Pro AVL Asia May–June 2025

DEFINING CINEMA AUDIO

Scan

Editor’s Letter

Themed Designing Future Society for Our Lives ( Saving Lives, Empowering Lives , Connecting Lives ) the Osaka Expo 2025 is underway, showcasing innovation, sustainability and global collaboration on Yumeshima Island from April to October. With the participation of more than 160 countries, Expo unites cultures, businesses and thinkers to explore world challenges including climate change and healthcare. This is an ideal platform for the audiovisual industry, with leading international brands collaborating in the construction of around 80 pavilions including immersive exhibits to provide cutting-edge technology that showcases the best of our industry. We’re receiving regular news updates of what various brands

and companies are up to; if you’re involved, we’d love to hear about what you’re doing in Osaka. Meanwhile, welcome to our May–June 2025 issue, which spans the AV spectrum from corporate and government (Parliament of Victoria, p52; Indian banking, p66) to education (Singapore Polytechnic, p60) and hospitality (Sing Sing Theater Bangkok, p50; Rasa arts venue, p58; Grand Copthorne Singapore, p62) to our cover story, which goes behind the scenes of location recording and mixing with Indian Oscar-winning sound designer, Resul Pookutty (p56). Once again, there’s something for everyone, and we’re reminded of how far-reaching our industry has become. Hope you enjoy.

cmoss@proavl-asia.com

Richard Lawn General manager rlawn@proavl-asia.com

Nick Smith Digital media manager nsmith@proavl-asia.com

Sue Gould Advertising director sgould@proavl-asia.com

Chris Yardley Video editor cyardley@proavl-asia.com

Carolyn Valliere Sales associate cvalliere@proavl-asia.com

Jack Stennulat Digital content creator jstennulat@proavl-asia.com

Simon Luckhurst Senior reporter sluckhurst@proavl-asia.com

Adrian Baker Production manager abaker@proavl-asia.com

Karen Wallace Editorial coordinator kwallace@proavl-asia.com

Marne Mittelmann Circulation manager circulation@proavl-asia.com

Bea Meikle News editor bmeikle@proavl-asia.com

Sue Su Guangzhou manager ssu@proavl-asia.com

Hibino acquires majority of Spectrum Audio Visual

Hibino Corporation has agreed to acquire a 75% stake in Singaporean AV consultant Spectrum Audio Visual for SG$5.53m. Established in 1999, Spectrum is headquartered in Singapore and boasts offices across Asia to cater to its global client base. The company represents various manufacturers and offers a wide spectrum of solutions including conferencing tools, audio systems,

interactive displays, digital signage and live video streaming solutions.

At the end of the fiscal year 2024, Spectrum reported total revenue of $26.54m, with total assets of $195.34m, net income of $1.37m and total common equity of $6.44m.

Spectrum said it believes the partnership with the Japanese AV specialist will strengthen the company’s financial

Powersoft partners with Cohesion

Powersoft has announced its partnership with Cohesion, a professional sound reinforcement design and manufacturing enterprise within the Clair Global Group. Under the Cohesion name, Powersoft will become a key technological partner, providing amplification and processing technologies for touring sound and venue installation applications worldwide.

The partnership will serve as the foundation for the development of new technology. It has already seen the development of a new, customised amplification platform using Powersoft’s Unica technology at its core, created by engineers from both companies.

“I am thrilled to be a part of this new strategic agreement with Cohesion,” said Luca Lastrucci, CEO of Powersoft. “This agreement positions us as a reference technological partner for the development and supply of high-performance

our leadership in the touring segment through a prestigious global partner.”

Cohesion designs and manufactures audio technology products, contributing to a growing ecosystem within the live event production and installed sound system landscape. The partnership with Powersoft aims to enhance this ecosystem, providing Cohesion with access to new avenues for delivering audio solutions.

foundation, operational capacity and regional reach. “Hibino has achieved consistent growth for three consecutive years, with FY2024 projected revenue exceeding $500m+ and an ordinary profit of $35m+,” said Spectrum. “The company operates in the exact same audiovisual business sector as we do, ensuring alignment in expertise, solutions and industry focus. With this strong financial

foundation, we are now even better positioned to serve our clients across Asia Pacific and undertake multiple large-scale projects.”

Led by managing director Vincent Chua, the Singaporean company noted that its leadership and team will remain unchanged. The company also highlighted further benefits customers and partners can expect from the alliance, including expanded expertise in AV solutions, including stadiums, arenas, musical theatres, theme parks, broadcast studios and enterprise solutions and streamlined AV deployment across APAC, with operations in Japan, Korea, Hong Kong, Australia, USA, Netherlands, Singapore, Malaysia, Indonesia and Sri Lanka.

www.hibino.co.jp/english www.spectrum.com.sg

Shure wins product counterfeiting case

Shure has teamed up with two other audio equipment manufacturers to launch coordinated action against a counterfeit operation in China. The network was engaging in the large-scale and export of counterfeit products, including microphones, headphones and amplifiers. The company first received information

The Guangdong Province Public Security Bureau (PSB), China’s police force in the province, launched simultaneous raids against the targets, seizing counterfeit products onsite at several locations in August 2023. The PSB investigated the trading company at the heart of the network and, through careful forensics, discovered records showing more than US$1.7m in sales of counterfeit products from various international brands, including nearly $900,000 of counterfeit Shure products.

Jeff Rocha, president of Clair Global’s product division and managing director of Cohesion, commented: “We’re excited to take live sound performance to the next level. With Powersoft and Cohesion as powerful technology partners, we will redefine the standards of the industry while enriching our offerings. We have a responsibility to meet or exceed the needs of our customers and building this lasting collaboration ensures that we continue to do so.”

www.cohesionaudio.com

exporting counterfeit audio products to Southeast Asia, operating over 80 separate online stores selling to customers in Vietnam, Thailand, Indonesia, Malaysia and the Philippines. Working through IP services business Rouse and its partner firm Lusheng, Shure and the other two audio equipment manufacturers launched action against the network.

In December last year, the case concluded with seven suspects sentenced to imprisonment ranging from 2–4.5 years and fines totalling $1.1m. Shure and one other participating brand also concluded settlement agreements with the suspects for considerable compensation.

“We are grateful to China’s PSB, prosecutors and courts for showing determination to fight these counterfeit crimes,” remarked Eric McAlpine, Shure’s vice president and chief legal officer. “Counterfeit products hurt everyone, including customers and authorised retailers, and we will continue to protect our brand from these illegal activities. Shure has been in business for 100 years and we want our customers to experience the quality of a genuine Shure product.”

Shure recommends customers only purchase Shure products through authorised retailers.

www.shure.com

WORLD CHINA

Signing of the deal between Spectrum and Hibino

Counterfeit products seized by the police

Powersoft’s Luca Lastrucci

Jeff Rocha of Cohesion

Hibino visiting Spectrum’s Singapore office

Vision One and Media Vision showcase L-ISA

Hosted by Joe Media Vision and Joe Eight Day, the JoJoe Showcase EP#2 made history as Thailand’s first event to feature a full-system L-Acoustics L-ISA immersive sound experience. The event was the product of a collaboration between the manufacturer and its official distributor for the region, Vision One, with equipment and systems installation prepared by Thai rental house Media Vision.

Vision One’s exhibition booth showcased the L-Acoustics Syva system alongside models including K3 cabinets, Soka colinear sources, SB10i subwoofers and 5XT coaxial units. Attendees also benefitted from live demonstrations of Riedel’s Bolero wireless intercom system and Ecler loudspeakers.

The seminar highlighted the capabilities of L-ISA technology, featuring a full setup comprising five frontal scene stacks of eight K3 cabinets, two stacks of eight Kara II as extensions, with two hangs of four KS28 subs for the low end. This was complemented by two stacks of seven A15 Focus and one A15 Wide hang for surround sound. Capturing the audience’s attention, the demonstrations showcased localisation with an acapella band, separation with Thai classical music and live mixing with a DJ.

In the evening, over 800 guests were delighted by entertainment from an in-house live band and a performance from the renowned First Ponchita YouTube cover band. Guests were also treated

to food and drinks while experiencing the L-ISA immersive sound technology.

Pete Thitipattakul, business development manager at Vision One, remarked on the event: “Experiencing is better than speaking – we proudly participated in JoJoe Showcase EP#2 to demonstrate the power of L-ISA immersive sound technology. As Thailand’s first full-system L-ISA

ROE Visual is celebrating the success of its recent ROE Connect event which brought together partners and collaborators from around the world, transforming its new headquarters into a hub of connection and inspiration. Over two days, attendees were able to explore the company’s history, discover its latest advancements and forge new relationships. The event began with a warm welcome from Grace Kuo, sales director at ROE Visual, who reflected on the company’s journey and the partnerships that fuelled its growth. CEO Jason Lu followed with a vision for the future, highlighting the power of teamwork and the company’s design philosophy, “Less is More”, which drives product development.

Additional presentations from Tucker Downs (R&D manager), Glory Gao (product director) and

events such as festivals, award shows and gala dinners.

The system has already been deployed for the Miharo Central Lakes Polyfest in Queenstown, which featured a ground-stacked setup of six VTX A8 mid-highs and three B18 subwoofers per side.

Strawberry Sound general manager Mark O’Neill cited the system’s scalability as a key advantage. “The system can be split into several smaller systems for intimate gatherings or combined into a bigger system for large-scale productions, all while maintaining the versatility and reliability our clients have come to expect,” he said.

O’Neill also commented on its sonic clarity: “The top end is incredibly smooth, with remarkable detail, ensuring that every note, word and sound is heard exactly as intended – without the harshness that some other systems may produce. Whether it’s a live performance, corporate event or outdoor festival, we’re proud to offer our clients the very best in professional audio solutions.”

event, we believe it will elevate industry standards for live sound and immersive audio – all made possible with the great support of Media Vision and the L-Acoustics team.”

www.l-acoustics.com

www.mediavision1994.com

www.visionone.co.th/proav.html

in the entertainment industry, working across

The audio system is powered by two Crown VRack touring amplifier racks, each equipped with the 4-channel Crown I-Tech 4x3500HD.

Christian Cmimny followed, offering insight into ROE Visual’s upcoming technologies. Attendees gathered for a networking lunch, using the opportunity to connect beyond business, share experiences and strengthen relationships. Later, during the factory tour, guests witnessed the engineering behind ROE Visual’s manufacturing process. While the event was centred around showcasing the company’s capabilities, attendees were able to step away from work to simply enjoy time together.

“I am truly moved by this experience,” Kuo remarked. “We will continue striving to provide our customers with the highest quality products and services.”

www.roevisual.com

Configuration and control of the entire system is managed by the latest Venue Synthesis 3D modelling software and JBL Performance Manager, with the ArrayLink mobile companion app helping technicians deploy systems onsite. The purchase was facilitated through local distributor JPRO. “Their support and expertise have been invaluable throughout this process and we deeply value our long-standing relationship with the JPRO team,” said O’Neill. “Collaborating with such a trusted partner has made this addition to our inventory seamless and rewarding and we’re excited about the possibilities it opens up for the future.”

Following the acquisition, the team received JBL VTX training with Tim Robertson, JPRO’s JBL accredited VTX Trainer. The training covered system design principles, hands-on rigging, configuration and software optimisation. “We’re proud to be a part of Strawberry’s journey as they expand their inventory with the world-class JBL VTX A8 line array,” commented Robertson. “We’re committed to providing the best solutions and support to help our customers succeed.”

pro.harman.com

Strawberry Sound has upgraded its audio arsenal with a JBL VTX A Series line array system, joining a growing number of companies in the region to do so.

Celebrating its 40th year in business this year, the production company provides services to top peformers and promoters

Fully Digital Delegate Unit

HCS-4895D

Unlock Flexibility Elevate

Efficiency

Stable and Crystal-clear Audio

Fully digital audio transmission and a "daisy-chain" connection ensure seamless performance

Sleek and Intuitive Design

By inheriting the sleek DNA from TAIDEN wireless system and keeping its 4.3 inch touchscreen, the unit fits perfectly into every meeting room and allows for free coupling with the wireless system invested

Configurable Unit Roles

Through license authorization, this unit can be configured as chairman or dual delegate unit, with optional Sl and voting functions

Customizable Button Layout

With dual contactless lC card slots and customizable functional buttons, this unit efficiently caters to users'

HCS-5390 Series Digital IR Wireless Conference Unit

Lightware opens Hong Kong experience centre

CHINA

Lightware Visual Engineering recently held an opening ceremony to commemorate the launch of its experience centre in Hong Kong. Seventy people from 50 companies attended, including systems integrators, AV consultants and end user’s clients, as well as Lightware representatives.

The launch of the facility aligns with the company’s global expansion plans and aims to foster growth in China. The centre serves as an education hub for the brand’s customers in Greater China, offering tailored sessions on Lightware products.

Situated in the Lai Chi Kok neighbourhood of Kowloon, the experience centre features a full auto control meeting room, as well as a showroom with multiple demo stations for the brand’s latest technologies. This space will mainly be used for in-person training sessions, product demonstrations, proof of concepts for Lightware clients and technical forums on hot industry topics.

“This experience centre is a highly beneficial investment for the company,” remarked Sam Ng, regional director –Greater China, Lightware. “Located in Hong Kong, the facility will be the face

of our business operations in the region, offering a regional hub for our clients in China, as well as providing a space for training sessions.”

Lightware representatives present at the launch gave talks to commemorate the opening of the centre. Lorand Gal, chief operation officer at the brand’s

Hungary HQ, shared the company’s vision and mission, as well as its core values. Siegfried Herman, president of global sales, spoke about the manufacturer’s market focus, target clients and how it plans to expand its global presence. Furthermore, Ng spoke about the company’s business development in the Greater China region over the past year and its plan for the near future.

Lastly, special guest Zoltan Paldi, trade commissioner from the Consulate General of Hungary in Hong Kong, congratulated the office opening and shared insights on how the governments in mainland China, Hong Kong and Hungary can cooperate, as well as the Hungarian government’s foreign policy which is helping companies such as Lightware to develop in the Asia markets.

“It was great to be part of the grand opening of Lightware’s new office in Hong Kong,” commented Paldi. “The location is easy to access and the office also doubles as a showroom where clients from all over the Greater China region can get first-hand experience of the latest solutions and innovations Lightware has to offer. A visit is highly recommended.”

www.lightware.com

Harman hosts APAC tour summit

Harman Professional recently held its second tour summit at the W Sentosa in Singapore. The event welcomed over 100 attendees from distributors, audiovisual and lighting rental companies, event management companies, AV consultants and performance venues.

The two-day summit focused primarily on the touring and performance market in APAC. There were various product overviews

including George Georgallis, director for performance audio, Hugo Larin, senior business development director for Flux:: and Bjorn VanMunster, senior business development manager for Flux::.

The sound setup featured a frontal system comprising five arrays of five boxes of JBL VTX A8 loudspeakers, complemented by six VTX B28 subwoofers. To provide sound localisation for audience members near the

Surround coverage was achieved with eight arrays of three VTX A6 speakers.

Power was courtesy of Crown iTech-HD amplifiers and the audio routed through two BSS Soundweb BLU-806 units. Additionally, a zactrack system was integrated into the overall processing, allowing for automatic tracking of presenters onstage. This system synchronised the audio and the Martin Professional lighting fixtures, with the aim of enhancing both

The summit showcased a variety of deployment scenarios for immersive experiences ranging from digital art installations, dance festivals and gathering spaces for speeches and relaxation to regional soundscapes inspired by the Spanish and Indian culture. On the second evening, guests enjoyed a live music performance by local band, Reverie, delivered through the immersive line array setup that was mixed in Flux:: SPAT Revolution.

Harman took the opportunity to introduce its MiRA analyser software to the APAC region. Other new products making their APAC debut were the Martin MAC Aura XIP Raven, JBL PRX925 2-way 15-inch loudspeaker, JBL PRX935 3-way 15-inch loudspeaker and two new models of flyable subwoofers from the JBL SRX900 series.

“The 2nd HarmanTour Summit generated a lot of positive feedback from all attendees who experienced the live demonstrations of our state-of-the-art products and technologies,” remarked Amar Subash, VP and GM, Harman Professional APAC. “Our JBL and Flux:: demonstration has proven that we can deliver truly immersive experiences for live events and fixed installations. We certainly expect to see the adoption of Harman tour products continue to grow in 2025.”

ACT-848 / ACT-747

UHF Digital / Analog Wideband Wireless System

72 MHz wide bandwidth allows more interference-free operation. Industry’s only full-color VFD display for bright, clear viewing in day/night.

7 preset groups with 224 pre-saved channels.

Optional Dante digital network interface.

New transmitters can be powered by two AA alkaline or a Li-ion battery and conveniently recharged via type-C.

NBT Thailand adds Calrec Summa to newsroom

One of Thailand’s prominent national broadcasters, NBT Channel 11, has invested in the country’s first Calrec Summa audio mixing console, provided by the manufacturer’s master distributor for Southeast Asia, JAA Systems.

Advance Digital Tech Group (ADT), Calrec’s official distributor in Thailand, facilitated the installation, which included a 32-fader Summa desk paired with three Br.IO stageboxes.

The audio upgrade is part of a larger refurbishment project for Studio 3, which serves as NBT Channel 11’s primary news studio. The investment aims to elevate the delivery of highquality, real-time news production with enhanced clarity, flexibility and control.

The Summa console features an intuitive touchscreen interface, Bluefin2 DSP technology and offers integration into complex broadcast environments. The system is ideally suited for the broadcaster’s dynamic production needs with its various routing capabilities and scalable I/O.

Genelec gets immersive in Japan and Korea

Genelec recently staged a series of workshops on immersive audio for engineers and creatives at the company’s experience centres in Tokyo and Seoul. Organised in conjunction with the manufacturer’s Japanese team and South Korean distributor Sama Sound, the sessions were presented by Genelec’s Berlin-based immersive audio expert Eric Horstmann.

The Seoul sessions included six workshops presented over two days, focusing on demystifying immersive music production,

creator community and delved into immersive music workflow and the process of designing an immersive mix room. Both workshops concluded with the step-by-step creation of a Dolby Atmos mix from a stereo reference provided by 6Studio.

“As immersive audio becomes more and more mainstream, the thirst for knowledge from customers is growing significantly,” remarked Horstmann. “While the G Learning Lab section of our Genelec website contains a wide range of online training materials for

monitoring solutions can support the customer’s workflow.

In Tokyo, Horstmann joined forces with Avid’s Daniel Lovell to host two presentations on immersive postproduction. These sessions provided comprehensive customer training on everything from the basic production knowledge required for Dolby Atmos mixing, to the latest production techniques using Pro Tools. Horstmann presented two workshops the following day in association with Tokyo-based music production group 6Studio. These sessions were aimed at 6Studio’s music

like these. They allow groups of engaged customers to experience immersive audio in a critical listening environment, explore the technology and workflows up close and ask questions directly.”

Horstmann concluded by thanking the Genelec team in Japan and Sama Sound for their hard work and hospitality. “It’s been a terrific experience and I’m looking forward to returning for more training sessions in the APAC region soon,” he said.

www.genelec.com

More and more broadcasters in Thailand are choosing Calrec consoles as their preferred broadcast audio mixer, thanks to their superb sound quality, flexibility and reliability. We look forward to seeing Calrec continue to raise the standard for broadcast audio in the region.”

Supat Sirithamrat, managing director of ADT, added: “We are honoured to work with NBT Channel 11 on this important upgrade.

The Calrec Summa provides them with an incredibly flexible and powerful platform that will streamline their audio workflows and meet the demands of today’s broadcasting environment. Our team is committed to ensuring a smooth transition and providing long-term support.”

www.advancedigitaltech.com www.calrec.com

www.jaasys.com

Dante Certification Training launched at BFA

Audinate has signed a Memorandum of Understanding to integrate Dante Certified Training into the curriculum of Beijing Film Academy’s (BFA) Sound School department. The agreement has seen the formation of a Dante Certified Training Center at the BFA campus to expand education of IP-based audio and video systems and applications.

Through the new training centre, the Chinese film industry will offer a comprehensive series of training opportunities for Dante AVoIP technology and cloud-based applications to expand students’ knowledge and prepare them for future career opportunities.

Founded in 1950, BFA is reportedly the largest film academy in Asia and serves as China’s premiere educational film production academy. The establishment has developed a multilevel, multidisciplinary cultivation system that embraces the full spectrum of filmmaking, with disciplines including production, creation and research.

The opening of the Sound School’s Comprehensive Media Lab was attended by over 50 teachers and students. Party

secretary and deputy dean of BFA’s Sound School, Zheng Jiaqing, attended the certification ceremony, while Yang Jie, a teacher at the Sound School, demonstrated how Dante’s technology aims to simplify and improve the efficiency of the production process.

“Dante is already used in our daily courses and production systems and it’s widely used in our industry as well,” said Jie. “It makes the signal transmission in different studios and recording and production much easier. Learning the Dante networking system will help our students expand their skills and be more focused on their creative ideas and the production content.”

Fifteen certified Dante trainers from around China took part in a two-day “train the trainers” event at the new centre where they discussed creating a consistent curriculum and ways to improve training to make it more impactful for students.

Audinate said it is planning a series of courses in Dante-certified training centres across the region, which will be announced soon.

www.audinate.com

“Calrec’s Summa mixer is a world-class solution for broadcasters aiming to enhance operational efficiency and audio quality,”

commented David Chan, CEO of JAA Systems. “We are proud to support NBT Channel 11 through our Thai distribution partner, ADT.

NO COMPROMISE ON SOUND

 Available with high-quality HICON and NEUTRIK XLR connectors

 Highly professional studio microphone cable

 Extremely low capacitance due to HD-PP wire insulation

 Carbon-coated class 6 copper (OFC 99.9999 %)

 Double shielding

reference cable CARBOKAB | 46 pF

SOMMER CABLE based in Straubenhardt/Germany was founded in 1999 and is now one of the leading suppliers of professional high-quality cable and connection technology with a focus on the audio, video, broadcast, studio and media technology sectors. The product range including the in-house brands HICON, CARDINAL DVM and SYSBOXX covers cable bulkware, connectors, connection cables, individually adaptable distribution systems and electronics.

A B2B shop with over 25,000 products is available 24/7.

Sound.com invests in Klang Concept Associates opens new Selangor HQ

Celebrating its 20th anniversary this year, Malaysian distributor Concept Associates has announced the grand opening of its new office in Selangor. The company commemorated the milestone with an event featuring product showcases, networking opportunities, entertainment performances and a ribbon-cutting ceremony.

Sound.com has invested in DMI-Klang cards to accompany its fleet of DiGiCo consoles and also the Klang:konductor system, for use with its extensive range of other consoles. Founded in 1998, Sound.com is owned by Warren D’souza who is renowned for his mixing skills and for nurturing a young and skilled

Founded in 2005, Concept Associates has established itself as a trusted distributor and reseller for globally renowned brands, including AVer, Clear-Com, Gravity, JBL Entertainment, LD Systems, Neutrik, Nexo, Powersoft, Q-SYS, Quest, Shure, Spartan and Yamaha. The company said that the opening of the new location in Budiman Business Park ushers in a new era of growth for the business.

“This special moment marks a significant milestone in our journey, made possible by the unwavering support of our incredible team members, colleagues and partners,” remarked Andy Tan, Concept Associates founder. “Our new office is more than just a workplace – it serves as a dynamic space for demonstrations, training sessions and live events. We look forward to welcoming you and sharing this exciting new chapter with you.”

The distributor said it welcomes all partners and clients to visit its new office to explore the company’s audio, visual and lighting solutions.

According to Sound.com, there has been a demand in India for Klang systems, which have gained popularity among many international artists touring in the region, as well as for Bollywood music performances with Indian artists. Most recently, Academy Award winning instrumentalist and composer A R Rahman has been using the Klang:konductor system for his

Rahman is a composer responsible for many film soundtracks and Bollywood classics. Notably, he wrote the music for the film Slumdog and is responsible for the hit Jai Ho

Mark Thomas, long-time Sound.com employee and monitor engineer for Rahman, explained how the Klang system works well for the artist’s music: “Klang’s clarity in rendering spatial audio means that even complex mixes with many layers remain clean and intelligible. The spatial audio tools enable me to place each element in a mix with a heightened sense of direction and depth, crucially without muddling. This means that whether it’s intricate arrangements or the layering of different instruments, I can ensure that every sound feels like it’s coming from its own distinct position in space, creating a more dynamic and immersive monitoring experience.”

According to the monitor engineer, using Klang has enabled him to develop a deeper connection with the music, allowing a greater emotional impact to be achieved with his monitor mixes. He notes how Rahman’s

music carries a lot of emotional weight and Klang’s immersive sound feature helps him to enhance that impact: “The technology allows me to move sounds around the musicians’ or singers’ listening plane, creating more emotional highs and lows and helping the performer feel more connected to the music.”

Thomas also cited that he has found the Klang:kontroller to be the best interface for orchestras. For Bollywood bands, where musicians often play multiple instruments, he finds they are happier adding Klang:app to their existing iPads.

“There’s a huge demand for Klang, both cross-platform and also with higher channel counts, so that was a key reason to invest in Klang:konductor,” he said. “India is a major stop for touring acts, we’re really on the map now. Many of these artists are using Klang, so we’re seeing a big uptick in enquiries about it.”

Rahman has toured extensively this year, with a variety of work across vastly different venues, which can pose issues. Thomas notes how the ease of communication with Phil Kamp from the manufacturer’s team has helped him feel supported: “I have spoken to Phil many times. Sometimes I encounter questions about compatibility and he is always available to help me sort out little things like that. The Klang team are very supportive and the musicians have been very happy with the results so far.”

D’souza concluded by saying: “Our Klang:konductor and DMI-Klang solutions are both highly popular and effective and we share a fantastic relationship with the Klang team.”

www.klang.com www.online-sound.com

Analog Way hosts Asia Distributor and Partner Conference

Analog Way recently held its 2025 Asia Distributor and Partner Conference in Phuket, bringing together the manufacturer’s regional community. The event was attended by over 70 key partners from nine countries, strengthening the company’s network across Asia.

The conference focused on service excellence, local empowerment and continued business growth, with partners sharing insights, celebrating achievements and aligning on future goals.

“Asia is a strategic region for Analog Way,” said Eric Delmas, Analog Way CEO. “Our commitment there goes beyond our local teams – involving the full company, from R&D to global sales. We are fully dedicated to supporting our partners with the tools, services and responsiveness they need to keep up with the rapid growth demonstrated these past three years.”

Guy de Souza, vice president – Asia at Analog Way, remarked: “Our network has grown stronger each year. With solid distribution, five service centres and growing

trust in our solutions, this conference was about taking things to the next level –together.”

During the event, the company announced significant revenue growth in four key Asian markets. Furthermore, a new Service Level Agreement (SLA) was officially launched in Singapore, Hong Kong and Korea, offering one-to-one product replacement for the LivePremier series. The brand also reinforced its service promise with a 24-hour

response time for all service requests across the region.

Analog Way also revealed it has now certified around 300 trainers throughout Asia, with plans to certify an additional 350 within the year. According to the business, this growing pool of skilled professionals is part of a broader strategy to build local capability and provide expert-level support in every market.

www.analogway.com

MALAYSIA

THAILAND

KV2 announces the passing of George Krampera

KV2 Audio has announced the passing of its founder and industry pioneer George Krampera Sr. The company noted its sadness at the news, stating that Krampera Sr’s spirit is woven into the fabric of KV2 Audio.

A passionate audiophile, Krampera Sr dedicated his whole life to “making the world sound better”. Over his career, he travelled the globe, creating products and producing revenue streams for many big names in pro audio. After spending time in Canada and Italy, before eventually settling back in his homeland of the Czech Republic, the KV2

founder earned a reputation for his transducer designs in the history of modern audio.

He shared his skills, knowledge and technical prowess with his KV2 team, as well as many audio enthusiasts who travelled to meet him. Through KV2, Krampera Sr’s mission was to create a level of sound reproduction that honestly reproduces the original source, conveying the emotion of an artist’s performance and, most importantly to Krampera Sr, making people smile

Although semi-retired in recent years, he continued to visit the KV2 factory, spending time

www.kv2audio.com

Extron unveils Sydney Technology Centre

Technology Centre, which has been designed to offer hands-on training, live demonstrations

and expert support to AV professionals. Centrally located in North Sydney’s Victoria Cross district, the centre features a training room

Lawo and Comcon hold IP Technology Day

In collaboration with its Indian partner Comcon, Lawo recently hosted its IP Technology Day in Delhi and Mumbai. The event explored the manufacturer’s latest solutions for IP-based workflows, bringing together professionals from broadcasting, audio production and media infrastructure. “The overwhelming response to IP Technology Day in India reflects the growing demand for advanced IP-based solutions in broadcasting and media production,” said Boon Siong Tan, sales director, Southeast Asia, India and APAC for radio, Lawo.

Attendees benefited from live demonstrations of the mc²36 all-in-one live production console, including hands-on experience of the mixing desk’s integration into modern media infrastructures. Also showcased was the company’s IP video processing and transfer solutions powered by the microservice-based HOME Apps running on COTS servers, with a demo setup illustrating its remote collaboration capabilities in realworld broadcast applications. The event also presented case studies highlighting successful implementations.

Dot Productions chooses LD Systems

Hyderabad-based event production company Dot Productions has bolstered its audio inventory with LD Systems’ Maila compact line array system. The system was supplied by Soundvisionpro Marthandam, with Akash Deep overseeing the delivery.

and an experiential zone with the latest Extron technologies.

Casey Hall, chief marketing officer at Extron, said that the Sydney Technology Centre marks an important milestone in the development of the manufacturer’s capacity to meet the needs of its customers in Australia and other parts of the world. “We have designed a facility where industry professionals can not only see the latest products that we have to offer but also have the opportunity to receive the training and support they need to grow their business,” noted Hall. Situated within walking distance from the Victoria Cross Metro Station, the facility is conveniently connected to major business areas including Barangaroo and Martin Place. For those driving, there is a direct link to the CBD through the Sydney Harbour Tunnel.

www.extron.com

Comcon director Gaurav Aggarwal said: “India’s media landscape is rapidly evolving and innovations in production workflows with IP and fibre are at the heart of this transformation. Our partnership with Lawo enables us to bring

www.comcon.co.in www.lawo.com

Maila features a lightweight design, enabling easy setup and transportation and is suitable for use on a wide range of events, from corporate gatherings to large-scale live performances. Dot Productions’ purchase includes 12 Maila Sat passive array satellite speakers, two Spa power amplifiers and two Maila Sub units.

Dot Productions said it was looking for a system that was compact, powerful and capable of delivering optimum audio clarity. “Maila has exceeded our expectations, offering impressive sound output while being incredibly portable,” remarked Nitin Rijhwani, owner of Dot Productions.

“This investment allows us to take our events to the next level.”

Akash Deep of Soundvisionpro added: “LD Systems has created a truly innovative product that caters to professionals who need a combination of power and portability. Maila’s scalable configuration and high SPL ensure an outstanding audio experience, no matter the venue size.”

Nitesh Narayan of Stagemix Technologies, the official distributor of LD Systems in India, emphasised the growing demand for compact, high-performance audio solutions: “Dot Productions’ investment in Maila proves that the industry is shifting towards smarter, more flexible systems. This setup is designed to meet modern event demands, offering seamless deployment and outstanding sonic performance.”

www.dotproductions.in

www.ld-systems.com

www.stagemix.com

George Krampera

INDIA

The main training demonstration area

Tying the knot

Powersoft’s acquisition of K-array created waves, but the marriage between the innovative Tuscan pro audio manufacturers is one of mutual respect and a shared desire to grow together

Cohesion and others. Then, in February, the Scandicci-based company announced a 51% purchase of K-array share capital. With solutions that complement one another, the acquisition expands and strengthens both brands’ credentials as leading pro audio solutions providers.

As leaders in the fields of amplification, highperformance loudspeaker engineering, signal processing and transducers, both K-array and Powersoft will strengthen their positions with added innovations, efficiencies and uniquely designed audio systems. Rather than being financially motivated, the takeover was based on a mutual long-term respect for one another’s achievements. “Neither of us directly approached the other with this idea,” reveals Powersoft co-founder and managing director, Claudio Lastrucci. “We were looking at each other for several years but, like in a marriage, you find the right moment and make the proposal. The moment came, and we took it. Powersoft’s turnover has been healthy since we founded the company in 1995, so we were not pressured into making this acquisition by our investors. The overriding reason we acquired K-array owes more to the existing natural synergies.” K-array and Powersoft are similarly sized in terms of employees and have already been collaborating for the best part of three decades.

“We have shared the same electronics since the beginning, and we formed a strong friendship through our technologies,” adds K-array president and co-founder, Alessandro Tatini.

At ISE2023, K-array revealed its new roadmap for the AV market sector. Comprising the K-array, KGear and KScape brands, K-array Group was created to offer solutions for any AV space or application regardless of scale. According to Tatini, the company needed to consolidate its offering to assist integrators, consultants and architects in specifying products: “To develop unique technologies, you must design crazy electronics and transducers. Our marriage with Powersoft gives the potential for stronger synergies to

generate new business opportunities without compromising the current core business of either company.”

Following the creation of the group, a bright future with accelerated sales growth beckoned, but the alarm bells were ringing. “Massimo [Ferrati, co-founder] and I are a lot more familiar with engineering than company growth, mergers and acquisition,” confesses Tatini. “With this projected growth, we were facing a future that was unsustainable and required investment. This led to the appointment of Simone Pratesi as CFO to contact companies in our market that might be interested in investing.”

Having cast the net far and wide, Pratesi concluded that K-array’s ideal partner was based just 20 minutes away from its San Piero e Sieve

based here in Tuscany, we are in control of our manufacturing processes, which is vital when your brand is renowned for high quality and reliability.”

Forced to keep tight lipped prior to the acquisition announcement, Lastrucci was relieved when the news broke on the Italian stock exchange on 19 February:

“Everyone’s reaction seemed to mirror mine. It feels like being one big family working in the same direction together with an open willingness to share and go forwards. There are many commonalities and, by marrying the technologies and components from our respective electronics and electroacoustic domains, both brands will continue to manufacture innovative products.”

Tatini may be a Tuscan entrepreneur, but he is also as an expert grill chef who excels in entertaining customers and guests. However, he has no plans to fully retreat into the kitchen or other full-time leisure activities. “Retirement is not on my menu, because I’m having more fun now than ever before,” he says. “I sometimes laugh when others see Claudio and myself creating new prototypes, because we resemble kids in a toy store.”

www.k-array.com

www.powersoft.com

A handshake signs the deal: K-array co-founder Carlo Tatini (seated left) with Powersoft chairman Carlo Lastrucci (seated right)

L–R: K-array’s Alessandro Tatini with Powersoft’s Claudio Lastrucci

Beam steering

A game-changing solution for all venues

Revolutionising audio experiences with Renkus-Heinz’s beam-steering technology

WHEN IT COMES TO DELIVERING HIGHquality sound in challenging acoustic environments, beam-steering loudspeakers have become an essential tool – not just in houses of worship, where they’ve long been valued, but across a broad spectrum of venues including concert halls, educational institutions, transportation hubs and multipurpose entertainment spaces. Renkus-Heinz’s OmniBeam software algorithm is leading this transformation, offering a flexible, powerful and –most importantly – easy-to-deploy solution for precise and consistent audio coverage.

Common audio challenges in modern venues

Whether it’s a house of worship, university auditorium, airport terminal or a stadium, all venues face similar audio hurdles. Ensuring speech clarity and balanced sound distribution in acoustically complex environments is a daunting task. Hard surfaces, reflective architecture and varied audience locations can wreak havoc on intelligibility and consistency. Traditional loudspeakers and line arrays frequently underperform in these settings –directing sound where it’s not needed and failing to maintain even coverage.

The

beam-steering solution

Beam-steering technology – and particularly OmniBeam from Renkus-Heinz – directly addresses these challenges. Just like shining a

flashlight where it’s needed most, beam-steered loudspeakers can precisely aim audio to specific audience areas, minimising reverberation, feedback and uneven coverage.

By using multiple, individually amplified drivers and advanced digital signal processing, beam-steering technology controls the shape and direction of sound beams with incredible precision. And now, Renkus-Heinz’s OmniBeam software algorithm makes it incredibly easy to deploy. The result is clear, intelligible speech and immersive music across every seat in the house – no matter the venue layout.

A smart fit for every application

Houses of worship: with a proven reputation in this sector, Renkus-Heinz offers the ideal solution for reverberant sanctuaries where intelligibility is critical. OmniBeam ensures every word of a sermon is delivered clearly, without the distraction of echoes or dead zones.

Concert venues and theatres: beam steering ensures pristine sound from front row to balcony, eliminating the need for unsightly speaker clusters and preserving architectural beauty.

Multipurpose venues and auditoriums: for venues that regularly host diverse events – from lectures and performances to sports and exhibitions –beam steering offers the flexibility to adapt sound coverage to any layout or function with ease.

Educational institutions: in lecture halls and multi-use learning spaces, intelligible audio is key. A beam-steered system ensures that every student hears clearly, enhancing engagement and

Transportation hubs: in busy terminals and transit centres, announcements must cut through ambient noise with precision. Beam steering keeps messages clear and focused – reducing confusion and improving the passenger experience.

Themed attractions and stadiums: in large, open venues filled with obstacles, beam steering keeps the sound where it matters most – on the audience. From thrilling ride queues to sports crowds, the experience is immersive and powerful.

The OmniBeam advantage

What sets OmniBeam apart is not just its acoustic excellence, but its unmatched ease-of-use. Unlike traditional beam-steering systems that demand

deep technical expertise, OmniBeam makes configuration simple and intuitive.

With a single click of the “Snap to Audience” button, integrators can deliver uniform sound coverage tailored to the venue’s unique layout. Its smart algorithm calculates optimal beam settings automatically, saving huge amounts of time and eliminating guesswork.

Technicians can also make real-time adjustments using intuitive onscreen aiming tools, ensuring a seamless setup process whether in a church, airport, music hall or any other venue that requires premium, intelligible

Real-world results: from worship spaces to airports

The National Mosque of Malaysia in Kuala Lumpur is a case in point: since its construction in 1965, the mosque has seen several upgrades to its PA system, in both the indoor and outdoor prayer spaces, but has continued to struggle with poor intelligibility, inadequate coverage and a system that was difficult to manage. It wasn’t until the fourth and most recent refit using steerable loudspeakers from Renkus-Heinz and the brand’s innovative OmniBeam technology that the sound issues were fully resolved, all while respecting the mosque’s stringent heritage restrictions.

Indeed, similar success stories are emerging in venues, schools and airports around the world – wherever sound clarity and flexibility are paramount.

Conclusion

Beam-steering technology, epitomised by Renkus-Heinz’s OmniBeam, is not just a niche innovation – it’s a universal solution for modern audio challenges. From sacred spaces to stadiums, classrooms to concert halls, beam steering enhances the experience for every listener while simplifying the job for integrators and sound professionals.

With its advanced design, user-friendly interface and proven performance, OmniBeam is redefining what’s possible in sound reinforcement –ensuring that wherever people gather, they can hear and be heard with absolute clarity.

New role for Imagawa at TOA

TOA Corporation has announced that Daisuke Imagawa, who has led the company’s operations in the EMEA region, will return to Japan to take on his new role as deputy division manager of the solution sales division at TOA Corporation.

Previously, he served as general manager of EMEA business department and managing director of TOA Electronics Europe (TEE). During his tenure, he made significant contributions to expanding the brand’s presence and strengthening customer relationships throughout the locales. The company said that his extensive experience and leadership will further benefit TOA’s domestic sales division in Japan.

Imagawa is succeeded by Kosuke Tanaka, who commented: “TOA has a strong tradition of innovation and a customer-first approach. We will continue to evolve and adapt to the changing market, while maintaining our focus

on delivering the best possible solutions and service to our customers as we grow together.”

www.toa.eu

consultant role.

Waldorf has been with the manufacturer for six years, most recently serving as team leader finance, HR and administration. Berhorst boasts an over 16-year tenure with MA Lighting International, at the end as a head of product management before

R&D and IP rights. Schneider will take the role of speaker of the management, continuing to focus on manufacturing, service and purchasing. In addition, he will look at more strategic company-wide topics.

www.malighting.com

MICHAEL LASA REGIONAL DIRECTOR FOR EASTERN AUSTRALIA

JAPAN

Daisuke Imagawa

L–R: Rene Berhorst, Stephanie Waldorf, Gerhard Krude and Alexander Schneider

Granata to manage Meyer Sound sales in India

Andrea Granata, Meyer Sound sales manager for the Middle East and Africa, has expanded his role to now include India. Granata first joined the company at the end of 2021, taking on responsibility for supporting

and building the manufacturer’s dealer and distributor network in the MEA region. In his newly expanded role, Granata will now work to strengthen and support Meyer Sound’s partners in India. “I have had the

Patrick Hau joins dBTechnologies

opportunity of working in India in the past and it’s been exciting to come back and see how quickly the industry has developed and

The appointment is part of a strategic realignment at Meyer Sound, aiming to increase efficiency in supporting partners and customers around the world, ensuring the company is ready to face challenges in global markets over the coming years.

www.meyersound.com

Grass Valley appoints CEO

dBTechnologies has welcomed Patrick Hau as sales manager – SEA. Through the appointment, the company aims to solidify its relationships in the region and fortify its presence in strategically important markets.

Hau brings over 25 years of experience in the professional audio and pro AV industries. He possesses a wealth of expertise in sales, business development and market expansion, alongside leadership experience with renowned industry leaders across various countries. dBTechnologies said that these attributes ensure Hau is primed to drive the brand’s ascent in SEA’s vibrant, fast-paced

“Throughout my career, I have been exposed to and experienced dBTechnologies solutions and have a very positive impression of their products,” noted Hau. “I hope that with my experience and connections, I can contribute to dBTechnologies’ future success in the

Manuele Poli, dBTechnologies head of sales – APAC, said: “Southeast Asia is a market brimming with potential, where dBTechnologies has already established a strong reputation. Now, we are poised to take it to the next level. Patrick’s impressive skill set, combined with his positive outlook and unwavering principles, perfectly align with dBTechnologies’ ethos.”

www.dbtechnologies.com

Grass Valley has made a leadership transition, with Jon Wilson promoted to CEO while Louis Hernandez Jr will remain as executive chairman. The company has also appointed Claudio Szabas as executive vice president – customer success and Chris Partington as product director – content and editing.

Wilson, who previously served as president and chief operation officer, will lead Grass Valley into its next phase of growth as part of a strategic plan that has been in place since he was brought into the company in late 2023.

As CEO, he will lead the next phase of growth with a primary focus on delivering successful customer outcomes. “It is an honour and a privilege to lead Grass Valley. I am deeply grateful for the trust placed in me and excited by the opportunity to extend our recent success,” said Wilson. “Together with our leadership team, we will apply a relentless focus on strengthening customer relationships and driving operational excellence, all underpinned by industry-leading innovation.”

As EVP, Szabas will be responsible for designing and executing Grass Valley’s global customer success strategy. Working closely with the sales, product and

development teams, he will aim to ensure the seamless delivery of solutions and an enhanced customer experience, overseeing implementation, post-deployment support and ongoing customer satisfaction management.

development strategy for the manufacturer’s Framelight X media and production asset management system and Edius editing solution.

www.grassvalley.com

Jon Wilson

Epson has announced that

Epson welcomes new CEO Analog Way enhances WORLD

“Fourier Audio continues to fire on all pistons under the very capable direction of Pete as CEO,” said DiGiCo MD, Austin Freshwater. “Co-founder Gareth Owen, of course, remains onboard as CCO, while Elliot and Michael have both ‘levelled up’ to best accommodate the brand’s explosive

Evans’ main role will be to manage the day-to-day operations of the company, alongside developing relationships with plugin manufacturers across the industry. Meanwhile, Paterson will work closely with the engineering, support and sales teams to continue the

dynamic market,” noted Guy de Souza, vice president, Analog Way,

Tan will use her experience in customer service, after-sales support and sales management to oversee distribution and sales across SEA. A key responsibility will be to ensure strong channel partnerships and highquality service delivery.

“Candice’s deep understanding of the industry and her ability to build strong client relationships make her a fantastic addition to our team,” remarked Jez Lim, Analog Way’s head of sales, SEA.

Fourier Audio products. Bridgman commented: “To ensure that we’re

Junkichi Yoshida

Felix Chang Candice Tan

Pete Bridgman

DATAPATH

K-array introduces the next generation of Dragon and Firenze Series

Power, precision, and innovation define the latest evolution in professional sound.

The new KXT12P and KXT18P expand the Dragon Series with tri-axial technology, passive radiators, and precision-crafted metal enclosures—engineered for high output and uncompromising clarity.

Also debuting is the updated Dragon-KX12 MKI, available in two tailored versions:

– KX12 I, compact and elegant, designed for seamless integration

– KX12F I – Firenze Edition, featuring a rotatable waveguide for ultimate adaptability

Ideal for demanding applications such as clubs sports venues, and DJ monitoring, these systems set a new standard in performance and versatility. K-array. Redefining clarity at full power.

dBTechnologies expands in APAC Elation partners with

LSD

SINGAPORE

Elation has appointed Lighting & Sound Distribution (LSD) as its distributor of Elation and Obsidian products in Singapore. Established in 2001, LSD is a key player in the Southeast Asian entertainment and architectural markets, highly regarded for its product offering, customer service and after-sales support.

LSD has built a reputation in the region for its turnkey projects across a variety of sectors such as theatres, theme parks, night venues, hotels, shopping malls and cruise ships. In addition to its comprehensive product line, the distributor provides design, build and programming services, as well as educational workshops and training for the community.

“As the current market demands highquality outdoor fixtures for temporary and permanent installations, Elation’s Paragon and Proteus product lines are a perfect fit,” remarked Louis Teo, founder and managing director of LSD. “Now, customers in Singapore can access Elation products directly, with the added benefit of local support and expertise. We are always researching the best solutions for our clients and, with Elation and Obsidian, we are confident that we are offering the very best.”

Jonas Stenvinkel, international sales manager at Elation, said: “Having lived in Singapore for several years, it is a market that is close to my heart. I know there is great potential for Elation and Obsidian and look forward to working with LSD to strengthen our presence in the region. They are well-known for their great customer service and aftersales support and we are excited to collaborate with them to bring even more value to customers in Singapore.”

www.elationlighting.com

THAILAND/LAOS

With a particular focus on Thailand and Laos, dBTechnologies has signed a distribution partnership with Sound Vision. The agreement aims to enhance the development of sales and projects related to the dBTechnologies portfolio, especially the VIO series, while fostering a strategic alliance that will boost the brand’s footprint in these key markets.

Sound Vision is a leading figure in the distribution of professional audio products in both countries. Over the years, in collaboration with Ten Years After Audio, Sound Vision has established a reputation for providing consistent support and specialised solutions, underpinned by a skilled technical team and a commitment to the professional audio sector.

Manuele Poli, APAC head of sales at dBTechnologies, shared: “We are thrilled to welcome Sound Vision as our distribution partner. Their well-established network in both the installation and touring sectors, combined with their professional approach and deep understanding of market needs, positions them

this region. Thailand holds immense promise within Southeast Asia, and we look forward to seeing how this partnership will further elevate our position.”

The team at Sound Vision expressed their excitement following the announcement and their commitment to enhancing dBTechnologies’

company stated that it is committed to fostering a dynamic and collaborative relationship to reinforce the brand’s values within these local markets.

www.dbtechnologies.com

www.soundvisionpro.com

Nexo makes changes in China

CHINA

Nexo has announced a change to its distribution partnerships in the People’s Republic of China. Through the agreement, distribution of the French manufacturer’s products will be shared between three companies: Hertz Group in Guangzhou, Shanghai Haoyun Intelligent Technology Company and Hong Kong-based each of these companies has developed in the specific market sectors in which they operate,” remarked Nexo sales and marketing director Gareth Collyer.

He also said that as Nexo systems are prevalent in diverse applications such as touring, theatre, sports stadiums, hospitality and houses of worship, specialist representation is essential

Robe lighting has announced a change in its partnership with Australian distribution company Jands. Through the agreement, Robe’s product distribution in Australia and New Zealand will be managed by LSC Control Systems, while Jands will be responsible for the Czech manufacturer’s architectural lighting brand Anolis.

The move follows the company’s 2024 acquisition of the Melbourne-based power management solutions specialist. LSC was subsequently appointed as the Avolites distributor in the region following Robe’s acquisition of Avolites at the end of 2023.

Robe’s CEO Josef Valchar remarked: “It made strategic, logical and practical sense for

the brand as an industry standard in live music venues, clubs and hospitality venues in China,” commented Hertz Group managing director Ye Haidong. “Now we look forward to working even more closely with Nexo to bring our customers even higher levels of sales and technical support.”

www.cosmovision.com www.hertz-group.com www.nexo-sa.com

us to consolidate distribution of all Robe’s rental, staging, theatrical and music-oriented business and products in Australia and New Zealand into the one company that we own, aligning all of these harmoniously, both there in the region and with our overall global vision.”

Paul Mulholland, executive chairman at Jands, said that it has been “an honour to represent Robe for the past eight years and to witness the company’s remarkable growth and innovation inspired by Josef’s pioneering and thoughtful leadership”.

www.robe.cz

L–R: Nexo’s Joe White and Gareth Collyer with Shanghai Haoyun Intelligent Technology Company and Hertz Group

The Sound Vision team with dBTechnologies’ Manuele Poli (right)

The CosmoVision team

Active. Compact. Fierce.

The HDL 6-A is the ideal choice when line array performance is needed and a fast and easy set-up a must. A 1400 W 2-channel class-D amplifier powers the system. A powerful DSP processes the sound including crossover, phase correction, limiting and protection. The system features state-of-the-art RCF transducers – two powerful 6.0” woofers for a solid bass reproduction plus a high powered 1.7” voice coil compression driver mounted on a precise 100° x 10° waveguide delivers vocal clarity with high definition and an incredible dynamic. The HDL 12-AS is the ideal flyable bass complement for the HDL 6-A array system.

HDL 6-A

Allen & Heath appoints ACE

Allen & Heath has strengthened its presence in China with the appointment of Advanced Communication Equipment (ACE) as its distribution partner, managing the company’s complete product portfolio across the region. The UK manufacturer’s existing partner EZPro will now become the dedicated project premium installation partner for the country.

ACE has 43 years of experience as a pro audio supplier in the region. Through the agreement, it will manage the manufacturer’s portfolio in China, Macau, Hong Kong and Taiwan, leveraging its expertise in the broadcast, retail, entertainment, touring, theme parks and installation markets to grow the brand across these sectors.

Allen & Heath cited its appreciation for EZPro’s efforts over the past 12 years and said that its new partnership with the

distributor will enable both parties to focus on a sustained growth strategy for the brand in key dedicated installations across China.

“ACE offers unique experience in commercial, retail, touring and theme park sectors across China and has the capability to expand the brand’s reach in all these areas and beyond,” commented Allen & Heath’s sales director, Markus Sinsel. “This enables EZPro to focus on their strengths in dedicated installation. EZPro will use its wealth of experience and success in dedicated class-leading projects across China to expand our installation business for dedicated projects. We look forward to even greater growth and opportunity with this new focus.”

www.allen-heath.com en.acehk.com

Kfour Group takes on LD Systems’ Anny

Expanding its partnership with Kfour Group, LD Systems’ Anny 10 mobile Bluetooth PA speaker will now be available in Cambodia through the electronics retailer. The addition enhances Kfour Group’s portfolio which includes the manufacturer’s Maui, Stinger, Icoa and Curv 500 series.

“LD Systems has been one of the leading pro audio brands in Cambodia for over 10 years,” commented Bunarong Kit, executive director of Kfour Group. “With the column speakers, we have broken new ground and created previously nonexistent demand. The Anny series will also perfectly meet the growing demands

of our customers and offer innovative

Markus Jahnel, COO of Adam Hall Group, remarked: “Kfour is an experienced and trustworthy specialist retail partner that can optimally address the broad target group for the LD Systems Anny 10 in Cambodia. We look forward to seeing and hearing the Anny 10 in countless places in Cambodia soon – whether in the hands of musicians and event organisers or in schools, gyms and bars.”

www.adamhall.com

www.kfourgroup.com.kh www.ld-systems.com

CAMBODIA

Kfour Group welcomes Adam Hall’s Markus Jahnel and Alessio Foti

The ACE team at their Beijing office

ARX Systems has appointed Yupangco Electronics Corporation (YEC) as its distributor for the Philippines. The Manila-based company represents a variety of global brands such as Harman Professional Solutions, Audinate and Yamaha Music.

“YEC are one of the leading music, professional audio and related products customer and brand support is renowned

team has expressed their excitement about introducing our USB DI Series of interfaces, MSX series of signal distribution products and AudioBox series to their pro audio, installation and broadcast clients and market players in the Philippines industry.”

www.arx.com.au

Fulcrum Acoustic appoints UPS XTA/MC² and Viet KTV team up

Expanding its presence in Asia, Fulcrum Acoustic has joined forces with Universal Procurement Systems (UPS) in APAC. The agreement covers Bangladesh, Cambodia, Fiji, Laos, Malaysia, Nepal, Papua New Guinea, the Philippines, Samoa, Singapore, Sri Lanka and Vietnam. The distributor brings a proven track record of developing professional AV brands throughout the region. Fulcrum Acoustic believes that with UPS representing complementary product lines and leveraging its deep industry expertise, the company can strengthen its footprint across APAC.

“We see tremendous potential for professional

Val Gilbert, director of international sales, Fulcrum Acoustic. “As we gain traction, having the right partner is crucial. UPS aligns with our values and provides the expertise needed to develop the right solutions for these markets.”

UPS’s Christian Liebenberg added: “Fulcrum Acoustic’s innovative approach to loudspeaker and immersive technologies makes them an excellent fit for our growing pro audio portfolio. We look forward to introducing their solutions and expanding opportunities for both companies.”

www.fulcrum-acoustic.com

offers a broad portfolio of global AV brands as well as serving as an audio and video systems integrator for various projects across the country.

“Led by [director] Vu Phi Diep, the Viet KTV team comprises a group of highly motivated AV experts who have vast experience in supplying and advising clients, as well as carrying out their own wide-ranging projects using world-leading brands,” commented Richard Fleming, sales application and support manager of XTA/MC². “We are delighted to have such strong representation in this fast-growing emerging market.”

Diep added: “XTA/MC² has an excellent international reputation for manufacturing premium amplification technology which is used for a host of installed and touring applications on every scale. We look forward to sharing the advantages of these innovative and robust technologies with our clients and anticipate very strong interest from the Vietnam market.”

www.mc2-audio.co.uk

L–R: Vu Phi Diep of Viet KTV with Richard Fleming of XTA/MC²

The UPS team

Breaking the ice

What does your role at Altair involve?

As director of business development, I search worldwide for new clients, resellers or distributors in regions where we are not present. I also focus on new applications where Altair products can be used, with the aim of expanding into more verticals where we would like to be more active. As we are a small company, my time needs to be split to work across different fronts, including customer service, marketing, technical assessment and even graphic design.

How did you get into playing hockey?

I’ve been a skateboarder all my life. If you know anything about the sport, you’ll know how hard it is on your body. Rails, stairs and ramps are not the safest choice when you are over 30 years old. So, I started looking for a “safer” sport, which is how I got introduced to ice hockey and roller hockey. I’d been a fan of the NHL video game, and wondered if it was something I could also try out in real life. That was how I got started, although it is not the best choice as they both are still quite physically demanding.

Do you play in a team?

I am in the Pingüinos team for roller hockey, which is in the regional championship league in Madrid, and, on ice I play in the MadCats team which competes in friendly tournaments. There are dozens of teams and several tiers in Spain, including the national tiers, but the level of playing there is incredibly high.

After having my second son recently, I have not been able to train as much. Now, when I get the chance to play roller hockey, I help our weakest team in the third division. However, two years back, we won the second division, and the team moved up to the first tier in Madrid.

Francisco Herrería, director of business development at Altair Audio, talks to Bea Meikle about his passion for hockey, among many other hobbies

What do you enjoy most about the sport?

First of all, I find the attitude in hockey to be less toxic than in football for instance, although the sport is as tough, if not more, and equally competitive. I also like the fact that the teams in my current tier are mixed and we play with both men and women. Additionally, the speed and how technical hockey is makes it very addictive to me.

What other hobbies are you involved with?

Right now, my main hobbies are roller hockey and ice hockey. However, I have been involved in lots of other activities such as snowboarding, kayaking, football, music, reading, gaming, drawing and going out into nature. I think it is safe to say, I will not get bored when I retire!

Are you involved in other activities surrounding the sport?

Ice hockey is not one of the most popular sports in Spain; however, I did get the chance to live commentate at some games for our national league – that was a fun experience. I wish I could continue with that, but it takes a lot of time. As I am now a father to a seven-month-old baby and a toddler, I don’t have as much free time and have to prioritise.

Has your passion for hockey ever crossed paths with your job in audio?

SAD Majadahonda, the local team in Madrid, was using a very poor audio system at one of their games and therefore the sound quality was not the best. Adhering to their low budget, I found a new system for the rink which consisted of a small mixer, some dynamic mics with desktop mic stands, headsets and some cabling. I did try to create a commentator station for them but, due to their low budget, they weren’t able to go

ahead with that idea. They were very pleased with the setup anyway and I was happy to help them!

Why do you think it is important to have an outlet like this outside of work?

For me, physical activity offers an escape from my reality, both from work and daily obligations at home. Furthermore, throughout my life, I’ve found that playing sports has helped me to regulate stress and take care of my overall health. If I didn’t have hockey and the other hobbies in my life, I think I would have “succumbed” to stress by now.

Any standout moments?

Winning the league in our second-tier roller hockey game was a standout moment. We also won some amateur tournaments on ice last year which was equally amazing. One ice hockey tournament that I love to play is at Christmas time in Zagreb, Croatia. As my in-laws live in Zagreb, I try to play there whenever I get the chance.

Francisco Herrería

Herrería (far left back row) with his roller hockey team Pingüinos

Herrería playing for his ice hockey team MadCats

Francisco Herrería

NV SERIE S

Meet Your Newest Video Endpoint

Q-SYS NV series delivers high-quality, low-latency network video distribution for Q-SYS. The portfolio includes the NV-32-H multi-stream endpoint, NV-21-HU dual-channel endpoint, and the new NV-1-H-WE single-channel HDMI wallplate encoder, allowing designers to mix and match endpoints for optimized video distribution based on project needs. With intelligent bandwidth management through Q-SYS Shift ™, NV Series peripherals seamlessly integrate into your Q-SYS system no matter how large or complex, delivering no-code deployments and intelligent automation without additional management or control hardware.

Phone: +65 6029 8010

Email: apac.sales@qsc.com qsys.com/nv1

Infiled impresses Huanghua airport arrivals

The Huanghua International Airport, located in Changsha city in China, recently installed a series of indoor and outdoor Infiled LED screens. A key aviation hub in central China, Huanghua International Airport handled over 30 million passengers in 2024 and connects 16 countries across multiple continents.

The aim for the installation was to elevate the city’s image, promote local culture and enhance commercial advertising. Outside, the airport sought a curved display capable of displaying naked-eye 3D content. In turn, an LED screen from the manufacturer’s MV Series was installed on the green lawn in front of the VIP lounge, strategically positioned between Terminal 1 and Terminal 2. The display measures 18m x 6m (WxH) and features a 3.91mm pixel pitch and 7,500-nit ad

brightness for visibility in all lighting

Additionally, two screens from the QH Series have been installed inside Terminal 2 in the airport’s international services area to provide essential information to global travellers. The screens feature a 2mm pixel pitch and a

Throughout the project, Infiled provided tailored guidance, from product selection to installation. The team also played a key role in optimising performance and integrating the screens into the airport environment. According to the airport, the teams have enhanced communication and visual engagement, serving both functional and promotional purposes.

Thai Bakery serves Nexo Geo

Thai record label Bakery Music recent held a rock concert in Chiang Mai featuring performances from its artists like Moderndog, Pru and Flure, backed by a Nexo sound system. Now a subsidiary of Sony Music Entertainment Thailand, Bakery Music was founded in 1994, providing a platform for the region’s independent music

while side fill monitoring was taken care of by the Geo M12 paired with MSUB18 subwoofers. Amplification and processing were courtesy of NXAMP Powered TD Controllers.

“This concert promised a unique fusion of nostalgia and modernity, celebrating the golden era of Thai alternative rock with a state-of-the-art audio experience,”

Supplied by local distributor and concert sponsor Fuzion Far East, the main FOH system featured left and right hangs of 12 Geo S12 loudspeakers supplemented by RS18 subwoofers for the low end. Additionally, Geo M12 line arrays were used as front fills for the audience members closest to the stage.

The manufacturer’s P15 and PS15 R2 wedge monitors were deployed to deliver sound with precision coverage for the artists,

marketing manage Manatchaya Vanno. “From the opening act to the grand finale, every note, riff and lyric resonated perfectly, creating an immersive atmosphere that left the audience in awe. The exceptional sound quality was no accident; it was the result of meticulous planning and the deployment of top-tier equipment.”

www.fuzion.co.th

www.nexo-sa.com

CHINA

THAILAND

It’s a giant 4-channel leap for Powersoft

JAPAN

The Moon Cruise VR installation recently opened in Tokyo, featuring Powersoft’s Mover transducer and Quattrocanali and Duecanali amplifiers. The free-roaming, fixed-install experience offers visitors an immersive VR journey to the moon, a view of Earth from space and the opportunity to walk on the lunar surface and take photos.

The installation is located in a new space travel themed experience facility called Space Travelium TeNQ featuring permanent and special exhibits, as well as workshops.

STYLY was tasked with creating a VR experience for the project that simulates the universe, all within the existing architecture. “There are many event-style virtual reality environments, but nothing like this has been permanently installed on such a large scale,” noted Tsuyoshi Nomura, executive officer at STYLY, in charge of designing the experience.

Integrated by Audio Visual Communications, the installation simulates a rocket launch and a lunar exploration. “The rocket launch scene, powered by Powersoft Mover transducers and the Quattrocanali and Duecanali amplifiers, combines sound vibration and VR visuals for an unforgettable sensory experience,” explained Ken Yamada, deputy general manager, Audio Visual Communications.

Creating a convincing rocket launch experience in a confined and low-maintenance environment originally posed some challenges. Nomura noted

that traditional large-scale motion platforms were impractical due to their size, maintenance requirements and safety concerns: “It was necessary to take a different approach and we achieved both goals by designing new, easyto-maintain fixtures and combining them with Mover.”

Powersoft’s Mover has been designed to enable audiences to feel the sound through haptic perception by vibrating the surrounding environment, which the human body picks up, and through bone conduction, stimulates

the inner ear, translating the vibrations into perceivable frequencies. According to Yamada, the “Mover’s compact design, flexibility, ease of installation and impressive power” made it the ideal solution for this installation.

For the rocket launch, five Mover ID transducers are installed into bench seats, delivering vibrations replicating the low frequency from the BEC IC-120 speakers to create a cohesive audio-tactile effect. The transducers are powered by Quattrocanali 1204 DSP and Duecanali 804 DSP amplifiers, provided by Audiobrains. This

setup aims to provide a realistic rocket launch experience by combining audio and tactile feedback with virtual reality content to create an immersive journey to the moon.

Yamada noted that the ability to apply subharmonics with the Quattrocanali and Duecanali amplifiers allowed for the reproduction of the ultra-low frequencies, necessary for rocket reproduction, without the need for additional equipment.

www.powersoft.com

Torus powers sound at Goya

Situated in Vagator, Goa, Goya lounge and club has installed a Martin Audio sound system for use across the venue and to power live performances by DJs and musicians. Designed for an immersive nightlife experience, Goya blends highenergy entertainment with a luxurious atmosphere.

Goya required an audio system that could maintain pristine sound quality across different areas of the club. The client sought a solution that would elevate the experience for performances, providing deep bass, clear mids and detailed highs. Furthermore, it had to be able to integrate between dance areas and lounge spaces, preventing audio spillover while maintaining an immersive feel. With these considerations in mind, the installation team focused on delivering uniform coverage, ensuring that every corner of the venue resonated with high-fidelity sound. The venue’s main area was fitted with Martin Audio Torus T1215 constant curvature array loudspeakers. These are

complemented by CDD15 and CDD12 coaxial differential dispersion onwall speakers providing controlled coverage.

Powering the entire setup is the iK42 4-channel amplifier, along with the DX0.6 network system controller for sound processing. For additional reinforcement, compatible subwoofers were installed.

“The transformation in our venue’s sound is incredible,” noted Rajan, director at Goya. “From the dancefloor to the lounge, the clarity and impact are unmatched. The

new system has elevated the entire club experience and the response from our guests has been overwhelmingly positive.”

Abhimanyu Chopra, sound consultant at Chopra Designs which installed the system, said: “The installation at Goya perfectly balances power and precision, creating an immersive sound experience throughout the venue. The system delivers exceptional clarity and impact, ensuring that every performance and set sounds exactly as intended.”

The Martin Audio units were provided by local distributor VMT Enterprise, with pre-design and sales engineer Sai Prem commenting: “The system delivers an outstanding combination of clarity and power, ensuring an immersive experience throughout the venue. Every element has been fine-tuned to provide a balanced and dynamic sound that enhances both live performances and DJ sets.”

www.martin-audio.com www.vmt.in

Bentley Music drives Hard Rock Cafe Ipoh’s audio

Hard Rock establishments have found a natural home in Malaysia following the inception of its initial Kuala Lumpur outlet in 1991. From Penang to Kota Kinabalu, its brand appeal of music, memorabilia and burgers has spread. The latest to welcome curious locals and visitors adding pins to their collection is the northern city of Ipoh. Trading on rock roots, the two-level 410m 2 entertainment venue demanded professional audio to complement its brand values. Working closely with the Hard Rock Cafe team, specialised retail integrator Bentley Music was commissioned to oversee the AV fulfilment for the newest outlet. In turn, Bentley

Music requested specialist AV consultant Naga AV to design and install the professional audio and video requirements for the venue.

Hosting live performances each night, CY Chee, Naga AV technical director, highlights the low 3.5m ceiling height for his choice of front of house speakers in the downstairs dining area. As such, L-R ceiling-suspended QSC KW122 12-inch active enclosures combined with KS212C subwoofers provide ample SPLs for the ground-floor dining room.

“We had to minimise the audio input from the drums and percussion feeding into the Mackie DL325 32-channel wireless

digital audio mixer,” admited Chee. “This series of mixers is extremely intuitive, and we have added a pair of active SRM210 10-inch powered stage monitors from Mackie. Some of the live performances have proved to be extremely popular, so our client requested a streaming service to

The works included the fitting of an iSmart 1080 P60 HD PTZ camera for capturing stage performances. The HD signals are routed via Muxlab HDMI 4K over IP PoE transmitters and receivers to a Pro Digital network controller and a 16-port transceiver for broadcasting both internally

For stage lighting, a Theatre Light 8-way DMX splitter and a 2-universe DMX receiver operate the combination of ALS LED spots and effects. The networked audio, lighting and visual signals transmit seamlessly via D-Link 24-port smart pro gigabit POE switches and DAP-2610 wireless AC1300 access points.

In addition to the ground-floor dining room, the venue has been divided into four zones with a first-floor dining area, balcony seating and Rock Shop outlet. “From our previous projects, the QSC AD Series of ceiling- and wall-mounted loudspeakers consistently deliver even audio dispersion,” confirmed Chee, who was assisted by Mercoms systems engineer Albert Foo with the design. “Our modelling and EASE simulations confirmed that they would be the ideal loudspeaker solutions across all four zones of this venue.”

Powered by CX-Q 2K4 amplifiers, the QSC ceiling-mounted solution combines AD-C.SAT 2.75-inch satellites with AD-C.SUB 6.5-inch subwoofers. The Rock Shop differentiates itself with a pair of AC-C6T models amplified

by a 1⁄2-rack SPA2-60 2-channel model. Offering 24 local I/O channels across a 128x128 network, a QSC Core 110f-v2 processor fulfils all the venue’s DSP requirements. This inclusion provides simplified touchscreen iPad lighting and audio control with downloaded luminaires and Q-SYS apps.

Filling the gap between the Malaysian capital and the Batu Ferringhi location in Penang, Hard Rock Cafe Ipoh is rapidly making its mark. The outlet may be judged by the volumes of sold burgers and pins, but without the audiovisual solution conceived by Naga AV, the nightly show could not go on.

www.qsc.com

INDIA

MALAYSIA

A QSC ceiling speaker solution combines AD-C.SAT satellites with AD-C.SUB subwoofers

Give the pe ple what they want

Follow the crowd here

The NEW Quantum326 Pulse incorporates all of the new design features introduced with the Quantum338, and of course uses three large-scale seventh generation FPGAs to continue the unrivaled Quantum legacy. The console merges tried and tested workflows with immense processing muscle, bold innovation and all of the Quantum features, giving you the ultimate tool set that is

RiderFriendly | Compact | Fiercely Competitive

Main Features:

•156 Input Channels

•72 Aux / Sub-Group Busses

• LR/LCR/LCRS/ 5.1 Master Buss

• 24 x 24 Full Processing Matrix

• up to 330 Dynamic Equalizers

•48/96 kHz Sample Rate

•Theatre Specific Software

•Fourier Audio VST

JBL for 1118 AutoSpa

1118 AutoSpa has installed a JBL Professional sound system to enhance background music and public address systems in its full-service auto detailing shop. The installation at the auto dealing and car wash facility was carried out by Lyric Piano and Organ Corporation, which served as both the distributor and integrator on the project.

The company, which specialises in meticulous detailing and advanced paint protection techniques, sought an audio solution that would provide an immersive sound environment for customers while

facilitate effective communication among staff, while their compact design allows them to integrate discreetly into the workspace.

Control 18 C/T ceiling speakers have been installed in the lounge area to create a relaxing and inviting atmosphere for customers, integrating into the space’s interior design without being too obtrustive.

“The integration of JBL products into our facility enhances the experience we aim to create for our clients,” said Mico Del Rosario, general manager of

Systems engineer Merlino Neira Jr and project lead Andrian Lias of Lyric Piano and Organ Corporation cited the challenges posed by installing sound systems in a car wash environment, such as high humidity and water exposure. The team ultimately chose JBL Control 25-1 speakers for their IP-rated, weather-resistant design and strategically placed them to minimise direct water exposure and extreme temperatures while maximising sound coverage.

Every corner of the facility has been outfitted with the manufacturer’s audio technology. In the car wash area, Control 25-1 speakers helped to manage the challenges posed by high humidity and constant exposure to water. They are complemented by MTC-25WMG mounting hardware, providing consistent sound quality throughout the area.

In the Paint Protection Film (PPF) and detailing section, the Control 25-1 units

Whitehorse City Council has funded an investment of AUS$78m to replace its ageing Whitehorse Centre with a new complex, The Round, which features various performance spaces. As part of the upgrade, a d&b audiotechnik sound system was installed, provided by local distributor NAS Solutions.

and durability – both essential in our car wash environment. With these systems in place, both our team and customers can enjoy the improved audio experience. We highly recommend JBL products to anyone looking for a high-quality sound system.”

Amar Subash, VP and GM for Harman in APAC and India, said that the company is “committed to delivering innovative and reliable audio solutions that enhance experiences across diverse environments.

The integration of JBL Professional speakers at 1118 AutoSpa demonstrates how our technology can transform even a unique space like a car wash and detailing shop. By providing crystal-clear sound and unmatched durability, JBL solutions have elevated the customer experience while ensuring seamless operations for the 1118 AutoSpa team.”

www.jblpro.com

The versatile community centre caters to top-level touring acts, primary school dance groups and everything in between. It boasts a 626-seat theatre, 203-seat black box studio with retractable seating, a large public foyer, full function centre, creative spaces and an outdoor amphitheatre.

The orchestra lift/pit is a significant part of the theatre design and has implications for the loudspeaker system. When activated, the automated system occupies the first three rows of the seating area, accommodates up to 28 musicians plus a conductor, and can either sink 1,400mm below the seating area or 1,000mm above. The feature caters to one of the theatre’s principal use-cases, namely musical theatre.

When The Round isn’t staging pro or amateur musical theatre productions, it’s hosting predominantly amplified events –rock concerts, dance concerts, spoken presentations and more. Therefore, any PA in The Round required a high degree of uniform coverage and had to be able to accommodate the different modes depending on whether the orchestra pit was in play or not.

To combat these issues, a d&b Y-Series system was chosen for the space. The

Taiden enhances teaching at HZAU

Huazhong Agricultural University (HZAU) has upgraded 173 of its classrooms with Taiden’s digital infrared wireless classroom audio systems. The solution integrates wireless, hanging and wired microphones into an audio ecosystem that adapts to diverse teaching styles. The TES-5604N_W digital infrared wireless microphone – processed by the TES-5600RN/30 digital infrared receiver –

allows professors to move freely while retaining control over their presentations, thanks to tools like integrated laser pointers and push-to-talk functionality.

At the podium, the TES-5600CSML wired microphone combines voice capture with an adjustable gooseneck design and an integrated charging station. Each classroom also benefits from the TES-5675H hanging microphone.

solution comprises L-R arrays of four Y8 and two Y12 loudspeakers, each with two flown Y-Series cardioid subwoofers. The manufacturer’s 40D and 20D amplifiers provide the power and DSP. d&b 44S front fills are built flush into the stage and the stage extension, while eight Max2 units have been implemented as stage monitors. The system leverages d&b’s Array Processing, which matches the dispersion pattern of the PA to the dimensions of the room and takes care of the one-touch electronic reconfiguring of the PA when the orchestra pit or orchestra stage extension is deployed – keeping FOH sound away from sensitive orchestra microphones. By utilising Array Processing, The Round tech team doesn’t need manually handle and reconfigure the PA system.

The theatre’s technical supervisor, Cameron Canobie, commented: “The Y-Series has been a great choice. It is physically the right size for this venue and provides excellent tonality and control from front to back. In my measurements I’ve found only about a half dB difference from the centre of the auditorium to my mix position. This means we can mix with confidence, knowing we’re hearing what patrons are hearing, which is perfect from an audio engineering perspective. Performancewise, it’s exceptional and supports both the touring acts and the theatre’s needs.”

www.dbaudio.com www.nas.solutions

To provide consistent sound across all spaces, 374 line array speakers have been installed – including HCL-1200B_W and HCL-1090B_W models – across classrooms of various sizes. These units have been selected to improve gain before feedback and create optimal acoustic zones throughout the campus.

www.taiden.com

Ritsumeikan University chooses Genelec

Ritsumeikan University’s School of Film and Media Studies features multiple highspec facilities equipped with Genelec The Ones coaxial monitors and GLM calibration software. The school places a focus on immersive audio and hands-on learning and wanted to provide students with a professional-grade sound environment.

Regarded as one of Japan’s leading private institutions, the school recently relocated to the “Try Field” Building H, embracing an interdisciplinary philosophy, allowing students to explore sound design, game development and visual storytelling in an integrated setting. The facility boasts six advanced rooms, including an MA (Multi Audio) room, ADR dubbing suite and sound design studios, all designed to reflect the demands of modern audio production.

Professor Nobuhiko Matsukage, a highly acclaimed sound engineer and two-time

7.1.4 system comprising 8341 monitors with a

A key challenge posed was ensuring consistency across multiple rooms. Students frequently move between different workspaces, making it essential that each environment provides an accurate and uniform listening experience. As the university’s previous calibrations had been performed with screens raised, new calibrations were required with screens lowered to account for their influence on the acoustics.

According to Matsukage, the introduction of the GLM calibration software was instrumental in addressing these challenges: “The good thing about GLM is that it makes corrections to suit the room all at once. It saves you the trouble of trial and error in a limited time. Once you try GLM, there’s no going back.” Matsukage also cited how the new system enhances the Dolby Atmos experience. “To let students experience Atmos, we watched the battle scenes from Top Gun: Maverick here. You can hear that the sound resolution is overwhelmingly higher than in a movie theatre and the details of the sound are reproduced

www.genelec.com

JAPAN

Professor Nobuhiko Matsukage

Sound.com deploys Adamson for Lollapalooza Mumbai

Course. The solution was deployed for the event’s Walking Stage which welcomed acts such as Glass Animals, Louis Tomlinson, Aurora and Talwinder.

With nearly 60,000 people in attendance at last year’s instalment, Lollapalooza was expecting a mammoth turn out for its 2025 edition. The event organisers sought a rider-friendly system to deliver controlled consistent sonic coverage at high SPLs. Taking these factors into account, D’souza and his team chose the Adamson E Series for its precise pattern control capabilities and international rider acceptance.

cabinets deployed per side for out fills. These were complemented by a front-back-front deployment of 54 E219 cardioid sub array units to reduce any low-end spill. For further sound reinforcement, there were also three delay towers of nine E15 and three E12 cabinets.

A monitor package was also provided for the artists onstage featuring M12 and M15 units, with E119 subs and S10 line array cabinets implemented for side fills.

The entire sound system was run from Adamson’s E-racks with three Lab Gruppen PLM20k amplifiers deployed per rack and all signals distributed over a Dante fibre network with analogue redundancy.

Adamson’s applications engineer for APAC Carlos Sallaberry and APAC sales director Lee Stevens were both onsite working with the Sound.com team and guest FOH engineers. According to both, the feedback from engineers, touring production teams and festival goers was overwhelmingly positive, with people citing the Walking Stage deployment as “by the far the best sounding stage onsite”. Furthermore, various engineers who regularly use the brand in Europe cited that they were happy to see the system at the Mumbai festival.

“You can always tell when FOH engineers are using the system for the first time – after the first couple of bars they have a huge smile on their face and give you a nod of approval,” Sallaberry noted.

Stevens concluded: “Warren and his team at Sound.com have always been seen as trail blazers and trendsetters across not only the Indian market, but the APAC region as well. After hearing the exceptional system deployment at Lollapalooza, it’s easy to understand why Sound.com are put on this high pedestal.”

www.adamson.ai www.online-sound.com

A sonic spectacle for Sumatra school

INDONESIA

North Jakarta-based Kairos Multi Jaya recently completed an audio installation at Kusuma Bangsa School in Palembang City, South Sumatra. Over the course of three weeks, the AV systems integrator outfitted the school’s concert hall with a selection of products from Allen & Heath, Audio-Technica and Eastern Acoustic Works (EAW).

The ballroom concert hall is reinforced by EAW KF210 dual 10-inch line arrays suspended to the left and right of the stage. Reinforced in the lower frequencies by a cardioid configuration of four EAW SB1002 subwoofers, a further four EAW MKC80B coaxial point source loudspeakers cater for the front fills. For stage monitoring live performances in the 980m2 venue, Kairos Multi Jaya has supplied four EAW RS123 12-inch cabinets. For both the FOH and monitoring requirements, an Allen & Heath Avantis Solo console has been implemented as the concert hall’s digital audio mixing surface. Connected to three of the manufacturer’s DX168 expanders as digital I/O stageboxes, the compact Avantis Solo is a 64-channel/42 configurable bus console hosting abundant onboard processing.

For choral and orchestral performances, the Kairos Multi Jaya package also includes 15 AudioTechnica AT450 cardioid condenser microphones. The inventory has been extended with four PRO 25ax hyper cardioid dynamic mics and six ATW-3212/C510 wireless dynamic handhelds for instruments and vocals respectively.

Following installation, the school invited Australia’s Sydney Concert Orchestra to perform a concert, led by the group’s musical director and conductor Omir Mohed-Zadeh. The concert titled The Enchanting of Sriwijaya was a collaboration with local Palembang-based Colours Choir led by founder Flora Monika Gozali. Damaran Kristanto of Kairos Multi Jaya, who oversaw the project,

microphones capture every transient moment and the dynamics of the orchestra and choir, while the EAW loudspeaker system reproduces every detail of the sound and music. Together, they performed several classical compositions from renowned composers including Pytor Tchaikovski and Giuseppe Verdi, in addition to pop songs like O Sole Mio and Waltzing Matilda, and a set of popular Indonesian songs. The school said they were thrilled with the new system and the collaboration of Kusuma Bangsa School with Kairos Multi Jaya has successfully brought the experience of live orchestra into a ballroomshaped venue.”

www.kairosmultijaya.com

Funktion-One energises The Club

Sitting in the heart of Bangkok’s vibrant nightlife scene is the legendary The Club venue, which has recently undergone a major audio overhaul featuring a Funktion-One sound system. A long-standing icon in the city’s party circuit, the venue is known for its high-octane atmosphere. The Club is owned by Buddy Group. “What makes The Club special is the high energy we deliver day in and day out,” said Plu Chayavoraprapa, the venue’s owner. “We attract a diverse melting pot of nationalities and the sound has to live up to that energy. For us,

getting the sound system right is the number one priority.”

Local specialist Audiogears carried out the installation, working closely with the Funktion-One team in the UK, including technical design engineer Mike Igglesden, product support engineer Will Wright and director of business development Andrew Low. The team said that the venue, which boasts a 500-capacity dancefloor, features a notoriously complex layout, with multiple ceiling heights, layered walls and segmented zones.

“The layout was very challenging,” explained Bob Siripremanant, COO of Audiogears. “We worked hand-in-hand with Mike from the very beginning. He was incredibly patient and helpful in designing a system that would work across every corner of the space. Will Wright even came over to fine-tune the installation and the result speaks for itself. The client’s happy, we’re happy and that’s thanks to the support we got from the whole Funktion-One team.”

The design brief was to deliver crystal-clear sound with impactful low-end power, capable of handling everything from chillout and pop to EDM, trance, hip-hop and house. “The Club plays it all,” added Siripremanant. “We needed a system that delivers clarity and depth, no matter the genre. Funktion-One nailed it.”

“We’ve tested many commercial systems, but in our view Funktion-One reproduces the truest sound,” stated Chayavoraprapa. “You can hear every element of the music, sometimes so clearly you can even spot counterfeit tracks. That level of detail is what creates magic on the dancefloor.”

Chayavoraprapa commented on the relationship with Audiogears: “A system is only as good as the team behind it. With Audiogears, we had world-class equipment and world-class expertise. They understood exactly what we needed.”

www.audiogears.asia

www.funktion-one.com

Claypaky shines on Sunidhi Chauhan’s homecoming

Lighting designer Jasangat Sonpal selected a range of Claypaky fixtures for the Kolkata and Bangalore dates of Sunidhi Chauhan’s current I Am Home tour. One of India’s most loved playback singers, Chauhan is known for her vocal range and versatility in recording in multiple languages.

I Am Home celebrates the idea of home through music, nostalgia and Chauhan’s dynamic stage presence. The tour’s Claypaky setup included 72 Sharpy X Frames for both the Kolkata and Bangalore concerts, with 32 HY B-EYE K25, 24 Tambora Batten Square, 48 Tambora Flash, 14 Sinfonya Profiles and two ReflectXion fixtures incorporated for the Kolkata show.

Felix Remedios and Selvin Remedios of Reynold’s Sound & Lighting Services provided the fixtures for the Bangalore concert, while Naz Rahmani and Akbar Ali of Light N Light supplied the lights for Kolkata.

“Sunidhi is known for many iconic Bollywood songs delivered with her powerful and bold voice. So, to match the stage lighting to the tonality and punch of her vocal capabilities, we needed some powerful fixtures. Sharpy X Frames were the perfect fit for her key lights,” said Sonpal, adding that he chose them for this position for the ability to use them in spot mode, beam mode and with “virtually all the gobos”.

Sonpal said that the artist was very involved in the whole lighting design process and the team had lots of looks to create, from tight beams to spots and gobos with key lighting being of very high importance to Chauhan. The shows also featured a new design involving only scaffolding and no trussing. “We had an LED screen 7m high and put lighting in three layers on the scafolding;

we also used a lot of fixtures on the IMAG screen scaffolding,” noted Sonpal.

The LD said he implemented Sinfonya Profiles for Kolkata because of their high-quality light output, with seven Sinfonyas used in follow spot mode, six dedicated to key lighting and one placed upstage centre on the scaffolding. “With the very high CRI and colours of Sinfonya, Sunidhi looked glamorous and gorgeous on camera with highlighted skin tones.”

Forty-eight Tambora Flash fixtures were deployed in Kolkata as wash lights for whenever Chauhan sung classic rhapsodies. “Tambora Flash is a fixture I personally love; I consider them the most important fixture of my show,” said the LD. “They were used to create a whole border around the LED screens, placed on top of the main stage

HH Audio enhances Urban Foundry

Situated in the NIBM area of Pune, the Urban Foundry all-day bar and eatery has implemented an HH Audio system, supplied and installed by Generation AV and local integrator Audio Groove. The venue, which offers a range of local and international cuisine, features an industrial design theme and relies on music to enhance its atmosphere.

LED screens and on top and on the sides of the IMAG screens.”

The Tambora Batten Squares were added as main effects fixtures. Sonpal noted that the team were so happy with the luminaires that three songs were dedicated to only use the battens.

“I love their versatility; they can be used for all types of shows,” remarked Sonpal. “They provide a quick response to a very advanced level of pixel mapping, which saves a lot of time programming. I was especially impressed with them.”

Sonpal also chose two ReflectXion moving mirrors, which he called “a unique, one-of-a-kind fixture, a first for our show. We have already put them in our riders for all future shows.”

www.claypaky.it

Generation AV and Audio Groove collaborated to recommend a system based around HH Audio’s Tessen Series that suited the restaurant’s budget, space and unique location challenges. “The installation was smooth and the system is fantastic,” noted Kishore Shetty of Urban Foundry. “HH Audio sound quality has completely transformed the atmosphere of our restaurant, creating the perfect vibe for our guests. It’s truly one of the best setups we’ve ever had – the attention to detail was evident throughout the process.” Audio Groove supplied and installed a system comprising Tessen TNi-W12Pro and TNi-W8Pro 2-way, full-range loudspeakers, 12- and 8-inch respectively, supported by TNA1800 passive subwoofers. The units are driven by the manufacturer’s M-1500D and M-750D amplifiers and controlled by an SP48 digital speaker management system.

“The support we received from Generation AV and Audio Groove has been phenomenal,” concluded Shetty. “They were always on hand to answer any questions, offer advice and ensure everything was running perfectly. Their professionalism and commitment to delivering top-tier service from start to finish was impressive from start to finish.

“We’re incredibly glad we chose HH Audio for this project. Product quality, design and performance made for a perfect audio solution. We couldn’t be happier with the outcome.”

www.generationav.net www.hhaudio.com

INDIA

Unleashed power in a black dress

Nettuno 10 the professional PA solution for live, clubs, and corporate events. Mono or stereo 2.1 ready out of the box.

12 x 3.25” - 1” V.C. full range drivers for a pristine sound

2 x 12” - 3” V.C. for a most generous sub section

120° horizontal coverage optimal sound distribution

132.5 dB / 1000 W RMS pure quality sound

8-channel digital console and advanced processing via the free Nettuno 10 App.

COME VISIT US

PRO LIGHT AND SOUND

GUANGZHOU | 27 - 30 MAY HALL 4.2, BOOTH B36

Nettuno 10 & More

ACME lights up GEM

MALAYSIA

Mandarin pop singer GEM recently took to the stage at one of Southeast Asia’s largest stadiums, the Bukit Jalil National Stadium, backed by 200 ACME Sagitta beam lights. The show featured a record-breaking audience of over 50,000 fans, making GEM the Mandarin female singer with the largest concert crowd in Kuala Lumpur.

Part of the singer’s I Am Gloria World Tour, the concert featured a playlist of GEM’s greatest hits. Despite the relentless rain, the stadium

buzzed with energy from the artist’s adoring fans.

The show was a collaboration between Flipout Productions and Audio Synergy Projects & Concepts. The Sagitta units were chosen for the project for their precision, brightness capabilities and flexibility, delivering multiple gobos, an array of colours and frost effects that complemented GEM’s high-octane performance. en.acmelighting.com

Optimal Audio parties in China

Hangzhou’s popular nightlife destination

XJ Electronic Music Bar has installed an Optimal Audio Party Series sound system to immerse patrons in the venue’s electronic music culture. Two Party15 loudspeakers serve as the main output in the system, bringing the live electronic party atmosphere directly to the bar. For coverage, the bar is also equipped with four Party12 auxiliary speakers, creating a surround sound effect to immerse customers in the music. Meanwhile, the Sub15 subwoofers

provide the low-end clarity needed for electronic music, connecting the frequency response range of the main and auxiliary speakers and adding bass resonance.

The installation has also provided a futureproof solution for XJ Electronic Music Bar, as it plans to continue to leverage Optimal Audio’s technical support for future upgrades and when updating the system.

www.optimal-audio.co.uk

Full Control Ultimate Connectivity Endless Possibilities

M-1620 Pro

16 Channel A/D, 20 Channel D/A Converter with ADAT, MADI, MILAN® or DANTE®

The most flexible and highest-performing converter on the market. Perfect seamless operation in studio, live and broadcast for recording engineers using a variety of analog effects and instruments.

Add Analog, ADAT, Milan® or Dante® to any existing MADI devices, including full SteadyClock FS performance for lowest jitter and highest jitter immunity.

www

L-Acoustics powers emotion for TJ Monterde

PHILIPPINES

Filipino popstar TJ Monterde performed for 10,000 fans for a soldout two-day show in Quezon City’s Smart Araneta Coliseum, backed by an L-Acoustics K2 and Kara sound system. The show was presented by Cornerstone Entertainment, with L-Acoustics’ rental agent partner

Forscink engaged to design and deploy a system to address the historic venue’s acoustic challenges. With its dome ceiling, the Smart Araneta Coliseum poses significant acoustic challenges, including a tendency to produce unwanted reflections. To combat these issues, Forscink turned to the French manufacturer’s Soundvision 3D modelling software. “Soundvision 3D was essential in helping us design a configuration that minimised reflections from the dome ceiling,” explained Adi Sajonia, sound engineer from Forscink. “We were able to precisely calculate coverage patterns and fine-tune array positioning to deliver exceptional clarity to every seat, despite the venue’s complex acoustics.”

According to the Forscink team, the precision of the Soundvision 3D-generated design enabled them to focus sound energy precisely where needed while minimising problematic ceiling reflections, enhancing intelligibility throughout the arena.

“TJ’s intimate style of music demands a sound system that can deliver exceptional clarity and nuanced detail,” noted Justin Santos, VP at Forscink. “The L-Acoustics K Series provided the ideal solution to showcase TJ’s emotional vocal performances and his band’s intricate musical arrangements.”

Forscink said it selected the K Series specifically for its powerto-weight ratio, allowing the team to meet the Coliseum’s strict rigging limitations while delivering the coverage and SPL necessary for the venue.

The setup featured a main L-R system of 12 K2 over three Kara down per side. Two arrays of 12 Kara boxes provided out-fill coverage, while six Kara speakers delivered front-fill. The low end was anchored by 16 SB28 subwoofers, providing balanced sound throughout the vast arena.

TJ Monterde’s sound engineer

Timothy Recla said that the LA Network

Manager offered powerful control over the entire system. He also noted the value of the Autofilter function in ensuring that audience members received the same balanced audio experience regardless of where they sat.

“The K Series allowed TJ’s emotionally charged music to fill the vast space with great warmth and precision, so much so that I witnessed many tear-filled eyes in the audience and touching marriage proposals proclaimed throughout the concert performance,” Recla commented.

www.l-acoustics.com

Challenging environments demand greater control. We drive the world’s most critical control rooms, 24 hours a day, 7 days a week.

Yamaha serves up tasteful sound

Popular Taiwanese chain Chan-Chi Hot Pot recently opened a third branch in Taipei’s Ximen district which features a Yamaha audio system. The solution was designed by systems integrator Spectrum Audio to provide background music (BGM) across the restaurant’s different areas.

Located in the basement of the Ximen World Commercial Building, the restaurant is the largest ChanChi Hot Pot branch spanning 990m2 with capacity to seat hundreds of customers.

Spectrum Audio began the audio design during the restaurant’s early planning stages. The company utilised the site layout plans to create a solution that aimed to complement the restaurant’s distinctive aesthetic that blends traditional Taiwanese décor with modern touches. Furthermore, it was imperative that the system delivered high-quality sound and was simple to use and maintain.

“The restaurant wanted a BGM system which would deliver a comfortable sound environment for diners, while minimising any impact on the visual design,” confirmed Spectrum Audio CEO Cheung Yuk Chin.

According to Yuk Chin, this presented several challenges. “Ambient noise levels of customer

conversations and staff activity were projected to exceed 70dB, while there is no suspended ceiling in the dining area, which made using ceiling speakers impossible,” he explained, “Meanwhile, the BGM would need to be audible and clear, without overpowering customers’ conversations or negatively affecting their dining experience.”

acoustic simulation software to model speaker placement, based on the actual floor plan and projected listening areas. The results indicated that in the main dining area, at a seated customer height of 1.1m, the average sound pressure level would be 84.5dB (direct SPL, A-weight).

Another challenge was that the system had to provide coverage throughout the entrance, rest room, office and waiting areas. These all had different ceiling structures and therefore required different solutions, with all areas needing speakers which would blend with the décor, while maintaining consistent sound quality and distribution.

Spectrum Audio proposed using Yamaha VXS5 surface-mount speakers for the dining area to meet the project requirements. Using the restaurant plans, the team leveraged

Yamaha VXC series speakers were specified for the entrance stairs, reception desk, waiting area, private dining rooms and restrooms, which all have suspended ceilings. The office, which features an exposed ceiling, incorporates the manufacturer’s VXH Series pendant speakers.

The system is driven by four PA2120 power amplifiers, with a rack-mounted MG12X 12-channel compact mixer used to mix the input sources and provide extra inputs, if needed.

“By selecting the appropriate Yamaha speakers for each area and using advanced simulation tools, we balanced the aesthetic and acoustic needs of the space to deliver a highquality solution,” concluded Yuk Chin.

www.yamaha.com/2/proaudio

Jands and Pro FX have upgraded Naughty Nancy’s cocktail bar and eatery with an Electro-Voice and Blaze Audio system. The Melbourne venue is split across two distinct floors that provide different atmospheres and

To resolve these challenges, Pro FX and Jands installed Electro-Voice EVID-C6.2 and EVID-C4.2LP ceiling speakers for background music and live performances and the

required a versatile sound system to cater to its diverse offerings. The venue faced significant audio issues, including imbalanced sound levels with noise from one floor disrupting patrons on the other. Its open design also caused sound bleed between floors, affecting sonic clarity, and inconsistent audio coverage hindered the atmosphere in certain areas, causing dead zones. Lastly, the establishment was receiving noise complaints from nearby residents.

low-frequency coverage. Blaze Audio’s PowerZone1004 amplifier delivers control over the different audio zones. “From the off we had improved customer experience with balanced sound levels across both floors, increased bookings and simplified the overall management of music and sound,” said restaurant owner James Gallagher.

www.blaze-audio.com www.electrovoice.com

HORIZON VHA

Vertical Horizontal Line Array

VHA 406N/ND

Line Array

» Self powered 2-way line array

» Class D 800W for LF / 400W for HF amplifier

» 4 x 6.5” woofers with 1.5’’ coil

» 1 x 1.4” neodymium compression driver with 2.5” coil

» Dimensions (H x W x D): 612 x 360 x 397 mm / 24 x 14 x 15.6 inch

» Weight: 31.8Kg / 70 Lb

VHA 118SN/SND

Subwoofer

» Self powered bass-reflex cabinet

» Class D 2500W amplifier

» 1 x 18” woofer with 4” coil

» Dimensions (H x W x D): 611 x 711 x 720 mm / 24 x 28 x 28.3 inch

» Weight: 61.2 Kg / 135 Lb

VHA 112SN/SND

Flyable Subwoofer

» Self powered bass-reflex cabinet

» Class D 1600W amplifier

» 1 x 12” woofer with 3” coil - neodymium

» Dimensions (H x W x D): 612 x 360 x 397 mm / 24 x 14 x 15.6 inch

» Weight: 26.3 Kg / 58 Lb

COMMON FEATURES

» Vertical and horizontal installation

» DANTE audio streaming on board (ND/SND versions)

» Compatible with the INFINITO System Management Suite software

» Network interface TCP/IP - AES70 compatible

» OLED display and encoder with push

» Cabinet in 0.47” birch plywood with anti-scratch varnish

Muay Thai gets immersive with KV2

To celebrate the 80th anniversary of Bangkok’s Rajadamnern Stadium – the oldest Muay Thai stadium in Thailand – the management team embarked on a project to transform the venue into the world’s first “Immersive Muay Thai”. Production specialist Andrei Mazuruc of ShowOne Productions led the project, working with Rajadamnern to implement a KV2 Audio system supplied and installed by Audio Gears.

Standing as one of Thailand’s most revered sporting venues, Rajadamnern is known as the birthplace of Muay Thai and is the world’s first stadium dedicated to the Thai boxing sport. The venue also stands out for its unique circular design, ensuring an unobstructed view from every seat.

The grand vision of the Rajadamnern management team was to establish the venue as a premier global destination for sports and cultural experiences. According to KV2’s technical support director for APAC, Leo Tanzil, the design turned out to be more of a challenge than he had anticipated. Rajadamnern and Mazuruc’s design saw the dome as a giant screen, like a planetarium, which meant that visually, there could be nothing that would impede sightlines or cast shadows on the projection – yet the audio system had to be powerful enough to provide clear commentary to every seat in the house as well as immersive surround sound to elevate the atmosphere and energy of the fight.

After modelling various options, a solution was chosen based on KV2’s EX28 2.5-way full-range active loudspeaker system. “The EX28 is small enough to be placed at the corners of the boxing ring without intruding on the action, yet powerful enough to cover the whole stadium,” noted Tanzil. “Combined with the surround sound loudspeakers [also EX28] with the proper processing, we were able to create the illusion that the sound originates

from the boxing ring and minimise the effect of the reflection from the room.”

Twenty-four EX28 were used throughout the stadium – a pair of loudspeakers mounted on custom poles at each corner of the ring combined with a further 16 EX28 cabinets distributed around the perimeter. Eight VHD 2.18J subwoofers provide low-frequency reinforcement and the system is driven by eight VHD 3200 amplifiers.

“In surround mode, each of the perimeter EX28s gives wide enough coverage that the surround sound effect can be heard by everyone in the audience, no matter where they are seated,” continued Tanzil. “When paired with the distributed sub arrangement, even the lowmid frequencies can be localised in surround mode; yet in stereo mode the sub arrangement gives even coverage throughout the venue.”

For control and distribution, Bangkok-based Audio Gears installed four NST Audio VMX88

processors alongside two Netgear M4250 12M2XF network switches and a Drawmer DA6 distribution amplifier. Rajadamnern’s existing Midas M32 Live digital console was equipped with a DN32 Dante expansion card and incorporated into the new system. The system was first put to the test for the stadium’s grand reopening event, a week after the installation was completed. “The KV2 system delivers a sonic experience like never before,” said Audio Gears’ technical director Mile Sanguanpak. “Even with the crowd cheering wildly in the Muay Thai dome, the clarity and cleanliness of the audio with zero distortion across all frequency ranges allowed us to easily achieve the desired SPL for the show – and with plenty of headroom to spare.”

www.audiogears.asia

www.kv2audio.com

“This wedge is a

DHD Audio makes the news at Taipei Broadcasting Station

Taiwan-based systems integrator ADE, in collaboration with Tiyu and Stagetec Asia, has upgraded eight studios at Taipei Broadcasting Station (TBS). The radio station features a 24-hour broadcast schedule on FM 93.1 and AM 1134, as well as online streaming, offering a variety of educational programmes, news and public services to its 100,000 listeners.

Located in the bustling Yuanshan District, TBS is surrounded by key landmarks like the Taipei Fine Arts Museum, the Grand Hotel and the Taipei Astronomical Museum, connecting with the community, promoting arts and culture. The modernisation project, which took place over three months, was completed without interrupting the broadcaster’s daily operations, ensuring TBS maintained its 24-hour broadcasting schedule.

Central to the upgrade were several digital audio solutions, including the DHD SX2 smart IP modular on-air console, TX2 multitouch-driven broadcast mixing console and the DHD XC3 IP radio core router. These consoles and radio routers form the core of TBS’s new audio network, providing sound management and signal routing with low latency across the entire station. The SX2 has been implemented to streamline online air mixing in all the radio studios, while the TX2 has been integrated for ease of signal switching and monitoring in the Master Control Room (MCR) through its touch-driven interface, simplifying complex operations and enhancing transitions between broadcasts. The installation also includes an automated time scheduler for the IP radio core crosspoint switching. This system automates signal routing in sync with the station’s broadcast schedule, reducing the need for manual intervention for consistent, reliable broadcasts. The new equipment enables the station to deliver high-quality, reliable broadcasts to its audience, while also preparing it for future advancements in broadcasting technology.

Stagetec Asia said that with these upgrades, TBS has significantly enhanced its broadcasting capabilities and operational efficiencies. “This project is unique due to its seamless integration of advanced digital audio technology while ensuring zero downtime for TBS’s 24-hour operations,” explained Stagetec Asia senior project manager Yap Wei Keong, who also served as the project’s main coordinator. “Unlike conventional upgrades, it required meticulous planning to maintain uninterrupted broadcasting. The deployment of DHD’s modular and

touch-driven consoles, along with an automated time scheduler, not only streamlines operations but also futureproofs the station for evolving industry needs. This transformation highlights our commitment to delivering innovative and efficient solutions for modern broadcasters.”

www.dhd.audio www.stagetecasia.com

TAIWAN

Lawo IP-based solution goes mobile at KBS

South Korea’s leading public broadcaster, the Korean Broadcasting System (KBS), has upgraded its HDTV-4 outside broadcast (OB) van with IP-based audio systems from Lawo. Executed by systems integrator Dongyang Digital (DYD), the project aimed to strengthen the van’s flexibility, performance and efficiency in live production, enhancing coverage of major events.

Choelho Park, responsible for the overall management and the sound mix of the KBS HDTV-4, explained how live broadcasting requires adaptable setups within OB vans: “The OB van can become a production stage anywhere outdoors, so every event requires a complete reconfiguration from scratch. From the signals exchanged with the production site to fader strip layouts, routing and production techniques – everything varies depending on the programme, making flexibility crucial.”

Designed for fast-paced, high-pressure environments, the mc²56 console provides DSP power, a user-friendly interface and customisable workflows. With support for SMPTE ST 2110, AES67 and Ravenna, the console integrates into KBS’s IP-based infrastructure.

The broadcaster covers a wide range of productions, from sports and concerts to entertainment shows. The new Lawo equipment is designed to manage a diverse array of audio signals from multiple sources. During sports broadcasts, the OB van system receives individual microphone and commentary signals to create immersive sound. For music programmes, KBS collaborates with external sound production

companies, managing various signals such as analogue, AES3 and AES10 for programme production. “The mc²56 console accommodates these external signals, as well as internal signals from file players, graphic equipment, CD players and reverb units, ensuring seamless mixing and highquality audio output,” said Park.

The integration of the manufacturer’s Power Core Gateway and A__stage64 stagebox enhances connectivity and signal transport, providing scalable audio networking.

Park noted that KBS was looking for a system that could reliably process various programme signals as part of the primary/backup setup and integrate with the OB van’s VSM control system. Additionally, the equipment had to fit precisely into the limited rack space without hardware issues during OB van expansion or reduction.

“With our transition to an IP-based infrastructure, we needed a solution that guaranteed reliability,” Park said. “Lawo’s excellent system stability, combined with outstanding sound characteristics, was a decisive factor.”

Jung-Yeoul Lee, technical sales division at DYD, commented: “KBS now has a cutting-edge, futureproof audio setup that allows them to produce top-tier content with complete creative freedom. Seeing this system come to life is truly rewarding.”

Furthermore, compared to the ageing mixing console previously used by KBS, the upgrade to Lawo’s IP-based infrastructure aims to provide long-term reliability and adaptability to future technological advancements.

www.lawo.com

Coda Audio adds new horizons in Hangzhou’s Skyline

Audio specialist Zhejiang Tongbo Vision Technology has installed a Coda Audio system for the Skyline entertainment complex in Hangzhou. Covering a total area of 30,000m2, the venue recently opened as reportedly the largest single party and karaoke television (KTV) venue in the world. KTV, a trend where groups of friends share private karaoke rooms, is highly popular in China, with businesses investing heavily in the sector, creating specialised venues with a focus on ambience and audio quality. Spread across four floors, Skyline comprises a combination of small, medium and large

party spaces, including KTV rooms created for private and business customers.

The project faced various challenges due to the sheer size of the complex, including its high ceilings and large floor areas which required careful audio planning and design. In turn, the Tongbo team worked tirelessly on the installation over the duration of two years before the venue’s recent grand opening.

“The key features of the Skyline were its height and scale,” noted Tongbo project manager Cai Baoliang. “The installation was a complex integration of sound, light and

electrical systems which posed a number of challenges in terms of soundproofing and aesthetics. All of these were overcome by the collective efforts of our dedicated team.”

The complex’s main hall, which hosts professional live DJ sets, covers an area of 500m2 and with a ceiling height of 23m it required tight, controlled sound. Tongbo chose six APS units for the space, supported by two PW418 subwoofers and driven by a single LINUS14 DSP amplifier.

There are 10 smaller DJ party rooms on the first floor, with floor areas of 240m2

and ceiling heights of 13m. Each of these spaces is equipped with four HOPS12i-96 loudspeakers, two PW418 subs and two PW118 subs, all driven by LINUS amplification.

The 40 medium-sized party rooms on the second floor each cover around 80m2 with a ceiling height of 6m. These rooms all include two G512-Pro and two G515-Pro loudspeakers, reinforced with two PW118 subs.

Lastly, the third floor comprises 50 business KTV rooms covering around 50m2 each with a ceiling height of 5m. These KTV rooms are each equipped with either two or three G512-Pro units, two auxiliary G308 loudspeakers and a single PW118 sub.

“The Coda Audio systems at the Skyline are the most advanced I have seen in any club,” remarked Skyline executive general manager, Chen Wei. “Since its recent opening, both our clients and management have praised the speakers very highly and the sound quality has fully met our expectations.”

David Webster, global sales and marketing director for Coda Audio, concluded: “Tongbo’s work at the Hangzhou Skyline, where more than 600 loudspeakers are installed into 100 rooms, is a remarkable achievement. We’re very proud that Coda Audio loudspeakers are at the centre of this development and playing their part in delivering high-quality sound in such an amazing venue.”

www.codaaudio.com

CHINA

3000 S er ies Net work S ys te ms Scan, Plan, Deploy and Monitor

• Class-leading, extremely wide 60 MHz UHF tuning bandwidth for maximum versatility

• Unique multifunction button on the handheld and body-pack transmitters can be used to switch to a backup frequency should interference be encountered

• Automatically adjusts squelch setting to maximize range while minimizing interference

• Optional network transmitter charging docks

• Frequency scan and IR sync for ease of setup

• Handheld transmitter industry-standard thread mount for use with six interchangeable A-T microphone capsules, as well as other compatible capsules

Sing in tune

Richard Lawn enters the fantastical and exotic world of Sing Sing Theater, one of Bangkok’s premier club venues

STEPPING THROUGH THE ORNATE ENTRANCE OF Bangkok’s Sing Sing Theater, clubbers are transported into an immersive environment that demands an exploration.

Conceptualised by prolific Australian designer Ashley Sutton, the venue mirrors a Hollywood interpretation of an opulent 1930s’ Shanghai den. The Chinoiserie effects include lanterns, dim red lighting and metal screens, some of which would not look out of place on a Mad Max film set.

The club’s eclectic cultural influences are expressed in its artwork, vintage décor, rich velvet upholstery and vibrant colours. A combination of intricate wood and metalwork, Chinese dragons, chandeliers, oil-paper umbrellas and birdcages creates a theatrical backdrop. A labyrinth of mezzanines, sunken bars and secret passages lead away from a petite dancefloor to singletable balconies and backrooms. Losing itself on split levels and alcoves, the club’s audio maintains a powerful and consistent presence.

DJ, musical director and co-owner Kevin Lecompere has been overseeing operations at Sing Sing Theater for 11 years. Over that time he has relied on the expertise of i-Magic owner, Seth C Langer. “The main dancefloor speakers were in dire need of an upgrade, to the point that I agreed with Seth’s recommendation to invest in new inventory,” explains Lecompere. “We host international DJs and we could not run the risk of tarring our reputation by having any failures.”

The vision at the outset was to create a theatre hosting live bands onstage. “Sing Sing Theater first marketed itself more as a live music venue than a club,” continues Lecompere. Maintaining the theatrics in between performances, the DJ decks would be temporarily lowered into position from above on hoists between dance sets, and this concept morphed into a full-blown dance club. The circular stairway behind the bamboo curtains where the performers would enter and exit remains, but the raised performance stage has now been replaced by a fixed DJ area. Equipped with Pioneer CDJ-3000 multiplayers and a DJM-V10 mixer, the DJ area is located further back on the dancefloor than the previous temporary berth. Minimising disruption to its patrons, an enforced closure following a Buddhist public holiday allowed the renovation to take place over the course of a few days, with all

In addition to being a co-owner of Sing Sing Theater, Lecompere is a shareholder of the group which has seven other venues in Bangkok. As the group’s AV supplier and installer, i-Magic insists on offering the best value for its long-term client. Providing excellent pre- and after-sales support, Langer works closely with Nexo’s distributor, Fuzion, a reputable supplier in Thailand for 25 years.

“We have been badly let down by fly-by-night suppliers in the past,” says Lecompere. “The system sounds amazing for two months until a problem occurs, and the original vendor doesn’t return your calls or messages. In those instances, you’re going to lose your customers, so we always demand that the equipment we purchase has reliable support.”

Cost savings were made by servicing the existing 10-yearold racked equipment which, according to Langer, had been well maintained and serviced. “The Powersoft Duecanali and Quattrocanali multichannel amplifiers date back to the previous upgrade in 2015 and are in excellent condition,” he attests. “This represents an excellent return on investment. Via the ArmoníaPlus software, the energy-efficient amplifiers can be managed and controlled.”

works including the fitting of new fixtures fully completed during the six-day window.

enclosures and four MSUB18 subwoofers. The dancefloor is served by four suspended cabinets with a further two as L-R DJ monitors. Besides two MSUB18 subwoofers located under the stage, another two are positioned in front of the DJ area. The P+ cabinets’ linear phase presets for FOH and monitor applications made the system quick and easy to configure, according to Langer. “Out of personal preference, I have also added a DTD processor to deliver tailored processing solutions to the Nexo P12s and MSUB18s,” he explains.

Lecompere initially specified a Nexo P15, but Langer favoured the 12-inch version. “The P12 footprint is not only more compact, but it is definitely powerful enough for a room of this size,” he says. “Combining high SPLs with crisp detailed sonic qualities, the price performance characteristics make the P12 best-in-class. It has clearly impressed some international DJs who have performed here recently.”

In addition to the Powersoft amplifiers, Langer has added signal processing presets for the Nexo package selectable within Symetrix ARC-WEB on Lecompere’s smartphone. Connected over Wi-Fi to the pre-existing and reconfigured Prism 12x12 processor, Langer also added several new channels. Finally, the Symetrix Composer configuration has been updated for the dancefloor, the smoking room, the monitors and The Clamp, which serves as a caution for overzealous DJs. “The Clamp module is effectively a limiter whereby the volume level will start to decrease once activated,” explains Langer. “When the DJ can be trusted, Kevin can deactivate it within the SymNet settings.”

Audio is networked over Dante, with both amplifiers and processors Dante-compatible, facilitating future expansion. “There are currently 12 analogue outputs, and we have extra capacity via Dante,” says Langer. Judging by i-Magic’s previous works, the investment made by Lecompere and Sing Sing Theater adds to their enviable credentials.

www.fuzion.co.th

www.i-magic.co.th

www.nexo-sa.com

i-Magic project manager Seth C Langer

Sing Sing co-owner and DJ Kevin Lecompere

Sing Sing Theater’s upgrade includes six Nexo P12 enclosures

I‘M AN ARTIST

OLA MELZIG

PRODUCTION MANAGER

M&M PRODUCTION MANAGEMENT

I just love the new generation of the Artist user interfaces. The SmartPanel‘s intuitive workflow and its very visual layout are simply fantastic.

I can customize it in any way I need, which is absolutely crucial for the big live events I typically work on.“

ARTIST INTERCOM

Professional and reliable live communications. Seamless integration of Riedel‘s SmartPanel and Bolero wireless intercom.

Easily scaling from 16 to 1024 ports with flexible licensing.

Photo by Ralph Larmann

Clearer procedures for Parliament of Victoria

Richard Lawn visits Melbourne’s heritage parliament building, where an extensive, sensitively designed broadcast infrastructure has been integrated

years. Pietruschka and his colleagues quickly instigated Zoom videoconferencing for the chambers, public galleries and committee hearings. “This building was never designed to accommodate such technology and especially not at such short notice,” he says, “but this experience set the context for some of the demands regarding system flexibility. I made a conscious decision to change the

Wisely, Pietruschka used the lockdown to his advantage, intensively researching a range of broadcast infrastructures that could be adopted for the parliament chambers. A chain of unforeseen events followed the arrival of newly specified microphones: “When you fix one element, such as audio monitoring, in the control rooms, you can detect all the other faults elsewhere with much greater clarity. I first noticed this phenomenon in 2018 following upgrades to the broadcast audio embedding and the control room audio monitoring. It’s like decorating a room because

recorded audio before being transferred to the servers. Having worked for many years as a live sound and systems engineer in Australian theatres and concert halls, Pietruschka entered Parliament House in 2017 and was requested to upgrade the ageing audio infrastructure in the Lower and Upper Houses. “I did not feel overawed by the scale and the importance of the project I was set,” he remembers. “I saw the upgrade as an opportunity to step up and take ownership. My background is in audio, and I instinctively know how to troubleshoot the audio elements by taking things one step at a time.”

However, Pietruschka was more than aware of the obstacles that lay ahead. “The AV design was based on overcoming all the problems and errors that were inherent in the old system,” he explains. “Previously, no glitches or problems could be fixed until the house adjourned, so I wanted to allow troubleshooting during sessions and debates. We would often have to wait until 2am to enter the chambers in the past. The chambers of the Legislative Assembly and Legislative Council are also heritage listed, and the integration of technological equipment would need to be sensitively applied. In addition, the upgrade would also have to be delivered without any interruption to the existing parliament schedule when the chambers were sitting.”

Pietruschka created a series of rack drawings and layouts that would need to be installed in phases during a fixed schedule. This would be achieved by removing and replacing dated products with temporary equipment taking up less rack space in the interim. As a result, the rack layouts would not require external assembly. The upgrade kicked off in 2020, but the onset of the pandemic would change everything, with Melbourne carrying the unwanted tag of the world’s most locked down city over the next two

Wisycom RF distribution antennas provide wireless transmission throughout the parliament building

microphones is connected to two consolidation points in each chamber and routed to the main equipment room by adopting Canare L-4E6S star-quad runs and 12-pair Belden cables.”

As no two sittings are the same, the lengths of the goosenecks can easily be adjusted depending on the politicians’ individual requirements. “The detachable bases make it a very flexible and timesaving system, so we simply need to swap out the gooseneck,” explains Pietruschka. “When parliament isn’t sitting you can turn any microphone on and off, but during a sitting, push-to-talk buttons are simply disabled. Only the presiding officer has the right to turn their microphones on and off, and the others are managed by our operator.”

Sennheiser’s wireless systems had proved reliable over many years, so Pietruschka had no hesitation in specifying EM 6000 receivers for pairing with SK 6000 and SKM 6000 transmitters. “In the past there were two channels of receiver in the chambers; now there eight channels of EM 6000 receivers with antennas in both chambers and the Queens Hall, fed via a Wisycom MAT244 RF matrix combiner, so our radio resources can be shared as required. “For more than eight channels, communications rely on a network of eight Wisycom RF distribution and antennas routed to an MAT244. The function spaces beyond the chambers were designed by different consultants and integrators incorporating various

Audio clarity in the Legislative Assembly has been greatly improved

Parliamentary officer Phillip Ivan Pietruschka

wireless systems. It was time to standardise the microphones across the whole facility, and the Sennheiser transmitters now provide site-wide flexibility in any room setting.”

The ambience in the Legislative Assembly has been significantly enhanced with pairs of custom-mounted Schoeps CMC 141 and CMC 18 midsized condensers. Liberty Recording software includes six channels of dual L-C-R options available for reporters to select a pickup oriented towards their individual requirements. A Pearl DS 70 4-channel, multi-pattern stereo and surround microphone which can plug straight into the Nexus mic inputs serves the Legislative Council. “Adopted as the Liberty Court Recorder, the two back-toback capsules of the DS 70 come with four cardioid outputs with one directed towards the government and opposition and another pointing at the crossbench. With the high pass filter, it’s possible to capture a clean, safe recording in high-definition detail from all the required points in the room.”

The audio fidelity during parliamentary debates has improved markedly according to Pietruschka. “With less spill going into the microphone, there is more gain before feedback and more

headroom. This in turn has led to improvements in both the broadcast and recording clarity, without the acoustic nuances of the rooms being detected. By improving the microphone capture, however, the weaker aspects in the signal chain were revealed.” Pietruschka now turned his attention to the outputs: in addition to power and speech intelligibility, the loudspeakers had to respect the chambers’ grand aesthetics. Extensive modelling and evaluation, with particular attention paid to STIPA (Speech Transmission Index for Public Address Systems), resulted in a mix of brands, which Pietruschka freely admits is an unusual choice.

Powered by five L-Acoustics LA2Xi amplified controllers for install, 50 X4i compact 4-inch coaxial enclosures provide audio reinforcement to the delegates on the floor of the chamber in the Legislative Assembly. Both the speaker and clerk, together with the two chamber attendants, are supplied with dedicated speakers fitted with a volume trim. In addition to 2-way 5XT speakers installed for the lower public gallery, the upper public gallery is equipped with four d&b audiotechnik 16C passive column speakers powered by a 10D amplifier. The cardioid pattern of the columns minimises spill onto the chamber floor.

With upper galleries only existing at the front and rear of the room, the Legislative Assembly’s 88 seats in horseshoe configuration demanded a variation on the same theme. The Legislative Council is reinforced by 10 L-Acoustics 5XT zone-controlled enclosures powered by three LA2Xi amplified controllers, with dedicated X4i speakers for the president and clerk.

Owing to heritage considerations, no loudspeakers have been installed in the upper gallery. “The effective smaller room size, together with more favourable room acoustics, made this viable,” explains Pietruschka. “The improved clarity of these speaker systems has led to a lowering of the output levels. As a result, the pickup from the microphones, the recordings and the broadcast feeds are all cleaner.”

The increased number of audio inputs and outputs within the parliamentary design certainly distinguish themselves, but Pietruschka’s signature lies deeper within the lower-level control room with its six 42U racks of networked AV and IT hardware. Having

Built

last

The Legislative Assembly is equipped with Audio-Technica ES925 goosenecks

An OpenGear solution enables the Telestream video workflow

previously adopted a Stagetec Nexus audio routing, control and distribution system into other parliamentary houses, the technology was assured of inclusion in the AV design. “The familiarity, high performance and reliability of Nexus made it the basis for the AV transport network,” confirms Pietruschka.

Capable of routing up to 176 mic inputs on the floor to 4,096 inputs and 4,096 outputs, the extensive requirements demanded of both houses are duly delivered by the Nexus Star routing topology. Extending digital fidelity, low latency and uncompressed audio channels over the standard Ethernet network, a central Nexus Star router fitted with dual RMF MADI and six RFOC fibre modules connect to two Nexus Base Devices in each chamber. These are currently fitted with configurable audio and control modules and interfaces including multiple mic, line, AES, DSP, XFOC fibre, XDIP, XCI and XRI GPIO cards, in addition to dual SDI and three XACI Ember+ Interfaces.

A further four dedicated Nexus Base Devices serve the press feeds, committee, broadcast area and communications room to connect the Dante and SDI networks. The fully redundant control interface within the Nexus infrastructure takes over should a fault develop on the primary automation system. Limiting further impact from failure, staggered odd and even microphone inputs from both chambers are routed to the Stagetec Nexus Base Devices. “Should we experience a Nexus failure during a sitting, the microphones still work as two politicians can share one microphone,” explains Pietruschka. “In a worst-case scenario of a Nexus Base Device failing, we can use every other microphone, and still record to Liberty, allowing parliament to continue.” Added redundancy comes in the form of two power circuits per rack.

Serving dual purposes, a DirectOut Exbox MD Dante/MADI interface converts up to 64 audio channels received from the Nexus system. The committee audio feeds are then transmitted

providing non-domain-managed Dante I/O to the chambers for a number of utility I/Os. The Dante links connecting the Q-SYS and Nexus paradigms are in separate domains for management and monitoring.

Five Dell servers running the Liberty Court Recorder are interfaced with RME HDSPe MADI FX audio interface cards, each featuring 390 audio channels and three MADI I/Os together with AES/EBU I/O, a Word Clock connection and four MIDI I/Os. The redundant MADI connection to the Nexus Star has been implemented to protect against cable and Nexus MADI card failure. Disguised as books on shelves, a custom headphone distribution system has been integrated throughout both Assembly Chambers by Rob Squire from Proharmonic.

Receiving the Dante audio inputs from the Nexus system, each chamber is served by primary and redundant QSC Q-SYS Core 510i processors. Dual 64-channel Dante cards are inserted into each processor for mixing and streaming the channels directly to the recording servers. By separating the Dante network, clocking issues are minimised when distributing the audio from the Q-SYS matrix to the zoned loudspeaker and monitoring networks. Serving as assignable control interfaces, six Attero Tech Axon C wall panels are dedicated as speaker trims for L-Acoustics enclosures. Custom patch plates integrated into floor boxes provide temporary patching when required via Clipsal plates and XLR patch fields.

Q-SYS also integrates control and monitoring of other audio components into the touchscreen user interface including the Telestream Prism MPX2-25 loudness monitoring, existing Nexus Base Devices and a Yamaha RSio64D Dante distribution network.

additional monitoring and control of some aspects that are not integrated into the VPAS user interface. Having put the Q-SYS DSP and the user interface together quite quickly, the rest of the system was fleshed out over a period of months by AV specialists, including Q-SYS designer Wayne Osborn and Qvest engineer Ryan Van Der Meer.”

The main PC user interface is loaded with different screen pages so that any of the microphone inputs depicted on the floorplan of the chambers can be listened to or output. “The operators don’t require 60 or 80 photos of politicians on the GUI, so there is just one fader following the microphone that is turned on as only one person can talk at any given time in the chambers,” adds Pietruschka.

The module controlling the Telestream waveform loudness metering monitors also creates a histogram for visualising the loudness distribution over time. “The operators can see, over the course of a sitting, where the loudness has been typically focusing.

similar systems, we are unique in comparison to other Australian state parliaments and venues.”

With all the components in place, Pietruschka is discovering more capabilities and functionality. “With clarity improved, the mics are capable of picking up incidental conversation, so we need to be careful,” he shares. “When press or members of the public are whispering in the gallery, you can sometimes hear. But overall, we have significantly improved gain before feedback and speech intelligibility. With the settings fixed and no user interference, we no longer need to worry about the settings when adjusting any aspect of the signal input chain.”

Satisfied for the present, perhaps, Pietruschka’s AV design remains a work in progress.

www.audio-technica.com www.l-acoustics.com www.peaveycommercialaudio.com www.qsc.com www.sennheiser.com www.stagetec.com

A d&b audiotechnik 16C column in the upper gallery of the Legislative Assembly

A Pearl DS70 Quad microphone captures both benches of the Legislative Council

Qvest engineer Ryan Van Der Meer

Crafting a soundscape

One of India’s leading film sound designers talks to about his career and the tricks and tools of his trade

RESUL POOKUTTY AIMS HIGH. HIS PHYSICS AND LAW studies set him dreaming of a Nobel Prize and a career as a chief justice, respectively, but fate had other ideas. A decision to continue his science studies at the Film and TV Institute of India on a sound recording and engineering degree course led to a career in sound design, an Oscar and a BAFTA for his work on Slumdog Millionaire (2008) and, most recently, for the Netflix film Aadujeevitham or The Goat Life, winning a Kerala State Film Award for Best Mixing and a nomination for an MPSE Golden Reel Award.

“I got into pro sound because it had a science paper,” he remembers. But on graduating in 1995, he didn’t like what was happening in India’s film industry: “We were not doing production sound [audio recorded during filming, or sync sound]. It was all ADR [automatic dialogue replacement]. Every European or American film felt closer to real life, so I decided I would bring production sound to India.”

Fate intervened again when he was called onto a film shoot as the recordist was stuck in Scotland. “I had zero knowledge of how to conduct myself on a shoot; I was fresh out of film school,” he recalls. “But I knew my sound: what was right and what was wrong. After four days on the shoot, they decided not to take the original recordist. I never looked back.”

Pookutty describes 1995–2000 as a transition period, the arrival of satellite TV with its tight deadlines allowing no time to carry out post-sync sound. This coincided with an independent filmmaking movement, for which he carried out production sound on location, travelling to London to mix at facilities including De Lane Lea and Future Post. “In the early 2000s digital was coming in, with DFC consoles and

dynamic automation. With knowledge of new technology from my exposure to the West, I was able to give it back to my contemporaries here, who were willing to learn.”

The 2004 film Black, featuring Pookutty’s sound design, proved a well-designed soundtrack added production value to a film and, by 2007, he was working on director Danny Boyle, whom he describes as having a great understanding of sound.

In 2010, acclaimed Indian filmmaker Blessy had told Pookutty about a filmscript he wanted to write based on the true story of a man travelling from Kerala in South India to work in the Middle East. In a case of mistaken identity, the man was taken to a remote village in the desert and forced into slave labour for three years before escaping. Seven years later, Blessy called to say the film, shape.

“We had two-and-a-half years to shoot the film because the main actor, Prithviraj Sukamaran [Najeeb], has to lose 35kg,” explains Pookutty. “We wanted to go gradually, starting in Kerala and shooting chronologically. Initially, we planned to shoot the desert scenes in India, but we couldn’t import the livestock and the sound of them here is completely different, so we shifted to the Middle East. However, we couldn’t get permission to shoot in several countries.”

Eventually, Jordan was confirmed as one of the main locations, along with Algeria, but the 150-strong crew spent more time there than the scheduled 20 days as Covid broke out in 2020, marooning them for three months in a remote hotel. Pookutty believes it was only the film industry’s strong camaraderie and work ethic that got them through.

Capturing the sounds of the desert

L–R: Resul Pookutty with co-sound designer Vijay Kumar

contrast to what’s ahead, and Pookutty wanted his sound design to emphasise this. “Kerala should be full of water and greenery, with all of Najeeb’s memories of rain and river. When he goes to the Middle East, the water recedes and it becomes harsh, dry, hot and dusty. My main focus was to capture sonically what was present in the desert.”

His technical toolbox includes wireless microphones and bodypacks mics from UK manufacturer, Audio Limited. “I love the sound of them, and ever since Black I’ve use their mics. [Company owner] Kishore Patel interacts with me, and he gave me some new A10 mics. I had six with me, and a couple of Lectrosonics’ legacy series analogue UM400 transmitter and receivers for high ranges.”

The drastically fluctuating temperatures of the desert called for a reliable recorder, and Pookutty turned to what he terms his “go-to” brand, Sound Devices, using a 788T portable 8-input mixer with 12-track recorder and MixAssist; a 664 12-input mixer with 16-track integrated recorder and timecode; and a MixPre-10 32-bit recorder as a backup. “They work well across the board and adapt to different environments. I love my Neumann KMR 81 short shotgun and KMR82i long shotgun mics and Schoeps CMIT and MiniCMIT boom mics, plus a Sennheiser MKH50 supercardioid and an MKH 60-30 MS stereo pair for ambience. I have a custom-designed Cooper 208D board which I’ve used from Black and Slumdog days; it won me an Oscar so I can’t live without the sound of Cooper!” The desert’s hostile conditions were the most challenging aspect of the shoot, along with sound travelling from up to 4km away and a busy film unit. Another challenge was capturing animal sounds – predominantly goats and camels – naturally. In a scene where Najeeb has been beaten up, a small goat tries to help gather the herd. “The sound of each goat is laced with human emotion; the baby goat calls the rest of the group and the response coming from each of them is different in its tone. It couldn’t have been such an emotional scene without the rightful use of narrative sound,” he explains. “I had to go back to the Middle Eastern desert, find the livestock and generate the sounds required, including walking and working with the camels and goats and driving miles into the desert, sitting there throughout the day and night to get the right sounds.” In another sequence where the main characters escape and became dehydrated, their vocals change. As this was dangerous to recreate in 50° heat, it was planned to do it in ADR. “It didn’t sound close to how they did it in the shoot, so I went back to every outtake, every breath and movement and constructed it from that, using some plugins, EQ and dynamics to make the dehydration scenes believable. The FabFilter Pro-Q series and Maag Audio EQs are my favourite, coupled with Waves C4 and C6 multiband compressor plugins to remove unwanted muck. SSL channel strip and EQ plugins and a Soothe2 dynamic resonance suppressor retained the warm

Working with longtime collaborator and celebrated composer, A R Rahman, another sequence saw a character find a bottle and start blowing it. “Rahman had a beautiful score rendered through a flute for that sequence. I suggested that we should use the sound of the bottle instead of the flute.” Rahman asked Pookutty to blow into an empty bottle in front of a mic to recreate his music. “When we were mixing the sequence, I realised that his original vision was right. It was not about being true to the sound of the bottle but about the emotion being right, so I started off that sequence with the bottle sound and blended music into the flute he originally composed, which was his instinct.”

Back in the Pro Tools HD suites in his Mumbai studio, Pookutty worked with crew members including Vijay Kumar,

Moushumi Ghosh, Arun Rana and a Foley team in Ukraine. Long-time associate Cheerag Cama was also onboard, having handled production sound mixes in the desert. “I generally start by meticulously editing the dialogue to remind me of what I was thinking when I was recording that material,” explains Pookutty. “I will have made handwritten notes for sounds I couldn’t record that I should go and search for – I have an elaborate library.” He also sources sounds from Foley artists from around the world: “Certain Foley artists work in a different way; I have a team in Spain, Los Angeles, Paris, London, Ukraine and here in Mumbai. Familiarity of the subject is important – we don’t do good snow sounds here, unlike the West, and it’s the same for high-heeled shoes.”

EdiLoad and Titan post-conform software running with Pro Tools is used to capture sounds from the original recordings. “Most of the time I stick to the mix I’ve done on location,” he continues, adding that digital recording has led to resourcing everything from the ISOs (isolated recordings). “When mixing is done on location, the engineer is committing to aesthetic and technical choices which make it unique. If there are any technical flaws, I resource that section from the ISO. I only use noise reduction software when absolutely necessary, and only then at the final mix stage. When you remove something from an original recording, some element of originality goes. We can always cheat the brain and, if I can do some dynamic

processing, EQ or simple 4-band compression, get rid of unwanted sound and mask it with sound design, the original recording has its own energy. An actor’s breath is as important as their presence in the frame.”

Pookutty attributes this way of working to his roots in the analogue era: “I visualise things even before I record. Today’s technology is constantly telling you that the faculty of memory is not required anymore, for anything. But, for me, the understanding of sound and cinema is visualisation and memory. The technology allows me to do more precision work than I did 15 years ago, and I love it for that. I use the sensibility of the old school and the technology to arrive at it: plugins, the tremendous power of Pro Tools in mixing the film. But I still believe there is nothing to replace clean recordings. Super importance has to be given to the recording chain –microphones, preamps, mixing board and recorder – so you’re not adding anything. In the era of AI, when challenges are faced by the sound team, what do you do? Go back to the basics. Record faithfully and edit faithfully, and that is what I’ve done in The Goat Life, bringing a human element to the AI onslaught to create a sound design that is totally believable.”

www.lectrosonics.com

www.sounddevices.com

Director Blessy and Pookutty (third and fourth from left) with the sound design and mix team

Pookutty worked closely with the desert animals to record accurate sounds

Resul Pookutty on location with his recording rig

Shooting the watery scenes in Kerala

Rasa rises up

visits a new club that’s making waves on Singapore’s vibrant nightlife scene

CONCEIVED AS A VIBRANT CULTURAL SPACE FOR THE performing arts, Rasa is rapidly distinguishing itself in the ultracompetitive Singaporean entertainment sector. Hosting electronic music and live performances in a space styled by Berlin’s renowned interior design company, Studio Karhad, the community venue’s identity has been largely shaped by its unique audio and lighting designs.

Studio Karhard was commissioned by Rasa’s founder Kavan Spruyt, who’d worked with the interior design team on Berlin’s Berghain club. This was the studio’s first showpiece in Southeast Asia, and cofounder Thomas Karsten has shaped the niches and spaces of Rasa, by adopting a neutral palette combining muted tones and textures.

The 575m2 footprint houses two distinctive rooms – Hall and Floor. Hall features a cocktail bar and restaurant lounge, its oval bar serving Southeast Asian-inspired beverages set against a taupe interior and illuminated by an overhead steel mesh lighting grid. Separated by a 4.5m-high acoustic panel saloon door, Floor is a music lounge where orange plush sofas contrast with coral-toned walls.

The versatile Floor can quickly transition to host diverse events including live performances, discussions, workshops and exhibitions. Offering a sweeping vista of the city’s Central Business District, Floor’s expansive double-glazed window provides the perfect backdrop for a drink at the bar.

Convert Textured was commissioned to design the lighting.

The Bandung-based design and motion graphics studio specialises in creating immersive experiences by combining light, multimedia and design. Adapting an ambience for any occasion, the space is bathed with a soft glow by day that transforms into an after-dark sanctuary characterised by atmospheric warmth.

Rasa’s global electronic music collection exposes audiences to electronic subgenres that rarely surface in Singapore’s nightlife, the selection centring on house and electronic music from Wednesdays to Saturdays. A different tone is set each night, from reggae, downtempo, funk and slow-mo to four-onthe-floor rhythm, soulful house and techno.

One of the main objectives of Floor was to give guests an exceptional sensory experience, with the lighting, sound and design elements working in harmony. The Rasa team worked closely with Studio Karhard, Convert Textured and Singaporean AV specialist Sean Iskhandar to ensure the overall visual aesthetics and sound quality have been fully optimised. Rather than opt for a typical raised DJ platform for Floor, a groundlevel booth was designed to allow a close connection between artists and audience, resulting in a spacious dancefloor. Flanking the DJ console to deliver a dynamic full-range, vertically stacked speakers reproduce the required frequencies for both live performances and electronic sets across various genres.

Further distinguishing the venue’s unique identity, the handassembled audio system by UK producer TPI was designed and installed by Iskhandar. “One of the key objectives was to create a unique audio installation here in Singapore,” he says. “When Kavan commissioned me to design the sound system for his

A ground-level DJ booth is flanked by a TPI Type.MFR dance stack

Floor’s expansive window provides a sweeping vista of the city

Hall and Floor are separated by a 4.5m-high acoustic door

new project, I wanted to propose something both unique and fit for purpose, yet of high quality in terms of sound.”

Never one to accept the status quo, Iskhandar widens his horizons by constantly seeking new audio technology and brands.

“When I heard a TPI audio system at Beamcube in Bangkok, I was immediately blown away and knew I had found what I was looking for at Rasa,” he says. “Built using high-quality components, this audio system has been specifically created for electronic music. I reached out to Giles Smith from TPI and was impressed by their high standards in both construction and electronics. TPI builds to military specifications and, in my opinion, this brand is the UK’s best kept secret to the discerning audio connoisseur.”

Turning to Smith for advice, Iskhandar specified the TPI Type.MFR dance stack for the DJ FOH system in Floor. Capable of operating within a 20Hz–22kHz frequency range (±3dB), freestanding left and right MFR Top 3-way loudspeakers combine with Type.MFR Sub 18-inch subwoofers. Loaded with a 1.4-inch hybrid compression driver for the high frequencies, the MFR Top combines dual 8-inch transducers for the midrange with a single 15-inch subwoofer for low-frequency extension.

Even room coverage has been accomplished by adding extra L-R Type.MFR Subs with Type.MFR Riser dance stacks, a single 15-inch mid-bass extension cabinet designed to integrate with a Type.MFR system. By adding mid-bass output, the MFR Head rises by 470mm, with a 10° downward tilt to focus on the audience. “The low-end bass and punch can be felt from the front to the back of the room,” Iskhandar enthuses.

One of the design stipulations was for the audio from Floor to be transmitted to the neighbouring Hall. In addition, a request was made for two systems, including one for live stage performances, to be created for two orientations of Floor from midnight. “This is a unique feature of Rasa,” continues Iskhandar. “The two rooms can be combined to create one when the huge swivel door separating them is opened.”

In addition to the FOH dance stacks, a stage perpendicular to the DJ console has been created. Fulfilling live performance reinforcement to the rear of the room without signal loss, L-R Type.FV1 speakers can be switched to infill speakers during DJ performances. Two settings – DJ FOH and Live Stage – are

Like the loudspeaker components, the DJ mixer was specified for its unique characteristics and high-quality build. Offering both linear and rotary fader options, a Union Audio elara.6 has been provided for Floor, together with an Allen & Heath 20-channel CQ20B stagebox console for DJ and live performances and Pioneer CDJ-3000 DJ multiplayers. With the loudspeakers powered by Type.PM8HD 4-channel amplifiers, the subwoofers are powered by Type.PM10HP 2-channel Class-D power amplifiers.

Driven by a TPI PM8HD amplifier and processed by a TPI Producer, the Hall bar lounge is equipped with multiple TPI Type.FV8 8-inch cabinets and Type.UC15G subwoofers. A Dante network connection between the two rooms has been established by adopting a Netgear GSM4210PD switcher which transmits audio signals between the two TPI Producer units. “To transmit the Floor DJ programme to the Hall at midnight, the sound engineer simply recalls the preset on the TPI WAND software,” explains Iskhandar.

Having admired the club projects that Convert Textured has executed recently in Bali, Bandung and Jakarta, Iskhandar enthusiastically recommended the Bandung company to Spruyt. “When the Rasa project emerged, I met Convert’s cofounder Eko Suranta in Jakarta to discuss it in more detail,” he says. A 3-way video conference with Studio Karhard in Berlin, Rasa in Singapore and Convert Textured in Bandung confirmed their appointment. The bespoke lighting design includes 40 customised LED strips, eight LED beam spot moving heads, six LED matrix blinders, four wall washers and two LED strobes. The combination tastefully fills the space and provides various options for lighting scenes.

The sound system has clearly impressed club owner Spruyt. “The TPI audio system is incredibly warm and smooth yet not overly aggressive,” he notes. “By producing optimum clarity without straining the ears, our patrons at the venue can enjoy personal conversations or simply lose themselves on the dancefloor.”

A Union Audio elara.6 DJ mixer joins the Pioneer DJ multiplayers at Floor

Hall’s oval bar is illuminated by a steel mesh lighting grid

Open-minded protocol

Richard Lawn visits Singapore Polytechnic where a new NDI system is helping students to master hybrid live and streamed events production

ESTABLISHED IN 1954, AND PROMOTING ITSELF AS “future inspired”, Singapore Polytechnic is the oldest of its class in the Lion State. This claim was recently backed up when it became one the first higher educational institutes to adopt a pioneering NDI (Network Device Interface) video production and streaming system for its students; an initiative now benefitting a new generation of aspirational engineers.

The NDI setup forms part of a module for diploma students in the Integrated Events and Project Management (DEPM) programme, focusing on live and hybrid events. The DEPM programme trains students in real-world engineering projects, with opportunities to create, plan and execute live events in collaboration with their industry partners. Working on collaborative projects for the polytechnic’s events in the video production studio, students are gaining valuable hands-on experience with the newly installed NDI system.

Since joining Singapore Polytechnic as a DEPM programme lecturer in 2000, Kung Yew Ong is a driver of innovative technology. As one of the selection panel judges, Ong recommended the NDI design submitted by systems integrator, Ideal Systems. “To my knowledge, no other polytechnic has adopted an NDI platform yet,” claims Ong. “I have been working with Ideal Systems since 2021 on this current procurement. Despite the elapsed three-year period, the design proposed by Ideal Systems incorporates the most current NDI technology on the market.”

The decision to upgrade the facilities at the height of the pandemic coincided with a return to campus of internship students.

“With no events staged during the total lockdown, companies would not pay our interns,” he continues. “Upon their return, our students were in limbo as they could not graduate until completing their internships. Having opted to continue their internships, I assumed responsibility to create our own programme for them. With a low budget, I invested in a new PC loaded with XSplit software livestreaming for teaching.”

Having learnt how to use it, Ong challenged himself to find the best streaming platform. As part of the programme, the faculty

added a livestreaming event with a large green screen and set up the Event Laboratory in addition to requesting its business partners to host free lectures and talks. “Following the pandemic, the world had changed, and hybrid is here to stay,” he asserts. “One of the key areas of teaching live and hybrid events involves onsite activities while broadcasting to viewers.”

Previously, students set up a PC with a portable flightcase in the Event Hall without having to make any further connections apart from plugging in a camera and providing a presenter microphone. “By making the course less technical for our students, we could focus more on teaching the software content,” says Ong. “By partnering with Ideal Systems to upgrade to the NDI standard,

we can now stream events from up to six locations for combining into one livestream for viewers. With power and an IP-addressable connection, the locations for our portable setups are unlimited.”

Each of the six portable flightcased systems come equipped with the bulk of the inventory required to enable a livestreaming event. Ideal Systems sales manager Jack Jiang explains the benefits: “This is not a new building, and the laying of new cables was restricted. Therefore, by running just one network cable from the camera endpoint to the control room, a major obstacle was removed. Secondly, with NDI being a flexible open-source protocol as opposed to one that is proprietary, we could allow different brands to operate together on the same network.”

At the heart of the control room suite, a Vizrt TriCaster 2 Elite live production system possesses all the production capabilities required for the polytechnic. These include live video switching, broadcast graphics, virtual sets, special effects, audio mixing, recording, social media publishing and web streaming. Supporting Skype, MS Teams, Zoom Meetings and multiple IP video sources together with legacy SDI sources among others, multiple presets have been programmed for students by Ideal Systems. The IPbased live production system can also automatically detect video formats and resolutions up to 4Kp60.

Providing HD/UHD resolution and remote controllable, low-latency streaming, each of the flightcases is equipped with Panasonic AG-CX350 4K camcorders and BirdDog P400 PTZ cameras. DIenabled Netgear network switches were specified on account of their proven fast data transfer between multiple video sources, together with Perle 4G/5G 4-channel wireless routers for a secure data transmission from the flightcased PCs.

SRT (Secure Reliable Transport)/NDI gateway integration between the incoming flightcase transmissions and the final visual output is enabled by an AJA Bridge Live, which serves as both a switcher and matrix in the control room. Visualising both switchable video sources in the software display as programme inputs, the programmer can add mixed effects and further edits using Vizrt Viz Artist software. “This was the first time that I had used an AJA

L–R: Ideal Systems’ Jack Jiang and Singapore Polytechnic’s

One of the Panasonic 4K cameras used for livestreaming events

Bridge, but I found it very straightforward to install,” continues Jiang. “Our engineer Terry Jefferson preconfigured the Bridge Live to make it easier for users to control.”

Each flightcase contains a Yamaha TF1 digital mixer with a Dante network card. Sennheiser EW digital wireless microphone receivers and e 935 handheld transmitters capture audio in dynamic environments without interference. As the appointed audio consultant, Artsound Acoustics principal Ian Tan was provided with an overview of how the NDI system and proposed SRT technology would operate together. In addition to ensuring that the specification was maintained, Tan highlighted the benefits of installing a streamlined Dante audio network infrastructure.

“Without Dante, we would have two separate systems whereby the live sound could not be patched to the online system,” explains Ong. “Should we be hosting a live event, I would not be able to use any microphone because they only work with the main Allen & Heath SQ-6 mixer. This main FOH mixer cannot receive the wireless mic inputs from the NDI network, so Dante provides a connection directly to the Yamaha mixer, for patching to the online system,” adds Jiang. During the integration of the NDI system, the project faced a potential delay due to network bandwidth issues with the telecommunications provider. To secure a dedicated line with sufficient speed, Ideal Systems was forced to collaborate with the provider. “This was the most challenging aspect of the works because we had no control,” says Jiang. “Our engineer, Hanks Tan, spent almost three weeks attempting to open the gateway that would ensure the network would operate.”

Complemented by a comprehensive selection of LED lighting fixtures with adjustable colour temperature, the system is now being used for events including dinners, dances, product launches and symposiums. “The key benefit NDI brings is low latency, which is approximately one second in the polytechnic faculty,” explains Ong. “If we are inputting an international stream from Malaysia or the UK, it is only about three seconds, so an online audience will not suspect such a delay.”

Combining onsite activities while broadcasting to viewers, the students have rapidly mastered hybrid production with the

Systems to upgrade to the latest livestreaming standard,” closes Ong. “Although we don’t have the same business model as Mediacorp with their stars and varied content, our broadcasting capabilities are not too dissimilar. The big advantage for us now is that our productions can be streamed in real time, and we are developing tomorrow’s talent.”

www.idealsys.com www.sp.edu.sg

A portable BirdDog NDI 4K PTZ camera is the main visual input

Kung Yew Ong

AS SINGAPOREAN HOTEL STANDARDS CONTINUE TO rise with customer expectations, existing property owners must continually invest to stay ahead of the pack. With new four- and five-star properties being unveiled, there is increasing pressure to maximise revenues by ensuring loyal customers don’t have their heads turned by recent arrivals.

From its exterior, the 30-level Grand Copthorne Waterfront Hotel overlooking the Singapore River does not hint at a cutting-edge AV installation. Located on levels two to four of this premier conference hotel, 33 versatile meeting rooms demand the most current and dazzling AV and lighting technology for a packed agenda of corporate and social events. Together with the F&B outlets on the ground level, MICE (meetings, incentives, conferences and exhibitions) operations generate a significant proportion of the annual turnover, yet additional investments always need to be quantified and qualified.

As part of a major upgrade in 2016, Concept Systems Technologies (CST) designed and installed the bespoke AV and BGM systems on the lower four levels of the hotel. The hospitality specialist’s trademark signature of discreetly installed AV systems, tastefully integrated digital signage, neat cabling and ease-of-use control are benchmark standards today in Singapore. Recently, the company was recalled to the Grand Copthorne to deliver an upgraded AV solution within a specified budget and tight deadline.

Following an open tender, the AV design proposal submitted by CST proved to be successful. “We received other competitive, high-tech bids, but venue familiarity certainly helped CST’s cause,” explains director of banquet, food and beverage, Thien. “It is hard to ignore the solid reputation that CST has built among Singaporean hotels over the past two decades, including the Marriott at South Beach, the W Sentosa, the Hilton and the Pan Pacific.”

From cutlery to chandeliers, today’s hotel manager can ill afford an error of judgement when making purchases and appointing teams to deliver a vision that will endure across the following decade. In addition to the AV and lighting works, Thien was tasked to oversee the suppliers and contractors brought in to refurbish and replace

other elements including the air conditioning units. “Catering to corporate and social events, including weddings, clients are looking for the right ambience and space,” continues Thien. “To compete, the AV technology must be current and state-of-the-art, but CST reassured us that we could continue to provide best-in-class AV technologies capable of surpassing their event expectations.” Assuming responsibility for the AV upgrade of the hotel, CST managing director Jimmy Lim re-familiarised himself with the 6,200m2 of MICE event rooms. Capable of hosting 600 guests during a banquet or as many as 460 in a classroom setup, primary attention was placed on the divisible fourth-level Grand Ballroom. The room upgrade stipulated a higher power loudspeaker system,

together with modular LED displays for viewing in either combined or divided room scenarios.

Providing seating flexibility when in landscape or portrait mode, two high-impact AOTO U2.5 2.5mm LED displays command guests’ attention upon arrival. Housed in aluminium frameworks with split power supplies, the customised displays are suspended on an overhead tracking system that can be manually pulled apart when the room is split lengthways by the dividing screen. A 7.68m x 4.3m (WxH) 2K LED wall comprising 108 U2.5 P2.5mm pixel pitch tiles (640mm x 480mm) is split into left and right grids, each consisting of 6x9 panels. The smaller P2.5mm LED display on the adjacent wall comprises 72 U2.5 LED tiles in a fixed 9x8 configuration.

The Galleria Ballroom is equipped with three fixed AOTO U2.5 LED displays

The Grand Ballroom’s AOTO 2K divisible LED wall comprises 108 individual tiles

Should a fault occur, any of the 7.7kg panels can be serviced from the front and hot swapped in situ.

The heavy-duty manual tracking system hosting the main LED is coupled with primary and secondary supports running across the width of the ballroom including two 300kg rollers. Prior to installation, a detailed survey of the ceiling revealed where the sprinklers, electrics and air conditioning vents were concealed. The three existing 16,000 ANSI lumens projectors and LAV motorised screens were removed from their berths, serviced and repositioned in the lower-level function rooms. The AOTO LED solution is completed with rackmounted 8K video processors and an LED pixel mapping controller.

In addition to Datavideo 3G PTZ cameras and Blu-ray player, video signals can be routed over the Cat6 infrastructure from six newly installed Kramer WP-20 4K60 wall plates into an existing Kramer 8x8 HDMI matrix switcher via individual TP-580 HDMI receivers and transmitters. The stainless steel wall plates allow local audio and visual connectivity including mic inputs and speaker outputs together with Cat6 RJ45, SDI, DMX, BNC and HDMI/VGA provisions. The inclusion of a Xantech XT-4K-VIP AVoIP system provides video distribution from the Grand Ballroom to any of the other rooms on the network.

Two audio systems had originally been installed to address the multifunctional needs of the 6m-high room. While an Electro-Voice

ceiling speaker system was integrated to aid speech intelligibility and provide BGM, L-R arrays comprising dual 8-inch cabinets and single 15-inch subwoofers were installed for higher SPL live entertainment applications. Following a full survey of the Grand Ballroom’s BGM loudspeaker system, the existing EV C12.1 ceiling speakers and other components including EV CPS4.10 and Q1212 amplifiers were found to be in full working order. A testimony to the selection of components in 2016, and warranting a good return on investment, the ceiling speakers were simply removed, reconditioned, serviced and replaced. The original Crestron AV2 media presentation system and three Apple iPad touchscreen interfaces remain in place.

CST fulfilled the hotel’s request for a higher SPL loudspeaker solution by installing an L-Acoustics A10i constant curvature line source speaker system into the Grand Ballroom for main events. Ceiling-suspended in pairs in each corner of the pillarless 850m room, the four A10i arrays augmented by four groundstacked KS21i 21-inch subwoofers provide ample power, clarity and even dispersion throughout the divisible space. Powered by an L-Acoustic LA-RAK consisting of dual LA4X amplified controllers, the loudspeaker system can be managed and controlled from the existing processing system. Mixing is now performed on a newly installed Allen & Heath Qu-32 mixing console, with CST audio engineer James Brighouse reprogramming the various DSP presets to bring them up to date.

Providing various lighting scenes according to the desired ambience of the occasion, 22 Martin ERA 300 Profile LED moving heads have been installed in the 1.5m ceiling void. Their coordinated movements are stored as presets within the LightJockey desktop software controller. Serving as primary visual inputs, five wallmounted Datavideo PTC-140 3G PTZ cameras are controlled from an SE-1200MU 6-channel video streaming production unit.

As in the Grand Ballroom, a blend of smaller-scale, new and existing visual technology has been used throughout the two smaller ballrooms. Directly below on level three, the Galleria Ballroom can accommodate up to 210 guests when combined in theatre mode. In addition to three pre-existing Epson EB-L630U LCD laser projectors, the lower ceiling headroom also incorporates three smaller-scale fixed AOTO U2.5 LEDs comprising a total of 80 P2.5mm panels. A Kramer VS-88 HDMI matrix switcher receives SDI signals from WP-20 4K60 wall plates. Reconditioned Apart ceiling speakers and Norton point source enclosures continue to output BGM and live entertainment. Likewise, the Martin Rush MH 5 LED profiles were reinstalled following the ceiling’s redecoration. With an ability to host 360 guests in theatre mode, the level two Waterfront Ballroom required a more extensive upgrade than the Galleria above. The visuals now incorporate three AOTO displays, a Kramer VS-88 matrix switcher and WP-20 4K60 wall plates. In addition to the existing BGM system comprising Montarbo 8-inch and Ecler 10-inch ceiling speakers, however, a higher-SPL solution was required. Driven by a Powersoft Quattrocanali 2404 DSP amplifier, six Norton i12 coaxial enclosures and dual SB118 subwoofers have been added for events when the three rooms are combined. Controlled from an Arc-2e wall panel, loudspeaker

The original, reconditioned loudspeaker system components from 2016, including the Apart CM1008 and EV C8.2 coaxials, Yamaha MG16XU mixers and DSP units in all the hotel’s function and meeting rooms, remain in situ. Similarly, the surviving elements of the visual signal chain, including LAV Hariz motorised screens together with Kramer matrix and scaler switchers, continue to be controlled over the wireless network via Crestron AV3 processors. Higher-resolution Epson LCD laser projectors together with Samsung 95-inch 4K displays and Kramer VIA GO2 4K wireless presentation technology have been installed to enhance the meeting room experience.

The inclusion of on-trend AOTO LED displays is stimulating attendees taking part in an ever more diverse range of MICE events. “Following the works, it was reassuring to note that the vast majority of our previously existing AV technology had not become outdated over seven years,” remarks Thien. “The addition of higher-power loudspeakers in two of the larger ballrooms, together with the AOTO LED displays, greatly futureproofs our capabilities. By sensitively installing a more powerful audiovisual solution where required, CST has fully comprehended our requirements, minimised costs and enhanced our green credentials.”

As MICE constitutes one of the hotel’s major revenue streams, CST could not disrupt functions taking place during the upgrade. The stipulation to minimise noise pollution during the six-month period onsite proved to be one of the main challenges faced by the engineering team. This short timeframe also encouraged an unusual sense of camaraderie among the various contractors. “More than ever, we all valued each other’s contribution and realised that we were all in this together,” reflects Lim. “As a result, we helped one another when required.”

settings are managed from a Symetrix Prism 8x8 processor. CST’s makeover of the Waterfront was rounded off with Martin ERA 300 Profile LED moving heads.

L-Acoustics A10i line sources and KS21 subs are installed in each corner of the Grand Ballroom

Martin LED moving heads add an extra lighting dimension when required

The Waterfront Ballroom is reinforced with Norton i12 coaxials and SB118 subs

Two AOTO U2.5 LED walls provide seating flexibility in landscape or portrait mode in the Grand Ballroom

SSL Live

Superior

From Studio To Stage

Solid State Logic has always set the benchmark for audio performance, with sound quality being the primary design consideration for SSL Live consoles. Nothing is sacrificed in order to deliver superior sonic performance. Designed for the most demanding large-scale productions, SSL Live consoles excel in environments where multiple live, broadcast, and streamed/OTT mixes are often required. Equipped with SSL Live’s next-generation patented Optimal Core Processing (OCP) technology, SSL Live consoles offer the perfect balance of production power and control.

Contact one of our live sound experts to find out why you should step up to SSL Live.

SSL International Headquarters sales@solidstatelogic.com +44 (0)1865 842 300 Find Out More www.solidstatelogic.com

Sonic Performance

Banking on success

Caroline Moss visits a new residential AV facility in India built for the express purpose of training staff

AS OF OCTOBER 2024, INDIA’S TOP 20 FINANCIAL services companies – a sector expected to grow rapidly driven by digital adoption, rising incomes and government focus on financial inclusion – had a combined market cap of US$680b. Given this climate, it’s understandable that one of the biggest banks in the sector is investing heavily in purpose-built residential training facilities for its staff across the country.

Back in 2023, India-wide systems integrator Innovative Systems and Solutions (ISSPL) won the tender to equip a ground-up training facility for bank staff. The completed building welcomed the first intake of trainees in October 2024, offering training rooms, conference rooms, meeting spaces, an auditorium, 132 hotel-style rooms and communal areas.

ISSPL began work when the building was still a shell. “We collaborated with the team by sharing our equipment installation plans and drawings, which were carefully aligned with the preexisting room layouts and designs,” explains ISSPL CTO, Bhavin Sureliya. “By providing this information early on, we enabled the conduiting and cabling to be completed concurrently, ensuring a seamless and efficient installation process. All the rooms we’ve equipped have been designed to be very user-friendly, relying on single-touch operation. The only technical skills needed are in the auditorium because it’s a live setup that will be used to host conferences, presentations and larger meetings. Although not designed as a performing arts venue, it’s anticipated that occasional entertainment during Indian festivals will be staged. It’s Teams-enabled, and we’ve integrated cameras into the auditorium.” Sureliya’s team worked closely with the project’s audiovisual and acoustics consultant, HMPL Consulting, marking the company’s 10th successful collaboration with the client, an ongoing process HMPL describes as being a consistently smooth and rewarding experience. The objective was to deliver a system

that would be simple and user-friendly on the surface yet robust and comprehensive beneath, designed to handle all applications seamlessly and efficiently. “Our design philosophy centred around a minimal hardware footprint, reducing potential points of failure while ensuring full functionality,” explains HMPL’s Selwyn Fernandes, who

Auditorium FOH is handled by an Allen & Heath SQ-5 digital mixer

workflow, effective resolution of onsite challenges and the delivery of a system that not only performs exceptionally but also blends effortlessly into the space,” adds Fernandes. “We’re happy to report that the purpose-built system functions exactly as it was originally envisioned.”

The ground-floor multipurpose auditorium features an LG 6m x 3.4m active LED videowall above the stage, accompanied by an LG 55-inch confidence monitor for presenters. Two BirdDog P400 and P4K PTZ cameras capture presenters and audience participation. The main L-R audio system comprises six TW Audio Ella6 compact line array modules and two Vera S32i subwoofers in cardioid mode. A front-fill system of four TW Audio M8i monitors – the installation version of the M8 featuring an 8-inch LF driver, a 1-inch compression driver and rotatable 90° x 60° horn – covers the first three rows of the auditorium, while onstage monitoring is provided by C12 wedges. The audio system is powered by Full Fat Audio FFA-8004 and FFA-4004 amps.

An Allen & Heath SQ-5 digital mixer with an SQ-Dante 64x64 card and DT168 I/O interface handles audio mixing, while a Full Fat Audio FFA F48S audio installation processor allows mixing

Front-fill TW Audio M8i speakers and M8 stage monitors in the auditorium

The 250-capacity auditorium can host live and hybrid lectures and seminars

of analogue and networked audio inputs. The auditorium is also equipped with a Sennheiser Evolution Wireless digital microphone system and a Biamp Crowd Mic system, enabling audience participation through mobile phones.

A NewTek Tricaster Mini 4K compact video creation system facilitates simple storytelling using the control surface and PTZ Controller. Also provided is a Crestron DM-DGE-200-C digital graphics engine which transforms an HD or Ultra HD touchscreen display into an annotation screen. A variety of Lightware technology including multiformat Taurus series switchers and point-to-point extenders completes the setup.

“This space serves as a hybrid meeting room, accommodating both in-person gatherings and virtual Teams meetings,” explains Sureliya. “The camera and audio systems enable seamless connectivity, allowing feeds to be transmitted to any room within the facility or externally. Additionally, the auditorium is fully equipped with assistive listening technology to ensure inclusivity.”

Q-SYS plays a multifaceted role in the auditorium’s AV infrastructure, encompassing audio processing, control automation and audio processing for video conferencing. “At the heart of this system lies the Core 110f which serves as the central control hub, overseeing various aspects such as video switching, source selection, audio level controls and recalling multiple scenarios,” explains Sureliya. “The Core 110f also facilitates advanced

as well as remote participants. All areas are Teams-enabled so participants can join remotely and three are equipped with Contacta assistive listening systems. Two QSC PTZ cameras in each of the rooms are used for the presenter and the audience, respectively.

A Christie DWU960-iS laser projector is focused towards the front walls of the classrooms, which have been painted with Screen Goo coating paint to function as projection screens. “Even with the lights on, the image is very sharp, with good definition,” explains Sureliya. “This was a cost-effective solution for the client. When the projector is switched off it just becomes a grey wall.”

A trainer table in each of the classrooms has a small rack with a Lightware Taurus UCX universal matrix switcher built into it, providing single-cable connectivity for USB-C and HDMI. As well as facilitating connection to third-party BYOD technology brought into the classroom by visiting lecturers and students, it also facilitates HDMI connection to a Lenovo Thinksmart Core and Controller kit which is running MTR (Microsoft Teams Rooms) software so the rooms can be used as hybrid educational spaces. Again, Sennheiser Evolution Wireless digital microphone systems have been provided for presentations and group discussions, along with a Catchbox Mod throwable microphone – an ingenious device allowing most third-party beltpack transmitters to be connected inside a padded cube which can be thrown to audience members for increased interaction in discussions. Audio in these rooms is

Brightsign XT1144 digital signage in the property, as well as LG 43UQ801C TV screens in each of the 132 guestrooms, and another LG 55UH5F-H screen, together with Audac WX 502 and Audac EPA104 speakers in a yoga room where participants can spend downtime between training sessions.

This is currently one of the institution’s largest training centres across India, and it’s anticipated that staff will stay for 3–4 days on average. The bank’s project manager, who had spent 18 months working onsite dealing with a total of 44 vendors and consultants, had only good things to say about Sureliya’s team at ISSPL. “There’s been lots of back and forth between consultants and requirements from our HR and admin teams, and they have been great at considering each and every request and modification,” he says. “It was a really good experience to be part of this project and work together with them.”

www.hmplconsulting.com

L–R: ISSPL’s Nikhil Sawant, Vrajesh Thakkar, Bhavin Sureliya and Ganesh Sarjine

The larger conference rooms have Sennheiser TTC2 ceiling array mics and QSC PTZ cameras

Dan Daley ponders the impossibility of spelling “animate” without AI

THE HEADLINES TELL THEIR OWN NARRATIVE: “WHY artificial intelligence will never replace musicians” followed with “Will AI replace musicians?” pursued closely by “AI will not replace artists but will devalue them” and then, precariously, “Will AI kill your music career?” There’s a lot of brave faces being put on in the music industry these days, accompanied by nervous watching of what the cool code kids are up to: animation. As the world awaits the drop of the antepenultimate season of Rick & Morty , whose popularity bestows it with a media schedule closer to that of a head of state rather than the animated series that it is (a dozen years after it debuted we’re still waiting on season 8), it’s useful to remember that North America and the US in particular is the world’s largest animation market. We love our cartoons. And why wouldn’t we? Bugs Bunny helped win WWII. Wiley E Coyote’s doomed attempts to do in the Road Runner are a parable for the pointlessness of existence worthy of Albert Camus or Confucius. The Jetsons promised the American Century would prosper well into the 21st and beyond; The Simpsons remind us that it’ll be unaffordable and poorly assembled.

A letter from America A letter from Europe

As a category, animation was valued in 2023 in North America at US$23.22b and is expected to grow to $36.73b by 2031. Unsurprisingly, voice acting as a career has taken on a new lustre in the US. Between primetime, reruns and syndication, voice actors on the most popular animated shows pull down compensation that many film actors envy. And with a reliable internet connection and quality audio interfaces and microphones, they may never have to leave the comfort of the own pyjamas to play their parts. Nonetheless, animation is still a big revenue generator for conventional recording studios, many of which have added voice production along with podcasting to their menus. So there’s panic in cartoonland as AI begins to make inroads into this lucrative landscape. The leading concern is that AI could generate high-quality voiceovers at much lower cost, potentially replacing human voice actors for many projects, particularly as voice actors on long-running shows – those Simpsons are now in their 37th season – age out or pass away. This became a negotiating point for the Screen Actors Guild (SAG) and AFTRA, the key US film and television performers’ unions, during their 2023 industry strike. The solution is less than

ideal: the new contract establishes terms for the creation and use of digital replicas of performers’ voices, giving them substantial control over any uses of AI-generated vocal reproductions, but it’s a deal that needs to be renegotiated on a case-by-case basis with individual production companies and actors.

You have likely already heard of – but not actually heard –the “silent album” made by Paul McCartney, Elton John, Kate Bush et al. to suggest what the world loses when AI uses their music without compensation. The animation industry has yet to figure out that kind of stunt to call attention to its own AI issues. The bottom line is that anyone who makes a living in front of a microphone has become vulnerable to AI’s sharp blade.

Rick & Morty may have one last note to add to the story. Before season 7, the producers needed to find a replacement for Justin Roiland, the series’ co-creator who voiced the lead characters but who was summarily booted by the production company for alleged sexual harassment (all charges were later dismissed). As it turned out, his replacements were two actual human beings. Thanks to AI, it may be the last time that happens.

In the face of converging technologies, it’s important to retain a distinction between the concert hall and the meeting room, argues Phil Ward

DESPITE A RECORD-SMASHING ISE IN BARCELONA, or perhaps because of it, there are two cultures that are clashing right now. One is entertainment technology, with the emphasis on entertainment; the other is AV, with the emphasis on V. It doesn’t help that, over the past 5–10 years, entertainment technology businesses have started to call themselves AV companies. This is partly because they have audio and video equipment on the go, as well as lighting and everything else, and partly because AV has become the buzzword of the day. For some reason. Anyway, it’s confusing everyone, including me.

One culture is steeped in live performance, for which the last word in professional audio, video and lighting is required, night after night. The other is steeped in meeting spaces, presentations and conferences, for which mineral water and biscuits are required, day after day. No doubt, the quality and sophistication of technology for these purposes has risen, not least because it is now supplied by the same people who supply Taylor Swift, if indirectly. But what hasn’t risen alongside is a true grasp of the opposite culture and, as a result, sales and marketing messages are struggling to keep up.

It may be that, in the UK for example, solutions giant Midwich has a controlling stake in Sound Technology, the local pro audio wing of Harman Professional. But their techniques of communication are blurring into a middle ground of part-consumer, part-B2B, part-something else that disguises the sales channels and camouflages the customers, leading to less effective communication. Why else would you find JBL citations in MusicRadar and American Songwriter right next to AKG in Popular Science and JBL, again, in Forbes magazine (“If you want a great-sounding pair of speakers for your desk…”; perhaps they come with a pen holder?).

I do not begrudge CEOs investing in JBL. You’ve got to get your Fleetwood Mac Greatest Hits somehow. But as the user base of professional audio and video expands – and expands into the culture of AV – the traditional constituency of professional engineers and producers is joined by management consultants, IT support staff, technicians and others with a genuine and well-placed desire to make the most of the sudden availability of better products. It’s a growing and pulsating business, but it’s a different business.

The tsunami of brands cascading through the Fira de Barcelona has people reeling. As has been noted, there is almost a NAMM, an LDI and an IBC growing inside ISE like aliens inside John Hurt, all of them carrying and requiring quite different cultural signposts to those you will recognise from systems integration culture and its older manifestations, like InfoComm. It will not be possible to swim through this change as if all playing fields are level and as if everything that’s happening is organic and natural. In fact, there could be continuing confusion amid unfettered aggrandisement and, I’m afraid, the messages most likely to be lost are the established professional ones.

It’s nice to have sexy photos of beautifully ergonomic desks and fixtures. Engineers no longer have to wear laboratory coats in recording studios. You can wear T-shirts (and keep your pens on the JBLs). Wit and style are always welcome, even when advertising an AVB switch. But ultimately, professional sales are closed because there have been deep, detailed and honest discussions about the true requirements of the customer, whose business must grow in an after-sales environment created by the right choice being taken. In the end, the relationship is based on need, not greed. The culture has to be understood.

GTS 29

GTX 12

GTX 10

XPS 16K

GTS 19G

Transporting trust

NEP works closely with RTS to provide technology for its fly packs and OB trucks as it expands across the world to cover major events. Richard Lawn takes a look at the longstanding partnership

FOR 40 YEARS, NEP HAS ESTABLISHED ITSELF AS THE leading technical production partner for content producers of live sports, entertainment, music and corporate events. Delivering thousands of productions every year and running a global network of operations, NEP continues to navigate the changing environment with a deep understanding of its clients’ dynamic requirements, demanding the same from its suppliers.

Dividing his attention between the Delhi, Dubai and Singaporean operations, Saeed Izadi, regional president for NEP’s Middle East and Asia region, highlights the tremendous growth his division has experienced since 2021 and growing investment in the region, including the opening of a large broadcast production facility in June 2023 located in the northeast of Singapore near to Changi Airport and the Expo convention venue.

The Singaporean facility connects to the NEP Group worldwide network via its global production ecosystem. In addition to a modern office space, the Changi site includes an engineering workshop inside an expanded 4,500m2 warehouse that contains an extensive collection of fly pack kits and other equipment that can be rapidly flown out to site. “As our business grew, we naturally needed more space to accommodate our inventory and manage the growing markets that we are servicing,” explains Izadi.

Providing dedicated connectivity via NEP Connect’s Anylive fibre network, NEP Group’s Asia-Pacific connectivity expansion utilises 10GB circuits between NEP Australia, NEP Japan, NEP Singapore and NEP US. By increasing the use of resources and solutions across NEP Group’s global production ecosystem, the investment continues to provide more opportunities for its clients. Those services include remote and studio production, audiovisual solutions, host broadcast, premium playout, postproduction and unique software-based media management.

“This facility has been client-driven and, by responding to the requirements of our regional broadcast partners, we can scale the solutions of the facility to meet the project’s needs, in both size and cost,” continues Izadi. “In 2024, we invested further assets into the Middle East because of the enormous growth currently being experienced for our global events such as the UFC fights and cricket. We predict an upward trend in business, and so we are scaling up the business by adding more infrastructure into the GCC.”

NEP’s Middle East and Asia team has also rolled out its first IP vehicle in the Middle East. The mobile unit, equipped with nearly 30 operating positions, includes a large RTS intercom frame. The inventory inside the OB, together with the numerous external inputs, ensures that the unit has sufficient flexibility for large events. NEP has also equipped the unit with its TFC (total facility control) system platform to control and monitor all equipment, including the feeds and the monitors. Crucially, the TFC broadcast control software allows hardware to be shared with IP technology wherever it may be in the world.

“Previously, a network engineer would be required to bridge the IT world with our audio, video and comms operations,” says Jean Claude Rahme, chief technology officer for NEP Middle East and Asia. “The inputs, mixes and programme output, including the vision mixers, routers, talkback matrices and multiviewers, are now connected to the TFC platform. Now we are on the network, the interconnect ability of IP allows us to easily scale up or down; we are no longer dictated by the physical size of the router. System expansion is made possible by connecting two IP trucks with single mode fibres and adding a further IP fly pack, and this setup allows us to connect unused equipment at other sites.”

Rebranded from Telex in 2013, RTS has remained a key partner of NEP for many years. “It’s a partnership that couples the best in service and after-sales for our needs,” continues

Inside an NEP OB truck

An RTS KP-5032 key panel being used on a live sports event

Saeed Izadi divides his time between NEP’s Delhi, Dubai and Singaporean operations

Rahme. “By working with one brand, we can easily interchange and supplement our inventory by having a standardised lineup for our fly packs and IP OB trucks. Being a multinational company is an added benefit, as RTS can service all our worldwide operations, and the local office here in Singapore has been consistently attentive and proactive.”

Specified on account of quality, simplicity and flexibility, the latest RTS investment made by NEP Singapore includes a large inventory of digital Odin intercom systems and KP-Series key panels, combining Omneo media networking technology with Dante audio-over-IP. With the introduction of IP switches, external panel connections are simplified and future infrastructures no longer rely on copper.

Available in 1U rack units, the Odin intercom system can scale up from a single frame with 16 ports to eight units with 128 ports via an optical Inter-Frame Link to create a single matrix of up to 1,024 ports. Connecting the past and the future, both legacy key panels and the current KP-Series can be supported going forwards. Furthermore, by adopting the AZedit and IPedit software applications, Odin can be set up and configured externally from a laptop or the front panel user interface.

“Featuring high-resolution, wideangle TFT displays, the integration of the KP-Series key panels has greatly simplified and sped up cabling infrastructure setups, to minutes if not seconds at the click of a button,” explains Rahme. “The

KP-Series and the Odin intercom series perfectly suit our current and

“By continually innovating and evolving their Omneo digital technology through customer feedback, including our own, we can now expand our services. Having the huge NEP Connect Anylive fibre network, which we previously rolled out in the region, made it an easy decision for us to invest in the KP-Series and Odin. Gone are the days of terminating Cat5 cabling and incorporating large inventories of copper including connectors within our setups. In addition to greatly reducing setup times, fibre greatly extends the bandwidth.”

“The innovations we’ve made into our Singapore production hub, our fly packs and our growing investment in the Middle East have been clientdriven,” concludes Izadi. “By focusing on and responding to the clients’ needs, we can scale our solutions to meet a project’s needs in size and cost. Having a partner like RTS, a company that offers dependable technology that lasts, we are able to continue our mission to provide the very best media solutions for our clients.”

SEAMLESS INTEGRATION

integrating your DiGiCo SD or Quantum Range console with any KLANG processor, offering immersive in-ear mixing.

• Deeply integrated workflow, enabling seamless KLANG integration on the fly.

• Standalone functionality - no additional control computer required.

• Lower Levels. Better Mixes. Less Fatigue.

Shining the way forward

Astera has carved out a niche in designing and manufacturing battery-powered, remotecontrolled LED lighting for the events and film industries. Pro AVL Central takes a look at the lighting manufacturer

THE

ORIGINS OF ASTERA BEGAN WITH THE LIGHTING solutions development company, MyTronik, established in Germany in 2003 in the countryside near Frankfurt. With a background in electrical engineering and extensive experience in the lighting industry, founder Norbert Ernst had also worked in various roles encompassing product development and project management. Ernst established a foundation in the lighting industry with MyTronik, building a solid client base in Germany and pivoting towards the LED market as he recognised a growing demand for energy-efficient and versatile lighting products. In 2007, Ernst took a leap of faith by selling MyTronik and moving to China, taking advantage of the country’s manufacturing capabilities and lower production costs to launch his new company: Astera. Basing himself in Shenzhen, a renowned hub for technology and manufacturing, this new location provided access to a skilled workforce and the necessary resources to develop and produce high-quality LED

Astera initially focused its efforts on developing LED tubes for professional lighting applications tailored to meet the needs of existing clients back in Germany by offering efficient and durable solutions for various scenarios. By 2008, working with German engineer Simon Canins, Ernst was upgrading the battery-powered tubes he’d developed three years earlier, equipping them with eight pixels

and colour-chaser effects triggered by wireless DMX or a handheld remote control. This wireless control system was a milestone for the company, enhancing the flexibility and functionality of its lighting solutions.

“Astera was one of the first companies to recognise the potential of battery-powered, remote-controlled lights,” explains Sebastian Buckle, Astera’s chief sales officer, who joined the company in 2010 and is based in Germany. As demand for flexible and convenient lighting solutions grew, the company transitioned to wireless technology. “This move positioned Astera at the forefront of the industry, offering customers innovative lighting solutions that provided greater control and mobility,” continues Buckle.

In 2010, Astera chose the Frankfurt Prolight + Sound tradeshow to launch its AL-series of eight battery-powered lights with wireless functionality. The new series had features demanded by event professionals seeking versatile lighting solutions that offered ease of use, portability and reliability in settings ranging from concerts to corporate events. The AL-series attracted new users from different markets, expanding the company’s customer base. Key markets at this stage included the UK, France, the Netherlands and the US, with early distributors set up primarily to serve the European and American markets as the company began to build a robust network to support its growth.

As mobile technology emerged as the preferred choice for enhanced control, the company transitioned to the AsteraApp system in 2014. This innovation allowed users to manage lighting settings more conveniently than with the previous ARC2 handheld RF remote. That same year, Astera also launched the X-series second generation of wireless LED lights featuring high-end components and new functionalities tailored for event professionals. This strategic move not only enhanced user

Astera’s suitably colourful Munich office

Astera founder, Norbert Ernst

experience but also helped the manufacturer to attract a more upmarket client base, further solidifying its position in the industry. A significant expansion occurred in 2015 when Ernst returned to his German roots and opened an Astera office with service and development centres in Munich. This move was driven by the manufacturer’s growing global presence and the need for closer ties with European markets. The strategic relocation aimed to facilitate better access to key clients in the region, enhance collaboration with local distributors and position the company more favourably within the vibrant European lighting industry. Ernst himself remained in China, managing the transition remotely. An integral part of the expansion into Europe included strengthening the team with key appointments in sales, marketing and technical support, with the new appointed staff bringing valuable experience to their respective roles. This included roles created in customer support and product management to better serve the European market. Currently, the team in Germany

expertise in film lighting. Suitable for indoor and outdoor use and powered by either AC or battery, the Titan Tube can be controlled with the AsteraApp as well as wired or wireless DMX. It emits tuneable whites with ultra-high colour rendering and coloured light which can be applied to individual pixels or the entire tube. The Titan Tube went on to win several awards, including the Red Dot Design Award, a PLASA Award for Innovation, a Pro Moviemaker Gear of the Year Award in the lighting innovation category, an LDI Award and iF Design Award, gaining approval from customers around the globe.

“The Titan Tube revolutionised the industry, transforming the way filmmakers and lighting professionals work,” claims Bu “Its groundbreaking design, unmatched performance and LED colours set a new standard in cinematic lighting, making it an essential tool for every serious filmmaker worldwide.”

A big year for the company, 2019 saw a major expansion of the business into a 10,000m2 facility in Shenzhen, nearly doubling

development, allowing the brand to tap into local talent and resources to drive innovation and growth.”

Two years later, Astera launched the AX5 stage lighting fixture. Dubbed the “three-in-one light”, the luminaire aimed to replace three other types of fixture: wireless and wired PARs as well as battery uplights. According to the company, the AX5 quickly established itself in regions including North America, Europe and parts of Asia, contributing to a significant boost in sales and brand recognition worldwide.

By 2018, the company had set its sights on the booming film lighting industry, picking up on a demand for versatile lighting solutions. Seizing the opportunity, Astera entered this lucrative market with the release of the Titan Tube LED light, designed specifically for film shoots, bringing in specialist staff with

relationships and driving revenue growth.”

workspaces and meeting rooms to support the growing team. Staff count in Munich rose by 25%, bringing in additional talent in sales, marketing and technical support to better serve the European market.

Growth has been driven by several factors, such as the establishment of strategic partnerships with Ambersphere (UK), Axente (France), Inner Circle Distribution (US), Controllux (the Netherlands) and Kaiser (Germany), all of which have expanded Astera’s global reach. Demand across various markets including film, combined with new product launches in recent years, has seen the company requiring more production space to meet the needs of its new and existing client base.

“This increase in production space and staff in China and Germany has enabled us to enhance our manufacturing capabilities significantly,” says Buckle. “By expanding, we have been able to improve product delivery times and support

By 2021, Astera had a partner network of 50 distributors worldwide, with significant growth in North America, Europe and parts of Asia, particularly in India and Australia. The company is also making inroads into the MEA region. This has been supported by strategic partnerships and tailored marketing efforts aimed at resonating with local markets. The company participates in nearly 50 exhibitions worldwide and hosts open houses across various regions, as well as introducing regionally specific products including a special version of the B22 bulb for the UK and Australian markets. Astera’s entry into the film industry has played a critical role in driving growth, opening new revenue streams and expanding its customer base. To further diversify its portfolio, Astera launched a Fresnel light – a lamp positioned between a Fresnel lens and a reflector – in 2023. Looking to the future, Astera is exploring opportunities in the architectural and commercial lighting markets to further diversify its offerings and broaden its reach. Emerging markets for the company include South America and Africa – regions where it has identified a growing demand for professional lighting solutions.

“The perception of the brand has evolved from being a niche player to being recognised as a leader in innovative lighting solutions,” says Buckle, citing significant product launches such as the Titan Tube, PlutoFresnel, LunaBulb and QuikSpot. These milestones have played a crucial role in enhancing the company’s reputation and visibility.

“Astera’s journey has been one of continuous innovation and growth,” sums up Ernst, reflecting on the company’s evolution. “What started as a small venture has grown into a global leader in lighting solutions, driven by a passion for quality, creativity and technological advancement. As we look to the future, we remain committed to pushing boundaries, developing cuttingedge products and expanding our reach to serve even more professionals in the industry.”

www.astera-led.com

Demonstrating the waterproof qualities of the LunaBulb on location

Inside the factory in China

Sebastian Bückle, CSO of Astera

The LunaBulb PrepCase kit with built-in battery

The QuikSpot battery-powered uplight

Expansion and innovation

Italy’s TT+ Audio has expanded its GTX portfolio with the addition of the GT 8 point source speaker and the GTS 19G subwoofer

FEATURING DUAL 8-inch neodymium woofers in a symmetrical configuration and a central 3-inch titanium-dome neodymium compression driver, the GT 8 is equipped with a rotatable constant-directivity True Resistive Waveguide (TRW) and housed in a polyurea-coated, marine-grade plywood enclosure. Designed for flexible placement and integration, the GTS 19G subwoofer shares the same long-excursion cone transducer as the GTS 29 and combines a single 19-inch transducer with a compact enclosure for small- and medium-sized configurations alongside the GT 8 or GTX 10.

In addition, the company has previewed its GTX 7C active cardioid line array and GTS 16C flyable cardioid subwoofer. Utilising separate amplification channels and advanced DSP for the front and rear transducers, TT+ says both systems achieve unmatched directivity and rear sound attenuation. The GTX 7C’s digitally controlled directivity provides an average

rear attenuation of 22dB up to 600Hz, with a maximum SPL of 140dB. The GTS 16C features a dual-woofer design with a 16-inch neodymium front woofer and a 14-inch rear woofer. Optimised with FiRPHASE linear 0° phase response and Bass Motion Control processing, the company says the development extends cardioid performance across a broader frequency range compared to conventional cardioid systems.

Finally, the GTS 16C features a dual-woofer design – a 16-inch neodymium front woofer and a 14-inch rear woofer – for precise low-frequency control. The cardioid solution is further optimised with FiRPHASE linear 0º phase response and Bass Motion Control processing, extending cardioid performance across a broader frequency range compared to conventional cardioid systems.

The manufacturer has also added three installation-specific GTX 10 modules – the GTX 10i, GTX 10Pi and GTX 10Wi – to its portfolio, with each unit individually designed to address diverse acoustic requirements.

Featuring 1.4-inch neodymium compression drivers and dual 10-inch neodymium woofers, these modules achieve up to 143dB max SPL and are suited for medium and large-scale installations.

To accommodate different venue geometries and dispersion needs, the GTX 10 offers three distinct coverage patterns: 70° x 15° for focused projection, 110° x 15° for broader horizontal coverage and 110° x 30° for wide-area applications. Featuring the manufacturer’s TRW, 4PATH technology and a symmetrical design, the GTX 10i units are housed in a rugged, weather-resistant enclosure with a highdurability polyurea coating, and have been built to withstand the most challenging environmental conditions. The IP version offers additional water-repellent fabric for enhanced weather resistance. Designed for optimal integration, all GTXi models pair with XPS 16K amplifiers.

www.ttaudio.com

CODA launches APS-Pro Series

CODA AUDIO has announced the launch of the APS-Pro Series comprising two models: the APS-Pro-D with a 10° cabinet angle for long throw and high granularity of control, and the APS-Pro-S with a 30° cabinet angle for short throw and wide nearfield coverage.

Developed from the manufacturer’s APS series, the APS-Pro-S and APS-Pro-D are compact, 3-way, arrayable point source loudspeakers, designed for small and medium-sized venues where a powerful and scalable solution is required. Both models deploy new versions of CODA’s Dual Diaphragm Coaxial Curved Wave Driver (DDC) for mid/high frequency. These new drivers are built to generate the appropriate 10° and 30° wavefronts at source, without having to rely on waveguides or flares. The dual 10-inch low-frequency drivers are mounted on an aluminium baffle – CODA’s Dynamic Airflow Cooling (DAC). DAC allows for higher power handling and more headroom at low frequencies, giving higher sound pressure levels for longer, without power compression. Each cabinet has an AES power rating of 1,400W and a peak SPL of 144dB (A weighted) per cabinet. Low frequency extends to 50Hz at –6dB, all from an enclosure that weighs 27kg.

Q-SYS expands AcousticDesign and NV Series

DELIVERING HIGH-FIDELITY

for a wide range of applications, QSC has expanded its Q-SYS AcousticDesign Series with the introduction of three large-format ceiling loudspeakers. Like the entire AD Series portfolio, the 8- and 10-inch models, together with an 8-inch subwoofer, deliver consistent tonal characteristics.

A bezel-less, blind-mount design meets architectural interior requirements.

Differentiating itself from the AD-C8T-SWZB 8-inch ceiling-mount subwoofer, the AD-C8T-ZB is an 8-inch, 2-way full-range ceiling-mount loudspeaker with a coaxial compression driver.

The APS-Pro’s output directivity is controlled by a magnetic Instafit APS-Coupler which combines all the elements of the loudspeaker into a single, pattern-controlled wavefront. With quick release grilles that require no tools, the new couplers allow

quick and easy changes to coverage angles, enabling the flexibility to adapt to different venue layouts and requirements. Both models can be flown singly or with additional APS-Pro cabinets in vertical arrays to match a system’s output to any requirement. Horizontal coverage can be changed between 60°, 90° and 120°, and asymmetrical configurations of 75°, 90°, 100° and 105° can be achieved by using different Instafit coupler configurations.

www.codaaudio.com

The AD-C10T-HPZB is a 10-inch loudspeaker with a coaxial compression driver.

Delivering network video distribution in spaces where traditional surface-mount enclosures are not ideal, the NV-1-H-WE single-channel HDMI wallplate encoder has been added to the Q-SYS NV Series. Ideal for flexible and divisible spaces or areas with reconfigurable furniture, the latest addition promotes the mixing and matching of endpoints based on connectivity requirements, I/O density and physical form factor.

The NV Series distributes low-latency video signals of up to 4K60 4:4:4 throughout a

Ceiling coverage for commercial spaces

AS THE successor to its Control 20 Series of ceiling speakers, JBL Professional’s Control 400 Enhanced Coverage Series aims to deliver superior performance, improved conical coverage, enhanced installation features and a more modern aesthetic to a range of commercial spaces. With six models to choose from, the series introduces JBL’s latest iteration of Radiation Boundary Integrator (RBI) technology: the Coplanar RBI (CRBI). The company says this technology enhances coverage with more consistent levels and can lead to fewer required speakers and amplifier channels. The series includes a variety of mounting enhancements. Terminal covers provide top and side cable entry ports and can be secured without tools using captive hand screws. The captive dogear design works with a range of ceiling thicknesses and all models include transformers to support both 70V/100V and low-impedance applications. Meanwhile, all six models include a redesigned magnetic grille to blend in with modern décors;

grilles can be painted to match any décor, and optional black and square grilles are also available.

Core models are the Control 426C/T and

augments designs requiring extended lowend performance.

Meanwhile, the manufacturer has added two flyable subwoofers to its SRX900 Series

Q-SYS system using Q-SYS Shift. Significantly reducing bandwidth without compromising latency, the adaptive codec manages network bitrate by refreshing only the changes between frames. As native Q-SYS peripherals driven by the Q-SYS OS, NV Series devices integrate into a Q-SYS system, to deliver no-code deployments and automated solutions without additional management or control hardware.

In brief, the manufacturer has announced that Q-SYS VisionSuite now supports Google Meet. The Q-SYS VisionSuite AI Accelerator for presenter tracking joins the list of Q-SYS solutions certified for Google Meet.

www.qsys.com

to expand versatility and are ideal for situations where floor space may be limited.

Both units feature dual voice coil, Differential Drive woofers that reportedly deliver better heat dissipation, lower power compression and wider dynamic range. A large low-frequency port design improves airflow and reduces audible turbulence. A reinforced 18mm provides enhanced strength durability. subwoofers

and Control 424LP are low-profile units. The Control 426C/T-LS has been certified to the UL1480 standard, expanding application possibilities into life-safety designs. Finally, the Control 419CS/T is a high-power, lowdistortion 8-inch in-ceiling subwoofer that

of powered loudspeakers. Included are the SRX915SF 15-inch and SRX918SF 18-inch single woofer models that can be flown and configured with existing SRX900 line arrays and rigging accessories. The subwoofers are said

as the existing SRX900 subwoofers, offering a plug-and-

accessories has been introduced, compatible with both the existing and new SRX900 products. Alongside the new hardware offerings, a series of firmware and software updates have expanded the system further.

pro.harman.com

FBT scales up its sound

THE LIBRA 5CT from FBT is a 2-way pendant loudspeaker featuring a coaxial mono-magnet transducer with a 5-inch LF woofer and 1-inch HF dome tweeter.

he L F c one profile functions as a waveguide for the tweeter and delivers high sensitivity and consistent highperformance audio coverage and off-axis performance. The speaker incorporates a 6-position selectable tap switch for 70V and 100V from 3.5–60W as well as a Lo-Z 16Ω position.

The high-quality polypropylene ported enclosure delivers an effective lowfrequency response to 80Hz. The rear cover of the speaker can be placed after installation and hides the connection and suspension on the speaker end. through a cable cover. www.fbt.it

The height of versatility

CREST AUDIO has released its CPL+ Series consisting of 14 versatile loudspeaker configurations, with mounting options to accommodate a wide range of install and live applications. According to the manufacturer, this hybrid design makes the units suitable for classrooms, meeting facilities, restaurants, clubs, bars and live venues. For environments where spokenword intelligibility is critical, the speakers are equally suited in courtrooms, houses of worship, auditoriums, sport venues and transportation facilities.

The CPL+ Series features unobtrusive, flyable enclosures that are designed to be both attractive and discreet. A wide variety of mounting and flying options are available, including multiple eyebolt flying points, U-brackets, Versamount, special wall mounts and pole mount adapters.

are equally suitable for public address, music playback and/or live performance requirements in permanent and live sound applications.

The CPL+ Series includes two 2-way coax speakers (CPL 5C+, 25C+); six full-range

Ranging from a single 5-inch coaxial to 15-inch loudspeaker systems, the models complement each other in any combination to serve the needs of the venue and the artist. Crest denotes the CPL+ Series as “Hybrid”, meaning the enclosures

BRITISH LOUDSPEAKER specialist

Funktion-One has announced several product launches starting with the F61 loudspeaker. Designed to cater for a range of applications including music venues, hospitality, fashion, galleries, studio reference and domestic use, the F61 follows the same design principles as the company’s F81.2 and F101.2, but in a more compact package, sitting between the F5.2 and F81.2. The company says the F61 achieves very low distortion and excellent integration between drivers for stable imaging and can be combined with the SB8A or SB10A self-powered bass loudspeakers to create a standalone system.

EXPANDING ITS Evolve family of column loudspeakers in response to customer demand, Electro-Voice has introduced the Evolve 70 and Evolve 90 loudspeaker systems. Aiming to cater to audience sizes

of up to 500 people, the large-format additions to the range feature 15- and 18-inch subwoofer options, larger mid/ hig h drivers, large voice coils and a

Meanwhile, neodymium column drivers, an aluminium distance pole and lightweight materials throughout deliver “fast 3-2-1” assembly.

The Evolve 70 delivers a maximum SPL of 133dB and the Evolve 90 offers 134dB. The Evolve 70 features a 15-inch subwoofer which takes low-frequency extension down to 35Hz; the Evolve 90 offers the only 18-inch subwoofer in its class, taking its low-frequency extension down to 28Hz. Both offer eight 4.7-inch neodymium drivers for 120°-wide consistent coverage via propriety waveguides, with array-formed asymmetrical 25° vertical coverage. Both also include connectivity for microphones, line level, Bluetooth and digital signals. These include XLR/TRS combo mic/ line inputs, XLR and RCA line level inputs, and digital AES/EBU. Both the Evolve 70 and Evolve 90 are also integrated into the recently updated QuickSmart Mobile App ecosystem, which allows the user to control it as part of a system with other Bluetooth-enabled EV portable speakers.

Available in black and white finishes, both are designed for rapid deployment, featuring the Evolve 3-2-1 approach for assembly, providing three pieces that fit together in two clicks to form one system. An aluminium distance pole separates the tops from the subs, while the neodymium drivers and

2-way speakers (CPL 6+, 26+, 8+, 10+, 12+ and 15+); two columns (CPL 4L+, 8L+); two coax wedges (CPL 12CM+, 15CM+); and two subwoofers (CPL 265B+, 15B+).

www.peaveycommercialaudio.com

The Evo 2L is a mid-bass addition for the Evo 2 that increases headroom and enables the full output capacity of the mid/high elements. An intuitive coupling mechanism reportedly enables quick and safe attachment of an Evo 2L to the top or bottom of an Evo 2. Once connected, the assembly can be lifted by the Evo 2’s Butterfly Plate (BFP-2) as normal. Pairs of Evo 2 and Evo 2L can be flown together to form a system that is suitable for medium-sized live music venues and clubs. A foam-backed grille can be added for a more discreet appearance. The Evo 2SH takes the mid/high waveguide from the Evo 2 and makes it available as a

corrosion, making it suitable for undercover outdoor applications, such as stadiums and other situations where high output and speech intelligibility are required. The Evo 2SH can also be used as fills for larger systems. It

network. Full-range audio is achieved by combining the Evo 2SH with low-frequency reinforcement, such as the Evo 2L, F115 Mk2 or F215 Mk2.

www.funktion-one.com

Evolve 70

Evolve 90

JOINING THE L38 full-range loudspeaker, 1 Sound has added the more compact L35 to the expanding Level Series. Utilising the integrated hardware recessed into the cabinet, the 3-way design can be flush-mounted on a wall or ceiling to stand only 150mm away from the surface. Displaying a unique and valuable dispersion pattern, the progressive horn design controls the audio directivity with a high capability to throw further. When discreetly

Available in an assortment of colours and finishes, the point source enclosure is rated IP55 for outdoor environments and operates within a 65Hz–18kHz (–6dB preset dependent) frequency range. The speaker combines dual 5-inch lowfrequency drivers, a central 5-inch coaxial driver with an HF element and three 5-inch passive radiators to enhance the bass response, while the rear panel incorporates dual NL4 connectors. Housed in Finnish plywood, the 9kg enclosure includes M8 and M6 rigging points adding

Exhibiting similar design and build characteristics as the L35, the Monitor M35 is distinguished by its low-profile 150mm height and discreet, compact dimensions. Making it ideal for live musical performers and keynote presenters, the passive 3-way monitor outputs the same full-range bandwidth as the L35. Equipped with the same 5-inch drivers, the progressive horn design is configured to provide a diffusion pattern from a broad 90° wide nearfield close to the monitor, narrowing to 50°

bass enclosure during banquet events, without sacrificing sonic quality and SPL capabilities. Incorporating two front-loaded 8-inch woofers that operate within a 45–150Hz (–6dB preset dependent) frequency range, the 202mm-high SUB28 can be discreetly positioned into compromised interiors. Two flown orientations parallel to a wall or ceiling are available courtesy of the four-per-side M8 rigging points and

the trainer. Alex studied electro acoustics at the University of Applied Sciences in Cologne, Germany. His close collaboration with Apogee Sound Inc. and Adamson Systems Engineering helped him develop a deep expertise in large-scale sound systems. From 2005 to 2010, he worked with Real Sound Lab, focused on

walls, the input and link output connectors that are recessed on two corners further

Monitor

HH Audio expands its catalogue

HH AUDIO has designed the Aptur range for commercial audio settings and includes ceiling, pendant, column array and subwoofer loudspeakers. The APT-CL column array loudspeakers have been created with an emphasis on pronounced audio directivity, while the APT-C 2-way ceiling-mounted speakers are available in three sizes (4-, 6.5- and 8-inch). The APT-CS 8-inch ceiling-mounted subwoofer extends the low-end frequency response

Hunting high

LAVOCE ITALIANA has unveiled three HF compression driver models. Offering the benefits of an annular diaphragm design, the DF10.103M employs a polyester diaphragm housed in a ferrite motor structure with a 1-inch exit and 10-inch edgewound copperclad aluminium voice coil. With a 50W programme power rating and a 109dB sensitivity, the DF10.103M comes with a 1,800Hz recommended crossover point. Weighing 1.15kg with a diameter of 92mm, the DN10.20 is a 140W programme powerrated neodymium compression driver with a 1-inch exit and a 2-inch edgewound copper-clad

of the overall system. The APT-P 2-way 6.5-inch pendant loudspeaker extends the potential applications of the range to environments with cavernous high ceilings or spaces without a cavity space beyond the ceiling to mount a traditional ceiling speaker. The 8-inch APT-WS subwoofer echoes the low-frequency acoustic benefits of the APT-CS and provides low-end frequency extension with its dir e ct radiating design.

aluminium voice coil. A high temperature polymer dome material has been included in the optimised diaphragm assembly and phase plug design, to deliver 108dB sensitivity and a recommended crossover point of 1,200Hz.

Completing the trio, the DF14.250T includes a 1.4-inch exit compression driver and a ferrite motor structure that features a 2.5-inch edgewound copper-clad voice coil with a titanium diaphragm and surround. With a 160W programme power rating, the DF14.250T records 108dB sensitivity. Designed to enhance consistency, all Lavoce

CSF COMMON HF/LF MAGNET COAXIALS

All CSF coaxials (6.5”, 8”, 10”, 12”, 15”) are developed using advanced linear modelling techniques to optimize symmetry in Bl(x), linearize Le(x) and minimize parasitic effects and reluctance force on the LF voice coil. Each model employs a single ferrite magnet ‘dual gap’ motor with two demodulating rings and a Polyimide HF diaphragm/surround; Coherently aligned performance and value comes as standard.

CSF061.70K

CSF082.00K

CSF102.50K

CSF122.50K

CSF153.00K

The CL Series speakers are available in multiple configurations of highquality 4-inch mid-frequency and ¾-inch high-frequency drivers. The CL16J (4x 4-inch) and CL32J (8x 4-inch) both use asymmetrical projection to reduce the requirement for tilting the speaker on installation and optimise the coverage angle when installed at a static height. The CL32 (8x 4-inch) can be combined with either the CL32J or CL16J when a larger column system is required. CL Series column array speakers are all housed in a robust plywood enclosure and finished with scratch/wear-resistant paint.

www.hhaudio.com

large-format devices feature patented Integral Input Surface (IIS) phase plug topology. www.lavocespeakers.com

CL Series

DF10.103M

DN10.20

ic audio enhances its Dante range

THE DL-D 30-130 Dante is an active 2-way bass-reflex ceiling speaker in a flat, low-profile design. With a power output of 30W and a Class-D amplifier, the speaker comes with a magnetic grille and screw mounting system to simplify installation. Thanks to the IEEE 802.3at/PoE plus RJ45 connection, the speaker is described as easy to integrate into existing networks. In addition to power supply via PoE, local power supply with 24V DC is also possible, providing flexibility during installation.

The MS-D 30-165 Dante monitor speaker is an active 2-way bass-reflex speaker with a power output of 30W and a Class-D amplifier. The 6.5-inch woofer and 1-inch tweeter provide sound fidelity across the entire frequency range of 77Hz–21.5kHz, reaching a maximum sound pressure level of 104.8dB. It comes with an IEEE 802.3at/PoE plus RJ45 connector, PoE and a local 24V DC input. The impact-resistant ABS housing not only provides robustness but also an IP56 protection against dust and water. The MS-D 30-165 Dante is

available in black or white and comes with a wall-mounting bracket.

Finally, the TS-D 320-1000 Dante is a digital, steerable line array system designed for challenging acoustics. It offers professional speech and music reproduction in demanding environments, avoiding unwanted sound reflections. With

Outline challenges acoustics

ITALIAN MANUFACTURER Outline has released three loudspeaker systems: the H-Series, P-Series and A-Series. Aimed at projecting intelligibility into acoustically challenging spaces, the H-Series consists of the H462 and H463 models which come with an extruded aluminium body and measure 110cm x 13cm x 13cm. The units have six 4-inch LF components coupled to an HF array with two or three 1-inch drivers respectively. They have a frequency response of 95Hz–19kHz and an output of 123dB and 126dB SPL respectively. Both speakers exhibit broad-range cardioid behaviour, with 90° horizontal dispersion by 30° or 20° respectively on the vertical axis, for a more diffused or more focused soundfield application. They also come with selectable +5/–15° vertical tilt, in either low-down or high-top

The P-Series point source range debuted last year with the P8 but has now been joined by the P4, P6, P12, P15 and P30 models, spanning from the P4 4-inch mid-woofer to the P30 double 15-inch subwoofer. Since the P8’s arrival, improvements have been made firstly in the port’s technology that has led to a reduction of airflow turbulence and secondly to timealignment in both mono- and bi-amped operations. The new arrivals come with integral carrying handles and asymmetrical cabinet sides, the new Weave-patterned front grille and a new polyurea coating graded to a proprietary off-black tone. Finally, the A-Series is a range of ultracompact loudspeakers designed for fixed installations and consists of the A41 and A81 column speakers and the A6S ultraslim subwoofer.

its digitally steerable directivity, the speaker can precisely direct sound to achieve optimal distribution and clear speech intelligibility. The 320W array features a built-in 8-channel Class-D digital amplifier and eight 100mm high-performance speakers that can be individually controlled, as well as an integrated Dante interface with two RJ45 sockets and a USB input. Additionally, the array can be operated without using the Dante network via the line input (3-pin Phoenix connector).

The user-friendly control software reportedly allows quick and easy access to the configuration of audio channels and all input and output DSP functions (such as noise gate, gain, limiter, delay and high/low pass filter). The vertical dispersion angle can be adjusted via software from +20° to –20°. The frameless, slim aluminium enclosure comes with a robust wall bracket, which allows an additional 10° change in the vertical dispersion angle through manual alignment.

www.ic-audio.com

RCF heralds the KX Flagship and SUB 9000 Series

WITH THE unveiling of the KX Series, RCF has advanced its self-powered speaker technology credentials. Currently consisting of eight 2-way models, the flagship line features RCF Precision transducers and Class-D power amplification. The three dual 10-inch models vary with the KXP 4-A with a narrow directivity, the KXL 4-A serves as an array and the KXW 4-A offers a wide directivity. Like the three dual 10-inch KX

speakers, the KX 45-A, KX 32-A, KX 10-A, KX 08-A and KX 515-A cabinets feature onboard digital signal processing, including proprietary FiRPHASE and Bass Motion Control.

Seamlessly integrated with the RDNet networked management system, the

KX Series speakers can be monitored, measured, controlled and fine-tuned. The eight speakers match all RCF SUB Series subwoofers, and can be paired using factorytuned Advanced Crossover Engine (ACE) presets. This transforms sub-top systems into fully optimised 3-way setups, ensuring tight bass performance and extended linearity across any environment. Housed in marinegrade Baltic birch plywood, the enclosures are treated with a weatherproof scratchresistant polyurea coating and are further equipped with ergonomic handles and steel rigging components.

Fulfilling the low frequencies, the SUB 9000 Series of self-powered subwoofers incorporate proprietary ACE presets and an RDTap contactless solution for system configuration. Heralded as the Italian manufacturer’s most powerful self-powered subwoofer line to date, the SUB 9000 Series consists of the single 19-inch SUB 9019-AS, the double 19-inch SUB 9029-AS and the single 16-inch SUB 9016-AS. The latest Precision transducers, paired with Class-D power amplifiers, combine to produce up to 8,000W (peak) with a max SPL of 142dB. Extending the lowest audible frequencies without affecting the woofer stability, all models are equipped with BMC processing. RDTap technology simplifies setup by allowing contactless configuration, even when the unit is unpowered, including advanced options such as cardioid configurations. With RDNet integration providing real-time monitoring and control, the SUB 9000 Series features weatherproof plywood cabinets with durable polyurea finishes, magnetic rain covers for connection panel protection and powerCON TRUE1 TOP AC connectors.

www.rcf.it

NEXT Audiogroup introduces the SP12 DAS Audio adds MARA to ARA

PORTUGUESE MANUFACTURER

NEXT Audiogroup has unveiled the SP12, a high-output, full-range, 3-way point source system designed for sound reinforcement in a wide range of applications. The speaker incorporates dual 12-inch neodymium LF drivers and an advanced coaxial 2-way ring radiator, coupled with an externally rotatable 80° x 45° waveguide. The combination of the waveguide and the dipolar configuration of the 12-inch drivers provides controlled directivity down to approximately 500Hz, maintaining a consistent dispersion pattern. The SP12 is equipped with a 3-channel, networkcapable Class-D amplifier, providing a peak output of 3,840W. The onboard advanced DSP operates at a 96kHz sampling rate, monitored via X-NET software for precise sound management.

PAN ACOUSTICS has launched what it claims to be the longest loudspeaker, the Pan Beam Maximus. With more than 100 high-quality drivers inside, the high SPL speaker has a typical range of 250m but this increases when transmitting speech. Thanks

to its precise multi-beam steering and crystal-clear sound, this “giant” is suitable for covering large areas with music and speech at major events.

www.pan-acoustics.de

Kramer introduces PoEpowered Dante speakers

The graphical interface provides control and real-time monitoring of all audio systems within a venue. The system automatically discovers and maps the network positions of cascaded speakers for seamless integration and management. The X-NET software provides individual control over key parameters such as equalisation, level, phase and delay, and allows unlimited groups to be created, enabling multiple units to be grouped and managed collectively. The system’s automatic fallback feature ensures maximum reliability, providing input signal redundancy between analogue and digital (AES or Dante) sources.

The SP12 has been designed for corporate and political events, sports arenas, stadiums, houses of worship, theatrical sound reinforcement, theme parks, concert halls, nightclubs, small festivals, live band performances, mobile DJ setups and side-fills.

www.nextaudiogroup.com

DESIGNED TO “simplify and enhance the entire AV experience”, Kramer has released a portfolio of PoE-powered Dante loudspeakers. Allowing systems integrators to mix and match speakers while maintaining consistent audio quality across an installation, each unit has a corresponding passive model with

the same industrial design and sound profile.

Forming part of the Panta Rhei ecosystem, the speakers are tuned for speech intelligibility and background music in conferencing, educational, retail and hospitality settings. Incorporating sound dispersion technology, the speakers provide consistent audio coverage. Characterised by an industrial design, features include front-access wiring for ceiling speakers and centralised speaker utility software for simplifying installation, setup and troubleshooting.

WITH THE introduction of the MARA self-powered line array system, DAS Audio has extended the ARA series. Positioning itself between the LARA and SARA systems for medium and large-scale events, MARA produces a continuous power of 4,200W RMS and can produce a maximum SPL of 148dB

Forming part of a broader audio portfolio including DSPs and amplifiers, the range features wall-mounted, ceiling and pendant models in various form factors, designed to suit varied environments.

www.kramerav.com

A sequence of events

KLING & FREITAG has released its

Sequenza 8 line array system designed for both touring and fixed installations. With a frequency range of 57Hz–22kHz (–10dB) and 68Hz–19kHz (–3dB) as well as a maximum SPL of 143dB, the system can be paired with PLM and D-Series system amplifiers. Patented TrueShape technology enables tool-free adjustment of the horizontal dispersion in three modes – N (60°), W (90°) and XW (120°) – with even asymmetric configurations available. Unlike conventional systems that adjust only part of the horn, TrueShape modifies the entire horn contour. The mid- and low-frequency sections are equally optimised with four 4-inch midrange drivers in bass-reflex enclosures that are said to provide

precise directivity, while outward-angled 8-inch woofers result in a compact enclosure design. The front rigging structure eliminates traditional ball lock pins. The Sequenza 8B single 18-inch subwoofer complements the system and comes with a frequency range of 33–143Hz (–10dB), power handling of 750W nominal, up to 3,000W peak and a max SPL of 138dB.

Finally, the German manufacturer has developed a Touring Amp Rack that offers 12 fully powered amplifier channels in a compact format, integrated power distributor and complete wiring, and a newly designed K&F CP³ Connector Panel for maximum flexibility.

www.kling-freitag.de

Dual 10-, 8- and 6-inch drivers combine in a cardioid setup to produce the lower and midrange frequencies. The high frequencies are managed by two M-78N compression drivers with 3-inch voice coils. The system also offers 80° and 100° horizontal coverage options to enhance its use across a wide variety of acoustic environments and event requirements.

Promoting efficiencies under varying voltage conditions, a 6-channel Class-D amplifier with DSP is incorporated with a switched-mode power supply and Power Factor Correction (PFC). Enabling precise sound control and minimal unwanted onstage emissions, the cardioid design provides rear attenuation of up to –12dB in the 80–200Hz range.

Complementing MARA, the self-powered MARA SUB cardioid subwoofer incorporates a 21-inch front-facing speaker and an 18-inch rear-facing speaker. Delivering low-frequency control, the design achieves rear attenuation of –14dB in the 32–125Hz range. Housed in a birch plywood enclosure and finished with ISOflex coating, the rigging system integrates both the MARA-SUB with MARA arrays.

With the addition of MARA and MARA-SUB, the ARA series represents a comprehensive solution for the professional audio sector. All ARA series solutions are supported by the Spanish manufacturer’s ALMA control and monitoring platform. ALMA integrates advanced tools including DASaim, which uses FIR filters to optimise directivity and sound coverage, and Health Check, to evaluate system conditions through NFC technology.

www.dasaudio.com

MARA array

Sequenza

More than an upgrade

FEATURING A comprehensive component upgrade, Dynaudio Acoustics’ passive M-series MkII speakers have been totally re-engineered. The MSP drivers, Esotar 3 soft-dome tweeters and crossover filters have all been redesigned, as has the cabinet structure, and the company says the MkII outperforms the original M-series monitors in every aspect. The lineup includes the M1 MkII, a compact dual LF, 2-way, nearfield monitor; the M2 MkII compact 3-way near-/midfield

monitor; the M3 MkII for small to medium music and film dubbing theatres; and the M4 MkII high-power loudspeaker system for use in large music studio monitoring applications.

www.dynaudio.com

MG10

M10

ADAMSON SYSTEMS Engineering has announced the launch of the MG10, a dual 10-inch stage monitor loudspeaker with a 60Hz–20kHz frequency range. Capable of producing a maximum SPL of 139dB, the MG10 has an integrated 2-channel Class-D amplifier, which delivers a 2,400W total output. This is combined with Adamson’s proprietary onboard processing and a 50° x 100° vertical (HxV) coverage pattern. The speaker measures 52cm x 32cm x

monitoring to elevated installations. A passive version – the M10 – offers 8Ω impedance and advanced Lake processing.

FletcherMachine has also been updated to V2.3, including firmware and remote updates. Improvements include enhanced network connectivity, especially for computers with multiple network adapters; user-selectable direction of initial sync between remote and engine; the ability to import software preferences from the previous version of the remote; and improved redundancy mode for setups with multiple engines. The leader/follower hierarchy for multi-remote configurations has also been updated.

FOLLOWING THE DH350 and DH450 compression drivers, B&C Speakers has added a patented HLX phase plug within its design. The heat-sink enhanced versions expand the range of applications by eliminating the need for custom heat management solutions. Adding a length to match the outer channels, the phase plugs incorporate a twisted central channel. Subsequently, the HLX models increase active diaphragm area, minimise the diameter, provide a lower 1kHz crossover point, lower distortion and are lower in weight.

SENNHEISER HAS unveiled a new installation variant for its TeamConnect Ceiling Medium (TCC M): the TeamConnect Ceiling Medium Ceiling Tile (TCC M CT). The TCC M CT is said to allow for even easier installation of the TCC M into suspended grid ceilings, reducing installation time and costs for integrators onsite. The tile comes in a 60cm x 60cm solution and a 2ft x 2ft version primarily for the US market.

The TCC M CT completes the TCC solutions. It will be available as an assembled kit including a TCC M, front plate and safety ropes, and sold at the same dealer and retail prices as current TCC M flush- and surface-mounted kit options for front

www.sennheiser.com

More coverage with expanded range

EXTENDING ITS WFS range of outdoor projector speakers, the WFS 4 CX and WFS 6 CX from Work Pro are designed to project audio over long distances and complement the company’s existing WFS 5 CX, WFS 500 CX R and WFS 10 CX R passive, 2-way, full-range models. With a power rating of 150W @ 8W, the WFS 4 CX combines a 1.5-inch

500mm x 500mm and weighs 20.3kg. Both are available in a white fibreglass enclosure as well as the standard black enclosure common across the entire range. Both also offer low-impedance 8W and 70V/100V line connectivity, allowing them to be adjusted for different acoustic solutions.

With an IP66 rating, Work Pro’s WFS range is suitable for

Meanwhile, Lake Library V6.1 includes a new preset for the M10 and new EQ overlays and presets for ultracompact line arrays in stacked (3–6 cabinets) and pole mount (2–3 cabinets) configurations. An updated amplification chart now includes the M10, and limiter settings for all ultra compact line and point source

range. The WFS 6 CX also features a 1.5-inch compression

electrical connection cables that enter the enclosure through a cable gland to prevent water, dust and moisture from damaging the transducers.

www.workpro.es

diameter 6CLA51 and 200mm-diameter 8CLA64. Operating within a 100Hz–4kHz frequency range, both models feature copperclad aluminium voice coils for improved bandwidth and clarity, and are characterised by a compact motor design that uses an inside coil and neodymium slug magnet. Optimised for midrange sensitivity in 2-way designs including small-format 2-way line array modules, the CLA series combines larger motors with higher power handling to the lightest woofers available.

www.bcspeakers.com

The all-new SRX915SF and SRX918SF flyable subwoofers expand the SRX900 Series, which offers the perfect balance of value and quality. Learn more at jblpro.com

Biamp extends Voltera lineup

BIAMP HAS added three 4,800W models to its Voltera family of networked amplified loudspeaker controllers (ALCs). The Voltera ALCs double the available wattage of the previously Voltera ALCs, in order to meet the needs of larger venue spaces, including stadiums, concert halls, event centres and indoor arenas.

The Voltera D 4800.4 supplies 4,800W into four channels, while the Voltera D 4800.2M and Voltera D 4800.4M supply the same wattage into two or four channels, respectively. Featuring onboard digital signal processing, the Voltera ALCs combine amplification and processing into a single cost-effective, networked solution suitable for spaces too

large for the existing line of products. The two Voltera D M models include an integrated TesiraFORTÉ digital signal processor, offering customers the same full performance of a standalone DSP, built into the 1U chassis, with ample processing for hosting full Tesirabased systems.

The Voltera ALCs are also compatible with Biamp VenueTune software, which offers system designers and installers a staged workflow to design, deploy and manage their AV systems. In addition, the ALCs can be configured using the ALAMOS loudspeaker library, which streamlines amplifier pairing and setup by automatically configuring Tesira and VenueTune profiles for hundreds of Cambridge, Desono and Commercial Audio loudspeakers.

www.biamp.com

Dynacord unveils IX Series power amplifiers

THE IX Series from Dynacord consists of five models tailored to industry-standard power specifications of 1,500W, 3,000W and 6,000W across two 8-channel and three 4-channel configurations in a compact 1U form factor. The series has been designed for AV systems integrators, installers and consultants, and offers the same functionalities as the manufacturer’s IPX flagship series.

The units have been created for sound system installations that require comparatively less output power. They can also be specified for complementary amplification duties in larger installations. Furthermore, the IX Series allows for integration with third-party platforms such as Crestron and Q-SYS via software plugins. Each IX model comes with eight (8-channel models) or four (4-channel models) mic/line inputs with switchable phantom power. The Dante input/output channels include direct, mix and amplifier outputs, providing extensive routing options. The onboard DSP features high-resolution processing at 96kHz, advanced DSP capabilities with input processing, a 16x16/12x12 channel matrix mixer, FIRDrive and Dynacord’s studio-quality effects. Additionally, the IX Series integrates taskENGINE for system logic derived from the MXE5-64 open architecture DSP to facilitate system automation, scheduling and third-party integration. Dynacord’s ghostPOWER via PoE (Power over Ethernet) is an extension of ghostPOWER technology implemented in the IPX and TXG series. It ensures that the DSP, Dante/control network and all analogue mic/line signal

inputs and mixes remain alive in the absence of mains power, providing a crucial advantage in mission-critical applications. Additionally, overall power consumption is significantly

The IX Series integrates into the SONICUE sound system software and is compatible with the IPX, TGX, L and C Series amplifier lines, as well as the MXE5-64 matrix mix

reduced with ecoRAIL, conserving energy and lowering ownership costs, while powerTANK provides flexible power allocation by acting as a power reservoir. With direct access to the total amp capacity, powerTANK can dynamically deliver power of up to 1,000W or even 1,800W (IX 60:4) per channel as needed. For maximum installation flexibility, the IX Series can individually drive both high- and low-impedance loads.

engine. The series also works with all peripherals within the SONICUE ecosystem, including the TPC-1 touchpanel controller and the WPN1 wall panel controller, and any device using SONICUE Control panels (Windows or iOS). The upcoming 1.5 software release of SONICUE will fully support the IX Series.

www.dynacord.com

AVAILABLE IN Network AES67 Connect and 96kHz-capable Dante Connect versions, LEA Professional has added the 3004 and 3004D IoT-enabled smart amplifiers to its Connect

drive up to 3,000W per channel into 2Ω, 4Ω and 8Ω as well as 70V and 100V RMS. They include advanced DSP with 96kHz linear phase FIR crossover filters, RMS and peak limiters, 32-bit floating-point DSP with built-in sample rate converters and Smart Power Bridge technology.

www.leaprofessional.com

NOTA IS a compact PoE/PoE+ amplifier from Powersoft that provides 140W of power across two channels in a pocked-sized footprint, making it suitable for commercial, conferencing and retrofit installations. Its ability to transmit power and data via a single Ethernet connection streamlines installation, reducing costs and minimising

BUILDING ON API’s heritage of premium recording consoles and based on the summing section of The Box, the US brand has introduced the ASM164 analogue mixer. Providing API summing performance, the 16-channel mixer is targeted at project studios, home studios and production facilities. With balanced line

with external multimedia devices, doubling as a USB-to-AES67 converter for enhanced system flexibility, while its automated setup automatically matches the impedance curve of connected speakers and applies a highpass filter, protecting speakers from potential damage by ensuring efficient power transfer. Nota is rated for plenum mounting in enclosed spaces, and the provided kit allows multiple installation configurations on flat surfaces, poles and DIN rails. Additionally, remote monitoring via Powersoft’s Verso gateway and MyUniverso software provides real-time diagnostics from anywhere.

www.powersoft.com

PreSonus leaps forward with Quantum

FEATURING MAX-HD mic preamps, low-noise converters, low-latency drivers and front-facing instrument inputs, PreSonus Audio Electronics has introduced the Quantum audio interfaces. The USB-C audio interfaces are available in four distinct models: Quantum ES 2, ES 4, HD 2 and HD 8. The auto gain function sets the gain level for microphones and instruments, loopback audio speeds up monitor and streaming mixes, and reamping sends audio directly from the DAW and re-records it through different amps and effects. Adopting any mobile or desktop device, Universal Control includes basic routing and preamp functions such as preamp gain and phantom power. Integrating with Studio One, custom templates can be created and hardware controlled directly from a DAW.

Available in Essential, Studio and Pro tiers, the US brand has also added the Eris monitor series to its offerings. Integrating Bluetooth functionality, onboard tuning and headphone outputs, the Essential models

Eris 3.5 BT, Eris 4.5 BT, Eris 5 BT and Eris Sub 8 BT models. The compact Eris Studio 4, Studio 5 and Studio 8 monitors feature

frequency

reproduction

Atmos-ready Eris Pro monitors feature a coaxial design and include provisions for wall and ceiling mounts within stereo or surround applications. Tuned to complement the Eris Pro or Studio speakers, an Eris Pro Sub 10 subwoofer can complement the Eris Pro 6 and Eris Pro 8 monitors.

www.presonus.com

NEXO HAS

Dante-equipped immersive audio processor featuring up to 128-in/64-out AFC Image object-based mixing with three-dimensional reverberation. The unit ships with 32 object inputs/16 speaker outputs included as standard, expandable in blocks of 32x16, 64x32 and 128x64 via a flexible licensing structure. The DME10 features 96kHz processing and is equipped with a wide range of DSP components that can be freely selected, connected and configured, allowing for flexible system construction. A separate speaker system and immersive processors are no longer required as it’s all inside the DME10. The processor combines with the company’s powered TD Controllers and point source and line array loudspeaker systems to create solutions for applications of any

DirectOut expands PRODIGY and MAVEN

A SERIES of dual network audio modules for PRODIGY and MAVEN have been released by DirectOut. Designed to enhance the flexibility and interoperability of the host device, the modules offer expanded audio network and sample rate conversion options and fit into the audio network slot (A slot) of all PRODIGY and MAVEN devices. They also feature bidirectional sample rate conversion (HD SRC) as a standard, allowing them to link to different audio networks independently of different clock masters.

Devices equipped with a single A slot, such as MAVEN.A or PRODIGY.MC, particularly benefit from the dual functionality of these modules. Users can either double the channel capacity of a DANTE.SRC.IO or interface with two different audio network protocols, providing a versatile and cost-efficient solution. The DANTE.DANTE.SRC.IO

In the room

AIMING TO simplify deployment and eliminate the need for specialised audio programming, RoomHub from Xilica is an intelligent audio processor that uses AI AutoDeploy technology to automatically discover and configure system components, analyse room acoustics and tune audio performance. Delivering scalable room audio without the complexity, the company hopes that the RoomHub will transform how enterprises deploy and manage audio for medium and large meeting rooms, divisible rooms and classrooms. Its onboard AI engine delivers real-time intelligence at the edge, using machine learning (ML) algorithms to power AI NoiseSense, a technology that distinguishes and filters both static and dynamic noise, while continuous MLdriven dereverberation adapts to changing room conditions. The RoomHub also adopts the second-

adapts intelligently to each space. Organisations can configure devices offline through an embedded web interface, while

configuration and advanced provisioning mean devices automatically configure themselves once connected to the network; meanwhile, the system

DME workflow by providing a comprehensive set of software tools designed for accessible use, supporting system design, operation and licence management.

The manufacturer has also updated its NS-1 system configuration and simulation software which now includes AFC Design Assistant for defining the quantity, density and placement of speakers, before predicting their performance and audience coverage. The speaker configuration can then be exported directly to AFC Image Controller for object-based mixing of the sources in a 3D space. Thirdparty integrations via OSC protocols are also supported to enhance versatility and adaptability across different platforms and setups.

www.nexo-sa.com

module offers two interfaces with 64 channels each and individual SRC for each Dante network. There are currently seven available modules in the range of options including the DANTE.MILAN.SRC.IO, DANTE.RAV.SRC.IO and DANTE.SG.SRC.IO. These focus on Dante conversions, enabling fully redundant, effortless conversions between Dante, Ravenna, Milan and SoundGrid network protocols.

In addition to the Dante solutions, the RAV.MILAN.SRC.IO and RAV.SG.SRC.IO, alongside the MILAN.SG.SRC.IO, can facilitate any conversion between all these popular audio network protocols. As with all DirectOut solutions, these modules include the manufacturer’s EARS redundancy switching.

www.directout.eu

can run regular and comprehensive checks across every connected device to catch issues before they impact users. After firmware updates, room changes or on schedule, the RoomHub automatically verifies every component and delivers health reports straight to a dashboard. The RoomHub’s compact form factor enables installation under tables, behind displays or in drop ceilings, while PoE and a fanless design further simplifies deployment. RoomHub also features Dante and dual USB-C connectivity for plug-and-play installation, multi-camera tracking keeps every participant in frame and integrated Bluetooth and Auracast technology enables enhanced accessibility through direct audio streaming to hearing assistance devices.

www.xilica.com

Dual network audio modules

KLANG:quelle XDM bridges analogue and digital

KLANG HAS unveiled the KLANG:quelle XDM, a 1U XLR breakout box that delivers 32-bit digital-to-analogue audio conversions from Dante or MADI inputs.

activity. The first port also supports Power over Ethernet (PoE) for streamlined setup. A high-resolution display and rotary control knob are said to make it easy to configure

channels of output with user-configurable options for analogue XLR or digital AES3 formats in a compact, rack-mountable unit. It can be used as an addition to a KLANG immersive processor or as a standalone tool in any pro audio environment.

The unit features two Neutrik etherCON halo network ports for Dante connectivity, with built-in LED rings indicating network

Sixteen Neutrik XLR outputs allow for dynamic routing. Stereo pairs can be configured to deliver either two mono analogue line level signals or a stereo digital AES3 signal through the same XLR connector. A blue halo light on the first XLR output of each pair provides an instant visual indicator of the selected output type.

www.klang.com

Bosch boosts Dicentis Flush

THE DICENTIS Flush range from Bosch has been expanded with the DCNM-FSL2 language selector and a Custom Dimension solution. The DCNM-FSL2 language selector allows for daisy-chain configuration where devices can be looped through using standard Cat5e (or higher) cabling or a standard PoE switch. The device can also operate in star configuration, where each device is connected to a PoE-compatible switch with an individual standard Cat5e (or higher) cable. This can be enabled by flipping a switch on the device.

solution where customers can get the modern functionality of a system in a made-to-measure package that will meet their aesthetic requirements. As a result, customers can now specify the width and height of their Dicentis Flush devices so that the units can fit into existing furniture without any adaption.

Meanwhile, the Dicentis Participant App is the latest addition to the Dicentis ecosystem. Launched initially for Android devices, the solution extends the feature set of the stationary Dicentis conference

are connected to the device. The DCNM-FSL2 supports up to 100 languages and control is via the four touch buttons alongside the 1.44-inch screen.

Dicentis Flush – Custom Dimension has been created as a flexible solution that can be built to the bespoke needs of customers. Particularly suitable for parliaments or councils that want to upgrade their existing solution but don’t want to adapt their furniture, Dicentis Flush – Custom Dimension offers a bespoke

Audac enters the NIO age

AUDAC HAS released a series of three network I/O mixing breakout boxes featuring Dante/AES67 outputs together with integrated mixing and audio processing. The NIO 204 interfaces 4x4 channels of Dante and AES67 inputs with four balanced line outputs and a terminal block input on the S-box modular multifunctional enclosure. The audio inputs can be switched between line and microphone level audio signals. It is suitable for any PoE networkbased installation and phantom power (+48V DC) can be applied to the input connectors for powering condenser microphones.

Integrated DSP functions including EQ and automatic gain control can be configured via the Audac Touch App. Backwards compatible with many existing Audac products, the 1U I/O expanders can be mounted under a desk, in a cupboard, on the wall or in a 19-inch equipment rack.

in addition to all the features built into the NIO 204 breakout box. The NIO 240 combines 4x4 channels of Dante and AES67 inputs with four mic/line outputs. Promoting a higher gain and reception range, all three units are compatible with a BAE100 extender kit. An integrated Bluetooth receiver (Version 4.2) offers further installation flexibility in bars, restaurants, retail, education, hotels and corporate applications.

www.audac.com

Virtually Professional

running the new Participant App. When in use, the Android device can be linked with a Dicentis Conference device to act as a single participant position. Devices are one time registered by a technician for security purposes. During the meeting, participants can easily log in as configured and are automatically linked with their conference device.

www.boschcommunications.com

AS THE audio industry shifts towards networked, software-based solutions, Audinate’s Dante Virtual Soundcard Pro (DVS Pro) builds on the foundation of its Dante platform to deliver higher channel capacity, integration into virtualised environments and more versatile installation options. Aiming to empower audio professionals across live sound, studio recording, broadcast and commercial AV applications, the DVS Pro supports up to 128x128 channels at 96kHz and seamlessly connects with a broader array of Dante-enabled devices with up to 64 flows to deliver the flexibility to easily scale their systems. Compatibility with virtual environments enables users to expand deployment possibilities, while clock leader and unicast clocking support enables Dante audio to operate entirely in software-based environments.

Meanwhile, the DVS Pro’s integration with the Dante platform also enables it to leverage the Dante control and management plane for easy audio routing and system management, as well as pair with Dante Domain Manager or Dante Director for advanced features like enhanced monitoring, user access control and cross-subnet routing.

Available for both Mac and Windows, it transforms any PC or Mac into a Danteenabled device. By utilising the computer’s standard wired network connection, the software eliminates the need for additional hardware. Audinate says this makes it ideal for a range of applications, from multitrack recording directly into DAWs like Pro Tools or Logic Pro, to media playback, conference systems and collaborative production.

www.audinate.com

Dedicated to 5G

FOLLOWING THE news that it has acquired MECSware, Riedel Communications has announced the launch of the transformative private 5G network solution Easy5G. Designed to revolutionise 5G usage in dynamic environments like live events, remote productions and industrial facilities, the solution is said to offer flexibility, simplicity and rapid deployment.

by weeks compared to traditional networks. No specialised 5G expertise or dark fibre is needed – Easy5G can be managed by general IT personnel using a standard switch infrastructure.

Unlike public 5G services that often struggle during productions and events with high user density, Easy5G operates on dedicated network frequencies. Its modular design pairs MECSware’s advanced Mobile Edge Cloud Server (MECS) with small-cell base stations, ensuring flexibility and scalability for a wide range of applications from wireless communication to live video transmission. Easy5G can link to Riedel’s MediorNet and Artist ecosystems, adding a wireless IP layer for audio, video and data workflows.

www.riedel.net

concept built into XTA hardware for the first time.

The DP648 completes the system for the manufacturer. The MX36 provides fast source switching, the DP648 offers comprehensive system management, and its DPA and DNA amplifiers bring the power to drive systems large and small. Control is enhanced by the grouping system which works across multiple DP648 processors and DPA amplifiers. The 32 groups behave like a virtual 32-output processor.

www.xta.co.uk

DiGiCo debuts the Quantum2

DIGICO HAS released a “T” software version of its most compact Quantum Range desk, the Quantum225T. Bringing refined hardware and Quantum processing, the Quantum225T’s functionality and worksurface have been reconfigured to provide the specialist theatre programming tools needed for theatre sound design, rehearsal and show operation. The manufacturer believes that Quantum225T users will appreciate the console’s “intuitive programming and workflow” that enhance the cue system with DiGiCo’s Auto Update and cue data management tools.

Auto Update allows designers to establish intricate inter-cue relationships, with changes made to channel settings automatically propagating to other related cues. Character variations, often a result of costume and prop changes, are handled with the Alias function,

and cast changes are easily managed through the Players function.

The Quantum225T’s channel processing and mixing functions are identical to its live-focused Quantum225 counterpart, but the crosspoint matrix gains individual nodal delays and matrix aliases. This enhanced matrixing system is said to play an important role within complex theatre output processing but without compromising any of the Quantum225T’s general processing capabilities.

The console sports a lightweight-yet-robust control surface in addition to comprehensive “in the box” mixing, reducing the need for outboard equipment. It comes with familiar features from the existing Quantum range, including Mustard Processing channel strips, Spice Rack plugin-style native FPGA processing options, Nodal Processing and True Solo.

for dual-operator workflows, Stagetec has updated its Avatus mixing console which that allows every panel to function as the central control section. Four dual-concentric

The Quantum2 T is equipped with 96 input channels and 48 busses, as well Mustard and Nodal Processor tallies to 36 and 48, respectively. Mix minus is also included in the new feature set, plus a larger 24x24 matrix. There are four MADI ports and

encoders per channel strip provide adjustments for up to 96 parameters for a single signal in addition to bidirectional routing for busses, VCAs, mute groups and link groups. The update also includes a temporary link functionality for grouped parameter adjustments in addition to crosshair-assisted touchscreen routing for precise configuration.

Offering flexible solutions for 1D, 2D or 3D movement of microphones, speakers or cameras, the Stagedrive multimedia winch system can handle payloads of up to 12kg. DEKRA-certified for operation over audience areas, automated trajectory calculations can be made for accurate movement along userdefined paths.

Harrison Audio reformats a legend

BASED ON its flagship 32Classic recording console, Harrison has developed the 32Classic Mix Strip (MS) for today’s hybrid workflows and tracking rooms. Making Harrison sound available in a 19-inch rack format, the 1U channel strip adopts the same design as the original 3232 and latest 32Classic console. The 32Classic MS features a Jensen JT-MB-CPCA transformercoupled microphone preamp, Harrison LP/HP filters with 3dB resonant peak and an iconic 4-band parametric EQ from the 32Classic console.

The input sections of the 32Classic MS include dedicated mic and line XLR inputs on the rear panel and a front-panel input with

selectable instrument/Hi-Z and mic options.

The mic input features include 48V phantom power, a –20dB pad, phase flip and a tri-

colour LED meter. Independent gain controls on both the mic and line inputs ensure precise adjustments.

The transformer-coupled microphone preamp is a defining feature of classic Harrison recordings. The 32Classic MS mic preamp offers 70dB of clean gain to deliver a warm, rich tone. The Jensen JT-MB-CPCA transformer contributes to a full low end, open midrange and smooth natural highs. The transformer’s gentle roll-off at each end of the frequency spectrum and delicate phase shift promote its use for virtually any source material.

dual DMI ports for added connectivity, 8x8 analogue and four AES channels for local I/O, built-in UB MADI and optional Optocore, plus dual PSU.

www.digico.biz

The Berlin-based developer has also revealed three new partners enlisting to the Stagenet IP signal management community. Devised as drag-and-drop software to connect a wide variety of devices, the data and orchestration solution organises and monitors AVoiP signals in the network. Arkona is an IP infrastructure specialist for audio/video routing, compression and visualisation; Manifold is a developer of cloud-based live production service clusters; and On-Hertz is a provider of software solutions for real-time audio production, locally or in the cloud.

www.stagetec.com

CONCERT SOUND 2.0 filter sets have been added to HK Audio’s Concert Sound portfolio, which features the Contour X, Cosmo and C-SUB families. The filter sets are said to deliver a revised sound signature, optimised user-friendliness and perfected system coherence. This reportedly helps engineers to create an extended sound signature, so that HK Audio systems sound “fuller, bigger and more confident”. The new filters have been tested under live conditions and are now available for Lake and Armonía processors. Existing

and high-pass filters offer a musical 12dB/ octave slope. Ranging from 25Hz–3.1kHz, the high-pass filter includes a 3dB resonant peak, while the low-pass filter spans 160Hz–20kHz. An integrated mix bus allows outputs to be cascaded from multiple units for summing together via rear panel connectors and jumper cables. Output signals can be balanced using the fader control and pan controls, and the integrated mixbus adds flexibility to any setup. Several 32Classic MS can be chained together via the rear mixbus connectors to build a bespoke modular Harrison stereo summing mixer.

www.harrisonaudio.com

systems can be updated to Concert Sound 2.0 to take advantage of the new features. Updated Ease files are also available to further facilitate planning and implementation. The optimised FIR filters with a uniform phase response have been designed to provide the ideal combination of all components in the Concert Sound portfolio.

www.hkaudio.com

Avatus

Allen & Heath brings wall control to nontechnical users

CREATED TO provide remote control over AHM, dLive or Avantis systems, Allen & Heath’s IP4 is a 4-button simple programmable wallplate controller. It has been designed with the non-technical user in mind, and can control zone level, source selection, mutes, level adjustment and scene/preset recall.

A Sommer forecast of flexibility

DESIGNED FOR demanding environments, Sommer Cable has developed an Ethernet cable for stable and powerful connections for transferring data over Cat.5e, Cat.6 and Cat.6A together with a Cat.7 PUR version for high-frequency Cat.7 transmissions. Common to the three variants, an SC-Mercator is available in different versions depending on the environment.

Multiple IP controllers can be connected to an AHM, dLive or Avantis system to provide control exactly where needed. The controller interfaces with the mixing system via standard TCP/IP network connections and can be networked with other controllers, computers and thirdparty devices using a standard Ethernet infrastructure. The IP4’s controls and functions are configured using AHM System Manager, Avantis Director or dLive Director software (PC or Mac), or via an Avantis mixer or dLive Surface.

Klotz caters for threedimensional sound events

SPECIALLY INTENDED for multichannel systems, Klotz has added the LSC3215YS multicore speaker cable to its catalogue. Designed for live operations, the sturdy 32x1.5mm² multicore incorporates 32 cores with bare stranded copper wire (class 6, VDE 0295) and a core cross-section of 1.5mm². Guaranteeing maximum tensile strength in operation in extreme conditions down to –20°C, a cold-resistant PVC outer jacket is stabilised by an additional Vectran LCP braid. Significantly reducing setup and dismantling times, the 32-way speaker multicore can replace up to four 8-way speaker cables for immersive loudspeaker

with an IP65 rating. Combining flexibility and durability, the X6TE combines the Neutrik NE8MX-B-Top housing with a flexible SC-Mercator Cat.6 Superflex network cable. A PUR jacket advances the cable’s abrasion-resistant feature and is resistant to mechanical influences and UV radiation.

Tasker pairs up

DMX CABLES are now essential in a large majority of operational situations, such as the transmission of digital audio signals, the control of stage lights and connecting to control desks. In most cases, these cables are found in theatres or dedicated public spaces; however, these venues require products that are approved for the medium fire risk CPR Cca class.

retardant and CPR Cca homologated, each cable pair is composed of two conductors of pure tinned copper with a section of 0.25mm², an aluminium foil tape and a pure copper drain wire, under an LSZH numbered sheath. The TSK902 CPR Cca, TSK904 CPR Cca, TSK908 CPR Cca and TSK912 CPR Cca come with two, four,

Available in two form factors for the US and EU/UK markets, the IP4 is compatible with Decora and MK Elements faceplates. The device also automatically matches firmware with connected devices for easy installation and system maintenance.

www.allen-heath.com

DESIGNED TO operate in the 5GHz band, AEQ has launched the Xplorer MAX wireless intercom terminal. Based on WM-DEC (Wireless Multimedia – Docsis Enhanced Communication) technology, the Xplorer MAX provides protection against interference and can operate up to 600m in an open field with a single antenna. Ideal for temporary deployments and large-scale environments, the Xplorer MAX minimises the need for multiple access points. Each access point can manage dozens of terminals simultaneously. Combining functionality and ergonomics in a compact beltpack format, the Xplorer MAX integrates an intuitive interface with four programmable keys per page, two volume encoders and a multifunction

For high-frequency Cat.7 transmissions, the P7TE or P7RE versions with the SC-Mercator Cat.7 PUR bulk ware cable provide a transmission frequency of 600MHz. The P7RE is also available with the latest Neutrik NE8MXR-B-TOP housing, which can be completely retracted allowing the connector to be mated to RJ45 sockets.

www.sommercable.com

Tasker has unveiled a range of products that are all compliant to the most advanced fire homologations needed worldwide. All of them are manufactured with innovative construction materials to make them suitable for indoor and outdoor installations, keeping their flexibility and softness unchanged.

With between one to 12 DMX channels in one cable and low smoke, flame-

The Capitol IP Plus comes with

operation, said to provide an intuitive

precise control of all

faders and 16-channel Dante connectivity as a base, expandable to 32 channels, the Capitol IP Plus has a routing capacity of 96x96 and is available in a silver or black finish. Its programmable keys reportedly allow hundreds of configurations via paging.

In addition, the console comes with Bluetooth connectivity on the surface, three amplified headphone circuits, four AES/EBU digital inputs and outputs, and up to 17 analogue inputs and 16 analogue outputs, including five microphones, in a basic configuration that can be expanded via Dante.

www.aeq.es

Conexia, Crossnet, TH5000 matrix and the

console.

Audio-Technica tackles demanding environments

WITH THE ATM355VF, Audio-Technica has engineered a compact cardioid condenser to capture the nuanced sounds of violins, violas, flutes and other woodwind instruments. Capable of handling SPLs up to 148.5dB, the clip-on model features a highsensitivity microphone that delivers clear and balanced audio reproduction. Designed for both solo and ensemble performances in demanding environments, its cardioid polar pattern ensures frontal sensitivity for feedback control while isolating unwanted

The ATM355VF includes the AT8543 power module, which provides a switchable 80Hz lowcut filter to minimise low-frequency noise. The module connects via a locking 4-pin cW-type connector in wired applications and features a 3-pin XLRM output. The microphone also supports wireless configurations with multiple models with terminations compatible with cWand cH-style wireless bodypack transmitters. Fitted with a windscreen to isolate noise, the flexible gooseneck design can be precisely positioned to reduce strain on the 1.8m-long

Audix

adapts OMX for different stages

ENGINEERED TO offer a handheld microphone for each of the three common stage scenarios, Audix has launched its OMX series. It comprises the OMX-E, for singers who move around more during a performance; the OMX-T, for vocalists on busy stages; and the OMX-M for vocalists with a close mic technique. The three zinc alloy handhelds are distinguished by a colourcoded ring just below each mic’s capsule. Displaying a hypercardioid pattern, the latest generation of Audix’s dynamic microphones integrate very low mass capsule technology and a flattop grille to guide towards correct positioning and technique.

Engineered to keep the singer’s mic free of unwanted bleed and feedback, the OMX-T isolates all the vocals while maximising rejection of other nearby signals. Aiming to retain detail without adding bass boost or losing clarity, the OMX-T adapts to concertlevel stages and distinguishes itself from the other models by a silver-coloured ring. Created for singers with varied mic techniques, the OMX-E is engineered to

cable. To tailor specific pickup characteristics, the clip-on can adopt interchangeable elements, including the UE-O omnidirectional and UE-H hyper cardioid elements. The ATM355VF also includes dedicated mounts to ensure secure attachment to a variety of instruments. Providing one-handed attachment and minimal contact, the AT8491V violin mount is designed for instruments with a body depth of 30–55mm. The AT8491F flute mount accommodates diameters ranging from 12–30mm, making it suitable for other wind instruments, and cylindrical objects including microphone stands. A wireless compatible version, the ATM355VFcH, is also available for use with Audio-Technica wireless products featuring the cH connector.

The manufacturer has also released its R-Series open-back range of headphones. The former ATH-R70x has been upgraded to the ATH-R70xa and is joined by the ATH-R50x. While the ATH-R70x utilised damping and its acoustic design for added low-frequency emphasis, the fully open-back sound of the ATH-R70xa relies solely on the performance of the driver – each diaphragm movement translates directly into sound without reliance on acoustic cavities or resonance for frequency enhancement and minimising distortion. The drivers in the ATH-R50x have been modelled after those used in the original

detachable cables, each with a 2.5mm twistlock connector at the left earcup and a 3.5mm gold-plated stereo mini-plug.

In brief, Audio-Technica has introduced a white version of its ATH-M20x professional monitor headphones.

www.audio-technica.com

DPA enters the wireless market

WITH THE release of the N-Series digital wireless microphone system, DPA Microphones has broken into the wireless equipment market. The N-Series is a fully digital, true diversity wideband solution in a robust and easy-tooperate format that is suitable for a wide array of live, house of worship and corporate events as well as installed applications and rental companies.

Along with the wireless receiver and bodypack transmitters, DPA has also launched its 2024 Vocal Microphone, designed specifically with the N-Series in mind. The system can also be used with a variety of industry microphones, including several DPA models.

Owing to its dedicated wideband capabilities, each N-Series solution enables users to quickly find audio channels in even the most densely RF populated areas and arenas, anywhere in the world. It operates in the 470–870MHz range, with each unit providing users 400MHz of flexibility and ease of use. This wideband philosophy reportedly ensures a more secure investment, not only because a single N-Series unit can be used in multiple locations, but also because it

N-Series also offers AES256 encryption for privacy, which is essential for corporate or governmental applications.

With the N-Series wireless system, DPA has unveiled the DPA Audio Controller, a software solution that allows remote control and monitoring of the system via either PC or Mac. DPA Audio Controller also features a comprehensive frequency analyser that covers the entire bandwidth of the system, spanning from 470–870MHz.

The N-Series bodypack transmitters are rounded to fit the contours of the body and are available with two connector options: LEMO 3-pin or DPA’s new MicroLock compact connector. Other professional microphones with these connector types can also be used with the DPA N-Series bodypacks.

Handheld transmitters are available with the DPA SL1 thread, which is rapidly becoming an industry standard as it is compatible with most vocal microphone cartridges. The N-Series package can be used with DPA’s high-end vocal mics, including the 2024 Vocal Microphone, as well as the 2028, d:facto 4018V and 4018VL microphones.

capture consistent detail and frequency response throughout an expanded range of distances relative to the performer. Ideal for varied performance styles, a green band circles the mic as an OMX-E.

Featuring a bronze-coloured ring, the OMX-M all-rounder blends a medium-tight capture zone with a subtle mid-high presence. Suitable for various musical genres, the low end is slightly attenuated to reduce boominess and its medium-tight control resists unwanted noise.

www.audixusa.com

Austrian Audio gets creative

DESCRIBED AS an inspiring creative tool for artists with a crisp, modern voice and intuitive feature set, Austrian Audio has released the OC-S10 Reference as its flagship recording microphone. At the core of the vocal and instrument reference mic, the specially selected CKR12 capsule is based on a free-floating design. Adopting an Open Acoustics Technology approach to capture sound with minimal obstructions, the OC-S10 uses a unique electronic design for a low noise floor. Multiple cardioid pattern settings – omnidirectional, wide cardioid, cardioid, hypercardioid and figure 8 – allow for different variations of this voice. These include the capability of multiple outputs accessed via dual, full-sized XLR outputs on the bottom of the capsule’s metal casing.

Customisation features including pad, low cut filter and microphone pattern settings are accessed via movable rings along the casing of the 690g OC-S10. A shockmount featuring a ball-joint connection promotes ease of positioning, and a magnetic

attached frameless metal mesh pop filter minimises reflections.

www.austrian-audio.com

Amadeus Acoustics transforms ART for more stages

AMADEUS ACOUSTICS has released an immersive engine as part of its ART platform for multichannel and multiroom applications. Building on the features of its predecessor, the ART::IP immersive performance software module advances sound control in 3D spaces. Supporting a 96kHz sample rate, the upgraded system delivers immersive sound processing for an infinite number of audience zones while maintaining a consistent spatial experience for every seat in the venue. Offering scalability

effects throughout the room, while performer sources are tailored for live instruments, singers or playback onstage. Performer sources are automatically snapped to the stage area, using the full headroom of the main PA system and applying optimised processing across all loudspeakers with automated precedence optimisation that maintains precise sound localisation. The audio consistently aligns with performers, regardless of where audience members are seated.

and versatility, the software module can manage up to 128 sound sources and 256 loudspeakers. Eliminating the need for individual mixes to account for fill speakers or challenging architectural spaces, the system automatically optimises processing for all audience zones. Brand-agnostic, the ART::IP integrates with any loudspeaker system to provide a continuous and immersive venuewide experience.

A standout feature created by the Austrian developer is the ability to define sources as either immersive or performer sources. Immersive sources handle spatialised sound

What’s neXt for Shure?

FOLLOWING ON from the 2024 release of the 2-channel Microflex Wireless neXt, Shure has extended the portfolio with 4and 8-channel count options for adoption in a variety of larger scale meeting and classroom environments. The MXW neXt 4 and neXt 8 combine IntelliMix DSP capabilities and I/O connections, including USB, Dante networked audio and analogue audio. With mics pairing in seconds, streamlined end-to-end workflows and intuitive system layouts are designed within the Designer 6 software. Providing remote control access to Shure networked audio devices, the MXW neXt 4 and neXt 8 are connected to Shure’s cloudenabled centralised management platform, ShureCloud.

The redesigned gooseneck transmitter boasts an increased battery life of up to 39 hours of operating time. Designed to

stereo input, customisable EQ and EQ presets for the passive MX loudspeakers. Compatible with video conferencing and communication platforms, the MXN amplifier can be mounted in a rack or on the wall or ceiling.

Featuring a compact, low-profile design, the mini pendant passive MXP-1 is suited for open architecture or wood slat ceilings. Available in a black or white finish, the paintable MXP-1 incorporates a Balanced Mode Radiator (BMR) driver that promotes enhanced speech intelligibility and wide dispersion for complete room coverage. Integrating the same BMR driver, the compact MXP-3 passive loudspeaker can be wall or ceiling mounted in meeting rooms requiring enhanced stereo audio.

integrate simply to the base unit, both the MXW neXt 4 and neXt 8 can be network-installed or used as a standalone system. Based on the AES256 algorithm, Shure Audio Encryption adopts a user-configured passphrase on all devices and ensures a confidential protected audio signal.

The MXW neXt 4 and neXt 8 offer a choice of four redesigned wireless microphone form factors, each with an added LCD highresolution matrix display for monitoring battery life and connection quality. The MXW1X bodypack, MXW2X handheld with a choice of mic capsules, MXW6X boundary (certified for Microsoft Teams) or MXW8X gooseneck can be pre-configured to handle multiple applications. The gooseneck charger can charge up to eight microphones and can be daisy-chained via Ethernet connection to the associated wireless access point.

With Amadeus Wavefield Panning, the system incorporates a delay-based panning feature for immersive 3D experiences. A unique motionspeed-dependent delay interpolation ensures that even sensitive sources, such as vocalists, can be moved with artefact-free precision. Other advancements include a fully 3D visual workflow for setup and monitoring, remote control integration with external platforms such as tracking systems, QLAB and Q-SYS plugins, and configurable downmix capabilities for external feeds.

www.amadeus-acoustics.com

Joining the existing MXN5W-C networked loudspeaker, Shure has expanded its Microflex (MX) Ecosystem portfolio with a lineup of ceiling and wall-mounted passive loudspeakers and a networked amplifier. Forming part of the Microflex Ecosystem, the MX loudspeakers are supported by standards-based security protocols to manage access and protect data including 802.1x and AES encryption for control when connected to the MXN-AMP.

When used with Microflex Ecosystem microphones, DSP and loudspeakers, the multichannel PoE+ amplifier delivers immersive audio across various room types. Features include Dante inputs and outputs, an analogue

Distinguished by its unobtrusive design, the MXP-5 ceiling-mount passive loudspeaker streamlines shallow depth installation and is ideal for retrofit configurations. The dual-driver architecture delivers full fidelity and optimum speech intelligibility. When paired with the MXN-AMP, up to eight MXP-5 loudspeakers can be daisy-chained in 70V mode. Sporting a sleek industrial design for open ceiling spaces, the MXP-6 passive pendant loudspeaker features a dual-driver architecture and can be powered by one MXN amplifier in 70V mode.

www.shure.com

MXW neXt

MXP-1

Tascam upgrades Hi-Res Editor

WITH AN updated version of its Hi-Res Editor software, Tascam can now support playback and export of DSD files without having to convert them to PCM audio.

Designed for use with the DA-3000 stereo master recorder, the Windows and Mac DSD/ WAV editing package is compatible with Apple Silicon. The latest software version supports the notarisation software feature distributed outside of the Mac App Store. Notarisation ensures compliance with macOS security standards and meets certain security guidelines set by Apple. With this update, the computer recognises the software as safe and allows the installation to proceed without security warnings.

Support for mono to L/R stereo conversion allows two mono files – which share the same audio format, sampling frequency and bit depth – to be combined to create a stereo file. Furthermore, support for L/R stereo to mono split is also supported, where one stereo file can be split into two individual mono files to easily create independent L/R channel audio. With the availability of the IF-ST2110 expansion card and 2.0 firmware, Tascam has upgraded its Sonicview 16/24 digital mixing consoles. Futureproofing IP-based connectivity operations, the expansion card fully supports SMPTE ST 2110 AV networks when inserted into the portable Sonicview. Providing access to 64 input and output audio channels, the

IF-ST2110 ensures full network redundancy through SMPTE ST 2022-7 compliance. With support for NMOS, AES67 and SAP protocols, it integrates with multiple IP protocols, bridging formats for diverse broadcast environments. In addition to two media

ports, a WebUI App is now accessible via a web browser, allowing configuration via the dedicated control port for optimised stream management.

The compact DR-05XP and DR-07XP portable stereo recorders have been designed for

Editor

panLab brings entry-level access to spatial audio

FORMING THE first major release since the company joined the Focusrite stable, TiMax has announced panLab as a free download from its website. The solution enables the simple and intuitive creation of spatialised audio designs in both entry-level and large-scale systems. Adding 3D rendering capabilities to QLab, alongside a wide range of mixing consoles and system processors and TiMax SoundHub, TiMax panLab gives entry-level access to spatial audio.

According to the manufacturer, one of panLab’s major strengths is the simplicity of its 3D user, which provides a tool for creatives to craft multidimensional audio soundscapes. The honed design of the

original panLab spatial programming platform developed by the recently acquired Innovate Audio has now been combined with two decades of spatialisation and showcontrol experience within TiMax.

An update has also been announced to the company’s TiMax SoundHub with a new 695S Mac and PC client software release. Amongst other advancements, SoundHub 695S adds support for the Z axis in PanSpace and Timeline, adds the ability to select all objects of the same type within a cue and refines how audio loop points are modified.

www.timaxspatial.com

easy, one-handed operation in a variety of recording environments. With 32-bit float recording and up to 96kHz sample rate, Tascam says they ensure low-noise, distortionfree recordings, while 32-bit float resolution also means users never have to worry about losing audio takes that were recorded at a level that was too high or too low. Both models have built-in microphones capable of handling audio levels up to 125dB SPL. The two omnidirectional fixed condenser microphones on the DR-05XP can pick up sound from any direction, while the flexible DR-07XP has unidirectional stereo condenser microphones that can be set up in either AB or XY orientations. A stereo mini jack on both models lets users connect microphones with plugin power or external line sources for mono or stereo recording. Both recorders can also function as 2-in/2-out USB audio interfaces via USB-C.

With support for SDXC cards up to 512GB and a battery life of more than 17 hours, the DR-05XP and DR-07XP also feature a chromatic tuner, reverb effect, three low-cut filter options and automatic tone output to cameras for postproduction synchronisation. In brief, the manufacturer has announced the availability of v2.0.0 firmware for its Sonicview 16/24 digital mixing consoles.

www.tascam.com

Yamaha is planning ahead

PROVISIONAIRE PLAN from Yamaha is a browser-based audio system planning tool that extends Yamaha’s ProVisionaire suite of software applications for the design, operation and management of the company’s audio systems. Initially addressing Yamaha’s ADECIA remote conferencing system, ProVisionaire Plan enables users to automatically select and arrange ADECIA components such as microphones and speakers to create a system simply by entering information such as the dimensions of the room. By automatically selecting and arranging equipment with simple, intuitive actions, it aims to automate both the step-by-step design and onsite acoustic tuning phases of any ADECIA project, from system configuration to calibration.

results are presented visually, with the coverage area of the automatically placed microphones and speakers illustrated to justify the proposal. In addition, a 3D view allows investors to clearly envisage the system they are investing in. Yamaha plans to add more products to

ProVisionaire Plan

ProVisionaire Plan in the future, expanding the number and range of systems it can be used to design.

Meanwhile, Sound xR has been designed to bring the Yamaha Group Companies together with a collective vision to bring immersive experiences to everyone. The Sound xR vision is to connect real with virtual environments, for example using the real venue data to create 3D modelling for a virtual venue, and create a virtual event for an “offsite” experience. Then, audiences can join from other platforms such as VR devices or smartphones and experience immersive audio via headphones. Or the reverse – users can reproduce virtual content at an onsite venue. In virtual spaces, Sound xR Core creates

Hi-Res

panLab

Perfectly lined up

AIMING TO eliminate the need for painstaking vocal pitch matching and time alignment, the Sync Vx plugin from Waves Audio allows users to match the time and pitch of multiple vocal tracks to enable music producers and mix engineers to manage entire vocal arrangements in a single, streamlined display. It allows users to assign multiple reference tracks, fine-tune pitch and timing, or get creative with transposition and formant manipulation in the same plugin window. For postproduction engineers handling ADR tasks, Waves says the plugin provides a quick, efficient and precise way to match the time of re-recording dialogue to the original performance. In addition to aligning multiple vocal tracks that have already been recorded, the Sync Vx can also help improve the timing of a specific performance. If a singer does not deliver perfect phrasing, users can record their own voice and use its groove as a reference to easily nudge them into place. The plugin also features ARA technology for faster workflows and real-time sync; customisable shortcuts and ignore, bypass and sync-marker features; transpose and formant manipulation; the ability to tighten backing vocals and vocal doubles, and sync entire vocal sections

with four reference tracks; and adjust settings globally, per track or per region. Waves is also continuing its collaboration with Yamaha with the release of its WSG-PY64 I/O card.

Designed specifically to integrate Waves plugins with the Yamaha DM7 console, the WSG-PY64 has a latency of 0.8ms and delivers 64 I/O audio channels at 44.1kHz to 96kHz sample rates. It

enables users to connect to SoundGrid systems and SoundGrid-compatible devices, as well as record/playback in parallel to processing on Windows/Mac machines.

Finally, the manufacturer has announced a V15 update to its SoundGrid Rack for the Avid Venue | S6L console. The enhancements are said to make mixing workflows with Waves plugins faster

and improve loading snapshots. Live engineers can run up to 64 stereo virtual racks, each containing up to eight Waves plugins, directly within Avid’s Venue | S6L console – with tactile control from the console’s surface knobs. This setup reportedly eliminates the need for a computer host or external network switch.

Users can complete the system with the WSG-HD Waves SoundGrid Option Card, Venue software v8 or later, a Waves SoundGrid Server to process the plugins and a choice of Waves plugin licences.

www.waves.com

S6L V15

Holophonix releases Version 2.3 software

HOLOPHONIX HAS unveiled Version 2.3 of its immersive sound processor, bringing two key advancements: enhanced interoperability and a “Wizard” for simplified setup. Designed to simplify the way users interact with spatial sound technology, the update reportedly reduces the complexities that often come with integrating new spatial sound technologies into existing systems.

Version 2.3 expands compatibility with professional audio equipment, including integration with Yamaha mixing consoles from the QL, CL and DM series. Integration with the PM series will be available in an upcoming update. It also boasts enhanced interoperability,

allowing for smooth integration with a variety of audio equipment commonly used in live performances, studio settings and installations. Whether connecting to mixing consoles, digital audio or workstations (DAWs), the software allows users to connect and manage their audio setup and is said to offer sound engineers greater flexibility in their workflows.

The Wizard feature is a step-by-step interactive guide that is said to make it easier for users to go from opening the software to having sound

Bose Professional accelerates to the cloud

CONTROLSPACE

CLOUD is Bose

Professional’s new cloud-based software tool that is said to bring smarter management, monitored performance and greater insight and reliability to ControlSpace devices. The software enables remote system monitoring and troubleshooting of ControlSpace devices from anywhere with cloud connectivity. It also allows users to instantly respond to and even anticipate system issues before they happen, reducing unnecessary site visits. Designed to be fully scalable, the tool also allows customers to monitor just one room or up to multiple organisations globally. System data includes connection status, faults, errors, clipping and limiter activation, while the software can be integrated with popular

platforms including email, Microsoft Teams and Slack.

The IP43-rated Lyric series is said to deliver “excellent output and unmatched vocal intelligibility” in a compact, installation-friendly form factor suitable for medium and large installations. Available in 2-way 8-inch (LC108) and 12-inch (LC112) models, the Lyric series features high-excursion coaxial drivers that incorporate Beamwidth Matching Waveguide technology for uniform (110° x 60°) coverage across the frequency range. The high-excursion coaxial drivers deliver up to 126dB max SPL, while the compact, rotatable cabinet with square grilles provides flexible installation options.

www.boseprofessional.com

Clear-Com adds to FreeSpeak family

CLEAR-COM HAS added the FreeSpeak Icon beltpack to its FreeSpeak family of wireless intercom systems. Designed to meet the needs of technical teams across broadcast, live performance, corporate AV, sports and worship markets, the beltpack combines the RF capabilities of the 1.9GHz (DECT) frequency with an array of user-focused innovations, including nine configurable buttons, four individual channel volume controls and support for the latest Bluetooth 5.3 technology. The beltpack’s nine configurable buttons, including eight dedicated channel buttons and a reply key, are said to rival the functionality of a traditional intercom panel. Four dedicated

channel volume controls and a main volume control allow users to fine-tune audio levels for each channel, reducing listening fatigue and enhancing overall comfort. With Bluetooth 5.3 compatibility, users can connect the beltpack to modern wireless headsets and earbuds. Optimised for compatibility with the manufacturer’s Arcadia Central Station and Eclipse HX digital matrix, the beltpack includes Dante and MADI for Eclipse users.

With the EHX v14 software update, Clear-Com has advanced its Eclipse HX digital matrix intercom system for mainstream production intercom solutions. Said to add “unmatched” SIP density and flexibility to Eclipse HX systems, EHX

providing seamless connectivity with a wide range of SIP-enabled devices, communication networks

d&b makes En-Space for Custom Rooms

ENGINEERED TO enable organisations, creatives and artists to recreate their specific signature acoustics in any environment, d&b audiotechnik has introduced En-Space Custom Rooms. The new customisation service is an extension of the En-Space virtual acoustics engine for the Soundscape immersive audio ecosystem.

Engineered with flexibility and customisation in mind, Custom Rooms allows for the creation of bespoke acoustic signatures for individual clients, using the En-Space measurement method. To expand the creative possibilities, three additional En-Space room slots are available on every DS100 Signal Engine. For ease of use, installation of custom signatures is available through web remote and controllability via OSC. In addition, Custom Rooms can be transferred to any environment, allowing customers to realise their sonic vision in a variety of settings.

Further enhancing the offerings of the En-Space module, d&b has introduced the d&b En-Space Control plugin, designed to integrate

into a Digital Audio Workstation (DAW) or other plugin host environment. The tool enables sound engineers and designers to control all En-Space parameters on the DS100 platform via the AES70 (OCA) protocol. The plugin allows DAWs to record En-Space parameters as automation envelopes or snapshots.

Meanwhile, ArrayCalc V12 is the latest version of d&b’s system planning and simulation software and introduces new features including the manufacturer’s virtual Patch Plan, an enhanced visualisation tool designed to streamline workflows and improve the accuracy of infrastructural planning. These enhancements are said to enable

can be expanded across SIP and intercom platforms. The US brand reports that it is the only manufacturer to supply direct SIP connectivity. The v14 update also introduces redundancy with SMPTE 2022-7 protocol for integration with third-party AoIP devices. This feature ensures continuous operation by providing redundancy on critical audio pathways, even when interfacing with non-Clear-Com AoIP systems. Minimising the risk of downtime and ensuring reliability, this addition underscores the US manufacturer’s support to interoperable communication for complex productions.

www.clearcom.com

users to plan and deploy sound systems with increased efficiency, reducing both time and effort. Patch Plan simplifies system design by providing a comprehensive visual representation of the system infrastructure. The visualisation of the system architecture and the ability to plan the system racks within ArrayCalc reportedly reduce the need for third-party tools.

Users can now visualise system infrastructure, understand device connections and quickly map out signal flow using smart patching options. A streamlined system rack design has been created to simplify the process of designing and connecting system racks, supporting both standard and custom configurations. Soundscape design support provides dedicated tools for Soundscape patch planning, while Milan integration means that users can visualise Milan streams and their associated channels, providing a better overview of signal distribution. d&b’s new CCL (Compact Cardioid Line Array) System can also be planned and simulated within ArrayCalc V12.

www.dbaudio.com

Wharfedale Pro releases DSP Controller software v1.2.0

FOLLOWING THE launch of the XC-44F and XC-44N system management cont r ollers, Wharfedale Pro has expanded its audio ecosystem with the release of DSP Controller v1.2.0 software. With the same software, Wharfedale Pro has also updated the DP-F and DP-N amplifier platforms to include a library of FIR presets for most of the brand’s loudspeaker models. Providing routing, processing and system optimisation, the XC-Series system management controllers have been enhanced.

The v1.2.0 update includes several bug fixes and performance enhancements, brings full Smaart V9 (Suite) and Smaart V8 API compatibility, and provides seamless integration with leading system analysis tools. The update is exclusively for Wharfedale Pro DP-F and DP-N amplifiers featuring colour LCD displays and AES/EBU inputs and is not compatible with earlier DP Series models.

www.wharfedalepro.com

Panasonic redefines professional video productions

DESIGNED FOR broadcasters and content creators in studio-based video productions, Panasonic Connect has added the AW-UE150AW/AK 4K to its portfolio of PTZ c a

AW-UE150, the UE150AW/AK is sui t able for remote productions, livestreaming environments and onsite production systems.

Increasing operability and flexibility, the PTZ camera offers built-in autotracking, enhanced pan, tilt and zoom synchronisation, and IP-based 4K video transmission. Supporting the NDI high-bandwidth protocol in addition to the SRT and NDI HX2

UE150AW/AK

IP-based, low-latency 4K video transmission. It is also compatible with 12G-SDI, 2x 3G-SDI, HDMI and fibre output formats.

Equipped with a highsensitivity 1.0-type 4K MOS sensor and a 75.1° horizontal wide-angle lens with a 20x optical zoom, the PTZ also incorporates auto-tracking functionality. An optical lowpass filter (OLPF) reduces luminance and colour moiré when filming monitors or LED walls. Compatible with Panasonic’s AK-HRP1010GJ/HRP1015GJ remote operation panel for colour matching with studio cameras, the inclusion of an enhanced Optical Image Stabilizer (OIS) minimises image shake during pan and tilt operations.

SRT protocol, with the CX20 and CX18 delivering simultaneous SDI/HDMI outputs. The CX20 also supports NDI HX2 IP connectivity for low-latency livestreaming in a network environment, without the need for external converters. Allowing content to be streamed live directly to social media platforms and video sharing sites, both the CX20 and CX18 support the real-time messaging protocol (RTMP). Other features include high-resolution OLED viewfinders, a 3.5-inch touchscreen, two SD card slots, a USB-C port, low bitrate recording for FHD and MP4 shooting, and enhanced network functionality supporting Wi-Fi 5GHz and

In brief, the manufacturer has also announced the latest version of its PressIT wireless presentation system – the WPS2 Series – and Kairos version 1.8.

Specifically developed for on-location filming teams and video creators, the manufacturer has also added a series of 4K 60p 10-bit professional camcorders. The AG-CX20, AG-CX18, HC-X1600 and HC-X1200 integrate a 25mm wide angle to

Cadac Consoles on cue with V2.0

FOLLOWING THE release of the CM-J50 consoles and CM-SR stageracks, Cadac Consoles has developed CM-J V2.0 software for controlling the CM-RT12 router. V2.0 software introduces a significant expansion, including integration of the CM-RT12 router into the console’s routing capability and show files system. Extending the CM ecosystem, the RT12’s routing maps are created via the console’s GUI and includes scene-by-scene basis dynamic routing. V2.0 further incorporates messaging and control for the CM-Monitor App, together with workflow improvements, including Bus VCAs and user-definable colour coding for channels.

The CM-RT12 router provides the CM-Series with enhanced network performance capabilities. With a processing capacity of up to 3,072 channels, a single unit can connect to 12 MegaCOMMS units to form a unified audio system, comprising any combination of CM-J50 consoles, CM-SR stageracks or CM fibre bridges. When two units are linked

600mm telephoto zoom lens, with 24x optical zoom in addition to a 4-drive lens system that operates each lens group independently, in addition to two manual focus rings. All four cameras feature both optical and electric image stabilisation to detect and correct any unwanted camera shake through five axes, including rotational blurring. When shooting in both 4K and FHD, the Face Detection AF/AE feature provides precise focusing and exposure for subjects.

The CX20 model supports full-HD livestreaming through the

complete units, ensuring uninterrupted audio performance for true redundancy. The device also has dual onboard PSUs.

The CM-J50 console’s GUI facilitates seamless routing via the CM-RT12, with settings stored directly to the console’s Show File. The independent Ethernet network enables dynamic routing, allowing each console to control up to 96 inputs per scene

facia, a 6.1cm colour display and headphone monitoring enable fast system setup. Once operational, the router also manages gain sharing across consoles within the network. Running Cadac’s proprietary MegaCOMMS digital audio protocol, the CM-RT12 router reportedly maintains a 0.4ms “lowest latency” performance – from inputs to outputs, including all console processing and ADA

conversions – across the network at distances of up to 2km from the router. Boosting the CM-J50’s remote control capabilities, the iOS CM-Monitor app allows users real-time control of personalised monitor settings onstage using an iPad. It’s been designed to complement the existing CM-Remote app, which provides wireless iPad control of the CM-J50 console. With the CM-J50 set to Monitor Mode, users can access 54 busses instead of 48, while in “Mix Focus” mode, the console offers streamlined control by displaying only the channels and busses contributing to the selected mix.

The 1U CM-DF64, meanwhile, provides optical fibre MegaCOMMS connections and compliments the existing CM-DT64 coaxial Dante bridge. Both the CM-DF64 and DT64 offer simple configuration via the Dante Controller and two Dante Ethernet network ports, at 48kHz or 96kHz, and both have dual onboard PSUs.

www.cadac-consoles.com

AG-CX18

AW-UE150AW/AK 4K

ROE climbs the highest mountain

ROE VISUAL has announced the release of its latest LED solutions, Sierra and Denali. Sierra features common cathode

reflections, striking contrast and a uniform black surface. A high-efficiency power supply reportedly reduces Sierra’s power consumption by 40%. According to the manufacturer, the resulting low operating temperatures enhance colour performance and significantly extend the panels’ lifespan.

Denali comes with an ultra-thin frame, 0.78mm pixel pitch and native 16:9 resolution.

Featuring Micro LED In Package (MIP) technology, it delivers “stunning contrast, wide viewing angles, high-energy efficiency and captivating performance”. The microscopic chip size reportedly results in a 99.67% black area ratio, contributing to an almost black LED surface. MIP uses mass transfer technology for high production efficiency and precision. Using a no-substrate micro LED design reportedly eliminates substrate refraction, resulting in an wide light output angle.

www.roevisual.com

Taking the PTZ market by storm

THE CAM-210-PTZ 1080p60 conference camera with USB 3.0, HDMI out, auto framing and presenter tracking. Part of the Unified Communication line of products, the CAM-210-PTZ comes with a high-quality pan and tilt motor that reportedly provides a smooth experience without excess noise or judder. The PTZ can output video via its USB 3.0 port or the network connection. Third-party control is provided via the industry-standard VISCA protocol. An integrated web interface and free PC software provide advanced configuration options. The camera is compatible with Skype, Teams and Zoom, and has been designed for corporate, education and government environments.

3D calibration

FOLLOWING THE success of its 2D autocalibration option for planar, curved and dome surfaces, Modulo Pi has introduced its 3D auto-calibration module. Paving the way for automatic projector alignment for video mapping on buildings or in immersive venues, the module automatically manages multi-projector soft edge blending and geometry on any surface.

The solution relies on Power over Ethernet (PoE) cameras, reportedly providing fast and simplified cabling for more efficient setups.

A 1/2.7inch, 2.07M CMOS sensor captures crystal-clear 1080p HD video. Other features include a 12x optical zoom, 16x digital zoom and 72.5° wide angle lens.

Meanwhile, the SW-0204-VW 4x HDMI 2.0 videowall processor provides layouts of 1x4 and 2x2 (rows x columns) with 4K and ultra-wide resolution support, independent analogue audio output and image scaling. It also supports a user-friendly Web-UI, RS-232 and Telnet for additional flexibility. The processor supports 4-screen videowalls with selectable modes. It extends the input video source across four displays and comes with advanced features such as bezel correction, videowall flip and flexible layout adjustments. Fully compatible with 4K@60Hz

of video switchers. Housed in a tabletop form factor, the VM-41 is a multifunctional, colour LCD display, the VM-41 offers a comprehensive feature set, including video

SUPPORTING UP to eight PCs/laptops and seamlessly sharing four USB 3.2 Gen 1 devices, the US3384i sharing switch from ATEN is designed to enhance BYOD (Bring Your Own Device) and BYOM (Bring Your Own Meeting) environments. With flexible portswitching and cross-platform compatibility on Windows, macOS and Linux, the US3384i

features a built-in USB 3.2 Gen 1 port with 5Gbps data transfer speed and is engineered for plug-and-play functionality. The US3384i also integrates into control systems through serial connectivity, providing a centralised platform to streamline AV/IT management and simplify maintenance. Its automatic switching on detection automatically

transition effects, PIP (Picture in Picture)/POP (Pop-Out), plus logo overlay and keying functionality with quick access buttons. To ensure intuitive operation throughout the session, the VM-41 includes dedicated Quick Access Camera Select and Preset recall buttons. Advanced PTZ camera control operations include dedicated parameter control buttons and a joystick.

Through the projection of patterns, the position and orientation of the projectors are detected in relation to the projection surface. The software then processes the data to determine the required adjustments and deliver a “pixelperfect projection”. Available as an option for the Modulo Kinetic media server, the donglebased auto-calibration module has been designed to create mappings “with unmatched precision in record time”.

www.modulo-pi.com

video content, the SW-0204-VW adheres to HDMI 2.0 and HDCP 2.3 standards. Its built-in scaling processor allows both upscaling and downscaling to resolutions up to 4K@60Hz 4:4:4. Supporting ultra-wide resolutions such as 3840x600, the SW-0204-VW is suitable for landscape-oriented videowalls in digital signage, conference rooms and large-scale applications.

In brief, the manufacturer has released a V2 upgrade to its MX-0808-SCL 8x8 matrix switcher and the SYN-TOUCH10-V2 featuring an updated processor for enhanced performance and a refined design for a more modern look.

www.wyrestorm.com

Designed for portable setups, the VM-Mini offers a rich feature set that is conveniently housed in an easy-to-carry form factor. Like the VM-41, the VM-Mini is a quad HDMI video switcher with four HDMI input ports and a 5-inch wide gamut FHD colour LCD display. The system includes transition effects, layering, PIP/POP, keying functionality and a 5-way rocker switch for PTZ camera control. T-bar switching is included for controlling more than 30 visual effects.

www.alfatronelectronics.com

of shared resources. It offers multiple versatile port selection methods, including front panel pushbuttons, RS-232/RS-485 serial commands and an external remote port selector. ATEN also offers the 4-port USB 3.2 Gen 1 industrial hub switch – the US3344i – tailored for small meeting room applications.

www.aten.com

Christie sparkles with Sapphire Blackmagic adds body-only URSA Cine 12K

COMBINING SOLID-STATE RGB pure laser illumination with a dual laser phosphor system, Christie has launched the Sapphire 4K40-RGBH projector. Designed for any screen type in applications including theme park attractions, live events, rental and staging, and visualisation, the manufacturer claims that the 4K40-RGBH is the world’s first high-brightness hyb r id RGB laser projector. Delivering DCI-P3 colour, 36,400 lumens of brightness, native 4K clarity in 2D and

3D on all screen types, and front and rear projection, the 4K40-RGBH projector offers high frame rate opt i ons, from 4K at 120Hz to 2K resolution at 480Hz. Unlike traditional laser phosphor projectors, Sapphire reportedly offers superior light efficiency and a wider colour gamut for brighter, more immersive 3D experiences by incorporating the Infitec colour comb 3D solution.

www.christiedigital.com

installed as standard. Other lens mounts can be purchased independently as required. The model will also help existing Blackmagic Design camera customers upgrade to the large-format 12K sensor featured in this camera. It’s also been designed for highperformance film production and Blackmagic sensor size, or they can choose the resolution for the job or the shot they want. VFX plates can be shot in 12K, while documentaries can be shot in 8K or 4K for lower data rates. Users also have the ability to crop if they want greater depth of field.

PPDS gets interactive

PPDS HAS announced the release of the Philips Interactive 3000 Series. The bezel-free, multi-touch Android SoC displays are an update to the Philips T-Line Kiosk display range and have been remodelled to fit market feedback and configured using the latest advancements in hardware, PCAP touch technology and software.

Offered in an extended range of 24-, 32-, 43- and 55-inch models, the displays feature a 30° tilt option, as well as optional open frame brackets to open new installation possibilities. The 24- and 32-inch models provide up to 350cd/m2 brightness, while the larger 43- and 55-inch models are equipped with 450cd/m2 for increased visibility. The displays also features a secure “Kiosk Mode” feature, disabling any unauthorised remote

control, management or tampering for peace of mind.

Meanwhile, the manufacturer has extended its range of outdoor displays with the Philips Urban LED 5000 and 7000 Series. The 7000 Series comes in two panel sizes – 500x500mm and 500x1,000mm – with a choice of 2.9, 3.9 or 4.8 pixel pitch options. The displays provide 6,000 nits brightness, a high contrast ratio and a refresh rate of 3,840Hz.

Aquilon expands with SMPTE ST 2110 I/O cards

ENABLING THE Aquilon LivePremier processors to expand into more applications and integrate into ST 2110 workflows, Analog Way has developed SMPTE ST 2110 input and output cards. Fully supporting all broadcast formats up to UHD60 10-bit, HDR compatibility, the cards cater for up to eight audio channels per ST 2110 stream and are compatible with NMOS and PTP standards.

achieving several hundred GbE of ST 2110 bandwidth.

Enhancing the LivePremier series with userfriendly improvements, the French brand has upgraded the virtual RC400T in the Web RCS as a streamlined GUI for show management. Including features such as Dante audio support, Analog Way has developed firmware 1.1 for the 4K@60Hz CorePlay Solo

The 5000 Series is available in 1,600x900mm and 2,000x900mm panel sizes, and across three different pixel pitches – 6.67, 8.3 and 10 – to suit venue size and viewing distances. The displays come with up to 10,000 nits brightness and an IP66 rating.

www.ppds.com

Merging takes Ovation to the next level

MARRYING A redesign with enhanced usability, Merging Technologies has evolved its Ovation media server and sequencer technology. A reliable solution for many AV applications including theatre, opera and musical performances in addition to broadcast with live operators, Ovation is extensively deployed as a playout solution for live-toair broadcast. Its ability to handle multiple audio tracks and route to many outputs has promoted its use for immersive audio. Offering redundant, precision timing and advanced synchronisation capabilities, Ovation supports all major formats, including Time Code, MTC, IP, GPIO and (ADM) OSC.

Handling professional multitrack audio formats and sample rates without the need for conversion, Ovation features an integrated mixer and renderer that scales up to immersive audio formats. In addition, it connects to external consoles and supports control protocols including HUI, Eucon and OASIS for Lawo and Stagetec. With Pyramix 15 integration, editing and publishing cues and on-the-fly adjustments can be conducted quickly. Designed for effortless navigation, Ovation 11 has undergone a UI/UX overhaul to reveal a modern dark interface. The mixer

comes with fully customisable configurations whereby busses, strips and aux channels can be moved to suit the workflow. Enhanced strip and bus tools include expanded sidechain capabilities and the VS3 plugins have been redesigned for an improved performance.

Compatible with any sound card, Ovation 11 is a native Windows-based show controller and playout system and is available in Elements, Pro and Premium tiers with an optional Masscore real-time engine. Up to 384 low-latency I/O channels can be enabled with Merging converters or direct integration with Ravenna/AES67/ST 2110 networking.

www.merging.com

Incorporating the redundancy and longdistance capabilities of the ST 2110 standard, the SMPTE ST 2110 input and output cards enable secure video and audio streaming over the network. The ST 2110 input card supports up to 4x UHD60 or 8x FHD60 ST 2110 input streams, while the output card handles up to 4x UHD60 ST 2110 output streams. Multiple ST 2110 I/O boards can be installed,

media player. Designed for driving displays or complementing Analog Way presentation switchers, the update includes an intuitive interface with program and preview panels, playlists and professional playback controls, and now allows real-time adjustments during events.

www.analogway.com

The spirit of light

ROBE HAS the iSTROBE and iESPRITE LTL WashBeam to its growing catalogue. The iSTROBE comes with three rapid motorised zooms, including a linear zoom for the central white LED strobe and continuous pan and tilt rotational control. Features include an Extreme output, zoom control that provides bright washes and a high-intensity blinder. The pan and tilt and zonal control can be used for mapping dynamics and the included macros are said to result in faster programming. Variable flash durations provide control of every beat, while the unit also benefits from Robe’s Rains, Polar+ and parCOAT IP65 active protection technologies. Based on the iFORTE LTX WB, the smaller and lighter iESPRITE LTL WB is said to bring the durability of the iSERIES

lens and a range reportedly deliver high-performance

iSE-TE 750W XP (Xtra Power) and HCF (High Colour Fidelity) white LED engines, a CMY colour mixing system and a variable zoom range. Also benefitting from the Rains, Polar+ and parCOAT IP65 active protection technologies, the iESPRITE LTL WB is broadcast-friendly and also includes Robe’s Plano4 FC full curtain shutters, MAPS static calibration and airLOC cooling for ultra-quiet operation and cleaner optics.

SMPTE ST 2110 cards

GLP goes wild

THE WILD Bar 16 from GLP is an LED tilt bar featuring 16 40W RGBL LEDs and IP65 protection. Developed for use in outdoor or dirt-intensive events, the device is said to deliver sufficient power for show lighting in any application, with a light output of 6,000 lumens, a motorised 190° tilt and a zoom range of 3.9–51°. The compact design weighs 22.6kg. The unit’s IP65 certification means it can withstand rain, dust and dirt, making it suitable for festivals, open-air concerts and other demanding environments. For maximum flexibility, the

Martin adds to MAC Aura range Cameo introduces a raft of

COMBINING WASH,

and weatherproof functionality, Martin has released the MAC Aura Raven XIP, described as the biggest, brightest and boldest fixture of the MAC Aura family. Suitable for both indoor and outdoor applications, the fixture delivers over 24,000 lumens of output and a high-intensity beam through its 343mm front lens. An array of 234 individual LEDs, positioned behind the front lens, creates an enhanced pixelated Aura backlight effect. The unit uses RGBL (Red, Green, Blue, Lime) light engine LEDs that enhance skin tones and improve the quality of light. It also includes a dark lens, offering a discreet look that blends into more décors and applications. A belt-driven zoom system

provides fast and near-silent operation. Other features include a Universal Connect Module slot, Companion Mobile app control and yoke handles for easier transport and handling. Martin’s P3 control also simplifies setup, configuration, and the mapping and mixing of DMX with video. Reportedly bringing 50% more brightness than the Martin MAC Quantum Wash, the fixture delivers a smooth, even wash with a soft edge, free from colour artefacts, brown edges or hotspots. The optional BeamShaper accessory is available to cover specific applications, ensuring

THE MOST powerful LED profile light in the The German manufacturer has also unveiled a new addition to its PIXBAR Generation 2 lineup with an SMD LED short version named PIXBAR SMD Short IP G2. Like the other PIXBAR G2 models, it’s equipped with an IP65 certification, well-thought-out accessories and is suitable for lighting any event, both

Mount and Stack Kit for a

The intelligent design allows for flexible positioning at various angles without the included feet, while the practical threaded mount supports both hanging and standing use. Its magnetic Quick Alignment System, combined with various Quick Lock options, enables quick and precise alignment of multiple LED bars. The included frost filters, neon tube filter and glare shield add visual accents.

Claypaky adds to Arolla Aqua series PRODUCTS

ITALIAN LIGHTING manufacturer Claypaky has unveiled two additions to its Arolla Aqua series: the Arolla Aqua LT and Arolla Aqua Wash HC. Combining brightness, precision and advanced control in a weather-resistant IP66 design, the Arolla Aqua LT is equipped with a custom 900W white LED light source and delivers over 40,000 lumens. Its centre-weighted

In addition to DMX protocol control, the Root Bar can be remotely controlled via the optional IR remote. For wireless DMX connection via W-DMX, the unit features a USB port for connecting the Cameo iDMX

consistent illumination and quality of light. Additional features include a 4–52° zoom range, a narrow beam and a 170mm front lens. It also comes with the manufacturer’s Sun Safe Protection System which lets operators activate a safe mode, where the fixture automatically positions its head away from direct sunlight, preventing the lens from becoming a sunlight magnet. The Arolla Aqua Wash HC is an IP66 LED single-lens wash light designed for both indoor and outdoor use. At its core is a 960W custom white LED engine (7,000K), featuring a high CRI of up to 95. The fixture integrates TrueCurve, an RGB LED system that allows the calibration of whites by controlling green and magenta shifts. This reportedly ensures consistent, crisp and clean whites across the rig. The versatile optical system offers an adjustable beam angle from 6–47°. For a wider light distribution, users can add the replaceable frost filter to achieve a smooth 60° beam. Finally, the Mini-B Aqua combines flexibility, a lightweight design and fast pan/tilt movements. Created to meet the demand for a mini wash ligh that’s compact and agile, the Mini-B Aqua PX inherits the core strengths of its predecessors, adding the pixel-to-pixel control of each LED.

www.claypaky.it/en

Arolla Aqua LT

MAC Aura Raven XIP

Wild Bar 16

PIXBAR SMD Short IP G2

A new phase for AV

AVIXA’s Sean Wargo – VP, market insights – sets out the current state of affairs for the global pro AV market

recovery. Revenues were decimated across the industry as a result of the pandemic, so growth was a given as the underlying segments bounced back. That has played out now, pretty much no matter where in the world you are, and instead we are talking about a new phase, driven by lasting themes that solidified during the recovery period.

Fortunately, one thing we leave behind are supply chain issues. Difficulty getting product dominated headlines and business challenge lists over the past few years. AVIXA’s data showed this via a monthly business index survey, with supply constraints as the top challenge facing AV solution providers from 2022 through late 2023. Many products were in short supply or had long lead times, meaning project work could not get completed. This has abated as the industry adapted its sourcing and logistics structure, with distributors playing a large role in the fix. Instead, we return to the more consistent issue of human capital constraints, or finding people to do the work – an issue facing just about every creative industry across the globe as companies look to hire and retain top talent.

Here’s where one of the primary driving themes comes into play. While talent is generally in short supply, pro AV has a nearby adjacent market that has often been a source for skilled professionals and is now facing challenges: the broadcast industry, where traditional business models and modes of distribution have been increasingly threatened by alternative sources. At the same time (and perhaps contributing to the issue), more and more enterprises around the world are ramping up their own content production capabilities to engage customers and audiences on social media platforms. Pro AV is benefitting from this as companies look to build out their capabilities with a tech stack, creating an opportunity for related talent to shift over from broadcasting into what AVIXA has called broadcast AV. The net here is revenue growth for solutions providers and the industry.

AVoIP and AI also help to boost the feasibility and potential for managed service offerings. This all makes it a good time to be an integrator, despite other economic headwinds.

This is all playing out despite geographic location. However, the rate at which these trends are driving growth in AV-related spending varies. One of the biggest shifts is happening in Asia where, for much of the past few decades, the star of growth had been China. While economic growth there is still the envy of much of the world, we have seen a changing of the guard. Now India occupies the top spot in terms of GDP growth expectations, bringing pro AV along with it. According to AVIXA’s Industry Outlook and Trends Analysis (IOTA), AV-related spending is expected to grow by 8.3% in 2025, compared with a still-impressive 7.9% in China. This puts both countries in the top spots for growth, ahead of the largest market, the US, and an average growth rate of 5.4% for most of the world. The Middle East is also right around that average growth rate.

Sean

Wargo

In just about all corners of the world, you can see examples of that theme in verticals such as hospitality, retail and venues. It’s also a part of the larger hybrid work phenomenon that has driven investments in technology to support distributed workforces. Many companies will use larger corporate events, like all-staff meetings, as an opportunity to capture content for redistribution. This requires more than just an effective use of collaboration platforms, bringing in some broadcasting kit and capabilities. It’s an extension of the traditional conferencing and collaboration solutions integrators may have provided in the past. It’s also a welcome development as many buyers shift to lower-cost systems to support scalable deployment of conferencing solutions.

There is further nuance to the types of solutions that are driving growth within the top markets. Certainly, collaboration technologies in use by corporate enterprises is a strong component. But so are security and surveillance solutions as countries invest in smart cities and/or military. Each of these are symptoms of the country’s strong economic growth as companies and governments invest in their infrastructure. Another symptom is a rising middle class who then become active consumers. This appears in the form of an experience economy, fuelled by spending in retail, hospitality, venues and transportation with digital signage and entertainment solutions. Each represents additional opportunities for AV utilisation, fuelling the growth of the solutions provider market with what are often higher-margin projects. It’s also the driver AVIXA expects will represent the most long-term viable tailwind for the pro AV industry at large, even as other sectors shift a bit more to a volume mode. The move to scalability and volume in some traditional AV markets, both in APAC and around the world, is at the core of the inflection point moment. While pro AV had been driven by corporate conferencing and higher education learning solutions, particularly during the pandemic, the key drivers are shifting. Instead of being mostly about corporate boardrooms or classrooms, AV has become so much more. It is now an intrinsic part of the experiences we engage in for entertainment and enjoyment. Concerts, museums, stadiums, events, theme parks, cinemas and stores are all examples of the emerging canvas for the art that is AV. One could say this even represents a golden age. May it be so!

www.avixa.org