List of works – Campinas

Page 1

Campinas

34th Bienal de São Paulo Traveling exhibitions program

Though it’s dark,

April 26 – July 31, 2022

List of works

Campinas

Sesc – Campinas

Campinas

still I sing



Statement Tikmũ’ũn Songs Installation with audios of the Tikmũ’ũn ritual songs, 9 books and transcriptions and translations of the songs. The songs Piabinha, Cabeça branca, Você aguenta, Cabeça vermelha e Tié-preto envergonhado were recorded with the community of women, men and Yãmĩyxop from Pradinho in the Maxakali Indigenous Land (Bertópolis-MG), in October 2003. Song Recording, Editing and Mastering: Leonardo Pires Rosse Editing Assistant: Eduardo Pires Rosse. Research Coordinator: Rosângela Pereira de Tugny. The songs Sobrinho, Papa-mel and Beija-flor were recorded with the community of women, men and Yãmĩyxop from Água Boa in the Maxakali Indigenous Land (Santa Helena de Minas-MG), in October 2003. Song Recording, Editing and Mastering: Leonardo Pires Rosse Editing Assistant: Eduardo Pires Rosse. Research Coordinator: Rosângela Pereira de Tugny. The approach to the Tikmũ‘ũn songs was only possible due to multiple conversations with: Charles Bicalho, Isael Maxacali, Paula Berbert, Roberto Romero and Sueli Maxacali, whom the curators of the 34th Bienal de São Paulo are thankful to.


Abel Rodríguez

Participation in the 34th Bienal supported by: Cancillería de Colombia – Embajada de Colombia en Brasil

La montaña firme, 2018 The firm mountain Acrylic on paper 75 × 104,5 cm Private collection

Terraza Baja, 2020 Ink on paper 77 × 106 cm Private collection

Terraza Vaja III, 2020 Ink on paper 59,5 × 80 cm Private collection

Adrián Balseca

Participation in the 34th Bienal supported by: PCAI – Polyeco Contemporary Art Initiative.

BadYear, 2020-2021 Natural rubber, metal clips Dimensions variable Commissioned by Fundação Bienal de São Paulo for the 34th Bienal

Alice Shintani Mata (series), 2019-2021 Forest / Kill Gouache on paper 10 pieces, 75 × 55 cm (each) Commissioned by Fundação Bienal de São Paulo for the 34th Bienal

E.B. Itso

Participation in the 34th Bienal supported by: Nordic Culture Fund, Danish Arts Foundation and Iaspis – the Swedish Arts Grants Committee’s International Program for Visual and Applied Artists

We resist, therefore we exist, 2015 Photograph series, inkjet print, frames built from window panels of a squatted house, 5 photographs 175 × 125 cm (each) Private collection Courtesy of the artist

Frida Orupabo

Participation in the 34th Bienal supported by: Nordic Culture Fund and Office for Contemporary Art Norway (OCA)

Untitled, 2019 Collage with paper pins mounted on aluminium 43 × 25 × 30 cm Courtesy of the artist and Galerie Nordenhake Stockholm AB

Untitled, 2019 Collage with paper pins mounted on aluminium 70 × 63 × 30 cm Courtesy of the artist and Galerie Nordenhake Stockholm AB

Untitled, 2019 Collage with paper pins mounted on aluminium 90 × 20 × 40 cm Courtesy of the artist and Galerie Nordenhake Stockholm AB

Untitled, 2021 Collage, two parts 108 × 69 cm each Courtesy of the artist and Galerie Nordenhake Stockholm AB


Untitled, 2021

HeadHandEye, 2017-18

Collage 116 × 87 cm Courtesy of the artist and Galerie Nordenhake Stockholm AB

Video 17’45” Courtesy of the artist

Untitled, 2021 Collage 185 × 75 cm Courtesy of the artist and Galerie Nordenhake Stockholm AB

Gala Porras-Kim Proposal for Luzia, 2021 Printed ink on paper and napkin Commissioned by Fundação Bienal de São Paulo for the 34th Bienal

Whistling and Language Transfiguration (WaLT), 2012 LP album, cyanotype print, sound 30,5 × 30,5 cm Artist’s collection Courtesy of the artist and Commonwealth and Council, Los Angeles

Gustavo Caboco Kanau’ kyba, 2020-2021 Installation and animation film Dimensions variable Artist’s collection Commissioned by Fundação Bienal de São Paulo for the 34th Bienal

Jaider Esbell A guerra dos Kanaimés (série), 2019‑2020 The Kanaimés War (series) Acrylic and Posca pen on canvas 145 × 110 cm (each) Commissioned by Fundação Bienal de São Paulo for the 34th Bienal Private collection

O ataque do Kanaimé, 2011 The Kanaimé Attack Acrylic on canvas 168 × 129 cm Artist’s collection

Seba Calfuqueo

Participation in the 34th Bienal supported by: Ministerio de Relaciones Exteriores y Ministerio de las Culturas, las Artes y el Patrimonio – Gobierno de Chile

Alka Domo, 2017 Videoperformance 17’

Sung Tieu Coral Sea as Rolling Thunder, 2017

Hanni Kamaly

Participation in the 34th Bienal supported by: Nordic Culture Fund, Office for Contemporary Art Norway (OCA) and Iaspis – the Swedish Arts Grants Committee’s International Program for Visual and Applied Artists

Installation: HD video, aluminium structure; C-prints on aluminium; programmed LED panel Courtesy of the artist; Sfeir-Semler Hamburg/ Beirut; and Post Vidai Collection


Exhale, 2017

Bonbon Chouval, 2010

C-print mounted on aluminium 84 × 63 × 0.4 cm Courtesy of the artist; Sfeir-Semler Hamburg/ Beirut; and Post Vidai Collection

Horse biscuit

Inhale, 2017 C-print mounted on aluminium 96 × 80 × 0.4 cm Courtesy of the artist; Sfeir-Semler Hamburg/ Beirut; and Post Vidai Collection

Inhale Again, 2017 C-print mounted on aluminium 94 × 65,5 × 0.4 cm Courtesy of the artist; Sfeir-Semler Hamburg/ Beirut; and Post Vidai Collection

Victor Anicet

Participation in the 34th Bienal supported by: Institut français à Paris and Ministère de la Culture et de la Communication – DAC Martinique

Ceramic 40 × 40 cm

Carcan, 2002 Enamelled lava plate 58 × 58 × 2 cm

Carcan, 2002 Enamelled lava plate 50 × 42 × 2 cm

Carcan, 2002 Mixed media 50 × 42 × 2 cm

Chaos Monde, 2003 Chaos world Enamelled lava plate 50 × 50 × 2 cm

Appel d’Afrique, 2010

Le flûtiste, 1970

Call from Africa

The flute player

Ceramic 45 × 40 cm

Painted wood 122 × 80 × 2 cm

Bonbon Chouval, 2010

Le gardien, 2010

Horse biscuit

The guardian

Ceramic 15 × 15 cm

Ceramic 41 × 38 × 10 cm

Bonbon Chouval, 2010

Le Midi quotidien, 1970

Horse biscuit

Painted wood 122 × 53 × 2 cm

Ceramic 15 × 15 cm

Présence de l’Est multiple, 2000

Bonbon Chouval, 2010

East multiple presence

Horse biscuit

Enamelled lava plate 50 × 50 × 3 cm

Ceramic 15 × 15 cm


Présence de l’Est Multiple, 2000 East multiple presence Enamelled lava plate 12 x 20 x 2 cm

Présence de l’Est Multiple, 2000 East multiple presence Enamelled lava plate 50 × 50 × 3 cm

Vision du vaincu, 2018 View of the defeated Ceramic 35 × 50 × 10 cm

Vision du vaincu, 2019 View of the defeated Ceramic 35 × 50 × 10 cm

Vision du vaincu, 2019 View of the defeated Ceramic 35 × 50 × 10 cm

Vision du vaincu, 2019 View of the defeated Ceramic 35 × 50 × 10 cm