2023 Summer Juried Show: Ethnicity Through the Eyes of the Artist

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Ethnicity Through

2023 Summer Juried Show

the

Eyes

of the Artist

2023 Summer Juried Show Jurors

Ethnographer, Artist, and Educator

Cheryl Harper

Artist and Independent Curator

Nina Guzmán

Executive Director of Alianzas De Phoenixville

Exhibiting Artists

Sarah Watkins-Nathan

Dawn Merritt

Z Kaplan

Birgit Raders-Eichinger

Kim Robbins

Lauren Silver

Marissa Georgiou

Frank Burd

Lauren Vargas

Lisa Smith

Janell Sampson

Oxana Kovalchuk

Gary Grissom

Maremi Andreozzi

Kirsten Cunningham

David Levy

Oscar Vance

Kimberly Stemler

Violet Alexandre

Erika Matyok

David Fuentes

Marlene Adler

Jacqueline Valenzuela

Thomas Murray

Jeremy Sims

Giulia Giordano

Debra Powell-Wright

Robin Brownfield

Jerod Mason

Henry Morales

DeJeonge Reese

Ronald Washington

Mindy Flexer

Laura Madeleine

Robert Reinhardt

Martha Knox

Brenda Rydstrom

Rickie Sanders

Ted Lutkus

Gail Morrison-Hall

Maxine Schwartz

Laila Wah

L. A. Feldstein

Alana Walters

Maremi

Hyers Sisters, 2022

Acrylic on canvas

$2,500

“The identities of my subjects to understanding the narrative. features are omitted from through the subject’s headdress, and body language that

subjects is paramount narrative. Facial from my work. It is headdress, jewelry that the story emerges.”

NFS

“I have been both incorporating tzedakah and another value, doikayt, meaning ‘hereness’ to invoke pieces that connect to my Jewish roots and others in a way that explores desires for grounding in a reality that is deeply diasporic. My boxes serve not only to honor both my identity and ethnicity but also to highlight ancestral forms of resilience and healing.”

Mourning Stones Tzedakah Box Wood fired recycled stoneware

Small Group of Participants, 2019

“The photographs presented here aim to demonstrate the power of looking in as an outsider, the transformative power of consciousness raising in building solidarity, and how simply looking can enable us to ‘see’ in ways we had not seen before.”

Rickie Sanders
NFS
Photograph
Henry Morales Descansando Dirt from my with acrylic newsprint ads NFS

Descansando (Resting), 2022

my parents’ front yard mixed acrylic and oil paint and junk ads we get in the mail on canvas

$500

“I’m Latino (Chicano) with a disability (Cerebral palsy) The work I’m submitting is a reflection of personal expression and identity, a person that deals with not only being Latino but someone that lives with a disability. All work submitted is done with my right side--the side that has Cerebral Palsy.”

Morales
David Fuentes Self, 2018 Watercolor

The

, 2022

Acrylic and spray paint on canvas

NFS

“The parent-child relationship is a particularly ripe place to explore ethnicity, both as a “fromness” and something that is passed down from your ancestors and as something you make together with your children as contexts change.”

“Ethnic identity has been important to me as an artist because it is essential for people to see themselves in a positive light. I have taken my lessons of learning to love myself as a Black woman in America and transferred them to canvas.

I have taken the opportunity to highlight the beauty in the things that the world has told me is ugly about Black women.”

Janell Sampson Cloud 9, 2023 Acrylic on stretched canvas $450

Kalakua, Kilauea and Charlie, 2018

Acrylic and mixed media NFS

“The painting I submitted tells a story of my great grandfather who fled antisemitism in Europe in the mid 1800’s and landed in Hawaii where he built a small haberdashery business and eventually made clothes for King Kalakua, played poker with the King and won land on 3 islands.”

Birgit Raders-Eichinger

ELEMENTS, 2022

Mixed media acrylic collage

$1,500

“As a German immigrant, I used to ashamed of my accent. I enrolled in evening class to rid my speech of peculiar timbre... I now embrace identity and the rhythm of my speech a part of who I am. My painting...shows the smallest, fundamental components of language: letters.”

Raders-Eichinger 2022 collage

$1,500 to be in an of its my speech as painting...shows fundamental letters.”

Martha Knox

Stirring, 2021

Woodcut with chine collé

$500

“We grasp on to what has come before because it is readily available and familiar, but what has come before is not of now, and what is copied will never be the same as the original.“

Martha Knox Chopping, 2021 Woodcut with chine collé $500

Mindy Golden Oil on $1,200 “in order within connected within discovered of Jewish the world Divine,

Golden Spiral, 2018

linen mounted on canvas

$1,200

order to work, every single thing within a painting’s four sides must be connected to every single other thing within its borders. Recently, I’ve discovered this is a foundational principle Jewish mysticism, too: everything in world is an expression of the Divine, and therefore interconnected.“

Persimmons, 2022

Oil on canvas with block print

$660

“There are certain design elements we attribute to specific cultures. How does this idea of cultural branding translate to people? I can speak to this personally by my not looking Asian enough in certain situations and too Asian in others.”

Mindy Flexer
Kimberly Stemler

$500

“The primary piece about my own ethnicity highlights the environment that I grew up in, which has bled into my own artwork. While I do lots of portraits and wildlife art, I also tend to gravitate toward issues of racial justice. “

“Like a patchwork pieces memories. I am able vision and tell an extra

Oil on canvas

Oxana Kovalchuk

Self-Portrait, 2022 canvas with collage elements

$2,100 patchwork quilt, I consist of pieces of preserved culture and memories. Through my collages, able to convey this complex tell stories, literally adding extra dimension to them with an array of mediums.”

Come see the complete exhibition!

Schedule a private gallery tour today!

Gallery Hours:

Tuesday-Thursday 10AM-8PM

Saturday 10AM-1PM

Contact:

acook@abingtonartcenter.org

215-887-4882, ext. 166

ABINGTON ART CENTER

515 Meetinghouse Road

Jenkintown, PA 19046

215-887-4882

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