2025-26 ASO Signature Series - A New World by ASO - Annapolis Symphony Orchestra

THE SEASON 64 SIGNATURE SERIES

Photo of Pablo Sainz-Villegas by Christine Busch

Shostakovich Symphony № 5

An ASO Debut Performance

JUNE 1, 2026, 8:00 PM

JOSEPH MEYERHOFF SYMPHONY HALL

Annapolis Symphony Academy Orion Youth Orchestra

Nancy Galbraith

Midnight Stirring , conducted by ASA Assistant Conductor Claire Lewis

Annapolis Symphony Orchestra

Shostakovich

Symphony No. 5

Reinaldo Moya Polo Romanesco

conducted by ASO Artistic Director, Maestro José-Luis Novo

The Annapolis Symphony Orchestra makes its debut performance at Baltimore’s Meyerhoff Symphony Hall during the League of American Orchestras’ Annual Conference. The concert is also open to the public. The evening begins with Nancy Galbraith’s Midnight Stirring , with the Annapolis Symphony Academy Orion Youth Orchestra performing side-by-side with their ASO musician-mentors - a powerful symbol of music’s ability to inspire across generations.

The program culminates with Shostakovich’s Symphony No. 5, as the ASO alone takes the audience on a journey from its hauntingly somber opening to a triumphant finale—a timeless testament to resilience and the endurance of the human spirit.

Tickets for this performance must be purchased through the Meyerhoff Symphony Hall website

Dear ASO Friend,

Welcome to the Annapolis Symphony Orchestra’s 64th season! I am thrilled to share a year of extraordinary music-making as we honor the 250th anniversary of the Declaration of Independence with programs that explore heritage, innovation, and the enduring human spirit.

We open bravely with A New World, where tradition and innovation meet. Reinaldo Moya’s Polo Romanesco and Arturo Márquez’s Concierto Místico y Profano, performed by international guitar virtuoso Pablo Sainz-Villegas, weave ancient echoes into contemporary voices, leading to Dvoˇrák’s beloved “New World” Symphony—a timeless reflection of heritage, hope, and discovery.

Later in the season, Mahler’s Fifth Symphony carries us from darkness to triumph, while Christine Goerke, one of today’s most commanding sopranos, lends her radiant voice to Strauss’s Four Last Songs in a program of legendary works. Pianist Olga Kern brings brilliance to Rachmaninoff’s Second Piano Concerto, and Pascal Rogé joins us for Ravel’s jazzy Piano Concerto in G, alongside Shostakovich’s mighty Fifth Symphony.

This season is a celebration of music as a living continuum—where old and new inspire one another, and where the concert hall becomes a place of discovery and renewal. Thank you for joining us on this journey, and for supporting your Annapolis Symphony Orchestra.

JOSÉ-LUIS NOVO

Artistic Director & Conductor

Season 64 Signatu re Series

A New World

Oct 10 & 11, 2025 7:30pm, Maryland Hall

DVO R ˇ ÁK

“New World Symphony”

ARTURO MÁRQUEZ

Guitar Concerto with Pablo Sainz-Villegas, guitar

Darkness to Light

Nov 7 & 8, 2025 7:30pm, Maryland Hall

Legends

Jan 30 - Feb 1, 2026 7:30pm, Maryland Hall 3:00pm, Strathmore

MAHLER

Symphony Nº5

SIBELIUS

The Swan of Tuonela

R. STRAUSS

Four Last Songs with Christine Goerke, soprano

Echoes of Heritage

Feb 27 - Mar 1, 2026 7:30pm, Maryland Hall 3:00pm, Strathmore

Rhythm to Revolution

Apr 10 & 11, 2026 7:30pm, Maryland Hall

RACHMANINOFF

Piano Concerto Nº2 with Olga Kern, piano

RAVEL

Piano Concerto in G with Pascal Rogé, piano

E LI ZA BETH RICHEBO U RG R E A

Under writer, The Philip Richebourg Ar tistic Director and Conductor ’s Chair

THE PHILIP RICHEBOURG ENCORE CIRCLE honors multi-annual pledges of $100,000+

Elizabeth Richebourg Rea, in honoring the legacy of her father, Co-Founder of the Annapolis Symphony Orchestra, created a legacy of her own. In 2011, she donated the largest single contribution in the history of the orchestra for the 50th Anniversary Season. This generosity transformed giving by inspiring future endowments of substantial amounts in addition to pledges spanning multiple years. Her pioneering leadership has created new levels of support, enabling the A SO to expand our work on stage and in the community. Elizabeth is underwriter of the Artistic Director and Conductor’s Chair in her father’s name and in addition is the founding member of the Philip Richebourg Encore Circle.

Elizabeth Rea is a ﬁne ar t photographer and curator She has curated numerous Joseph Cornell exhibitions and two Roy Lichtenstein Retrospectives. Elizabeth is President of the Dungannon Foundation, sponsor of the Rea Award for the Shor t Stor y. She ser ves on the Peggy Guggenheim Advisor y Board and is an Honorar y Trustee of the Solomon R Guggenheim Foundation.

Photo: Thomas MacDonald, The N e w Y ork Times

PHILI P RI C H E BO U R G | 1919-201 1

Co-Founder and First Board President Annapolis Symphony Orchestra

1972

“My father Philip Richebourg conducted his own orchestra ever y da y of his life. He personiﬁed exactitude and precision in business; in ser vice to his community and in leadership on numerous Boards. He was meticulous in his passions as pilot, musician, archi vist. Dedicated to each task at hand my father approached all things in life as if resolute in achieving one goal, that of per fect harmony ” professional orchestra, Philip was at the helm every step of the way. His commitment, dedication, and passion for musical awareness leaves an indelible mark on the history of the A SO. The Annapolis Symphony Orchestra would not be what it is today without him.

The Annapolis Symphony Orchestra is indebted to Philip Richebourg, Co-Founder and First Board President (1967-1974). Philip Richebourg ’s stalwart support, organizational vision and strong leadership during its formative years helped solidify the orchestra ﬁnancially and administratively, ensuring its longevity and signature as one of Maryland’s most distinguished performing arts organizations. Philip passionately supported the Annapolis Symphony Orchestra as it sought to enrich the lives of the community through classical music and educational programs. From the modest beginnings of a small community ensemble to the present acclaimed

Photo:

Elizabeth Richebourg Rea

SIGNATURE SERIES I SIXTY-FOURTH SEASON

OCTOBER 10 & 11, 2025 AT 7:30PM | MARYLAND HALL

José-Luis Novo, Artistic Director & Conductor

The Philip Richebourg Chair

Pablo Sainz-Villegas, guitar

Polo Romanesco Reinaldo Moya (b. 1984)

Concierto Místico y Profano Arturo Márquez (b. 1950)

I. Encuentros

II. Serenata Piadosa

III. Diferencias sobre la Romanesca

Pablo Sainz-Villegas, guitar - INTERMISSION -

Symphony No. 9 in E minor, Op. 95, Antonín Dvorˇák “From the New World” (1841–1904)

I. Adagio—Allegro molto

II. Largo

III. Scherzo: Molto vivace

IV. Allegro con fuoco

Photography and video/audio recording are not permitted in the concert hall. Please silence all electronic devices. Thank you.

MUSICIAN ROSTER

VIOLIN I

Netanel Draiblate, Concertmaster

Nicholas Currie, Associate Concertmaster

Heather Haughn, Acting Assistant Concertmaster

Abby Armbruster

Yoon Young Bae

William Wang

Susan Benac

viola cont.

Nikki Ponticelli

Michael Sinni

Ben Freedman

Kate Reynolds

CELLO

Todd Thiel, Principal

Pei Lu, Associate Principal

MaryAnn Perkel

Catherine Mikelson

BASSOON

Jimmy Ren, Acting Principal

Patricia Morgan

HORN

Shane Iler, Acting Principal

Elena Varon

Amy Horn

Anthony Valerio

Joy Hodges

TRUMPET

Rachael Stockton

Claudia Chudacoff

Jennifer Rickard

Amelia Giles

Leila Fanien

VIOLIN II

Musician Roster

Kristin Bakkegard, Acting Principal

Alexandra Mikhlin, Acting Associate Principal

Zoe Kushubar

Glen Kuenzi

Madalyn Navis

Karin Kelleher

Sally Stallings Amass

Megan Gray

Robin Tozzie

Sara Schneider

VIOLA

Sarah Hart, Principal

Derek Smith, Associate Principal

Brian Shoop

Susan Taylor Dapkunas

Daniel Shomper

Alison Bazala Kim

April Studeny

Fiona Thompson

BASS

Patrick Raynard, Principal

Kevin Thompson, Acting Associate Principal

Broc Mertz

Peter Cohn

Alec Hiller

Mark Stroud

FLUTE

Kimberly Valerio, Principal

Lori Kesner

OBOE

Fatma Daglar, Principal

Joseph DeLuccio

CLARINET

Robert DiLutis, Principal

Brian Eldridge

Andrew Fremder, Acting Principal

Thomas Bithell

TROMBONE

David Perkel, Principal

David Sciannella

Jay Heltzer

TUBA

Aden Beery, Acting Principal

TIMPANI

Curt Armbruster, Principal

PERCUSSION

William Kan, Principal

Thomas Maloy

HARP

Katherine Ventura, Principal

PIANO

Tomoko Kanamaru, Acting Principal

PROGRAM NOTES

is influenced by postmodernism, pulling from the diverse palette that is now available to musicians.

Polo Romanesco is an example of Moya’s postmodernism and expression of identity. In his own program notes to the piece, Moya explains how the work features a chord progression from the Italian and Spanish Renaissance along with a folk tune from Venezuela:

Polo Romanesco

REINALDO MOYA

Born 1984, Caracas

Program notes

Growing up in a musical family, Reinaldo Moya played violin in the Simón Bolívar Orchestra as part of Venezuela’s famed El Sistema program. Deciding to focus on composition, Moya studied first at West Virginia University and then earned his master’s and doctorate degrees from The Juilliard School. Currently, Moya is an Associate Professor of Composition and Music Theory at Wellesley College.

As a Venezuelan-American, Moya explores his dual identities in his compositions, considering what home is and using musical languages not only from his classical music training, but also those from salsa, Venezuelan folk music, and other dance styles. In his use of pastiche (an imitation of a past style, such as that of the Renaissance or Baroque) and collage (juxtaposition of styles), Moya

The romanesca is a melodicharmonic formula popular from the mid-16th to early-17th centuries that was used as an aria formula for singing poetry and as a subject for instrumental variation. The formula was not to be viewed as a fixed tune, but as a framework over which elaborate ornamentation can occur. Documentation of the term is seen for the first time in Alonso Mudarra’s Tres libros de musico en cifra para vihuela ( Romanesca, o Guárdame las vacas) (“O let us put the cows to pasture” or, “look after the cows for me”) in 1546 and in Carminum pro testudines liber IV by Pierre Phalèse.

This romanesca must have made its way to the shores of the New World where after several centuries, it became the basis for one of the most popular songs from Western Venezuela. The “Polo Margariteño” is a folk song of unknown authorship that became widely known in the latter part of the twentieth century.

Polo Romanesco is a kind of postmodern send up of the romanesca progression as it weaves its way through bits and piece of the “Polo Margariteño.” The piece is full of surprises and juxtapositions and is an attempt to go on a similar journey from that one that these humble chords went on many centuries ago across unthinkable distances. It is a piece that attempts to bridge the gap between European and Venezuelan music and in turns it points to a way forward in which music can be both old and new.

Concierto Místico y Profano

ARTURO MÁRQUEZ

Born Dec. 20, 1950, Álamos

Mexican composer Arturo Márquez grew up playing music and continued to study piano, violin, trombone, theory, and composition at the Conservatorio Nacional de

Música in Mexico City. After studying composition in Paris, Márquez received his master’s degree in composition from the California Institute of the Arts. Márquez’s compositional style has been varied; he has explored new sounds in avantgarde music and mixed-media works, used accessible styles influenced by U.S. popular music, and has often utilized Mexican dance forms and idioms.

Concerto Místico y Profano for guitar and orchestra is a new work, receiving its premiere this past July in Mexico City with the Orquesta Sinfónica de Minería. Márquez composed the piece for Spanish guitarist Pablo Sainz-Villegas, who is now performing the piece here with the Annapolis Symphony Orchestra. For Sainz-Villegas, the guitar is a natural “voice of the people” and the concerto “celebrates two cultures:” Mexico and Spain. Sainz-Villegas describes his instrument as a “bridge, an instrument that unites the musical styles of the two countries” while also being “rooted in folklore and tradition.”

In the first movement, titled Encuentros (Encounter), Márquez explores traditional Hispanic folk rhythms such as the clave, cinquillo, and tresillo. The guitar guides each “encounter” with the orchestra, a fitting role for an instrument that is common in both folk music and classical art music. An earlier title of the first movement was “With

Compliments,” as Márquez imagined the exchange of culture. Márquez describes the second movement (Serenata Piadosa, or Pious Serenade) as “begin[ning] in the sky, with distant bells, with the strings in the sky above…and the guitar with the prayer.” The solo guitar’s prayer song is inspired by post-pandemic reflection as well as Mexican religious culture, in which the saints and especially the Virgin of Guadalupe (Virgin Mary) are highly important. Along with this deep reverence is also anger, expressed in the violent entrance of the guitar. Márquez tells of how it is common in Mexico to turn a saint’s image upside down if they do not fulfill a wish, and so this movement perfectly encapsulates the concerto’s title Místico y Profano (Mystical and Profane). After the anger, the guitar again returns to meditation. Márquez enjoys making a concerto’s second movement particularly special, a compositional trait that is signaled in this movement by the singing clarinet solo. In the final movement (Diferencias sobre la Romanesca, or Differences about the Romanesca), Márquez returns to the idea of cultural encounters, or “mixing these two worlds, the academic world and the folkloric world of traditional music.” The romanesca, a Renaissance chord progression, is found in Baroque guitar pieces as well as folk tunes in the Americas. An especially unique feature of this movement is that

Márquez takes the guitar through all twelve tonalities (major or minor) in the development of the romanesca, allowing the soloist to display their skill.

Symphony No.9 in E minor, Op.95,

“From the New World”

ANTONÍN DVOR ˇ ÁK

Born Sep. 8, 1841, Nelahozeves

Died May 1, 1904, Prague Antonín Dvorˇák was born in Bohemia just a few years before the Czech Revolution of 1848. While suppressed, this uprising was part of the larger national movement during the 18th and 19th centuries that sought to reduce Austro-Hungarian power and reassert local Czech control over Bohemia. Musically, this movement inspired many composers to create and legitimize a national style based on folk tunes and legends. One of the first Czech composers to do this was Bedrˇich Smetana, who worked with and influenced Dvorˇák.

Dvorˇák was and still is most known and celebrated for his nationalistic, folkloric style, using modal melodies, syncopation, dances, and clear contrasts.

It was because of this that Dvorˇák was invited to lead the National Conservatory in New York City and help develop a national style of composition for the United States. Dvorˇák arrived in the U.S. in September 1892, and he took to heart the “great and lofty task” he felt Americans expected of him. Searching for America’s folk music, Dvorˇák asked Henry Thacker Burleigh, a Black student at the National Conservatory, to sing him spirituals, and he also sought early transcriptions of Indigenous melodies. Dvorˇák believed that Black and Indigenous music should be the source of the American nationalistic compositional style, suggesting the use of modal harmonies and melodies, drones, repeated ostinatos, and syncopated rhythms. These elements are found throughout Symphony No. 9, written in 1893 and subtitled by the composer “From the New World.” The first movement Adagio—Allegro molto is in the expected sonata form. The first theme is a modal dance, evoking folk music, and the second, more meditative theme is similar to the spiritual “Swing Low, Sweet Chariot,” a likeness that contemporaneous listeners also noticed. After the premiere, Dvorˇák stated that the Largo second movement and the

Scherzo third movement were both inspired by The Song of Hiawatha (1855), an epic poem by Henry Wadsworth Longfellow that romantically and fictionally portrayed the Ojibwe people. The second movement was titled “Legend” in Dvorˇák’s sketches, and the journey to a mythical world is perhaps cued by the opening chorale chords that modulate the key into the surprising D-flat major. With a pentatonic melody meant to evoke the folk, the pastoral English horn solo dominates the movement. This famous melody was arranged for vocals in 1922 by Dvorˇák ’s student William Arms Fisher, set with the text “Goin’ home,” in the idiom of a concert spiritual. In the third movement, the energetic dance is a quintessential example of Dvorˇák using syncopated rhythms, repetition, juxtaposition, and grace notes and other quick ornaments to depict the folk. The dramatic Allegro con fuoco final movement’s first theme is played fortissimo by the horns and trumpets before being passed to the strings, who accent the strong beats with down bows. A slower second theme in the clarinet provides a contrast before the development that also recalls the melodies of earlier movements. After a series of fortississimo and sforzando accented chords, the piece concludes in E major as the orchestra decrescendos to pianississimo.

Program notes by Elizabeth Massey, PhD

JArtistic Director & Conductor Artistic

ARTISTIC DIRECTOR & CONDUCTOR

José -Luis Novo

THE PHILIP RICHEBOURG CHAIR

osé-Luis Novo, Philip Richebourg Artistic Director Chair, is in his 21st season as Artistic Director and Conductor of the Annapolis Symphony Orchestra (ASO). Since his appointment in 2005, Maestro Novo has shaped the ASO with a bold artistic vision, fostering continuous growth, dynamic collaborations, and adventurous programming. His leadership has earned the orchestra widespread acclaim, including a 2008 ASCAP Adventurous Programming Award, a national broadcast on NPR’s Performance Today, and regular features on Baltimore’s WBJC classical station.

Under his baton, the ASO has collaborated with many of the world’s leading musicians, including cellists Steven Isserlis and Lynn Harrell; violinists James Ehnes, Midori, Anne Akiko Meyers, Noah BendixBalgley, Vadim Gluzman, CheeYun, and Esther

Yoo; guitarists Pepe Romero and Manuel Barrueco; and pianists

Leon Fleisher, Peter Serkin, Pascal Rogé, Gabriela Montero, Olga Kern, Brian Ganz, and Jon Nakamatsu. Milestone performances were the orchestra’s 50th Anniversary Gala Concert in 2012 with mezzo-soprano Denyce Graves and an astounding international tour to Spain in 2022.

A strong advocate for contemporary music, Maestro Novo has championed numerous premieres, including works commissioned through Embracing 21st Century Voices , a multi-year initiative with the Gabriela Lena Frank Creative Academy of Music. Born in Valladolid, Spain, José-Luis Novo earned the degree of Profesor Superior de Violín with honors before receiving a Spanish Ministry of Culture scholarship to study at the Royal Conservatory of Music in Brussels, where he won a First Prize in violin. In 1988, he came to the U.S. as a Fulbright Scholar, completing master’s degrees at Yale University with top honors, followed by conducting studies at the Cleveland Institute of Music and the University of Cincinnati College-Conservatory of Music.

From 2003 to 2016, Maestro Novo was Music Director and Conductor of the Binghamton Philharmonic Orchestra in New York. He has guest-conducted leading orchestras across the U.S. and Europe and made a highly acclaimed debut with the Thailand Philharmonic Orchestra at the 2015 Thailand International Composition Festival, returning multiple times. His operatic work includes The Bartered Bride with the late Julius Rudel, as well as productions of Britten’s Albert Herring , Menotti’s The Old Maid and the Thief, and Vaughan Williams’ Riders to the Sea.

An accomplished educator, Maestro Novo has held conducting positions with the Cincinnati Symphony Youth Orchestra, University of Maryland Symphony Orchestra, Miami University Symphony Orchestra, and National Repertory Orchestra. He has been on the faculty of the Eastern Music Festival since 1999, and has led ensembles at institutions such as the Curtis Institute, Cleveland Institute of Music, Bard Conservatory, and Venezuela’s El Sistema.

In 2017, he helped establish the Annapolis Symphony Academy (ASA) and continues to guide its development as Director of Orchestral Activities. He led the debut of the ASA’s Orion Youth Orchestra in 2022 and, in 2025, served as resident conductor of Carnegie Hall’s National Youth Orchestra (NYO2), preparing the ensemble for performances at Carnegie Hall and on tour at the Edinburgh International Festival.

His honors include the 2010 Annie Award in Performing Arts from the Arts Council of Anne Arundel County, the 2008 ASCAP Adventurous Programming Award, and the 2005 Broome County Arts Council Heart of the Arts Award.

GUEST ARTIST

PABLO SAINZ-VILLEGAS

Pablo Sainz-Villegas has been praised by the international press for his “virtuous and moving performance, with an irresistible exuberance and a range of bright colors” (The New York Times).

Undoubtedly the most virtuosic guitarist of his generation, Pablo Sainz-Villegas has been acclaimed by the international press as the successor to Andrés Segovia and an ambassador of Spanish culture in the world. He is the first solo guitarist to perform at Carnegie Hall in New York since Maestro Andrés Segovia did so in 1983, the first guitarist to play with the Chicago Symphony Orchestra since 2001, and the first guitarist to perform with the Berliner

Philharmoniker at the New Year’s Eve Gala since 1983.

Since his debut with the New York Philharmonic under the baton of Rafael Frühbeck de Burgos at the Avery Fisher Hall in Lincoln Center, he has performed in over 40 countries and with orchestras such as the Israel Philharmonic Orchestra, Philadelphia Orchestra, San Francisco Symphony, Tonhalle-Orchester Zürich, and the National Orchestra of Spain, as well as in venues such as the Tchaikovsky Concert Hall in Moscow, Musikverein in Vienna, Concertgebouw in Amsterdam, National Centre for the Performing Arts in Beijing, and the Suntory Hall in Tokyo, among many others of

equal importance and reputation.

As a socially committed artist, he is the founder and driving force behind the non-profit association Strings in Common in the United States. He is also the creator and artistic director of the La Rioja Festival in Spain.

As an exclusive SONY Classical artist, he has released solo albums as well as duo recordings with tenor Plácido Domingo and cellist Yo-Yo Ma. Film composer John Williams has written two works for him for guitar: Rounds and Prayer for Peace.

Highlights of his 2025–2026 performance season include his return to the Chicago Symphony Orchestra with Maestro Riccardo

Muti; the continuation of the premiere tour of Concierto Místico y Profano by Mexican composer Arturo Márquez with the Ottawa Symphony Orchestra, Annapolis Symphony Orchestra, and Pacific Symphony; the world premiere of a work for string quartet and guitar by Andrea Casarrubios with the Agarita Quartet; and his new chamber project Spanish Night, which will premiere on a U.S. tour.

Pablo Sainz-Villegas was born in La Rioja, Spain, and has been living in the United States since 2001. For the 2025–26 season, Mr. Sainz-Villegas wears TOMBLACK.

SUSAN TAYLOR DAPKUNAS

For violist Susan Taylor Dapkunas, music has always been more than notes on a page—it is a way of connecting her passion to her community, of weaving beauty and discipline into something greater than herself, and of bringing the joy of performance to young people. Susan’s musical journey with the Annapolis Symphony Orchestra (ASO) stretches back to the early 1970’s. Her path to the ASO stage was shaped by both passion and perseverance. As a student at Germantown Elementary School in Annapolis, Susan attended a symphony performance that proved to be a seminal moment in her life. “I remember hanging over the edge of the balcony at Maryland Hall, which was a high school at that time, listening in wonder to the music, watching the rise and fall of bows, and being completely enthralled. After that, music was my passion - I never had to be asked to practice," she said. Susan was captivated by the viola’s expressive range, its ability to sing, whisper, and soar. She enjoyed lessons with Mrs. Virginia Benac, an influential teacher who played violin for the ASO and also started the strings education program for Anne Arundel County Public Schools (AACPS).

By the time Susan attended high school, she was tightly engrained with other music students, all of whom were taking advantage of every musical opportunity afforded them. One of these was performing with the ASO, Susan’s first experiences on a professional stage. Private lessons in Annapolis eventually led to studies at the Peabody Preparatory in Baltimore during her high

school years, working with members of the Baltimore Symphony Orchestra. A teacher at Peabody Preparatory, Mr. George Orner, was also the concertmaster of the fledgling ASO. He encouraged her to play with the orchestra. At that time, the musicians practiced every Tuesday night, rehearsed on Saturdays, and performed on Saturday nights and Sunday afternoons. After graduation from high school, Susan was accepted into Karen Tuttle’s studio at the Peabody Institute where she later earned her Bachelor’s degree in Viola Performance. Susan’s love of music carried her through years of practice and performance. When Peabody Conservatory instructor Leon Fleischer became conductor of the ASO, he provided a bus and the ASO board offered students $10 to play. Susan would have played for free, except those $10 checkers helped pay for groceries during her college years. She treasures her summer memories from that time,

including studying privately with Michael Tree at Blue Hill, Maine, where she also took ensemble lessons with Leslie Parnas and Raphael Hillyer.

After college Susan joined the Peace Corps and moved to Costa Rica to perform with the Costa Rica National Symphony. Her time there was instrumental in building on her performance experience, especially playing chamber music with the Soloists of San José. Later, she returned to the United States. By that time, the ASO had grown in size, influence and skill. This time, Susan was required to audition for Leon Fleischer, and thereby secured her tenured role as violist.

Susan has remained committed to the ASO, despite changes in leadership. “There is something really wonderful that’s happened to the ASO under the leadership of José-Luis Novo,” she said. “Not only have we grown as an institution, but we’ve matured as an orchestra, we’ve reached a higher level of performance. There have been painful transitions over the years, but now, under his baton, we have such a wonderful camaraderie, and it's a wonderful feeling to play together. I can watch my colleagues, and match their bows, and we can be in sync because we know each other so well. It’s very special.”

Today, Susan is giving the gift of music to the next generation as a faculty member of Annapolis Symphony Academy, where she is Director of the Lyra Chamber Music Ensemble.

Watching the students’ excitement for classical pieces they find on YouTube, or how their eyes light up for music from movies, Susan remembers that spark she first felt as a child. “Music is something you don’t need words for. It’s a spiritual relationship between the musician and the composer, even if they passed away a long time ago. I hear Bach speaking to

me through his music, like an electrical pulse that is as alive today as it was when he wrote, and as when I played his music for the first time. That is what I want to share with my students.”

When thinking about her time with the ASO, Susan reflects on the improved caliber of the orchestra and camaraderie of the musicians. “The Symphony is extraordinary—not just because of the talent on stage, but because of the shared commitment to excellence,” she notes. “Each concert is a conversation, between us as musicians, with the conductor, and with the audience. Equally important is our connection and interaction with the composer. That dialogue is what keeps the music alive.”

For Susan, being part of the ASO is also about honoring history while embracing growth. The Symphony has expanded its reach through education programs, community concerts, and collaborations, embodying the belief that music can inspire and unite.

“To know that I’m part of this living tradition is deeply meaningful,” she reflects. “It’s a privilege to share in the journey of an organization that began in such modest circumstances and now flourishes as a beacon for the arts. It is so important that audiences continue to experience live music. That we offer this in Annapolis, Maryland’s capital, is thrilling and something of which I am deeply proud.”

Read Susan’s professional bio on our website: annapolissymphony.org/about-us/musicians/ musician/susan-taylor-dapkunas

HOLIDAY POPS

DECEMBER 19, 2025

MARYLAND HALL | 7:30 PM

DECEMBER 20, 2025

SEVERNA PARK HIGH SCHOOL | 3:00 PM

DECEMBER 21, 2025

BOWIE STATE UNIVERSITY | 3:00 PM

This festive season, join the Annapolis Symphony Orchestra and our 70 world-class musicians as we bring the joy, beauty, and warmth of the holidays to life with a dazzling mix of classic carols and heartwarming holiday tunes. This year the ASO is joined by the Bowie State University Concert Choir, directed by Brandon J. Felder. Signature Series Subscribers get 20% off tickets. Get your tickets today!

RESERVE YOUR SEAT NOW

HOLIDAY CONCERT PROGRAM

* Bowie State University Concert Choir, Brandon J. Felder, Director

Engelbert Humperdinck Prelude from Hansel and Gretel

Léon Jessel

The Parade of the Tin Soldiers

Samuel Coleridge-Taylor Christmas Overture from orch. S. Baynes

Nikolai Rimsky-Korsakov

The Forest of Wild Thyme , Op. 74

Dance of the Buffoons from The Snow Maiden

Terry Mizesko A Chanukah Celebration

Bob Krogstad Christmas at the Movies

Lowell Mason Joy to the World*

Tony Small

O’ Happy Holiday Sing*

Traditional / Anita Watkins-Stevens Come Thou Fount—And He Blessed* Brandon J. Felder, piano

James Beckel

A Christmas Fanfare

Mel Tormé / Robert Wells Christmas Song

James Stephenson A Holly and Jolly Sing-Along*

Various Hallelujah Forevermore*

MUSIC CENTER AT

LEGENDS WITH CHRISTINE GOERKE, SOPRANO

FEBRUARY 1, 2026

Richard Strauss Vier Ietzte Lieder “Four Last Songs”

ECHOES

OF HERITAGE

WITH OLGA KERN,

PIANO

MARCH 1, 2026

Sergei Rachmaninoff Piano Concerto No. 2

Strathmore Concerts

ShriverHallConcertSeries 60

SUN, OCT 5 | 5:30 PM

GIL SHAHAM VIOLIN

ORLI SHAHAM PIANO

SUN, OCT 19 | 5:30 PM

SPHINX VIRTUOSI

STERLING ELLIOTT CELLO

SUN, NOV 16 | 5:30 PM

TESSA LARK VIOLIN

JOSHUA ROMAN CELLO

EDGAR MEYER DOUBLE BASS

SUN, JAN 11 | 5:30 PM

EMANUEL AX PIANO

SUN, FEB 22 | 5:30 PM ANGELA HEWITT PIANO

SUN, MAR 8 | 5:30 PM

ISIDORE STRING QUARTET

JEREMY DENK PIANO

SUN, MAR 22 | 5:30 PM

GOLDA SCHULTZ SOPRANO

JONATHAN WARE PIANO

SUN, APR 26 | 5:30 PM

STEVEN ISSERLIS CELLO

CONNIE SHIH PIANO

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Signature Series Subscription

Enjoy locked in prices and your favorite seats when you purchase a Friday or Saturday night Signature Series subscription!

Share the magic of the ASO! Purchase additional tickets to Maryland Hall concerts including the Holiday Pops concert through-out the season using your 20% subscriber discount.

Access your online portal to purchase tickets, use discount benefits, review current orders, and renew Signature Series subscriptions.

Signature Series Subscriptions available through Friday, October 10.

FlexPass Subscription

Build Your Own season and enjoy total flexibility with our FlexPass Subscription. Choose between 3 or 4 Signature Series concerts on Friday or Saturday and enjoy the benefits! Purchasing your 2025-2026 season FlexPass is easy!

FlexPass subscriptions are available through their respective deadlines — 4-concert by Friday November 7, 3-concert by Friday, January 30.

SIGNATURE SERIES CONCERT DATES

FRIDAYS 7:30 PM A New World OCT 10

SATURDAYS 7:30 PM A New World OCT 11

What’s Up? Media has been a proud supporting partner of the Annapolis Symphony Orchestra for over 25 Years.

CHAMBER CONCERTS SEASON 64

Chamber Concert for Piano & Strings

SATURDAY, NOVEMBER 22, 2025

EVANGELICAL PRESBYTERIAN CHURCH OF ANNAPOLIS | 3:00 PM

Chamber Orchestra Concert

C onducted by José-Luis Novo

SUNDAY, APRIL 26, 2026

SS. CONSTANTINE & HELENE GREEK

ORTHODOX CHURCH | 3:30 PM

Joaquín Turina

La oración del torero (The Bullfighter’s Prayer), Op. 34

Malcolm Arnold

Sinfonietta No. 1, Op. 48

Wolfgang Amadeus Mozart

Symphony No. 29 in A major

RESERVE YOUR SEAT NOW All Tickets $25

Concert for Piano & Strings Chamber Orchestra

AN OUT OF THIS WORLD MUSICAL ODYSSEY

One of our favorite ASO Pops performances, this concert, narrated by NASA Goddard, is one you don’t want to miss!

FIELD TRIP CONCERT

MARCH 18 & 19, 2026

MARYLAND HALL | 10:00 AM & 11:30 AM

This concert makes the perfect field trip for ages 5+. Public, private, homeschool and virtual students are welcome. Choose your preferred date and time. Tickets are $5. Limited financial assistance is available Title 1 schools. Call 410-263-0907 or email info@annapolissymphony.org to reserve.

FAMILY CONCERT

MARCH 21, 2026

MARYLAND HALL | 11:00 AM

All tickets $10. Reserve your tickets online at annapolissymphony.org or call the Box Office at 410-263-0907.

CONCERT PROGRAM

Bedrˇich Smetana

Gustav Holst

James Horner

John Williams

The Moldau with stunning NASA Goddard footage of Earth’s waterways

The Planets (Neptune, Mars, Jupiter, Mercury) featuring NASA visuals of our solar system

Music from Apollo 13 featuring NASA imagery of deep space and astrophysics

Adventures on Earth (from E.T. the Extra-Terrestrial )

ANNAPOLIS SYMPHONY

ACADEMY

Discover the future of classical music with Annapolis Symphony Academy.

The Academy is transforming lives by providing world-class musical training to students of all cultural and economic backgrounds— building a new generation of artists who reflect the diversity of our community. Half of our student body comes from groups underrepresented in U.S. orchestras, and thanks to generous donor support, need-based scholarships open doors for all who aspire. Orion Youth Orchestra performances include ASO musicians who perform side-by-side with the students, providing instruction and mentorship. We offer programs and ensembles for every aspiring young musician. Join us for FREE concerts showcasing the extraordinary talent of our young musicians.

ASA EVENTS:

December 14, 2025 | 4:00 pm

Lyra and Aquarius Winter Concert Temple Beth Shalom, Arnold, MD

January 11, 2026 | 5:00 pm

Aries and Orion Winter Concert Maryland Hall

March 22, 2026

The Cecilia Wyatt Honors Recital Temple Beth Shalom, Arnold, MD

May 17, 2026 | 9 am-5 pm

ASA Day at Maryland Hall, including Lyra, Aquarius, Aries & Orion performances

June 1, 2026 | 8:00 pm

Orion Youth Orchestra debuts at Meyerhoff Symphony Hall with the ASO. This is a ticketed event, open to the public and members of the League of American Orchestras.

All ASA recitals are FREE and open to the public. Please check our website for event updates.

T HANK YOU TO OUR COMMUNITY PARTNERS

Annapolis Bows & Violins

Annapolis Friends of Lafayette

Annapolis Heritage Society

Annapolis Moms Media

Annapolis Musicians Fund for Musicians

Anne Arundel County Public Schools (AACPS) -

APEX Arts Magnet Program

Anne Arundel Recreation & Parks Department

Arts Council of Anne Arundel County

Ballet Theatre of Maryland

Banneker DouglassHarriett Tubman Museum

Baywoods of Annapolis

Bowie State University

Chesapeake Arts Center

Chesapeake Inspired & Donna Jefferson

City of Annapolis Heritage Commission

City of Laurel Health & Wellness Fair

Community Foundation of Anne Arundel County

Cultural Office of the Embassy of Spain

Elville Center for the Arts

Friends of Annapolis Symphony Orchestra (FASO)

Ginger Cove Retirement Community

Historic Annapolis Hospice of Chesapeake

Luminis Health Anne Arundel Medical Center

Luminis Health Doctors

Community Medical Center, Lanham

Luminis Health McNew Mental Health Center

Luminis Health Pathways

Substance Use Services

Marshall Hope Learning Center

Maryland Commission on Middle Eastern Affairs

Maryland Council for Civic & History Education

Maryland Hall for the Creative Arts

Maryland State Arts Council

Maryland State Government House

Naptown Sings

Park Rangers & Staff at Quiet Waters Park & Downs Park

St. John’s University

Temple Beth Shalom

The Annapolis Opera

The Salvation Army

The Talent Machine Company, Inc

Wellness House of Annapolis What’s Up Media

Support the ASO AMPLIFY YOUR EXPERIENCE SUPPORT THE

The Annapolis Symphony Orchestra is more than music. When you support the ASO, you’re investing in a cultural institution that educates, heals, inspires, invests in our youth, reaches out to those struggling, and connects with our community.

While your subscription lays the foundation, additional gifts further the ASO’s mission to inspire, educate, and connect.

By making a tax-deductible donation, you can enjoy exclusive benefits:

$100+ – Program Recognition

Be acknowledged in our Signature Series concert programs.

$500+ – Dress Rehearsal Invitations

Attend select Thursday night rehearsals for an insider’s view.

$1,000+ – Crescendo Club Access

Join our post-concert donor lounge to mingle with musicians and leadership.

$2,500+ – Music at Midmorning & Musician Dinner

Enjoy intimate performances and dine with ASO musicians, deepening your connection to the orchestra.

DONATE

Your commitment as a donor ensures that the ASO continues to thrive.

To support the ASO, please visit AnnapolisSymphony.org/support or contact us at: ebr@AnnapolisSymphony.org 410-267-3635.

LEGACY CIRCLE

Ensuring a Legacy of Musical Excellence for Future Generations

It is with our deepest gratitude that we acknowledge the following Legacy Circle Members for their commitment to the future of the Annapolis Symphony Orchestra and its place in our community.

Anonymous (3)

Melvin &

*Judy Bender

Bud & *Bee Billups

Elana Rhodes Byrd

James W. Cheevers

Elizabeth Colandro

Ronald E. Council

*Forbes Leland & *Marilyn Eason

*Patricia Edwards

*Colonel Allan & *Audrey English

Patrick M. Green

Anna E. Greenberg

*Joe Bales Gruber

*Nancie Kennedy

*Dr. Michael Kurtz

Dr. Mary C. McKiel

*Mr. John P. McKim

Anne S. Potter

Evelin Reynolds*

Susan Rosenfeld

Shelley Row

Stephen A. Sotack

Marion & Norbert Zacharias

To discuss including the Symphony in your Estate Plans, please contact development@annapolissymphony.org Annapolis Symphony Orchestra Inc. Tax I.D. 23-7001357

*Deceased

We gratefully acknowledge these generous donors to the Annapolis Symphony Orchestra who have contributed within the last calendar year as of Sept 15, 2025.

The Annapolis Symphony Orchestra is sustained through your generous support. We are indebted to you for supporting our music making, education programs, and community initiatives.

GIFTS OF $1 MILLION + John McKim*

Joyce Pratt & Jeff Harris + William Seale & Marguerite Pelissier

GIFTS OF $25,000–$49,999

Anonymous

Anne Arundel County

Gifts Of $5,000–$9,999 cont.

What's Up Media, Inc

Ann & Robert Whitcomb + Cecelia Wyatt

THE PHILIP RICHEBOURG

CIRCLE GIFTS OF $500,000–$999,999

Elizabeth Richebourg Rea +

Recognition

Recreation & Parks

Arts Council of Anne Arundel County

Steve Cohen

Peter & Sarah Evans +

GIFTS OF $5,000–$9,999

Anonymous

Herb* & Sallie Abeles

Richard Brown

Susan Byrom & Robert Thomas

Donor

Friends of the Annapolis Symphony Orchestra

GIFTS OF $150,000–$249,999

Robert & Kathleen Arias +

The Brian & Patricia Giese Foundation

J illinda Kidwell + Maryland State Arts Council

Michael J. Mumma, Peter R. Mumma, & Amy Mumma Raskopf +

GIFTS OF $50,000–$149,999 Anonymous + Anonymous

Paula Abernethy + James W. Cheevers + Sylvia & James* Earl

Mr. Arthur Edwards & Dr. Katherine Edwards + Impact100

Anne S. Potter + Shelley Row + Stephen A. Sotack +

Al & Ginger From + David & Eleanor Huggins

Patricia & David Mattingley + Joan Ruhl

Martha & John T. Schwieters +

GIFTS OF $10,000–$24,999

Anonymous

Peter Bungay, Joy Chambers & Ellen Posten

Florence Calvert +

Jane Campbell-Chambliss & Peter Chambliss

Enser & Marguerite Cole

Collot Guerard

William H. Hoff +

Deb Howe & Nati Draiblate +

Elizabeth MaxwellSchmidt & Steve Schmidt + Clay & Carol Richards

Diane Steed

Stella May Contracting Inc

Judy Templeton +

*Deceased

Council Family Foundation

William & Renata Davis + Capt.Mark & Michelle Hellstern (USN Retired) + JoshuaOneNine Fund

Lawrence & Jeanne Kelly

Laird Lott & Linda Gooden

Elizabeth Mainiero

Mary C. McKiel

In Memory of Louise A. Snyder

Russ Stevenson & Margie Axtell

+ MULTIYEAR PLEDGES

Multiyear pledges support the Orchestra’s strategic vision while ensuring a sustained level of funding. Thank you to everyone for signing pledge commitments of three years or more. These donors are recognized with a + beside their name.

GIFTS OF $2,500–$4,999

Anonymous

Annapolis Moms Media

Carole & Richard Falk

Dea Code Family Foundation

Patrick M. Green

Anna E. Greenberg + Pierre & Danalee Henkart

Richard & Lisa Hillman

Karl & Marge Hoke

José-Luis Novo & Lori Kesner

Steve Root & Nancy Greene

Joan Ruhl

Raymond R. Ruppert & Molly M. Ruppert

Jeffrey Scherr & Wendy Jachman

Constance & William Scott

Doug & Karen Smith + Bill & Marilynn Sweetser

Drs. Mark C Davis & Ann A Tran

GIFTS OF $1,000–$2,499 Anonymous (3)

Michael Alin & Ann Carroll

Laura Amodei

Ann Burchard

David Bush

Dr. Mark Cinnamon

Ms. Sandy Cohen

Mr. & Mrs. Andrew

Lynch Cole

Jesse Cunitz & Faith Goldstein Cunitz

Jane Danowitz

Norman J.Fisher & Doris Fisher Foundation

Scott Gregory &

Angela Eggleston

Renee Ehler &

George Bentley

Mary Anne Felger

Scott Gregory &

Angela Eggleston

Patty Harris

Bob & Diane Heaney

Mr. & Mrs. Robert M. Hecht

David R. Herron, Ph.D.

Hugh & Deborah Houghton

James Laite

Dr. Monique Y. Langston

Rosalie Lijinsky

Janet Little

David McGill

The Johansen Family

Laura Murray

Music Educators of Greater Annapolis

Jan O'Connor

James D. Parker, M.D.

Patricia Petrou

Barbara W. Pittman

Colin & Valerie Rees

Pamela Roeming

Robert W Sherer

Jill Simon

Mrs. Tamara & Dr. Stephan Tymkiw

GIFTS OF $100–$999

Anonymous (3)

Michael & Judy Ackerman

Anne Agee

Jacqueline Agnew

Linda Allen

Philip Allen

Sandra Collyear Altherr

Sally Amass

Jack & Leslie Andryszak

Ms. Susan Armstrong

Ann J. Baker

Adele Baron

Susan & Jess Behringer

Julie Belkin

Randall Bell

Susan Benac

Edward Bergman

Mary Jo Bieberich

Randal Billingsley

Martha Blaxall & Joe Dickey

Mary Beth Blessing

Ray Boedecker

Elaine Bower

Sunny Bowers

Daniel Bowler

Carmen & Nancy Brun

Kathleen & Robert Burke

Barbara Burroughs

Rebecca A Byrd

Cindy Carlton

Barbara Ceruzzi

Deborah Chin

Brad Clink & Linda Sexton

Elizabeth Colandro

Steven Collier & Elizabeth Jones

Petey Cosby

Laudine Creighton

Mr. & Mrs. Robert Demoyer

James & Debra Dillon

David Doetschman

Marc Donohue

Judith Duckett-Winnefeld

Anonymous

Fred & Susan Eckert

Earl & Sharon Engelhard

Pauline Farmer

Mr. & Mrs. Millard

Firebaugh

James R. Fitzpatrick

Ted & Anne Foster

Frederick R. Galloway

Charitable Trust

Laura & Jack Van Geffen

Ann Gere

Susan Gilson

Sonja Gladwin & Rod Straw

Michael J. Gray

Carol Gruen

Frances R. Hall

Georgina Hammond

Alicia Hardisky

Jeffrey Harvey

D. Gayle Hensley

Arturo Hervada

Jan & David Hoffberger

Jerry* & Lynne Hoot

Margaret Hosmer

Andrew House

Dr. & Mrs. William Hunter

Sally W. Iadarola

Beth Jacaruso

Beth D. Jacob

Bruce & Danna Jones

Matthew Jones

Mr. & Mrs. Jordan

Ms. Tomoko Kanamaru

Kurt Karsten

Christine Kelsey

Nicholas Kemp & Ms.Kay Osburnsen

Marvin & Nina Kesner

Leon & Barbara Kestenbaum

Getha Klejnot

Alice F. Kurs

Drs. Frank LaScala & Gladys Rivera-LaScala

Dr. & Mrs. Norman Lerner

Ellen Levin

Susan Levine

Jennifer Lewis

Diana Love

Timothy & Katherine Lynch

Robert W Madden Jr

Pat Mager

Lynne Malley

David Marcic

The Martinson Family

Sandra Mayo

Philip Meredith

Elaine Mines

Priscilla Mitchell

Francisco Montero

Betty Morganstern

Don & Carol Nelson

David & Carol Newman

Nancy Nicoll & Richard Wagner

Patrick J. Nugent & Mary Kay Rehard

Mr. John O`Connell

Erin ONeill

Ed & Jeanne Paglee

James E & Cheryl H Painter

Stanton D Palmer

William & May Parks

Fariba Partawi

Anonymous

Bob & Cookie Pollock

Alison Porter

John T. Quinn

Michael & Margret Rauh

Marilyn Rees

Ken & Maureen Reightler

Phil & Ilse Reynolds

Mr. & Mrs. Daniel Risher

Christopher & Anita Rizek

Jack Roadhouse

John & Constance

Robinson

Mr. & Mrs. Russ

Rosenberger

Lorraine Ross

Amy & Joe Rubino

Joan Russell

Michael & Anne Saul

Chris & Donna Schein

Ken & Elaine Schmidt

Mr. & Mrs. Randy Schmitt

Bob Schnabel

Scott & Virginia

Schollenberger

Mr. & Mrs. Michael T. Schuncke

Catherine Shultz

Leslie Skibo

Bruce Slaff

Gwynneth Smith

Roderick & Joann Smith

Julie Snyder & Shawn Messer

Bernadette Solomon

Anne K Stratton

Harvey Stromberg

Michael Taylor

Brian Thiel

Paula Thistle

Peter Threadgill

Barbara Torreon

Ellen von Seggern Richter

Mark Walter

Mr. & Mrs.

Damien Wanner

Cynthia Wells

Mr. & Mrs. Earl S. Wellschlager

Anonymous

Jeffrey Williams

Mr. & Mrs. Clifford

Woodward, Jr.

Martha Wooldridge

Francis & Maureen

Wright

Bernard & Louis Wulff

Barbara & Mark Wynn

Marion & Norbert

Zacharias

Pat Zeno & Frank Parent

2025-26 MEMORIAL & HONORARY GIFTS

In memory of Barry Amass

Sally Amass

In honor of Argie & Angela

Catherine Shultz

In memory of Ronald Bower

Elaine Bower

In memory of Charlie L Byrd

Rebecca A Byrd

In honor of James W. Cheevers

Anonymous

In honor of Mrs. Marguerite Cole

Enser & Marguerite Cole

In memory of James Earl

James W. Cheevers

In memory of Marc & Kirk Elvy Remembrance

Cecelia Wyatt

In honor of Miriam Fogel

Beth D. Jacob

In memory of Ralph Bluntschli

Elizabeth Gordon-Bluntschli

In honor of Mimi Jones

Pat Zeno & Frank Parent

In memory of David Kidwell

Dr. Mark Cinnamon

In memory of Don Lee

James W. Cheevers

In honor of Illa Nelson Anonymous

In honor of Jose-Luis Novo

Marvin & Nina Kesner

In honor of Jose-Luis Novo

Patrick J. Nugent & Mary Kay Rehard

In memory of Evelin Reynolds

Ann J. Baker

In memory of Lorraine Sotack

Michael Assad

In memory of Mrs. Sotack

James W. Cheevers

In memory of Lorraine Mary Sotack

Shelley Row

In memory of Susan

David R. Herron, Ph.D.

In memory of Mary Walton Anonymous

Generous friends of Howard and Thea Pinskey established a scholarship fund in their memory dedicated to providing financial assistance to students in the Annapolis Symphony Academy. The Annapolis Symphony Academy will also add funds given in memory of Howard and Thea Pinskey to this scholarship fund in their memory. If you would like to contribute to this fund, visit www.annapolissymphony.org/support.

NOVO VISIONARIES FUND

The Novo Visionaries Fund honors Maestro José-Luis Novo’s extraordinary 20-year artistic leadership with the Annapolis Symphony Orchestra. This fund fuels bold artistic ideas and special projects that extend his vision, ensuring the ASO continues to inspire, innovate, and flourish for years to come.

Cornerstone Gifts

Anonymous

Mr. Arthur Edwards & Dr. Katherine Edwards

Jillinda Kidwell

William Seale & Marguerite Pelissier

Sustaining Gifts

Robert & Kathleen Arias

Stella May Contracting Inc

Friends Gifts

Anonymous

David Bush

Florence Calvert

James W. Cheevers

Tara Balfe Clifford

Anna E. Greenberg

Russ Stevenson & Margie Axtell

Community Gifts

Dr. Mark Cinnamon

Ms. Tomoko Kanamaru

Patrick J. Nugent & Mary Kay Rehard

James E & Cheryl H Painter

2025-26

MUSICIAN SPONSORS

Join us in a campaign to get all 55 of our tenured musicians sponsored! Sponsoring a musician is a transformative way to show your support for the Annapolis Symphony Orchestra. It is a special opportunity to personally connect with an individual musician and deepen your connection to the symphony.

ARTISTIC DIRECTOR & CONDUCTOR

José-Luis Novo

The Philip Richebourg Chair

VIOLIN I

Netanel Draiblate, Concertmaster

VIOLA

Derek Smith, Associate Principal Sponsored by Al & Ginger From

Daphne Eller

FLUTE

Kimberly Valerio, Principal Sponsored by William Seale & Marguerite Pelissier

Genevieve Eichman

Sponsored by Russ Stevenson & Margie Axtell

OBOE

Fatma Daglar, Principal

The Sage Tower Mumma Endowed Chair

Rick Basehore

TRUMPET

Christopher Sala, Principal

The Philip Richebourg Chair

TROMBONE

David Perkel, Principal

MUSICIAN SPONSORSHIPS

When you sponsor an Annapolis Symphony Orchestra musician, you become an essential part of sustaining our community.

Your support ensures that the ASO continues to attract and retain exceptional, professional musicians who bring passion, artistry, and excellence to every performance. It is an investment in the long-term, artistic integrity of the orchestra.

What does sponsorship cost?

All sponsorships are 100% tax-deductible.

Section Musicians: $2,500

Associate Principal Musicians: $5,000

Principal Musicians: $7,500

Learn More and Sponsor Online at: annapolissymphony.org/sponsoramusician

Maggiano’ s little italy

FRIENDS OF THE ANNAPOLIS SYMPHONY ORCHESTRA (FASO)

WE INVITE YOU TO BECOME A FRIEND!

FASO is a dynamic group of music lovers who support the Annapolis Symphony Orchestra. FASO fundraising events include the Concert of Tastes, Historical Happy Hour, themed dinners, Dine-to-Donate, Movie & Trivia Nights, wine tastings at local vineyards, international trips and much more. FASO collaborates with the Annapolis Symphony Academy to provide grants that expand programming and provide scholarships. FASO efforts expand beyond Annapolis. FASO recently sponsored the feature-length film Sing to Me Sylvie, which won the Spotlight Award from the Volunteer Council of the League of American Orchestras. Join us! Become part of the fun while helping to benefit the Annapolis Symphony Orchestra and rising artists.

It is easy to join! Visit annapolissymphony.org

Membership: $50 per person | $75/couple

Contact info: 410-267-3646 friends@annapolissymphony.org

2025-2026 BOARD OF DIRECTORS

Officers/Executive Committee:

Stephen Holt, president

Bob Foye, vice president

Ways & Means

Maggie Cole, vice president

Membership

David Bush, recording secretary

Renee Ehler, corresponding secretary

Julie Grudzinskas, treasurer

Directors:

Paula Abernethy

John Adryszak

Betsy Chotin

Kathy Clatanoff

Elizabeth-Gordon-Bluntschli

Diane Green

Patrick Green

Anna Greenberg, Emeritus

Valerie Gutterson

Marilyn Lyons

Barbara Merke

Lynne Maichle

Carol Richards

Rick Sullivan

Carol R. Richards

The Friends of the Annapolis Symphony Orchestra is a 501(c)(3) organization. Dues and donations are tax deductible to the fullest extent of the law, providing no goods or services are realized by joining.

ANNAPOLIS SYMPHONY ORCHESTRA & ACADEMY STAFF*

ERICA BONDAREV RAPACH

Executive Director

ebr@AnnapolisSymphony.org 410-267-3635

MIRIAM

FOGEL

Director of Artistic Operations

mfogel@AnnapolisSymphony.org 410-267-3632

DIANA LOVE

Director of Sales, Marketing & Communications

dlove@AnnapolisSymphony.org 410-267-3621

MAYA MCATEE

Administrative Coordinator

mmcatee@AnnapolisSymphony.org 410-267-3636

NETANEL DRAIBLATE

Founder & Director, Annapolis Symphony Academy

ndraiblate@AnnapolisSymphony.org 443-454-0609

HEATHER HAUGHN

Director of Annapolis Symphony Academy Artistic Operations

hhaughn@AnnapolisSymphony.org

JULIE NOLAN

Assistant Director, Annapolis Symphony Academy Director, Community Engagements & Grants

jnolan@AnnapolisSymphony.org 443-223-8445

OLIVIA REN

Orchestra Librarian

oren@AnnapolisSymphony.org 410-267-3647

JAKE FEWX

Coordinator, Annapolis Symphony Academy Discovery Programs

jfewx@AnnapolisSymphony.org

SARAH JOHANSEN

Director of Business & Finance Operations

sjohansen@AnnapolisSymphony.org 410-267-3637

JOSÉ-LUIS NOVO

Artistic Director & Annapolis Symphony Academy Director of Orchestral Activities

jlnovo@AnnapolisSymphony.org 410-267-3634

DAVID SCIANNELLA

Operations Manager

* in alphabetical order

801 Chase Street, Suite 204 Annapolis, MD 21401 410-263-0907 Box Office | 410-269-1132 Admin

2025-26 BOARD OF TRUSTEES

OFFICERS

KATHERINE EDWARDS, MD Chair

MICHELLE HELLSTERN Vice Chair

ANN WHITCOMB Vice President-Finance

ROBERT ARIAS

MARGUERITE (MAGGIE) COLE

GEORGIANNA CROSBY

WILLIAM DAVIS

GINGER FROM SONJA GLADWIN

STEPHEN SOTACK Treasurer

MONIQUE Y. LANGSTON Secretary

TRUSTEES

CHARLIE GRUDZINSKAS COLLOT GUERARD

WILLIAM HOFF

GERALDINE “MIMI” LADD JONES

JEANNE KELLY

ELIZABETH MAXWELL-SCHMIDT, MD

MARY MCKIEL, PHD

LISA NOLAN

SHELLEY ROW

JEFFREY H. SCHERR, ESQ. ANN TRAN, MD

MARIE TREANOR

EX OFFICIO TRUSTEES

JOSÉ-LUIS NOVO Artistic Director & Conductor

STEPHEN HOLT

FASO Board Representative

ERICA BONDAREV RAPACH Executive Director

ORCHESTRA REPRESENTATIVE

ALEXANDRA MIKHLIN Musicians’ Representative, Players’ Committee

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PROMPT ANSWERS: All patients can consult directly with our physicians if needed.

PATIENT FOCUSED: Spa-like office with soft fluffy robes. Your comfort and peace of mind are our priority.

Call 410-544-3331 to schedule an appointment or learn more at www.bay-radiology.com.

MARYLAND HALL CONCERT & T ICKET INFORMATION

ELECTRONIC DEVICES

Use of cameras or recording devices during the performance is strictly prohibited.

LATECOMERS

ACCESS FOR PERSONS WITH DISABILITIES

Latecomers will only be seated at the conclusion of a musical selection.

IN CASE OF FIRE

Please note the nearest exit to your seat. In the event of fire or another emergency, WALK — do not run — to that exit.

INCLEMENT WEATHER

In the event of severe weather, every effort will be made to continue with scheduled concerts. No refunds will be given if a concert is performed during severe weather but not attended by the ticket holder.

NO SMOKING

Maryland Hall is a smoke-free facility. Smoking is prohibited in and on the grounds of the building.

MARYLAND HALL BAR

Maryland Hall Concert & Ticket Information

Enjoy a beer or glass of wine before the concert and at intermission in room 206. Cash and credit cards are accepted and drinks are allowed in the concert hall.

SUBSCRIPTION TICKETS

Subscribing to the Masterworks Series at the Annapolis Symphony Orchestra is the best deal around! As a subscriber you get exclusive access to a 20% discount on single tickets, priority seating, and free exchanges. Subscriptions are available for all 5 Masterworks concerts as a full series or 3 or 4 concerts as a Flex Pass. Learn more at annapolissymphony.org/subscribe.

Parking, ramp, and elevator facilities are available at the entrance nearest Spa Road. Wheelchair accessible seating is also available. Please call 410-263-0907 to make arrangements.

SINGLE TICKETS

Whether it’s your first or fifth time at the Symphony, single tickets are always available for purchase! Tickets can be purchased online at annapolissymphony.org/events or by calling the Symphony Box Office at 410-263-0907.

GROUP SALES

We are dedicated to making your group‘s visit to the Annapolis Symphony a memorable experience. With a group of 10 or more, receive a 15% discount on all tickets.

TICKET EXCHANGES

Subscribers may exchange their tickets for the alternate performance of the same concert only. Exchanges are subject to availability.

TICKET DONATIONS

Subscribers may donate tickets back to the Symphony as a tax-deductible contribution. We will mail you an acknowledgement letter for your donation.

There are no refunds and all ticket sales are final. If there are changes to the program, ticket holders will be contacted with options.