




Opening Reception
Jan. 16th 6:00 - 8:00pm
Artist Talks
Jenna Hannum & Alicia Finger : Feb. 1st 10:00am -12:00pm
Eric Anthony Berdis & Kate Strachan : Feb. 12th 6:00pm -8:00pm
Eric Anthony Berdis’ work simultaneously celebrates the contributions of queer artists and reflects on the violence and oppression that has lingered and continues to linger throughout queer history. This juxtaposition of celebration and reflection is evident in their childlike play of materials and connections to queer art history. Happiness and play are vital to survival, and Berdis, being a queer artist themself, is no stranger to this. They note “joy is an act of resilience—a critical method of subverting hegemonic narratives of suffering.”
Scarecrow-Gold Eyes, 2025
Textiles, embellishments, handmade paper on wooden armature
$3,000
Paper Bully Painting-Zach, 2024
Handmade paper, collage
$300
Scarecrow-Puppy, 2025
Textiles, embellishments, handmade paper on wooden armature
$3,000
Another Place, Another Time, 2024
Alicia Finger encapsulates her memories and visits through a combination of painting and collage. Using water-based paints, Finger begins by developing a series of paintings on paper, inspired by places she has been to. She then begins the meticulous process of cutting, rearranging, and layering the material to create dimensional paintings that break beyond the bounds of the paper plane. This evolution parallels memory, noting “as my memories of these places and experiences evolve, so do these works.”
A Seamless Transition Between Day and Night, 2024
Acrylic on cut paper, collage
$975
Where Do Dreams of the Desert Go?, 2024
Acrylic on cut paper, collage
$625
Beginning to Understand the Terrain, 2022
Acrylic on cut paper, collage
$625
Spring, 2024 paper, collage $975
Jenna Hannum combines scientific illustration with unconventional portraiture to catalog childhood memories, family medical histories, and the biological journeys of loved ones.
Following the tragic passing of both her mother and sister, her work stems from her desire to have spent more time as a caretaker.
“Creating ink from the ashes of medical records and repurposing the tangible items left behind by [her] mother and sister”, Hannum’s careful renditions allow her to retroactively be a caregiver, even posthumously.
The dying of the light, 2022
Oil, graphite, and embroidery on linen
$2,400
She herself might her quietus make, 2024 Oil, graphite, and embroidery on linen
$2,400
My own heart let me have more pity on, 2024 Oil, graphite, and embroidery on linen
$2,400
It wasn’t deadly (III) (detail), 2022 Oil, graphite, and rabbit skin glue on paper
Fraktur “Mis Obey”, 2024
Clay, encaustic wax, felt, wood
Using a blend of materials—wax, wood, ceramic, and felt—Kate Strachan draws upon her Pennsylvania Dutch heritage to create work that comprises relics and manuscripts that convey and preserve the rituals of action, sexuality, and silence. Her artwork reflects the ancestral manuscripts that detail life, death, spiritual poetry, and house blessings, typical of Pennsylvania Dutch Frakturs.
Fraktur “Dis Obey”, 2024
Ceramic, felt, encaustic wax, wood
$900
Fraktur “Trust”, 2024
Ceramic, felt, encaustic wax, wood
$1,000
Fraktur “Belief”, 2024
Ceramic, felt, encaustic wax, wood
$1,200
Schedule a private gallery tour today! Gallery Hours: Tuesday-Thursday 10AM-8PM Saturday 10AM-1PM