SCAN FOR MORE ArmoníaPlus System Design. One tool, two souls, endless possibilities. SysControl App WM Touch LIVE SOUND LIGHTING RECORDING INSTALLATION AV BROADCAST POSTPRODUCTION September–October 2022 BRINGING IT HOME Taichi Grand Space celebrates its martial arts roots Singapore: MICA (P) 003/06/2022 PPS 1604/05/2013(022953) ALL CHANGE FOR HALL TECHNOLOGIES BOOMINGKOREA’S STUDIOS D&B ON A DECADE OF SUSTAINABILITY BUDEE LAUNCHES IOT PLATFORM
INNOVATION THAT SPEAKS VOLUMES Audio solutions for today’s conferencing
September–October 2022 PRO AVL ASIA 3 Welcome Welcome to September–October 2022! This issue marks what feels like a bit of a turning point. Although international travel still has its pitfalls, there’s definitely a sense that life is almost back to normal after the pandemic. As such, we’re able to bring you several features from Asia in this issue that have been gathered in real life, on my trip to Korea in June for the KOBA show (p62) which also gave me the opportunity to visit legendary music studios, Booming (p58) as well as many other new projects that we’ll feature in future issues.
SimonREPORTERSENIORLuckhurst sluckhurst@proavl-asia.com F:MarneCIRCULATIONMittelmann+6564916588 circulation@proavl-asia.com T:SueMANAGERGUANGZHOUSu+8613609001455 ssu@proavl-asia.com BEIJING OFFICE Frank Shao T: +86 10 8652 5184 frank@proaudioasia.com.cn ChrisEDITORYardley cyardley@proavl-asia.com DIGITAL NickMANAGERMEDIASmith nsmith@proavl-asia.com AdrianMANAGERBaker abaker@proavl-asia.com Contents September–October 2022 LICENCES: Singapore: MICA (P) 003/06/2022; Malaysia PPS 1604/05/2013 (022953) All rights reserved. No part of this magazine may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the copyright owners. PUBLISHED BY: 18 Upper Grosvenor Road, Tunbridge Wells, Kent TN1 2EP, United Kingdom Telephone: +44 (0) 1892 676280 Follow us on social media @ProAVLCentral COVER: Taichi Grand Space PRINTER: Times Printers Singapore 77 Products ShowBusinessreview 4 News 102 Features58 62 24 Projects 3268Company profile
Another milestone for us at Pro AVL Central is an office move. After 12 years at 17 Upper Grosvenor Road in Tunbridge Wells, the team has shifted… to number 18. Although just diagonally opposite, the move – which involved sifting through two decades’ worth of past issues, archives and memorabilia from our travels – took place in the UK’s hottest week this summer. Everyone is settling in and enjoying the new premises, not least the aircon – still something of a rarity here in the UK – while looking forward to the next chapter.
Sue Gould and Richard Lawn are now preparing to head east for the first time in two-and-ahalf years. Sue will be at InfoComm India in early September, while Richard will be attending InfoComm Southeast Asia in Bangkok in early November and visiting Singapore and Jakarta on his travels, where I’m sure he’ll be catching up with lots of much-missed faces.
www.dbaudio.com
d&b audiotechnik Greater China CEO Daniel Chan initiated the certification programme, with course content managed by d&b’s Ralf Zuleeg and the d&b Soundscape Enablement team. “Immersive audio offers creators a wealth of opportunities. In the past, audio technology sometimes limited creativity but, today, thanks to tools like Soundscape, the sky is the limit – if you can think it, you might just be able to do it,” said Chan. “Soundscape is really well positioned to provide the solution for the best immersive audio experience. I’m very happy that this course is being supported by the EKCC, who are providing a Soundscape-ready venue. Students can actually use the Yuen Long Theatre’s system to put their learning into practice and to realise their creative ideas.”
L–R: Neumann CEO Ralf Oehl, co-CEO Andreas Sennheiser and Merging CEO Claude Cellier Media Links has announced that its long-standing customer, LG U+, has once again selected its MD8000 media-overIP transport technology for the delivery of content across its nationwide media network. Korean Broadcasting System (KBS) will be using Media Links technology in the LG U+ network to deliver media services across the Korean peninsula. The project was managed and implemented by LG U+ along with Korea-based Media Links partners, DBN – Digital Broadcast & Network and IISN PartneringSystems.withMedia Links allows LG U+ to utilise an IP-based workflow for its broadcast services, providing a smooth transition from legacy SDI media environments. “Media Links’ vast experience in the media broadcast industry make its technology for 4K network backbone an obvious choice,” commented D S Kim, CEO of DBN. “We need to be able to accommodate large-capacity customers with flawless bidirectional video delivery and content contribution, and Media Links technology helps us to do this, with the utmost quality, trusted reliability and peace of mind, under all types of demanding and challenging conditions.”
Neumann acquires Merging Technologies
The programme was held in the Yuen Long Theatre, which has a d&b Soundscape system permanently installed, and was delivered in partnership with the East Kowloon Cultural Centre (EKCC) arts complex under the Hong Kong government’s Leisure and Cultural Services Department.
The Hong Kong SPEC event was the result of years of successful partnerships between d&b Greater China and arts and culture organisations in the region. “We can foresee more venues upgrading to Soundscape systems in the coming years,” Chan continued. “As they do, we want to ensure audio production teams and engineers are equipped with the right knowledge to succeed – we are on a path to the sound designs of the future. Education has always been at the heart of d&b’s value to our customers. As a market leader in immersive sound for live event applications, we are committed to supporting our industry’s adoption of this exciting technology and the creative possibilities that it inspires.”
KOREA Media Links and LG incollaborateU+Korea
“Neumann.Berlin and Merging Technologies are a perfect match and the collaboration opens up new opportunities for both parties,” added Claude Cellier, founder and CEO of Merging Technologies. “Both companies share a passion for excellence and a commitment to always set new standards in audio.” The existing portfolio of the two companies will remain unchanged. The first joint product of the partnership between Neumann.Berlin and Merging Technologies will be a umann audio interface that enables the integration of Neumann products into a digitalMerginginfrastructure.Technologies will become part of the Sennheiser group through the strategic partnership. Its team of around 20 people will continue to be located at the company’s site in Puidoux, Switzerland, but will work closely with the Neumann team in Berlin; the two companies see great potential for new joint collaborations, particularly in the area of development and innovation.
Merging Technologies’ products and solutions are an excellent complement to the Neumann product portfolio. We are therefore very much looking forward to working together with the Merging team,” said Ralf Oehl, CEO of Georg Neumann GmbH.
4 PRO AVL ASIA September–October 2022 NEWS
d&b audiotechnik Greater China has launched its first-ever official certification programme for pro audio engineers using d&b Soundscape technology in Hong Kong. Named the Soundscape Production Engineer Certification (SPEC) programme, the five-day debut event saw production engineers, sound designers and mixing engineers successfully gain the newly created d&b certification.
The programme delivered training in signal processing and audio object-based mixing and explored the possibilities of d&b Soundscape’s powerful En-Scene and En-Space software modules. It concluded with an examination to certify the participants as fully trained and ready to deliver Soundscape events.
d&b audiotechnik launches
Soundscape certification programme CHINAWORLD
www.lguplus.comwww.kbs.co.krwww.dbnn.co.kr
Neumann.Berlin has announced its acquisition of Swiss company Merging Technologies, which will see both companies working together under the umbrella of the Sennheiser group. Sennheiser has taken over the shares of Merging Technologies entirely. With this step, Neumann.Berlin will enlarge its range of audio solutions. Neumann is continuing to build on its strong position in the industry, strategically expanding its product range. The integration with Merging Technologies is part of Neumann’s growth strategy. “We plan to strengthen Neumann’s offering, particularly in the area of digital workstreams, in order to provide our customers with holistic audio solutions in studio quality.
“We are very pleased to welcome Merging’s employees as part of the Sennheiser group,” said Andreas Sennheiser, co-CEO of the Sennheiser group. “As a family-owned company, we want to grow sustainably on the strength of our own resources in the coming years. To achieve this, we are investing significantly in our professional business.” www.neumann.comwww.merging.com
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www.thummahr.comwww.broadcast-solutions.de
Hanno
The scope of works was extended by the client to include the building of the Revit model, based on documentation provided by them. Theatreplan’s team of architects built the model from the horizontal structures up, adding in floors and dividing up into the different venues. They then added in the technical services, containment, production facility panels for all lighting, sound, video and communications, so that every wire pathway is modelled throughout the building. The model is now complete and supports the ongoing technical design work.Kenny Wong, head of technical production at The Esplanade Co, said: “This technical journey with Theatreplan has been an ambitious one with its large scope of work. Even as Esplanade turns 20 this year, we were still able to make many discoveries in our venues through the Revit model which can help us make better-informed decisions in the revamp of our technical infrastructure.”
Opened in 2002, Esplanade is a major centre for performing arts, located at Marina Bay, on the bank of the Singapore River. The centre consists of a Concert Hall for 1,600 people, a theatre with a 1,950-seat capacity, a recital studio for 245 people and a theatre studio accommodating up to 220. The first part of the project involved surveying the venues to identify and document what was already there. The importance of fully understanding the way the venue operated and what it needed for the future meant Theatreplan had to focus on all systems which supported the venues and staff. In response to the travel restrictions imposed by Covid-19, a sub-contractor was appointed locally to provide information from the site, including measurements and infrastructure route mapping between venues.
Broadcast Wladislaw Grabowski, COO of Broadcast Solutions, with Stefan Breder, Mahr and Peter Thum
VMT Enterprise and Waves Audio have conducted a comprehensive preview session of the eMotion LV1 Digital Mixer at the Institute of Audio Technology in New Delhi, as well as the VMT Bangalore Store in Bangalore. Abraham Richard from Waves GCC flew in from UAE to conduct the sessions, which were attended by 35 engineers from the industry. After the session, the engineers were able to get their hands on the board themselves.
Broadcast Solutions has acquired the systems integration division of Thum + Mahr in Monheim, Germany. Managing partners of Thum + Mahr, Peter Thum and Hanno Mahr, have decided to continue the systems integration division under Broadcast Solutions, after more than 40 years of what they deem successful activity. The realignment aims to offer customers improved services and to better its ability to handle larger projects smoothly.
Theatreplan has recommended the upgrade of Esplanade’s 20-year-old analogue AV infrastructure to a new digital AV infrastructure, in addition to upgrades to the sound, video and communications and broadcast systems, together with the production, house and working light systems and fixtures. As Theatreplan began surveying the existing technical infrastructure, it quickly became apparent that the best way to capture all the information was to build a 3D model in Revit, which detailed all theatre technical systems throughout the entire centre and public spaces. Initially this was to be used to qualify and quantify the existing installed systems and then subsequently to incorporate the newly designed systems, to provide a single source of truth for the tendering process and, post completion, to ensure an accurate record of the final installed technical systems.
Breder added: “With Thum + Mahr, we welcome an experienced team under the umbrella of Broadcast Solutions; this has many advantages. The fields of activity of both companies complement each other perfectly. We can jointly push our activities in both the German-speaking region and the international field.”
www.theatreplan.com
Thum + Mahr will continue at its Monheim am Rhein location as an independent subsidiary of the Broadcast Solutions Group with an existing team of 18 employees. While Thum and Mahr will continue as advisors, former Thum + Mahr MD Stefan Mertens will continue to manage the business as COO. CEO of Broadcast Solutions, Stefan Breder, will act as CEO of Thum + Mahr. Mertens commented on the acquisition: “I am very much looking forward to further developing Thum + Mahr in my new function and the new constellation. I am sure that the cooperation of both companies will only positively affect our customers. Together, we can act more flexibly and more strongly on the market and respond even more individually to our customers’ needs.”
Solutions acquires Thum + Mahr Connecting with India’s budding engineers WORLD INDIA L–R:
“Waves eMotion LV1 has the potential to change the way people look at live mixing and the mixer in general. From the outset, the sound quality has engineers hooked,” said Ravisankar Nadiyam, regional sales manager, India and SEA.
Theatreplan consults on design of Esplanade – Theatres on the Bay NEWS: BUSINESS SINGAPORE 6 PRO AVL ASIA September–October 2022
Both companies are said to have received overwhelming support from attendees as well as the industry, with much demand for training sessions in the future. “We have also made the mixer available for anyone who wants to spend more time with the board, thanks to IAT in Delhi,” said Jeff Mandot, director, VMT Enterprise. “India seems to be a budding ground for engineers who are open to newer ideas. We have collected some interesting feedback and look forward to being back for more soon,” concluded Richard. www.vmt.in Theatreplan has announced that it is providing the technical know-how for the upgrade of the cabling infrastructure from the analogue tieline system to a digital IP-based network to serve sound, video, communications and lighting across all venues, plus new facilities for digital media at Esplanade –Theatres on the Bay in Singapore.
concluded: “We are fortunate to be in a leadership position in a rapidly growing market. This investment will enable us to capitalise on growth opportunities and deliver outstanding visual experiences to more and more people worldwide. We are excited to start a new phase of our journey with support from Connection Capital.” www.connectioncapital.co.ukwww.bromptontech.com
“We are seeing unprecedented growth in demand for our cutting-edge, robust, tour and virtual production-ready LED video processing products from our core industry sectors, as well as a lot of exciting potential for our technology to be applied to new markets. While our focus on quality and dedication to customer service will remain the same, Connection Capital’s investment gives us the ability to scale up rapidly to meet demand and address the new opportunities that are presenting“Bromptonthemselves.”Technologyis an excellent example of a successful business that pivoted, almost overnight, into virtual production for film and TV during the pandemic and is now emerging even stronger than before,” commented Miles Otway, partner at Connection Capital. Alongside Connection Capital’s investment, Neil Gaydon, a highly experienced non-executive chairman, will also join Brompton’s board. Gaydon has a track record of successfully delivering growth in technology companies, including as CEO of Pace from 2006–2011.Mead
Brompton Technology has secured a growth capital investment of £5.1m from specialist private client alternative investments business, Connection Capital.Richard Mead, Brompton Technology CEO, spoke on the benefits he feels the investment will bring to the company.
Brompton Technology set to grow with £5.1m investment
NEWS: BUSINESS INDIA WORLD 8 PRO AVL ASIA September–October 2022 Total Productions with its E-Series speakers
Bengaluru-based Total Productions has strengthened its inventory with a sizeable investment in E-Series loudspeakers from Adamson Systems Engineering. Total Productions’ new E-Series package consists of 24 E15 three-way, true line source enclosures, along with a complement of 18 E219 recently expanded its Adamson’s inventory to better support its extensive client list, adding four S10 line array enclosures and two E219 subwoofers along with a Lab Gruppen PLM20K44 amplifier, which joins its initial portfolio of 16 S10 cabinets and eight E219 subwoofers. Delhi-based Royal Entertainer has added adopters of the Adamson S-Series in India. StageMix and Adamson have strengthened
Adamson takes India by storm
efficiencies to rise
Signalling preparations for increasing product demand, Lawo has made a significant investment in a high-precision SMD production line from Fuji Europe Corporation.
To meet anticipated demand, Lawo has invested in three new Fuji AIMEX-series pick-and-place machines, which can assemble around 30,000 components per hour down to the smallest component size – EIA 01005 –which equates to twice the diameter of a human hair. “AIMEX IIIc is a machine platform that enables any type of production and changes in the package shapes used,” commented Fuji Europe Corporation managing director, Stefan Janssen. “It supports in one machine the processing of smallest chip components up to large components. At the same time, it is possible to easily ramp up new productions or react to changes in package shapes. This creates a high degree of flexibility.” Designed to save working time and space in addition to extending the shelf life of parts and components, the new production line also includes an integrated vapour phase soldering furnace and automated component storage cabinets.Lawochief supply chain officer, Christian Luki ć , is justifiably proud: “With this significant investment of around €1m in our Rastatt production line, we are securing Lawo’s future viability as a manufacturer of high-quality hardware products and ensuring that we can continue to map the full vertical range of manufacturing within the company. This enables us to remain independent in the future, and to ensure our quality standards as befits a premium manufacturer of broadcast and media technology. This sophisticated production line works much more precisely than its predecessor as it reduces the possibility of errors nearly to zero and reduces setup times while significantly increasing placement speed.”
Fuji investment NEWS: BUSINESS WORLD September–October 2022 PRO AVL ASIA 9
Lawo’s production with Philipp Junker, Lawo team leader, electrical production and Christian Lukić L–R: Andreas Hilmer and Ronald Hennig, Lawo, with János Ács and Michael Nahles from Fuji Europe Corporation and Christian Luki
“As a manufacturer of top video and audio technology, we guarantee compliance with the highest production quality standards,” explained Lawo’s chief marketing officer, Andreas Hilmer. “Our products must provide our clients with years of reliable service around the clock, so it goes without saying that our manufacturing technology must also be the most modern the market has to offer.” Currently, its IP-based products are manufactured to standard at the company’s headquarters in Rastatt, Germany, where the 52-year-old brand employs about two-thirds of its approximately 300 worldwide employees.
www.lawo.com
Land added: “Our approach to environmental sustainability extends to our complete operation, aiming to embed us within the circular economy. We believe also packaging, energy efficiency and the headquarters building.”
www.audiotonix.com
NEWS: BUSINESS WORLD WORLD WORLD 10 PRO AVL ASIA September–October 2022
Commenting on the tree-planting proposal, Harter said: “It’s well-known that forests are among the most important carbon sinks on the planet and they also harbour enormous levels of biodiversity. Unfortunately, global forests are continuing to decline, which could lead to entire regions becoming uninhabitable if there isn’t change.
disguise has announced its acquisition of Atlanta-based Meptik as it looks to further expand its capabilities in immersive entertainment. While both companies will continue to operate as separate entities, immersive productions, studios and installations delivered by Meptik will be powered by disguise, and the latter will leverage the former’s expertise to expand its global reach in extended reality (xR) and metaverse experiences. The joint team will also work together to develop new solutions, create product roadmaps and drive new standards in entertainment technology.
Martin Audio has recently introduced a dedicated environment page to its website, detailing its approach in response to the climate emergency. The company has announced the funding completion for planting 50,000 trees, plus an ongoing commitment to plant another new tree for every line array cabinet sold.
Capitalising on its group’s broadcast engineering experience and Intel DSP knowledge, Audiotonix has announced a key development in its broadcast cloud-based technology programme. The Proof of Concept (PoC) will provide the backbone for Calrec and Solid State Logic, to further develop cloud solutions based on their unique production workflows and feature sets.
“Meptik has been a trusted partner of disguise for many years, growing to excel at bringing out the very best capabilities for disguise solutions,” said disguise CEO, Fernando Küfer. “Given that we have both been, in the past two years, bringing extended reality and immersive entertainment to the world, this acquisition will expand on these efforts and lead the next era for extended reality and metaverse experiences.”Meptikspecialises in creating dynamic virtual worlds, with clients ranging from film studios to lifestyle brands, Fortune 500s and musical artists. With new disguise locations opening up around the world, disguise feels it is well placed to support a similar growth trajectory for Meptik. “We have always prided ourselves on our ability to service both sides of the xR equation – the creative and the technical – and we love creating dynamic virtual worlds that blow audiences away,” commented Nick Rivero, co-founder of Meptik. “Joining forces with disguise will enhance our ability to continue to serve our clients from start to finish while maintaining our down-to-earth spirit.” www.meptik.comwww.disguise.one
Audiotonix announces pioneering cloud-based audio broadcast production solutions disguise acquires Meptik
“We’re doing what we can to help reverse this by collaborating with the experts at Ecologi and their trusted partners to have already planted 50,000 new native trees. This is part of wider afforestation projects that will transform the local landscape, increase biodiversity, improve resilience to climate change and, over time, as these trees mature, they will sequester carbon within the soil to fight global heating. Furthermore, we are committing to planting a new tree for every line array cabinet sold moving forward. In other words, it’s a small step in paying it back and paying it forward.”
Martin Audio pledges the planting of 50,000 trees
www.martin-audio.com
Adopting Audiotonix patented x86 CPU optimal core processing (OCP) technology, the cloud engine operates within a Linux environmentvirtualisedoptimised for lowlatency throughput, providing real-time and deterministic audio processing and mixing. The Calrec and Solid State Logic connected control surfaces provide familiar console and panel interfaces for mission-critical audio productions. The solution uses cloud-compatible, softwaredefined, real-time transport protocols within the I/Os to provide specific connections, with transport wrappers providing the distributionnecessary integrity. Contribution,andmonitoringfeedscan be served by different interfaces, facilitating the specific requirements of each task. “As a business, we continually strive to innovate on behalf of our customers to help them unlock growth opportunities through event scaling, utilise existing equipment more efficiently and help reduce their environmental impact,” commented Audiotonix group technology officer, Neil Hooper. “With cloud-based solutions, we aim to continue that process, ensuring our performance is as reliable and predictable as current technologies that our customers already rely on. We are also keenly aware that customers need flexibility and choice, so from the outset we are developing our cloud solutions for implementation across the core public cloud providers.”
Managing director of Martin Audio, Dom Harter, said: “As a global leader in the pro audio industry, and as part of the wider Focusrite Group, environmental sustainability is a major opportunity for us to demonstrate climate leadership and values, define good environmental practice and benefit from an opportunity to meaningfully engage with our staff, customers and the wider audio community. Working alongside Andy Land, head of sustainability for Focusrite Group, we have been outlining our approach and commencing the work.”
You spoke. We listened. And then we went wild. You asked for a lighter, more powerful line array. How aboutYou know what you want in a line array. And now, we’re giving you more than you ever thought possible. Introducing PANTHER. Over 150 decibels at only 68 kilograms and 97 centimeters wide. Exactly what you asked for—turned up a notch.
PK Sound sets up camp in the Rocky Mountains of Canada
Amenities include a gym, studio and lounge
NEWS: BUSINESS CANADA 12 PRO AVL ASIA September–October 2022
line source technology through mechanical design and integrated robotics.”Features of the new facility include vastly expanded wood shop, electronics assembly and warehouse areas that enable PK Sound to grow its manufacturing capacity fourfold while enhancing quality standards; the PK Alliance Centre education and demonstration room; mixed office spaces, labs and breakout rooms conducive to collaboration across various departments; and staff amenities including a full gym and workout room, music studio and a sizeable staff lounge overlooking the“Thismountains.periodof rapid growth has seen us expanding our team across virtually every department,” commented PK Sound COO, Arlen Cormack. “Our new facility combines openconcept labs and workspaces with plenty of office space for a more collaborative and productive environment. We’ve expanded our production capacity and, along with considerable attention to supply chain management, drastically shortened lead times for orders, despite the challenges currently facing manufacturers across our industry.”ThePKAlliance Centre allows the company to welcome more current and potential partners to the Calgary headquarters for training, testing and business development opportunities. Most recently, it was instrumental in the development and validation of the next-generation v4 DSP presets for the Trinity range of robotic line source systems.
“In addition to being better poised to address market requirements and efficiently deliver soundbehindwithbasefromtoandandconceptualisationmanufacturingtheinterwoven,andSound.chiefexperience,”createtheuserproductshigh-performancetooursalesandnetwork,we’veallocatedspaceandresourcestoanunparalleledvisitorsaidJamesOliver,strategyofficerwithPK“Withalldepartmentsdisciplinesmorecloselyguestscanexperiencefullbreadthofahigh-techenvironment,fromthroughdesigndevelopmenttoeducationdeployment.We’reexcitedwelcomemoreofourpartnersaroundtheworldtoourhomeinCanadaandconnectthemtheteamsandtechnologiesthemostdynamiclivesolutionsinproaudio.” www.polarkinetic.com
PK Sound is now fully operational in its newly purchased 4,600m 2 headquarters and manufacturing facility at the foot of the Rocky Mountains in Alberta, Canada. With significantly more space for PK’s manufacturing, engineering, R&D and operations departments, the move enables the company to capitalise on growing demand with shortened lead times for new product deliveries.“Overthe past few years, we’ve grown our company by consistently and strategically investing in our team and infrastructure. Our new facility gives us the capacity to meet our current growth trajectory and realise our ambitious product roadmap over the next 10 years and beyond,” said CEO, Jeremy Bridge. “We’ve streamlined operations, considerably augmented our manufacturing capabilities and expanded our R&D and engineering efforts to continue advancing
NEWS: BUSINESS WORLD NEXUS NEXUS COMPACT TRUEMATCH NEXUS IP made reliable Compact stagebox and mixer ■ NEXUS advantages on board ■ Mobile recording toolbox ■ Remote production ■ Future proof: IP native interface Decentralized modular audio network ■ Provides 1:1 microphone conversion without analog gain staging ■ Hybrid IP solution ■ Provides intergenerational upgradability ■ Shortest system latency Visitusat BoothIBCAmsterdam8.C92 For more information please contact us for an appointment Image courtesy of Netflix Netflix gives Stranger Things the AMBEO treatment
“What sets Sennheiser apart from other solutions is that the AMBEO rendering respects the original mix, tonal balance and dialogue integrity, which is exactly what the re-recording mixer is looking for,” explained Pellegrini. “The processing is in line with Sennheiser’s reputation to deliver tools that are ‘transparent’ and do not interfere with the original sound. In a nutshell: Sennheiser 2-Channel Spatial Audio seeks to translate mixer intent, not to overpower it.” Re-recording mixer, Mark Paterson, commented: “I’m a huge fan of AMBEO. I experimented with it a lot on the Fear Street movies and was impressed with how the surround channel information was represented. I’m always looking for ways to get that cinematic sound at home and, on The Adam Project, I was able to make the mix sound really immersive on everything from high-end soundbars to iPhones which I believe helps the audience connect more emotionally. It’s been a perfect format on Stranger Things In the Atmos mix, Vecna’s voice wraps around you which is an important part of making him scary and larger than life. The fact that AMBEO is able to help recreate that in stereo is very impressive to me.”
Scott Kramer, manager for Sound Technology at Netflix, said: “We feel AMBEO Spatial Audio offers a meaningful improvement for Netflix members. Re-recording mixers often tell me that it better translates their detailed immersive mix work to stereo. Crucially, this process preserves the original sound mix and respects creative intent with a remarkably clean sound.”
www.sennheiser.com
Netflix and Sennheiser have announced an audio improvement for all viewers that access OTT content with standard stereo equipment.
AMBEO 2-Channel Spatial Audio is now streaming on Netflix and is said to deliver an immersive audio experience with standard speakers, translating original immersive mixes into two-channel audio with a spatial experience “far beyond stereo”. During development, Sennheiser worked with Netflix and other industry partners to finetune the system, which is now available to license from Sennheiser.Surveysamong viewers have shown that OTT customers often access content with standard stereo equipment –be it on a mobile while travelling, via a tablet or because the home listening space does not allow for a full surround sound setup. The AMBEO 2-Channel Spatial Audio feature has now changed this. With sound experiences improved on TV sets, stereo systems, headphones, tablets and laptops, Netflix is the first streaming platform to implement AMBEO 2-Channel Spatial Audio on select titles such as Season 4 of Stranger Things “Sennheiser firmly believes in the immersive future of audio,” said Dr Renato Pellegrini of Sennheiser’s AMBEO team. “Creators all over the globe have been using our tools to create outstanding immersive works, pushing the boundaries of music and film production. With AMBEO 2-Channel Spatial Audio, we are now taking the next step – making this new audio reality accessible to everyone.”
“Calrec’s products deliver the best-in-class when it comes to reliability, flexibility and sheer audio quality and they are constantly pushing the
Christie strengthens ties with A&L in Singapore
Airtame selects Midwich for APAC Audio appoints Brands for Australia
NEWS: DISTRIBUTION AUSTRALIAAPAC NEW ZEALAND
The demands and ‘up-time’ requirements of on-air broadcasting remain constant but added functionality and the need for extra flexibility mean that solutions providers require high levels of redundancy coupled with innovative technology. Calrec is clearly an industry leader across broadcast audio.”
Wireless screen sharing and digital signage manufacturer Airtame has partnered with Midwich for distribution throughout Australia and New Zealand and Southeast Asia. The company’s products have proved increasingly popular in aiding the hybrid working shift by providing access to conferencing, screen sharing and digital signage tools within a single platform. As hybrid work solidifies itself in the workplace, businesses can deploy Airtame Rooms, a single solution that works across multiple services and provides users with the flexibility to switch between one conferencing service to another. “We at Airtame have seen significant global growth over the past few years,” commented Airtame vice president of sales for EMEA and APAC, Luca Malpiedi. “We are now excited to further support our customers and partners in Australia, New Zealand and Singapore through our partnership with Midwich APAC. Their specialist knowledge and experience in delivering high-quality AV solutions combined with Airtame’s everexpanding product portfolio serves a very promising cooperation.” www.midwich.com.sgwww.airtame.com
Some of the broadcasters that Protel works with include Television New Zealand, Discovery TV3, Maori Television, Sky Network Television, Rhema Broadcasting, Whitebait TV, Radio New Zealand, NZME Radio Network and Mediaworks Radio.
International Technologies, said: “Like everywhere, the broadcast market in New Zealand is moving quickly to IP-based infrastructures.
Optimal Audio, part of the Focusrite Group, has announced the appointment of Audio Brands as its exclusive distributor in Australia. Based in Sydney, Audio Brands is focused on the installation and production markets and specialises in commercial audio and AV solutions, supplying Australia through a wide network of dealers and integration partners. With exclusive distribution for a number of global brands, Audio Brands
Christie has appointed Acoustic & Lighting System (A&L) as the Singaporean distributor of its Captiva and Inspire Series 1DLP laser projectors. Established in 1994, the professional sound, lighting and visual solutions distributor has more than 10 regional premises catering to markets in Southeast Asia. It already distributes Christie’s Access II Series 4K UHD LCD panels in“WeSingapore.aredelighted to continue our strong partnership with Christie as the distributor of Captiva and Inspire Series 1DLP laser projectors in Singapore,” said Johnson Lee, sales director, A&L. “These compact yet highperformance projectors featuring long-lasting laser illumination systems are ideal for a wide variety of applications. Together with the fully featured Access II large-format displays, our enriched product portfolio will facilitate greater access to Christie’s visual solutions and enable us to reach out to more vertical markets.”AddedMichael Bosworth, executive vice president, Enterprise, Christie: “A&L is wellpositioned to distribute our Captiva and Inspire create and deliver the most amazing, shared experiences.” www.christiedigital.comwww.acousticlighting.com
David McKinney, sales and support, APAC, Optimal Audio, added: “We are proud to be able to partner with a distributor of the calibre of Audio Brands in Australia. Their strong technical background and expertise in the commercial audio market is perfect for the solutions that Optimal Audio offers. The unique Zone processors and WebApp are catching a lot of early attention in Australia thanks to the initial work Audio Brands Calrec has announced Protel as its exclusive technology partner and distributor in NZ. Protel is now selling and supporting Calrec’s entire range of audio products, including mixing consoles, remote production, audio networking solutions and IP infrastructure technology. Calrec’s VP of sales, Dave Letson, explained: “We recognised Protel as the ideal fit as our local representative in New Zealand because of the company’s market presence and strong reputation for support. They’ve been providing technology solutions to the New Zealand broadcast market for more than 30 years and, like Calrec, they have a keen understanding of how IP technology is shaping the future of broadcast.”
Optimal
L–R: Protel’s Tyrone Payne and sales engineer René Bullinga The A&L team
Calrec partners with Protel in New Zealand
Audio
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“EAS is a great company with a long, rich history in the AV industry,” said Ken Hecht, VP at MSE Audio. “With EAS’s extensive design and installation experience in pro AV, broadcast, sound reinforcement and other commercial audio solutions, our brands will be represented by one of the most highly respected companies in Southeast Asia.” “As one of Singapore’s leading multimedia systems firms, we work in synergy with our clients to provide value beyond what the latest technology can offer,” said Lam. “We are thrilled to bring this value by working with the MSE Audio team and the extensive family of products. The innovative, patented and versatile products give us many more unique audio solutions to offer our customers.” www.mseaudio.comwww.easpl.com.sgwww.analogway.com
In addition to sales and marketing responsibilities for Analog Way, EAS will now be equipped and trained to carry out any local servicing requirements for the French brand’s products in Singapore as it has already established a reputable service centre.“Weare delighted to partner with Analog Way for our clients requiring advanced image processing products to power increasingly demanding multimedia applications. We are confident the new range of products will generate wide interest from the market,” said Lam Tze Tze, executive director of EAS. MSE Audio has also appointed EAS as its distributor in Singapore, Cambodia, Indonesia and Brunei for four of its seven loudspeaker brands: SoundTube, SolidDrive, Soundsphere and Rockustics.
“The Australian lighting market is one of the largest markets in the Asia Pacific region and offers Cameo enormous potential,” explained Ben Rawnsley, wholesale manager, AVE. “We are very much looking forward to working with the Adam Hall Group. Cameo’s product portfolio is constantly growing and offers our customers a wide range of options –whether in the live event or fixed installation sector.”
AVE (Audio Visual Engineering) has entered a new distribution partnership with Adam Hall Group, further strengthening the presence of lighting brand Cameo within Australia. Based in Dandenong, Victoria and operating nationwide, AVE is a family-owned company and is described as a one-stop shop for the music and entertainment industry, as well as for retailers, integrators and production and event companies.
www.cameolight.comwww.avecorp.com.auwww.adamhall.com
The ChamSys team EAS executive director, Lam Tze Tze
Nitesh Narayan, sales manager of StageMix, was equally optimistic about future growth. “This is a wonderful opportunity for our company,” he said. “ChamSys has great products with a lot of features and functionality that are not readily found elsewhere. We got some very positive feedback from senior lighting designers who had used ChamSys abroad. Our team is committed to providing top notch support to our customers, so we share this philosophy with ChamSys, which already has a great platform with online training videos, webinars and training sessions.”
StageMix was eager to emphasise these attributes in its market development efforts. “As part of our promotion plan, we will be conducting regular in-person training for theatre and concert lighting professionals as well as sending out our demo boards on shows so that everyone can get their hands on the powerful features of ChamSys,” added Narayan.
Analog Way has announced the signing of an exclusive distribution agreement with Electro-Acoustics Systems (EAS). Founded in 1982, EAS has established itself as one of Singapore’s the broadcast, corporate, education, government, sports venues, theatre and theme park verticals, EAS has increasingly specified Analog Way’s products and technology over the years.
www.chamsysusa.com
“Many of the guests at our seminars were experiencing the ChamSys MagicQ and QuickQ consoles for the first time,” said Narayan. “They were blown away with the powerful lighting control features, shape generators, full lighting visualisation, pixel mapping, HD media playback and other features.”
Analog Way and MSE Audio partner with EAS
“With a strong presence in Singapore, I am very confident that this partnership will bring great success to both companies,” said Analog Way’s regional channel manager for Asia, Jez Lim. “As part of our plan to develop the Singapore market, EAS and Analog Way will host a product road show in the months to come.”
16 PRO AVL ASIA September–October 2022
Cameo’s presence strengthened down under with AVE
PALM Expo 2022 marked a new chapter for ChamSys in India, as it worked the show with its recently appointed dealer, StageMix. “We are extremely happy to welcome StageMix as our Indian dealer,” said Aziz Adilkhodjaev, ChamSys’s international business development manager. “Given the recent surge of interest in our products, we’ve been looking for a partner with the passion for growth that could help us seize the opportunities in front of us. We’re confident we found that partner in StageMix.”
ChamSys and StageMix mark bright future together INDIA NEWS: DISTRIBUTION SOUTHAUSTRALIAEASTASIA
Glenn Lin, business development manager Asia Pacific, the Adam Hall Group, added: “Cameo is a unique lighting technology brand with a comprehensive product portfolio. Branding on such a large continent as Australia therefore requires excellent coordination, and there is no doubt that we have found the perfect partner for this in AVE, who is excellently networked throughout Australia and has a superb reputation.”
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“Hall Technologies’ vision for exceptional customer service closely aligns with our own, so it’s a natural fit. That coupled with their manufacturing capabilities and strong stock status gives us endless opportunities to give our clients the products they need quickly,” said Sandi Stambaugh, senior vice president of end point solutions, TD SYNNEX. www.halltechav.com
SurgeX has appointed Generation AV as its sales agency in the Asia Pacific region. The agreement will see SurgeX enhance its presence in the region, with Generation AV staff based in Asia providing a full service – encompassing sales, training and technical support for the brand in pro audio, an excellent record of delivering for brands, and we’re excited to work with them to further establish ourselves in this territory with our extensive range of power management solutions. This deal will also be of huge benefit to our existing partners in the region, who will now have access to a team able to provide local specialist support, without needing to overcome time zone differences by liaising with our team members from farther afield in the UK or the Singapore-basedUS.”
Hall Technologies goes around the world with TD SYNNEX WORLD
www.generationav.netwww.ametekesp.com
“It’s exciting to be working with SurgeX and we greatly value the trust they have placed in us to provide real-time support in APAC,” said David McKinney, managing director, Generation AV. “SurgeX is a strong and complementary addition to our portfolio of leading brands, and we’re looking forward to meeting customers and adding value to the brand. We have established solid relationships with many partners in the industry, which will help us to increase awareness of SurgeX. This will in turn allow us to develop business opportunities, which we believe SurgeX is wellplaced to capitalise on.”
Hall Technologies has announced a global distribution partnership with AV/IT distributor, TD SYNNEX. Hal Truax, VP of sales and marketing at Hall Technologies, said: “Having a global presence and penetration is significant as we ramp up our end-to-end solutions internationally. We’re thrilled to partner with TD SYNNEX and look forward to our mutual growth opportunities.”
NEWS: DISTRIBUTION
Generation AV has team members in China, India, Singapore, Thailand and Malaysia. Its staff has decades of market experience in the AV industry from across the diverse territory. It will support SurgeX’s entire surge elimination and UPS product range.
www.k-m.de toBuiltlast For 70
SurgeX salesGenerationannouncesAVasitsagency
Thomas Gmeiner will become Stagetec’s new CTO, as the company aims to create structures that position both tradition and innovation for audio, video and IP signal management on the international stage. Gmeiner brings to his new role many years of experience gained in the fields of research and development, gathering valuable expertise in product development and innovation. His previous positions have included professional automotive at Harman/AKG and Knowles, among others. In describing his ambitions for his new Stagetec position, Gmeiner said: “Development is impelled by creative individuals who are often highly diverse. As CTO, I will particularly enjoy the challenge of orchestrating a team, managing and focusing the expert knowledge of the best minds and achieving a result that is clearly more than the sum of each individual’s arranger who never loses sight of the big goal and makes sure that the development stays on track. The result is always a team effort that everyone enjoys and, of course, is proud Wolfgangof.”Salzbrenner, Stagetec’s CEO, said of Gmeiner’s role and the company’s future: “I am convinced that bringing in Thomas Gmeiner is essential for achieving innovative top performance.”
David Angress
L–R: Perry Celia, Linda Lee, David Fuller and Ray van Straten
Thomas Gmeiner
Thomas Gmeiner to become CTO of Stagetec
David Angress leads QSC Pro Audio division
WORLDWORLD NEWS: APPOINTMENTS
QSC has announced the creation of the Pro Audio Leadership Team, which will be led by David Angress as senior vice president and general manager. Also joining the team are Perry Celia, appointed VP global sales and service, David Fuller to VP product development, Ray van Straten to VP brand, marketing and training, and Linda Lee to senior director, operations. Along with the formation of the QSC Pro Audio division (which maintains the QSC brand name), the company’s AV/IT business will operate independently as the Q-SYS division. Angress spoke on his appointment: “Throughout the years, I have always had the greatest respect and admiration for QSC – its people, culture and portfolio of innovative, market-leading products. The Pro Audio division is gearing up for an incredible phase of transformative growth and I couldn’t be more excited about the opportunity to serve as its leader going forward.” Celia takes the reins of the division’s global sales and service functions after having served at QSC for over 14 years. Fuller’s 12year tenure at QSC has included leadership roles such as senior director, international sales as well as senior director, entertainment product strategy. Van Straten joins the team as a 20-year veteran of QSC, having led the company’s retail sales, marketing, training and brand functions, as well as previously serving as VP of its Live Sound business unit. Lee rejoins QSC with 23 years of growth in key operations and supply chain roles, most recently as senior director of global supply chain and operations at Identiv. Jatan Shah, president and chief operating officer, QSC, concluded: “Our leadership team of Perry Celia, David Fuller, Ray van Straten, Linda Lee and, more recently, David Angress will most certainly guide our business to great success in this next, exciting period of growth and innovation.” www.qsc.com
Cannon brings extensive experience in the live and installation audio markets. Respected for his role as senior executive sales director at Diversified (formally Rutledge AV) for over two decades, Cannon steered the prominent industry provider across a range of audiovisual and broadcasting solutions. He has also been instrumental in the successful delivery of commitments within the corporate, government, education, media and major entertainment sectors.
Tony Jones, director of Datapath, welcomed the addition of Tulley to his team: “As part of our ongoing global growth, we’d like to welcome Brian to the Datapath family. Brian has an impressive track record in global procurement and, during a period of considerable pressure on supply lines, we are delighted to add his skillset to the team.”
Group Technologies has appointed new experienced personnel including technical products manager Scott Jamieson. Jamieson has now been joined by a new director of sales, Shane Cannon.
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“I am excited to begin contributing from the inside and look forward to what we will be able to achieve together. I’m thrilled to be joining a company with such a comprehensive portfolio of forward-thinking brands and a passionate team behind them.”
Aetria seamlessly manages all content distribution and connectivity, while providing control room operators with a simple, unobtrusive interface for real-time monitoring and control.
September–October 2022 PRO AVL ASIA 19
Group Technologies general manager, Anthony Touma, said of the appointment: “We’re simply delighted to welcome Shane to the team at GT. He brings a depth of knowledge at the highest levels of AV integration in Australia, and we know that he will become integral in supporting our customers. We are very excited about the future of this department and are looking forward to Shane utilising his expertise to provide top-tier solutions for our www.grouptechnologies.com.au
“Group Technologies and I have a preexisting relationship of over 20 years, where I have had logistical and hands-on experience with their principal brands, including DiGiCo, NEXO, Quest and RCF,” explained Cannon.
GT’s on the ball with Cannon DatapathjoinsTulley
Brian Tulley has joined Datapath as its new strategic procurement manager. Tulley’s role includes collaboration with Datapath’s tier one manufacturer partners, as well as strategic procurement for a variety of key electronic commodities. Tully has held senior roles at General Electric and Rolls Royce.
Centralized connectivity and control
AUSTRALIAWORLD NEWS: APPOINTMENTS
Tulley added: “Procurement of technology components has become a very hot topic throughout the AV industry in the past 18 months or so and I am looking forward to applying my experience at Datapath to ensure our customers continue to experience the high levels of service and minimal lead times for which we are known.” www.datapath.co.uk
Brian Tulley Shane Cannon
NewTek has announced the appointment of new regional managers Wanlop Wattanadussadee and Elango Ramachandran in the APAC region.
Having spent four years in pre-sales and product management roles, his focus will be to support the existing partner relationships, drive more NewTek business, and train and enable new partners across APAC. “Working in product management meant I owned all aspects of the product from demo through to go-to market. I’m looking forward to consolidating my experience in my new role with NewTek,” said“NewTekRamachandran.hasexperienced rapid expansion in Southeast Asia over the previous two years and, as we continue to develop the channel to support further growth, we need talented people to provide regional focus,” stated Paul Dobbs, regional director, APAC. www.newtek.com
NewTek selects managers for Southeast Asia
NEWS: APPOINTMENTS
Elango RamachandranWanlop Wattanadussadee
SOUTHEAST ASIA
d&b audiotechnik Greater China has welcomed Eason Poon as Soundscape business development manager and Dave Wu as senior engineer of education and application support (EAS). Poon will focus on the promotion and sales of d&b Soundscape systems. He has more than 25 years’ experience in the professional audio industry as a sound engineer, systems engineer and pro-audio trainer, and a wealth of knowledge of immersive sound“Theresystems.isamarket need for future sound technology equipped with Soundscape and this is building in the region,” he said. “I’m looking forward to exploring the possibilities of d&b Soundscape in collaboration with new productions, helping to create better audience experiences and strengthening the use and awareness of Soundscape across Greater China.” Wu is a Hong Kong-based audio engineer with 15 years of field experience in theatre and concert touring, focusing on sound mixing and system design. “I’m thrilled to join d&b Greater China,” he said. “There is enormous room for immersive sound development in the Hong Kong and Greater China region and we are seeing a trend in productions asking for better audio experiences using up-to-date audio technology. I look forward to the growth in popularity of d&b soundscape, as I firmly believe it is the future of sound.” www.dbaudio.com
Wattanadussadee is the regional manager for Southeast Asia, selected to further build NewTek’s business in the region. He has a strong heritage in the sector having spent the previous four years as technical sales manager covering the entire APAC region for NewTek.“Asthe new regional manager, my goals are to further develop existing partner relationships while looking to strengthen NewTek’s presence in the market, better serve our existing customers and gain new ones,” remarked Wattanadussadee.
Ramachandran has been appointed APAC pre-sales manager to further build up NewTek’s business in the region.
d&b Greater China appoints
CHINA
L–R: Eason Poon and Dave Wu
20 PRO AVL ASIA September–October 2022
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Eventide Audio has announced that Bohan Xie has been promoted to sales manager for APAC. He is responsible for leading sales efforts for the company’s hardware and software products in those regions, as well as expanding the scope of distribution for Eventide products. Xie joined Eventide in 2016 as a software engineer, developing software and apps that work with Eventide hardware. In 2017, he was named regional ambassador and he has been travelling extensively since then in the Asian region to represent the company. In 2020, he was promoted to sales engineer to work with more partners and help with the manufacturing and logistics of Eventide hardware products.
focused, strategic and outcomesdriven person, Phil will help make sure that we continue to deliver the highest levels of customer service to all our valued partners, consultants and end users in the region. Phil brings a positive energy and integrity that fits perfectly with the current team; we wish him every success and can’t wait for him to help drive our business to new levels.”
VITEC has announced the appointment of former professional rugby league player, Phil Howlett to regional sales manager in the Australia and New Zealand region. Howlett has more than a decade of sales and business development experience in the acolleague:saidAPAC,regionalJamieterritory.Hind,directorVITEC,ofhisnew“Asrelationship-
Juliana Tong, a pro audio journalist and marketing expert, has joined d&b audiotechnik as its new marketing director for Asia Pacific. With 20 years of industry knowledge under her belt, Tong previously served at Christie Digital Systems, where she introduced a host of initiatives, marketing strategies and launched digital PR programmes. Tong’s key focus will include supporting APAC business, to nurture existing partners and identify new enduring partnerships. She will work closely with d&b’s global marketing team and report to Anand Narayanan, CEO of d&b APAC.“Ilove working in the pro audiovisual industry and I am grateful to have met a wide range of pioneers and innovators,” said Tong. “After being in the visual industry for more than 15 years, I join d&b with a strong desire to be at the forefront of the emerging immersive audio trend. I look forward to working with our d&b family to introduce our portfolio of audio technology system solutions, including the market-leading d&b Soundscape, to the APAC region – reshaping audio experiences for users and audiences alike.”
22 PRO AVL ASIA September–October 2022 Clear-Com has welcomed Calvin Long to its Applications Engineering team. Long brings industry experience and knowledge from his time at Black News Channel (BNC) as broadcast manager of operations. Long was a first-hand Clear-Com user in his previous role, configuring the intercom system to enable remote and hybrid broadcast workflows for the anchors, production team and engineers.
www.clearcom.com
Dan Moors has been selected as the new head of sales and marketing for Void Acoustics. He has previously worked in the construction and PPE sectors and is said to be motivated about joining Void Acoustics at a time of expansion. “This is the first time I have worked in the professional audio industry which is clearly both dynamic and fast-paced, and I am embracing it 100%. I have a lot to learn from a product perspective, but there is real synergy with what I have done previously with similar supply chain structures and distribution networks. In addition to which, joining Void at this exciting phase of its development is a fantastic opportunity and one I am really looking forward to being a part of.”He continued: “Void Acoustics’ products certainly stand out and this makes them an excellent proposition to sell. I believe that Void has only scratched the surface in terms of the UK and global markets it currently serves.”
Calvin Long joins Clear-Com
www.dbaudio.com
Moors made sales and marketing head for Void
Phil Howlett tackles ANZ as regionalVITEC’ssalesmanager
Bohan Xie
Calvin Long
WORLDAPAC WORLD APAC NEWS: APPOINTMENTS
Marketing mogul Juliana Tong welcomed to d&b
Phil Howlett Dan Moors
www.voidacoustics.com
Alex Skan, managing director, Void Acoustics, commented: “We are pleased to welcome Dan to the team. He is full of enthusiasm for our unique products and has already shared several great ideas he has for future growth.”
www.eventideaudio.com
Eventide Audio appoints Bohan Xie to APAC sales manager
“With our customers increasingly moving to an IP-based workflow with both hybrid and remote operations, it’s especially important to bring on board applications engineers who have the kind of real-world AoIP experience that Calvin brings to the role,” remarked Justin Emge, applications engineer manager. “Calvin’s enthusiasm for wanting to make a difference and support our users is a quality we value, and we’re delighted to have him join our Long commented: “Clear-Com gives every end user the ‘power’ to control their system, no matter their level of knowledge. I’m thrilled to be a part of the team that empowers their users with market-leading communication solutions and support, as well as being one of the people that our users can count on to help keep their show running smoothly.”
Narayanan commented on the appointment: “I’m very pleased to welcome Juliana to our d&b family in Asia Pacific. She has an amazing marketing track record in the pro audiovisual industry and I’m certain that her experiences can help us further grow our d&b brand in this part of the world.”
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24 PRO AVL ASIA September–October 2022
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The PA People has been called on to create a communication network and audio system for Vivid Sydney Festival in Cockle Bay. Said to be the largest festival of light, music and ideas in the southern hemisphere, Sydney’s CBD is transformed into a fusion of creativity, innovation and technology over 23 nights. This year, the programme featured the longest continuous Light Walk in the festival’s 12-year history, spanning 8km from the Sydney Opera House around Circular Quay, through the Rocks and Walsh Bay, Barangaroo, Darling Harbour, Cockle Bay and Tumbalong Park, Darling Quarter, Darling Square, the Goods Line and Central Station. Along the Light Walk, the temporary event network provided a comprehensive IP backbone to support the distribution of content for a series of LED wayfinding signs, cameras, an emergency paging system and centralised sound level monitoring. The network was based on existing in-ground dark fibre cable, temporary 9
The PA People connects and amplifies Cockle Bay’s Vivid Sydney
2 x 10“ high-performance mid/high unit, two multifunctional speakers and two powerful 18“ subwoofers Non-networked speakers can be integrated into the LINEAR 9 network through DSP Out Straightforward setup thanks to the lockable PowerCon and PowerCon Link connectors HK Audio DuoTilt for all mid/high units enables optimal adjustment of the dispersion pattern Road-ready features thanks to sturdy birch multiplex cabinet and resistant PU coating Engineered and made in Germany
Image courtesy of Destination NSW
NEWS: PROJECTS AUSTRALIA LINEAR
Meanwhile back in Darling Harbour, a second team was busy providing the audio system to support Oracle Liquid’s Sydney Infinity liquid and light show on Cockle Bay. Comprising some 24 Bose SMS118 subwoofers and 48 Celto CMP10 10-inch coaxial cabinets, the system was powered from just six Linea Research M44 amplifiers.“Itwasa privilege to be involved in the delivery of this year’s Vivid Sydney Festival. After more than a year of planning and a couple of postponements, it was great to be able to get out and deliver the network and systems to support the Vivid Sydney production team, particularly given the crowds that
The network also supported the provision of internet services for both staff and various light installations, as well as connectivity to the cloud for real-time data analysis to support event operations. As part of the communications package, in addition to the network and various endpoints around the event footprint, The PA People also provided a supportcommunicationscomprehensiveframeworktotheeventteam.Some 600 digital two-way radios over 44 talk groups on the Orion network were deployed, interfaced with a large Clear-Com Eclipse matrix intercom system comprising some 60 key stations installed in six separate
•••••••••• hkaudio.com 135x190_en.indd 1 28.07.22 14:21
VinUniversity in the Gia Lam district of Hanoi, Vietnam, offers education, skills development and career placement for its students. The medical training programmes at this new, non-profit university include lecture, team-based learning and hands-on experience through simulation. Simulation spaces in the two buildings are based on a modern hospital and home-health service, covering diagnostics, procedures, lab work and crisis intervention. Integration firm Hoang Minh Investment Technology Joint-stock Company (HMICO) worked in conjunction with the university planners to design and build AV systems using products from Extron.“TheExtron DXP HD 4K Plus matrix switchers and audio products support VinUniversity’s modern training methods,” said Nguyen Truong Giang, vice director at HMICO. “They are vital in helping the students learn to be proactive in mastering medical procedures and emergency and crisis response as a team.”DXPHD 4K Plus Series matrix switchers are used in the lecture and simulation rooms. Supporting 4K/60 HDMI with 4:4:4 colour sampling at data rates up to 18Gbps and HDR, they met the highresolution video requirements for medical imaging and the switching speed for emergency services. DTP transmitters extend signals from sources within the room. The matrix switchers are linked to the adult and child interactive medical manikins that provide a vast array of capabilities and integrated or programmable health responses. Content is transmitted to the room’s displays, and audio signals are sent to the sound system.TheDXP matrix switcher de-embeds audio and sends the signal to an Extron DMP 128 Plus AT 12x8 ProDSP audio processor for mixing programme audio, live microphones and feeds from the manikins. The sound systems are driven by the XPA U 358 100V amplifier which provides eight 35W channels of 100V distributed audio, or an MPA 601 60W amplifier. They drive pairs of Extron CS 26T Plus two-way, open-back ceiling speakers with a 100V transformer, ensuring accurate and optimal sound throughout each room and space. The instructor uses a tablet to select and activate the manikin’s responses based on the applied treatments. The support staff monitors the lectures and various simulation scenarios from the control room. They can also remotely operate an AV system or a connected manikin on VinUniversity’srequest.medical teaching buildings with Extron AV systems have proven to be instrumental in preparing the future medical practitioners to serve the citizens of Vietnam.
www.extron.com
Extron enables practical and emergency medical university training NEWS: PROJECTS VIETNAM klotz-ais.com the signal masters PowerLinktodedicatedallroadies1xinput/4xoutputcompliestoIEC62356-1testedacc.toVDE0701-0702
September–October 2022 PRO AVL ASIA 25
Adam Jafrabadi, export director at VDC Trading, said: “With KLANG Studios, there is enormous potential for even more creative and innovative sounds. I can’t wait to hear what the future holds for music. Jong-Pil Gu’s new venture has a great setup to provide the perfect listening experience for all types of new sounds.” www.vdctrading.com
Garrett particularly noted that, in practice, the EclPanels delivered good results at steeper angles. “They can be rigged more overhead and used at steeper angles and, because they’re such a large source and so wide, you get a decent broadcast-filled facial look,” he added. “For a virtual event in a normal size theatre, you’d use seven to nine EclPanels to cover the entire stage with maybe a few framing spots to give a bit of edge on talent and that does it. They’ve definitely increased our setup efficiency.”
Founded by long-time mix engineer, Jong-Pil Gu, KLANG Studios produces mainly K-Pop music but occasionally caters for both hip-hop and R&B artists, and also works on music for TV series. Gu’s philosophy focuses on the process of creative collaboration between the musicians, producers and engineers and having the “right gear” to facilitate this, which is where Van Damme comes in. Blue Series studio-grade multicore cable was used for the equipment connected through the patchbay. For direct connection between equipment, XKE microphone cable and XKE Starquad microphone cable were selected. Digitour Series AES/EBU and DMX 110Ω cable was utilised for AES/EBU or S/PDIF equipment. Having taken three months to finish, the project was completed with the help of Gearlounge. Jonghwan Park from Gearlounge commented: “Creating music is becoming more and more accessible and it was a pleasure helping kit out KLANG Studios with first-rate cabling.”
Van enables creative collaboration
at KLANG Studios
For this project, Garrett said they needed to crate the EclPanels with the Prolights eight-chamber egg crate. He also purchased some soft boxes plus 30° and 60° egg crates. “The 60° DOP choice egg crates are my favourite – they fold down well for transport and give you a decent bit of control with flare and spill without losing too much light,” he said.
The Hong Kong Jockey Club Series: The Big Eight – Dinosaur Revelation will run until 16 November at the Hong Kong Science Museum. Admission is free during the exhibition period. www.cosmovision.comwww.avstumpfl.com
26 PRO AVL ASIA September–October 2022
With the ninth series of New Zealand’s Dancing with the Stars premiering earlier this year, the production team invested in 12 Prolights EclPanel TWC compact LED soft lights for the occasion.Thefixtures were purchased by Big Picture NZ along with a range of accessories such as crates to aid in controlling the light. “The big difference with the show’s lighting this year is that we have switched all the white light to daylight, replacing all the specials with LED and all the Fresnels with soft lights,” commented Simon Garrett, head of broadcast lighting at Big Picture NZ. “I find it delivers a cleaner look with the native temperature of the LED screen and set lighting and, of course, all the movers are daylight too. It means we spend less time correcting but can warm any light up if Garrettrequired.”continued: “They’re a great workhorse and I’d like more. They’re compact and economical with a broad flat spread so, rigged in pairs, they supply an even wash across a studio stepping upstage. I only used a single soft centrally for the entire upstage and stairs. We generally lit the studio for big group dances with only nine panels. The colour temperature control is fast and accurate.”
Two units of AV Stumpfl’s Pixera two QUAD media servers, deployed alongside multiple short-throw projectors, were Cosmovision’s choice for a highly demanding install like this one.“The client was extremely satisfied with the outcome of this install – it is such a pleasure to be part of this fascinating application, bringing quality AV equipment into museum environments takes the visitor experience to a new and exciting level,” added Yeung. “We can’t wait to see what the future will bring as immersive experiences gain in popularity, with AV equipment being pivotal to taking visitors into a whole new world.”
NEWS: PROJECTS HONGKOREAKONG NEW ZEALAND Pixera media servers top of the food chain for The Big Eight
Gu added: “I chose Van Damme cables specifically because of their warm and precise sounds and I like the idea of adding analogue sensibility to digital work.”
“It was difficult, but using Pixera’s integrated
www.prolights.it
To celebrate the 25th anniversary of Hong Kong’s Special Administrative Region, its science museum is staging a large-scale dinosaur exhibition titled The Hong Kong Jockey Club Series: The Big Eight – Dinosaur Revelation Eight of the most iconic prehistoric creatures, original fossil material and fully intact skeletons have been illuminated by a whole host of multimedia projection techniques and special lighting effects, blending the worlds of scientific research and scenography.Localsystems integrator, Cosmovision, was tasked with setting up multiple short-throw projectors – in both landscape and portrait orientation – onto a wave-shaped canvas structure. Jason Yeung, Cosmovision’s technical sales engineer, expressed just how complex this project was, due to the irregularities of the setup. “The 10m x 7m wave-shaped canvas required a complex placement of equipment. We had to take into account overlapping areas to blend edges and eliminate any projection shadows,” he said.
Vioso camera calibration software, the calculations could be done automatically.”
Prolights dances with the stars in New Zealand
Damme
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One of the country’s largest multinationals, Lotte, is known for the diversity of business sectors it covers, one of which is tourism and leisure. The corporation runs one of Seoul’s main attractions, the Lotte World recreation complex featuring the world’s largest indoor theme park, an outdoor amusement has just been upgraded by Korean distributor Dasan with a new EAW sound reinforcement system driven by Powersoft amplifiers.
April Qin, sales director for China, Enterprise, Christie, commented: “We are delighted that the Christie Inspire Series laser projectors have elevated the visitor experience at Dream Island Paradise with highly immersive visuals across its five thematic zones. Kudos to Zhongqing Yingye Group for completing this major project with finesse and establishing the Inspire Series as a highly competent laser projection system for small- and mid-sized applications.” www.christiedigital.com
“We wanted a system that was powerful and could provide high SPLs,” explained Lotte World sound system director, Ahn Jin Kyoung. “Our previous speakers were also EAW, and I’m very happy to have installed them again as part of The architectural layout of the building – a large, open space with curved columns and many hard, reflective surfaces, not least the 35m x 65m ice rink itself – presented some sonic challenges. “There is no acoustic treatment in the building; nothing has been provided in the architecture to help with it,” continued Kyoung, “so we are having to deal with a lot of reflections. We reconfigured and flew the system again and again until we got it into the optimum position for the best sound.” system is being run on a Dante network, the first time the protocol has been used in the building and somewhat of a pilot project, as Lotte is planning to eventually roll out Dante connectivity across the entire complex. The ice rink upgrade also includes a Soundcraft Vi1000 digital console and an MA Lighting grandMA3 lighting console. Kyoung reported that the new system is greatly contributing to the enjoyment of skaters at the rink, as well as boosting the occasional skating performances staged there. www.powersoft.comwww.eaw.comwww.dasansr.com
The history and culture of Qiandao Lake are integrated into the five thematic zones to offer guests an experience that engages Qiandao Lake’s lively spring fishing season is compellingly brought to life on a huge domed screen powered by five DWU860-iS laser projectors, while the Dancing with Fishes zone features bold images delivered by two discreetly installed DWU860-iS laser projectors.
Dasan puts new EAW system on ice
Qiandao Lake dreams in colour
28 PRO AVL ASIA September–October 2022
Lotte World opened in 1989, and as the ice rink hadn’t had a technological upgrade for around 15 years, it was long overdue. The new system consists of eight EAW KF810P, seven
Another two DWU860-iS laser projectors are fitted in the Memorial Gate Mapping and Sky Lanterns Blessing zones, to highlight the cultural traditions of local inhabitants, such as the launching of sky lanterns at night to usher in good luck and prosperity. The centrepiece of the entire attraction is driven by 19 DWU860-iS laser projectors where guests can experience a multitude of lifelike images ranging from neon-coloured fish and butterflies to the beautiful scenery of Qiandao Lake all year round.“Ittook us two weeks to complete the installation of all projectors and another 10 days to calibrate and fine-tune the contents,” said Liu. “Besides optimising the systems design to accommodate the required number of projectors, we also conducted a 3D simulation of the light path to overcome possible occlusion, especially for the immersive space installation where guests can potentially be in close proximity to the projectors fitted overhead. We are very pleased to be able to deliver the results that the client envisioned with the Inspire Series. So far, the projectors are top notch in terms of performance and reliability.”
NEWS: PROJECTS SOUTHCHINAKOREA
The Big Net Fishing zone
L–R: Jun Hyeok Cha and Lotte World sound system director Ahn Jin Kyoung
Christie has announced that Dream Island Paradise, a new tourist attraction in the picturesque Qiandao Lake scenic area, has deployed its Inspire Series 1DLP laser projectors to deliver visuals across the facility. Located along Xiushui Street in the area’s famous tourism district, the 2,000m2 attraction comprises five thematic zones that employ AV technology, including projection mapping and artificial intelligence to replicate the region’s natural beauty. Among the highlights are three large, curved screens and an immersive space with a 360° screen and floor projections fully illuminated by 19 Christie DWU860-iS laser projectors. Christie’s trusted partner, Zhongqing Yingye Group, was responsible for the projection systems design, as well as the installation and commissioning of all projectors.“Thisisthe largest immersive exhibition project that we have executed since the Covid-19 pandemic and we have spared no effort to ensure that the integration of projected contents and realistic elements will make Dream Island Paradise stand out from the rest of the attractions in Qiandao Lake,” said Hanqing Liu, project manager of Dream Island Paradise. “Equipped with 8,500 lumens, a high contrast ratio of 3,000,000:1, small footprint, whisper-quiet operation and omni-directional installation capabilities, the Christie DWU860-iS is the perfect choice for this landmark cultural tourism project.”
PROFESS IONA L © 2022 Bose Corporation. Bose and Videobar are trademarks of Bose Corporation. Google and Google Meet are trademarks of Google LLC. Zoom is a trademark of Zoom Video Communications, Inc. All other trademarks are the property of their respective owners. MAKE EVERY MEETING FEEL SHORT AND SWEET. Learn more at PRO.BOSE.COM/VB-S Bring the Bose experience to small meeting spaces Works with Microsoft Teams, Zoom, Google Meet, and more 4 beam-steering microphones 4K ultra-HD camera 2 Autoframing modes: Group and Individual Elegant, low-profile design Manage remotely with included software BOSE VIDEOBAR VB-S INTRODUCING PROFESS IONA L
NEWS: PROJECTS SINGAPORE PHILIPPINES ‘‘Students
GLPS opted for the TriCaster 2 Elite, which was used as part of the two-truck OB workflow used at each venue. GLPS was hired by Precision Digital Broadcast Solution, which provided the broadcast camera systems, shooting and replay work. GLPS oversees streaming, graphics overlays and systems integration. Truck 1 had a large Panasonic vision mixer, cameras and two Inspire 2 drones for overhead shots, while truck 2 had a TriCaster with a two-stripe control surface, connected to CG machine and external recorders.
The School of Design and Media, part of ITE College Central in Singapore, has recently placed an order for Ayrton’s Ghibli S fixtures as part of the lighting inventory for the Higher NITEC in Performance Production programme. The students use these fixtures on a regular basis as part of the course where they learn to rig and set up lighting, as well as practise programming on the console, all within the school’s Blackbox training facility.AKumarran, a lecturer in Performance Production, chose the Ghibli S fixtures to boost and expand the school’s lighting offering and support the teaching curriculum. “Students are introduced to different types of lighting fixtures to expand their knowledge of industry practices,” he explained. “We wanted to include a hardy fixture that was able to provide a good number of gobos and effects. Such attributes are ideal for students who are learning to use moving lights after coming from a conventional lighting background.
The form factor of the Ghibli fixtures has also proved to be particularly good for a college environment. “The weight of the fixture is just one thing that makes it a good fit for the school,” said Kumarran. “Some older fixtures have been known to be quite hefty, especially when they have additional features such as framing modules and multiple gobo wheels. These can be a hazard when handled by students who are still learning their way around this equipment.”Kumarranhas been delighted with the selection of fixture: “The Ghiblis – which were supplied by Total Solution Marketing –performed exactly as we expected. Total Solution has been a very forthcoming service partner and vendor. They have been steadfast in responding to any queries or hurdles we face while working with products that they have supplied to us. It has been a pleasure to work with them.”
“The Ghiblis will be used as part of the Lighting for Production I and II modules to teach students the process of working with intelligent lighting fixtures and also to support any productions that come into our learning space.”Kumarran explained that he especially prefers the Ghibli S because of “the crispness of the beam produced by the fixture. Coupled with its relatively quiet operating volume due to the liquid cooling system, these are two of the best features for us. The quietness is especially important because we are operating in the relatively small space of the Blackbox, so this feature was definitely a key consideration.”
Challenge Systems in Makati City served as the NewTek reseller/distributor. “We chose the NewTek TriCaster 2 Elite because it’s indeed the most reliable and complete production system available. Its built-in DDRs, buffers and NDI alpha keying capabilities have proven essential to this broadcast,” said Joemer Cahayon, managing director for GLPS. “The TriCaster’s audio-followsvideo feature also lets us manage the audio while the host and panelists do their mic checks, and its inherent format conversion capabilities lessen the need for external format converters.”
The 2022 Petron National Motorcycle Racing Championships in the Philippines is a high-profile event featuring six competitive rounds spanning from 4 June–13 November, when the Ducati Cup trophy is awarded. The rounds the motorcyclists compete in include the Under Bone, Scooter and Super Bike Champion race categories. The event streams live and includes pre-produced video featurettes, host commentary and replays to social platforms. Covering such fast-paced action can prove costly, especially when the client values consistent quality for every broadcast. Further to this, productions are growing more conscious of its carbon footprint and many major broadcasters have committed to being more sustainable.Toensureits broadcasts achieved all the required elements of production, Go Live Production Solutions (GLPS), the Manila-based live technical services company responsible for streaming the 2022 Petron National Motorcycle Racing Championships, chose NewTek solutions.
30 PRO AVL ASIA September–October 2022
A critical element of the production was the use of NDI to transfer highresolution video sources, such as fullscreen racing statistics and lower-third graphics, in real time from a Resolume Arena Media Server and NewBlue Titler Broadcast into TriCaster’s NDI-ready alpha channel inputs for keying. Sponsor logos and brand bugs also play out of the TriCaster’s internal DDR into the alpha channel. The TriCaster, Titler Broadcast and Resolume systems are connected via the NDI 5 Profile of a Netgear M2450 series AV line switch. “The TriCaster’s PGM out [program output] met our low-latency return video requirements, ensuring that live signals can move in real time from the second truck to the first,” Cahayon added. “While truck 1 sends PGM live event video to the streaming truck, truck 2’s TriCaster adds the pizazz, including AVPs [video package roll-ins], colour commentary, lower screen graphics and brand logos while streaming it live on Facebook and YouTube.”
Together, the NewTek TriCaster 2 Elite production switcher, NDI networking and 3Play replay system enhanced the stream of this year’s Petron Championships to deliver actionpacked content to fans and audiences, reportedly more reliably, cost-effectively and clearer than ever before.
www.ayrton.eu
www.newtek.com
Ayrton Ghibli S goes back to college NewTek drives Petron National Motorcycle Racing Championships 2022 are introduced to different types of lighting fixtures to expand their knowledge of industry practices’’
“I have been more than satisfied with VMT’s creativity and detail to design a system geared exactly to fit the venue’s needs. The system consistently delivers as promised,” added Varun Dua from Bassline. www.vmt.inwww.martin-audio.com
32 PRO AVL ASIA September–October 2022
NEWS: PROJECTS AUSTRALIAINDIA
“The diners are extremely enthralled by the sound. The system provides smooth coverage throughout the venue, brightening up the atmosphere. We are extremely satisfied with the service and really happy with the system design,” said Vishnu Midha, director at Zooey.
NEXO supports Miss Dior’s sensory experience
Martin Audio provides atmosphere throughout Zooey
Pleased with the outcome, Ghazal proudly announced that he had ordered more of the ID24 speakers for another luxury brand activation coming up. www.nexo-sa.com
Located at Defence Colony is Zooey, a culinary bar with cuisines ranging from pan-Asian, to European and Mediterranean. Spread across two floors with decadent interiors and exteriors, the space aims to cater to those who enjoy eating under the stars as well as in comfortable, warm ambience, with a focus on live gigs providing theZooeyatmosphere.provedto be a challenging project, with the client specifying the need to provide great sounding, upbeat music to the outdoor space, including a terrace, but also cater for the calmer atmosphere in the indoor section. Alongside systems integrator Bassline, VMT Enterprise designed a system for the venue, including the Martin Audio Blackline SX218 and Blackline X15. CDD5s were used as fillers, designed for discreet positioning in architectural installations. The system in the terrace featured Martin Audio SX118 subwoofers and CDD12WRs as tops, as it is a weatherised speaker designed for openair venues. The DXO.5 was chosen as the speaker management system.
Sydney-based Jay Productions & Events has utilised NEXO’s ID24 loudspeakers for the House of Dior’s garden pop-up event, celebrating Miss Dior Eau de Parfum alongside the Sydney Opera House and Harbour Bridge. The pop-up included a melding of sights, scents and soundscapes to form a sensory experience for its Describedvisitors.by Dior as a “digital journey through a multi-coloured field alive with thousands of flowers”, guests were invited to explore the space and, in doing so, uncover several unique zones. Each area offered its own distinct aura, with the shift in mood afforded by various peaceful sounds played through NEXO’s ID24 speakers across each space. With refinement and sophistication underlying the event’s design, it was imperative to select a speaker that would blend into its surroundings, with an aim to impart ambience without eclipsing the visual aspects. Tasked with creating an atmosphere of calming luxury, Jason Ghazal, managing director of Jay Productions, explained why NEXO’s ID24 speakers stood out as the right choice. “It was exactly what we needed for the space,” he said. “Having white suited the launch and we were looking for a punchy speaker that would be discreet but still have power.” He continued: “This was the first time using the ID24 speaker. We assessed its performance during demos in Melbourne and were really impressed. When in use at Dior, we found the ID24 really fit the application and exceeded expectations.”
NCPA puts its eggs in CODA’s basket
CHINA Feng Mantian
Tongbo supplied a system based around CODA Audio’s ViRAY line array. The groundstacked ViRAY setup was supplemented with CODA’s SCP subwoofers with HOP5 and HOPS8 point source speakers as fills. CUE ONE and CUE TWO three-way stage monitors completed the system.
CODA Audio’s Chinese distributor and production specialist, Tongbo, has historically supplied systems for key events at the venue, having supplied a CODA N-Ray system for the Chinese Peking Opera Arts Festival last year. This summer, it faced a new challenge in the form
The National Centre for the Performing Arts in Beijing, also known as “The Giant Egg”, is said to be the largest theatre complex in Asia, housing an opera hall, music hall, theatre and exhibition halls, as well as restaurants, shops and other ancillary facilities.
www.codaaudio.com
David Webster, global marketing director, CODA Audio, commented: “To see CODA Audio systems in use again at one of China’s most high-profile venues is fantastic and is a great testament to the work an unscored, havesuccessmeasureneededwithbecomescircumstances,improvisation.unrehearsedUnderthosetheaudiosystemtheaudience’sonlylinkthemusic,sothesonicdetailtobeoutstanding.Byeverytheshowwasahugeandwe’reveryproudtobeenapartofit.”
The show’s theme draws inspiration from the country’s rich cultural heritage and features wind instruments, keyboards, percussion and electronic elements blended with singing and spoken voices. From jazz and rock to classical and poetry, Up and Down the Mountain covered the full spectrum of audio, so it was important that its organisers had the capabilities to handle such an eclectic show.
Albury City Mayor, Kylie King, said she was excited to see so many in the community embracing this event, especially during the see so many people grabbing their winter coats and coming to see our iconic Botanic Gardens in a new light.
“A sophisticated venue like Capella Bangkok Hotel requires best-in-class AV and lighting solutions to create an immersive space for guests,” said G Amar Subash, VP and GM, Harman Professional Solutions, APAC. “We would like to thank our partner Mahajak Development for applying their expertise and executing the project with dedication and perfection.” pro.harman.com Aurora, an outdoor, journey-style light show, transformed the Albury Botanic Gardens into a kaleidoscope of colours with the use of lasers, holograms, vivid lighting, digital artistry, immersive soundscapes and other sensory mediums. The show wrapped up at the end of July after a four-week run over the school holidays, and was extended for an extra week due to high interest. Over 60,000 patrons from the community and around the region attended the nightly light show and attracted a wide demographic of audience members. From kids and families to adults young and old, Aurora was said to be a delight for everyone who visited the“Togethergardens.with Albury City Council, we were very happy to extend the show for an additional week,” said Matthew Tuey, director of marketing at Laservision. “The overwhelming response from the community, social media, local F&B and hospitality providers made it clear there was significant demand for this show. It was the talk of the town and region, and we had many patrons driving up to five hours away to see Aurora. It was humbling to hear the positive feedback and reviews of our show and we were happy to accommodate the extension.”
community is keen to see events happening across all seasons. It was also a great opportunity to bring visitors from further afield set to return to Albury in winter 2023. www.laservision.com.au
The five-star hotel
Crown CDi 4|300 amplifiers power each floor’s speakers and a Soundcraft LX7ii analogue mixing console provides advanced mixing capabilities.CapellaBangkok Hotel staff reported that the Harman AV and lighting solutions exceeded their expectations, adding that Mahajak helped achieve its objective of livening up the space with “pristine sound and speech intelligibility across the facility”.
“We are proud to be a part of the organisation installing the audio system for Capella Bangkok Hotel,” added Pongsakorn Kanchanachayphoom, project director at Mahajak Development. system capable of broadcasting to every floor from a single control room. In the main lobby and corridors, JBL Control 14CT and Control 47CT ceiling speakers provide sound that aims to blend into the architecture seamlessly. In areas with high ceilings, Mahajak selected JBL Control 226CT, 45C/T and 19CST inceiling loudspeakers. Weather-resistant JBL Control 88M and Control 29-1AV outdoor loudspeakers cover the garden area, while MS610 waterproof marine loudspeakers provide audio for the spa area. To meet the needs of a variety of events from weddings to business meetings, Mahajak equipped the ballroom and specialty function rooms with JBL Control 16CT, 45CT, 226C/T, 19CST and 328C in-ceiling loudspeakers.
Laservision lights up Albury Botanic Gardens for Aurora
JBL EON612 self-powered loudspeakers with PRX818LF low-frequency subwoofer systems aim to provide additional sound reinforcement for larger events. Mahajak selected Crown CDi 2|300, XTi 6002, CT 8150 and XFMR-8 amplifiers to power the speakers, as well as a Soundcraft LX7ii analogue mixing console. To provide lighting for the stage area, Mahajak hung Martin RUSH PAR 2 RGBW Zoom fixtures from a ceiling truss, using a Martin Ether2DMX8 router to send DMX control signals to the fixtures. To give staff comprehensive control over the audio and lighting systems, Mahajak equipped the hotel’s control centre with a range of Harman control solutions and installed additional control panels throughout the facility for onsite adjustments. An AMX NX-3200 integrated controller with an MXD-1001-L touch panel has been used for AV signals throughout the facility, while the AMX TPC-IPAD app provides remote control capabilities via Apple iPad. A BSS BLU-100 signal processor in the control centre provides signal distribution to each floor’s audio system via BLU Link digital audio networking, while BSS BLU-10 and EC-4BV wallmounted controllers allow staff to easily adjust volume and configure audio zones remotely.
34 PRO AVL ASIA September–October 2022 Country Group Development has collaborated with Mahajak Development to equip its Capella Bangkok hotel with a suite of Harman Professional networked AV, lighting and control solutions. Capella Bangkok is a five-star hotel situated on a 13.8-acre lot overlooking the Chao Phraya River. In addition to its 101 guest rooms, suites and luxury villas, the hotel features three restaurants, a tearoom, a greenhouse, a grand ballroom and four multipurpose “atelier” specialty function rooms.
Capella Bangkok Hotel creates an ambience of luxury
NEWS: PROJECTS AUSTRALIATHAILAND
“We were responsible for the audio, visual, background music system,” said Eric Wong, AV consultant of Katakan Consulting, as reported by Mahajak. “The client wanted a versatile system capable of delivering sharp, clear sound without distortion for a variety of functions like seminars, conferences and other events. They also requested a high-resolution video system.”
11 Ubi Rd 1, #06-01, Singapore 408723 Tel: +65 6749 5686 | Fax: +65 6749 5689 | sales@audio-technica.com sg | sea.audio-technica.com 3000 S er ies Net work S ys te ms Scan, Plan, Deploy and Monitor • Class-leading, extremely wide 60 MHz UHF tuning bandwidth for maximum versatility • Unique multifunction button on the handheld and body-pack transmitters can be used to switch to a backup frequency should interference be encountered • Automatically adjusts squelch setting to maximize range while minimizing interference • Optional network transmitter charging docks • Frequency scan and IR sync for ease of setup • Handheld transmitter industry-standard thread mount for use with six interchangeable A-T microphone capsules, as well as other compatible capsules 300 0 Se ri es N etw or k systems are compatible with A-T Wireless Mana ger Audio -Techn i ca (S. E .A) Pte Ltd
www.claypaky.com Ideal Systems has announced that it has designed and built a new TV studio in Kuala Lumpur for SUKE TV. Launched in April 2022, SUKE TV is a free-to-air home shopping and entertainment channel in Kuala Lumpur, Malaysia. The 24/7 channel airs on MYTV, the Malaysian national digital terrestrial platform, as well as streaming to mobile devices throughout Malaysia.
SUKE TV founder and chairman, Dato AC Mizal, said: “It’s been my dream as an artist to have my own TV station. I have been working on this project for almost seven years and finally, with the help of Ideal Systems, SUKE TV has become a reality for me.”
“Alan Walker is super energetic, so to match key lighting with the artist, Claypaky Mythos 2 fixtures were chosen for their powerful beam and amazing mid-air effects,” said Pankil Ahuja, Claypaky sales manager for the Indian sub-continent. “The fixtures helped to create something really cool and eye-catching that conveyed the feel of EDM to Alan’s fans.”
NEWS: PROJECTS MALAYSIAINDIACHINA
Overseen by EZpro, the technical setup for these performance sites includes 44 Appotronics AL-TU33K video projectors and 11 Modulo Player Standard media servers from Modulo Pi. The media servers, each equipped with four outputs, are used for projection mapping and media playback. In addition, two Modulo Player Pro media servers are used as master controllers for the two performance sites. Thanks to tasks and panels created with Modulo Player, all elements of the shows are automated and controlled, including the light, music, video aspects and performances.
Claypaky walks the walk at Bengaluru’s Sunburn Arena show
Alan Walker’s Bengaluru show
Wuyuan tourists encounter Modulo Pi projections
The complement of Mythos 2 key lights was positioned on the main stage where they fulfilled several functions. “As hybrid fixtures, the Mythos 2 not only served as key lights; their versatility enabled the lighting designer, Kenneth Tangen, to switch to beam mode when desired and spot mode to highlight Alan,” Ahuja explained. “Mythos 2 fixtures are also packed with amazing effects and colours, offering even more advantages to the designer. They proved to be as dynamic as Alan’s performance onstage.”
www.modulo-pi.com
Shipra Venkatesh, technical producer for the show, concluded: “As a touring LD, Kenneth is open to and works at making most of the features any substitute has to offer. With bright lamps, cool gobos and good functionality, the Claypaky Mythos is a solid hybrid fixture. The Bengaluru show took place in the midst of a complete downpour, and we didn’t lose a single light. That was a huge highlight for all of us and will always be special.”
As an early adopter of NDI technology for broadcast and pro AV, Ideal Systems are continuing to build on our success as a dominant NDI systems integrator,” added Fintan Mc Kiernan, CEO of Ideal Systems, Southeast Asia. www.suketv.comwww.idealsys.com
The new SUKE TV studio and media production facility was designed to create and produce local programming and entertainment content in its new Kuala Lumpur studio and present a unique opportunity for local celebrities, public figures, social influencers, entrepreneurs, as well as micro sellers to showcase their products on SUKE TV in a variety of new shows. Viewers will be able to watch the programming digitally as well as on online platforms and make instant purchases via QRThecodes.SUKE TV studio uses NDI infrastructure and NDI cameras feeding back to a TriCaster TC1 from NewTek for switching, recording and running the virtual studio and the latest Kslim LED videowall from Unilumin which measures 4m x 2.5m. Ideal deployed Xplayout for playout, Xingest for Ingest and YouPlay for studio playout, all from Axel Technology and also uses Aximmetry virtual studio and 3D graphics that has an option to run Unreal Engine. For the transmission, encoding and decoding for contribution and streaming, the system will use Kiloview SRT and NDI encoding systems.Sofiyant Neo, director of media and creative content for Ideal Systems, said: “I have been working very closely with our technology director, Updesh Singh, and his team to leverage the latest technologies to help Dato AC Mizal realise their dreams of creating great content and ensuring the market impact and success of SUKE TV.”
British-Norwegian DJ, YouTuber and record producer, Alan Walker, returned to India for his four-city Sunburn Arena Tour, visiting fans in Mumbai, Bengaluru, Hyderabad and Gurgaon. His Bengaluru show featured 28 Claypaky Mythos 2 hybrid lights, provided by Reynold’s Sound & Lighting Service. Alan Walker, best known for his critically acclaimed single Faded, was joined onstage by German singer-songwriter Au/Ra and Norwegian singer-songwriter Julian Bergan. He has previously collaborated with Bruno Mars, Miley Cyrus, Sia and Avicii and supported the likes of Justin Bieber, Rihanna and Kygo. Walker’s EDM concert in Bengaluru was said to be one of the biggest post-lockdown shows in India, attracting an audience of 10,000 people.
36 PRO AVL ASIA September–October 2022
SUKE TV gets an Ideal Systems studio
“We are honoured and delighted to have designed and built these new studio facilities and systems for SUKE TV using the latest NDI video network technology.
As part of tourism expansion plans in Wuyuan county, a resort has been created with hotels, restaurants and entertainment facilities. Having opened recently, Encounter with Wuyuan covers an area of 500,000m 2 for a total investment of 2.1b yuan (US$38m). At nighttime, visitors will be able to enjoy various spectaculars available through a music island designed to support the Chinese Hui culture, where visitors can experience sound and light shows both at the castle and lake on the site.
Unitwww.DiGiCo.biz10SilvergladeBusinessPark, Leatherhead Road, Chessington, Surrey KT9 2QL Tel: +44 (0) 1372 845600 WELCOME BACK THE HEADLINE ACT#OWNTHEROOMMultiple 7th Generation FPGAs for enhanced low latency processing Mustard, Spice Rack, Nodal Processing and True solo as standard Lightning-fast touch screen response Ultimate WithChallengeconnectivityustodelivercrowdsback,venues bouncing and stadiums roaring again it’s time to head back out on the road with a Quantum. As the fastest and smartest console range ever created, it delivers the crowd-pleasing functionality, audio performance and scale you need to deliver an epic production time after time, encore after encore.
The BURL AUDIO B80 MOTHERSHIP is a modular AD/DA converter interface that has revolutionized professional studio recording. Artists including The Black Keys, Green Day, Foo Fighters, Jack White, Lady Gaga, Chris Stapleton, Willie Nelson and many others have embraced the B80 MOTHERHSIP as their primary interface for recording their latest albums.
Using the B4 MIC PRE daughter card with Waves SoundGrid or Dante, the B80 MOTHERSHIP makes the perfect studio grade stage box for your digital console system. Image courtesy of Zepp Kuala Lumpur
The Oz followspots have been rigged on a platform 10m above stage level, with a throw distance of approximately 25m. “Unlike other venues in Kuala Lumpur, the operators are happy to have six followspots to operate instead of just two or three,” furthered Rahman. “They enjoy the fact that the followspots are placed high above the audience seats and also commented that the Oz followspots have such a high quality, smooth and beautifully bright light that it is simply a pleasure to handle them.”RJfixtures have long been a favourite of Zepp venues, with large numbers specified and installed by Sogo Butai over the years. They were among the first to adopt the original LED fixtures from RJ with Aledin LED profiles and Fresnels installed in Zepp Fukuoka, KT Zepp Yokohama, Zepp Haneda, Zepp Namba and Zepp DiverCity, closely followed by RJ ZEP and Tibo profiles at Zepp Osaka Bayside, Zepp Fukuoka, KT Zepp Yokohama and Zepp Haneda.
38 PRO AVL ASIA September–October 2022
Zepp Kuala Lumpur in Malaysia has expanded its complement of Robert Juliat (RJ) lighting fixtures with the addition of six Oz 600W LED followspots. The Oz fixtures were specified by Yukiteru Hayashi of Sogo Butai and supplied by Total Solution Marketing, the manufacturer’s partner for Malaysia.ZeppKuala Lumpur is a multipurpose venue with a seating capacity for 2,414, which hosts concerts, comedy shows, musicals, drama and seminars. The RJ Oz followspots were selected as the best fixture to meet the varied demands of the venue’s requirements and the types of show Zepp KL puts on.
ON STAGE
“Robert Juliat has been incredibly successful in all the Zepp venues,” confirmed Hayashi. “But we really love the outcome of Zepp Kuala Lumpur – it is really the best Zepp I’ve ever seen. We are so proud we could work on it during the pandemic, even as a tiny part of the role.” www.robertjuliat.com
NEWS: PROJECTS MALAYSIA STUDIO
“The flexible features of RJ fixtures will be highly appreciated by our followspot operators,” noted Arnan Rahman, senior manager for Zepp KL. “I cannot wait to see what wonderful stages they will accomplish with these extremely high-quality lights. I am so honoured that our hall can make use of such famous fixtures, which are born from 103 years of historical development.”
Robert Juliat highlights Zepp Kuala Lumpur QUALITY SOUND...
The circular stage of The Masked Singer Vietnam is flanked by two huge face-like structures that have become associated with the show, serving as tunnel entries for the contestants to enter the stage. They are lit by four Christie D20WU-HS laser projectors installed and commissioned by Christie’s partner, Alta Media, which specialises in systems integration, digital content and show entertainment technology.
NEWS: PROJECTS VIETNAM WWW.LAVOCESPEAKERS.COM info@lavocespeakers.com +39 0733 870 840 FROM CONCEPT TO DELIVERY Coherently aligned with precision crafted optimized flux motors, patented Next Generation compression driver technology and smooth transmission interfaces between LF - HF - Horn. 12” or 13.5” models available with 60°x40° coverage horn (CAN123.00TH / CAN143.00TH) or 80° coverage using LF cone (CAN123.00T / CAN143.00T). NEODYMIUM COMMON HF/LF MAGNET COAXIALS - 75 mm (3 in.) LF COPPER VOICE COIL - 75 mm (3 in.) HF EDGEWOUND CCA VOICE COIL - 800 W LF PROGRAM POWER HANDLING - 160 W HF PROGRAM POWER HANDLING - 45 – 18000 Hz FREQUENCY RANGE - 1200 Hz RECOMMENDED CROSSOVER - HYBRID TITANIUM/POLYIMIDE HF DIAPHRAGM - DOUBLE ALUMINIUM DEMODULATING RINGS LAVOCE ITA_Adv AVL ASIA-07-2022_def.indd 1 22/06/22 10:55 Images courtesy of Vie Channel
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The Masked Singer Vietnam has it with Christie
September–October 2022 PRO AVL ASIA 39 Christie HS Series 1DLP laser projectors are lighting up the set of The Masked Singer Vietnam, a show in which celebrities perform in outlandish costumes, competing against each other to win the Masked Singer trophy. It recently premiered on two subsidiary companies’ platforms, owned by DatVietVac Group Holdings –VieON (a streaming service for movies, series, shows and live TV) and Vie Channel –HTV2, which broadcasts entertainment programmes across Vietnam. The producer has recently made significant investments in content, costumes, stage design and AV equipment to help The Masked Singer increase audiences and further its success.
“The gigantic faces of The Masked Singer are the show’s biggest scenic elements onstage, and we needed to ensure that both live and TV audiences are able to appreciate the eye-catching visuals projected onto the polygonal surfaces of these iconic structures,” said Tai Hoang, co-founder and CEO, Alta Media. “Having used the Christie D20WU-HS on several occasions, including the Dam Sen Park lake show, we decided that it is the perfect projection system for this project due to its high brightness, accurate colour reproduction, compact footprint, quiet operation and omnidirectional capabilities.”Hoangnoted that the four D20WU-HS projectors are double-stacked, fitted on a truss and cross-installed with a throw distance of 24m. “This specific configuration enables us to achieve optimal visuals on both face-like structures each measuring 5m high,” he said. “The projected contents comprising an array of dynamic visual effects are then altered according to the visual script that matches the performance of each vocalist.”
Jason Yeo, senior sales manager for Southeast Asia, Enterprise, Christie, commented: “The Masked Singer Vietnam is a highly entertaining reality singing TV series that has enthralled audiences and we are thrilled that the D20WU-HS laser projectors have been used to deliver fascinating visuals on the iconic faces onstage to heighten the audience experience. Alta Media has accomplished an amazing job and we look forward to more exciting applications involving our projection and integrated solutions for television and entertainment industries in Vietnam.” www.christiedigital.com
“As our first-choice system for the PULL-UP concerts, it did not disappoint. The complete control and optimisation our team applied to the project yielded fantastic results that were felt and heard by all of Mark Tuan’s die-hard fans in the arena,” concluded Tangsereewongsa. www.pmcenter.co.thwww.l-acoustics.com
The multipurpose Impact Arena – which includes a convention centre that can be used for sporting events, conferences and concerts – was chosen as the place for Mark Tuan to perform and meet with more than 10,000 fans over two nights.
“Our team knew that reflections would be their main challenge,” explained Tangsereewongsa. “The team relied on L-Acoustics K2 with Panflex horizontal directivity to reduce reflections and keep the powerful sound on the audience area only.”Using Soundvision 3D modelling software, a system consisting of main arrays of 20 L-Acoustics K2 units was deployed with two arrays of eight K1-SB subwoofers flown behind. Outfill arrays consisting of nine K2 over three Kara II down per side were added, as well as two arrays of six K2 per side for delay. To add more power to the low end, the team deployed 24 L-Acoustics SB28 groundstacked subwoofers across the front of the stage. The entire system was powered by 32 LA8 and six LA12X amplified controllers. Front of house engineer and system designer, Chayut Boonchuayjaroen, explained: “When we were onsite, tuning the system via LA Network Manager was swift and decisive, thanks to our pre-calculations. This assured me that I would be able to mix intuitively on a clear, pristine-sounding system.”
The Impact Arena, with more than 7m-high ceilings and smooth, hard walls, is a difficult venue for sound designers.
Lectrosonics system shown with 8 channels of digital wireless receivers, 4 Stereo channels of digital IEM transmitters, an 8 channel power antenna combiner, and a 4-port redundant DC supply.
L-Acoustics powers Mark Tuan at Impact Arena
International +1-505-892-4501 Asia Pacific 855 (16) 201 www.lectrosonics.com280 Lectrosonics system shown with 8 channels of digital wireless receivers, 4 Stereo channels of digital IEM transmitters, an 8 channel power antenna combiner, and a 4-port redundant DC supply. International +1-505-892-4501 Asia Pacific 855 (16) 201 www.lectrosonics.com280
As large-scale live shows begin to return to delight fans across Asia Pacific, one of the region’s biggest stars, California-born Mark Tuan, recently wrapped up two sold-out concerts and fan meets at Bangkok’s Impact Arena. Bangkok-based 4NOLOGUE promoted the event and turned to PM Center’s trusted team of audio professionals to deploy tour-level sound in the largest concert venue in Thailand, selecting an L-Acoustics loudspeaker system.
NEWS: PROJECTS THAILAND
“Our first choice for concerts of this size is always an L-Acoustics system,” said Thanakorn Tangsereewongsa, head of business development at PM Center, which boasts an inventory of L-Acoustics products from Certified Provider distributor, Vision One. “Most artists’ concert riders specifically list L-Acoustics above others. In our experience, a comprehensive L-Acoustics system provides our engineers with dedicated tools for system optimisation and calibration.”
Australia’s In Phase Productions had struggled with dropouts and other wireless anomalies at previous Rattletrap events, but the RF Venue CP Beam antenna assured that announcers were able to be heard clearly at this large-scale hot rod run on the beach. The vehicles are most definitely vintage, but the event is relatively new: Rattletrap, an enthusiastic convocation of owners of classic pre-1941 hot rods and motorcycles (patterned after the classic US event The Race of Gentlemen), had its first few pilot outings on the beach at Crowdy Head, New South Wales, Australia, in January 2016. They were followed by the first official Rattletrap event in May 2016, and the now annual event draws dozens of hot rods and motorcycles for races up the beach before thousands of spectators. The events include bracket sprints, grudge matches and an exhibition class for unique or historic vehicles. With the growth of metal and wireless devices, the event’s RF microphones used for announcers became increasingly compromised.Havingdiscovered the RF Venue CP Beam directional antennas, Port Macquarie-based integrator In Phase Productions installed a solution for this year’s Rattletrap, which enticed larger crowds. In Phase Productions GM Tom Benson commented that he had previously struggled with his older omni antennas, using line amplifiers to boost theExcessivesignal. dropouts and interference issues had previously plagued In Phase Productions’ outdoor sporting events, which required a large coverage area with wireless mics extending further away from antennas. As a result, the antennas had to be constantly repositioned to ensure the announcers’ microphones would not be overwhelmed by engine noise.Following consultation with RF Venue’s experts, Benson decided to upgrade his wireless setup with a pair of CP Beam directional antennas. By focusing the signal exactly where it needs to be, the addition of the CP Beam antennas resulted in the elimination of the line amplifiers.Thewireless setup utilised multiple wireless mics for the Rattletrap 2022 at Crowdy Head at distances up to 400m. “We set up early and built the perfect mix position and antenna placement in the lifeguard tower,” Benson explained.
Rattletrap finds a voice with RF Venue
“It was high tide and the beach was covered, so we had to dodge the waves to set up, but by 10am the tide was out and there was enough beach to start. The event finished about 3.30pm when the tide came back in, and everything worked extremely well, including the CP Beam antennas.” www.rfvenue.com
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www.blackmagicdesign.com
The Adamson system also played its part in ensuring all the boxes were ticked. “That saved the day in terms of power, headroom and coverage all across the stadium, despite having to ensure we didn’t destroy the sightlines of the audience watching the match,” added D’souza.
Founded in 1946, Japanese broadcast equipment manufacturer Ikegami Tsushinki has marked its 75th anniversary with a renovation of its Tokyo office building, including a new seminar room equipped with Genelec Smart IP loudspeakers, underlining the company’s commitment to developing IP workflows.TetsushiHirai of TXA Planning worked with Ikegami to propose a solution based on the theme of “staying focused on the seminar”. “I make it a rule to design sound systems that place intelligible audio exactly where it should be, so that audiences and participants can concentrate on the content and get the most from their experience,” he said.
“As we have been conducting more training with online classes, we have learned that there is a growing need for video production. Some people want to produce their own PR videos for their schools, rather than hiring a contractor to do it for them. So, what they needed was a camera and editing software and, when I learned about DaVinci Resolve Studio, I was convinced that I could use it and started training on DaVinci Resolve for video production as well. “The ATEM Mini Extreme ISO model I now use has two USB ports, so I can record while streaming my class, and it is very convenient that it also works well with DaVinci Resolve. I used to use a simple webcam but, with Blackmagic cameras, I can show a much better quality picture. It is especially useful if I want to film a craftsperson’s hand movement for technical training classes,” Hara concluded.
NEWS: PROJECTS
42 PRO AVL ASIA September–October 2022
Polytechnic University (PTU) is using several Blackmagic Design products to provide training classes on conducting online classes and video production. This includes ATEM Mini live production switchers, Pocket Cinema 4K digital film cameras and DaVinci Resolve Studio editing, colour grading, visual effects and audio postproduction software. Sixty-two vocational training facilities are now also using the ATEM Mini for online classes.
PTU training facilities surf the web with ATEM Mini
www.online-sound.comwww.digico.biz
“Adamson E15 and E119 subwoofers can really pack a punch to counteract a screaming audience. But above all, our team is what sees us through major ceremonies like this.”
“The room features a number of physical pillars, so we installed six Genelec 4430 loudspeakers in an LCR configuration for the front half of the room and the same for the back half, to deliver audio to each of the six zones,” continued Hirai. “The speakers are angled radially towards the centre of each zone. The system has been configured in such a way that sound appears to be coming from the display – which is placed close to the speaker for a realistic experience – where appropriate. We defined the centre 4430 above the screens as the virtual sound source and calculated the time alignment for each loudspeaker position using 3D modelling software.” www.genelec.com
“This school provides training to instructors at vocational facilities throughout the country. Even during the quarantine period, we couldn’t stop classes at those facilities because unemployed people needed to take them. At the request of the government, we had to take classes at the vocational facilities online,” said Keigo Hara, a professor at PTU. Hara learned about the ATEM Mini and began teaching online classes using it with vocational training instructors across the country.“Before we installed the ATEM Mini, we had actually purchased a much larger switcher, but it was very difficult to handle, and it would have been impossible for me to operate while teaching a class by myself,” added Hara. “But the ATEM Mini is simple to operate and allows me to do everything I want with such a small unit. I like the compactness as I can use it any classroom, rather than installed in a specific room and not able to move anywhere.
audio transport mechanisms, we could switch seamlessly between the ceremonies console, the console for the match DJ and live VT feeds from broadcast.”
INDIA
JAPAN Sound.com crew with Warren D’souza (second from right) and FOH engineer Fali Damania (right)
Sound.com provides Adamson system for IPL closing ceremony
After 64 days of action-packed cricket, the final match of the 2022 Indian Premier League (IPL) was played at the Narendra Modi Stadium in Ahmedabad, with the Gujarat Titans triumphing over the Rajasthan Royals. The match was preceded by a closing ceremony headlined by A R Rahman together with actor Ranveer Singh and singer Neeti Mohan, who entertained the 120,000-capacity crowd courtesy of a system supplied by Sound.com consisting of an Adamson E15, E12 and S10 PA with E119 subs, DiGiCo consoles, Shure Axient wireless microphones and Sennheiser SR 2000 IEMs. The IPL, now in its 15th edition, is the mostattended cricket league in the world and, in 2010, became the first sporting event in the world to be broadcast live on YouTube. The 2020 IPL season set a viewership record with 31.57 million average impressions. This was the first full IPL league to go ahead since Covid restrictions in India were lifted. A postponed edition went ahead in late 2020 in the UAE without audiences, while some matches of the 2021 edition were also transferred to the UAE due to a spike in Covid cases in India. Handling front of house for the closing ceremony was Fali Damania, who had the mammoth task of mixing the event, which was eased by the provision of networked DiGiCo consoles, with an SD5 at FOH to mix the talent for the audience, an SD10 for backup and an SD12 in the broadcast mix room. “As usual, integration of the DiGiCo consoles over an Optocore fibre network was flawless,” he continued. “We ran three fibre reels backto-back to reach the SD12 in the broadcast room, and we had some amazing tech support as usual from Ian Staddon and Dave Bigg at DiGiCo, including assurance that running three fibre reels back-to-back would work – and it did, perfectly. This is the reason DiGiCo consoles are used for large-scale events – nothing else, period.”Sound.com managing director Warren D’souza outlined some of the challenges the event presented, including working in 42o heat from morning until evening. “We had special fan plates mounted on both the front panel and rear panel of all the amp racks for heat mitigation,” he said. “Secondly, the closing ceremony was on match day itself so we had very limited time for soundchecks and field-of-play access. We also handled the post-match award ceremony; an entirely different event that ate into our rehearsal times. With the massive cast, A R Rahman’s live performance and removable stage, there were many changeovers. However, thanks to DiGiCo consoles and Optocore digital
IkegamichosenSmartGenelecIPby
September–October 2022 PRO AVL ASIA 43 www.analogway.cominfo@analogway.com Picturall™ Mark II Media Servers Outstanding performance for large-scale events and installations Picture © St. Louis Aquarium (USA) Grand Lobby created by DE-ZYN studios Introducing Analog Way’s next generation of Linux-based media servers: the Picturall™ Mark II series, engineered around a new, extremely robust and powerful professional hardware platform. R Rock-solid reliability R Modular design with extensive I/O capabilities R Uncompressed image sequence playback up to 8K@60Hz 10-bit R Media playback performance up to 16K@60Hz R High-performance storage and networking R Multi-channel audio processing compatible with Dante™ R Easy setup and control pro-av-asia-september2022-half-page.indd 1 27/07/2022 14:42:25
EditShare has extended its storage solution at Ba Ria – Vung Tau Radio and Television Station (BRT), including the platforms for archiving and increased automation. The new facilities also include an additional four 160TB EditShare EFS-300 storage nodes to add capacity for production requirements.
Mikin concluded: “We are delighted with the comms, service and support D2N provided us with at this year’s Bluesfest.
The audio quality, the reliability, the professionalism and the support were excellent. The D2N team onsite understood our requirements and worked as a single efficient unit with the core goal being to service those in the best manner possible.”
D2N MD, Jason Owen said: “We were able to use a mixture of fibre and P2P links to deliver connectivity to all sites. This enabled the festival team to deliver a worldclass event. As the event was post-Covid, there was a lot of pressure to ensure all the infrastructure partners performed to a high standard and we always bring our A game. Secondly, interference-free comms is a must-have for festivals like Bluesfest. As D2N own our ACMA licences for this site and we use digital encryption, there was almost zero chance of any interference.”
“We are very pleased that we have been able to work with BRT again, to automate their workflows and provide cost-effective content management,” commented Said Bacho, chief revenue officer at EditShare. “This is a great example of the flexibility of our architecture, in that it allows users to start with accessible storage and add functionality and automation as they need it, while always preserving the investment at each stage. We are also grateful for the expertise and understanding of our local partner on the ground, Danmon Asia.” www.editshare.com comms for Byron Bay Bluesfest
Organisers of Australia’s Byron Bay Bluesfest have turned to D2N Technology for festival comms this year. The music event is held at the Byron Events Farm and includes seven performance stages, attracting up to 40,000 attendees. Bluesfest operates over a very large area, so coverage is a challenge if not engineered to a high standard. Bluesfest operations site manager, Nova Mikin, explained: “The intercom system is a key piece of infrastructure allowing the festival management team to communicate in a secure manner and be across all the key radio channels at once. This was very important for the security team who had a large presence onsite alongside NSW Police, the Rural Fire Service and NSW Ambulance.”OnsiteatBluesfest, D2N’s support hours were long and they were often on-call from 6am to midnight every day as crews are rostered across multiple shifts. D2N also carried a large complement of spares, which is another key requirement as there is nowhere close by to get spares in a hurry. The radio network D2N provided Bluesfest with was based around a Hytera XPT Digital Repeater package using Hytera HP682 and PD662 digital handhelds. The intercom package, in turn, was based around the GreenGo range of products with desktop and rackmount panels provided for various teams across the site.
D2N provides
“EditShare has proven an excellent storage platform for us, which helps us to be more proactive and flexible during production, playout and storage, and we particularly like the system’s flexible user permissions,” said Le An Thi, technical manager at BRT. “As our production and broadcast demands have grown, we have recognised that we need to adopt more automation to reduce the amount of manual work, while also ensuring that we maintain our high standards. After researching the various products in the marketplace, EditShare was quickly identified as being the best option and they have been able to provide a complete solution – from ingest to storage to playout, including the facilities we need for file quality, transcoding and censorship.”
Ba Ria – BRT increases productivity NEWS: PROJECTS VIETNAMAUSTRALIA
BRT is the broadcaster for Ba Ria – Vung Tau Province, in the southeast of Vietnam. It has been using EditShare storage for a number of years but, now, with production and transmission demands increasing greatly, it has become necessary to provide automated media management and quality control functionality to boost workflows. The new installation calls upon the functionality available in the EditShare FLOW media management and workflow software. This gives BRT the ability to manage remote logins and automate content flows through production to delivery. New material arriving at the station must pass local conformance checks and quality control and, thanks to FLOW’s AirFLOW and FLOW Automation, these can now be performed remotely if required. Ever-increasing amounts of content, completed and in production, meant that it was important to add archiving capabilities, and the extension includes EditShare ARK. This includes LTO-8 tape drives and associated software to ensure automated archiving against business rules, and speedy recovery when required.
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www.d2n.com.au
As Mikin described, there were multiple teams onsite, all of whom were critical in making Bluesfest a success and every single one of them required radios and comms.Owenadded: “We supplied and supported comms for all the teams including car parking, security, first aid, production audio, lighting and video, recycling and rubbish collection, ticketing, stage management for each separate stage, food and beverage and more. It’s not just about the shiny stuff up front, there is a whole machine working tirelessly back of house to ensure the patrons are living their best life at the festival.”D2Nused hybrid combiners for the repeater network with a pair of transmit antennas. Then, a single receive antenna patched into active multi-couplers aimed to ensure site-wide coverage. For audio, it interfaced all the repeaters into the GreenGo network using its Quad 4 Wire units.
Based on the end user’s requirements and initiatives, Editshare’s partner, Danmon Asia, with its headquarters in Hanoi, Vietnam, designed the system in conjunction with application engineers from EditShare.
IPX5:4 | IPX10:4 | IPX20:4 | IPX10:8 IPX THE PINNACLE OF AMPLIFIER ENGINEERING IPX series multi-channel amplifiers mark the new, unprecedented standard for sound system amplification in mid to large-sized fixed installations. These amps offer seemingly unlimited power and have the most advanced DSP with FIR-Drive processing on board, supporting Dante audio and OCA. All models embody several proprietary amplifier technologies, such as Eco Rail, which can reduce power consumption up to 50% while maintaining outstanding audio and operational safety. Learn more: Dynacord.com/ipx
46 PRO AVL ASIA September–October 2022 NEWS: PROJECTS KINETIC ENDLESS POSSIBILITIESmodulo-pi.com INTERACTIVITY WITHIN YOUR REACH No coding needed | Uncompromised reliability Create engaging interactive experiences our fully-integrated media server upgraded with new features. | NEW | Electronics & Engineering (E&E) has completed an audio upgrade for a Singapore-based creative arts company Gateway Entertainment. Located at the heart of Bukit Merah Central, the original building was demolished and, following redevelopment in 2014, a new ninestorey venue in Bukit Merah Central was constructed. Known now as Gateway Theatre, the creative arts space features a 922-seat theatre and 207-seat Black Box theatre, as well as a Sky Garden for open-air performances and events and multipurpose studio spaces. Gateway Theatre planned to upgrade the audio systems at the main theatre and Sky Garden in a bid to enhance the overall user experience. “Sound is a key element in a staged production. In our theatre and art spaces, it plays a critical role in defining the mood of any performance,” says Boon Bing, technical manager of Gateway Theatre. “We are pleased that E&E was able to understand that and deliver expert advice and recommendations with JBL’s product range.”
The main theatre is an intimate twotiered space that has now been upgraded with JBL Professional VTX A8 8-inch loudspeakers and VTX B18 arrayable single 18-inch subwoofers, installed to improve linearity and provide a wider dynamic range inside the theatre. Additionally, JBL VRX928s, a lightweight compact two-way curvature line array speaker, has been deployed for front fill and under-balcony delays. The entire system is powered by a Crown I-Tech 4X3500HD, a four-channel, high-powered amplifier equipped with onboard DSP. In addition to the main theatre, the venue also features a Sky Garden, a beautifully landscaped green space with lawns, shade trees, water feature and outdoor stage. A JBL CBT1000 and CBT1000E high-powered column speaker system was chosen for this space to provide full-range sound while blending in with the environment. The wide horizontal coverage of the CBT1000 provides sound distribution across the 100-seat space and the CBT1000E provides low-frequency extension down to 38Hz. Being a popular venue within Singapore’s art scene, E&E managed to conduct these installations with little or no disruptions to ongoing venue bookings. “Having been involved in the original installation, we are pleased to be back to update the speaker systems in the various venues to better meet the needs of Gateway Theatre and their clients,” said Gary Goh, CEO, Electronics & Engineering. www.enepl.com.sg
E&E looks to JBL for Gateway Theatre audio improvements
SINGAPORE
The Gateway Theatre, Singapore
TVU Networks has announced that UseeTV, an Indonesian streaming company owned and operated by Telkom Indonesia, used TVU One mobile transmitters and TVU Remote Production Solutions (RPS) to successfully stream live coverage of the Usee Sports Futsal Challenge Semarang Regional 2022.
Two TVU One mobile transmitters and two TVU RPS were used for the live broadcast – with one TVU One serving as the main distribution unit and the second as a backup. One six-channel and one four-channel TVU RPS synchronised live video sources from the games. TVU RPS can aggregate up to 12 internet connections to provide high-speed, synchronised transmissions from multiple sources for remote production over the publicLiminginternet.Fu,TVU Networks VP of sales for the Asia Pacific region, explained: “Because of the cost-effectiveness of remote production, organisations can cover events that may not have warranted the cost of sending a mobile truck or a full crew previously. This tournament is one example of that.”
“With the TVU Networks technology, we’re able to bring lesser-known sports to fans throughout Indonesia and the world,” said David Guretno, manager, Usee Sports Yohanes Indara. “And we get to do so with complete confidence that our livestreams will be broadcast-quality and produced in a far less costly way than a traditional, onlocation, multi-camera production.”
UseeTV futsal stream kept flowing with TVU Networks
Futsal, a soccer-inspired game played indoors on a hard court smaller than those in regulation outdoor or indoor football, has a brief yet strong history in Indonesia. Officially introduced to the country in 2001, the game has steadily gained popularity. To support the growth of futsal and foster ongoing interest in the growing sport, UseeTV and Futsalation Indonesia organised the Usee Sports Futsal Challenge 2022. The second of three regional tournaments took place recently at the newly renovated Jatidiri Stadium in Semarang, Central Java. The event brought together 20 futsal teams – 10 in the under-20 category and 10 in the general category. Thanks to the adoption of TVU Networks’ technology by UseeTV, fans unable to attend the tournament in-person could stream games live on different channels, including UseeTV Go, IndiHome TV’s Usee Sports Channel, the Maxstream streaming app and the Usee Sports channel on YouTube.
NEWS: PROJECTS INDONESIA
Futsal supporters watched U-20 winners, Berkah Sport, and general category winners, Trivo Sport, celebrate their winning matches in real time, without resolution loss or delays in transmission.Thethirdand final Usee Sports Futsal Challenge 2022 regional tournament will take place in September at the ITS Sports Center in Surabaya, East Java, Indonesia. www.tvunetworks.com
Quidich COO, Neil Gokhale, shared: “Our clientele spans sports and entertainment, including leagues for cricket, football, basketball and kabaddi, as well as major Bollywood film studios for feature films released on cinema screens and OTT platforms. Our foray into the broadcast market was through cricket, and we’ve worked with the Board of Control for Cricket in India for the Indian Premier League and domestic tournaments, and with the International Cricket Council and global leagues across Sri
SSL’s Duality Fuse brings air transparencyandto Tokyo Metropolitan Theatre
www.solidstatelogic.com
Recently, to mark the 30th anniversary of the theatre, a new Solid State Logic Duality Fuse large-format SuperAnalogue console was installed in the recording room of the theatre’s concert hall. An arts centre consisting of four halls –including a concert hall with a separate control room and one of the world’s largest pipe organs – the Tokyo Metropolitan Theatre also hosts a variety of exhibition spaces and conference spaces.
guarantees a good game with AJA INDIA
Whereas historically traditional sports broadcasts have featured stationary cameras positioned around the field, the Quidich team first utilised the BuggyQam remote-controlled vehicle, offering fans unique shots, including low angles, during cricket matches. Quidich was also said to be the first company in the world to develop a live AR tracking solution on a wireless moving camera, with the Spatio system for drones. Quidich uses a wide range of AJA equipment, including the FS-HDR real-time universal converter and frame synchroniser. The FS-HDR allows Quidich to match the BuggyQam camera output with all broadcast system cameras for consistency. BuggyQam houses a single sensor camera, whereas other cameras used throughout the production chain include three CCDs with separate sensors for receiving filtered red, green and blue colours.
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Quidich
NEWS: PROJECTS JAPAN
Located in Ikebukuro, the Tokyo Metropolitan Theatre was opened in 1990 by the Tokyo Metropolitan Government for the purpose of promoting arts and culture.
Koichi Ishimaru, the theatre’s sound director, commented on the new SSL installation: “Prior to installing the Duality Fuse, we had been using an analogue console that had been installed since the theatre opened. When we were considering replacing it, we thought about installing a digital console or a system without a console, but we thought only an analogue console would do.”
www.quidich.comwww.aja.com
Gokhale stated: “Setting up colour profiles prior to games helps us accommodate colour temperature and lighting changes with the click of a button, which would take too much time to manually adjust during live broadcasts. The SFP slots are also quite helpful, as they eliminate the need for additional converters when routing BuggyQam feeds to the broadcast control room; we’re able to ingest fibre directly through the FS-HDR’s SFP slot and output as BNC, saving us money from requiring additional devices for BNC/fibre and Gokhale concluded: “There is a lot of pressure when you’re working on an international flagship event like the T20 Men’s Cricket World Cup, which only occurs once every two years. When all eyes are on us, I know I can rely on AJA gear. In the rare case that something does go wrong, AJA offers quality support so that we’re always able to pull off a match successfully.”
Indian broadcast technology provider, Quidich, has worked with the Board of Control for Cricket in India (BCCI) for the Indian Premiere League (IPL), aiming to enhance the audience’s viewing experience through the use of drones, buggies, AR graphics and live player tracking solutions.
For the Tokyo Metropolitan Theatre, the combination of Duality Fuse’s SuperAnalogue microphone preamplifiers and mix bus, flat frequency response and low noise floor made it the right choice. An important part of the theatre’s decision process was choosing a console that could capture its programming in an accurate and authentic manner: “We decided on an SSL Duality Fuse because of its ability to express classical and opera programmes as they are, without any necessary colouration and also because of the opinions of recording studios in Japan,” Ishimaru continued. “In the classical music programme where the sound image changes a lot, it is important to have a sense of air and transparency in the high-frequency range,” Ishimaru explained. “The Duality Fuse expresses this point beautifully. The high-frequency range is very clear, so the contour of the sound is clear and the sense of localisation is very good.” He added that this is the case across the entire frequency spectrum, including in the low end. “The low end of the Duality Fuse adds no unnecessary colouration, yet it has a dynamic feel, so the power of classical music can be conveyed as it is.”
Ishimaru continued: “When recording on the stage, we typically lowered the microphones to keep the recording resolution,” said Ishimaru. “However, after installing the Duality Fuse, we were able to raise the position of the hanging microphones. This not only contributes to the appearance of the stage, but also to the sound, which is very important for expressing a sense of atmosphere. This is an important element in classical music where the sound is made up of an orchestra and a hall. “
COVER 150 SQ. FT. WITH A SINGLE MIC LEARN MORE AT AUDIXUSA.COMAudinate® is a registered trademark of Audinate Pty Ltd. Dante® is a registered trademark of Audinate Pty Ltd. Audix offers a complete range of ceiling microphones, enabling flexible and scalable designs that are easy to deploy and commission. Available in both analog and Dante/AES67 versions, Audix ceiling microphones share a common voicing and are optimized for maximum speech intelligibility. 0-48” 2” M3 0-48” M40 6.5” 2” M55 3.125” M45 M45 SHORTGUN AIMABLE CEILING MIC The M45 is a miniaturized shotgun condenser microphone with a swivel-and-pivot base for convenient positioning. The M45 is optimized for vocal intelligibility and offers high sensitivity, an integrated preamp, immunity from RF interference, and is easy to install in a 1-1/2” hole with no toolsadditionalrequired.
Contralto Audio is a software design company entirely dedicated to loudspeaker design and consultation www.contralto-audio.com
The future Contralto Audio will continue to innovate in the field of speaker system design and operation through highperformance design methodology and the development of sophisticated peripheral items including software and AI. In the coming years, the company anticipates that software development will be aimed at optimising loudspeakers in specific spaces, as well as operating complex systems by integrating DSP into loudspeaker designs. Immersive and multichannel audio also represents an important direction on the company’s R&D roadmap, as well as 3D visualisation and audio rendering. Contralto Audio predicts innovative growth in algorithm design, while additional equipment will continue to be developed for loudspeaker testing. The company is also planning to focus on testing the effects of RF emissions on integrated solutions that combine loudspeakers and electronics.
FOUNDED BY MARIO DI COLA, Contralto Audio has vast experience of loudspeaker software design, having worked in the sector for 35 years. With a focus on supporting loudspeaker manufacturers and rental companies across the world, Contralto Audio is active in a wide range of fields: large-scale sound reinforcement, high-power subwoofer design, directivity control, portable systems, cinema and studio monitoring. Along with designing software, Mario has also been a live mixing and systems engineer for over 15 years, developing expert knowledge in system optimisation, sound quality and DSP preset design for complex loudspeaker systems. Pushing the boundaries of research and innovation, Mario and his team have carried out several studies on directivity control and horn design, along with time correction in speaker response using FIR applications. They have also written a considerable number of papers which they have presented at AES conventions as far back as 1999. The establishment of Contralto Audio in 2017, drawing on this experience, has resulted in the creation of a dynamic team of design engineers working alongside Mario, who is now CEO and CTO of the company. This team has greatly expanded the company’s design and engineering capabilities, ranging from loudspeaker systems to DSP software. Contralto Audio operates in the north-east of Italy with a main laboratory near Venice, along with a base in Toronto, Canada.
BUSINESS: SPOTLIGHT
50 PRO AVL ASIA September–October 2022
Designing the future
SPONSORED BY
Contralto Audio today The company is currently comprised of 25 committed experts with differing specialities, covering three areas of design and engineering: loudspeaker systems (design, testing and optimisation); software design for acoustic simulation and DSP control; and electronic design for signal processing and design methodologies.Contraltoisaproject-based organisation, with a clear focus on a client’s projects and product development. The team is made up of loudspeaker systems engineers, mechanical engineers, testing engineers, application and embedded software engineers, digital electronics engineers and project managers, along with company management. As such, Contralto is fully equipped to satisfy clients in every aspect of their projects. So far, the strongest markets for Contralto Audio are mostly North America and Europe, along with some activities in China and Japan. Together with conceptual design, Contralto can generate all the necessary product support elements such as manuals, production drawings, quality control support procedures and full testing capability using the most sophisticated testing equipment available today.Inaddition to product development, Contralto also carries out testing on several existing loudspeaker systems requiring accurate directivity down to 20Hz using the Klippel Near Field Scanner system along with GLL loudspeaker modelling support for EASE simulation software. Most of these systems are submitted to Contralto to obtain a dedicated DSP preset, along with an accurate analysis to assess maximum output levels using multiple testing methods. Distortion management is handled by various testing possibilities. When it comes to software, Contralto can handle the entire application design, including the application workflow and user experience for acoustic simulations. Simulations can also be supported by sophisticated and interactive 3D visualisations as well as DSP control featuring AES70 communication capability. Hardware design for digital processing is based on the fifth-generation SHARC DSP from Analog Devices, featuring touchscreen support, 1GB Ethernet support, high-quality analogue inputs, AES digital inputs and audio-over-IP supported by both Dante and AVB/Milan architectures. A fully equipped testing laboratory is available for electronic design offering support for manufacturers with procedures for testing the final design. The laboratory is equipped with a variety of certified testing systems complying with electrical safety and environmental conditions, such as RF emissions and vibrations. The analyses are performed in cooperation with a third-party certified testing facility within the vicinity of the Contralto laboratory.
NX 985-A SUB 8008-AS ACTIVEPROFESSIONALSPEAKERS #ExperienceRCF Get ready to experience absolute sound clarity and deep, powerful bass. NX 985-A sets a new standard in portable sound with its innovative three-way electroacoustic design. RCF engineers have merged purposedesigned transducers in a three-way configuration with constant directivity mid and high frequencies waveguides, FiRPHASE processing, and newly added Bass Motion Control algorithms. Pair one or two NX 985-A with SUB 8008-AS to create a high-power four-way sound system for any application that requires an earth-shaking response and extreme clarity on the entire frequency range. SUB 8008-AS 4400W Class-D Bi-Amplification 30-120 Hz linear frequency response 2 x 18” High Power Woofers IP Rated Powercon TRUE1 TOP IN/OUT NX 985-A Up to 138 dB Sound Pressure Level 2100W Class-D Three-Way Bi-Amplification FiRPHASE zero degrees phase Bass Motion Control the next generation of sound
Flower power
The Fuxing Pavilion’s computer room is in the central security control centre; the main computer room of the entire park and the location of the IP-1000SM system host. The room is also equipped with an IP-1000CI to receive alarm signals from the fire centre. If a fire occurs, emergency evacuation voice broadcasts are triggered for individual venues or the entire park. An IP-101RM IP network microphone is used for real-time announcements, with other external sources received via the IP-1000AF IP audio interface unit through the IP network. Signals are then output from the IP-1000AF to 78 A-3248D power amplifiers, 91 PC-1868D-CH ceiling speakers and 185 BS-1006 wall-mounted speakers for voice evacuation broadcast. The IP-101RM IP network microphones and N-XC90VS2 IP intercom terminals forming the intercom system can be connected to work in tandem with the IP broadcasting system.
TOA column speakers in the outdoor area of the Flower Expo Park TOA intercom terminals are coupled to the IP broadcasting system
Making an announcement via one of the TOA intercom systems
“The Flower Expo project combines the advantages of TOA’s IP network broadcasting system and IP intercom system,” concludes TOA’s marketing manager, Ding Wei. “The system is not only equipped to handle the daily announcements, but also takes the large area of the park into consideration. Thanks to the advantages of IP network technology, it combines convenience and safety, and provides an elegant background music environment and safety guarantee for people’s leisure and entertainment. It is also a great example of how TOA can be applied to large-scale public facilities, parks and outdoor open spaces in the future.” When the Fuxing Hall was transformed into a field hospital, background music delivered by the TOA system in this beautiful natural setting created a relaxed atmosphere for patients, while enabling staff to deliver announcements, daily updates, information and scheduled broadcasts in a way that hadn’t been envisaged when designing a flexible, efficient, multifunctional system for the Flower Expo, underlining the extreme flexibility and usefulness of the system.
Housing four exhibition halls, the 30,000m2 Fuxing Pavilion was the Flower Expo’s main venue. With a classical Chinese sloping roof and colonnades, it has remained as a permanent building after the Flower Expo finished, and it was this building that was converted into a field hospital with more than 2,700 beds.
52 PRO AVL ASIA September–October 2022 FEATURES: LEISURE
Sue Su reports from the China Flower Expo in Shanghai, which has spent several months operating as a Covid field hospital
The 1,200m2 Century Pavilion, resembling a colourful butterfly, and 400m2 Bamboo Pavilion surrounded by bamboo and rattan and shaped like an oval cocoon, also use IP-1000AFs to output audio sources to A-3248D amps and CS-64 waterproof speakers. Three temporary venues, the flower art museum, Huaqi Hall and Baihua museum, were also installed with IP-1000AFs and A-3248D amps, with a total of 100 PC-1868D-CH ceiling speakers and nearly 200 BS1006 wall-mounted speakers between them. In a large outdoor area outside the Fuxing Pavilion, IP-100XI IP audio input modules receive their audio signals from the system software, sending them to the AX-0240 amps driving TZ-406BWP column speakers and GS-301D-CH outdoor peakers. The intercom terminals include the camera-equipped N-XC85AS2 and N-XC90VS2 models, coupled to the IP broadcasting system.
www.toachina.com.cn
TOA’s IP-1000 IP network audio management system was chosen for the project, with an IP-1000SM management host handling both broadcasting and intercom functions. The IP-1000SM forms a huge digital network encompassing IP network microphones, IP audio interface units, IP power amplifiers and speakers through switches based on the TCP/IP Ethernet protocol.
FOUNDED IN 1987, THE CHINA FLOWER EXPO IS THE leading national floral and botanical event in the country. The 10th Flower Expo was held in 2021 in and around Dongping Forest Park in the Chongming District of Shanghai, a 10km garden space, before the site was requisitioned as a field hospital for a wave of Covid infection that hit the city in March. The PA system for such a large area as the Flower Expo Park needed to be highly reliable, as well as providing clarity and accuracy. The Flower Expo committee, together with various government bodies organising the event, chose a TOA system supplied by Shanghai-based TOA China, which also provided full audio technical support. The company designed an all-IP digital network broadcasting system and an IP intercom system covering the indoor and outdoor exhibition areas and service facilities of the entire Flower Expo Park, to broadcast daily announcements and calls for missing people and lost property, as well as emergency services including evacuation and fire alarm.
The project required the outdoor talkback terminals and visual alarm terminals of the IP intercom system to be connected to the IP broadcasting system through the LAN (local area network) in the Expo Park, so that they can be coupled together. This posed huge technical challenges for system control management, as well as for alignment. TOA technical engineers relied on the technical features and software of the TOA IP network system to solve these problems one by one.”
“The project required the broadcast loop for all outdoor zones and indoor venues to use an all-digital IP architecture,” explains TOA engineer, Shi Xiao Dong. “The central security control centre has the highest level of access and can control the audio content and volume of each broadcast zone using visualisation software, as well as the amplifiers of each sub-control centre.
53 C M Y CM MY CY CMY K
“Achieving a high-quality listening experience in a circular theatre was a big challenge for us because this type of venue Su reports from the historic town of Chenjiagou where a new venue has opened celebrating the region’s ancient martial arts tradition
Sue
THE CHEN STYLE OF TAIJIQUAN, OR TAI CHI AS IT HAS come to be known around the world, originated in Chenjiagou in Wenxian County, Henan Province. The town is a hub of tai chi-related industry and activity, and classes are still run by the lineage of the family which began the tradition in the 17th century. So it’s fitting that a new cultural, sporting and entertainment venue, Taichi Grand Space, has opened in Chenjiagou to provide a centre for tai chi culture. Taichi Grand Space features multimedia digital technology, a highdefinition imaging system and virtual and augmented reality capability, as well as sound systems supplied and installed by Chinese distributor, EZpro. Taichi Grand Space was built to stage a large-scale immersive show, Impression Tai Chi, the latest in the Impression Series of performances from film director and artistic consultant Zhang Yimou, the man behind the opening and closing ceremonies of the Beijing Summer Olympic Games in 2008 and Beijing Winter Olympic Games in 2022.
The theatre has a 12m x 12m central stage which can be rotated through 360°. Motorised projection screens forming four sides of a box, with a further four screens forming a smaller box inside the larger one, are installed above the stage. Two rings of seats surround the stage, with the inner ring for VIPs – who can participate in interactive performances – and an outer ring for the general audience.
“We provided a full range of services for this project,” explains Zhang Tao, senior vice president of EZpro International. “For a show like this, we need to be able to translate the artistic vision of the director or creative team into technical language and implement it into the design plan. Such creativity means many potential and uncertain changes, so system designers are required to make the signal routing, cable patching and system layout as flexible as possible, so that after the system is installed and aligned, it can be adjusted according to the creative requirements of the directors. This is highly technical work, and we don’t just have to consider the sound system, but also take into account technical issues such as communication and cooperation with other technical departments, and have an understanding of the entire show soundtrack and final mix. For this project, EZpro also carried out the final mix for music including the prelude, four movements and the epilogue, which was also crucial to the project.”
Marshalling the arts 54 PRO AVL ASIA September–October 2022
All EAW speakers are flown from the second ring of a circular truss Motorised projection screens form four sides of a box, with The central stage can be rotated through 360°
At FOH, an Allen & Heath dLive C3500 digital console with a Dante audio networking card and a SuperMADI interface card for AoIP signal transmission creates a mixing system to provide the high channel count required for performances. This is backed up by an Allen & Heath SQ-7 digital console with a DX168 stagebox and a Dante card.
The EAW loudspeakers are driven by 13 Powersoft X4 DSP+Dante four-channel digital amplifiers, while the ezacoustics speakers and monitors are powered by 12 Quattrocanali 2404 DSP+Dante and five Quattrocanali 4804 DSP+ Dante. The audio team confirmed that the flexibility of the Powersoft amplifiers was a huge benefit in this installation, as four of the amplifier rooms are located in the far corners of the truss, which are difficult to reach. Powersoft’s stability, coupled with ArmoníaPlus management software, enables staff to remotely monitor the status of the amplifiers via software installed in the main control room, greatly reducing operating manpower and costs.
The screens above the stage meant that space was tight when it came to installing the speakers. The entire circular audience is divided into eight equally sized, fan-shaped sections, each of which is covered by two QX326 speakers with a horizontal angle of 120° as the LF channel. A QX366 cabinet with a horizontal 16 QX326s, eight QX366s and eight SB1002s have been used to provide a uniform sound field throughout the venue for the entire audience area. All EAW speakers are flown from the second ring of a circular truss in the venue ceiling.
“The creative team required the speech and the music to be of high definition, and for the music to have presence, so we put a lot of thought into the system design to achieve that,” says Zhang. “Because of the circular shape of the theatre, each of the eight fan-shaped audience zones has been equipped with an L-R stereo system for music signals and a mono system for speech, which means that each area has LCR channels, in addition to sharing the L-R channel of the adjacent area. A surround sound system has also been installed above the audience. The whole system design was modified several times in order to achieve the project’s creative vision. The result is good, and the creative team and director team are happy with it. After the show opened, many tai chi fans said that the show represented what they imagined martial art to look like. This was an affirmation of the whole creative idea and excellent work that went into the production.”
Taichi Grand Space has opened in Chenjiagou, home of Chen-style tai chi
September–October 2022 PRO AVL ASIA 55 FEATURES: ENTERTAINMENT
At the very beginning of the project, EZpro discussed these acoustical issues with the venue owner, who took them extremely seriously. An acoustic consultant was brought in to tackle the issues, working alongside EZpro. After extensive consultation, the acoustic design team successfully treated the curved, reflective surfaces of the large circular wall, and installed sound absorption material to mitigate the reflections caused by the dome. When the acoustic treatment was finished, EZpro conducted onsite measurements to confirm that the acoustic requirements had been met. Not only did the sound system need to facilitate audience interaction during performances, it also had to provide sound reinforcement for sporting events such as tai chi contests, plus give sufficient flexibility to host other events such as conferencing, for which the venue will also be used. EZpro’s technical team opted to install a distributed sound system across the theatre, comprised of EAW speakers plus EZpro’s own brand, ezacoustics. EAW’s QX300 point source series forms the main sound reinforcement system, covering all the seats in the inner and outer rings, while ezacoustics models are used as sound effects speakers.
the venue, there is a lot of echo and diffuse energy, which causes a long RT [reverberation time] and adversely affects the clarity of speech and music, especially when it’s coming from a sound reinforcement system.”
Impression Tai Chi uses a combination of live performances and multimedia to create an immersive garden outside the venue, inviting the audience to step into it and be guided by sound to the indoor performance. Everything that happens outside the theatre, as well as in the entrances and exits, is also part of the whole show. TOA GS-301D-CH outdoor speakers have been fully integrated into the garden landscape. A total of 56 EAW CUC8 ceiling-mounted full-range loudspeakers and 27 CUC8S ceilingmounted subwoofers have been installed in the entrance and exit corridors. All EAW loudspeakers are powered by four Powersoft Ottocanali 4K4 DSP+Dante and processed by a Symetrix Radius NX 12x8 DSP. In addition to functioning as a background music and public address system, the indoor and outdoor speakers also play an important role in the entire performance, thus were required to be of a high quality. For such a large system, synchronisation is critical, and all AVCL (audio, video, control and lighting) systems for the performance are triggered by the sound system. It was especially crucial that the sound design guaranteed flawless synchronisation when it came to the indoor and outdoor performances. The EZpro technical team has provided two sets of QLab4 software, one as the main system and one for backup, to play music synchronously and output the linear timecode (LTC) signal to the back-end system.Themain signal for the production is transmitted over the Dante AoIP protocol, with the backup link transmitted in digital and analogue hybrid mode according to the location of the rack room and the characteristics of the back-end equipment, making the system easy to use and operate. Impression Tai Chi opened to the public in December 2021 to great acclaim. The multi-functional Taichi Grand Space will be used to hold a variety of activities and performances in the future, further promoting the heritage and development of tai chi culture as well as the development of regional tourism in Wenxian County. www.ezpro.comwww.eaw.com
The eight audience sections have been merged into four fan-shaped zones for the sound effects system design, with 10 ezacoustics IMC-8 speakers covering each zone suspended from the fourth and fifth rings of truss; additionally, 12 ezacoustcs FIS-H208is are concealed in plants on each side of the central revolving stage – three on each side.
An Allen & Heath dLive C3500 console with Dante and Super-MADI cards provide the FOH system another four inside the larger box
In addition to an EAW QX326 suspended from the truss as a fixed monitor, eight EAW VFM159i mobile stage monitors have also been provided.
TVU Networks remote commentary platform was used across the Southeast Asian Games to link commentators in three APAC countries
Winning at the games
Running TVU’s Remote Commentator from a laptop TVU’s Remote Commentator solution
Viewing a low-latency preview of the event, which TVU claims is 100% in sync with the programme using its TVU Timelock wireless, untethered auto-sync technology, on-air teams can interact as if they were in the same studio. The system supports multiple independent audio channels with the ability to create groups for each language or category, making it suitable for international events such as the Southeast Asian Games. All groups see the same live feed, but members of each group will only see and hear the other members of their commentary team. On the output side, localised commentary feeds are routed to separate audio channels synchronised with the video. The technology can be paired with TVU’s production tools such as TVU Producer and TVU Partyline. For the Southeast Asian Games, live commentators based at the IBC (International Broadcast Centre) in Hanoi, as well as in Singapore and Sydney, were each able to see the live game video and hear each other’s commentary, as well as audio from the stadium, live and in sync, resulting in a natural discussion around the sport being played. For the Philippines vs Timor-Leste men’s football match, for instance, Mediacorp created a live conversation between commentators at the IBC in Hanoi and at Mediacorp
TVU’s web-based audio mixer allowed audio operators to manage all commentator feeds with level control, recording, mute/unmute and audio channel mapping for outputs. Localised commentary feeds can be routed to separate audio channels, and separate outputs created for each channel. Beyond live productions, TVU Remote Commentator can also be used to upload files for recorded voiceovers.
TV headquarters in Singapore. Using TVU Remote Commentator, each announcer was able to see the live game video and hear each other’s commentary and audio from the stadium, almost as if they’d been together at the
“TVU’s deployment of IP media infrastructure at the Southeast Asia Games proves that cloud-based workflows are the new standard for large-scale, global live events,” comments Liming Fu, VP for APAC sales at TVU Networks. “The TVU ecosystem provides the high quality of traditional broadcast, with the flexibility of infrastructure-free, cloud-based broadcasting over the public internet. Our SaaS modular solutions like TVU Remote Commentator create additional enhancements, delivering not just broadcast-quality audio but also language-independent channels for localised coverage –even when the event and commentators are in different places around the world.”
TVU’s Remote Commentator solution was used to relay live, remote commentary from announcers in different locations, synchronised to provide a natural, conversational commentary on the games. Featuring 526 events in 40 different sports, the Southeast Asian Games follows the sports played in the Olympics, though events were scaled back for this edition due to the Covid pandemic, as was the budget. This was the country’s second time hosting the games, having previously done so in 2003. Vietnam’s SEA Games Organising Committee (SEAGOC) was formed in April 2020 tasked with preparing, submitting and executing plans to stage the games. While Hanoi was the main hub, several other surrounding provinces assisted in hosting different sports. Athletes and officials were housed in hotels near their competition venues. The tennis venue was a newly built, private venue in Bac Ninh Province, while men’s football was held at the Viet Tri and Thien Truong stadiums during the group stage. Remote Commentator allows announcers and guests to log on wherever there’s an internet connection, using a browser-based interface to become part of the production.
www.tvunetworks.com
FEATURES: LEISURE
L–R: Jay Teodoro, Dzung Uong and Jay Narayan Triapthi from the TVU support team
“This is our first time using TVU Remote Commentator,” says JunJie Lee, senior cameraman at Mediacorp. “It’s stable and user-friendly. We foresee using it again soon.”
At the end of the games, Vietnam was celebrating far more than having successfully hosted the event. The country emerged in the medals tally as the overall champion, 19 years since it last topped the leader board, winning a record 205 gold medals – the most by any country to date – along with 125 silvers and 106 bronzes, accumulating 446 total medals in total and followed by Thailand, Indonesia, the Philippines and Singapore.
THE 31ST EDITION OF THE SOUTHEAST ASIAN GAMES finally went ahead in Vietnam from 12–23 May 2022 after last year’s event was cancelled. The biennial multi-sport event, also known as Vietnam 2021, was held in Hanoi and other Vietnamese cities. The games provided an ideal opportunity for TVU Networks, a specialist in cloud and IP-based live video solutions, to deploy its TVU Remote Commentator cloud-based commentary platform for what was the first high-profile use of the technology in the APAC region. Not only was TVU the official sponsor of the 31st Southeast Asian Games, the company was also appointed as the technical partner of Singaporean content creator and national media group Mediacorp, which aired the games.
56 PRO AVL ASIA September–October 2022
The Focusrite RedNet HD32R is key to the immersive setup
Engineer Min Goo Kang, who joined Booming at the beginning of the 2022, was part of this team. “We did a lot of research into the best speaker system to use before we decided which one to go with,” he explains. “Genelec was
The Genelec 9.1.4 system in control room A
Twenty-two years since it opened, however, control room A has been ushered into the 21st century with new Dolby Atmos capability provided by a Genelec 9.1.4 immersive audio system, plus a Focusrite RedNet HD32R Pro Tools interface to provide the expanded channel count the format
One of Seoul’s leading studios, which has grown up in tandem with Korea’s music industry, now boasts a Dolby Atmos HE system to complement its classic recording gear.
Although Booming has primarily worked with musical artists from Korea’s K-Pop scene, with Lim himself having recorded more than 500 of the country’s top vocalists, the studio prides itself on handling diverse recording projects rather than being stuck in a certain genre. In recent times, the studio staff noticed a shift occurring as bookings for postproduction work for OTT projects became more frequent. Simultaneously, a new wave of music being released with Dolby Atmos Music mixes started to appear. Seeing the potential of immersive audio, the technical team began to investigate different formats and the technology required to support them.
highly recommended for immersive mixing, and we were familiar with the brand, as we used to have a pair of 1031A nearfields in control room A, and we also have the same model in control room B, in addition to a pair of HEDD Type 20 MK2 main monitors. So we are already familiar with the sound characteristics and consistency of Genelec. Acoustically, this studio sounded very good already, and incorporating Genelec here was the right choice; I love the sound.”
Boom time
FEATURES: RECORDING
Supplied by the Finnish speaker brand’s long-term Korean partner, Samasound, the immersive system consists of nine Genelec 8351B SAM three-way studio monitors for the surround channels and four Genelec 8341As as overheads, with five Quested QSB118 subwoofers providing the lowfrequency channel. The technical setup in control room A had to be converted into a hybrid analogue/digital system. This involved increasing the amount of input and output channels in order to incorporate the Dolby Atmos format, and to handle both
Booming founder and producer, Daniel Lim
FOR MORE THAN TWO DECADES, BOOMING STUDIOS has been at the heart of South Korea’s vibrant music industry. The studio has worked with most of the country’s leading artists in addition to carrying out mixes for international stars including Sting, and the classic SSL 4000 G mixing consoles in its two main control rooms are used on a daily basis. Not much has changed since Booming opened in 2000; the in-house team, headed up by founder and producer Daniel Lim, have never seen the need to drastically upgrade or redesign the studios. Employing a refreshing “if it’s not broke, don’t fix it” attitude, they declare themselves satisfied with the well-designed acoustics, Quested VS2205 active main monitors and a good selection of outboard equipment, as well as the aforementioned SSLs.
Control room A, together with the smaller control room B –also installed with an SSL 4000 G as well as Genelec and Quested monitoring – are both connected to the main live space, which can currently accommodate up to 25 musicians simultaneously. An adjacent drum booth is currently scheduled BJ Kim finishes with the observation that, due to recent studio closures, he believes Booming is currently the biggest facility in Seoul. “It’s been a rough time for studios here recently,” he muses. Maybe the dawn of immersive mixing will provide a muchneeded shot in the arm for commercial studios as consumers awaken to the potential of this exciting format which, thanks to the availability of more affordable and effective soundbars, is set to become an increasingly common addition to home entertainment systems worldwide.
Audio professionals trust RedNet as their audio-over-IP solution for post-production, broadcast, front of house, educational facilities, and houses of worship. These solutions have been developed to meet the needs of the most demanding professional applications through a relentless focus on audio quality, reliability, and ease of use. Contact us if you would like more information on how our audio solutions could improve the quality and efficiency of your audio workflow, or to request a demonstration.
www.genelec.comwww.booming-studios.com
“It’s a brand-new concept,” explains Kang. “We had film directors and actors come in and we recorded their voices, creating film-like content without visuals, with the voices and sound effects placed all around the different channels. It’s a very immersive project, and we had to really focus on how the audio could deliver the cinematic effects and feelings to the audience.”
THE MOST RELIABLE SOLUTION IS ALSO THE BEST SOUNDING
September–October 2022 PRO AVL ASIA 59 pro.focusrite.com/contact-us
L–R: Booming’s engineer/producers Min Goo Kang and BJ Kim
“We want to be flexible with our workflow; we don’t want to be limited by just in-the-box mixing,” continues BJ. “How we work depends on the situation: what kind of tracks or movies we’re working on. It’s still early days, and we haven’t done too many immersive sessions or had any Dolby Atmos Music tracks released yet, but we’ve been working on a project for [Korean search engine and entertainment provider] Naver. They contacted us to produce some audio content for their entertainment channel, Naver Vibe; it’s a play for voices without any accompanying visuals.”
“Previously, we didn’t have an I/O system that could handle all these speakers,” explains producer BJ Kim, who returned to his mother country in 2020 after living and studying in the US. “We’re using Dante for routing, and our key piece of equipment to making it all work is a Focusrite RedNet HD32R.” As well as supplying Dante connectivity, this provides up to 32x32 channels of I/O (16x16 at 192kHz) and features network and power supply redundancy.
analogue and digital. Depending on the project, engineers are able to switch between analogue and digital modes quickly and efficiently.
Due for release in September, this is an impressive Atmos debut for the team at Booming. Played back on the Genelec immersive system in control room A, the soundtrack places the listener right in the middle of the drama, with voices and sound effects coming in from every direction, from close up and distant locations, giving a sense of space and dynamic quality that is truly“It’sthree-dimensional.abiglearningcurve, and we are still learning, but I strongly believe that the key to the success of surround sound is the source quality,” adds Kang. “We are focused on getting the best quality sound when recording.” they approve of a facility that’s been correctly configured, they list it on their website,” explains BJ. “The Dolby Atmos team here in South Korea brought their Atmos audio demo to try out here and were thoroughly impressed with our monitoring system. We’ve developed a cooperative relationship with the company whereby we allow them to demonstrate our Atmos audio content to some of their partners. We also gave feedback on a new Dolby Atmos monitoring system project that is currently in development.”
Budee started in 2002 as a small dealer of pro audio hardware, building up over the years and establishing branches beyond its Beijing headquarters in Hangzhou, Shenzen, Chengu and Hong Kong. With technical staff experienced in installation, commissioning, training and project management, the company has supported dealers, engineering businesses and systems integrators in completing countless AV projects across China, challenges that go hand-in-hand with our hardware solutions and installation, to monitor the condition and status of the hardware. centres and other equipment that they don’t know how to use and maintain, or what to invest in next. Our system can help the IT departments solve these kinds of problems.” Budee is aiming to market the technology at an international level. “We’ve introduced NAVIoT to multiple global manufactures and all of them are interested in the concept as well as the functions it brings to the end user,” he continues.
Felix Shi suggested Budee should enter the world of IoT
Caroline Moss learns about NAVIoT
“We’ve already planned an English version for global market, and we’ve held training sessions on the platform for two global AV corporations here in China, who want to learn from our experience.”Oneofthe main USPs of NAVIoT is that it not only allows clients to control and manage their hardware, it also has vast energy-saving potential, if Budee’s impressive calculations are anything to go by. “For every medium-sized conferencing room, we can save them around RMB 30,000 per year in power costs, so if they have 200 conferencing rooms in one or several buildings, they can save a lot of money by using our platform, and eventually, the systems will pay for themselves.”
IT’S ALMOST UNHEARD OF FOR AUDIO DISTRIBUTORS –even those as successful as China’s Budee – to wander boldly into the realms of technical innovation. Yet that’s exactly what the company has done with the launch of its new IoT platform, NAVIoT. Company director Mills Xu is keen to point out that the development of NAVIoT isn’t a pandemic project conceptualised during lockdown, but one that originated back in early 2017.
Budding genius 60 PRO AVL ASIA September–October 2022 FEATURES: TECHNOLOGY
Chinese distributor Budee has branched out to create its own IoT platform in a bid to simplify the integration and management of AV conferencing equipment.
The platform has been designed to work with most major third-party conferencing brands. “We have developed a universal interface, so any new equipment added to the platform can be detected and added in with Zero Code,” explains Xu, referencing a technique that allows users to build software, web applications and apps without having to know how to code. “Zero Code will let the IT guys add new equipment to the network easily. Large enterprises are using multiple brands with their own control protocol, so their IT departments need to operate multiple platforms simultaneously, which entails additional cost and labour.”
“We had a serious internal debate among all the shareholders where we discussed ideas for a successful path for long-term development,” he recalls. “We came to the conclusion that AV systems integration and related solutions would provide a brighter future for the company, and decided that that was where we should put some investment. We perceived a huge demand for smart conferencing alongside the need for existing AV products, and we wanted to develop a business based on this.”
The confidence to proceed down this path was bolstered by one of Budee’s shareholders, Felix Shi – a former IBM senior up the fledgling R&D centre. “Felix had suggested we should get into the business of IoT,” continues Xu. “Due to his background in technology and IT, he was put in charge of a media portal we were developing for the MI market, which was our original IoT project. We invested in it for two years and decided we wanted to build it into something better.”
Budee currently employs 33 programmers and 10 hardware application engineers in its R&D department, split into different teams to work on developing new technologies. “We’ve incorporated Edge computing technology into traditional AV IT solutions,” says Xu. “Using AI [artificial intelligence], data from AV devices is leveraged to help users make decisions and audit usage. The cloud provides AV IoT with SaaS [software-as-aservice] and PaaS [platform-as-a-service], offering compatibility and openness with many brands, series and models. Mainstream AV devices are combined with IoT sensors for face recognition, environmental conditions, intelligent lighting, curtains, air conditioning and access control.”
is already providing economic advantages to Budee, too. “Last year, the revenue contributed to Budee by NAVIoT was around 68 million RMB,” Xu reveals. “This will increase year-on-year and is the future of Budee, which is why we can assure our clients that initial investments can be claimed back.”
The NAVIoT team comprises programmers and hardware
NAVIoTengineerswas designed to simplify working with various types of conferencing equipment Facilities can be connected via a unified user interface
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“They needed to manage a huge amount of AV equipment and software solutions,” says Xu. “We developed a software integration platform leveraging 5G and IoT technology across the equipment and sensors to create a unified user interface that could manage the meeting facilities across all the office buildings. That was our first real-world job; it fulfilled all our dreams and put us in touch with some other Fortune 500 companies in China who wanted to do this on a huge scale, with numerous meeting facilities that needed to be connected via a unified user interface. We’ve been in touch with more and more end users including banks, insurance companies, Chinese technology unicorns, major corporations and a famous taxi service company.”
In early 2021, the company’s assets exceeded the trillion yuan mark for the first time and, at the end of the year, its assets under management exceeded RMB 2.7 trillion, serving 420 million individual clients and 420,000 corporate clients. Ultimately, Budee will integrate over 400 meeting rooms across two tower blocks. Phase one has seen more than 200 rooms installed with a total of 1,500 devices from over 20 brands including AMX, BSS, Polycom, Sony, Epson, Extron, Crestron, Biamp, Huawei, Barco and Shure. Budee has provided NAVIoT servers and sensors together with its Intelligence IoT Edge computing machine, an OEM device manufactured by Lenovo with the NAVIoT logo and packaging. This gives the company remote and voice control of all meeting rooms and installed AV equipment; analysis of big data giving real-time analytics, and malfunction notices by text message, email and alarm; the ability to book spaces and reduce resource waste; and energy management, power consumption analytics and safety warnings.
The arrival of NAVIoT and establishment of an R&D arm doesn’t signal the winding down of Budee’s distribution business, however; the company plans to keep both divisions running simultaneously. “Distribution is still going well for us; we have a lot of traditional brands that we’ve carried for decades, mostly from the recording, semi-pro and consumer markets,” says Xu, explaining that although the company has stopped distributing brands including Martin Audio, Avid and Electro-Voice, it has recently taken on Extron, which he describes as a “very stimulating brand”, and continues to represent Akai Professional, Letrosonics, PMC, PreSonus, Telefunken and Void Acoustics.
If market response and uptake by Fortune 500 businesses in China are reliable indicators of the efficacy of Budee’s first major technical launch, the traditional world of AV distribution is about to be turned on its head.
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In 2019, Budee set up a pilot project with a Fortune 500 insurance group in Beijing, providing it with traditional AV equipment and sensors. Founded in 1996, the Chinese company has grown to encompass three core businesses: insurance, capital management and healthcare.
“China is developing fast and the demands from the market are changing day-to-day. If you remain a traditional distributor, someday you’re going to go out of business because when you are doing your job too well, the manufacturer will come in and set up their own company. They will hire your people and take over the market themselves. On the other hand, if you’re not doing your job well, another distribution company will come in and take over. So your job as a distributor could be said to be ultimately doomed from the beginning! We’ve integrated thousands of conferencing rooms, so we just needed to figure out how we could generate new demand out of our existing projects rather than simply finding new clients and building more rooms.”
www.budee.com www.toa.com.sgTOAasiapacific We supply sound, not equipment.
Budee’s Intelligence IoT Edge computing machine
“Distributors need to diversify in order to survive,” he asserts.
Phase two of the project will add a further 200 meeting rooms and lecture halls, as well as providing an environmental detection and reporting system for staff office areas; staff volume ratio and seat availability in the cafeteria; office desk reservation and management system for shared areas; and remote maintenance and monitoring of AV equipment with alerts.
September–October 2022 PRO AVL ASIA 61 FEATURES: TECHNOLOGY
the fact that churches had to close was beneficial in certain quarters as services online has meant investment in professional streaming equipment, plus a chance to plan the next technical overhaul once in-person worship resumed.
KOBA 2022 BUSINESS: SHOW REVIEW 2022 Dates: 29 June – 1 July 2023 Dates: 16 – 19 May Venue: COEX Convention and Exhibition Centre, Seoul Total exhibitors: 389 Attendance: 32,895 Contact: www.kobashow.com
L–R: Lawo’s Gregor Erlitz and Orban’s Peter Lee on the stand of long-time Korean distributor, Dongyang Digital Dasan’s Sunmo Kang emphasised the importance of KOBA Yamaha’s Tommy Lee was focusing on Commerical Installed Sound
Korean
degree and it’s taken a while to recover, but they are catching up fast and a lot of projects that have been put on hold are starting to happen.”
The AV and broadcast show has returned to COEX after a three-year absence.
62 PRO AVL ASIA September–October 2022
much a Korean show, with just 50 visitors registering from overseas. Certain brands and distributors were absent, notably Tech Data with its usual display of Harman brands, and Soundus which – seeing the writing on the wall for the May 2020 edition – hadn’t taken space three years ago (many of this year’s exhibitors were redeeming their deposit from that cancelled show). Other distributors presented impressive booths, some creating surround sound demos, illustrating Korea’s rapid adoption of immersive formats. This included Samasound with a Genelec 7.1.4 system accompanying an original media art display on the distributor’s own SAMA LED videowall; Music Metro with a Dolby Atmos PMC and Avid setup; KOIL with L-Acoustics L-ISA and Avid; and Sound Solution with Astro Spatial, RCF and Midas Unfortunately,equipment.global supply chain issues and, to a lesser extent, staff shortages were also on the agenda, with the frustration of full order books and long lead times among the topics of discussion on the show floor. But the mood at KOBA was overwhelmingly positive, the only sign of the last two-and-a-half years being the mandatory facemasks covering the smiles of people happy to be back. KOBA returns to its usual May slot in 2023, which those who experienced the heavy seasonal downpours and lack of taxis of this late June edition will be relieved to hear.
Peter Lee, Orban: “It’s been a lot better than expected. There was one point when I’d never seen a KOBA show so busy; I was really surprised. The market is back, really back.” the livestreaming market for churches, which has grown a lot. It didn’t exist before Covid, so we took on Earthworks microphones, which has a streaming mic system, and Riedel for this new vertical and are showing both at KOBA for the first time alongside established brands including EAW and dbTechnologies.” was crazy; everyone just wanted to get back out and meet each other, even though there’s not many new products. During Covid, the personal broadcast market did well, but from April, after lockdown finished, that demand has decreased. On the other hand, there’s more demand for our portable speakers for small performances.”
Ingang Audio was showing Meyer Sound and Cadac
From the show floor
The Music Metro stand showcased an API console alongside an immersive audio setup featuring PMC and Chris-Systems’Avid
David Kim with the company’s 3D-printed demo units
David Kim, Chris Systems: “This is our first KOBA and we’ve only brought one of our speaker ranges because the booth is compact and we wanted to have room for meetings, plus we have a demo room offsite. So we printed out miniature models of all the other speakers using our 3D printer. We’ve had a lot of visitors; half of them know the brand and half are discovering it.”
Seth Kim, Samasound: “We’ve focused on our new LED screens, which we’re showing for the first time in an immersive demo room together with a Genelec 7.1.4 system, and it’s been a huge success. Another focus for us right now is our MP department with the MI products; the MI market did really well during Covid and we are expanding our business beyond pro audio.”
The busy Samasound booth featured multiple brands including Shure, Genelec, Martin Audio and Allen & Heath Gear Lounge showed an array of studio technology in its glass-fronted booth including SSL, Focal, Austrian Audio and a range of MI equipment
Steve Kim, Ingang Audio: “The market in Korea is getting back to normal now. Lockdown was only for two or three months, and people want to come back to see live entertainment, although it didn’t stop altogether. Many artists are trying to hold concerts in July and August so there’s a big demand for product but, because of supply chain issues and manpower shortage, it’s difficult.”
Daepil Yang, Gear Lounge: “The show has gone really well, much better than we thought it would. As well as our booth with the studio and MI products, we had a conference room setup where people could experience our conferencing products, and we held our Gear Lounge Master Class seminars there. During Covid, people wanted to spend money but had to stay at home, so there was a lot of investment in home studio equipment and videoconferencing. We’ve been so lucky that business has been good for us, which we didn’t expect.”
Sunny Parks, Music Metro: “For almost three years we haven’t been able to get together but now the market is very much alive and there’s a lot of energy. Dolby Atmos is very big now and people wanted to come and hear it for themselves with our PMC and Avid setup. It’s been very successful for us.”
L–R: Eric Delmas, Analog Way; Edward W S Bae, Kinoton; and Philippe Vitali, Analog Way
September–October 2022 PRO AVL ASIA 63 BUSINESS: SHOW REVIEW
Philippe Vitali, Analog Way: “It’s been a terrific show, really successful. We’re here with our partner Kinoton, and our new CEO Eric Delmas, who joined in May. Visitors are happy to see our new products that we’ve launched here in Asia, the new line of Alta 4K high-performance live presentation switchers. It’s been great to see those happy faces again, like we experienced at ISE.”
Dan Daley looks at the exponential boom in podcasting
THERE IS AN ADDRESS IN LONDON NW6 THAT RIVALS Abbey Road in NW8. No, not for the quality of its pedestrian crossings, although nobody has been killed during rush hour for at least 20 years. In Broadhurst Gardens, EMI’s great rival Decca had one of the few alternative orchestral recording spaces in the city, along with a couple of pop music rooms famous for three things: the infamous failed Beatles audition, although we don’t hold it against them; Tony Clarke’s seven progressive rock albums developed with the Moody Blues, although we don’t hold it against them; and hundreds of the UK’s best hit singles of the 1960s and ’70s. Since 1980 it’s been used by English National Opera as a rehearsal and office facility, which means its basic infrastructure remains intact. Now, according to specialist studio real estate broker MJQ, the entire plot is for sale. ENO is moving out and moving on. Cue the usual flurry of activity: hand-wrenching conservationists attempting to get the site listed on the Grade 2 category of special architectural interest; nostalgic sound engineers hoping that an avenging rock angel will save it with cash – the current property listing says “Offers in Excess of £10.5m”; and salivating housing redevelopers aiming to achieve a great deal more than that. At this stage we simply don’t know the fate of this icon, but MJQ is expert in marketing studio spaces fit for purpose and, being run by sound engineers with a rich family history in the recording business, is bound to do its utmost to keep the building away from the bulldozers. Unfortunately, the company has been kept very busy over the years when dispersing the equipment from well-known facilities they couldn’t save. Sadly, too, we have a grim precedent for what might happen, recently executed in this part of Europe. Studio Davout was the closest thing to Abbey Road or Decca that Paris had to offer. Studio A covered 300m2, could accommodate 100 musicians and was described by its founder Yves Chamberland as “the size of a concert hall but without the audience”. It too had subsidiary rooms used for pop and jazz, and hosted luminaries as far back as Michel Legrand, Serge Gainsbourg and Nina Simone and as recent as Pharrell Williams and Eminem. You want bigger names? Try Madonna, U2 and the Rolling Stones. Opened in 1965, early photographs show Legrand, Catherine Deneuve and others of the Parisian in-crowd du jour mingling coolly in existential black and white. A lugubrious-looking Legrand conducted the emotional final session before Davout’s ultimate closure in April 2017.
64 PRO AVL ASIA September–October 2022 WE’RE AT THE 20-YEAR MARK SINCE APPLE introduced the iPod and with it the concept of podcasting. The idea of the podcast, however, remained a tiny niche in the world of online media during most of this time. The number of new podcasts a year didn’t break the 100,000 mark until 2018, and keep in mind a podcast requires very little in the way of infrastructure: a basic microphone, a digital recorder with basic editing capabilities (it doesn’t even have to be stereo) and an internet connection. It takes more components than that to set up a lemonade stand. But between 2019 and 2020 the number of new podcasts a year more than quintupled, and by 2021 they were headed towards 750,000 a year. The audience for podcasts has nearly doubled since 2017, according to Edison Research, with advertising revenue expected to hit US$2b in 2022. How did podcasting go from just a nerdish hobby to a multibilliondollar industry? It’s complicated but interesting. There were some key “storytelling” podcasts, like Serial and The Moth, that did for podcasting what I Love Lucy and The Honeymooners did for television a half-century earlier, a case where content made the technology it rode on culturally indispensable. As some podcasts attained mass-market followings, bigger players like Spotify and a slew of hedge and private equity funds jumped in, acquiring content producers and investing massive sums themselves in original content. That dynamic was accelerated when podcasting began to generate its own stars, such as when the rabble-rousing Joe Rogan brought his show to Spotify for $100m. What that’s meant for the pro audio business has been manna from heaven. All of a sudden, there was a huge new market for budget condenser microphones. The same for semiprofessional headsets, a market heretofore reserved for local high school football broadcasts and gamers. What podcasting has meant to pro audio cannot be understated. For instance, it literally created the USB microphone category. Shure, Røde, Sennheiser, Audio-Technica – every major and pretty much every mid-level mic maker on the planet has adapted one of their existing products with a USB port and an OK preamp, and you’d be hard-pressed to find one costing more than $250. The phenomenon has also certainly boosted external preamp sales at least a little, for those Range Rover drivers who demand the absolute best. And headsets? Remember a decade or so ago when wearing headphones in public had become a fashion statement? Now, headsets – complete with mic booms – are showing up on Pinterest and Etsy. Microphone makers haven’t quite reached the point that loudspeaker companies did about 25 years ago when they realised that the house of worship market had grown to the point where it needed its own department to manage the sector. With few exceptions, such as Gimlet Media which Spotify bought in 2019 for $200m, and a handful of other massive podcasting facilities that turned to studio designers for their construction, such as Gimlet which brought in the renowned John Storyk of WSDG, the podcast industry is largely one of millions of small sales, a commodity enterprise much like what the project studio sector turned into in the 1990s. The podcast market has started to cool off a bit. None of the 10 most popular podcasts in the US in 2021 debuted in the last couple of years. It could eventually become more like the record business: a thin, extremely lucrative layer at the top and a pile of indies below, looking to get noticed and get a piece of that pie. That wouldn’t be the worst thing that could happen: the music industry has come back as a nearly $26b baby. Even if podcasting only fulfils that $2b prediction, it could provide more-than-acceptable ROI for the few hundred bucks it costs to get started. All you really need is a microphone, the internet and a pulse, and the dream can be yours. Just make sure your mum says it’s OK to use the basement.
Jean-Loup Morette, a Davout engineer from 1982, admits on Clique TV that he will mostly miss “the conviviality of sympathetic musicians and like-minded technical professionals” during the best years of his life – and, rather appropriately, that he “ne regrette rien”. Footage of the actual demolition in September 2018 is available on YouTube, a bright orange Hitachi excavator mauling into the fabric of the studio with its unflinching claw. In a very learned journal called Built Environment, academic Chris Gibson argues: “What we hear when we listen to recorded music is not just a product of musicians’ creativity, but a performance created in particular spaces and through affective relations between musicians, producers, engineers and technologies.” As they vanish, at least we can say that the particular spaces of Europe will resonate in those recordings, by definition a documentary registration of all those decades of human interaction and leaving something, as the Moodies would have it, to our children’s children’s children.
A fromletterAmericaAletterfromEurope
Phil Ward ponders the fate of the latest historic recording venue to go on the market
BUSINESS: COMMENT
The excellence of Made in Italy www.tasker.it
At the time of Schwartz’s appointment, Hall was pursuing strategic growth opportunities under the direction of Blackford Capital following the Independent Sponsor’s 2018 acquisition of Hall with Gun Lake Investments (GLI) serving as the majority share investor. Following a shareholder buyout in which GLI assumed management control in Q1 2022, Hall also received an additional growth equity investment from GLI with an aim to stimulate rapid organic growth centred around product expansion. Gun Lake Investments is the non-gaming private capital investment arm of the Match-E-Be-Nash-She-Wish Band of the Pottawatomi Indians and is headquartered in Grand Rapids, MI.
In the three decades since its debut in 1984, Hall Research established itself as a renowned and reputable supplier of video distribution, switching, scaling, conversion and control systems. So, when Hall Research was put out to pasture in January 2021, the newly emerged Hall Technologies vowed to continue and build upon its legacy by providing best-in-class solutions for the most demanding needs.
Hall’s product roadmap is heavily based on the rollout of the IoT-based cloud control platform HIVE and other collaboration products. A suite of products has been unveiled in quick succession, including the Apollo TRK1 technology room kit, 4K PTZ cameras, the EMCEE200 presentation switcher and the scalable VERSA 4K video-over-IP solution for the digital signage market. “The combination of the existing Hall portfolio,
66 PRO AVL ASIA September–October 2022
Hallmark of success BUSINESS: COMPANY PROFILE
Gun Lake Investments assumed management control in Q1 2022 Hall Technologies’ CEO, Jason Schwartz
Richard Lawn interviews Jason Schwartz, CEO of Hall Technologies, which has used the pandemic as an opportunity for reinvention
“It’s ironic, but the lockdown helped us to focus on achieving our goals as we were all stuck behind closed doors,” he says.
“Previously, Hall did not create solutions,” continues Schwartz. “If an integrator was building an educational campus or a conference room, Hall Research was often overlooked. By blending our renowned hardware with software, Hall would transition itself to become a solutions-based provider. I’ve interacted with pro AV in the past, but it’s dominated by a couple of large players and is made up of predominantly SMEs [small and medium-sized enterprises] that have not been overly disruptive. I made it clear to the investors that if I could get some talented people onboard, we could change that and have some fun.”
Hall’s product roadmap is based on the rollout of IoT-based cloud control platform HIVE
“During that time, we brought on a whole new leadership team, put together a software development team from the ground up and built a whole new portfolio. With the largescale adoption of videoconferencing, technology became the new intermediary between people, and this will remain in fashion for a long time. As a result, the pro AV industry probably fast-forwarded around 10 years as it was pushed to the front and centre of everyday life.”
the hatches to shelter from the Covid-19 storm that’s raged over the past two years, Hall Research ambitiously opted to brave the elements by rebranding itself. Retaining the legacy of Hall, the dynamic new management team led by newly appointed CEO Jason Schwartz swapped “Research” for “Technologies” in the company name. That seemingly simple change of a word would signify the start of a new era and a transformation in virtually every aspect of the company’s business. Schwartz was drafted in as CEO in 2020 following the retirement of founder, Ali Haghjoo. “In the two years that have followed, the team has changed, our portfolio has changed and our strategy has changed, so we had to alter the name,” explains Schwartz during our interview on the eve of the InfoComm show in Las Vegas. Credit to the CEO for only being a few minutes late after being involved in a car accident on his Uber ride there. Schwartz is unflustered, direct and looking forward to the three-day event. Over the course of the interview he would continually demonstrate how he has projected the same sharp focus towards fast-tracking Hall Technologies in its quest to become a leading global AV brand. It would appear the pandemic didn’t have a chance of slowing him down.
Open and inviting, Schwartz explains that the new headquarters also houses the Hall Experience Center. “We are essentially living and breathing in a HIVE-enabled environment where control is used throughout for seamless collaboration. By using our own and huddle rooms packed with solutions. Our customers not only fly in to have meetings with us, they also experience the solutions we have to offer.”
Schwartz accepts that Hall is competing in a very crowded market, where the brand will ultimately differentiate itself and succeed by adding value and longevity.
As well as establishing a software division in India, Hall also appointed an exclusive distributor in the country last year. In addition to representing Hall Technologies, Bangalorebased Nteck Systems is heavily focused on the unified communications market, with Inogeni, Opticis and streaming solutions provider CrowdBeamer in its current portfolio.
September–October 2022 PRO AVL ASIA 67 the continued development of HIVE and the GLI relationship has created a fully fuel-injected sports car that is poised to accelerate,” says Schwartz. “Hall could have continued to grow the HIVE product roadmap slowly but, with a huge demand for what we’d developed, we had to advance. In addition, it’s quickly differentiated itself significantly from what our competitors can do.”
“Following product development, our biggest growth strategy is the export market overseas. It is a combination of making sure that you have products that work and targeted messaging. We are focusing on EMEA and APAC in equal measure, by carefully analysing how our products will be received and whether we will need to change the sizes or modify extensions, inputs, outputs and so on. You cannot take the messaging that works in the US and expect it to work in Spain, Thailand or Japan, so we will invest in incountry marketing and expertise. There are own-language considerations to factor in, you must understand it and it must make sense.”
The company relocated to new Dallas premises in 2021
“When you consider the technology that we produce for a lecturer teaching a class or for an executive entering a conference room and plugging in equipment, you do not want to wait for 15 minutes for a technician to explain to them how to operate it. Our goal is to simplify the offering and to ensure that it can be easily used. By blending software and hardware together that is interchangeable, our customers can start small and swap out as they grow or upgrade later. It’s a scalable process where we grow with our customers, so you can leverage the investments you’ve made in the past.”
“Our portfolio will continue to tap into adjacent industries to the pro AV world but are not necessarily classed as such,” he says. “The pro AV world does not exist in a small box – it is whatever you decide it to be. Ultimately, we want to create an environment where suppliers and customers love to work with us, so the key is to understand what makes the end user happy. Quite simply, that is the hallmark that differentiates us.”
A company relocation to Dallas, Texas from its original headquarters in Tustin, southern California, took place in late 2021. “I love southern California and lived in the state for over 20 years,” muses Schwartz. “However, to accommodate growth we needed a much larger facility and, economically, this wasn’t possible as real estate in Orange County is very expensive. One of the main reasons we selected Texas is because it’s a distribution hub with the Dallas/Fort Worth airport just 10 minutes away. For our domestic customers, this means expedited shipping, and our products can be in our customers’ hands within two days. In addition, the Dallas talent pool is growing monthly and will continue to benefit us into the future.”
A CEO with a vision has ensured that the rebranding of Hall from Research to Technologies was not only cosmetic. Among the testimonies to Schwartz’s vigour are the promotion of a solutions-based portfolio, new leadership and software development teams, together with a relocation during the pandemic. Now that the company is established at base camp, the summit beckons with new goals.
The Apollo TRK1 technology room kit Hall Technologies has unveiled new 4K cameras L–R: Hall’s Ken Eagle, Jason Schwartz and Hal Truax put finishing touches to the ISE booth in Barcelona
BUSINESS: COMPANY PROFILE
The rebranding and relocation of the company coincided with a new leadership team including CFO Matt Kingsley, VP of sales and marketing Hal Truax and VP of technology Ken Eagle. “In my humble opinion we have performed wonderfully by recruiting unbelievably talented personnel over the past 18 months. We don’t have the luxury of having a large team, so adding talent is the key ingredient to making this work.”
www.halltechav.com
Hall’s hardware engineers relocated to Dallas, but the bulk of the new software engineers recruited during the pandemic are based in India. “Building a remote team without interviewing individuals in person was one of the more interesting achievements. If you recruit the best talent, you can implement your strategies a lot better than restricting yourself to one location. Although we prefer to have as many workers based in the office, where creativity sparks are more common, some of our original team remain in California, so hybrid practices are the way forward. Covid made it easier and more acceptable to justify remote working practises.”
The Hall Technologies booth at InfoComm 2022
And in the two years since Schwartz has been at the helm, it’s quite clear that Hall has more than made its mark.
All systems go
BUSINESS: COMPANY PROFILE
Chris-System held a series of open days at its demo facility during KOBA
KOREA’S REPUTATION AS AN INTERNATIONAL provider of pro audio systems is about to be bolstered by the arrival of Chris-System, which has been quietly establishing itself on home turf for the past decade, and is now pushing ahead with plans to enter the global
L–R: S3Global co-founders Seon Woo Lee and David Kim
Chris-System, a division of SI and distribution company S3Global, is preparing to launch its range of loudspeakers –which have found success in Korea – to the world. visits the Seoul-based company
Korea’s national broadcaster specified a V Series line array system for its KBS Arena Hall
Although produced overseas, the concept and design of Chris-System’s three current ranges all originate from the three company founders, Jong Min Choi, Seon Woo Lee and David Kim, who met 20 years ago while working as systems integrators. All three had discovered a passion for audio while volunteering in their local churches as they grew up. None of them had the benefit of studying audio as no colleges in Korea offered the subject then, but all had that timeless qualification for working in the industry –a fascination with taking equipment apart to see how it worked. In fact, Lee had attended theology school with a view to becoming a pastor before audio trumped religion as his chosen career path. In 2012, Choi, Lee and Kim reunited to pool their collective acoustic and installation experience by launching S3Global with the aim of becoming a total AV solutions provider, systems integrator, acoustic consultant and distributor. Simultaneously, the trio also began working on its own pro audio brand – Chris-System. “I had always been very interested in manufacturing my own range of speakers, but this wasn’t easy to do in Korea,” explains Lee. “Lots of the quality speaker components come from Europe and North America and, as all of the world-famous speaker brands are ranges: the V Series of line array cabinets, subwoofers and stage monitors, T and Q Series point source speakers and K Series PA range, manufactured in Germany, the UK and China, respectively. “Line array is a completely unique concept and, in Germany, there is a lot of technical know-how when it comes to manufacturing these systems,” continues Lee. The company perceived the same to be true for point source technology within the UK, so appointed a Manchester-based facility for OEM work, while a lengthy search was undertaken
Post-Covid, Chris-System’s star continues to rise. The company is consulting on several megachurch projects in Korea, while another public broadcaster, SBS, has expressed interest in testing a system for its live music TV programmes. The company is also beginning to dip its toe into the competitive world of live sound, realising that in order to be requested on riders, the brand first needs more exposure. It is currently working with three rental companies, while several others have expressed an interest in purchasing the new T9 system currently being developed for the rental market when it becomes available.
“We’re starting to be selected more and more for tenders where we’ve bid for projects against other brands. People are asking specifically for Chris-System, as most of the bigger players in the market now know the brand. Our main weakness is that the end users don’t know the name too much. For the past five years we’ve never done much marketing, we haven’t advertised or done any social media to promote ourselves.”
in China to find a partner which could manufacture a quality, yet cost-effective, range. Lee is at pains to point out that all three facilities have been in production for 30–40 years and have a good track record of manufacturing quality products. The worship sector is huge in Korea, and an estimated 70% of Chris-System’s turnover. The brand’s V Series line array systems have been installed into houses of worship including Anyang Methodist Church, Soodong Church, Gwangju Mission Church, Jeonju Seomoon Church and Soongin Church, all of which host congregations of a minimum of 1,000 worshippers. During Covid, business increased twofold, mainly because of churches, most of which started to improve their online video equipment for remote worship services. As people stopped attending in person, many churches took advantage of the break to renovate their interiors and update equipment. The education and corporate markets also saw a growth. A major milestone was reached in late 2021, when national broadcaster KBS specified a system consisting of 24 V20 line array cabinets with four V28B and eight V18B double 18-inch subwoofers for its KBS Arena Hall, a 1,800-capacity hall that hosts musical performances and church services. The broadcaster asked the company for a demonstration at the hall following a recommendation from one of the sound engineers who’d used it on some concerts.
www.chris-system.com Corporate
Meanwhile, S3Global, which in addition to distributing Chris-System in Korea also represents acoustic product brands Muller-BBM and Auralex Acoustics, as well as Extron and Syntax cabling, is looking to add to its portfolio in the company’s ongoing quest to increase the services it offers to Korea’s AV industry. Watch this space. Headquarters Asia / Australia: RME Trading Ltd. www.rme-audio.com make
“We gave KBS a lot of opportunity to try out the system before they committed to buy it, so they could hear how it performed,” explains Lee. “For KBS, this wasn’t a well-known brand that they were used to working with. They wanted to test it out for three months, using it on various concerts, and after three months they committed to buying This gave the team the confidence to think about launching their brand on an international level. “When we first began Chris-System, our initial aim was to export,” says Lee. “However, all of the leading pro audio brands are already established here, so we figured that if we could be successful within Korea first, it would eventually work out overseas for us as well.” Lee goes on to explain that three or four international loudspeaker brands have grown to dominate the Korean market but, a decade in, the Chris-System brand is finally being seen as a serious contender for certain projects.
it a perfect companion for any professional recording. Network-Ready Microphone Preamp with Dante®, ADAT & MADI Dante Connectivity meets RME Reliability BUSINESS: COMPANY PROFILE Anyang Methodist Church is installed with a V Series line array system September–October 2022 PRO AVL ASIA 69
office@rme-trading.hk ·
www 12Mic-D 12-channel digitally controlled microphone preamplifier with no-compromise A/D conversion and a multitude of features. Designed to
Accordingly, the emphasis is on raising Chris-System’s profile, both in Korea and internationally. For the past 10 years the founders have visited Frankfurt Prolight + Sound to monitor the international market, but this year chose to visit ISE in Barcelona, to get a feel for the show’s potential.
Closer to home, the company exhibited at the Seoul AV and broadcast show, KOBA, for the first time in June. The stylish booth had a separate glassed-in meeting room and, in the general trend of focusing on people rather than product, only a few compact models from the K Series were displayed, alongside ingenious miniature 3D-printed versions of line array and point source cabinets. However, realising that simply showing the products wasn’t enough, the company also arranged to ferry interested parties to its demo facility 20 minutes away to hear them set up properly. The response was so good that the demo period was extended for two days after KOBA finished, with around 100 people attending in total.
70 PRO AVL ASIA September–October 2022
“Compared to the pre-pandemic days, Microsoft Teams has accumulated 100 times more users and, as a result, has become a major piece of Microsoft’s portfolio,” Bodley asserts. “We initially witnessed a hard swing over to remote working and right now it is swinging back the other way towards the office. We just don’t know how far it will swing. Human beings continue to be highly innovative and adaptive, continuing to live and work through the pandemic, so there is now a reaction to simply returning to commuting again.”Following multiple conversations with large corporations, Bodley understands that companies must entice their home workers with carrots. “The hybrid workplace is more attractive if workers can jump onto a meeting such as a BYOM [Bring Your Own Meeting] workflow in which they can run their own devices. Following the events of the past two years, most people can initiate meetings from their own laptops and devices that they could not conduct before. Rather than dedicate rooms for solely providing videoconferencing, businesses are installing technology into rooms for BYOD [Bring Your Own Device] meetings in which you simply need to connect your own laptop.”
Richard Lawn interviews Marty Bodley, director and global head of Bose Work for Bose Professional, whose illustrious career to date has specialised in pre-empting requirements and addressing them with technology
IT’S A RARE BREED OF PERSON THAT CAN BE classed as both a visionary and an entrepreneur. Having engineered a conferencing solution in the early days of the millennium, Marty Bodley took the somewhat bolder step of establishing his own company in his mid-30s. His subsequent success was no fluke; he would repeat the feat several more times before firmly establishing himself within the depths of the huddle and meeting room. Having attained a degree in electromagnetics, for the next decade Bodley cut his teeth initially as a senior engineer and programme manager for aerospace and defence conglomerate Raytheon before entering the commercial world with a Danish wireless headset producer. Five years of international business and product development experience in unified communications would prove to be very valuable. In 2003, Bodley fearlessly entered the realm of start-up technology and soon founded Revolabs, the second of four companies he established in Massachusetts.Beforebeingfully acquired as a wholly owned subsidiary of Yamaha in 2014, Revolabs rapidly progressed within the maturing unified communications and enterprise collaboration market as a pioneering wireless audio solutions provider. Combining leadership skills while inspiring innovative product development, Bodley was instrumental in creating a technological brand that was ahead of its time in terms of functionality, performance, simplicity and design. Following an acquisition, many entrepreneurs may have been inclined to step back from the footplate. Bodley instead tried something completely different and took the plunge by launching a next-generation amphibious yacht technology platform, Nouvoyage. Several years later, he returned to the world of unified communications by founding productivity and connectivity software ZiipRoom in 2017. Fully aware of the competing, non-compatible technologies being drawn into the conferencing market, Bodley set his aims on enabling one-click connections of presentations, phone calls and video meetings. At that point in time, Bose Professional was in the process of adding a conferencing division to its portfolio at the nearby Framingham headquarters. The allure of Bodley’s “Presence-Aware” conference room solution (SaaS) fasttracked the addition of ZiipRoom into the Bose Work division in early 2019, and Bodley came as part of the package. Twelve months later, Bose would launch the VB1 videobar while, simultaneously, the Covid-19 pandemic ensured that working from home practices would place videoconferencing technologies central stage. In his current role with Bose Work, Bodley is focused on further disrupting the unified communications market by delivering best-in-class solutions that improve the collaborative experience, regardless of where people are located. Having proved his credentials as an innovator and entrepreneur on multiple occasions, Bodley is now blending his technological expertise with a thorough understanding of current and future socio-economic shifts in behaviour.
Bodley questions whether all employees will ever return to the office in person, arguing that companies that push their employees too much could be in danger of losing their services. With the emergence of the hybrid workplace, Bodley is witnessing a conflict between employers who mainly want their workers back in the building and employees who realise that they can still be very productive working from home. “There’s a little tug of war going on right now with many employers wanting to
High withinstakesthehuddle
BUSINESS: INDUSTRY INNOVATORS
Director and global head of Bose Work, Marty Bodley
Marty Bodley discusses
ZiipRoom on a panel at InfoComm 2018
Bose initially entered the conferencing market with ControlSpace EX processors
Considering himself as an inventor who thrives on challenges, Bodley confesses that he rises to the occasion when told that something is not possible. “With my track record in developing innovative new experiences that solve problems, Bose wants me to translate this into its ethos. Basically, if you are planning to create something better you must design it differently from before, as there is no point in making it different just for the sake of making it different. The team at Bose wants to make a difference by providing ‘wow’ rather than ‘me too’Designedvalue.”to bring conferencing capabilities to those smaller rooms and huddle spaces that Bodley describes, the Bose Videobar VB-S all-in-one USB conferencing device is the latest arrival in the Bose Work portfolio. Like the original Bose Videobar VB1, the VB-S operates across key unified communications platforms, including Microsoft participants in view, and Individual Mode, which frames and follows a person presenting. Crucially, for ease of setup, settings including volume, PTZ, preset control and Bluetooth pairing can be configured in real time from a phone.“Tocompete in spaces with videobars and audio equipment, the smaller brother to the Bose VB1 is being targeted at employers demanding video enablement of huddle rooms, phone booths, modular conference rooms and soft furnished areas in larger open spaces. Bose VB-S has the perfect product feature set in terms of price point for widescale deployment in lots of places. It’s network manageable, making it easy to set up and use, and comes in a smaller form factor at a smaller price point. It can fit into a lot of new spaces.”
September–October 2022 PRO AVL ASIA 71 bring back their employees full time. However, it is still early days, and most companies are trying to figure it all out. There’s a wide contrast between employees from those who are ready to return five days per week to those who want to remain at home full time.”
Although the VB-S comes straight out of the box with commonly used settings that don’t necessarily need to be adjusted, some technicians may wish to fine-tune it manually by accessing advanced settings such as the camera, playback, microphone, Bluetooth and Wi-Fi serving as an extension to a smartphone or for music playback. “A lot of features such as the microphone are self-aware but, if a user doesn’t want the microphone beams scanning around, ‘keep out zones’ can be established.”
BUSINESS: INDUSTRY INNOVATORS
Translating current trends into videoconferencing technology is perhaps Bodley’s forte. “From a macro perspective, technology is going to help with the changing scenarios, with more video enablement in those areas where people have become accustomed to using it. Cloud videoconferencing together with Microsoft Teams, Google Meet, Zoom, WebEx and others is now part of everyone’s daily life, so we must enhance productivity by promoting their use. From a Bose Professional perspective, technology can help to bridge the gap in those areas where there are currently challenges in participation.”
The all-in-one VB-S USB conferencing device
alongwithmodeleveryonecase.butyoubeBefore,routinetheothersmeeting,forcoffeedowntheyelevatesandwithcomfortablearepersonalitiesoffice.physical“Certainmoreflexibilitytheirgamewhencanpoptoashoptheir9amwhereaspreferstabilityandoftheoffice.youcouldnotpartofameetingifwereinanairport,thatisnolongertheYoucannotforcetoadoptonecertainortieworkerstoabuildingrules.Astechnologyadvanceswithhigh-speedconnectivityand
A freestanding Bose VB1 videobar
Under Bodley’s leadership, Revolabs created the UC family
Bodley notes that many employees have become emboldened and empowered by not being tied to a 5G, productivity will become much more efficient. By patching in someone who isn’t present to be part of the real-time audio video experience, video enablement of more spaces will become a huge part of all this.”
pro.bose.com
Bodley may be a proven entrepreneur, visionary and innovator but, most importantly, he has developed the uncanny knack of intertwining technology with real-world demands that project well into the future.
Bodley elucidates a little, providing a glimpse further along the product roadmap. “Following the videobar products, Bose Professional will expand and deliver valuable experiences that either no one else is providing or will be at a different level of performance from what is currently available. Our research is currently pushing the envelope on surround sound, 3D directional sound, experiences of noise removal and filtering and the application of AI in audio. For example, how do we attribute who said what in a room full of people? Microsoft and many cloud-based companies are working in the same areas, but Bose has a long history in audio with deep resources, so whether it’s in the room or a remote experience, Bose can add value with its expertise.”
For added security and weatherproof protection, an aluminium grille and a gland/conduit knock-out input cover has been added, while a low insertion loss transformer with tap switch for 70V and 100V constant voltage is also provided, as is compatibility with EASE Focus 3 software.
“By offering ease-of-use from an integration perspective, you save time and money for the installer and the likelihood is you’ll gain repeat business,” concludes Heinz. “Whether you install them in a corporate boardroom or on a cruise ship, these cabinets are going to look and sound good.”
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AS THE SON OF LOUDSPEAKER INNOVATOR RALPH and grandson of company founder Harro, Brandon Heinz represents the third generation of the Renkus-Heinz dynasty. Celebrating his 33rd birthday during the preview day of InfoComm 2022, Brandon was happy to discuss – between standing room-only demonstrations – the virtues of the brand’s newly launched PCX passive column speaker series. Strengthening the company’s status as an electroacoustic designer for the architectural audio space, PCX expands on the broad Renkus-Heinz column array range, building on the success of its flagship Iconyx self-powered steerable loudspeakers, which the Californian manufacturer launched in 2006. “With Iconyx, we really did find our stride and our niche,” says Heinz, who was just 17 years old at the time. “Prior to that, we had carved a name for ourselves as a high-power, high-output point source loudspeaker brand. Our focus on control helped us lean into column technology because column speakers are all about control – that in turn has really shaped us over the past 16 years. These developments have changed the company into what it is today. We now offer five digitally steerable product families, and PCX distinguishes itself as a passively steered column using some of that technology.” When a decision was taken to discontinue one of the passive columns, the sales department in Foothill Ranch received resounding feedback that a new passive solution was required to fill the gap. “Passive columns tend to sell at a ratio of around 10:1 in relation to steerable columns, so we were missing out on a large segment of the market,” Heinz continues. “As RenkusHeinz does not operate on the same economies of scale as its competitors who primarily produce passive columns, we knew we could not compete on the lowest price point. Ultimately, we decided that the Passive UniBeam technology would serve as a key differentiator among the other passive columns available.”
Renkus-Heinz’s Passive UniBeam technology addresses each transducer with a specially designed passive filter network to generate an asymmetrical vertical dispersion pattern, shaping the coverage downwards and delivering consistent front-to-back coverage with minimal side lobe artefacts. Incorporating neodymium three-inch full-range drivers within a 112mm x 121mm enclosure ticks the optimal intelligibility and minimum aesthetic boxes.
All three models are IP64 weather resistant as standard and salt spray and UV resistant, and rigorous high/low operational temperature and humidity testing is conducted prior to shipping.
www.renkus-heinz.com
Advancing passively BUSINESS: TECHNOLOGY
With the third-generation of the PCX beam-steering column speaker series, Renkus-Heinz is pushing the sector forwards – passively
Renkus-Heinz’s Brandon Heinz with the thirdgeneration PCX beam-steering columns
“By implementing the UniBeam algorithm from our digitally beam-steered products, we are essentially adding a progressive delay,” explains Heinz. “Each transducer is driven with progressively increasing amounts of delay along the height of the array. Basically, we address each transducer in the array with a specially designed passive filter that changes the time domain and amplitude domain necessary to generate the UniBeam in the passive domain. It’s not a beam-steerable product necessarily, but it is a beam-steered product adopting the same technology integrated into our digital products.” Under the technological leadership of Ralph, Renkus-Heinz has been working on the PCX project since the outset of the pandemic. “My father was the key player behind this,” says Heinz. “Ralph figured out how to implement the UniBeam algorithm into the passive domain and how to develop the passive filters necessary to generate the UniBeam. However, it is customer feedback that drives the development of our products. Whenever we develop a sound solution in-house, we always arrive at a point where we need to gauge customer feedback.”Availablein three different sizes – PCX4, PCX8 and PCX16 –the enclosures include a wall-mount bracket with an option for a pan and tilt bracket, while the Passive UniBeam technology enables flush mounting in most applications. The combination results in the lowest possible architectural intrusion without compromising audio coverage. “The aesthetics of our enclosures are hugely important as the sound system will ultimately live in an architectural space. Therefore, we need to ensure that we respect the architecture and comply with the visions of the interior designer and architect. In addition to addressing the pattern control and the architectural discretion, the passive PCX also adds some unique benefits in terms of architectural discretion. The biggest are from the pattern control, resulting in a higher direct-to-reverberant ratio, leading to better speech intelligibility compared to speakers with less pattern control at a price point that other loudspeaker systems may not be able to hit.”
STANDALONE IP CONVERTERS • Miniature UHD, 3G, HD Processing and Gateway frame • Ideal for remote utilization of MediorNet IP Apps, such as the IP MultViewer and JPEG-XS Apps • Installation close to signal sources and destinations, e.g. mountable at the back of a screen or next to a camera. SMALLBIGFORMFACTOR IMPACT /VIDEOwww.riedel.net INTEGRATED IP GATEWAYS • Highest-density HD/3G gateway solution with up to 96 video signals per RU • Ideal for your gradual IP migration path • No extra frame for gateway processors saving valuable rack space and cabling CORE IP SOLUTIONNETWORK • High-density, versatile media processing frame for UHD, 3G and HD • Save rack space; no leaf switch required • IP to IP processing, encode/decode and IP gateways VirtU MuoN32B SFP VirtU MuoN48-SASFP DISTRIBUTED IP VIDEO NETWORKS MediorNet IP solutions are deployed in a variety of production environments around the globe. Whether rack-mounted in the engine room or locally installed in the studio or remote production location, MediorNet IP solutions provide the benefit of an incredible Small Form Factor technology. MediorNet IP brings a high degree of flexibility to productions and a high degree of scalability to production infrastructures. FusioN 6B & 3B See you at IBC Booth 10.A31
At the moment it’s designed for the J Series large-format line array system, which has been on the market for around 12 years. We started with this because it’s a prominent, successful range. We buy the system from its owner; it has to be in an acceptable condition for its age and there is a checklist to complete. The system is sent back to our remanufacturing department, the checklist verified and the equipment cleaned and broken down into individual components which are checked and measured to see if they are still within the original manufacturing specifications. If they are faulty we repair them, and if they are completely destroyed we recycle and replace them. Out of these components we build the new CPO loudspeakers. The biggest component is the chassis itself, which needs to be reworked, including redoing the coating so it looks like new, then we rebuild the speaker using the same manufacturing process as for the original model. At the end we do a final quality control check, measuring the speakers and comparing the remanufactured speaker side-by-side with the original specs, and, if it’s not the same, we don’t sell it on. The remanufactured loudspeaker is guaranteed to have the same specifications and features as a new one. Remanufacturing is the highest-quality grade of product rework; there is an EN 45553:2020 European standard and a BS 8887 British standard that define quality and the individual steps. If you follow these, the end product is classified as new. Our CPO programme saves over 85t 2e per year. The product carbon footprint of a CPO loudspeaker is approximately 80% less compared to a new J-Series model. The remanufacturing process also has a very positive impact on the sales price, proving it’s no more expensive to buy a sustainable product. This programme seems to be particularly relevant right now, given the supply chain problems the industry is facing We are all aware of these, and this is why politicians are promoting the circular economy as the future of business. Even if you have problems with critical resources you can still build new products, and I believe it’s the way forward. We started with this in Backnang, and a year ago we decided to open a second remanufacturing department at d&b North America in North Carolina. We see ourselves as a premium manufacturer and there are a lot of people who’d like to own d&b but have never had the budget. This gives them the chance to. What other sustainability issues are Wyou working on? The biggest problem with festivals is audience travel. When people go by car, 60–80% of the event’s emissions come from private travel. There are strategies to bring festival locations closer to cities in the form of urban festivals, with access to public transport, which will result in significant carbon footprint reductions. But when you bring festivals closer to cities, you come up against local government noise pollution regulations. We identified quite early on that if you play music in festival areas where there is no audience, you also waste energy.
Taking care of
Robert Trebus, d&b audiotechnik’s director of sustainability
L–R: d&b’s Robert Trebus, former federal minister and patron Brigitte Zypries and Nadine Etzel, d&b manager, corporate, with the German Award for Sustainability Projects
The company was also named a Green Guardian by the Green Events and Innovations Conference and IQ magazine in 2021 the future
drive this innovation was the right decision for us and the feedback has been very positive. How does the CPO remanufacturing programme work?
Tell us more about the ESG department you head up within d&b Environmental, social and corporate governance (ESG) evaluates the extent to which a corporation works on behalf of social and environmental goals that go beyond the traditional role of a business. Today, modern companies pursue a holistic approach that takes into account the wider needs of society and employees. This is how our staff initiated the entry into sustainability management 10 years ago: at their request, we started to make the company more sustainable by joining EMAS (Eco-Management and Audit Scheme), a voluntary EU sustainability management and auditing system for companies that want to improve their environmental performance. It’s the highest degree you can get: every year you set sustainability targets for the next year, and there is a certified external auditor who checks your results; only when you’ve reached your target do you get your certificate for the year ahead. We’ve been doing this for nine years and over that time we’ve made massive improvements at our German headquarters in Backnang. For example, we’ve replaced all the lighting with LED, we operate two combined heat and power (CHP) plants and are getting two more this month, we have 15 electric vehicle charging stations, a bicycle leasing programme, sustainability cooperation with educational institutions, waste reduction programmes and we support a larger recycling system. We publish our environmental report every year. On top of this, we get ISO 14001 certification as part of the scheme, and we participate in the WIN-Charta to make companies more sustainable, supporting the 17 sustainable development goals of the United Nations. When did your own involvement begin?
It started with a circular economy project three years ago. d&b is now over 40 years old, and we were wondering what happens to all our used equipment once it reaches the end of the line. We are proud of our equipment, and we don’t feel good if we hear it’s ending up in a landfill, so we began the circular economy project. We developed a remanufacturing concept where we take old equipment at the end of its life, break it down, repair, change and update it to make new equipment out of the old, then sell it on, with a warranty. Recycling and remanufacturing are two pillars of the circular economy, and we’re the first and only manufacturer in the pro audio industry to offer this. We launched our CPO remanufacturing programme just three or four months before Covid, and we thought at first that most customers would come from touring. Then Covid happened and the first projects were install. Now we see a change again and mobile customers are coming back, so it’s available to both kinds of customer. To be an early adopter and
BUSINESS: SUSTAINABILITY
Robert Trebus, d&b audiotechnik’s director of sustainability, discusses the manufacturer’s impressive eco credentials, which won recognition in June at the German Awards for Sustainability Projects in the recycling category for the CPO (certified pre-owned) remanufacturing programme.
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www.dbaudio.com
Clients, partners and artists have heard about what we are doing and have started telling us that sustainability is important to them, asking us for ideas. We work together with them to try and understand their touring business models better; the carbon footprint details productions cause. We work together with sustainability consultancies, we analyse their studies and learn what we can do in the segment we work in. Over the past two years we’ve built a robust network with universities doing research in these areas and we bring our knowledge back to specific customers to find out how we can improve their projects. For example, on larger festivals and tours, we learned that diesel generators are a real problem. But people were telling us that trying to move away from them presented another problem: they didn’t know the real power consumption of their PA. They were making a rough estimation and, because they weren’t sure, they added 25% on top. Studies done last year showed this was wrong as people were actually using much less power than they estimated, so we can help them work out their power consumption to reduce the amount generated, and move to years ago we started looking at making our equipment more energy efficient, and we sell a complete system where the amps, DSP and loudspeakers come together to deliver the audio quality required, working with the system configuration to make it as efficient as possible. What else are your clients asking for when it comes to sustainability?
In 2021 d&b was recognised as a Green Guardian by the Green Events and Innovations Conference and IQ
Coldplay has demanded their next sound system is 50% more energy efficient than their previous tour (pictured)
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BUSINESS: SUSTAINABILITY
A final QC check measures the remanufactured speakers, comparing them with the original specs
Refurbishing a J8 enclosure
When talking about a sustainable event, customers and artists don’t just talk about the audio system in isolation. We’ve learned that we need to offer solutions, strategies and processes for the full event infrastructure. Two years ago, White Light and SFL joined the d&b group and now, as a full service provider of audio, video, lighting and media solutions, we can help to make events more sustainable across the whole group.
We’ve evolved the group massively over the past two years, and our new members – SFL and White Light – are part of the newly formed d&b solutions business. We’re now taking the next step in working towards climate neutrality in all our facilities and offices across the group. In the past two years we’ve reinforced a focus on helping our customers and partners to make their venues and events more sustainable. It requires thought, new technological ideas, a full group strategy. Sustainability is not a switch you can suddenly flick on, it’s a process where you can improve from event to event, from day to day. It’s a permanent, ongoing improvement. Every month you make it a bit better in an aim to reach the global climate neutral target.
What’s next for d&b’s ESG department?
We improved the loudspeaker system design with better control of soundfield and optimum area for hearing the music. With our technology and software, results can be predicted and planned before the event takes place. By working with the NoizCalc and ArrayCalc tools, larger open-air venues can massively reduce noise pollution in the environment. If festival organisers can confirm in advance that they can reduce this noise pollution, they’ll get the go ahead from local government who’ll see it won’t adversely affect the neighbourhood. Coldplay has just gone public with this: they demanded that their sound system should be 50% more energy efficient than their previous tour in 2016–17 to reduce their carbon footprint. Firehouse Productions (NY) which has supported Coldplay tours since 2016 decided to use d&b GSL and KSL loudspeakers and D80 amplifiers, which demand less input power and have enhanced energysaving features. They worked closely with our R&D and product management department, deploying the tools and software typically used for R&D work. From these projects, we learn every day what the market requires. It’s very helpful for us because it changes our design concept so we can bring new products and services to How are you interacting with your clients to address their particular concerns?
CONFERENCE PROJECT GALLERY 25 - 27.05.2023 BOMBAY EXHIBITION CENTRE, GOREGAON (E), MUMBAI, INDIA INDIA’S EMERGING EXPO IN PRO AV INTEGRATION, COMMUNICATION & NETWORKING SOLUTIONS EDUCATION Certified AV Specialist [CAVS] course. Indian curriculum designed by AV-ICN. 3 Day course with certificate examination. Gallery spotlights challenging integration adopting cutting edge design solutions & technology for audiovisual communications. Summit level IndianopportunitynetworkingtomeetAVinfluencers. Showcase latest innovation and meet distributors, dealers, end user & competition. Establish essential new business connect. Grow your business in the booming AV market. Reach customers whom otherwise you may never connect with. Maximize your reach & expand sales network. ramesh.chetwani@hyve.group FOR PARTICIPATION, CONTACT: www.av-icnx.com
www.adamsonsystems.com
September–October 2022 PRO AVL ASIA 77
The Stage Unit is a 3U rackmount device capable of controlling either 64 or 128 inputs and outputs, with the more compact Traveller Model being able to handle either 32 or 64 inputs, paired with 32 outputs. Both devices are available with hardware configurations operating in AVB/MADI or Dante audio at 48kHz or 96kHz. All configurations keep latency at a low 1.33ms.
THE FLETCHER Machine is an audio rendering processor promising simple operation with highly efficient spatialisation tools. Described as an entirely new development in object-based mixing, it utilises amplitude and time localisation to ensure that objects are clearly perceived at their intended position. The rendered signals that are sent to loudspeakers are calculated from the objects point-of-view, which the manufacturer says ensures the best spatial coherence for most listening positions.
A–ZCONTENTSAdamsonSystemsAdamson Fletcher Machine 77 ADJ Hydro Profile 99 Advatek PixLite Mk3 E Series 99 AJA HELO Plus 97 Alcons Audio CRS12/9090 78 Amadeus HOLOPHONIX for macOS 10.15 94 AMS Neve 88M 86 Analog Way Alta 4K/Picturall version 3.4 96 APEX CP1504/CP3004 85 APG SPOT2.6/DA8/DA12 79 ATEN PSD PP v4.0 Secure KVM Switch series 96 AtlasIED DA-APX/DA-22SYS/DA-PM8GD 78 Audac VIRO5/SCP Series 80 Audio-Technica ATDM-1012 92 Audiofocus Carys C6/Carys C15LS 79 Austrian Audio OC16 86 Ayrton Zonda 9 Wash/Zonda 9 FX 99 Barco TruePix/ClickShare update 95 Beyma NMF Series 89 Biamp Vidi 150 88 Blackmagic Design ATEM Constellation HD 96 Bose Videobar VB-S 98 Broadcast Pix MeetingPix/GX Hybrid 98 Brompton Technology Tessera v3.4 95 Celestion CF1025BMB 78 CODA Audio HOPS12T 79 d&b 5D 85 DPA Microphones 4055 Kick Drum Microphone 86 Elation KL Fresnel 6 FC 100 Focusrite Vocaster/Clarett+ OctoPre 90 Genelec GLM 4.2/9301B 93 GLP ArenaLED3/Agilio series 100 Hall Technologies Apollo TRK1 88 JBL SRX900 Series 80 K-array Thunder-KS/Kommander 83 KGEAR GH4 79 Kling & Freitag VIDA L update 84 L-Acoustics LA7.16i/L-SMART 88 Lavoce ICF061.00 82 Lumens LC100/VC-R30 94 MA Lighting grandMA3 version 1.7 100 Magewell Pro Convert AES67 93 Marshall Electronics V-702W/V-702W-12G 98 MediaMatrix SCION/sDAB 94 Merging Technologies ADSP-SC5xx 92 Neumann NDH 30 86 Neutrik Halo series 89 NewTek CaptureCast 98 Peavey Electronics PVs 12/PVs 15/PVs 18 83 PTZOptics MIDI control added to robotic cameras 98 RCF TRK PRO Series 84 Renkus-Heinz PCX Series 84 Shure MXA920/SBC210LM 86 Sonifex AVN-DIO20/AVN-DIO19 93 Sony SLS-1A/TEOS Meet 83 Sound Devices Reporter Plugin 95 Stagetec Avatus S, D, C and E 90 Strand/Zero 88 ZerOS 7.12 100 Taiden HCL-804A 80 Tasker C725/C728 89 TSL Products PDUs/TM1-Tally 92 Vari-Lite VL1600 Profile 99 VIOSO VIOSO 6 95 Void Acoustics Cyclone 4 82 Waves Audio Nx Virtual Studio Collection 94 Wharfedale Pro WLA-1 85 Wheatstone Tekton 32 90 WyreStorm CAB-USBC-15 89 Xilica/Sennheiser Xilica x Sennheiser Room Kits 87 Yamaha VC Series/VXH Series 82 INSTALLATION • AV • LIVE SOUND • BROADCAST • POSTPRODUCTION • RECORDING • LIGHTING Adamson takes new approach to object-based mixing NEWPRODUCTS
The platform’s user interface is based on a digital mixing desk approach and includes a complete set of mixing tools, including EQ and compression for each object, up to four auxiliary sends and up to eight VCAs, loudspeaker positioning in three dimensions and a high-quality integrated reverb with “vast amounts of control”. The Fletcher Machine can also receive OSC and MIDI messages so it can also be controlled using external devices, and it can be interfaced with tracking systems to accurately track object movements. Remote operation software is available for either Mac or Windows operating systems. With the introduction of the IS213 subwoofer and the IS5c coaxial loudspeaker, the manufacturer has also extended the IS-Series. Intended for use in ground-stack configurations and small spaces, the IS213 subwoofer is a compact, high-powered subwoofer. The enclosure is loaded with two 13-inch ND13-S kevlar neodymium drivers that incorporate the Canadian brand’s Advanced Cone Architecture. Mounted in an efficient front-loaded enclosure, the IS213 is housed in marine-grade birch plywood and is equipped with two front and two rear speakON NL4 connectors or barrier strips. Integrating handles for lifting and rubber scuff guards on the top and bottom for mating with additional IS213s when vertically stacked, the handles can be removed to allow it to fit into tight spaces. Designed as a fill cabinet or as a standalone loudspeaker within smaller applications, the IS5c is a compact, lightweight, passive two-way coaxial loudspeaker. Offering a 100° conical dispersion pattern, the enclosure comprises a 1.4-inch dome compression driver coaxially combined with a 5-inch LF transducer. Housed in marine-grade birch plywood, the IS5c is equipped with two speakON NL4 connectors and a two-point barrier strip. A plate and screw rigging system located on the top and bottom of the enclosure promotes installation within a variety of applications. Both the IS213 and IS5c can be fully weatherised. In brief, Adamson has released the latest update to its Blueprint AV proprietary audio system design and simulation software. Version 1.3.2 adds profiles for Adamson’s newest IS-Series cabinets, the IS213 ultracompact, install-focused subwoofer as well as the IS5c coaxial point source enclosure.
Crucial for the imaging in height channels of immersive systems, the speaker’s patented 90° horizontal and patent-pending 90° vertical dispersion characteristics offer a wide and consistent coverage up to the highest frequencies. By using identical MHF components as in Alcons’ screen systems, voice matching between screen and surround systems can be achieved, resulting in a wide and uniform sound stage throughout the entire listening area. The 10° slanted baffle, together with the upside-down speaker arrangement and the enclosure design, allows for low-profile wall or ceiling mounting.
ATLASIED HAS embarked on developing Dante-enabled loudspeakers across its entire ecosystem of connected products with the launch of three PoE loudspeakers with onboard DSP. Replacing point-to-point analogue and digital connections with software-based routing, the audio-over-IP solution transports audio over standard 1GB Ethernet networks anywhere on the network. The first three Dante-networkable loudspeakers are the DA-APX paging horn with an IP56 rating, the DA-22SYS 2x2 8-inch coaxial ceiling tile and DA-PM8GD 8-inch coaxial pendant mounted speaker. In addition to being PoE powered and Dante ready with onboard DSP capabilities, all three models can be adjusted for level and EQ adjustments, SoundMasking applications and speaker tuning remotely via the AtlasIED Discover application. The software is a deployment and management application that expands the remote control of installed networked devices.TheHPA series of high-power amplifiers has been expanded with the creation of the HPA2408. The compact, lightweight HPA2408 integrates eight 300W channels that can each power 4Ω, 8Ω, 70V or 100V speaker loads. Designed with a Generation II Class-D output topology, the latest addition is equipped with a front panel display featuring stepped level controls protected by a cover. The HPA2408 remains stable during fluctuating power conditions while tailoring and limiting the amount of AC required in any given application. In addition to remote turn on, fault reporting and balanced line inputs with sensitivity settings, the HPA2408 incorporates an accessory card slot for an optional DAC8 Dante card. Designed to provide reliable mass communication and public address solutions, the IPX Series of IP endpoints has been expanded. The IP-APX is an IP56-rated, constant directivity loudspeaker fitted with a high-output horn for intelligible audio in outdoor applications. Designed to be wall- or pole-mounted to accommodate car parks, athletic fields and other areas where PA notifications are delivered, the paging horn registers as a communication endpoint directly within Singlewire’s Informacast, AtlasIED’s GCK and Syn-Apps’ Revolution advanced notification applications. The IP-Console-GH is the first IPX endpoint to offer an Android phone from which announcers can deploy pre-recorded or live announcements by zone or throughout a facility. In addition to the handheld IP phone, the console features a 10-inch touchscreen interface and a gooseneck microphone for transmitting multicast messages directly to a network of IPX speakers.
HPA2408
www.alconsaudio.com WITH THE introduction of the CF1025BMB, Celestion has added a 10-inch diameter ferrite magnet, cast aluminium chassis professional audio driver to its portfolio. Designed primarily for bass and mid-bass applications, the UK manufacturer is promoting its adoption as a bass unit in compact subwoofer applications. Featuring a 2.5-inch multi-layer voice coil providing 300W (AES) power handling and 92.5dB sensitivity, the CF1025BMB operates within a frequency range of 45Hz–5kHz. An elastomer surround enables a longer Xmax compared to s10-inchconventionalmid-basspeakersforreproducinglowerfrequencies.Asmoothperformanceupto2kHzpromotestheCF1025BMBfortwo-way designs hastechniques,Analysis)FEAsoftwareusingDesignedperformance.requirewhichaddedlow-frequencyin-housedeploying(FiniteElementmodellingCelestionenhanced performance capabilities that repotedly translate into longevity and exceptionally low distortion. In addition to the extended low-frequency performance, a smart airflow vented magnet assembly provides dynamic heat dispersion by minimising power compression during operation. Enhancing lower distortion within the optimised T-pole magnet assembly maximises the stability of cone movement for enhanced Bl symmetry. www.celestion.com
AtlasIED launches first wave of Dante-enabled loudspeakers
The Strategically Hidden Speaker (SHS) family of multi-function loudspeakers has grown with the SHS-3T2-HD. Featuring a curved profile, the SHS-3T2-HD has been specifically designed for shallow, hard deck ceilings. The discreet, low-profile audio solution benefits from Adaptive Dispersion Lens Technology, which consists of a 3-inch diameter lens and a micro trim ring. Designed primarily for healthcare, hospitality and corporate facilities, AtlasIED has created the Z Series of digital sound masking, BGM and paging solutions. Connection via Cat5 cabling allows the SHS-3T2 and SHS-3T2-HD to integrate with the Z Series Z2-B and Z4 -B high-definition acoustical system. The Bluetooth-enabled models feature integrated pink and white noise generators for sound masking applications in addition to a mic/line input for paging. Colour customisation is offered with AtlasIED’s DesignLab colour match process, which uses high-resolution UV printing technology to replicate ceiling colour and texture onto the SHS lens. www.atlasied.com
PRODUCTS 78 PRO AVL ASIA September–October 2022 DA-APX
ALCONS AUDIO has introduced the CRS12/9090 to its portfolio, a two-way, passive-filtered, full-range loudspeaker designed to meet the requirements of current and future immersive, surround-sound formats. Featuring the manufacturer’s patented proribbon driver technology, the CRS12 combines clarity and intelligibility with what is described as an “unusually” high dynamic range. The CRS12/9090 system comprises the RBN401 pro-ribbon driver for the high frequencies and a vented 12-inch mid-bass for LF reproduction. The HF section has an 800W peak power input, enabling a 1:16 dynamic range with reportedly up to 90% less distortion from 1kHz to beyond 20kHz.
Alcons rises to new heights driver destined for compact subwoofers SHS-3T2-HD
The CRS12 is available in 8Ω and 4Ω versions and, for full system performance, needs to be driven by an ALC controlleramplifier. The Signal Integrity Sensing prewiring ensures complete cable/connector compensation between the CRS12 and ALC, which the manufacturer says increases response accuracy, regardless of cable length and system impedance. Typical applications include use as the height layer in immersive surround-sound systems for performing arts theatres, screening rooms, postproduction facilities and dubbing stages, as well as premium home cinemas and quality-conscious PLF cinemas.
withCelestionCRS12/909010-inch
PRODUCTS GH4 SPOT2.6
K-ARRAY BRAND KGEAR has added two products to its growing catalogue. The first is the GH4 ultra-compact point source 4-inch satellite that features a high-performance, full-range driver. Thanks to the cabinet design in the shape of a cube, the GH4’s dispersion pattern reportedly guarantees a much lower emission on the back side of the speaker, improving sound control and preventing loss of energy in unwanted directions.
The robust stainless steel enclosure design with IP64 rating provides durability even in the worst outdoor conditions, while the matte black or white textured finish gives the GH4 a sleek look to match any environment. The unit can be used as a single point source speaker, as well as mounted to create an array from multiple units to obtain even higher performance and directivity. The size-to-performance ratio and flexibility make the GH4 suitable for a wide range of fixed installations, such as smalland medium-sized live venues and pubs/ clubs, residential entertainment, as well as large-scale deployments for broadcast, theatres, hospitality, transportation hubs, theme parks and houses of worship.
The SPOT2.6 is available with a range of optional accessories, including a stand base, U-Brackets for horizontal and vertical installation and link plates for clusters of up to three loudspeakers. Available in 4Ω (SPOT2.6/4) and 16Ω (SPOT2.6/16) variants, the units come with a five-year warranty and can be coupled with an optional 200W external transformer for 100V line setups.
DEVELOPED IN partnership with Powersoft, the DA amplifier series has been released by French loudspeaker manufacturer APG together with the SPOT2.6, a passive full-range compact loudspeaker.TheSPOT2.6 comes equipped with a pair of 6.5-inch transducers and a HF compression driver loaded with a 70° x 50° constant directivity horn. The speaker is said to offer perfect directivity control over a wide frequency range thanks to the two low-mid d’Appolito mounting transducers coupled with the rotating horn for high frequencies.
The DA amplifier series launches with two models. The DA8 and DA12 are four-channel amplifiers with signal processing, as well as analogue, AES3 and Dante/AES67 inputs and outputs, and a bright 4.3-inch IPS touch display. The four channels reportedly offer high power and voltage, allowing for high SPLs even when running 8Ω or 16Ω loads. They are capable of delivering 4x2,000W (DA8) and 4x3,000W (DA12) at 4Ω. The amplifiers’ power supply has been designed to operate anywhere in the world and an internal energy storage system allows the amplifiers to keep performing consistently in the event of a power drop. The amplifiers can be controlled via the touchscreen, with functions including preset recall, gain, delay and muting. Both units can also be controlled remotely using Powersoft’s ArmoníaPlus software.
www.apg.audio
September–October 2022 PRO AVL ASIA 79
The second new addition is the GP12A, a portable high-performance subwoofer and column system that features a 12-inch subwoofer with a ferrite magnet and a modular line array column with 16 2-inch drivers with neodymium magnets, a combination that KGEAR has engineered to deliver a high SPL in a compact format. The active version has a 4x 750W RMS Class-D amplifier with programmable DSP and it can drive up to three full GP12 passive systems at the same time. The column drivers feature an alternating angle pattern that increases the dispersion up to 140° on the horizontal plane to provide an immersive sound field while assuring a long throw and a narrow vertical dispersion. The GP12A comes with four factory presets to adapt to any needs. Thanks to its flexibility, quick setup and compact form factor, the GP12A/GP12 is an effective solution for small and medium temporary and fixed applications where performance-to-size ratio is important, such as small stages, tradeshows, broadcast and corporate.
www.kgear.it DEVELOPED FOR applications with reflective surfaces or space constraints, CODA Audio has announced the expansion of its HOPS (high output point source) range with the launch of the HOPS12T. The three-way point source HOPS12T incorporates 12-inch neodymium cone drivers with 4-inch voice coils adapted from the AiRAY line array. Dynamic Airflow Cooling (DAC) technology and phase linearity are included, while both the 90° x 60° and 60° x 40° variants are rotatable. The HOPS12T enclosure incorporates exchangeable Instafit Magnetic Waveguides that allow adjustments to directivity, ensuring broadband energy can be focused where required and away from reflective surfaces. Vertical and horizontal U-Brackets are available, in addition to an integrated mobile suspension for quick attachment of a flying frame. A quick release grille ensures no further tools are required. Weatherproofed as standard, the HOPS12T can be used as a standalone full-range system when paired with the U4 subwoofer, www.codaaudio.com
DESIGNED FOR medium-throw live and fixed installation applications, Audiofocus has developed the Carys C6 loudspeaker. The passive column is the first in its class to be equipped with a 6.5-inch AMT (Air Motion Transformer) HF driver, dual 6-inch LMH and triple 6-inch LF transducers. Capable of producing a maximum SPL of 135.5dB, the Belgian manufacturer has incorporated a specially engineered horn and waveguide that delivers broad horizontal coverage and tight vertical pattern control with a H/V of 120° (+5°/–20°).Incorporating a 15-inch neodymium LF transducer with Tetracoil technology, the accompanying Carys C15LS is a combined LF/sub. Capable of producing 137dB SPL, the cardioid designs of the Carys C15LS and C6 mean they can be placed close to walls or in corners. Tuned full-range cardioid vents also allow increased gain before feedback when used to reinforce headset and lavalier mics.Byutilising the plug-and-play amplification and audio connection devoid of additional amplifiers or cabling, the Carys C6 can be mounted on top of an accompanying C15LS for a quick full-range PA setup. Flexibilityof-use features include alternative wall or rigging bar mounting options and recessed powerCON, etherCON and XLR connections at both ends. www.audiofocus.eu
APG debuts DA amplifier range KGEAR releases GH4 and GP12A CODA Audio expands HOPS Series
Carys enhances audio clarity for Audiofocus
PRODUCTS 80 PRO AVL ASIA September–October 2022
Taiden takes a new direction
SCPVIRO5Series
www.taiden.com
HCL-804A
The devices have been designed so that passive convection cooling is established in order to improve thermal comfort without the need for additional actions. Connection to the new WP2XX series input wall panels or volume controllers can be made via the RJ45 connector on the back of the SCP. This is said to allow for a costeffective plug-and-play solution to extend or introduce new input possibilities and controlEquippedoptions.with a Standby mode switch, the SCP Series will enter an energy-saving standby mode after a period of inactivity. This feature, together with the overall energy-efficient design, reportedly makes the SCP meet the high standards of the Energy star certification. When combining
VIRO5 IS Audac’s latest two-way coaxial loudspeaker which comes in both 8Ω and 16Ω variants and with optional toroidal transformer modules. Available in black and white, the VIRO5 combines a soft, a 5-inch two-way coaxial speaker driver and delivers “uncompromised clarity and surprisingly low-frequency response”. Using the optional 70V/100V line transformer enables the VIRO series to be used not only in low-impedance installations but also in 70V or 100V systems. By removing the back plate, the transformer can be easily inserted. The full aluminium construction and stainless fasteners have passed a 720-hour salt for fixed installation along with optional speakON connectors. The multifunctional mounting bracket means that the VIRO5 can be mounted on any wall or ceiling. In addition, there are several optional mounting adapters for poles, stands and ground pins to achieve maximum flexibility. With three different models to serve a wide range of applications and power ratings that vary between 240W and 600W, the SCP Series can be used in stereo low impedance or 70V/100V bridge mode.
INCLUDING DUAL 6.5-inch and dual 10-inch powered line array elements along with 18-inch and dual 18-inch powered subwoofers, the JBL SRX900 Series has been designed for rental companies, fixed installations and musicians seeking to combine performance andWithportability.acabinet design created for easy handling, fast rigging, minimal space displacement and streamlined transport, the SRX900 Series provides high power handling transducers, precision waveguides for accurate pattern control and user-configurable DSP and design and management software tools for hands-on control from any computer or mobile device. Other features include the manufacturer’s Radiation Boundary Integrator, which mounts both the highand low-frequency transducers on a single horn, improving horizontal dispersion while minimising cabinet size. A proprietary waveguide provides cabinet-to-cabinet summation for reportedly seamless front-to-back coverage, and a large horn extends low-frequency control and reduces unwanted energy behind the array. The SRX900’s 2432H-3 compression driver features a neodymium magnet structure, 3-inch titanium diaphragm and a 1.5-inch exit. The woofers are based on JBL’s Differential Drive dual-voice coil, dual-gap design, which reportedly delivers better heat dissipation, lower power compression and wider dynamic range than conventional single-coil designs. The SRX900 models feature built-in DSP that is said to provide everything users need to optimise and tune their systems, including 24-band parametric EQ, 2,000ms of delay and gain control. JBL’s Array Size Compensation filter corrects for different array sizes, while the FIR-based Throw Distance Compensation filter compensates for air-imposed sound loss, for more uniform sound distribution. A rear-panel LCD provides access to key control features.TheSRX900 systems can be deployed in a variety of ways, from pole-mounted to ground-stacked to flown arrays of up to 16 cabinets. A three-point rigging system is said to make suspending systems safe and easy, regardless of size or user experience. The SRX900 products are designed to work with other JBL touring products, thanks to common voicing targets and phase characteristics.
The 404 and 210B
The half 19-inch rack space allows for single installation in a 10.5-inch rack or side-by-side (two devices) in a 19-inch rack. Desktop installation or mounting in a rack using the MBS310 series mounting adaptors is also possible.
www.jblpro.com
TAIDEN HAS introduced the HCL-804A controllable column loudspeaker together with 404 Series and 210B Series loudspeaker/ subwoofer combination loudspeakers. The HCL-804A is a two-way controllable directivity column loudspeaker that features eight 4-inch midrange units and 24 ¾-inch tweeters. A built-in multichannel DSP engine and high-performance Class-D digital amplifier can control each individual array element with precision in a programmable manner. It can be divided into two independent beams for control and adjustment, providing simultaneous input of analogue and AES/EBU digital audio signals to achieve a hot backup. Loudspeaker setting and monitoring are all carried over standard Ethernet. The speaker can also be paired with a subwoofer to complement low-end output as required.
The 404 Series cabinet is a single-drive, full-range, two-way column loudspeaker that combines four 4-inch midrange units with 12 ¾-inch tweeters. Three of those tweeters form a linear tweeter sub-array in combination with a coaxial transducer and a midrange unit to create a smoother off-axis response. Its fixed 15° vertical coverage and wider horizontal coverage is said to optimise soundfield uniformity, meeting sound reinforcement needs in smalland medium-sized conference rooms. When used with the 210B Series woofer, the system obtains greater dynamic energy. The HSP-210B is the new 210B Series 10-inch powered companion subwoofer and includes multiple preset modes to handle different situations, extending the limits of the system in the low-frequency range.
Audac creates lasting sound
Listen EVERYWHERE Create meaningful connections with guests when audio is accessible to everyone using an audio over Wi-Fi assistive listening system. / / / / / / / / / / / / / / / / / / / / / / FROM LISTEN TECHNOLOGIES Innovative Technology Stream audio over your existing Wi-Fi network. Virtually No Latency No lip-sync issues! Low latency means the audio does not lag. Easy to Use Customizable app, fully brand and customize with your colors, logo and more. Budget Friendly An affordable solution with options for every budget. Bluetooth® Enabled Connect to the audio using wireless headphones, earbuds, or hearing aids. T-Coil Friendly Compatible with t-coil enabled hearing aids and cochlear implants. Phone: (03) 8756 2600 Free Call: 1800 441 440 Email: www.listentech.com/listen-everywheresales@nas.solutions Did you know? For an estimated 466 million people worldwide with hearing loss, traditional sound systems are not enough. Listen EVERYWHERE from Listen Technologies is a simple and affordable Wi-Fi streaming solution that allows people to use their smartphones for assistive listening.
The mounting depth is only 81mm and, for a fast and easy installation, the ICF061.00 incorporates a simple and robust hooking system so there is no need for access above a ceiling or behind a wall, and an edgeless mesh grille with a magnetic locking system for a near stealth installation. MOQ-dependent, the ICF061.00 is available to purchase unbranded or with a customer branded rear label and, later this year, will also be available with a 70V/100V line transformer, named ICF061.00X.
The SAN184.50iP is a 3,400W program power 18-inch with 2Ω nominal impedance, while the SAN216.00iP is a 5,000W program power 21-inch with 1Ω nominal impedance. Both are characterised by having very high motor strength, high efficiency and high power handling, together with high excursion capability (2.1-inch and 2.5-inch peak to peak respectively).
VXHVoidSeriesunveils smaller Cyclone Lavoce adds waterproof in-ceiling coaxial PRODUCTS 82 PRO AVL ASIA September–October 2022 VXH Series ICF061.00 SAN184.50iP
Using two SAN184.50iP 2Ω or one SAN216.00iP 1Ω with the IpalMod in an optimised and very robust cabinet design
impedanceconnectingsystem.Abuilt-incarryingbandincreasessafetyduringinstallationandthespeakercomeswithpaintablegrilleswithmagneticcatches.TheVXHSeriespendantspeakershavebeencreatedforhigh, open structures and sloped ceilings. Featuring a 120° dispersion pattern, the 6.5-inch VXH6 has a peak power handling of 300W and is designed for use where the speakers are to be suspended at a relatively low level. The 8-inch VXH8 has a narrower dispersion pattern of 75° and a higher peak power output of 360W, for higher suspended positions. Users can mix and match both models, as well as with other speakers in the Yamaha Weighing 5.7kg and 7.2kg respectively, the VXH6 and VXH8 support high- and low-impedance connections, while the speaker wattage can be easily switched even after installation, thanks to the straightforward tap selector. This minimises the need for additional units, letting users design systems to precisely meet the needs of a space. VC and
To complement the Powersoft IpalMod technology, both models have been designed using Lavoce’s proprietary Loudspeakers Design software and advanced FEA techniques. Key features include Ultra-Low Distortion (harmonic and intermodulation) and Reduced Power Compression, achieved by ensuring symmetrical force factor Bl(x) and stiffness, full motor magnetic flux saturation resulting in flat inductance over excursion and current L(x,i) and by the optimisation of thermal behaviour.
To support the IP65 rating, the R&D team engineered a basket made from ABS material and used a marine-grade coated PCB for the built-in sealed crossover to prevent corrosion, together with a polypropylene cone with UV inhibitors and NBR rubber surround for the 6.5-inch woofer. The addition of silicone insulated lead wires is said to further enhance durability for outdoor applications.
reportedly delivers overall efficiency of the amplifier-loudspeaker system, together with an improvement of the audio performance at the lowest frequencies. Fully optimised, the system combination can deliver more than double output SPL capability compared to conventional subwoofer designs, with the added benefit of no perceived ageing of the speakers. For rental and install companies, this can result in a reduction of the amount of subwoofer cabinets typically required for a project, saving on physical storage space, logistics costs and onsite power consumption.
The Italian manufacturer has also released the SAN184.50iP and SAN216.00iP high motor strength neodymium subwoofers, designed to partner with the Powersoft IpalMod amplifier and software platform (8,500W @ 1Ω).
VOID ACOUSTICS has unveiled an addition to its IP55-rated Cyclone series to serve as a smaller, more compact solution for outdoor entertainment venues. The Cyclone 4 offers additional versatility as a solution where a lower sound level is required compared to the Cyclone 55. Cyclone 4 is a passive two-way loudspeaker design housing a 4-inch cone driver and ¾-inch soft-dome tweeter. Frequency response is stated to be 83Hz–20kHz (±3dB) and dispersion is 70° x 70°. Power handling is 30W (AES) with a maximum output of 102dB continuous and 108dB peak. The ABS enclosure is available with optional colour customisation to better blend in with its surroundings and the grade stainless steel grille. www.voidacoustics.com
www.lavocespeakers.com
DESIGNED FOR commercial installations, Yamaha has released its VC ceiling and VXH pendant speakers. The two-way VC Series incorporates six models, all available in black or white. Three models come with back cans and three without, with all the speakers featuring low-profile designs that can be installed easily, even in limited ceiling or wall spaces. The units come with andVC6a8-inchmounting.fornon-slipclampsmountinglargewithtreadssecureTheVC8hasanwooferand1-inchtweeter;thea6.5-inchwoofera0.8-inchtweeter; the VC4 a 4-inch woofer and a 0.8-inch tweeter; the VC8N an 8-inch woofer, a 1-inch tweeter and no back can; the VC6N a 6.5-inch woofer, a 0.8-inch tweeter and no back can; and the VC4N a 4-inch woofer, a 0.8-inch tweeter and no back can. The no back can versions have been designed for installation in limited ceiling spaces. All six VC Series speakers are engineered for optimum BGM and voice reproduction. The speakers provide direct support for low-impedance or high-impedance connections – 16Ω in low impedance is advantageous when
ACCESSIBLE TO OEM manufacturers only, the ICF061.00 is an IP65-rated 6.5-inch 6Ω coaxial with 86dB sensitivity, 100W program power handling and a 70Hz–22kHz frequency range with constant directivity, suitable for any stealth in-wall or in-ceiling installations which may be exposed to high levels of water, salt water or humidity. The unit is totally sealed and uses a ferrite motor structure for the 6.5-inch woofer and a neodymium motor structure for the marine-certified 24mm soft dome tweeter, both of which are fully optimised using FEM techniques to maximise projection.
uc.yamaha.com Yamaha launches
Housed in Finnish birch plywood and finished in black or white polyurea paint, the front mesh is treated with a inclusionenhancedwhiletheintegratedareSideresistance.saltcoatingpowdertoprovideandweatherhandlescompletelyintochassis,flexibilityiswiththeofanM20 threaded flange on the top for combining with stands and pins of the Pinnacle and array and in clusters composed exclusively of subwoofers. The dedicated amplifier for the ThunderKS line features a powerCON True connector housed in a self-shelter recess within the sub newK-arraychassis.WithKommander,hasembarkedonachapterfor the manufacturer’s amplifier catalogue and a new era for cloudbased technologies. Comprising amplifier is housed in a 2U stainless-steel chassis. Equipped with optical limiters and protections on the signal – overcurrent, short circuit and temperature – each amplifier is loaded with configurations necessary to drive any K-array passive product.Equipped with 4–8 independent output/ input channels, the Kommander amplifiers are fully configurable owing to the integrated DSP offering control over the EQ and level of each channel, routing matrix and delay. Tuning is managed courtesy of the Integrated Electronic Brain (IEB) implemented into K-array amplifiers. The built-in microelectronics driven by the osKar integrated operating system features expansive sound processing offering complete user control over the system performance. A mobile app and dedicated professional interface, volume, signal routing, presets and a complete USB player can be remotely monitored and controlled. The Kommander, Thunder and Mugello amplifiers are the first products on the market to incorporate Audinate’s Dante Ready licensing programme. www.k-array.com
COMPRISING THREE models, Peavey Electronics has introduced the PVs Series subwoofers. The PVs 12, PVs 15 and PVs 18 are 12-, 15- and 18-inch single-vented, bass-powered subwoofers housed in high-density enclosures. Incorporating Peavey’s proprietary drivers and power amplifier modules, the PVs subwoofers feature bass enhancement for added bass impact and built-in crossovers. DSPbased crossover, compression, limiting and EQ are included. The rear of each cabinet includes two high-pass outputs and one full-range thru XLR together with an XLR/1⁄4 -inch combo jack input. A polarity switch enables polarity reversal of the subwoofer, allowing for better low-frequency response in select environments. To prevent interference, ground lift raises the cable shield from the ground, and a threaded pole mount is included with an included speaker pole. www.peavey.com
PRODUCTS
Sony launches powered line array speaker
pro.sony.com
osKars in latest innovations
K-array nominates
Peavey Electronics goes low with PVs subs Kommander-KA14 Thunder-KS1 18
DESIGNED SPECIFICALLY for large displays, the SLS-1A has been purposebuilt to create a new sound field when paired with large-format displays. Sony reports that the speaker will solve common problems for large spaces with large display formats, such as unfavourable acoustics, separation of visual and sound, and the inability to install the speakers in a way that creates a prioritised listening experience for each viewer.Onekey feature of the modular bar-style speaker is its wide sweet spot, which creates a clear sound field in larger spaces. The SLS-1A is equipped with eight p r oprietary magnetic fluid speakers that use a flat and square diaphragm to achieve clear, high-quality sound with little distortion. Eight channels of DSP and an amplifier with a maximum output of 10W are built into minimal housing. In addition, the eight speakers are arranged at a narrow interval of 48mm. This is said to not only suppress sound distortion but also enables beam control that controls the direction and angle of sound delivery with a high degree of accuracy.TheSLS-1A can be aligned vertically or horizontally, which boosts its flexibility and multiplies its potential installations in different environments. Its modular approach means that several speakers can be added through a single Dante connection. The speaker features onscreen centre sound localisation technology using a line array display with a central “phantom” speaker, making it suited to large displays where centre channel localisation is challenging due to speaker position, but also creating a uniform sound experience no matter where a viewer is positioned. With the introduction of TEOS Meet, Sony has announced the next generation of its workspace management solution, TEOS. The platform has been designed to help organisations achieve a productive workplace as they return to the office, giving users complete control of booking, sharing and collaborating together, in person and remotely. The core features of TEOS Meet reflect the requirements for businesses to reimagine operations in the new workplace, where users are able to remotely book meetings, see capacity at the office and reserve desks and share their content in meetings.
SLS-1A PVs
September–October 2022 PRO AVL ASIA 83 OFFERING DEEPER sound, higher SPLs and enhanced tonal definition, K-array has developed the Thunder-KS series of subwoofers. Fully managed by integrated DSP processors, the Thunder Series of active subwoofers includes powerful Class-D amplifiers. Thunder’s electronics deliver the power signal to the subwoofer itself and up to three additional channels of amplification and processing, so that an entire stereo system can be controlled using one active unit. The Thunder-KS series of subwoofers benefits from next-generation intelligence (osKar) together with IEB sound processors that manage an entire ecosystem through various control platforms. Incorporating a USB player and web stream receiver, the osKar operating system can also control the main DSP functions, including volume, routing and presets, directly from the device. The remote control of the Thunder-KS subwoofers can be managed via three software platforms ranging from the K-framework for Windows and Mac, passing from a more intuitive web app and arriving at the more simplified mobile app (Wi-Fi). In addition, there are also APIs and plugins to control the devices via third-party controllers together with LEDs located on the front of each unit.
Operating solo or paired with other speakers and subwoofers in wired or wireless mode, ART 9-AX’s available functions and parameters are accessible from the rear panel via a capacitive colour touchscreen with encoder knob. Alternatively, a dedicated app can be downloaded to iOS and Android devices. RCF LiveRemote allows full control of the internal ART 9-AX engine to recall and save presets, set desired volume levels, perform tuning and adjust EQ, reverb, compressors and FX settings. Adjustments can be made to True Resistive Waveguide, FiRPHASE and Bass Motion Control. The 2,100W biamplified Class-D electroacoustic design also incorporates 48V microphone preamps and line inputs, an internal six-channel digital mixer with advanced DSP, Bluetooth audio input and remote control for both single and The XPS 16Kdigitalanaloguewithoptionsroutingoutputs,amplifierboasts4x4,000WcontinuouspowerfourandAES/ EBU inputs/outputs, Dante audio networking and a complete set of tools for signal processing and tuning. It combines two 40-bit floating-point SHARC DSP chips at 96kHz and two more 32-bit DSP chips to independently manage audio processing and signal routing for maximum sound quality and output delays, IIR/FIR equalisation, crossover filters and thermal/RMS/peak limiting. The XPS 16K also includes RCF speaker presets with signal processing options for “fast and accurate system tuning”. The XPS 16K integrates four Ethernet ports on the rear panel with an internal 1Gb/s switch so that users can daisy-chain multiple amplifiers or integrate the system into any existing Ethernet infrastructure. Several XPS 16K devices can be connected to other RDNet-compatible devices, or to one or more computers running RDNet software without requiring an external RCF CONTROL Series device.
RCF HAS created USB 2.0 bus-powered audio interfaces for music production and content creation with the introduction of has been designed to record and monitor with detail. The TRK PRO 1 is a small onein/two-out interface and the TRK PRO 2 is a two-in/two-out model with zero-latency monitoring and removable rackmount ears. Features include mic and instrument/ line combo inputs, independent gain control with signal-peak LED, independent headphone volume control and an LED output meter. Housed in a metal chassis and integrating linear mic preamps and 24-bit/192kHz converters, audio performances can be directly recorded to any computer-based DAW. A front control panel includes variable direct/software mixing ratio, independent headphone volume and +48V phantom power. Connecting to iOS or Android devices, both models are USB class-compliant. Over a quarter of a century on since its original launch and RCF continues to evolve the ART series of portable loudspeakers. Combining all of ART 9-A characteristics together with an onboard digital mixer, Bluetooth and advanced control capabilities, the ART 9-AX is the latest
THE VIDA L is the heart of Kling & Freitag’s VIDA system and is a 48-channel signal processor with a multichannel amplifier. Due to the high resolution within the system, users can control the beam in real time in steps as small as 0.1°. The J-Beam algorithm is the latest addition to the VIDA platform. With the manufacturer’s standard beam, it’s possible to tilt the beam and control the vertical opening angle; with J-Beam, users can now continuously adjust the level distribution within the beam and achieve the same volume from the first to the last row if needed. The open FPGA-platform enables the manufacturer to constantly work on new technologies which will be added to VIDA in the coming years.
www.kling-freitag.com
Kling & Freitag has also released its CA 106 PRO. With its multifunctional housing and a rotatable horn, it’s been developed for use in almost every application. And with the speakON channel selector, users can connect several speakers in line and still feed them with separate signals. In addition to low distortion and high gain before feedback, the CA 106 PRO can be used on its own in smaller events or as a fill system in larger installations, or even as a personal monitor. It’s best paired with the D-, PLM- and IPXSeries amplifiers but its crossover-design means it can be used on linear power amplifiers.
www.rcf.it
K&F updates its VIDA L RCF TRK PRO interfaces with musicians PRODUCTS 84 PRO AVL ASIA September–October 2022 Renkus-Heinz redefines columns with PCX Series VIDA L ART 9-AX XPS 16K TRK PRO 2
OFFERING OPTIMAL intelligibility and minimum aesthetic impact in the architectural audio space, the US-based loudspeaker manufacturer has expanded its column array loudspeaker portfolio with the addition of the PCX Series. Building upon its flagship Iconyx loudspeakers, the PCX Series provides an additional solution as a unique passive loudspeaker.PassiveUniBeam technology addresses each transducer with a specially designed passive filter network to generate an asymmetrical vertical dispersion pattern, shaping the coverage downwards and delivering consistent front-to-back coverage with minimal side lobe artefacts. A discreet appearance ensuring the lowest possible architectural intrusion has been aided by incorporating neodymium 3-inch fullrange drivers. The combination of an included wall-mount bracket (optional pan and tilt) and Passive Unibeam enable flush-mounting in most applications.ThePCX4,PCX8 and PCX16 models are weather resistant (IP64) as standard, salt spray and UV resistant, in addition to being subject to high/low operational temperature and humidity testing. Each model includes a gland/conduit knock-out input cover for added security and enhanced weatherisation. Low insertion loss transformers have been added with an accessible tap switch for 70V/100V constant voltage operation in larger, distributed audio systems. Specification is aided by compatibility with EASE Focus 3 software, allowing system design and verification with predictable results within a standard software wizard.
www.renkus-heinz.com
The UK brand has also added two new models to the Diamond Studio Monitor series. The latest 5- and 6.5-inch monitors incorporate distinct black cones and share the same components, drivers and sonic detail as the Bluetooth Diamond Studio models. The black low-frequency driver cones are made of woven fibreglass, which is extremely rigid and lightweight compared to alternative paperbased cones. The material reportedly delivers enhanced low-frequency dynamic response and a very fast transient response. The Diamond Studio-5 and Studio-7 models can produce 140W and 150W (continuous) output respectively. With dedicated “HF Level” and “LF Level” rear panel controls relating to two discrete amplifiers, the amp stage is matched to the correct HF and LF drivers. An entry-level model has been added to the DP amplifier series in the form of the fourchannel 1UWeighingDP-4030.4.5kg,theunitcanproduce 4x 675W@2Ω, enabling more loudspeakers to be driven by a single amplifier. The rear panel combines compatiblespeakONoutputs and XLR balanced inputs together with protected DIP switches for the various input/output configurations to be set. These include stereo, mono and bridge modes in addition to the input sensitivity which can be switched between 35dB or 32dB. Providing high power output and stability at 2Ω, the DP Series of multichannel amplifiers has been extended with four new DP-F models featuring Ethernet control. FIR DSP functionality common to the DP-N series has also been added. The DSP provides FIR filtering with 512 taps, bringing linear phase response and a more controlled output. Providing a wide range of AC power input, the DP-F amplifiers can cater to voltage fluctuations between 90V and 260V in addition to driving 70V/100V line systems. www.wharfedalepro.com
www.dbaudio.com
APEX HAS added two new CloudPower fourchannel amplifiers, together with a firmware upgrade for the series. The 4x1,500W CP1504 and 4x3,000W CP3004 extend the potential applications for CloudPower to encompass sports stadiums, live venues, theatres, upscale houses of worship and more. Both amplifiers can be monitored and controlled remotely from any device via Apex Cloud, allowing integrators to make adjustments without the need for a site visit and creating opportunities for value-added remote monitoring services. The V1.2 firmware release for CloudPower includes additions to the IntelliCloud remote WebUI. Among the standout new features are a mixer facility offering 10 inputs for each amplifier channel, plus a built-in signal generator to assist with system setup and troubleshooting.
CloudPower
Wharfedale Pro extends appeal from studios to concert halls new models
APEX releases
d&b introduces the compact 5D amplifier WLA-1 Diamond Studio DP-F series
9.5-inch footprint. It uses DSP to incorporate oudspeaker-specific configurations and user-definable setups from E-, xS-, xC- and T-Series, equalisation and delay functions.
September–October 2022 PRO AVL ASIA 85 WITH THE launch of the WLA-1 Hybrid Curvature Array, Wharfedale Pro has developed 12- and 15-inch full-range elements together with a 21-inch subwoofer. Designed and engineered by IAG’s international R&D team, the drivers are manufactured in Europe by Beyma. Providing consistent dispersion coverage on both the horizontal and vertical planes with the sound radiating from a singular source, the full-range WLA-112 and WLA-115 elements adopt a coaxial design in combination with an EVO-Fold high-frequency waveguide. In addition, a dedicated FIR preset library creates a flatter phase front. Utilising a 21-inch Beyma driver with a 4-inch Quattro voice coil, the WLA-121SUB is a controllable flying subwoofer. Versatility of use is enabled as the WLA-1 system can be deployed in various setups. These include configuration with a sub-top pole mount or as a flown array with the optional common fly frame or as a horizontal system with the optional WLA-1 Link hardware. Adopting Class-D amplification, the WLA-A is an active line array that is further enhanced with rear panel internal DSP using FIR presets. Ethernet control also delivers remote system management tools through a single cable. The line-up consists of dual 8-inch array elements, two active floor monitors, a dual 15-inch flown subwoofer and the WLA-218BA dual 18-inch 2,400W (continuous) subwoofer. The system is also compatible with the WLA-28 common fly frame and WLA-28 dolly frame.
With the release of V1.2, CloudPower amplifiers can now be controlled over a network using the UDP protocol, allowing for greater integration with third-party control systems such as AMX and Crestron. The new firmware also further extends the depth of control accessible from the amplifier’s “one knob” front panel UI, including hands-on access to parametric EQ, crossover, limiter, signal generator and mixer functions.
The amplifier has been designed to drive smaller loudspeakers and can be mounted under tables or ceilings as well as in a rack. It’s also suitable for the setup and deployment of small Soundscape systems. Signal processing extends the level of functionality of the onboard features. These include a range of loudspeaker-specific filter functions plus a user-definable eight-band EQ, which facilitates system tuning. The delay capability covers a range of up to 300ms. The DSP unit has a fixed latency of 1.1ms. and protection capabilities. The user interface of the amplifier consists of LEDs for power, data and channel information about signal, gain reduction, overload and mute status. The 5D is the first d&b amplifier with integrated Dante networking. This feature allows for flexible system configuration changes and convenient deployment of decentralised system designs. According to the manufacturer, the 5D amplifier improves the affordability of a d&b system, opening up d&b technology to more projects around the world, both small and large.
PRODUCTS CP1504 and CP3004
Austrian Audio makes music with
Neumann expands its headphone portfolio brings new flagship to Microflex Advance
Shure
PRODUCTS 86 PRO AVL ASIA September–October 2022
USING THE
FOLLOWING THE the NDH 20 headphones in 2019, Neumann.Berlin has extended the series acoustic system has been redesigned, including optimised dynamic drivers. The large,otherheadphonesopen-backrecordalowharmonicdistortionandanevenresponseaudiospectrumabsorbers.binauralmixesofimmersivecontent,includinggamingandVR,featuresincludesoftearpadsanda
AMS Neve delivers studio sound to the home
MXA920
SHURE HAS added a new flagship ceiling mic array to its series of Microflex Advance networked array microphones. Describing its launch as ushering in a new era, the MXA920 features Automatic Coverage technology that provides preconfigured audio capture with minimal setup and also employs Next Generation Array Architecture for enhanced directional pickup and more natural speech. Plus, the onboard IntelliMix DSP delivers noise and echo-free performance as well as audio clarity and intelligibility for AV conferencing across room types such as executive boardrooms, higher education hybrid classrooms, corporate and government meeting spaces. Two form factors (Square and Round) support design integration. The MXA920 is certified for Microsoft Teams when used with the IntelliMix P300 DSP and Microflex MXN5C networked black or aluminium) options that are all paintable to match the room’s décor. Mounting options for in-ceiling, onceiling, pole or wire rope configurations make it possible to integrate the MXA920 into formal conference rooms or modern spaces where architecture makes a statement.Themicrophone manufacturer has also recently introduced the SBC210LM, a portable, standalone charging housing compatible with its SBM910, SBM920, SBM910M and SBC-AX battery charging modules. It’s described as the ideal solution for any cart or bag used for location sound and can go anywhere mobile broadcasting and wireless meet. It can also be used as an accessory for nearly all Axient Digital users who find themselves working on-the-go, including, but not limited to, those leveraging the portable capabilities of the ADX5D.
mastering-gradeisfront-endtheUSBdualhasformattechnologytransformer-balancedsameasthelarge-88RS,AMSNevedelivereditsfirstmicpreampandaudiointerfaceinformofthe88M.TherecordingsystemcomplementedwithAD/DAconversiontoproducewhattheUKmanufacturerclaimstobepremierstudiomusicalityandfidelity. Incorporatingadvancedanalogue and digital components, the USB-powered 88M has been designed for project studios, home studios and location recordists. With an ability to record and monitor on the go, other features of the portable dual mic preamp and connectivity and the inclusion of professionalgrade conversion.
AUSTRIAN AUDIO has announced the launch of the OC16, a large-diaphragm condenser microphone designed with high-end features. Like the OC18 and OC818 models, the OC16 is said to produce a transparent and natural sound thanks to a combination of the handmade in Vienna CKR capsule and Austrian Audio’s Open Acoustics Technology approach. The OC16 is a robust microphone equipped with a patented CKR6 ceramic capsule. The design is inspired by the CK12 capsule which was made out of brass. Austrian Audio opted for industrial ceramics instead as it is a highly insulating material that has the same mass and acoustic properties as brass, but is far less error-prone in production and can be manufactured much more consistently. Each capsule is made by hand in Vienna, tested and measured in-house before it leaves the factory. The Open Acoustics Technology reduces acoustic problems such as unwanted reflections and standing waves within the microphone. Thanks to the elastic capsule suspension, the mic can be positioned very
with backconstructionNDH 30withresolutionformat.setuploudspeakeroflinearreproducestheMonitorviaformats.stereoapplicationsmixingstudioreference-classheadphonesforandmasteringinbothandimmersiveCalibratedMA 1AutomaticAlignment,NDH 30thesoundimageaNeumanninaportableProvidingahigh-stereopanoramapreciselocalisation,theretainsthemetaloftheclosed-NDH 20,buttheentire
Larger enterprises and universities have the added benefit of configuring kits with Solaro QR1’s advanced DSP functionality prior to deployment. This allows customers to easily standardise kit components to serve the specific needs of each space.
Both bundles include a Xilica PoE-powered DSP and a Sennheiser beamforming microphone array (TeamConnect Ceiling 2) to reduce noise and eliminate echo in challenging acoustical environments. The kits also add Xilica’s new CatX-connected inceiling speaker systems to optimise in-room audio and streamline architecture.
September–October 2022 PRO AVL ASIA 87
XILICA AND Sennheiser have strengthened their partnership with the launch of two new pre-validated, plug-and-play room kits for medium and large collaboration spaces.
Xilica and Sennheiser launch hybrid conferencing kits
The room kits, designed with IT standards in mind, bring PoE-powered Xilica and Sennheiser audio-conferencing solutions together in one compact in-ceiling system, with all components connected over CatX network cable. This is said to speed deployment for enterprise and education customers modernising their meeting and learning spaces, as no copper cable or proprietary audio connections are required.
www.austrian.audio the OC16
The Medium Room Kit includes a Xilica Solaro QR1-UC DSP, Sennheiser TeamConnect Ceiling 2 microphone, one PoE+-enabled Xilica Sonia Amp and two Sonia C5 in-ceiling speakers.
The Large Room Kit includes all of the same technologies but with four Sonia C5 in-ceiling speakers and a Xilica XTouch 80 touchscreen for simple in-room control.Thekits are easily installed, with no mains power requirement, full in-ceiling installation and distributed ceiling speakers that address the requirements of collaboration room audio across a larger space without termination or proprietary wiring. The pre-validated solution reduces the costs of building an audio-conferencing solution from individual components, while also providing installers with a practical system that is quick to deploy.Xilica HearClear acoustic echo cancellation and Sennheiser’s TruVoicelift functionality work together to further lift voice intelligibility, reduce audio artefacts and eliminate room and acoustic distractions that limit clear communication. Xilica Solaro QR1-UC DSPs include a 2x2 USB audio interface that offers volume and mute status sync for Microsoft Teams, and Zoom, adding value for hybrid applications and allowing remote workers and students to raise, reduce or mute from their computer keyboards.TheMedium Room Kit and Large Room Kit are adaptable to a wide variety of spaces, including auditoriums, board rooms, conference rooms, lecture halls and training spaces, as well as standard classrooms.
close to even the loudest sound source, reducing unwanted noises, bass boosts and distortion.TheOC16 has been designed as a flexible mic for a variety of instruments, including drums, electric and acoustic guitars, pianos, wind and string instruments, and can also be used on a desk for podcast recordings, dubbing of video content or online conferences.
The Xilica x Sennheiser Room Kits are purpose-built to solve the specific challenges of medium and large collaboration spaces.
Hall Technologies unveils Technology Room Kit
L-Acoustics launches multichannel LA7.16i amplified
TRK1
CREATED TO improve flexibility and efficiency, especially in multichannel scenarios, L-Acoustics has launched the LA7.16i offering 16x16 architecture in a 2U chassis with seamless Milan-AVB redundancy. Each of the 16 output channels delivers up to 1,300W Ambiance room enhancement software. With the LA7.16i, L-Acoustics has also introduced L-SMART, a suite of advanced power management technologies that allows designers to mix and match any L-Acoustics loudspeaker onto one amplifier. L-SMART uses proprietary predictive modelling algorithms to manage the power supply unit (PSU) and the individual amplification channels. Hardware sensors within the amplifier supply real-time information, which is analysed by the DSP to dynamically match loudspeaker system needs. The PSU can then provide extremely high short-term peak power or lower power over longer hold times. This energy is delivered intelligently to the advanced Class-D output speakers, amplifiers and processors – that are already a necessary part of modern venues. Adding strategically placed microphones to capture the existing acoustical energy of a space, Ambiance processes signals from the mics through the L-ISA Room Engine that’s built into the L-ISA Processor II, where reflections can then be individually managed with separate EQ, time and space parameters, empowering a sound designer to create a desired sound atmosphere for the space. L-ISA Ambiance can be controlled via the L-ISA Controller on both Mac and Windows platforms, through the built-in configurations on the Processor or with Q-SYS and Crestron third-party Adding to its range of solutions designed to meet the demands of the installation market, L-Acoustics has also introduced the Soka and its companion subwoofer, the SB6i. Inspired by the success and design principles of the Syva, the Soka integrates nine 3.5-inch MF drivers and three 1-inch HF transducers to impart a wide 140° horizontal coupled with a highly controlled 26° vertical directivity. The Soka and SB6i have been designed to be easily enclosed in-wall or discreetly mounted on-wall. Despite its diminutive size, the Soka delivers 124dB over a wide bandwidth that extends down to 70Hz when used with the full-range preset. Using the SPL preset, the Soka offers an even higher 130dB down to 100Hz. With two 6.5-inch neodymium LF drivers and the L-Acoustics Laminar vent technology found in the manufacturer’s concert-grade reference subwoofers, the 4Ω SB6i can operate down to 29Hz and produces as much as 114dB, again via two presets, matching coupled or decoupled configuration with the main
DESIGNED FOR small/medium-sized rooms and huddle spaces, Biamp has expanded its portfolio of audiovisual solutions with the introduction of the Vidi 150 conferencing camera. The Vidi 150 comprises the same features as the Vidi 100 including a 4K camera with a 120° field of view, an 8MP sensor and a built-in microphone array. Added features include manual electronic PTZ (ePTZ) with user-definable presets, automatic participant framing and ePTZ, all of which can be controlled with an included remote. Joining the premium Vidi 250 conferencing camera with a 12MP sensor, the latest Vidi introductions create a complete line of professionalgrade cameras. Advanced features include optics that eliminate image distortion, smooth automatic participant framing, zoom and focus functionality. Flexible mounting options allow positioning above, below or to either side of a display or off any wall.
Four of Biamp’s conference room audio solutions have been certified for Microsoft Teams Rooms. The bundles contain a TesiraFORTÉ X or Devio SCX processor, Parlé Beamtracking ceiling microphones, Desono C-IC6 ceiling loudspeakers and PoE-powered amplifiers, in addition to mounting accessories and category cabling to complete the installation. With each bundle, automated system deployment and configuration is made possible by Biamp Launch. This identifies and configures every device in the system, performs a tuning cycle, measures acoustic characteristics of the room, applies recommended signal processing, echo cancellation, speaker tuning, noise reduction and Microsoft Teams Rooms settings, before generating a dashboard highlighting performance settings before and after optimisation. www.biamp.com
PRODUCTS 88 PRO AVL ASIA September–October 2022 the room at the top LA7.16i Soka
HALL TECHNOLOGIES has released the Apollo TRK1 Technology Room Kit, a turnkey solution for 4K smart classrooms. The threepiece kit provides enhanced connectivity and control features, while remaining intuitive and easy to use. The solution delivers connectivity and control using a Valens VS2010 processor, accepting four HDMI devices and multiple USB hosts to share power and control audio and video up to 4K@60Hz. The ability to broadcast by room, floor or building is said to provide the highest level of security with capabilities to broadcast emergency messages or announcements, whether in corporate or education campuses. Two cameras aimed at corporate and classroom collaboration have also been unveiled. The HT-CAM-4K-EPTZ features an 4K ultra-high-definition output along with a new design. Additionally, the Full HD CAM-1080PTZ features highresolution video with a focus on colour rendition combined with a remote and intuitive control. Both are said to be ideal for online education, training rooms, videoconferencing, houses of worship, tele-medicine and unified communication applications.
www.halltechav.com
In brief, L-Acoustics has added unlimited free binaural output capability to its L-ISA Studio software suite. www.l-acoustics.com controller
September–October 2022 PRO AVL ASIA 89
COMPRISING THREE woofers and two tweeters, Beyma has launched the NMF Series of near- and mid-field transducers for inclusion within studio monitor and high-end loudspeaker enclosures. Designed for smalland medium-range listening distances where attention to detail is paramount, the NMF Series is said to exert extreme linearity and negligible distortion. The three woofers – the 6NMFW (6-inch), 8NMFW (8-inch) and 10NMFS (10-inch) –comprise carbon fibre cones with high rigidity for pistonic behaviour, a Beyma Quattro voice coil for a high force factor to better control the moving mass, cast aluminium frames, electro-coated metal components, Bimax spiders and high-resistance NBR surrounds for high linear and stable behaviour.Designed to extend the dynamic range, the magnetic circuit provides the Quattro voice coil with a more controlled excursion within the linear range. The suspension system has been optimised with geometry and materials tailored for high damping and excursion control, avoiding common non-linearities and unwanted resonances. Maltcross technology provides a demodulating ring effect balancing the inductance versus excursion and allows a superlative cooling circuit where the air flows inside the airgap towards the voice coil in turbulent mode. A reduction in temperature and demodulation provides less distortion at low frequencies. Optimised with the Finite Element Method software, the die cast aluminium LEX design frames provide a differential visual imprint in addition to optimised mechanical properties and The T25S (silk membrane dome) and T25M (reinforced metal dome) tweeters have been developed to fulfil highly consistent readings. The tweeter can be mechanically coupled to the cabinet with the stiff aluminium die cast back chamber directly braced to the cast aluminium front plate. Equipped with a ceramic magnet and either a reinforced metal dome or silk dome, both tweeters come with a T-shaped pole piece covered with a copper cap to minimise harmonic distortion. The aluminium–magnesium alloy reinforced dome of the T25M enhances the frequency response linearity and the membrane moves as a piston, pushing the breakup close to 38kHz to reduce listening fatigue. Composed of a specific formulation polymer film, the wide surround allows larger excursion.
TWISTED PAIR cables are being increasingly used in digital audio applications. only one type of cable, wiring is simplified, resulting in a much lower budget than regular analogue audio networks. Tasker’s Ethernet cables are distinguished into different categories, according to transmission speeds and types of shielding. Depending on the type of shield, unshielded pair cables are indicated as UTP (Unshielded Twisted Pair) and may or may not have a shielding on the grouping; if they do, they become S-UTP (Shielded – Unshielded Twisted Pair). There are also shielded cables with aluminium foil called FTP (Foiled Twisted Pair) and those with double shielding, which add a tinned copper braid on the grouping, called S-FTP (Shielded Foiled Twisted Pair). For mobile installations, Tasker’s C725 (Cat5e, S-UTP), C728 (Cat6A, S-FTP) and C726 (Cat7, S-FTP) are described as flexible thanks to elementary stranded formation and are available with PVC jackets, LSZH or PUR, depending on the application. For fixed installations, cables with monofilar conductors such as the C727 (Cat7, S-FTP) are preferred, which are also available with different types of outer sheaths to suit different solutions. Finally, the C722 B2ca is a LAN Cat6 SF/UTP, 4x2x0.25mm² section with multiple operative applications and is approved for the maximum risk class
ADDING NEW functionality to its existing chassis connector products, Neutrik has announced the launch of its new Halo product range. The Halo series includes a new patented light ring together with an asymmetrical, non-metallic push tab into the A series chassis connectors. Halo product variants include the NC3FAH2-LR-DAE and NC5FAH-LR-DAE female XLR connectors, the NC3MAH-LR and NC5MAH-LR male XLR connectors and the NE8FAH-LR-DAE etherCON connector. By placing one or two SMD LEDs on circuit boards, the connectors can be illuminated for visual feedback such as input detection, transmission status, connection status, phantom power, operating mode indication and other information. www.neutrik.com
Beyma’s NMF Series pays attention to detail Audio and video over LAN WyreStorm powers delivery with USB-C to C cable Neutrik rings the changes with a Halo CAB-USBC-15
www.beyma.com
PRODUCTS 6NMFW
WYRESTORM HAS launched the CABUSBC-15, an Active Optical USB-C to C cable said to be the perfect companion for its Apollo Series and Synergy switchers equipped with USB-C connections. The CAB-USBC-15 supports USB Alt-Mode, meaning that the cable supports 4K30 video passthrough in addition to two-way USB 3.2 Gen1 data transmission (5Gbps). The USB-C SuperSpeed data capability is ideal for fast file transfers or for connecting USB 3.0 equipped devices, such as conference cameras, for a reliable high-quality video transmission. Paired with a WyreStorm Apollo or Synergy solution, the cable can take advantage of the power of the 60W PD feature to keep devices charged while in use. The cable has a maximum pull tension of 20kg and a maximum turn radius of 0.5cm, making it suitable for walls/floor runs. A screwlock connector is featured on one end of the cable for ensuring the connection remains secure, especially in permanent installations.TheEssentials line-up from WyreStorm has been expanded with the 4x1 EXP-SW0401-8K and 2x1 EXP-SW-0201-8K HDMI switchers, and the 1x2 EXP-SP-0102-8K HDMI splitter. All support HDMI 2.1 and are compatible with the manufacturer’s latest 8K HDMI cables. The products are suitable for applications that need to switch between emerging 8K sources while distributing 5.1 audio via source deembed or ARC, and distribute 8K content to 8K displays. The switchers support DSC 1.2a passthrough, an approved method of compression in accordance with the HDMI 2.1 specification, allowing up to a 10K@120Hz signal to be transmitted losslessy. The splitter is made to distribute one 8K source to two displays. Featuring 8K60/4K120Hz resolution and compatible with HDMI 2.1 1:2, the EXPSP-0102-8K comes with downscaling and audio de-embed features. www.wyrestorm.com
Stagetec advances its networking credentials tells the
Wheatstone console for TV news teams
Both Vocaster interfaces feature a camera output, allowing users to record high-quality audio directly to the camera, removing the need to sync audio and video upVocasterlater. Hub, the companion app for the Vocaster interface, is the central hub for setting up, recording and mixing. Users can control interface settings, set levels, enhance sound and route audio from a phone or computer.
Focusrite
www.stagetec.com
The Vocaster One Studio Pack includes the Vocaster One interface, Focusrite’s Vocaster DM1 dynamic mic with a built-in grille and pop filter and the HP60v closedback studio headphones. The Vocaster Two Studio Bundle includes the Vocaster Two interface, Focusrite’s Vocaster DM14v dynamic mic and the HP60v closed-back
TAKING ADVANTAGE of IP technology and a central controller linked to the control surface, the Avatus audio console comes with four user interfaces. The user interface can consist of either one large console or several small control surfaces with separately installed metering if required. Remote connections are possible across the network and accessible via browser or control software without added hardware. The basis of the distributed concept is to avoid any central operating controls with all operating positions having access to all functionalities. When linked to a Nexus network, unlimited resources can be accessed using audio inputs and outputs of any format. The integrated macro control ensures seamless integration of external systems into all applications with smooth workflows. Theflagship Avatus S is available in sizes from 12 to 96 faders for all applications with maximum overview and very fast direct access. Available from 12 to 96 faders with removable displays for wall or swivel arm mount, the Avatus D is a flexible option for auditoriums. Designed as a mobile extension for larger consoles or as a remote console wherever space is an important consideration, the compact Avatus C promotes comprehensive control in sizes from 12 to 36 faders. Available as 24 and 36 fader consoles and boasting the shortest depth, Avatus E is suited for encoder centred operation and for small OB vans or venues with limited space.TheStagetec community is growing with a network of partners to make management of audio and video signals available to all. With Nexus IP Link, internal audio connections can be distributed and controlled over an IP infrastructure of ST 2110-31-compliant audio IP streams. Nexus endpoints fitted with an AES67 card benefit from fully integrated audio distribution and existing AoIP features including redundant networking with ST 2022-7-compliant seamless protection switching and wide area networking connectivity for remote production. Serving as the core future configurable IP-based Nexus I/Os, the XCPU-X is both a high-density control and AES67 network card for functioning the XFIP, XACI and XCPU components with full Nexus compatibility.
WHEATSTONE HAS unveiled a compact AoIP/AES67 networking audio console to support evolving TV news teams. Tekton 32 gives users 32 input channels (layered on 16 physical faders) in a 99cm x 43cm x 8.5cm frame suited to smaller news studios, shrinking sets and fewer production staff, and is said to be ideal for automation workflows and the occasional hands-on mixing by producers, directors or other news staff. With all I/O managed through the WheatNet-IP audio network, the console/ control surface has no limitations with fixed connection points on the console chassis itself. Tekton 32 has access to all sources in the network and any channel can connect to any audio source or destination, using any preferred audio format at any time, whether it’s HD/SDI, AES, MADI, AoIP, analogue or TDM. Unrestricted routing means being able to have all faders available to pull up whatever source you need, so that days of having to block out channels based on input type are a thing of the past, as is having to repurpose inputs because of physical chassis limitations.Tekton32 provides access to all resources in the network through a touchscreenenabled graphical user interface with a menu for adjusting EQ, dynamics, setting talkback, configuring mixminus feeds and bus matrices, muting mic groups, and managing sources and destinations. Monitors are user-supplied. Per-channel OLEDs display all relevant editing and operating functions at a glance. www.wheatstone.com
VOCASTER IS a range of audio tools designed for the rapidly growing market of podcasters and other content creators. The range features two standalone interfaces –Vocaster One and Vocaster Two – and two studio packs – Vocaster One Studio and Vocaster TwoVocasterStudio.One has been designed for the solo podcaster, while Vocaster Two is more suited for dynamic shows that feature two hosts, guests and/or audio segments. Vocaster Two features two mic inputs and two headphone outputs for recording and listening back. Users can also bring in guests over the phone with either Bluetooth or a single cable (TRRS-to-TRRS cable not included).
world about Vocaster 90 PRO AVL ASIA September–October 2022 AvatusNexusS48IP Link
Focusrite ISA 110 from the original Studio Console and, with connection to a 2Pre, 4Pre or 8Pre, it is possible to expand I/O via ADAT. The device combines improvements realised in the Clarett+ range to the manufacturer’s series of multichannel preamps. The Clarett+ OctoPre boasts 118dB of dynamic range and –129dBu EIN with a fully balanced signal path that ensures inbound signals are clean and with ultralow noise. The first two channels offer a JFET instrument input intended to capture the true characteristics of guitars, while eight dedicated channel inserts allow users to add analogue equipment to the signal path. Phantom power for the mic inputs is switchable in blocks of four. The onboard AD/DA converters make all inputs and outputs available via ADAT at 48kHz. www.focusrite.com
Focusrite’s Clarett+ OctoPre is a professional-quality eight-in/eight-out ADAT microphone preamp with eight emulatingunitanaloguechanneldedicatedinsertsandeightlow-distortion,low-noisemicpreamps.FeaturingAll-Air,theiscapableoftheclassic
How low can a 10-inch driver go? The new Celestion CF1025BMB is the 10-inch driver that punches like a 15-inch, thanks to advanced motor cooling and high-excursion cone control. Capable of astonishing performance in compact subwoofer applications, it also performs smoothly up to 2kHz, so it’s equally at home in 2-way designs. celestion.com CF1025BMB Part of the CF Series of high-performance, ferrite magnet ContactloudspeakersCelestiontorequestasample MANUFACTURERS
SHARC
PRODUCTS 92 PRO AVL ASIA September–October 2022 Intelligent ATDM-1012PDU 3000 Series
TSL HAS enhanced its range of Intelligent Power Distribution Units (PDUs) by increasing functionality and offering enhanced levels of power management instructed, the devices can selectively switch off when not in use, either remotely or onsite. Measuring 120mm x 482mm x 43.7mm, the Ethernet-connected PDUs have been designed to handle up to 32 amps with optional auto-failover/auto supply and the entry-level amps have been raised from 16 to 20. The design also includes an upgrade from 12 to 14 outputs, with each one delivering up to 10A. In addition to comprehensive remote control through the secure/encrypted web browser access (HTTPS), the PDUs incorporate a front panel LCD screen for local monitoring and control. Current, voltage and power factor measurement for each outlet can be viewed from a front panel colour LCD UI. The updated units also feature sequential, immediate or user-configured delayed start-up to minimise in-rush currents that can frustrate entire system power-ups. The changeover power spikes that can damage connected equipment.Finally,on the control side, the manufacturer has introduced the TM1Tally, a compact, low-cost, high-end tally solution. Based on the industry-standard TSL TallyMan system, the TM1-Tally offers the same fully featured tally capabilities only with a limited number of connections to external devices. Customers can easily create simple or complex tally systems to suit any OB truck or facility environment. It can be connected to router control systems to provide a more compressive tally system that is agnostic to manufacturers’ equipment. www.tslproducts.com
The ATDM-1012 is suitable for hospitality, corporate and demanding courtroom settings or situations where mix-minus operation or audio pickup from specific zones within a space is required. Each input channel is equipped with phase inversion, low-cut filter and a four-band parametric EQ – these can be assigned to any of the 12 busses with individual volume setting through the routing matrix. Smart mixing capabilities offer four mixing groups and can either be gain sharing or gating mixers. Additionally, 10 AEC, 10 compressors/de-essers and eight feedback suppressors can be freely assigned to any of the input or output channels to provide In larger spaces, two Audio-Technica ES954 hanging microphone arrays can be connected to the ATDM-1012, allowing the mixer to control the horizontal and vertical orientation of the microphone’s four capsules for full coverage. Audio input/output settings can be made from the front panel, with more refined control available via the Web Remote manager software application. In addition, the mixer can be controlled through IP Remote protocol for additional external flexibility.Inother news, the 3000 Series Wireless In-Ear Monitor System has been designed by Audio-Technica to bring professional sound quality and features to all levels of performers and performance venues. Created for use by musicians, systems integrators, HOW technical personnel and owners of live performance venues, the ATW-3255 is a durable in-ear monitor system that’s described as easy to use and reportedly delivers high-quality than three times the tuning bandwidth of competitive models in its price range.
The 3000 Series Wireless IEM offers wide-band UHF coverage in the www.audio-technica.com
DESCRIBED AS a flexible and easy-to-use solution for a wide variety of installed audio applications, the 1U, 19-inch rack-mountable ATDM-1012 is a 14-input/12-bus matrix mixer featuring 10 mic/line inputs with high-quality preamps and two pairs of stereo inputs, USB audio I/O, eight balanced outputs and two unbalanced stereo outputs. Ten additional digital inputs can be added either via AT-LINK digital connection or over Dante (with the Dante-enabled ATDM-1012DAN version).
With design elements modelled after A-T’s 3000 Series UHF Wireless Microphone Systems, the 3000 Series IEM system features a rack-mount transmitter with front-panel controls and large OLED display, compact bodypack receiver and ATH-E40 professional in-ear monitor headphones. The bodypack receiver’s headphone amp and ATH-E40 headphone’s proprietary dual-phase push–pull drivers are said to combine to provide clear, natural sound quality on any stage.
Audio-Technica unveils ATDM-1012 Digital SmartMixer
MERGING TECHNOLOGIES has released its AES67 embedded solution for the ADSP-SC5xx SHARC series of System on Chips (SoCs) from Analog Devices, Inc (ADI). Merging Technologies’ experience in the AoIP field (RAVENNA/AES67) and ADI’s experience in unified communications and pro audio applications, has led to a collaboration that broadens the range of AoIP solutions for manufacturers of electronics and, ultimately, integrators.Theavailability of AoIP allows a much broader audience to access AES67 technology and enables OEMs to design AES67-based products using ADI’s ADSPSC5xx SHARC series of SoCs. The ADSPSC5xx SoCs integrate an Arm Cortex Core, providing a control processor for enhanced integrated peripherals, including Gigabit Ethernet with IEEE1588 and USB. The ADSPSC5xx SoCs also integrate a single or dual SHARC+ DSP floating-point core with an onchip hardware accelerator. This combination is said to offer flexible audio connectivity and performance scalability across different pin-to-pin compatible products, while providing several on-chip memory options. By offering both single and dual core options, the SoCs will address from 1–64 channel configurations. For those looking for even more channels, Merging still continues to supply its own ZMAN boards. www.merging.com
TSL increases for SoCs
power monitoring Merging announces analogue AES67 solution
www.sonifex.co.uk WITH THE introduction of its Pro Convert AES67 multi-format IP audio encoder, decoder and capture device, Magewell has extended its media processing and IP workflow technology into the audio domain. Supporting standards and andtechnologiesIPdifferentbetweenconvertsdeviceSRT,NDIincludingprotocolsAES67,andthemediaservesasa
Powered using Power-over-Ethernet (PoE) using Neutrik etherCON connectors, there are primary and secondary ports for power and data redundancy. The AVN-DIO20 uses the latest Audinate Dante chipsets so is AES67 and Dante Domain Manager-compliant. A web interface is available for network and device settings, status information and firmware updates.
Magewell applies expertise into the audio domain
Genelec improves scalability and management GLM 4.2
September–October 2022 PRO AVL ASIA 93
media-over-IP technology or compressed AAC audio using the low-latency SRT protocol.Enabling local and remote production workflows that combine third-party products supporting different standards and formats, the device can also encode analogue audio into AES67, NDI or SRT streams to IP networks, in addition to decoding IP audio streams in these formats and protocols for analogue output. The compact hardware features unbalanced stereo 3.5mm input and output connections plus 4.4mm balanced stereo I/O. When connected via USB to a laptop or desktop computer, Pro Convert AES67 can be used as a plug-and-play audio capture device. For audio streaming applications such as internet radio, the device also offers AAC stream encoding and transmission plus AAC and MP3 stream receiving and decoding. A virtual audio matrix is accessible through the device’s browser-based user interface and allows routing or mixing of any analogue or IPbased input channel to any analogue, IP or UAC output. Encoding and processing parameters can be configured through the web interface, with centralised configuration and control of multiple Pro Convert units available through the Magewell Cloud multi-device management software. www.magewell.com WITH THE introduction of the GLM 4.2 loudspeaker manager software in addition to the 9301B multichannel AES/EBU interface, Genelec is advancing scalable immersive monitoring systems for up to 16 channels using one or more bass-managed subwoofers.Theintegration of GLM system calibration software allows Genelec monitors to be accurately calibrated for level, distance delay and frequency response. The entire monitoring system is tailored to the room to produce mixes that translate reliably, regardless of the playback system. Powered by the AutoCal 2 automatic room calibration algorithm, the GLM 4.2 update includes the GRADE Room Acoustic Report, remote control of key parameters and improved symmetric calibration of groups of monitors and subwoofers.
By using the information gathered during the AutoCal calibration process, the GRADE report provides the user with a complete analysis of their room and monitoring system performance, in line with best practices, including ITU-R BS.1116 recommendations. Free of charge this year, the report provides specific observations and advice on acoustical issues when fine-tuning a room’s acoustic treatment, adjusting monitor and listener positions, and optimising bass management. The report analyses variables including frequency response accuracy and early vs late sound at the listening position, time of flight accuracy, early reflection structure and a complete room acoustic analysis.WithMIDI remote compatibility in GLM 4.2, key functions including playback volume level and the activation of mutes, volume presets, bass management and monitor groups can be externally controlled. With the update, both large and compact monitoring systems in immersive setups can be calibrated, scaling listening distances down to 50cm. The calibration group ID and subwoofer group ID features improve how selected monitors are calibrated as symmetric groups with multiple subwoofers operating together in flexible topologies.Designed to operate with Genelec 7300 series Smart Active Subwoofers, the 9301B interface improves subwoofer configuration in immersive applications. The interface can support up to 16 channels of digital audio in a format that is compatible with the 7300 series’ single AES/EBU XLR input. A single 9301B therefore enables support for 16 channel formats such as 9.1.6 from a single subwoofer, with an additional 9301B providing compatibility with higher channel count formats such as 22.2 and others. www.genelec.com
bridge between analogue audio, software Capable of sending and receiving multiple uncompressedTheaudio-over-IPdeliverySMPTEsolutionsAES67eight-channelunicastormulticastAES67streams,ProConvertAES67operateswiththird-partyaudioandsupports2110-30forofPCMdigitalnetworks.devicealsotransportsaudiousingtheNDI
SONIFEX HAS launched the AVN-DIO20, a MADI and AES3-to-Dante bridging device allowing MADI to connect bidirectionally with AoIP, together with eight stereo channels of AES3. The AVN-DIO20 takes a MADI feed, sample rate converts all 64 channels and places them on the Dante network, mapped using Dante Controller. It simultaneously takes the 64 channels mapped to the device on Dante Controller, optionally sample rate converts them and transmits them on the MADI output. The unit accepts eight stereo AES3 inputs and places them on the Dante network, replacing 16 of the selected MADI input channels. The unit also sends eight stereo AES3 outputs which can be sourced from the Dante channels, in blocks of 16. Combined with the existing AVN-DIO10 SDI-to-Dante embedder/de-embedder, the pair of products allow bidirectional conversion between SDI, MADI, AES and Dante.Forusers that don’t need to convert MADI, the AVN-DIO19 Dante-to-AES3 16-channel I/O converter is a subset of the AVN-DIO20, converting up to eight digital stereo AES3 inputs and eight digital stereo AES3 outputs to and from the Dante network. The AVN-DIO20 accepts MADI signals from either a compatible SFP module or the coaxial BNC input. The input can be selected via the built-in web GUI or, by default, it will use an SFP module if it is inserted into the unit. The coaxial BNC output is disabled while the SFP is in use. There is also an additional automatic failover mode which, when selected, allows for automatic switching to the BNC input when the SFP signal is lost, providing glitch-free audio redundancy.
Sonifex debuts AVN-DIO20 Dante-to-MADI converter
PRODUCTS AVN-DIO20
sharp pictures, even when the camera is in motion or when the zoom angle changes. Covering a wide 72.5° horizontal FoV and with plug-and-play USB, the camera is compliant with most video production and streaming applications, including Zoom, Skype, WebEx, Teams, Google Meet, Wowza, YouTube, OBS and Wirecast. Available in black or white, it can be positioned upright or inverted to suit individual needs.
3G MediaMatrix
www.mylumens.com
WITH SCION, MediaMatrix has introduced a third-generation media and controlTranslatedprocessor.asa“shoot”, SCION represents the evolution of the Peavey Commercial Audio (PCA) brand to symbolise organic growth as a tree with branches growing as companion control and I/O products forming to shape a rich ecosystem known as the “S” series. The descendant of the MediaMatrix NION platform, SCION incorporates ADi’s SHARC DSP architecture to provide a scalable, configurable and flexible media and control processing system. At the core of the MediaMatrix “S” series ecosystem is the native AES67 sNET protocol that can deliver up to 512x512 networked audio channels from a single device. The SCION frame can be configured from an entry-level device to a fully featured one with optional hardware modules. Sharing common elements of NION promotes backwards compatibility and convergence, for design system upgrades and a seamless migration path with NWare 3.0’s dual-compiler tool, enabling SCION and NION nodes to coexist in the same project. NIO cardbased I/O is also compatible with SCION. Under the same brand, PCA has developed the sDAB series of break-in/ break-out, rackmountable, networkable digital audio bridges for expanding audio I/O from sDAB to sDAB, or from the MediaMatrix family of DSPs. The sDAB pre-configured models support eight-in x eight-out, 16-in and 16-out, in addition to special-order 16-in x 16-out and 32out configurations. The sDAB features balanced mic/line level inputs operating within a –60dBu to +24dBu level range with software-switchable +48V phantom on each input together with balanced line-level outputs providing up +24dBu increase. Each audio I/O connection features 3.81mm Phoenix/Euroblock connectors, each with individual plus (+), minus (–) and ground (G). The devices support Dante and AES67 audio-over-IP, with control and monitoring via the nWare software suite. The integrated web UI promotes sDAB-tosDAB audio routing and distribution, together with control and monitoring from the standalone web server browser pages. In addition to being Dante Domain Manager-ready, dual RJ45 network jacks promote streaming audio and control over Ethernet. For monitoring and visibility, RGB front-panel LEDs provide metering and streaming status at a sample rate of 44.1kHz, 48kHz or 96kHz at 32-bit A/D and D/A conversion (AES67 at 48kHz). All sDAB models feature a 25-pin GPIO D connector for digital and dry contact closure
WAVES AUDIO has begun shipping the Waves Nx Virtual Studio Collection, a plugin bundle giving users virtual access to the acoustics and monitoring systems of worldfamous mixing rooms, on any pair of stereo headphones.TheNxVirtual Studio Collection brings together acoustic models of multiple world-class studios to help engineers get perspective as they cross-check mixes in trustworthy acoustic reference environments.
AMADEUS HAS released a native macOS version of its immersive sound processor solution, HOLOPHONIX, optimised specifically for macOS 10.15 and subsequent versions and Intel 64/ARM processors. The platform offers 128 audio inputs and 16 audio outputs together with all of the current features continued within the original hardware. Primarily intended for composers, artists and Native software offers an “almost unlimited” number of spatialisation busses and virtual sources – the only limitation being the number of physical output channels, which are limited to 16. Every parameter of the HOLOPHONIX processor parameter can be controlled via the Open Sound Control (OSC) protocol. In addition, a virtual audio driver called HOLOPHONIX Bridge is available, allowing inter-application routing without additional latency, and therefore a direct connection with almost all DAWs. www.amadeuslab.com platform branches processing Waves brings users into worldfamous HOLOPHONIXstudiosupdated for macOS 10.15
PRODUCTS 94 PRO AVL ASIA September–October 2022 LC100
Each Nx plugin comes with several monitoring systems from the original studios, emulating the acoustic response of studio classics –including NS10s and high-end Ocean Way and Exigy monitors – for a total of four studios and 12 stereo and surround monitoring systems.Nxuses channel crosstalk, interaural delays (ITD), filters (ILD), early reflections and head motion tracking to replicate the immersive experience of hearing audio in the real world. All these are coupled with precision measurements of the actual studios, to deliver a three-dimensional representation of the original acoustic experiences.
MultichanneloutAV
LUMENS’ LC100 CaptureVision Station is an AV processor that mixes, streams and records a variety of sources for lecture capture, event production, legal recording and training. The LC100 is a two-channel device that accepts feeds from virtually any camera source (HDMI, SDI, USB or IP). Its audio inputs (including XLR) promote fast integration with installed microphones and sound systems for live switching, capture and streaming at a cost-effective price point.
www.waves.com
Barco has also extended its ClickShare solution for wireless presentation and conferencing with digital signage capabilities. Meeting room displays connected to ClickShare can be adopted as corporate branding tools by distributing digital signage messages. The first digital signage integrations have been adopted by ClickShare alliance partners Signagelive, Seenspire and Korbyt.Digital signage messages can be distributed across a range of ClickShare devices located in a facility, without having to add hardware. Users can publish and push content from a preferred digital signage platform to all meeting rooms equipped with ClickShare Conference or ClickShare Present and other locations in the workplace. Once activated, ClickShare is enabled from the XMS cloud management platform.
reporters quick
VIOSO HAS introduced the latest version of its projection software, VIOSO 6. The standout enhancements of the update include support for a wide variety of different screens, from widescreen panoramas, full domes and simulation setups to complex projection mappings. Based on VIOSO’s patented auto-alignment technology, the platform is said to provide everything that a systems integrator needs to create perfect
Barco’s aim is TruePix
Imperfections in the flatness of the walls and level of the floors can cause mechanical stress in the frames of the tiles, but this is countered by an auto-balancing system that ensures the LED wall is 100% level and frictionless. In addition, the installation time is also reduced as the tiles slide into place without requiring manual adjustments. The guided module insertion reportedly ensures a fully contactless installation, with no risk of tile damage. Barco is offering batch-compatible modules should a module need to be replaced for up to 10 years. The cloud-based videowall management suite allows remote monitoring, diagnosis and control of a TruePix installation remotely. As the first LED product to leverage 5GB bandwidth, the LED platform also comes with an embedded four-way inter-tile communication and signal loop redundancy to further promote an uninterrupted data flow.
95 SOUND DEVICES has introduced the Reporter Plugin for its MixPre-3, MixPre-6, MixPre-3 II and MixPre-6 II devices. With the SD card and loaded onto multiple MixPres to save time. The engineer will lock the MixPre into Reporter Mode by pressing and holding remains in Reporter Mode until unlocked, even TWO MAJOR feature advances form part of Brompton Technology’s Tessera v3.4 software release. Extended Bit Depth unlocks higher PWM bit depth output with a free firmware update for all existing and new panels fitted with the Brompton R2 or R2+ receiver card. Up to 3.3 additional bits of precision improves low-brightness performance, reducing visual artefacts and bringing out additional detail and nuance in dark areas of the image. This increase in dynamic range is said to offer a significant boost in performance for ICVFX and other LED on-camera applications. With Extended Bit Depth, users can also reproduce HDR content up to 10 times darker than previously possible, without compromising peak brightness for HDR highlights. When configured for use on camera with a shutter angle of 180°, calibrated measurements confirm that a typical 2,160nits panel using Extended Bit Depth and Dark Magic can render brightness levels as low as 0.00024 nits, just 0.000011% of the peak brightness. It does not reduce the peak brightness, so HDR highlights can still be displayed to their full potential, resulting in a contrast ratio of over 9,000,000:1 and over 23 stops of dynamic range. Stacking, which is available on Tessera SX40 and S8 processors, allows multiple processors in a setup to be controlled together in unison. Any setting adjustment made on the leading processor will be automatically applied to all the others in the stack, saving users time as they don’t need to apply adjustments to each processor individually. It is also possible to customise which parameters will be synchronised across the stack, giving flexibility to suit a wide variety of applications, including both backup (failover) processors and control of large LED volumes. www.bromptontech.com
Additionally, an array of calibration cameras is supported within the software to aid in the realisation of “all sorts of projects”. The in-depth functionality includes a full toolset for dealing with multi-projection setups, including colour corrections, black level compensation, geometry conversion and scattering compensation. One-click recalibration makes the maintenance of such systems controllable.
Sound Devices gives and easy recording capability
PRODUCTS VIOSO 6 aids complex multiprojector setups
CREATED AS a purpose-built videowall for a variety of applications including control rooms, television studios, lobbies, boardrooms, auditoriums and corporate settings, Barco has launched the TruePix LED platform. The high-resolution 16:9 tiles are available in multiple options, with pixel pitches ranging from 0.9–1.9mm. Incorporating a unique mounting technology, TruePix is the first product to use Barco’s Infinipix Gen2 image processing system, reportedly ensuring no visual distortions, low latency, perfect sync and noInfinipixtearing.Gen2 promotes dimming without any loss in colour accuracy. The proprietary smart calibration method for wide colour gamut support in addition to full colour balancing control will reportedly create rich and trueto-life images. An EcoPower mode promotes reduced energy consumption. An important aspect for control room environments, the SteadyView feature reduces eye fatigue, making TruePix one of the first purpose-built LED walls for critical applications.
Brompton releases Tessera v3.4 software
Enhancing presentations, advanced real-time video processing capabilities include seamless switching on all layers, advanced borders, alpha channel support, Luma and Chroma keying, custom output formats and areas of interest (AOI). In addition, audio can also be de-embedded from the video sources and re-embedded on the physical video outputs for transmission to a display or recording device. An option is also available to add support for 32 channels of Dante audio networking. The inclusion of RTMP-based livestreaming promotes the streaming of any input or output to an online web service. An HTML5-based user interface promotes ease of setup and control of multiscreen presentations. For fixed installations, the Alta 4K series offers TCP/IP control, AMX and Crestron drivers and the VideoCompositor solution for easy incorporation of Alta 4K video composition into a Crestron touchscreen application.AnalogWay has also made available a version 3.4 software release for its Picturall series of media servers. With the download, features include support for NDI live video streaming (input and output), advanced audio features, synchronised layer timecode over the network and enhanced show and server synchronisation for backup. www.analogway.com
DESIGNED FOR medium- and largescale live events and permanent LED videowall installations, Analog Way has developed the Alta 4K series of multiscreen and multilayer 4K60 presentation switchers and videowall processors. Positioned between the Midra 4K series and the LivePremier 4K/8K systems, the Alta 4K presentation switchers combine 4K60 10-bit 4:4:4 image processing, HDR support, ultra-low latency, 4K connectivity, livestreaming capabilities and ease-of-use functionality. Currently comprising two products, the Zenith 100 and Zenith 200 presentation switchers fulfil demanding requirements within live corporate meetings, hybrid events, worship productions and large-scale 24/7 LED videowall installations. Incorporating a dedicated multiviewer output to control all connected sources in addition to programme and preview screens, the Alta 4K switchers offer up to 16 inputs with 4K connectivity (HDMI 2.0, DP 1.2 and 12G-SDI) and up to six independent 4K60 outputs. The video outputs of the Alta 4K series can be configured as single screens, edgeblended widescreens or scaled auxiliary outputs, with each screen composed of a live background with native resolution and up to eight live layers. Based on the French manufacturer’s fifth-generation scaling engine and an FPGA-based hardware platform, the Alta 4K series features HDCP 2.2 compatibility, advanced colour correction with custom external 3D LUTs and real-time SDR/HDR conversion and mixing, in addition to high frame rate processing at up to 144Hz.
ATEN releases secure KVM switches
Analog Way climbs to new heights with Alta 4K family of live production switchers
ATEN HAS introduced a range of secure KVM switches tailor-made to meet the stringent security standards certified by the National Information Assurance Partnership (NIAP). The PSD PP v4.0 Secure KVM Switch series is intended for use in sensitive applications that demand isolation between different network enclaves, such as government, military, healthcare and banking.
BLACKMAGIC DESIGN has introduced a new family of ATEM Constellation HD live production switchers. The new models are a 1 M/E model with 10 3G SDI inputs, a 2 M/E model with 20 3G SDI inputs and a 4 M/E model with 40 3G SDI inputs. All models include full standards conversion on every SDI input, four ATEM advanced chroma keyers per M/E row, a DVE per M/E row, media players and a larger media pool. They are intended as a professional upgrade for ATEM Mini customers who need to expand or for large broadcasters who want to upgrade their studios to get a modern switcher.TheATEM Constellation HD switchers feature a compact rackmount design with a built-in control panel allowing for operation of the switcher during setup or for emergency use. Also included is a large LCD so users can see programme output and change switcher settings via onscreen menus. The compact design is ideal for portable live production, with the rear of the switcher including the connections for 3G-SDI inputs, 3G-SDI aux outputs, balanced audio and Ethernet for control. The top 4 M/E model includes RS-422 for serial control and MADI digital audio connections. The built-in multiview lets users monitor multiple sources on a single monitor, while a wide range of broadcast-quality native transitions are included, such as mix, dip and wipe. Built-in talkback supports a five-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industrystandard talkback systems, such as Clear-Com or RTS. With a built-in Fairlight audio mixer, the ATEM Constellation makes complex live sound mixing possible. The internal mixer has up to 156 input channels, with audio deembedded from all the SDI video inputs and passed to the audio mixer. For news or virtual set work, the device also features advanced keyers for highquality chroma or luminance keying. The SDI inputs will also handle embedded audio and mix audio from all video inputs. In addition, the programme outputs include talkback, tally and camera control information, which means users can connect any of the switcher SDI outputs back to the camera for programme return, camera control and talkback. www.blackmagicdesign.com
A total of 32 variants in the series are scheduled to be released in succession, with options including two-, four- and eightport models, and different video interfaces including DisplayPort, HDMI, DVI and single/ dual displays. All share the same capabilities in terms of video quality – up to 3840x2160 at 60Hz – and include strict audio filtration to protect against audio leakage, administrative configuration of keyboard/mouse port filtering to reject specific USB HID devices, secure port switching via pushbutton and Remote Port Selector (RPS) and LED indication to alert any unauthorised connection to USB HID devices. www.aten.com
PRODUCTS 96 PRO AVL ASIA September–October 2022 Alta 4K
AJA
AJA HAS extended its line of H.264 streaming and recording devices with the HELO Plus, designed to help video professionals achieve a higher production value with greater cost efficiency and a smaller equipment footprint. Dual streaming outputs allow users to create assets with different parameter settings per output (bit rate, GOP length, frame rate, picture geometry, b-frame cadence, etc.) and feed each into one of two destinations, in order to create assets with different parameter settings from a single input or layered graphics abilities. HELO Plus users can also select either of the encoders to drive USB, SD card or NAS recording, and can include the output of the graphics layout compositions. Additional features include SRT support, improved scheduling options and device operation, and group control for triggered start/stop operations with Ki Pro Ultra 12G.
streamlines workflow
September–October 2022 PRO AVL ASIA 97
The OG-FiDO-2T-12G and OG-FiDO-T-12G-ST are openGear-compatible 12G-SDI to fibre conversion solutions. The OG-FiDO-2T-12G is a dual-channel 12G-SDI to fibre transmitter that supports conversion of two independent channels of baseband 12G-SDI to LC fibre for simple transport of signals up to 10km. The OG-FiDO-T-12G-ST supports single-channel 12G-SDI to fibre conversion, enabling the transport of a single 12G-SDI baseband signal over ST fibre for remote or longdistance workflows. Both new models support HDR video, feature industry-wide compatibility with certified openGear products and support Ross DashBoard software for remote control andThemonitoring.FS44K/UltraHD and multichannel HD frame synchroniser and up/down/cross converter has received a v3.0 firmware update. Improvements include the ability to configure the HDR components of the SDI output VPID on a channel-by-channel basis – vital for improved VPID management –and new HDR test patterns. FS4 v3.0 also increases the frame buffering depth from six to 20 frames, offers enhanced ancillary data management and features improved overall usability.Inbrief, Bridge Live v1.13 introduces new multichannel synchronous transport for SDI backhaul or cloud contribution, enabling separate UltraHD or HD channels to be transmitted and received in sync; and Diskover Media Edition v2.0 includes plugins for the Telestream GLIM remote media player, helping creative professionals quickly preview media files in high resolution with colour accuracy via any web browser, and for the Telestream Vantage media processing platform to simplify media transcoding and generate proxy files and deliverable packages. The update also adds security enhancements to safeguard assets and streamline file searches.
www.aja.comHELO Plus OG-FiDO-2T-12G and OG-FiDO-T-12G-ST
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conferencing to smaller BroadcastworkplacesPix combats today’s hybrid world CaptureCast connects remote and hybrid learning Marshall reveals next-gen monitors PRODUCTS 98 PRO AVL ASIA September–October 2022 MeetingPix V-702W
DESCRIBED AS a ground-breaking multi-input, multi-room recording and livestreaming technology to drive active participation and experience for remote and hybrid learning, NewTek has launched CaptureCast – IP-based lecture capture and micro-broadcasting services that connect any room on-campus or any meeting room in a business to anywhere in the world using NDI. CaptureCast harnesses the power of NDI by connecting camera apps on mobile, software screen capture and thousands of compatible devices like PTZ cameras. Using NDI, CaptureCast also incorporates direct connection with video communication applications, including Microsoft Teams and Zoom. The platform allows remote learners to access content in real time and rewatch and review on-demand.
The automation inside CaptureCast records any live devices, such as cameras, mics, tablets and document cameras, offering HD video out to enable remote learners to interact with video content more dynamically. Furthermore, the platform takes any live capture and instantaneously replicates it across education and streaming platforms to empower remote learners to switch between viewpoints, cameras or screens to completely personalise and take control of their learning experience and interact with content as if they were in the room – live or on-demand.
www.newtek.com
PTZOptics brings MIDI control to PTZ cameras
BROADCAST PIX has unveiled two softwarebased, multi-format, resolution-independent and hybrid video production systems. MeetingPix has been designed for small- to medium-sized government and corporate settings, offering all the tools required for comprehensive meeting coverage with the ease-of-use required by volunteer operators. MeetingPix connects to PoE robotic cameras, like RoboPix and includes GuestPix, enabling remote participants to be integrated into the production. Sophisticated graphics, full automation and configurable UIs complete the package.
Four beam-steering microphones focus on voices within the room, exclusion zones Mode that keeps in-room participants in view. For the single presenter such as a teacher, the Follow-me Mode frames dynamically frames and follows their movement. For a final setup, the VB-S can be configured with the Bose Work Configuration software. Allowing users to manage their devices remotely, the software provides device status and control of critical functions for a single device or all the networked enterprise-wide devices. Device
The 22-input GX Hybrid is a comprehensive, integrated production software solution and comes with a further eight channels of clips and graphics, six assignable outputs, 2TB of server storage and built-in streaming, recording and audio mixing. Suitable for local sports coverage or remote productions, the GX Hybrid, like all Broadcast Pix products, includes Remote Commander, which enables multiple remote-control surfaces and UIs to control a single switcher core, so the technical director could be in New York, graphics operator in Florida and camera operator in Boston, all connected via
DESIGNED TO bring conferencing capabilities to meeting booths, huddle spaces and rooms up to 9m2 in size, Bose Professional has released the Videobar VB-S USB conferencing device. Like the original Videobar VB1, Videobar VB-S operates across key unified communications platforms, including Microsoft Teams, Zoom and Google Meet.
IN A joint project, PTZOptics and the MIDI Association are bringing fully configurable MIDI control to PTZOptics’ line of robotic cameras. Affecting the manufacturer’s PT12X-SDI/NDI, PT20X-SDI/NDI and PT30X-SDI/NDI cameras, PTZOptics has rolled out direct MIDI control to its current camera line via a free firmware update. Users can map camera commands including setting presets, call, pan, tilt, zoom in, zoom out, speed up and slow down to available keys on any MIDI device. Once configured, the MIDI controller can steer and control the PTZ camera from anywhere in the world via the web MIDI API. www.ptzoptics.com
Bose delivers full audio video
DESIGNED TO support remote broadcasts, Marshall Electronics has developed a series of professional monitors, including the V-702W/ V-702W-12G, ML-702 and ML-503 models. Also available as a 12G-compatible model (V-702W-12G), the V-702W is a dual 7-inch LCD monitor that can be adapted for fly-packs, control rooms, routing rooms and other video system applications. Distinguished by looping video inputs, the V-702W comprises standard power and tally connections. The 3U 5-inch monitors adopt a slim design and feature two 1920x1200 colour displays that incorporate HDMI and 3G-SDI digital inputs with active loop-through. Features include waveform and vector displays, peaking filter, selectable markers and 1:1 pixel mapping, over scan and H/V delay modes and a log/HDR side-by-side comparison. The LED three-colour tally indicators and headphone jack promote audio deembedding and monitoring from the front panel.Alsomeasuring 5 inches or 3U in height, the ML-702 dual is 7-inch monitor with multiple input types and an integral tilt mount. In addition to AV inputs, the LCD display features 3G-SDI and HDMI inputs with active looping outputs. Created for fly-packs, control rooms and news vans, the ML-503 triple 5-inch monitor is a lower height version (2U or 3.5 inches) of the ML-702 offering front panel access to all the control functions. www.marshall-usa.com
DESIGNED FOR temporary outdoor use, the Hydro Profile features sealed metal casings to ensure that the light source, electronics and internal mechanisms are protected from dust, dirt and airborne particles. Capable of producing 25,000 lumens, the flagship Hydro Profile combines a 660W LED engine. Its beam can be manipulated using a four-blade rotatable framing system, alongside motorised zoom (6–45°), focus and iris, together with two frost filters. A CMY colour mixing system, combined with a variable CTO flag and six-slot replaceable colour wheel, provides designers with an extensive colour selection. Two gobo wheels, two rotating prisms (six-facet circular and five-facet linear) and an animation wheel provide a variety of aerial effects and surface patternOfferingprojections.acompact and more budgetconscious IP65-rated spot solution, the Hydro Spot 1 features a 200W cool white LED engine. Capable of producing 25,000 lumens, beam shaping tools include a motorised zoom (for a beam angle of 11–22°), motorised focus, two frost filters (light and heavy), two rotating prisms (six-facet circular and five-facet linear), six rotating and replaceable gobos and two colourCapablewheels.ofproviding a 15,000-lumen output, the larger Hydro Spot 2 model is powered by a 320W cool white LED engine. Features include an animation wheel, motorised zoom (for a beam angle of 8–41°) and focus, two frost filters, CMY colour mixing, along with a variable CTO flag and independent colour wheel, two gobo wheels and two rotating prisms.
September–October 2022 PRO AVL ASIA 99
Cobra is Ayrton’s first IP65 laser sourced fixture. Designed for rendering a D65 white point that allows perfect colour reproduction, the manufacturer reports that Cobra is the only luminaire on the market capable of illuminating an object several kilometres away, with an output of 386,000 lux at 20m, a 38x zoom ratio and a zoom range of 0.6–23°. The unit provides continuous pan and tilt, a colour section and graphics that include 92 gobos, four prisms and XT-Focus, which permits the beam shape to be adjusted according to the operating distance.
ADJ’s Ultra LB18 is a linear LED wash lighting fixture. Featuring 18 10W five-in-one colourpossibilities, including white light with a colour temperature variable between 2,300K and 9,900K. The inclusion of a lime LED chip not only increases the palette of colours available from the fixture but also boosts the CRI of its white light output to in excess of 90. have designed the economical E Series to deliver on performance commercial-grade pixel controller, the A4-S two products – the E4-S, which supports up to 24 universes of LED pixel control across four outputs, and the E16-S, which supports up to 96 universes of LED pixel control across 16 outputs. Despite their compact size, the E Series controllers are powered by Advatek’s www.advateklights.com
AYRTON HAS unveiled two models in a new family of luminaires for stage lighting. Equipped with a 40W LED source with RGB+W additive colour synthesis, the Zonda 9 Wash and Zonda 9 FX fit into Ayrton’s Multi Sources 9 Series category. The Zonda 9 Wash is intended for stage lighting in its truest sense. A silent ventilation mode has been developed especially for this fixture to accommodate the quieter environment often required by stage lighting. The colour mixing of the sources is via concentric circles that can be controlled independently to adjust the size of the emitting surface and the luminaire’s power. A complete library of preprogrammed colours is accessible. The Zonda 9 FX is designed for a multitude of applications, borrowing from the main features of the Wash version and offering infinite continuous rotation on the pan and tilt axes. Individual control of each LED allows users to create 3D volumetric effects. This includes a high-definition liquid effect produced from between its main lenses to create complex graphic effects, known as LiquidEffect, which can be used alone or in combination with the main LED matrix. Both models share the same proprietary optical system comprising a 384mmdiameter dial of 37 lenses in PMMA, combined with 37 glass light guides with an output surface made of an optical micro-structure. The optical system can produce a light output of 25,000 lumens with a CRI of greater than 86. Endowed with a 50mm truncated transmitting lens with an optical surface equivalent to that of a 70mm round lens, the fixtures can produce an intensive beam with a zoom ratio of 14:1 and a wide zoom range of 4–56°.
www.ayrton.eu ADJ extends its Hydro power Pixel control on a budget Ayrton lights the stage PRODUCTS Hydro Spot 2 E4-S Vari-Lite builds a new Profile Zonda 9 Wash Cobra
CREATED TO bring natural light to theatrical productions with precision key lighting, Vari-Lite has developed the VL1600 Profile. The moving head profile luminaire integrates an exclusive Vari*frost adjustable frost system for seamless graduated frost that diffuses the entire beam The fixture includes a high CRI tunable white feature set targeting theatres, TV studios and productions, opera houses, music halls and performing arts centres. Initially integrated on the VL10 Beamwash, the VL*FX wheel has been updated on the VL1600 with animations designed to replicate natural lighting effects such as fire, water and earth tones. To simplify startup and minimise movement, the patented V*Track Calibration system calibrates pan and tilt on the fixture in less time. www.vari-lite.com
ELATION PROFESSIONAL has expanded its KL “Key Light” Series of LED Fresnel luminaires with the full-colour KL Fresnel 6 FC. It projects shades across the full colour spectrum and meets the strict standards of performance venues that are light critical and noise sensitive. Designed for any application requiring high output soft light with precise colour reproduction and adjustable colour temperature, the KL Fresnel 6 FC highlights performers or scenery onstage in a uniform wash of soft field light. Offering a wide array of colour from rich saturates to subtle pastels and dynamic white light, it is an ideal key and fill light source for situations requiring colour quality and can be matched with Elation’s KL Fresnel 8 FC. The KL Fresnel 6 FC comes with dynamic colour temperature adjustment and full colour control. It houses a 220W RGBMA LED engine calibrated at 6,5000K and produces up to 8,000 field lumens with a motorised zoom range of 10–32° for easy adjustment of beam size. For illumination that is more precise with less light spill, adjustable and removable eight-leaf barn doors allow for customised shaping of the beam. High CRI (92), TM30 (88) and TLCI (95) values mean that colour re-creation is reportedly accurate both to the eye and to the camera. As a flexible complement to any professional lighting system with customisable effects to accommodate a variety foraestheticofdesignrequirements,Fresnel 6FChasalsobeendesignedforwhisper-quietonstagerequirements.TheKLFresnel6FCcanadjustlightthat shifts away from pure white towards green or magenta through a green-magenta shift adjustment and a virtual gel library. Capable of matching the white balance for camera, users can easily shift the colour temperature without the use of ±green gels and filters. Additionally, the LED refresh rate can adjust up to 25kHz so there is no flickering when used with high-speed cameras. DMX controllable with full RDM support, the luminaire offers manual control for standalone operation when desired for instant control of zoom, intensity, colour temperature, green shift and other important settings. Display and dedicated dimming and control encoders are conveniently positioned on the bottom of the unit for unobstructed access. The KL Fresnel 6 FC is also available in a poleoperated model for pan, tilt and zoom manoeuvrability while avoiding having to access the fixture by climbing on a ladder. www.elationlighting.com
grandMA3
LIGHTING BRANDS
ArenaLED3 Strand
Last but not least, the software release takes the next step in futureproofing the lighting control system, reacting to the rising complexity of shows and increasing requirements in different market segments through a parameter upgrade for most of the grandMA3 devices. grandMA3 fullsize and light (including CRV versions) will get 8,192 more parameters, the parameters on the grandMA3 compact XT, compact and replay units will be doubled, and all grandMA3 onPC devices will get 4,096 parameters. www.malighting.com
ZerOS consoles PRODUCTS 100 PRO AVL ASIA September–October 2022 ArenaLED3
Strand and Zero 88 have upgraded the ZerOS console software and added integration with Strand Vision.Net, Color Kinetics KiNet and Philips Hue, making it easier for houses of worship and other settings to connect to other lighting systems in the facility with minimal infrastructure impact. The new update allows Strand and Zero 88 consoles running ZerOS to natively connect with other Signify lighting systems in the facility, ensuring multiple systems from a single manufacturer can work together.ZerOS7.12 includes the ability to accept input from a Strand Vision.Net control system via Ethernet. Users can press a button on Strand Vision.Net user interfaces such as touchscreens, control stations or the web-based Gateway-on-the-Go Interface to recall or adjust a cue on a ZerOS-based console without needing to interact with the console itself. Thanks to integration with Philips Hue, designers can also use Philips ZerOS 7.12 also includes support for Color Kinetics KiNet, ensuring users can control their architectural lighting systems with KiNet, but then connect the system to the console for control during certain applications. Designers can control Color Kinetics luminaires from the console when they need to, while retaining the remote maintenance capabilities and Interact Landmark integration that KiNet provides. www.zero88.comwww.strandlighting.com
Elation adds to KL Series software 1.7 brings workflow improvements efficiency to large with and Zero 88 update
deployments
GLP brings
FOR LARGE-SCALE events venues, GLP has unveiled the dynamic ArenaLED3, boasting 145lm/W efficiency and luminous flux of up to 73,500 lumens. The units can be clustered together, while the three lamp heads inside can be swivelled through 30°. The ArenaLED3 can be individually adapted and aligned according to requirements to ensure a permanently homogeneous light distribution. Several units can be interconnected in 2.5° steps and installed at an angle of 15°. The fixture is equipped with 5,700K white light LEDs and a colour version with RGB colour control is also available. Both come in two mechanical variants. Along with the ArenaLED3, the German manufacturer has cooperated with Zumtobel on the development of the Agilio series, which offers a high-quality white light LED source and high colour rendering. The multifunctional wash light is intended for flexible lighting tasks involving sensitive objects.Providing DMX over Powerline (DoP), the GLP DoP Converter UM system can transmit up to 10 DMX universes via a single power cable and is therefore able to provide a realistic alternative to standard wireless connections (WDMX, CRMX, etc.), which can be susceptible to interference when each requires a transmitter and receiver, and may otherwise be dependent on the inconsistencies of locally available radio networks.
MA LIGHTING has released software version 1.7 for the grandMA3, which includes improvements to workflows with presets, recipes and phasers. These include MAtricks in presets, a reworked preset editor, easier creation of recipes, faster programming of phasers and more intuitive timing and speed.Inaddition, there are several other features that have been implemented, such as XYZ programming, preview functionality and a DMX tester. Important menus like Backup and Patch have also been reworked for a faster and easier workflow.
September–October 2022 PRO AVL ASIA 101 SCAN TO REGISTER
“In many ways, this idea started with gaming,” notes Wargo. “Pervasive online worlds have existed in gaming for decades. These spaces enable players to interact with each other using avatars, but what we are seeing now is a shift towards more everyday experiences being offered in VR, such as general meetups, formal events and meetings.”
OUR PREVIOUS ARTICLE LOOKED AT HOW blockchain-inspired elements including non-fungible tokens (NFTs) could eventually merge in the so-called metaverse which, in the face of dying Web2 business models, companies like Facebook are pinning their future on. The metaverse is a virtual-reality world where people communicate, trade, play, learn and otherwise interact with each other. Unlike social Web2 platforms, where the user is the product, in Web3 the user can also be the decentralised owner and medium of exchange. Needless to say, audio and video technology are the primary drivers in this mixed-reality media world. The term “metaverse” is a loose designation that Sean Wargo, AVIXA senior director of market intelligence, describes as “a virtual manifestation of any real-world experience”. As the technology powering the metaverse continues to grow in capability, Facebook founder Mark Zuckerberg is just one big player going all-in, as he believes it will not only revolutionise the web but will also be a huge cog in the future digital economy. We’ve already witnessed a colossal surge of interest in and adoption of crypto and NFTs, and both are certain to merge in the metaverse. The aim for Facebook is to build a compelling virtual social world where users can freely interact and explore.
102 PRO AVL ASIA September–October 2022
This might still feel like a long way off, but surveys have found that, typically, just over half of workers believe that the metaverse could have a positive impact on hybrid work, while just under half are actively seeking an “office metaverse”.
Extended reality (XR) production is also a steppingstone along this path. “XR is a version of this, where the real world can be overlaid with components of a digital/virtual world to enhance or augment it in some way,” he continues. “This could be contact information for a person standing in front of them, or sales offers for a store nearby. One could imagine a situation where that XR information is a gateway that allows the person to shift into full metaverse VR to interact with a person, brand, event or whatever. One way to think of XR is as a teaser that hooks into the larger metaverse.” When it comes to the AV industry specifically, some obvious areas stand to benefit from this virtualised movement, the logical early sectors being venues and events. “These have already been looking for new ways to encourage audience engagement,” says Wargo. “Some are already experimenting in true VR, as we saw with virtual conferences during the pandemic. It’s a natural fit and evolution, particularly since the in-person business model was so disrupted. Retail is similar in that it is more and more an event industry as stores evolve into brand experiences, some of which can and will be fully virtual. Education and conferencing are next up, with virtual classrooms and meeting places as logical places for experimentation.”
So, while the metaverse hasn’t quite arrived yet, the time to take note is certainly here, and the dual worlds of visual production and meeting/collaboration feel like logical starting points for it to grow. Some of the major names in this sector also agree. Attempting to get out of the starting block in front of its competitors, XR specialist disguise recently launched a dedicated metaverse division to focus on these new opportunities, specifically noting that interested companies find it particularly challenging to navigate the technical elements needed to start building metaverse experiences.
“The opportunity set that has been highlighted for quite some time, but was amplified during the pandemic, was how few conference rooms had been equipped with effective videoconferencing solutions,” furthers Wargo. “What if we just bypass that and go right to a more virtual option? What makes the metaverse different from videoconferencing is the amount of investment and energy big tech companies are placing on developing the metaverse. This has moved the idea from a fringe, technical gadget to a mainstream conversation and part of a social connection.”
“We believe in connecting the physical with the virtual worlds, to create gateways to the metaverse,” explains disguise CEO, Fernando Küfer. “Through this, we will enable a world that fulfils essential human needs: to connect, to collaborate and to be included. The promise of the metaverse is to unleash a new wave of opportunities for every kind of creator.”
Heading into the metaverse BUSINESS: ANALYSIS
For businesses, the best time to consider how these future requirements may impact them is right now.
Some AV pros say that, for the time being, the metaverse is limited to specialist applications and verticals such as science, medical research and oil/gas exploration. However, recent trends seem to counteract that idea. Conferencing and collaboration are major parts of AV and there’s a natural potential here when it comes to its use in the metaverse. How long will it be before we are quite literally stepping into a virtual meeting room with a 3D representation of ourselves that can walk, talk and interact with both the virtual environment and other physical users?
In the second part of our blockchain and Web3 series, Simon Luckhurst examines the potential of the metaverse, a separate but often interlinked concept, for the AV industry
Introducing the Adamson Fletcher Machine, an audio rendering processor offering incredibly simple operation with highly efficient spatialization tools, with hardware models offering 32, 64, or 128 inputs and outputs. To learn more about the Adamson Fletcher Machine visit our website at DIVEwww.adamsonsystems.comINADAMSONFLETCHER MACHINE
LA7.16 i AMPLIFY DIFFERENTLY Think differently about how amplifiers should work: Explicitly designed for installation environments, LA7.16i is a multitasker with 16 output channels, each able to produce 1300w at 8 ohms. Multi-Channel, Multi-Type, Multi-Time, Multi-Signal.
