Architecture Portfolio 2.0 - Audhita Putri

p o r t f o l i o .

Audhita Putri Rachmawati

"Hello! I am Audhita Putri, a fresh graduate from Parahyangan Catholic University with bachelor degree in Architecture who likes to try new things, especially in the field of art. I am personally a hard-working person, quite perfectionist, detail oriented, and patient person in all respects. I am also a careful person in almost everything, I do pay close attention to details of what I am working on in order to minimize the mistakes I might make. I passionate in architecture, interior design, traditional art, and helping others."

AUDHITA PUTRI RACHMAWATI

Bandung, August 27 2000 audhitaputri27@gmail.com +62 81213088114 audhitaaputri Audhita Putri Rachmawati Bandung

ORGANIZATION EXPERIENCE

2018 - 2022 2015 - 2018

PARAHYANGAN CATHOLIC UNIVERSITY

Architecture │ GPA: 3.25/4.00

SMA NEGERI 4 BANDUNG Senior High School │ Science Program

WORK EXPERIENCE

Generate design proposal start from concepts to final design Managed and verified new students' registration data. Answered

2020 - 2022 2015 - now 2020 2019 2019 COMPETITION EXPERIENCE

2019 2020 2021

TKI MAI XXXV Sangkasara - Revitalisasi Kebudayaan Yogyakarta Competition entry PODOMORO DESIGN FESTIVAL 3.0

Exposure: Resto and Cafe Competition entry

VERSATILE The Next Level of Tenda Makan Competition entry

UNPAR AMBASSADOR BATCH 2020 Speaker

Occupied high school education fairs as representative of Unpar. Head of Training Recruitment Batch 2021 Planned training concept for recruitment of Unpar Ambassador Batch 2021.

TIM MUHIBAH ANGKLUNG

Secretary

Managed internal and external team correspondence and proposals. Head of Complementary Instrument (Altam) Managed the practice schedule of Altam players.

HIMPUNAN MAHASISWA PRODI ARSITEKTUR

Secretary of Community Dedication Division

Managed internal and external correspondence, proposals, and accountability reports.

BHAKTI GANVA Staff of Public Relations Become a liaison between community and students. GARBARATA 2019 (STUDENT ORIENTATION) Staff of Event Planned event of student orientation.

34th Springville World Folkfest (Springville, Utah)

from Consulate General of the Indonesian Republic in San Francisco: Appreciation the contribution to promoting Indonesian culture in United States of America. Participant of Aberdeen International Youth Festival (Aberdeen, Scotland). 2nd place for The Most Popular Ensemble at Červený Kostelec Folklore Festival (Červený Kostelec, Czech Republic). Participant of 48 Międzynarodowy Festiwal Folkloru Ziem Górskich W Zakopanem 2016 (Zakopane, Poland). Awardee of Amada Foundation Scholarship.

MR. I RESIDENTIAL HOUSE

Non-Academic Project

REALM EDUPARTMENT

Academic Project

RUMAH SUSUN NELAYAN

Final Semester Academic Project

AYODHYA HOTEL

6th Semester Academic Project

NGURULUNG PERFORMING ARTS

5th Semester Academic Project

DURPA VILLAS

Site Planning Academic Project

THE NEXT LEVEL OF TENDA MAKAN

non-academic project.

MR. I RESIDENTIAL HOUSE

in collaboration with: Sadida Nur Fatimah

ELEVATIO

academic project.

REALM EDUPARTMENT

Interior Design

This studio-type apartment is designed with a compact and peaceful concept. Natural colors dominate this apartment as a depiction of the concept, brown and green.

Furniture is designed to be compact and flexible by maximizing existing storage as storage for goods.

compact . calming . natural

RUMAH SUSUN NELAYAN

Low Rise Building - Final Academic Project

Year: Typology: Area: Location:

2022 Low Rise Building 6.500 m2 Penjaringan, Jakarta

The density of fishing villages around the Sunda Kelapa Harbour makes housing conditions in these villages slums so that it is difficult for people to find decent housing. This flat was built with the concept of sustainable architecture, where this house was made with the aim of helping meet the facilities needed by the community, especially those who work as fishermen to still be able to live with facilities that are fulfilled both from housing to facilities to meet their daily needs. Fisherman's Flats are made with a simple house typology according to the surrounding residential buildings. Due to the fact that around the port there is already a place for fish processing, this flats only provides a place for the community to sell processed fish as one of the livelihoods when conditions are not possible to find fish in the sea.

AYODHYA HOTEL

Mid Rise Building - 6th Academic Project

Year: Typology: Area: Location:

2021 Mid Rise Building 5.542 m2 Jend. Sudirman 89, Yogyakarta

Yogyakarta is one of the cities with various nicknames, such as tourist city, student city, and batik city. Yogyakarta always has its own charm for tourists so that it is always crowded and gives a distinct impression to each individual. Based on these issues, Ayodhya Hotel was built with the aim of being a shelter for anyone who visits, such as tourists who make Yogyakarta a place to stay from their hometown, this 4star hotel also wants to be a stopover place for tourists after traveling around Yogyakarta. This concept is applied to the atmosphere that is built in the hotel, which wants to make visitors who are in it feel the peace and friendliness of the city of Yogyakarta so that visitors have their own impression when returning from the hotel.

A building facade using second skin alumunium has a motive which is the abstraction of batik kawung. Batik kawung is one of the batik from Yogyakarta. The facade also have functions as a light barrier, so the sun doesn't directly enter into building.

GROUND FLOOR PLAN

FIRST FLOOR PLAN

SECTION B

NGURULUNG PERFORMING ARTS

Wide Span Building - 5th Academic Project

Year: Typology: Area: Location:

2021 Wide Span Building 6.894 m2 Dago 387, Bandung

Dago area which is a tourist area and strong traditional Indonesian culture, this art performance building is designed with a function as a place for music and dance performances, especially traditional music that is packaged in a modern way such as the angklung orchestra and combined with traditional dances from various regions in Indonesia. The location of the site in the Dago area which is surrounded by tourist, commercial, and hospitality attractions is one of the potentials for the construction of this performing arts building. Visitors who can cover the city to outside the city can the potential to introduce and continue to preserve traditional culture by appreciating traditional artists.

The concept for this performing arts building is taken from the nature of a traditional musical instrument of West Java, namely angklung. The angklung musical instrument was chosen because this performance building is dedicated to the performance of the angklung orchestra, a traditional art that is packaged in a modern way. The nature of the angklung that is taken as a theme is the dynamic nature, where the angklung must be played by vibrating. This is also what underlies the naming of this performance building, namely ngurulung (vibrated) which is one of the terms in the angklung game.

SECTION A

DURPA VILLAS

in collaboration with:

Chavia Lorenza

Eugenia Theoviliadea

Imelda Kurniawati

Mileni Aisha Zeehan Marcellino Fabrian William Kevin

Sylvia

The view point in the hallway is made so that building users are curious about the view around the villa. However, users still have to walk down the hall and also feel the atmosphere of the villa in order to see the facilities and view of the villa as a whole

Tread processing is divided based on the zoning and space required by the villa. The lowest contour of the site which is close to the river is used for the amphitheater. While the higher contour is intended as a place for bungalows and also a restaurant so that visitors who are in the bungalow can still see the show at the amphitheater.

The materials used in every building in the villa are natural materials such as bamboo and natural stone to create the traditional vibes of Bandung. Beside that, the soil on the site is maximized to create a green are.

competition entry.

THE NEXT LEVEL OF TENDA MAKAN

in collaboration with: Davis Tjandra Axel Tobias

Lamongan special dining tents have become part of street food stalls in Indonesia. This dining tent has become a social and cultural characteristic of Indonesian cuisine with the shape and design of a poster with its own art from this dining tent. A diverse food menu, low prices, and a strategic location because it can be found in almost every area in Indonesia making this street stall always in demand by the public. Since the emergence of the Covid-19 pandemic street vendors have experienced a decrease in income because few people choose to eat at street vendors for health reasons.

design concept that is modular, modern, and innovative by he locality of the typical Lamongan dining tent. This design is hat the culinary experience in a tent for both sellers and buyers t from what has become a tradition in Indonesia. The shape and of the module are an abstraction from the Lamongan dining tent portable and mobile system, where the trading cart carrying the able, and dining chairs can move quickly.

tion system is also similar to the knockdown system which can be re. One thing that makes the Lamongan dining tent unique is the anner, which is also applied to the design of this food stall.

the food stall box when not in use the floorboards are opened on the right and left sides

The module measuring 6.00 x 1.60 can be extended to 6.00 x 4.40 when it is in use (seller's operating hours) by using a folding system so that it forms a box and can save storage space. The current Covid-19 pandemic condition that requires maintaining distance is applied with a flexible module at the food stall which can be arranged according to needs. This is also made easier by the modular and expandable system owned by the food stall. Interactive designs between buyers and buyers, sellers with buyers, and sellers with sellers can be felt when the module has been arranged in an environment, where sellers and buyers can interact but still comply with health protocols.

the food stall tent opened by pulling from the rails the table and chairs are opened from where they are folded

FOOD STALL STORAGE

the details

UNRAVELED MODULE ISOMETRY

SANGKASARA

in collaboration with: Nadya Sherlinda Risca Pratita

The development of the times and the industrial revolution 4.0 that appears often makes people forget the culture that should be preserved especially when Yogyakarta has a status as a special area. Yogyakarta needs a "face" of the city that is closely related to the culture of Yogyakarta itself so that it can give an impression and welcome to visitors outside the Yogyakarta area. Yogyakarta also needs a place where artists who lost their jobs can find work again and at the same time foster a sense of pride in cultural ownership in Yogyakarta.

Sangkasara will be used as the face of the city of Yogyakarta which is expected to invite local people and visitors from outside the Yogyakarta area to get information and learn about the traditional culture of Yogyakarta. The name sangkasara comes from a combination of two words, namely sangka and aksara. Sangka (Javanese) has an original meaning, and Aksara (Sanskrit) has eternal meaning. The combination of the two words has an eternal origin meaning, where every culture and tradition that comes from our ancestors is not just a past but a starting point that must be perpetuated and preserved amid modern developments that often make people forget and ultimately leave the traditional culture.

Sareng Misrani (Javanese) which means together to see. The building is a gallery designed to invite visitors to see the attractions of the city of Yogyakarta. This gallery contains various spots in Yogyakarta so that visitors can get more information about Yogyakarta. This gallery works with local travel agents so that visitors who are interested in visiting places in Yogyakarta can easily order the tour packages provided. To support technological advances as well, visitors can experience virtually any place using augmented reality.

sareng misrani

Sareng Munggah (Javanese) which means together to rise. The building is in the form of a studio designed to revive a traditional culture that is almost extinct or already extinct.

There are three facilities provided in the Sareng Munggah:

Written batik workshop. Workshop on making traditional medicine. Handicraft workshop.

sareng munggah

This area provides a variety of Yogyakarta culinary delights served via food carts. Visitors can sit and relax while watching the show being presented on stage.

culinary area

amphitheater

Semicircular seating that has 3 steps used to watch the show. Visitors can also enjoy the show while enjoying the culinary delights provided in the area. The performances presented are traditional Yogyakarta performances, such as wayang, gamelan, dance, and also sinden by artists.

photography and graphic design.