Moderna Aloisio Magalhães,
Cologne/New York. Image:
Jordan Belson
Recife. Image: Gilvan Samico.
Galerie Buchholz.
p.205
p.175
p.190
Samadhi, 1967. Courtesy:
Rumores de Guerra em Tempos
4, 2016. Courtesy: the artist
Center for Visual Music,
de Paz, 2001. Museu de Arte
and Galerie Buchholz, Berlin/
Los Angeles. Image: Jordan
Moderna Aloisio Magalhães,
Cologne/New York. Image:
Recife. Courtesy: Museu de Arte
Galerie Buchholz.
Moderna Aloisio Magalhães, Recife. Image: Gilvan Samico.
p.189
Brain Drawings EW.0120, 1952.
Some Illustrations to the Life of
Catherine Heinrich. Courtesy:
Alan Turing, 2009. Courtesy:
Catherine Heinrich. Image:
Grada Kilomba
Galerie Buchholz, Berlin/
p.177
Cologne/New York. Image:
The Desire Project, 2015-2016.
Henrik Olesen.
Image: Grada Kilomba.
p.178 – 179 Illusions, 2016. Image: Grada
Belson.
p.206
Jordan Belson.
p.207 Brain Drawings EW.0117, 1952. Catherine Heinrich. Courtesy:
Hito Steyerl
Catherine Heinrich. Image:
p.193
Jordan Belson.
Factory of the Sun, 2015.
Kilomba.
Courtesy: the artist and Andrew
Jorge Menna Barreto
Güneş Terkol
Kreps Gallery, New York.
pp.209 – 211
pp.181 – 183
Image: Manuel Reinartz.
The Girl Was Not There, 2016. Courtesy: the artist. Image: Ozan Eras.
pp.194 – 195
Restauro, 2016. Image: Joélson Bugila.
How Not to Be Seen: A Fucking Didactic Educational .mov File,
José Antonio Suárez Londoño
2013. Courtesy: the artist and
pp.213 – 215
Heather Phillipson
Andrew Kreps Gallery, New
Planas: del 1 de enero al 31 de
pp.185 – 187
York. Image: Hito Steyerl.
diciembre del año 2005, 2005.
true to size,
2016. Arts Council
Courtesy: the artist and Galería
Collection, London. Courtesy:
Iza Tarasewicz
Casa Riegner, Bogotá. Image:
the artist and Arts Council
pp.197 – 199
Miguel Suárez.
Collection, London. Image:
turba, turbo,
2015. Zachęta
Heather Phillipson / Arts Council
Narodowa Galeria Sztuki,
José Bento
Collection, London.
Warsaw. Courtesy: the artist
p.217
and Zachęta Narodowa Galeria
Chão, 2004/2016. Image:
Henrik Olesen
Sztuki, Warsaw. Image: Maciej
Eduardo Eckenfes and Eduardo
p.189
Landsberg.
2, 2016. Courtesy: the artist
Ortega.
pp.218 – 219
and Galerie Buchholz, Berlin/
Jonathas de Andrade
Do pó ao pó, 2015-2016.
Cologne/New York. Image:
pp.201 – 203
Image: Daniel Mansur.
Galerie Buchholz.
pp.190 – 191 5, 2016. Courtesy: the artist and Galerie Buchholz, Berlin/
O peixe, 2016. Courtesy: the artist. Image: Jonathas Andrade.
Kathy Barry pp.221 – 223 Series 12 Energy Diagrams,