Controller v1.2.0 software. With the same software, Wharfedale Pro has also updated the DP-F and DP-N amplifier platforms to include a library of FIR presets for most of the brand’s loudspeaker models. Providing routing, processing and system optimisation, the XC-Series system management controllers have been enhanced.
The v1.2.0 update includes several bug fixes and performance enhancements, brings full Smaart V9 (Suite) and Smaart V8 API compatibility, and provides seamless integration with leading system analysis tools. The update is exclusively for Wharfedale Pro DP-F and DP-N amplifiers featuring colour LCD displays and AES/EBU inputs and is not compatible with earlier DP Series models.
www.wharfedalepro.com
FOR broadcasters and content creators in studio-based video productions, Panasonic Connect has added the AW-UE150AW/AK 4K to its portfolio of PT Z c ameras. Succeeding the AW-UE150, the UE150AW/AK is su i table for remote productions, livestreaming environments and onsite production systems.
Increasing operability and flexibility, the PTZ camera offers built-in autotracking, enhanced pan, tilt and zoom synchronisation, and IP-based 4K video transmission. Supporting the NDI high-bandwidth protocol in addition to the SRT and NDI HX2
UE150AW/AK
IP-based, low-latency 4K video transmission. It is also compatible with 12G-SDI, 2x 3G-SDI, HDMI and fibre output formats.
Equipped with a highsensitivity 1.0-type 4K MOS sensor and a 75.1° horizontal wide-angle lens with a 20x optical zoom, the PTZ also incorporates auto-tracking functionality. An optical lowpass filter (OLPF) reduces luminance and colour moiré when filming monitors or LED walls. Compatible with Panasonic’s AK-HRP1010GJ/HRP1015GJ remote operation panel for colour matching with studio cameras, the inclusion of an enhanced Optical Image Stabilizer (OIS) minimises image shake during pan and tilt operations. Specifically developed for on-location filming teams and video creators, the manufacturer has also added a series of 4K 60p 10-bit professional camcorders. The AG-CX20, AG-CX18, HC-X1600 and HC-X1200 integrate a 25mm wide angle to
600mm telephoto zoom lens, with 24x optical zoom in addition to a 4-drive lens system that operates each lens group independently, in addition to two manual focus rings. All four cameras feature both optical and electric image stabilisation to detect and correct any unwanted camera shake through five axes, including rotational blurring. When shooting in both 4K and FHD, the Face Detection AF/AE feature provides precise focusing and exposure for subjects.
The CX20 model supports full-HD livestreaming through the
Cadac Consoles on cue with V2.0
FOLLOWING THE release of the CM-J50 consoles and CM-SR stageracks, Cadac Consoles has developed CM-J V2.0 software for controlling the CM-RT12 router. V2.0 software introduces a significant expansion, including integration of the CM-RT12 router into the console’s routing capability and show files system. Extending the CM ecosystem, the RT12’s routing maps are created via the console’s GUI and includes scene-by-scene basis dynamic routing. V2.0 further incorporates messaging and control for the CM-Monitor App, together with workflow improvements, including Bus VCAs and user-definable colour coding for channels.
The CM-RT12 router provides the CM-Series with enhanced network performance capabilities. With a processing capacity of up to 3,072 channels, a single unit can connect to 12 MegaCOMMS units to form a unified audio system, comprising any combination of CM-J50 consoles, CM-SR stageracks or CM fibre bridges. When two units are linked
SRT protocol, with the CX20 and CX18 delivering simultaneous SDI/HDMI outputs. The CX20 also supports NDI HX2 IP connectivity for low-latency livestreaming in a network environment, without the need for external converters. Allowing content to be streamed live directly to social media platforms and video sharing sites, both the CX20 and CX18 support the real-time messaging protocol (RTMP). Other features include high-resolution OLED viewfinders, a 3.5-inch touchscreen, two SD card slots, a USB-C port, low bitrate recording for FHD and MP4 shooting, and enhanced network functionality supporting Wi-Fi 5GHz and
In brief, the manufacturer has also announced the latest version of its PressIT wireless presentation system – the WPS2 Series – and Kairos version 1.8.
complete units, ensuring uninterrupted audio performance for true redundancy. The device also has dual onboard PSUs.
The CM-J50 console’s GUI facilitates seamless routing via the CM-RT12, with settings stored directly to the console’s Show File. The independent Ethernet network enables dynamic routing, allowing each console to control up to 96 inputs per scene
facia, a 6.1cm colour display and headphone monitoring enable fast system setup. Once operational, the router also manages gain sharing across consoles within the network. Running Cadac’s proprietary MegaCOMMS digital audio protocol, the CM-RT12 router reportedly maintains a 0.4ms “lowest latency” performance – from inputs to outputs, including all console processing and ADA
conversions – across the network at distances of up to 2km from the router.
Boosting the CM-J50’s remote control capabilities, the iOS CM-Monitor app allows users real-time control of personalised monitor settings onstage using an iPad. It’s been designed to complement the existing CM-Remote app, which provides wireless iPad control of the CM-J50 console. With the CM-J50 set to Monitor Mode, users can access 54 busses instead of 48, while in “Mix Focus” mode, the console offers streamlined control by displaying only the channels and busses contributing to the selected mix.
The 1U CM-DF64, meanwhile, provides optical fibre MegaCOMMS connections and compliments the existing CM-DT64 coaxial Dante bridge. Both the CM-DF64 and DT64 offer simple configuration via the Dante Controller and two Dante Ethernet network ports, at 48kHz or 96kHz, and both have dual onboard PSUs.
www.cadac-consoles.com
CM-DF64
AG-CX18
AW-UE150AW/AK 4K
ROE climbs the highest mountain
ROE VISUAL has announced the release of its latest LED solutions, Sierra and Denali. Sierra features common cathode
reflections, striking contrast and a uniform black surface. A high-efficiency power supply reportedly reduces Sierra’s power consumption by 40%. According to the manufacturer, the resulting low operating temperatures enhance colour performance and significantly extend the panels’ lifespan. Denali comes with an ultra-thin frame, 0.78mm pixel pitch and native 16:9 resolution.
Featuring Micro LED In Package (MIP) technology, it delivers “stunning contrast, wide viewing angles, high-energy efficiency and captivating performance”. The microscopic chip size reportedly results in a 99.67% black area ratio, contributing to an almost black LED surface. MIP uses mass transfer technology for high production efficiency and precision. Using a no-substrate micro LED design reportedly eliminates substrate refraction, resulting in an wide light output angle.
www.roevisual.com
Taking the PTZ market by storm
THE CAM-210-PTZ 1080p60 conference camera with USB 3.0, HDMI out, auto framing and presenter tracking. Part of the Unified Communication line of products, the CAM-210-PTZ comes with a high-quality pan and tilt motor that reportedly provides a smooth experience without excess noise or judder. The PTZ can output video via its USB 3.0 port or the network connection. Third-party control is provided via the industry-standard VISCA protocol. An integrated web interface and free PC software provide advanced configuration options. The camera is compatible with Skype, Teams and Zoom, and has been designed for corporate, education and government environments.
3D calibration
FOLLOWING THE success of its 2D autocalibration option for planar, curved and dome surfaces, Modulo Pi has introduced its 3D auto-calibration module. Paving the way for automatic projector alignment for video mapping on buildings or in immersive venues, the module automatically manages multi-projector soft edge blending and geometry on any surface.
The solution relies on Power over Ethernet (PoE) cameras, reportedly providing fast and simplified cabling for more efficient setups.
A 1/2.7inch, 2.07M CMOS sensor captures crystal-clear 1080p HD video. Other features include a 12x optical zoom, 16x digital zoom and 72.5° wide angle lens.
Meanwhile, the SW-0204-VW 4x HDMI 2.0 videowall processor provides layouts of 1x4 and 2x2 (rows x columns) with 4K and ultra-wide resolution support, independent analogue audio output and image scaling. It also supports a user-friendly Web-UI, RS-232 and Telnet for additional flexibility. The processor supports 4-screen videowalls with selectable modes. It extends the input video source across four displays and comes with advanced features such as bezel correction, videowall flip and flexible layout adjustments. Fully compatible with 4K@60Hz
of video switchers. Housed in a tabletop form factor, the VM-41 is a multifunctional, colour LCD display, the VM-41 offers a comprehensive feature set, including video
SUPPORTING UP to eight PCs/laptops and seamlessly sharing four USB 3.2 Gen 1 devices, the US3384i sharing switch from ATEN is designed to enhance BYOD (Bring Your Own Device) and BYOM (Bring Your Own Meeting) environments. With flexible portswitching and cross-platform compatibility on Windows, macOS and Linux, the US3384i
features a built-in USB 3.2 Gen 1 port with 5Gbps data transfer speed and is engineered for plug-and-play functionality. The US3384i also integrates into control systems through serial connectivity, providing a centralised platform to streamline AV/IT management and simplify maintenance. Its automatic switching on detection automatically
transition effects, PIP (Picture in Picture)/POP (Pop-Out), plus logo overlay and keying functionality with quick access buttons. To ensure intuitive operation throughout the session, the VM-41 includes dedicated Quick Access Camera Select and Preset recall buttons. Advanced PTZ camera control operations include dedicated parameter control buttons and a joystick.
Through the projection of patterns, the position and orientation of the projectors are detected in relation to the projection surface. The software then processes the data to determine the required adjustments and deliver a “pixelperfect projection”. Available as an option for the Modulo Kinetic media server, the donglebased auto-calibration module has been designed to create mappings “with unmatched precision in record time”.
www.modulo-pi.com
video content, the SW-0204-VW adheres to HDMI 2.0 and HDCP 2.3 standards. Its built-in scaling processor allows both upscaling and downscaling to resolutions up to 4K@60Hz 4:4:4. Supporting ultra-wide resolutions such as 3840x600, the SW-0204-VW is suitable for landscape-oriented videowalls in digital signage, conference rooms and large-scale applications.
In brief, the manufacturer has released a V2 upgrade to its MX-0808-SCL 8x8 matrix switcher and the SYN-TOUCH10-V2 featuring an updated processor for enhanced performance and a refined design for a more modern look.
www.wyrestorm.com
Designed for portable setups, the VM-Mini offers a rich feature set that is conveniently housed in an easy-to-carry form factor. Like the VM-41, the VM-Mini is a quad HDMI video switcher with four HDMI input ports and a 5-inch wide gamut FHD colour LCD display. The system includes transition effects, layering, PIP/POP, keying functionality and a 5-way rocker switch for PTZ camera control. T-bar switching is included for controlling more than 30 visual effects.
www.alfatronelectronics.com
of shared resources. It offers multiple versatile port selection methods, including front panel pushbuttons, RS-232/RS-485 serial commands and an external remote port selector. ATEN also offers the 4-port USB 3.2 Gen 1 industrial hub switch – the US3344i – tailored for small meeting room applications.
www.aten.com
Christie sparkles with Sapphire Blackmagic
COMBINING SOLID-STATE RGB pure laser illumination with a dual laser phosphor system, Christie has launched the Sapphire 4K40-RGBH projector. Designed for any screen type in applications including theme park attractions, live events, rental and staging, and visualisation, the manufacturer claims that the 4K40-RGBH is the world’s first high-brightness hy b rid RGB laser projector. Delivering DCI-P3 colour, 36,400 lumens of brightness, native 4K clarity in 2D and
3D on all screen types, and front and rear projection, the 4K40-RGBH projector offers high frame rate op t ions, from 4K at 120Hz to 2K resolution at 480Hz. Unlike traditional laser phosphor projectors, Sapphire reportedly offers superior light efficiency and a wider colour gamut for brighter, more immersive 3D experiences by incorporating the Infitec colour comb 3D solution.
www.christiedigital.com
installed as standard. Other lens mounts can be purchased independently as required. The model will also help existing Blackmagic Design camera customers upgrade to the large-format 12K sensor featured in this camera. It’s also been designed for highperformance film production and Blackmagic Cloud workflows.
sensor size, or they can choose the resolution for the job or the shot they want. VFX plates can be shot in 12K, while documentaries can be shot in 8K or 4K for lower data rates. Users also have the ability to crop if they want greater depth of field.
www.blackmagicdesign.com
PPDS gets interactive
PPDS HAS announced the release of the Philips Interactive 3000 Series. The bezel-free, multi-touch Android SoC displays are an update to the Philips T-Line Kiosk display range and have been remodelled to fit market feedback and configured using the latest advancements in hardware, PCAP touch technology and software.
Offered in an extended range of 24-, 32-, 43- and 55-inch models, the displays feature a 30° tilt option, as well as optional open frame brackets to open new installation possibilities. The 24- and 32-inch models provide up to 350cd/m2 brightness, while the larger 43- and 55-inch models are equipped with 450cd/m2 for increased visibility. The displays also features a secure “Kiosk Mode” feature, disabling any unauthorised remote
control, management or tampering for peace of mind.
Meanwhile, the manufacturer has extended its range of outdoor displays with the Philips Urban LED 5000 and 7000 Series. The 7000 Series comes in two panel sizes – 500x500mm and 500x1,000mm – with a choice of 2.9, 3.9 or 4.8 pixel pitch options. The displays provide 6,000 nits brightness, a high contrast ratio and a refresh rate of 3,840Hz.
Aquilon expands with SMPTE ST 2110 I/O cards
ENABLING THE Aquilon LivePremier processors to expand into more applications and integrate into ST 2110 workflows, Analog Way has developed SMPTE ST 2110 input and output cards. Fully supporting all broadcast formats up to UHD60 10-bit, HDR compatibility, the cards cater for up to eight audio channels per ST 2110 stream and are compatible with NMOS and PTP standards.
achieving several hundred GbE of ST 2110 bandwidth.
Enhancing the LivePremier series with userfriendly improvements, the French brand has upgraded the virtual RC400T in the Web RCS as a streamlined GUI for show management. Including features such as Dante audio support, Analog Way has developed firmware 1.1 for the 4K@60Hz CorePlay Solo
The 5000 Series is available in 1,600x900mm and 2,000x900mm panel sizes, and across three different pixel pitches – 6.67, 8.3 and 10 – to suit venue size and viewing distances. The displays come with up to 10,000 nits brightness and an IP66 rating.
www.ppds.com
Merging takes Ovation to the next level
MARRYING A redesign with enhanced usability, Merging Technologies has evolved its Ovation media server and sequencer technology. A reliable solution for many AV applications including theatre, opera and musical performances in addition to broadcast with live operators, Ovation is extensively deployed as a playout solution for live-toair broadcast. Its ability to handle multiple audio tracks and route to many outputs has promoted its use for immersive audio. Offering redundant, precision timing and advanced synchronisation capabilities, Ovation supports all major formats, including Time Code, MTC, IP, GPIO and (ADM) OSC.
Handling professional multitrack audio formats and sample rates without the need for conversion, Ovation features an integrated mixer and renderer that scales up to immersive audio formats. In addition, it connects to external consoles and supports control protocols including HUI, Eucon and OASIS for Lawo and Stagetec. With Pyramix 15 integration, editing and publishing cues and on-the-fly adjustments can be conducted quickly. Designed for effortless navigation, Ovation 11 has undergone a UI/UX overhaul to reveal a modern dark interface. The mixer
comes with fully customisable configurations whereby busses, strips and aux channels can be moved to suit the workflow. Enhanced strip and bus tools include expanded sidechain capabilities and the VS3 plugins have been redesigned for an improved performance.
Compatible with any sound card, Ovation 11 is a native Windows-based show controller and playout system and is available in Elements, Pro and Premium tiers with an optional Masscore real-time engine. Up to 384 low-latency I/O channels can be enabled with Merging converters or direct integration with Ravenna/AES67/ST 2110 networking.
www.merging.com
Incorporating the redundancy and longdistance capabilities of the ST 2110 standard, the SMPTE ST 2110 input and output cards enable secure video and audio streaming over the network. The ST 2110 input card supports up to 4x UHD60 or 8x FHD60 ST 2110 input streams, while the output card handles up to 4x UHD60 ST 2110 output streams. Multiple ST 2110 I/O boards can be installed,
media player. Designed for driving displays or complementing Analog Way presentation switchers, the update includes an intuitive interface with program and preview panels, playlists and professional playback controls, and now allows real-time adjustments during events.
www.analogway.com
The spirit of light
ROBE HAS the iSTROBE and iESPRITE LTL WashBeam to its growing catalogue. The iSTROBE comes with three rapid motorised zooms, including a linear zoom for the central white LED strobe and continuous pan and tilt rotational control. Features include an Extreme output, zoom control that provides bright washes and a high-intensity blinder. The pan and tilt and zonal control can be used for mapping dynamics and the included macros are said to result in faster programming. Variable flash durations provide control of every beat, while the unit also benefits from Robe’s Rains, Polar+ and parCOAT IP65 active protection technologies. Based on the iFORTE LTX WB, the smaller and lighter iESPRITE LTL WB is said to bring the durability of the iSERIES
lens and a range reportedly deliver high-performance
iSE-TE 750W XP (Xtra Power) and HCF (High Colour Fidelity) white LED engines, a CMY colour mixing system and a variable zoom range. Also benefitting from the Rains, Polar+ and parCOAT IP65 active protection technologies, the iESPRITE LTL WB is broadcast-friendly and also includes Robe’s Plano4 FC full curtain shutters, MAPS static calibration and airLOC cooling for ultra-quiet operation and cleaner optics.
www.robe.cz
SMPTE ST 2110 cards
GLP goes wild
THE WILD Bar 16 from GLP is an LED tilt bar featuring 16 40W RGBL LEDs and IP65 protection. Developed for use in outdoor or dirt-intensive events, the device is said to deliver sufficient power for show lighting in any application, with a light output of 6,000 lumens, a motorised 190° tilt and a zoom range of 3.9–51°. The compact design weighs 22.6kg. The unit’s IP65 certification means it can withstand rain, dust and dirt, making it suitable for festivals, open-air concerts and other demanding environments. For maximum flexibility, the
Martin adds to MAC Aura range Cameo introduces
COMBINING WASH,
and weatherproof functionality, Martin has released the MAC Aura Raven XIP, described as the biggest, brightest and boldest fixture of the MAC Aura family. Suitable for both indoor and outdoor applications, the fixture delivers over 24,000 lumens of output and a high-intensity beam through its 343mm front lens. An array of 234 individual LEDs, positioned behind the front lens, creates an enhanced pixelated Aura backlight effect. The unit uses RGBL (Red, Green, Blue, Lime) light engine LEDs that enhance skin tones and improve the quality of light. It also includes a dark lens, offering a discreet look that blends into more décors and applications. A belt-driven zoom system
provides fast and near-silent operation. Other features include a Universal Connect Module slot, Companion Mobile app control and yoke handles for easier transport and handling. Martin’s P3 control also simplifies setup, configuration, and the mapping and mixing of DMX with video. Reportedly bringing 50% more brightness than the Martin MAC Quantum Wash, the fixture delivers a smooth, even wash with a soft edge, free from colour artefacts, brown edges or hotspots. The optional BeamShaper accessory is available to cover specific applications, ensuring
Claypaky adds to Arolla Aqua series PRODUCTS
ITALIAN LIGHTING manufacturer
Claypaky has unveiled two additions to its Arolla Aqua series: the Arolla Aqua LT and Arolla Aqua Wash HC. Combining brightness, precision and advanced control in a weather-resistant IP66 design, the Arolla Aqua LT is equipped with a custom 900W white LED light source and delivers over 40,000 lumens. Its centre-weighted
THE MOST powerful LED profile light in the The German manufacturer has also unveiled a new addition to its PIXBAR Generation 2 lineup with an SMD LED short version named PIXBAR SMD Short IP G2. Like the other PIXBAR G2 models, it’s equipped with an IP65 certification, well-thought-out accessories and is suitable for lighting any event, both
The intelligent design allows for flexible positioning at various angles without the included feet, while the practical threaded mount supports both hanging and standing use. Its magnetic Quick Alignment System, combined with various Quick Lock options, enables quick and precise alignment of multiple LED bars. The included frost filters, neon tube filter and glare shield add visual accents.
In addition to DMX protocol control, the Root Bar can be remotely controlled via the optional IR remote. For wireless DMX connection via W-DMX, the unit features a USB port for connecting the Cameo iDMX
consistent illumination and quality of light. Additional features include a 4–52° zoom range, a narrow beam and a 170mm front lens. It also comes with the manufacturer’s Sun Safe Protection System which lets operators activate a safe mode, where the fixture automatically positions its head away from direct sunlight, preventing the lens from becoming a sunlight magnet. The Arolla Aqua Wash HC is an IP66 LED single-lens wash light designed for both indoor and outdoor use. At its core is a 960W custom white LED engine (7,000K), featuring a high CRI of up to 95. The fixture integrates TrueCurve, an RGB LED system that allows the calibration of whites by controlling green and magenta shifts. This reportedly ensures consistent, crisp and clean whites across the rig. The versatile optical system offers an adjustable beam angle from 6–47°. For a wider light distribution, users can add the replaceable frost filter to achieve a smooth 60° beam. Finally, the Mini-B Aqua combines flexibility, a lightweight design and fast pan/tilt movements. Created to meet the demand for a mini wash ligh that’s compact and agile, the Mini-B Aqua PX inherits the core strengths of its predecessors, adding the pixel-to-pixel control of each LED.
www.claypaky.it/en
Mount and Stack Kit for a
Arolla Aqua LT
MAC Aura Raven XIP
Wild Bar 16
PIXBAR SMD Short IP G2
A new phase for AV
AVIXA’s Sean Wargo – VP, market insights – sets out the current state of affairs for the global pro AV market
recovery. Revenues were decimated across the industry as a result of the pandemic, so growth was a given as the underlying segments bounced back. That has played out now, pretty much no matter where in the world you are, and instead we are talking about a new phase, driven by lasting themes that solidified during the recovery period.
Fortunately, one thing we leave behind are supply chain issues. Difficulty getting product dominated headlines and business challenge lists over the past few years. AVIXA’s data showed this via a monthly business index survey, with supply constraints as the top challenge facing AV solution providers from 2022 through late 2023. Many products were in short supply or had long lead times, meaning project work could not get completed. This has abated as the industry adapted its sourcing and logistics structure, with distributors playing a large role in the fix. Instead, we return to the more consistent issue of human capital constraints, or finding people to do the work – an issue facing just about every creative industry across the globe as companies look to hire and retain top talent.
Here’s where one of the primary driving themes comes into play. While talent is generally in short supply, pro AV has a nearby adjacent market that has often been a source for skilled professionals and is now facing challenges: the broadcast industry, where traditional business models and modes of distribution have been increasingly threatened by alternative sources. At the same time (and perhaps contributing to the issue), more and more enterprises around the world are ramping up their own content production capabilities to engage customers and audiences on social media platforms. Pro AV is benefitting from this as companies look to build out their capabilities with a tech stack, creating an opportunity for related talent to shift over from broadcasting into what AVIXA has called broadcast AV. The net here is revenue growth for solutions providers and the industry.
AVoIP and AI also help to boost the feasibility and potential for managed service offerings. This all makes it a good time to be an integrator, despite other economic headwinds.
This is all playing out despite geographic location. However, the rate at which these trends are driving growth in AV-related spending varies. One of the biggest shifts is happening in Asia where, for much of the past few decades, the star of growth had been China. While economic growth there is still the envy of much of the world, we have seen a changing of the guard. Now India occupies the top spot in terms of GDP growth expectations, bringing pro AV along with it. According to AVIXA’s Industry Outlook and Trends Analysis (IOTA), AV-related spending is expected to grow by 8.3% in 2025, compared with a still-impressive 7.9% in China. This puts both countries in the top spots for growth, ahead of the largest market, the US, and an average growth rate of 5.4% for most of the world. The Middle East is also right around that average growth rate.
Sean
Wargo
In just about all corners of the world, you can see examples of that theme in verticals such as hospitality, retail and venues. It’s also a part of the larger hybrid work phenomenon that has driven investments in technology to support distributed workforces. Many companies will use larger corporate events, like all-staff meetings, as an opportunity to capture content for redistribution. This requires more than just an effective use of collaboration platforms, bringing in some broadcasting kit and capabilities. It’s an extension of the traditional conferencing and collaboration solutions integrators may have provided in the past. It’s also a welcome development as many buyers shift to lower-cost systems to support scalable deployment of conferencing solutions.
There is further nuance to the types of solutions that are driving growth within the top markets. Certainly, collaboration technologies in use by corporate enterprises is a strong component. But so are security and surveillance solutions as countries invest in smart cities and/or military. Each of these are symptoms of the country’s strong economic growth as companies and governments invest in their infrastructure. Another symptom is a rising middle class who then become active consumers. This appears in the form of an experience economy, fuelled by spending in retail, hospitality, venues and transportation with digital signage and entertainment solutions. Each represents additional opportunities for AV utilisation, fuelling the growth of the solutions provider market with what are often higher-margin projects. It’s also the driver AVIXA expects will represent the most long-term viable tailwind for the pro AV industry at large, even as other sectors shift a bit more to a volume mode. The move to scalability and volume in some traditional AV markets, both in APAC and around the world, is at the core of the inflection point moment. While pro AV had been driven by corporate conferencing and higher education learning solutions, particularly during the pandemic, the key drivers are shifting. Instead of being mostly about corporate boardrooms or classrooms, AV has become so much more. It is now an intrinsic part of the experiences we engage in for entertainment and enjoyment. Concerts, museums, stadiums, events, theme parks, cinemas and stores are all examples of the emerging canvas for the art that is AV. One could say this even represents a golden age. May it be so!
www.avixa.org
