التطوير العقاري السكني

‫‪٣٢٧‬‬ ‫اﻟﺴﻨﺔ ‪ / ٣٨‬رﺑﻴﻊ اﻟﺜﺎﻧﻲ ‪ ١٤٣٩‬ﻫـ‬

‫اﻟﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري اﻟﺴﻜﻨﻲ‬

‫‪January 2018 / Volume 38‬‬

‫‪327‬‬

‫اﻟﻤﺤﺘﻮﻳﺎت‬ ‫ا ﻓﺘﺘﺎﺣﻴﺔ‬ ‫≤‪±‬‬

‫اﻟﺘﺤﻮل اﻟﻌﻤﺮاﻧﻲ اﻟﻤﻮازي ﻟﻠﺘﺤﻮل ا ﻗﺘﺼﺎدي اﻟﻮﻃﻨﻲ‬

‫« ‪≥≤∑ œbF « ¨5Łö¦ «Ë WM U¦ « WM‬‬ ‫—‪ ≤∞±∏ d¹UM¹ Ø?¼ ±¥≥π w½U¦ « lOÐ‬‬ ‫« ‪d¹dײ « fOz—Ë dýUM‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ ”bMN‬‬ ‫«*‪ÂUF « d¹b‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž e¹eF « b³Ž ”bMN‬‬ ‫«*‪ÍcOHM² « d¹b‬‬ ‫ ×‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ bL‬‬ ‫ ‪W U)« «—«b ù« …d¹b‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ …u u WÝbMN‬‬ ‫«‪wMH « ëdšù‬‬ ‫ ‪WO½«dLF « ÊËRAK ¡UM³ « WK−‬‬ ‫«‪∫l¹“u² «Ë U «d²ýô‬‬ ‫’ ‪±±¥≤± ÷U¹d « μ≤≤ » Æ‬‬ ‫«*‪W¹œuF « WOÐdF « WJKL‬‬ ‫« ‪¥∂μ ? π∑¥π ¨ ¥∂¥ ? ≤μμ∂ ÷U¹d‬‬ ‫ ‪¥∂¥ ? ∂≥¥∏ f U‬‬ ‫‪info@albenaamag.com‬‬ ‫‪ÆÊ«bK³ « q w «bM² *« q sŽ WþuH× dAM « ‚uIŠ‬‬ ‫«‪ ôUI*UÐ …œ—«u « UDD *«Ë —u?B «Ë U uKF*«Ë ¡«—ü‬‬ ‫‪WK−*« ÁcNÐ WHK² *« UŽËd?A*«Ë U?Ý«—b «Ë Àu׳ «Ë‬‬ ‫‪¨UÎ OK Ë√ UÎ Ozeł U¼d?A½ …œUŽ≈ Ë√ ¨UNM ”U³² ôUÐ `L? ¹ ô‬‬ ‫√‪vKŽ ‰uB(« bFÐ ô≈ ¨X½U U?LN WI¹dÞ ÍQÐ U?NM¹e ð Ë‬‬ ‫ ‪Æd¹dײ « fOz— s WOÐU² WI «u‬‬

‫‪∫…bŠ«u « W M « dFÝ‬‬ ‫—‪Î U¹‬‬ ‫‪UÎ ¹œuFÝ ô‬‬ ‫«*‪≥∞ W¹œuF « WOÐdF « WJKL‬‬ ‫‪w²¹u —UM¹œ ≤[μ‬‬ ‫« ‪X¹uJ‬‬ ‫‪WOM¹d×Ð dO½U½œ‬‬ ‫‪π‬‬ ‫« ‪s¹d׳‬‬ ‫‪UÎ Oð«—U ≈ UÎ L¼—œ‬‬ ‫‪≥∞ WOÐdF « «—U ù« W Ëœ‬‬ ‫—‪Î U¹‬‬ ‫‪ÎU¹dD ô‬‬ ‫∞≥‬ ‫ ‪dD‬‬ ‫—‪Î U¹‬‬ ‫‪UÎ O½ULŽÔ ô‬‬ ‫‪π‬‬ ‫‪ÊULŽÔ‬‬ ‫‪UÎ ¹dB UÎ NOMł‬‬ ‫∞∂‬ ‫ ‪dB‬‬ ‫‪—ôËœ‬‬ ‫∏‬ ‫ ‪ÊUM³‬‬ ‫‪w½œ—√ —UM¹œ‬‬ ‫≤‬ ‫«_—‪Êœ‬‬ ‫‪Ë—u¹‬‬ ‫∂‬ ‫√*‪UO½U‬‬ ‫‪Ë—u¹‬‬ ‫∂‬ ‫ ‪U ½d‬‬ ‫‪wMO d²Ý« tOMł‬‬ ‫∂‬ ‫«‪«d²K$‬‬ ‫« ‪—ôËœ ∏ Èdš_« ‰Ëb « lOLłË …bײ*« U¹ôu‬‬ ‫‪ISSN: 1319 - 206 X‬‬ ‫∞∞ « ‪¡UM³‬‬

‫‪00 Albenaa‬‬

‫أﺧﺒﺎر اﻟﻤﺸﺎرﻳﻊ‬ ‫أﻣﻴﺮ ﻣﻨﻄﻘﺔ ﺗﺒﻮك ﻳﺪﺷﻦ ﻣﺸﺎرﻳﻊ ﺟﺪﻳﺪة ﺑﺎﻟﻤﺪﻳﻨﺔ اﻟﺠﺎﻣﻌﻴﺔ ﺑﺠﺎﻣﻌﺔ ﺗﺒﻮك‬ ‫وﺿﻊ ﺣﺠﺮ ا‪7‬ﺳﺎس ﻟﺠﻨﺎح دوﻟﺔ ا ﻣﺎرات ﻟﻤﻌﺮض إﻛﺴﺒﻮ ‪2020‬‬ ‫أﺣﺪث ﻣﺘﺠﺮ ﻟﺸﺮﻛﺔ آﺑﻞ‬ ‫أﻃﻮل أﺑﺮاج ﺳﻜﻨﻴﺔ ﻓﻲ ﻣﺪﻳﻨﺔ ﺑﺎزل ـ ﺳﻮﻳﺴﺮا‬ ‫ﺑﻴﻜﺴﻞ ﻣﺸﺮوع ﻣﺘﻌﺪد اﻻﺳﺘﺨﺪاﻣﺎت ـ أﺑﻮﻇﺒﻲ‬ ‫ﺗﻮﺳﻌﺔ ﺟﺪﻳﺪة ﻟﻤﺸﺮوع ﻫﺎرﺑﻮ ﺳﻴﺘﻲ ـ ﻫﻮﻧﺞ ﻛﻮﻧﺞ‬

‫‪±¥‬‬ ‫‪±¥‬‬ ‫∂‪±‬‬ ‫∏‪±‬‬ ‫∞≤‬ ‫≤≤‬

‫اﻟﺠﺪﻳﺪ ﻓﻲ اﻟﺒﻨﺎء‬ ‫ﻣﺴﺎﺑﺢ ﻋﺎﺋﻤﺔ‬ ‫آﻟﺔ ﺗﻠﺤﻴﻢ ﻣﺒﺘﻜﺮة‬ ‫ﺟﻴﻞ ﺟﺪﻳﺪ ﻣﻦ اﻟﻄﻮب اﻟﻌﺎزل‬ ‫ﻃﻮب ﻣﻦ اﻟﺒﻼﺳﺘﻴﻚ اﻟﻤﻌﺎد ﺗﺪوﻳﺮه‬ ‫ﻣﻔﺼﻼت ﻟﺤﻤﻞ ا‪7‬ﻟﻮاح اﻟﺰﺟﺎﺟﻴﺔ‬ ‫أﻟﻮاح ﻣﻦ أﻟﻴﺎف اﻟﻜﺘﺎن‬

‫اﻟﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري اﻟﺴﻜﻨﻲ‬ ‫اﻟﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري اﻟﺴﻜﻨﻲ‬ ‫ﺑﺮج ﺳﻜﻨﻲ ذو إﻃﻼﻻت ﻣﺨﺘﺎرة‬ ‫إﺳﻜﺎن ﻣﺘﻌﺪد اﻟﻤﺴﺘﻮﻳﺎت‬ ‫ﺑﺮج ﺳﻜﻨﻲ رأﺳﻲ‬ ‫ﻣﻠﻘﻒ اﻟﻬﻮاء اﻟﺴﻜﻨﻲ‬ ‫ون ﺳﻨﺘﺮال ﺑﺎرك‬

‫‪≤¥‬‬ ‫‪≤¥‬‬ ‫∂≤‬ ‫∂≤‬ ‫∏≤‬ ‫∏≤‬ ‫)ﻗﺴﻢ ﺧﺎص ﺑﺎﻟﻤﺸﺘﺮﻛﻴﻦ(‬

‫≤≥‬ ‫‪≤Â‬‬ ‫‪∏Â‬‬ ‫‪±¥Â‬‬ ‫‪≤∞Â‬‬ ‫‪≤∂Â‬‬

‫ﻣﺸﺎرﻳﻊ ﺳﻌﻮدﻳﺔ ﺣﺪﻳﺜﺔ‬ ‫ﻓﻨﺪق ﺟﺎﻣﻌﺔ ﺗﺒﻮك‬ ‫ﻟﺆﻟﺆة اﻟﺪﻳﺎر‬

‫∂∂‬ ‫∞∑‬

‫ﻣﺸﺎرﻳﻊ ﺣﺪﻳﺜﺔ‬ ‫ﺑﺮج ﻣﺎﻳﻔﻴﺮ اﻟﺴﻜﻨﻲ‬ ‫ﻣﺒﻨﻰ ﻣﺘﻌﺪد اﻻﺳﺘﺨﺪاﻣﺎت‬

‫∂∑‬ ‫∞∏‬

‫اﻟﺠﺪﻳﺪ ﻓﻲ اﻟﺪﻳﻜﻮر‬ ‫ﻛﺮﺳﻲ ﻣﻊ أﻣﺎﻛﻦ ﺗﺨﺰﻳﻦ‬ ‫ﻗﻄﻊ ﻓﻨﻴﺔ ﻏﺮﻳﺒﺔ‬ ‫ﺟﺪران ﻣﻦ اﻟﺴﻴﺮاﻣﻴﻚ ﺛﻼﺛﻴﺔ ا‪7‬ﺑﻌﺎد‬

‫‪∏¥‬‬ ‫∂∏‬ ‫∏∏‬

‫ﻣﻠﺤﻖ اﻟﺒﻨﺎء‬ ‫ﻣﻘﺎﻻت ﻋﻦ أﺣﺪث ﻣﻨﺘﺠﺎت وﻣﺸﺎرﻳﻊ اﻟﺸﺮﻛﺎت‬

‫∞‪π‬‬

WOŠU²² ڍ

Urban Transformation & National Economic Transformation

‍اďť&#x;ďş˜ďş¤ďťŽŮ„ اďť&#x;ďťŒďť¤ďşŽŘ§ďť§ďť˛ اďť&#x;ازي ďť&#x;ďť ďş˜ďş¤ďťŽŮ„â€Ź ‍ا ďť—ďş˜ďşźďşŽŘŻŮŠ اďť&#x;ďťŽďťƒďť¨ďť˛â€Ź

In light of the economic transformations we are witnessing today in many fields through Vision 2030, revisiting our cities urbanism have become increasingly significant.

And I mean by that our built environment. But how we will create it? How we will plan our cities, develop its neighborhoods, design its buildings and build it to fit with the expected economic transformation.

We know that city urbanism is measured by the systems of planning, constructing, design firms, contractors, material manufacturers, and the society with its awareness and understanding as well as its economical and technological capabilities. These elements will be the bow that leads this urban transformation in parallel with the economic one. To illustrate, saving energy consumption is a goal for economic transformation (from an economical perspective it does not mean harming production and impeding the economy). While energy saving from urban perspective means curbing the expansion of cities and spur urban density within cities’ boundaries. To achieve this many changes should be done in planning & building rules which will determine where to expand and decide on the new urban density within cities. These changes will evolve architectural designs through developing architectural education, training, and raising the level of the various construction’s domains to arrive to new building forms that will achieve the density as well as take into consideration design and engineering specifications criteria that will contribute to energy savings. Through research and development, these changes will increase the efficiency of the building rules to enable it to offer best technical solutions for energy saving. But these changes can not happen without building awareness in the society of the paramount importance of these changes.

The transformation elements are immense as we found out. But we can not skim through it as each element cannot solely contribute to the transformation. Additionally, these elements require enormous effort to be part of the economic transformation. Thus the urban transformation will take time and effort and huge task of coordination between all its elements as we cannot develop new building materials without evolving the engineering professions, and the same goes to engineering designs which will not fix the expansion problem without building systems that curb this expansion.

Editor in Chief

‍عﺑﺎ ďťłďťœďťŽŮ†  اďť&#x;ďť€ďşŽŮˆŘąŮŠ ؼﺎد؊ اďť&#x;ďť¨ďťˆďşŽ  ﺎان ﺪﺎ ďť‹ďť ďť°â€Ź ‍ﺿإ اďť&#x;ďş˜ďş¤ďťŽďťťŘŞ ا(ďť—ďş˜ďşźďşŽŘŻďťłďş” اďť&#x;ďş˜ďť˛ ﺸﺎﺪﺎ اďť&#x;م  ďşˇďş˜ďť°â€Ź .‍م ŮˆŘ§ďť—ďşźďşŞ ﺑﺏďť&#x;ـــ ﺝﺎﺔ اďť&#x;ďťŒďť¤ďşŽŘ§Ů†â€ŹŮ˘Ů ŮŁŮ â€ŤŘ§ďť&#x;ďť¤ďş Ů€Ů€Ů€ďşŽďťťŘŞ  ﺧل عؤـــﺔ‏ ‍  ďşłďť¨ďş¨ďť„ďť‚â€ŹŘŒ â€ŤŮˆŘ§ďť&#x;ﺴﺆال ﺎ   ﺳﺟ ﺏا اďť&#x;ďťŒďť¤ďşŽŘ§Ů†â€Ź ŘŒâ€Ť Ůˆďť›ďť´ďť’ ﺳـــﺟ ďťŁďş’ďşŽďť§ďť´ďťŹďşŽâ€ŹŘŒâ€Ť Ůˆďť›ďť´ďť’ ﺳـــع ŘŁďşŁďť´ďşŽďş‹ďťŹŮ€Ů€Ů€ďşŽâ€ŹŘŒâ€ŤďťŁďşŞďť§ďť¨Ů€Ů€Ů€ďşŽâ€Ź . â€ŤŮˆďť›ďť´ďť’ ﺳﺒﺎ ďť&#x;ďş˜ďş˜ďťźďş‹ďť˘  اďť&#x;ďş˜ďş¤ďťŽďťťŘŞ ا(ďť—ďş˜ďşźďşŽŘŻďťłďş” اďť&#x;ďť¤ďş˜ďťŽďť—ďťŒďş”â€Ź ‍ع؜ ŘŁďť§ďťˆďť¤ďş”â€ŹM‍ـــ اďť&#x;ďť¤ďťŒŮ€Ů€Ů€ďşŽŮˆŮ ŘŁŮ† ﺎان اďť&#x;ﺪن ﺗﺤﺪده ďť‹ďť Ů€Ů€Ů€ďť° ا‏ ‍اďť&#x;ďş˜ďş¨ďť„ďť´Ů€Ů€Ů€ďť‚ ŮˆŘ§ďť&#x;ﺒـــﺎإ Ůˆ ŘŻŮˆŘą اďť&#x;ďş˜ďşźďť¤ďť´Ů€Ů€Ů€ďť˘ ŮˆŘ§ďť&#x;ﺏ ďť&#x;ďť ďť¤ďş’ďşŽďť§ďť˛â€Ź ‍ اďť&#x;ďť¤ďş ďş˜ďť¤Ů€Ů€Ů€ďťŠâ€ŹRâ€ŤŮˆďşťďť¨Ů€Ů€Ů€ďşŽŘš ŘŁďť§ďťˆďť¤Ů€Ů€Ů€ďş” ا(ﺸـــﺎإ Ůˆ ـــاد اďť&#x;ﺒـــﺎإ ŮˆŘŁďş§ďť´Ů€Ů€Ů€ďşŽâ€Ź ‍ ﺏه ďťŤďť˛â€ŹŘŒ â€ŤŮˆŘŻŘąďş&#x;ـــﺔ Ůˆďť‹ďť´ďťŞ ŮˆŘĽďťŁďťœďşŽďť§ďť´ďşŽďş—ďťŞ ا(ďť—ďş˜ďşźďşŽŘŻďťłŮ€Ů€Ů€ďş” ŮˆŘ§ďť&#x;ďş˜ďť˜ďť¨ďť´ďş”â€Ź ‍اďť&#x;ďťŒďť¨ďşŽďşťďşŽ اďť&#x;ďş˜ďť˛ ďşłŮ€Ů€Ů€ďş˜ďť˜ďťŽŘŻ اďť&#x;ďş˜ďş¤ďťŽŮ„ اďť&#x;ďťŒďť¤ďşŽŘ§ďť§Ů€Ů€Ů€ďť˛ اďť&#x;ازي ďť&#x;ďť ďş˜ďş¤ďťŽŮ„â€Ź ‍ أﺣـــﺪ اﺪا٠اďť&#x;ďş˜ďş¤ďťŽŮ„â€Ź:‍ Ůˆďť&#x;ﺄﺧـــﺏ ďťŁďşœďşŽŮ„ ďť‹ďť ďť° Ř°ďť&#x;‏. ‍ا(ďť—ďş˜ďşźŮ€Ů€Ů€ďşŽŘŻŮŠâ€Ź ‍ا(ďť—ďş˜ďşźďşŽŘŻŮŠ  ﺗﺎﺡﺪ ŘĽďşłďş˜ďťŹďťźŮƒ اďť&#x;ﺎﺔ ) Ůˆďş&#x;ﺔ اďť&#x;ďť¨ďťˆďşŽâ€Ź ‍ا(ďť—ďş˜ďşźďşŽŘŻďťłďş” اďť&#x;ďş˜ďşŽďşˇďť´ďşŞ ďťť ďťłďťŒďť¨ďť˛ ا(ﺿﺎاع ﺑﺎ(ďť§ďş˜ďşŽŘŹ Ůˆ ؼﺑﺎإ ﺣﺎﺔ‏ ‍ ﺏا اďť&#x;ďş˜ďşŽďşˇŮ€Ů€Ů€ďť´ďşŞ ďť‹ďť ďť° اďť&#x;ďşźďťŒďť´Ů€Ů€Ů€ďşŞ اďť&#x;ďťŒďť¤ďşŽŘ§ďť§ďť˛ ďťłďťŒďť¨ďť˛â€Ź.( ‍ا(ďť—ďş˜ďşźŮ€Ů€Ů€ďşŽŘŻâ€Ź ‍اďť&#x;ﺤﺪ  ﺗﺳـــ اďť&#x;ﺪن ŮˆŘ§ďť&#x;ďş˜ďş¸ďş ďť´ďťŠ ďť‹ďť ďť° زﺎد؊ ďť›ďşœďşŽďť“ďş” اďť&#x;ﺒﺎإ‏ ‍ﺎ ďťłďş˜ďť„ďť ďş? ‏M‍ ďť&#x;ďş˜ďş¤ďť˜ďť´ďť– Ř°ďť&#x;ďťš ďť“Ů€Ů€Ů€ďşˆŮ† Ř§â€ŹŘŒâ€ŤŘŻŘ§ďş§Ů€Ů€Ů€ďťž ďşŁďşŞŮˆŘŻ اďť&#x;ﺪن‏ ‍اďť&#x;ďş˜ďť?ـــﺎات اďť&#x;زـــﺔ ـــ ŘŁďť§ďťˆďť¤Ů€Ů€Ů€ďş” اďť&#x;ďş˜ďş¨ďť„ďť´Ů€Ů€Ů€ďť‚ ŮˆŘ§ďť&#x;ﺒـــﺎإ اďť&#x;ďş˜ďť˛â€Ź ‍ Ůˆďş—ďş¤ďşŞďťłďşŞâ€ŹŘŒâ€ŤďşłŮ€Ů€Ů€ďş˜ďş¤ďşŞŘŻ اďť&#x;ďť¤ďť¨ďşŽďťƒŮ€Ů€Ů€ďť– اďť&#x;ďş˜ďť˛ ďťťďťłďť¤ďťœďťŚ اďť&#x;ďş˜ďťŽďşłŮ€Ů€Ů€ďťŠ ـــﺎ‏ ‍ Ůˆďş—ďť„ďťŽďťłďşŽ اďť&#x;ďş˜ďşźďşŽďťŁďť´ďť˘â€ŹŘŒâ€ŤŘ§ďť&#x;ďťœďşœďşŽďť“ďşŽŘŞ اďť&#x;ﺒﺎﺋﺔ اďť&#x;ďş ďşŞďťłŮ€Ů€Ů€ďşŞŘŠ داﺧ اďť&#x;ﺪن‏ ‍اďť&#x;ďť¤ďťŒďť¤ďşŽŘąďťłŮ€Ů€Ů€ďş” ŮˆŘ§ďť&#x;ﺪﺳـــﺔ ďť&#x;ďť ďť¤ďş’ďşŽďť§Ů€Ů€Ů€ďť˛  ﺧل ﺗـــﺎ اďť&#x;ďş˜ďťŒďť ďť´ďť˘â€Ź â€ŤŮˆŘ§ďť&#x;ďş˜ďşŞŘąďťłďş? اďť&#x;ﺪﺳـــ ŮˆŘąďť“ďťŠ ďťŁďş´Ů€Ů€Ů€ďş˜ďťŽŮŠ  اďť&#x;ﺒـــﺎإ اďť&#x;ďť¤ďş¨ďş˜ďť ďť”ďş”â€Ź â€ŤďşˇŮ€Ů€Ů€ďťœďşŽŮ„ اďť&#x;ďş ďşŞďťłŮ€Ů€Ů€ďşŞŘŠ ďť&#x;ďť ďť¤ďş’ďşŽďť§ďť˛ اďť&#x;ďş˜Ů€Ů€Ů€ďť˛ ďş—ďş¤ďť˜ďť– زﺎد؊‏M‍ďť&#x;ďť ďťŽďşťŮ€Ů€Ů€ďťŽŮ„ ŘĽďť&#x;ďť° ا‏ â€Ťďť›ďşœďşŽďť“Ů€Ů€Ů€ďşŽŘŞ اďť&#x;ﺒـــﺎإ Ůˆďş—ďşŽŘ§ďť‹Ů€Ů€Ů€ďť˛ ďťŁďťŒďşŽďťłďť´Ů€Ů€Ů€ďşŽ اďť&#x;ďş˜ďşźďť¤ďť´Ů€Ů€Ů€ďť˘ ŮˆŘ§ďť&#x;اﺝـــﺎت‏ ‍ ŮˆŘąďť“ďťŠ ďť›ďť”ďşŽŘĄŘŠâ€ŹŘŒ ‍اďť&#x;ﺪﺳـــﺔ اďť&#x;ďş˜ďť˛ ﺗﺴـــﺎﺪ ďť‹ďť ďť° ﺗﺎﺡـــﺪ اďť&#x;ﺎﺔ‏ â€ŤŘŁďť§ďťˆďť¤ďş” ا(ﺸﺎإ ŮˆďťŁďťŽŘ§ŘŻ اďť&#x;ﺒﺎإ  ﺧل اďť&#x;ﺒﺤﺚ ŮˆŘ§(ďş‘ďş˜ďťœďşŽŘą ďť&#x;ďş˜ďťœďťŽŮ†â€Ź .‍ﺎدع؊ ďť‹ďť ďť° ďş—ďť˜ďşŞďťłďť˘ أ اďť&#x;ďş¤ďť ďťŽŮ„ اďť&#x;ďş˜ďť˜ďť¨ďť´ďş” ďť&#x;ďť ďş˜ďťŽďť“ďť´ďşŽ  اďť&#x;ﺎﺔ‏ â€ŤŮˆďť›ďť´Ů€Ů€Ů€ďť’ ďťłďť¤ďťœŮ€Ů€Ů€ďťŚ ďť&#x;ďťœďťž ـــﺏا أن ﺤﺟ ďş‘Ů€Ů€Ů€ďşŞŮˆŮ† ﺗـــﺔ اďť&#x;ďť¤ďş ďş˜ďť¤ďťŠâ€Ź . ‍ﺑﺄﺔ  ﺏه ا(ďş&#x;ﺎاإات‏ ‍ﺎﺝـــﺎ اďť&#x;ďş˜ďş¤Ů€Ů€Ů€ďťŽŮ„ ďť›ďşœďť´Ů€Ů€Ů€ďşŽŘŠ Ů€ ـــﺎ ـــﺎي Ů€ Ůˆ ďť&#x;ďťœŮ€Ů€Ů€ďťŚ ďťť ďťłďť¤ďťœŮ€Ů€Ů€ďťŚâ€Ź â€ŤŘĽďş§ďş˜ďşźďşŽŘąďťŤŮ€Ů€Ů€ďşŽ ŘŁŮˆ اďť&#x;ďş˜ďş¨ďť ďť˛ ـــ ŘŁŮŠ ﺎ ﺧﺎﺝـــﺔ ŮˆŘŁŮ†  ﺟﺎ‏ ‍ ـــﺎ ان ďť›ďť ďťŹďşŽâ€ŹŘŒ ‍ـــﺎ ďťť ďťłďť¤ďťœŮ€Ů€Ů€ďťŚ أن ďťłďş¤ďť˜ďť– اďť&#x;ďş˜ďş¤Ů€Ů€Ů€ďťŽŮ„ ﺑﺎده‏ â€Ťďş—ďş¤ďş˜ďşŽŘŹ ŘĽďť&#x;ـــ اďť&#x;ďťœďşœďť´ďşŽ  اďť&#x;ďş ďťŹďşŞ ďť&#x;ďş˜ďť?ﺎﺎ Ůˆďş—ďť”ďťŒďť´ďť ďťŹďşŽ ďť&#x;ďş˜ďş¤ďť˜ďť–â€Ź ‍ Ůˆďť&#x;ﺏďť&#x;ďťš ďť“ďşˆŮ† اďť&#x;ďş˜ďş¤ďťŽŮ„â€Ź. ‍أﺪا٠اďť&#x;ďş˜ďş¤ďťŽŮ„ ا(ďť—ďş˜ďşźŮ€Ů€Ů€ďşŽŘŻŮŠ اďť&#x;ďťŒďť¤ďşŽŘ§ďť§ďť˛â€Ź ‍اďť&#x;ďťŒďť¤ďşŽŘ§ďť§Ů€Ů€Ů€ďť˛ اďť&#x;ﺸـــد ďşłŮ€Ů€Ů€ďť´ďş¤ďş˜ďşŽŘŹ ŘĽďť&#x;ـــ اďť&#x;ďťœďşœďť´Ů€Ů€Ů€ďşŽ ـــ اďť&#x;ـــﺖ‏ ‍ ďť“ďť¤ďşœďťź ďťť ďťłďť¤ďťœďťŚâ€ŹŘŒâ€ŤŮˆŘ§ďť&#x;ďş ďťŹŮ€Ů€Ů€ďşŞ ŮˆŘ§ďť&#x;ďş˜ďť¨ďş´Ů€Ů€Ů€ďť´ďť– ŘŁŮˆďťťŮ‹ ﺑ  ﺎﺝـــﺎه‏ ŘŒâ€ŤŘŁŮ† ع اد ﺑﺎإ ďş&#x;ﺪﺪ؊ ŘŻŮˆŮ† ﺗﺎ ďť&#x;ďť ďť¤ďťŹďťŚ اďť&#x;ﺪﺳﺔ‏ â€ŤŮˆďťť ďťłďť¤ďťœďťŚ ďť&#x;ďť ďş˜ďşźďşŽďťŁďť´ďť˘ اďť&#x;ﺪﺳﺔ ان ďş—ďťŒďşŽďť&#x;ďşž ďťŁďş¸ďťœďť ďş” اďť&#x;ďş˜ďťŽďşłďťŠâ€Ź . ‍اďť&#x;ďťŒďť¤ďşŽŘ§ďť§ďť˛ ŘŻŮˆŮ† ŘŁďť§ďťˆďť¤ďş” ﺗﺨ Ůˆďş‘ďť¨ďşŽŘĄ ﺗﺤﺪ ‏ ‍عﺋﺲ اďť&#x;ďş˜ďş¤ďşŽďťłďşŽâ€Ź 12 Albenaa

¥UM³  ¹≤

‫√‪l¹—UA*« —U³š‬‬

‫أﻣﻴﺮ ﻣﻨﻄﻘﺔ ﺗﺒﻮك ﻳﺪﺷﻦ ﻣﺸﺎرﻳﻊ ﺟﺪﻳﺪة ﺑﺎﻟﻤﺪﻳﻨﺔ اﻟﺠﺎﻣﻌﻴﺔ ﺑﺠﺎﻣﻌﺔ ﺗﺒﻮك‬

‫دﺷﻦ ﺻﺎﺣﺐ اﻟﺴﻤﻮ اﻟﻤﻠﻜﻲ‬ ‫ا‪1‬ﻣﻴﺮ ﻓﻬﺪ ﺑﻦ ﺳﻠﻄﺎن ﺑﻦ ﻋﺒﺪ‬ ‫اﻟﻌﺰﻳﺰ أﻣﻴﺮ ﻣﻨﻄﻘﺔ ﺗﺒﻮك ﻣﺆﺧﺮ‪Q‬‬ ‫ﻣﺸﺮوﻋﺎت ﺟﺪﻳﺪة ﺑﺎﻟﻤﺪﻳﻨﺔ‬ ‫اﻟﺠﺎﻣﻌﻴﺔ ﺑﺠﺎﻣﻌﺔ ﺗﺒﻮك‪ .‬وازاح‬ ‫ﺳﻤﻮ أﻣﻴﺮ اﻟﻤﻨﻄﻘﺔ اﻟﺴﺘﺎر‬ ‫ﻋﻦ اﻟﻠﻮﺣﺔ اﻟﺘﺬﻛﺎرﻳﺔ ﻟﻤﺸﺮوع‬ ‫اﻟﺼﺎﻟﺔ اﻟﺮﻳﺎﺿﻴﺔ ﻣﺘﻌﺪدة‬ ‫ا‪1‬ﻏﺮاض اﻟﺘﻲ ﻧﻔﺬت ﺑﺘﻜﻠﻔﺔ‬ ‫إﺟﻤﺎﻟﻴﺔ ﻓﺎﻗﺖ اﻟــ ‪٦٣٫٤٤٤٫٥٢٢‬‬ ‫رﻳﺎﻻ‪ ،‬واﻟﺘﻲ ﺗﻀﻢ ﺻﺎﻟﺔ ﻟﻠﻴﺎﻗﺔ‬

‫اﻟﺒﺪﻳﻨﺔ ‪ ,‬وﺻﺎﻟﺔ ﻟ_ﻧﺸﻄﺔ‬ ‫اﻟﺮﻳﺎﺿﻴﺔ ‪ ,‬وﺻﺎﻟﺔ ﺧﺎﺻﺔ‬ ‫ﺑﺎﻟﻤﻌﺮض ﺑﻤﺴﺎﺣﺔ ‪ ١١٢٥‬ﻣﺘﺮ ا‬ ‫ﻣﺮﺑﻌﺎ‪ ,‬وﻣﻜﺎﺗﺐ إدارة وﻣﻠﻌﺐ‬ ‫و ‪ ٦‬ﺻﺎﻻت ﻣﺘﻌﺪدة ا‪1‬ﻏﺮاض ‪,‬‬ ‫وﻣﺼﻠﻰ واﺳﺘﺮاﺣﺔ ‪ ,‬ﺑﺎ‪.‬ﺿﺎﻓﺔ‬ ‫إﻟﻰ ﻣﺪرﺟﺎت وﻣﻘﺼﻮرة ﻟﻜﺒﺎر‬ ‫اﻟﺸﺨﺼﻴﺎت ‪ ,‬وﻋﻴﺎدة ﻃﺒﻴﺔ‪,‬‬ ‫وﻣﻌﺎﻟﺠﺔ ﻓﻴﺰﻳﺎﺋﻴﺔ ‪ ,‬وﺻﺎﻟﺔ‬ ‫ﻟﻠﻴﺎﻗﺔ وﺻﺎﻟﺔ أﻧﺸﻄﺔ ‪ ,‬ﺑﺎ‪.‬ﺿﺎﻓﺔ‬ ‫إﻟﻰ ﺻﺎﻟﺔ ﻣﻐﻠﻘﺔ ﺗﺘﺴﻊ ‪1‬ﻛﺜﺮ‬

‫وﺿﻊ ﺣﺠﺮ ا‪1‬ﺳﺎس ﻟﺠﻨﺎح دوﻟﺔ ا‪.‬ﻣﺎرات‬ ‫ﻟﻤﻌﺮض »إﻛﺴﺒﻮ ‪«٢٠٢٠‬‬ ‫وﺿﻊ اﻟﺸﻴﺦ أﺣﻤﺪ ﺑﻦ ﺳﻌﻴﺪ‬ ‫آل ﻣﻜﺘﻮم رﺋﻴﺲ اﻟﻠﺠﻨﺔ اﻟﻌﻠﻴﺎ‬ ‫ﻟﻤﻌﺮض »إﻛﺴﺒﻮ ‪ ٢٠٢٠‬دﺑﻲ«‪ ،‬ﺣﺠﺮ‬ ‫ا‪1‬ﺳﺎس ﻟﺠﻨﺎح دوﻟﺔ ا‪.‬ﻣﺎرات‬ ‫اﻟﻤﺸﺎرك ﻓﻲ اﻟﻤﻌﺮض‪.‬‬ ‫ﺻﻤﻢ ﺟﻨﺎح ا‪.‬ﻣﺎرات اﻟﻤﻬﻨﺪس‬ ‫اﻟﻤﻌﻤﺎري ﺳﺎﻧﺘﻴﺎﻏﻮ ﻛﺎﻻﺗﺮاﻓﺎ‬ ‫اﻟﺬي اﺳﺘﻮﺣﻰ ﺗﺼﻤﻴﻤﻪ ﻣﻦ‬ ‫ﺷﻜﻞ اﻟﺼﻘﺮ أﺛﻨﺎء اﻟﻄﻴﺮان‪،‬‬ ‫وﺗﻌﻜﺲ ﻣﻜﻮﻧﺎﺗﻪ ﻗﻴﻢ اﻻﻧﻔﺘﺎح‬ ‫واﻟﺘﻮاﺻﻞ واﻟﺘﺴﺎﻣﺢ اﻟﺘﻲ‬ ‫ﺗﺘﻤﺎﺷﻰ ﻣﻊ اﻟﺸﻌﺎر اﻟﺮﺋﻴﺴﻲ‬ ‫ﻟﻠﻤﻌﺮض‪ ،‬وﺗﺴﻬﻢ ﻓﻲ ﺗﻌﺰﻳﺰ‬ ‫اﻟﺘﻌﺎون واﻟﻌﻤﻞ اﻟﻤﺸﺘﺮك‬ ‫ﻣﻊ اﻟﻤﺠﺘﻤﻊ اﻟﺪوﻟﻲ ﺑﻬﺪف‬

‫‪¡UM³ « ±¥‬‬

‫‪14 Albenaa‬‬

‫اﻻرﺗﻘﺎء ﺑﺠﻮدة اﻟﺤﻴﺎة ﻣﻦ ﺧﻼل‬ ‫اﻟﺘﻨﻤﻴﺔ اﻟﻤﺴﺘﺪاﻣﺔ‪.‬وﻳﻘﺎم‬ ‫ﺟﻨﺎح دوﻟﺔ ا‪.‬ﻣﺎرات ﻋﻠﻰ أرض‬ ‫ﺗﺰﻳﺪ ﻣﺴﺎﺣﺘﻬﺎ ﻋﻦ ‪ ١٥‬أﻟﻒ ﻣﺘﺮ‬ ‫ﻣﺮﺑﻊ وﺳﻴﻜﻮن رﻣﺰ‪ Q‬ﻣﻬﻤﺎ ﻓﻲ‬ ‫اﻟﻤﻌﺮض‪ ،‬وﻳﺘﻜﻮن ﻣﻦ أرﺑﻌﺔ‬ ‫ﻃﻮاﺑﻖ‪ ،‬ﻃﺎﺑﻖ ﻋﻠﻮي ﻳﺨﺼﺺ‬ ‫ﻟﻠﻀﻴﺎﻓﺔ وﺑﻤﺴﺎﺣﺔ ﺗﺼﻞ إﻟﻰ‬ ‫‪ ١٧١٧‬ﻣﺘﺮ‪ Q‬ﻣﺮﺑﻌ‪ ،v‬وﻃﺎﺑﻖ ﻣﻴﺰاﻧﻴﻦ‬ ‫ﺑﻤﺴﺎﺣﺔ ‪ ٥٨٤‬ﻣﺘﺮ‪ Q‬ﻣﺮﺑﻌ‪ v‬ﻳﺘﻀﻤﻦ‬ ‫ﻣﻨﺎﻃﻖ ﻣﺨﺼﺼﺔ ﻟﺘﻘﺪﻳﻢ‬ ‫اﻟﺪﻋﻢ‪ ،‬وﻃﺎﺑﻘﻴﻦ ﻟﻠﻌﺮض‬ ‫ﺑﻤﺴﺎﺣﺔ ﺗﺘﺠﺎوز ‪ ١٢‬أﻟﻒ ﻣﺘﺮ ﻣﺮﺑﻊ‪،‬‬ ‫وﻣﻦ اﻟﻤﻨﺘﻈﺮ أن ﻳﻜﻮن اﻟﺠﻨﺎح‬ ‫ﺟﺎﻫﺰ‪ Q‬ﻣﻊ ﻧﻬﺎﻳﺔ ﻋﺎم ‪.٢٠١٩‬‬

‫ﻣﻦ ‪ ١٣٧٤‬ﺷﺨﺼﺎ ‪ ,‬وﻣﻠﻌﺐ ﻟﻜﺮة‬ ‫اﻟﻘﺪم وآﺧﺮ ﻟﻜﺮة اﻟﺘﻨﺲ ‪.‬‬ ‫و أﺳﺘﻤﻊ ﺳﻤﻮه ﻟﺸﺮح ﻋﻦ‬ ‫ﺳﻴﺮ اﻟﻌﻤﻞ ﻓﻲ اﻟﻤﺮﺣﻠﺔ ا‪1‬وﻟﻰ‬ ‫واﻟﺜﺎﻧﻴﺔ ﺑﻤﺸﺮوع أﺳﻜﺎن أﻋﻀﺎء‬ ‫ﻫﻴﺌﺔ اﻟﺘﺪرﻳﺲ ‪ ,‬وﻋﻤﺎ ﻳﻀﻤﻪ‬ ‫اﻟﻤﺸﺮوع ﻣﻦ وﺣﺪات ﺳﻜﻴﻨﺔ‬ ‫ﻣﺘﻤﺜﻠﺔ ﻓﻲ ‪ ١٠٧‬ﻓﻴﻼ ﺳﻜﻨﻴﺔ‬ ‫ﻣﻜﻮﻧﺔ ﻣﻦ دورﻳﻦ ‪ ,‬و‪ ٢٤‬ﻋﻤﺎرة‬ ‫ﺳﻜﻨﻴﺔ ﻣﻜﻮﻧﺔ ﻣﻦ ‪ ٥‬ادوار ‪,‬‬ ‫ﺗﺤﺘﻮي ﻋﻠﻰ ‪ ٢٣٠‬وﺣﺪة ﺳﻜﻨﻴﺔ‬ ‫ﺑﺘﻜﻠﻔﺔ إﺟﻤﺎﻟﻴﺔ ﺗﺠﺎوزت اﻟـ‬ ‫‪ ٩٤٨٫٤٨٧٫٧٥٣‬ﻣﻠﻴﻮن رﻳﺎل ‪.‬‬ ‫واﻃﻠﻊ ﺳﻤﻮه ﻋﻠﻰ ﻧﺴﺐ‬ ‫اﻻﻧﺠﺎز ﻓﻲ ﻣﺸﺮوع اﻟﻤﺒﻨﻰ‬ ‫ا‪.‬داري واﻟﻌﻤﺎدات اﻟﻤﺴﺎﻧﺪة‬ ‫واﻟﺬي ﻳﺘﻜﻮن ﻣﻦ ﺑﺮج ا‪.‬دارة‬ ‫ﺑﺎرﺗﻔﺎع ‪ ١٩‬دور واﻟﺘﻲ وﺻﻠﺖ‬ ‫ﻓﻴﻪ ﻧﺴﺐ اﻻﻧﺠﺎز ‪ ٪٧٥‬وﺑﺘﻜﻠﻔﺔ‬ ‫‪٢٣٩,٥٦٣,٤٤٣‬رﻳﺎل‪ ،‬ﺛﻢ اﻃﻠﻊ‬ ‫ﻋﻠﻰ ﻧﺴﺐ اﻻﻧﺠﺎز ﻓﻲ اﻟﻤﺒﻨﻰ‬ ‫اﻟﺮﺋﻴﺴﻲ ﻟﻠﻤﺴﺘﺸﻔﻰ‬ ‫اﻟﺠﺎﻣﻌﻲ واﻟﺘﻲ وﺻﻠﺖ إﻟﻰ‬ ‫‪ ٪٤٥‬وﺑﺘﻜﻠﻔﺔ ‪٤٢٧,٥٧٠,٥٤٣‬رﻳﺎل‬

‫واﻟﺬي ﻳﻀﻢ دور أرﺿﻲ وﺧﻤﺴﺔ‬ ‫أدوار ﺑﺴﻌﺔ ‪ ٦٣٠‬ﺳﺮﻳﺮا‪.‬‬ ‫وﺷﺎﻫﺪ ﺳﻤﻮ أﻣﻴﺮ ﻣﻨﻄﻘﺔ‬ ‫ﺗﺒﻮك ﻧﺴﺐ اﻻﻧﺠﺎز ﻓﻲ‬ ‫اﻟﻤﺸﺮوﻋﺎت ا‪1‬ﺧﺮى اﻟﻘﺎﺋﻤﺔ‬ ‫واﻟﺠﺎري ﺗﻨﻔﻴﺬﻫﺎ وﻣﻨﻬﺎ‬ ‫ﻣﺸﺮوع ﻛﻠﻴﺔ إدارة ا‪1‬ﻋﻤﺎل‬ ‫وﻛﻠﻴﺔ اﻟﺼﻴﺪﻟﺔ وﻛﻠﻴﺔ اﻟﺘﺮﺑﻴﺔ‬ ‫ﻟﻠﺒﻨﺎت وﻣﺸﺮوع إﺳﻜﺎن‬ ‫اﻟﻄﻼب ﻓﻲ ﻣﺮﺣﻠﺘﻪ ا‪1‬وﻟﻰ‬ ‫وﻣﺸﺮوع اﻟﻤﺴﺠﺪ اﻟﺠﺎﻣﻊ‬ ‫وأﻋﻤﺎل اﻟﻤﺴﺎﻧﺪة ﺑﺎ‪.‬ﺿﺎﻓﺔ إﻟﻰ‬ ‫ﻣﺸﺮوع إﺳﻜﺎن أﻋﻀﺎء ﻫﻴﺌﺔ‬ ‫اﻟﺘﺪرﻳﺲ ﻓﻲ اﻟﻤﺮﺣﻠﺔ اﻟﺜﺎﻟﺜﺔ‪,‬‬ ‫اﻟﺘﻲ ﺗﺠﺎوزت ﻗﻴﻤﺘﻬﺎ ا‪.‬ﺟﻤﺎﻟﻴﺔ‬ ‫‪ ٦٣٢٫٤١١٫٧٧٢‬ﻣﻠﻴﻮن رﻳﺎل ‪.‬‬ ‫ﺑﺎ‪.‬ﺿﺎﻓﺔ إﻟﻰ اﻟﻤﺸﺎرﻳﻊ اﻟﺘﻲ‬ ‫ﺟﺮى اﻻﻧﺘﻬﺎء ﻣﻨﻬﺎ واﻓﺘﺘﺤﻬﺎ‬ ‫ﻣﺆﺧﺮ‪ Q‬وﻣﻨﻬﺎ ﻛﻠﻴﺔ اﻟﻄﺒﻴﺔ‬ ‫وﻛﻠﻴﺔ اﻟﻌﻠﻮم اﻟﻄﺒﻴﺔ‬ ‫اﻟﺘﻄﺒﻴﻘﻴﺔ واﻟﻤﺒﺎﻧﻲ اﻟﻌﺎﺟﻠﺔ‬ ‫ﻟﻠﻜﻠﻴﺔ اﻟﺠﺎﻣﻌﻴﺔ ﺣﻘﻞ وأﻣﻠﺞ‬ ‫واﻟﻮﺟﻪ‪.‬‬ ‫اﻟﻤﺼﺪر‪ :‬واس‬

l¹—UA*« —U³š√

‫أﺣﺪث ﻣﺘﺠﺮ ﻟﺸﺮﻛﺔ آﺑﻞ‬ Apple Latest Global Flagship : ‫اﻟﻤﺼﻤﻢ‬ Architect: Foster + Partners

Federation Square WŠUÝ

ÂUŽ —uEM

Íuł —uEM

‫ﻛﺸﻔﺖ ﺷﺮﻛﺔ آﺑﻞ ﻋﻦ أﺣﺪث‬ ‫ﻣﺘﺠﺮ ﻟﻬﺎ ﻓﻲ ﻣﺪﻳﻨﺔ ﻣﻠﺒﻮرن‬ ‫ ﻳﻘﻊ اﻟﻤﺸﺮوع ﻓﻲ‬.‫اﻻﺳﺘﺮاﻟﻴﺔ‬ ،Federation Square ‫ﺳﺎﺣﺔ‬ ‫وﻳﻬﺪف إﻟﻰ زﻳﺎدة ﻧﺴﺒﺔ‬ ،‫اﻟﻤﺴﺎﺣﺎت اﻟﻌﺎﻣﺔ ﻓﻲ اﻟﺴﺎﺣﺔ‬ ‫ﻛﻤﺎ ﺳﻴﻘﺪم اﻟﻤﺘﺠﺮ اﻟﻌﺪﻳﺪ ﻣﻦ‬ .‫اﻟﺒﺮاﻣﺞ اﻟﺜﻘﺎﻓﻴﺔ ﻟﻠﻤﺠﺘﻤﻊ‬ ‫ﺻﻤﻢ اﻟﻤﺘﺠﺮ اﻟﻤﻜﺘﺐ اﻟﻌﺎﻟﻤﻲ‬ ‫ وﻳﺘﻜﻮن‬، Foster + Partners ‫اﻟﻤﺸﺮوع ﻣﻦ ﻃﺎﺑﻘﻴﻦ ﻣﺤﺎﻃﻴﻦ‬ ‫ﺑﻮاﺟﻬﺎت زﺟﺎﺟﻴﺔ ﻣﻦ ﺟﻤﻴﻊ‬ ‫ واﺳﺘﺨﺪﻣﺖ أرﺿﻴﺎت‬،‫اﻟﺠﻬﺎت‬ ‫ﺣﺠﺮﻳﺔ وأﻋﻤﺪة ﻣﻦ اﻟﺴﺘﺎﻧﻠﺲ‬ ‫ ﻛﻤﺎ ﻳﺤﻴﻂ ﺑﺎﻟﻤﺒﻨﻰ‬.‫ﺳﺘﻴﻞ‬ ‫ﺷﺮﻓﺎت ﺧﺎرﺟﻴﺔ ﻓﻲ اﻟﻄﺎﺑﻖ‬ ‫اﻟﺜﺎﻧﻲ ﺗﻮﻓﺮ إﻃﻼﻟﺔ ﻋﻠﻰ اﻟﻤﺪﻳﻨﺔ‬ ‫ زود‬.‫واﻟﻤﻨﻄﻘﺔ اﻟﻤﺤﻴﻄﺔ ﺑﻪ‬ ‫اﻟﻤﺒﻨﻰ ﺑﺄﻧﻈﻤﺔ وﺗﻘﻨﻴﺎت ﺗﺸﻐﻴﻞ‬ .‫اﻟﻤﺒﻨﻰ ﺑﻄﺎﻗﺔ ﻣﻌﺎد ﺗﺪوﻳﺮﻫﺎ‬ Apple has unveiled plans for their latest global flagship town square retail concept, to be located in Melbourne’s Federation Square. The store is envisioned as a shared resource that will increase the amount of public space in the square and will offer daily programs to “inspire and educate the community.” To design the structure, Apple has again gone to Foster + Partners.

The store will be a twostory structure featuring the brand’s signature all-glass walls, stone flooring and stainless steel columns. A wraparound balcony of the second floor will offer up views of the city and the plaza, while terraced landscaping around the building will connect the pavilion to its site and the river. The store will also be powered entirely by renewable energy.

16 Albenaa

¡UM³ « ±∂

l¹—UA*« —U³š√

‫أﻃﻮال أﺑﺮاج‬ ‫ﺳﻜﻨﻴﺔ ﻓﻲ ﻣﺪﻳﻨﺔ‬ ‫ﺑﺎزل ـ ﺳﻮﻳﺴﺮا‬ Basel Nordspitze : ‫اﻟﻤﺼﻤﻢ‬ Architect: Herzog & de Meuron ‫ﻓﺎز اﻟﻤﻜﺘﺐ اﻟﻤﻌﻤﺎري‬ ‫ ﻓﻲ‬Herzog & de Meuren ‫ﻣﺴﺎﺑﻘﺔ ﻋﺎﻟﻤﻴﺔ ﻟﺘﺼﻤﻴﻢ‬ ‫اﻟﻤﺨﻄﻂ اﻟﺮﺋﻴﺲ ﻟﻤﻨﻄﻘﺔ‬ ‫ ﻓﻲ ﻣﺪﻳﻨﺔ ﺑﺎزل‬Nordspitzc ‫ﻳﺘﻜﻮن اﻟﻤﺸﺮوع‬. ‫اﻟﺴﻮﻳﺴﺮﻳﺔ‬ ‫ أﺑﺮاج ﺳﻜﻨﻴﺔ واﻟﺘﻲ‬٣ ‫ﻣﻦ‬ ،‫ﻃﻮل ﻓﻲ اﻟﻤﺪﻳﻨﺔ‬0‫ﺳﺘﻜﻮن ا‬ ‫ﺿﺎﻓﺔ إﻟﻰ ﻣﺴﺎﺣﺎت ﺧﻀﺮاء‬9‫ﺑﺎ‬ ‫ ﻛﻤﺎ ﻳﻀﻢ اﻟﻤﺸﺮوع‬.‫ﻛﺒﻴﺮة‬ ‫ﻣﺮﻛﺰ ﺗﺴﻮق ﻳﺘﻤﻴﺰ ﺑﺄﺳﻄﺢ‬ ‫ﺑﺮاج‬0‫ ﻳﺒﻠﻎ ﻃﻮل ا‬.‫ﺧﻀﺮاء‬ ‫ م ﺳﺘﻮﻓﺮ‬١٦٠ ‫ و‬١٣٥ ‫ﻣﺎ ﺑﻴﻦ‬ ‫ ﺷﻘﺔ ﺳﻜﻨﻴﺔ ﻣﺨﺘﻠﻔﺔ‬٨٠٠ .‫ﺣﺠﺎم‬0‫ا‬ Herzog & de Meuron has been selected as the winners of a competition to design the new master plan of the Nordspitze community in the northermost part Basel’s Dreispitz district.

Organized around two large public green spaces, the mixeduse community will feature three residential skyscrapers that will become the three tallest residential buildings in the city. The development will surround the existing MParc shopping center, which will be augmented with a new pedestrianized green roof.

The three residential towers – 2 at 135-meters-tall and the third at 160-meters-tall – will offer 800 apartments of a variety of sizes. In total, the development is expected to create 400 new jobs and provide homes for 1,400 people. The project will now continue through the planning stage, with plans expected to be finalized and submitted for approval in 2020. ŸËdALK WHK² UDI 18 Albenaa

¡UM³ « ±∏

l¹—UA*« —U³š√

‫ﺑﻴﻜﺴﻞ ﻣﺸﺮوع‬ ‫ﻣﺘﻌﺪد اﻻﺳﺘﺨﺪاﻣﺎت‬ ‫أﺑﻮﻇﺒﻲ‬ Pixel

: ‫اﻟﻤﺼﻤﻢ‬ Architect: MVRDV

ÂUŽ —uEM Pixel is a dynamic 76,000m2 residential development with retail, office, makers and community spaces, offering 480 apartments of various sizes and features. The project is part of a large-scale district level development by RNL design called Makers District, being the precedent for advanced community-based development, positioning itself as the new heart of Abu Dhabi. As such, Pixel represents a new way of approaching neighbourhoods, communities, the way of living, the way of working. Based on a research of possible residential models, we selected together with the client the «mini-tower» configuration, which resulted in spreading 7 mid-rise, relatively slim towers around the plot, influenced by the local conditions (sun

and wind) and providing the most view around for most apartments.

The 7 buildings embrace a fully pedestrianised, activated plaza, which is accessible from all directions around the plot, while maintaining a volumetric direction to bring a larger flow of people from the adjacent beach, marina and public event place.

Pixel is beyond a traditional residential project with amenities and service that includes retail, co-working, makers, community spaces, from the smallest unit of 50 sqm available for rent for start-up businesses.

The seven towers along the plot perimeter form a solid composition, complete with sober facade design.

Completion of Pixel is set for 2020.

‫ﻳﻘﻊ ﻣﺸﺮوع ﺑﻴﻜﺴﻞ اﻟﻤﺘﻌﺪد‬ ‫اﻻﺳﺘﺨﺪاﻣﺎت ﺿﻤﻦ ﻣﺸﺮوع‬ ‫ﻋﻘﺎري ﺿﺨﻢ ﻓﻲ ﻣﺪﻳﻨﺔ‬ ‫أﺑﻮﻇﺒﻲ ﺣﻲ ﻣﻴﻜﺮز ﻋﻠﻰ‬ .‫ أﻟﻒ ﻣﺘﺮ ﻣﺮﺑﻊ‬٧٦ ‫ﻣﺴﺎﺣﺔ‬ ‫ أﺑﺮاج ﺗﺤﺘﻮي‬٧ ‫وﻳﺘﻜﻮن ﻣﻦ‬ ‫ وﺣﺪة ﺳﻜﻨﻴﺔ‬٤٨٠ ‫ﻋﻠﻰ‬ ‫ﻣﺨﺘﻠﻔﺔ ا<ﺣﺠﺎم وﻣﺴﺎﺣﺎت‬ ‫ ﻳﻀﻢ‬.‫ﺗﺠﺎرﻳﺔ وﻣﻜﺘﺒﻴﺔ‬ ‫اﻟﻤﺸﺮوع ﺳﺎﺣﺔ ﻣﺸﺎة ﻳﻤﻜﻦ‬ ‫اﻟﻮﺻﻮل إﻟﻴﻬﺎ ﻣﻦ ﺟﻤﻴﻊ‬ ‫ وﺗﺘﻤﻴﺰ ا<ﺑﺮاج‬.‫اﻻﺗﺠﺎﻫﺎت‬ ‫ﺑﻤﺴﺎﺣﺎت ﻣﺮﻧﺔ ﻓﻲ أدوارﻫﺎ‬ ‫ا<وﻟﻰ اﺣﺘﻮت ﻋﻠﻰ ﺷﺮﻓﺎت‬ ‫ اﺳﺘﺨﺪﻣﺖ اﻟﺨﺮﺳﺎﻧﺔ‬. ‫ﺧﺎرﺟﻴﺔ‬ ‫واﻟﺴﻴﺮاﻣﻴﻚ ﺑﺄﻟﻮان ﻣﺨﺘﻠﻔﺔ‬ ‫ وﻳﺘﻮﻗﻊ‬. ‫ﻓﻲ اﻟﻮاﺟﻬﺎت‬ ‫ﻧﺘﻬﺎء ﻣﻦ ﺗﻨﻔﻴﺬ اﻟﻤﺸﺮوع‬O‫ا‬ . ‫م‬٢٠٢٠ ‫ﻓﻲ ﻋﺎم‬

ëdÐ_« jÝË W UF « WŠU «

Íuł —uEM 20 Albenaa

¡UM³ « ≤∞

l¹—UA*« —U³š√

‫ﺗﻮﺳﻌﺔ ﺟﺪﻳﺪة‬ ‫ﻟﻤﺸﺮوع ﻫﺎرﺑﻮر ﺳﻴﺘﻲ‬ ‫ﻓﻲ ﻫﻮﻧﺞ ﻛﻮﻧﺞ‬ Hong Kong’s New Ocean Terminal : ‫اﻟﻤﺼﻤﻢ‬ Architect: Foster + Partners

ÂUŽ —uEM

ŸËdA*« qš«œ s UDI

ŸUD A new gateway for thousands of international cruise liner passengers, the extension to the Ocean Terminal in Harbour City, Hong Kong has opened to the public. With stunning new outdoor spaces for dining and leisure capitalising on the unmatched panoramic views of the harbour, this new expansion will be the best place for visitors to immerse themselves in a unique waterfront experience, creating a new landmark for Hong Kong. The terminal has the distinct advantage of being

located directly opposite Victoria Harbour, boasting unrivalled views of Hong Kong’s iconic skyline. Standing right on the water’s edge visitors have 270degree views of the city, from the Kowloon Peninsula in the North East to Causeway Bay in the South East. This new public plaza – in the form of cascading terraces looking out towards the harbour – provides a new outdoor space for the people of Hong Kong and a distinctive gateway to the city for its visitors. The building embraces

the city’s al-fresco dining culture, turning the undeveloped end of the cruise terminal into a vibrant entertainment hub right in the centre of the city harbour.

Architecturally, the form of the building is a direct response to its climatic context. Its wide cantilevered terraces shade the lower levels, protecting them from the harsh tropical sun.

The balustrades, angled to tie in with the overall geometry of the building, extend downwards as louvred shading devices for the terrace below. The building

‫اﻓﺘﺘﺢ ﻣﺆﺧﺮ ﻓﻲ ﻫﻮﻧﺞ ﻛﻮﻧﺞ‬ ‫اﻟﺘﻮﺳﻌﺔ اﻟﺠﺪﻳﺪة‬ (New Ocean Terminal) ‫"ﻛﺒﺮ ﻣﺸﺮوع ﺗﺠﺎري ﻓﻲ‬ ، Harbour City ‫اﻟﻤﺪﻳﻨﺔ‬ ‫ﺗﺘﻤﻴﺰ ﺑﻤﺴﺎﺣﺎت ﺟﺪﻳﺪة‬ ‫ﺧﺎرﺟﻴﺔ ﺗﺮﻓﻴﻬﻴﺔ واﻟﺘﻲ ﺗﻮﻓﺮ‬ .‫إﻃﻼﻟﺔ ﺑﺎﻧﻮراﻣﻴﺔ ﻋﻠﻰ اﻟﻤﻴﻨﺎء‬ ‫ﻧﺸﺎء‬8 ‫ﺗﻬﺪف ﻫﺬه اﻟﺘﻮﺳﻌﺔ‬ ‫ﻣﻌﻠﻤ< ﺟﺪﻳﺪ ﻓﻲ اﻟﻤﺪﻳﻨﺔ‬ ‫وﻟﺘﺼﺒﺢ أﻓﻀﻞ وﺟﻬﺔ‬ ‫ﺗﺮﻓﻴﻬﻴﺔ ﻟﻠﺰوار وﺗﺤﻮﻳﻞ‬ ‫اﻟﻤﻴﻨﺎء إﻟﻰ ﻣﻨﻄﻘﺔ ﻧﺎﺑﻀﺔ‬ ‫ ﺻﻤﻤﺖ اﻟﺘﻮﺳﻌﺔ‬.‫ﺑﺎﻟﺤﻴﺎة‬ ‫ﻋﻠﻰ ﺷﻜﻞ ﻣﺪرﺟﺎت ﺑﺈﻃﻼﻟﺔ‬ ‫ﻋﻠﻰ اﻟﻮاﺟﻬﺔ اﻟﺒﺤﺮﻳﺔ وﺗﺤﺘﻮي‬ ‫ﻋﻠﻰ ﺳﺎﺣﺎت ﺧﺎرﺟﻴﺔ ﻟﺘﻨﺎول‬ ‫ ﺗﻤﻴﺰ اﻟﺘﺼﻤﻴﻢ‬. ‫اﻟﻄﻌﺎم‬ ‫ﺑﺎﻻﺳﺘﺠﺎﺑﺔ إﻟﻰ ﺣﺎﻟﺔ اﻟﻤﻨﺎخ ﻓﻲ‬ ‫اﻟﻤﺪﻳﻨﺔ ﺣﻴﺚ ﺗﻌﻤﻞ اﻟﻤﺪرﺟﺎت‬ ‫ﻋﻠﻰ ﺗﻈﻠﻴﻞ اﻟﻤﺴﺘﻮﻳﺎت اﻟﺴﻔﻠﻰ‬ ‫وﻟﺤﻤﺎﻳﺔ ﻛﻞ ﻃﺎﺑﻖ ﻣﻦ أﺷﻌﺔ‬ ‫اﻟﺸﻤﺲ اﻻﺳﺘﻮاﺋﻴﺔ ﺗﻢ ﺗﺜﺒﻴﺖ‬ ‫ﺣﻮاﺟﺰ زﺟﺎﺟﻴﺔ ﺑﺰواﻳﺔ ﻣﺎﺋﻠﺔ ﻋﻠﻰ‬ .‫ﺣﻮاف اﻟﺸﺮﻓﺎت‬ also offers retail, dining and lounge facilities, with a stepped outdoor seating area from which to sit and enjoy the view. The steps feature glass risers that admit natural light deep into the internal atrium.

The connection to the existing terminal is seamless, and the design introduces a new central diagonal circulation spine that connects the roof level to the marine deck, both physically and visually, via a series of escalators cascading down through the public spaces.

22 Albenaa

¡UM³ « ≤≤

¡UM³ « w b¹b'«

‫اﻟﺠﺪﻳﺪ ﻓﻲ اﻟﺒﻨﺎء‬ ‫ﻣﺴﺎﺑﺢ ﻋﺎﺋﻤﺔ‬

MOBIPOOL Mobipool, the very first filtered floating swimming pool in the world, guarantees safe and clean bathing in a natural environment.

Made up of aluminium pontoons, a filtration unit and a reinforced membrane, this floating pool comes in a range of sizes, from 6 x 3 m to 20 x 10 m. Thanks to the quality of the materials used, Mobipool is the perfect solution when seeking to enjoy all the benefits and pleasures of a swimming pool on an unused area, in safe and perfectly sanitary conditions.

‫ أول ﻣﺴﺎﺑﺢ ﻋﺎﺋﻤﺔ ﻣﺰودة ﺑﻔﻠﺘﺮ ﻓﻲ اﻟﻌﺎﻟﻢ‬Mobipool ‫ ﺻﻨﻌﺖ ﻣﻦ ا ﻟﻮﻣﻨﻴﻮم اﻟﺨﻔﻴﻒ‬.‫ﺗﻀﻤﻦ ا ﻣﺎن واﻟﻨﻈﺎﻓﺔ‬ .‫ﻟﻴﻄﻔﻮ ﻋﻠﻰ اﻟﻤﺎء واﺳﺘﺨﺪم وﺣﺪة ﻓﻠﺘﺮ وﻏﺸﺎء واﻗﻲ‬ 20 x 10 ‫م إﻟﻰ‬6x 3 ‫ﺗﺘﻮﻓﺮ ﻫﺬه اﻟﻤﺴﺎﺑﺢ ﺑﺄﺣﺠﺎم ﻣﺨﺘﻠﻔﺔ ﻣﻦ‬ ‫ﻧﺸﺎء ﻣﺴﺎﺑﺢ ﻓﻲ ﻣﻨﺎﻃﻖ ﻏﻴﺮ‬U ‫ وﺗﻌﺪ ﻣﻦ أﻓﻀﻞ اﻟﺨﻴﺎرات‬. ‫م‬ . ‫ﻣﺴﺘﺨﺪﻣﺔ واﻟﺠﺪﻳﺪة وﺗﺘﻤﻴﺰ ﺑﻨﻈﺎﻓﺘﻬﺎ وأﻣﺎﻧﻬﺎ‬

www.desijoyaux.fr

‫آﻟﺔ ﺗﻠﺤﻴﻢ ﻣﺒﺘﻜﺮة‬ ‫ ﻫﻮ إﺑﺘﻜﺎر ﺟﺪﻳﺪ دوات اﻟﻠﺤﺎم واﻟﻔﺼﻞ أﻣﺎﻧﺔ‬Dyomix ‫ وﺗﺘﻤﻴﺰ ﺑﻠﻬﺐ ﺑﺪرﺟﺔ ﺣﺮارة‬،‫اﻻﺳﺘﺨﺪام ﺧﺎﻟﻴﺔ ﻣﻦ اﻟﻜﺮﺑﻮن‬ ‫ ﻳﺘﻢ اﺳﺘﺨﺪام اﻟﻤﺎء‬.‫ﻋﺎﻟﻴﺔ ﺑﺪون اﺳﺘﺨﺪام اﺳﻄﻮاﻧﺔ ﻏﺎز‬ ‫واﻟﻜﻬﺮﺑﺎء وﺗﺤﻮﻳﻞ اﻟﻤﺎء إﻟﻰ ﻏﺎز ا ﻛﺴﺠﻴﻦ واﻟﻬﻴﺪروﺟﻴﻦ‬ ‫ ﻣﻦ ﻣﺤﻄﺔ ﺻﻐﻴﺮة ﻣﺘﻨﻘﻠﺔ‬Dyomix ‫ ﺗﺘﻜﻮن آﻟﺔ‬.‫إﻟﻰ ﻟﻬﺐ‬ . ‫ﺗﺤﺘﻮي ﻋﻠﻰ ﺧﺰان ﻟﻠﻤﺎء ﻳﺘﺼﻞ ﺑﺎﻟﻜﻬﺮﺑﺎء‬

DYOMIX® OHM 2.4 CASTOLIN dyomix® OHM 2.4 is a breakthrough innovation that allows professionals to use a carbon-free, high-temperature flame without gas cylinders in applications requiring a torch! This CleanTech makes it possible to produce a clean and efficient combustible from water and electricity, by transforming into gases the oxygen and hydrogen naturally present in water. Equivalent in size and weight to conventional oxy-gas stations, CASTOLIN dyomix® OHM 2.4 can be transported and moved easily with its handles and wheels. www.castolin.com

24 Albenaa

¡UM³ « ≤¥

¡UM³ « w b¹b'«

‫ﺟﻴﻞ ﺟﺪﻳﺪ ﻣﻦ اﻟﻄﻮب اﻟﻌﺎزل‬

The Fabtherm Air

‫ وﻫﻲ‬.‫ﺟﻴﻞ ﺟﺪﻳﺪ ﻣﻦ اﻟﻄﻮب اﻟﻌﺎزل ﺑﺎﺳﺘﺨﺪام رﻏﻮة إﻳﺮﻳﻮم‬ ‫ ﻳﺘﻢ‬. ‫ﻣﺎدة ﻣﺒﺘﻜﺮة وﺑﺪﻳﻞ ﻣﺜﺎﻟﻲ ﻟﻤﻮاد اﻟﻌﺰل اﻟﺘﻘﻠﻴﺪﻳﺔ‬ ‫اﺳﺘﺨﺪام ﻃﻮب ﻳﺤﺘﻮي ﻋﻠﻰ ﻓﺠﻮات ﻳﺘﻢ ﺗﻌﺒﺌﺘﻬﺎ ﺑﺮﻏﻮة‬ ‫ أﻧﻮاع ﻣﺨﺘﻠﻔﺔ ﻣﻦ ﻫﺬا اﻟﺠﻴﻞ‬Faemi ‫ وﺗﻘﺪم ﻣﺠﻤﻮﻋﺔ‬.‫إﻳﺮﻳﻮم‬ ‫ وﺗﻮﻓﺮ اﻟﻤﺎدة اﻟﻌﺎزﻟﺔ‬Fabtherm 1.1 - 0.6 - 1.8 - 6 ‫ﻣﻦ اﻟﻄﻮب‬ ‫ ﺗﺘﻢ ﺻﻨﺎﻋﺔ‬. ‫إﻳﺮﻳﻮم اﻟﺤﻤﺎﻳﺔ ﻣﻦ اﻟﺤﺮاﺋﻖ وﻫﻲ ﻋﺎزل ﺟﻴﺪ ﻟﻠﺤﺮارة‬ ٪ 7 ‫ﺳﻤﻨﺖ و‬M‫ ﻣﻦ ا‬٪ 6 ‫ ﻣﻦ ﻣﺠﻤﻮﻋﺔ ﻣﻮاد و‬87٪ ‫ﻫﺬا اﻟﻄﻮب‬ ‫ﻣﻦ اﻟﻤﺎء ﻳﺘﻢ ﺗﺸﻜﻴﻠﻬﺎ ﺑﺎﻟﻄﺮق اﻟﺘﻘﻠﻴﺪﻳﺔ وﺗﻮﺿﻊ ﺑﻌﺪ ذﻟﻚ‬ . ‫داﺧﻞ أﻓﺮان ﺣﺘﻰ ﺗﺠﻒ وﻣﻦ ﺛﻢ ﻳﺘﻢ ﺗﻌﺒﺌﺔ اﻟﻔﺮاﻏﺎت‬

The Fabtherm Air block is an insulating block with a thermal resistance of R = 1.12 m².K / W, incorporating the latest technology implemented by Lafarge: Airium. It consists in injecting into the block a mineral foam based on cement products and foaming agents. The result is greater insulating power, thermal resistance and carbon footprint than traditional concrete blocks to meet the requirements of the RT2020.

Block in common aggregates and five times more insulating than a traditional block www.fabemi-structures.com

‫ﻃﻮب ﻣﻦ اﻟﺒﻼﺳﺘﻴﻚ‬ ‫اﻟﻤﻌﺎد ﺗﺪوﻳﺮه‬ ‫إﺑﺘﻜﺎر ﺟﺪﻳﺪ ﻟﻄﻮب ﻣﻦ اﻟﻤﺨﻠﻔﺎت‬ .‫اﻟﺒﻼﺳﺘﻴﻜﻴﺔ ﻳﻬﺪف ﻟﻠﺤﻔﺎظ ﻋﻠﻰ اﻟﺒﻴﺌﺔ‬ ‫ زﺟﺎﺟﺔ ﺑﻼﺳﺘﻴﻜﻴﺔ ﻟﺼﻨﺎﻋﺔ‬20 ‫ﻳﺘﻢ اﺳﺘﺨﺪام‬ ‫ﻃﻮب واﺣﺪ وﻳﺘﻤﻴﺰ ﺑﺨﺼﺎﺋﺺ اﻟﻄﻮب‬ ‫ﺿﺎﻓﺔ إﻟﻰ ﺟﻮدﺗﻪ اﻟﻌﺎﻟﻴﺔ ﻓﻲ‬9‫اﻟﻄﻴﻨﻲ ﺑﺎ‬ .‫اﻟﻌﺰل اﻟﺤﺮاري‬

Brick from recycled plastic The bricks have the technical certification granted by the UN-Habitat Secretariat. They were developed and patented by Ceve-Conicet.

Twenty bottles of recycled plastic are needed to produce a brick, which has characteristics like those of a clay brick, but with better performance as a thermal insulation. www.ecoinclusion.com.ar

26 Albenaa

¡UM³ « ≤∂

¡UM³ « w b¹b'«

‫ﻣﻔﺼﻼت ﻟﺤﻤﻞ ا ﻟﻮاح‬ ‫اﻟﺰﺟﺎﺟﻴﺔ‬ ‫ﻣﻔﺼﻼت ﺟﺪﻳﺪة ﻗﺎﺑﻠﺔ ﻟﻠﺘﻌﺪﻳﻞ وﺣﻤﻞ ا ﻟﻮاح‬ ‫ ﻣﻠﻢ ﺣﺘﻰ‬8 ‫اﻟﺰﺟﺎﺟﻴﺔ ذات ﺳﻤﺎﻛﺎت ﻣﺨﺘﻠﻔﺔ ﻣﺎﺑﻴﻦ‬ ‫ اﺳﺘﺨﺪم أﻓﻀﻞ درﺟﺔ ﻣﻦ اﻟﻔﻮﻻذ اﻟﻤﻘﺎوم‬.‫ ﻣﻠﻢ‬12٫76 ‫ وﺗﺘﻤﻴﺰ ﺑﻤﺴﺎﻣﻴﺮ ﻣﺨﻔﻴﺔ‬،‫ﻟﻠﺼﺪأ ﻓﻲ ﺻﻨﺎﻋﺘﻬﺎ‬ .‫ﺑﻐﻄﺎءﻣﻦ ﻛﻼ اﻟﺠﺎﻧﺒﻴﻦ‬

KRONOS KRONOS by ONLEVEL, the first adjustable glass clamp ever. This glass clamp is suitable for all relevant glass thicknesses: from 8 mm tempered glass up to 12,76 mm laminated safety glass thanks to its adjustability. The product is made in Germany and consists of top grade stainless steel. The screws are concealed by the desired cover for a clean appearance from both sides. www.onlevel.com

‫أﻟﻮاح ﻣﻦ أﻟﻴﺎف اﻟﻜﺘﺎن‬ ‫ ﻣﻦ ﻋﺪة ﻃﺒﻘﺎت ﺗﺤﺘﻮي ﻋﻠﻰ رﻏﻮة أو ﻃﺒﻘﺔ‬Nattex ‫ﺗﺘﻜﻮن أﻟﻮاح‬ ‫ﻋﻠﻰ ﻫﻴﺌﺔ ﺧﻠﻴﺔ اﻟﻨﺤﻞ ﻓﻲ اﻟﻮﺳﻂ ﺗﻐﻄﻴﻬﺎ ﻃﺒﻘﺔ ﻣﻦ ا ﻟﻮاح‬ ‫ وﻳﺼﻞ ﻋﺮﺿﻬﺎ‬،‫ﻣﻦ ﻣﻜﻮﻧﺔ ﻣﻦ أﻟﻴﺎف اﻟﻜﺘﺎن وﺑﻼﺳﺘﻴﻚ ﺣﺮاري‬ ‫ﻋﺎدة‬P ‫ ﺗﺘﻤﻴﺰ ﻫﺬه ا ﻟﻮاح ﺑﺨﻔﺔ وزﻧﻬﺎ وأﻧﻬﺎ ﻗﺎﺑﻠﺔ‬. ‫ ﻣﻠﻢ‬2200 ‫إﻟﻲ‬ ‫ ﻛﻤﺎ ﺗﺘﻤﻴﺰ ﺑﻌﺰﻟﻬﺎ ﻟﻠﺼﻮت‬،‫اﻟﺘﺪوﻳﺮ وﻟﻬﺎ أﺛﺮ ﻣﻨﺨﻔﺾ ﻋﻠﻰ اﻟﺒﻴﺌﺔ‬ .‫ وﻫﻲ أﻟﻮاح ﻣﺘﻌﺪدة اﻻﺳﺘﺨﺪاﻣﺎت‬. ‫واﻣﺘﺼﺎص اﻻﻫﺘﺰارات‬

Nattex Panel NATTEX Panel is a composite sandwich panel consisting of a foam or honeycomb core and bio-composite skins incorporating flax reinforcement fibers and a thermoplastic resin; possible dimension up to 2200 mm of width. Together, the Group offers users (fitters, industrialists) new generations of lightweight, recyclable materials with a reduced environmental impact. These new panels have acoustic qualities and offer vibratory absorption. They favor a comfortable installation for the operators by their lightness, but also by the absence of emanation of VOCs and of toxic dust at the cutting. www.dehondtcomposites.com

28 Albenaa

¡UM³ « ≤∏

Housing Real Estate Development Arch. Ibrahim Abaalkhail

Investing in unique housing developments is of a paramount significance. With its longer life span and increasing value overtime, it is a safe investment compared to stocks, for example. However, to achieve its goals, housing buildings must first go through architectural design.

What is the architects’s role in improve real-estate development for housing? Is it merely focused on the housing environment within cities? Or does it focus on attracting investors? Do architects work to achieve investors’ goals or the end residents? And how and when does the architectural design serve both ends of the spectrum?

In this issue we take on the high-end housing development with a focus on unique apartments because it will be the most suitable housing in future cities with a bigger role for the architect in its success as an investment. This type of housing requires higher level of architectural skills to achieve its uniqueness and sustainability. With scarcity and higher prices of lands inside the cities, it is becoming increasingly important for developers to put an emphasizes on property uniqueness in these projects more than on suburban housing projects. To achieve this, there are many facets architects should look at in designing a unique housing project.

Demand for housing is measured by the increasing population within urban areas. However, looking at the number of families can give another indicator as this number increase faster than the population, family members increases and then older members create new families thus increase demands for houses.

Moreover, the way people get their houses should be looked at. Normally there are two ways: own or rent. Owning a house entails investment values while renting redirect investments from housing to other endeavours.

Design solutions that the architect should consider are also critical. These include the building orientation, natural light & ventilation, and achieving residents privacy. In addition, there are special solutions for each project that aims at achieving the investment goals for its residents as well as investors. These could include the location and the project components, the number of floors, taking advantage of the location property or overcoming the negatives in the location property.

In this issue we feature several housing projects that illustrates the architect’s role in raising the level and value of these development and at the same time preserve the urban objectives of the cities it belongs to. The Energy Living designed & developed by M+ GROUP, Beirut Terraces and Leonard Street by Herzog & de Meuron, The Wind Tower

by AGI, One Central Park by Atelier Jean Nouvel.

S1 Albenaa

¡UM³ « ±Â

‫ ) اﻟﻤﻄﻮر‬M+Group ‫ ﻟﺸﺮﻛﺔ‬Energy Living ‫ﻓﺘﺼﻤﻴﻢ ﻣﺸﺮوع‬ ‫واﻟﻤﻌﻤﺎري ( ﻳﺘﻤﺘﻊ ﺑﺈﺣﺪى ﻣﻤﻴﺰات اﻟﺴﻜﻦ اﻟﺮأﺳﻲ وﻫﻲ ا ﻃﻼﻟﺔ‬ ‫ ﻓﺄﻫﺘﻢ اﻟﻤﺼﻤﻢ ﺑﺘﻮﺟﻴﻪ وﺗﻨﻮﻳﻊ إﻃﻼﻟﺔ‬. ‫اﻟﻌﻠﻮﻳﺔ ﻋﻠﻰ اﻟﻤﺪﻳﻨﺔ‬ ‫اﻟﺸﻘﻖ ﻋﻠﻰ اﻟﺠﻬﺎت ا@رﺑﻌﺔ وﺑﺤﻴﺚ ﻳﻌﺒﺮ ﻋﻦ ذﻟﻚ ﺑﻜﻞ وﺿﻮح ﻓﻲ‬ ‫اﻟﺘﺸﻜﻴﻞ اﻟﻤﻌﻤﺎري ﻣﻦ ﺧﻼل إﺳﺘﻌﻤﺎل اﻟﻔﺘﺤﺎت ﻛﺄﺷﺮﻃﺔ زﺟﺎﺟﻴﺔ‬ ‫ﻟﺘﻘﺴﻴﻢ وﺗﻔﺘﻴﺖ اﻟﻜﺘﻠﺔ اﻟﺮأﺳﻴﺔ ﻟﻠﺒﺮج اﻟﺴﻜﻨﻲ وﻓﺼﻠﻬﺎ ﻋﻦ‬ ‫ﺑﻌﻀﻬﺎ إﻟﻰ ﻛﺘﻞ أﺻﻐﺮ وزﺣﺰﺣﺘﻬﺎ ﻋﻦ ﺑﻌﻀﻬﺎ ﻟﺘﺄﻛﻴﺪ اﻧﻔﺮادﻳﺔ‬ ‫ ﺗﻤﻴﺰت ﻛﻞ ﻛﺘﻠﺔ ﻣﻦ ﺣﻴﺚ ﺗﻮﺟﻴﻪ ﻓﺘﺤﺎﺗﻬﺎ‬. ‫ﻛﻞ ﻛﺘﻠﺔ ﻋﻦ ﻏﻴﺮﻫﺎ‬ ‫ﺧﺮ ﻳﻔﺘﺢ ﻓﻲ‬S‫ﻓﺒﻌﻀﻬﺎ ﻳﻔﺘﺢ ﻓﻲ إﺗﺠﺎه اﻟﺸﻤﺎل واﻟﺠﻨﻮب واﻟﺒﻌﺾ ا‬ ‫ ﺑﻴﻨﻤﺎ ﺗﻢ ﻓﺼﻞ اﻟﻜﺘﻞ ﻋﻦ ﺑﻌﻀﻬﺎ ﺑﻄﺎﺑﻖ ذو‬،‫إﺗﺠﺎه اﻟﺸﺮق واﻟﻐﺮب‬ . ‫إﻃﻼﻟﺔ ﺗﻔﺘﺢ ﻋﻠﻰ ﻛﺎﻓﺔ ا ﺗﺠﺎﻫﺎت‬ ‫أﻣﺎ ﻣﺸﺮوع ﺷﺮﻓﺎت ﺑﻴﺮوت وﻣﺸﺮوع ﺑﺮج ﺳﻜﻨﻲ رأﺳﻲ ﻓﻲ ﻧﻴﻮﻳﻮرك‬ ‫ ﻓﻴﻘﻌﺎن ﻋﻠﻰ اراﺿﻲ ﻣﺮﺗﻔﻌﺔ اﻻﺳﻌﺎر‬Herzog & de Meuron ‫ﻟﻤﻜﺘﺐ‬ ‫ﻓﻲ ﻛﻞ ﻣﻦ وﺳﻂ ﺑﻴﺮوت و ﻣﺮﻛﺰ ﻣﺪﻳﻨﺔ ﻧﻴﻮﻳﻮرك ﻣﻤﺎ دﻓﻊ اﻟﻤﺼﻤﻢ‬ ‫إﻟﻰ اﺑﺮازﻫﻤﺎ ﻋﻠﻰ درﺟﺔ ﻋﺎﻟﻴﺔ ﻣﻦ اﻟﻤﻮاﺻﻔﺎت ﺳﻮاء ﻓﻲ اﻟﺮﺣﺎﺑﺔ ﻓﻲ‬ ‫ ﻛﻤﺎ راﻋﻰ اﻟﺘﺼﻤﻴﻢ ﻣﻤﻴﺰات‬.‫اﻟﻤﺴﺎﺣﺎت أو ﻣﻮاد اﻟﺒﻨﺎء أو ا ﻧﺸﺎء‬ .‫ﻛﻞ ﻣﻮﻗﻊ ﻣﻦ ﺣﻴﺚ ا ﻃﻼﻻت ﻋﻠﻰ ﻣﺤﻴﻄﻬﺎ أو ﻣﻦ ﺣﻴﺚ اﻟﻤﻨﺎخ‬ ‫ﻓﻔﻲ ﺷﺮﻓﺎت ﺑﻴﺮوت ﻳﺴﺘﻐﻞ اﻟﻤﺼﻤﻢ ﻣﻨﺎخ ﺑﻴﺮوت اﻟﻤﻌﺘﺪل ﻟﻌﻤﻞ‬ ‫ﺷﺮﻓﺎت واﺳﻌﺔ ﺗﻮﻓﺮ إﻃﻼﻟﺔ ﻋﻠﻰ اﻟﻮاﺟﻬﺔ اﻟﺒﺤﺮﻳﺔ وﻟﺘﺴﻤﺢ ﻣﻤﺎرﺳﺔ‬ ‫ وﺑﺎﻟﺮﻏﻢ ﻣﻦ أن واﺟﻬﺎت اﻟﻮﺣﺪات‬،‫اﻟﻤﻌﻴﺸﺔ ﻓﻲ اﻟﻬﻮاء اﻟﻄﻠﻖ‬ ‫اﻟﺴﻜﻨﻴﺔ اﻟﺰﺟﺎﺟﻴﺔ ﺗﺤﻘﻖ ﺷﻔﺎﻓﻴﺔ ﻋﺎﻟﻴﺔ إﻻ أن إﻣﺘﺪاد اﻟﺸﺮﻓﺎت ﻳﻮﻓﺮ‬ ‫ ﺑﻴﻨﻤﺎ ﻓﻲ ﻣﺸﺮوع ﻧﻴﻮﻳﻮرك ﻓﺈن‬. ‫ﺗﻈﻠﻴﻼ وﺧﺼﻮﺻﻴﺔ ﻋﺎﻟﻴﺔ ﻟﻠﻮﺣﺪات‬ ‫اﻟﻤﺼﻤﻢ ﻓﻘﺪ ﻋﺎﻟﺞ اﻟﺘﺼﻤﻴﻢ ﺑﺤﻴﺚ ﻳﺤﻘﻖ ﻃﺎﺑﻌﺎ ﺧﺎﺻﺎ ﺑﻜﻞ وﺣﺪة‬ ‫ﺳﻜﻨﻴﺔ ﻣﻦ ﺧﻼل ﻫﻴﻜﻞ إﻧﺸﺎﺋﻲ ﻳﺤﻘﻖ اﻟﺘﻨﻮع ﻓﻲ ﺗﺼﻤﻴﻢ ﺗﻨﻔﺮد‬ ‫ﻓﻴﻪ ﻣﻜﻮﻧﺎت اﻟﻤﺸﺮوع ﻋﻦ ﺑﻌﻀﻬﺎ اﻟﺒﻌﺾ ﺑﻴﻨﻤﺎ ﺟﺎءت اﻟﺸﺮﻓﺎت‬ . ‫ﻟﺘﻮﻓﺮ ﻣﺠﺎﻻ ﻟﺘﻮاﺻﻞ اﻟﺴﻜﺎن ﻓﻴﻤﺎ ﺑﻴﻨﻬﻢ‬ AGI Architects ‫ﻣﺸﺮوع اﻟﻮﻓﺮة اﻟﺴﻜﻨﻲ ﻓﻲ اﻟﻜﻮﻳﺖ ﻟﻤﻜﺘﺐ‬ ‫اﻟﺬي رﻛﺰ ﻓﻴﻪ اﻟﻤﺼﻤﻢ ﻋﻠﻰ اﻟﺤﻞ اﻟﺒﻴﺌﻲ ﻧﺠﺢ ﻓﻲ ﺗﻮﻓﻴﺮ ﺗﻬﻮﻳﺔ‬ ‫وإﺿﺎءة ﻃﺒﻴﻌﻴﺔ ﻟﻠﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ ﺗﺘﻨﺎﺳﺐ وﻣﻨﺎخ اﻟﻜﻮﻳﺖ‬ ‫ ﻣﻊ إﺑﺮاز ﻫﺬه اﻟﻤﻤﻴﺰات ﻟﻴﺲ ﻓﻘﻂ ﻣﻦ وﺟﻬﺔ‬، ‫اﻟﺤﺎر اﻟﺮﻃﺐ ﺻﻴﻔﺎ‬ ‫اﻟﻨﻈﺮ اﻟﻤﻨﺎﺧﻴﺔ وﻟﻜﻦ ﻛﺬﻟﻚ ﻣﻦ وﺟﻬﺔ اﻟﻨﻈﺮ اﻟﻬﻮﻳﺔ اﻟﺜﻘﺎﻓﻴﺔ‬ ‫وا ﺟﺘﻤﺎﻋﻴﺔ وﻧﻘﻠﻬﺎ إﻟﻰ ﻋﻤﺎرة اﻻﺑﺮاج اﻟﺴﻜﻨﻴﺔ ﻛﺎن ﻟﻬﺎ ا@ﺛﺮ ﻓﻲ‬ . ‫إﻋﻄﺎء اﻟﻤﺸﺮوع ﻗﻴﻤﺔ ﻋﻘﺎرﻳﺔ ﻣﻀﺎﻓﺔ‬ ‫وﻳﻌﺘﺒﺮ ﻣﺸﺮوع ون ﺳﻨﺘﺮال ﺑﺎرك ﻓﻲ ﺳﻴﺪﻧﻲ ﻟﻤﻜﺘﺐ‬ ‫ اﻟﻤﺮﺣﻠﺔ ا@وﻟﻰ ﻣﻦ أﻛﺒﺮ ﺗﻄﻮﻳﺮ ﻋﻘﺎري ﻓﻲ‬Atelier Jean Nouvel ‫ﺑﻠﻴﻮن دوﻻر وﻟﺬﻟﻚ ﻳﺘﻤﺘﻊ اﻟﻤﺸﺮوع‬٢ ‫اﺳﺘﺮاﻟﻴﺎ إذ ﺗﺼﻞ ﻗﻴﻤﺘﻪ إﻟﻰ‬ ‫ﺑﻤﻘﻮﻣﺎت إﺳﺘﺪاﻣﻴﺔ ﻓﺎﺋﻘﺔ ﻣﻦ ﺣﻴﺚ ﻣﻮﻗﻌﻪ اﻟﻤﺮﻛﺰي وﻣﻦ ﺣﻴﺚ‬ ‫ﺗﺸﻴﺪ ﻣﺤﻄﺔ ﺗﻮﻟﻴﺪ ﻟﻠﻜﻬﺮﺑﺎء ﺧﺎﺻﺔ ﺑﻪ ودراﺳﺎت اﻟﺘﻮﺟﻴﻪ واﻟﺤﻤﺎﻳﺔ‬ ‫اﻟﺬاﺗﻴﺔ ﻣﻦ أﺷﻌﺔ اﻟﺸﻤﺲ ﺑﺎ ﺿﺎﻓﺔ إﻟﻰ إﺳﺘﺨﺪام وﺳﺎﺋﻞ ﺗﻘﻨﻴﺔ‬ ‫ﻟﺘﻮﻓﻴﺮ ا ﺿﺎءة اﻟﻄﺒﻴﻌﻴﺔ ﺑﻮاﺳﻄﺔ ﻋﻜﺲ أﺷﻌﺔ اﻟﺸﻤﺲ‬ ‫وﺗﻮﺟﻴﻬﻬﺎ إﻟﻰ اﻟﻔﺮاﻏﺎت اﻟﺘﻲ ﻻ ﺗﺘﻮﻓﺮ ﻓﻴﻬﺎ إﺿﺎءة ﻧﻬﺎرﻳﺔ وﻓﻲ‬ ‫ﺑﻠﺪ ذو ﺛﻘﺎﻓﺔ ﻣﻌﻤﺎرﻳﺔ ﻋﺎﻟﻴﺔ ﻣﺜﻞ اﺳﺘﺮاﻟﻴﺎ ﻳﺄﺧﺬ ﻓﻲ إﻋﺘﺒﺎر ﺗﺤﺪﻳﺪ‬ ‫اﺳﻌﺎر اﻟﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ ﺟﻮدة اﻟﻤﻌﻤﺎري اﻟﻤﺼﻤﻢ ا@ﻣﺮ اﻟﺬي أدى‬ . ‫ أﺷﻬﺮ ﻣﻦ ﺑﺪء ﻋﺮﺿﻬﺎ‬٣ ‫ ﻓﻲ اﻟﻤﺎﺋﺔ ﻣﻦ اﻟﻮﺣﺪات ﺑﻌﺪ‬٩٠ ‫إﻟﻰ ﺑﻴﻊ‬

‫اﻟﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري‬ ‫اﻟﺴﻜﻨﻲ‬ ‫إﻋﺪاد ‪ :‬اﻟﻤﻬﻨﺪس إﺑﺮاﻫﻴﻢ ﻋﺒﺪ ا‪ x‬أﺑﺎ اﻟﺨﻴﻞ‬

‫اﻟﻤﻘﺪﻣﺔ ‪:‬‬

‫‪54‬‬

‫اﻟﻤﺸﺎرﻳﻊ ‪:‬‬ ‫ﺑﺮج ﺳﻜﻨﻲ ذو إﻃﻼﻻت ﻣﺨﺘﺎرة ‪Energy Living‬‬ ‫اﻟﻤﺼﻤﻢ ‪.M+Group S.A.S :‬‬

‫‪58‬‬

‫اﻟﻤﻮﻗﻊ ‪ :‬ﻛﻮﻟﻮﻣﺒﻴﺎ‬

‫إﺳﻜﺎن ﻣﺘﻌﺪد اﻟﻤﺴﺘﻮﻳﺎت ‪Beirut Terraces‬‬

‫‪58‬‬

‫اﻟﻤﺼﻤﻢ ‪ Herzog & de Meuron :‬اﻟﻤﻮﻗﻊ ‪ :‬ﻟﺒﻨﺎن‬

‫ﺑﺮج ﺳﻜﻨﻲ رأﺳﻲ ‪Leonard Street, New York 56‬‬

‫‪78‬‬

‫اﻟﻤﺼﻤﻢ ‪ Herzog & de Meuron :‬اﻟﻤﻮﻗﻊ ‪ :‬اﻟﻮﻻﻳﺎت اﻟﻤﺘﺤﺪة ا‪1‬ﻣﺮﻳﻜﻴﺔ‬

‫ﻣﻠﻘﻒ اﻟﻬﻮاء اﻟﺴﻜﻨﻲ ‪Wind Tower‬‬ ‫اﻟﻤﺼﻤﻢ ‪AGI Architects :‬‬

‫‪84‬‬

‫اﻟﻤﻮﻗﻊ ‪ :‬اﻟﻜﻮﻳﺖ‬

‫ون ﺳﻨﺘﺮال ﺑﺎرك ‪One Central Park‬‬

‫‪90‬‬

‫اﻟﻤﺼﻤﻢ ‪ Jean Nouvel - Atelier Jean Nouvel :‬اﻟﻤﻮﻗﻊ ‪ :‬اﺳﺘﺮاﻟﻴﺎ‬

‫ﻳﻌﺘﺒﺮ اﻟﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري اﻟﺴﻜﻨﻲ ﻣﻦ أﻫﻢ ﻣﺠﺎﻻت ا ﺳﺘﺜﻤﺎر‬ ‫ا ﻗﺘﺼﺎدي ﻧﻈﺮا ﻟﻠﻌﻤﺮ ا ﻓﺘﺮاﺿﻲ اﻟﻄﻮﻳﻞ وﻗﻴﻤﺘﻪ اﻟﻤﺘﺰاﻳﺪة ﻣﻊ‬ ‫ﻣﺮور اﻟﺰﻣﻦ ﺑﺤﻴﺚ ﻳﻤﺜﻞ إﺳﺘﺜﻤﺎر أﻛﺜﺮ أﻣﺎﻧ‪ 6‬إذا ﻣﺎﻗﻮرن ﺑﺎ‪1‬ﺳﻬﻢ‬ ‫ﻣﺜ ً‬ ‫ﻼ ‪ .‬وﺗﻌﺘﺒﺮ ﻣﺸﺮوﻋﺎت اﻟﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري اﻟﺴﻜﻨﻲ ﻣﺸﺮوﻋﺎت‬ ‫إﺳﺘﺜﻤﺎرﻳﺔ ﻟﻠﻤﻄﻮرﻳﻦ اﻟﻌﻘﺎرﻳﻴﻦ وﻟﻤﻼك اﻟﻌﻘﺎرات و ﻟﻠﺴﻜﺎن ﺳﻮاء‬ ‫ﻛﺎﻧﻮا ﻣﻼك أو ﻣﺴﺘﺄﺟﺮﻳﻦ ‪ .‬وﻟﻜﻦ ﺣﺘﻰ ﻳﺼﺒﺢ اﻟﻤﺒﻨﻰ ﺣﻘﻴﻘﺔ‬ ‫وﻳﺒﺪأ ﻓﻲ ﺗﺤﻘﻴﻖ اﻟﻐﺎﻳﺔ ﻣﻨﻪ ﻳﺠﺐ أن ﻳﻤﺮ ﺗﺤﺖ ﻳﺪ اﻟﻤﻌﻤﺎري‬ ‫ﻟﺘﺼﻤﻴﻤﻪ ‪ .‬ﻓﻤﺎ ﻫﻮ دور اﻟﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎري ﻟﺮﻓﻊ أداء اﻟﺘﻄﻮﻳﺮ‬ ‫اﻟﻌﻘﺎري اﻟﺴﻜﻨﻲ ؟ ﻫﻞ ﻳﻬﺪف إﻟﻰ ﺗﺤﺴﻴﻦ ﻣﺴﺘﻮى اﻟﺒﻴﺌﺔ‬ ‫اﻟﺴﻜﻨﻴﺔ ﻟﻠﻤﺪن ؟ أم ﻳﻬﺪف إﻟﻰ ﺟﺬب اﻟﻤﺸﺘﺮي ؟ ﻫﻞ ﻳﻌﻤﻞ‬ ‫اﻟﻤﻌﻤﺎري ﻟﻠﻤﺼﻠﺤﺔ ا ﺳﺘﺜﻤﺎرﻳﺔ ﻟﻠﻤﻄﻮر أم اﻟﺴﻜﺎن ؟ وﻛﻴﻒ‬ ‫وﻣﺘﻰ ﻳﺨﺪم اﻟﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎري اﻟﻤﺘﻄﻠﺒﺎت ا ﺳﺘﺜﻤﺎرﻳﺔ ﻟ‪U‬ﺛﻨﻴﻦ‬ ‫ﻣﻌ‪ 6‬؟ ﻣﺎ ﻫﻲ اﻟﺤﻠﻮل اﻟﺘﺼﻤﻴﻤﻴﺔ اﻟﺘﻲ ﻳﺴﺘﻐﻠﻬﺎ اﻟﻤﻌﻤﺎري ﻟﺮﻓﻊ‬ ‫ﻗﻴﻤﺔ اﻟﺴﻜﻦ وﺟﺬب اﻟﻤﺸﺘﺮﻳﻦ ؟‬

‫≤≥ « ‪¡UM³‬‬

‫‪32 Albenaa‬‬

‫ﻓﻲ ﻫﺬا اﻟﻌﺪد ﻧﺘﻨﺎول اﻟﺘﻄﻮﻳﺮ اﻟﺴﻜﻨﻲ اﻟﻤﺘﻤﻴﺰ وﺑﺎﻟﺘﺤﺪﻳﺪ‬ ‫اﻟﺸﻘﻖ اﻟﺴﻜﻨﻴﺔ اﻟﻤﺘﻤﻴﺰة ﻛﻮﻧﻬﺎ ﺳﻮف ﺗﺸﻜﻞ اﻟﺴﻜﻦ ا‪1‬ﻛﺜﺮ‬ ‫ﻣﻼﺋﻤﺔ ﻓﻲ ﻣﺪن اﻟﻤﺴﺘﻘﺒﻞ و‪1‬ﻧﻬﺎ ﺗﺘﻤﺘﻊ ﺑﻤﻮاﺻﻔﺎت ﻋﺎﻟﻴﺔ وﻳﻜﻮن‬ ‫ﻟﻠﻤﻌﻤﺎري دور ﻫﺎم ﻓﻲ إﻧﺠﺎﺣﻬﺎ ‪ ،‬ﻓﻬﺬا اﻟﻨﻮع ﻣﻦ اﻟﺴﻜﻦ ﺗﻜﻮن‬ ‫ﺗﻜﻠﻔﺔ إﻧﺸﺎءه ﺑﺎﻫﻈﺔ وﺳﻌﺮ ﺑﻴﻌﻪ ﻣﺮﺗﻔﻊ‪ ،‬وﺑﺎﻟﺮﻏﻢ ﻣﻦ أن ﺣﻴﺎة‬ ‫اﻟﻤﺒﺎﻧﻲ ﻃﻮﻳﻠﺔ إﻻ أﻧﻬﺎ ﻣﻨﺸﺂت ﺟﺎﻣﺪة ﻏﻴﺮ ﻟﻴﻨﺔ ﻳﺼﻌﺐ اﻟﺘﻐﻴﻴﺮ‬ ‫واﻟﺘﻌﺪﻳﻞ ﻓﻴﻬﺎ ﻟﺘﺘﻼﺋﻢ ﻣﻊ إﺣﺘﻴﺎﺟﺎت اﻟﺴﻜﺎن ﻋﺒﺮ اﻟﺰﻣﻦ ﻣﻤﺎ‬ ‫ﻗﺪ ﻳﻔﻘﺪﻫﺎ ﻗﻴﻤﺘﻬﺎ ا ﺳﺘﺜﻤﺎرﻳﺔ إذا ﻟﻢ ﻳﺮاﻋﻲ ﺗﺼﻤﻴﻤﻬﺎ ﻫﺬه‬ ‫اﻟﺨﺼﺎﺋﺺ ‪ .‬ﻟﺬﻟﻚ ﻳﺤﺘﺎج ﻫﺬا اﻟﻨﻮع ﻣﻦ اﻟﺴﻜﻦ إﻟﻰ ﻣﻬﺎرة‬ ‫ﻣﻌﻤﺎرﻳﺔ ﻋﺎﻟﻴﺔ ﻟﺘﺤﻘﻴﻖ ﺗﻤﻴﺰه وإﺳﺘﺪاﻣﺘﻪ‪ ،‬ﻓﻬﻮ ﻋﺎدة ﻣﺎ ﻳﻘﺎم‬ ‫ﻋﻠﻰ أراﺿﻲ ذات أﺳﻌﺎر ﻋﺎﻟﻴﺔ ‪ ،‬ﻛﻮﻧﻬﺎ ﺗﻘﻊ ﻓﻲ ﻣﻮاﻗﻊ ﻣﺘﻤﻴﺰة‬ ‫داﺧﻞ ﻣﺮاﻛﺰ اﻟﻤﺪن اﻟﺘﻲ ﺗﺘﻮﻓﺮ ﻓﻴﻬﺎ ﻛﺎﻓﺔ اﻟﺨﺪﻣﺎت اﻟﺘﺠﺎرﻳﺔ‬ ‫واﻟﺘﻌﻠﻴﻤﻴﺔ واﻟﺼﺤﻴﺔ وا‪1‬ﻣﻨﻴﺔ ‪ ،‬وﻳﺤﺼﻞ ذﻟﻚ ﻧﺘﻴﺠﺔ ﻟﻌﻮاﻣﻞ‬ ‫اﻟﻄﻠﺐ ﺗﺘﻮﺳﻊ رﻗﻌﺔ اﻟﺒﻨﺎء وﻳﻘﻞ اﻟﻤﻌﺮوض ﻣﻦ ا‪1‬راﺿﻲ وﺗﺮﺗﻔﻊ‬ ‫أﺳﻌﺎرﻫﺎ داﺧﻞ اﻟﻤﺪن ﺣﻴﺚ ﺗﺒﺪأ ﻣﺸﺮوﻋﺎت اﻟﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري‬ ‫اﻟﺴﻜﻨﻲ اﻟﺠﺪﻳﺪة ﻓﻲ ا ﻫﺘﻤﺎم ﺑﺎﻟﻤﺸﺎرﻳﻊ اﻟﺴﻜﻨﻴﺔ ذات اﻟﺘﻤﻴﺰ‬ ‫اﻟﻨﻮﻋﻲ اﻟﻌﺎﻟﻲ ﺣﻴﺚ ﻳﺼﺒﺢ اﻟﺴﻜﻦ داﺧﻞ اﻟﻤﺪن ذو ﻣﻴﺰة ﻋﻘﺎرﻳﺔ‬ ‫ﻧﺘﻴﺠﺔ ﻗﺮﺑﻪ ﻣﻦ اﻟﺨﺪﻣﺎت إذا ﻣﺎ ﻗﻮرن ﺑﺎﻟﺴﻜﻦ ﻋﻠﻰ أﻃﺮاف اﻟﻤﺪن‬ ‫اﻟﺒﻌﻴﺪة ﻋﻦ اﻟﺨﺪﻣﺎت اﻟﻤﺨﺘﻠﻔﺔ ‪ .‬وﻋﻤﻮﻣﺎ ﻓﺈن أﺳﻌﺎر اﻟﺸﻘﻖ‬ ‫اﻟﺴﻜﻨﻴﺔ اﻟﻤﺘﻤﻴﺰة ﺗﺤﺪدﻫﺎ اﻟﻌﻨﺎﺻﺮ اﻟﺘﺎﻟﻴﺔ ‪ :‬ﻣﺴﺎﺣﺔ اﻟﺸﻘﺔ‬ ‫ﻣﻜﻮﻧﺎﺗﻬﺎ ﻧﻮﻋﻴﺘﻬﺎ ﻣﻮﻗﻊ ﺑﻨﺎﺋﻬﺎ وﻗﺮﺑﻬﺎ ﻣﻦ اﻟﺨﺪﻣﺎت اﻟﺘﺠﺎرﻳﺔ ‪،‬‬ ‫اﻟﺘﻌﻠﻴﻤﻴﺔ‪…،‬إﻟﺦ واﻟﻤﺴﺘﻮي ا ﺟﺘﻤﺎﻋﻲ ﻟﺴﻜﺎن اﻟﺤﻲ ‪.‬‬ ‫وإذا ﻛﺎﻧﺖ ﻋﻮاﻣﻞ اﻟﻄﻠﺐ ﻋﻠﻰ اﻟﺴﻜﻦ ﺗﺘﺄﺛﺮ ﺑﺎﻟﺰﻳﺎدة اﻟﺴﻜﺎﻧﻴﺔ‬ ‫واﻟﻬﺠﺮة ﻣﻦ وإﻟﻰ اﻟﻤﺪن ﻛﻮﻧﻬﺎ ﺗﺤﺪد اﻟﻄﻠﺐ ﻓﺈن ﺣﺠﻢ ا‪1‬ﺳﺮ ﻻ‬ ‫ﻳﺘﺒﻊ ﺑﺎﻟﻀﺮورة اﻟﺰﻳﺎدة اﻟﺴﻜﺎﻧﻴﺔ ﺑﻞ ﻋﺎدة ﻣﺎ ﻳﻜﻮن أﺳﺮع ﻧﻤﻮ‪ . i‬ﻓﻤﺎ‬ ‫ﻳﺤﺼﻞ ﻓﻲ اﻟﻮاﻗﻊ ﻫﻮ أن زﻳﺎدة ﻋﺪد ا‪1‬ﺳﺮ ﻳﻜﻮن أﺳﺮع ﻣﻦ اﻟﺰﻳﺎدة‬ ‫اﻟﺴﻜﻨﻴﺔ ﻣﻦ ﺧﻼل ﻧﻤﻮ ﻋﺪد اﻓﺮاد ا‪1‬ﺳﺮة واﻧﻔﺼﺎل ا‪1‬ﺑﻨﺎء ﺑﻌﺪ ﻣﺮور‬ ‫ﻋﺪد ﻣﻦ اﻟﺴﻨﻴﻦ ﻟﺘﻜﻮﻳﻦ أﺳﺮ ﺟﺪﻳﺪة ‪ .‬وﻳﺆدي إﻟﻰ زﻳﺎدة اﻟﻄﻠﺐ‬ ‫ﻋﻠﻰ اﻟﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ وﺧﺎﺻﺔ اﻟﺸﻘﻖ ذات اﻟﻤﺴﺎﺣﺎت اﻟﺼﻐﻴﺮة ‪.‬‬ ‫ﻣﻦ ﺟﻬﺔ أﺧﺮى ﻣﻦ اﻟﻀﺮوري أن ﻧﺪرك ان ﻫﻨﺎك ﻃﺮﻳﻘﺘﻴﻦ ﻟﻠﺤﺼﻮل‬ ‫ﻋﻠﻰ اﻟﺴﻜﻦ ‪ :‬ﺗﻤﻠﻚ اﻟﺴﻜﻦ أو إﺳﺘﺌﺠﺎره ﺣﻴﺚ ﻳﻬﺘﻢ اﻟﺘﻤﻠﻚ‬ ‫ﺑﺎﻟﻘﻴﻤﺔ ا ﺳﺘﺜﻤﺎرﻳﺔ ﺑﻴﻨﻤﺎ ﻳﺴﺎﻋﺪ ا ﺳﺘﺌﺠﺎر ﻋﻠﻰ ﺣﺮﻳﺔ أﻛﺜﺮ‬ ‫ﻟﻠﺴﻜﺎن ﻓﻲ اﻟﺒﺤﺚ ﻋﻦ اﻟﻌﻤﻞ وإﺳﺘﺜﻤﺎر ﺟﺰء ﻛﺒﻴﺮ ﻣﻦ ﻗﻴﻤﺔ‬ ‫ﺷﺮاﺋﻪ ﻓﻲ ﻣﺸﺮوﻋﺎت ﻳﻜﻮن ﻋﺎﺋﺪﻫﺎ ا ﺳﺘﺜﻤﺎري أﻋﻠﻰ‪.‬‬ ‫ﻛﻞ ﻫﺬه اﻟﺠﻮاﻧﺐ ﻳﺠﺐ أن ﻳﺘﻔﻬﻤﻬﺎ اﻟﻤﻌﻤﺎري ﺟﻴﺪ‪ ،i‬وأن ﻳﻌﻤﻞ ﻋﻠﻰ‬ ‫ﻣﺮاﻋﺎﺗﻬﺎ‪ .‬وﻫﻨﺎك ﺣﻠﻮل ﺗﺼﻤﻴﻤﻴﺔ ﻋﺎﻣﺔ ﻳﺠﺐ ﻣﺮاﻋﺎﺗﻬﺎ ﻓﻲ ﺗﺼﻤﻴﻢ‬ ‫اﻟﻤﺒﺎﻧﻲ‪ ،‬ﻣﺜﻞ ﺗﻮﺟﻴﻬﻬﺎ وﺗﻮﻓﻴﺮ ا ﺿﺎءة واﻟﺘﻬﻮﻳﺔ اﻟﻄﺒﻴﻌﻴﺔ داﺧﻠﻬﺎ‬ ‫وﺗﺤﻘﻴﻖ اﻟﺨﺼﻮﺻﻴﺔ ﻟﺴﻜﺎﻧﻬﺎ‪ ،‬إﻻ أن ﻫﻨﺎك ﺣﻠﻮل ﺧﺎﺻﺔ ﺗﺪﻋﻤﻬﺎ‬ ‫اﻟﻤﺘﻄﻠﺒﺎت ا ﺳﺘﺜﻤﺎرﻳﺔ ﻟﻠﺴﻜﻦ اﻟﻤﺘﻤﻴﺰ ‪ ،‬ﻣﺜﻞ ﺗﺤﺴﻴﻦ ﻃﺮق‬ ‫إﺳﺘﻌﻤﺎﻟﻪ ﻣﻦ ﺣﻴﺚ ﻣﻮﻗﻌﻪ وﻣﻜﻮﻧﺎﺗﻪ وﻋﺪد ادواره وإﺳﺘﻐﻼل ﻣﻘﻮﻣﺎﺗﻪ‬ ‫ا ﻳﺠﺎﺑﻴﺔ ﻣﺜﻞ إﻋﺘﺪال ﻣﻨﺎخ ﻣﻮﻗﻌﻪ أو ﺗﺤﺴﻴﻦ ﻣﻘﻮﻣﺎﺗﻪ اﻟﺴﻠﺒﻴﺔ ‪.‬‬ ‫ﻳﺴﺘﻌﺮض اﻟﻌﺪد ﻋﺪد ﻣﻦ ﻣﺸﺎرﻳﻊ ا ﺳﻜﺎن اﻟﻤﺘﻌﺪد اﻟﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ‬ ‫اﻟﻤﺘﻤﻴﺰ ﻳﻮﺿﺢ دور اﻟﻤﻌﻤﺎري ﻓﻲ رﻓﻊ اداﺋﻬﺎ وﻗﻴﻤﺘﻬﺎ اﻟﻌﻘﺎرﻳﺔ ﻣﻊ‬ ‫اﻟﻤﺤﺎﻓﻈﺔ ﻋﻠﻰ ا‪1‬ﻫﺪاف اﻟﻌﻤﺮاﻧﻴﺔ ﻟﻠﻤﺪن اﻟﺘﻲ اﻧﺸﺌﺖ ﻓﻴﻬﺎ ‪.‬‬

vM³LK ÂUŽ dEM

S5 Albenaa

¡UM³ « μÂ

‫ﺑﺮج ﺳﻜﻨﻲ ذو إﻃﻼﻻت ﻣﺨﺘﺎرة‬ ‫‪Energy Living‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : M+Group S.A.S.‬‬ ‫ا‪#‬ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪ 2015 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﻣﻴﺪﻟﻴﻦ ـ ﻛﻮﻟﻮﻣﺒﻴﺎ‬

‫ﻣﺴﺎﺣﺔ اﻟﻤﺒﺎﻧﻲ ‪١٢١١٤،٩٦ :‬م‪٢‬‬ ‫اﻟﺘﻜﻠﻔﺔ ‪١٦٣٩١ :‬ﻣﻠﻴﻮن ﺑﻴﺰو‬ ‫ﻳﻘﻊ ﻫﺬا اﻟﺒﺮج اﻟﺴﻜﻨﻲ ﻓﻲ اﻟﺠﻨﻮب اﻟﺸﺮﻗﻲ ﻟﻤﺪﻳﻨﺔ‬ ‫ﻣﻴﺪﻟﻴﻦ ﻋﺎﺻﻤﺔ ﻛﻮﻟﻮﻣﺒﻴﺎ وﻫﻮ ﻣﻜﻮن ﻣﻦ ﻛﺘﻞ ﻣﺘﻮازﻳﺔ‬ ‫ا‪C‬ﺿﻼع رﺻﺖ ﻓﻮق ﺑﻌﻀﻬﺎ اﻟﺒﻌﺾ‪ ،‬ﻛﻞ ﻛﺘﻠﺔ ﺗﺘﺄﻟﻒ ﻣﻦ‬ ‫ﻋﺪد اﻟﻄﻮاﺑﻖ ﻳﺘﻨﺎﺳﺐ ﻣﻊ ﺣﺠﻢ اﻟﻜﺘﻠﺔ‪ .‬وﺟﻬﺖ ﻓﺘﺤﺎت‬ ‫اﻟﻮﺣﺪات ﺑﺤﻴﺚ ﻳﺴﺘﻔﻴﺪ اﻟﺴﻜﺎن ﻣﻦ إﻃﻼﻻت ﻣﺨﺘﺎرة‬ ‫ﻋﻠﻰ اﻟﻤﻨﻄﻘﺔ اﻟﻤﺤﻴﻄﺔ ‪ .‬ﻳﺤﺘﻮي اﻟﺒﺮﻧﺎﻣﺞ ﻋﻠﻰ ﺣﻠﻮل‬ ‫ﺳﻜﻨﻴﺔ ﻟﻠﻔﺮد اﻟﻮاﺣﺪ أو ا‪C‬ﺳﺮة وﻳﺘﻜﻮن ﻣﻦ ‪ ٧١‬وﺣﺪة‬ ‫ﺳﻜﻨﻴﺔ ﺗﺘﺮاوح ﻣﺴﺎﺣﺎﺗﻬﺎ ﻣﺎﺑﻴﻦ ‪ ٥٣‬و‪١٣٠‬م‪ ٢‬ﻣﺼﻤﻤﺔ‬ ‫ﻋﻠﻰ ﻫﻴﺌﺔ وﺣﺪات ﻣﺘﻜﺮرة ﺑﻤﺴﺎﺣﺎت ﻣﺮﻧﺔ ﺗﻮﻓﺮ ﺗﻨﻮع‬ ‫ﻓﻲ ﺗﻮزﻳﻊ ﻣﻜﻮﻧﺎﺗﻬﺎ ‪ .‬ﺗﻔﺘﺢ اﻟﺤﺪود اﻟﺨﺎرﺟﻴﺔ ﻟﻠﺒﺮج ﻣﻦ‬ ‫ﺧﻼل ﺷﺮﻓﺎت وﻧﻮاﻓﺬ ﺗﻮﻓﺮ إﻃﻼﻻت ﺗﻢ ﺗﻮﺟﻴﻪ ﻓﺘﺤﺎت‬ ‫اﻟﻜﺘﻞ اﻟﺴﻜﻨﻴﺔ ﻋﻠﻴﻬﺎ ‪ ،‬ﻛﻤﺎ ﺗﻢ زﺣﺰﺣﺔ اﻟﻜﺘﻞ ﺑﺤﻴﺚ‬ ‫ﺗﺤﺪث ﺗﻨﻮع ﻓﻲ اﻟﻤﺴﺎﺣﺎت واﻟﺘﻮزﻳﻊ اﻟﺪﺧﻠﻲ ﻟﻠﻮﺣﺪات‬ ‫اﻟﺴﻜﻨﻴﺔ وﻟﺘﺘﺠﻨﺐ اﻟﺘﻜﺮار ‪.‬ﺗﺒﻠﻎ أﺑﻌﺎد ﻣﺴﻘﻂ اﻟﺒﺮج‬ ‫‪٢١X٢١‬م وﺗﺘﻮﺳﻄﻪ اﻟﺤﺮﻛﺔ اﻟﺮأﺳﻴﺔ وﻣﺮاﻓﻖ اﻟﺨﺪﻣﺔ‬ ‫وﻳﺤﺘﻮي اﻟﻄﺎﺑﻖ ﻋﻠﻰ ‪ ٢‬إﻟﻰ ‪ ٤‬وﺣﺪات ﺳﻜﻨﻴﺔ ‪ .‬ﻳﻮﺟﺪ‬ ‫ﻓﻲ ﺑﻬﻮ اﻟﻤﺪﺧﻞ ﻣﻄﻌﻢ وﻣﻨﺎﻃﻖ ﻟ‪i‬ﺳﺘﻘﺒﺎل وﻣﻜﺎﺗﺐ‬ ‫ﻟ‪i‬دارة وﻓﻲ اﻟﺴﻄﺢ ﻫﻨﺎك ﻧﺎدي رﻳﺎﺿﻲ وﻣﺴﺒﺢ‬ ‫ﻣﻜﺸﻮف ﻳﻮﻓﺮ إﻃﻼﻟﺔ راﺋﻌﺔ ﻋﻠﻰ اﻟﻤﺪﻳﻨﺔ‪.‬‬

‫ ‪wKO dEM‬‬ ‫‪¡UM³ « ≤Â‬‬

‫‪WOÐdž WO dý W öÞ≈Ë« Wł—œ ≥∂∞ W öÞ≈ Ë√ WOÐuMł WO ULý W öÞ≈ ∫ Æ UNł«u « ôöÞ≈ b¹b%‬‬

‫‪UNCFÐ ‚u W «d² q² Ë√ UNł«uK WODš ULO Ið Ë√ …bŠ«Ë WK² ∫ Ãd³K ÂUF «dNE*« b¹b%‬‬

‫‪UNCFÐ sŽ q²J « WŠeŠ“ Ë ôöÞù« l¹uMð Ë√ …bŠu ôöÞ≈ «– ∫ W «d²*« q²JK ÂUF « qOJA² « b¹b%‬‬ ‫‪S2 Albenaa‬‬

WOÐdž WO dý Ë√ WOÐuMł WO ULý ∫ …—U² ôöÞ≈ V Š UNł«u « `²Hð From the Architect Report: This building located on southeast side of Medellin, materializes through the addition of rectangular prisms which are grouped in different heights to find the best direction to different places in the city.

The program provides housing solutions for single people or couples, with 71 apartments between 53 and 130 sqm of area, with modular and flexible designs spaces that allow different inhabit typologies.

The project opens its perimeter through terraces, balconies and windows overlooking intentionally targeted sites. The arrangement of these prisms generates various scenarios: Views to the south and north of the valley, the river, the nearby mountains, to the far western hills, to the metropolis of concrete and brick. At altitude the building is composed of a game of full and empty and various typologies of apartments that emphasize individuality over repetition.

The architectural plan is a square of 21 x 21 m, the vertical circulations and technical areas are located in the center of the building to occupy the perimeter with the apartment units. The base is a volume that emerges from the prisms and defines the facade facing toward the entrance lane, creating a transition between urban and private.

At the lobby, there is a restaurant, administrative areas and lounges. Social areas of the building are located on the last floor where the gym and wet areas are located overlooking the city. ŸUD

S5 Albenaa

¡UM³ « μÂ

qšb fl± W dý fl≤ qšb*« uNÐ fl≥ fK− fl¥ WÝ«dŠ flμ vNI fl∂ rFD fl∑ …—«œ≈ ? ∏ a³D ? π fK− ? ±∞ 5Hþu W dž ? ±± fÐö dOOGð ? ±≤ WK G ? ±≥ Êe ? ±¥ WI¹bŠ ? ±μ

w{—_« —Ëb « jI

Êu U fl±

Êu U fl±

ÂUFÞ fl≤

ÂUFÞ fl≤

a³D fl≥

a³D fl≥

Âu½ fl¥

Âu½ fl¥

U½«eš flμ

U½«eš flμ

dOG ’Uš Êe fl∂

dOG ’Uš Êe fl∂

W dý fl∑¨∏

W dý fl∑¨∏

Wł—œ≥∂∞ W öÞSÐ —dJ²*« —Ëb « jI

»uMł ‰ULý W öÞSÐ —dJ²*«—Ëb « jI

`³ fl±

Êu U fl±

WO Lý W UÞ fl≤

ÂUFÞ fl≤

Í“u Uł fl≥

a³D fl≥

W Kł fl¥

Âu½ fl¥

WO{U¹— »UF √ flμ

U½«eš flμ

w dð ÂULŠ fl∂

dOG ’Uš Êe fl∂

ô¬ W dž fl∑¨∏

W dý fl∑¨∏

`D « jI

»dž ‚dý W öÞSÐ —dJ²*« —Ëb « jI S4 Albenaa

¡UM³ « ¥Â

`D « ‚u lI¹ `³ 0 vM³*« œË“

qšb*« s V½Uł S7 Albenaa

¡UM³ « ∑Â

WOÐuMł WO ULý W öÞ≈

WAOF*« W U S6 Albenaa

¡UM³ « ∂Â

‫إﺳﻜﺎن ﻣﺘﻌﺪد اﻟﻤﺴﺘﻮﻳﺎت‬ ‫‪Beirut Terraces‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : Herzog & de Meuron‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪2016 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﺑﻴﺮوت ‪ ،‬ﻟﺒﻨﺎن‬

‫اﻟﻤﺴﺎﺣﺔ اﻻﺟﻤﺎﻟﻴﺔ ‪ 100.843 :‬م‪2‬‬ ‫اﻟﻤﺴﺎﺣﺔ اﻟﻤﺒﻨﻴﺔ ‪ 4.422:‬م‪2‬‬

‫ﻳﺤﺘﺮم ﺷﻜﻞ وإﻧﺸﺎء ﻫﺬا اﻟﺒﺮج اﻟﺴﻜﻨﻲ ﻣﺎﺿﻲ‬ ‫وﻣﺴﺘﻘﺒﻞ ﻣﺪﻳﻨﺔ ﺑﻴﺮوت ﻓﻬﻨﺎك ‪ ٥‬ﻋﻨﺎﺻﺮ ﺗﺤﺪد ﻋﻤﺎرﺗﻪ‬ ‫ﻫﻲ ﻣﺴﺘﻮﻳﺎت اﻟﻤﺸﺮوع وﺷﺮﻓﺎﺗﻪ‪ ،‬اﻟﻌﻼﻗﺔ ﺑﻴﻦ اﻟﺪاﺧﻞ‬ ‫واﻟﺨﺎرج ‪ ،‬اﻟﺰراﻋﺔ ‪ ،‬ا<ﻃﻼﻻت واﻟﺨﺼﻮﺻﻴﺎت‪ ،‬ا<ﺿﺎءة واﻟﻬﻮﻳﺔ‪.‬‬ ‫واﻟﻨﺘﻴﺠﺔ ﻫﻲ ﺗﺸﻜﻴﻞ رأﺳﻲ ﻣﺘﻌﺪد اﻟﻤﺴﺘﻮﻳﺎت ذو‬ ‫ﺑﻼﻃﺎت أﺳﻘﻒ ﺑﻤﻘﺎﻳﻴﺲ ﻣﺨﺘﻠﻔﺔ ﺗﺤﻘﻖ ﻣﺴﺘﻮﻳﺎت ﺗﺴﻤﺢ‬ ‫ﺑﺘﻔﺎﻋﻞ ﺑﻴﻦ اﻟﻔﺮاﻏﺎت اﻟﻤﻔﺘﻮﺣﺔ ﻋﻠﻰ اﻟﺨﺎرج واﻟﻔﺮاﻏﺎت اﻟﺘﻲ‬ ‫ﺗﺘﻄﻠﺐ اﻟﺨﺼﻮﺻﻴﺔ ﻟﺘﺤﻘﻴﻖ ﺳﻜﻦ ذو ﻓﺮاﻏﺎت ﻣﺮﻧﺔ ﺑﻴﻦ‬ ‫اﻟﺪاﺧﻞ واﻟﺨﺎرج وﻣﻦ ﺧﻼل اﻟﺘﻔﺎﺻﻴﻞ اﻟﺪﻗﻴﻘﺔ واﻟﺘﺮﻛﻴﺰ‬ ‫ﻋﻠﻰ ا<ﺧﺘﻴﺎر اﻟﻤﻨﺎﺳﺐ ﻟﻤﻮاد اﻟﺒﻨﺎء ﺗﻢ إﻧﺘﺎج ﻣﻨﺸﺄ ذو‬ ‫ﻧﻮﻋﻴﺔ وﻓﻌﺎﻟﻴﺔ ﻋﺎﻟﻴﺔ ‪ .‬ﻛﻤﺎ أﻣﻜﻦ ﺗﺤﻘﻴﻖ ﻧﻮﻋﻴﺔ ﺣﻴﺎة‬ ‫أﻓﻀﻞ وﻣﺴﺘﻮى ﻋﺎل ﻣﻦ ا<ﺳﺘﺪاﻣﺔ ﻣﻦ ﺧﻼل ﻫﻨﺪﺳﺔ‬ ‫ﺑﻴﺌﻴﺔ ﺣﺬرة وإﺳﺘﻌﻤﺎل ﻣﺰروﻋﺎت ﻣﻨﺘﻘﺎة ‪ .‬ﻳﺒﻠﻎ إرﺗﻔﺎع اﻟﺒﺮج‬ ‫اﻟﺴﻜﻨﻲ اﻟﻤﺘﻌﺪد اﻟﻤﺴﺘﻮﻳﺎت ‪١١٩‬م وﺗﺘﻤﻴﺰ اﻟﻤﺘﺴﻮﻳﺎت‬ ‫ﺑﺸﺮﻓﺎت ﻋﺮﻳﻀﺔ ﻧﺘﻴﺠﺔ ا<رﺗﺪاد اﻟﻌﻤﻴﻖ ﻟﻠﻮاﺟﻬﺎت اﻟﺰﺟﺎﺟﻴﺔ‬ ‫ﻟﻠﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ ﻓﻈﻬﺮت اﻟﻤﺴﺘﻮﻳﺎت ﻋﻠﻰ ﻫﻴﺌﺔ‬ ‫ﻛﻮاﺑﻴﻞ ﺗﺴﻤﺢ ﺑﻤﺮور ا<ﺿﺎءة اﻟﻄﺒﻴﻌﻴﺔ ﻋﺒﺮﻫﺎ إﻟﻰ داﺧﻞ‬ ‫اﻟﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ‪ .‬ﻛﻤﺎ ﺗﺴﻤﺢ ﺑﺘﻈﻠﻴﻞ اﻟﻮاﺟﻬﺎت اﻟﺰﺟﺎﺟﻴﺔ‬ ‫ﻟﻠﻮﺣﺪات‪ ،‬وﺗﻮﻓﺮ اﻟﺤﻤﺎﻳﺔ اﻟﻤﻨﺎﺧﻴﺔ ﻟﺒﻌﺾ اﻟﻔﺮاﻏﺎت وﺗﻌﺮض‬ ‫اﻟﺒﻌﺾ ا‪a‬ﺧﺮ ﻟﻬﺎ‪ .‬ا`ﻣﺮ اﻟﺬي ﻳﺠﻌﻞ ﻟﻜﻞ وﺣﺪة ﺗﺼﻤﻴﻢ‬ ‫ﻣﻨﻔﺮد ﺑﻬﺎ ﺑﻤﺎ ﻳﺤﻘﻖ ﺣﻲ ﺳﻜﻨﻲ ﻣﺘﻜﺎﻣﻞ اﻟﻤﻘﻮﻣﺎت‪ .‬ﺷﺠﻊ‬ ‫ﻣﻨﺎخ ﺑﻴﺮوت اﻟﻤﻌﺘﺪل ﻋﻠﻰ أن ﻳﺼﺒﺢ اﻟﻌﻴﺶ ﻓﻲ اﻟﻬﻮاء‬ ‫اﻟﻄﻠﻖ ﺟﺰء ﻻ ﻳﺘﺠﺰأ ﻣﻦ اﻟﺜﻘﺎﻓﺔ واﻟﻬﻮﻳﺔ اﻟﻤﻌﻤﺎرﻳﺔ ﻟﺒﻴﺮوت‪.‬‬ ‫ا`ﻣﺮ اﻟﺬى دﻓﻊ ﺑﺘﺄﺻﻴﻞ ﻫﺬه اﻟﻬﻮﻳﺔ ﻓﻲ ﺗﺼﻤﻴﻢ اﻟﻮﺣﺪات‬ ‫اﻟﺴﻜﻨﻴﺔ ﻓﻲ اﻟﺒﺮج ﺑﺤﻴﺚ ﺗﻨﺪﻣﺞ اﻟﻔﺮاﻏﺎت اﻟﺪاﺧﻠﻴﺔ‬ ‫واﻟﺨﺎرﺟﻴﺔ ﺑﻴﻦ ﺑﻌﻀﻬﺎ اﻟﺒﻌﺾ ‪.‬‬ ‫ﻳﺘﻤﻴﺰ اﻟﺒﺮج ﺑﺘﻨﺴﻴﻖ ﺣﺪاﺋﻘﻲ ﻳﺮاﻋﻲ ﻣﺘﻄﻠﺒﺎت ﻣﺨﻄﻂ‬ ‫اﻟﺤﻲ ورﺑﻂ اﻟﺪاﺧﻞ ﺑﺎﻟﺨﺎرج ﻣﻦ ﺧﻼل ﺗﺼﻤﻴﻢ ﻣﺴﻄﺤﺎت‬ ‫ﻣﺎﺋﻴﺔ ﻓﻲ ﻣﺪﺧﻞ اﻟﺒﺮج ذو اﻟﺴﻘﻒ اﻟﻤﺮﺗﻔﻊ اﻟﻔﺮاغ اﻟﺮﺣﺐ‬ ‫اﻟﺬي ﻳﻄﻞ ﻋﻠﻰ اﻟﺠﻬﺔ اﻟﺒﺤﺮﻳﺔ ﻓﻲ اﻟﺸﻤﺎل واﻟﻄﺮق‬

‫اﻟﻤﺸﺠﺮة ﻓﻲ اﻟﺸﺮق‪ .‬وﻳﺴﺘﻤﺮ ﻫﺬا اﻟﺘﻨﺎﻏﻢ ﺑﻴﻦ اﻟﻌﻤﺎرة‬ ‫واﻟﺘﻨﺴﻴﻖ اﻟﺤﺪاﺋﻘﻲ ﻋﺒﺮ ﺷﺮﻓﺎت اﻟﺒﺮج اﻟﻤﺨﺘﻠﻔﺔ ‪ .‬وﻧﻈﺮ‪q‬‬ ‫ﻟﻘﺮب اﻟﺒﺮج ﻟﻠﻮاﺟﻬﺔ اﻟﺒﺤﺮﻳﺔ ﻟﻠﻤﺪﻳﻨﺔ ﻓﺈن ذﻟﻚ ﻗﺪ ﺷﺠﻊ‬ ‫ﻋﻠﻰ ﺗﻮﻓﺮ إﻃﻼﻻت راﺋﻌﺔ ﻋﻠﻰ اﻟﺒﺤﺮ ﻛﻤﺎ ﺗﻌﻤﻞ اﻟﻤﺰروﻋﺎت‬ ‫ﻓﻲ اﻟﺸﺮﻓﺎت ﻋﻠﻰ ﺗﻮﻓﻴﺮ ﻗﺴﻂ ﻣﻦ اﻟﺨﺼﻮﺻﻴﺔ واﻟﺘﻈﻠﻴﻞ‬ ‫وﺗﻠﻄﻴﻒ اﻟﺒﻴﺌﺔ ﻓﻲ اﻟﻔﺮاﻏﺎت اﻟﺨﺎرﺟﻴﺔ ﻟﻠﻮﺣﺪات ﻛﻤﺎ ﺗﺴﻤﺢ‬ ‫ﺑﻼﻃﺎت اﻟﺸﺮﻓﺎت اﻟﺴﻤﻴﻜﺔ ﻧﺴﺒﻴﺎ ﺗﺨﺰﻳﻦ ﺟﺎﻧﺐ ﻣﻦ اﻟﺒﺮودة‬ ‫ﻟﻴﻼ وﺑﻌﺜﻬﺎ ﻧﻬﺎر‪ q‬ﻟﺘﺤﻘﻴﻖ إﺳﺘﺪاﻣﺔ وﺗﻮازن ﺑﻴﺌﻲ ﺣﻴﺎﺗﻲ‬ ‫ﻃﻮال ﻓﺘﺮات اﻟﻴﻮم ‪ .‬وﻟﺘﺤﻘﻴﻖ اﻟﺘﻨﻮع ﻓﻲ ﺗﺼﻤﻴﻢ اﻟﻮﺣﺪات‬ ‫اﻟﺴﻜﻨﻴﺔ ﻓﻘﺪ ﺟﺎء اﻟﺘﺼﻤﻴﻢ ا<ﻧﺸﺎﺋﻲ ﺑﺨﻤﺴﺔ ﻧﻤﺎذج‬ ‫إﻧﺸﺎﺋﻴﺔ ﻟﺒﻼﻃﺎت ا`ﺳﻘﻒ ﺑﺤﻴﺚ ﻳﺘﻢ ﺟﻤﻌﻬﺎ وﺗﻜﺮارﻫﺎ ﻓﻲ‬ ‫ﺗﺸﻜﻴﻼت ﻣﺨﺘﻠﻔﺔ ‪ .‬ﺣﻤﻠﺖ ا`ﺳﻘﻒ ﺑﻮاﺳﻄﺔ ﺑﺮج ﺧﺮﺳﺎﻧﻲ‬ ‫ﻣﺮﻛﺰي وﺷﺒﻜﺔ أﻋﻤﺪة ﺗﺒﺘﻌﺪ ﻋﻦ ﺑﻌﻀﻬﺎ ‪١٤٫٧‬م ا`ﻣﺮ اﻟﺬي‬ ‫ﻳﻠﻐﻲ اﻟﺤﺎﺟﺔ ﻟﻠﺤﻮاﺋﻂ ا<ﻧﺸﺎﺋﻴﺔ وﻳﺴﻤﺢ ﺑﻤﺮوﻧﺔ اﻟﺘﺼﻤﻴﻢ‬ ‫اﻟﺪاﺧﻠﻲ ﻟﻠﻮﺣﺪات ‪ .‬ﻗﺴﻤﺖ اﻟﻮﺣﺪات ﻋﻠﻰ ﻣﺠﻤﻮﻋﺎت ﺑﺤﻴﺚ‬ ‫ﺧﺼﺺ ﻟﻜﻞ ﺟﺰء ﺑﻬﻮ و ﻣﺼﺎﻋﺪ ﺗﺨﺪم ﻋﺪد وﺣﺪﺗﻴﻦ‬ ‫ﺳﻜﻨﻴﺘﻴﻦ ﻓﻘﻂ ﻓﻲ آن واﺣﺪ وﻳﺘﺸﺎرك ﻛﻞ ﺟﺰﺋﻴﻦ ﻓﻲ‬ ‫ﻣﺮاﻓﻖ ا`ﻣﻦ واﻟﺼﻴﺎﻧﺔ وﺧﺪﻣﺎت واﺣﺪة ‪ .‬ﺗﻨﻮﻋﺖ ﺗﺼﺎﻣﻴﻢ‬ ‫اﻟﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ ﺑﻤﺎ ﻓﻲ ذﻟﻚ اﻟﻮﺣﺪات ﻣﺘﻌﺪدة اﻟﻄﻮاﺑﻖ‬ ‫ﻟﺘﺤﻘﻖ ﻛﺎﻓﺔ إﺣﺘﻴﺎﺟﺎت اﻟﺴﻜﺎن وﺗﻨﻘﺴﻢ اﻟﻮﺣﺪات ﻣﻦ‬ ‫اﻟﺪاﺧﻞ إﻟﻰ ﺛﻼﺛﺔ ﻋﻨﺎﺻﺮ ا<ﺳﺘﻘﺒﺎل واﻟﻤﻌﻴﺸﺔ واﻟﺨﺪﻣﺎت‬ ‫وﻳﻨﻘﺴﻢ ا<ﺳﺘﻘﺒﺎل إﻟﻰ ﻣﺴﺎﺣﺎت ﻟﻠﺠﻠﻮس وأﺧﺮى ﻟﻠﻄﻌﺎم‬ ‫ﺗﺮﺗﺒﻂ ﻣﺒﺎﺷﺮة ﺑﺎﻟﺸﺮﻓﺎت اﻟﺨﺎرﺟﻴﺔ وﺗﺴﻤﺢ ﺑﺎ<ﻃﻼﻟﺔ ﻋﻠﻰ‬ ‫اﻟﺨﺎرج ﻋﺒﺮﻫﺎ ‪ .‬أﻣﺎ اﻟﻤﻌﻴﺸﺔ ﻓﺘﺘﻜﻮن ﻣﻦ ﻣﺴﺎﺣﺎت ﺧﺼﺼﺖ‬ ‫ﻟﻐﺮف ﻣﻌﻴﺸﺔ وﻧﻮم واﺳﻌﺔ و ﺧﺰاﻧﺎت واﺳﻌﺔ وﺗﺮﺗﺒﻂ‬ ‫ﺑﺸﺮﻓﺎت ﺧﺎرﺟﻴﺔ‪ ،‬أﻣﺎ اﻟﺨﺪﻣﺎت ﻓﺘﺘﻜﻮن ﻣﻦ اﻟﻤﻄﺒﺦ وﻣﺨﺰن‬ ‫وﻏﺮﻓﺔ ﻏﺴﻴﻞ وﻣﻠﺤﻖ ﻧﻮم ﻟﻠﺨﺪم ‪ .‬ﻳﺒﻠﻎ إرﺗﻔﺎع ﻣﺴﺎﺣﺎت‬ ‫ا<ﺳﺘﻘﺒﺎل واﻟﻤﻌﻴﺸﺔ ‪٣٫٣١‬م‪ .‬ﻳﻀﻢ اﻟﺒﺮج ﻣﺴﺒﺢ وﻧﺎدي رﻳﺎﺿﻲ‬ ‫ﺧﺎص ﺑﺎﻟﺴﻜﺎن وﻣﺤﻼت ﺗﺠﺎرﻳﺔ ﺗﻔﺘﺢ ﻋﻠﻰ اﻟﻄﺮق اﻟﻤﺤﻴﻄﺔ ﻛﻤﺎ‬ ‫زود اﻟﻤﺒﻨﻰ ﺑﻤﻮاﻗﻒ ﺗﺤﺖ ارﺿﻴﺔ ﺧﺎﺻﺔ ﺑﺎﻟﺰوار واﺧﺮى ﻟﻠﺴﻜﺎن ‪.‬‬

‫‪¡UM³ « πÂ‬‬

‫‪S9 Albenaa‬‬

© Iwan Baan

Ãd³K ÂUŽ dEM

© Herzog & de Meuron

UNF u V Š «bŠu « r−ŠË œbŽ `{u¹ ŸUD

© Iwan Baan

© Herzog & de Meuron

From the Architect Report: The structure and appearance of the proposed building are informed with an awareness and respect for the city’s past, as well as the self-confidence and optimism of contemporary Beirut. Five principles define the project: layers and terraces, inside and outside, vegetation, views and privacy, light and identity. The result is a vertically layered building: slabs of varying sizes allow for interplay between openness and privacy that fosters flexible living between inside and outside. Fine detailing and a focus on the concerted orchestration of quality materials produce a structure that is both efficient and luxurious. Careful environmental engineering and specific use of vegetation further enhance sustainability and the quality of life within the building.

The moderate climate of Beirut is undoubtedly one of the city’s greatest assets; it makes outdoor living an integral part of Beirut’s urban culture.

The proposal for the vegetation blends in with the concept of the existing master plan. The idea of a green boulevard that connects the residential high-rise to its surroundings is taken up by the design and continued vertically both inside and outside the building.

Being so close to the shoreline of Beirut, the building affords beautiful views of the sea. The vegetation on the terraces acts as a screen that not only provides shade but also ensures privacy for each apartment. Extensive overhangs provide shade and reduce solar gain. The slabs of each floor protrude around their entire circumference by a minimum of 60 centimetres, easing construction and maintenance of the extensive double-galzed façades. The floor plates are thick enough to balance the daily temperature cycles by virtue of their thermal mass, storing cold through the night and releasing it during the day. Such passive strategies make the building a truly sustainable place to live in. Where necessary, perforations in the overhangs modulate the lighting and exposure to the sun.

The mix of apartments of different sizes and types, including multi-storey duplexes, are distributed throughout the building, offering a variety of conditions to meet each tenant’s needs and provide each level with a unique identity.

Beirut Terraces provides amenities for residents at the entry level, such as a generous spa with pool, sauna, steam and massage rooms and shopping facilities along the eastern boulevard. Vehicle access and parking is separated between visitors and residents.

W¹d׳ « WNł«u «Ë ŸËdALK wKO dEM S11 Albenaa

¡UM³ « ±±Â

© Iwan Baan

WDO;« Ÿ—«uA « s Ëb³¹ UL Ãd³ « qO UHð

WOMJ « «bŠuK WHK² *« rO UB²K WO×O{uð U uÝ— S10 Albenaa

¡UM³ « ±∞Â

© Iwan Baan

Ãd³K ÂUŽ ÍuKŽ dEM

© Iwan Baan

© Iwan Baan

© Iwan Baan

WM¹b*« vKŽ WFÝ«u « U dA « s W öÞù«

UNł«u « qO UIð S12 Albenaa

¡UM³ « ±≤Â

‫ﺑﺮج ﺳﻜﻨﻲ رأﺳﻲ‬ ‫‪56 Leonard Street, New York‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : Herzog & de Meuron‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪2017 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﻧﻴﻮﻳﻮرك ‪ ،‬اﻟﻮﻻﻳﺎت اﻟﻤﺘﺤﺪة ا ﻣﺮﻳﻜﻴﺔ‬

‫وﻟﻘﺪ ﺻﻤﻤﺖ ﻋﻠﻰ ﻏﺮار ﻗﻤﻢ أﺑﺮاج ﻧﻴﻮﻳﻮرك ا ﻳﻘﻮﻧﻴﺔ‬ ‫ﺑﺘﺼﻤﻴﻢ ﻳﻤﻴﺰﻫﺎ ﻋﻦ اﻟﻤﺒﺎﻧﻲ اﻟﻤﺠﺎورة ﺣﻴﺚ ﻳﺘﺒﻊ‬ ‫ﺗﺼﻤﻴﻤﻬﺎ اﻟﺘﻜﻮﻳﻦ اﻟﺪاﺧﻠﻲ ﻟﻠﻌﺸﺮة دوﺑﻠﻜﺴﺎت‬ ‫اﻟﺴﻜﻨﻴﺔ اﻟﺘﻲ ﺗﺘﻮج ﻗﻤﺔ اﻟﺒﺮج واﻟﺘﻲ ﺗﺘﻤﺘﻊ ﺑﺸﺮﻓﺎت‬ ‫ﺗﻔﺘﺢ ﻋﻠﻴﻬﺎ ﻏﺮف ﻣﻌﻴﺸﺔ واﺳﻌﺔ ﺑﺤﻴﺚ ﺗﺒﺮز ﻫﺬه‬ ‫اﻟﺪوﺑﻠﻜﺴﺎت ﻋﻦ اﻟﻮﺣﺪات اﻟﺘﻲ ﺗﻘﻊ ﺗﺤﺘﻬﺎ‪ .‬أﻣﺎ ﻗﺎﻋﺪة‬ ‫اﻟﺒﺮج ﻓﻬﻲ ﺗﺘﻤﺎﺷﻰ ﻣﻊ اﻟﻜﺘﻞ اﻟﻤﻌﻤﺎرﻳﺔ اﻟﺘﻲ ﺗﻘﻊ ﻓﻲ‬ ‫ﻫﺬه اﻟﻤﻨﻄﻘﺔ ذات ا ﺣﺠﺎم واﻟﻘﻴﺎﺳﺎت اﻟﻤﺨﺘﻠﻔﺔ وﻟﺬﻟﻚ‬

‫‪© Iwan Baan‬‬

‫ﺗﻌﺘﺒﺮ ا ﺑﺮاج اﻟﺮأﺳﻴﺔ ﻣﻦ اﻟﻤﻜﻮﻧﺎت اﻟﺮﺋﻴﺴﺔ ﻟﻠﻤﺪن‬ ‫اﻟﺤﺪﻳﺜﺔ ‪ .‬إﻻ اﻧﻬﺎ أﺻﺒﺤﺖ ﺗﻌﺮف ﻓﻘﻂ ﻋﻠﻰ أﻧﻬﺎ ﻣﺒﺎﻧﻲ‬ ‫ﻣﺮﺗﻔﻌﺔ ﻟﻴﺲ إﻻ وﺗﺠﺎﻫﻞ اﻟﻨﺎس اﻳﺠﺎﺑﻴﺘﻬﺎ اﻟﻤﻌﻤﺎرﻳﺔ ‪.‬‬ ‫وﺑﻴﻨﻤﺎ ﻧﺠﺤﺖ ا ﺑﺮاج اﻟﺴﻜﻨﻴﺔ ﻓﻲ ﺟﻤﻊ أﻛﺒﺮ ﻋﺪد ﻣﻦ‬ ‫اﻟﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ ﻓﻲ ﺑﻨﺎء واﺣﺪ إﻻ اﻧﻬﺎ اﺧﻔﻘﺖ ﻓﻲ‬ ‫ﻛﺜﻴﺮ ﻣﻦ ا ﺣﻴﺎن ﻓﻲ ﺗﺤﺴﻴﻦ ﺑﻴﺌﺘﻬﺎ اﻟﺴﻜﻨﻴﺔ ‪ .‬وﺑﺎﻟﺮﻏﻢ‬ ‫ﻣﻦ ﺗﺤﻘﻴﻖ ﻛﺜﺎﻓﺔ ﺳﻜﻨﻴﺔ ﻋﺎﻟﻴﺔ ﻓﺈن ﻋﻤﺎرة ا ﺑﺮاج ذات‬ ‫ا‪M‬ﻧﺸﺎء اﻟﻤﺒﺴﻂ و اﻟﻮﺣﺪات ذات اﻟﻮاﺟﻬﺎت اﻟﻤﺘﻜﺮرة‬ ‫اﻟﺸﻜﻞ ﻻ ﺗﺤﻘﻖ أي إﺿﺎﻓﺎت وﻻﺗﺤﺴﻦ ﻣﻦ ﻧﻮﻋﻴﺔ ﻋﻤﺎرﺗﻬﺎ ‪.‬‬ ‫إن ﺳﻜﺎن ا ﺑﺮاج اﻟﺴﻜﻨﻴﺔ اﻟﻤﻌﺎﺻﺮة ﻳﻌﺎﻧﻮن ﻣﻦ‬ ‫اﻟﺘﺼﺎﻣﻴﻢ اﻟﻤﺘﺸﺎﺑﻬﺔ واﻟﻤﺘﻜﺮرة ﻟﻠﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ‬ ‫ﻓﻴﻬﺎ ‪ .‬ﻳﺨﺘﻠﻒ ﺗﺼﻤﻴﻢ ﻫﺬا اﻟﺒﺮج ﻋﻦ اﻟﻜﺜﻴﺮ ﻣﻦ ا ﺑﺮاج‬ ‫اﻟﻤﻌﺎﺻﺮة ﻛﻮﻧﻪ ﻳﺤﺎول ـ ﺑﺎﻟﺮﻏﻢ ﻣﻦ ﺿﻴﻖ ﻣﺴﺎﺣﺔ اﻻرض‬ ‫ﻧﺴﺒﺔ إﻟﻰ ﺑﺮﻧﺎﻣﺠﻪ اﻟﻤﺴﺎﺣﻲ ـ ﺗﺤﻘﻴﻖ ﻃﺎﺑﻊ ﻓﺮدي ﺧﺎص‬ ‫ﻟﻠﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ ‪ .‬ﺻﻤﻢ اﻟﺒﺮج ﺑﺤﻴﺚ ﺗﻢ إﻋﺘﺒﺎر اﻟﻐﺮف‬ ‫ﻛﻌﻨﺎﺻﺮ ﻣﻨﻔﺮدة ورﺻﻬﺎ ﻓﻮق ﺑﻌﻀﻬﺎ اﻟﺒﻌﺾ ‪ ،‬ﻛﻞ‬ ‫ﻏﺮﻓﺔ ذات ﺗﺸﻜﻴﻞ ﻣﻨﻔﺮد ﻋﻦ ا`ﺧﺮ ‪ .‬و ﻣﻦ ﺧﻼل دراﺳﺔ‬ ‫اﻟﻄﺮق ا‪M‬ﻧﺸﺎﺋﻴﺔ اﻟﻤﺘﺒﻌﺔ ﻓﻲ اﻟﻤﻨﻄﻘﺔ ﺗﻤﻜﻦ اﻟﻤﺼﻤﻢ‬ ‫ﻣﻦ ﺗﺤﻘﻴﻖ ﺗﻨﻮع ﻓﻲ ﺗﺸﻜﻴﻞ اﻟﻐﺮف ﻣﻦ ﺧﻼل ﺗﺤﺮﻳﻚ‬ ‫وﺗﻨﻮﻳﻊ ﺑﻼﻃﺎت اﻻﺳﻘﻒ ﻟﻌﻤﻞ زواﻳﺎ وﻛﻮاﺑﻴﻞ وﺷﺮﻓﺎت‬ ‫ﻟﻬﺎ ‪ .‬ﻋﻨﺪ ﻗﺎﻋﺪة اﻟﺒﺮج ﺗﺴﺘﺠﻴﺐ ﻃﺮﻳﻘﺔ اﻟﺮص ﻟﻘﻴﺎﺳﺎت‬ ‫اﻟﻤﻮﻗﻊ وﻟﻄﺒﻴﻌﺔ ﺣﺪود اﻟﻄﺮق اﻟﻤﺤﻴﻄﺔ ‪ ،‬ﺑﻴﻨﻤﺎ‬ ‫ﺗﺴﺘﺠﻴﺐ ﻓﻲ أﻋﻠﻰ اﻟﻤﺒﻨﻰ ﺑﻌﻼﻗﺔ اﻟﺒﺮج ﻣﻊ اﻟﺴﻤﺎء‪.‬‬ ‫أﻣﺎ وﺳﻂ ﺟﺴﻢ اﻟﺒﺮج ﻓﻠﻘﺪ ﺗﻢ اﻟﺘﻨﻮﻳﻊ و اﻟﺮص ﺑﻄﺮﻳﻘﺔ‬ ‫ﻣﺤﻜﻤﺔ ودﻗﻴﻘﺔ ﻟﺘﺤﻘﻴﻖ ﻓﺮاغ اﺳﻄﻮاﻧﻲ وﺳﻄﻲ ﺗﺮﺗﻔﻊ‬ ‫ﺣﻮﻟﻪ اﻟﻐﺮف ‪ .‬وﻟﺘﺠﻨﺐ اﻟﺘﻜﺮار واﻟﺘﺠﺎﻫﻞ ﻓﻲ ﻋﻤﺎرة اﻟﺒﺮج‬ ‫ﻃﻮر اﻟﺘﺼﻤﻴﻢ ﺑﺤﻴﺚ ﻳﺒﺪأ ﻣﻦ اﻟﺪاﺧﻞ وﻳﻨﺘﻬﻲ ﺑﺎﻟﺨﺎرج‬ ‫ﻣﻦ ﺧﻼل اﻟﺒﺪء ﺑﺎﻟﺘﺼﻤﻴﻢ اﻟﻔﺮدي ﻟﻠﻐﺮف ﻛﻜﺘﻞ زﺟﺎﺟﻴﺔ‬ ‫ﻟﺘﺼﻨﻊ ﻛﺘﻠﺔ اﻟﻤﺸﺮوع اﻟﻜﻠﻴﺔ ﺗﻨﺤﺖ أوﺟﻪ اﻟﺒﺮج اﻟﺨﺎرﺟﻴﺔ‪.‬‬ ‫ﻳﺤﻘﻖ اﻟﺘﺼﻤﻴﻢ ﺗﻨﺎﻏﻢ وﺗﺮاﺑﻂ ﺑﻴﻦ ﺗﺸﻜﻴﻼت اﻟﻮﺣﺪات‬ ‫ﻛﻤﺎ ﺗﺴﺎﻋﺪ ﻋﻠﻰ ﺗﻼﻗﻲ اﻟﺴﻜﺎن ﺑﻴﻦ ﺑﻌﻀﻬﻢ ﻣﻦ ﺧﻼل‬ ‫اﻟﺸﺮﻓﺎت اﻟﺘﻲ ﺗﻄﻞ ﻋﻠﻰ ﺑﻌﻀﻬﺎ ﺑﺪون أن ﺗﺘﻮاﺟﻪ وأن‬ ‫ﺗﺨﺪش اﻟﺨﺼﻮﺻﻴﺔ ﻟﻴﺸﻜﻞ اﻟﺘﻜﻮﻳﻦ ﺣﻲ ﺳﻜﻨﻲ رأﺳﻲ‬ ‫ﺑﻜﻞ ﻋﻨﺎﺻﺮه ‪ .‬ﺗﺸﻜﻞ ﻗﻤﺔ اﻟﺒﺮج أﻛﺜﺮ ﺟﺰء ﻣﺮﺋﻲ ﻣﻨﻪ‬

‫ﻣﺴﺎﺣﺔ اﻟﻤﺒﺎﻧﻲ ‪ 45291 :‬م‪2‬‬ ‫ﻣﺴﺎﺣﺔ اﻟﻤﻮﻗﻊ ‪ 1162 :‬م‪2‬‬

‫ ‪sðUNM WIDM* Íuł —uEM‬‬

‫ﺗﻢ ﺟﻤﻊ وﺗﻨﻮﻳﻊ ﻗﻴﺎﺳﺎت ﻛﺘﻞ اﻟﻘﺎﻋﺪة ﺑﺤﻴﺚ ﺗﺨﺪم‬ ‫وﺗﻼﺋﻢ أﻛﺒﺮ ﻋﺪد ﻣﻦ اﻟﻮﻇﺎﺋﻒ واﻟﺘﻲ ﺗﻀﻢ ﺑﻬﻮ اﻟﻤﺪﺧﻞ‬ ‫وﻣﻮاﻗﻒ اﻟﺴﻴﺎرات وﻣﺮاﻓﻖ اﻟﺒﺮج وﺑﻌﺾ اﻟﻮﺣﺪات‬ ‫اﻟﺴﻜﻨﻴﺔ ‪ .‬ﺻﻤﻢ اﻟﻬﻴﻜﻞ ا‪M‬ﻧﺸﺎﺋﻲ ﻟﻴﻜﻮن ﻇﺎﻫﺮ‪s‬‬ ‫وﺑﺤﻴﺚ ﻻ ﻳﺨﻔﻲ ﻧﻈﺎم ا‪M‬ﻧﺸﺎء‪ ،‬ﻛﻤﺎ أﻧﻪ ﺗﻢ إﺧﺘﻴﺎر ﺑﻌﺾ‬ ‫اﻟﻨﻮاﻓﺬ ﻟﺘﻔﺘﺢ ﻳﺪوﻳ‪ u‬ﻟﻐﺮض اﻟﺘﻬﻮﻳﺔ اﻟﻄﺒﻴﻌﻴﺔ‪ .‬ﻳﺤﻘﻖ‬ ‫اﻟﻤﺸﺮوع ﺗﻨﻮﻋ‪ u‬ﻛﺒﻴﺮ‪ s‬ﻓﻲ ﺗﺼﻤﻴﻢ اﻟﻮﺣﺪات إذ اﻗﺘﺼﺮ‬ ‫اﻟﺘﻜﺮار ﻋﻠﻰ ‪ ٥‬وﺣﺪات ﻓﻘﻂ‪.‬‬

‫‪¡UM³ « ±μÂ‬‬

‫‪S15 Albenaa‬‬

© Iwan Baan

Ãd³K ÂUŽ dEM

76 Albenaa

¡UM³ « ∑∂

© HUFTON + CROW © HUFTON + CROW

W¹—ULF*« d UMF « uN½ w …d¼UE « W½UÝd)« «b ²ÝSÐ WOKš«b « …—ULF « eOL²ð

wKš«b « `³ *«

© HUFTON + CROW

From the Architect Report: The high-rise tower is an important ingredient within the contemporary city. However, towers have come to be defined solely by their height and, as a type, they have become anonymous. Typical residential towers, while successful in aggregating the living unit, often fail to improve upon the living environment. The multiplication of units within simple extruded shapes produces repetitive and anonymous structures with no extra benefits or architectural qualities despite the incredible densities they achieve. For those who live in these structures, this experience of sameness and repetition can be relatively unpleasant. 56 Leonard Street acts against this anonymity and repetitiveness, emanating from so many towers of the recent past. Its ambition is to achieve, despite its size, a character that is individual and personal, perhaps even intimate. The project is conceived as a stack of individual rooms, where each room is unique and identifiable within the overall stack. A careful investigation of local construction methods revealed the possibility of shifting and varying floor-slabs to create corners, cantilevers and balconies – all welcome strategies for providing individual and different conditions in each apartment. At the base of the tower, the stack reacts to the scale and specific local conditions on the street, while the top staggers and shifts to engage with the sky. In-between, the staggering and variation in the middle-levels is more controlled and subtle, like in a column shaft. To break-up the tendency towards repetition and anonymity in high-rise buildings, 56 Leonard Street was developed from the inside out. The project began with individual rooms, treating them as “blocks of glass” grouped together on a floor-by-floor basis. These blocks come together to directly inform the volume and to shape the outside of the tower. From the interior the experience of these blocks is like stepping into a series of large bay windows. The strategy of stacking rooms also happens in section, creating a large number of terraces and projecting balconies. While careful to avoid directly overlooking a neighbouring apartment, these outdoor spaces provide indirect visual links between people – maybe strangers – who share the building. Aggregated together, these houses-in-the-sky, form a cohesive stack, a vertical neighbourhood, somewhat akin to New York’s specific neighbourhoods with their distinctive mix of proximity and privacy in equal measure. The top of any tower is its most visible element and, in keeping with this, the top of 56 Leonard Street is the most expressive part of the project and relates to the tradition of iconic tower tops in New York City.

This expressiveness is driven directly by the requirements of the interior, consisting of ten large-scale penthouses with expansive outdoor spaces and spacious living areas. These large program components register on the exterior as largescale blocks, cantilevering and shifting according to internal configurations and the desire to capture specific views that ultimately result in the sculptural expression of the top.

Meanwhile, the base of the tower responds to the special character of Tribeca. This is a part of New York characterized by a wide range of building scales - from small townhouses to large industrial blocks and the ubiquitous high-rise buildings of downtown. By grouping together blocks of various sizes, including lobby, parking deck, housing amenities and a few apartments, the tower reflects and incorporates each of these neighborhood scales

…dO Ë W¹uNðË …¡U{≈Ë W öÞ≈ «– U UL(« S17 Albenaa

¡UM³ « ±∑Â

s¹dAF «Ë f U)« —Ëb « jI

‰Ë_« —Ëb « jI

ÊuŁö¦ «Ë lЫd « —Ëb « jI

”œU « —Ëb « jI

ÊuŁö¦ «Ë w½U¦ « —Ëb « jI

lÐU « —Ëb « jI

ÊuFЗ_«Ë lÝU² « —Ëb « jI

dAŽ ”œU « —Ëb « jI S16 Albenaa

¡UM³ « ±∂Â

© Iwan Baan

Ãd³K W¹uKŽ WDI S19 Albenaa

¡UM³ « ±πÂ

© Iwan Baan

WM¹b*« wKŽ WOKO « W öÞù« S18 Albenaa

¡UM³ « ±∏Â

Ãd³K ÂUŽ dEM S21 Albenaa

¡UM³ « ≤±Â

‫ﻣﻠﻘﻒ اﻟﻬﻮاء اﻟﺴﻜﻨﻲ‬ ‫‪Wind Tower‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : AGI Architects‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪٢٠١٧:‬م‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬اﻟﺴﺎﻟﻤﻴﺔ ‪ ،‬اﻟﻜﻮﻳﺖ‬

‫اﻟﻤﺴﺎﺣﺔ ‪ 6500 :‬م‪2‬‬

‫‪¡UM³ « ≤∞Â‬‬

‫‪S20 Albenaa‬‬

‫‪© All Photos Courtesy of AGi architects‬‬

‫ﻳﻘﺪم ﻣﺸﺮوع ﺑﺮج اﻟﻮﻓﺮة اﻟﺴﻜﻨﻲ ﻣﻔﻬﻮم ﺟﺪﻳﺪ ﻟﻠﺴﻜﻦ‬ ‫ﻓﻲ اﻟﻤﺪﻳﻨﺔ واﻟﺘﻜﻴﻒ ﻣﻊ اﺳﻠﻮب اﻟﺤﻴﺎة ﻓﻲ اﻟﻘﺮن اﻟﻮاﺣﺪ‬ ‫واﻟﻌﺸﺮﻳﻦ ﻓﻲ اﻟﻜﻮﻳﺖ ‪ ،‬ﺣﻴﺚ ﻳﺴﺘﺠﻴﺐ اﻟﺴﻜﻦ اﻟﺮأﺳﻲ‬ ‫ﻟﻤﻮاﺟﻬﺔ اﻟﺸﺢ اﻟﻤﺘﻌﺎﻇﻢ ﻓﻲ ا<راﺿﻲ اﻟﺴﻜﻨﻴﺔ داﺧﻞ‬ ‫اﻟﻤﺪﻳﻨﺔ ‪ .‬اﻟﺘﺤﻮل ﻣﻦ اﻟﺴﻜﻦ اﻟﻔﺮدي إﻟﻰ أﺷﻜﺎل ﺟﺪﻳﺪة‬ ‫ﻟﻠﺴﻜﻦ أﺻﺒﺢ ﺿﺮورة ‪ ،‬ﺣﻴﺚ ﺗﻮﻓﺮ ﺗﻠﻚ ا<ﺷﻜﺎل اﻟﺠﺪﻳﺪة‬ ‫اﻟﺨﺼﻮﺻﻴﺔ وا‪M‬ﺳﺘﺠﺎﺑﺔ وا‪M‬ﺳﺘﻔﺎدة ﻣﻦ ﺧﺼﺎﺋﺺ اﻟﺴﻜﻦ‬ ‫اﻟﺮأﺳﻲ و اﻟﻤﻮﻗﻊ ﻓﻲ ﻧﻔﺲ اﻟﻮﻗﺖ‪ .‬أﺣﺪ ا<ﻫﺪاف اﻟﺮﺋﻴﺴﺔ‬ ‫ﻟﺘﺼﻤﻴﻢ اﻟﻤﺸﺮوع ﺗﺘﻤﺜﻞ ﻓﻲ ﻓﻬﻢ وإﻋﺎدة ﺻﻴﺎﻏﺔ‬ ‫اﻟﺘﻘﻨﻴﺎت اﻟﺒﻴﺌﻴﺔ اﻟﻤﺤﻠﻴﺔ ‪ ،‬ﺑﺘﻄﺒﻴﻖ وﺗﻄﻮﻳﺮ ﻓﻜﺮة اﻟﻔﻨﺎء‬ ‫اﻟﺪاﺧﻠﻲ اﻟﻤﻨﺘﺸﺮة ﻓﻲ ﻣﻨﻄﻘﺔ اﻟﺸﺮق ا<وﺳﻂ ودﻣﺠﻪ ﻣﻊ‬ ‫ﻋﻤﺎرة اﻟﺒﺮج اﻟﺴﻜﻨﻲ‪ ،‬ﻛﻤﺎ وﺿﻌﺖ اﻻﺳﺘﻌﻤﺎﻻت اﻟﺨﺎدﻣﺔ‬ ‫ﻓﻲ اﻟﺠﻬﺔ اﻟﺠﻨﻮﺑﻴﺔ ﻟﺘﺤﻤﻲ ا‪M‬ﺳﺘﻌﻤﺎﻻت اﻟﻤﺨﺪوﻣﺔ ﻣﻦ‬ ‫ﺗﺄﺛﻴﺮ أﺷﻌﺔ اﻟﺸﻤﺲ و ا‪M‬ﻗﺘﺼﺎد ﻓﻲ اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ‪.‬‬ ‫وﺑﻴﻨﻤﺎ ﺗﻮﺟﺪ اﻟﻔﺘﺤﺎت اﻟﺼﻐﻴﺮة ﻓﻲ اﻟﻮاﺟﻬﺔ اﻟﺠﻨﻮﺑﻴﺔ ﻣﻦ‬ ‫اﻟﻤﺒﻨﻰ ﻓﺈن اﻟﻔﺘﺤﺎت اﻟﻜﺒﻴﺮة ﺗﻮﺟﺪ ﻓﻲ اﻟﻮاﺟﻬﺔ اﻟﺸﻤﺎﻟﻴﺔ‬ ‫اﻟﻤﻮاﺟﻬﺔ ﻟﻠﺒﺤﺮ اﻟﺘﻲ ﻻ ﺗﺘﺄﺛﺮ ﻛﺜﻴﺮ‪ g‬ﺑﺄﺷﻌﺔ اﻟﺸﻤﺲ‬ ‫ﺑﻴﻨﻤﺎ ﺗﻮﻓﺮ إﻃﻼﻟﺔ راﺋﻌﺔ ﻋﻠﻲ اﻟﺒﺤﺮ ‪ .‬ﻳﻮﻓﺮ اﻟﺘﺼﻤﻴﻢ‬ ‫إﺿﺎءة وﺗﻬﻮﻳﺔ ﻃﺒﻴﻌﻴﺔ ﻋﺒﺮ ﻓﻨﺎء وﺳﻄﻲ داﺧﻠﻲ ﻓﻜﺮة‬ ‫اﻟﻔﻨﺎء‪ ،‬وﻋﻤﻞ دﺧﻼت ﻓﻲ اﻟﻮاﺟﻬﺎت ﺗﻔﺘﺢ ﻋﻠﻰ اﻟﻔﻨﺎء‬ ‫اﻟﻮﺳﻄﻲ ﻣﺎرة ﻋﺒﺮ اﻟﻤﺒﻨﻰ ﺗﻔﺘﺢ ﻋﻠﻴﻬﺎ اﻟﻮاﺟﻬﺎت اﻟﺠﺎﻧﺒﻴﺔ‬ ‫ﻟﻠﺸﻘﻖ وﺗﻮﻓﺮ ا‪M‬ﺿﺎءة واﻟﺘﻬﻮﻳﺔ اﻟﻄﺒﻴﻌﻴﺔ ‪ .‬اﺧﺘﻴﺮ ﺣﺠﺮ‬ ‫اﻟﺠﺮاﻧﻴﺖ ﻟﺘﻜﺴﻴﺔ اﻟﻮاﺟﻬﺎت ﻟﻜﻲ ﻳﺒﺪو اﻟﺒﺮج ﻛﺼﺨﺮة‬ ‫ﺣﺠﺮﻳﺔ ﻛﺒﻴﺮة ﻧﺤﺘﺖ ﺑﻮاﺳﻄﺔ ﻋﻮاﻣﻞ اﻟﺘﻌﺮﻳﺔ‪ ،‬أﻣﺎ اﻟﻔﻨﺎء‬ ‫اﻟﺪاﺧﻠﻲ ﻓﺪﻫﻦ ﺑﻠﻮن أﺑﻴﺾ ‪ .‬اﻗﻴﻢ اﻟﺒﺮج ﻋﻠﻰ ﻗﺎﻋﺪة‬ ‫ﺗﺘﻜﻮن ﻣﻦ ﻃﺎﺑﻘﻴﻦ ﺗﺤﺘﻮي ﻋﻠﻰ ﻣﺴﺒﺢ وﻧﺎدي رﻳﺎﺿﻲ ‪،‬‬ ‫ﺑﻴﻨﻤﺎ ﺗﺮﺗﻔﻊ اﻟﻄﻮاﺑﻖ اﻟﺴﻜﻨﻴﺔ ﻓﻮﻗﻬﺎ وﺗﺴﻤﺢ ﺑﺪﺧﻮل‬ ‫ا‪M‬ﺿﺎءة واﻟﺘﻬﻮﻳﺔ اﻟﻄﺒﻴﻌﻴﺔ إﻟﻴﻬﺎ‪ ،‬ﻳﺮﺗﻔﻊ اﻟﺒﺮج ‪ ١٣‬ﻃﺎﺑﻘﺎ‬ ‫وﻳﺤﺘﻮي ﻋﻠﻰ ‪ ١٢‬دوﺑﻠﻜﺲ ﺳﻜﻨﻲ رﺗﺒﺖ ﺑﻄﺮﻳﻘﺔ ﺗﺤﺎﻓﻆ‬ ‫ﻋﻠﻰ ﺧﺼﻮﺻﻴﺔ ﻛﻞ وﺣﺪة ﺳﻜﻨﻴﺔ‪ ،‬ﻛﻤﺎ ﻳﺘﻮج اﻟﺒﺮج ﻓﻴﻼ‬ ‫ﺳﻜﻨﻴﺔ ﻣﻜﻮﻧﺔ ﻣﻦ دورﻳﻦ ﺗﺤﺘﻮي ﻋﻠﻰ ﺷﺮﻓﺎت ﻣﺰروﻋﺔ‬ ‫ﺗﻮﻓﺮ إﻃﻼﻟﺔ ﻋﻠﻮﻳﺔ ﻣﻤﻴﺰة‪.‬‬

From the Architect Report: Wafra Vertical Housing introduces a new concept to urban living that adapts to the evolving lifestyle of 21st Century contemporary Kuwait. Considering the increasing demand for land in the city, the transformation of single family dwelling typologies becomes a must, where tenants should be able to enjoy privacy as well as benefit from vertical solution amenities and prime location. Understanding and reinterpreting local environmental techniques is one of the main targets of this design. The services core of the building is thus located on the southern wing, in order to minimize sun exposure and consequently reduce energy consumption – acting as a thermal barrier to the rest of the building. Hence, minimum openings are placed on the aforementioned façade, while on the other hand the building opens to the North, facing the sea and enjoying its privileged views. Optimal opportunities for natural lighting and cross ventilation also become an essential driving force for the design, which give the tower its character and determine its final orientation. Taking the idea of the traditional middleeastern courtyard typology and developing it volumetrically, the initial concept flourishes in the form of the tower. The courtyard is no longer constrained to the core of the building; instead, it borrows light and ventilation from the facade, funnels it through the pool area and flows through all levels finding its way out through the opposite façade. Granite stone is chosen for the façade, in order to give the tower an aspect of a monolithic sculpture that is carved by the wind, in contrast with the smooth surfaces of the interior courtyard that are rendered in white plaster. Functionally and geometrically, the tower is raised on a plinth that comprises 2 levels, where public spaces – including swimming pool and gym area – are located. The apartments rise up organically and allow for light and ventilation to penetrate through. Full tower height is 13 levels, where 12 duplex apartments are piled in order to preserve privacy. An extra penthouse crowns the building, including rooftop gardens and terraces that are advantageously profited.

WOMJ « oIA « l¹“uð qO UHð S23 Albenaa

¡UM³ « ≤≥Â

w{dŽ ŸUD

qšb*« WNł«Ë

w{dŽ ŸUD

W¹d−Š …d UN½Q Ëb³² «R²MÐ Ë XO½«d'UÐ UNł«u « XO W¹dF² « q «uŽ qFHÐ X²×½

5½«eO*« —Ëœ jI

oIA « ÈbŠ≈ s ×U)« vKŽ W öÞù«

W¹uNðË …¡U{≈ d uð wDÝu « ¡UMH UÐ WD³ðd*« öš«b « w¼ …dO³J « öOD² *« oIAK WO½U'« UNł«u « UNOKŽ `²HðË

f U)« —Ëb « jI

”œU « —Ëb « jI

dAŽ ÍœU(« —Ëb « jI

dAŽ w½U¦ « —Ëb « jI S22 Albenaa

¡UM³ « ≤≤Â

wDÝu « ¡UMH « S25 Albenaa

¡UM³ « ≤μÂ

WOÝ√d « W d(«Ë wDÝu « ¡UMH «

tOKŽ WKD*« UײH «Ë wDÝu « ¡UMH «

`³ *«Ë wDÝu « ¡UMH « S24 Albenaa

¡UM³ « ≤¥Â

© Murray Fredericks

‫ون ﺳﻨﺘﺮال ﺑﺎرك‬ ‫ﻣﺠﻤﻊ ﺳﻜﻨﻲ ﺗﺠﺎري‬ ‫‪One Central Park‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : Jean NOUVEL - Atelier Jean Nouvel‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪ 2014 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﺳﻴﺪﻧﻲ ـ اﺳﺘﺮاﻟﻴﺎ‬ ‫اﻟﻤﺴﺎﺣﺔ ‪ :‬اﻟﻤﺒﺎﻧﻲ ‪٦٧٦٢٦ :‬م‪٢‬‬

‫اﻟﻤﻮﻗﻊ ‪٢٥٥٥٠٠:‬م‪٢‬‬ ‫اﻟﺘﻜﻠﻔﺔ ∫ ‪ ٣٢٥‬ﻣﻠﻴﻮن ‪ $‬اﺳﺘﺮاﻟﻲ‬ ‫‪ $ ٥٤٠٠‬اﺳﺘﺮاﻟﻲ ‪ /‬م‪٢‬‬

‫ﺗﺘﻮﻗﻊ ا"ﻣﻢ اﻟﻤﺘﺤﺪة أن ﺗﺒﻠﻎ زﻳﺎدة اﻟﺴﻜﺎن ﻓﻲ اﻟﻌﺎﻟﻢ ﻣﻦ‬ ‫ا‪3‬ن وﺣﺘﻲ اﻟﻌﺎم ‪٢٠٥٠‬م ﻧﺤﻮ ‪٢‬ﺑﻠﻴﻮن ﻧﺴﻤﺔ ‪ ،‬وإرﺗﻔﺎع ﻧﺴﺒﺔ‬ ‫ﻋﺪد ﺳﻜﺎن اﻟﻤﺪن ﻣﺎ ﺑﻴﻦ ‪ ٪٥٠‬اﻟﻲ ‪ ، ٪٧٥‬وﺗﻘﻠﺺ ﻋﺪد ﺳﻜﺎن‬ ‫اﻟﻘﺮي ﺗﺒﻌﺎ ﻟﺬﻟﻚ ‪ ،‬وﻧﻤﻮ اﻟﻤﺮاﻛﺰ اﻟﻌﻤﺮاﻧﻴﺔ ﻓﻲ ﻣﺨﺘﻠﻒ اﻧﺤﺎء‬ ‫اﻟﻌﺎﻟﻢ ‪ .‬ﻟﻦ ﺗﻜﻮن اﺳﺘﺮاﻟﻴﺎ ﺑﻤﻨﺄى ﻋﻦ ذﻟﻚ ‪ ،‬ﺣﻴﺚ ﻗﺪ ﺗﻨﻤﻮ‬ ‫ﻣﺪﻳﻨﺔ ﺳﻴﺪﻧﻲ ﻣﻦ ‪ ٤،٦‬اﻟﻲ‪ ٧‬ﻣﻠﻴﻮن ﻧﺴﻤﺔ ﺣﻮاﻟﻲ اﻟﻌﺎم‬ ‫‪٢٠٥٦‬م ‪ ،‬وﻣﺪن أﺧﺮى اﺳﺘﺮاﻟﻴﺔ ﻛﺬﻟﻚ ‪.‬وﻓﻲ إﻃﺎر ﻫﺬا اﻟﺴﻴﻨﺎرﻳﻮ‬ ‫اﻟﺪﻳﻤﻮﻏﺮاﻓﻲ ﺳﻮف ﻳﺘﻮﺟﺐ ﻋﻠﻰ ﻛﻞ ﻫﺬه اﻟﻤﺪن ﻓﻲ‬ ‫اﻟﻌﺸﺮﻳﻦ ﺳﻨﺔ اﻟﻘﺎدﻣﺔ ﺗﻮﻓﻴﺮ اﻟﺴﻜﻦ ﻟﺤﻮاﻟﻲ ﻣﻠﻴﻮن ﻧﺴﻤﺔ‬ ‫أو ‪ ٤٠٠٠‬ﻧﺴﻤﺔ ﺷﻬﺮﻳﺎ ‪ .‬ﺗﺘﻮﻓﺮ ﻻﺳﺘﺮاﻟﻴﺎ اﻻﻣﻜﺎﻧﻴﺎت ﻣﻦ ﺣﻴﺚ‬ ‫اﻟﻤﻮارد اﻟﻄﺒﻴﻌﻴﺔ واﻟﻤﺴﺎﺣﺎت اﻟﺰراﻋﻴﺔ واﻟﻨﻈﺮة ا‪X‬ﻗﺘﺼﺎدﻳﺔ‬ ‫‪X‬ﺳﺘﻴﻌﺎب ﻫﺬه اﻟﺰﻳﺎدة اﻟﺴﻜﺎﻧﻴﺔ ؛ ﻓﺎﻟﺤﻜﻮﻣﺔ اﻻﺳﺘﺮاﻟﻴﺔ‬ ‫ﺗﺸﺠﻊ ا‪X‬ﺳﺘﺜﻤﺎر ا"ﺟﻨﺒﻲ ﻓﻲ اﻟﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري ‪،‬ﺣﻴﺚ ﻫﻨﺎك‬ ‫ﺣﺎﺟﺔ ﻟﺒﻨﺎء ‪ ٣٠٠‬اﻟﻒ ﻣﺴﻜﻦ ‪ .‬ﻛﻤﺎ ﺗﺸﺠﻊ اﺳﺘﺮاﻟﻴﺎ ﻋﻠﻰ اﻟﻬﺠﺮة‬ ‫إﻟﻴﻬﺎ ﻟﻠﻤﺘﻘﺎﻋﺪﻳﻦ ذوي اﻟﺪﺧﻞ اﻟﺘﻘﺎﻋﺪي اﻟﻤﺮﺗﻔﻊ واﻟﻄﻠﺒﺔ‬ ‫واﻟﻌﻤﺎﻟﺔ اﻟﻤﺎﻫﺮة ‪ .‬وﻣﻦ ﺧﻼل ﺗﺪﻓﻖ رؤس اﻻﻣﻮال و أﻧﻮاع‬ ‫اﻟﻤﻌﺮﻓﺔ اﻟﻤﺨﺘﻠﻔﺔ أﺻﺒﺤﺖ اﺳﺘﺮاﻟﻴﺎ واﺣﺪة ﻣﻦ ‪ ١٠‬دول ﻓﻲ‬ ‫اﻟﻌﺎﻟﻢ ذات اﻟﺪﺧﻞ اﻟﻔﺮدي اﻟﻤﺮﺗﻔﻊ وأﺻﺒﺤﺖ ‪ ٤‬ﻣﺪن اﺳﺘﺮاﻟﻴﺔ‬ ‫ﻓﻲ اﻟﻌﺎم ‪٢٠١٤‬م ﻣﻦ ﺑﻴﻦ ‪ ١٠‬ﻣﺪن ﻓﻲ اﻟﻌﺎﻟﻢ ا"ﻛﺜﺮ ﻣﺴﺘﻮى‬ ‫ﺣﻴﺎﺗﻲ ﻣﺮﻳﺢ ‪ .‬ون ﺳﻨﺘﺮال ﺑﺎرك ﻫﻮ أﺣﺪ أﻣﺜﻠﺔ اﻟﺘﻄﻮﻳﺮ‬ ‫اﻟﻌﻘﺎري ﻓﻲ اﺳﺘﺮاﻟﻴﺎ اﻟﺘﻲ ﺗﺨﺘﻠﻒ ﻋﻦ اﻟﺴﻴﺎﺳﺔ اﻟﻌﻤﺮاﻧﻴﺔ‬ ‫اﻟﺴﺎﺋﺪة اﻟﻤﺘﺤﻔﻈﺔ ﻟﺴﺪ اﻟﻨﻘﺺ ﻓﻲ اﻟﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ اﻟﺘﻲ‬ ‫ﺗﺸﺠﻊ ﻋﻠﻲ ﺑﻨﺎء ﻣﺸﺎرﻳﻊ ﺳﻜﻨﻴﺔ ذات ﺗﻨﻔﻴﺬ ﺳﺮﻳﻊ وﺗﻜﻠﻔﺔ‬ ‫ﻣﻨﺨﻔﻀﺔ واﻟﺘﻲ ﺗﻬﺪف إﻟﻰ اﻟﺘﻘﻠﻴﻞ ﻣﻦ اﻟﻤﺨﺎﻃﺮ ﻋﻠﻰ‬ ‫ﺣﺴﺎب ﺗﺤﻘﻴﻖ اﻟﺴﻜﻦ ﻋﺎﻟﻲ اﻟﺠﻮدة ‪ .‬إﻻ أن ﻫﺬه اﻟﺴﻴﺎﺳﺔ‬ ‫أﺻﺒﺤﺖ ﺗﻮاﺟﻪ ﺑﺜﻼث إﻋﺘﺒﺎرات ﺗﻄﻮﻳﺮﻳﺔ ﺟﺪﻳﺪة ﻫﻲ ‪ :‬اﻟﻀﻐﻂ‬ ‫اﻟﺴﻴﺎﺳﻲ ﻋﻠﻰ ا‪X‬ﺳﺘﺜﻤﺎر ﻓﻲ ﻣﺴﺘﻘﺒﻞ ﻣﺪﻳﻨﺔ ﺳﻴﺪﻧﻲ ‪،‬‬ ‫إﻗﺒﺎل اﻟﻤﻄﻮرون اﻟﻌﺎﻟﻤﻴﻮن ﻋﻠﻰ ا‪X‬ﺳﺘﺜﻤﺎر ﻓﻲ اﻟﻤﺸﺎرﻳﻊ‬ ‫اﻟﻌﻘﺎرﻳﺔ ذات اﻟﺴﻜﻦ اﻟﻨﻮﻋﻲ وﺗﻔﻀﻴﻞ اﻟﻤﺸﺘﺮي ﻟﺘﺼﺎﻣﻴﻢ‬ ‫ﻣﺸﺎرﻳﻊ ﺗﺤﻤﻞ أﺳﻤﺎء ﻧﺠﻮم اﻟﻌﻤﺎرة اﻟﻌﺎﻟﻤﻴﺔ ‪ .‬ﻳﺘﻤﺘﻊ ون‬ ‫‪¡UM³ « ≤∂Â‬‬

‫‪S26 Albenaa‬‬

‫ ‪ŸËdALK ÂUŽ dEM‬‬

‫ﻳﺮﺟﻊ ذﻟﻚ إﻟﻰ ﻋﺪم ﻣﻘﺪرﺗﻨﺎ ﻣﻦ ﺗﺠﺴﻴﺪ ﺻﻮرة ﻏﺎز ﺛﺎﻧﻲ‬ ‫اوﻛﺴﻴﺪ اﻟﻜﺮﺑﻮن وإﻳﺼﺎﻟﻬﺎ ﻟﻠﻤﺠﺘﻤﻊ ‪ ،‬ﻓﻬﻮ ﻏﺎز ﺑﺪون راﺋﺤﺔ‬ ‫وﻻﻳﻤﻜﻦ رؤﻳﺘﻪ و ﻗﺪ ﻳﻜﻮن اﻟﺴﺒﺐ ﻫﻮ ﺿﻌﻒ ﺗﺮﺟﻤﺘﻨﺎ‬ ‫اﻟﻤﻌﻤﺎرﻳﺔ ﻟﻪ ‪ ،‬ا‪B‬ﻣﺮ اﻟﺬي أدى إﻟﻰ إﺗﺴﺎع اﻟﻬﻮة ﺑﻴﻦ اﻟﻨﻈﺮة‬ ‫اﻟﺠﻤﺎﻋﻴﺔ ﻟﻠﻤﺒﺎﻧﻲ اﻟﺨﻀﺮاء واﻟﻮاﻗﻊ اﻟﺤﻘﻴﻘﻲ ﻟﻠﻤﺒﺎﻧﻲ‪.‬‬ ‫ﻓﺎﻟﺼﻮر اﻟﻤﺘﻜﺮرة ‪B‬ﺳﻄﺢ اﻟﻤﺒﺎﻧﻲ اﻟﻤﺰروﻋﺔ واﻟﺤﺪاﺋﻖ اﻟﻌﺎﻣﺔ‬ ‫اﻟﺘﻲ ﺗﻮﺣﻲ ﺑﺎ‪R‬ﺳﺘﺪاﻣﺔ ﻻ ﺗﺸﻜﻞ أﻛﺜﺮ ﻣﻦ ‪ ٪ ٤‬ﻣﻦ ﻣﺘﻄﻠﺒﺎت‬ ‫أﻧﻈﻤﺔ ﺗﻘﻴﻴﻢ اﻟﻤﺒﺎﻧﻲ اﻟﺨﻀﺮاء‪ ،‬ﻛﻤﺎ أن ﺗﻘﻴﻴﻤﻬﺎ ﻳﻌﺘﻤﺪ‬ ‫ﻋﻠﻰ إﻋﺘﺒﺎرات وﺳﺎﺋﻞ ري ﻫﺬه اﻟﻤﺴﺎﺣﺎت اﻟﺨﻀﺮاء وﺻﻴﺎﻧﺘﻬﺎ‬ ‫وأﻫﺪاف إﻧﺸﺎﺋﻬﺎ ‪ ،‬ﺣﻴﺚ ﻳﻤﻜﻦ أن ﺗﻜﻮن ﻫﺬه ا‪R‬ﻋﺘﺒﺎرات‬ ‫ﺳﻠﺒﻴﺔ وﻻﺗﺤﻘﻖ اﻳﺠﺎﺑﻴﺎت إﺳﺘﺪاﻣﻴﺔ ‪ .‬وﺑﺪون ﺧﻠﻔﻴﺔ ﻋﻠﻤﻴﺔ‬ ‫أو ﺧﺒﺮة ﺳﺎﺑﻘﺔ ﻓﺈﻧﻪ ﻣﻦ اﻟﺼﻌﻮﺑﺔ ﺑﻤﻜﺎن اﻟﺘﻔﺮﻳﻖ ﺑﻴﻦ‬ ‫اﻟﻤﺸﺮوع ذي اﻟﻜﻔﺎءة ﻓﻲ اﻟﻄﺎﻗﺔ وأﻛﺜﺮ اﻟﻤﺸﺎرﻳﻊ إﻫﺪار[‬ ‫ﻟﻬﺎ‪ .‬وﻟﺬﻟﻚ وﺑﻬﺪف إﻇﻬﺎر ا‪R‬ﻋﺘﺒﺎرات اﻟﺒﻴﺌﻴﺔ ﻓﻲ ﻋﻤﺎرة‬ ‫اﻟﻤﺒﺎﻧﻲ ‪ ،‬ﻓﺈﻧﻪ ﻳﺠﺐ ﺗﻮﺳﻴﻊ اﻟﻤﻘﺎرﺑﺔ اﻟﺘﺼﻤﻴﻤﻴﺔ ﻟﺘﺘﻌﺪى‬ ‫ﻗﺎﺋﻤﺔ ﺗﻘﻴﻴﻢ اﻟﻤﺒﺎﻧﻲ اﻟﺨﻀﺮاء وإﺑﺘﻜﺎر ﺣﻠﻮل ﺗﻘﻨﻴﺔ ﺟﺪﻳﺪة‬ ‫ﻗﺪ ﻻ ﻳﻌﺘﺒﺮﻫﺎ اﻟﺘﻘﻴﻴﻢ وﻟﻜﻨﻬﺎ ﺗﺤﻘﻖ إﺿﺎﻓﺔ ﺑﻌﻴﺪة ﻋﻦ‬ ‫اﻟﺘﻘﻴﻴﻢ ‪B‬ﻧﻬﺎ ﺣﻠﻮل ﻇﺎﻫﺮة ﻳﻤﻜﻦ أن ﻳﺸﺎﻫﺪﻫﺎ اﻟﺠﻤﻴﻊ ‪.‬‬ ‫ﻫﺬه اﻟﺤﻠﻮل اﻟﺘﻘﻨﻴﺔ ﻳﺠﺐ أن ﺗﻜﻮن ﻣﻘﺒﻮﻟﺔ ﻣﻦ وﺟﻬﺔ اﻟﻨﻈﺮ‬ ‫اﻟﺜﻘﺎﻓﻴﺔ اﻟﻤﻌﺎﺻﺮة وﺗﻜﻮن ﻣﻔﻴﺪة ﻟﻠﻤﺸﺮوع‪ .‬ﻳﺤﺘﻮي ﻫﺬا‬ ‫اﻟﻤﺸﺮوع ﺣﻠﻮل ﺗﻘﻨﻴﺔ ﻣﻦ ﻫﺬا اﻟﻨﻮع ‪ :‬ﺗﻘﻨﻴﺔ اﻟﺰراﻋﺔ اﻟﻤﺎﺋﻴﺔ‬

‫)‪ (Hydroponics‬وﺗﻘﻨﻴﺔ ﻋﻜﺲ أﺷﻌﺔ اﻟﺸﻤﺲ وا‪R‬ﺳﺘﻔﺎدة‬ ‫ﻣﻨﻬﺎ ‪ Heliostats‬ودﻣﺠﻬﺎ ﻓﻲ ﻋﻤﻖ اﻟﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎري‬ ‫وﺷﺒﻜﺎﺗﻪ اﻟﻤﻴﻜﺎﻧﻴﻜﻴﺔ‪ ،‬ﻓﺎﻟﺰراﻋﺔ اﻟﻤﺎﺋﻴﺔ ﺗﺴﺘﺨﺪم اﻟﻤﻴﺎه‬ ‫اﻟﻤﻌﺎﻟﺠﺔ ﻓﻲ ري ﻧﺒﺎﺗﺎﺗﻬﺎ اﻟﺘﻲ ﺗﻨﻤﻮ ﻋﻠﻰ واﺟﻬﺎت ﻣﺒﺎﻧﻲ‬ ‫اﻟﻤﺸﺮوع ﻓﻲ ﺣﺎﻓﻈﺎت ﻗﻠﻴﻠﺔ ا‪R‬رﺗﻔﺎع ‪ .‬أﻣﺎ ﺗﻘﻨﻴﺔ ﻋﻜﺲ أﺷﻌﺔ‬ ‫اﻟﺸﻤﺲ ﻓﻬﻲ ﺗﻬﺪف إﻟﻰ ﻋﻜﺲ و ﺗﻮﺟﻴﻪ اﺷﻌﺔ اﻟﺸﻤﺲ‬ ‫إﻟﻰ ﻣﻨﺎﻃﻖ اﻟﻤﺸﺮوع اﻟﻤﻌﺘﻤﺔ ﻧﻬﺎر[ ‪R‬ﻧﺎرﺗﻬﺎ وﻟﺮﻓﻊ ﻣﺴﺘﻮى‬ ‫اﻟﺤﺮارة ﻓﻴﻬﺎ‪ .‬ﺗﺸﻜﻞ اﻟﻤﺴﺎﺣﺎت اﻟﺨﻀﺮاء اﻟﻌﻨﺼﺮ ا‪B‬ﺳﺎس‬ ‫ﻟ‪g‬ﺳﺘﺪاﻣﺔ ﻓﻲ اﻟﻤﺨﻄﻂ اﻟﻌﺎم ﻟﻠﻤﻨﻄﻘﺔ ﺑﺤﻴﺚ إن أي زﻳﺎدة‬ ‫ﻓﻲ ﻛﺜﺎﻓﺔ اﻟﺒﻨﺎء ﻳﺠﺐ أن ﺗﻮاﺟﻬﻬﺎ زﻳﺎدة ﻓﻲ اﻟﻤﺴﺎﺣﺎت‬ ‫اﻟﺨﻀﺮاء ﻟﻠﻤﺤﺎﻓﻈﺔ ﻋﻠﻰ وﻇﺎﺋﻔﻬﺎ ﻛﻔﻀﺎءات ﺗﺮﻓﻴﻬﻴﺔ ﻋﺎﻣﺔ‪،‬‬ ‫وﻟﺘﺤﻘﻴﻖ ذﻟﻚ ﻋﻠﻰ اﻟﻮاﻗﻊ ﺗﻢ ﺗﻘﺴﻴﻢ اﻟﻤﺒﺎﻧﻲ وﺗﻮزﻳﻌﻬﻤﺎ‬ ‫ﻓﻲ اﻟﻤﻮﻗﻊ ﻋﻠﻰ ﺑﺮﺟﻴﻦ ﻓﻲ ﻛﻞ ﻣﻦ اﻟﺠﻬﺔ اﻟﺸﻤﺎﻟﻴﺔ‬ ‫واﻟﺠﻨﻮﺑﻴﺔ ‪ ،‬اﻟﺒﺮج اﻟﺸﻤﺎﻟﻲ ﻳﺮﺗﻔﻊ ‪١١٦‬م واﻟﺒﺮج اﻟﺠﻨﻮﺑﻲ‬ ‫‪٦٤،٥‬م وﻳﺤﺘﻮﻳﺎن ﻋﻠﻰ‪ ٦٢٣‬ﺷﻘﺔ ﻓﺎﺧﺮة ‪ .‬اﻟﺒﺮﺟﺎن ﻳﺮﺗﻔﻌﺎن ﻓﻮق‬ ‫ﻗﺎﻋﺪة ﺑﻨﺎﺋﻴﺔ ﺑﺈرﺗﻔﺎع ‪ ٥‬ﻃﻮاﺑﻖ وﺗﺤﺘﻮي ﻋﻠﻰ ‪ ١٦‬اﻟﻒ م‪ ٢‬ﻣﻦ‬ ‫اﻟﻤﺴﺎﺣﺎت اﻟﺘﺠﺎرﻳﺔ ﻣﻊ إﺳﺘﺨﺪام ﺳﻄﺢ اﻟﻘﺎﻋﺪة ﺑﻴﻦ اﻟﺒﺮﺟﻴﻦ‬ ‫ﻛﻔﻀﺎء ﺗﺮﻓﻴﻬﻲ ﻋﺎم ﻣﻔﺘﻮح ‪ .‬وﻟﻠﻤﺤﺎﻓﻈﺔ ﻋﻠﻰ ﻧﺴﺒﺔ‬ ‫اﻟﻤﺴﺎﺣﺎت اﻟﺨﻀﺮاء اﻟﺘﻲ ﺗﻌﺰز ﻓﻜﺮة اﻟﻔﻀﺎء اﻟﻌﺎم اﻻﺧﻀﺮ ﺗﻢ‬ ‫إﺳﺘﺨﺪام زراﻋﺔ رأﺳﻴﺔ ﻋﻠﻰ واﺟﻬﺎت اﻟﻤﺸﺮوع ﺑﺤﻴﺚ ﺗﻈﻬﺮ‬ ‫اﻟﻮاﺟﻬﺎت ﻋﻠﻰ ﻫﻴﺌﺔ ﺧﻤﺎر أﺧﻀﺮ ﻳﻐﻄﻲ اﻟﻤﺒﻨﻰ ‪.‬‬

‫‪¡UM³ « ≤πÂ‬‬

‫‪S29 Albenaa‬‬

‫‪© Murray Fredericks‬‬

‫‪UN²¾ bðË UNð—U½ù Î «—UN½ WL²F*« ŸËdA*« oÞUM v ≈ fLA « ¡u{ tOłuð v ≈ ·bNð w² « Heliostats fLA « WFý√ fJŽ WOMIð‬‬

‫‪© Roland Halbe‬‬

‫‪ŸUHð—ù« WKOK UE UŠ w ŸËdA*« w½U³ UNł«Ë vKŽ uLMð w² « U³M « Í— w W'UF*« ÁUO*« Hydroponics WOzU*« WŽ«—e « WOMIð Âb ² ð‬‬

‫ﺳﻨﺘﺮال ﺑﺎرك ﺑﻜﻞ ﻫﺬه ا ﻋﺘﺒﺎرات ﺣﻴﺚ ﻳﻘﻊ اﻟﻤﺸﺮوع ﻓﻲ‬ ‫ﻣﻨﻄﻘﺔ ﺗﻢ ﺗﺨﻄﻴﻄﻬﺎ ﻣﻦ ﻗﺒﻞ اﻟﺴﻠﻄﺎت اﻟﻤﺤﻠﻴﺔ اﻟﺘﺎﺑﻌﺔ‬ ‫ﻟﻮزارة اﻟﺘﺨﻄﻴﻂ اﻟﺘﻲ ﺗﻬﺪف إﻟﻰ ﺗﻄﻮﻳﺮ ﻣﺸﺎرﻳﻊ ﻋﻤﺮاﻧﻴﺔ‬ ‫ذات ﻧﻮﻋﻴﺔ ﻋﺎﻟﻴﺔ ‪،‬ﺧﺎﺻﺔ أن اﻟﺸﺮﻛﺔ اﻟﻌﻘﺎرﻳﺔ اﻟﻤﻄﻮرة ﻟﻬﺬا‬ ‫اﻟﻤﺸﺮوع ﻫﻲ ﺷﺮﻛﺔ ﻛﺒﻴﺮة ذات إﻣﻜﺎﻧﻴﺎت إﻗﺘﺼﺎدﻳﺔ وﺗﻄﻮر‬ ‫ﻣﺸﺎرﻳﻊ ﻋﺎﻟﻴﺔ اﻟﺠﻮدة‪ ،‬ﻛﻤﺎ أن ﺗﺨﻄﻴﻂ وﺗﺼﻤﻴﻢ اﻟﻤﺸﺮوع ﺗﻢ‬ ‫ﻣﻦ ﻗﺒﻞ ﻣﻜﺎﺗﺐ ﻋﺎﻟﻤﻴﺔ ﻳﻘﻮم ﻋﻠﻴﻬﺎ ﻣﻌﻤﺎرﻳﻮن ﻧﺠﻮم أﻣﺜﺎل‬ ‫ﻓﻮﺳﺘﺮ اﻧﺪ ﺑﺎرﺗﻨﺮ ﻣﻦ ﻟﻨﺪن وﺟﺎن ﻧﻮﻓﻞ ﻣﻦ ﺑﺎرﻳﺲ وﺟﻮﻧﺴﻮن‬ ‫ ﺑﻴﻠﺘﻮن ‪ -‬وﻟﻜﺮ ﻣﻦ ﺳﻴﺪﻧﻲ ‪ ،‬وﻧﺘﻴﺠﺔ ﻟﺬﻟﻚ ﺑﻴﻊ ‪ ٪٩٠‬ﻣﻦ‬‫اﻟﻤﺸﺮوع ﻋﻠﻰ اﻟﻤﺨﻄﻂ ﻓﻲ اﻟﺜﻼث أﺷﻬﺮ ا‪Q‬وﻟﻰ ﻟﻌﺮﺿﻪ‪.‬‬ ‫اﻟﺘﺨﻄﻴﻂ واﻟﺘﺼﻤﻴﻢ ‪:‬‬ ‫ﻳﻌﺘﺒﺮ ﻣﺸﺮوع ون ﺳﻨﺘﺮال ﺑﺎرك اﻟﻤﺮﺣﻠﺔ ا‪Q‬وﻟﻰ ﻣﻦ ﺗﻄﻮﻳﺮ‬ ‫ﻋﻘﺎري ﺑﻘﻴﻤﺔ ﺗﺼﻞ إﻟﻰ ‪ ٢‬ﺑﻠﻴﻮن دوﻻر اﺳﺘﺮاﻟﻲ ‪ ،‬ﻗﺎم ﻣﻜﺘﺐ‬ ‫ﻓﻮﺳﺘﺮ اﻧﺪ ﺑﺎرﺗﻨﺮ ﺑﺘﻨﺴﻴﻖ اﻟﻌﻤﻞ ﻋﻠﻰ اﻟﻤﺨﻄﻂ اﻟﻌﺎم‬ ‫ﻟﻠﻤﺸﺮوع ﺑﻨﺎء ﻋﻠﻰ اﻟﺘﻮﻗﻌﺎت اﻟﻤﺴﺘﻘﺒﻠﻴﺔ ﺳﺘﻤﺮارﻳﺔ ﻧﻤﻮ‬ ‫ﻋﺪد ﺳﻜﺎن اﻟﻤﺪﻳﻨﺔ وأن ا‪Q‬ﺑﺮاج اﻟﺴﻜﻨﻴﺔ ﺑﺎﻟﻘﺮب ﻣﻦ ﻣﺮاﻛﺰ‬ ‫اﻟﺠﺬب ﻓﻲ اﻟﻤﺪﻳﻨﺔ ﺗﻤﺜﻞ اﻟﻨﻤﻮذج ا‪Q‬ﻛﺜﺮ ﻗﺪرة ﻋﻠﻰ ﺗﺤﻘﻴﻖ‬ ‫اﺳﻠﻮب ﺣﻴﺎﺗﻲ ﻣﻘﺒﻮل ﺑﺎﻟﻤﻘﺎرﻧﺔ ﺑﺎﻟﻨﻤﺎذج اﻟﺴﻜﻨﻴﺔ اﻟﺘﻲ‬ ‫ﻧﺸﺄت ﻧﺘﻴﺠﺔ اﻟﺘﻤﺪد اﻟﻌﻤﺮاﻧﻲ ‪Q ،‬ﻧﻬﺎ أﻗﻞ ﻫﺪر\ ﻟﻠﻄﺎﻗﺔ‬ ‫وﻟﻠﻔﻀﺎء اﻟﻌﻤﺮاﻧﻲ وأﻗﻞ ﻋﺒﺌ^ إﻗﺘﺼﺎدﻳ^ ﻋﻠﻰ ﻣﺸﺮوﻋﺎت‬ ‫ﺷﺒﻜﺎت اﻟﻤﺮاﻓﻖ اﻟﺘﺤﺘﻴﺔ واﻟﻨﻘﻞ اﻟﻌﺎم ‪ .‬ﻛﻤﺎ ﺳﻤﺤﺖ ﺿﺨﺎﻣﺔ‬

‫‪¡UM³ « ≤∏Â‬‬

‫‪S28 Albenaa‬‬

‫إﻗﺘﺼﺎدﻳﺎت ﺣﺠﻢ اﻟﻤﺸﺮوع إﻟﻰ إﻣﻜﺎﻧﻴﺔ ا ﺳﺘﺜﻤﺎر ﻓﻲ ﺗﺸﻴﻴﺪ‬ ‫ﻣﺤﻄﺔ ﺗﻮﻟﻴﺪ ﻛﻬﺮﺑﺎء ﺣﺮارﻳﺔ ) ‪ ( CTP‬وﻧﻈﺎم ﺗﻮﻟﻴﺪ ﺛﻼﺛﻲ‬ ‫وﻣﺤﻄﺔ ﻣﻌﺎﻟﺠﺔ اﻟﻤﻴﺎه اﻟﺴﻮداء اﻟﺘﻲ ﺗﺤﻘﻖ ﻟﻠﻤﺸﺮوع اﻟﻤﺰﻳﺪ‬ ‫ﻣﻦ ﻛﻔﺎءة اﻟﻄﺎﻗﺔ ‪ ،‬وإﻋﺎدة إﺳﺘﺨﺪام اﻟﻤﻴﺎه اﻟﻤﻌﺎﻟﺠﺔ ﻓﻲ‬ ‫ﻣﺤﻄﺔ ﺗﻮﻟﻴﺪ اﻟﻜﻬﺮﺑﺎء واﻟﺮي وا ﺣﺘﻴﺎﺟﺎت اﻟﻴﻮﻣﻴﺔ ا‪Q‬ﺧﺮى‬ ‫ﻟﻠﻤﺸﺮوع ‪ .‬و‪Q‬ن ﻫﺬه ا ﺧﺘﻴﺎرات اﻟﺘﺨﻄﻴﻄﻴﺔ ﺗﺘﻤﺎﺷﻰ ﻣﻊ‬ ‫ﻧﻈﺎم ﺗﻘﻴﻴﻢ اﻟﻤﺒﺎﻧﻲ اﻟﺨﻀﺮاء اﻟﺘﺎﺑﻊ ﻟﻠﻤﺠﻠﺲ اﻻﺳﺘﺮاﻟﻲ‬ ‫ﻟﻠﻤﺒﺎﻧﻲ اﻟﺨﻀﺮاء ﻓﻠﻘﺪ ﺣﻘﻖ اﻟﻤﺸﺮوع ﻣﺴﺘﻮى اﻟﺨﻤﺴﺔ‬ ‫ﻧﺠﻮم ﻧﺘﻴﺠﺔ ﺗﺤﺴﻴﻦ ﺑﻠﻎ ﻧﺴﺒﺔ ‪ ٪٢٦‬ﻓﻲ ﻛﻔﺎءة اﻟﻄﺎﻗﺔ‪.‬‬ ‫ا‪Q‬ﻣﺮ اﻟﺬي ﻳﺴﻠﻂ اﻟﻀﻮء ﻋﻠﻰ اﻟﺤﻠﻮل اﻟﻐﻴﺮ ﻣﺤﺴﻮﺳﺔ‬ ‫ﻟ‪l‬ﺳﺘﺮاﺗﻴﺠﻴﺔ اﻟﺘﺨﻄﻴﻄﻴﺔ ﻣﺜﻞ إﺧﺘﻴﺎر اﻟﻤﻮاﻗﻊ اﻟﻤﻼﺋﻤﺔ‬ ‫ﻟﺒﻨﺎء اﻟﻤﺒﺎﻧﻲ اﻟﻌﺎﻟﻴﺔ ) ا‪Q‬ﺑﺮاج ( ذات اﻟﻜﺜﺎﻓﺔ اﻟﻌﺎﻟﻴﺔ أو دﻓﻦ‬ ‫ﻣﺤﻄﺎت اﻟﺘﻮﻟﻴﺪ ﺗﺤﺖ ﻣﺴﺘﻮى ا‪Q‬رض أو وﺿﻌﻬﺎ ﺑﻌﻴﺪة ﻋﻦ‬ ‫ا‪Q‬ﻧﻈﺎر ‪ ،‬وﻣﺜﻞ اﻟﺘﺤﻜﻢ ﻓﻲ ﺗﻌﺮض اﻟﻤﺸﺮوع ‪Q‬ﺷﻌﺔ اﻟﺸﻤﺲ‬ ‫واﻟﺘﻈﻠﻴﻞ اﻟﺬاﺗﻲ ﻟﻠﻤﺒﺎﻧﻲ ‪ ،‬وإﺳﺘﻌﻤﺎل زﺟﺎج ﻋﺎﻟﻲ اﻟﻌﺰل‬ ‫وإﺗﺎﺣﺔ اﻟﺘﻬﻮﻳﺔ اﻟﻄﺒﻴﻌﻴﺔ وﻛﻠﻬﺎ ﺗﻔﺎﺻﻴﻞ ﻗﺪ ﻻ ﻳﻈﻬﺮﻫﺎ‬ ‫اﻟﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎري ﺑﺎﻟﻀﺮورة ‪ .‬ﺗﻬﺪف ﻓﻜﺮة اﻟﺘﺼﻤﻴﻢ ﻋﻠﻲ‬ ‫إﺑﺮاز اﻟﺠﻮاﻧﺐ ا ﺳﺘﺪاﻣﻴﺔ ﻓﻲ اﻟﺸﻜﻞ اﻟﻨﻬﺎﺋﻲ ﻟﻠﻤﺒﺎﻧﻲ ‪،‬‬ ‫ﺣﻴﺚ ﻳﺮي اﻟﻤﺼﻤﻢ اﻧﻪ ﺑﻌﺪ ﺑﺪء اﻟﺘﺼﻤﻴﻢ اﻟﻤﺴﺘﺪام ﻟﻠﻤﺒﺎﻧﻲ‬ ‫ﻓﻲ اﻟﻨﺠﺎح وﻣﻌﺎﻟﺠﺔ اﻟﻤﺸﺎﻛﻞ اﻟﻨﺎﺗﺠﺔ ﻋﻦ اﻟﺘﻐﻴﺮ اﻟﻤﻨﺎﺧﻲ‬ ‫ﻓﺈن ﻣﻈﺎﻫﺮ ﻫﺬا اﻟﻨﺠﺎح ﻣﺎزاﻟﺖ ﻏﻴﺮ ﻇﺎﻫﺮة ﻟﻠﻌﻴﺎن ‪ ،‬وﻗﺪ‬

East & North / Concept Facade

From the Architect Report: Two landmark towers designed

by Jean Nouvel for the second phase of the One Central Park project have transformed Sydney’s skyline. The program comprises an exclusively residential apartment block of 34 stories and a 12-story apartment block that sits on a common retail and recreational podium. The taller of the two towers is the pinnacle of the One Central Park project, which provides for the construction of several buildings on the site of an old brewery located near the CBD. A vertical landscaped garden designed in collaboration with French artist and botanist Patrick Blanc covers approximately 50% of the buildings’ façade. The garden extends the adjacent urban park vertically, creating an exceptional environment for residents and a powerful icon of greenery on the Sydney skyline.

Hydroponic walls, horizontal tubs and support cables integrated into the tower’s façades accommodate a wide variety of climbing plants and creepers. These act as a natural solar control mechanism, changing with the seasons, protecting the apartments from direct sunlight in summer while storing a maximum of sun in winter. A combination of sustainable architectural strategies has ensured the project is the first residential tower in Sydney to receive a 6-Star Green Star rating.

The apartments have indoor/outdoor covered walkways that increase the living space externally to make the most of Sydney’s temperate climate. To the north and east, the walkways are located within the external façade to protect residents from noise, wind and sun. To the south and west, the walkways open up externally to allow residents to fully enjoy the views over the park.

The taller, residential tower is distinguished by a monumental cantilever close to the top of the building. It houses a common room and a panoramic terrace. A motorised heliostat fixed to the cantilever framework captures sunlight and reflects it downwards towards the part of the park that lies in the tower’s shadow. At night the heliostat is illuminated by French lighting artist Yann Kersalé.

WO dA «Ë WO ULA « WNł«u « w UŽË—e*« l¹“uð

WO dA «Ë WO ULA « WNł«u « w UŽË—e*« WÝ«—œ

South & West / Concept Facade

© Murray Fredericks

WOÐdG «Ë WOÐuM'« WNł«u « w UŽ«—e « l¹“uð

WOÐdG «Ë WOÐuM'« WNł«u « w WŽ«—e « WÝ«—œ WIKF*« ¡«dC)« UŠU LK ÍœR d2 S31 Albenaa

¡UM³ « ≥±Â

w{—_« —Ëb « jI

…bŽUI « `DÝ Ë« ”œU « —Ëb « jI

w UF « Ãd³K ÊËdAF «Ë lÝU² « —Ëb « jI

© Roland Halbe

© Roland Halbe

© Roland Halbe

© Murray Fredericks

…bŽUIK WOKš«b « Už«dH « v ≈ WÝuJF*« fLA « WFý√ Ád³Ž d9 Íc « włUłe « ŸUI « Ë– Õu²H*« `³ *« …b¼UA sJ1Ë …—uB « qHÝ« w WOzUM³ « …bŽUI « `DÝ

WOÝ√d « ¡«dC)« UŠU LK UDI S32 Albenaa

¡UM³ « ≥≤Â

‫√ ‪‚bMH « ŸËdA ÁbIHð ¡UMŁ√ „u³ð WIDM dO‬‬

‫ ‪ŸËdALK ÂUŽ —uEM‬‬

‫وأﺷﺎر ﺳﻌﺎدﺗﻪ إﻟﻰ أن ﻫﺬا اﻟﻤﺸﺮوع اﻟﻤﻘﺎم ﻓﻲ رﺣﺎب‬ ‫اﻟﺠﺎﻣﻌﺔ ﻓﻲ ﻣﺴﺎﺣﺔ ﺗﻘﺪر ﺑﺄﻛﺜﺮ ﻣﻦ ‪١٠٤‬أﻟﻒ ﻣﺘﺮ ﻣﺮﺑﻊ ﺑﺎرﺗﻔﺎع‬ ‫‪ ٧‬أدوار وﻳﺤﺘﻮي ﻋﻠﻰ ‪ ٢٢٨‬وﺣﺪة ﺳﻜﻨﻴﺔ وﻳﻮﺟﺪ ﺑﻪ ‪ ٧‬أﻧﻮاع‬ ‫ﻣﻦ اﻟﻮﺣﺪات ﺑﻤﺎ ﻓﻲ ذﻟﻚ ا>ﺟﻨﺤﺔ اﻟﻤﻠﻜﻴﺔ واﻟﺘﻨﻔﻴﺬﻳﺔ‬ ‫واﻟﻌﺎدﻳﺔ وﻏﻴﺮﻫﺎ‪ ،‬إﺿﺎﻓﺔ إﻟﻰ ﺗﻮﻓﺮ ﻣﻄﺎﻋﻢ ﻣﺘﻤﻴﺰة وﻗﺎﻋﺎت‬ ‫اﺣﺘﻔﺎﻻت ﻓﺎﺧﺮة‪ .‬واﻓﺎد اﻟﺪﻛﺘﻮر اﻟﺪﺧﻴﻞ اﻧﻪ ﻗﺪ ﺑﻠﻐﺖ ﻧﺴﺒﺔ‬ ‫إﻧﺠﺎز اﻟﻔﻨﺪق ‪ ٪٩٧‬وﻳﺘﻮﻗﻊ ﺗﺪﺷﻴﻨﻪ ﻓﻲ ﻣﻨﺘﺼﻒ ﻋﺎم ‪٢٠١٨‬م‪.‬‬ ‫واﺳﺘﻬﻞ ﺳﻤﻮه اﻟﺰﻳﺎرة ﺑﺠﻮﻟﺔ ﻋﻠﻰ ﻣﺮاﻓﻖ اﻟﻔﻨﺪق ﺑﺪاﻳﺔ‬ ‫ﺑﺎ>ﺟﻨﺤﺔ اﻟﻤﻠﻜﻴﺔ وا>روﻗﺔ وﺗﻌﺮف ﻋﻠﻰ أﺑﺮز ﻣﺮاﻓﻖ اﻟﻔﻨﺪق‬

‫ﻣﻦ اﻟﺠﻨﺎح اﻟﻤﻠﻜﻲ واﻟﻨﺎدي اﻟﺼﺤﻲ واﻟﻤﻄﻌﻢ وﻗﺎﻋﺎت‬ ‫اﻟﻔﻨﺪق‪ .‬وﻓﻲ ﺧﺘﺎم اﻟﺰﻳﺎرة ﻗﺪم ﺳﻌﺎدة ا>ﻣﻴﻦ اﻟﻌﺎم‬ ‫ﻟﻠﺼﻨﺪوق اﻟﺸﻜﺮ ﻟﺴﻤﻮ أﻣﻴﺮ ﻣﻨﻄﻘﺔ ﺗﺒﻮك ﻋﻠﻰ دﻋﻢ‬ ‫وﻣﺴﺎﻧﺪة إﻣﺎرة ﻣﻨﻄﻘﺔ ﺗﺒﻮك ﻧﺤﻮ اﻧﺠﺎز اﻟﻤﺸﺎرﻳﻊ اﻟﺤﻴﻮﻳﺔ‬ ‫اﻟﺘﻲ ﺗﺨﺪم اﻟﻤﻨﻄﻘﺔ وﻛﺬﻟﻚ اﻟﺸﻜﺮ ﻣﻮﺻﻮل ﻟﻤﻌﺎﻟﻲ‬ ‫وزﻳﺮ اﻟﺘﻌﻠﻴﻢ رﺋﻴﺲ ﻣﺠﻠﺲ إدارة اﻟﺼﻨﺪوق ﻋﻠﻰ اﻟﻤﺘﺎﺑﻌﺔ‬ ‫اﻟﺪورﻳﺔ واﻟﺤﺜﻴﺜﺔ ﻟﻠﻤﺸﺎرﻳﻊ اﻟﺤﻴﻮﻳﺔ اﻟﺘﻲ ﺳﺘﻨﻤﻲ ﻣﻮارد‬ ‫اﻟﺼﻨﺪوق ﻻﺳﺘﻤﺮار اﻻﺳﺘﺪاﻣﺔ اﻟﻤﺎﻟﻴﺔ ﻟﻠﺠﺎﻣﻌﺎت ‪.‬‬ ‫اﻟﻤﺼﺪر ‪ :‬ﺗﻘﺮﻳﺮ ﺻﻨﺪوق اﻟﺘﻌﻠﻴﻢ اﻟﻌﺎﻟﻲ اﻟﺠﺎﻣﻌﻲ‬

‫∑∂ « ‪¡UM³‬‬

‫‪67 Albenaa‬‬

‫ﻓﻨﺪق ﺟﺎﻣﻌﺔ ﺗﺒﻮك‬ ‫‪Tabouk University Hotel‬‬ ‫اﻟﻤﺎﻟﻚ ‪ :‬ﺻﻨﺪوق اﻟﺘﻌﻠﻴﻢ اﻟﻌﺎﻟﻲ اﻟﺠﺎﻣﻌﻲ‬ ‫اﻟﻤﺼﻤﻢ ‪ :‬اﻟﺒﻴﺌﺔ ﻣﺨﻄﻄﻮن وﻣﻌﻤﺎرﻳﻮن وﻣﻬﻨﺪﺳﻮن‬ ‫ا ﺳﺘﺸﺎري ‪ :‬ﺷﺮﻛﺔ اﻟﺨﺪﻣﺎت ا‪N‬ﺳﺘﺸﺎرﻳﺔ اﻟﺴﻌﻮدﻳﺔ‬ ‫ﻟ‪Z‬ﺳﺘﺸﺎرات اﻟﻬﻨﺪﺳﻴﺔ‬ ‫اﻟﻤﻘﺎول ‪ :‬ﺷﺮﻛﺔ اﻟﺴﻴﻒ ﻣﻬﻨﺪﺳﻮن ﻣﻘﺎوﻟﻮن‬

‫ﻗﺎم ﺻﺎﺣﺐ اﻟﺴﻤﻮ اﻟﻤﻠﻜﻲ ا ﻣﻴﺮ ﻓﻬﺪ ﺑﻦ ﺳﻠﻄﺎن ﺑﻦ‬ ‫ﻋﺒﺪاﻟﻌﺰﻳﺰ أﻣﻴﺮ ﻣﻨﻄﻘﺔ ﺗﺒﻮك‪ ،‬ﺑﺰﻳﺎرة ﻟﻤﻘﺮ ﻣﺸﺮوع اﻟﻔﻨﺪق‬ ‫اﻻﺳﺘﺜﻤﺎري اﻟﻤﻘﺎم ﺑﺠﺎﻣﻌﺔ ﺗﺒﻮك واﻟﺬي ﻫﻮ أﺣﺪ اﺳﺘﺜﻤﺎرات‬ ‫ﺻﻨﺪوق اﻟﺘﻌﻠﻴﻢ اﻟﻌﺎﻟﻲ اﻟﺠﺎﻣﻌﻲ اﻟﻌﻘﺎرﻳﺔ‪.‬‬ ‫وﻛﺎن ﻓﻲ ﻣﻘﺪﻣﺔ ﻣﺴﺘﻘﺒﻠﻲ ﺳﻤﻮه اﻟﻜﺮﻳﻢ ا ﻣﻴﻦ اﻟﻌﺎم‬ ‫ﻟﺼﻨﺪوق اﻟﺘﻌﻠﻴﻢ اﻟﻌﺎﻟﻲ اﻟﺠﺎﻣﻌﻲ اﻟﺪﻛﺘﻮر ﻋﺒﺪا= ﺑﻦ ﻣﺤﻤﺪ‬ ‫اﻟﺪﺧﻴﻞ وﻣﺴﺎﻋﺪ ا ﻣﻴﻦ اﻟﻌﺎم اﻟﺪﻛﺘﻮر ﺻﺎﻟﺢ ﺑﻦ ﻋﺒﺪا=‬ ‫اﻟﺤﺮﺑﻲ وﻣﺪﻳﺮ إدارة ﺷﺆون اﻟﺠﺎﻣﻌﺎت اﻟﺪﻛﺘﻮر ﺳﺎﻣﺮ ﺑﻦ‬ ‫ﻣﺤﻤﺪ اﻟﻌﻘﻴﻞ‪ ،‬وﺑﺤﻀﻮر ﻣﻌﺎﻟﻲ ﻧﺎﺋﺐ وزﻳﺮ اﻟﺘﻌﻠﻴﻢ اﻟﺪﻛﺘﻮر‬

‫∂∂ « ‪¡UM³‬‬

‫‪66 Albenaa‬‬

‫ﻋﺒﺪاﻟﺮﺣﻤﻦ ﺑﻦ ﻣﺤﻤﺪ اﻟﻌﺎﺻﻤﻲ وﻣﻌﺎﻟﻲ ﻣﺪﻳﺮ ﺟﺎﻣﻌﺔ ﺗﺒﻮك‬ ‫اﻟﺪﻛﺘﻮر ﻋﺒﺪا= ﺑﻦ ﻣﻔﺮح اﻟﺬﻳﺎﺑﻲ ووﻛﻼء اﻟﺠﺎﻣﻌﺔ وﻋﺪد ﻣﻦ‬ ‫ﻣﺪﻳﺮي ا‪N‬دارات اﻟﺤﻜﻮﻣﻴﺔ ﻓﻲ اﻟﻤﻨﻄﻘﺔ‪.‬‬ ‫وﻣﻦ ﺟﺎﻧﺒﻪ رﺣﺐ ا ﻣﻴﻦ اﻟﻌﺎم ﻟﻠﺼﻨﺪوق ﺑﺴﻤﻮ ا ﻣﻴﺮ واﻟﻮﻓﺪ‬ ‫اﻟﻤﺮاﻓﻖ ﻟﻪ‪ ،‬وﻗﺪم ﻟﻬﻢ ﺷﺮﺣ‪ Q‬ﻣﻮﺟﺰ‪ P‬ﻋﻤﺎ ﺗﻢ إﻧﺠﺎزه ﻣﻦ‬ ‫اﻟﻤﺸﺮوع وﻣﺎ ﺳﻴﻀﻴﻔﻪ ﻟﻠﻤﻨﻄﻘﺔ ﻛﻜﻞ وﺗﻨﺸﻴﻂ اﻟﺤﺮﻛﺔ‬ ‫اﻟﺴﻴﺎﺣﻴﺔ ﻓﻴﻬﺎ وﺗﻮﻓﻴﺮ اﻟﻔﺮص اﻟﻮﻇﻴﻔﻴﺔ ﺑﻨﺎء اﻟﻤﻨﻄﻘﺔ‪،‬‬ ‫وأﻓﺎد أن اﻟﻔﻨﺪق ﻳﺘﻤﻴﺰ ﺑﺘﺼﻤﻴﻢ ﻋﻤﺮاﻧﻲ ﻣﺒﺘﻜﺮ وﻳﺘﻤﻴﺰ‬ ‫ﺑﺪﻳﻜﻮر داﺧﻠﻲ ﻋﺼﺮي ﻳﻼﺋﻢ ﺑﻴﺌﺔ وﻣﻨﺎخ وﺟﻤﺎل ﻣﻨﻄﻘﺔ ﺗﺒﻮك‪.‬‬

ÂUŽ —uEM 69 Albenaa

¡UM³ « ∂π

ŸËdALK ÂUŽ —uEM

ŸËdALK WO U _« WNł«u « 68 Albenaa

¡UM³ « ∂∏

71 Albenaa

¡UM³ « ∑±

‫ﻟﺆﻟﺆة اﻟﺪﻳﺎر‬

‫‪Loloat Al Deyar‬‬

‫اﻟﻤﻄﻮر ‪ :‬اﻟﺪﻳﺎر اﻟﻌﺮﺑﻴﺔ‬ ‫اﻟﻤﻘﺎول ‪ :‬ﺷﺮﻛﺔ ﺷﻬﻢ ﻟﻠﻤﻘﺎوﻻت اﻟﻤﺤﺪودة‬ ‫اﻟﻤﺼﻤﻢ ‪ :‬اﻟﻤﻌﻤﺎري ﻣﺤﻤﺪ ﺳﻌﻴﺪ اﻟﻐﺎﻣﺪي‬ ‫ﻋﻠـــﻰ ﺷـــﻤﺎل ﻣﺪﻳﻨﺔ ﻳﻨﺒـــﻊ اﻟﺒﺤـــﺮ وﺑﺎﻟﻘﺮب ﻣﻦ اﻟﺸـــﺎﻃﺊ ﻳﻘﻊ‬ ‫ﻣﺸـــﺮوع ﻟﺆﻟﺆة اﻟﺪﻳﺎر ﺑﺘﺼﻤﻴﻢ ﻫﻨﺪﺳـــﻲ ﻣﻤﻴـــﺰ‪ ،‬ﻟﻴﺠﻤﻊ ﺑﻴﻦ‬ ‫ا=ﺻﺎﻟـــﺔ واﻟﻌﺼﺮﻳﺔ وﻳﺘﻤﺜﻞ ﻓﻲ ‪ 1182‬ﻓﻴـــﻼ ﻣﺘﻨﻮﻋﺔ اﻟﺘﺼﺎﻣﻴﻢ‬ ‫ٌ‬ ‫ﻟـــﻜﻞ ﻣﻨﻬﺎ ﺧﺼﺎﺋﺺ‬ ‫وا=ﻧﻤـــﺎط‪ ،‬ﻣﻘﺴـــﻤﺔ ﻋﻠﻰ ﺧﻤـــﺲ ﻓﺌﺎت‬ ‫ﻓﺮﻳﺪة ﺗﻤﻴﺰﻫﺎ ﻣﻦ ﺣﻴﺚ اﻟﻤﺴﺎﺣﺔ واﻟﺘﻘﺴﻴﻢ اﻟﺪاﺧﻠﻲ‬ ‫ﻟﻠﻤﺮاﻓﻖ‪ ،‬إﻻ أﻧﻬﺎ ﺟﻤﻴﻌﻬﺎ ﺗﺸﺘﺮك ﺑﺎﻟﺠﻮدة اﻟﻌﺎﻟﻴﺔ واﻟﺘﺸﻄﻴﺐ‬ ‫اﻟﻤﺘﻘﻦ‪ .‬ﻳﻌﺘﺒﺮ ﻣﻮﻗﻊ ﻣﺸـــﺮوع ﻟﺆﻟﺆة اﻟﺪﻳﺎر ﺑﻘﻌﺔ اﺳﺘﺮاﺗﻴﺠﻴﺔ‬ ‫ُ‬ ‫ﺗﺮﺗﺒﻂ ﺑﺸـــﻜﻞ ﻣﺒﺎﺷـــﺮ ﻣﻊ اﻟﻄﺮق اﻟﺮﺋﻴﺴـــﻴﺔ اﻟﺘﻲ ﺗﺆدي إﻟﻰ‬ ‫اﻟﻤﻨﺎﻃـــﻖ ا=ﻛﺜﺮ ﺣﻴﻮﻳﺔ ﻓﻲ ﻳﻨﺒﻊ وﺗﺤﺪﻳـــﺪ‪ X‬ﻗﺮﺑﻪ ﻣﻦ اﻟﻮاﺟﻬﺔ‬ ‫اﻟﺒﺤﺮﻳﺔ ﻟﻴﻨﺒﻊ اﻟﺠﻤﻴﻠﺔ وﻫﻲ ﻣﻦ أﻫﻢ ﺳـــﻤﺎت اﻟﻤﺸﺮوع‪ ،‬ﺣﻴﺚ‬ ‫ﺗﻠﺒـــﻲ رﻏﺒﺔ اﻟﻌﺎﺋﻠﺔ ﻓﻲ اﻻﺳـــﺘﻤﺘﺎع ﺑﺎ=ﺟﻮاء اﻟﺒﺤﺮﻳﺔ وأﺳـــﻠﻮب‬ ‫اﻟﺤﻴﺎة اﻟﻔﺎﺧﺮة‪.‬‬ ‫ﺗﻢ ﺗﻄﻮﻳﺮ وﺗﻨﻔﻴﺬ اﻟﺒﻨﻴﺔ اﻟﺘﺤﺘﻴﺔ ﻟﻠﻤﺸﺮوع ﺑﺸﻜﻞ ﻣﺘﻜﺎﻣﻞ‬ ‫ﺣﻲ اﺳـــﺘﺮاﺗﻴﺠﻲ‬ ‫وﻓـــﻖ أﻋﻠـــﻰ وأﺣـــﺪث اﻟﻤﻮاﺻﻔـــﺎت ‪ ،‬ﻟﻴﺼﺒﺢ ٌ‬ ‫وﻧﻤﻮذﺟـــﻲ ﻓﻲ ﻣﺪﻳﻨﺔ ﻳﻨﺒـــﻊ اﻟﺒﺤﺮ‪ ،‬ﺣﻴﺚ ﻳﻘﻊ ﻣﺸـــﺮوع ﻟﺆﻟﺆة‬ ‫اﻟﺪﻳـــﺎر ﻋﻠﻰ ﻣﻨﻄﻘـــﺔ ﻫﺎدﺋﺔ ﺑﺠﻮار اﻟﺒﺤﺮ ﺗﺘﻨﺎﺳـــﺐ ﻣﻊ ﻃﺒﻴﻌﺔ‬ ‫اﻻﺳـــﺘﻌﻤﺎل اﻟﺴـــﻜﻨﻲ اﻟﻔﺎﺧﺮ وﻋﺸـــﻖ اﻟﻬﺪوء وﺳـــﺤﺮ اﻟﺒﺤﺮ‬ ‫وﺟﻤﺎﻟﻪ‪ ،‬ﻛﻤﺎ ﺗﻢ ﻣﺮاﻋﺎة ﺳﻬﻮﻟﺔ اﻟﻮﺻﻮل إﻟﻰ ﻛﻞ ﻓﻴﻼ ﻣﻦ ﻋﺪة‬ ‫ﻣﺤﺎور‪ ،‬ﺣﻴﺚ ﺗﻤﻴﺰ اﻟﻤﺸـــﺮوع ﺑﺎﻻﻧﺴـــﻴﺎﺑﻴﺔ واﻻﺗﺴـــﺎع‪ ،‬وإﻧﺸـــﺎء‬ ‫ﺷﺒﻜﺔ ﻣﺘﻜﺎﻣﻠﺔ ﻣﻦ اﻟﻄﺮق اﻟﺪاﺧﻠﻴﺔ وا=رﺻﻔﺔ وا`ﻧﺎرة وﺟﻤﻴﻊ‬ ‫اﻟﺨﺪﻣـــﺎت ﻣـــﻦ ﻣﺮاﻓﻖ ﻋﺎﻣـــﺔ وﻣﺴـــﺎﺟﺪ وﻣﺴـــﻄﺤﺎت ﺧﻀﺮاء‬ ‫وﻣـــﺪارس ﻣﺘﻨﻮﻋﺔ ﺣﺘﻰ ﺗﻠﺒﻲ ﻃﻤﻮﺣﺎت أﺻﺤﺎب اﻟﺬوق اﻟﺮﻓﻴﻊ‬ ‫وﻣﺘﻄﻠﺒـــﺎت اﻟﻌﺎﺋﻠﺔ‪ .‬وﺗﺒﻠﻎ ﻧﺴـــﺒﺔ اﻟﺨﺪﻣﺎت ‪ ٪ 65‬ﻣﻦ اﻟﻤﺮاﻓﻖ‬ ‫واﻟﻤﺴﻄﺤﺎت اﻟﺨﻀﺮاء‪.‬‬ ‫ﻳﻘـــﺪم اﻟﻤﺸـــﺮوع ﺗﻨﻮﻋـــ‪ h‬ﻛﺒﻴـــﺮ‪ X‬ﻟﻠﻔﻠﻞ اﻟﺴـــﻜﻨﻴﺔ ﻣـــﻦ ﺣﻴﺚ‬ ‫اﻟﻔﺌﺎت واﻟﻤﺴﺎﺣﺎت وا=ﺳﻌﺎر‪ ،‬ﺑﻬﺪف ﺗﻘﺪﻳﻢ ﺣﻠﻮل أﻛﺜﺮ ﻣﺮوﻧﺔً‬ ‫وﻣﻨﺎﺳـــﺒﺔً ﻟﺬوﻗـــﻚ وإﻣﻜﺎﻧﺎﺗـــﻚ‪ ،‬ﻓﻬﻲ ﺗﻨﻘﺴـــﻢ ﺑﺘﺼﺎﻣﻴﻤﻬﺎ‬ ‫إﻟﻰ ‪ 5‬ﻧﻤﺎذج ﻣﻮزﻋﺔ ﺑﺸـــﻜﻞ ﻣﺘﻨﺎﺳـــﻖ ﻋﻠﻰ ﻛﺎﻣﻞ اﻟﻤﺸﺮوع‪.‬‬ ‫ﺻﻤﻤـــﺖ ﻟﺆﻟـــﺆة اﻟﺪﻳـــﺎر وﻓـــﻖ أﺣـــﺪث اﻟﻤﻮاﺻﻔﺎت اﻟﻬﻨﺪﺳـــﻴﺔ‬ ‫اﻟﻌﺎﻟﻤﻴـــﺔ ﻣـــﻊ ﻣﺮاﻋـــﺎة أدق اﻟﺘﻔﺎﺻﻴـــﻞ‪ ،‬ﻓﻬـــﻲ ﺗﺸـــﺘﻤﻞ ﻋﻠﻰ‬ ‫ﺗﺼﺎﻣﻴـــﻢ ﻋﺼﺮﻳﺔ ذﻛﻴـــﺔ ﺗﺘﻤﻴﺰ ﺑﺎﻟﻤﺘﺎﻧﺔ واﻟﺘﺸـــﻄﻴﺐ اﻟﺮاﻗﻲ‪،‬‬ ‫ﺑﺪاﻳﺔ ﻣﻦ اﺧﺘﻴﺎر ﻣﻮاد اﻟﺒﻨﺎء ذات اﻟﺠﻮدة اﻟﻤﺘﻤﻴﺰة‪ ،‬واﻟﺘﺼﻤﻴﻢ‬ ‫اﻟﺪاﺧﻠﻲ واﻟﺘﻘﺴـــﻴﻢ اﻟﻤﺬﻫﻞ اﻟﺬي ﻳﻨﻢ ﻋﻦ إﺑﺪاع ﻛﺒﻴﺮ ودﻗﺔ‬ ‫ﻓﻲ ﺗﻠﺒﻴﺔ اﻟﻤﺘﻄﻠﺒﺎت اﻟﺴﻜﻨﻴﺔ اﻟﻌﺼﺮﻳﺔ‪.‬‬

‫‪www.Aldyar.sa‬‬ ‫∞∑ « ‪¡UM³‬‬

‫‪70 Albenaa‬‬

¥ …R RK « öO Öu/

‰Ë_« —Ëb « jI

w½U¦ « —Ëb « jI

73 Albenaa

¡UM³ « ∑≥

w{—_« —Ëb « jI

μ …R RK « öO Öu/

‰Ë_« —Ëb « jI

w½U¦ « —Ëb « jI

w{—_« —Ëb « jI

72 Albenaa

¡UM³ « ∑≤

Ãd³K ÂUŽ dEM

77 Albenaa

¡UM³ « ∑∑

‫ﺑﺮج ﻣﺎﻳﻔﻴﺮ اﻟﺴﻜﻨﻲ‬

‫اﺳﺘﺮاﻟﻴﺎ‬ Mayfair Residential Tower Zaha Hadid Architects : ‫اﻟﻤﺼﻤﻢ‬ 2‫ م‬33٫600 : ‫اﻟﻤﺴﺎﺣﺔ‬

The Project design enables residents to make full advantage of its excellent location within Melbourne. The fluid forms of the façade define large balconies for each apartment and spectacular views of the Royal Botanic Gardens, Port Phillip Bay, Albert Park and skyline of the Central Business District. For the seventh consecutive year, Melbourne has been listed as the ‘world’s most liveable city’. The design translates the many attributes of the city to create apartments that blur the boundaries between building and city, exterior and interior.

The fluidity of the building’s exterior is carried through into the interiors. Living areas within the apartments have been arranged as a sequence of spatial experiences that maximize the iconic views across the city, with bespoke interior features that echo the sculptural qualities of the façade. The communal areas, roof terrace and swimming pools have been designed to offer many opportunities for leisure and entertaining.

At street level, the Mayfair’s design re-establishes a sense of community with double-height civic spaces for a restaurant cafe that opens onto the street. The 19-storey (64.4m) AUD$330million project houses 158 residences of between one to five bedrooms that range in size from 70m² to 556m².

‫ﻳﺘﻴﺢ اﻟﻤﺸﺮوع ﻟﻠﻤﺴﺘﺨﺪﻣﻴﻦ اﻻﺳﺘﻔﺎدة ﻣﻦ ﻣﻮﻗﻌﻪ اﻟﻤﺘﻤﻴﺰ ﻓﻲ‬ ‫ ﻳﻌﺒﺮ اﻟﺸﻜﻞ اﻟﺴﺎﺋﻞ ﻓﻲ ﺗﺼﻤﻴﻢ اﻟﻮاﺟﻬﺎت‬. ‫ﻣﺪﻳﻨﺔ ﻣﻠﺒﻮرن‬ ‫ﻋﻦ ﺷﺮﻓﺎت ﺧﺎرﺟﻴﺔ ﻟﻜﻞ ﺷﻘﺔ اﻟﻤﻄﻠﺔ ﻋﻠﻰ اﻟﻤﻨﺎﻇﺮ اﻟﺨﻼﺑﺔ‬ ‫ وﺗﻌﺪ‬.‫ﻋﻤﺎل‬:‫ﻟﻤﺠﻤﻮﻋﺔ ﻣﻦ اﻟﺤﺪاﺋﻖ اﻟﻤﺤﻴﻄﺔ ﺑﺎﻟﻤﺸﺮوع وﻣﺮﻛﺰ ا‬ ،‫ﻣﺪﻳﻨﺔ ﻣﻠﺒﻮرن ﻣﻦ أﻛﺜﺮ اﻟﻤﺪن ﻣﻨﺎﺳﺒﺔ ﻟﻠﻌﻴﺶ ﻓﻲ اﻟﻌﺎﻟﻢ‬ ‫وﻳﺘﺮﺟﻢ ﺗﺼﻤﻴﻢ اﻟﻤﺒﻨﻰ اﻟﻌﺪﻳﺪ ﻣﻦ ﺻﻔﺎت اﻟﻤﺪﻳﻨﺔ ﻣﻦ ﺧﻼل‬ ‫إﻧﺸﺎء ﺷﻘﻖ ﺑﻔﺘﺤﺎت زﺟﺎﺟﻴﺔ ﺗﻠﻐﻲ اﻟﺤﺪود ﺑﻴﻦ اﻟﻤﺒﻨﻰ واﻟﻤﺪﻳﻨﺔ‬ ‫ ﺗﻤﻴﺰ اﻟﻤﺸﺮوع ﺑﻮاﺟﻬﺎﺗﻪ اﻟﺘﻲ ﺗﺸﻜﻠﺖ‬. ‫وﺑﻴﻦ اﻟﺪاﺧﻞ واﻟﺨﺎرج‬ ‫ اﺳﺘﺨﺪﻣﺖ‬.‫ﻣﻦ إﻧﺤﻨﺎءات ﺑﺴﻴﻄﺔ وإﻧﺸﺎء ﻧﻤﻂ ﻣﻮﺣﺪ ﻟﻠﻮاﺟﻬﺔ‬ ‫ﺧﻮارزﻣﻴﺎت ﺧﺎﺻﺔ ﻟﺮﺳﻢ ﺗﺼﻤﻴﻢ اﻟﻮاﺟﻬﺔ ﻟﺘﺘﻤﻜﻦ ﻣﻦ اﻟﺘﻜﻴﻒ‬ .‫ﻣﻊ ﻣﺠﻤﻮﻋﺔ ﻣﺨﺘﻠﻔﺔ ﻣﻦ ﺗﺼﺎﻣﻴﻢ اﻟﺸﻘﻖ واﻟﺘﻜﻴﻒ ﻣﻊ اﻟﻤﻮﻗﻊ‬ ‫ﺷﻜﻠﺖ اﻟﻮاﺟﻬﺎت ﻣﻦ إﻃﺎر ﻣﻌﺪﻧﻲ ﺑﻨﻈﺎم ﺗﺸﻜﻴﻞ ﺳﺎﺋﻞ ﻳﻠﺘﻒ‬ .‫ﺣﻮل اﻟﻤﺒﻨﻰ وﻳﺸﻜﻞ أرﺿﻴﺎت اﻟﺸﺮﻓﺎت واﻟﺤﻮاﺟﺰ ﻓﻴﻤﺎ ﺑﻴﻨﻬﺎ‬ ‫وﺗﻨﺘﻘﻞ اﻟﺴﻴﻮﻟﺔ ﻓﻲ اﻟﻮاﺟﻬﺎت إﻟﻲ داﺧﻞ اﻟﺸﻘﻖ ﺣﻴﺚ رﺗﺒﺖ‬ ‫ﺻﺎﻟﺔ اﻟﻤﻌﻴﺸﺔ ﺑﺸﻜﻞ ﻣﺘﺴﻠﺴﻞ ﺗﻔﺘﺢ ﻋﻠﻰ اﻟﻤﻨﺎﻇﺮ اﻟﻤﺤﻴﻄﺔ‬ ‫ وﻳﻀﻢ ﺣﻤﺎﻣﻴﻦ‬، U‫ ﻋﺎﻣ‬U‫ اﺳﺘﺨﺪم اﻟﺴﻄﺢ ﻟﻴﻜﻮن ﻓﺮاﻏ‬. ‫ﺑﺎﻟﻤﺒﻨﻰ‬ ‫ واﺳﺘﺨﺪم‬. ‫ﺳﺒﺎﺣﺔ وﻣﺮاﻓﻖ أﺧﺮى ﻟﻼﺳﺘﻤﺘﺎع ﺑﻬﺎ ﻓﻲ أوﻗﺎت اﻟﻔﺮاغ‬ .‫رﺿﻲ ﻟﻠﻤﻄﺎﻋﻢ واﻟﻤﻘﺎﻫﻲ اﻟﻤﻄﻠﺔ ﻋﻠﻰ اﻟﺸﺎرع‬:‫اﻟﻄﺎﺑﻖ ا‬

W Ozd « W öÞù« 76 Albenaa

¡UM³ « ∑∂

U dA « …—ULŽ qO UHð

79 Albenaa

¡UM³ « ∑π

…œbF² WOł—Uš UDI

ŸËdALK WOKš«œ UDI 78 Albenaa

¡UM³ « ∑∏

‫ﻣﺒﻨﻰ ﻣﺘﻌﺪد‬ ‫اﻻﺳﺘﺨﺪاﻣﺎت‬ ‫‪Mix-use Building‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : MVRDV‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪ :‬ﺟﺎري ا‪H‬ﻧﺸﺎء‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﻣﻴﻮﻧﻴﺦ ـ اﻟﻤﺎﻧﻴﺎ‬

‫اﻟﻤﺴﺎﺣﺔ اﻻﺟﻤﺎﻟﻴﺔ ‪ 9600 :‬م‪2‬‬ ‫ﻳﻘﻊ اﻟﻤﺸﺮوع ﻓﻲ أﺣﺪ أﺣﻴﺎء ﻣﻴﻮﻧﻴﺦ اﻟﻤﻄﻮرة ﻓﻲ ﻣﻨﻄﻘﺔ‬ ‫ﺻﻨﺎﻋﻴﺔ ﻗﺪﻳﻤﺔ ﺑﺎﻟﻘﺮب ﻣﻦ ﻣﺤﻄﺔ اﻟﺴﻜﻚ اﻟﺤﺪﻳﺪﻳﺔ‬ ‫اﻟﺸﺮﻗﻴﺔ‪ .‬ﻳﻬﺪف اﻟﻤﺸﺮوع إﻟﻰ إﻧﺸﺎء ﻣﺒﻨﻰ ﻗﺎﺑﻞ ﻟﻠﺘﻜﻴﻒ‬ ‫ﺑﺤﻴﺚ ﻳﻜﻮن ﻣﺮﻛﺰ‪ 8‬ﻟﻠﺤﻲ وﻳﻨﻔﺘﺢ ﻣﻦ ﺟﻤﻴﻊ اﻟﺠﻬﺎت ﻋﻠﻴﻪ‪.‬‬ ‫ﻳﻐﻄﻲ اﻟﻤﺒﻨﻰ واﺟﻬﺎت زﺟﺎﺟﻴﺔ ﺷﻔﺎﻓﺔ ﺗﺴﻤﺢ ﺑﺮﺑﻂ‬ ‫اﻟﻤﺒﻨﻰ ﻣﻦ اﻟﺪاﺧﻞ ﺑﺎﻟﻤﺤﻴﻂ اﻟﺨﺎرﺟﻲ ‪ ،‬و ﺗﻌﻤﻞ ﻛﻤﺤﻮر‬ ‫ﻣﺴﺘﻤﺮ ﺑﻴﻦ اﻟﺪاﺧﻞ واﻟﺨﺎرج‪ .‬ﺗﻤﻴﺰ اﻟﻤﺸﺮوع ﺑﺘﻮﻓﻴﺮ‬ ‫أﻗﺼﻰ ﻗﺪر ﻣﻦ ا‪H‬ﺿﺎءة اﻟﻄﺒﻴﻌﻴﺔ واﻟﺘﻬﻮﻳﺔ وﻣﺴﺎﺣﺎت‬ ‫ﻗﺎﺑﻠﺔ ﻟﻠﺘﻜﻴﻒ‪ .‬ﻳﺘﻜﻮن اﻟﻤﺒﻨﻰ ﻣﻦ ‪ 5‬ﻃﻮاﺑﻖ ﻳﺮﺗﻔﻊ ﻓﻴﻬﺎ‬ ‫اﻟﺴﻘﻒ ‪ 5‬أﻣﺘﺎر ﻓﻲ ﻛﻞ ﻃﺎﺑﻖ‪ .‬ﻛﻤﺎ وﺿﻌﺖ ﺷﺮﻓﺎت‬ ‫ﺧﺎرﺟﻴﺔ ﺗﻠﺘﻒ ﺣﻮل اﻟﻤﺒﻨﻰ ﺑﺎﻟﻜﺎﻣﻞ ﺗﺒﺪأ ﻣﻦ ا‪O‬ﺳﻔﻞ إﻟﻰ‬ ‫ا‪O‬ﻋﻠﻰ وﺗﻬﺪف إﻟﻰ زﻳﺎدة اﻟﻤﺴﺎﺣﺎت اﻻﺟﺘﻤﺎﻋﻴﺔ‪ ،‬وﺗﻘﻮم‬ ‫اﻟﺸﺮﻓﺎت ﺑﺮﺑﻂ اﻟﻤﺒﻨﻰ ﺑﻤﺤﻴﻄﻪ ﻛﻤﺎ ﺗﻌﻤﻞ ﻋﻠﻰ ﺗﻈﻠﻴﻠﻪ‪،‬‬ ‫وﺗﺮﺗﺒﻂ ﻓﻴﻤﺎ ﺑﻴﻨﻬﺎ ﺑﺴﻼﻟﻢ ﺑﺎﻧﻮراﻣﻴﺔ‪ .‬زﻳﻨﺖ اﻟﻮاﺟﻬﺎت‬ ‫ﺑﺤﺮوف ﻟﻠﺘﻌﺒﻴﺮ ﻋﻦ ﺗﺎرﻳﺦ اﻟﻤﻨﻄﻘﺔ وإﺣﻴﺎء ﺛﻘﺎﻓﺔ اﻟﻜﺘﺎﺑﺔ‬ ‫ﻋﻠﻰ اﻟﺠﺪران وﻫﻲ ﺗﻀﺎء ﻟﻴ ً‬ ‫ﻼ‪ .‬ﻳﻀﻢ اﻟﻤﺸﺮوع ﻣﺴﺎﺣﺎت‬ ‫ﺗﺮﻓﻴﻬﻴﺔ ﻣﺮﻧﺔ وﻣﺴﺎﺣﺎت ﻣﻜﺘﺒﻴﺔ وﻣﻄﺎﻋﻢ وﻣﺮﻛﺰ‬ ‫رﻳﺎﺿﻲ ﻣﺘﻌﺪد اﻟﻄﻮاﺑﻖ‪.‬‬

‫ ‪tO lI¹ Íc « w×K Î «e d ÊuJ¹Ë nOOJ²K qÐU vM³ v « .b wŽUM vM³ ‰u% w ŸËdA*« …dJ‬‬

‫‪¡UM³ « ∏±‬‬

‫‪81 Albenaa‬‬

ŸËdALK ÂUŽ dEM

sŽ dO³F²K nK² Î U½u UNM q XODŽ√Ë ¡«eł« v « WOKš«b « UŠU *« rO Ið ŸËdALK WHK² *« U «b ²Ýô«

ŸËdA*« qš«œ W d×K w×{uð rÝ— 80 Albenaa

¡UM³ « ∏∞

From the Architect Report: Responding to the diverse industrial history of the current site of WERK12, the challenge was to create an adaptable building that becomes a nucleus for the new emerging Werksviertel neighbourhood located in close proximity to the city’s Ostbahnhof (Munich East railway station). MVRDV’s ambition is to implement a focal point to the area, with a new building that opens in all directions and is at the heart of the Knödelplatz square. The facade of the building is transparent and does not separate inside from outside and instead of isolating its inner activities, it is in constant dialogue with its surroundings. A transparent reincarnation of industrial times celebrating the future.

The Werksviertel is largely built on an old factory site with a rather informal character. The design translates this character into the new building.

Projects often lose their old qualities when they are redesigned and the most important factor was a design that enhanced maximum sunlight, ventilation, and adaptable spaces. The ceiling heights are more than 5 meters on all floors, a rarity for contemporary buildings.

Following the idea of maximum dialogue, the circulation snakes its way around the building, leading from the main square up to the top floor creating a public route to the sky.

The panoramic stairs are linked to 3.25 meters wide terraces surrounding each floor, blurring the borders between inside and outside and generating shading and circulation at the same time.

The site is a unique an in an entirely new part of Munich and although it is very close to the city centre, it shows a strong contrast to the historic atmosphere. The 5-meterhigh letters across the façade of WERK12 reflecting this aspect of the site; a past full of contrasts.

They are a tribute to the graffiti culture and extensive use of signage found on the old site.

Designed as an upscale urban art piece by local artists Engelmann and Engl these letters are public signage allowing the building to display emotions.

Using the tool of German-language comic words, contemporary yet historical at the same time, these words are universal and found in various youth and subculture groups especially on Internet and SMS speak. The words are fractional and work with the repetition of letters. In this way, they create emotions that are not only visually perceptive but extended as an acoustic component.

The ultimate contrast emerges when the building illuminates at night flipping the industrial simple geometry into a light show of another scale – the new selfie hotspot of Munich.

The building exposes its inner life.

The transformed site confronts the new building with foreseeable changes in the future and demands flexibility and adaptability of the structure.

The double heightened floors and the external circulation provide a striking outline, whilst a slim concrete rack serves as a landscape of gallery architecture in the interior of WERK12 and is distributed for individual and sustainable use. The building is created for multifunctional functions and uses and will open in February 2019 with a high-end health club, several bars, restaurants for nightlife and gastronomy, as well as office spaces demonstrating the full potential of the design.

ŸËdALK wKO dEM

ŸUD 83 Albenaa

¡UM³ « ∏≥

w{—_« —ËbK wI √ jI

‰Ë_« —ËbK wI √ jI

w½U¦ « —ËbK wI √ jI 82 Albenaa

¡UM³ « ∏≤

—uJ¹b « w b¹b'«

‫اﻟﺠﺪﻳﺪ ﻓﻲ اﻟﺪﻳﻜﻮر‬ ‫ﻛﺮﺳﻲ ﻣﻊ أﻣﺎﻛﻦ ﺗﺨﺰﻳﻦ‬ ‫ﻛﺮﺳﻲ ﻟ ﺳﺘﺨﺪام اﻟﺪاﺧﻠﻲ ﺑﺘﺼﻤﻴﻢ ﻣﺴﺘﻮﺣﻰ ﻣﻦ‬ ‫ ﻳﺤﺘﻮي اﻟﻜﺮﺳﻲ ﻋﻠﻰ‬. ‫اﻟﺘﺼﺎﻣﻴﻢ اﻟﺨﺎﺻﺔ ﺑﺄﺛﺎث اﻟﺤﺪاﺋﻖ‬ ‫ اﺳﺘﺨﺪﻣﺖ‬.‫ذرع ﻣﺼﻨﻮﻋﺔ ﻣﻦ اﻟﺨﺸﺐ‬0‫أﻣﺎﻛﻦ ﺗﺨﺰﻳﻦ ﻓﻲ ا‬ ‫أﻧﺎﺑﻴﺐ ﻣﻦ اﻟﺴﺘﻴﻞ ﻟﻌﻤﻞ اﻟﻬﻴﻜﻞ وأﻗﻤﺸﺔ ذو ﻣﺘﺎﻧﺔ ﻋﺎﻟﻴﺔ‬ . ‫ﻟﻌﻤﻞ اﻟﻮﺳﺎﺋﺪ‬

Zakari Grey Armchair An outdoor design armchair for an indoor use.Very efficient to keep your reading material within easy reach.

Design Agence Redhood Material Steel tube, teak armrest, fabric Measurements W 84 D 87 H 84 cm.

wÝdJ « UÝUI

www.kanndesign.com

wÝdJ « dNE qO UHð

s¹e ² « s U √

84 Albenaa

¡UM³ « ∏¥

—uJ¹b « w b¹b'«

‫ﻗﻄﻊ ﻓﻨﻴﺔ ﻏﺮﻳﺒﺔ‬ ‫ﺗﻘﺪم اﻟﻌﻼﻣﺔ اﻟﺘﺠﺎرﻳﺔ روﻳﺎل ﺳﺘﺮﻧﺠﺎر ﻟﺼﻨﺎﻋﺔ ا ﺛﺎث‬ ‫ﻣﺠﻤﻮﻋﺔ ﻗﻄﻊ ﻓﻨﻴﺔ ﺟﻤﻴﻠﺔ ﻣﺴﺘﻮﺟﺎة ﻣﻦ أﻛﺜﺮ‬ ‫ ﺗﺘﻜﻮن اﻟﻤﺠﻤﻮﻋﺔ ﻣﻦ‬.‫ا ﺷﻜﺎل ﻏﺮاﺑﺔ ﻓﻲ اﻟﻄﺒﻴﻌﺔ‬ ‫ وﺗﻤﻴﺰت ﻫﺬه اﻟﻘﻄﻊ ﺑﺘﺼﻤﻴﻤﻬﺎ‬، ‫ﺧﺰاﺋﻦ وﺑﻮﻓﻴﻬﺎت‬ ‫اﻟﻐﺮﻳﺐ ﺣﻴﺚ اﺳﺘﺨﺪﻣﺖ ﻗﻄﻊ ﺧﺸﺒﻴﺔ ﻋﻠﻰ ﺷﻜﻞ‬ ‫ﺧﻠﻴﺔ ﻋﺴﻞ ﺑﺄﻟﻮان ﻣﺨﺘﻠﻔﺔ ﻟﺘﻐﻄﻴﺔ ﺟﺰء ﻣﻦ اﻟﻘﻄﻌﺔ‬ ‫ﺧﺮ اﺳﺨﺪﻣﺖ ﻓﻴﻪ أﻟﻮاح ﺧﺸﺒﻴﺔ ﺻﻤﻤﺖ‬L‫واﻟﺠﺰء ا‬ . ‫ﺑﺸﻜﻞ ﻫﻨﺪﺳﻲ ﻣﻤﻮج‬

Honeycomb

q×½ WOKš qJý vKŽ …dOG WO³Aš lD

Inspired by one of the most peculiar shapes found in Nature, including cabinet and sidetable that can make your room breathe and aqcuire an evermore inspiring atmosphere. These pieces are yet, as much of an art piece as an utilitarian equipment: It’s designed to fullfill most of your storage needs.

tO uÐ W½«eš

www.royalstranger.com 86 Albenaa

¡UM³ « ∏∂

—uJ¹b « w b¹b'«

‫ﺟﺪران ﻣﻦ اﻟﺴﻴﺮاﻣﻴﻚ‬ ‫ﺛﻼﺛﻴﺔ ا ﺑﻌﺎد‬ ‫ﻣﺠﻤﻮﻋﺔ راﺋﻌﺔ ﻣﻦ ﺟﺪران اﻟﺴﻴﺮاﻣﻴﻚ ﺛﻼﺛﻴﺔ‬ ‫ ﺗﻌﻄﻲ اﻟﻤﻜﺎن‬،‫ا ﺑﻌﺎد ﺑﺄﻧﻤﺎط ﻫﻨﺪﺳﻴﺔ أﻧﻴﻘﺔ‬ . ‫ﺗﺼﻤﻴﻢ داﺧﻠﻲ ﺟﻤﻴﻞ وﻣﻌﺎﺻﺮ‬

3D Wall Design An extraordinary range of three-dimensional ceramic surfaces breathes life into walls decorated with elegant geometrical and textured patterns, to create spectacular interior architecture in contemporary commercial and living areas. The result of aesthetic precision and careful manufacture, the 3D Wall Design collection combines an extraordinary decorative impact with the advantages of the highest quality white clay ceramic tiles Atlas Concorde..

pO «dO K WHK² rO UBð

pO «dO K WHK² U «b ²Ý«

www.atlasconcorde.com 88 Albenaa

¡UM³ « ∏∏

‫وذﻛﺮ ا ﺳﺘﺎذ ﻣﺮوان اﻟﺒﺮاﻫﻴﻢ ‪ ) :‬ﻧﺤﻦ داﺋﻤ ﻣﺎ ﻧﺴﻌﻰ‬ ‫ﻟﻠﺘﻄﻮﻳﺮ ‪ ،‬ﺣﻴﺚ ﻃﺮﺣﻨﺎ ﻓﻲ ﻫﺬا اﻟﻌﺎم اﻟﻌﺪﻳﺪ ﻣﻦ اﻟﻤﻨﺘﺠﺎت‬ ‫اﻟﺠﺪﻳﺪة ﻓﻲ اﻟﺴﻮق اﻟﺴﻌﻮدي ﺧﺎﺻﺔ وا ﺳﻮاق اﻟﺨﻠﻴﺠﻴﺔ ﻋﺎﻣﺔ‬ ‫ﻟﺘﻮاﻛﺐ اﺣﺘﻴﺎﺟﺎت اﻟﻔﺮد واﻟﻤﺆﺳﺴﺎت اﻟﺤﻜﻮﻣﻴﺔ واﻟﺨﺎﺻﺔ‬ ‫ﻋﻠﻰ ﺣﺪ ﺳﻮاء ﻣﻊ ﺗﺸﻜﻴﻠﺔ ﻛﺒﻴﺮة ﻣﻦ اﻟﺨﻴﺎرات واﻟﺤﻠﻮل‬ ‫اﻟﺘﻲ ﺗﺴﺨﺮﻫﺎ ﻣﺼﺎﻧﻌﻨﺎ ﻟﺘﻼﺋﻢ ﺟﻤﻴﻊ ﻣﺘﻄﻠﺒﺎت اﻟﻌﻤﻼء ﻣﻬﻤﺎ‬ ‫ﻛﺎﻧﺖ‪ ،‬وﻧﺤﻦ اﻟﻴﻮم وﻣﻦ ﺧﻼل ﺷﺮﻛﺎﺗﻨﺎ ﻧﻔﺨﺮ ﺑﻤﺎ ﻟﺪﻳﻨﺎ وﻧﺴﻌﺪ‬ ‫ﺟﺪ‪ P‬ﺑﺄن ﺗﻘﺪم إﺣﺪى ﺷﺮﻛﺎﺗﻨﺎ اﻟﺤﺪﻳﺜﺔ ﺷﺮﻛﺔ ا ﻧﺪﻟﺲ ﻟ‪I‬ﺑﻮاب‬ ‫اﻟﺬﻛﻴﺔ واﻟﻤﺼﺎﻋﺪ ﺑﺠﺎﻧﺐ ﻣﻨﺘﺠﺎﺗﻬﺎ اﻟﻤﺘﻤﻴﺰة ﻓﻲ ﺟﺪﻳﺪ‬ ‫ا ﺑﻮاب واﻟﻤﺼﺎﻋﺪ ﻣﻨﺘﺠﺎت ﺗﺨﺪم أﻋﺰاءﻧﺎ ﻣﻦ ذوي ا‪R‬ﺣﺘﻴﺎﺟﺎت‬ ‫اﻟﺨﺎﺻﺔ وﻛﺒﺎر اﻟﺴﻦ ﺣﻴﺚ ﺗﻢ ﺗﻮﻓﻴﺮ ﻣﻘﺎﻋﺪ اﻟﺪرج واﻟﺘﻲ‬ ‫ﺗﺘﻤﻴﺰ ﺑﺴﻬﻮﻟﺔ ﺗﺮﻛﻴﺒﻬﺎ واﺳﺘﺨﺪاﻣﻬﺎ واﻣﻜﺎﻧﻴﺔ دوراﻧﻬﺎ ﻣﻊ‬ ‫ﻣﻨﺤﻨﻴﺎت اﻟﺴﻼﻟﻢ ‪ ،‬ﺑﺎ‪R‬ﺿﺎﻓﺔ إﻟﻰ اﻟﻤﺼﻌﺪ اﻟﺨﺎص ﺑﺎﻟﻤﻘﺎﻋﺪ‬ ‫واﻟﺬي ﻳﺴﺘﺨﺪم ﻛﻤﻨﺼﺔ ﻟﺮﻓﻊ اﻟﻤﻘﻌﺪ ﻣﻦ دور إﻟﻰ دور ﺑﺸﻜﻞ‬ ‫آﻣﻦ وﺳﻠﺲ‪.‬‬ ‫وأﻳﻀ ﺗﻢ ﺗﻮﻓﻴﺮ ﺗﺸﻜﻴﻠﺔ ﻣﻦ اﻟﻤﺼﺎﻋﺪ ﻻﺗﺤﺘﺎج إﻟﻰ ﺗﺄﺳﻴﺲ‬ ‫ﻏﺮﻓﺔ ﻟﻠﻤﺤﺮك ﻛﻤﺎ أﻧﻬﺎ ﻻﺗﺤﺘﺎج إﻟﻰ أﻋﻤﺎل ﻛﻬﺮﺑﺎﺋﻴﺔ ﺧﺎﺻﺔ‬ ‫ﻣﻄﻠﻘ وﻳﺘﻢ ﺗﺮﻛﻴﺒﻬﺎ ﺑﻜﻞ ﺳﻬﻮﻟﺔ‪ ،‬وﺗﺘﻤﻴﺰ ﺑﺘﻮﻓﻴﺮﻫﺎ ﻟﻠﻮﻗﺖ‬

‫واﻟﺠﻬﺪ ﻓﻲ اﻟﺘﻨﻔﻴﺬ‪ ،‬واﻟﺘﻲ ﻻﻗﺖ إﻗﺒﺎﻻً ﻛﺒﻴﺮ‪ P‬واﺳﺘﺤﺴﺎن‬ ‫اﻟﺰوار ﺣﻴﺚ ﺗﻢ ﺗﻮﻓﻴﺮﻫﺎ ﻟﺘﺠﺮﺑﺔ ﻓﻲ ﺟﻨﺎﺣﻨﺎ اﻟﻤﺸﺎرك ‪ .‬ﻛﻤﺎ ﻟﻔﺖ‬ ‫ﻧﻈﺎم اﻟﺘﻬﻮﻳﺔ اﻟﺬﻛﻲ ا ﻧﻈﺎر ﺣﻴﺚ أﻧﻪ ﻳﻌﻤﻞ ﻣﻦ ﺧﻼل ﻧﻈﺎم إدارة‬ ‫اﻟﻤﺒﺎﻧﻲ )‪ (BMS‬وﻳﺮﺗﺒﻂ ﺑﺎﻟﻨﻮاﻓﺬ‪ ،‬وﻳﻌﻤﻞ ﻫﺬا اﻟﻨﻈﺎم ﻟﻠﺤﻤﺎﻳﺔ‬ ‫ﻣﻦ أي أﺧﻄﺎر ﻛﺎﻟﺪﺧﺎن‪ ،‬إذ ﻳﻘﻮم ﺑﻔﺘﺢ اﻟﻨﻮاﻓﺬ ﺗﻠﻘﺎﺋﻴ ﺑﺪون‬ ‫ﺗﺪﺧﻞ ﻳﺪوي ﻓﻲ ﺣﺎل وﺟﻮد أي دﺧﺎن أو ﺣﺮﻳﻖ داﺧﻞ اﻟﻤﺒﻨﻰ‪ .‬ﻫﺬا‬ ‫وﻗﺪ ﺗﻠﻘﻴﻨﺎ ﻋﺪد ﻣﻦ ﻃﻠﺒﺎت اﻟﺸﺮاء ﻋﻠﻰ ﺟﻤﻴﻊ اﻟﻤﻨﺘﺠﺎت ﺣﻴﺚ‬ ‫أن اﻟﺸﺮﻛﺔ ﺗﻄﺮﺣﻬﺎ ﻓﻲ ا ﺳﻮاق ﺑﺄﺳﻌﺎر ﺗﻨﺎﻓﺴﻴﺔ( ‪.‬‬ ‫ﻋﻠﻰ ﺻﻌﻴﺪ آﺧﺮ أوﺿﺢ ا ﺳﺘﺎذ ﻣﺮون اﻟﺒﺮاﻫﻴﻢ ﺑﺄن ﺳﻌﻴﻬﻢ‬ ‫اﻟﺤﺜﻴﺚ ﻛﺎن وﻻﻳﺰال ﻣﺴﺘﻤﺮ ﻓﻲ اﻟﻨﻤﻮ واﻟﺘﻄﻮﻳﺮ ﻟﻜﻞ ﻣﻦ‬ ‫ﺷﺮﻛﺎت اﻟﻘﺎﺑﻀﺔ ‪ ،‬وﻗﺪ ﺻﺮح ﺑﺄن اﻟﻌﻤﻞ ﻗﺎﺋﻢ ﻋﻠﻰ ﻗﺪم وﺳﺎق‬ ‫ﻓﻲ إﻧﺸﺎء أﺣﺪ أﻛﺒﺮ ﻣﺼﺎﻧﻊ ا ﻟﻤﻨﻴﻮم ﻓﻲ اﻟﺸﺮق ا وﺳﻂ‬ ‫ﻓﻲ ﻣﺪﻳﻨﺔ اﻟﺨﺮج ﻋﻠﻰ ﻣﺴﺎﺣﺔ ‪ 26000‬م‪ ، 2‬واﻟﺬي ﻳﺘﺒﻊ ﺷﺮﻛﺔ‬ ‫أﻟﻤﻨﻴﻮم ﻏﺮﻧﺎﻃﺔ اﻟﻤﺘﺨﺼﺼﺔ ﺑﺄﻋﻤﺎل ا ﻟﻤﻨﻴﻮم ﻛﺎﻟﻮاﺟﻬﺎت‬ ‫واﻟﺸﺒﺎﺑﻴﻚ وا ﺑﻮاب واﻟﻘﺒﺐ اﻟﺰﺟﺎﺟﻴﺔ وﻛﺬﻟﻚ اﻟﻤﻄﺎﺑﺦ‬ ‫ﺑﺄﻧﻮاﻋﻬﺎ وﺧﺰاﺋﻦ اﻟﻤﻼﺑﺲ واﻟﺘﻲ ﺗﻘﻮم ﺑﺈﻧﺘﺎﺟﻬﺎ ﺑﺠﻮدة‬ ‫ﻋﺎﻟﻴﺔ‪ ،‬وﺑﻤﻮاﺻﻔﺎت ﻋﺎﻟﻤﻴﺔ وﺑﺄﻓﻜﺎر ﻣﺨﺘﻠﻔﺔ ﻋﻦ اﻟﻤﺘﻮاﺟﺪة‬ ‫ﻓﻲ اﻟﺴﻮق‪ ،‬ﺣﻴﺚ ﻳﺨﺪم ﻫﺬا اﻟﺘﻨﻮع واﻻﺑﺘﻜﺎر ﺗﻨﻮع ﺷﺮﻛﺎت‬

‫‪¡UM³ « π±‬‬

‫‪91 Albenaa‬‬

‫ﺷﺮﻛﺔ ا ﻧﺪﻟﺲ اﻟﻘﺎﺑﻀﺔ‬

‫ﻣﺸﺎرﻛﺔ ﻣﺘﻤﻴﺰة ﻓﻲ ﻣﻌﺮض ‪ BIG 5‬دﺑﻲ‬

‫ﺗﺸﻬﺪ ﻣﻌﺎرض اﻟﺨﻤﺴﺔ اﻟﻜﺒﺎر ﻋﻠﻰ ﻣﺮ اﻟﺴﻨﻮات إﻗﺒﺎﻻً واﺳﻊ‬ ‫ﻟﻠﻌﺪﻳﺪ ﻣﻦ اﻟﺸﺮﻛﺎت اﻟﺘﻲ ﺗﺤﺎول ﺟﺎﻫﺪة إﺛﺒﺎت ﺗﻮاﺟﺪﻫﺎ‬ ‫وﺑﻜﻞ ﻣﺎ أوﺗﻴﺖ ﻣﻦ ﺗﻄﻮرات وﺗﻘﻨﻴﺎت ﺟﺪﻳﺪة وﻣﻌﺎﺻﺮة‪ ،‬ﺣﻴﺚ‬ ‫أن ﻫﺬه اﻟﻤﻌﺎرض ﻫﻲ إﺣﺪى اﻟﻮﺳﺎﺋﻞ ا<ﻛﺜﺮ ﺗﺄﺛﻴﺮ‪ 9‬ﻟﻠﺪﺧﻮل‬ ‫ﻟ‪G‬ﺳﻮاق اﻟﺘﻨﺎﻓﺴﻴﺔ وﻣﺴﺎﺣﺔ ﻟﻠﻤﻮاﺟﻬﺔ اﻟﻤﺒﺎﺷﺮة ﻣﻊ اﻟﻌﻤﻼء‬ ‫وا<ﺳﻮاق اﻟﻌﺎﻟﻤﻴﺔ‪.‬‬ ‫وﻛﻤﺎ رأﻳﻨﺎ ﻓﻲ اﻟﺴﻨﻮات ا<ﺧﻴﺮة ﻓﻘﺪ ﺣﺮﺻﺖ ﺷﺮﻛﺔ ا<ﻧﺪﻟﺲ‬ ‫اﻟﻘﺎﺑﻀﺔ وﺑﺸﻜﻞ ﻣﻠﻔﺖ ﻋﻠﻰ اﻟﺤﻀﻮر ﻓﻲ ﻋﺪد ﻣﻦ ﻧﺴﺦ‬ ‫ﻣﻌﺮض اﻟﺨﻤﺴﺔ اﻟﻜﺒﺎر ﻛﻮﻧﻪ أﻛﺒﺮ ﻣﻌﺎرض ﻣﻮاد اﻟﺒﻨﺎء ﻓﻲ‬ ‫اﻟﺸﺮق ا<وﺳﻂ ﻟﻌﺪة ﺳﻨﻮات ﻣﺘﺘﺎﻟﻴﺔ ﻣﻊ ﻣﺠﻤﻮﻋﺔ ﻣﻦ أﺑﺮز‬ ‫ﺷﺮﻛﺎﺗﻬﺎ اﻟﺘﺎﺑﻌﺔ واﻟﺘﻲ ﻣﺜﻠﺖ ﺗﻄﻮر ﻫﺬه اﻟﺸﺮﻛﺔ وﻣﻨﺘﺠﺎﺗﻬﺎ‬ ‫وﻗﻮﺗﻬﺎ اﻟﺴﻮﻗﻴﺔ ﻣﻦ ﺧﻼل ﺟﻨﺎﺣﻬﺎ اﻟﺬي ﻗﺎﻣﺖ ﺑﺘﻨﻔﻴﺬه‬ ‫ﺑﺸﻜﻞ ﺗﺘﺤﺪى ﻓﻴﻪ اﻟﺰﻣﺎن واﻟﻤﻜﺎن اﻟﻤﺘﻮاﺟﺪ ﺑﻪ‪ ،‬ﻓﻤﻦ ﺧﻼل‬ ‫ﺷﺮﻛﺎﺗﻬﺎ وﻣﺼﺎﻧﻌﻬﺎ ﺗﻢ ﻋﻤﻞ وﺗﺮﻛﻴﺐ اﻟﺠﻨﺎح ﺑﺤﻴﺚ ﻳﻈﻬﺮ‬ ‫ﻗﻮة ﻫﺬه اﻟﺸﺮﻛﺎت وﻣﻨﺘﺠﺎﺗﻬﺎ ﻋﻠﻰ ﺣﺪ ﺳﻮاء وﻟﻢ ﺗﻐﻔﻞ ﻋﻦ‬ ‫اﻟﺠﺎﻧﺐ اﻟﻌﺼﺮي واﻟﺬي ﻳﺘﻤﺜﻞ ﻓﻲ اﻟﺘﺼﺎﻣﻴﻢ اﻟﺨﺎرﺟﻴﺔ واﻟﺘﻮزﻳﻊ‬ ‫اﻟﺪاﺧﻠﻲ ﻟﻪ‪.‬‬ ‫وﻓﻲ ﺣﺪﻳﺚ ﻣﻤﺘﻊ ﻛﺎن ﻟﻨﺎ ﻣﻊ ا<ﺳﺘﺎذ ﻣﺮوان اﻟﺒﺮاﻫﻴﻢ اﻟﺮﺋﻴﺲ‬

‫∞‪¡UM³ « π‬‬

‫‪90 Albenaa‬‬

‫اﻟﺘﻨﻔﻴﺬي ﻟﺸﺮﻛﺔ ا<ﻧﺪﻟﺲ اﻟﻘﺎﺑﻀﺔ ﻣﺘﺤﺪﺛ\ ﻋﻦ ﺗﻮاﺟﺪﻫﻢ‬ ‫ﻗﺎﺋ ً‬ ‫ﻼ ‪ ) :‬ﻣﺸﺎرﻛﺘﻨﺎ ﻫﺬه اﻟﺴﻨﺔ ﻣﺘﻤﻴﺰة ﺟﺪ‪ 9‬ﺣﻴﺚ أﻧﻨﺎ ﻧﺘﻮاﺟﺪ‬ ‫اﻟﻴﻮم ﻣﻊ ﻣﻨﺘﺠﺎت وﺷﺮﻛﺎت ﺟﺪﻳﺪة اﻧﻀﻤﺖ ﻟﺸﺮﻛﺔ ا<ﻧﺪﻟﺲ‬ ‫اﻟﻘﺎﺑﻀﺔ وﻫﺬا ﻳﻌﻜﺲ ﺟﻬﺪﻧﺎ اﻟﺪاﺋﻢ ﻓﻲ ﺗﻠﺒﻴﺔ اﻻﺣﺘﻴﺎﺟﺎت‬ ‫اﻟﺴﻮﻗﻴﺔ ﺑﻤﺨﺘﻠﻒ اﻟﻤﻨﺘﺠﺎت واﻟﺘﻮﺟﻬﺎت(‪.‬‬ ‫ﺣﻴﺚ وﺿﻊ ا<ﺳﺘﺎذ ﻣﺮوان اﻟﺒﺮاﻫﻴﻢ أﻧﻪ ﺗﻢ ﻃﺮح ﻣﻨﺘﺞ اﻟﻜﺮﺗﻮن‬ ‫ﻣﻦ ﺧﻼل ﻣﺼﻨﻊ اﻟﻜﺮﺗﻮن اﻟﺘﺎﺑﻊ ﻟﻠﺸﺮﻛﺔ واﻟﺬي ﺗﻢ ﺗﺪﺷﻴﻨﻪ‬ ‫ﻣﺆﺧﺮ‪ 9‬ﺑﺘﻨﻘﻨﻴﺔ ﺧﻼﻳﺎ اﻟﻨﺤﻞ اﻟﺴﺪاﺳﻴﺔ ﻣﻤﺎ ﻳﻌﻄﻴﻪ اﻟﻘﻮة‬ ‫واﻟﻤﺘﺎﻧﺔ ﻟﻴﺤﻞ ﻣﺤﻞ اﻟﺨﺸﺐ ﻓﻲ أﻋﻤﺎل اﻟﻨﻘﻞ ‪ ،‬ﻛﻤﺎ ﻳﻤﻜﻦ‬ ‫اﺳﺘﺨﺪاﻣﻪ ﻓﻲ وﺳﺎﺋﻞ اﻟﺘﺴﻮﻳﻖ واﻟﺪﻋﺎﻳﺔ وا‪f‬ﻋﻼن واﻟﻔﻌﺎﻟﻴﺎت‬ ‫واﻟﻤﻌﺮض‪ .‬وﻳﺘﻤﻴﺰ اﻟﻤﻨﺘﺞ ﺑﺴﻬﻮﻟﺔ ﺗﺸﻜﻴﻠﻪ وﺑﺴﺮﻋﺔ ﺗﺮﻛﻴﺒﻪ‬ ‫وﻓﻜﻪ ﺑﺎ‪f‬ﺿﺎﻓﺔ إﻟﻰ ﻛﻮﻧﻪ ﺻﺪﻳﻖ ﻟﻠﺒﻴﺌﺔ وﻳﻌﺪ ﺳﻌﺮه أﻗﻞ ﻣﻦ‬ ‫ﺳﻌﺮ اﻟﺨﺸﺐ وأﺧﻒ ﻓﻲ اﻟﻨﻘﻞ‪ .‬وﻧﻈﺮ‪ 9‬ﻟ‪i‬ﻗﺒﺎل اﻟﻌﺎﻟﻤﻲ ﻋﻠﻰ‬ ‫اﺳﺘﺨﺪام اﻟﻤﻨﺘﺞ ﻓﻘﺪ ﻗﺎﻣﺖ ﺷﺮﻛﺔ ا<ﻧﺪﻟﺲ اﻟﻘﺎﺑﻀﺔ ﺑﺎﻓﺘﺘﺎح‬ ‫ﻣﺼﻨﻊ ﺟﺪﻳﺪ ﻟﻬﺎ ﻓﻲ أﻟﻤﺎﻧﻴﺎ ﺳﻴﺒﺪأ ﺑﺎ‪f‬ﻧﺘﺎج ﻓﻲ ﺷﻬﺮ ﻳﻨﺎﻳﺮ‬ ‫‪2018‬م وﻣﺼﻨﻊ ﺗﺮﻛﻴﺎ ﺳﻴﺒﺪأ ﺑﺎ‪f‬ﻧﺘﺎج ﻓﻲ ﺷﻬﺮ ﻣﺎرس ‪2019‬م إن‬ ‫ﺷﺎء ا‪ ، r‬ﺑﺎ‪f‬ﺿﺎﻓﺔ إﻟﻰ ذﻟﻚ ﻳﻮﺟﺪ ﻟﺪى اﻟﺸﺮﻛﺔ ﻣﺼﺎﻧﻊ ﻓﻲ ﻛﻞ‬ ‫ﻣﻦ ا‪f‬ﻣﺎرات وا<ردن ‪ ،‬وﺟﻤﻴﻊ ﻫﺬه اﻟﻤﺼﺎﻧﻊ ﺗﻘﻮم ﺑﺈﻧﺘﺎج اﻟﻜﺮﺗﻮن‪.‬‬

93 Albenaa

¡UM³ « π≥

‫اﻟﻤﺠﻤﻮﻋﺔ واﻟﺘﻲ ﺗﻤﺪ ﺷﺮﻛﺔ ﻏﺮﻧﺎﻃﺔ ﺑﺠﻤﻴﻊ ﻣﺘﻄﻠﺒﺎت‬ ‫اﻟﻌﻤﻞ وﻛﻞ ﻣﺎ ﻳﺘﻌﻠﻖ ﺑﺎ ﻟﻮﻣﻨﻴﻮم واﻟﺰﺟﺎج وﻃﻼء ا ﻟﻮﻣﻨﻴﻮم‬ ‫واﻛﺴﺴﻮارات ا ﻟﻮﻣﻨﻴﻮم ‪ ،‬وأﺿﺎف » ﻟﺪﻳﻨﺎ أﻓﻜﺎر ﺟﺪﻳﺪة‬ ‫وﻟﻜﻨﻬﺎ ﻣﺎزاﻟﺖ ﻓﻲ ﻃﻮر اﻟﺪراﺳﺔ ﻣﺜﻞ أﻧﻮاع اﻟﺴﺤﺎﺑﺎت اﻟﻜﺒﻴﺮة‬ ‫واﻟﻤﻌﻠﻘﺔ وأﺑﻮاب اﻟﻜﺮاﺟﺎت ‪ .‬وﺑﺎﻟﻨﺴﺒﺔ ﻟﻠﻤﻄﺎﺑﺦ ﻓﺸﺮﻛﺔ‬ ‫أﻟﻤﻨﻴﻮم ﻏﺮﻧﺎﻃﺔ ﺗﻤﺘﻠﻚ ﻣﻄﺎﺑﺦ اﻟﺰﺟﺎج اﻟﻤﻘﺎوم ﻟﻠﻜﺴﺮ‬ ‫وﺑﺄﻟﻮان ﻣﺨﺘﻠﻔﺔ ودﻳﻜﻮرات ﻣﺘﻨﻮﻋﺔ وﺑﺸﻜﻞ ﻋﺎم ﻧﺤﻦ داﺋﻤ@‬ ‫ﻧﺴﻌﻰ إﻟﻰ ﺗﻄﻮﻳﺮ ﻣﻨﺘﺠﺎﺗﻨﺎ واﻟﺘﻮﺳﻊ وا‪H‬ﻧﺘﺸﺎر « ‪.‬‬ ‫واﻟﺠﺪﻳﺮ ﺑﺎﻟﺬﻛﺮ ﻓﺈن ﺷﺮﻛﺔ اﻟﻤﻨﻴﻮم ﻏﺮﻧﺎﻃﺔ ﻫﻲ ﻣﻦ ﻗﺎﻣﺖ‬ ‫ﺑﺘﻨﻔﻴﺬ اﻟﺠﻨﺎح اﻟﻤﺸﺎرك ﻟﺸﺮﻛﺔ ا ﻧﺪﻟﺲ اﻟﻘﺎﺑﻀﺔ ﻣﻮﺿﺤﺔ ﺑﺄﻧﻪ‬ ‫ﻳﻤﻜﻦ ﺗﻜﻴﻴﻒ ﻣﻨﺘﺠﺎﺗﻬﺎ ﺣﺴﺐ اﻟﻄﻠﺐ وﺣﺴﺐ اﺣﺘﻴﺎﺟﺎت ﻛﻞ‬ ‫ﻣﺸﺮوع‪ .‬ﻳﻤﻜﻦ اﺳﺘﺨﺪاﻣﻬﺎ ﻓﻲ اﻟﻌﺪﻳﺪ ﻣﻦ اﻟﻤﺸﺎرﻳﻊ ﺳﻮاء‬ ‫اﻟﺨﺎﺻﺔ ﻛﺎﻟﻤﻨﺎزل واﻟﻤﺴﺎﻛﻦ اﻟﻔﺮدﻳﺔ أو اﻟﻤﺸﺎرﻳﻊ اﻟﻜﺒﺮى ﻣﻊ‬ ‫اﻟﺤﻔﺎظ ﻋﻠﻰ ﻣﺴﺘﻮى اﻟﺠﻮدة واﻟﻤﻌﺎﻳﻴﺮ اﻟﻘﻴﺎﺳﻴﺔ اﻟﻌﺎﻟﻴﺔ‪ .‬ﻛﻤﺎ‬ ‫ﻗﺎﻣﺖ اﻟﺸﺮﻛﺔ ﻣﺆﺧﺮ^ ﺑﺎﻟﺘﻮﺳﻊ داﺧﻞ اﻟﺴﻮق اﻟﺴﻌﻮدي ﻣﻦ‬ ‫ﺧﻼل ﻓﺘﺢ ﻣﻌﺎرض ﺟﺪﻳﺪة ﺣﻴﺚ ﺗﻢ اﻓﺘﺘﺎح ﻣﻌﺮض ﻓﻲ ﺷﻤﺎل‬ ‫اﻟﺮﻳﺎض ﻛﻤﺎ ﺗﻢ اﻓﺘﺘﺎح ﻣﻌﺮض ﻓﻲ ﺟﺪة إﻟﻰ ﺟﺎﻧﺐ ﻣﻌﺎرﺿﻬﺎ‬ ‫اﻟﻤﺘﻮاﺟﺪة ﻓﻲ اﻟﻤﻨﻄﻘﺔ اﻟﺸﺮﻗﻴﺔ‪ ،‬وﺛﻼث ﻣﻌﺎرض ﻓﻲ اﻟﺮﻳﺎض‬ ‫وﻣﻌﺮض ﻓﻲ اﻟﻘﺼﻴﻢ وﺳﻴﺘﻢ اﻓﺘﺘﺎح ﻣﻌﺮض ﺟﺪة ﻓﻲ ﺷﻬﺮ‬ ‫ﻣﺎرس اﻟﻘﺎدم ﺑﻤﺸﻴﺌﺔ ا‪. g‬‬ ‫ﻛﻤﺎ أﺷﺎر ا ﺳﺘﺎذ ﻣﺮوان اﻟﺒﺮاﻫﻴﻢ إﻟﻰ أن ﺷﺮﻛﺔ ﻣﺼﻨﻊ ا ﻧﺪﻟﺲ‬ ‫ﻟﺴﺤﺐ وﺗﺸﻜﻴﻞ ا ﻟﻤﻨﻴﻮم واﻟﻤﺘﺨﺼﺼﺔ ﺑﺼﻨﺎﻋﺔ ﻗﻄﺎﻋﺎت‬ ‫ا ﻟﻤﻨﻴﻮم اﻟﻤﺨﺘﻠﻔﺔ ﺗﻮﺳﻌﺖ ﻣﺆﺧﺮ^ ﺑﺈﺿﺎﻓﺔ ﺧﻄﻮط إﻧﺘﺎج‬ ‫وﻣﻌﺪات ﺣﺪﻳﺜﺔ ﻓﻲ ﻣﺼﻨﻊ اﻟﺴﺤﺐ ﻟﺰﻳﺎدة اﻟﻄﺎﻗﺔ ا‪H‬ﻧﺘﺎﺟﻴﺔ ‪،‬‬ ‫ﺣﻴﺚ ﻳﻤﺘﻠﻚ اﻟﻤﺼﻨﻊ ﺛﻼﺛﺔ ﻣﻜﺎﺑﺲ وﺧﻂ ﺗﻐﻄﻴﺲ وﺧﻄﻴﻦ‬ ‫ﺑﻮدرة دﻫﺎن وﻟﺪى اﻟﻤﺼﻨﻊ ﻣﺨﺘﺒﺮ ﻣﺘﺨﺼﺺ ﻳﺤﺘﻮي ﻋﻠﻰ أﺣﺪث‬ ‫ا ﺟﻬﺰة ﻟﻔﺤﺺ ا ﻟﻤﻨﻴﻮم ﻓﻴﺰﻳﺎﺋﻴ@ وﻣﻴﻜﺎﻧﻴﻜﻴ@ وﻛﻴﻤﻴﺎﺋﻴ@‪.‬‬ ‫ﻫﺬا وﻗﺎﻣﺖ ﺷﺮﻛﺔ ا ﻧﺪﻟﺲ ﻟﻠﺰﺟﺎج ﻣﻤﺜﻠﻬﺎ ا ﺳﺘﺎذ ﻣﺮوان‬ ‫اﻟﺒﺮاﻫﻴﻢ اﻟﺮﺋﻴﺲ اﻟﺘﻨﻔﻴﺬي ﻟﺸﺮﻛﺔ ا ﻧﺪﻟﺲ اﻟﻘﺎﺑﻀﺔ‬ ‫واﻟﻤﻬﻨﺪس أﻣﻴﺮ ﻋﺒﺪ اﻟﻠﻄﻴﻒ اﻟﻤﺪﻳﺮ اﻟﺘﻨﻔﻴﺬي ﻟﺸﺮﻛﺔ‬ ‫ا ﻧﺪﻟﺲ ﻟﻠﺰﺟﺎج ﺑﺘﻮﻗﻴﻊ ﻋﻘﺪ ﻣﻊ ﺷﺮﻛﺔ ‪ Waterjet‬وﻳﻤﺜﻠﻬﺎ‬ ‫ا ﺳﺘﺎذ ﻣﺎﺳﻴﺪروﺳﻮ وﻫﻲ اﻟﺸﺮﻛﺔ ا‪H‬ﻳﻄﺎﻟﻴﺔ اﻟﻤﺼﻨﻌﺔ‬ ‫ﻟﻤﻜﺎﺋﻦ ‪ Waterjet‬واﻟﺘﻲ ﺗﻌﺘﺒﺮ واﺣﺪة ﻣﻦ أﻓﻀﻞ اﻟﻤﻜﺎﺋﻦ‬ ‫اﻟﻤﺼﻨﻌﺔ ﻟﻠﻘﺺ ﻓﻲ اﻟﻌﺎﻟﻢ وﻟﻬﺎ ﻧﺠﺎح ﻳﻤﺘﺪ ل ‪ 25‬ﻋﺎﻣ@‪.‬‬ ‫وﻗﺪ ﻗﺎﻣﺖ ﻛﺬﻟﻚ ﺑﺎﻟﺘﻌﺎﻗﺪ ﻟﺸﺮاء إﺣﺪى أﻧﻮاع ﻫﺬه اﻟﻤﻜﺎﺋﻦ‬ ‫وﻫﻲ ﻣﺎﻛﻴﻨﺔ ‪ BRTICA‬واﻟﺘﻲ ﺗﻌﺘﺒﺮ واﺣﺪة ﻣﻦ أﺣﺪث‬ ‫اﻟﻤﻜﺎﺋﻦ ﻟﻘﺺ اﻟﺰﺟﺎج وا ﻟﻤﻨﻴﻮم واﻟﺤﺪﻳﺪ واﻟﺮﺧﺎم ﺑﺴﻤﺎﻛﺎت‬ ‫ﺗﺼﻞ إﻟﻰ ‪ 120‬ﻣﻠﻢ‪ .‬وﻟﻬﺎ ﻋﺪاد ﻟﻠﺤﻔﺮ وﻣﺤﺮك ﻣﻴﺎﻧﻴﻜﻲ ﻳﻌﻤﻞ‬ ‫ﺑﻨﻈﺎم ‪ . CNC‬ﻳﺘﻢ ﺗﺸﻐﻴﻞ ﻫﺬه اﻟﻤﺎﻛﻴﻨﺔ ﻣﻦ ﻗﺒﻞ ﺑﺮﻣﺠﻴﺎت‬ ‫ﻣﺘﻘﺪﻣﺔ واﻟﺘﻲ ﺗﻌﻄﻲ اﻟﺨﻴﺎر ﻣﻦ ﻧﻮع اﻟﻤﻮاد دون ﺗﻐﻴﻴﺮ ﻣﻮاد‬ ‫اﻟﺤﻔﺮ اﻟﻤﺴﺘﺨﺪﻣﺔ‪.‬‬ ‫ﻛﻤﺎ ﺗﻢ اﻟﺘﻌﺎﻗﺪ ﻣﻊ ﺷﺮﻛﺔ ﺗﻮرﻣﺎس ا ﺳﺒﺎﻧﻴﺔ واﻟﻤﺘﺨﺼﺼﺔ‬ ‫ﻓﻲ ﺗﺼﻨﻴﻊ ﺧﻄﻮط ا‪H‬ﻧﺘﺎج ا‪u‬ﻟﻴﺔ اﻟﻤﺘﻌﻠﻘﺔ ﺑﻘﺺ أﻟﻮاح‬ ‫اﻟﺰﺟﺎج اﻟﺨﺎم ﺑﺎ‪H‬ﺿﺎﻓﺔ إﻟﻰ أﻧﻈﻤﺔ ﺗﺨﺰﻳﻦ أﻟﻮاح اﻟﺰﺟﺎج ا‪u‬ﻟﻴﺔ‬ ‫وﺗﺴﺘﺨﺪم ﺗﻜﻨﻮﻟﻮﺟﻴﺎ ﻫﻲ ا ﻛﺜﺮ ﺗﻄﻮر^ ﻓﻲ اﻟﻌﺎﻟﻢ ‪ .‬ﺗﻤﻠﻚ‬ ‫اﻟﺸﺮﻛﺔ ﺧﺒﺮة ﺗﺰﻳﺪ ﻋﻦ ‪ 30‬ﺳﻨﺔ ﻓﻲ ﻫﺬا اﻟﻤﺠﺎل و ﻗﺎﻣﺖ‬ ‫ﺑﺘﺠﻬﻴﺰ اﻟﻌﺪﻳﺪ ﻣﻦ ﻣﺼﺎﻧﻊ ﻣﻌﺎﻟﺠﺔ اﻟﺰﺟﺎج ﻓﻲ أوروﺑﺎ وأﻣﺮﻳﻜﺎ‬ ‫اﻟﺸﻤﺎﻟﻴﺔ وأﻣﺮﻳﻜﺎ اﻟﻼﺗﻴﻨﻴﺔ ‪.‬‬

‫≤‪¡UM³ « π‬‬

‫‪92 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫اﻟﻤﺼﻨﻊ اﻟﺴﻌﻮدي ﻟﻠﺜﺮﻳﺎت‬ ‫ﺛﻼﺛﻮن ﻋﺎﻣ ﻧﺰداد ﺗﺄﻟﻘ و ﺷﺒﺎﺑ ‬ ‫ﻧﻴﻞ ﺣﺼﺔ ا‪N‬ﺳﺪ ﻣﻦ إﻧﺎرة ﻣﺴﺎﺟﺪ و ﺑﻴﻮت‬ ‫أﻧﻪ ﻣﻦ ﺣﻖ اﻟﻌﻤﻴﻞ أن ﻳﺘﻤﺘﻊ ﺑﻀﻤﺎن‬ ‫ﻣﻦ إﺳﻢ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‬ ‫ا‪ T‬ﻓﻲ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‪،‬‬ ‫ﺣﻘﻴﻘﻲ ﺷﺎﻣﻞ ﻓﺄوﺟﺪﻧﺎ ﻟﻪ اﻟﻀﻤﺎن‬ ‫اﺳﺘﻠﻬﻤﻨﺎ إﺳﻤﻨﺎ‪ ،‬ﻓﻜﺎن اﻟﻤﺼﻨﻊ‬ ‫اﻟﺴﻌﻮدي ﻟﻠﺜﺮﻳﺎت ‪ ،‬وﻋﺒﺮ ﺛﻼﺛﻮن ﻋﺎﻣ ﻣﻦ اﻟﺬﻫﺒﻲ اﻟﻤﺠﺎﻧﻲ اﻟﻄﻮﻳﻞ ا‪N‬ﻣﺪ ﻋﻠﻰ ﻛﻞ وﻛﺎن اﻟﻬﺪف ﻣﻦ ذﻟﻚ ﻟﻴﺲ رﺑﺤﻴ ‬ ‫ﺛﺮﻳﺎﺗﻨﺎ و ﻣﻨﺘﺠﺎﺗﻨﺎ‪ ،‬وأﻋﻄﻴﻨﺎ ﻫﺬا اﻟﻀﻤﺎن ﻓﻘﻂ‪ ،‬إﻧﻤﺎ ﻛﺎن اﻟﻬﺪف ﻫﻮ ﻧﻴﻞ ﺷﺮف‬ ‫اﻟﻌﻄﺎء اﺳﺘﻄﻌﻨﺎ ﻣﻦ ﺧﻼﻟﻬﺎ أن ﻧﺒﻨﻲ‬ ‫إﻧﺎرة ﻣﺴﺎﺟﺪ اﻟﻤﻤﻠﻜﺔ ‪ ،‬ﻓﺄﻳﻨﻤﺎ اﺗﺠﻬﺘﻢ‬ ‫أﻫﻤﻴﺔ ﻗﺼﻮى ﻟﺪﻳﻨﺎ‪ ،‬ﻓﺒﻮﺟﻮد ﻣﺼﻨﻊ‬ ‫إﺳﻤ ﻳﻠﻤﻊ ﻣﺜﻞ اﻟﺬﻫﺐ و ﻳﺒﺮق ﻣﺜﻞ‬ ‫ودﺧﻠﺘﻢ ﻣﺴﺠﺪ‪ Z‬أو ﺑﻴﺘ ﻣﻦ ﺑﻴﻮت ا‪،T‬‬ ‫ﺣﻘﻴﻘﻲ ﻣﺘﻜﺎﻣﻞ ﻋﻠﻰ أرض اﻟﻤﻤﻠﻜﺔ‬ ‫اﻟﻤﺎس ﻛﻤﺎ ﺛﺮﻳﺎﺗﻨﺎ ﺗﻤﺎﻣ ‪.‬‬ ‫اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‪ ،‬ﻫﻮ ﻣﻦ ﻳﺼﻨﻊ اﻟﻤﻨﺘﺞ ﻏﺎﻟﺒ ﺳﻨﻜﻮن ﺣﺎﺿﺮﻳﻦ ﺑﺜﺮﻳﺎﺗﻨﺎ ا[ﺳﻼﻣﻴﺔ‬ ‫ﺛﻼﺛﻮن ﻋﺎﻣ ﻛﻨﺎ ﻧﺒﻨﻲ ﻋﻠﻰ أﺳﺎﺳﺎت‬ ‫ﻣﻦ ا‪N‬ﻟﻒ إﻟﻰ اﻟﻴﺎء‪ ،‬ﻛﺎن اﻟﻀﻤﺎن اﻟﺬﻫﺒﻲ اﻟﻤﺘﻔﺮدة ‪ .‬ﻛﻤﺎ ﻛﻨﺎ ﺣﺎﺿﺮﻳﻦ ﻓﻲ أﻏﻠﺐ‬ ‫راﺳﺨﺔ ﻣﻨﻬﺎ ‪:‬‬ ‫أن ﻟﻠﻌﻤﻴﻞ ﺣﻖ اﻟﺘﻤﺘﻊ و ﻣﺸﺎﻫﺪة وإﺧﺘﻴﺎر ﻟﻠﻤﺼﻨﻊ اﻟﺴﻌﻮدي ﻟﻠﺜﺮﻳﺎت ﻋﻨﺼﺮ ا‪N‬ﻣﺎن اﻟﻤﺸﺎرﻳﻊ اﻟﺤﻜﻮﻣﻴﺔ ‪ ،‬ﻓﺄﻏﻠﺐ اﻟﻮزارات‬ ‫وا[دارات واﻟﻬﻴﺌﺎت ﻛﺎن ﻟﻨﺎ ﺷﺮف إﻧﺎرة‬ ‫اﻟﻤﻨﺘﺞ ﻋﻠﻰ اﻟﻮاﻗﻊ ﻓﺄﻧﺸﺄﻧﺎ ﻣﻌﺎرﺿﻨﺎ اﻟﺘﻲ ﻟﻠﻤﺴﺘﻬﻠﻚ‪.‬‬ ‫ﺗﻮزﻋﺖ ﻋﻠﻰ أﻏﻠﺐ ﻣﻨﺎﻃﻖ اﻟﻤﻤﻠﻜﺔ ‪ .‬ﻛﻤﺎ ﻛﻤﺎ رﻛﺰ اﻟﻤﺼﻨﻊ اﻟﺴﻌﻮدي ﻟﻠﺜﺮﻳﺎت ﻋﻠﻰ وﺗﺰﻳﻴﻦ ﻗﺎﻋﺎﺗﻬﺎ و ﺻﺎﻻﺗﻬﺎ ‪.‬‬

‫‪¡UM³ « π¥‬‬

‫‪94 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﺷﺮﻛﺔ ﻋﺎﻟﻢ اﻟﻤﻈﻼت‬

‫إﺣﺪى ﺷﺮﻛﺎت ﻣﺠﻤﻮﻋﺔ اﻟﺘﺠﻮﻳﺪ‬

‫«_‪ÂUF « d¹b*« ? wH¹dF « ` U sÐ bL× –U²Ý‬‬

‫ﺗﺄﺳﺴـــﺖ ﺷـــﺮﻛﺔ اﻟﺘﺠﻮﻳـــﺪ‬ ‫ﻟﻠﺘﺠﺎرة واﻟﻤﻘـــﺎوﻻت ﻋﺎم ‪٢٠٠٢‬م‬ ‫ﻋﻠـــﻰ ﻳـــﺪ ا)ﺳـــﺘﺎذ ﻣﺤﻤـــﺪ ﺑـــﻦ‬ ‫ﺻﺎﻟﺢ اﻟﻌﺮﻳﻔﻲ‪ ،‬ﺣﻴﺚ ﺗﺨﺼﺼﺖ‬ ‫اﻟﺸـــﺮﻛﺔ ﻓـــﻲ ﺗﺠـــﺎرة ﻣﻨﺘﺠـــﺎت‬ ‫اﻟﻬﻴـــﺎﻛﻞ اﻟﻤﻌﺪﻧﻴـــﺔ ﺑﺎ‪9‬ﺿﺎﻓﺔ‬ ‫إﻟﻰ ﻧﺸﺎط اﻟﻤﻘﺎوﻻت‪.‬‬ ‫وﻣﻨﺬ أن ﺑﺪأت اﻟﺸﺮﻛﺔ ﻧﺸﺎﻃﻬﺎ‬ ‫ﺳﻌﻰ ا)ﺳﺘﺎذ ﻣﺤﻤﺪ اﻟﻌﺮﻳﻔﻲ‬ ‫إﻟـــﻰ ﺗﻮﺳـــﻴﻊ ا)ﻋﻤـــﺎل ﻟﺘﻀـــﻢ‬ ‫اﻟﻌﺪﻳﺪ ﻣﻦ ا)ﻧﺸﻄﺔ اﻟﻤﺘﻜﺎﻣﻠﺔ‪،‬‬ ‫ﻓﺄﺻﺒﺤـــﺖ ﺗﻀـــﻢ إﻟـــﻰ ﺟﺎﻧـــﺐ‬ ‫ﻣﻨﺘﺠـــﺎت اﻟﻬﻴـــﺎﻛﻞ اﻟﻤﻌﺪﻧﻴـــﺔ‬ ‫ﻋـــﺪد‪ M‬ﻣـــﻦ اﻟﻤﻨﺘﺠـــﺎت ا)ﺧـــﺮى‬ ‫ﻣﺜـــﻞ اﻟﺘﻮﺻﻴـــﻼت واﻟﺼﻤﺎﻣﺎت ـ‬ ‫اﻟﻤﻮاد اﻟﻤﺘﻌﻠﻘﺔ ﺑﺎﻟﻤﺸـــﺮوﻋﺎت‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ واﻟﻤﻴﻜﺎﻧﻴﻜﻴـــﺔ ـ‬ ‫إﻧﺘﺎج وﺗﻨﻔﻴﺬ ا)ﺳﻮار اﻟﻤﻌﺪﻧﻴﺔ‬ ‫وا)ﺳـــﻴﺠﺔ ا)ﻣﻨﻴـــﺔ ـ ﻣﻈـــﻼت‬ ‫اﻟﺸﺪ ا‪9‬ﻧﺸﺎﺋﻲ ‪.‬‬ ‫وﺗﺴـــﻬﻴ ً‬ ‫ﻼ ﻟﻠﻌﻤـــﻞ ﻓﻘـــﺪ ﺗـــﻢ‬

‫∂‪¡UM³ « π‬‬

‫‪96 Albenaa‬‬

‫إﻧﺸﺎء ﻗﺴﻢ ﺧﺎص ﻟﻜﻞ ﻧﺸﺎط‬ ‫ﻳﻘﻮم ﻋﻠﻰ إدارﺗـــﻪ ﺧﺒﺮات ﻓﻨﻴﺔ‬ ‫وإدارﻳـــﺔ ﻋﻠـــﻰ أﻋﻠـــﻰ ﻣﺴـــﺘﻮى‬ ‫ﻳﻀﻤـــﻦ ﺗﻘﺪﻳـــﻢ اﻟﺨﺪﻣـــﺔ إﻟـــﻰ‬ ‫ﺟﻤﻴﻊ ﻋﻤﻼء اﻟﻤﺠﻤﻮﻋﺔ ﺑﺸﻜﻞ‬ ‫ﻣﺜﺎﻟﻲ‪.‬‬ ‫وﺗﺘﻤﺜﻞ ﻫﺬه ا)ﻗﺴﺎم ﻓﻲ ‪:‬‬ ‫‪ ١‬ـ ﻗﺴـــﻢ ﻣﺒﻴﻌـــﺎت اﻟﻬﻴـــﺎﻛﻞ‬ ‫اﻟﻤﻌﺪﻧﻴﺔ‪.‬‬ ‫‪ ٢‬ـ ﻗﺴﻢ ﻣﺒﻴﻌﺎت اﻻﻛﺴﺴﻮارات‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴﺔ واﻟﻤﻴﻜﺎﻧﻴﻜﻴﺔ ‪.‬‬ ‫‪ ٣‬ـ ﻗﺴﻢ ﺗﺠﺎرة اﻟﻤﻌﺪات اﻟﺜﻘﻴﻠﺔ‬ ‫واﻟﺸﺎﺣﻨﺎت واﻟﺴﻴﺎرات ‪.‬‬ ‫‪ ٤‬ـ ﻗﺴـــﻢ ﻣﺒﻴﻌـــﺎت اﻟﻤﻌـــﺪات‬ ‫واﻻﻛﺴﺴـــﻮارات واﻟﺤﻠـــﻮل‬ ‫اﻟﻬﻮاﺋﻴﺔ‪.‬‬ ‫‪ ٥‬ـ ﻗﺴﻢ ﺗﺮﻛﻴﺐ أﺳﻮار اﻟﺤﻤﺎﻳﺔ‬ ‫اﻟﻤﻌﺪﻧﻴﺔ وا)ﺳﻴﺠﺔ ا)ﻣﻨﻴﺔ ‪.‬‬ ‫‪ ٦‬ـ ﺷـــﺮﻛﺔ ﻋﺎﻟـــﻢ اﻟﻤﻈـــﻼت‬ ‫ﻟﺘﺼﻨﻴــــﻊ ﻣﻨﺘﺠــــﺎت اﻟﺸــــﺪ‬ ‫ا‪9‬ﻧﺸﺎﺋﻲ واﻟﻤﻈﻼت‪.‬‬ ‫‪ ٧‬ـ ﻣﺼﻨﻊ أوز ﻟﺘﺼﻨﻴﻊ ﻣﻨﺘﺠﺎت‬ ‫ا)ﺳـــﻮار اﻟﻤﻌﺪﻧﻴـــﺔ وأﺳـــﻴﺠﺔ‬ ‫اﻟﺤﻤﺎﻳﺔ ا)ﻣﻨﻴﺔ‪.‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﺷﺮﻛﺔ رﺿﺎﻳﺎت ﻟﻠﻄﻼء اﻟﻮاﻗﻲ اﻟﻤﺤﺪودة‬ ‫ﺣﺪﻳﺪ اﻟﺘﺴﻠﻴﺢ اﻟﻤﻄﻠﻲ ﺑﺎ ﻳﺒﻮﻛﺴﻲ‬

‫اﻟﻤﻬﻨﺪس ‪ /‬رﻳﺎض اﻟﺤﻤﻮد ـ اﻟﻤﺪﻳﺮ اﻟﻌﺎم‬

‫ﻗﺎﻣﺖ ﺷـــﺮﻛﺔ رﺿﺎﻳﺎت ﻟﻠﻄﻼء اﻟﻮاﻗﻲ اﻟﻤﺤﺪودة‬ ‫ﺑﺈﻧﺘـــﺎج ﺣﺪﻳـــﺪ اﻟﺘﺴـــﻠﻴﺢ اﻟﻤﻄﻠـــﻲ اﻧﺼﻬﺎرﻳـــ‪,‬‬ ‫ﺑﺎ ﻳﺒﻮﻛﺴﻲ ﻓﻲ ﻋﺎم ‪1992‬م‪ ،‬ﺣﻴﺚ ﺗﺤﻈﻰ ﻣﻨﺬ‬ ‫ﻣﺪة ﻃﻮﻳﻠﺔ ﺑﺜﻘﺔ ورﺿﺎء ﻋﻤﻼءﻫﺎ ﻣﻨﻬﻢ أراﻣﻜﻮ‬ ‫اﻟﺴﻌﻮدﻳﺔ وﺳﺎﺑﻚ واﻟﻤﺆﺳﺴـــﺔ اﻟﻌﺎﻣﺔ ﻟﺘﺤﻠﻴﺔ‬ ‫اﻟﻤﻴﺎه اﻟﻤﺎﻟﺤﺔ واﻟﺸـــﺮﻛﺔ اﻟﺴـــﻌﻮدﻳﺔ ﻟﻠﻜﻬﺮﺑﺎء‬ ‫واﻟـــﻮزارات اﻟﺤﻜﻮﻣﻴﺔ إﻟﻰ ﺟﺎﻧـــﺐ اﻟﻘﻄﺎع اﻟﺨﺎص‬ ‫وﻗﻄـــﺎع اﻟﻌﻘـــﺎرات‪ .‬ﻫـــﺬا وﻗـــﺪ ﺑﺮﻫﻨـــﺖ ا ﺑﺤـــﺎث‬ ‫اﻟﻤﻄﻮﻟﺔ وﺧﺒﺮة اﻟﻤﺴﺘﺨﺪم ﻣﺮة وأﺧﺮى ﻋﻠﻰ أن‬ ‫ﺣﺪﻳﺪ اﻟﺘﺴﻠﻴﺢ اﻟﻤﻄﻠﻲ اﻧﺼﻬﺎرﻳ‪ ,‬ﺑﺎ ﻳﺒﻮﻛﺴﻲ‬ ‫أﺣـــﺪ أﻓﻀـــﻞ اﻟﻄـــﺮق وأﻛﺜﺮﻫـــﺎ اﻗﺘﺼﺎدﻳـــﺔ ﻓـــﻲ‬ ‫ﺣﻤﺎﻳﺔ اﻟﺒﻨﻰ اﻟﺘﺤﺘﻴﺔ اﻟﺨﺮﺳﺎﻧﻴﺔ اﻟﺘﻲ ﺗﺆدي إﻟﻰ‬ ‫اﻟﻬﻨﺪﺳـــﺔ اﻟﻘﻴﻤﻴﺔ‪ .‬ﻋﻠﻴﻪ ﻓﺈن ا‪Z‬ﺳﺘﺮاﺗﻴﺠﻴﺔ ﻫﻲ‬ ‫اﻟﺘﺸـــﺠﻴﻊ واﻟﺒﺤﺚ ﻻﺳﺘﺨﺪاﻣﻪ ﻟﺠﻤﻴﻊ اﻟﻤﺸﺎرﻳﻊ‬ ‫اﻟﺘـــﻲ ذﻛﺮﻧﺎﻫـــﺎ ﻟﻔﻮاﺋـــﺪه ﻋﻠـــﻰ اﻟﻤـــﺪى اﻟﻄﻮﻳﻞ‬ ‫ﻛﻤﺎ ﻳﻘـــﻮل اﻟﻤﻬﻨﺪس رﻳﺎض اﻟﺤﻤـــﻮد ﻣﺪﻳﺮ ﻋﺎم‬ ‫اﻟﺸﺮﻛﺔ‪.‬‬ ‫إن ﻇـــﺮوف اﻟﺮﻃﻮﺑﺔ واﻟﺤﺮارة واﻟﻤﻠﻮﺣﺔ اﻟﺴـــﺎﺋﺪة‬ ‫ﻓـــﻲ اﻟﻤﻤﻠﻜـــﺔ اﻟﻌﺮﺑﻴـــﺔ اﻟﺴـــﻌﻮدﻳﺔ وﻣﻨﻄﻘـــﺔ‬ ‫اﻟﺨﻠﻴـــﺞ اﻟﻌﺮﺑﻲ ﻋﻤﻮﻣ‪ ,‬ﻟﻌﺒﺖ داﺋﻤ‪ ,‬دور‪ d‬رﺋﻴﺴـــ‪,‬‬ ‫ﻓﻴﻤـــﺎ ﻳﺘﻌﻠـــﻖ ﺑﻌﻤـــﺮ ا‪Z‬ﻧﺸـــﺎءات اﻟﺨﺮﺳـــﺎﻧﻴﺔ‪.‬‬ ‫إن اﻟﻤﺒﺎﻧـــﻲ اﻟﺘﺠﺎرﻳـــﺔ أو اﻟﺴـــﻜﻨﻴﺔ واﻟﺠﺴـــﻮر‬ ‫واﻟﻘﻨـــﻮات أو أي ﺑﻨﻰ ﺗﺤﺘﻴﺔ ﺧﺮﺳـــﺎﻧﻴﺔ ﺟﻤﻴﻌﻬﺎ‬ ‫ﻫﺪف ﻟﻠﺘـــﺂﻛﻞ واﻟﺼﺪأ وﻻ ﻳﻨﺘﻬـــﻲ ﺑﻬﺎ اﻟﻤﻄﺎف‬ ‫ﺑﺘﻜﺎﻟﻴﻒ ﺻﻴﺎﻧﺔ ﻋﺎﻟﻴﺔ ﻓﻘﻂ‪ ،‬إﺿﺎﻓﺔ إﻟﻰ اﻟﺨﺴﺎﺋﺮ‬ ‫اﻟﺘـــﻲ ﺗﻨﺘﺞ ﻋﻨﺪﻣﺎ ﺗﻜﻮن ﻣﺜﻞ ﻫﺬه اﻟﻤﺮاﻓﻖ ﻏﻴﺮ‬ ‫ﻣﺴﺘﺨﺪﻣﺔ ﺧﻼل ﻓﺘﺮة ا‪Z‬ﺻﻼح واﻟﻤﻌﺎﻟﺠﺔ )ﻋﻨﺪﻣﺎ‬ ‫ﻳﻜﻮن ذﻟﻚ ﻣﺘﺎﺣ‪ (,‬أو اﺳﺘﺒﺪال ﻛﺎﻣﻞ ا‪Z‬ﻧﺸﺎء‪.‬‬ ‫ﻛﻤﺎ أن ﻫﻨﺎﻟﻚ ﻋﺎﻣﻞ رﺋﻴﺲ ﻣﻬﻢ ﻳﺘﻌﻠﻖ ﺑﺘﻌﺰﻳﺰ‬ ‫ﺗـــﺂﻛﻞ وﺻـــﺪأ اﻟﺤﺪﻳﺪ وﻫﻮ اﻟﺴـــﻼﻣﺔ ﻣﻤـــﺎ ﻳﺆدي‬ ‫إﻟﻰ إﺿﻌﺎف ﻛﻞ ا‪Z‬ﻧﺸـــﺎء ﻣـــﻦ اﻟﺪاﺧﻞ واﻟﺬي ﻗﺪ‬ ‫ﻻﻳﻜﻮن ﻣﻨﻈﻮر‪ d‬ﺳـــﺮﻳﻌ‪ ,‬ﻣﻤﺎ ﻳﺆدي إﻟﻰ ﻣﺴﺘﻮى‬ ‫ﺧﻄﻴﺮ ﻣﻦ اﻟﺴﻼﻣﺔ ﻣﺜﻞ اﻟﺘﺼﺪع اﻟﻤﻔﺎﺟﺊ اﻟﺬي‬ ‫ﻳﻈﻬـــﺮ ﻓـــﻲ اﻟﺨﺎرج ﻓﻘـــﻂ ﻋﻨﺪ ﺣـــﺪوث ﺗﻠﻒ ﻣﻤﺎ‬ ‫ﻳـــﺆدي إﻟﻰ ا‪Z‬ﺧﻔـــﺎق اﻟﻜﻠﻲ اﻟﻤﻔﺎﺟـــﺊ ﻓﻴﻤﺎ ﺑﻌﺪ‬ ‫ﻣﻤـــﺎ ﻗﺪ ﻳﻨﺘﺞ ﻋﻨـــﻪ ا‪Z‬ﻧﻬﻴﺎر‪ .‬وﻓـــﻲ اﻟﻐﺎﻟﺐ ﻳﻜﻮن‬

‫∏‪¡UM³ « π‬‬

‫‪98 Albenaa‬‬

‫ﻫﻨﺎﻟﻚ وﻗﺖ ﻗﺼﻴﺮ أو ﻻوﻗﺖ ﻳﺴﻤﺢ ﺑﺎﻟﺘﻔﺎﻋﻞ‪.‬‬ ‫ﻛﻤـــﺎ أن ﺷـــﻜﻞ ا‪Z‬ﻧﺸـــﺎء اﻟﻤﺘﺄﺛﺮ ﺑﺎﻟﺘﺂﻛﻞ ﺑﺸـــﻊ‪،‬‬ ‫وﻏﺎﻟﺒـــ‪ ,‬ﻣـــﺎ ﺗﻜـــﻮن اﻟﺨﺮﺳـــﺎﻧﺔ وﺣﺪﻳﺪ اﻟﺘﺴـــﻠﻴﺢ‬ ‫اﻟﻤﺘـــﺂﻛﻞ ﻏﻴـــﺮ ﻣﻨﻈـــﻮر‪ ،‬أي أﻧـــﻪ ﻻ ﻳﺆﺛﺮ ﻓـــﻲ ﺑﻨﻴﺔ‬ ‫ا‪Z‬ﻧﺸـــﺎء ﻓﻘـــﻂ وﻟﻜﻨـــﻪ ﻳﺆﺛﺮ ﻓـــﻲ ﺷـــﻜﻠﻪ ﺑﺪﻻﻟﺔ‬ ‫ﻇﻬﻮر اﻟﺘﺼﺪﻋﺎت واﻟﻘﺸﺮة واﻟﺜﺨﺎﻧﺔ‪.‬‬ ‫وﺑﺈﻳﺠﺎز ﻧﻘﻮل أن اﻟﻤﻤﻴﺰات اﻟﺮﺋﻴﺴﺔ ﻫﻲ ‪:‬‬ ‫‪ 1‬ـ ﺗﺰﻳـــﺪ ﻣـــﻦ ﻋﻤﺮ ا‪Z‬ﻧﺸـــﺎء اﻟﺨﺮﺳـــﺎﻧﻲ ﻣﻊ ﺻﻴﺎﻧﺔ‬ ‫ﻣﻨﺨﻔﻀﺔ ‪ /‬اﻟﻬﻨﺪﺳﺔ اﻟﻘﻴﻤﻴﺔ‪.‬‬ ‫‪ 2‬ـ رﻓﻊ ﻣﻌﺪل وﻣﺴﺘﻮى اﻟﺴﻼﻣﺔ‪.‬‬ ‫ﻛﻴﻒ ﻳﺤﻤﻲ ﻃﻼء ا ﻳﺒﻮﻛﺴﻲ‬ ‫ﺣﺪﻳﺪ اﻟﺘﺴﻠﻴﺢ؟‬ ‫اﺳـــﺘﺨﺪام ﻃـــﻼء ﺑﻮدرة ا ﻳﺒﻮﻛﺴـــﻲ ﺑﻮاﺳـــﻄﺔ‬ ‫اﻟﺤـــﺮارة ﻋﻠﻰ ﺣﺪﻳﺪ ﺗﺴـــﻠﻴﺢ ﻣﺴـــﺨﻦ ﻛﻬﺮﺑﺎﺋﻴ‪,‬‬

‫ﻣﺴـــﺒﻘ‪ ،,‬ﻛﻤـــﺎ أن ﻃﺮﻳﻘـــﺔ اﻟﻤﻌﺎﻟﺠﺔ ﺗﺴـــﺒﺐ ﻓﻲ‬ ‫ﺣﺪوث ﺣﻠﻘﺎت ﻛﻴﻤﻴﺎﺋﻴﺔ ﻣﺘﻘﺎﻃﻌﺔ ﺗﻐﻴﺮ اﻟﺒﻮدرة‬ ‫إﻟـــﻰ ﻏﺸـــﺎء داﺋـــﻢ ﻻﻳﺬوب ﻣﻤـــﺎ ﻳﺆدي إﻟـــﻰ ﺧﻠﻖ‬ ‫ﺣﺎﺟﺰ ﺑﻴﻦ اﻟﺤﺪﻳﺪ واﻟﺨﺮﺳﺎﻧﺔ‪ ،‬ﺣﻴﺚ ﻳﺤﻤﻲ ﺑﺬﻟﻚ‬ ‫اﻟﺤﺪﻳﺪ ﻣﻦ اﻟﻜﺸﻒ اﻟﻤﺒﺎﺷﺮ‪.‬‬ ‫إن اﺳـــﺘﺨﺪام وﺗﻄﺒﻴـــﻖ ﻣﻌﺎﻳﻴـــﺮ ﺿﺒـــﻂ اﻟﺠﻮدة‬ ‫اﻟﺼﺎرﻣﺔ ﻟﺘﺤﻘﻴﻖ ا‪Z‬ﻟﺘﺼـــﺎق وا‪Z‬ﻟﺘﺤﺎم اﻟﻤﻄﻠﻮب‬ ‫واﻟﺴـــﻄﺢ اﻟﻤﻄﻠـــﻲ اﻟﺨﺎﻟـــﻲ ﻣﻦ اﻟﺜﻘـــﻮب وﻗﻮة‬ ‫اﻟﺮﺑﻂ ﻫﻲ ﺣﺴﺐ اﻟﻤﻮاﺻﻔﺔ‬ ‫‪ ASTM A775 M-9409-SAMAA 106‬وﻓـــﻲ اﻟﺸـــﺮﻛﺔ‬ ‫ﻓﺈن ﺧﺪﻣﺔ اﻟﻘﻄـــﻊ واﻟﺜﻨﻲ ﻣﺘﻮﻓﺮة وﻓﻘ‪ ,‬ﻟﺠﺪول‬ ‫ﺛﻨـــﻲ اﻟﻘﻀﺒـــﺎن اﻟﻤﻌﺘﻤـــﺪة ﻟﻠﺘﺄﻛﻴـــﺪ ﻋﻠـــﻰ ﺣﻖ‬ ‫اﻟﺠـــﻮدة ﻣﻨﺬ إﺳـــﺘﻼم ﺣﺪﻳﺪ اﻟﺘﺴـــﻠﻴﺢ ا ﺳـــﻮد‬ ‫ﻣﻦ ﺷـــﺮﻛﺔ ﺣﺪﻳﺪ ‪ /‬ﺳـــﺎﺑﻚ ﺣﺘـــﻰ ﻣﺮﺣﻠﺔ اﻟﺼﺐ‬ ‫اﻟﺨﺮﺳﺎﻧﻲ ﻓﻲ اﻟﻤﻮﻗﻊ‪.‬‬

‫و ﻳﻘﺪم اﻟﻤﻜﺘﺐ ﻣﺠﺎل ﻣﺘﻨﻮع‬ ‫ﻣﻦ اﻟﺨﺪﻣﺎت ا‪#‬ﺳﺘﺸﺎرﻳﺔ‬ ‫ﺗﺘﻀﻤﻦ اﻟﺘﺨﻄﻴﻂ و‬ ‫اﻟﺘﺼﻤﻴﻢ اﻟﻌﻤﺮاﻧﻰ و‬ ‫ﺗﻨﺴﻴﻖ اﻟﻤﻮاﻗﻊ ﺑﺎ‪#‬ﺿﺎﻓﺔ‬ ‫إﻟﻰ اﻟﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎرى‬ ‫واﻟﺘﺼﻤﻴﻢ اﻟﺪاﺧﻠﻲ ‪ ،‬و‬ ‫ﻛﺬﻟﻚ اﻟﺘﺼﻤﻴﻢ ا‪#‬ﻧﺸﺎﺋﻰ و‬ ‫ا‪#‬ﻟﻜﺘﺮوﻣﻴﻜﺎﻧﻴﻜﻰ و ﺗﺼﻤﻴﻢ‬ ‫ﺷﺒﻜﺎت اﻟﻤﺮاﻓﻖ اﻟﻌﺎﻣﺔ ‪ ،‬ﻛﻤﺎ‬ ‫ﻳﻘﺪم اﻟﻤﻜﺘﺐ ﺧﺪﻣﺎت ا‪#‬ﺷﺮاف‬ ‫ﻋﻠﻰ اﻟﺘﻨﻔﻴﺬ ﻟﻜﻞ ا‪J‬ﻋﻤﺎل‬ ‫اﻟﺘﻰ ﺗﻨﻔﺬ ﺑﺎﻟﻤﻮﻗﻊ ‪ ،‬و ﻛﺬﻟﻚ‬ ‫ﺧﺪﻣﺎت إدارة اﻟﻤﺸﺎرﻳﻊ اﻟﺘﻰ‬ ‫ﺗﻀﻤﻦ اﻟﺘﺤﻜﻢ ﻓﻰ اﻟﻮﻗﺖ‬ ‫و اﻟﺘﻜﻠﻔﺔ و ﺟﻮدة ا‪J‬ﻋﻤﺎل‬ ‫اﻟﻤﻨﻔﺬة ‪.‬و ﻻ ﻳﻘﺘﺼﺮ ﻋﻤﻞ‬ ‫اﻟﻤﻜﺘﺐ ﻋﻠﻰ ﻗﻄﺎع ﻣﻌﻴﻦ‬ ‫ﻣﻦ اﻟﻌﻤﻼء ﺑﻞ ﻳﺸﻤﻞ اﻟﻘﻄﺎع‬ ‫اﻟﺨﺎص و اﻟﻘﻄﺎع اﻟﺤﻜﻮﻣﻲ‪،‬‬ ‫ﻛﻤﺎ ﻧﺆﻣﻦ ﺑﺄن دورﻧﺎ ﻫﻮ‬ ‫ﺑﻨﺎء ﻣﺸﺎرﻳﻊ و ﻣﺒﺎﻧﻰ ذﻛﻴﺔ‬ ‫و ﺣﺪﻳﺜﺔ ﺗﻮاﻛﺐ اﻟﻌﺼﺮ و‬ ‫ﺗﻨﺎﺳﺐ إﺣﺘﻴﺎﺟﺎت اﻟﻌﻤﻼء ﻣﻊ‬ ‫اﻟﺘﺮﻛﻴﺰ ﻋﻠﻰ اﻟﺤﻔﺎظ ﻋﻠﻰ‬ ‫اﻟﻬﻮﻳﺔ اﻟﻌﺮﺑﻴﺔ و ا‪#‬ﺳﻼﻣﻴﺔ‬ ‫اﻟﺘﻰ ﺗﻤﻴﺰ ﻣﺠﺘﻤﻌﺎﺗﻨﺎ اﻟﻌﺮﺑﻴﺔ‪،‬‬ ‫و ﻋﻠﻰ ا‪J‬ﺧﺺ ﻣﺠﺘﻤﻌﻨﺎ ﻓﻰ‬ ‫اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‬

‫ﻣﺸﺮوع ﻓﻨﺪق‬ ‫اﻟﻤﻮﻗﻊ‪ :‬ﻃﺮﻳﻖ اﻟﻤﺪﻳﻨﺔ‪ ،‬ﺟﺪة‬ ‫ﻣﺴﺎﺣﺔ اﻻرض‪ 14٫000:‬م‪2‬‬ ‫ﻣﺴﺎﺣﺔ اﻟﺒﻨﺎء‪85٫000 :‬م‪2‬‬ ‫ا رﺗﻔﺎع‪ 38 :‬ادوار‬

‫ ‪ÂUŽ —uEM‬‬

‫ ‪w{—_« —Ëb « jI‬‬

‫ ‪wÝ√— ŸUD‬‬ ‫‪¡UM³ « ±∞±‬‬

‫‪101 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﻦ أﻋﻤﺎل ﻣﻜﺘﺐ اﻟﻤﻬﻨﺪس ﺻﻼح اﻟﺰﻏﻴﺒﻲ‬ ‫ﻟ ﺳﺘﺸﺎرات اﻟﻬﻨﺪﺳﻴﺔ‬

‫ﻧﺒﺬة ﻋﻦ اﻟﻤﻜﺘﺐ ‪:‬‬ ‫ﻣﻜﺘﺐ اﻟﻤﻬﻨﺪس ”ﺻﻼح‬ ‫اﻟﺰﻏﻴﺒﻲ ﻟ ﺳﺘﺸﺎرات‬ ‫اﻟﻬﻨﺪﺳﻴﺔ“ ﻫﻮ ﻣﻜﺘﺐ‬ ‫إﺳﺘﺸﺎري ﺳﻌﻮدي ﻣﺘﻌﺪد‬ ‫اﻟﺘﺨﺼﺼﺎت ﻓﻰ ﺟﻤﻴﻊ‬ ‫اﻟﻤﺠﺎﻻت اﻟﻬﻨﺪﺳﻴﺔ‪ ،‬و‬ ‫ﻗﺪ ﺗﺄﺳﺲ اﻟﻤﻜﺘﺐ ﻓﻰ‬ ‫ﻋﺎم ‪ ، 1983‬و ﻳﻘﻊ اﻟﻤﻘﺮ‬ ‫اﻟﺮﺋﻴﺴﻰ ﻟﻠﻤﻜﺘﺐ ﺑﻤﺪﻳﻨﺔ‬ ‫ﺟﺪة ﺑﺎﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ‬ ‫اﻟﺴﻌﻮدﻳﺔ ‪ ،‬و ﻳﻘﺪم اﻟﻤﻜﺘﺐ‬ ‫ﻣﺠﺎل ﻋﺮﻳﺾ ﻣﻦ اﻟﺨﺪﻣﺎت‬ ‫ا‪B‬ﺳﺘﺸﺎرﻳﺔ ﻟﻠﻤﺸﺎرﻳﻊ‬ ‫اﻟﻬﻨﺪﺳﻴﺔ ذات ا‪D‬ﺣﺠﺎم‬ ‫اﻟﻤﺨﺘﻠﻔﺔ ‪ ،‬و ﻗﺪ اﺳﺘﻄﺎع‬ ‫اﻟﻤﻜﺘﺐ ﻋﻠﻰ ﻣﺪار ﺧﺒﺮة أﻛﺜﺮ‬ ‫ﻣﻦ ﺛﻼﺛﻴﻦ ﻋﺎﻣﺎ أن ﻳﺤﻈﻰ‬ ‫ﺑﺴﻤﻌﺔ ﻋﺮﻳﻘﺔ ﻟﺪى اﻟﻜﺜﻴﺮ‬ ‫ﻣﻦ اﻟﻌﻤﻼء ﻓﻰ اﻟﺴﻮق‬ ‫اﻟﻤﺤﻠﻲ و ﻛﺬﻟﻚ اﻟﺴﻮق‬ ‫اﻟﺪوﻟﻲ ﻣﻦ ﺧﻼل إﻧﺠﺎز اﻟﻌﺪﻳﺪ‬ ‫ﻣﻦ اﻟﻤﺸﺎرﻳﻊ اﻟﻤﺘﻨﻮﻋﺔ اﻟﺘﻰ‬ ‫ﺗﺸﻤﻞ ﺗﺨﻄﻴﻂ ﻣﺸﺎرﻳﻊ‬ ‫اﻟﺘﺠﻤﻌﺎت اﻟﺴﻜﻨﻴﺔ ‪ ،‬و‬ ‫ﻛﺬﻟﻚ اﻟﻤﺸﺎرﻳﻊ اﻟﺘﺮﻓﻴﻬﻴﺔ‬ ‫و اﻟﺴﻴﺎﺣﻴﺔ و اﻟﻔﻨﺪﻗﻴﺔ‬ ‫و اﻟﺼﺤﻴﺔ و اﻟﺼﻨﺎﻋﻴﺔ و‬ ‫اﻟﺘﻌﻠﻴﻤﻴﺔ و اﻟﺘﺠﺎرﻳﺔ ‪.‬‬

‫ﻓﻨﺪق ﻫﻴﻠﺘﻮن ﺟﺎردن ان‬ ‫اﻟﻤﻮﻗﻊ‪ :‬ﺷﺎرع اﻻﻣﻴﺮ ﻣﺎﺟﺪ‪ ،‬ﺟﺪة‬ ‫ﻣﺴﺎﺣﺔ اﻻرض‪ 4,500 :‬م‪2‬‬ ‫ﻣﺴﺎﺣﺔ اﻟﺒﻨﺎء‪ 11,400:‬م‪2‬‬ ‫ا‪+‬رﺗﻔﺎع‪ 12 :‬ادوار‬ ‫ﻋﺪد اﻟﻐﺮف‪٢٠٠ :‬‬

‫ ‪ÂUŽ —uEM‬‬

‫ ‪w{—_« —Ëb « jI‬‬ ‫∞∞‪¡UM³ « ±‬‬

‫‪100 Albenaa‬‬

‫ ‪—«Ëœ_« UŽUHð—« `{u¹ wÝ√— ŸUD‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺼﻨﻊ اﻟﻤﻬﻨﺪس ﺻﻼح اﻟﺰﻏﻴﺒﻲ ﻟﻼﺛﺎث‬

‫ﻣﺘﺨﺼﺼﻮن ﻓﻲ ﺟﻤﻴﻊ ا ﻋﻤﺎل اﻟﺨﺸﺒﻴﺔ واﻟﺤﺪﻳﺪﻳﺔ‬

‫ﻧﺒﺬة ﻋﻨﻨﺎ‪:‬‬ ‫ﻧﻔﺘﺨـــﺮ ﺑﻜﻮﻧﻨـــﺎ ﻣﺼﻨـــﻊ اﻟﻤﻬﻨـــﺪس ﺻـــﻼح‬ ‫اﻟﺰﻏﻴﺒﻲ ﻟﻼﺛـــﺎث واﻟﻤﺘﺨﺼﺺ ﺑﺠﻤﻴﻊ اﻻﻋﻤﺎل‬ ‫اﻟﺨﺸﺒﻴﺔ واﻟﺤﺪﻳﺪﻳﺔ واﺳﺘﻤﺮارﻧﺎ ﻛﺜﺮ ﻣﻦ ‪٢٥‬‬ ‫ﻋـــﺎم ﺑﻤﺠﺎل اﻟﻤﻘﺎوﻻت وﺛﻘـــﺔ ﻋﻤﻼﺋﻨﺎ ﺑﻨﺎ ﻣﻤﺎ‬ ‫ﻳﻌﻄﻴﻨﺎ دﻓﻌﺔ داﺋﻤﺎ ﻟﻨﻘﺪم ﻟﻬﻢ اﻟﻤﺰﻳﺪ آﻣﻠﻴﻦ‬ ‫داﺋﻤـــﺎ ﻻرﺿﺎﺋﻬـــﻢ ﺑﺠـــﻮدة ﻣﻨﺘﺠﺎﺗﻨﺎ وﺳــــﺮﻋﺔ‬ ‫اﻟﺘﻨﻔﻴﺬ وأﺳــــﻌﺎرﻧﺎ اﻟﻤﻨﺎﻓﺴﺔ ﺑﺎ‪D‬ﺿﺎﻓﺔ ﻟﻀﻤﺎن‬ ‫ﺷــــﺎﻣﻞ ﻟﺠﻤﻴﻊ أﻋﻤﺎﻟﻨﺎ‪ ،‬اﻟﻜﺜﻴﺮ ﻣﻦ اﻟﻤﺸﺮوﻋﺎت‬ ‫اﻟﻜﺒﻴــــﺮة واﻟﻤﺘﻮﺳــــﻄﺔ وﺣﺘــــﻰ اﻟﺼﻐﻴــــﺮة ﺗــــﻢ‬ ‫ﺗﻨﻔﻴﺬﻫﺎ ﻣــــﻦ اﻟﻔﻨﺎدق‪ ،‬اﻟﻤﻜﺎﺗﺐ ا‪D‬دارﻳﺔ‪ ،‬اﻟﻔﻠﻞ‬ ‫اﻟﺨﺎﺻﺔ وﺣﺘﻰ اﻟﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ‪.‬‬ ‫ﻣﺠﺎل اﻟﻌﻤﻞ‪:‬‬ ‫ﺗﻮرﻳـــﺪ وﺗﺮﻛﻴـــﺐ ﺟﻤﻴـــﻊ ا ﻋﻤـــﺎل اﻟﺨﺸـــﺒﻴﺔ‬

‫≤∞‪¡UM³ « ±‬‬

‫‪102 Albenaa‬‬

‫واﻟﺤﺪﻳﺪﻳـــﺔ ﻣﻦ أﺑﻮاب ﺧﺸـــﺐ داﺧﻠﻴﺔ وﺧﺎرﺟﻴﺔ‬ ‫وﻣﻀـــﺎدة ﻟﻠﺤﺮﻳـــﻖ وﻣﻀﺎﺑـــﺦ ﺧﺸـــﺒﻴﺔ وأﺑـــﻮاب‬ ‫ﺣﺪﻳﺪ ﺑﺄﻧﻮاﻋﻬﺎ واﻟﺪﻳﻜﻮرات ﺳـــﻮاء ﺧﺸـــﺒﻴﺔ أو‬ ‫ﺣﺪﻳﺪﻳـــﺔ وﺗﺠﻠﻴـــﺪ اﻟﺤﻮاﺋﻂ ﺑﺎ ﺧﺸـــﺎب وا ﺛﺎث‬ ‫اﻟﻤﻜﺘﺒـــﻲ واﻟﻤﻨﺰﻟـــﻲ وأﻋﻤـــﺎل اﻟﺪراﺑﺰﻳﻦ ﺣﺪﻳﺪ‬ ‫واﺳﺘﺎﻧﻠﺲ ﺳﺘﻴﻞ واﻻدراج اﻟﺤﺪﻳﺪﻳﺔ واﻟﻬﻨﺎﺟﺮ‬ ‫‪،‬ﺑﺤﻴـــﺚ أن ﻛﻞ ﻣﺎﻳﺘﻌﻠـــﻖ ﺑﺎ ﺧﺸـــﺎب واﻟﺤﺪﻳـــﺪ‬ ‫ﻧﺴﺘﻄﻴﻊ أن ﻧﻨﻔﺬه ﻟﻜﻢ‪.‬‬ ‫ﺑﻌﺾ اﻻﻋﻤﺎل اﻟﺴﺎﺑﻘﺔ ‪:‬‬ ‫• ﻓﻨـــﺪق ﻫﻮﻟﻴـــﺪاي ان »ﺗﺤـــﺖ اﻻﻧﺸـــﺎء«‬ ‫‪.HOLIDAY INN‬‬ ‫• ﻓﻨـــﺪق ﻓﻨﺪق اﻳﺒﻴـــﺲ ﻳﻨﺒـــﻊ ‪IBIS YANBU‬‬ ‫‪.HOTEL‬‬ ‫• ﻣﺒﻨﻰ اﻟﺼﺒﺎح ﺳﻨﺘﺮ اﻟﺘﺠﺎري‪.‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ ‪¡UM³ « o×K‬‬

‫ﺷﺮﻛﺔ اﻳﻤﻴﺮس ﻣﻴﻨﻴﺮاﻟﺲ اﻟﻌﺮﺑﻴﺔ‬

‫رواد ﻓﻲ ﻣﺠﺎل ﻣﻀﺎﻓﺎت اﻟﺨﺮﺳﺎﻧﺔ اﻟﺠﺎﻫﺰة وﺗﻄﺒﻴﻘﺎﺗﻬﺎ‬

‫اﻳﻤﻴﺮس ﻣﻴﻨﻴﺮاﻟﺲ اﻟﻌﺮﺑﻴﺔ‬ ‫اﻳﻤﻴﺮس ﻣﻴﻨﻴﺮاﻟﺲ اﻟﻌﺮﺑﻴﺔ ﻫﻲ اﺳﺘﺜﻤﺎر‬ ‫ﻣﺸﺘﺮك ﺑﻴﻦ ﻋﻤﻼق اﻟﺘﻌﺪﻳﻦ اﻟﻌﺎﻟﻤﻲ اﻳﻤﻴﺮس‬ ‫®‪ ©% 70‬و اﻟﺸﺮﻛﺔ اﻟﺸﺮﻗﻴﺔ ﻟﻠﺘﺠﺎرة واﻟﺘﻌﻬﺪات‬ ‫و ﻫﻲ ﺷﺮﻛﺔ ﺳﻌﻮدﻳﺔ ﻣﺮﻣﻮﻗﺔ ﻓﻲ ﻣﺠﺎل‬ ‫اﻟﺨﺮﺳﺎﻧﺔ اﻟﺠﺎﻫﺰة و ﺗﻄﺒﻴﻘﺎﺗﻬﺎ ®‪.©% 30‬‬ ‫راس اﻟﻤﺎل اﻟﻤﺪﻓﻮع ‪ 7.520.000‬رﻳﺎل ﺳﻌﻮدي‪.‬‬ ‫ﺣﺼﻠﺖ اﻟﺸﺮﻛﺔ ﻋﻠﻰ ﺗﺮﺧﻴﺺ اﺳﺘﺜﻤﺎر ﻣﻦ‬ ‫اﻟﺮﺋﻴﺴﻲ‬ ‫اﻟﻬﺌﻴﺔ اﻟﻌﺎﻣﺔ ﻟ?ﺳﺘﺜﻤﺎر‪ .‬واﻟﻤﻘﺮ >‬ ‫ﻟﻠﺸﺮﻛﺔ ﻫﻮ ﻣﺪﻳﻨﺔ راﺑﻎ‪.‬‬ ‫ﺗﻤﺘﻠﻚ اﻟﺸﺮﻛﺔ ﻣﺼﻨﻌ‪ C‬ﻣﺘﻄﻮر‪ B‬ﻓﻲ ﻣﺪﻳﻨﺔ‬ ‫راﺑﻎ ‪K‬ﻧﺘﺎج و ﺗﺴﻮﻳﻖ و ﺑﻴﻊ اﻟﺒﻮزوﻻن اﻟﻄﺒﻴﻌﻲ‬ ‫ﺑﻄﺎﻗﺔ ﻗﺼﻮى ﻣﺴﺘﻬﺪﻓﺔ ‪ 76‬اﻟﻒ ﻃﻦ ﺳﻨﻮﻳﺎ‪.‬‬ ‫ﻣﻴﻜﺮاﺳﻴﻞ ﻫﻮ ا‪K‬ﺳﻢ اﻟﺘﺠﺎري ﻟﻠﻤﻨﺘﺞ اﻟﻨﻬﺎﺋﻲ‬ ‫و ﻳﺴﺘﺨﺪم ﻛﻤﻀﺎف ﻋﺎﻟﻲ اﻟﻔﺎﻋﻠﻴﺔ ﻓﻲ‬ ‫اﻟﺨﺮﺳﺎﻧﺔ اﻟﺠﺎﻫﺰة ﻣﻦ أﺟﻞ ﺗﺤﺴﻴﻦ ﺧﺼﺎﺋﺼﻬﺎ‬ ‫اﻟﻔﻴﺰﻳﺎﺋﻴﺔ و اﻟﻤﻴﻜﺎﻧﻴﻜﻴﺔ‪.‬‬ ‫ﻛﻤﺎ و ﺗﻘﻮم اﻟﺸﺮﻛﺔ ﺑﺎﻧﺘﺎج ﻣﻨﺘﺞ آﺧﺮ ﺑﺈﺳﻢ‬ ‫ﺗﺠﺎري اﻳﻤﺮﻛﺮﻳﺖ و ﻫﻮ ﻳﺴﺘﺨﺪم ﻣﻦ أﺟﻞ‬ ‫ﺗﺤﺴﻴﻦ اﻟﺨﻠﻄﺎت ا[ﺳﻤﻨﺘﻴﺔ اﻟﻤﺴﺘﺨﺪﻣﺔ ﻓﻲ‬ ‫آﺑﺎر اﻟﻨﻔﻂ‪.‬‬ ‫اﻳﻤﻴﺮس‪ ،‬رواد اﻟﻌﺎﻟﻢ ﻓﻲ رﻓﺪ اﻟﺼﻨﺎﻋﺔ‬ ‫ﺑﺎﻟﻤﻌﺎدن اﻟﻤﺘﺨﺼﺼﺔ‬ ‫• ﺗﻌﺘﺒﺮ ﺷﺮﻛﺔ اﻳﻤﻴﺮس ﻣﻴﻨﻴﺮاﻟﺲ اﻟﻌﺮﺑﻴﺔ‬ ‫ﺷﺮﻛﺔ ﺗﺎﺑﻌﺔ ﻟﻤﺠﻤﻮﻋﺔ اﻳﻤﻴﺮس اﻟﻌﺎﻟﻤﻴﺔ‪.‬‬ ‫• ﺗﻌﺘﺒﺮ ﺷﺮﻛﺔ اﻳﻤﻴﺮس اﻟﻌﺎﻟﻤﻴﺔ ﺷﺮﻛﺔ راﺋﺪة‬ ‫ﻓﻲ اﻧﺘﺎج اﻟﻤﻌﺎدن اﻟﻤﺘﺨﺼﺼﺔ ﻟﺮﻓﺪ اﻟﺼﻨﺎﻋﺔ‬ ‫ﺑﻜﻞ ﻣﺎ ﻫﻮ ﺟﺪﻳﺪ و ﻣﺘﻄﻮر ﻓﻲ ﻫﺬا اﻟﻤﺠﺎل‪،‬‬ ‫ﺣﻴﺚ ﺗﻘﻮم اﻳﻤﻴﺮس ﺑﺘﺤﻮﻳﻞ اﻟﻜﺜﻴﺮ ﻣﻦ‬ ‫اﻟﻤﻌﺎدن ﻟﻤﻨﺘﺠﺎت ﻣﺘﺨﺼﺼﺔ ذات ﻗﻴﻤﺔ ﻋﺎﻟﻴﺔ‬ ‫وذﻟﻚ ﻣﻦ ﺧﻼل اﺳﺘﺨﺪام ﻃﺮق اﻟﺘﺼﻨﻴﻊ اﻟﻔﻨﻴﺔ‬ ‫اﻟﻤﻌﻘﺪة‪ .‬ﻣﺜ ً‬ ‫ﻼ ﺑﺎﺳﺘﻌﻤﺎل ﻃﺮق اﻟﻤﻘﺎوﻣﺔ‬ ‫اﻟﺤﺮارﻳﺔ‪ ،‬اﻟﺘﺎﺛﻴﺮ اﻟﻤﻴﻜﺎﻧﻴﻜﻲ‪ ،‬اﻟﻤﻮﺻﻠﻴﺔ‪،‬‬ ‫ﺗ>ﺎﺛﻴﺮ اﻟﻨﻔﺎذ أو اﻟﺘﻜﺴﻴﺔ‪ ،‬ﻓﺒﻤﺜﻞ ﻫﺬه اﻟﻄﺮق‬ ‫اﻟﻤﺘﺨﺼﺼﺔ ﺗﺘﻢ اﺿﺎﻓﺔ ﻣﻴﺰات اﺳﺎﺳﻴﺔ اﺿﺎﻓﻴﺔ‬

‫ﻟﻤﻨﺘﺠﺎت اﻟﻌﻤﻼء أو ﻟﻄﺮق اﻟﺘﺼﻨﻴﻊ ﻓﻲ اﻟﻌﺪﻳﺪ‬ ‫ﻣﻦ اﻟﺼﻨﺎﻋﺎت ﻣﺜﻞ اﻟﻤﻨﺘﺠﺎت اﻻﺳﺘﻬﻼﻛﻴﺔ او‬ ‫اﻟﻤﻌﺪات اﻟﺼﻨﺎﻋﻴﺔ و ا[ﻋﻤﺎل ا‪K‬ﻧﺸﺎﺋﻴﺔ‪.‬‬ ‫اﻳﻤﻴﺮس ﺷﺮﻛﺔ ﺗﻮﺳﻌﻴﺔ ﺗﺴﺘﺠﻴﺐ ﻟﻤﺘﻄﻠﺒﺎت‬ ‫اﻟﺴﻮق و ذﻟﻚ ﻣﻦ ﺧﻼل‪:‬‬ ‫• ﺗﻮﻇﻴﻒ اﻛﺜﺮ ﻣﻦ ‪ 16‬اﻟﻒ ﻣﻮﻇﻒ ﺣﻮل اﻟﻌﺎﻟﻢ‪.‬‬ ‫• اﻣﺘﻼك اﻛﺜﺮ ﻣﻦ ‪ 250‬ﻣﻮﻗﻊ ﻓﻲ اﻛﺜﺮ ﻣﻦ ‪50‬‬ ‫دوﻟﺔ‪.‬‬ ‫• ‪ 8‬ﻣﺮاﻛﺰ رﺋﻴﺴﻴﺔ ﻟﻠﺒﺤﺚ و اﻟﺘﻄﻮﻳﺮ – ‪25‬‬ ‫ﻣﺨﺘﺒﺮ اﻗﻠﻴﻤﻲ – ‪ 400‬ﻋﺎﻟﻢ و ﻣﺘﺨﺼﺺ‪.‬‬ ‫• ‪ 4‬ﻣﺠﻤﻮﻋﺎت اﻋﻤﺎل رﺋﻴﺴﻴﺔ‪.‬‬ ‫• اﻳﺮادات ﻋﺎم ‪2016‬‬ ‫‪ 4.165‬ﺑﻠﻴﻮن ﻳﻮرو‬ ‫ﺑﻨﺴﺒﺔ ﻧﻤﻮ ‪ % 1.9‬ﻋﻦ ‪.2015‬‬ ‫اﻟﺤﻠﻮل اﻟﺼﻨﺎﻋﻴﺔ اﻟﺘﻲ ﺗﻘﺪﻣﻬﺎ اﻳﻤﻴﺮس‬ ‫ﺗﻘﺪم اﻳﻤﻴﺮس ﺣﻠﻮﻻً ذﻛﻴﺔ ﻟﻠﻌﺪﻳﺪ ﻣﻦ‬ ‫اﻟﺘﻄﺒﻴﻘﺎت اﻟﺼﻨﺎﻋﻴﺔ ﻣﺜﻞ ‪:‬‬ ‫ـ اﻟﻤﻀﺎﻓﺎت اﻟﻮﻇﻴﻔﻴﺔ‪ :‬و ﻫﻲ ﻣﻮاد ﺗﻀﺎف‬ ‫ﻟﻠﺘﺮاﻛﻴﺐ اﻟﺘﻲ ﻳﻨﺘﺠﻬﺎ اﻟﻌﻤﻼء و ﻟﻜﻨﻬﺎ‬ ‫ﺗﺸﻜﻞ اﻟﺠﺰء اﻟﺒﺴﻴﻂ ﻣﻦ ﺧﺼﺎﺋﺺ اﻟﻤﻨﺘﺞ‬ ‫اﻟﻨﻬﺎﺋﻴﺔ )ﻳﻘﻮم اﻟﺘﻠﻚ ﻋﻠﻰ ﺳﺒﻴﻞ اﻟﻤﺜﺎل‬ ‫ﺑﺘﺤﺴﻴﻦ ﻗﺴﺎوة اﻟﺒﻮﻟﻴﻤﻴﺮات ﻓﻲ ﺻﻨﺎﻋﺔ‬ ‫اﻟﺴﻴﺎرات ﻛﻤﺎ ﺗﻘﻮم ﻛﺮﺑﻮﻧﺎت اﻟﻜﺎﻟﺴﻴﻮم‬ ‫ﺑﻌﻤﻞ ﻧﻔﺎذﻳﺔ ﻟﻠﺴﻤﺎح ﻟ‪k‬ﻓﻼم اﻟﺒﻼﺳﺘﻴﻜﻴﺔ‬ ‫ﺑﺎﻟﺘﻨﻔﺲ(؛‬ ‫ـ اﻟﻤﻜﻮﻧﺎت اﻟﻤﻌﺪﻧﻴﺔ‪ :‬و ﻫﻲ ﺗﻌﺪ ﻣﻜﻮﻧﺎت‬ ‫رﺋﻴﺴﻴﺔ ﻓﻲ ﻋﻤﻞ اﻟﺘﺮاﻛﻴﺐ اﻟﻤﺨﺘﻠﻔﺔ‬ ‫)ﺗﺴﺘﺨﺪم اﻻﻟﻮﻣﻴﻨﺎ اﻟﻤﺪﻣﺠﺔ ﺑﺎﻧﺘﺎج ﻣﻮاد‬ ‫اﻟﺼﻨﻔﺮة‪ ،‬اﻟﺠﺮاﻓﻴﺖ اﻟﻤﺮﻛﺐ ﻓﻲ ﺑﻄﺎرﻳﺎت‬ ‫اﻟﻠﻴﺜﻴﻮم او اﻟﺰرﻛﻮﻧﻴﺎ ﻓﻲ ﻣﺠﺴﺎت اﻻﻛﺴﺠﻴﻦ‬ ‫ﺑﺪاﺧﻞ ﻣﺤﺮﻛﺎت اﻻﺣﺘﺮاق(‪.‬‬ ‫ـ ﻣﺴﺎﻋﺪات ﺗﺼﻨﻴﻌﻴﺔ‪ :‬و ﻫﻲ ﺗﺪﺧﻞ ﻓﻲ‬ ‫اﻟﻌﻤﻠﻴﺔ اﻟﺘﺼﻨﻴﻌﻴﺔ و ﻟﻜﻨﻬﺎ ﻻ ﺗﺪﺧﻞ ﺿﻤﻦ‬ ‫ﺗﺮﻛﻴﺒﺔ اﻟﻤﻨﺘﺞ اﻟﻨﻬﺎﺋﻴﺔ )ﻳﻘﻮم اﻟﺪاﻳﺎﺗﻮﻣﺎﻳﺖ‬ ‫ﻣﺜ ً‬ ‫ﻼ ﺑﺘﻨﻘﻴﺔ اﻟﺴﻮاﺋﻞ(‪.‬‬ ‫ـ ﻣﻨﺘﺠﺎت ﻧﻬﺎﺋﻴﺔ‪ :‬و ﻫﻲ ﻟﻼﺳﺘﺨﺪام اﻟﻨﻬﺎﺋﻲ‬

‫وﻻﻳﻠﺰﻣﻬﺎ إﻋﺎدة ﺗﺼﻨﻴﻊ ﻣﻦ ﻗﺒﻞ اﻟﻤﺴﺘﺨﺪم‬ ‫اﻟﻨﻬﺎﺋﻲ )ﻣﺜﻞ ﺑﻼط ااﻟﺴﻄﺢ اﻟﺨﺰﻓﻲ(‪.‬‬ ‫ﻣﻴﻜﺮاﺳﻴﻞ؛‬ ‫ﻣﺎ ﻫﻮ ﻣﻨﺘﺞ ﻣﻴﻜﺮاﺳﻴﻞ؟‬ ‫ﻫﻲ ﺳﻴﻠﻴﻜﺎت اﻟﻮﻣﻨﻴﻮم ﻏﻴﺮ ﻣﺘﺒﻠﻮرة‪ :‬ﺗﻜﻮﻧﺖ‬ ‫ﺑﻔﻌﻞ اﻟﺘﻔﺘﺖ اﻟﻄﺒﻴﻌﻲ ﻟﻠﺰﺟﺎج اﻟﺒﺮﻛﺎﻧﻲ‬ ‫اﻟﻤﺘﻜﻮن ﺑﻔﻌﻞ اﻟﺘﺒﺮﻳﺪ اﻟﻤﻔﺎﺟﺊ ﻟﻠﺤﻤﻢ‬ ‫اﻟﺒﺮﻛﺎﻧﻴﺔ‪.‬‬ ‫اﻟﺘﺮﻛﻴﺒﺔ اﻟﻜﻴﻤﻴﺎﺋﻴﺔ؟‬ ‫ﻟﻠﻤﻨﺘﺞ ﺧﺼﺎﺋﺺ ﺑﻮزوﻻﻧﻴﺔ‪ :‬ﻓﻬﻮ ﻳﺘﻜﻮن‬ ‫ﻣﻦ ﻣﺎدﺗﻲ اﻛﺴﻴﺪ ا[ﻟﻤﻨﻴﻮم و اﻛﺴﻴﺪ‬ ‫اﻟﺴﻴﻠﻴﻜﻮن ﺑﻨﺴﺒﺔ ﺗﺘﺠﺎوز اﻟـ ‪ %85‬ﻣﻦ اﻟﻮزن‬ ‫اﻟﻜﻠﻲ ﻟﻠﻤﻨﺘﺞ‪.‬‬ ‫اﻟﺘﺮﻛﻴﺒﺔ اﻟﺤﺒﻴﺒﻴﺔ؟‬ ‫ﻳﺘﻢ ﻃﺤﻦ اﻟﻤﻨﺘﺞ ﻟﺪرﺟﺔ ﻧﻌﻮﻣﺔ ﻋﺎﻟﻴﺔ‪ :‬اﻛﺜﺮ‬ ‫ﻣﻦ ‪ % 98‬ﻣﻦ اﻟﻤﺴﺤﻮق ﺗﻨﻔﺬ ﻣﻦ ﻏﺮﺑﺎل‬ ‫ﺑﻤﻘﺎس ‪ 45‬ﻣﻴﻜﺮون‪.‬‬ ‫اﻻﺳﺘﺨﺪام‬ ‫ﻳﺘﻢ اﺳﺘﺨﺪام اﻟﻤﻨﺘﺞ ﻛﻤﻀﺎف ﻟﻠﺨﺮﺳﺎﻧﺔ‬ ‫ﻋﺎﻟﻴﺔ اﻟﺠﻮدة و اﻟﻤﺴﺘﺨﺪﻣﺔ ﻓﻲ ﻗﻮاﻋﺪ ا[ﺑﻨﻴﺔ‬ ‫او ﻏﻴﺮﻫﺎ‪ :‬و ذﻟﻚ ﻟﺮﻓﻊ ﻗﻮة اﻟﺨﺮﺳﺎﻧﺔ و اﻃﺎﻟﺔ‬ ‫ﻋﻤﺮﻫﺎ‪.‬‬ ‫اﻟﺨﺼﺎﺋﺺ اﻟﺮﺋﻴﺴﻴﺔ ﻟﻤﻴﻜﺮاﺳﻴﻞ‬ ‫ﺗﺮﻛﻴﺒﺔ ﻛﻴﻤﻴﺎﺋﻴﺔ وﻓﻴﺰﻳﺎﺋﻴﺔ ﺛﺎﺑﺘﺔ‪ ،‬و ﻫﺬا ﻳﻌﻨﻲ‬ ‫اﺳﺘﻘﺮار ﻓﻲ اﻟﺘﻮرﻳﺪ ﻟﻌﻘﻮد ﻃﻮﻳﻠﺔ دون ﺗﻐﻴﺮ‬ ‫اﻟﻤﻨﺘﺞ ﻋﻠﻰ ﻋﻜﺲ اﻟﻤﻮاد اﻟﻤﻨﺎﻓﺴﺔ ﻣﺜﻞ‬ ‫اﻟﻤﺎﻳﻜﺮوﺳﻴﻠﻴﻜﺎ ﻓﻬﻲ ﻏﻴﺮ ﺛﺎﺑﺘﺔ اﻟﺨﺼﺎﺋﺺ‬ ‫ﻧﻬﺎﺋﻴ‪.C‬‬ ‫ﻗﻠﺔ اﻟﺤﺎﺟﺔ ﻟﻤﺎء اﻟﺨﻠﻂ‪ ،‬و ذﻟﻚ ﺑﺎﻟﻤﻘﺎرﻧﺔ ﻣﻊ‬ ‫اﻟﻤﻨﺘﺠﺎت اﻟﻤﻨﺎﻓﺴﺔ ﻣﺜﻞ اﻟﻤﺎﻳﻜﺮوﺳﻴﻠﻴﻜﺎ‬ ‫و ﻣﺨﻠﻔﺎت ﺳﻜﺐ اﻟﺼﻠﺐ و ﻫﺬا ﻳﺴﺎﻫﻢ‬ ‫ﺑﺴﻬﻮﻟﺔ اﻟﺘﻌﺎﻣﻞ ﻣﻊ اﻟﺨﺮﺳﺎﻧﺔ او ﺧﻔﺾ‬ ‫ﺗﻜﻠﻔﺘﻬﺎ‪.‬‬ ‫اﻟﻘﺪرة ﻋﻠﻰ إﻋﻄﺎء ﻗﻮة أﻋﻠﻰ ﻟﻠﺨﺮﺳﺎﻧﺔ ﻣﻦ‬ ‫اﻟﺘﻲ ﺗﻌﻄﻴﻬﺎ اﻟﻤﻮاد اﻟﻤﻨﺎﻓﺴﺔ و ﻋﻠﻰ ﻣﺨﺘﻠﻒ‬ ‫ا[ﻋﻤﺎر‪.‬‬ ‫ﻧﻔﺎذﻳﺔ ﻛﻠﻮراﻳﺪ ﻣﻨﺨﻔﻀﺔ‪) ،‬و ﻫﺬا ﻳﻌﻨﻲ اﻃﺎﻟﺔ‬ ‫ﻋﻤﺮ اﻟﺒﻨﺎء(‪.‬‬ ‫اﻟﺜﺒﺎت و ﻋﺪم وﺟﻮد اﻧﻜﻤﺎش ﺧﻼل ﻋﻤﻠﻴﺔ‬ ‫اﻻﻳﻨﺎع‪.‬‬ ‫ﺣﺮارة ﺗﻤﻴﻪ اﻗﻞ ﻧﺴﺒﻴﺎ ﻣﻘﺎرﻧﺔ ﻣﻊ اﻟﻤﺎﻳﻜﺮوﺳﻴﻠﻴﻜﺎ ‪.‬‬

‫‪¡UM³ « ±∞μ‬‬

‫‪105 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﺷﺮﻛﺔ اﻟﺘﻮﺳﻌﺔ ﻟﻠﻤﻘﺎوﻻت‬

‫اﻟﻤﺎﻟﻚ‪ :‬اﻟﻤﻬﻨﺪس ﺻﻼح اﻟﺰﻏﻴﺒﻲ‬ ‫وﺛﻼث ﻋﻘﻮد ﻣﻦ اﻟﻨﺠﺎﺣﺎت اﻟﻤﺘﻮاﺻﻠﺔ‬

‫ﻧﺒﺬة ﻋﻦ اﻟﺸﺮﻛﺔ‪:‬‬ ‫اﻟﺘﻮﺳﻌﺔ ﻟﻠﻤﻘﺎوﻻت ﻫﻲ ﺟﺰء ﻣﻦ‬ ‫ﻣﺠﻤﻮﻋﺔ اﻟﻤﻬﻨﺪس ﺻﻼح اﻟﺰﻏﻴﺒﻲ‬ ‫اﻟﻮاﻗﻌﺔ ﺑﻤﺪﻳﻨﺔ ﺟﺪة‪ ،‬اﻟﻤﻤﻠﻜﺔ‬ ‫اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‪ .‬ﺗﻌﺪ اﻟﺘﻮﺳﻌﺔ‬ ‫أﺣﺪ أﻛﺒﺮ اﻟﺸﺮﻛﺎت اﻟﻤﺘﺨﺼﺼﺔ ﻓﻲ‬ ‫اﻟﻬﻨﺪﺳﺔ اﻟﻤﺪﻧﻴﺔ واﻟﻤﻘﺎوﻻت ﻓﻲ‬ ‫اﻟﺸﺮق ا‪:‬وﺳﻂ‪ .‬ﺗﺄﺳﺴﺖ اﻟﺘﻮﺳﻌﺔ‬ ‫ﻟﻠﻤﻘﺎوﻻت ﻋﻠﻰ ﻳﺪ اﻟﻤﻬﻨﺪس ﺻﻼح‬ ‫اﻟﺰﻏﻴﺒﻲ ﻋﺎم ‪ 1985‬وﻟﻤﺪة ﺛﻼﺛﺔ‬ ‫ﻋﻘﻮد ﻣﺘﻮاﺻﻠﺔ ﻣﻦ اﻟﻨﺠﺎﺣﺎت ﻓﻲ‬ ‫ﻣﺠﺎل اﻟﻤﻘﺎوﻻت‪ .‬اﻟﺘﻮﺳﻌﺔ ُﺷﺮﻓﺖ‬ ‫ﻓﻲ اﻟﻤﺴﺎﻫﻤﺔ ﻓﻲ ﺣﺮﻛﺔ اﻟﺒﻨﺎء‬ ‫واﻟﺘﻄﻮﻳﺮ ﻣﻦ ﺧﻼل ﺗﻨﻔﻴﺬ أﻛﺜﺮ ﻣﻦ‬ ‫‪ 50‬ﻣﺸﺮوﻋﺎ ﻓﻲ ﻣﺨﺘﻠﻒ اﻟﻤﺠﺎﻻت‪:‬‬ ‫اﻟﺴﻜﻨﻴﺔ واﻟﺘﺠﺎرﻳﺔ واﻟﺴﻴﺎﺣﻴﺔ‬

‫‪¡UM³ « ±∞¥‬‬

‫‪104 Albenaa‬‬

‫واﻟﺼﺤﻴﺔ واﻟﺼﻨﺎﻋﻴﺔ‪ .‬ﻓﺮﻳﻖ اﻟﺘﻮﺳﻌﺔ‬ ‫ﻳﺘﻜﻮن ﻣﻦ أﻛﺜﺮ ﻣﻦ ‪ 400‬ﻣﻮﻇﻒ ذوو‬ ‫ﺧﺒﺮة واﻣﻜﺎﻧﻴﺎت ﻋﺎﻟﻴﺔ ﺗﺆﻫﻠﻬﻢ‬ ‫‪Z‬ﻧﺠﺎز ﻣﺨﺘﻠﻒ أﻧﻮاع اﻟﻤﺸﺎرﻳﻊ‬ ‫اﻟﻀﺨﻤﺔ‪.‬‬ ‫ﺧﺪﻣﺎﺗﻨﺎ‪:‬‬ ‫• ا‪:‬ﻋﻤﺎل ا‪Z‬ﻧﺸﺎﺋﻴﺔ واﻟﺘﺮﻛﻴﺐ‬ ‫واﻟﺘﺸﻐﻴﻞ ﻟﻠﻤﺸﺎرﻳﻊ‪ .‬إﻧﺸﺎء‬ ‫اﻟﻤﺒﺎﻧﻲ اﻟﺘﺠﺎرﻳﺔ واﻟﻤﺒﺎﻧﻲ اﻟﺸﺎﻫﻘﺔ‬ ‫واﻟﻔﻴﻼت واﻟﻤﺒﺎﻧﻲ ﻣﺜﻞ ورش اﻟﻌﻤﻞ‬ ‫واﻟﻤﺴﺘﻮدﻋﺎت وﻣﻮاﻗﻒ اﻟﺴﻴﺎرات‬ ‫وﻣﺤﻼت اﻟﺴﻮﺑﺮ ﻣﺎرﻛﺖ واﻟﻤﻜﺎﺗﺐ‪.‬‬ ‫• أﻋﻤﺎل ﻣﺮاﻓﻖ اﻟﺒﻨﻴﺔ اﻟﺘﺤﺘﻴﺔ ﻣﺜﻞ‬ ‫ﺷﺒﻜﺎت اﻟﺼﺮف اﻟﺼﺤﻲ وﻣﻴﺎه‬ ‫اﻟﺸﺮب واﻟﺸﺒﻜﺎت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ذات‬

‫اﻟﺠﻬﺪ اﻟﻌﺎﻟﻲ وأﺳﺎﺳﺎت اﻟﺨﺰاﻧﺎت‪.‬‬ ‫• أﻋﻤﺎل اﻟﺴﺒﺎﻛﺔ وأﻧﻈﻤﺔ ا‪Z‬ﻃﻔﺎء‬ ‫• أﻋﻤﺎل اﻟﺤﻔﺮ واﻟﻬﺪم وﺗﺠﺪﻳﺪ‬ ‫اﻟﻤﺒﺎﻧﻲ وﺗﺼﻨﻴﻒ اﻟﻤﻮﻗﻊ‪.‬‬ ‫• ا‪:‬ﻋﻤﺎل اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ﺑﻤﺎ ﻓﻲ ذﻟﻚ‬ ‫اﻟﻤﺤﻄﺎت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ وﺗﺮﻛﻴﺐ‬ ‫ﻟﻮﺣﺎت اﻟﻤﻔﺎﺗﻴﺢ وﻣﺼﺪر اﻟﻄﺎﻗﺔ ﻏﻴﺮ‬ ‫اﻟﻤﻨﻘﻄﻌﺔ واﻟﻤﺤﻮﻻت‪ ،‬واﻟﻜﺎﺑﻼت‪،‬‬ ‫وا‪:‬ﺳﻼك‪ ،‬وﻣﺎ إﻟﻰ ذﻟﻚ‪...‬‬ ‫• ا‪:‬ﻋﻤﺎل اﻟﺼﻨﺎﻋﻴﺔ‪ ،‬ﺑﻤﺎ ﻓﻲ ذﻟﻚ‬ ‫ا‪:‬ﺟﻬﺰة اﻟﺼﻨﺎﻋﻴﺔ‪ ،‬واﻟﺘﺪﻓﺌﺔ‬ ‫واﻟﺘﻬﻮﻳﺔ وﺗﻜﻴﻴﻒ اﻟﻬﻮاء وأﻧﻈﻤﺔ‬ ‫اﻟﺘﺤﻜﻢ ﻓﻲ اﻟﻤﻔﺎﺗﻴﺢ‪ ،‬وأﻧﺎﺑﻴﺐ‬ ‫اﻟﺘﺤﻜﻢ اﻟﻬﻮاﺋﻴﺔ ‪...‬‬ ‫• ﺧﺪﻣﺎت اﻟﺼﻴﺎﻧﺔ اﻟﻤﺪﻧﻴﺔ‬ ‫واﻟﻤﻴﻜﺎﻧﻴﻜﻴﺔ واﻟﻜﻬﺮﺑﺎﺋﻴﺔ‪.‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ ‪¡UM³ « o×K‬‬

‫ﻣﺼﻨﻊ ﺑﺮاك ﻟﻠﻐﺎزات اﻟﺼﻨﺎﻋﻴﺔ‬ ‫ﺣﻴﺚ اﻟﺠﻮدة وا ﻧﺘﺎج‬

‫ﺗﺄﺳـــﺲ ﻣﺼﻨﻊ ﺑـــﺮاك ﻟﻠﻐـــﺎزات ﻋـــﺎم ‪ ٢٠٠٨‬ﻓﻲ‬ ‫ﻣﻨﻄﻘـــﺔ ا‪/‬ﺣﺴـــﺎء ﻓـــﻲ اﻟﻤﻤﻠﻜـــﺔ اﻟﻌﺮﺑﻴـــﺔ‬ ‫اﻟﺴـــﻌﻮدﻳﺔ وﻫﻮ إﺣﺪى اﻟﻤﺼﺎﻧـــﻊ اﻟﺮاﺋﺪة ﻓﻲ‬ ‫ﺻﻨﺎﻋـــﺔ اﻟﻐـــﺎزات اﻟﺼﻨﺎﻋﻴـــﺔ واﻟﻄﺒﻴـــﺔ ‪ ,‬وﻗـــﺪ‬ ‫ﺳـــﺎﻫﻢ ﺑﻔﻌﺎﻟﻴﺔ ﻓﻲ ﻧﻤـــﻮ اﻟﺼﻨﺎﻋﺎت و اﻟﺤﺮف‬ ‫اﻟﻤﻬﻨﻴﺔ ﻓﻲ اﻟﻤﻨﻄﻘﺔ اﻟﺸﺮﻗﻴﺔ‪.‬‬ ‫وﻓـــﻲ ﺧﻼل اﻟﻌﺎﻣﻴﻦ اﻟﻤﺎﺿﻴﻴـــﻦ أﺿﺎف ﻣﺼﻨﻊ‬ ‫ﺑـــﺮاك ﻟﻠﻐـــﺎزات اﻟﺼﻨﺎﻋﻴـــﺔ ﺗﻮﺳـــﻌﻪ ﺟﺪﻳـــﺪة‬ ‫ﺑﻤﺴـــﺎﺣﺔ ﺗﻘـــﺪر ب‪٤٣٠٠‬م‪ ٢‬ﻓـــﻲ اﻟﻤﺪﻳﻨـــﺔ‬ ‫اﻟﺼﻨﺎﻋﻴـــﺔ ﺑﺎ‪/‬ﺣﺴـــﺎء و ﺳـــﺘﺨﺼﺺ ﻫـــﺬه‬ ‫اﻟﺘﻮﺳﻌﺔ اﻟﺠﺪﻳﺪة ﻟﺨﻂ إﻧﺘﺎج ﻏﺎز ﺛﺎﻧﻲ أﻛﺴﻴﺪ‬ ‫اﻟﻜﺮﺑﻮن وﺧﻂ آﺧﺮ ﻧﺘﺎج اﻻﺳـــﺘﺎﻟﻴﻦ‪ ,‬ﺑﺎ ﺿﺎﻓﺔ‬ ‫إﻟـــﻰ ﻗﺎﻃﺮﺗﻴـــﻦ ﻟﻨﻘﻞ اﻟﻐـــﺎز اﻟﻤﺴـــﺎل وإﺿﺎﻓﺔ‬ ‫ﻣﺰﻳﺪ ﻣﻦ اﻟﺘﻮاﻧﻚ ﻓﻲ ﻣﺼﻨﻊ ا‪/‬ﺣﺴﺎء ‪ ,‬وأﻳﻀﺎ‬ ‫ﺗﻢ إﺿﺎﻓﺔ ﻣﺤﻄﺔ ﻟﺘﻌﺒﺌﺔ ﻏﺎز ا‪/‬ﻛﺴـــﺠﻴﻦ ﻓﻲ‬ ‫اﻟﺮﻳﺎض وﻛﺬﻟﻚ ﻣﺤﻄﺔ ﻓﻲ ﺣﻔﺮ اﻟﺒﺎﻃﻦ )ﺗﺤﺖ‬ ‫ا ﻧﺸﺎء(‪.‬‬ ‫رؤﻳﺔ اﻟﻤﺼﻨـــﻊ ﻫﻲ ﺗﻮﻓﻴﺮ ﻛﺎﻓﺔ أﻧـــﻮاع اﻟﻐﺎزات‬ ‫اﻟﺼﻨﺎﻋﻴـــﺔ واﻟﻄﺒﻴـــﺔ واﻟﻐﺬاﺋﻴـــﺔ ﻋﻠـــﻰ أﻋﻠﻰ‬ ‫اﻟﻤﺴﺘﻮﻳﺎت ﻣﻦ ﺣﻴﺚ اﻟﺠﻮدة ودﻗﺔ اﻟﺘﺴﻠﻴﻢ‬ ‫و ا‪/‬ﺳـــﻌﺎر وﻛﺬﻟـــﻚ ﺗﻮﻓﻴـــﺮ ﻛﺎﻓـــﺔ اﻟﺨﺪﻣـــﺎت‬ ‫ﻟﻌﻤﻼء اﻟﻤﺼﻨﻊ ﻣﻦ ﺣﻴﺚ اﺳـــﺘﺨﺪام وﺳﻼﻣﺔ‬ ‫ﻫـــﺬه اﻟﻤﻨﺘﺠﺎت وأﻳﻀـــﺎ ﺗﻮﻓﻴﺮ ﻛﺎﻓـــﺔ ا‪/‬ﺟﻬﺰة‬ ‫ذات اﻟﻌﻼﻗﺔ ﺑﺼﻨﺎﻋﻪ اﻟﻐﺎزات ‪.‬‬ ‫ﻛﻤـــﺎ ﻳﺘﻮﻓﺮ ﻟﺪﻳﻨﺎ ﻃﺎﻗﻢ ﻓﻨﻲ ﻳﺘﻤﻴﺰ ﺑﺎﻟﻤﻬﻨﻴﺔ‬ ‫واﻟﻜﻔـــﺎءة ‪/‬ﺟﻞ ﺗﻘﺪﻳﻢ أﻓﻀـــﻞ اﻟﻤﻨﺘﺠﺎت ﻓﻲ‬ ‫ﺻﻨﺎﻋـــﺔ اﻟﻐـــﺎزات ﺑﺠـــﻮدة ﻋﺎﻟﻴﻪ ﻟﻜﺎﻓـــﺔ ﻋﻤﻼء‬ ‫اﻟﻤﺼﻨـــﻊ ﻋﺒـــﺮ ﻋﻼﻗﺔ ﺗﺠﺎرﻳﺔ ﻣﺘﻤﻴـــﺰة ﻣﻊ زﺑﺎﺋﻦ‬ ‫اﻟﻤﺼﻨﻊ واﻟﻤﻮردﻳﻦ ﻟﻠﻤﺼﻨﻊ‪.‬‬ ‫ﺗﻨﺘﺞ ﻣﺼﺎﻧﻊ ﺑﺮاك اﻟﻌﺪﻳﺪ ﻣﻦ اﻟﻐﺎزات ﻣﺜﻞ‪:‬‬ ‫ﻏﺎز ا‪/‬ﻛﺴﺠﻴﻦ‪ ,‬ﻏﺎز اﻟﻨﻴﺘﺮوﺟﻴﻦ‪ ,‬ﻏﺎز ا‪/‬ﻛﺴﺠﻴﻦ‬ ‫اﻟﻄﺒـــﻲ‪ ,‬ﻏـــﺎز اﻻرﺟﻮن‪ ,‬ﻏـــﺎز اﻻﺳـــﺘﻴﻠﻴﻦ واﻟﺘﻲ‬ ‫ﺗﺴـــﺘﺨﺪم ﻓـــﻲ ﺻﻨﺎﻋـــﺔ ا‪/‬ﻏﺬﻳﺔ‪ ,‬اﻻﺳـــﺘﺨﺪام‬ ‫اﻟﺼﻨﺎﻋﻲ و أﻳﻀﺎ ﻓﻲ اﻻﺳﺘﺨﺪاﻣﺎت اﻟﻄﺒﻴﺔ‪.‬‬

‫∑∞‪¡UM³ « ±‬‬

‫‪107 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺼﻨﻊ ﺑﺮاك ﻟﻠﺰﺟﺎج‬ ‫رواد ﻓﻲ ﺻﻨﺎﻋﺔ اﻟﺰﺟﺎج‬

‫ﺗﻢ إﻧﺸـــﺎء ﻣﺼﻨﻊ ﺑﺮاك ﻟﻠﺰﺟﺎج ﻋﺎم ‪ ٢٠٠٥‬ﻟﻤﻮاﻛﺒﺔ‬ ‫اﻟﻨﻬﻀـــﺔ اﻟﻌﻤﺮاﻧﻴـــﺔ ﻓـــﻲ اﻟﻤﻤﻠﻜـــﺔ اﻟﻌﺮﺑﻴـــﺔ‬ ‫اﻟﺴـــﻌﻮدﻳﺔ وﻧﺘـــﺎج ﻟﺠﺪارﺗـــﻪ وﺗﻤﻴـــﺰه وﺗﻌـــﺪد‬ ‫اﻣﻜﺎﻧﻴﺎﺗـــﻪ ﺑﺎﻣﺘﻼﻛﻪ أﺣـــﺪث ا‪6‬ﻻت و اﻟﻤﻌﺪات ﻓﻲ‬ ‫ﻋﺎﻟـــﻢ ﺻﻨﺎﻋﺔ اﻟﺰﺟﺎج ‪ ،‬ﺗﻮﺳـــﻊ ﻣﺼﻨـــﻊ اﻟﺰﺟﺎج ﻓﻲ‬ ‫ﻣﻨﺎﻃـــﻖ اﺳـــﺘﺮاﺗﻴﺠﻴﺔ ﻣﺨﺘﻠﻔـــﺔ ﻣﺜﻞ ا=ﺣﺴـــﺎء و‬ ‫اﻟﺮﻳـــﺎض و اﻟﻘﺼﻴـــﻢ و ﺧﻤﻴﺲ ﻣﺸـــﻴﻂ )وﻣﺆﺧﺮاَ‬ ‫ﻓـــﻲ ﺟﺪة ( ﻟﺘﺘﺠﺎوز اﻟﻄﺎﻗﺔ ا‪L‬ﻧﺘﺎﺟﻴﺔ ﻓﻲ اﻟﻤﺼﻨﻊ‬ ‫)‪ ١٥٠‬أﻟﻒ ﻣﺘﺮ ﺳﻨﻮﻳ‪ (S‬و ﻛﺸﺮﻛﺔ راﺋﺪة ﻓﻲ ﻣﻌﺎﻟﺠﺔ‬ ‫اﻟﺰﺟﺎج ﻳﻨﺘﺞ اﻟﻤﺼﻨﻊ ‪:‬‬ ‫ا=ﺑﻮاب اﻟﺰﺟﺎﺟﻴﺔ ا=وﺗﻮﻣﺎﺗﻴﻜﻴﺔ ‪ ،‬اﻟﺰﺟﺎج اﻟﻤﻘﺴﻰ‬ ‫‪،‬اﻟﺰﺟـــﺎج اﻟﻤﺰﺧﺮف ﺑﺮش اﻟﺮﻣـــﻞ ‪ ،‬اﻟﺰﺟﺎج اﻟﻤﺰدوج ‪،‬‬ ‫اﻟﺰﺟـــﺎج اﻟﻤﻨﺤﻨـــﻲ ‪ ،‬اﻟﺰﺟﺎج اﻟﺬﻛـــﻲ ‪ ،‬زﺟﺎج ا=ﻣﺎن ‪،‬‬ ‫اﻟﻄﺎﺑـــﻮق اﻟﺰﺟﺎﺟـــﻲ ‪ ،‬و اﻟﺰﺟـــﺎج اﻟﻤﺴـــﻄﺢ ‪ .‬ﻛﻤـــﺎ‬ ‫ﻳﻮﻓـــﺮ اﻟﻤﺼﻨـــﻊ اﻟﺘﻨـــﻮع ﻓـــﻲ ا=ﺣﺠﺎم و ا=ﺷـــﻜﺎل‬ ‫ﺣﺴـــﺐ اﻟﻤﻮاﺻﻔـــﺎت اﻟﻤﻄﻠﻮﺑـــﺔ ﺗﻠﺒﻴـــﺔ ﻟﺤﺎﺟـــﺔ‬ ‫اﻟﺴﻮق اﻟﻤﺘﻨﺎﻣﻲ ﻣﻦ إﻧﺸـــﺎءات وﺻﻨﺎﻋﺎت ‪ ،‬ﻟﺪى‬ ‫اﻟﻤﺼﻨـــﻊ ﻣﺠﻤﻮﻋـــﺔ ﻛﺒﻴـــﺮة ﻣﻦ اﻟﻤﻬﻨﺪﺳـــﻴﻦ و‬ ‫اﻟﻔﻨﻴﻴـــﻦ اﻟﻤﺘﺨﺼﺼﻴﻦ ذوي اﻟﺨﺒﺮة اﻟﻤﺘﻤﻴﺰة ‪ .‬و‬ ‫ﺣﺮﺻـــ‪ S‬ﻋﻠﻰ ﺗﻘﺪﻳﻢ اﻟﻤﻨﺘﺠـــﺎت ذات ﺟﻮدة ﻋﺎﻟﻴﺔ ‪،‬‬ ‫ﻓﺎﻟﻤﺼﻨﻊ ﻳﺴﺘﻤﺮ ﻓﻲ اﻻﺳﺘﺜﻤﺎر ﻓﻲ أﺣﺪث ا‪6‬ﻻت ‪،‬‬ ‫و ﻳﻤﺘﺎز ﻣﺼﻨﻊ ﺑﺮاك ﻟﻠﺰﺟﺎج ﺑﻮﺟﻮد ﻧﻈﺎم ﻣﻌﺎﻳﻨﺔ‬ ‫ﺷـــﺎﻣﻞ ﻳﻌﻤـــﻞ ﻋﻠـــﻰ اﻟﺘﺤﻜﻢ ﻓـــﻲ اﻟﺠـــﻮدة ﻣﻦ‬ ‫ﺑﺪاﻳﺔ ﻣﻌﺎﻟﺠـــﺔ اﻟﺰﺟﺎج و ﺣﺘﻰ آﺧﺮ ﺧﻄﻮات ا‪L‬ﻧﺘﺎج‬ ‫وﻳﺆﻣـــﻦ ﻧﻈـــﺎم اﻟﻤﻌﺎﻳﻨﺔ اﻟﻘﺪرة ﻋﻠـــﻰ ﺗﺼﻨﻴﻊ أي‬ ‫ﺷـــﻜﻞ ﻣﻦ ا=ﺷـــﻜﺎل اﻟﺘﻲ ﻳﻤﻜـــﻦ أن ﺗﻨﻔﺬ ﻋﻠﻰ‬ ‫اﻟﺰﺟﺎج ﻣﻊ ﺣﺮﺻﻨﺎ ﻋﻠﻰ اﻟﺪﻗﺔ ﻓﻲ اﻟﻌﻤﻞ وﺳﺮﻋﺔ‬ ‫اﻟﺘﺴـــﻠﻴﻢ و ﻧﻈﺮ‪ n‬ﻻﻫﺘﻤﺎم اﻟﻤﺼﻨﻊ ﺑﺄن ﻣﻨﺘﺠﺎﺗﻪ‬ ‫ﺗﺘﻤﺘـــﻊ ﺑﺄﻋﻠـــﻰ ﻣﻌﺎﻳﻴـــﺮ اﻟﺘﺸـــﻄﻴﺐ و اﻻﻟﺘـــﺰام‬ ‫ﺑﺘﺴـــﻠﻴﻢ اﻟﻤﻨﺘﺠـــﺎت اﻟﻌﺎﻟﻴﺔ اﻟﺠـــﻮدة ﻓﻲ اﻟﻮﻗﺖ‬ ‫اﻟﻤﺤﺪد ﻟﻠﻌﻤﻼء‪.‬‬ ‫اﻟﺒﻮاﺑﺎت اﻟﺰﺟﺎﺟﻴﺔ ا=ﺗﻮﻣﺎﺗﻴﻜﻴﺔ ‪:‬‬ ‫ﻳﺘﻮﻓـــﺮ ﻟﺪى ﻣﺼﻨـــﻊ ﺑـــﺮاك ﻟﻠﺰﺟﺎج ﻣﺨﺘﻠـــﻒ أﻧﻮاع‬ ‫ا=ﺑـــﻮاب اﻟﺰﺟﺎﺟﻴﺔ و اﻟﺘﻲ ﺗﺴـــﺘﺨﺪم ﻓﻲ ﻣﺨﺘﻠﻒ‬ ‫اﻟﻘﻄﺎﻋﺎت اﻟﺤﻜﻮﻣﻴﺔ و اﻟﺒﻨﻮك و اﻟﻤﺴﺘﺸـــﻔﻴﺎت‬ ‫و اﻟﻤﺼﺎﻧـــﻊ و اﻟﻤﺪاﺧـــﻞ اﻟﺘﺠﺎرﻳـــﺔ و اﻟﺒﻨﺎﻳـــﺎت‬ ‫ﺑﺄﺷـــﻜﺎل و أﺣﺠـــﺎم ﻣﺨﺘﻠﻔـــﺔ وﺑﺄﻧﻈﻤـــﺔ ﻣﺼﻤﻤﺔ‬ ‫ﺧﺼﻴﺼ‪ S‬ﻛﻞ ﺣﺴﺐ اﺳﺘﺨﺪاﻣﺎﺗﻪ ﻣﻊ اﻟﻤﺴﺎﻫﻤﺔ‬ ‫ﻓﻲ ﺗﻮﻓﻴﺮ اﻟﻄﺎﻗﺔ ﻣﻊ ﻣﺮاﻋﺎة ﺿﻐﻂ اﻻﺳﺘﺨﺪام و‬ ‫اﻟﻘﺪرة ﻋﻠﻰ ﻣﻮاﺟﻬﺔ ﻣﺨﺘﻠﻒ ا=ﺣﻮال اﻟﺠﻮﻳﺔ ‪.‬‬ ‫اﻟﺰﺟﺎج اﻟﻤﻨﺤﻨﻲ ‪:‬‬ ‫ﻳﺘﺒـــﻊ اﻟﻤﺼﻨـــﻊ ﺗﻘﻨﻴـــﺔ ﺧﺎﺻـــﺔ ﻓـــﻲ ﺛﻨـــﻲ اﻟﺰﺟﺎج‬ ‫ﺗﺴـــﺎﻫﻢ ﻓـــﻲ اﻟﺘﻘﻠﻴـــﻞ ﻣـــﻦ إﻣﻜﺎﻧﻴـــﺔ ا‪L‬ﺻﺎﺑـــﺔ‬ ‫ﻋﻨـــﺪ ﻛﺴـــﺮ اﻟﺰﺟﺎج ‪ ،‬وﻫـــﺬا اﻟﻨﻮع ﻳﻠﺒـــﻲ ﻣﺨﺘﻠﻒ‬ ‫اﻟﻤﺘﻄﻠﺒﺎت ا‪L‬ﻧﺸﺎﺋﻴﺔ ‪.‬‬ ‫اﻟﺰﺟﺎج اﻟﻤﺰدوج ‪:‬‬ ‫اﻟﺘﻘﻨﻴﺔ اﻟﻤﺴـــﺘﺨﺪﻣﺔ ﻓﻲ اﻟﺰﺟـــﺎج اﻟﻤﺰدوج ﺗﺘﻴﺢ‬ ‫ً‬ ‫ﻓﻀـــﻼ ﻋﻦ اﻟﻤﺴـــﺎﻫﻤﺔ‬ ‫ﺧﺎﺻﻴـــﺔ اﻟﻌـــﺰل اﻟﺤـــﺮاري‬ ‫ﻓـــﻲ زﻳﺎدة اﻟﺴـــﻼﻣﺔ و ا=ﻣـــﺎن ﻛﻤﺎ ﻳﺘﻤﻴـــﺰ ﺑﺎﻟﻌﺰل‬ ‫اﻟﺼﻮﺗﻲ وﻳﺴـــﺎﻫﻢ ﻓﻲ ﺗﻮﻓﻴﺮ اﻟﻄﺎﻗﺔ و ﺑﺎﻟﺘﺎﻟﻲ‬ ‫ﺗﺨﻔﻴـــﺾ اﻟﺘﻜﺎﻟﻴـــﻒ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ وﻫـــﻮ أﺣﺪ أﻫﻢ‬ ‫أﻗﺴﺎم ﻣﺼﻨﻊ اﻟﺰﺟﺎج و ﻳﻀﻢ ﺗﺠﻬﻴﺰات ﻣﻦ أﻫﻢ‬ ‫اﻟﺸـــﺮﻛﺎت اﻟﻌﺎﻟﻤﻴﺔ ﻛﻤﺎ أن ﺟﻤﻴﻊ ﻋﻤﻠﻴﺎت ا‪L‬ﻧﺘﺎج‬

‫∂∞‪¡UM³ « ±‬‬

‫‪106 Albenaa‬‬

‫ﺗﺘﻢ ﺑﺸـــﻜﻞ آﻟﻲ ‪ ،‬وﻳﻤﺘﺎز ﻫﺬا اﻟﺰﺟﺎج ﺑﺄﻧﻪ ﻣﺤﻜﻢ‬ ‫ا‪L‬ﻏﻼق ذا أﺑﻌﺎد ﻣﺘﻄﺎﺑﻘﺔ و زواﻳﺎ ﻗﺎﺋﻤﺔ ‪.‬‬ ‫زﺟﺎج ا=ﻣﺎن ‪:‬‬ ‫زﺟـــﺎج ا=ﻣﺎن ﻫـــﻮ أﺣﺪ أﻧـــﻮاع اﻟﺰﺟﺎج اﻟﻤﺴـــﺘﺨﺪم‬ ‫ﻣـــﻦ أﺟـــﻞ اﻟﻤﺰﻳﺪ ﻣـــﻦ ا=ﻣـــﺎن و ذﻟﻚ ﻋـــﻦ ﻃﺮﻳﻖ‬ ‫اﻟﺼـــﺎق ﻃﺒﻘﺘﻴﻦ ﻣـــﻦ اﻟﺰﺟﺎج ﺑﻮاﺳـــﻄﺔ ﻓﻠﻢ ﻣﻦ‬ ‫اﻟﺒﻼﺳـــﺘﻴﻚ و ﺑﻤﻌﺎﻟﺠﺔ ﺧﺎﺻﺔ – ﺑﺤﻴﺚ ﻳﺘﻤﺎﺳـــﻚ‬ ‫ﻫـــﺬا اﻟﺰﺟﺎج ﻓـــﻲ ﺣﺎﻟﺔ اﻟﻜﺴـــﺮ وﻋﺪم اﻧﻜﺴـــﺎره‬ ‫ﻟﻘﻄﻊ زﺟﺎﺟﻴـــﺔ ﻣﺘﻨﺎﺛﺮة ﻛﻤﺎ ﻫـــﻮ اﻟﺤﺎل ﻓﻲ زﺟﺎج‬ ‫اﻟﺴـــﻴﺎرات و ﻋـــﺪم اﻟﺘﺴـــﺒﺐ ﻓﻲ ﺟـــﺮوح ﻟﻶﺧﺮﻳﻦ‬ ‫– ﺑﺤﻴـــﺚ ﻳﻜـــﻮن اﻻﻧﻜﺴـــﺎر ﻟﻠﺰﺟـــﺎج ﻛﺎﻟﻨﺴـــﻴﺞ‬ ‫اﻟﻌﻨﻜﺒﻮﺗـــﻲ ‪ .‬وﻫﺬا اﻟﻨﻮع ﻣـــﻦ اﻟﺰﺟﺎج ﻟﻪ اﻟﻌﺪﻳﺪ‬ ‫ﻣﻦ اﻻﺳﺘﺨﺪاﻣﺎت ﺗﺸﻤﻞ ‪:‬‬ ‫ا=ﻣﺎﻛﻦ اﻟﺘﻲ ﻗﺪ ﻳﻜﻮن اﻟﺰﺟﺎج ﻣﻌﺮض ﻟﻠﺴﻘﻮط‬ ‫وﻛﺬﻟﻚ اﻟﻤﺒﺎﻧـــﻲ ذات اﻻرﺗﻔﺎﻋﺎت اﻟﻌﺎﻟﻴﺔ اﻟﻤﺮﻛﺒﺔ‬ ‫ﺑﺎﻟﺰﺟـــﺎج و ﻛﺬﻟـــﻚ زﺟـــﺎج اﻟﺴـــﻴﺎرات و اﻟﻤﻨﺎﻃـــﻖ‬ ‫اﻟﻤﻌﺮﺿـــﺔ ﻟﻠﻌﻮاﺻـــﻒ اﻟﺮﻋﺪﻳـــﺔ و ا=ﻋﺎﺻﻴﺮ ‪ ،‬ﻛﻤﺎ‬ ‫ﻳﺴـــﺘﺨﺪم ﻓﻲ اﻟﻮاﺟﻬﺎت اﻟﺰﺟﺎﺟﻴـــﺔ واﻟﺒﻠﻜﻮﻧﺎت‬ ‫و اﻟﻨﻮاﻓـــﺬ ‪ .‬وﻳﻤﺘﻠـــﻚ ﻣﺼﻨـــﻊ ﺑـــﺮاك ﻟﻠﺰﺟـــﺎج ﺧﻂ‬ ‫اوﺗﻮﻣﺎﺗﻴﻜﻲ ﺧـــﺎص »ﻟﺰﺟﺎج ا=ﻣـــﺎن« ﻣﺰود ﺑﻐﺮﻓﺔ‬ ‫ﺿﻐﻂ ﻋﺎﻟﻲ ‪.‬‬ ‫اﻟﺰﺟﺎج اﻟﺬﻛﻲ ‪:‬‬ ‫ﻫـــﺬا اﻟﻨﻮع ﻣـــﻦ اﻟﺰﺟﺎج ﻳﺘـــﻢ ﺗﺼﻨﻴﻌﻪ ﻋﻦ ﻃﺮﻳﻖ‬ ‫إﻟﺼﺎق ﻓﻠﻢ ﺧﺎص ﻋﻠﻰ ﺳـــﻄﺢ اﻟﺰﺟـــﺎج و إﻳﺼﺎﻟﻪ‬ ‫ﺑﺘﻴﺎر ﻛﻬﺮﺑﺎﺋـــﻲ وﻳﺘﻢ ﺗﺤﺪﻳﺪ اﻟﺸـــﻔﺎﻓﻴﺔ ﻟﻠﺰﺟﺎج‬ ‫ﻋﻦ ﻃﺮﻳﻖ ﻣﺮور ﺗﻴﺎر ﻛﻬﺮﺑﺎﺋﻲ ﺑﺤﻴﺚ ﻳﺘﻴﺢ اﻟﺮؤﻳﺔ‬ ‫ﻋﺒﺮ اﻟﺰﺟﺎج وﻳﺴـــﻤﺢ ﺑﺪﺧـــﻮل ا‪L‬ﺿﺎءة ‪ ،‬وﻓﻲ ﺣﺎﻟﺔ‬ ‫إﻳﻘـــﺎف ﻣﺮور اﻟﺘﻴﺎر اﻟﻜﻬﺮﺑﺎﺋﻲ ﻳﺼﺒﺢ اﻟﺰﺟﺎج ﻋﺎﺗﻢ‬ ‫ﻏﻴـــﺮ ﻣﺮﺋﻲ و ﻳﺴـــﺎﻋﺪ اﻟﺰﺟﺎج اﻟﺬﻛـــﻲ ﻓﻲ ﻋﻤﻠﻴﺔ‬ ‫ﺗﻮﻓﻴﺮ اﻟﻄﺎﻗﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ﻟﻠﺘﻜﻴﻴﻒ ‪ ،‬وﻳﺴﺘﺨﺪم‬ ‫ﻓـــﻲ اﻟﻤﻜﺎﺗـــﺐ ‪L‬ﻋﻄـــﺎء ﻧـــﻮع ﻣـــﻦ اﻟﺨﺼﻮﺻﻴﺔ و‬ ‫ﻛﺬﻟﻚ ﻓﻲ ﺻﺎﻻت اﻟﻄﻌﺎم ﻛﺎﻟﻘﻮاﻃﻊ اﻟﺰﺟﺎﺟﻴﺔ‪.‬‬

‫ﺧﺪﻣﺎت ﻣﺘﻜﺎﻣﻠﺔ ﻓﻲ ﻣﺠﺎل ا ﻣﻦ واﻟﺴﻼﻣﺔ‬ ‫ﺷﺮﻛﺔ اﻟﻤﻘﺎول اﻟﻌﺮﺑﻲ‬

‫ﻣﻨﺬ أن ﺗﺄﺳﺴـــﺖ ﺷـــﺮﻛﺔ اﻟﻤﻘﺎول اﻟﻌﺮﺑﻲ وﻋﻠﻰ ﻣﺪى ﻣﺎ‬ ‫ﻳﺰﻳﺪ ﻋﻦ ‪ ٢٥‬ﻋﺎﻣ) ﺣﻈﻴﺖ ﺑﺸـــﺮف اﻟﻤﺴـــﺎﻫﻤﺔ ﻓﻲ ﺗﻨﻔﻴﺬ‬ ‫اﻟﻌﺸـــﺮات ﻣﻦ اﻟﻤﺸـــﺮوﻋﺎت ﻓﻲ أﻧﺤﺎء اﻟﻤﻤﻠﻜـــﺔ اﻟﻌﺮﺑﻴﺔ‬ ‫اﻟﺴـــﻌﻮدﻳﺔ‪ .‬وﻳﻜﻤـــﻦ ﺗﻤﻴﺰ ﺷـــﺮﻛﺔ اﻟﻤﻘـــﺎول اﻟﻌﺮﺑﻲ ﻟﻤﺎ‬ ‫ﻟﺪﻳﻬﺎ ﻣﻦ اﻟﻤﻬﻨﺪﺳﻴﻦ واﻟﻔﻨﻴﻴﻦ اﻟﻤﻬﺮة اﻟﻤﺴﺘﻌﺪﻳﻦ‬ ‫داﺋﻤـــ) ﻟﺘﻘﺪﻳـــﻢ ﺧﺪﻣﺎﺗﻬـــﻢ وﺧﺒﺮﺗﻬـــﻢ ﻓـــﻲ ﺗﺼﻤﻴـــﻢ‬ ‫وﻫﻨﺪﺳـــﺔ وإﺷـــﺮاف وﺗﻮرﻳﺪ وﺗﺮﻛﻴﺐ وﺗﺸـــﻐﻴﻞ وﺻﻴﺎﻧﺔ‬ ‫ا‪G‬ﻧﻈﻤﺔ ا‪F‬ﺗﻴﺔ ‪:‬‬ ‫ـ أﻧﻈﻤﺔ ا‪J‬ﻧﺬار اﻟﻤﺒﻜﺮ واﻟﻜﺸﻒ ﻋﻦ اﻟﺤﺮﻳﻖ‪.‬‬ ‫ـ أﻧﻈﻤـــﺔ ﻣﻜﺎﻓﺤـــﺔ اﻟﺤﺮﻳـــﻖ ﺑﺈﺳـــﺘﺨﺪام )رﺷﺎﺷـــﺎت اﻟﻤـــﺎء‬ ‫ا‪G‬وﺗﻮﻣﺎﺗﻴﻜﻴـــﺔ واﻟﺨﺮاﻃﻴـــﻢ وأﻧﻈﻤﺔ اﻟﻤﻜﺎﻓﺤـــﺔ ا‪G‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ‬ ‫ﻟﺜﺎﻧﻲ أﻛﺴـــﻴﺪ اﻟﻜﺮﺑﻮن واﻟﺮﻏﻮة واﻟﻐﺎزات ‪Fm 200 & NOVEC‬‬ ‫‪ ..‬إﻟﺦ ( و أﻧﻈﻤﺔ اﻟﻀﺒﺎب اﻟﻤﺎﺋﻲ ‪.water mist‬‬ ‫ـ أﻧﻈﻤﺔ ا‪J‬ﻧﺬا واﻟﺤﻤﺎﻳﺔ ﻣﻦ اﻟﺴﺮﻗﺔ واﻟﺴﻄﻮ‪.‬‬ ‫ـ أﻧﻈﻤﺔ اﻟﻤﺮاﻗﺒﺔ اﻟﺘﻠﻔﺰﻳﻮﻧﻴﺔ‪.‬‬ ‫ـ أﻧﻈﻤـــﺔ اﻟﺘﺤﻜـــﻢ ﺑﺎﻟﺪﺧﻮل ﺑﺈﺳـــﺘﺨﺪام ﺑﻄﺎﻗـــﺎت وأرﻗﺎم‬ ‫ﻣﺒﺮﻣﺠﺔ واﻟﺒﺼﻤﺔ‪.‬‬ ‫وﻳﺴـــﺮﻧﺎ دوﻣـــ) أن ﻧﺨـــﺪم ﻋﻤﻼﺋﻨـــﺎ ﻓـــﻲ ﺗﻨﻔﻴـــﺬ وإﻧﺸـــﺎء‬ ‫اﻟﻤﺸـــﺎرﻳﻊ اﻟﺘـــﻲ ﺗﺤﺘـــﺎج إﻟﻰ ﺗﺠﻬﻴـــﺰ اﻟﻌـــﺪد اﻟﻜﺎﻓﻲ ﻣﻦ‬ ‫اﻟﻔﻨﻴﻴﻦ اﻟﻤﻬﺮة واﻟﻌﻤﺎل اﻟﻤﺘﺨﺼﺼﻴﻦ‪.‬‬

‫أﻧﻈﻤﺔ اﻟﻀﺒﺎب‬ ‫اﻟﻤﺎﺋﻲ‬

‫‪water mist‬‬

‫‪¡UM³ « ±∞π‬‬

‫‪109 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺼﻨﻊ اﻟﺒﺮاك ﻟ ﺑﻮاب ا ﺗﻮﻣﺎﺗﻴﻜﻴﺔ‬ ‫اﺧﺘﻴﺎرك ا ﻣﺜﻞ‬

‫ﻋﻠـــﻰ ﻣﺪى أﻛﺜـــﺮ ﻣـــﻦ ‪ ٢٦‬ﻋﺎم ﻧﺠـــﺢ ﻣﺼﻨﻊ‬ ‫اﻟﺒﺮاك ﻟ*ﺑﻮاب ا ﺗﻮﻣﺎﺗﻴﻜﻴﺔ ﻓﻲ ﺑﻨﺎء ﻣﻜﺎﻧﺔ‬ ‫راﺋـــﺪة ﻓـــﻲ ﻋﺎﻟﻢ ﺗﺼﻨﻴـــﻊ أﺑـــﻮاب اﻟﻜﺮاﺟﺎت‬ ‫ا وﺗﻮﻣﺎﺗﻴﻜﻴـــﺔ ﺑﺄﻧﻮاﻋﻬـــﺎ اﻟﻤﺨﺘﻠﻔـــﺔ ‪،‬‬ ‫وﺑﻔﻀـــﻞ ﻣـــﺎ ﺗﺘﻤﻴﺰ ﺑﻪ ﻣﻦ ﺗﻘﺪﻳـــﻢ ﻣﻨﺘﺠﺎت‬ ‫ﻣﺼﻨﻌﺔ ﺑﺠﻮدة ﻋﺎﻟﻴﺔ وﻋﻠﻰ ﻣﻌﺎﻳﻴﺮ ﻋﺎﻟﻤﻴﺔ‬ ‫وﻟﺘﻌﺎوﻧﻬـــﺎ ﻣـــﻊ أﻓﻀﻞ اﻟﺸـــﺮﻛﺎت اﻟﻌﺎﻟﻤﻴﺔ‬ ‫ﻓﻲ ﻫﺬا اﻟﻤﺠﺎل ﻣﺜﻞ ‪ :‬ﺷﺮﻛﺔ ﻛﻴﻢ ا‪B‬ﻳﻄﺎﻟﻴﺔ‬ ‫وﺷﺮﻛﺔ ﺟﺮﻳﻔﻜﻮ ا ﻟﻤﺎﻧﻴﺔ واﻟﺸﺮﻛﺔ ا ﻟﻤﺎﻧﻴﺔ‬ ‫اﻟﺘﻜﻨﻮﻟﻮﺟﻴـــﺔ و ا وﺗﻮﻣﺎﺗﻴﻜﻴﺔ ا ﺳـــﺘﺮاﻟﻴﺔ‬ ‫وﻏﻴﺮﻫﺎ ﻣﻜﺘﺴﺒﺔ ﺑﺬﻟﻚ ﺛﻘﺔ ووﻻء ﻋﻤﻼﺋﻬﺎ‪،‬‬ ‫ ﺟـــﻞ ذﻟـــﻚ ﺣﻘﻘـــﺖ ﻧﺠﺎﺣـــﺎت ﺳـــﺎﻫﻤﺖ‬ ‫ﻓـــﻲ ﺗﻨﻮﻳـــﻊ ﻣﻨﺘﺠﺎﺗﻬـــﺎ ﻟﺘﺸـــﻤﻞ ‪:‬ا ﺑـــﻮاب‬ ‫ا وﺗﻮﻣﺎﺗﻴﻜﻴﺔ اﻟﺴـــﺤﺎﺑﺔ ‪ ،‬ا ﺑـــﻮاب اﻟﻤﻨﺰﻟﻴﺔ‬ ‫اﻟﻤﻘﻄﻌﻴﺔ ‪ ،‬أﺑﻮاب اﻟﻘﻄﻌﺔ اﻟﻮاﺣﺪة ‪ ،‬أﺑﻮاب‬ ‫اﻟﺸـــﺮاﺋﺢ اﻟﻤﻌﺪﻧﻴﺔ ‪ ،‬أﺑﻮاب ﺣﻤﺎﻳـــﺔ اﻟﻤﺘﺎﺟﺮ‬ ‫)اﻟﺤﺪﻳـــﺪ و ا ﻟﻤﻨﻴـــﻮم( ‪ ،‬ا ﺑـــﻮاب اﻟﺼﻨﺎﻋﻴﺔ‬ ‫اﻟﺨﻔﻴﻔـــﺔ و ا ﺑـــﻮاب اﻟﺴـــﺤﺎﺑﺔ ﻟﻠﺸـــﺮاﺋﺢ‬ ‫اﻟﻤﻌﺰوﻟـــﺔ ‪ ،‬ا ﺑـــﻮاب اﻟﺼﻨﺎﻋﻴـــﺔ اﻟﻤﻘﻄﻌﻴﺔ‬ ‫اﻟﻤﻌﺰوﻟـــﺔ ‪ ،‬ا ﺑـــﻮاب اﻟﺼﻨﺎﻋﻴـــﺔ اﻟﺴـــﺤﺎﺑﺔ ‪،‬‬ ‫ا ﺑـــﻮاب اﻟﻤﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳﻖ وﺳـــﺘﺎﺋﺮ اﻟﻨﻮاﻓﺬ‬ ‫اﻟﺴـــﺤﺎﺑﺔ و ا ﺑـــﻮاب اﻟﻤﻌﺪﻧﻴـــﺔ اﻟﻤﺠﻮﻓـــﺔ‬ ‫اﻟﻤﻌﺰوﻟـــﺔ و اﻟﻤﻘﺎوﻣـــﺔ ﻟﻠﺤﺮﻳـــﻖ ‪ ،‬ا ﻧﻈﻤـــﺔ‬ ‫ا وﺗﻮﻣﺎﺗﻴﻜﻴـــﺔ ﻟﻔﺘـــﺢ اﻟﺒﻮاﺑـــﺎت اﻟﺴـــﺤﺎﺑﺔ‬ ‫ﺑﻮاﺑﺎت اﻟﺪرﻓﺘﻴﻦ ) ﻧﻈﺎم ا ذرع ( ‪ .‬ﻓﺘﻮﺳﻌﺖ‬ ‫ﻓـــﻲ ﻣﺨﺘﻠـــﻒ ﻣﻨﺎﻃـــﻖ اﻟﻤﻤﻠﻜـــﺔ ﻣﻠﺒﻴـــﺔ‬ ‫اﺣﺘﻴﺎﺟـــﺎت ﻣﺨﺘﻠﻒ اﻟﻘﻄﺎﻋـــﺎت اﻟﺤﻜﻮﻣﻴﺔ و‬ ‫أﻫﻢ ﺷﺮﻛﺎت اﻟﻘﻄﺎع اﻟﺨﺎص وﺧﺼﻮﺻ[ ﻓﻲ‬ ‫اﻟﻤﺼﺪات ا رﺿﻴﺔ‬ ‫اﻟﻘﻄـــﺎع ا ﻣﻨﻲ ﻟﺘﺮﻛﻴـــﺐ‬ ‫ّ‬ ‫اﻟﻬﻴﺪروﻟﻴﻜﻴـــﺔ و اﻟﺤﻮاﺟـــﺰ ا وﺗﻮﻣﺎﺗﻴﻜﻴـــﺔ‬ ‫ا رﺿﻴﺔ اﻟﻘﺎﺑﻠﺔ ﻟﻠﻄـــﻲ و ﺣﻮاﺟﺰ اﻟﻄﺮﻳﻖ ‪ .‬و‬ ‫اﻧﻬﺎ ﻋﻠﻰ اﺳـــﺘﻌﺪاد ﺗﺎم ﻟﺘﻘﺪﻳﻢ اﻟﻤﺸـــﻮرة‬ ‫اﻟﻔﻨﻴـــﺔ‪ ،‬ﻛﻤﺎ ﻳﺘﻮاﻓﺮ ﻟﺪﻳﻬﺎ ﻃﺎﻗﻢ ﻓﻨﻲ ﻋﻠﻰ‬ ‫أﻋﻠﻰ ﻣﺴﺘﻮى ﻣﻦ اﻟﺘﺪرﻳﺐ و اﻟﻤﻬﺎرة وذﻟﻚ‬ ‫ﺣﺮﺻ[ ﻣﻦ اﻟﺸـــﺮﻛﺔ ﻋﻠﻰ ﺗﻘﺪﻳـــﻢ ﺧﺪﻣﺎﺗﻬﺎ‬ ‫ﻟﻠﻌﻤـــﻼء ﺑﺸـــﻜﻞ ﻣﺘﻜﺎﻣـــﻞ ﺑﻤـــﺎ ﻳﻠﺒـــﻲ‬ ‫اﺣﺘﻴﺎﺟﺎﺗﻬﻢ ‪.‬‬ ‫ا ﺑﻮاب اﻟﺼﻨﺎﻋﻴﺔ اﻟﺴﺤﺎﺑﺔ اﻟﺨﻔﻴﻔﺔ ‪:‬‬ ‫ﻣﺼﻨـــﻊ اﻟﺒـــﺮاك ﻟ*ﺑـــﻮاب اﻟﻜﺮاﺟـــﺎت راع ﻓﻲ‬ ‫ﺗﺼﻤﻴﻤـــﻪ ﻟﻬـــﺬا اﻟﻤﻨﺘﺞ ﺳـــﻬﻮﻟﺔ اﻟﺘﺮﻛﻴﺐ‬ ‫واﻟﺤـــﺪ ا دﻧﻰ ﻣﻦ اﻟﺼﻴﺎﻧﺔ ﻟﻌﻤﺮ أﻃﻮل ﻛﻤﺎ‬ ‫ﺗﻤﺘـــﺎز ﺑﺎﻟﻘـــﻮة و ا ﻣﺎن و ﻳﺘﻮﻓﺮ ﻫـــﺬا اﻟﻄﺮاز‬ ‫ﻣﻦ اﻟﺸﺮاﺋﺢ اﻟﻤﻌﺰوﻟﺔ ﺑﺄﻟﻮان ﻣﺘﻌﺪدة ﻛﻤﺎ‬ ‫ﺗﻌﻤﻞ ﺑﻨﻈﺎم ﻳﺪوي آﻟﻲ ‪.‬‬

‫∏∞‪¡UM³ « ±‬‬

‫‪108 Albenaa‬‬

‫ﺳﺘﺎﺋﺮ اﻟﻨﻮاﻓﺬ اﻟﻤﻌﺪﻧﻴﺔ اﻟﺴﺤﺎﺑﺔ ‪:‬‬ ‫ﺳـــﺘﺎﺋﺮ اﻟﻨﻮاﻓﺬ اﻟﻤﻌﺪﻧﻴﺔ اﺳـــﺘﺜﻤﺎر ﻣﺜﺎﻟﻲ‬ ‫ﻟﻤﺴﺎﻫﻤﺘﻪ ﻓﻲ اﻟﻌﺰل اﻟﺤﺮاري وﻋﺰل ا ﺗﺮﺑﺔ‬ ‫و ا ﻣﻄـــﺎر‪ ،‬ﻛﻤـــﺎ ﺗُﺼﻨّـــﻊ ﺑﺎﺳـــﺘﺨﺪام أﻓﻀﻞ‬ ‫ا ﺟـــﺰاء وﻗﻄـــﻊ اﻟﺘﺼﻨﻴـــﻊ اﻟﻤﺴـــﺘﻮردة ﻣﻦ‬ ‫أورﺑﺎ و ﺗُﺼﻨّﻊ ﺣﺴـــﺐ اﻟﻤﻘﺎﺳـــﺎت اﻟﻤﻄﻠﻮﺑﺔ‬ ‫ﻛﻤﺎ ﻳﻤﻜﻦ ﺗﺸﻐﻴﻠﻬﺎ ﺑﻨﻈﺎم ﻳﺪوي آﻟﻲ‪.‬‬ ‫ا ﺑﻮاب اﻟﺴﺤﺎﺑﺔ اﻟﻤﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳﻖ ‪:‬‬ ‫ﻳﻮﻓـــﺮ ﻣﺼﻨﻊ اﻟﺒﺮاك ﻟ*ﺑـــﻮاب ا وﺗﻮﻣﺎﺗﻴﻜﻴﺔ‬ ‫أﺑـــﻮاب ﺗﺘﻮاﻓﻖ ﻣﻊ أﻛﺜﺮ ﻗﻴﺎﺳـــﺎت اﻟﺴـــﻼﻣﺔ‬ ‫اﻟﻤﻘﺎوﻣـــﺔ ﻟﻠﺤﺮﻳـــﻖ‪ ،‬ﺻﻤﻤـــﺖ ﻟﻠﻐﻠـــﻖ‬ ‫اوﺗﻮﻣﺎﺗﻴﻜﻴ[ ﻋﻨﺪ اﻧﻄﻼق ﺻﺎﻓﺮة ا‪B‬ﻧﺬار أو ﻓﻲ‬ ‫ﺣﺎﻟﺔ اﻟﺤﺮﻳﻖ ﻣﺘﻮاﻓﻘﺔ ﻣﻊ ﻣﺘﻄﻠﺒﺎت ‪.NEPA‬‬ ‫ﻋﻨﺪ اﻟﺤﺮﻳﻖ ﻳﻘﻮم اﻟﻨﻈﺎم ﺑﺎﻟﺴـــﻴﻄﺮة ﻋﻠﻰ‬ ‫اﻏـــﻼق اﻟﺒـــﺎب ﻣﻦ أﺟـــﻞ ﺣﻤﺎﻳﺔ أﻓﻀـــﻞ‪ .‬ﻛﻤﺎ‬ ‫ﺗﺘﻮاﻓﺮ ا ﺑﻮاب اﻟﻤﻌﺪﻧﻴﺔ اﻟﻤﻌﺰوﻟﺔ اﻟﻤﻘﺎوﻣﺔ‬ ‫ﻟﻠﺤﺮﻳﻖ ﺑﻤﻮاد ﻋﺰل ﻣﺜﻞ اﻟﺒﻮﻟﻴﺜﺮﻳﻦ وﻫﻨﻲ‬ ‫ﻛﻤﺐ و اﻟﻔﻮﻻذ اﻟﻤﻘﺴـــﻰ ﻣﻊ اﻟﻔﺎﻳﺒﺮ ﺟﻼس‬ ‫او اﻟﺼﻮف اﻟﺼﺨـــﺮي ‪ ،‬ﻳﺘﻮﻓﺮ ﻣﻨﻬﺎ ﺗﺼﺎﻣﻴﻢ‬ ‫و أﻟﻮان ﻣﺘﻌﺪدة اﻻﺳﺘﺨﺪاﻣﺎت ‪.‬‬ ‫اﻟﻤﺼﺪات ا رﺿﻴﺔ اﻟﻬﻴﺪروﻟﻴﻜﻴﺔ ‪:‬‬ ‫اﻟﺠﻬـــﺎز اﻟﻬﻴﺪروﻟﻴﻜـــﻲ ﻳﻮﻓﺮ ﺣﻤﺎﻳـــﺔ ﻋﺎﻟﻴﺔ‬ ‫ﻟ*ﻣﺎﻛﻦ اﻟﺤﺴﺎﺳـــﺔ و اﻟﺘـــﻲ ﺗﺘﻄﻠﺐ أﻧﻈﻤﺔ‬ ‫أﻣﻨﻴـــﺔ ﻋﺎﻟﻴـــﺔ اﻟﻜﻔـــﺎءة ﻛﻤﺎ ﻳﻌﻤـــﻞ ﺑﻨﻈﺎم‬ ‫ﻫﻴﺪروﻟﻴﻜـــﻲ ﻳـــﺪوي ﻋﻨـــﺪ اﻧﻘﻄـــﺎع اﻟﺘﻴـــﺎر‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻲ وﻳﺘﻮﻓﺮ ﺑﺄﺣﺠﺎم ﻣﺨﺘﻠﻔﺔ ﺣﺴﺐ‬ ‫ﻃﻠﺐ اﻟﻌﻤﻴﻞ ﻣﻊ أﻟﻮان و أﻧﻮار ﺗﺤﺬﻳﺮﻳﺔ‪.‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﺷﺮﻛﺔ رﺑﺤﻲ اﻟﺤﺠﺔ ﻟﻠﻌﻘﺎر واﻻﺳﺘﺜﻤﺎر‬ ‫ﻏﺎﻳﺘﻨﺎ ﺗﻌﺰﻳﺰ ا ﻗﺘﺼﺎد اﻟﻔﻠﺴﻄﻴﻨﻲ‬

‫ﻻﺷـــﻚ أن ﻟـــﻜﻞ ﺷـــﺮﻛﺔ رﺳـــﺎﻟﺔ ﺗﺆدﻳﻬـــﺎ‬ ‫وأﻫﺪاف ﺗﺴﻌﻰ ﻟﺘﺤﻘﻴﻘﻬﺎ ‪ ،‬وﻟﻘﺪ رﻓﻌﺖ‬ ‫ﺷـــﺮﻛﺔ رﺑﺤـــﻲ اﻟﺤﺠـــﺔ ﻣﻨـــﺬ أن ﺗﺄﺳﺴـــﺖ‬ ‫ﺷـــﻌﺎر‪ :‬ﺗﺨﺎﻃﺐ ﺑـــﻪ ﻛﻞ اﻟﻔﻠﺴـــﻄﻴﻨﻴﻴﻦ‬ ‫ﺑﻮﺟـــﻪ ﻋﺎم واﻟﻤﻐﺘﺮﺑﻴـــﻦ ﻋﻦ أرض اﻟﻮﻃﻦ‬ ‫ﺑﺸﻜﻞ ﺧﺎص‪ ،‬أﻻ وﻫﻮ )اﻟﺒﻴﺖ ﺑﻴﺘﻚ(‪.‬‬ ‫إذ ﻳﻠﺨـــﺺ ﻫﺬا اﻟﺸـــﻌﺎر رﺳـــﺎﻟﺔ اﻟﺸـــﺮﻛﺔ‬ ‫اﻟﻤﺘﻤﺜﻠﺔ ﻓﻲ ﺗﻮﻓﻴﺮ اﻟﻤﺴـــﺎﻛﻦ اﻟﻌﺼﺮﻳﺔ‬ ‫اﻟﺤﺪﻳﺜـــﺔ واﻟﻤﺸـــﺎرﻳﻊ اﻟﺘﺠﺎرﻳـــﺔ اﻟﻤﺘﻤﻴﺰة‬ ‫ﺑﻤﻮاﺻﻔـــﺎت ﻋﺎﻟﻴـــﺔ وأﺳـــﻌﺎر ﻣﻨﺎﺳـــﺒﺔ‬ ‫وﻣﻨﺎﻓﺴﺔ‪ ،‬وذﻟﻚ ﺣﺮﺻ‪ Q‬ﻣﻦ اﻟﺸﺮﻛﺔ ﻋﻠﻰ‬ ‫ا ﺳﻬﺎم ﻣﻦ ﺧﻼل أﻫﺪاﻓﻬﺎ اﻻﺳﺘﺮاﺗﻴﺠﻴﺔ‬ ‫ﻓـــﻲ ﺑﻨـــﺎء ﻫﻴـــﻜﻞ اﺳـــﺘﺜﻤﺎري ﻗـــﻮي ﻓﻲ‬ ‫ﻓﻠﺴـــﻄﻴﻦ ﻳﻌﻤـــﻞ ﻋﻠﻰ ﺗﻌﺰﻳـــﺰ ا ﻗﺘﺼﺎد‬ ‫اﻟﻔﻠﺴﻄﻴﻨﻲ‪.‬‬ ‫وﻣﻤﺎ ﺗﻘﺪم ﻧﺸـــﺄت ﻓﻜﺮة ﺗﺄﺳﻴﺲ ﺷﺮﻛﺔ‬ ‫رﺑﺤـــﻲ اﻟﺤﺠـــﺔ اﻟﺘﻲ ﺗﺘﻘﺪم ﻣﻨﺬ ﻧﺸـــﺄﺗﻬﺎ‬ ‫ﻧﺤـــﻮ ﺗﺤﻘﻴـــﻖ أﻫﺪاﻓﻬـــﺎ واﺣﺪ‪ :‬ﺗﻠـــﻮ ا‪Y‬ﺧﺮ‬ ‫ﺑﻔﻀـــﻞ ﻣـــﻦ ا^ ﺛـــﻢ ﺑﺎﻟﺴـــﻌﻰ اﻟـــﺪءوب‬ ‫ﻟﻔﺮﻳـــﻖ اﻟﻌﺎﻣﻠﻴﻦ ﺑﺎﻟﺸـــﺮﻛﺔ‪ ،‬وﻗـــﺪ ارﺗﻘﺖ‬ ‫ﺑﺤﻤـــﺪ ا^ ﻓـــﻲ ﺳـــﻠﻢ اﻟﻨﺠﺎﺣـــﺎت ﺣﺘـــﻰ‬ ‫أﺿﺤـــﺖ ﻣﻦ ﻛﺒﺮﻳـــﺎت اﻟﺸـــﺮﻛﺎت اﻟﻌﻘﺎرﻳﺔ‬ ‫اﻟﻌﺎﻣﻠﺔ ﻓﻲ ﻓﻠﺴﻄﻴﻦ‪.‬‬ ‫وﻟﻌـــﻞ ﻣـــﻦ أﻫﻢ ا‪a‬ﺳـــﺎب اﻟﺘﻲ أﺳـــﻬﻤﺖ‬ ‫ﻓﻲ اﻟﻨﻤﻮ اﻟﻤﻀﻄﺮد ﻟﻠﺸـــﺮﻛﺔ ﻫﻮ ﺗﻌﺪد‬ ‫∞‪¡UM³ « ±±‬‬

‫‪110 Albenaa‬‬

‫وﺗﻨﻮع اﻟﻤﺸﺎرﻳﻊ )ﺳﻜﻨﻲ ـ ﺗﺠﺎري وﻏﻴﺮﻫﺎ(‬ ‫ﻓﻀ ًَ‬ ‫ﻼ ﻋـــﻦ اﻟﺘﺼﺎﻣﻴﻢ اﻟﺪاﺧﻠﻴﺔ واﻟﺨﺎرﺟﻴﺔ‬ ‫اﻟﻤﻤﻴـــﺰة ﺳـــﻮاء ﻋﺼﺮﻳـــﺔ أو ﻛﻼﺳـــﻴﻜﻴﺔ ‪،‬‬ ‫ﺑﺎ ﺿﺎﻓﺔ إﻟﻰ ﺟﻮدة اﻟﺨﺎﻣﺎت اﻟﻤﺴﺘﺨﺪﻣﺔ‬ ‫ﻓﻲ اﻟﺘﺸـــﻴﻴﺪ واﻟﺘﺸﻄﻴﺐ ‪ ،‬ودون إﻏﻔﺎل‬ ‫ﻋﺎﻣﻠﻲ اﻟﻤﺼﺪاﻗﻴﺔ وا ﻟﺘﺰام ﻣﻤﺎ ﻋﺰز اﻟﺜﻘﺔ‬ ‫ﺑﻴﻦ اﻟﺸﺮﻛﺔ واﻟﻤﺘﻌﺎﻣﻠﻴﻦ ﻣﻌﻬﺎ‪.‬‬ ‫وﺣﺮﺻـــ‪ Q‬ﻣـــﻦ اﻟﺸـــﺮﻛﺔ ﻋﻠـــﻰ ﻣﻮاﻛﺒـــﺔ‬ ‫أﺣـــﺪث ﻣﻮاﺻﻔـــﺎت اﻟﺒﻨـــﺎء واﻟﺘﺸـــﻄﻴﺐ ‪،‬‬ ‫ﻓﻘـــﺪ وﻗﻌﺖ اﺗﻔﺎﻗﻴـــﺎت ﺗﻌﺎون ﻣـــﻊ ﻛﺒﺮى‬ ‫اﻟﺸـــﺮﻛﺎت اﻟﺘﺮﻛﻴﺔ وا‪a‬ﺳﺒﺎﻧﻴﺔ وا ﻳﻄﺎﻟﻴﺔ‬ ‫وﻏﻴﺮﻫـــﺎ ﻟﺘﻮﻓﻴـــﺮ أﺟـــﻮد ﻣـــﻮاد اﻟﺒﻨـــﺎء‬ ‫واﻟﺘﺸﻄﻴﺐ وأﻛﺜﺮﻫﺎ ﺗﻄﻮر‪.:‬‬ ‫وﺗﺴـــﻬﻴ ً‬ ‫ﻼ ﻋﻠﻰ اﻟﻤﻮاﻃﻦ اﻟﻔﻠﺴـــﻄﻴﻨﻲ‬ ‫وﺗﻤﻜﻴﻨـــﻪ ﻣـــﻦ اﻣﺘﻼك ﺷـــﻘﺔ ﺳـــﻜﻨﻴﺔ أو‬ ‫ﻣﺤـــﻞ ﺗﺠـــﺎري أو ﻣﻜﺘﺒـــﻲ‪ ،‬ﻓﻘـــﺪ اﻧﺘﻬﺠﺖ‬ ‫اﻟﺸـــﺮﻛﺔ ﺳﻴﺎﺳـــﺔ اﻟﺒﻴـــﻊ ﺑﺎﻟﺘﻘﺴـــﻴﻂ‬ ‫اﻟﻤﺒﺎﺷﺮ اﻟﻤﻴﺴﺮ ﺑﺪون ﻓﻮاﺋﺪ‪ ،‬أو ﺑﻮﺳﺎﻃﺔ‬ ‫اﻟﺒﻨﻮك واﻟﻤﺆﺳﺴـــﺎت اﻟﻤﺎﻟﻴﺔ ‪ ،‬ﻛﻤﺎ ﺗﻘﺪم‬ ‫اﻟﺸﺮﻛﺔ ﻋﺮوﺿ‪ Q‬ﻣﻤﻴﺰة وﻣﻴﺴﺮة ﻟﻠﺸﺒﺎب‬ ‫اﻟﻤﻘﺒﻠﻴـــﻦ ﻋﻠـــﻰ اﻟـــﺰواج ﺗﺄﻛﻴـــﺪا ﻟﻠـــﺪور‬ ‫اﻻﺟﺘﻤﺎﻋـــﻲ اﻟﺬي ﺗﻠﻌﺒﻪ اﻟﺸـــﺮﻛﺔ اﻟﺘﻲ ﻻ‬ ‫ﺗﺄﻟﻮ ﺟﻬـــﺪ‪ :‬ﻓﻲ اﻟﻤﺴـــﺎﻫﻤﺔ ﺑﺎﻟﻌﺪﻳﺪ ﻣﻦ‬ ‫اﻟﻤﺸـــﺎرﻳﻊ ا ﻏﺎﺛﻴﺔ واﻟﺼﺤﻴﺔ واﻟﺘﻌﻠﻴﻤﻴﺔ‬ ‫ﺧﺪﻣـــﺔ ﻟﻠﻤﺠﺘﻤـــﻊ اﻟﻔﻠﺴـــﻄﻴﻨﻲ وإﻳﻤﺎﻧـــ‪Q‬‬

‫ﻣﻨﻬـــﺎ ﺑﻀـــﺮورة اﻟﻤﺸـــﺎرﻛﺔ اﻟﻤﺠﺘﻤﻌﻴـــﺔ‬ ‫وا ﻧﺴﺎﻧﻴﺔ‪.‬‬ ‫وﻣـــﻦ اﻟﺠﺪﻳـــﺮ ﺑﺎﻟﺬﻛـــﺮ أن اﻟﺸـــﺮﻛﺔ ﺣﺎﻟﻴ‪Q‬‬ ‫ﺗﻌﻤـــﻞ ﻋﻠـــﻰ ﺑﻨـــﺎء ﻣﺮﻛـــﺰ ﻓﻠﺴـــﻄﻴﻦ‬ ‫اﻟﺘﺠـــﺎري ﺑﻤﺴـــﺎﺣﺘﻪ اﻟﻜﺒﻴـــﺮة وﺗﺼﻤﻴﻤﻪ‬ ‫اﻟﻜﻼﺳﻴﻜﻲ اﻟﺮاﺋﻊ‪ ،‬واﻟﺬي ﺗﻄﻤﺢ اﻟﺸﺮﻛﺔ‬ ‫ﻣﻦ ﺧﻼﻟﻪ إﻟﻰ ﺗﺮك ﺑﺼﻤﺔ ﻣﻌﻤﺎرﻳﺔ ﻣﻤﻴﺰة‬ ‫ﻓﻲ ﻣﺪﻳﻨـــﺔ رام ا^ ـ ﻓﻠﺴـــﻄﻴﻦ‪ ،‬ﻟﻴﻀﺎف‬ ‫إﻟﻰ ﺳﻠﺴـــﻠﺔ ﻣﺸﺎرﻳﻊ اﻟﺸﺮﻛﺔ ﻓﻲ ﻛﺎﻣﻞ‬ ‫ا‪a‬رض اﻟﻔﻠﺴﻄﻴﻨﻴﺔ‪.‬‬ ‫إن ﻃﻤﻮح ﺷﺮﻛﺔ رﺑﺤﻲ اﻟﺤﺠﺔ ﻻ ﺣﺪود ﻟﻪ ‪،‬‬ ‫ﻓﺒﻌﺪ أن رﺳﺨﺖ أﻗﺪاﻣﻬﺎ ﻓﻲ ﺳﻮق اﻟﻌﻘﺎر‬ ‫اﻟﻔﻠﺴـــﻄﻴﻨﻲ ‪ ،‬ﺑﺎﺗﺖ ﺗﺨﻄﻂ ﻟﺘﻜﻮن رﻗﻤ‪Q‬‬ ‫ﺻﻌﺒ‪ Q‬ﺿﻤﻦ اﻟﻤﻨﻈﻮﻣﺔ اﻟﻌﻘﺎرﻳﺔ اﻟﻌﺮﺑﻴﺔ‬ ‫ﻟﺘﻨﻄﻠﻖ ﻣﻦ أرض ﻓﻠﺴـــﻄﻴﻦ ﻧﺤﻮ اﻟﺪول‬ ‫اﻟﻌﺮﺑﻴﺔ اﻟﺸﻘﻴﻘﺔ‪.‬‬