The Sociality of Architecture: Designing For Change

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PORT FOLIO Architecture

H00305533 To InTeracT The SocIalITy of archITecTure: DeSIgnIng for change D60GA | Architectural Design Studio 7&8
Andrea Fernandes

TABLE OF CONTENT

1. Architecture is A Verb

2. Designing the un/meAsurAble

a. Office designs

b. Office conclusions

3. site, inVestigAtion & brief

a. Site selection

b. Site observations

c. Site plan

d. Site analysis

e. Site mapping

f. UN agency

4. stAte of tomorrow

5. Design chArette

a. Space as form

b. Space as function

6. minD mAp

7. Design DeVelopment

a. Exploring urban views

b. Enhancing visual connections

c. Intersecting views

d. Intertwining function

e. Interspersing circulation

f. Interlacing experiences

g. model explorations

h. Interaction of function and form

8. Design proposAl AppenDix:

Collaborative project

EXHIBI TION SPACES AUDITORIUM COURTYARD COMMUNITY FARMS PROXIMITY SENSORS SMART METERS BUILDING INTEGRATED PHOTOVOLTAICS MONO-CRYSTALLINE PANELS DAY LIGHT CANOPY DESIGN GREEN ROOFS AIR SOURCE HEAT PUMPS ANDREA FERNANDES, NADIA HERZALLAH, HAMZA DODHY ,TANYA R BHAMWANI,MOHHAMED SAQUIB RAHMAN

LOCATION : DEIRA, DUBAI

The aim of this project was to map the understanding of the verb to interact along a 100m line. Located in Deira, Dubai along a building cut out creating an alley and across the road into a hotel lobby. This line explored outdoor courtyards, restaurants and hotels. Interaction is a very humanized sense and to map this verb a criteria of Space-Person and Person-Person interactions were studied through the site. In terms of person-space the existing site was mapped as is with the highlights overlapped as images to show how people started to interact with the spaces. For example the use of installations as a photo spots, the building cutout became a shaded alley that directed massive footfalls due to the hot climate and due to the busy restaurants as people waited in line the planter boxes become spaces with people sat and waited. For the people-people interaction the static and dynamic natures were mapped from the people on site the everyday (workers in black and white) and the customers (in colors - always changing). How people interacted with each other work also explode, solos were quite, duo’s had burst of conversation that broke down into silence and larger groups generated large noises and ample interaction. This was combined with the physical vs virtual nature of this relationship. The merging and overlays of smell were also mapped as there were a multitude of cuisines that blended together to entice people

LINE IMAGE MAPPING

VERB || TO INTERACT
ARCHITECTURE IS A

DESIGNING THE UN/MEASURABLE || OFFICE DESIGN

In the process of designing the measurable and unmeasurable though the exploration of office spaces, Firstly the functions were set, these series of models explored how 2 function of opposing interaction needs could be designed together, from least interactive (Data analyst) to most interactive(Event management). A matrix was set up which helped in the analysis by studying the physical and visual interactions. Through the exploration there came an understanding that there could be visual interaction sans the physical, however in the instance of a physical, a visual connection was always present.

The office structures and requirements were also set within the 2 small offices and teams with a total of 21 people. Various office typologies were explored from pods to collaborative office and in-turn was adapted into the experimentation series to understand how they could effect interactions.

OFFICE TYPOLOGIES

OFFICE HIERARCHIES

DESIGN MATRIX

BETWEEN FUNCTIONS

DESIGNING FOR VISUAL CONNECTIVITY

PHYSICAL MODEL FLOOR PLAN DESIGN DEVELOPMENT CO-ORDINATOR PODS

LEAST

DESIGNING VISUAL CONNECTIVITY

DESIGNING COMMON FUNCTION

DESIGNING INTEGRATED FUNCTIONS

DOWN DOWN DOWN STAFF SPACE MANAGEMENT PODS OPEN OFFICE PLAN GLASS POD OFFICES SINGLE ACCESS POINT VERTICAL CIRCULATION UP DIRECTORS OFFICE EXECUTIVES OFFICE CIRCULATION DATA ANALYST FIRM VIEWS EXPLODED DIAGRAM

EVENT MANAGEMENT FIRM OPEN PLAN PODS LOUNGE CUBICLE CO-WORKING CREATIVE DATA ANALYSIS FIRM
DIRECTOR MANAGER 1 MANAGER 2 STAFF 1 STAFF 2 STAFF 3 STAFF 4 STAFF 5 VISUAL vs PHYSICAL VISUAL = PHYSICAL PHYSICAL = VISUAL PHYSICAL + VISUAL
INTERACTION
MODERATE MOST EXECUTIVE EVENT MANAGEMENT ITERATION 1 ITERATION 2
In the process of designing for visual connectivity the levels were really pushed to the boundaries to understand at what point did visual interactions halt. the idea of the play in levels also enforced the hierarchy within the office structure, hinder and opposing the idea of interaction. In the model there is no sense of physical interaction between the 2 function however the design within this spaces enhancing the idea of visual connectivity at ever level.
FUNCTIONAL ZONING

DESIGNING THE UN/MEASURABLE

DESIGNING FOR COMMON FUNCTION

For the design of common spaces, the 2 functions were physically separated through enclosures with a touch of visual interaction. The function at various levels were explored and the common spaces designed were the lounge, and meeting spaces to integrate the clients needs for the event firm. The notion of adaptability was explored through rotating panels, make spaces more private and public.

FUNCTIONAL ZONING

DESIGNING FOR VISUAL CONNECTIVITY

This series tested how the 2 function could be integrated into each-other through spatial and furniture design. The enclosures, levels, furniture all intertwined with each-other. While though functionality the office hierarchic was maintained , between the same level the arrangement of the staff were explored and how that would in turn impact their interactions.

FUNCTIONAL ZONING

EVENT MANAGEMENT DATA ANALYST FIRM WORKING SPACES MEETING ROOMS ITERATION 2 ITERATION 2 ITERATION 1 ITERATION 1
CO-ORDINATORS MANAGEMENT DIRECTOR EXECUTIVE EXECUTIVE LOUNGE AREA WORKER SPACE CO-ORDINATOR
DESIGN DEVELOPMENT
DESIGN DEVELOPMENT FLOOR PLAN FLOOR PLAN PHYSICAL MODEL PHYSICAL MODEL LOUNGE WORKING SPACES DIRECTORS OFFICE EXECUTIVE OFFICE COLLABORATIVE ZONE
DESIGN DEVELOPMENT
DESIGN DEVELOPMENT
VIEWS SHARED FUNCTION ADAPTABLE FEATURES CIRCULATION CIRCULATION INDIVIDUAL OFFICES INDIVIDUAL OFFICES MEETING ROOMS CREATIVE OFFICE LOUNGE LOUNGE HYBRID OFFICE HOT DESKING HOT DESKING OPEN OFFICE VIEWS EVENT FIRM DATA ANALYST FIRM

DESIGNING THE UN/MEASURABLE || DESIGN CONCLUSIONS

MODEL 1: VISUAL CONNECTIVITY

- Mixed levels

- Single points of entry

- Maintain office hierarchy

- Individual enclosures

-Varied forms of vertical circulation

FURTHER MODEL DEVELOPMENTS

MODEL 2: COMMON FUNCTIONS

- Mixed levels

- Single points of entry

- Maintain office hierarchy

- Archways

- Louvers

- Functionally enclosed

- Slanted walls

- Adaptable zones

MODEL 3: INTEGRATED FUNCTION

- Mixed levels

- Single points of entry

- Maintain office hierarchy

- Archways

- Louvers

- Open office

- Blending furniture

MODEL A : 1 + 2

This model mixes the visual connectivity elements with the common function elements. Through the use of the individual pods for more private spaces and a common floor with the availability of rotating planes to offer the privacy option., the stepped effect allows for further visual connectivity across levels.

MODEL B : 1 + 3

This model mixed visual connectivity and the integrated function model. The notion of the individual pods remain in a more linear fashion with the idea of the merging planes working across the archways and becoming functional spaces as well as circulation spaces

MODEL C : 2 + 3

This model mixes the common with the integrated functions. The use of merging elements of the louvers blend into the slanting planes and floor plates. Archways define the circulations and the creative office typology is designed in. The single point of entry s still maintained.

SITE, INVESTIGATION & BRIEF ||

CREEK METRO STATION

- Isolated water front plot

- Raised metro

- Creek harbor and Zayed library views

- Existing pillars extend towards waterfront

- Warehouse district

LOCATING SITES

BANIYAS METRO STATION

KARAMA METRO STATION

IMAGE OBSERVATIONS

KARAMA METRO STATION

- Busy and dense city

- Heavy human and vehicular movement

- Low - Mid rise buildings

- Raised metro

- Residential, retail and hotel district

- Site split due to road

- Lacks open spaces

SELECTION CRITERIA

CREEK METRO STATION

The matrix below was used to select the final site. Karama was selected as the final site as it really tested the verb. It would challenged compared to creek where whatever was implemented would bring interaction to the site and Baniyas which is surround by high-rise buildings which would hinder the idea of interacting with the surrounding. This site was heavily built up allowing the exploration of integrating the form with the existing surrounding. There is a rich urban context, making it accessible central and connected. The view of the site also fit in with the UN agency selected. The raised metro with the well know shell will provide a challenge, as the form with need to work to interact with it.

RAISED

DIVERSE USERS

BANIYAS METRO STATION

IMAGE OBSERVATIONS

- Dense urban environment

- High rise buildings

- Underground metro

- Heavy human and vehicular movement

- Large open green spaces

- Lacks views

SITE
SELECTION
BUILT UP CENTRAL VIEWS
CONTEXT CONNECTED
RICH
DENSE
METRO
CREEK KARAMA BANIYAS
(Image credits: Google earth)
(Image credits: Google earth)
(Image credits: Google earth)
IMAGE OBSERVATIONS

SITE, INVESTIGATION & BRIEF ||

The area of intervention is defined as seen in the diagram to the left. This area was selected as it stood to be the most isolated part in this highly dense and populated site. There exist the challenge and opportunity to connect the 2 segregated areas, Karama and Mankool as well as address the points of interaction or there lack off along the z-axis.

1. Running along the facade of the karama buildings. This plane responds to the visual connectivity of the residents with the streets.

2. Intersects the crosswalk, where two modes of movement interact.

3. Runs along the Mankool facades. There is the opportunity to gather people and connect the 2 districts.

4. There exists the possibility to map the areas which lack interaction but could benefit from it.

SITE OBSERVATIONS
SIDE1 SIDE 3 SIDE2 SIDE4 AREA OF INTERVENTION
FRAME STRUCTURE USER MOVEMENT ZONE OF ISOLATION PASSERBYMOVEMENT IN TRANSIT PUBLIC To SEMI-PUBLIC FUNCTIONAL LEVELS LOW RISE BUILDING - POSSIBILITY TO USE NW WINDS FOR COOLING GLASS CLADDING THROUGH THE METRO STATION THROUGH THE METRO STATION UNDER THE STATION INTERVENTION PERIPHERY INTERVENTION PERIPHERY VISITORS BACHELORS/WORKERS FAMILIES STUDENTS SITE MODEL
SITE OBSERVATIONS SITE IMAGE MAPPING

SCALE- 1:500

SITE PLAN
|| SITE PLAN
AREA OF INTERVENTION SITE, INVESTIGATION & BRIEF

SITE, INVESTIGATION & BRIEF ||

CLIMATIC ANALYSIS

ANALYSIS

USER GROUPS

- The average wind speed in Dubai is 4-6 m/s.

- Prevailing winds come in from the N-W direction.

- Other slower winds come in predominantly from the south.

- Low rise nature of the site provides the opportunity for the form to be designed to integrate views.

- Average wind temperatures range from 30-40 C

- Hottest winds - summer winds are the prevailing winds

- Souther winds are cooler, hitting higher temperatures for shorter amounts of time

- If wind is to be used in the design, some cooling measures (water features- evaporative cooling) need to be implements to make full use of wind.

USER GROUPS

- Site has a NE-SW alignment

- During the day, shadows fall along the primary road pavements

- During the evening the shadows are cast along the secondary road pavements.

- The close proximity of the buildings create alleyways and cooler/shaded pedestrian walkways.

- All roof tops show high levels of radiation absorption

- Alleyway/sikkas and areas under the metro show lower levels of radiation as they are shaded.

- Curved forms like the metro show lower levels of radiations.

SITE
WIND SPEED SHADOW ANALYSIS RADIATION ANALYSIS WIND TEMPERATURE
IN THE VICINITY
USERS 9 A.M.. 12 P.M. 5 P.M.
USER
BUILDING

SITE, INVESTIGATION & BRIEF || SITE MAPPING

GROUND FLOOR

CONCOURSE LEVEL

PLATFORM LEVEL

To begin the process of site mapping, interactive functions were mapped against non- interactive functions . These studies were done across all 3 levels that existing on the site - ground, platform & concourse. Barriers were observed with the subsequent movement (interactive) patterns at various times of the day. A place of transactions (interactive) caused people to pause in the spaces. At every turning points, the long range view was captured - how perspectives can change

BARRIERS 9AM - MOVEMENT 12PM - MOVEMENT 5PM - MOVEMENT TRANSACTIONS & PAUSES TURING POINTS & VIEWS
BARRIERS 9AM - MOVEMENT 12PM - MOVEMENT 5PM - MOVEMENT TRANSACTIONS & PAUSES TURING POINTS & VIEWS
BARRIERS 9AM - MOVEMENT 12PM - MOVEMENT 5PM - MOVEMENT TRANSACTIONS & PAUSES TURING POINTS & VIEWS

SITE, INVESTIGATION & BRIEF

- Public bus station - lots of movement and becomes a place of pause

- Lack of isolation under the metro(central road median

- Roads create sharp edges that divide the site

- No views at ground level

- Periphery building- ground retail define movement paths.

- Views from tunnels - allow possibility of function to frame views

- Tunnels channel high volumes of people- public functions integrated to enhance functions

- Multiples transactions and barriers cause ample pause and movement within main body of metro

- Views to skyline seen from bridges

- High levels of movement occur in bursts.

- Highly private area - security must be maintained

- Views tie in with function

- Visual connectivity to site restrained to the ends of the metro platform

|| SITE MAPPING PHYSICAL\ ALLOWS VISUAL AREAS OF TRANSACTION
OF PAUSE
PLACES

SITE, INVESTIGATION & BRIEF || UN AGENCY

WORLD TOURISM ORGANIZATION (UNWTO)

The World Tourism Organization (UNWTO) is the United Nations agency responsible for the promotion of responsible, sustainable and universally accessible tourism.

As the leading international organization in the field of tourism, UNWTO promotes tourism as a driver of economic growth, inclusive development and environmental sustainability and offers leadership and support to the sector in advancing knowledge and tourism policies worldwide.

UNWTO HEADQUARTERS

(Image credit: UNWTO Website)

“Tourism that takes full account of its current and future economic, social and environmental impacts, addressing the needs of visitors, the industry, the environment and host communities. Around the world, in countries at all development levels, many millions of jobs and businesses are dependent on a strong and thriving tourism sector. Tourism has also been a driving force in protecting natural and cultural heritage, preserving them for future generations to enjoy”

AIMS OF THE UNWTO

- Promote sustainable tourism

- Improve economic growth of countries

- Promote peace and prosperity

- Develop universal respect for tourism

- Protect basic freedom

- Promote women’s voice in tourism

Large invinting, open double height spaces. Lunge areas multiple types of seating to accommodate variours types of users and purposes. Located near the café and bookstore. Act as an extension.

Computer lab layout, with large discussion table required. Many screens for projections. Can have openings with the addition of black out curtains.

with multiple open break-out spces

Contious desk with sahred seationg for small groups of people at a

Screening rooms, models, panels, openings to the dubai skyline to make use of the views and development of tourism infrastructure in dubai.

Temporary exhibtion with the use of temp walls, panels, screens and posters.

N O TES
the space Reception & Lounge 150 1 75 75 150
Features, Quality of
Management offices 200 1 75 75 200 More private shared cubical spaces. Mix of shared and
zones. Statistist collection lab 200 2 30 60 400 Analyis lab 150 1 30 30 150 Pantry 20 2 5 10 40 Tourism academy rooms 50 5 7 35 250 Marketing team 200 1 50 50 200 Open office
Workshops 15 3 6 18 45
time. Meeting rooms 20 5 5 25 100 Conference rooms 40 2 10 20 80 Auditorium 150 1 100 100 150 Development of tourism in Dubai 300 1 100 100 300
privare
plan
Sustainable tourism 250 1 150 150 250 Post pandemic tourism 200 1 100 100 200 Women in tourism 200 1 100 100 200 Pillars with embeded
scattered within an enclosure Kitchen 100 1 5 5 100 Seating 250 1 50 50 250 Book store 225 1 30 30 225 Reading spaces 200 1 50 50 200 Washrooms Elevatiors Corridors Stairs Storage room Security room Server room Maintaince rooms MEP 49 0 0 To ta a re a A RE A SC HE D U LE U N A G E NCY U n i t ed N at io n s Wo r l d To u r i sm O r g a n isat io n TO TA L A R E A U N IT TY PE S A REA / UN T N UM BER O F U N ITS TO TA L U N T A R E A 1000 Back of House 20% Access, corridors, Lifts, services, sercurity room plant room maintaince, ducts, toilets, storage 20%1200 800 Café and bookstore 15%
screen and overhead audio,
UN Offices O C CU PA N C Y / U N IT TO TA L O C CU PA N C Y Exhibition 20% 1900 40% Functional Space 80% IMPORTANCE OF SUSTAINABLE TOURISM HELP REDUCE POVERTY CREATE ACCESSIBLE TOURISM PROMOTE EDUCATION IN TOURISM ENCOURAGE ECONOMIC GROWTH IMPROVE COMPETITIVENESS FUNCTIONS OF UNWTO

THE SOCIALITY OF ARCHITECTURE: DeSIgnIng for change

Imagine you were in a quite white padded room, alone with your thoughts. No one to talk to, discuss with, converse, or have fun with….

a never-ending ‘self-narrative.’

Interaction in every form is needed for humans to survive. We would perish with loneliness and not knowing what to do next.

Architecture in its essence is a SOCIAL ACTIVITY and social interactions are the cornerstone of all human activity.

Designs are able to have impacts on large quantities of people and effect their qualities of life.

A space MUST invite and encourage social dynamics and architecture has the ability change the ways we design places for community and gathering of the masses.

Over time people have constantly changed, from a physical to virtual interaction. But there is a sense of loss through the virtual world, with a lack of human touch.

However, architecture has the capacity to be timeless pieces which evoke dialogue with the users.

The nature of spaces is characterized by the functions within them, they have the power to attract and encourage interactions. With light, nature, adaptation, design we CAN change the quality of spaces to BREAK THE BOUNDARIES, and allow for seamless conversations with forms and people.

To design for interaction, we will need to create spaces that enhance visual and physical connections through planes, openings or enclosures that can be manipulated to create more open spaces where people can interact.

In these spaces people will come together, exchange, conflict, compete or cooperate all within a singular space.

STATE OF TOMORROW
MANIFESTO
||

For the first charette interact was explored as intertwine, where 2 pieces twisted around each other. From the mapping zones were identified where the analysis wrapped around each other.

With the theme intertwine and the urban intervention,form was explored through designing for privacy thresholds. Privacy across levels is looked at, private functions are located at the distant and different level compared to the public,

DESIGN CHARETTE || SPACE AS FORM
INTERTWINE CAFE + BOOKSTORE MEETING ZONES AUDITORIUM SERVICES

DESIGN CHARETTE || SPACE AS FORM

In this charette interact was explored as interlace, where multiple elements come together and crisscross over and under each other. Zones of interlaces where identified where 2 lines from the same origin crossed common perpendicular lines.

MEETING ZONES

With the theme interlace and the urban intervention,form was explored through designing for views. The form is designed though the used or square based truncated pyramids. These open out towards the Dubai skyline, framing the views for the function inside. CAFE + BOOKSTORE

INTERLACE
AUDITORIUM SERVICES

In this charette interact was explored as overlap, where elements lay over each other. Linear planes where identifies where 2 lines overlapped each other

With the theme overlap and the site conditions as is, the site mapping was used to demarcate circulation, with that a continuous path was designed across levels with functions distributed along

DESIGN CHARETTE || SPACE AS FORM OVERLAP
EXHIBITION CAFE + BOOKSTORE RECEPTION & LOUNGE OFFICE SPACES MEETING ZONES AUDITORIUM WORKSHOPS SERVICES

DESIGN CHARETTE || SPACE AS FORM

In this charette interact was explored as intersect, where elements in opposing direction cross over each other at a single instance. Points of intersection was extracted from the mapping, the closeness of some points forming linear planes.

With the theme intersect and the urban intervention,form was explored through designing for physical thresholds. Angled planes emerges from the ground were designed with the addition of courtyards. These slanted planes allowed people move though and over the form interacting with the structure itself.

MEETING ZONES

CAFE + BOOKSTORE

AUDITORIUM SERVICES

INTERSECT

DESIGN CHARETTE || SPACE AS FORM

INTERSPERSE

In this charette interact was explored as intersperse, which is the left over/ remaining gray spaces. As all the parameters where mapped and overlay areas of intersperse were identified as the in-between.

With the theme intersperse and the urban intervention,form was explored through designing for climatic responsive. Following the alignment of the road, the form stated at a higher level and dropped, this shaded the forms behind. The mass was fragmented to allow the narrow outdoor circulations that were shaded and oriented to channel the winds.

MEETING ZONES

AUDITORIUM SERVICES

CAFE + BOOKSTORE

SPATIAL DESIGN

DESIGN IDEA

Temporary exhibition Lounge Reading zones Accessible planes Workshops Courtyards Projection room with movable screen Auditorium Office area Reception- Lounge Meeting rooms Access paths
DESIGN CHARETTE || SPACE AS FUNCTION
INTERLACE - DESIGNING FOR VIEWS INTERTWINE - DESIGNING FOR PRIVACY THRESHOLD GROUND FLOOR FIRST FLOOR INTERSECT - DESIGNING FOR PHYSICAL THRESHOLD OVERLAP - DESIGNING A NEW NODE/ MOVEMENT INTERSPERSE - DESIGNING A CLIMATIC RESPONSE Women in tourismExhibition Auditorium ReceptionLounge Co-working spaces Conference rooms Outdoor decks Sculpture/model exhibition Reading area Temporary exhibition Projection room with movable screen Cafe seating Outdoor seatings Bookstore Reading zones Accessible planes Workshops Courtyards Meeting rooms Access routes Drawing tablesOpen meetings Access between spaces Management offices Marketing office Data collection lab Statistics analysis lab Cafe Lounge Temporary Exhibition Outdoor seating Access paths LABS WORKSHOPS LOUNGE SPACES WOMEN IN TOURISM POST PANDEMIC TOURISM TEMP EXHIBITION BOOKSTORE AUDITORIUM
MARKETING OFFICE RECEPTION MANAGEMENT OFFICE TOURISM IN DUBAI SUSTAINABLE TOURISM OUTDOOR DECK RECEPTION MEETING ROOM CAFE CONFERENCE ROOM READING CORNER

MIND MAP

EXPLORING URBAN VIEWS

- External views aligned to site to create axis

- Extents of views decided on typology of view

-360 view experience - align with tourism

- Sky light views added to possibly frame the moon at instances AL SEEF

DUBAI AIRPORT THE OBELISK RED MOON, SUPER MOON, FULL MOON DUBAI CREEK HARBOR BURJ KHALIFA EMIRATES TOWER TALLEST FLAG IN DUBAI SUN SET VIEW DUBAI FRAME DUBAI WATERFRONT MANKOOL DISTRICT & STREET VIEW

PRECEDENTS

this project had an element new and old architecture merging together, that was studied to understand the connections

the form of this project was used when developing th concept. as it had angular planes that projected out.

BLOX / DAC OMA

here the road running straight through the project embodied the way the metro ran through the our existing project. how they worked with the road was explored.

ARCHITECTURE FARM

AKIHISA HIRATA

The way the walls interacted with the slabs and became one continuous element was looked at to implement

the use of double height spaces, gardens and existing slabs was looked at and further explored in theses projects.

PARISH CHURCH OF SANTA MONICA

VICENS + RAMOS

With a focus on the windows. the structure of theses form was explored and the methods of project used in our own project

MUSEUM FOR THE CENTRAL AMERICAN ART

ALEJANDRO CRISTIÁ BATISTA

The skin development and structure were explored in this project and elements implemented in this project.

Facade materiality was looked at for a pure finish that stood out from the surroundings

MUSEUM OF COMIC AND CARTOON ART

ERICK KRISTANTO

the dispersal of function in this museum was looked at, in resolving out own spaces. and there co relation was further explored.

MUSEUM FOR THE CENTRAL AMERICAN ART ALEJANDRO CRISTIÁ BATISTA

the use of double height spaces and spatial design was explored through this project.

POLOUR ROCK CLIMBING HALL

NEW WAVE ARCHITECTURE

The representation of structure and method of working for the skin was explored in this project.

BLACK KITE OFFICES BUREAU DE CHANGE ARCHITECTS

The interior design of this project was the main inspiration as it makes use of pod like elements in this an open space to define extents.

ROYAL ONTARIO MUSEUM DANIEL LIBESKIND DENVER ART MUSEUM DANIEL LIBESKIND CAPITA SPRING B.I.G THE BOARD ILLER SCOFIDIO + RENFRO

ENHANCING VISUAL CONNECTION

This form showed a reduced radiation and lighting , allowing for more shadow on the form and less hea intake. energy supply.

RADIATION RADIATION DAY LIGHTING DAY LIGHTING DAY LIGHTING VIEW DEVELOPMENT

INTERSECTING VIEWS

ENVELOPE DEVELOPMENT WITH VIEWS

ACCESS DESIGN

EXISTING SITE

- The road divides the site

-The metro pods were a level of connectivity

-Fragmentation caused small isolated islands on the site.

ACCESS RE-DESIGNEDROADS PULLED OUT

- The metro pods were removed

- The roads were pulled apart to create a larger central island - Redirecting PUBLIC movement into the center of the site

PRIVATE ACCESS DESIGNED

- The UN Office host UN delegated that are high level officials.

- Private access was designed in with a group of points in instances of events.

- The views were moved along the axis, to allow more space in the interiors. The form was also manipulated to allow for outdoor spaces. VIEW ON EDGE VIEW INTERSECT ON FORM VIEWS VARIED ALONG AXISW

INTERTWINING FUNCTION

EXHIBITION DESIGN

INTERIOR ZONE OUTLINE

The views and their axis were used to form a grid through which the interior spaces functional outlines were decided. These outline co related to the grid and the envelope.

Social exhibit to promote local artist and allow tourist to interact with the exhibition

Tribute to the people who had an impact in tourism in the UAE

Variety of panels, sculptures, videos, on a journey of the development of tourism in middle east

OFFICE DESIGN

Intertwining two office functiions within the same space

Multi-use spaces, act as work spaces and conference spaces

Lounge designed meeting spacesallow for comfortable work spaces

Interactive exhibition with live model, allowing people to simulate their own decision on the development of tourism in the future

Circulation acts as an exhibit, VR exhibition allowing people to interact with the development of tourism in Dubai to today Journey development of how tourism in dubai became the city it is today.

Traditional office design, with dynamic office spaces interspersed inbetween

Offices departments physically divided due to function but visually connected. Workshop spaces to educate the general public and those interested.

INTERSPERSING CIRCULATION

DESIGNING AROUND VIEWS

Functional space design around views was looked at in plan and section. In-terms of arriving at the view, placing function on axis of the view, seeing view on the turn or interacting view view on circulation. Through sectional exploration, the interaction with views at different levels were explored.

INTERIOR

DESIGNS

Through the section, the views intersection through the envelope was explored. The relationship between function and void were explored as well as the anchoring of structure with the ground plane and the users experience of the view

VIEW AXIS CONVERGES VIEW AXIS MAINTAINED FUNCTIONS FANNED OUT ACROSS VIEW CONVERGING AXIS - CIRCULATION VIEW REVEAL ON TURN
VIEW AT INSTANCES OF CIRCULATION PHYSICAL INTERACTION WITH VIEW
DATA ANALYST AND STATISTICS LAB WORKSHOP SPACES EXHIBITION DESIGN OFFICE OPEN MEETING SPACES OFFICE FINANCE AND MARKETING TEAM METRO TAG IN
AND LOBBY BUILDING LOUNGE ADMIN AND MANAGEMENT EXHIBITION RECEPTION CAFE 2 VIEWS ALIGN ON AXIS
VIEW EXPERIENCED AT VARIOUS PLANES
ZONE
VIEW AT INSTANCES OF CIRCULATION VISUAL INTERACTION WITH VIEW
SECTIONAL EXPLORATIONS LAYOUT

INTERLACING EXPERIENCES

INTERSECTING VIEWS

INTERSPERSING CIRCULATION

INTERLACING JOURNEYS AND EXPERIENCES

OVERLAPPING MOVEMENT

Vertical circulation Office users Metro users Tourist

MODEL EXPLORATION

CIRCULATION FLOOR PLATES

INTERACTION OF FORM AND FUNCTION

private vs public

Functional design around views

envelope
design

DESIGN PROPOSAL

DESIGN PROPOSAL

SCALE 1:500
PUBLIC ENTRANCE PRIVATE ENTRANCE SERVICE ZONE GROUND FLOOR PLAN A A SCALE 1:200 B B

DESIGN PROPOSAL

METRO TAG OUT RTA OFFICE PUBLIC EXHIBITION PUBLIC EXHIBITION CAFE +7.75 PUBLIC ENTRANCE LOBBY +7.00 UN RECEPTION UN VOLUNTEER SPACE +8.20 A A B B +7.00 PLAN SCALE 1:200

DESIGN PROPOSAL

A A B B METRO PLATFORM +12.00 +12.00 PLAN SCALE 1:200

DESIGN PROPOSAL

METRO TAG IN +18.00 COMMUNITY SPACES +18.27 ADMIN AND MANAGEMENT OFFICES +16.00 A A B B +18.50 PLAN SCALE 1:200

DESIGN PROPOSAL

A A B B CO WORKING SPACES +23.00 EXHIBIT +21.00 EXHIBIT 2 +22.00 EXHIBIT 3 EXHIBIT 4 MARKETING OFFICE +20.5 FINANCE OFFICE +21.5 WORKSHOP SPACE +23.00 +24.00 +25.00 PLAN SCALE 1:200

DESIGN PROPOSAL

A A B B RESTAURANT +32.00 BOOK STORE +35.00 AUDITORIUM LOUNGE +30.50 EXHIBIT 5 +34.00 EXHIBIT 6 +33.00 +35.00 PLAN SCALE 1:200
A A B B +40.00 PLAN SCALE 1:200 AUDITORIUM +40.00

DESIGN PROPOSAL

METRO TAG IN ZONE

DESIGN PROPOSAL

SCALE 1:200 SECTION A-A EXHIBIT 4 +23.00 CAFE +7.75 EXHIBIT 5 +34.00 UN RECEPTION +7.00 METRO PLATFORM +12.00 MARKETING DEPARTMENT +20.50 DATA ANALYSIS LAB +26.40 BOOK STORE +35.00

DESIGN PROPOSAL

COMMUNITY ZONE

DESIGN PROPOSAL

EAST ELEVATION

WEST ELEVATION

B-B
SCALE 1:150 SECTION
RESTAURANT +32.00 EXHIBIT 1 +21.00 TEMPORARY EXHIBITION +7.00

DESIGN PROPOSAL

To Embody The Spirit Of Art Jameel Whilst Taking the Individual On A Sustainable Journey Teaching The Visitors Ways To Live More Sustainable lives. As The Impact On Our Environment Starts With The Individual.

DESIGN DEVELOPMENT

TEAM
TEAM GREENTOPIA SUSTAINABLE TRAILS COURTYARD INDOOR OUTDOOR EXPERIENCE COMMUNITY FARMS PROXIMITY SENSORS SMART METERS NATIVE LANDSCAPING BLENDING ARCHITECTURE AND CONTEXT GREY WATER RECYCLING BUILDING INTEGRATED PHOTOVOLTAICS MONO-CRYSTALLINE PANELS DAY LIGHT - CANOPY DESIGN GREEN ROOFS WATER FROM AIR DISPENSERS ORGANIC WASTE CONVERTER SMART BINS AIR SOURCE HEAT PUMPS ANDREA FERNANDES, NADIA HERZALLAH, HAMZA DODHY ,TANYA R BHAMWANI,MOHHAMED SAQUIB RAHMAN
BLENDING JAMEEL
GREENTOPIA
Blending Landscape Honoring Jameel Sustainability programmes SITE LOCATION SPATIAL ARRANGEMENT SITE PLAN FLOOR PLAN Reclaimed land; sand and rocks (Hajar mountains) Surrounding water: 10 m depth Retaining walls Average wind speed: 12 km/h ITERATION 2 ITERATION 1 ITERATION 4- THIS WAS A COMBINATION OF ITERATION 3 AND 4 APPENDIX || COLLABORATIVE WEEK

ENERGY AND MEP

SUSTAINABILITY

Building-integrated photovoltaics (BIPV)

PROXIMITY

Air Source Heat Pumps Mono-crystalline panels

Water from air dispensers MEP Plan

GENERATION
ENERGY MANAGEMENT ENERGY
LIGHTING
SENSORS
IRRIGATION SYSTEM
ON SITE GREY WATER
SMART MATERS
NATIVE PLANT LANDSCAPING
An essential part of reducing energy consumption within a structure is using LEDs. This structure has a TRILUX LED lighting system built throughout it. Energy.gov claims that LEDs consume 90% less energy than standard incandescent light bulbs and last over 25 times longer, which means that investing in LED lighting can significantly reduce annual electricity consumption. In order to achieve optimum efficiency, TRILUX LEDs were employed, which offers a maintenance benefit since the lights would come from the same supplier as opposed to having various suppliers for each room. LED layout throughout the whole building. The auditorium receives the most amount of daylight with a glass dome, concluding that the auditorium requires the least amount of lighting throughout the day. The proximity sensors that are built into each room enable energy-efficient lighting since they prevent the usage of lighting when a room is vacant by turning the lights off automatically. A smart meter is placed in the service room located inside the building which annotates the energy consumption of the building monthly or annually. This would help in understanding the room for improvement or any flaws that may occur during the installation phase. It is located strategically as whenever maintenance is required; the smart meter can be repaired without causing any interruptions to the workflow within the building. On-site grey water irrigation system 100% greywater from the sinks is filtered and used for irrigation of the surrounding external farm an cleaning open courtyard. Sustainable benefits: Reduce the need for fresh water, cuts down on the amount of wastewater in our sewer systems Semi-transparent modules made of Amorphous crystalline silicon Efficiency ranges from 6% - 14% Reduce the area requirement, and they reduce the material and infrastructure costs of the building itself. Provides weather protection, noise protection, and daylight illumination Energy savings due to superior thermal insulation properties Heat source is outside air cheaper than GSHP and more practical to install Made from high quality purest silicon, require less space, highest power output, Efficiencies of 15-20%, Reasonably long lifetimes (~25 years), Expensive, Better performance than other materials for low light conditions Daily production capacity is up to 30 liters per day Can produce cold water, as well as hot drinking water. Up to 5 liters of fresh drinking water by water extraction using KWH Facilitates significant water production in climates with humidity as low as 20% AI-based smart waste bin for recycling waste Sorts and compresses the waste automatically Wireless ultrsonic sensors controls the fill level and processes data for convenient waste management. 80% decrease in waste disposal The unit has the ability to take in up to 6 liters per day of any food waste or up to 15 liters per day of animal manure and turn it biogas as well as organic fertilizer. Organic waste converter Smart Bins We decided to mesh Art Jameels landscaping with our own creating these very fluid patches whilst respecting the very linear nature of the build through the planted steps located towards the south of the site under the bridge we have allocated for local farming Rooms Area (m2) Lobby + multi-purpose space 200 Offices 150 Meeting room 50 Auditorium 400 Multiuse space Exhibition250 Café 150 Washrrom 1 45 Washroom 2 45 Climate change workshop 1 75 Climate change workshop 275 Climate change workshop 375 UN workshop1 75 UN workshop2 75 UN workshop3 75 Temporary exhibtion space200 Permenant Exhibition 200 Services 100 Total Area 2240 Area statement Rooms Area (m2) Lobby + multi-purpose space 200 Offices 150 Meeting room 50 Auditorium 400 Multiuse space - Exhibition250 Café 150 Washrrom 45 Washroom 2 45 Climate change workshop 75 Climate change workshop 275 Climate change workshop 375 UN workshop1 75 UN workshop2 75 UN workshop3 75 Temporary exhibtion space200 Permenant Exhibition 200 Services 100 Total Area 2240 Area statement Rooms Area (m2) Lobby + multi-purpose space 200 Offices 150 Meeting room 50 Auditorium 400 Multiuse space - Exhibition250 Café 150 Washrrom 45 Washroom 2 45 Climate change workshop 75 Climate change workshop 275 Climate change workshop 375 UN workshop1 75 UN workshop2 75 UN workshop3 75 Temporary exhibtion space200 Permenant Exhibition 200 Services 100 Total Area 2240 Area statement Dead loads pre-stressed concrete structures RoofingThickness – 0.2m Soil – 1m Average length – 7.5m Average width – 9.01 m Auditorium RoofingThickness – 0.1m Area – 887.4 m Services – 1kN/m Live loads: Lounge side – C11 – kN/m2 Workshops – C35 – kN/m Auditorium – C21 – 4 kN/ m Load asses mentPermanent Loads (G Volume Contributing (m Density (kg/m Mass (Kg) Load (kN) Roofing .2 x 7.5 9.01 2200 29773 292 Roofing (lounge) .2 x 887.4 2200 390461 3830 Roofing (Auditorium) 0.1 x 387 2600 100620 987.1 Soil 229.7 1300 298603 2929.3 STRUCTURE Calculations Elevation - Auditorium roof Materiality Courtyard View Trails View Exploded Diagram - Construction Aluminium cladding Structural drawing STRIP FOUNDATION INDIVIDUAL FOUNDATION **All the structural information in this poster strictly adheres to Eurocode: British Standard. Economical Time Saving Stabilizes columns Time Saving Cost effective - Recyclable - Little long term maintenance - Resistant to corrosion - Recyclable - Reduced erection time - Energy Efficient - High durability - Reduce waste - Saves construction time - Quality assurance - Highly durable Stainless steel Green Roof Precast concrete
COLLABORATIVE WEEK
APPENDIX ||

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