ASO 2025-26 Subscription Season booklet

202 5 -26 SE A SO N

2025-26 SIGNATURE SERIES SUBSCRIPTION Maryland Hall Music Center at Strathmore

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Welcome to Season 64!

Under the visionary leadership of Maestro José-Luis Novo, now in his 21st year as Artistic Director and Conductor, our 64-year-old ASO has marked pivotal milestones that are propelling us towards an exciting and dynamic future.

We have strengthened our ensemble by welcoming four talented new musicians and celebrating the achievements of those who have earned tenure. With Erica Bondarev Rapach now serving as Executive Director, we are energized by fresh leadership and strategic vision.

Our Annapolis Symphony Academy continues to flourish, with record enrollment reflecting our commitment to fostering the next generation of musicians while increasing access to music education.

Your steadfast support as a subscriber fuels everything we do. It empowers us to expand our reach across Annapolis, our home county of Anne Arundel, and throughout Maryland —bringing exceptional music to both familiar stages and new communities.

Thank you for being part of our journey.

TABLE OF CONTENTS Artistic Vision 2 Artistic Director & Conductor 3 A Note From Incoming Board Chair 5

Season 64 Highlights 6 Signature Series A New World 7 Signature Series Darkness to Light 9 Signature Series - Legends 11

Signature Series Echoes of Heritage 13

Musician Sponsorships 26

Signature Series Rhythm to Revolution 15

Annapolis Symphony Academy 27

Strathmore Concerts 18

Thank You to Our Community Partners 28

Holiday Pops 17

It's Easy to Subscribe 19 Signature Series Subscription Package 21 FlexPass Subscription Package 23

Meet Our Musicians 25

Why Give to the ASO? 29 ASO Staff 31

2024-25 Board of Trustees 32

AN NAP OLI S SYM PHONY ORCHESTRA

This season we will experience great journeys and electrifying narratives of life, love, and destiny.

- JOSÉ-LUIS NOVO

1 | We Are Annapolis Symphony Orchestra

Artistic VISION

Artistic Vision

Welcome to Season 64!

Join us on a musical journey across continents and centuries, where tradition meets innovation. We explore American voices, Mexico’s lively rhythms, France’s lyricism, and Russia’s complex history.

Our guest artists shine: star guitarist Pablo Sainz-Villegas presents a recent work by Márquez, soprano Angel Blue brings vocal brilliance, Olga Kern returns for Rachmaninoff’s Piano Concerto No. 2, and Pascal Rogé performs Ravel’s jazz-infused Piano Concerto in G. We also explore bold works new to ASO, including Gabriela Ortiz’s Antrópolis and William Dawson’s Negro Folk Symphony.

From the swashbuckling energy of Strauss’ Don Juan to the rugged Americana of Copland’s Billy the Kid and the drama of Shostakovich’s Symphony No. 5, this season will move and surprise you.

JOSÉ-LUIS NOVO Artistic Director & Conductor

David Perkel Principal Trombone

Alex Kovling Principal Horn

Sarah Hart Principal Viola

Photo of ASO Musicians by Richard Brown

Thank you for your support—I look forward to sharing these moments with you at Maryland Hall and the Music Center at Strathmore!

Patrick Raynard Principal Bass

Curt Armbruster Principal Timpani

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Artistic Director & Conductor

ARTISTIC DIRECTOR & CONDUCTOR

José-Luis Novo

J

The Philip Richebourg Chair

osé-Luis Novo, Philip Richebourg Artistic Director Chair, is in his twenty-first season as Artistic Director and Conductor of the Annapolis Symphony Orchestra (ASO), making him the longest-serving artistic leader in the orchestra’s history. Since his appointment in 2005, Maestro Novo has shaped the ASO with a bold artistic vision, fostering continuous growth and dynamic collaborations with renowned musicians. His leadership has earned the ASO widespread acclaim, including a 2008 ASCAP Adventurous Programming Award, a national broadcast on NPR’s Performance Today, and regular features on Baltimore’s WBJC classical station.

Under his baton, the ASO has performed with distinguished artists such as cellists Steven Isserlis and Lynn Harrell, violinists James Ehnes, Midori, Anne Akiko Meyers, Noah Bendix-Balgley, Vadim Gluzman, CheeYun, and Esther Yoo, guitarists Pepe Romero and Manuel Barrueco, and pianists Leon Fleisher, Peter Serkin,

3 | We Are Annapolis Symphony Orchestra

Pascal Rogé, Gabriela Montero, Olga Kern, Brian Ganz, and Jon Nakamatsu.

A milestone performance was the ASO’s 50th Anniversary Gala Concert with mezzo-soprano Denyce Graves at the University of Maryland’s Clarice Smith Performing Arts Center in 2012.

A champion of contemporary music, Maestro Novo has led the ASO in premiering numerous works, including those commissioned through the multiyear initiative Embracing 21st

Photo of José-Luis Novo

by Richard Brown

Century Voices in partnership with the Gabriela Lena Frank Creative Academy of Music.

Born in Valladolid, Spain, he began his musical studies at the local conservatory, earning the degree of Profesor Superior de Violín with honors. A Spanish Ministry of Culture scholarship took him to the Royal Conservatory of Music in Brussels, where he earned a First Prize in violin.

In 1988, he came to the U.S. as a Fulbright Scholar, earning Master of Music and Master of Musical Arts degrees from Yale University, where he received the Frances G. Wickes Award and the Yale School of Music Alumni Association Prize. He later completed a Master of Music in orchestral conducting at the Cleveland Institute of Music and furthered his studies at the University of Cincinnati CollegeConservatory of Music.

From 2003 to 2016, Maestro Novo served as Music Director and Conductor of the Binghamton Philharmonic in New York. He has guest-conducted leading orchestras in the U.S. and Spain and made a successful debut with the Thailand Philharmonic Orchestra at the 2015 Thailand International Composition Festival, returning multiple times. His operatic credits include Smetana’s The Bartered Bride in collaboration with the late Maestro Julius Rudel, as well as productions of Britten’s Albert Herring, Menotti’s The Old Maid and the Thief, and Vaughan Williams’ Riders to the Sea.

A dedicated music educator, Maestro Novo has held conducting positions with the Cincinnati Symphony Youth Orchestra, University of Maryland Symphony Orchestra, Miami University Symphony Orchestra, and National Repertory Orchestra. Since 1999, he has been on the conducting faculty at the Eastern Music Festival in Greensboro, North Carolina. He has also led ensembles at institutions such as the Curtis Institute of Music, Cleveland Institute of Music, Bard Conservatory, and Venezuela’s El Sistema Portuguesa State Youth Orchestra.

In 2017, he was instrumental in founding the Annapolis Symphony Academy (ASA) and continues to mentor and instruct as Director of Orchestral Activities. In 2022, he led the debut performance of the ASA’s Orion Youth Orchestra. This summer, as resident conductor of NYO2, he is preparing the orchestra for performances at Carnegie Hall and a tour to the Edinburgh Music Festival in Scotland.

His accolades include a 2010 Annie Award in Performing Arts from the Arts Council of Anne Arundel County, a 2008 ASCAP Adventurous Programming Award, and a 2005 Broome County Arts Council Heart of the Arts Award.

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A NOTE FROM INCOMING BOARD CHAIR

A Note From Incoming Board Chair

Katie Edwards

Stepping into the role of Board Chair for this extraordinary organization fills me with both pride and nostalgia. My connection to the ASO runs deep—within my family and within my soul.

joy, and in turn, brings joy to all of us. You can see and hear this dedication in every performance, every lesson, every rehearsal, and from each member of the orchestra to our Maestro.

When I moved to Annapolis in 1995, I was invited on a blind date to an ASO concert by Jib Edwards. That evening not only marked the beginning of my now 25-year marriage, it sparked a profound bond with his mother, Patricia Edwards, that grew through our shared love of music. Pat, ASO’s first Executive Director, left a lasting legacy—one we continue to honor through the Patricia Edwards Chair for Executive Director.

I invite you to join me in supporting this remarkable ensemble and the season we have ahead—whether by attending concerts, championing music education, or making a gift that helps sustain our programs.

As a Trustee and as Board Chair, I am committed to celebrating and supporting our musicians—both the extraordinary professionals onstage at Maryland Hall and the promising young artists of the Annapolis Symphony Academy. I credit my own music education for instilling the confidence and discipline that have served me throughout my career.

Thank you, from the bottom of my heart.

Katherine Edwards, MD Vice Chair & incoming Board President

Our ASO musicians dedicate themselves to their craft each day— not just because they are talented, but because music brings them Photo of Katie and Jib Edwards courtesy Katie Edwards

5 | We Are Annapolis Symphony Orchestra

Season 64 Season 64 Highlights

HIGHLIGHTS

BELOVED CL ASSICS Antonín Dvořák Symphony No. 9 in E minor, Op. 95, “From the New World” Gustav Mahler Symphony No. 5 Richard Strauss Don Juan, Op. 20 Aaron Copland Billy the Kid Suite Sergei Rachmaninoff Piano Concerto No. 2 in C minor, Op. 18 Maurice Ravel Piano Concerto in G major Dmitri Shostakovich Symphony No. 5 in D minor, Op. 47 EXTRAORDINARY GUEST ARTISTRY Pablo Sainz-Villegas, guitar Angel Blue, soprano Olga Kern, piano Pascal Rogé, piano LIVING COMPOSERS Reinaldo Moya Arturo Márquez Gabriela Ortiz

Olga Kern Photo by Chris Lee

Angel Blue Photo by Dario Acosta

Pascal Rogé Photo by Van Weyenbergh

FEATURED ASO MUSICIANS Alex Kovling, Principal Horn Kimberly Valerio, Principal Flute Curt Armbruster, Principal Timpani

Pablo Sainz-Villegas Gabriela Ortiz

Photo by Lisa Mazzuco

Photo by Mara Arteaga

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OCT 10-11, 2025

Signature Series - A New World

Arturo Márquez Guitar Concerto, “Místico y Profano” with Pablo Sainz-Villegas, guitar Reinaldo Moya Polo Romanesco Arturo Márquez Guitar Concerto, “Místico y Profano,” Pablo Sainz-Villegas, guitar Antonín Dvořák Symphony No. 9 in E minor, Op. 95, “From the New World”

FRIDAY, OCTOBER 10, 2025 SATURDAY, OCTOBER 11, 2025 MARYLAND HALL | 7:30 PM

Photo of Pablo Sainz Villegas

by Christine Busch

7 | We Are Annapolis Symphony Orchestra

Internationally renowned Spanish guitarist Pablo Sainz-Villegas joins the Annapolis Symphony Orchestra to share his passion for classical guitar with his fellow countryman, Maestro José-Luis Novo. This performance offers a rare opportunity to experience the brilliance of two Spanish-born artists in one unforgettable evening. Contemporary Mexican composer Arturo Márquez’s new guitar concerto, written specifically for Sainz-Villegas himself and subtitled “Mystical and Profane,” is a virtuosic and emotional work that won’t disappoint.

SIGNATURE SERIES

A NEW WORLD

The program opens with Venezuelan-American composer Reinaldo Moya’s Polo Romanesco, a contemporary reflection on heritage and innovation, setting the stage for one of classical music’s most beloved symphonies: Dvoˇrák’s “New World” Symphony. Inspired by African American spirituals and Indigenous melodies, Dvoˇrák’s masterpiece captures the boundless spirit of discovery and cultural exchange, inspired by the Czech composer’s visit to America. From its soaring melodies to its poignant longing, the “New World” Symphony stands as a testament to music’s power to transcend borders and generations.

Where Have I Heard this Before?

Antonín Dvořák, Symphony No. 9 in E minor, Op. 95, “From the New World” Performed by the Frankfurt Radio Symphony, Andrés Orozco-Estrada, conductor

When the “New World” Symphony premièred at Carnegie Hall in 1893, the end of every movement was met with thunderous clapping. It was one of the greatest public triumphs of Dvořák’s career. Astronaut Neil Armstrong took a tape recording including the “New World” Symphony along during the Apollo 11 mission, the first Moon landing, in 1969. One of Dvořák’s students, William Arms Fisher, put words to the longing melody from the second movement. He called the new song, “Goin' Home,” and published it in 1922. Set in the style of an old American spiritual, the song was played after President Franklin D. Roosevelt’s death in 1945.

Since then, it has been used for the funeral services of U.S. presidents, dignitaries, and soldiers at Arlington National Cemetery, as well as in T V and movies.

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NOV 7-8, 2025

Signature Series - Darkness to Light

Mahler Symphony № 5 Jean Sibelius The Swan of Tuonela, Op. 22, No. 2 Gustav Mahler Symphony No. 5 FRIDAY, NOVEMBER 7, 2025 SATURDAY, NOVEMBER 8, 2025 MARYLAND HALL | 7:30 PM

Photo of ASO Principal Horn Alex Kovling by Richard Brown

9 | We Are Annapolis Symphony Orchestra

Sibelius’ The Swan of Tuonela opens the evening with its dark, dreamlike beauty. Inspired by Finnish mythology, this atmospheric tone poem depicts a swan gliding through the waters of the underworld, its song carried by the haunting voice of the English horn. With rich, brooding harmonies and a sense of quiet inevitability, Sibelius transports the listener to a world both distant and deeply moving.

SIGNATURE SERIES

DARKNESS TO LIGHT

Mahler’s 5th Symphony moves between powerful, mournful themes in the opening funeral march, to moments of joyful exuberance in the Scherzo, to a slow, intensely lyrical movement for strings and harp in the famous Adagietto, and ending with a massive rondo.

The music is an emotional odyssey that moves from darkness into radiant light, punctuated by longing, exuberance, and finally, triumph. Throughout the performance, expect virtuosic solos from ASO Principal Horn Alex Kovling and others.

Where Have I Heard this Before?

Gustav Mahler, Symphony No. 5 Performed by the Orchestre Philharmonique de Radio France, Myung-Whun Chung, conductor

Herbert von Karajan, conductor of the Berlin Philharmonic for 34 years, once said that when you hear Mahler’s 5th, “you forget that time has passed. A great performance of the Fifth is a transforming experience.” The beautiful Adagietto movement is perhaps the most familiar piece of Mahler’s musical output. Leonard Bernstein conducted it during the funeral mass for Robert F. Kennedy, Jr. on June 8, 1968.

Featured in the 1971 Luchino Visconti film Death in Venice, it was also used in commemorative events following the terrorist attacks of September 11, 2001.

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JAN 30-FEB 1, 2026

Signature Series - Legends

Opera Selections with Angel Blue, soprano Claude Debussy Prélude à l’après-midi d’un faune (Prelude to the Afternoon of a Faun) Opera Selections Works to be announced, Angel Blue, soprano Richard Strauss Don Juan, Op. 20 Aaron Copland Billy the Kid Suite

FRIDAY, JANUARY 30, 2026 SATURDAY, JANUARY 31, 2026 MARYLAND HALL | 7:30 PM SUNDAY, FEBRUARY 1, 2026 MUSIC CENTER AT STRATHMORE | 3:00 PM* *This concert is not part of the 2025-26 Signature Series Subscription. Purchase tickets at Strathmore.org/calendar starting August 1, 2025.

Photo of Angel Blue by Dario Acosto

11 | We Are Annapolis Symphony Orchestra

A program of legendary figures—both real and imagined—features the Annapolis debut of two-time Grammy-winning soprano Angel Blue performing a selection of operatic works. Known for her radiant voice and commanding stage presence, Blue has graced the world’s leading opera houses. In this special performance, she shares her extraordinary artistry with ASO audiences, to a selection of operatic works, making this an experience you don’t want to miss!

SIGNATURE SERIES

LEGENDS

The program opens with Debussy’s Prelude to the Afternoon of a Faun, an impressionistic masterpiece that shimmers with color and sensuality. Inspired by Mallarmé’s symbolist poetry, the work drifts between dream and reality, with the flute—performed by ASO Principal Flute Kimberly Valerio—playing the role of the mythical Faun himself.

Strauss’ Don Juan follows, demanding precision, passion, and dazzling orchestral technique. This symphonic poem brings the story of the infamous rogue to life with fiery energy and sweeping romance, spotlighting the exceptional skill of the ASO string sections.

The concert closes with Copland’s suite from Billy the Kid—a distinctly American legend told through bold, open harmonies and rugged rhythms. Blending folk tunes with cinematic sweep, Copland’s music captures the Wild West with unforgettable themes and unmistakable energy.

Where Have I Heard this Before?

“Mi chiamano Mimì” from Giacomo Puccini's La Bohème, Performed by Angel Blue and the Metropolitan Opera Orchestra

Angel Blue has emerged in recent seasons as one of the most influential sopranos before the public today. The two-time Grammy Award winner, 2020 Beverly Sills Award recipient, and the 2022 Richard Tucker Award winner is celebrated worldwide for her honeyed soprano and affecting deliveries of many of the most beloved roles in the operatic repertory. As an alumna of the Los Angeles County High School for the Arts, University of Redlands, and later UCLA, the soprano enjoys hometown hero status during appearances in the United States, especially in California.

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FEB 27-MAR 1, 2026

Signature Series - Echoes of Heritage

Rachmaninoff Piano Concerto №2 with Olga Kern, piano Silvestre Revueltas Janitzio Sergei Rachmaninoff Piano Concerto No. 2 in C minor, Op. 18, Olga Kern, piano William Dawson Negro Folk Symphony

FRIDAY, FEBRUARY 27, 2026 SATURDAY, FEBRUARY 28, 2026 MARYLAND HALL | 7:30 PM SUNDAY, MARCH 1, 2026 MUSIC CENTER AT STRATHMORE | 3:00 PM* *This concert is not part of the 2025-26 Signature Series Subscription. Purchase tickets at Strathmore.org/calendar starting August 1, 2025.

Photo of Olga Kern by Chris Lee

13 | We Are Annapolis Symphony Orchestra

Rachmaninoff’s unforgettable melodies, emotional depth, technical brilliance, and rich orchestral textures are instantly recognizable and stay with listeners long after the music ends. His Second Piano Concerto expresses a wide range of emotions, from passionate intensity to melancholic longing, often reflecting his personal experiences.

SIGNATURE SERIES

ECHOES OF HERITAGE

Renowned for her technical skill and musicality, Olga Kern returns to the ASO at Maryland Hall in Annapolis and the Music Center at Strathmore in Bethesda to perform one of the most beloved works in the piano repertoire. Kern’s artistry embodies the brilliance, bold expression, and emotional depth that define Rachmaninoff’s style.

The evening begins with Silvestre Revueltas’ Janitzio, an energetic, colorful orchestral piece inspired by Mexican folk traditions. Evoking the lively spirit of the island town for which it is named, Janitzio is a vibrant celebration of culture and movement.

Closing the program is William Dawson’s Negro Folk Symphony, a powerful, richly orchestrated work drawing on African American spirituals and folk melodies. Weaving traditional themes into a sweeping symphonic form, it offers a profound reflection on heritage and resilience.

Where Have I Heard this Before?

Sergei Rachmaninoff, Piano Concerto No. 2 in C minor, Op. 18, Mvt II Performed by the Los Angeles Philharmonic with Yuja Wang, piano, Gustavo Dudamel, conductor

In both 2023 and 2024, this piece was voted number one in Classic FM’s annual Classical Music “Hall of Fame” poll. Numerous films—such as William Dieterle’s September Affair (1950), Charles Vidor’s Rhapsody (1954), and Billy Wilde’s The Seven Year Itch (1955)—borrow themes from the concerto. It has also inspired popular songs, including Frank Sinatra’s “I Think of You,” from the second theme of the first movement, and “Full Moon and Empty Arms,” from the second theme of the third movement.

Eric Carmen’s 1975 ballad "All by Myself" is based on the second movement.

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APR 10-11, 2026

Signature Series - Rhythm to Revolution

Ravel Piano Concerto in G major with Pascal Rogé, piano Gabriela Ortiz Antrópolis Maurice Ravel Piano Concerto in G major, Pascal Rogé, piano Dmitri Shostakovich Symphony No. 5 in D minor, Op. 47

FRIDAY, APRIL 10, 2026 SATURDAY, APRIL 11, 2026 MARYLAND HALL | 7:30 PM

Photo of Pascal Rogé by Van Weyenbergh

15 | We Are Annapolis Symphony Orchestra

A program of rhythm, color, and contrast, this concert brings together the energy of jazz-infused Ravel, the striking modernity of Gabriela Ortiz, and the raw power of Shostakovich.

Inspired by the dynamic cultural life of Mexico City, Grammy Award-winning composer Gabriela Ortiz’ Antrópolis is a thrilling contemporary piece that showcases the percussion section, with ASO Principal Timpanist Curt Armbruster taking a featured role.

SIGNATURE SERIES

RHYTHM TO REVOLUTION

A hypnotic waltz that incorporates elements of American blues and jazz, Ravel’s Piano Concerto in G major reflects his mastery as an orchestrator and his ability to create beautiful and colorful harmonies. A French pianist renowned for his interpretations of French repertoire, Pascal Rogé brings color, poetry, and brilliant technique to the stage as the featured guest soloist.

The concert closes with Shostakovich’s Symphony No. 5, a work of gripping intensity and symphonic power. Written at a time of political turmoil, the symphony moves from brooding introspection to a stirring, triumphant finale—one that has sparked debate over whether it expresses defiant resilience or state-mandated celebration. Either way, its sheer force and complexity make it one of the most compelling symphonies of the 20th century and an unforgettable way to end the ASO’s 64th season.

Where Have I Heard this Before?

Maurice Ravel, Piano Concerto in G major Performed by the Royal Stockholm Philharmonic Orchestra with Martha Argerich, piano, Yuri Temirkanov, conductor

While touring the U.S. in 1928, Ravel was impressed by jazz, Negro spirituals, and the excellence of American orchestras. He then incorporated elements of jazz and Basque folk music into the orchestration of this piece. Ravel toyed with the idea of calling it Zaspiak-Bat (The Seven Are One), a single movement work with seven episodes, each using a theme from one of the seven Basque provinces. He wrote the composition in the spirit of Mozart and Saint-Saëns, chiefly to entertain.

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Holiday Pops

HOLIDAY POPS

FRIDAY, DECEMBER 19, 2025 MARYLAND HALL | 7:30 PM SATURDAY, DECEMBER 20, 2025 SEVERNA PARK HIGH SCHOOL 3:00 PM

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Purchase tickets to this popular annual tradition before they go on sale to the public August 1, 2025.

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Photo of ASO Musicians

by Richard Brown

17 | We Are Annapolis Symphony Orchestra

Save the Date

Strathmore Concerts

Signature Series

LEGENDS

Signature Series

ECHOES OF HERITAGE

Opera Selections with Angel Blue, soprano

Rachmaninoff Piano Concerto No. 2 with Olga Kern, piano

SUN FEB 1 | 3:00 PM DEBUSSY, STR AUSS, COPLAND

SUN MAR 1 | 3:00 PM REVUELTAS, RACHMANINOFF, DAWSON

These concerts are not part of the 2025-26 Signature Series or FlexPass Subscriptions. Purchase tickets at strathmore.org/calendar beginning August 1, 2025.

Stay Tuned

Details about our 2026 Family Concert and 2025-26 Chamber concerts will be announced soon. Purchase your tickets by visiting our website or calling the Box Office at 410-263-0907 starting August 1, 2025.

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19 | We Are Annapolis Symphony Orchestra

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Photo of violinist Netanel Draiblate

by Richard Brown

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SIGNATURE SERIES SUBSCRIPTION PACKAGE

Take your SEATS Signature Series Subscription Package

SIGNATURE SERIES CONCERT DATES FRIDAYS 7:30 PM

A New World OCT 10

SATURDAYS A New World 7:30 PM OCT 11

Darkness to Light NOV 7

Legends

Darkness to Light NOV 8

Legends

JAN 30

JAN 31

Echoes of Heritage FEB 27

Rhythm to Revolution APR 10

Echoes of Heritage FEB 28

Rhythm to Revolution APR 11

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MARYLAND HALL SIGNATURE SERIES SEATING CHART

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FOR YOU Choose any 3 or 4 of either Friday or Saturday concert dates.

FLEXPASS PRICING

*Prices are inclusive of ticket processing fees SIGNATURE SERIES CONCERT DATES FRIDAYS 7:30 PM

A New World OCT 10

SATURDAYS 7:30 PM

A New World OCT 11

Darkness to Light NOV 7

Legends

Darkness to Light NOV 8

Legends

JAN 30

JAN 31

Echoes of Heritage FEB 27

Rhythm to Revolution APR 10

Echoes of Heritage FEB 28

Rhythm to Revolution APR 11

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Meet Our

Meet Our Musicians

MUSICIANS

VIOLIN I

Netanel Draiblate, Concertmaster Nicholas Currie, Associate Concertmaster Abby Armbruster Yoon Young Bae Susan Benac Heather Haughn Wan-Chun Hu Hanbing Jia Rachael Stockton William Wang Qian Zhong

VIOLIN II

Christian Tremblay, Principal Kristin Bakkegard, Associate Principal Sally Stallings Amass Megan Gray Karin Kelleher Alexandra Mikhlin

VIOLA

Sarah Hart, Principal Derek Smith, Associate Principal Daphne Benichou Susan Taylor Dapkunas Andrew Eng Rachel Holaday Brian Shoop Kate Zahradnik

CELLO

HORN

Todd Thiel, Principal Pei Lu, Associate Principal Alison Bazala Kim Nicole Boguslaw Catherine Mikelson MaryAnn Perkel Daniel Shomper April Studeny

Alex Kovling, Principal Shane Iler, Associate Principal Kevin Grasel Ho Hin Kwong Anthony Valerio

BASS

Patrick Raynard, Principal Benjamin Crofut, Associate Principal Peter Cohn Adriane Irving Broc Mertz Brandon Smith

FLUTE

Kimberly Valerio, Principal Genevieve Eichman

OBOE

TRUMPET

Christopher Sala, Principal Christopher Buchanan Andrew Fremder

TROMBONE

David Perkel, Principal David Sciannella Jay Heltzer

TUBA

Jake Fewx, Principal

TIMPANI

Curt Armbruster, Principal

Fatma Daglar, Principal Rick Basehore

PERCUSSION

CLARINET

HARP

Robert DiLutis, Principal Brian Eldridge

BASSOON

Asha Kline, Principal Patricia Morgan

25 | We Are Annapolis Symphony Orchestra

William Kan, Principal

Katherine Ventura, Principal

MUSICIAN Musician Sponsorships

Sponsorships WH EN YOU SP O NSO R AN A SO M USIC IAN, YOU E S TAB LI S H A P E R SO NAL CO N N EC TI O N W ITH TH E O RC H E S TR A .

Blown away by the bassoon? Transported by the timpani? Fascinated by the flute? When you sponsor an ASO musician, you see first hand the dedication, passion, and skill they bring to each performance. Your generosity creates a connection from our patrons to our musicians, and showcases your strong support for our musician’s immense talent.

WHY SPONSOR AN ASO MUSICIAN? Sponsors see first-hand the dedication, passion, and skill our musicians bring to each ASO performance. Your generosity demonstrates your support for their talent and dedication.

WHAT DOES SPONSORSHIP COST? All sponsorships are 100% tax-deductible.

Section Musicians: $2,500 Associate Principal Musicians: $5,000 Principal Musicians: $7,500

Learn More and Sponsor Online at:

AnnapolisSymphony.org/sponsoramusician

David Perkel Principal Trombone

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Annapolis Symphony Academy

AN NAP O LIS SYM PH ONY

Academy

T H E A N N A P O L I S SY M P H O N Y AC A D E M Y (A SA) I S C H A N G I N G T H E L I V E S O F YO U N G P EO P L E I N O U R CO M M U N I T Y BY P ROV I D I N G H I G H Q UA L I T Y M U S I C A L E D U C AT I O N T H AT I S ACC E S S I B L E TO A L L S T U D E N T S .

An educational program of the Annapolis Symphony Orchestra now in its eighth year, the ASA serves over 155 students through ensemble instruction and private lessons. Thanks to our donors, all ensembles are free for students and the ASA offers need-based financial aid for private lessons and group classes for qualified families. ASA now offers Discovery, an early music program, in community centers and schools throughout Anne Arundel County.

fast facts about the academy

• We have grown from 26 students enrolled in 2018 to over 155 students today.

• Our faculty are musicians from the Annapolis Symphony Orchestra.

• Our programs are located throughout Anne Arundel County.

• We support and mentor a young musician’s journey from beginner to advanced.

• More than 50% of our students receive need-based scholarships and many receive refurbished instruments.

THERE'S A STORY IN EVERY PR ACTICE ROOM AND ON EVERY STAGE. FIND YOURS. Photo courtesy of Annapolis Symphony Academy

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Thank You to Our Community Partners

Thank You to Our Community Partners ANNAPOLIS SYMPHONY ACADEMY Friends of Annapolis Symphony Orchestra (FASO) Temple Beth Shalom Maryland Hall for the Creative Arts Chesapeake Arts Center Anne Arundel County Public Schools (AACPS) APEX Arts Magnet Program Maryland State Government House Elville Center for the Arts Cultural Office of the Embassy of Spain

City of Annapolis Heritage Commission Annapolis Friends of Lafayette Annapolis Heritage Society Annapolis Bows & Violins Annapolis Moms Media Quiet Waters Park The Salvation Army Marshall Hope Learning Center Robin Wood Community Center Housing Authority of the City of Annapolis

Banneker Douglass Harriett Tubman Museum Maryland Council for Civic & History Education City of Laurel Health and Wellness Fair Annapolis Musicians Fund for Musicians Luminus Health Anne Arundel Medical Center Arundel Lodge, Inc. Wellness House of Annapolis The Talent Machine Company

ANNAPOLIS SYMPHONY ORCHESTRA Community Foundation of Anne Arundel County Friends of Annapolis Symphony Orchestra (FASO) Arts Council of Anne Arundel County Maryland State Arts Council Maryland Hall for the Creative Arts Bates Middle School Brooklyn Park Middle School Anne Arundel Recreation and Parks Department

Quiet Waters Park & Downs Park Historic Annapolis Maryland Commission on Middle Eastern Affairs Luminus Health McNew Mental Health Center Luminus Health Pathways Substance Use Services Luminis Health Doctors Community Medical Center, Lanham Hospice of Chesapeake Ginger Cove Retirement Community

Baywoods of Annapolis United States Naval Academy (USNA) Music Department The Annapolis Opera Classic Theatre of Maryland Live Arts Maryland Ballet Theatre of Maryland Naptown Sings Bowie State University St. John’s University Wellness House of Annapolis

AnnnapolisSymphony.org/subscribe | Box O f fice: 410 -263-0907 | 28

Why Give?

Why Give to the ASO?

The Annapolis Symphony Orchestra is more than music. When you support the ASO, you’re investing in a cultural institution that educates, heals, inspires, invests in our youth, reaches out to those struggling, and connects with our community.

WE ARE A SYMPHONY FOR THE WHOLE COMMUNITY Your gift helps us bring music to more people in more places across Annapolis and Anne Arundel County: Free Community Performances: We offer concerts at hospitals, assisted living centers, and behavioral health facilities—reaching those who may not otherwise experience live music.

Our partnerships with medical facilities like Luminis Health and Hospice of the Chesapeake help us bring healing through music.

Special Event Performances: We show up for Annapolis—whether at the downtown tree lighting, memorial services, school concerts, or major public events.

Where Music Meets Equity: More than 2,600 Maryland students experienced the joy of orchestral music last year thanks to ASO programs. 1 in 4 of these students came from Title I schools. Over 50% of our Academy students receive need-based scholarships.

Music Education That Changes Lives: The Annapolis Symphony Academy was founded with a mission to change lives by providing an accessible high-level music education to all students. The Academy is home to the Orion Youth Orchestra, the only local youth orchestra performing under the ASO's Maestro with side-by-side professional mentorship.

Your commitment as a subscriber and donor ensures that the ASO continues to thrive and serve our community. To subscribe for the upcoming season and make an additional gift, please visit AnnapolisSymphony.org/support or contact us at: ebr@AnnapolisSymphony.org 410-267-3635.​

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Photo of José-Luis Novo and Pepe Romero at the home of Jillinda Kidwell by Diana Love

While your subscription lays the foundation, additional gifts further the ASO's mission to inspire, educate, and connect. By making a tax-deductible donation, you can enjoy exclusive benefits:​ $100+ – Program Recognition Be acknowledged in our Signature Series concert programs.​ $500+ – Dress Rehearsal Invitations Attend select Thursday night rehearsals for an insider's view.​ $1,000+ – Crescendo Club Access Join our post-concert donor lounge to mingle with musicians and leadership. $2,500+ – Music at Midmorning & Musician Dinner Enjoy intimate performances and dine with ASO musicians, deepening your connection to the orchestra.

DONATE

What’s Up? Media has been a proud supporting partner of the Annapolis Symphony Orchestra for over 25 Years. whatsupmag.com

AnnnapolisSymphony.org/subscribe | Box O f fice: 410 -263-0907 | 30

ASO Staff

AN NAP O LIS SY M PH O N Y O RC H ESTR A *

ERICA BONDAREV RAPACH Executive Director

Staff NETANEL DRAIBLATE

MIRIAM FOGEL

Founder & Director, A nnapolis Symphony Academy

Director of A rtistic Operations

ebr@AnnapolisSymphony.org

ndraiblate@AnnapolisSymphony.org

mfogel@AnnapolisSymphony.org

410-267-3635

443-454-0609

410-267-3632

SARAH JOHANSEN

DIANA LOVE

MAYA MCATEE

Director of Business Operations

Director of Marketing & Communications

Office & Data Manager

sjohansen@AnnapolisSymphony.org

dlove@AnnapolisSymphony.org

mmcatee@AnnapolisSymphony.org

410-267-3637

410-267-3621

410-267-3636

JULIE NOLAN

OLIVIA REN

DAVID SCIANNELLA

Director of Education, Community Outreach, & Grants A SA Assistant Director

Orchestra Librarian

Operations Manager

jnolan@AnnapolisSymphony.org

oren@AnnapolisSymphony.org

dsciannella@AnnapolisSymphony.org

443-223-8445

410-267-3647

410-267-3648

* in alphabetical order

ANNAPOLIS SYMPHONY ORCHESTRA 801 Chase Street, Suite 204 Annapolis, MD 21401 410-263-0907 Box Office 410-269-1132 Admin

Photo of ASO Staf f by Richard Brown

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2024-25 Board of Trustees

2024-25 Board of Trustees OFFICERS

SHELLEY ROW, PE, CSP Chair

KATHERINE EDWARDS, MD Vice Chair & Incoming Board Chair

ANN WHITCOMB Vice President-Finance

MONIQUE Y. LANGSTON Secretary

TRUSTEES

ROBERT ARIAS

STEPHEN SOTACK Treasurer

CHARLIE GRUDZINSKAS

GERALDINE “MIMI” LADD JONES

GEORGIANNA CROSBY

COLLOT GUERARD

WILLIAM DAVIS

MICHELLE HELLSTERN

ELIZABETH MAXWELL-SCHMIDT, MD

GINGER FROM

WILLIAM HOFF

MARY MCKIEL, PHD Immediate Past Chair

SONJA GLADWIN

DEB HOWE

MARIE TREANOR

JEANNE KELLY

TRUSTEE EMERITUS

FLORENCE CALVERT

JILL KIDWELL

EX OFFICIO TRUSTEES JOSÉ-LUIS NOVO Artistic Director & Conductor

ANN TRAN FASO Board Representative

ERICA BONDAREV RAPACH Executive Director

ORCHESTRA REPRESENTATIVE ALEXANDRA MIKHLIN Musicians’ Representative, Players’ Committee

AnnnapolisSymphony.org/subscribe | Box O f fice: 410 -263-0907 | 32

2025-26

WE’RE SAVING A SEAT FOR YOU! Renew your subscription before May 31, 2025 to save your current seat.

Please email info@annapolissymphony.org or call our Box Office at 410-263-0907 with any questions.

Purchase a new subscription anytime at

AnnapolisSymphony.org/subscribe Annapolis Symphony Orchestra Maryland Hall for the Creative Arts 801 Chase Street, Suite 204 Annapolis, MD 21401 Box Office: 410–263–0907

Thank you to our supporters!

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