Architecture Design and Personal Art Portfolio

h e l l o !

"I am a fresh graduate from Parahyangan Catholic University with bachelor degree in Architecture who likes to try new things, especially in the field of art. I am personally a hard-working person, quite perfectionist, detail oriented, and patient person in all respects. I am also a careful person in almost everything, I do pay close attention to details of what I am working on in order to minimize the mistakes I might make.

I passionate in architecture, interior, traditional art, and helping others. Helping others and making people around me happy with what I do is one of my goals in life, even as simple as listening to others’ stories when they needed an ear.

Armed with my interest in architecture and the life goals, I want to be able to help others who is less privileged in having a good housing and those who do not have access to good public facilities in their surroundings. Being a good architect for me also means maintaining environmental sustainability." vitae

AUDHITA PUTRI RACHMAWATI

Bandung, August 27 2000 audhitaputri27@gmail.com +62 81213088114 audhitaaputri Audhita Putri Rachmawati Cetarip Barat 46, Kopo, Bandung 40233

NGURULUNG PERFORMING ARTS

5th Semester Academic Project

AYODHYA HOTEL

6th Semester Academic Project

RUMAH SUSUN NELAYAN

Final Semester Academic Project

DURPA VILLAS

Site Planning Academic Project

SANGKASARA Entry

THE NEXT LEVEL OF TENDA MAKAN Entry

PHOTOGRAPHY Project

Year: Typology: Area: Location: 2021 Wide Span Building 6.894 m2 Dago 387, Bandung

Dago area which is a tourist area and strong traditional Indonesian culture, this art performance building is designed with a function as a place for music and dance performances, especially traditional music that is packaged in a modern way such as the angklung orchestra and combined with traditional dances from various regions in Indonesia. The location of the site in the Dago area which is surrounded by tourist, commercial, and hospitality attractions is one of the potentials for the construction of this performing arts building. Visitors who can cover the city to outside the city can the potential to introduce and continue to preserve traditional culture by appreciating traditional artists.

The concept for this performing arts building is taken from the nature of a traditional musical instrument of West Java, namely angklung. The angklung musical instrument was chosen because this performance building is dedicated to the performance of the angklung orchestra, a traditional art that is packaged in a modern way. The nature of the angklung that is taken as a theme is the dynamic nature, where the angklung must be played by vibrating. This is also what underlies the naming of this performance building, namely ngurulung (vibrated) which is one of the terms in the angklung game.

SITE PLAN

GROUND FLOOR PLAN

FIRST FLOOR PLAN

SECOND FLOOR PLAN

Year: Typology: Area: Location: 2021 Mid Rise Building 5.542 m2 Jend. Sudirman 89, Yogyakarta

Yogyakarta is one of the cities with various nicknames, such as tourist city, student city, and batik city. Yogyakarta always has its own charm for tourists so that it is always crowded and gives a distinct impression to each individual. Based on these issues, Ayodhya Hotel was built with the aim of being a shelter for anyone who visits, such as tourists who make Yogyakarta a place to stay from their hometown, this 4star hotel also wants to be a stopover place for tourists after traveling around Yogyakarta. This concept is applied to the atmosphere that is built in the hotel, which wants to make visitors who are in it feel the peace and friendliness of the city of Yogyakarta so that visitors have their own impression when returning from the hotel.

A building facade using second skin alumunium has a motive which is the abstraction of batik kawung. Batik kawung is one of the batik from Yogyakarta. The facade also have functions as a light barrier, so the sun doesn't directly enter into building.

SITE PLAN

GROUND FLOOR PLAN

FIRST FLOOR PLAN

Year: Typology: Area: Location: 2022 Low Rise Building 6.500 m2 Penjaringan, Jakarta

The density of fishing villages around the Sunda Kelapa Harbour makes housing conditions in these villages slums so that it is difficult for people to find decent housing. This flat was built with the concept of sustainable architecture, where this house was made with the aim of helping meet the facilities needed by the community, especially those who work as fishermen to still be able to live with facilities that are fulfilled both from housing to facilities to meet their daily needs.

Fisherman's Flats are made with a simple house typology according to the surrounding residential buildings. Due to the fact that around the port there is already a place for fish processing, this flats only provides a place for the community to sell processed fish as one of the livelihoods when conditions are not possible to find fish in the sea.

GROUND FLOOR PLAN

FIRST FLOOR PLAN

MEZZANINE FLOOR PLAN

ROOF FLOOR PLAN

DURPA VILLAS

in collaboration with:

Chavia Theoviliadea

Tread processing is divided based on the zoning and space required by the villa. The lowest contour of the site which is close to the river is used for the amphitheater. While the higher contour is intended as a place for bungalows and also a restaurant so that visitors who are in the bungalow can still see the show at the amphitheater.

The materials used in every building in the villa are natural materials such as bamboo and natural stone to create the traditional vibes of Bandung. Beside that, the soil on the site is maximized to create a green are.

The view point in the hallway is made so that building users are curious about the view around the villa. However, users still have to walk down the hall and also feel the atmosphere of the villa in order to see the facilities and view of the villa as a whole

lobby and restaurant

The space that is used as a shared area becomes a gathering place for villa users between bungalows.

Spa facilities are made with the aim that users can enjoy relaxation with the natural atmosphere of the city of Bandung

SANGKASARA

in collaboration with:

The development of the times and the industrial revolution 4.0 that appears often makes people forget the culture that should be preserved especially when Yogyakarta has a status as a special area. Yogyakarta needs a "face" of the city that is closely related to the culture of Yogyakarta itself so that it can give an impression and welcome to visitors outside the Yogyakarta area. Yogyakarta also needs a place where artists who lost their jobs can find work again and at the same time foster a sense of pride in cultural ownership in Yogyakarta.

Sangkasara will be used as the face of the city of Yogyakarta which is expected to invite local people and visitors from outside the Yogyakarta area to get information and learn about the traditional culture of Yogyakarta. The name sangkasara comes from a combination of two words, namely sangka and aksara. Sangka (Javanese) has an original meaning, and Aksara (Sanskrit) has eternal meaning. The combination of the two words has an eternal origin meaning, where every culture and tradition that comes from our ancestors is not just a past but a starting point that must be perpetuated and preserved amid modern developments that often make people forget and ultimately leave the traditional culture.

sareng misrani

Sareng Misrani (Javanese) which means together to see. The building is a gallery designed to invite visitors to see the attractions of the city of Yogyakarta. This gallery contains various spots in Yogyakarta so that visitors can get more information about Yogyakarta.

This gallery works with local travel agents so that visitors who are interested in visiting places in Yogyakarta can easily order the tour packages provided. To support technological advances as well, visitors can experience virtually any place using augmented reality.

Sareng Munggah (Javanese) which means together to rise. The building is in the form of a studio designed to revive a traditional culture that is almost extinct or already extinct.

sareng munggah

There are three facilities provided in the Sareng Munggah:

Written batik workshop where visitors can experience making written batik accompanied by batik craftsmen.

Workshop on making traditional medicine where visitors will experience how to make traditional medicine as it has become a mainstay for the people of Yogyakarta.

Handicraft workshop where visitors can see and can also learn directly to make handicrafts typical of Yogyakarta.

THE NEXT LEVEL OF TENDA MAKAN collaboration Tjandra Tobias

Lamongan special dining tents have become part of street food stalls in Indonesia. This dining tent has become a social and cultural characteristic of Indonesian cuisine with the shape and design of a poster with its own art from this dining tent. A diverse food menu, low prices, and a strategic location because it can be found in almost every area in Indonesia making this street stall always in demand by the public. Since the emergence of the Covid 19 pandemic, street vendors have experienced a decrease in income because few people choose to eat at street vendors for health reasons.

A food stall design concept that is modular, modern, and innovative by maintaining the locality of the typical Lamongan dining tent. This design is designed so that the culinary experience in a tent for both sellers and buyers is no different from what has become a tradition in Indonesia. The shape and arrangement of the module are an abstraction from the Lamongan dining tent which has a portable and mobile system, where the trading cart carrying the tent frame, table, and dining chairs can move quickly.

The tent erection system is also similar to the knockdown system which can be done anywhere. One thing that makes the Lamongan dining tent unique is the color of the banner, which is also applied to the design of this food stall.

FRONT ELEVATION MODULE

the food stall box when not in use the floorboards are opened on the right and left sides

The module measuring 6.00 x 1.60 can be extended to 6.00 x 4.40 when it is in use (seller's operating hours) by using a folding system so that it forms a box and can save storage space. The current Covid 19 pandemic condition that requires maintaining distance is applied with a flexible module at the food stall which can be arranged according to needs. This is also made easier by the modular and expandable system owned by the food stall. Interactive designs between buyers and buyers, sellers with buyers, and sellers with sellers can be felt when the module has been arranged in an environment, where sellers and buyers can interact but still comply with health protocols.

the food stall tent opened by pulling from the rails the table and chairs are opened from where they are folded the details

FOOD STALL STORAGE

UNRAVELED MODULE ISOMETRY