GROUP LINE JUNE 2025 THEATRE VIEW

HE’S FOUND A NEW HOME

JESSICA SWALE

LUKE SHEPPARD

THE GREAT GATSBY must end this September!

Groups Account Handler Sam Young went to watch THE GREAT GATSBY at the London Coliseum last month with her clients from Google. They all dressed up in 1920’s fashion and loved the show. “This production is nothing short of SPECTACULAR! The costumes are utterly breathtaking –shimmering flapper dresses, sharp tuxedos, and enough sparkle to rival the stars over Gatsby’s mansion itself! And the decorations - Lavish is an understatement! Every detail of the set design is a work of art, creating a truly immersive and glamorous backdrop that instantly transports you. I didn’t just watch the show, I lived it! I truly felt like I was dancing alongside Daisy and Gatsby, sipping champagne whilst witnessing the very essence of the jazz age firsthand.” – Kasia Demczenko Book your group tickets from just £30!

Competition time!

TITANIQUE is now booking through to January 2026! To celebrate, we are giving away a pair of tickets to see this hilarious new Olivier award-winning show.

Simply answer the below question correctly to be in with a chance of winning: What iconic film is the show based on? Send your answer to us either by post or email with the subject ‘Titanique comp’. The lucky winner will be contacted by 27th June 2025.

GOOD LUCK!

Front row

Dear Readers,

We’re delighted to bring you this exciting summer edition of Theatre View!

In this issue, don’t miss our exclusive interviews with some of the hottest talents on and off stage right now: Todrick Hall who is directing & choreographing BURLESQUE THE MUSICAL and stars as Sean, Victoria Hamilton-Barritt who plays Persephone in HADESTOWN and STEREOPHONIC playwright David Adjmi

We went on sale last month with the hugely anticipated PADDINGTON THE MUSICAL which premieres at the Savoy Theatre later this year. Demand for this has been extremely high, so I would suggest getting your group requests in quick. We are the EXCLUSIVE GROUPS AGENT on this, so Group Line is the only place you can get your group tickets. That’s not all! We’re also EXCLUSIVELY handling group sales for BURLESQUE THE MUSICAL at the Savoy Theatre, which follows sold-out runs in Manchester and Glasgow and opens next month for a strictly limited run.

Our exclusive partnership with the Bridge Theatre continues with a stellar lineup: the return of A MIDSUMMER NIGHT’S DREAM for a limited summer run, THE LADY FROM THE SEA starring Alicia Vikander and Andrew Lincoln this autumn, and INTO THE WOODS in December – a personal must-see for me as I have never seen this show.

Other shows that have gone on sale recently are I’M EVERY WOMAN – THE CHAKA KHAN MUSICAL, GHOST STORIES, I’M SORRY PRIME MINISTER, MATTHEW BOURNE’S NEW ADVENTURES THE RED SHOES THE MERRY WIVES OF WINDSOR TWELFTH NIGHT A CHRISTMAS CAROL THE WOMAN IN BLACK and FAULTY TOWERS DINING EXPERIENCE. You’ll find fantastic EXCLUSIVE deals on all of these inside this issue.

Lastly, if you’re not already following us on LinkedIn, now’s the time! It’s the best way to stay updated on our latest news and events. Just scan the QR code and give us a follow.

As always, thank you for your support and we look forward to seeing at an event soon.

Kindest regards, Ben Delahunty-Jones Sales Campaign Manager

Contact Details

To discuss all your group ticketing needs please contact one of the Group Line team. Tel: 020 7206 1174

Email: help@groupline.com Web: www.groupline.com Group Line, 115 Shaftesbury Avenue, London, WC2H 8AF

SAVOY THEATRE

The big new musical just got BIGGER!

Following record-breaking, sold-out shows in Manchester and Glasgow, BURLESQUE THE MUSICAL Wagon-Wheel-Watusi’s into the West End

Broadway legend Orfeh makes her West End debut as Tess. Described a “perfect” by BroadwayWorld, Jess Folley returns as Ali Rose. Todrick Hall is also back as Sean as well as directing and choreographing. Paul Jacob French joins the cast as Jackson. Asha Parker Wallace makes her West End and professional debut as Nikki. Olivier Award winning George Maguire returns as Vince.

Discover a club like no other…

A place beneath the city lights where sequins sparkle, seduction shimmers, and a life can change in the flick of a feather boa.

When Ali heads to New York City in search of her mother, she’s drawn into a dazzling underground world of music and dance that will change her life forever.

Booking information

BURLESQUE at the Savoy Theatre is booking from 10th July – 6th September 2025

A scintillating journey of self-discovery that absolutely sizzles with songs by Christina Aguilera, Sia, and Diane Warren, alongside brand-new tracks by Todrick Hall and Jess Folley

Book your tickets now for the blockbuster musical that says… Life’s not fair. It’s fabulous.

Star interview!

We recently interviewed BURLESQUE THE MUSICAL director, choreographer and starring in the role of Sean - Todrick Hall. Read on to see what he had to say…

What drew you to BURLESQUE as a stage production, and why do you think now is the right time for its West End debut?

I am a proud member of the LGBTQ+ community. This is a very fitting question as it’s currently Pride Month. Burlesque has been a huge staple in our community. Dancers in the drag community have embraced the music from the show for ever. I think the movie of Burlesque brilliantly translates into being a stage musical, and now, when the world is so divided, is the right time for it. It’s a musical that brings people together and allows them to have fun and allows people to dress up in their best pink attire and show up and have fun in the theatre. It’s something that is very needed and necessary now.

As both a performer and director, how do you balance spectacle with storytelling in a show as glamorous as BURLESQUE?

I don’t know how many people there are out there who have directed, performed and been a composer on a musical like this. For me, storytelling always comes first. In order to enjoy a musical you have to enjoy the characters that are telling it. You have to know what they want and be rooting for them to achieve it. This show speaks to me so much because just like Ali, I am a person who grew up in Texas and had dreams way bigger than the county I was in, and I travelled by myself with nothing but a suitcase and a dream to New York City to try and make it on Broadway. I did the same thing again when I moved to Los Angeles to try and make a name for myself in social media and YouTube and I feel in some weird shape or form I’m doing that right now with my move to London. I feel that I have to prove to West End while and London audiences that I’m capable of directing a show. And I’m doing it by myself. I’m just as scared now as Ali was to move to LA in the film and to move to NYC in our version of Burlesque. I think if you aren’t doing things that scare you then you are probably not doing the right things to fulfil your artistry and help you grow as a person.

What do you hope audiences take away from this version of BURLESQUE that they might not have gotten from the film?

I think that this show allows the audience to delve more into Ali’s story. There are more twists and turns that are different from the film that I don’t want to spoil. The show is slightly different, but Ali’s main objective in the heart of the show is very similar. One thing that I really like about this show is that all of the music you will hope to hear from the soundtrack of the film is performed on stage; but there are different versions. Some of the songs are re-imagined, and rearranged and we have

a lot of new songs written by Jess Folley and myself. I think writing new music for a musical that has iconic moments already is a very difficult challenge. But in our show I think that the transition from the songs written by Sia and Diane Warren and Christina Aguilera herself, to the songs written by Jess and I really work well together in tandem, so that the music sounds very pop, now and cohesive. What has it been like collaborating with Christina Aguilera and others from the original film, if at all?

Well Steve Antin is the brainchild of BURLESQUE which was inspired by his sister, Robin Antin who happens to be a great friend of mine. It has been such a roller coaster bringing Steve’s vision to life on stage but one that I will never forget. It’s been challenging but rewarding. I think that working with Christina Aguilera has been a dream of mine. I remember growing up seeing her perform on Mickey Mouse Club; watching her live performances on the Disney Channel to following her through to her Dirty Era, to hearing her sing the soundtracks to some of my favourite Disney movies. I just think that so many people have followed her and she’s remained relevant since the 90s to now.

To be able to work with. her on such a clos level is amazing. We have similar relationships with the movie and the show having both written music and starred in them.

by Jon Sams

What is your favourite song in the show and why?

I would say that my favourite song in the show is the Prologue. It’s the first thing the audience experiences. It sets the tone – and lets them know that they can holler and hoot throughout the show.

If you had to sum up the show in 3 words, what would they be?

Sexy, Fresh and Fabulous

A rather wonderful adventure is about to begin

The world premiere of PADDINGTON THE MUSICAL arrives in London’s West End this autumn

Bringing one of Britain’s best-loved characters to life on stage, this unmissable major new production at the Savoy Theatre is jam-packed with irresistible songs, dazzling choreography – and of course, marmalade sandwiches.

When a small, lost bear from Peru arrives in London in search of a new home, a chance encounter with the Brown family leads him to the wonderful world of Windsor Gardens.

But London isn’t all cream teas and friendly faces – and even the happiest families have their cracks beneath the surface. So when Paddington’s life

Booking information

PADDINGTON THE MUSICAL at the Savoy Theatre is booking from 1st November 2025 through to 22nd October 2026

EXCLUSIVE TO GROUP LINE!

ACCELERATOR RATE!

Groups of 10+: Price band A Stalls reduced to £70, price band B in the Dress Circle reduced to £55

Valid Monday-Thursday evenings from 5th January - 26th February 2026

Groups of 10+: Price bands A and B in the Dress Circle reduced to £50

Groups of 20+: Price bands A and B in the Dress Circle reduced to £45

Valid Monday-Thursday evenings and Thursday matinees from 22nd March 2026

Book by 9th September 2025

School groups of 10+: Price band C in the Dress Circle reduced to £30, price band D in the Upper Circle reduced to £20 + 1 free teacher per 10 paid

Valid on Thursday matinees from 15th January 2026 and Monday-Thursday evenings from 4th May 2026

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

is suddenly in peril, the Browns must decide just how far they’re willing to go — and what they’re willing to risk — for this special bear.

Based on the iconic characters from Michael Bond’s books and the award-winning films, PADDINGTON THE MUSICAL is directed by Luke Sheppard, with original music and lyrics by Tom Fletcher and book by Olivier Award-winner Jessica Swale

Photo

“The

West End’s best new musical in years” – Daily Express

The three-time Olivier Award-winning Best New Musical, THE CURIOUS CASE OF BENJAMIN BUTTON, is an epic, intimate and unforgettable West End hit – hailed as “THE BEST BRITISH MUSICAL IN DECADES” (WhatsOnStage) and “A MUSICAL TO TREASURE” (The Standard).

Based on the iconic short story by F. Scott Fitzgerald and reimagined in a Cornish fishing village by award-winning writing team Jethro Compton and Darren Clark, this unique, actor-musician led story is “EPIC AND CINEMATIC WITH A TREMENDOUS SCORE” (Daily Mail).

Winning the 2025 Olivier Awards for Best New Musical, Outstanding Musical Contribution (Darren Clark and Mark Aspinall) and Best Actor in a Musical (John Dagleish), the 14-strong cast of actor-musicians playing 30 instruments perform “MIRACLES OF DEXTERITY ON STAGE” (The Times) –

Booking information

THE CURIOUS CASE OF BENJAMIN BUTTON at the Ambassadors Theatre is booking through to 30th August 2025

EXCLUSIVE TO GROUP LINE!

of

Monday-Wednesday evenings & Tuesday matinees

Groups of 6+: Price band A in the Circle reduced to £60

bringing to life a heart-burstingly, magical tale of a love that defies all odds.

Under the light of a full moon, something most curious occurs… Benjamin Button is born old. Bound to the fate of growing younger each day, Benjamin wants nothing more than to live a little life. But will he ever find a place to belong?

Now playing at London’s Ambassadors Theatre, don’t miss your chance to see this “SURE-FIRE WEST END HIT” (The i) – you’ll love every second.

DIRECTED BY RACKY PLEWS

BOOK BY NIA T. HILL

CHOREOGRAPHY BY JADE HACKETT

MARCH 2026 AT THE PEACOCK THEATRE, LONDON

Group Line exclusive!

Get ready to witness the incredible untold life story and music of multi-platinum selling, 10-time GRAMMY® winner and global icon, Chaka Khan!

With 22 albums, 25 chart-topping hits, 70 million records sold and a career spanning five decades, Chaka Khan has shaped the sound of generations. Now, her story explodes onto the stage in a dazzling world premiere musical.

Featuring a book that includes an array of Chaka’s famous friends from Joni Mitchell and Prince to Stevie Wonder and Robert Palmer in addition to the songs that made her a global icon—including I Feel for You, Tell Me Something Good, Ain’t Nobody, Sweet Thing, Through The Fire and many more. This groundbreaking production delves into the woman behind the music - her rise to fame, her battles behind the spotlight, and her powerful journey of resilience.

Booking information

I’M EVERY WOMAN – THE CHAKA KHAN MUSICAL at the Peacock Theatre is booking from 5th – 28th March 2026

EXCLUSIVE TO GROUP LINE!

ACCELERATOR RATE!

Groups of 20+: ££55-£75 seats in the Stalls reduced to £40

Valid on Tuesday-Thursday evenings and Wednesday matinees

Book by 29th August 2025

STANDARD GROUP RATES:

Groups of 10+: Save 10% on £25-£75 seats in the Stalls

Groups of 20+: Save 20% on £25-£75 seats in the Stalls Valid on all performances

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

by Racky Plews, choreographed by

and

by Nia T. Hill, this is an emotionally charged theatrical experience. From the triumphs to the trials, from the anthems to activism, this is Chaka Khan like you’ve never seen her before.

Directed

Jade Hackett

written

“Fun and totally

fabulous. A candy-coloured story set to snazzy choreography” – The Independent

Hailed as ‘big-hearted, bangin’ and flawless!’ (Daily Mail), this new musical make-over of the Paramount Pictures classic film is “full of warmth, mischief and fun’ (Spectator) at London’s Trafalgar Theatre.

Inspired by Jane Austen’s revolutionary 1815 novel Emma and cleverly updated to 1990’s Beverly Hills by original writer-director Amy Heckerling, CLUELESS, THE MUSICAL mixes the iconic fashion, quotable moments and drama and laughs from the Paramount Pictures classic film. Featuring new music by multi-platinum singer-songwriter KT Tunstall (“Suddenly I See”, “Black Horse and the Cherry Tree”) with lyrics by Grammy Award-winner Glenn Slater (Sister Act the Musical, Tangled) and choreography by Lizzi Gee (Groundhog Day), CLUELESS is directed by the acclaimed Rachel Kavanaugh (Chichester Festival Theatre, Regent’s Park Open Air Theatre).

Booking information

CLUELESS at the Trafalgar Theatre is booking until 28th March 2026

Groups of 10+: Price bands A-C reduced to £39.50

Valid Monday-Thursday evenings and Thursday matinees (off-peak)

Groups of 10+: Price bands A-C reduced to £49.50

Valid on Friday evenings + peak performances

Groups of 30+: Price bands A-C reduced to £35

Valid Monday-Thursday evenings and Thursday matinees (off-peak)

Groups of 30+: Price bands A-C reduced to £45

Valid on Friday evenings + peak performances

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

Welcome to 90s Beverly Hills, where Cher Horowitz has a heart bigger than her allowance and a unique talent of finding love for others. When awkward new girl Tai arrives in town, Cher takes on her biggest project yet – but is she matchmaking or meddling? And what about her annoying ex-stepbrother Josh who she can’t stop thinking about? Suddenly, Cher’s life isn’t quite so perfect and – ugh! – maybe she’s the one being clueless. Miss this? As if! Grab your besties for ‘a much-needed dose of LA sunshine’ (Broadway World) and, like, totally book now.

Book your group tickets for these three pantomimes

Islington’s HHHHH family “panto to see this season” (Curtain Call Reviews) is back for its second year!

Booking information

Booking information

CINDERELLA

Booking

Groups

HHHHH

“I wondered why anyone would see the same show seven times. Now I know” – Mail on Sunday

Now booking to December 2025 EXCLUSIVELY through Group Line!

OPERATION MINCEMEAT is London’s biggest hit with 77 Five-Star reviews making it the best-reviewed show in West End history. Now also a Tony® Nominated Best Musical on Broadway!

“The year’s funniest musical.”

– Peter Marks, The Washington Post

“Irrepressible wartime musical is a West End triumph”

– Emma John, The Guardian

“LAUGHING so hard I could barely breathe is not what I expected for a musical about a World War II top- secret plan... the perfect invasion of the West End. Long may they occupy it.”

– Thea Jacobs, The Sun

Booking information

OPERATION MINCEMEAT at the Fortune Theatre is booking through to 30th December 2025

EXCLUSIVE TO GROUP LINE!

Groups of 10+: Stalls, Dress Circle and Upper Circle seats reduced to £39.50

Groups of 30+: Stalls, Dress Circle and Upper Circle seats reduced to £29.50

Valid Tuesday-Friday evenings and Tuesday matinees

Groups of 10+: Upper Circle seats reduced to £39.50

Groups of 30+: Upper Circle seats reduced to £29.50

Valid on Saturday matinees and Saturday evenings

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

“Immersive,

ingenious, high-energy thriller”

– The Sun

You have been summoned for jury

Now in its eighth year, WITNESS FOR THE PROSECUTION has captured the imagination of thousands; enthralled by the case of Leonard Vole.

Accused of murdering a widow to inherit her wealth, will Leonard survive the shocking witness testimony? Will he be able to convince the jury, and you, of his innocence and escape the hangman’s noose?

Booking information WITNESS FOR THE PROSECUTION at London County Hall is

through to 26th April 2026

service...

The audience are thrillingly placed in the thick of the action, as Agatha Christie’s story of justice, passion and betrayal unfolds around them. The twists and turns of the case are played out in a spectacular courtroom setting, as prosecution battles defence, and witnesses take to the stand to give their shocking testimonies.

Don’t miss this landmark stage production on London’s South Bank.

experience SPECTACULAR! THE

“A joyous spectacle with an iconic soundtrack. Hard to beat!” – Stylist

Welcome to MOULIN ROUGE! THE MUSICAL! Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza

Enter a world of splendour and romance, of eye-popping excess, of glitz, grandeur, and glory! A world where Bohemians and aristocrats rub elbows and revel in electrifying enchantment.

Directed by Tony Award winner Alex Timbers, MOULIN ROUGE! THE MUSICAL is a theatrical celebration of Truth, Beauty, Freedom, and — above all — Love. With a book by Tony Award winner John Logan; music supervision, orchestrations, and arrangements by Tony Award winner Justin Levine; and choreography by Tony Award winner Sonya Tayeh, MOULIN ROUGE! is more than a musical — it is a state of mind.

Booking information

MOULIN ROUGE! THE MUSICAL at the Piccadilly Theatre is booking through to 23rd May 2026

GROUPS ACCELERATOR RATES!

Groups of 10+: Price band A reduced to £52.50, price band B reduced to £42.50

Valid Monday-Thursday evenings and Thursday matinees

Groups of 10+: Price band A reduced to £67.50

Valid on Friday evenings

Must be paid up to 24 weeks before performance

Groups of 10+: Price band A reduced to £55, price band B reduced to £45

Valid Monday-Thursday evenings and Thursday matinees

Groups of 10+: Price band A reduced to £69.50

Valid on Friday evenings

Must be paid up to 16 weeks or more before performance

STANDARD GROUP RATES:

Groups of 10+: Price band A reduced to £59.50, price band B reduced to £49.50

Valid Monday-Thursday evenings and Thursday matinees

Groups of 20+: Price band A reduced to £52.50

Valid MondayThursday evenings and Thursday matinees

Groups of 10+: Price band A reduced to £75.00

Valid on Friday evenings

SCHOOL GROUPS ACCELERATOR RATES!

School groups of 10+: Price bands

D-E reduced to £29.50 + 1 free teacher per 10 paid

Valid Tuesday-Thursday evenings and Thursday matinees

Must be paid up to 16 weeks or more before performance

STANDARD SCHOOL GROUP RATE:

School groups of 10+: Price bands

D-E reduced to £35

+ 1 free teacher per 10 paid

Valid Tuesday-Thursday evenings and Thursday matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

Listen up, Mortals. Got a group?

How about we make a little deal?

The musical, inspired by the animated film, based on the ancient myth. It’s what classical civilisation would have wanted

Ancient Greece. A time of gods, mortals… and Hercules, who isn’t quite either. But if he’s not a god, how can he possibly save the world from Hades? It’s one thing flexing those pecs, but going from zero to hero requires a different kind of strength.

Get ready for a wise-cracking, column-shaking, underworld-rocking ride of adventure and self-discovery. In tunics.

Directed and choreographed by Casey Nicholaw, with music by Alan Menken, lyrics by David Zippel, a brand-new book by Robert Horn and Kwame Kwei-Armah, and co-choreography by Tanisha Scott, Disney’s HERCULES delivers a thrilling night out at London’s Theatre Royal Drury Lane that leaves you ready to conquer anything.

Booking information

DISNEY’S HERCULES AT Theatre

Royal Drury Lane is booking through to 18th July 2026

GROUPS ACCELERATOR RATES!

Groups of 9+: £89.50-£79.50 seats reduced to £50, £77.50-£49.50 seats reduced to £40, £47.50-£39.50 seats reduced to £30

Groups of 20+: £89.50-£79.50 seats reduced to £45, £77.50-£49.50 seats reduced to £35, £47.50-£39.50 seats reduced to £25

Valid Monday-Friday evenings and Thursday matinees

All above rates must be paid 12 weeks or more before performance

STANDARD GROUP RATES:

Groups of 9+: £89.50-£79.50 seats reduced to £55, £77.50-£49.50 seats reduced to £45, £47.50-£39.50 seats reduced to £35

Groups of 20+: £89.50-£79.50 seats reduced to £50, £77.50-£49.50 seats reduced to £40, £47.50-£39.50 seats reduced to £30

Valid Monday-Friday evenings and Thursday matinees

SCHOOL GROUPS

ACCELERATOR RATES!

School groups of 10+: Stalls/ Royal Circle seats reduced to £25, Grand Circle seats reduced to £20

School groups of 100+: Stalls/Royal Circle seats reduced to £22.50, Grand Circle seats reduced to £17.50 + 1 free teacher per 10 paid

Valid Monday-Wednesday evenings and Thursday matinees

All above rates must be paid 12 weeks or more before performance

STANDARD SCHOOL GROUP RATES:

School groups of 10+: Stalls/Royal Circle seats reduced to £29.50, Grand Circle seats reduced to £25

School groups of 100+: Stalls/Royal Circle seats reduced to £25, Grand Circle seats reduced to £20 + 1 free teacher per 10 paid

Valid Monday-Wednesday evenings and Thursday matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

BOOK YOUR GROUPS NOW FOR A LEGENDARY NIGHT OUT

PRINCE EDWARD THEATRE

“One of the

best shows

I have ever

seen. All the best Michael Jackson songs… absolutely brilliant”– Scott

Mills, BBC Radio 2 Breakfast Show

Experience the global, Olivier Award-Winning, hit this summer at the Prince Edward Theatre

With “gravity-defying dancing and all the mega-hits” (Guardian), MJ takes you behind the scenes during the creation of the 1992 Dangerous World Tour, and lets you relive the astonishing music, jaw-dropping moves, and extraordinary genius of one of the greatest entertainers of all time.

Featuring the iconic songs including Beat It, Billie Jean, Thriller, Smooth Criminal and Man in the Mirror, MJ is created by two-time Pulitzer Prize winner Lynn Nottage, and director and Olivier & TONY award-winning choreographer Christopher Wheeldon

Book now for a legendary night out with great group rates valid this summer!

Booking information

MJ THE MUSICAL is booking through to 28th March 2026

ACCELERATOR RATE!

Groups of 10+: Price bands A and B reduced to £35

Valid Monday-Thursday evenings and Thursday matinees from 2nd September 2025

Book by 19th September 2025

STANDARD GROUP RATES:

Groups of 10+: Price bands A – C in the Stalls and Dress Circle reduced to £45, price bands D – E in the Grand Circle seats reduced to £25

Valid Monday-Friday evenings & Thursday matinees

Groups of 30+: Price bands A – C in the Stalls and Dress Circle reduced to £35

Valid Monday-Thursday evenings & Thursday matinees

School groups of 10+: Selected Rear Stalls and Rear Dress Circle seats reduced to £25, selected Grand Circle tickets reduced to £17.50 + 1 free teacher per 10 paid

Valid Monday-Thursday evenings & Thursday matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

MJ wins Olivier Award for Best Choreography!

Following the Tony and WhatsOnStage Awards, on 6 April, MJ THE MUSICAL took home the Olivier Award for Best Choreography. Director and Choreographer, Christopher Wheeldon, thanked MJ writer, Lynn Nottage, the creative team, and the global MJ company in his acceptance speech. With productions now playing in Australia and Hamburg in addition to Broadway, US Tour and of course London’s West End where it’s broken box office records and is currently booking to March 2026, MJ THE MUSICAL is the global hit musical.

Coming to the Apollo Theatre next year!

From the BAFTA Award-winning co-creator of Yes, Minister and Yes, Prime Minister, Jonathan Lynn, comes the long-awaited final chapter of British political satire — and it is as cunning, cutting, and catastrophically funny as ever

Jim Hacker (played by national treasure Griff Rhys Jones) is back — older, but perhaps not wiser, and still utterly baffled by the real world. Hoping for a quiet retirement at the tranquil Hacker College, Oxford, Jim instead finds himself facing the ultimate modern crisis: cancelled by the college committee.

Enter the delightfully devious Sir Humphrey Appleby (played by the acclaimed Clive Francis), who has lost none of his love for bureaucracy, Latin phrases, and well-timed obstruction.

Can Humphrey out manoeuvre the meddling students, the Fellowship, and reality itself? Or is it finally time to say, “I’m Sorry, Prime Minister...”?

Brimming with razor-sharp wit, nostalgic brilliance, and more doublespeak than a press briefing, this is political comedy at its most timeless —and timely.

For a night of laughter, legacy, and one last glorious round of red tape, book your I’M SORRY, PRIME MINISTER tickets today!

Booking information

I’M SORRY PRIME MINISTER at the Apollo Theatre is booking from 29th January – 25th April 2026

EXCLUSIVE GROUPS AGENT!

ACCELERATOR RATE!

Groups of 10+: Price band A seats reduced to £50

Valid Tuesday-Thursday evenings, Wednesday and Thursday matinees

Book by 31st July 2025

STANDARD GROUP RATES:

Groups of 10+: Price band A seats reduced to £55

Valid Tuesday-Thursday evenings, Wednesday and Thursday matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

FEATURING THE LEGENDARY HITS THAT'STHEWAY(ILIKEIT), GIVE IT UP, PLEASE DON'T GO, BOOGIE SHOES AND MANY MORE!

19 SEP - 15 NOV

Do a little dance. Make a little love... Get Down Tonight!

Grab those boogie shoes, dust off your flares and get ready to groove as London welcomes GET DOWN TONIGHT: THE KC AND THE SUNSHINE BAND MUSICAL for the very first time

GET DOWN TONIGHT is the brand new feel-good West End musical inspired by the early years of singer, songwriter, producer and musician Harry Wayne Casey (KC)

Making its London premiere this Autumn, get ready to experience the warmth of KC’s “Sunshine Sound” – an infectious blend of disco, funk, R&B and pop – that continues to inspire artists from all genres and fans of all ages today.

Written by J. F. Lawton (Pretty Woman: The Musical) and developed with Harry Wayne Casey (KC) himself, GET DOWN TONIGHT: THE KC AND THE SUNSHINE BAND MUSICAL shines a spotlight on the true story of KC’s early years in 1970s Miami, in a heart-thumping tribute to friendship, love and the music that brought a whole generation together.

Booking information

GET DOWN TONIGHT – THE KC AND THE SUNSHINE BAND MUSICAL at the Charing Cross Theatre is booking from 19th September through to 15th November 2025

EXCLUSIVE TO GROUP LINE!

Groups of 10+: Price band A reduced to £49.50 Valid Wednesday-Friday evenings, Wednesday and Friday matinees

Photo from previous cast

“A GORGEOUS swirl of storytelling and style” –

The Independent

The double Olivier Award-winning smash hit returns to Sadler’s Wells Theatre

A timeless fairytale and Academy Award-winning movie, THE RED SHOES has captivated audiences and inspired generations of dancers with its powerful tale of obsession, possession and one girl’s dream to be the greatest dancer in the world.

Matthew Bourne’s magical production of the legendary Powell and Pressburger film is set to a score orchestrated by Terry Davies, featuring the mesmerizing music of golden-age Hollywood composer Bernard Herrmann, with sumptuous designs by Lez Brotherston (set and costumes), Paule Constable (lighting) and Paul Groothuis (sound).

An intoxicating drama where life imitates art with fateful consequences, THE RED SHOES will dazzle your senses and break your heart.

Recommended age: 7+

Booking information

MATTHEW BOURNES PRODUCTION OF THE RED SHOES

at Sadler’s Wells Theatre is booking from 2nd December 2025 through to 18th January 2026

EXCLUSIVE TO GROUP LINE!

Groups of 10+: Save 10% on Stalls seats (excluding top price tickets)

Groups of 10+: Save 20% on Stalls seats (excluding top price tickets) Valid on all performances

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

HHHHH

“Five stars might not be enough” – Observer

Strictly limited run!

Return to the forest this summer – a dream world of flying fairies, contagious fogs and moonlight revels. The seating is wrapped around the action while the immersive tickets allow the story to be followed on foot.

Following its critically-acclaimed run in 2019, the Bridge Theatre’s five-star production of A MIDSUMMER NIGHT’S DREAM returns for a limited run.

Taking to the stage will be JJ Feild as Oberon/Theseus, Susannah Fielding as Titania/Hippolyta, Emmanuel Akwafo as Bottom and David Moorst as Puck/Philostrate. Completing the cast are Paul Adeyefa as Demetrius, Hilson Agbangbe as Starveling, Bella Aubin as Peaseblossom, Jemima Brown as Fairy, Nina Cassells as Hermia, Kat Collings as Moth, Adam Cunis as understudy, Ali Goldsmith as Cobweb, Hollie Hales as understudy, Molly Hewitt-Richards as Snug, Felicity Montagu as Quince, Lennin Nelson-McClure as Mustardseed, Jem Rose as Snout, Dominic

Booking information

EXCLUSIVE

Groups

Groups

Semwanga as Flute, Lily Simpkiss as Helena, Divesh Subaskaran as Lysander and David Webber as Egeus.

Nicholas Hytner directs with Evening Standard Theatre awardwinning production design by Bunny Christie, costumes by Christina Cunningham with additional costumes by Bunny Christie, lighting by Bruno Poet, sound design by Paul Arditti, music by Grant Olding and movement by Arlene Phillips James Cousins is co-director and comovement director, Susanna Peretz is Hair & Makeup Designer. Its immersive format - which allows 400 people to stand close to the action with 670 seats wrapped around - enabled over 100,000 people to be enthralled six years ago.

“The best show in town. Glorious” – The Times

Welcome to HADESTOWN, where a song can change your fate

The record-breaking sensation by singer-songwriter Anaïs Mitchell and director Rachel Chavkin is now playing to critical acclaim at the Lyric Theatre, London.

‘Big, beautiful and emotionally blasting’ (The Guardian), HADESTOWN is the winner of 8 Tony Awards including Best Musical and the Grammy Award for Best Musical Theatre Album. Seen by three million, streamed by over 350 million and adored by fans around the world, this sensational

musical is ‘the most exhilarating ride’ (WhatsOnStage).

HADESTOWN takes you on an unforgettable journey to the underworld and back, intertwining two mythic love stories – that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone.

A deeply resonant and defiantly hopeful theatrical experience, HADESTOWN invites you to imagine how the world could be.

Star interview!

Booking information

HADESTOWN at the Lyric Theatre is booking through to 15th February 2026

Groups of 10+: Price bands A & B reduced to £49.50

Valid Tuesday-Thursday evenings & Thursday matinees

School groups of 10+: Grand Circle seats reduced to £25

Valid Tuesday-Thursday evenings + 1 free teacher per 10 paid

School groups of 10+: Price bands A-C reduced to £25 + 1 free teacher per 10 paid Valid on Thursday matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

We recently interviewed Victoria Hamilton-Barritt who plays Persephone in HADESTOWN. Read on to see what she had to say…

What initially drew you to your role in HADESTOWN?

I’d heard Amber Gray on the cast recording many years ago and thought how we shared a similar tonality and energy, and it felt like the character of Persephone was a great role that I could get my teeth into. The subject matter of the show was also different to other shows and that grabbed my attention.

How do you personally relate to the character you play?

I feel in many ways I’ve brought myself to this character. I’m used to coming up with obscure heightened characters most of the time, so I felt that I could sit back on this one and relish Persephone being more neutral, but still moments where she’s outrageous. I aim to lead with love, give benefit of the doubt, be compassionate, giving but certainly not a push over, just like Persephone is. Also, we both enjoy a drink at a party!

How do you and the ensemble build chemistry on stage, especially for such an emotionally intense story?

As a company we’ve been so lucky to have struck gold. Everyone gets on so well which is very fortunate and we’re grateful for that. We all knew we were creating something special with our vision on the story early in the process and it gets better every day. We all trust each other so much and look after each other.

Can you describe a typical day in the life of a HADESTOWN cast member? I start my day by spending time with my kids before dropping them off to school. I usually then spend time at home relaxing or getting on with chores. Once I’ve picked the kids up from school, I make my way to the

theatre and head straight into warm up. I usually wind-up Dylan Wood (who plays Orpheus) because it’s fun to! I’ll then go to my dressing room, have a cup of tea and start getting ready. Wigs, hair and make up come into my dressing room and get me into character. Once all final checks are done, we all head onto stage for the show. I either relax in the interval or go live on Instagram, before heading back in to raise some hell for Act 2! After the show it’s time to make my way home, have a snack and a cup of nettle tea before clocking off for the day.

What’s your favourite song to perform, and why?

I have a few. How Long which I sing with Chris Jarman (who plays Hades) is one of my favourites – it feels so powerful for Persephone in that moment, of getting some control over Hades. It’s a real turning point for her where she shows her power and what she can do. I also like performing Chant (Reprise) and Wait for Me (Reprise), I love walking on the revolve on-stage during both of these songs and seeing all the elements come together with the entire cast. There’s so much action from all of the cast during this song, which makes it excellent to do and to watch.

What message do you hope the audience takes away from HADESTOWN?

I think this story is strangely relatable to everyone in many ways. Love, loss, fear, companionship, temptation, self-doubt, regret, control, sorrow - and I’m sure there’s more that could be added to that list. This grew apparent to me after watching the audience reactions on a daily basis from the piece which I hadn’t anticipated. The message they’re left with is unique and personal to them as the show touches many subject matters.

VICTORIA PALACE THEATRE

Be In The Room Where It Happens

Now booking to March 2026!

HAMILTON is the story of America’s Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington’s right-hand man during the Revolutionary War and helped shape the very foundations of the America we know today. The score blends hip-hop, jazz, blues, rap, R&B and Broadway - the story of America then, as told by America now.

Winner of 11 Tony Awards including Best Musical, 7 Olivier Awards, the 2016 Pulitzer Prize for Drama and the 2016 Grammy Award for Best Musical Theater Album.

Booking information

HAMILTON at the Victoria Palace Theatre is booking through to 28th March 2026

ACCELERATOR RATES!

Groups of 10+: Price bands A & B in the Stalls and Royal Circle reduced to £55, price bands C and D in the Royal Circle reduced to £39.50

Valid Monday-Thursday evenings & Thursday matinees

Book by 26th September 2025

STANDARD GROUP RATES:

Groups of 10+: Price bands A & B in the Stalls and Royal Circle reduced to £75, price bands C and D in the Grand Circle reduced to £49.50

Valid Monday-Thursday evenings & Thursday matinees

School groups of 10+: Grand Circle (up to £59.50) reduced to £25, Royal Circle (Up to £79.50) reduced to £35 + 1 free teacher per 10 paid

Valid on Tuesday-Wednesday evenings and Thursday matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

Did you know…

• 20,520 words are sung throughout the show, at an average of 144 words per minute, and if HAMILTON were sung at the pace of other musicals, it would take four to six hours to perform.

• The rap in the show’s 18th track ‘Guns and Ships’ is considered to be the fastest song in musical theatre, with an average of 6.3 words a second.

• The technical equipment suspended over the stage (lights, speakers, automation etc) weighs around 19 tonnes, which is the same as about 6 adult African Bush Elephants.

A new Goes Wrong from Mischief - bringing Christmas chaos to London’s West End

The Cornley Amateur Drama Society are back with tidings of chaos and joy, ready to tackle the Charles Dickens’ classic, A Christmas Carol for 7 weeks at the Apollo Theatre

Do not miss another Christmas catastrophe from Mischief, the multi award-winning company behind THE PLAY THAT GOES WRONG PETER PAN GOES WRONG and THE COMEDY ABOUT A BANK ROBBERY

The Cornley crew battle miscommunication, delays to their set, actors missing in action and a growing feud over who will play the lead. It’s sure to be a disastrous take on the much-loved classic Christmas story of Ebenezer Scrooge. Will Cornley finally change their ways, or will their misfortunes wreak havoc yet again.

Enjoy a festive slice of pure escapism at the worst production in Christmas past, present and yet to come. Don’t be a Scrooge, get tickets now!

Booking information

CHRISTMAS CAROL GOES WRONG at the Apollo Theatre is booking from 6th December 2025 through to 25th January 2026

Groups of 12+: Price band A reduced to £65, price band B reduced to £55, price band C reduced to £45 Valid Tuesday-Thursday performances (excluding w/c 22 December and w/c 29 December)

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

Welcome to THE CHOIR OF MAN, the best pub in the world... Come ready to drink in the excitement!

Brimming with hits from artists such as Queen, Luther Vandross, Sia, Paul Simon, Adele, Guns & Roses, Avicii and Katy Perry to name but a few, this is a pub like no other! A wildly talented group of incredible instrumentalists, world-class wordsmiths, and sensational singers; this cast of nine (extra) ordinary guys serve it all... live!

An uplifting celebration of community and friendship where everyone is welcome. It’s 90 minutes of feel-good, foot-stomping entertainment unlike anything else in the West End.

Booking information

SEE THE SPELLBINDING ORIGINAL THIS SUMMER PALACE THEATRE

“British theatre hasn’t known anything like it for decades” – Daily Telegraph

The spellbinding original live on stage

There’s magic in every moment in HARRY POTTER AND THE CURSED CHILD, the most awarded play in history and “one of the most defining pop culture events of the decade” (Forbes). And now, the 8th Harry Potter story is bringing the magic back to London’s West End. 19 years after Harry, Ron, and Hermione saved the wizarding world, they’re back on a most extraordinary new adventure – this time, joined by a brave new generation that has only just arrived at the legendary Hogwarts School of Witchcraft and Wizardry. Prepare for spectacular spells, a mind-

blowing race through time, and an epic battle to stop mysterious forces, all while the future hangs in the balance.

This one-of-a-kind theatrical experience is packed with “thrilling theatricality and pulse-pounding storytelling” (The Hollywood Reporter). It will leave you “audibly wowed, cheering and gasping” (The Telegraph), as “visions of pure enchantment send shivers down your spine” (Rolling Stone). “It is out of this world, it’s magic, it’s a hit” (The Times).

Booking information

HARRY POTTER AND THE CURSED CHILD at the Palace Theatre is booking through to 15th February 2026

ACCELERATOR RATE!

Groups of 10+: £75/£65 seats reduced to £40 per part

Valid on Wednesday & Friday off-peak performances from 3rd September 2025

School groups of 10+: £25 seats reduced to £15 per part

+ 1 free teacher per 10 paid

Valid Wednesday & Friday off-peak performances from 3rd September 2025

Book by 1st September 2025

STANDARD RATES!

Groups of 10+: £75/£65 seats reduced to £49.50 per part

Valid on Wednesday & Friday off-peak performances

School groups of 10+: £45/£35 seats reduced to £20 per part

+ 1 free teacher per 10 paid

Valid Wednesday & Friday off-peak performances

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

“Theatrical

solid gold” – Variety

It’s 1976 and one band are about to break through, break down, or break up…

Star interview!

We recently interviewed STEREOPHONIC

Step into the studio with the record-breaking, record-making new play STEREOPHONIC

Plug into the electric atmosphere as one up-and-coming rock band record the album that could propel them to superstardom. Amid a powder keg of drugs, booze and jealousy, songs come together and relationships fall apart. The mics are on, the tapes are rolling, but with this band, someone’s always out of tune…

Written by David Adjmi, directed by Daniel Aukin, and featuring original music by Will Butler, formerly of Arcade Fire, STEREOPHONIC grants you intimate fly-on-the-wall access to the discord and disharmony of the creative process.

Following a smash-hit run on Broadway, the most Tony-nominated play of all time is now playing for a strictly limited season at the Duke of York’s Theatre.

Booking information

STEREOPHONIC at Duke of York’s Theatre is booking through to 13th November 2025 EXCLUSIVELY THROUGH GROUP LINE!

Groups of 10+: Price bands A and B reduced to £55 Valid Monday-Wednesday evenings and Thursday matinees from 16th June

School groups of 10+: Price bands C-E in the Upper Circle reduced to £25 Valid Monday-Wednesday evenings and Thursday matinees from 16th June Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

playwright David

Adjmi. Read on to see what he had to say…

What initially inspired you to write STEREOPHONIC?

I was on a flight to Boston when Led Zeppelin’s haunting cover of Babe I’m Gonna Leave You came on the radio. I knew the song from childhood, but I hadn’t ever really listened to it, and I was struck by the rawness and unmasked pain in the vocals. As Robert Plant taunts his lover with the threat of abandonment, his voice soars and shreds in a Dionysian frenzy of Eros and pain—the subtext being I can’t ever leave you. It’s the unresolvable tension between these two that make the song great. As I imagined Plant singing this in the intimate confines of an analog music studio in the 1970s it struck me that this could be the setting for a play. I didn’t know what the play would be exactly or how I would write it but I was excited by the sonic opportunities afforded by the setting, as well as the emotional landscape Plants traverses in that song. How did working with Will Butler shape the play during development?

It wasn’t so much that Will shaped the play as much as learned to work within a very tightly constructed corset. Four and a half years after Wil agreed to write the songs, I finally had a draft to show him. It had taken me that long to figure out precisely how many songs the play would need, and how they were meant to feel, and when they would recur in new arrangements. I had written lots of abstract conflicts centering around problems band members had around song elements—except there were no songs when I wrote that draft. So Will had to reverse engineer everything. For instance, characters in act two argue over a bass riff, one that would be debated repeatedly over the course of the play. Will’s task was to make each version of the riff make not only musical sense, but dramatic sense—in a way that built stakes. In Act Two, Simon can’t get a drum to sound the way Peter wants it, and I wrote detailed descriptions of Peter’s complaint (around a drum part that didn’t yet exist) in the dialogue. So, Will took the details around that complaint as written and wrote a song that did all the drum stuff Peter demanded in that moment.

How much research into the era, music and industry did you do before starting the script?

I did read a few memoirs, but mainly learned about the recording process by watching documentaries – because I didn’t want the play to feel academic or ‘researched’, I wanted it to feel deeply experiential and granular and specific. So whenever something in one of these documentaries surprised me or excited me or illuminated something specific about the process I would add it to a series of notes and sketches, and eventually I would start to build scenes from these sketches. Because I took something of an outside-in approach, I enlisted the help of an engineer from the period who went over my early drafts and noted all my errors and mistaken assumptions about the process. It was kind of a painstaking process that took me many years, but I think you can feel all the textures and nuances in the script that I might not have arrived at had I researched the play in a more conventional way.

What has surprised you most about audience reactions to the play?

Everything surprises me. I’m never not surprised. After our first preview on Broadway, once actors finished the curtain call and exited the stage the audience wouldn’t leave; they gave a standing ovation to a bare stage for something like three minutes—which is actually quite a long time. When a play resonates with audiences in this way it is genuinely shocking, because playwrights are just these weirdos noodling around with stuff that interests us. You can’t ever know what will connect with audiences in a deep way. So yes, it is wildly gratifying to know that there are people who have seen this show 40 or 50 times. I’m not really sure how to process that kind of adulation, but I am so grateful for it.

Have you made any changes for the West End?

After 11-plus years, I can safely say the play is as finished as it will ever be!

Come hear the music play

Welcome to the Kit Kat Club. Home to an intimate and electrifying new production of CABARET

This is Berlin. Relax. Loosen up. Be yourself.

One of the most successful musicals of all time, this new West End production features the songs ‘Wilkommen’, ‘Don’t Tell Mama’, ‘Mein Herr’, ‘Maybe This Time’, ‘Money’ and the title number ‘Cabaret’ – with Berlin’s famous Kit

Booking information

Kat Club brought to life through the transformation of London’s Playhouse Theatre.

The role of Sally Bowles is played by Hannah Dodd (Bridgeton) and the role of Emcee is played by Rob Madge (My Son’s a Queer) until 20 September.

CABARET at the Playhouse Theatre is booking through to 28th March 2026

EXCLUSIVE ACCELERATOR RATE!

Groups of 10+: Price band A reduced to £65

Valid Monday-Wednesday evenings and Wednesday matinees until 30th August 2025

Book by 31st July 2025

STANDARD GROUP RATES:

Groups of 10+: Price band A reduced to £75

Valid Monday-Wednesday evenings and Wednesday matinees (Saturday matinees from 31st May – 27th September 2025)

School groups of 10+: Price bands A & B reduced to £29.50 + 1 free teacher per 10 paid Valid on Wednesday matinees (Monday-Wednesday evenings until 1st October 2025)

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

Photography by Dan Kennedy

30 Sep – 8 Nov

“A truly terrifying theatrical experience”

– Daily Express

Back in London for a strictly limited, 6-week Halloween run!

When Professor Goodman, arch-sceptic out to debunk the paranormal, embarks on an investigation of three apparent hauntings he finds himself at the outer limits of rationality, and fast running out of explanations.

GHOST STORIES is a worldwide phenomenon more spine-tingling and exhilaratingly haunting than ever. Are you brave enough to book?

Booking information

GHOST STORIES at the Peacock Theatre is booking from 30th September through to 8th November 2025

EXCLUSIVE TO GROUP LINE!

ACCELERATOR RATE!

Groups of 20+: £75-£65 seats in the Stalls reduced to £40

Valid Sunday-Thursday performances

Book by 27th June 2025

STANDARD GROUP RATES:

Groups of 10+: Save 10% on £25 - £65 seats in the Stalls

Groups of 20+: Save 20% on £25 - £65 seats in the Stalls

Valid on all performances

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

FROM THE CREATORS OF THE ORIGINAL MOVIE TRILOGY

ADELPHI THEATRE

“Magnificent. A feel-good triumph” –

Daily Telegraph

Great Scott! When this baby hits 88mph you’re gonna see some serious hit!

Experience 1.21 gigawatts of electrifying entertainment with the original, blockbuster production of BACK TO THE FUTURE THE MUSICAL Adapted for the stage by Bob Gale and Robert Zemeckis – creators of the 1980s movie phenomenon – and winner of every major Best New Musical award, this feel-good spectacle will change your future...time and time again.

When Marty McFly finds himself transported back to 1955 in a time machine built by the eccentric scientist Doc Brown, he accidentally changes the course of history. Now he’s in a race against time to fix the

Booking information

BACK TO THE FUTURE THE MUSICAL at the Adelphi Theatre is booking through to 12th April 2026

Groups of 8+: Stalls & Dress Circle seats reduced to £55.00

Valid on Monday, Wednesday, Thursday evenings & Thursday matinees

Groups of 20+: Stalls & Dress Circle seats reduced to £45, Upper Circle seats reduced to £35

Valid on Monday, Wednesday, Thursday evenings and Thursday matinees

Groups of 8+: Stalls & Dress Circle seats reduced to £62.50

Groups of 20+: Stalls & Dress Circle seats reduced to £57.50

Valid on all Friday evenings and Monday, Wednesday, Thursday evenings & Thursday matinees on peak weeks

Groups of 8+: Stalls & Dress Circle seats reduced to £69.50

Groups of 20+: Stalls & Dress Circle seats reduced to £59.50

Valid on Sunday off-peak matinees

School groups of 10+: Rear Dress Circle & Stalls seats reduced to £35, Upper Circle seats reduced to £25.00

+ 1 free teacher per 10 paid

Valid on Monday, Wednesday, Thursday evenings & Thursday matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

“Mighty

present, escape the past and send himself... back to the future. Powered by the genius of the original iconic story, and amazing audiences with cool-as-flux special effects, BACK TO THE FUTURE THE MUSICAL features original music by multi-Grammy winners Alan Silvestri (Avengers: Endgame) and Glen Ballard (Michael Jackson’s Man in the Mirror) alongside all the classic songs from the movie including The Power of Love, Johnny B. Goode, Earth Angel and Back in Time

But don’t be late! Set your destination time to London’s Adelphi Theatre and book your tickets yesterday!

Miz is still revolutionary”

The world’s longest running musical celebrates its 40th anniversary in 2025

This brilliant new staging has taken the world by storm and has been hailed “Les Mis for the 21st Century” (Huffington Post), “the reborn dream of a production” (Daily Telegraph) and “perfect theatre in a perfect theatre” (Sunday Telegraph).

Set amid the social and political struggles of 19th century France, West End favourite LES MISÉRABLES tells the story of former prisoner Jean Valjean, who is pursued for decades by his policeman nemesis, Javert. Their epic cat-and-mouse journey takes them from the French fields to the gritty Parisian sewers, amidst an enthralling story of broken dreams, unrequited love, passion, sacrifice and redemption – a timeless testament to the survival of the human spirit.

The magnificent score of LES MISÉRABLES includes the songs; ‘I Dreamed a Dream’, ‘On My Own’, ‘Bring Him Home’, ‘One Day More’, ‘Master Of The House’ and many more. Now, seen by over 130 million people worldwide in 54 countries and in 22 languages, this spectacular musical adaptation of Victor Hugo’s masterpiece continues to thrill audiences night after night in London’s West End. LES MISÉRABLES is undisputedly one of the world’s most popular musicals.

Storm the barricades for a ticket!

Booking information

LES MISÉRABLES at the Sondheim Theatre is booking through to 28th March 2026

GROUPS ACCELERATOR RATE!

Groups of 10+: Best available reduced to £47.50 from 7th

November 2025 - 26th March 2026

Valid Monday-Thursday evenings & Thursday matinees

Book by 26th September 2025

STANDARD GROUP RATE:

Groups of 10+: Best available reduced to £55

Valid Monday-Thursday evenings & Thursday matinees

SCHOOL GROUPS ACCELERATOR RATE!

School groups of 10+: Best available seats in the Grand Circle reduced to £29.50 + 1 free teacher per 10 paid

Valid Monday-Thursday evenings & Thursday matinees

Book by 26th September 2025

STANDARD SCHOOL GROUP RATE:

School groups of 10+: Best available seats in the Grand Circle reduced to £32.50

+ 1 free teacher per 10 paid

Valid Monday-Thursday evenings & Thursday matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

13 YEARS IN LONDON... WHAT COULD POSSIBLY GO WRONG?

‘WE LAUGHED UNTIL OUR SIDES HURT’ WEST END WILMA

‘A RIP-ROARINGLY HILARIOUS NIGHT’

THIS IS LONDON

HHHH “Comedy at its finest”

Join us for a dining experience like no other!

Join us for the unluckiest dining experience in London! Now in its thirteenth year - it’s the dining experience where anything can (and will) go wrong.

When the audience become diners in the ‘Faulty Towers’ restaurant, pretty much anything can happen – because 70% of the show is improvised. The

– Theatre Travels

fun starts as guests wait to be seated. It then hurtles along in a 2-hour tour de force of gags and shambolic service as Basil, Sybil and Manuel serve a ‘70s-style 3-course meal together with a good dollop of mayhem. Expect the unexpected!

FAULTY TOWERS THE DINING EXPERIENCE is a highly interactive experience, where audiences enjoy a 3-course meal and 5-star comedy. The show has been touring the UK and internationally since 2008, having appeared in 43 countries to date, and employing 56 actors per season. The show has toured to over 1000 venues, with approximately 400 shows per year on average across the UK. A loving tribute to the BBC’s classic TV series, the show has been seen by over a million people worldwide since the very first show at the Ridges Hotel in Brisbane on 24 April 1997.

FAULTY TOWERS THE DINING EXPERIENCE is now the longest running immersive production, the longest running Fawlty Towers production in the West End and the longest running show based on a TV series in the West End. It is also the longest-running Fawlty Towers production of ANY KIND running worldwide.

Booking information

FAULTY

Group Line exclusive!

Alicia Vikander and Andrew Lincoln star in new production of

THE LADY FROM THE SEA

Fearful she may have settled too easily for a comfortable life married to a well-off doctor, Ellida searches for a way to break the predictable routine her existence has become. When a lover from her past appears at their remote country house, she has to choose between the life she has now built and the one she left behind long ago.

THE LADY FROM THE SEA, written and directed by Simon Stone, after Henrik Ibsen, is a thrilling dissection of desire, loss and rebirth for the contemporary age.

Starring Oscar winner Alicia Vikander (The Danish Girl, Ex Machina) and marking the return of Andrew Lincoln (Love Actually, The Walking

Dead) to the London stage, THE LADY FROM THE SEA is Henrik Ibsen’s most radically modern portrayal of a woman’s fight for autonomy in her relationship.

With this new production, Simon Stone, acclaimed Australian theatre and film director known for his radical reimagining of classic works including Yerma at the Young Vic and Phaedra at the National Theatre, makes his debut at the Bridge Theatre.

Ellida will be played by Alicia Vikander, the Academy Award winning Swedish actress and producer, while Andrew Lincoln, award-winning British actor of stage and screen, takes the role of Edward, for this strictly limited run of nine weeks.

The Bridge Theatre is located at the foot of Tower Bridge, within walking distance of some of London’s most iconic landmarks, including the Tower of London, the Shard, and HMS Belfast.

Booking information

THE LADY FROM THE SEA at the Bridge Theatre is booking from 10th September – 8th November 2025

EXCLUSIVE TO GROUP LINE!

Groups of 10+: Price band A seats reduced to £49.50, price band B seats reduced to £39.50

Valid Monday-Thursday evenings and Thursday matinees

School groups of 10+: Best available seats (excluding premiums) reduced to £25 + 1 free teacher per 10 paid students

Valid Monday-Thursday evenings and Thursday matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

Music can unite the world. Theatre can tell the story.

40 years on, discover the story of Live Aid in a whole new way at JUST FOR ONE DAY: THE LIVE AID MUSICAL

Featuring hit songs of the 70+ iconic artists who made history at simultaneous charitable concerts in London and Philadelphia, this powerful and joyous new musical goes behind the scenes to reveal how music united the world on 13 July 1985… and continues Live Aid’s

Booking information

JUST FOR ONE DAY – THE LIVE AID MUSICAL at the Shaftesbury Theatre is booking through to 10th January 2026

ACCELERATOR RATE!

Groups of 20+: Price bands A and B reduced to £42.50

Valid Monday-Friday evenings and Wednesday matinees from September - November 2025 Book by 14th July 2025

STANDARD GROUP RATE:

Groups of 10+: Price bands A and B seats reduced to £49.50

Valid Monday-Friday evenings and Wednesday matinees

Senior groups of 10+: Best available seats reduced to £45 Valid on Wednesday matinees (off-peak performances)

School groups of 10+: Best available seats reduced to £25 + 1 free teacher per 10 paid

Valid Monday-Thursday evenings and Wednesday matinees (off-peak performances)

International Student groups of 10+: Best available seats reduced to £22

Valid Monday-Thursday evenings and Wednesday matinees (off-peak performances)

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

extraordinary legacy of bringing people together through music to make a difference.

10% of all ticket sales goes directly to The Band Aid Charitable Trust, with the goal of raising £2,000,000 by the end of 2025! So far, JUST FOR ONE DAY has raised over £850,000 for the Band Aid Trust.

Whether you saw it live, watched it from home or weren’t even born yet, you won’t want to miss this ‘RIP-ROARING’ (The Telegraph and‘REMARKABLE’ (Daily Mail) new musical from the director of & Juliet, The Little Big Things and Starlight Express

By permission of the Band Aid Charitable Trust.

THE ACCLAIMED RIVER TOUR

5 MINS WALK FROM

Photography of the Toronto 2025 company by Evan Zimmerman

THE SMASH-HIT SHOW RETURNS TO LONDON

BASED ON THE NOVEL BY C.S.

20 Aug – 7 Sep 2025

Step through the wardrobe into the magic kingdom of Narnia where a world of wonder awaits

GROUP LINE EXCLUSIVE!

Get ready for the adventure of a lifetime as the ‘SPELLBINDING’ (The Guardian) smash-hit production of THE LION, THE WITCH AND THE WARDROBE returns to London for a limited run at Sadler’s Wells this summer.

Join Lucy, Edmund, Susan and Peter as they meet new friends, face dangerous foes and learn the lessons of courage, sacrifice, and the power of love.

Booking information

This larger-than-life production blends the artistry of puppetry, mesmerising storytelling and a talented cast of actor-musicians, creating an unforgettable theatrical experience.

This year celebrates the 75th anniversary of C.S. Lewis’s classic novel, watch THE LION, THE WITCH AND THE WARDROBE come to life on stage in this spectacular production – a delight for all ages.

THE LION, THE WITCH AND THE WARDROBE at Sadler’s Wells Theatre is booking from 20th August through to 7th September 2025

EXCLUSIVE TO GROUP LINE!

Groups of 10+: Save 10% on Stalls seats (excluding top and bottom price bands)

Groups of 20+: Save 20% on Stalls seats (excluding top and bottom price bands) Valid on all performances

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

“Has to be Celine to be believed” – Metro

Winner! Best New Entertainment 2025 Olivier Awards

When the music of Céline Dion makes sweet Canadian love with the eleven-time Oscar®-winning film Titanic, you get TITANIQUE, the awardwinning splash hit that turns one of the greatest love stories of all time into a hysterical musical fantasia.

Featuring powerhouse voices and show-stopping numbers such as ‘My Heart Will Go On’, ‘All by Myself’ and ‘To Love You More’ – backed by a full live band – TITANIQUE is a one-of-a-kind theatrical voyage bursting with nostalgia, heart and campy chaos.

See you aboard the Ship of Dreams, girlfriends!

“You won’t see anything funnier this year” – Sunday Mirror

“Fantastique! 100 minutes of cast iron hysteria!” – Daily Mail

“The entire cast is sensational. My sides ached from laughing” – Sunday Express

Age restriction: strictly 14+. Strong language and sexual references.

Booking information

TITANIQUE at the Criterion Theatre is booking through to 4th January 2026

Groups of 6+: £10 off Premiums, Price band A and Price band B (please enquire for prices)

Valid Tuesday-Friday evenings

Groups of 20+: Price band A reduced to £45

Valid Tuesday-Friday evenings

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

A major new London production!

Why would you go into the woods? To sell the cow. To lift the spell. To visit mother. To see the king. Or maybe to find yourself?

In Stephen Sondheim and James Lapine’s dazzling musical, the Baker, the Baker’s Wife, the Witch, Jack, Little Red Riding Hood, Cinderella and Rapunzel take us beyond happy ever after to discover what really matters.

This brand-new staging for The Bridge is helmed by director Jordan Fein and designer Tom Scutt, fresh from their production of Fiddler of the Roof which received an astounding 13 Olivier Award nominations. It won three Olivier awards, including Best Musical Revival and Best Set Design (Tom Scutt)

Stephen Sondheim and James Lapine’s collaboration – their second, after Sunday in the Park with George – brilliantly weaves together four Grimms’ fairy-tales in a story of a baker and his wife on their quest to reverse a curse of childlessness cast upon them by the wicked witch.

On its Broadway debut in 1986, INTO THE WOODS won Tony awards each for Sondheim (Best Score) and Lapine (Best Book).This will be its first major London production since 2016.

INTO THE WOODS will be at The Bridge for a strictly limited 20-week run.

Booking information

INTO THE WOODS at the Bridge Theatre is booking from 2nd December 2025 through to 18th April 2026

EXCLUSIVE TO GROUP LINE!

Groups of 10+: £89.50/£69.50 seats reduced to £50

Valid Monday-Thursday evenings and Thursday matinees

School groups of 10+: Best available seats (excluding premium) tickets reduced to £25

+ 1 free teacher per 10 paid

Valid Monday-Thursday evenings and Thursday matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

HHHH “A heartwarming family night out. Laughs aplenty” -

Lock up your puppies, Cruella is coming to London!

Get ready to go paws-itively dotty for the smash hit musical 101 DAMLATIANS, scampering into the Eventim Apollo this summer, for six weeks only!

When fashionista Cruella de Vil plots to swipe all the Dalmatian puppies in town to create her fabulous new fur coat, there’s trouble ahead for Pongo and Perdi and their litter of adorable, tail-wagging young pups.

Dodie Smith’s classic canine caper is brought to life on stage with spectacular puppetry, show-stopping choreography, hilarious songs and irresistible puppies!

Booking information

101 DALMATIANS at the Eventim Apollo is booking from 18th July through to 30th August 2025

ACCELERATOR RATE!

Groups of 10+: £92 seats reduced to £75.50, £72 seats reduced to £59.50, £62 seats reduced to £51.50

Valid Wednesday-Friday evenings and Thursday matinees (excluding Friday 29th August)

Groups of 10+: £97 seats reduced to £79.50, £77 seats reduced to £63.50, £67 seats reduced to £55.50

Valid Saturdays at 5:30pm, Sundays at 1pm and 5:30pm + Friday 29th August at 2:30pm and 7pm (excluding Saturday 30th August)

Book by 30th June 2025

Irish Daily Mail

This fun-loving new musical for all the family is written by Douglas Hodge (music and lyrics) and Johnny McKnight (book), from a stage adaptation by Zinnie Harris

Book your tickets now - you’d be barking mad to miss it!

‘WOW

IS TOO SMALL A WORD ’

BROADWAY WORLD

GUARDIAN, FINANCIAL TIMES, METRO, THE STAGE, BROADWAY WORLD, LONDONTHEATRE.CO.UK, CULTURE WHISPER, THE ARTS DESK

“The five-star hit returns... believe the hype” – Sunday Times

‘Wow is too small a word!’ (Broadway World). The ‘jaw-dropping’ (Metro) multiaward-winning My Neighbour Totoro has found its new home in the West End and is now booking until May 2026

Find your spirit with this ‘profoundly magical experience’ (Elle) and winner of six Olivier Awards, as the five-star, widely acclaimed adaptation of Studio Ghibli’s animated feature film appears on stage at the Gillian Lynne Theatre.

Join sisters Satsuki and Mei as they move to their curious new home in the countryside. Exploring their unfamiliar surroundings, they soon encounter

Booking information

MY NEIGHBOUR TOTORO at the Gillian Lynne Theatre is booking through to 31st May 2026

ACCELERATOR RATE!

Groups of 10+: Price band A reduced to £42.50

Valid Tuesday-Thursday evenings & Thursday matinees until 26th March 2026

Book by 18th July 2025

STANDARD GROUP RATE:

Groups of 10+: Price band A reduced to £55

Valid Tuesday-Thursday evenings & Thursday matinees

Senior groups of 10+: Price bands A4 - C7 reduced to £35

Valid on Thursday matinees

UK School, College, University groups of 10+: Price bands B & C in the Circle reduced to £25

Valid Tuesday-Wednesday evenings & Thursday matin

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

a world of spirits, sprites and magical creatures. Maybe it was all a dream? Or perhaps they really are now friends with the giant, ancient protector of the forest named ‘Totoro’ and his friend the ‘Catbus’...

With ‘blockbuster awe-inspiring puppets’ (Time Out) from Puppetry Director & Designer Basil Twist and Puppetry Associate Mervyn Millar (War Horse), MY NEIGHBOUR TOTORO is brought to you by the Royal Shakespeare Company and Executive Producer Joe Hisaishi – in collaboration with Improbable and Nippon TV – and adapted by Tom Morton-Smith (Oppenheimer) with direction from Phelim McDermott

Discover this ‘huge, healing hug of a show’ (The Stage) and book your tickets now.

“Spectacular! The West End at its best”– Evening Standard

THE PHANTOM OF THE OPERA is one of London’s most iconic musicals

Experience the thrill of the West End’s most haunting love story.

Cameron Mackintosh’s production of Andrew Lloyd Webber’s, THE PHANTOM OF THE OPERA, is widely considered one of the most beautiful and spectacular productions in history, playing to over 160 million people in 58 territories and 205 cities in 21 languages.

It tells the tale of a disfigured musical genius known only as ‘The Phantom’ who haunts the depths of the Paris Opera House. Mesmerised by the talents and beauty of a young soprano – Christine, the Phantom makes her his protégé and falls fiercely in love with her.

Andrew Lloyd Webber’s romantic, haunting and soaring score includes ‘Music of the Night’, ‘All I Ask of You’, ‘Wishing You Were Somehow Here Again’, ‘Masquerade’ and the iconic title song.

Book your tickets today – the Phantom awaits…

Booking information

THE PHANTOM OF THE OPERA at the His Majesty’s Theatre is booking through to 28th March 2026

ACCELERATOR RATE!

Groups of 10+: Best available reduced to £47.50

Valid Tuesday-Wednesday evenings from 2nd September

2025 – 25th March 2026

Book by 18th July 2025

STANDARD GROUP RATES:

Groups of 10+: Best available reduced to £55

Valid Monday-Friday evenings

Groups of 20+: Best available reduced to £47.50

Valid Monday-Thursday evenings

Groups of 40+: Best available reduced to £47.50

Valid on Friday evenings

Groups of 10+: Best available reduced to £42.50

Valid on Wednesday matinees

School groups of 10+: Grand Circle seats reduced to £32.50

+ 1 free teacher per 10 paid

Valid Monday-Thursday evenings and Wednesday matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

Photography by Manuel Harlan

“A winner! The audience explode into passionate applause”– The Times

Tunes, Glorious Tunes!

Cameron Mackintosh’s new production of Lionel Bart’s iconic musical, OLIVER!, which he has fully reconceived with director and choreographer Matthew Bourne, is now playing at London’s Gielgud Theatre. With a sensational score, including ‘Food Glorious Food’, ‘Consider Yourself’, ‘You’ve Got to Pick-a-Pocket or Two’, ‘I’d Do Anything’, ‘Oom Pah Pah’, ‘As Long As He Needs Me’ and many more, the Olivier, Tony and Oscar-winning masterpiece vividly brings to life Charles Dickens’ ever-

popular story of the boy who asked for more.

The cast includes Simon Lipkin (Guys and Dolls, Avenue Q) as Fagin, Shanay Holmes (Miss Saigon, The Bodyguard) as Nancy, Aaron Sidwell (Henry VI, Wicked) as Bill Sikes and Philip Franks (The Rocky Horror Show, Witness for the Prosecution) as Mr Brownlow. At certain performances the role of Nancy is played by Ava Brennan (Hamilton, Les Misérables).

Booking information

OLIVER! at the Gielgud Theatre is booking through to 29th March 2026

GROUPS ACCELERATOR RATE!

Groups of 10+: Price bands A & B reduced to £55

Valid Tuesday-Thursday evenings Book by 26th September 2025

STANDARD GROUP RATE:

Groups of 10+: Price bands A & B reduced to £65 Valid Tuesday-Friday evenings and mid-week matinees

SCHOOL GROUPS ACCELERATOR RATE!

School groups of 10+: Grand Circle seats reduced to £27.50 + 1 free teacher per 10 paid Valid Tuesday-Thursday evenings Book by 26th September 2025

STANDARD SCHOOL GROUP RATE:

School groups of 10+: Grand Circle seats reduced to £32.50 + 1 free teacher per 10 paid

Valid Tuesday-Thursday evenings and mid-week matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

Groups of 10+: £14.50

School groups of 10+: £10 + 1 free teacher per 10 paid

Get ready to MEET YOUR WILD SIDE!

Created by Channing Tatum, MAGIC MIKE LIVE is an unforgettable night of 360-degree entertainment inspired by the hit films. It’s fun. It’s hot. It’s the great time you’ve been waiting for!

Now in its 6th smash-hit year in London’s West End, MAGIC MIKE LIVE is the show with someone for everyone, featuring an irresistible cast of handsome and talented guys performing heart-racing dance routines in front of, above and all around you. Equal parts empowering and exhilarating, the international hit is punctuated by unexpected, temperature-raising

“Seldom

acts from a thrilling range of dance, acrobatic, and musical talent. In other words, it’s more than you expect.. and everything you want.

If you’re looking for the ultimate girls’ night out, look no further. If you’re NOT into letting your hair down, laughing out loud and really hot guys, then it’s probably not for you.

Booking information

MAGIC MIKE LIVE at The Theatre at The Hippodrome Casino is booking through to 28th June 2026

ACCELERATOR RATE!

Groups of 6+: £89 and £79 seats reduced to £67.50

Valid on Wednesday performances

Groups of 6+: £89 and £79 seats reduced to £72.50

Valid on Thursday and Sunday performances

Book by 1st July 2025

STANDARD GROUP RATES:

Groups of 10+: from £67.50

Valid Wednesday-Thursday and Sunday performances

Groups of 20+: from £57.50

Valid on Wednesday, Thursday and Sunday performances

Groups of 10+: from £77.50

Valid on Saturdays at 4pm and Friday performances

Please enquire for full prices.

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

has disaster delivered so many belly laughs” – The Telegraph

Disrupting the West End for over a decade, the award-winning landmark comedy THE PLAY THAT GOES WRONG welcomes its 11th cast this month at the Duchess Theatre

You all know the classic whodunnit story, there has been a murder at a country manor and an inspector is set on the case to find who the culprit is. However, when this plot is given to the accident-prone thespians at The Cornley Drama Society, everything that can go wrong… does!

The actors and crew battle against all odds to make it through to their final curtain call, with hilarious

Booking information

THE

Groups of

Groups

consequences! Do you ever find out who murdered Charles Haversham? You’ll have to see for yourself!

Experience total mayhem and enjoy the perfect slice of escapist comedy, guaranteed to leave you aching with laughter.

See the new cast now in London’s biggest theatrical disaster at the Duchess Theatre.

Terms

THE MERRY WIVES OF WINDSOR

Group Line exclusive!

Discover what lies beneath the Elizabethan social order as Shakespeare’s raucous comedy THE MERRY WIVES OF WINDSOR reveals its wild, mythic and daring underbelly in the Globe Theatre this summer

Boisterous, disreputable knight Sir John Falstaff hatches a plan to restore his fortunes by seducing two wealthy housewives, Mistress Ford and Mistress Page. But the hunter becomes the hunted when, wise to his schemes and determined to get the last laugh, they decide to play a few tricks of their own…

Booking information

Middle class England dissolves into beautiful chaos in this unexpected story of mischief, madness and metamorphoses, directed by Globe Associate Artistic Director Sean Holmes (Much Ado About Nothing, 2024, The Comedy of Errors, 2023-24).

TWELFTH NIGHT OR

WHAT YOU WILL

Group Line exclusive!

Prepare to have your world turned upside down as Shakespeare’s dizzying tragicomedy, TWELFTH NIGHT, or What You Will, sweeps into the Globe Theatre in an intoxicating whirlwind this summer

In Illyria, it’s a day of celebration but not everyone is in the mood for frivolity: the lovesick duke; the mourning heiress; the besotted steward, to name a few.

Enter shipwrecked, grief-stricken Viola. As she quickly tries to learn the rules of this new bittersweet society, she soon finds herself in a strange love tangle, fuelled by loss,

Booking information

longing and secret desires. But love can be as changeable as the weather…

Robin Belfield (Princess Essex, 2024) returns to unleash Shakespeare’s topsy-turvy tale of the power of love and freedom of expression into the Globe.

THE MUSICAL THE MUSICAL

BO OK DENNIS KELLY MUSI C & LYR ICS TIM MINCHIN

“Utterly exhilarating” – Independent

New groups rates available from £17.50!

Experience the RSC’s record-breaking MATILDA THE MUSICAL - the perfect trip for your group! Winner of over 100 international awards, including 24 for Best Musical, MATILDA is a treat for audiences of all ages. Now booking to May 2026, there are great rates available for groups and best availability for Tuesday - Thursday evenings.

Adapted for the stage by Dennis Kelly and with original songs by Tim Minchin, MATILDA is a story of resilience, bravery and the power of imagination and has inspired audiences of over 12 million worldwide. See

3 reasons your group should see MATILDA in 2025

The perfect treat for all ages: With a darkly comic book by Dennis Kelly, and original songs by Tim Minchin bringing to life the much loved story by Roald Dahl, MATILDA is the perfect show for all ages.

Multi award-winning: With over 100 international awards, including 24 for Best Musical, MATILDA is a record-breaking production and now the 15th longest running show in the West End.

Great availability and extended booking periods: Currently booking to May 2026 with the best availability for advance performances. Book ahead to get the best seats and the best prices.

this ‘utterly exhilarating’ (Independent) and ‘anarchically joyous’ (Guardian) show at the Cambridge Theatre, London.

Booking information

MATILDA THE MUSICAL at the Cambridge Theatre is booking through to 24th May 2026

GROUPS ACCELERATOR RATE!

Groups of 6+: Best available seats reduced to £42.50

Groups of 10+: Best available seats reduced to £35.00

Groups of 20+: Best available seats reduced to £32.50

Valid Tuesday and Wednesday evenings

Must be paid 4 weeks or more before performance date.

Groups of 10+: Price bands C-D in the Dress Circle reduced to £32.50, price bands D-E in the back of the Upper Circle reduced to £17.50

Valid Tuesday-Thursday evenings

Must be paid 8 weeks or more before performance date.

STANDARD GROUP RATES:

Groups of 6+: Best available seats reduced to £47.50

Groups of 10+: Best available seats reduced to £39.50

Valid Tuesday-Friday evenings & Wednesday matinees

Groups of 20+: Best available seats reduced to £37.50

Valid Tuesday-Thursday evenings

SCHOOL GROUPS ACCELERATOR RATE!

School groups of 10+: Price bands A-C in the

of

Valid Tuesday-Thursday evenings & Wednesday matinees

School groups of 10+: Best available seats in the Stalls/Dress Circle reduced to £25.00 + 1 free teacher per 10 paid Valid Tuesday-Thursday evenings & Wednesday matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

“Irresistibly theatrical! Mark Gatiss’s fabulous take on Dickens” – Daily Telegraph

Following a critically acclaimed run in 2023, Mark Gatiss’s retelling of Dickens’ winter ghost story returns to haunt Alexandra Palace again in 2025

Frozen in time with beautifully preserved original features, the wonderfully atmospheric Alexandra Palace Theatre provides the perfect setting for audiences to enjoy one of the most famous and beloved Christmas stories ever told. Filled with Dickensian, spine-tingling special effects, prepare to be frightened and delighted in equal measure as you enter the supernatural Victorian world of Charles Dickens’ A CHRISTMAS CAROL It’s a cold Christmas Eve and mean-spirited miser Ebenezer Scrooge has an unexpected visit from the spirit of his former business partner

Booking information

A CHRISTMAS CAROL at Alexandra Palace Theatre is booking from 21st November 2025 through to 4th January 2026

EXCLUSIVE TO GROUP LINE!

Groups of 10+: Price band C reduced to £39.50, price band D reduced to £29.50

+ 1 free ticket per group

Valid Tuesday-Thursday performances + Friday 2nd January and Sunday 4th January

Not available for performances 18th December – 31st Dec

School groups of 10+: Price band B reduced to £22.50 + 1 free teacher per 10 paid

Valid on Friday 21st November evening, Tuesday 25th November evening, Thursday 27th November evening, Wednesday 3rd December evening, Thursday 4th December matinee and evening, Tuesday 9th December evening, Wednesday 10th December evening, Thursday 11th December matinee and evening, Friday 2nd January evening, Sunday 4th January matinee and evening.

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

“The

Jacob Marley. Bound in chains as punishment for a lifetime of greed, the unearthly figure explains it isn’t too late for Scrooge to change his miserly ways in order to escape the same fate, but first he’ll have to face three more eerie encounters…

most brilliantly effective spine-chiller you will ever encounter’” – Daily Telegraph

The legendary production of Susan Hill’s chilling ghost story THE WOMAN IN BLACK returns to London for three weeks only at the hauntingly atmospheric Alexandra Palace Theatre

One of the most successful and longest running theatre shows in the history of London’s West End, and seen by over 8 million people worldwide, this gripping production continues to delight and terrify audiences of all generations.

Obsessed with a curse that he believes has been cast over him and his family by the spectre of a Woman in Black, Arthur Kipps engages a sceptical young actor to help him tell his terrifying story and exorcise the fear that grips his soul.

“Guaranteed to chill the blood” – Evening Standard

Booking information

THE WOMAN IN BLACK at Alexandra Palace Theatre is booking from 8th – 25th October 2025

EXCLUSIVE TO GROUP LINE!

Groups of 10+: Price band B reduced to £27

School groups of 10+: Price band C reduced to £22.50 + 1 free teacher per 10 paid

Valid Tuesday-Thursday evenings, Wednesday and Thursday matinees

Terms & conditions and exclusions apply. Rates subject to availability and change without notice. Correct at time of print.

THE LONGEST RUNNING COMEDY IN THE WEST END AT THE DUCHESS THEATRE REMARKABLY STILL