EE BAFTA Film Awards in 2023 programme

As President of BAFTA, I am proud to join you this evening to celebrate the best of creative and technical excellence in the screen arts over the past year.

As well as celebrating today’s success, BAFTA is uniquely placed to inspire creativity and provide opportunities for the next generation to tell their own stories, and

I am proud that supporting talented people from all backgrounds to unlock their potential remains central to the organisation’s mission. Whether through its career development initiatives such as BAFTA Elevate, which is currently focussed on discovering and supporting aspiring producers from under-represented backgrounds, or through its ongoing bursary and scholarship programmes, which provide financial support to those starting out on their creative journey.

I share BAFTA’s belief that great storytelling can be lifechanging and I fully support its ongoing commitment to secure a more representative, inclusive and innovative future for the film, games and television industries.

HRH The Prince of Wales, kg President of BAFTA

Welcome to the 2023 EE BAFTA Film Awards...

celebrating another outstanding year in international film production. The breadth of storytellers and diversity of narrative forms this year are outstanding, represented by 239 nominees and 45 films. From our five outstanding debuts and 162 first-time nominees to a host of renowned global stars, we look forward to celebrating great talent and craft.

Recognition of excellence in filmmaking is central to BAFTA’s mission as an arts charity. We seek to inspire current and future creatives and ensure they are given every opportunity to thrive in the film, games and television industries, regardless of their background and life experience. In all activity, from our year-round talent development programme to the Awards, we strive to level the playing field. With the support and expertise of our members, we promote best practice in all areas of representation, sustainability and professionalism.

We all believe in the power of film to entertain, inform, engage and transform. Whether celebrating those at the top of their form or nurturing the talent of the future, BAFTA’s support can make a difference.

Huge congratulations to our brilliant nominees. We hope you all enjoy this night of celebration.

Jane Millichip Krishnendu Majumdar Chief Executive Chair of BAFTA Officer of BAFTA

THE EE RISING STAR AWARD

Casting a light on the rising stars who have captured the public’s imagination

This is one of my favourite lines from 2022, delivered by Viola Davis in epic action drama The Woman King. As we welcome you all to the EE BAFTA Film Awards, it’s a great reminder of the artful storytelling we’ve seen from the intenational film industry this past year.

The Woman King also featured turns from two of our more recent EE Rising Star Award winners. John Boyega and Lashana Lynch are both brilliant examples of how far – and how fast – a career can rise after picking up the only award this evening voted for by the British public. As ever, I know much is expected of this year’s nominees. So congratulations and good luck to our shortlist: Naomi Ackie, Sheila Atim, Emma Mackey, Daryl McCormack and Aimee Lou Wood.

This is the 26th year we’re proudly celebrating film with BAFTA. We’re also out to recognise stars of the future making their first moves on camera, with EE Mini Movie Makers. There are a bunch of tools on our website (see link below) to help take kids’ living room turns to another level and inspire the youngest rising stars. Give it a go – the path to an unforgettable performance has to start somewhere!

Marc Allera CEO, EE

“You do not remember me. Now, you will never forget.”

Discover EE Mini Movie Makers at ee.co.uk/mini-movie-makers

WHAT A Piece of WORK Man IS A

from withnail anD i to your ceremony host for the evening, we give you richard e grant...

PORTRAIT: BAFTA/Charlie Clift; IMAGE: BAFTA/Jonny Birch

Withnail’s sobering recital of Hamlet’s “I have of late...”monologue is one of the most indelible moments in the seminal black comedy Withnail and I (1987), a British film packed with many memorable scenes and quotable lines. Remarkably, the portrayal of one of British cinema’s most enduring characters was an incredible debut film performance by this evening’s ceremony host, Richard E Grant.

But then inhabiting the role of a character is what acting is all about and with a screen career spanning more than 35 years and 140 roles, not to mention treading the boards a fair few times, Grant has consistently shown he has the right stuff. Charming, debonair and an entertaining raconteur, he is every bit as flamboyant and

captivating as Withnail, albeit sans the finest wines available to humanity.

It really is an impressive repertoire, covering everything from moving costume dramas and classic literary adaptations (The Age of Innocence, 1993; Twelfth Night, 1996; Gosford Park, 2001; The Iron Lady, 2011) to crowd-pleasing hits and action-packed spectaculars (L.A. Story, 1991; Jack & Sarah, 1995; Spice World, 1997; Logan, 2017; Star Wars Episode IX: The Rise of Skywalker, 2019). He also wrote and directed his own film, Wah-Wah (2005), based on his experiences growing up in Swaziland (now Eswatini) before moving to the UK in 1982. Grant’s role as another lovable chancer, Jack Hock, in Can You Ever Forgive Me? (2018) was also widely praised. His eye-grabbing performance was recognised with both BAFTA and Academy Award nominations.

About this evening, Grant said, via his popular Instagram account: “Never in my wildest dreams did I think I’d be asked to host the ceremony. It’s an incredible privilege and a thrill. Being a starstruck Swazi boy, I can’t wait to meet all my heroes and heroines.”

Alison Hammond is perhaps an object lesson in grabbing an opportunity when it knocks. Indeed, when the chance came, Hammond not only grabbed it with both hands she gave it a big bear hug, coupled with one of her signature booming laughs no doubt. With her magnetic personality and gregarious energy, Hammond has become a fixture on British television through two decades’ worth of appearances on This Morning

After attending The Television Workshop as a child, Hammond landed a few roles on British television, including children’s comedy Palace Hill (1988-1991). Then, at the suggestion of a friend, she auditioned for the third season of reality show Big Brother (2002) and was given

a chance to shine. She may have only lasted two weeks in the BB house, but it was enough to get her noticed by a producer of This Morning, who asked if she’d be interested in taking part in a segment of the show.

Twenty years later and she’s interviewed everyone from pop sensation Britney Spears to actors Harrison Ford and Ryan Gosling (the latter has 15m views on YouTube). In 2021, she was made a regular host of the show, covering challenging subjects with her natural sensitivity, charm and humour. A year later, and she was adding a BAFTA nomination to her list of achievements, for popular entertainment show I Can See Your Voice (2021-2022).

About her role as host of the all-new EE BAFTA Film Awards Studio, Hammond says: “We’re going to have a lot of fun bringing the glitz and glam of backstage to everyone watching at home around the world. From hanging out with the stars to celebrating the biggest night for cinema and joining the discussions with film fans, get ready for good vibes only.”

SOFA Good SO

alison hammond hosts special guests on the bafta studio sofa for extra film insight (and some good vibes)...

PORTRAIT:

BAFTA/Charlie Clift; IMAGE: BAFTA/Guy Levy

FIRST BEST In Dressed

THE FELLOWSHIP: SANDY POWELL obe

costume designer sandy powell is the first of her craft to receive bafta’s highest honour, the fellowship.

PORTRAIT: BAFTA/Phil Fisk; IMAGES: BAFTA/Iona Wolff, BAFTA/Agne Bekeraityte, BAFTA/Ricky Darko, costume design artwork provided by recipient

“There’s nothing more exciting to me than knowing I’m starting work on something new and I have no idea where it’s going to take me.”

Clockwise from top left: Designs for The Aviator, The Favourite, Cinderella and Carol

When you make your debut on a Derek Jarman film, perhaps it shouldn’t surprise that British costume designer Sandy Powell revels in taking risks. Jarman, the iconic filmmaker, artist and provocateur, and his hugely collaborative set for Caravaggio (1986) was clearly an excellent staging ground for

Powell’s trailblazing career that has spanned four decades and a cornucopia of films, styles and costumes.

Powell’s award-winning body of work includes collaborations with Martin Scorsese, Todd Haynes, Neil Jordan, Stephen Frears, Sally Potter and many more. “I make an effort to do different things,” Powell says. “I enjoy working with directors who are prepared to take risks, who want to break boundaries. That excites me the most.”

This love for the cutting edge was no doubt cultivated through her earlier work with influential

dancer and choreographer

Lindsay Kemp. “I’m a huge [David] Bowie fan and had read he learned mime from Lindsay Kemp,” she explains. “I went to see him perform in a show called Flowers in the Roundhouse in the mid-70s and it was really transformative... I knew then I wanted to be part of that world, but I didn’t really know what or how.”

A few years later, Powell instigated a meeting with Kemp by attending one of his dance classes. They became friends and he invited her to join him to work on a show at Milan’s famous La Scala, all while she was still technically a student, finishing her second year of theatre design in London. “I had no idea what I was doing,” she laughs, “but I learned a lot.”

A similarly direct approach saw her launch her film career with

Jarman. “I found his phone number and invited him to come see a show called Rococo I’d done the costumes for at the ICA,” she says. “He duly came and, rather like Lindsay Kemp, took me under his wing. The rest is history. I was very, very lucky.”

It’s clear Powell really loves her work, and she notes that, “nothing’s more exciting to me than knowing I’m starting work on something new and I have no idea where it’s going to take me... One of the most exciting parts of the job is actually getting the job, especially if it’s one you really want.”

One such dream project was Todd Haynes’ Velvet Goldmine (1998), perfect for a huge Bowie fan, which would win Powell a BAFTA. She would win again for The Favourite (2018) and The Young Victoria (2009), the latter also earning her a third Oscar to

Taking part in the Film Session on Costume Design in 2020

Saoirse Ronan was one of many to sign Powell’s 2020 Awards outfit, which was auctioned off to help save Derek Jarman’s Prospect Cottage

Read the full interview: bafta.org/about/awards-brochures

go with Shakespeare in Love (1998) and The Aviator (2004). Now, Powell can add the Fellowship to her trophy cabinet, and, notably, she’s trailblazing at this too as the first costume designer to receive the award.

“It’s amazing to have that recognition for a body of work,” Powell says. “I’m thrilled and terrified, because I know I have to get up there and do a speech.

Before, there’s only been a onein-five chance of that, but this time there’s no getting out of it.”

Designs for The Young Victoria, Gangs of New York and Caravaggio

COVER STORY: EVERY ONE IS

this awards programme is a one of a kind. here’s why...

You may not have realised it but this programme is unique. No two covers are the same. Created by an innovative new software called HP Spark, it features elements randomly selected from our Awards key artwork to create something new. The artwork (above) captures the array of crafts recognised at these Awards, as well as the iconic architecture of London’s Southbank.

The singular elements of the cover combine to form the full artwork, which represents the originality and creativity of individuals combining to invigorate the wider industry. With a more diverse pool of talent, the more varied, provocative and engaging that creativity will be, cultivating greater representation and inspiring more unheard voices to make great works.

Improving representation is a priority for BAFTA. Following the BAFTA Review in 2020, we made more than 120 changes with the overall aim of levelling the playing field and ensuring more films are seen and considered. The results have been positive, as demonstrated by the range and depth of the 45 films nominated this year and the extraordinary breadth of talent represented. The changes made are iterative, and every year we take stock of the progress

we’ve made and where we need to do more. Not only through our Awards, but through our year-round learning and development initiatives, too.   Films expand our understanding of the world, while sharing stories, making connections and learning from others is a fundamental part of the human equation. Tonight is about recognising the storytellers of our time and inspiring the voices of the future. Let’s celebrate them all.

Art by Abigail Bills

CLIMATE Change

when it comes to the environment, we all have a part to play, bafta included.

We are in the midst of an environmental crisis, and we all have a responsibility to act fast to prevent the worst impacts of climate change.

The innovators and creative pathfinders BAFTA celebrates tonight are on the cutting edge of creating a new and better way of making and distributing big and small screen content. Sustainability isn’t just about change, it’s about improvement – it’s about excellence.

BAFTA’s Awards ceremonies are also striving to match this standard of excellence. From food to branding materials, we want to ensure all our ceremonies are as sustainable as possible. Not only does the new venue, The Royal Festival Hall,

Sustainability isn’t just about change, it’s about improvementit’s about excellence.

PHOTOS: BAFTA/Carlo Paloni; BAFTA/Scott Garfitt

allow us to hold both ceremony and dinner in one place, it also means we can reuse a lot of the unseen (but essential) materials that support the stage, sets and other event areas.

We have also committed to: reusing the set at future Awards; using greener Stage V generators to reduce air pollution; investing in local suppliers and crew to limit emissions from travel; switching to LED lighting; and crafting the dinner from seasonal and locally-sourced produce, with any food waste re-used in agriculture.

There’s a long way to go, but standing still isn’t an option.

The BAFTA albert consortium was created to help the film and TV industry lead the way in tackling the most important issue of our time. Launched as a carbon calculator in 2011, albert has become a hub for the screen industries worldwide to make their content pipelines sustainable and to inspire and educate audiences. Together, with albert, we can create a better industry and build a brighter future.

Find out how to play your part at: wearealbert.org

who ’ s albert ? we are

LIGHTS ACTION Cameras

“Believe in the originality and the uniqueness of your story and your voice, and believe in the imagination of the public to embrace every and any kind of story well told.”

– Sir Kenneth Branagh, co-winner of Outstanding British Film for Belfast

a mix of images from last year’s ee bafta film awards, from the red carpet to official portraiture.

PHOTOS: BAFTA/Iona Wolff; BAFTA/Greg Williams; BAFTA/Matt Holyoak; BAFTA/Guy Levy; David Fisher/Shutterstock; BAFTA/Jonathan Birch

Above: Daniel Kaluuya with a shocked Leading Actress winner Joanna Scanlan; Left: Florence Pugh takes a snap; Below: When singers Rachel Zegler and Lady Gaga meet; Opposite page: Kenneth Branagh prepares to present Outstanding Debut by a British Writer, Director or Producer

Top left: Ariana DeBose and her Supporting Actress award; Top right: EE Rising Star Lashana Lynch and Documentary winner Questlove enjoy the moment; Above: The 2022 winners;

Right: Supporting Actor winner Troy Kotsur with EE Rising Star nominee Millicent Simmonds

Above: British Short Film winner Cherish Oleka with Gamal Turaw; Below: Haim sisters Este and Leading Actress nominee Alana enjoy a good portrait

Role LEADING l

in october 2022, bafta welcomed its first new ceo in more than 20 years. jane millichip reflects on the past, the present and the promise for the uk’s world-renowned academy and arts charity.

PORTRAITS: BAFTA/Sophia Spring; IMAGES: BAFTA/Carlo Paloni; Kate Green/BAFTA/Getty Images for BAFTA; BAFTA/Scott Garfitt; Lia Toby/ BAFTA/Getty Images for BAFTA

“If we can use the oxygen of awards publicity to encourage the public to go to the cinema, engage in gaming or watch TV, that’s a job well done.”

Over its 76 year history, BAFTA has grown from a bespoke arts organisation to a world-leading academy and awards body, a charity with a remit to support, develop and promote the screen arts, and a membership organisation for practitioners in film, games and television. It also has sustainability, technology and hospitality businesses under its roof.

This is a legacy that new CEO, Jane Millichip, holds in high regard: “I am keenly aware that I stand on the shoulders of the brilliant staff and non-exec advisers, past and present, who have poured their hearts and souls into BAFTA. And it’s a real honour to lead BAFTA on this next stage of the journey.”

Millichip started her career in magazine journalism, and, after writing about everything from

cars to football to media, she transitioned into television in the late 90s. Since then she has worked in production, distribution and commissioning, in the UK and New Zealand, and last year exited Sky after nine years, during which she built Sky’s production company portfolio and distribution business, later becoming chief content officer for Sky Studios. “Ultimately, storytelling is the thread that weaves through my career, as a journalist, producer and here at BAFTA,” says Millichip. “We all hope to eke out the truth about the human condition whether through news or narrative form.”

Acknowledging great storytellers through the peer recognition of the BAFTA awards system is key to its mission. “Acknowledgment of excellence

At the EE BAFTA Film Awards 2023 nominations announcement

is a significant part of our purpose, and our awards also serve to inspire future filmmakers, game designers and TV creators,” says Millichip. “And if we can also use the oxygen of publicity from our awards to encourage the public to go to the cinema, engage in a progressive gaming community or watch watercooler, game-changing TV, that’s a job well done.”

Connecting the Awards to BAFTA’s charitable remit is vital for Millichip. “Core to our work as a charity is that we create programmes that provide access, development, connections, mentoring and funding for those in society who might otherwise face barriers to entry and progression, either through systemic biases or socioeconomic challenges.”

She continues: “It’s important that this work feeds into our awards system, which, following a significant review in 2020, aims to level the playing

“It’s essential we remain relevant and representative for all.”

field for all films and creators, regardless of marketing budget, background or life experience. It’s essential we remain relevant and representative for all.”

As for the future of BAFTA, can Millichip offer any thoughts on what awaits on the horizon?

“Where to begin? There’s so much to do. We will continue to rally, advocate and cheerlead for our creative community in film, games and television, both within the industry and with the wider public. We will continue to provide opportunity for the underrepresented, to provide guidance on best practice in our industries and to acknowledge great work through our Awards. We will push for carbon reduction through our sustainability arm, albert, with a progressive carbon calculation and certification programme. Oh yes, and we are working on our editorial greening initiative, Planet Placement, to encourage storytellers to adopt environmentally positive narratives.

“As I said, there’s a lot to do.”

Opposite from top: At the BAFTA Scotland Awards 2022; Introducing the BAFTA Academy Circle with Joanna Scanlan; With BAFTA Young

Presenter Maryam Drammeh at the BAFTA Children & Young People Awards

Over the past few years, BAFTA has been re-evaluating and rationalising its children’s activity. We know from their participation in our existing programme – which includes Young Game Designers (YGD), Young Presenters and our UK-wide schools and festival roadshows – that there is an incredible appetite for the screen arts among children and young people. Learning about the crafts that go into making their favourite films, games and TV can be inspiring, and we hope will eventually translate into future industry careers.

Helping young people develop the life skills they might need for any career is crucial for their

own personal growth, which will also benefit society.

“We want to open their eyes to opportunity and potential,” says Lisa Prime, BAFTA’s head of children and young people. “Although we can’t expect every child to want to work in the screen industries, those who do will be at a significant disadvantage without a strong foundation in creativity. It’s an important skill: it’s good for developing transferable skills and thought processes, mental wellbeing and self-expression. Inspiring future career opportunities in the screen industries is at the heart of what we do, but we’d be failing a lot of children if it wasn’t about more than that.”

bafta’s children & young people programme is about more than inspiring the talent of the future...

IMAGES: BAFTA/Scott Garfitt; BAFTA/Amy Mui; BAFTA/Trevaughn Omari; BAFTA/Quetzal Maucci

BAFTA has now split its YGD and Young Presenters competitions into two age groups, allowing older teens a better opportunity to ask the experts for advice. We’ve introduced a full weekend of activities around YGD and the Children & Young People’s Awards, providing unique opportunities to interact with BAFTAnominated talent. Our regional school visits have involved local screen talent, demonstrating that you don’t have to live in London

to work in film, games or television. We’re also developing a new initiative for the 10-18 age group called Young Creators. “There was a gap in our programme for teens,” states Prime, “so we’ve tried to be better at joining up the dots... Being imaginative, telling our own stories, that’s all part of being human, isn’t it? Giving children and young people the tools to do that is a big part of what we do now.”

Clockwise from top left: Young Presenter Samaira Iqbal with Ben Shires at the Young Creators Day; Forth Valley College students take part in a BAFTA Scotland Key Skills Session; The YGD Showcase; The Children & Young People Festival; Opposite: Young Presenters 2022

2023 EE BAFTA FILM

BEST FILM MALTE GRUNERT DIRECTOR

EDWARD BERGER

FILM NOT IN THE ENGLISH LANGUAGE

EDWARD BERGER, MALTE GRUNERT

ADAPTED SCREENPLAY

EDWARD BERGER, LESLEY PATERSON, IAN STOKELL

SUPPORTING ACTOR

ALBRECHT SCHUCH

CASTING

SIMONE BÄR

CINEMATOGRAPHY

JAMES FRIEND

COSTUME DESIGN

LISY CHRISTL

EDITING

SVEN BUDELMANN

MAKE UP & HAIR

HEIKE MERKER

ORIGINAL SCORE

VOLKER BERTELMANN

PRODUCTION DESIGN

CHRISTIAN M. GOLDBECK, ERNESTINE HIPPER

SPECIAL VISUAL EFFECTS

MARKUS FRANK, KAMIL JAFAR, VIKTOR MÜLLER, FRANK PETZOLD

SOUND

LARS GINZEL, FRANK KRUSE, VIKTOR PRÁŠIL, MARKUS STEMLER

LEADING ACTRESS ANA DE ARMAS

OUTSTANDING BRITISH FILM MATTHEW WARCHUS, TIM BEVAN, ERIC FELLNER, JON FINN, LUKE KELLY, DENNIS KELLY

MAKE UP & HAIR

NAOMI DONNE, BARRIE GOWER, SHARON MARTIN

CONGRATULATES OUR

AWARDS NOMINEES

SUPPORTING ACTOR EDDIE REDMAYNE

ANIMATED FILM GUILLERMO DEL TORO, MARK GUSTAFSON, GARY UNGAR, ALEX BULKLEY

ORIGINAL SCORE

ALEXANDRE DESPLAT

PRODUCTION DESIGN

CURT ENDERLE, GUY DAVIS

OUTSTANDING BRITISH FILM SALLY EL HOSAINI, JACK THORNE, TIM BEVAN, ERIC FELLNER, ALI JAAFAR, TIM COLE

OUTSTANDING BRITISH FILM SEBASTIÁN LELIO, ED GUINEY, JULIETTE HOWELL, ANDREW LOWE, TESSA ROSS, ALICE BIRCH, EMMA DONOGHUE

AND ALSO CONGRATULATES THE NOMINEES FOR THIS YEAR’S EE RISING STAR AWARD

AIMEE LOU WOOD, EMMA MACKEY, DARYL MCCORMACK, NAOMI ACKIE, SHEILA ATIM

THE BREAKTHROUGH CLUB

this year marks the 10th anniversary of one of bafta’s leading initiatives, breakthrough, supporting emerging talent to take the next rung up the ladder.

Above: The current 2022 UK cohort; Below: the original 2013 cohort

Creating something original that resonates with others is hard enough. But doing that again and again is even harder. It was to help overcome barriers that impact progression that BAFTA’s Breakthrough initiative was launched.

Over the course of a year, successful applicants receive bespoke support and advice, as well as mentorship and BAFTA membership, with all the unique perks that this provides. The initiative covers all three screen arts (film, games and television)

“They are all creatively talented people who deserve further attention.”

PHOTOS: BAFTA/Sophia Spring; BAFTA/Jessie Craig; BAFTA/Jessica Chou; BAFTA/Ian Derry; BAFTA

and actively encourages applications from talented practitioners from different backgrounds and experience. This year Breakthrough celebrates 10 years of activity, having supported more than 240 incredibly talented individuals over the course of the past decade.

“Breakthrough has always been about recognising that people sometimes struggle to translate their breakthrough moment into a long career,” says Tim Hunter, BAFTA’s executive director of learning, inclusion policy and membership. “It can be tricky – you get all this attention around being a new voice, but then how do you translate that into other opportunities? We wanted to support those people to do that, as well as make sure they are diverse and from different backgrounds... They are all creatively talented people who deserve further attention.”

The initiative has evolved over the years, and having originally launched in the UK in 2013 is now active in the US and India, too. The crafts represented have also expanded. In the early years, applications were dominated by performers and producers, perhaps because they are more experienced at pitching their abilities to others.

As the initiative has grown within the screen industries’ consciousness, so too have the recommendations, with represented crafts now including editors, writers, quality analysts, cinematographers, hair and make-up artists, programmers, technical artists and more.

“Breakthrough was more about making introductions at the start,” explains Hunter. “Now we offer more pastoral care, with support for such things as networking skills, resilience,

confidence building. We realised not everybody is as equally able to take the opportunities that Breakthrough presents. They may have imposter syndrome or be a naturally shy person who finds networking difficult.

“Our offer is very bespoke: we sit down with each of them individually at the beginning and ask them what their particular

barriers to progression are. It’s about more than just being in the right room with the right people. We want them to think of BAFTA as their mentor, who can offer a supportive hand as well as open our contacts book to help propel their careers to the next level.”

bafta breakthrough is supported by netflix

Top: Four of the stars from 2015; Above: The 2022 India cohort; Opposite: The 2022 US cohort

TO Ready

Above: BAFTA’s chair of the Learning, Inclusion and Talent Committee, Ade Rawcliffe, helps launch the 2022-2024 initiative; Below: The current BAFTA Elevate cohort: producers

IMAGES: BAFTA/Oliver Mayhall

bafta elevate is not about hitting targets or silencing critics. it’s about giving some incredibly talented and experienced creatives a platform to secure gainful employment.

There’s nothing quite like BAFTA Elevate, an industrylevel professional development and leadership programme created to help support individuals from underrepresented backgrounds. Since its launch five years ago, the initiative has spotlighted 17 women directors, 18 writers, 21 actors and, most recently, 20 producers. It’s an extraordinary array of talent, who have between five and 20 years of craft experience each, but have faced barriers to progression.

“Elevate is the only programme of its kind that supports people at that level,” explains Mariayah Kaderbhai, BAFTA’s head of programmes. It gives them real tangible skills, as well as career and personal development. It’s also an invaluable peer-to-peer network for participants.”

The area of focus chosen for support is decided after extensive research, including conversations with industry experts, organisations, production companies, broadcasters and others, who pinpoint various

factors that need addressing, as well as pulling from the rich data BAFTA gathers from the BFI Diversity Standards’ inclusion in our Awards eligibility. We look at everything from what barriers exist and what stage of career is impacted to areas of representation that are in greater need of attention and support. Elevate also involves key consultants, advocates and mentors who help shape the programme for the cohort.

The ultimate aim is to get all of the Elevate participants, past and present, more opportunities for work. Kaderbhai sums it up best: “Look at the current cohort. Look at the previous cohort. Look at their work. Employ them. Interview them. Pay it forward. They are a ready-to-hire group, who have a level of experience that should mean they are in consistent work. Give them the opportunity. It only makes for a far more inclusive, interesting and imaginative workforce.”

For more: bafta.org/supporting-talent/bafta-elevate

“Elevate is unique in terms of anything else that’s out there.”

NOT JUST

Awards!

bafta’s all-year round work goes far beyond its globally recognised awards. here is just a small snapshot of the incredible events and vital initiatives we ran in 2022, supporting film, games and television.

Writer-director Ryan Coogler strikes a pose before his David Lean Lecture

IMAGES: BAFTA/Christina Ebenezer; BAFTA/Rachell Smith; BAFTA/ Sophia Spring; BAFTA/Vivek Vadoliya; BAFTA/Alecsandra Dragoi; BAFTA/Scott Garfitt; bafta/Jordan Anderson; BAFTA/Gabriel Bush

Kate Hudson portrait at her A Life in Pictures event

Actors David Proud and Julia Fernandez discuss Accessible Productions at Guru Live

Margot Robbie portrait for her A Life in Pictures

Max Harwood performs at the BAFTA Fundraising Gala

Big Zuu at the Big Zuu’s Big Eats television masterclass

Lena Dunham portrait for this year’s Screenwriters Lecture Series

Above: The Production Lifecycle panel at albert’s Production Summit; Middle: Jess Mabel Jones and 2022 Breakthrough Leon Harrop on stage at the BAFTA Masterclass: Inclusive Storytelling and Production; Inset top: Experiencing VR at BAFTA Cymru’s His Dark Materials Season 3 Preview and Q&A; Bottom left: Networking opportunities at the BAFTA US Garden Party; Bottom right: A costume design masterclass with PC Williams

BEST FILM & OUTSTANDING BRITISH FILM

MARTIN MCDONAGH, GRAHAM BROADBENT, PETE CZERNIN

ORIGINAL SCREENPLAY

MARTIN MCDONAGH DIRECTOR

MARTIN MCDONAGH

LEADING ACTOR

COLIN FARRELL

SUPPORTING ACTOR

BRENDAN GLEESON

SUPPORTING ACTOR

BARRY KEOGHAN

SUPPORTING ACTRESS

KERRY CONDON

ORIGINAL SCORE

CARTER BURWELL

EDITING

MIKKEL E. G. NIELSEN

SOUND

CHRISTOPHER BOYES, MICHAEL HEDGES, JULIAN HOWARTH, GARY SUMMERS, GWENDOLYN YATES WHITTLE

SPECIAL VISUAL EFFECTS

RICHARD BANEHAM, DANIEL BARRETT, JOE LETTERI, ERIC SAINDON

OUTSTANDING BRITISH FILM

SAM MENDES, PIPPA HARRIS

SUPPORTING ACTOR

MICHEAL WARD

CINEMATOGRAPHY

ROGER DEAKINS

COSTUME

SUPPORTING ACTRESS

DOCUMENTARY

ANGELA BASSETT

ANIMATED FILM DOMEE SHI, LINDSEY COLLINS

OUTSTANDING BRITISH FILM TOM GEORGE, GINA CARTER, DAMIAN JONES, MARK CHAPPELL

DESIGN

J.R. HAWBAKER, ALBERT WOLSKY

SARA DOSA, SHANE BORIS, INA FICHMAN

BRUT RÉSERVE

SOPHISTICATION AND BALANCE

FILM4 PROUDLY CONGRATULATES OUR 2023 EE

BAFTA FILM AWARDS NOMINEES

THE BANSHEES OF INISHERIN

OUTSTANDING BRITISH FILM

Martin McDonagh, Graham Broadbent, Pete Czernin

ORIGINAL SCREENPLAY

Martin McDonagh

DIRECTOR

Martin McDonagh

SUPPORTING ACTOR

Barry Keoghan

SUPPORTING ACTOR

Brendan Gleeson

SUPPORTING ACTRESS

Kerry Condon

LEADING ACTOR

Colin Farrell

BEST FILM

Graham Broadbent, Pete Czernin, Martin McDonagh

ORIGINAL SCORE

Carter Burwell

EDITING

Mikkel E. G. Nielsen

LIVING

OUTSTANDING BRITISH FILM

Oliver Hermanus, Elizabeth Karlsen, Stephen Woolley, Kazuo Ishiguro

ADAPTED SCREENPLAY

Kazuo Ishiguro

LEADING ACTOR

Bill Nighy

BRIAN AND CHARLES

OUTSTANDING BRITISH FILM

Jim Archer, Rupert Majendie, David Earl, Chris Hayward

CELEBRATING 40 YEARS OF FILM4

all quiet on the western front

Edward Berger, Lesley Paterson, Ian Stokell

the quiet girl

Colm Bairéad

living

Kazuo Ishiguro

she said

Rebecca Lenkiewicz

the whale

Samuel D Hunter

guillermo del toro ’ s pinocchio

Guillermo del Toro, Mark Gustafson, Gary Ungar, Alex Bulkley

marcel the shell with shoes on

Dean Fleischer Camp, Andrew Goldman, Elisabeth Holm, Caroline Kaplan, Paul Mezey

puss in boots : the last wish

Joel Crawford, Mark Swift

turning red

Domee Shi, Lindsey Collins

all quiet on the western front

Malte Grunert

the banshees of inisherin

Graham Broadbent, Peter Czernin, Martin McDonagh

Gail Berman, Baz Luhrmann, Catherine Martin, Patrick McCormick, Schuyler Weiss

everything everywhere all at once

Daniel Kwan, Daniel Scheinert, Jonathan Wang

tár

Todd Field, Scott Lambert, Alexandra Milchan

the boy , the mole , the fox and the horse

Peter Baynton, Charlie Mackesy, Cara Speller, Hannah Minghella

middle watch

John Stevenson, Aiesha Penwarden, Giles Healy

your mountain is waiting

Hannah Jacobs, Zoe Muslim, Harriet Gillian

BRITISH SHORT ANIMATION

the ballad of olive morris

Alex Kayode-Kay

bazigaga

Jo Ingabire Moys, Stephanie Charmail

bus girl

Jessica Henwick, Louise Palmkvist Hansen

a drifting up

Jacob Lee

an irish goodbye

Tom Berkeley, Ross White

aftersun

Lucy Pardee

all quiet on the western front

Simone Bär

elvis

Nikki Barrett, Denise Chamian

everything everywhere all at once

Sarah Halley Finn

triangle of sadness

Pauline Hansson

all quiet on the western front

James Friend

the batman

Greig Fraser

elvis

Mandy Walker

empire of light

Roger Deakins

top gun : maverick

Claudio Miranda

A HOME TO THE ARTS SINCE 1889

Official Hotel to the EE BAFTA Film Awards for 13 years.

all quiet on the western front

Lisy Christl

babylon

Mary Zophres

amsterdam

JR Hawbaker, Albert Wolsky

elvis

Catherine Martin

mrs . harris goes to paris

Jenny Beavan

COSTUME DESIGN

all quiet on the western front

Edward Berger

decision to leave

Park Chan-wook

the banshees of inisherin

Martin McDonagh

everything everywhere all at once

Daniel Kwan, Daniel Scheinert

tár

Todd Field

the woman king

Gina Prince-Bythewood

DIRECTOR

all that breathes

Shaunak Sen, Teddy Leifer, Aman Mann

fire of love

Sara Dosa, Shane Boris, Ina Fichman

all the beauty and the bloodshed

Laura Poitras, Howard Gertler, Nan Goldin, Yoni Golijov, John Lyons

moonage dream

Brett Morgen

navalny

Daniel Roher, Diane Becker, Shane Boris, Melanie Miller, Odessa Rae

WOULD LIKE TO CONGRATULATE OUR NOMINEES

ORIGINAL SCREENPLAY

TONY KUSHNER, STEVEN SPIELBERG

COSTUME DESIGN

JENNY BEAVAN

DIRECTOR

GINA PRINCE-BYTHEWOOD

LEADING ACTRESS

VIOLA DAVIS

EE RISING STAR

SHEILA ATIM

all quiet on the western front

Sven Budelmann

the banshees of inisherin

Mikkel EG Nielsen

elvis

Jonathan Redmond, Matt Villa

everything everywhere all at once

Paul Rogers

top gun : maverick

Eddie Hamilton

EDITING

all quiet on the western front

Edward Berger, Malte Grunert

argentina , 1985

Santiago Mitre, Victoria Alonso, Agustina Llambi Campbell, Axel Kuschevatzky, Federico Posternak

corsage

Marie Kreutzer, Alexander Glehr

decision to leave

Park Chan-wook, Ko Dae-seok

the quiet girl

Colm Bairéad, Cleona Ní Chrualaoi

austin butler

Elvis

brendan fraser

The Whale

paul mescal

Aftersun

colin farrell

The Banshees of Inisherin

daryl mccormack

Good Luck to You, Leo Grande

bill nighy Living

cate blanchett

Tár

danielle deadwyler

Till

emma thompson

Good Luck to You, Leo Grande

viola davis

The Woman King

ana de armas

Blonde

michelle yeoh

Everything Everywhere All At Once

LEADING ACTRESS

OFFICIAL HAIR PARTNER

all quiet on the western front

Heike Merker

the batman

Naomi Donne, Mike Marino, Zoe Tahir

elvis

Jason Baird, Mark Coulier, Louise Coulston, Shane Thomas

roald dahl ’ s matilda the musical Laura Blount, Naomi Donne, Barrie Gower, Sharon Martin

the whale

Anne Marie Bradley, Judy Chin, Adrien Morot

MAKE UP & HAIR

all quiet on the western front

Volker Bertelmann

babylon

Justin Hurwitz

the banshees of inisherin

Carter Burwell

everything everywhere all at once

Son Lux

guillermo del toro ’ s pinocchio

Alexandre Desplat

ORIGINAL SCORE

WOULD LIKE TO CONGRATULATE OUR NOMINEES

OUTSTANDING BRITISH FILM

TIM BEVAN, ERIC FELLNER, JON FINN, LUKE KELLY, MATTHEW WARCHUS, DENNIS KELLY

MAKE UP & HAIR

SHARON MARTIN, NAOMI DONNE, BARRIE GOWER, LAURA BLOUNT

DIRECTOR

GINA PRINCE-BYTHEWOOD

LEADING ACTRESS

VIOLA DAVIS

EE RISING STAR

NAOMI ACKIE

the banshees of inisherin

Martin McDonagh

everything everywhere all at once

Daniel Kwan, Daniel Scheinert

the fabelmans

Tony Kushner, Steven Spielberg

tár

Todd Field

triangle of sadness

Ruben Östlund

ORIGINAL SCREENPLAY

aftersun

Charlotte Wells, Mark Ceryak, Amy Jackson, Barry Jenkins, Adele Romanski

brian and charles

Jim Archer, Rupert Majendie, David Earl, Chris Hayward

the banshees of inisherin

Martin McDonagh, Graham Broadbent, Peter Czernin

empire of light

Sam Mendes, Pippa Harris

good luck to you , leo grande

Sophie Hyde, Debbie Gray, Adrian Politowski, Katy Brand

OUTSTANDING BRITISH FILM

living

Oliver Hermanus, Elizabeth Karlsen, Stephen Woolley, Kazuo Ishiguro

see how they run

Tom George, Gina Carter, Damian Jones, Mark Chappell

roald dahl ’ s matilda the musical

Matthew Warchus, Tim Bevan, Eric Fellner, Jon Finn, Luke Kelly, Dennis Kelly

the swimmers

Sally El Hosaini, Tim Bevan, Tim Cole, Eric Fellner, Ali Jaafar, Jack Thorne

the wonder

Sebastián Lelio, Ed Guiney, Juliette Howell, Andrew Lowe, Tessa Ross, Alice Birch, Emma Donoghue

aftersun

Charlotte Wells (Writer/Director)

blue jean

Georgia Oakley (Writer/Director), Hélène Sifre (Producer)

electric malady

Marie Lidén (Director)

good luck to you , leo grande

Katy Brand (Writer)

rebellion

Elena Sánchez Bellot (Director), Maia Kenworthy (Director)

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER

all quiet on the western front

Christian M Goldbeck, Ernestine Hipper

babylon

Florencia Martin, Anthony Carlino

the batman

James Chinlund, Lee Sandales

elvis

Catherine Martin, Karen Murphy, Bev Dunn

guillermo del toro ’ s pinocchio

Curt Enderle, Guy Davis

PRODUCTION DESIGN

all quiet on the western front

Lars Ginzel, Frank Kruse, Viktor Prášil, Markus Stemler

avatar : the way of water

Christopher Boyes, Michael Hedges, Julian Howarth, Gary Summers, Gwendolyn Yates Whittle

elvis

Michael Keller, David Lee, Andy Nelson, Wayne Pashley

tár

Deb Adair, Stephen Griffiths, Andy Shelley, Steve Single, Roland Winke

top gun : maverick

Chris Burdon, James H Mather, Al Nelson, Mark Taylor, Mark Weingarten

all quiet on the western front

Markus Frank, Kamil Jafar, Viktor Müller, Frank Petzold

avatar : the way of water

Richard Baneham, Daniel Barrett, Joe Letteri, Eric Saindon

the batman

Russell Earl, Dan Lemmon, Anders Langlands, Dominic Tuohy

everything everywhere all at once

Jeff Desom, Ethan Feldbau, Jonathan Kombrinck, Zak Stoltz

top gun : maverick

Seth Hill, Scott R Fisher, Bryan Litson, Ryan Tudhope

SPECIAL VISUAL EFFECTS

brendan gleeson

The Banshees of Inisherin

barry keoghan

The Banshees of Inisherin

ke huy quan

Everything Everywhere All At Once

eddie redmayne

The Good Nurse

albrecht schuch

All Quiet on the Western Front

micheal ward

Empire of Light

angela bassett

Black Panther:

Wakanda Forever

kerry condon

The Banshees of Inisherin

hong chau

The Whale

jamie lee curtis

Everything Everywhere All At Once

dolly de leon

Triangle of Sadness

carey mulligan

She Said

SUPPORTING ACTRESS

KEEP THE ACTION GOING

As voted for by the public.

aimee lou wood

All nominations correct at time of press.

JURIES AND CHAPTERS

juries

british short animation

Jo Allen (Chair)

Will Byles

Kirsty Gillmore

Sara Mullock

Lauren Orme

David Riddett

Michael Rose

Nitin Sawhney

Catherine Taylor

Nora Twomey

british short film

Rita Osei (Chair)

Nicolas Chaudeurge

Kate Herron

Joe Jackson

Bill McCoid

Alex Newland

Diana Olifirova

Ashanti Omkar

Cherish Oteka Campbell X

casting

Marc Samuelson (Chair)

Gaby Chiappe

Victoria Emslie

Rachel Freck

Akua Gyamfi

Ann Phillips

Kate Rhodes-James

Gail Stevens

Jill Trevellick

Ashley Walters

Ellie Wood

director

Alexandra Derbyshire (Chair)

Adam Ackland

Chris Clark

SJ Clarkson

Úna Ní Dhonghaíle

Asif Kapadia

Sharon Martin

Joyce Pierpoline

Ivana Primorac

David Proud

Andy Serkis documentary

Jason Solomons (Chair)

Nikki Bedi

Natasha Dack Ojumu

Brenda Emmanus

Gavin Esler

Sonita Gale

Briony Hanson

Rubika Shah

Tim Wardle

Anthony Wonke

leading actor

David Proud (Chair)

Jon S Baird

Morven Christie

Larushka Ivan-Zadeh

Alexa Jago

Rachel Robey

Yu-Fai Suen

Manjinder Virk

leading actress

Krishnendu Majumdar (Chair)

Amrou Al-Kadhi

Lucy Bevan

Leo Davis

Sope Dìrísù

Emerald Fennell

Sarah Gavron

Nadine Marsh-Edwards

Wunmi Mosaku

Vaughan Sivell

Dimitra Tsingou

Susanna White

outstanding british film

Sara Putt (Chair)

Bukky Bakray

Laura Burrows

Debra Hayward

Guy Heeley

Yvonne Ibazebo

Nida Manzoor

Sarfraz Manzoor

Isobel Waller-Bridge

outstanding debut by a british writer, director or producer

Clare Stewart (Chair)

Anthony Andrews

Dominic Buchanan

Aisha Bywaters

Iain Canning

Justin Edgar

Joy Gharoro-Akpojotor

Aleem Khan

Kristy Matheson

NirageMirage

Ray Panthaki

Elhum Shakerifar

Penny Woolcock

With thanks to Dee Ryder and Mark Jenkins.

supporting actor

Emily Stillman (Chair)

Caitríona Balfe

Thomas Benski

Isabel Davis

Anne-Marie Duff

Marianne Jenkins

Chance Perdomo

Marc Samuelson

Anand Tucker

supporting actress

Anthony Andrews (Chair)

Monica Ali

Rienkje Attoh

Pippa Bennett-Warner

Anna Bogutskaya

Sarah Brocklehurst

Nathan Bryon

Babou Ceesay

Damian Daniel

Lauren Dark

Rachel De-Lahay

Catharine Des Forges

ee rising star

Anna Higgs (Chair)

Deborah Ababio

Hayley Atwell

Lucy Bevan

Helen Bownass

Joe Cole

Leo Davis

Lena de Casparis

Nick de Semlyen

Ikki El-Amriti

Jason Flemyng

Larushka Ivan-Zadeh

Scarlett Russell

Thanks to Aisha Bywaters, Charles Gant, Thomas Macklin and Laura Weir.

chapters

craft chapters

Acting Casting

Cinematography

Costume Design

Directing

Editing

Make Up & Hair

Music

Production Design

Screenplay

Sound

Special Visual Effects

opt - in chapters

Animation

British Short Animation and British Short Film

Documentary

Film Not in the English Language

Outstanding British Film

Craft chapters consist of BAFTA members with specialist experience in the relative field. Opt-in chapters are open to all members who are willing to commit to watching the eligible films.

longlisting

Anna Higgs (Chair)

Anthony Andrews

Alexandra Derbyshire

David Gyasi

Simran Hans

Uzma Hasan

Kristy Matheson

Hetain Patel

Chance Perdomo

Joyce Pierpoline

David Proud

Marc Samuelson

Jason Solomons

Emily Stillman

Yu-Fai Suen

For details of the voting process, including any key changes made for 2023, please visit: awards.bafta.org/entry

OFFICERS OF THE ACADEMY

officers

hrh the prince of wales , kg kt

President of BAFTA

barbara broccoli cbe

Vice-President, Film

david gardner obe

Vice-President, Games

dame pippa harris dbe

Vice-President, Television

board of trustees

krishnendu majumdar Chair of BAFTA

sara putt

Deputy Chair of BAFTA and Chair, Television Committee

anna higgs Chair, Film Committee

ade rawcliffe Chair, Learning, Inclusion and Talent Committee

tara saunders

Chair, Games Committee

bal samra

Co-optee and Chair, Commercial Committee and Chair, Governance and Appointments Committee

paul taiano obe

Co-optee and Chair, Finance, Audit and Risk Committee

co - optees

Kathryn Busby

Sir Lloyd Dorfman cbe

Patrick Keegan

Elliot Knight

Andrew Miller mbe

Siobhan Reddy honorary advisors

Medwyn Jones

Marc Samuelson executive

jane millichip Chief Executive Officer

committees

elected members of the film committee

Anna Higgs Chair

Alexandra Derbyshire*

Deputy Chair

Geraldine Atlee

Nainita Desai

Alexa Jago

Julie La’Bassiere

Jason Solomons

Clare Stewart

Emily Stillman

Yu-Fai Suen

elected members of the games committee

Tara Saunders Chair

Des Gayle Deputy Chair

Jodie Azhar

Nick Button-Brown*

Elizabeth Mercuri

Anisa Sanusi

Catherine Woolley

elected members of the television committee

Sara Putt Chair

Nicky Sargent Deputy Chair

Emma Butt

Becky Cadman

Christine Healy

Dan Isaacs

Ade Rawcliffe

Beryl Richards*

Hilary Rosen

Claire Zolkwer

* Children’s Representatives

FILM AWARDS PARTNERS

TITLE SPONSOR

PLATINUM TIER

Official Jewellery and Watch & Nominees’ Party Supporter

with enduring thanks to our title sponsor and official partners to the ee bafta film awards in 2023.

OFFICIAL PARTNERS

Official Bottled Water Official Scrutineers Official Champagne

Official Cinema Media Official Hair Official Outdoor Media

Official Beauty Official Hotel Official Bottled Water

Official Spirit Official Wine

EE

Our title sponsor

Anna Higgs, Alexandra Derbyshire and all members of the Film Committee

Krishnendu Majumdar Chair of BAFTA

Sara Putt Deputy Chair of BAFTA

Film voting juries and members

Film companies and distributors for their invaluable assistance

Richard E Grant, Alison Hammond Our hosts

Ali Plumb, Vick Hope, Sarel Madziya

Red carpet hosts, BAFTA online content

Charlie Clift

Portrait Photography

All staff at BAFTA

Dawson Bros.:

Steve Dawson, Andrew Dawson and Tim Inman

Gráinne Maguire Writers

AD Events

BBC Caper & Berry

CT Group

EMG

Getty Images

Nibbs Events

Pace Prestige Services

Premier

Southbank Centre

Spun Gold TV

Theatre Sign

the film committee

Anna Higgs (Chair)

Alexandra Derbyshire (Deputy Chair)

Anthony Andrews

Geraldine Atlee

Nainita Desai

Alexa Jago

Julie La’Bassiere

Chance Perdomo

David Proud

Jason Solomons

Nadia Stacey

Clare Stewart

Emily Stillman

Yu-Fai Suen

ACKNOWLEDGEMENTS

bafta wishes to thank ...

AT BAFTA

executive director of awards & content

Emma Baehr

head of film

Deirdre Hopkins

film officer

Edward Hubbard

executive producer

Cassandra Hybel

senior producer

Victoria Walker

head of events

Lucy Waller

event producer

Phil Harrison awards

Kelly Smith, Daljit Billen, Nick Boocock, Chloe Fraser, Natalie Gurney, Luke Hebblethwaite, Lewis Peet, Katie Warren, Tia Wedderburn

productions

Harry Balmforth, Hattie Barker, Ella Coveney, Daniel Dalton, Kristen Helmick, Tayjib Kerstan, Rachel Lucas, Georgia Maskery, Joe Okell, Jamie Rowland

events

Penney Chu, Olivia Comer, Sophie Griffiths, Holly Haycock, Elena Shortland, Natalie Stone

executive director of partnerships & fundraising

Louise Robertson

head of partnerships

Natalie Moss partnerships

Amy Elton, Emma Tarcy, Olivia Young, Shaya Kathirgamanathan

executive director of pr & communications

Donna Mathews

pr & communications

Mya Bailey, David Dougherty, Caoimhe Foran, Lorna Gibson, Dingile Kasote, Luka Kenyon, Paul MacMahon, Daisy Margolis, Natalie Paszkowski, Catie Poust, Lisa Wehrstedt, Nick Williams

accounts

Michelle Diep ticketing

Gabby Taranowski

TIME’S UP UK celebrates the extraordinary women of colour and all the women who have contributed to this year’s films both unrecognised and recognised.

CO-FOUNDERS

Barbara Broccoli, Producer

Dame Heather Rabbatts, Producer

BOARD DIRECTORS

Kate Buckley, Founder and Director, 42Films

Jenne Casarotto, Director and Founder of Casarotto Ramsay & Associates Ltd

Jo Cosgrove, Partner, Moore Kingston Smith

Ade Rawcliffe, Group Director of Diversity and Inclusion, ITV

Susanna White, Film Director

PROGRAMME CREDITS

editor

Toby Weidmann

design & cover art

Abigail Bills

ad sales

Emma Tarcy photography director

Claire Rees

junior producer , photography

Jordan Anderson photography coordinator

Jeska Hayter

cover design

Created by Oswin Tickler

Generated by HP Spark oswintickler.com

Best Film nominee imagery used with kind permission from the distributors.

Executive portraits: BAFTA/ Scott Garfitt (HRH The Prince of Wales); BAFTA/Sophia Spring (Jane Millichip), Harry Richards

Photography (Krishnendu Majumdar)

Although every effort has been made to ensure the accuracy of the information contained in this publication, the Publishers cannot accept liability for errors or omissions. No part of this publication may be reproduced without the written permission of BAFTA.

printer

FE Burman Ltd London

feburman.co.uk

BAFTA chooses Arena Smooth by Fedrigoni Paper, supporting excellence in print. Printed on Arena Smooth Extra White 350gsm (cover) and Arena Smooth Extra White 140gsm (text). Supplied by FE Burman Ltd.

The carbon impact of this paper has been measured and balanced through the World Land Trust, an ecological charity.

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Certificate no.: CBP017035.

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PARAMOUNT PICTURES PROUDLY CONGRATULATES ITS NOMINEES AND WISHES ALL A SUCCESSFUL EVENING

CINEMATOGRAPHY • EDITING • SOUND

SPECIAL VISUAL EFFECTS

ORIGINAL SCORE • COSTUME DESIGN

PRODUCTION DESIGN