Architecture portfolio

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Experience

2024 to present Graduate Design Consultant (Sustainability) at Hilson Moran in London

- Computational Design: Utilise Rhino and Grasshopper to refine architectural and environmental strategies.

- Problem-Solving: Develop data-driven solutions and evaluate design options through rigorous research.

- Communication: Present findings and design insights to architects, engineers, and stakeholders.

2022 Pre-Part I Architectural Assistant at Studio Mehta for 3 months in Kenya

Project 1: RIBA Stages 0-3 equivalent.

Project 2: RIBA Stages 4-5 equivalent.

- Time Management: Devised a Gantt chart to communicate deadlines and tasks.

- Professionalism: Liaised with a surveyor on legal and permit-related issues that comply to local building regulations

- Technical: Developed technical diagrams and designs - Revit, Rhino

- Collaboration: Worked with the head architect in the concept design phase, creating an effective 25% report presentation – AutoCAD, Enscape, Adobe Photoshop, InDesign, Illustrator

2018 Architectural Intern at Satish & Associates for 3 months in Kenya

Collaborated on project concepts in design workshops with a team. Participated in meetings and prepared progress reports

Education

2024 MSc Environmental Design and Engineering at Bartlett UCL for 1 year, where I was awarded a high 2:1

Worked on 2 design projects with a multidisciplinary team naturally ventilated theatre and Solar passive dwelling.

- Low Energy Housing Retrofit using PHPP (Passivhaus) toolkit.

- Multi Objective Design Optimisation using grasshopper

- Dissertation Topic: “How do different refurbishment packages impact the life cycle environmental performance of UK office buildings across various age cohorts”

2022 RIBA Part 1 Architecture at University of Kent for 3 years, where I was awarded a 2:1

Final project: Repurposing an old parking lot into a multi-use space (education + retail) in Ramsgate.

Dissertation “Can/How architectural innovations help slum settlements in rural Kenya develop while reaching their sustainability targets?”

Course

2023 Architecture for exhibition at YACademy for 5 months in Italy

Explored the history and practical design elements of exhibition making. Additionally, collaborated with a team of four, BIG and Fondazione Prada, to create a sustainable modular exhibition system

Initiatives

2020 to present Entrepreneur at UniqueUtopia which is a clothing brand based online

Negotiated with manufacturers on garment production. Generated designs, advertisements & website - Adobe and Blender

Achievements

2023 Grasshopper at PAACADEMY

2023 #ArtOfTheCity Competition using design skills to win third place

Presidential Award received Bronze and silver award

ABRSM in Violin grade 6, Piano grade 5, and Theory grade 5.

References

Hilson Moran upon request

Amar Mehta at Studio Mehta info@studiomehta.com

Univeristy professors / tutors at both UCL and University of Kent upon request

2019 A levels at Rugby School for 2 years A-level Maths (B), Pre-U Art (M2), Pre-U Physics (M2), EPQ (B)

Design ethos

While sustainability can encompass social, economic, and environmental factors, my focus lies in deepening environmental understanding through performance-driven design. I strive to create socially responsive spaces that foster engagement and inclusivity while leveraging innovation through available softwares and computational tools

By integrating these methodologies, I aim to find a balance between form, function, and environmental responsibility, ensuring that architecture remains adaptive, forward-thinking, and impactful.

01 ARCHITECTURE DESIGN

This project transformed the Royal Harbour Carpark into a dynamic civic space, embracing the theme of trade and exchange to promote community growth. Developed in collaboration with Our Kitchen, Windmill Community Gardens, and Pie Music Factory, the design aimed to blend cultural, social, and economic elements through innovative and adaptive reuse, creating a space that is both engaging and sustainable.

Key features

The design includes a planter pulley system on the south facade, an ETFE-glazed greenhouse for heat retention, and a moss wall around the performance space for sound absorption. Natural light openings in the performance area enhance atmosphere, while modular growing systems and movable shading devices improve thermal comfort and adaptability.

Organic spaces

Enclosed spaces

The enclosed spaces reflect office areas, providing structure and privacy, while the organic forms house the growing and food spaces, creating a more inviting environment.

Facade shape

Facade curvature and light - sketch models

I learned the importance of designing exteriors that articulate interior functions, establishing a coherent architectural language that enhances user experience and conveys the building’s purpose.

Quick sketch models are essential for testing and understanding physical interactions in ways that software modeling cannot.

Construction systems

Modular growing system connections

CLT wooden frame growing room Connection

Hydroponic System - Green Wall

This type of connection creates hidden connections, keeping the final fnish clean and attractive.

by

5.

I developed a modular growing system inspired by Nest we grow, allowing flexible configurations based on crop requirements. The design uses cube spaces to enable efficient adaptability and maximize cultivation potential.

I enjoy reseraching new systems and technologies and incorporating them into my design, suhc as the 6x6.

1. Timber and aluminium layer
2. Diffuse pipe to spread water
3. Nutrients and Geo-textile
4. Root chamber
Safety frame for support
Developed
the seixsie (6x6) connection system by Cesare Roversi

Technical Detail

A. Wall Roof Detail

1. Timber hardwood - sloping for drainage

2. Adehered water control membrane

3. Water barrier

4. Coping

5. Sealant at the back of frame

6. Flashing

7. Timber decking slope 1/100

8. Acoustic air gap

9. 2 x 15mm thick plasterboard

B. Wall Floor detail

12. Min. 15mm gap for ventilation and drainage

13. Insect mesh/screen

14. Preformed metal flashing

15. Drip groove

16. Wood packing

17. Breather membrane

18. DPM min 150mm above ground

19. Galvanised steel sheet

(prevent rusting)

20. Heavy duty nut and bolt

21. Connector joining column to slab

Planter Detail

1. Green Wall Detail

2. 12.7mm Plasterboard

3. Wooden Studs and Noise

Reduction Insulator

4. 2 x 25mm M2TECG Shaftliner

Insulation

5. 19mm Air Space + H-Studs

6. Back to Back C-Track

7. Aluminium Clips

8. Fire board

9. Wooden Studs

10. Frame System

11. 12mm Waterproof Backing

12. 4.5mm Geotxtile Rear

Drainage Layer

13. 12mm Waterproof Backing

14. Irrigation System

I explored a sustainable approach to high acoustic performance by designing a sound-absorbing wall with live moss for the performance space, integrated with an irrigation system that uses rainwater collection on the roof.

This is the interior of the performance stage, where openings in the ceiling create natural spotlights on the stage and seating areas. The angled and curved forms enhance acoustics by reflecting sound towards the audience.

02 FONDAZIONE PRADA

This project involved designing a modular and scalable exhibition system for Fondazione Prada in collaboration with Bjarke Ingels Group. This project was aimed for a mobile exhibition, performances, and events spaces, while being financially sustainable and environmentally responsible. Inspired by the foundation’s focus on cultural accessibility, innovation, and interaction, the design reflects its philosophy and integrates seamlessly with the context.

Key features

Modular Exhibition System that can be easily assembled and disassembled. Scalable and Flexible Design: Allows spaces to transform for performances or art installations. Focus on Lightweight and sustainable Recyclable materials and energy-efficient lighting systems. Use of modular panels to minimise waste and enable efficient transportation.

The Link Components

The Link - manufactured components

Sustainable, local, standard dimensioned building components

Step 1: Horizontal components are introduced - for seating/ platforms to display 3D artwork

Step 3: Adding more componets together to make a wall

Step 2: Inserting the vertical locally sourced material

Components added into the link

The line of movement and connections

Step 4: Attaching the manufactured componenets of the Link to hang artwork.

Re-Inventing an Exhibition Wall

Another defining characteristic of the installation system is its flexibility, allowing the use of any appropriate material for the vertical components. This enables the representation of the site’s context and culture throughout the exhibition and ensures the preservation of Fondazione Prada’s distinct identity.

The wall system distinguishes itself through its flexibility, modularity, and adaptability and can be easily repurposed. Its design accommodates a range of straight and curved forms, serving dual functions. Additionally, it offers a versatile platform for showcasing diverse artwork and provides seating for viewers.

03 CASA SS

This project drew inspiration from a Spanish/tropical-themed courtyard home, focusing on privacy, compartmentalized living, and picturesque moments. Designed with enclosed spaces such as an orange tree courtyard, a back garden with a pool, and private access to a guest annex, the objective was to create a serene yet practical living environment. The design emphasized privacy and flexibility through movable walls and doors that allow sections of the house to be closed off when not in use, enhancing efficiency and reducing maintenance.

Key features

Enclosed Courtyard Design for tranquil atmosphere. Utilised a thin strip of no man’s land to secure sunlight exposure and views. Positioned the main building to avoid terrain dips and potential flooding. Reinforced concrete piles driven to 2.5m depth to address groundwater flow and unstable soil. Excavation and replacement of black cotton soil with red soil to prevent structural issues. Tall entrance walls and strategic placement of spaces to maximize seclusion

The Site The Concept

The noise barrier is set approximate 4m from the site boundary to increase the comfort of the habitants.

To the north of the site lies an area called no-man’s land, while to the south, an open area with limited prospects for development provides an unobstructed view. This open space on both sides allows for ample southern and northern light to permeate the site.

I learnt the importance of balancing openness and privacy effectively in residential design, while integrating aesthetics and function enabling the creation of picturesque moments with elements like the orange tree courtyard. Another key aspect in residential projects is efficient space utilization

Geology

Certain vegetation found around that site is protected.

Sketch during design workshop
Axonometric of the backyard
Views of the orange tree courtyard
Plan of the orange tree courtyard

04 COLLECTIVE DWELLING

Brief

This project aims to create modern infill housing and mixed-use developments within Canterbury’s historic urban fabric. Located just inside the ancient city walls the design seeks to unite diverse residents through well-integrated communal spaces. By blending contemporary architecture with historical context, the project promotes sustainability, community engagement, and a sense of belonging.

Key features

Combination of apartments, townhouses, and communal spaces to maximize the limited urban site. Communal Spaces: Cafes, event areas, and a small sports field designed to foster interaction. Public Connectivity, such as pedestrian-friendly pathways linking the site to historical landmarks

This project focused on designing for community cohesion that promote interaction and social integration. It aided in my development of pinning importance to the social aspect of architecture, while navigating regulatory constraints while desinining near a heritage site.

Balancing aesthetics, sustainability, functionality, and historical context refined my ability to make holistic design decisions

SECTIONS

05 SOLAR PASSIVE DESIGN

Brief

This project explores the integration of passive solar strategies into residential design, balancing architectural form, energy efficiency, and environmental performance. Tasked with creating a selfsufficient solar-powered home for a couple, with one working as a childminder caring for up to 10 children, the design had to prioritize thermal comfort, daylight optimization, and sustainable energy use while operating within strict site, material, and spatial constraints.

Key features

Inspired by vernacular Basotho huts, the form reinterprets traditional architecture into a modern, high-performance dwelling, blending contextual sensitivity with advanced environmental strategies Integrating passive design strategies such as solar orientation, thermal mass (trombe walls), and natural ventilation to optimise energy efficiency while ensuring thermal comfort. Locally sourced compressed earth blocks, adobe, and recycled glass bottles reduce embodied carbon. Using computational tools, the design was refined for daylighting, ventilation, and solar performance.

Courtyard to create private children play space

Access to courtyard from private and work space

Overshadowing of workspace and overheating of private space Issues of privacyopen to road Garden shifted back of home

Increase solar gain in private space

Addition of southfacing rooms to minimise solar gain

Increasing surface area creates more thermal bridges Reduce exposed wall area to minimise heat loss

Addition of trombe walls to increase thermal mass

Angled north facade allows more sunlight to reach trimbe wall Final plan

North facade South facade
Living Room
Trombe wall
6. Corrugated sheet steel
7. Sheep wool insulation
8. Plasterboard

06 GRASSHOPPER

After YACademy - Fondazione Prada Project 01

During the Fondazione Prada Project, my team and I considered a parametric design approach. However, the brief’s focus on ‘maximum financial sustainability’ made this infeasible. Nevertheless, this sparked a more profound interest in parametric design, leading me to learn Grasshopper after the course.

07 H\B:ERT

After Architectural Desgin Project 02

I employed the H\B:ERT tool by Hawkins\Brown to evaluate and understand embodied carbon for my Architectural Design project (pg 8). After examining individual green wall materials, I inserted these values into H\B:ERT, resulting in the table displayed below.

08 FINE ART

www.aadilarchitecture.com

Email: aadil2701shah@gmail.com

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Architecture portfolio by aadil2701shah - Issuu