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PLUS MARIE ANTOINETTE Was she the first celebrity?
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ABSOLUTELY’S October issue highlights
October, for Absolutely, is all about homes.
Our ever-growing interiors section is full of ideas and inspiration for anyone considering making any changes to their space, whether it's buying a new lamp, installing a new kitchen or knocking the whole thing down and starting again. We've got insights into all of these things, as well as suggestions for recreating the luxe members' club feel at home, creating a comfortable sleeping environment and appreciating Japanese craftsmanship in household goods. We also experiment with new Indian recipes, try out microblading on our eyebrows and swoon over the V&A's fabulous new Marie Antoinette exhibition. We hope you enjoy the issue.
PENDLE HARTE EDITOR
Tory Burch is taking a new approach to color, starting with shades of green — emerald, olive, moss, and chartreuse, sometimes all in one look. Pops of cobalt and oxblood are juxtaposed with cool-toned grays, mushroom, and navy. toryburch.com
Melody is a new fl oral musk from Miller Harris. At the heart of the fragrance is the delicate caress of natural rose, embraced by a so , comforting white musk and deep warmth of cashmere and vanilla. £180 millerharris.com
Prada's Banana Balm is the balm of the moment. If you missed the Selfridge's pop-up in person you can still buy this refi llable yellow lipbalm online, but be quick... £40 selfridges.com
Germany luxe tech brand Loewe launched its newest product, billed as the best headphones in the world, on a superyacht in Monte Carlo. In collaboration with Jacob & Co, they are diamond or sapphireencrusted and come in two colourways, each in a limited edition of fi ve. €99,000 loewe.tv
Nudient's Bold Case, cra ed with a unique iconic design and eco-conscious recycled plastics, stands as a symbol of refi ned taste. Its silicone grip and drop-proof construction provide protection while embodying the elegance of high-end design. £45 nudient.co.uk
These Studio Souk tiles are an instant win for a kitchen or bathroom wall. A motif common in arabic art, the tessalating star is a riot of colour and geometric pattern, so ened by the handpainted effect and rustic base tile. £115 per m2 capietra.com
Searching everywhere for a bra in the perfect shade? Amelie's Follies in Battersea is bound to have it. Make an appointment and you'll come away with the best fitting underwear you've ever owned. ameliesfollies.co.uk
Designed for The Conran Shop by Arjan Van Dal, the Family of Vases takes inspiration from a series originally created by Sir Terence Conran in the 1990s. Made in Portugal from earthenware, each piece is slip-cast. Sphere bottle vase, £40. theconranshop.com
Bloobloom's collection of stylish glasses are there to encourage us to amass a wardrobe of specs for all occasions. This is the Lover in hazelnut, £99. bloobloom.com
Autumn is imminent and that means knitwear. Specifi cally, fairisle knitwear and particularly: berets. This fabulous example comes from the brilliant V&A shop, £45. vam.ac.uk
FROM 7 OCTOBER, HAYWARD GALLERY
Gilbert & George present a new landmark exhibition highlighting the evolution of their work over the past 25 years. Two new works from their 2025 series The Screw Pictures are on display alongside key pictures from previous series including New Horny Pictures (2001), The London Pictures (2011) and more.
southbankcentre.co.uk
To 18 October
SEVEN DIALS PLAYHOUSE
Monster is a powerful, unflinching exploration of violence committed by children, trauma, and the possibility of redemption. Although a fictional story about a 15-year-old girl who commits a violent act and the consequences that follow, it draws inspiration from real-life cases including those of Mary Bell. sevendialsplayhouse.co.uk
From 11 October LEIGHTON HOUSE
Marking the museum’s centenary, the exhibition reimagines four of Leighton’s lost treasures as life-sized paper sculptures. Annemarieke Kloosterhof’s paper reconstructions of the Klismos chair and Northern Italian cabinet are installed in the historic interiors where the originals once stood. rbkc.gov.uk/museums
6-8 November
CHELSEA TOWN HALL
For nearly two decades, Handmade Chelsea has selected the brightest and best making talent from across the British Isles, and beyond. The 2025 show will present over 120 outstanding proponents of craft. Every possible craft discipline – from jewellery to handprinted and handwoven textiles; handcrafted furniture to decorative glass; functional and decorative ceramics; fine art, print and illustration to innovative and original fashion – is represented handmadeinbritain.co.uk
Until 1 November
WYNDHAM'S THEATRE
Christopher Marlowe: danger and seduction combined. William Shakespeare: jobbing actor, promising young playwright –dazzled by Marlowe, with ambitions of his own. Based on the idea these two literary icons may have collaborated on the Henry VI history plays, Liz Du y Adams’ Born With Teeth is a playful and daring imagining of their relationship. delfontmackintosh.co.uk
This Month’s Must See
TO JANUARY 2026, LYRIC THEATRE
Hadestown takes you on an unforgettable journey to the underworld and back, intertwining two mythic love stories – that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone.
A deeply resonant and defiantly hopeful theatrical experience, Hadestown invites you to imagine how the world could be. Blending American songwriting traditions, from indie folk, to pop, blues, and New Orleans-inspired jazz, Hadestown has music, lyrics, and book by award-winning singer-songwriter Anaïs Mitchell. ukhadestown.com
Recommended by Lisa Baker
arvara Roza Galleries in Duke Street will open the first UK solo exhibition of Britt Boutros Ghali, the internationally acclaimed Norwegian-born artist whose career spans more than six decades. Born in Svolvær in 1937, Ghali discovered painting during the long postwar winters of her childhood, the shifting northern light shaping her instinctive language of abstraction. Since the early 1970s she has lived in Egypt, dividing her time between Cairo and the Mediterranean coast, where her mosaic-adorned home and studio have become a cultural destination in their own right. Ghali’s large-scale canvases are an intoxicating fusion of gestural energy, colour, and rhythm. Her artistic legacy is formidable: since debuting in Paris in 1962 she has exhibited internationally, with work entering major public and private collections, including MoMA in Egypt and the Queen Noor Museum of Modern Art in Jordan. She has been recognised with Norway’s highest artistic honour, the St. Olav’s Order, as well as the Slovak Presidential Order for Art and Culture, and most recently, Egypt’s Lifetime Achievement Award for Women in the Arts. Now in her 88th year, Ghali continues to paint with urgency and vitality. Her new London exhibition o ers a rare chance to encounter an artist still producing the most powerful work of her career.
Photographer David Corio is selling his limited edition prints for Rethink Mental Illness
Pioneering photographer David Corio has built an unparalleled six-decade music photography archive. From Bob Marley’s final London performance to the birth of hip-hop in New York, for almost 50 years Corio has been in recording studios, backstage dressing rooms and major cultural events like Notting Hill Carnival and Rock Against Racism, documenting the 20th
century’s most groundbreaking musicians. Corio now shares an exclusive, careerspanning collection for photography platform Print Matters, with 20% of every print and fine art poster sale donated to mental health charity Rethink Mental Illness. David Corio began his professional career in 1978 taking photographs for New Musical Express, followed by The Face, Time Out, and
“FOR ALMOST 50 YEARS CORIO HAS BEEN IN RECORDING STUDIOS, BACKSTAGE DRESSING ROOMS AND MAJOR CULTURAL EVENTS”
Black Echoes, covering a wide range of music and portraiture. After a stint as a music writer at City Limits, he worked as a freelance photographer for the Daily Telegraph, The Times, Q, Theatre Royal Stratford, and Greensleeves Records, among others.
David’s photographs have been exhibited at the Victoria and Albert Museum, the Photographer’s Gallery, The Hayward Gallery, the ICA (Institute of Contemporary Art) and the Special Photographers Gallery in London; the Brownwyn Keenan Gallery, The Jack Shainman Gallery and Fotografiska in New York; the Tropen Museum in Amsterdam; Number One Gallery in Dublin and in Italy, Japan, Sweden, France, Malaysia and Hong Kong. In 2023 The Elliott Gallery in Amsterdam held a major retrospective of his music photography.
With images spanning Nina Simone at Ronnie Scott’s, Nick Cave in an abandoned church, Horace Andy dancing in the London snow outside Rough Trade Records and more, Print Matters are proud to present the widest collection yet of Corio’s unforgettable portraits.
Corio also shares a signed limited-edition fi ne art poster of Public Enemy, taken in Hyde Park in 1987 – the year the culture-
“A SIGNED LIMITEDEDITION FINE ART POSTER OF PUBLIC ENEMY, TAKEN IN HYDE PARK IN 1987 – THE YEAR THE CULTUREDEFINING BAND RELEASED THEIR DEBUT ALBUM”
defining band released their debut album Yo! Bum Rush the Show. De La Soul, Bruce Springsteen, Debbie Harry of Blondie, Fugees, Ms Lauryn Hill, Alton Ellis, Joe Strummer, John Lydon, The Cure, The Pogues, The Specials, Talking Heads, The Slits, U2, George Clinton, Curtis Mayfield, Ray Charles, Goldie, Kirk Franklin and Miles Davis are just some of the other music royalty who feature in David Corio’s Print Matters collection.
Signed, limited edition photographic prints from £575. New and exclusive, limited edition hand-signed fine art posters, £85. printmatters.uk
The V&A’s newest exhibition takes a look at her life and her wardrobe
When Marie Antoinette arrived at Versailles in 1770 as a 14-year-old Austrian bride, she could hardly have imagined the cultural afterlife awaiting her. Over two centuries after her death at the guillotine, she remains one of the most recognisable figures in world history, as much a symbol of extravagance and excess as of youth, glamour and tragedy. Now, for the first time, a major British exhibition will attempt to unravel why her style, and her story, have proved so enduring.
Opening this September at the Victoria and Albert Museum, Marie Antoinette Style will be the UK’s first exhibition devoted to the French queen. Bringing together more than 250 objects, including a number of extraordinary loans from the Château de Versailles that have never before left France, the show will explore how a monarch whose reign ended dramatically continues to shape fashion,
art and design more than 250 years later.
Among the treasures arriving from Versailles are fragments of her richly embellished court gowns, her silk slippers, and jewels from her private collection. Visitors will also see personal e ects such as her dinner service from the Petit Trianon and intimate objects from her toilette case. The exhibition includes her final note, written in a prayer book shortly before her execution in 1793, a reminder of the stark reality behind the myth. But the exhibition is not limited to relics of the queen’s life. Curators
Opposite page:
Top: Portrait of Marie Antoinette, Queen of France, in a court dress. Oil painting by François Hubert Drouais, 1773
© Victoria and Albert Museum, London
Below le : Portrait de Marie-Antoinette à la rose, Élisabeth-Louise Vigée Le Brun © Château de Versailles, Dist. Grand Palais RMN / Christophe Fouin
Below right: Crystal flaskwith label ‘Eau de Cologne from the 'Nécessaire de voyage’, belonging to Marie Antoinette.
© Grand Palais RMN (musée du Louvre) / Michel Urtado
This page:
Le : Moschino show, Runway, Fall Winter 2020, Milan Fashion Week, Italy - 20 Feb 2020.
Photo: PIXELFORMULA/SIPA/Shutterstock
Below le : Antonietta, 2005 by Manolo Blahnik
Below right: Bracelet clasps, France, Gold with brilliant cut diamonds, central plaques of blue paste (glass).
© Victoria and Albert Museum, London
have traced the evolution of “Marie Antoinette style” from the 18th century to the present, showing how successive generations have reinvented her image. That narrative begins with the opulent interiors, fashions and jewellery of her Versailles court, including a replica of the infamous diamond necklace at the centre of a scandal that damaged her reputation. It then moves to the 19th century, when her image was revived by Empress Eugénie, Napoleon III’s wife, who staged elaborate reimaginings of the ill-fated queen’s style. By the 1880s and 1890s, what was known as the “French Revival” dominated interiors and fashion in Britain and North America, fuelled by collectors seeking objects with a connection to the doomed queen. Period photographs and elaborate fancy-dress costumes illustrate the obsession.
Later, in the Art Nouveau and Art Deco eras, she was cast as a figure of fantasy and decadence, inspiring luminous illustrations and evening gowns by leading designers of the time. From there, the exhibition charts her reappearance in twentieth-century couture, cinema and even pop culture. Visitors will see creations by Vivienne Westwood, Dior, Moschino,
Marie Antoinette (2006), whose pastelcoloured dreamscape reintroduced the queen to a new generation. Costumes from the film, along with photographs by Tim Walker and Robert Polidori, sit alongside contemporary works by artists Beth Katleman and Victor Glemaud, who reinterpret elements of her style for today.
Theatricality is at the heart of the staging. Immersive installations and a scent experience will attempt to recreate the atmosphere of Versailles, from the perfumes of the court to the textures of its interiors.
The aim is not only to show how Marie Antoinette looked but also how her world might have felt, sounded and even smelled.
For curator Sarah Grant, the queen’s enduring fascination lies in her combination of glamour, spectacle and tragedy.
“The most fashionable, scrutinised and controversial queen in history, Marie Antoinette’s name summons both visions of excess and objects and interiors of great beauty,” she says. “Her story has been retold and repurposed by each successive generation to suit its own ends. The rare combination of glamour, spectacle and tragedy she presents remains as intoxicating today as it was in the eighteenth century.”
The exhibition also aims to look critically at the myths that have long surrounded her. The notorious “let them eat cake” line, for example, is dismissed by historians as apocryphal. Instead, the curators highlight the ways in which she engaged with Enlightenment ideas, including new approaches to motherhood, childhood and education. The queen, they suggest, was not simply a frivolous spendthrift but also a woman navigating the pressures of power, representation and survival in a hostile environment.
This more nuanced perspective is
underscored by the personal items on display, such as a jatte téton or “breast cup” from her Sèvres Rambouillet dairy service, delivered in 1787. Long believed— incorrectly—to have been modelled on her own breast, the porcelain object illustrates the layers of myth and fantasy that have always clung to her image. Her armchair,
monogrammed with her initials, will also be displayed, a reminder of her physical presence within the V&A’s own collections. Why does Marie Antoinette continue to fascinate? The answer may lie in her role as one of the first true celebrities, whose image was consumed, contested and commodified in ways that feel
strikingly modern. She cultivated a style that was both lavish and carefully curated, at once asserting her status and inviting criticism. The spectacle of her life and death provided a template for how female figures are idolised, scrutinised and ultimately mythologised.
For the V&A, the exhibition is a chance to explore this legacy not only through artefacts of the past but also through the creativity she continues to inspire. Designers from Westwood to Moschino have reimagined her for catwalks; directors like Coppola have reinvented her for the screen. Musicians, photographers and artists have borrowed her aesthetic to explore ideas of femininity, power and excess. In all these reinventions, the queen who died more than 230 years ago has remained startlingly present.
Marie Antoinette Style promises to be a rare opportunity to encounter the woman and the myth side by side: the slippers she wore at Versailles alongside the shoes she inspired centuries later; the note she wrote before her death alongside the costumes that have brought her back to life on screen. It is both history and spectacle, biography and cultural commentary. Above all, it is a reminder that style can transcend time, and that some figures, however briefly they lived, never go out of fashion.
Jennie Baptiste: Rhythm & Roots at Somerset
Somerset House is set to throw open its doors to a landmark exhibition that pulses with the energy of Black British youth culture. Jennie Baptiste: Rhythm & Roots is the first major solo show by pioneering photographer Jennie Baptiste, a visionary who has spent more than three decades capturing the style, spirit, and soundtrack of London’s Black diaspora.
From the 1990s onwards, Baptiste’s lens has been tuned into the rhythms of urban life: the swagger of Brixton’s pavements, the flamboyance of the dancehall floor, the raw power of hip-hop, and the individuality of everyday icons who shaped the city’s cultural DNA. Now, Somerset House brings together her celebrated works, rarely seen gems, and never-before-exhibited images from her personal archive. To amplify the experience, the show is paired with specially commissioned mixes from the very DJs Baptiste photographed at the height of London’s hip-hop explosion—ensuring visitors don’t just see the culture, but hear it too.
Born in London to parents who emigrated from St. Lucia in the 1960s, Baptiste’s work is steeped in authenticity. Her images honour the vibrancy of Black British culture while reflecting the global influences that shaped it—Caribbean dancehall, American hip-hop,
and the lasting impact of post-Windrush communities. As a teenager, she was drawn to collage, experimenting with layering and juxtaposition, before moving into photography. Early darkroom experiments— overlaying negatives, playing with tones, mixing developer chemicals—nurtured a practice that fused technical curiosity with a deep cultural eye. The result is a body of work that is at once documentary and artistic, immediate yet timeless.
“My photography has always been about energy,” Baptiste reflects. “It’s a personal journey, but also a celebration of the resilience and creativity within the Black British community. I hope these images encourage others to embrace their individuality and their own creative voices.”
At the heart of Rhythm & Roots is a story of community, style, and sound. The exhibition spans several of Baptiste’s most iconic series, each of which chronicles a distinct but interconnected part of Black British
cultural life. Her Dancehallseries, which she has revisited since the early 1990s, revels in the glamour, boldness, and expressive energy of London’s dancehall scene. Sequined outfits, striking poses, and the kinetic joy of the dance floor come alive in images that feel both celebratory and archival—a testament to a movement that has continually shaped British fashion and nightlife.
In Brixton Boyz, Baptiste turns her lens to the streets, capturing the camaraderie, defiance, and distinct style of young Black men in late 1990s Brixton. The portraits speak to a generation whose swagger and self-expression helped define the aesthetic of the era. Music, unsurprisingly, runs like a bassline through her work. Baptiste has photographed a roll call of influential figures, from global icons like The Notorious B.I.G. and Mary J. Blige to British trailblazers such as Roots Manuva, Estelle, Ms Dynamite, and Ty. Her images do more than document; they platform the artists who gave voice to their communities and, in doing so, shaped the sound of modern Britain.
One of the exhibition’s highlights is the resurrection of Revolutions @ 33 1/3rpm, Baptiste’s 1999 portrait series of London’s hip-hop DJ scene. Originally commissioned for Levi’s Regent Street flagship store, the series features legendary figures including DJ 279, Cutmaster Swift, Dave VJ, and Shortee Blitz. More than two decades later, these portraits are being shown together for the first time since their debut. To deepen the experience, the DJs themselves have each contributed a mix spanning 1989 to 2003, played through listening stations in the gallery—echoing the record shop culture of discovery that defined the era. The result is an exhibition that is as much about sound as it is about sight.
While Baptiste is known for her documentary style, her conceptual work
also takes centre stage. Black Chains of Icon combines portraiture with layered materials, lith printing, and physical chains, interwoven with quotes from figures like Martin Luther King Jr. and lyrics from Bob Marley. The series explores themes of identity, freedom, and the weight of Black history, situating Baptiste firmly within a lineage of politically engaged artists.
Marking Somerset House’s 25th anniversary, Rhythm & Roots is both a celebration and a recognition long overdue. It honours Baptiste not just as a chronicler of culture, but as an artist whose work has shaped the very way we see British music, fashion, and youth identity. For Somerset House, the exhibition is a bold statement about the institution’s mission: to champion inclusive, trailblazing creativity that resonates far beyond its walls. For Baptiste, it’s a moment to reflect on the journey—her own,
Clockwise from top:
1. DJ Shortee Blitz (from Revolutions @ 33 rpm);
2. Ragga (from 'Dancehall' series);
3. Brixton Boyz; 4. Friends (from 'Wale Adeyemi Fashion Shoot')
and that of the communities whose stories she has told with such care and vibrancy.
“Through my lens,” she says, “I’ve always wanted to capture the spirit of my community—the energy, the style, the resilience. It’s about documenting history, but also about celebrating life.” Jennie Baptiste: Rhythm & Roots is exactly that: a living archive, a celebration, and a reminder of the creative power that continues to shape Britain from the ground up.
Richmond Theatre's Creative Learning Programme o ers something for everyone
Supporting early years, young people, community organisations and adults of all ages, Richmond Theatre’s Creative Learning Programme o ers unique and exciting activities taking place in our beautiful 126-year-old historic building. Whether you’re a long-term theatre enthusiast or exploring the magic of the stage for the very first time, there’s an activity for you. Mirfat, the theatre’s Creative Learning Producer, says: “Our programme is thoughtfully designed to nurture creativity, build confidence, and, above all, help participants connect with the joy that theatre brings”.
If you have ever found yourself singing along to iconic show tunes, then perhaps the Richmond Sings choir is the perfect hit for you. On Tuesday mornings, the choir meets to learn a wide variety of songs – from classic hits to songs from productions on Richmond’s stage – in a safe and welcoming environment. It’s the perfect activity for those wanting to broaden their knowledge and skill in choral singing, and there are often opportunities to perform at local events. There’s no experience needed – all members need to do is to bring their enthusiasm and love of theatre. And after belting your heart out, there’s the chance to get
a cup of tea with your fellow choir members.
For those over the age of 50, there are two theatre skills classes dedicated to dance and acting, respectively. The venue’s popular Step Into Richmond class will encourage you to release your inner dance superstar with a fun and groovy 60-minute movement class. Class Act is a no-experience-necessary acting class where in one session you might find yourself brushing up on your Shakespeare, and the next having a go at some comedy. You’ll learn new skills and connect with new people, while immersing yourself in the art of acting.
The theatre works with award-winning company Little Supernovas to deliver their brilliant Storytime and Twirling Toddlers sessions. The 90-minute class is perfect for little ones ages 2-4 years, and will help them find their groove and express themselves through movement. Watch your little one find their feet as they discover more about their own movement and physical development. Storytime sessions also incorporate British Sign Language (BSL), with the Storyteller having a British Sign Language (BSL) Level 1 qualification. Expect colours, exciting sensory elements, storytelling, music, dance and of course lots of smiles, giggles and memories made!
Not planning to step onto the stage just yet? Richmond Theatre’s Guided Tours are the perfect activity to find out more about the Grade-II* Listed venue. Delivered by an expert tour guide, you will discover the magic of the building by learning about the building’s past, present and future in this access-all-areas experience.
For more information about Richmond Theatre’s Creative Learning activities visit atgtickets.com/Richmond or email richmondcreativelearning@ atgentertainment.com
A new exhibition at Tate Modern challenges European ideas and looks at the importance of Nigerian art in the 20th century
Tate Modern is launching the first UK exhibition to trace the development of modern art in Nigeria.
Nigerian Modernism covers half a century of work and brings together over 250 pieces by more than 50 artists, from paintings and sculpture to ceramics, textiles and works on paper. The scale alone is impressive, but what makes this exhibition significant is the story it tells. It is not simply about artists absorbing European ideas of modernism but about a generation who, across decades of upheaval, reframed what modern art could be.
The exhibition begins in the 1940s, when Nigeria was still under indirect British colonial rule. At the time, the country’s education system funnelled ambitious artists through institutions shaped by colonial priorities,
and many trained abroad. In London, they learned European academic techniques even as they encountered modernism’s fascination with African sculpture and form. The contradictions of this experience show up in their work. Aina Onabolu painted formal portraits of Lagos elites, challenging colonial prejudices about the capacity of African artists. Akinola Lasekan turned to Yoruba legends for subject matter, mixing myth with modern draftsmanship. Ben Enwonwu, now recognised as one of Nigeria’s greatest modernists, studied at the Slade but always returned to the rhythms of Igbo sculpture, which gave his figures a sense of rootedness. And Ladi Kwali, trained in ceramics by the British potter Michael Cardew, folded traditional Gwari methods into sleek, studio-ready vessels that bridged cultures. Independence in 1960 was a turning point. The Zaria Arts Society, a group of students who had chafed against rigid colonial
Clockwise from top:
1: Uzo Egonu, Northern Nigerian Landscape 1964 © The estate of Uzo Egonu. Tate.
2: Clara Etso Ugbodaga-Ngu, Elemu Yoruba Palm Wine Seller, 1963. © Clara Etso Ugbodaga-Ngu. Hampton University Museum
3: Ben Enwonwu, The Durbar of Eid-ulFitr, Kano, Nigeria 1955. © Ben Enwonwu Foundation. Private Collection
4: Uzo Egonu, Stateless People an artist with beret 1981. © The estate of Uzo Egonu. Private Collection.
“MODERNISM WAS NEVER A ONE-WAY IMPORT FROM EUROPE”
syllabuses, o ered a new model for Nigerian art. Members such as Uche Okeke, Yusuf Grillo and Bruce Onobrakpeya called their approach “Natural Synthesis,” combining indigenous motifs with modern techniques to create a distinctly Nigerian form of modernism. Their work set the tone for the decade, a period of optimism when Lagos became a cosmopolitan cultural hub, alive with public commissions, new architecture and Highlife music. At the same time, the Mbari Artists’ and Writers’ Club in Ibadan drew together figures like Chinua Achebe and Wole Soyinka, linking visual art with literature and theatre
Other artists looked beyond politics to spirituality and local traditions. In Osogbo, Susanne Wenger and the New Sacred Art Movement fused Yoruba cosmology with monumental cement sculptures that reshaped the Osun-Osogbo Sacred Grove, still a UNESCO site today. Workshops at
Duro Ladipo’s Popular Bar produced another Osogbo circle: Nike Davies-Okundaye, Twins Seven Seven and others, largely self-taught, who drew on Yoruba myths and personal narratives in ways that blurred fine art, performance and folklore.
Then came rupture. The Nigerian Civil War of 1967–70 devastated the country and its artists. Unity gave way to division, and artistic practice became a way of processing trauma. Many turned to uli, a traditional Igbo system of linear designs, usually drawn by women and used for both decoration and ritual.
Uche Okeke had already begun to explore uli before the war, and his work gained new resonance in the aftermath. At the University of Nigeria, Nsukka, a younger generation took uli further, abstracting its forms into a modernist idiom that was both an assertion of cultural identity and a record of conflict.
The exhibition closes with Uzo Egonu, a
painter who left Nigeria for Britain in the 1940s and remained there for the rest of his life. His Stateless Peopleseries from the 1980s, shows solitary figures – a musician, an artist, a writer – caught between memory and exile. The paintings ask what it means to belong to a nation when one lives outside it, and in doing so they extend the exhibition’s themes beyond Nigeria’s borders to the global diaspora.
What Nigerian Modernism makes clear is that modernism was never a one-way import from Europe. In Nigeria, it was a process of negotiation: between tradition and innovation, colonial legacies and the desire for independence, national identity and global movement. The exhibition reframes Nigeria not as a peripheral chapter in modern art but as one of its central laboratories. By gathering these works together, Tate Modern is not only filling a gap in British art history but also inviting audiences to rethink modernism itself—as a dialogue, a conflict, and ultimately a reinvention led by artists who imagined a di erent future for themselves and their country.
Nigerian Modernism opens on 9 October and continues until May 2026; tate.org.uk
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Silent Pool Gin has made its name as a premium English spirit, known for its crisp, layered character and botanicals drawn straight from the natural world. But there’s another story quietly unfolding— one rooted in ecology, sustainability, and a very small, very vital creature: the bee.
Launched by the distillery, The Beehive Collective is more than just a nod to one of their signature ingredients, local honey. It’s a charitable initiative designed to protect and restore pollinator populations at home and abroad, while weaving together communities of growers, makers, and drinkers under a shared mission. At its heart lies a simple conviction: without bees, not only does Silent Pool Gin lose part of its soul, but our ecosystems and food systems collapse with it.
The Beehive Collective channels Silent Pool’s reach and resources into supporting Bees for Development, a UK-based charity that has been helping communities build sustainable livelihoods through beekeeping for over 30 years. By promoting low-cost, ecologically sound beekeeping practices, the organisation has improved biodiversity while
lifting thousands of people out of poverty.
The partnership has already taken root in visible ways. At the RHS Chelsea Flower Show, Bees for Development presented a striking balcony garden exhibit, designed to demonstrate how even the smallest urban space can provide sanctuary for pollinators.
The Beehive Collective’s backing brought the project to life and spotlighted bee conservation to an audience of gardeners, designers, and environmental advocates.
Silent Pool is working with bars, restaurants, and venues to inspire pollinatorfriendly practices, from installing hives to planting bee-supportive gardens. The goal is not only ecological—it’s cultural. By making pollinator protection part of the dining and drinking experience, The Beehive Collective invites people to connect sustainability with pleasure.
Ambition for The Beehive Collective stretches beyond events and partnerships. In 2026, Silent Pool will fund an apprentice beekeeper who will work with communities to establish and maintain new apiaries in the UK, Italy, and the US. This hands-on approach is designed to create long-term, localised impact: more hives, healthier bee populations, and wider awareness of pollinator conservation.
Silent Pool Gin is partnering with Cli on Nurseries to host The Bee’s Garden, an immersive consumer event featuring an introduction to The Beehive Collective, a Bee’s Knees cocktail masterclass, and a hands-on planting workshop where guests will pot their own bee-friendly blooms to take home for spring. All proceeds will support Bees for Development, Silent Pool Gin’s charity partner, which promotes sustainable beekeeping to strengthen livelihoods, combat poverty, and protect biodiversity.
Tickets £25 per person. Sessions will take place at 12pm, 3pm and 5:30pm on 8, 9 and 10 October. Tickets can be purchased at silentpooldistillers.com
In an era when “green” branding can feel like empty marketing, The Beehive Collective stands out by committing to tangible action— funding apprenticeships, supporting global charities, and changing industry practices. It’s proof that a luxury brand can harness its influence for ecological good, while reminding us of a timeless truth: the smallest creatures often have the biggest impact.
Order for home delivery or click & collect from one of our locations across the South East
HUMMINGBIRD BAKERY
The Hummingbird Bakery is celebrating Diwali with a selection box of six colourful vanilla cupcakes, each decorated with delicate handmade sugar paste flowers, as well as a show-stopping centrepiece, the Diwali Heart Cake with bright yellow frosting and bold orange and hot pink piping. Available from 13 October, hummingbirdbakery.com
Wine recommendations for the month
By THE WINE SOCIETY
Silbador Rapel
Gewürztraminer 2024
£8.75, link here
Fresh, rosepetal scented gewürztraminer made from organically farmed vineyards. Chile has a remarkable ability to make classic gewürztraminer at very keen prices.
Soli Pinot Noir, Edoardo Miroglio 2021
£13.50, link here
The pinot comes from hillside plots in Bulgaria that gives freshness and the wine has plenty of red-berry, wild strawberry and cherry fruits on a juicy, accessible palate.
Château de la Grave ‘Caractère’, Côtes de Bourg 2021
£11.25, link here
This wine has a fragrant bouquet of plums, tar and vanilla, with a layered, juicy texture on the palate. It is concentrated, but well balanced, with grainy, ripe tannins on the finish. A remarkable wine for the price, this is already drinking beautifully, but has ample capacity to age
Since it was founded back in 1874, The Wine Society has dared to do business a little differently. Bringing together a community united by a shared love of wine, The Society is a co-operative and owned by its members. This means there is no requirement to pump profit into annual dividends or bonuses for shareholders – all profits go back into the business.
The Wine Society welcomes all wine lovers. Become a member today and receive £20 off toward your first order. thewinesociety.com
London’s food news and most exciting openings this month
By PENDLE HARTE
AMBASSADORS CLUBHOUSE
Ambassadors Clubhouse has created a limited-edition five-course Diwali feast menu, featuring an extravagant celebration of Punjabi abundance served in the restaurant’s signature plush surroundings. Available for a short time only in vegetarian (£110) and non-vegetarian (£115) options, each one is a journey through spice, tradition, and culinary artistry - perfect for sharing and celebrating with friends. ambassadorsclubhouse.com
THE IVY
The Ivy has devised a special menu to celebrate the release of Downton Abbey: The Grand Finale.Channeling the classic sophistication of 1930s dining with a contemporary Ivy twist, it features dishes inspired by the tastes and traditions of the Crawley family, their household, and the English countryside estates of the era. ivybookings.com
NELA
Just opened at Queensway's The Whitely is Nela, bringing the distinctive live-fire cuisine of Hari Shetty and Ori Geller to west London. As with the Amsterdam restaurant, it will feature bold yet refined cooking methods to showcase the exceptional produce from a dramatic open kitchen nelarestaurant.com
Father-daughter dumpling duo Chubby Dumpling are known for dishing out Hong Kong-style streetfood. Sweet, tangy, and finished with a fiery kick, The Hot One is one of their most popular sauces, bottled. £6.80, delli.com
A new brunch menu at Corrochio's celebrates regional and authentic classics from across Mexico. Expect a classic Torta Ahogada with cooked prawns, avocado and a special creamy salsa roja, a Burrito de Machaca made with Corrochio’s inimitable rump beef and a quintessentially Mexican Huevos Rancheros Divorciados. corrochios.com
NIMI NOSH
Founded by Jamaican-born Nicole Michael (‘Nimi’) and inspired by her mother’s flavour-packed sauce recipes (‘Nosh’), Nimi Nosh brings her family’s Caribbean sauce recipes from the food markets of Jamaica to UK kitchens.
Poon's Extraordinary Chill Oil is an aromatic chilli oil infused with the intense flavours of salted black beans. Add it to almost anything. £6.80 poons-pantry.com
HUŎ's new Belsize Park restaurant o ers a menu inspired by Chinese and Southeast Asian flavours - all made using traditional Thai, Chinese, Malaysian, Singaporean recipes. Menu highlights include handmade dim sum, Thai sea bass fillet with lemongrass, and Szechuan chilli prawns. Inside there's whitewashed wood, soft, earth tones, and a bar area for cocktails, sake and Japanese whisky. huo.london
Simple home cooking from the co-founder of Hoppers restaurants
Serves 2 as a main
This simple, quick and incredibly delicious potato and pea curry is a staple in homes across India, particularly in the north. I love eating it with steamed basmati rice or Fulkas drizzled with ghee. It epitomizes Indian home cooking and showcases the contrast between simple, tasty food cooked at home versus the richer, restaurant-style dishes o en associated with Indian cuisine. While both have their place, if you’re unfamiliar with the former, this is a great recipe to start with. People usually boil potatoes before adding them to curries or stir-fries, but I’ve found that boiling them in the gravy gives them a much deeper flavour. I use Maris Pipers, but any good all-purpose potato will work well.
INGREDIENTS
• 4 medium potatoes, peeled and cut into 4cm cubes
• 1 tbsp vegetable oil or ghee
• 1 tsp cumin seeds
• 2 bay leaves
• 80g red onions, finely chopped
• up to 2 tsp salt, to taste
• 1 tsp each grated ginger and garlic
• 1 tsp ground turmeric
• 1 tsp Kashmiri red chilli powder
• ½ tsp ground cumin
• ¾ tsp ground coriander
• 150g ripe fresh tomatoes, finely chopped (or 120g tinned chopped tomatoes)
• 150g frozen peas
• 1 tbsp chopped fresh coriander,plus more to garnish
• juice of ½ lime
METHOD
1 Wash the potatoes in running water to get rid of the excess starch and drain well. Set aside.
2 Heat the oil in a pan set over a medium heat and add the cumin seeds. Once they crackle, add the bay leaves and the onions, with ½ teaspoon of salt to ensure they cook evenly.
3 Once the onions have softened, add the ginger and garlic and fry everything for a couple of minutes.
4 Add the spices and fry for 30 seconds. Then add the tomatoes and cook, stirring occasionally, until they become thick and some of the oil rises to the surface, about 8–10 minutes.
5 Add the potatoes, along with enough water just to cover them. Put a lid on the pan and cook on a low heat for 15–20 minutes, or until the potatoes have cooked through and a knife or skewer pierces them with ease.
6 Add the peas and cook for another 3–4 minutes.
7 Stir in the chopped coriander and lime juice and check the seasoning, adding more salt as needed. Serve, garnished with more fresh coriander.
Serves 4 as a starter or snack
Salmon isn’t a fish that you typically find in Indian waters, as it is native to colder climates. However, Indian restaurants across the UK have been serving variations of tandoori salmon for years, and it’s now a regular on menus. The spiced yoghurt marinade pairs exceptionally well with salmon, while the natural fattiness of the fish ensures that it remains moist and juicy when cooked over a high heat, such as a grill or in a tandoor. If you’re preparing this dish in a region where salmon isn’t readily available, you can easily substitute it with any local oily fish. Fish like trout, halibut, sea bass, bream, snapper, barramundi and Arctic char work wonderfully.
• 800g salmon fillet, cut into 4 equal pieces
For the marinade
• 1 tsp each ginger and garlic paste
• 1 tsp crushed kasoori methi (dried fenugreek leaves)
• ½ tsp ground turmeric
• ½ tsp fennel seeds
• ½ tsp garam masala
(see page 267 for homemade)
• ¼ tsp crushed black peppercorns
• 2 tbsp Greek-style yoghurt
• 1 egg white (optional)
• 2 tbsp cream cheese
• 1 green chilli, finely chopped
• 6 green cardamom pods, seeds crushed to a powder
• 2 tbsp melted butter, plus more to garnish
• 1 tsp salt
To garnish
• 1 tsp chaat masala (see page 266 for homemade)
• a few dill leaves
METHOD
1 Mix all the ingredients for the marinade in a large mixing bowl and coat the salmon pieces in it. Cover and refrigerate for 30 minutes.
2 Barbecue the salmon pieces or place in a roasting tray and bake at 200–220°C fan for 12–15 minutes until charred in spots but still pink in the middle. If the salmon has not got spots of char after this time, switch the oven to grill mode on the maximum setting and place the tray on the top shelf for a further minute or two.
3 Drizzle the salmon with melted butter and sprinkle over the chaat masala and dill leaves before serving.
Serves 4 as a main
Achar translates as ‘pickle’ in Hindi, and achari chicken is cooked with spices typically used in north Indian pickles – fenugreek, nigella, mustard and fennel seeds are all tempered in pungent mustard oil. It’s a dish that tests your spice collection. If you’re short on some or not keen on expanding your larder, use the storebought pickle hack below. I’ve provided two equally effective, yet very different, ways to cook this unique dish. The traditional method uses a pan, wok or kadhai, resulting in a delicious meat curry, while the easier traybake version produces a fantastic single-tray weeknight meal or a centrepiece for an alternative Sunday roast. While I recommend making the achari spice mix from scratch, for a quicker version you can use 2 tablespoons of store-bought spicy mango or green chilli pickle. Be sure to find the most authentic Punjabi pickle you can, and avoid using sweet pickles or mango chutney. If you’re using a Punjabi pickle, these are usually made with mustard oil, so you can swap the mustard oil in the recipe for any neutral oil unless you already have mustard oil to hand.
INGREDIENTS
• 1.5kg chicken legs, skinless, cut into thighs and drumsticks
• 250ml chicken stock
• 1 tbsp tomato purée
• 1 head of garlic, cut in half through the middle
• 5cm ginger, sliced in half horizontally
• 1 large red onion, cut into 6 cubes
• a handful of Padrón peppers (optional)
• a pinch of salt
• 1 tbsp mustard oil
• 1 tbsp apple cider vinegar
For the marinade
• 1½ tsp Kashmiri red chilli powder
• ½ tsp ground turmeric
• 1 tsp garlic paste
• 2 tsp ginger paste
• 2 tbsp mustard oil (or any neutral oil)
• 250g Greek-style yoghurt
• 3 tbsp Punjabi chilli pickle or mango pickle
• 1½ tsp salt
To garnish
• juice of 1/2 lime
• 5cm ginger, cut into matchsticks
• 1 small red onion, cut into thin rings
• 1 tbsp chopped fresh coriander
1 Mix the ingredients for the marinade and rub all over the chicken pieces. Refrigerate the marinated chicken for at least 2 hours, or ideally overnight. The salt, ginger and garlic ensure that the meat stays succulent and moist, so don’t skip this step! Mix any leftover marinade with the stock and tomato purée, and set aside. We will add this yoghurty stock to the roasting tray later to create the tastiest sauce.
2 Take the chicken out of the fridge 30 minutes before cooking- this ensures it doesn’t overcook on the outside while staying raw on the inside. Preheat the oven to 200°C fan.
3 When ready to cook, toss the garlic, ginger, onion and peppers (if using) in salt and oil and place in a tray or wide dish that’s large enough to accommodate the chicken on top later. Roast the vegetables in the oven for about 8 minutes, until just beginning to colour.
4 Add the yoghurt, stock mixture and the vinegar to the oven tray and mix it into the vegetables using a spoon. Place the chicken pieces on top of the vegetables and roast for 30–40 minutes, giving the tray a little shake and stir halfway through.
5 If at any point the chicken starts to colour too much, cover loosely with a piece of foil. Conversely, if the bird doesn’t colour, raise the temperature to 220°C fan for the final 15 minutes.
6 Once fully cooked, squeeze over the lime juice and garnish with ginger, onion rings and coriander.
This is a great centrepiece for an alternative Sunday roast. I like to use a whole spatchcocked chicken weighing 1.2–1.5kg for this. Follow the same recipe, adding about 10 minutes to the cooking time in step 5 below. If, on the other hand, you are cooking for one, simply quarter this recipe and cook it in an air fryer at 180°C for 25–30 minutes. For a vegetarian achari traybake, try this recipe with a whole cauliflower and substitute the chicken stock with vegetable stock. Marinate the cauliflower in step 1 for about 10 minutes, then wrap it and roast it alongside the vegetables in step 4. Unwrap, drizzle with some oil or melted butter, place on top of the vegetables and roast for about 15–20 minutes in step 5. Finally place under the grill for 3–4 minutes on max heat to colour, if it hasn’t already browned evenly.
Recipes taken from Indian 101Real Indian Recipes Made Simple by Karan
Gokani
Published by Bluebird, 11th September, £28
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By PENDLE HARTE
Kamara is Soho’s new East-Med inspired cocktail bar. Expect cocktails based on in-house macerated spirits and homemade ferments, a design-led space with pottery sourced from independent Cretan artisan potters heavily featured throughout, and a tight mezze-style small plates menu. kamarabar.co.uk
The new Absolut Haring Artist-Edition bottle pulses with energy: a debossed rhythm of dancing figures brought to life in Keith Haring's signature blaze of reds and yellows, cut sharply against Absolut’s distinctive blue. Signed o with Haring’s unmistakable signature on the shrink sleeve, the result is a piece of 3D kinetic art that transforms the original painting into something you can hold, admire and toast with.. absolut.com
SLY DOG
Sly Dog Stoned Fruit Rumi s the UK’s first stone fruit rum, and it’s as bold, juicy, and rebellious as you’d expect. The premium spirit blends aged Caribbean rum with a medley of the ripest stone fruits — delivering a daringly smooth pour that’s bursting with natural flavour. slydog.co.uk
Cocktails – the musical
The Room Where It Happens isn’t just a bar—it’s a full-blown musical theatre experience. Walk through the door on Greek Street and you’re met with candlelit tables, shimmering gold ceilings, and red velvet curtains that make you feel like you’ve wandered backstage at the West End. But the real magic is the sta . Your servers are also performers — actors between shows who swap from pouring cocktails to belting out show tunes without missing a beat. One minute they’re carrying your drink, the next they’re leading the room in a rousing chorus. By 9pm, the piano kicks in and the whole place transforms into a giant singalong, with everyone joining in like an impromptu cast. The drinks menu leans into the theme, with cocktails inspired by musicals and classics given a dramatic twist. If you want to start strong, go for The Waitress’ Pie-Tini—a sweet, dessert-style martini that feels like curtain call in a glass. Pair it with a round of sharing plates and you’re set for the night. Early in the evening, it’s cosy and relaxed, perfect for a catchup. But as the night unfolds, the energy ramps up and the room comes alive.
It’s part bar, part cabaret, part party. In short: pure theatre magic, with cocktails..
theroomwhereithappens.co.uk
TORY BURCH
Tory Burch's new collection is all preppy with a twist. Think kneelenght skirts, sweaters and blouses, but also asymetric hemlines, deconstructed denim and statement draping. We love the sportswear too. toryburch.com
Yves Salomon's collection of outerwear mixes modernity with tradition in homage to the iconic Stella Tennant
YVES-SALOMON.CO.UK
Here, we talk with Prestons After Sales team about their experience working at each of their service centres, the journey to servicing your Rolex watch and the relationships they have built with their clients over the last 5 years.
Opened in February , the first Prestons Rolex Authorised Service Centre is located on the first oor of Prestons Wilmslow whilst the second, opened in , is located in Prestons Norwich. Each is equipped to Rolex’s exacting standards, ensuring every timepiece is serviced with meticulous care, technical expertise and the personal commitment that makes Preston’s so special.
Did you always know you wanted to work with watches?
Steve: “I think I knew very early on I could only have been years old. I remember vividly my mother seeing an advert in the local newspaper and saying to me “you enjoy taking things apart, why don’t you have a go at this ” I read the advert and have been a watchmaker ever since. I suppose I have my mother to thank for where I am today.”
Ryan: “I started out selling watches rather than servicing them but quickly discovered a passion for watchmaking. I am now a Rolex-trained technician, and it is my dream to become a Rolex watchmaker in future.”
Nick: “I initially began my career in a creative role but have always been intrigued by watches. I fell in love with the engineering that goes into these timepieces and seized an opportunity to enrol on a WOST P polishing course.
The WOSTEP Foundation is an internationally recognised watchmaking institution based in Swit erland, founded in 1966, it is an incredible place for those aspiring to work in the watch industry.
I find that polishing combines my creative and technical interests, as there is true beauty in restoring a watch to its original condition while preserving its unique character. I have now been a Rolex-trained polisher for two years, and I am so pleased to be part of the team at Prestons supporting each of our clients.”
What does it mean to be a Rolex-trained watchmaker?
Ryan: “ ach watchmaker working within our service centre is specially trained by Rolex to ensure consistent quality across all their operations worldwide. Here at Prestons, we are always on hand when a client brings their watch into the showroom. As the first to make a technical examination of a client’s timepiece, we see the memories in every case.”
Saul: “I started my journey to becoming a Rolex-trained watchmaker at the British School of Watchmaking in Manchester, it was a fascinating experience and only deepened my passion for horology. I have been a qualified watchmaker for five years now and I’m based at Prestons Wilmslow, it brings me so much oy to work amongst my passion each day. The team and I know these wristwatches have been worn and loved, often for decades, and we feel proud to be trusted with their care”
Can you tell us about a memorable watch you have serviced?
Joseph: “ very watch that comes through our workshop has a story, but some can really leave a lasting impression. One service that stands out in my memory was for a client whose grandfather had worn the watch almost daily for more than forty years. The team and I could see the character in the case and bracelet – all the little marks, scratches and details that build up over a lifetime of love and wear. For me, servicing that watch felt like we were helping to preserve a piece of their family history, a memory in some way. It is moments like that, that remind us how much these watches can mean to the people who wear them and to the next generation.”
What advice would you give on the care of a Rolex watch?
Steve: “The fitting of the watch onto a wrist is so important. ach of our dedicated team members are trained and therefore able to advise on the size of the bracelet to ensure a comfortable and secure fit.”
Nick: “Rolex watches are designed to be worn and loved every day. Over the years, it is natural for scratches and marks to appear. We would advise keeping to the servicing schedule rather than bringing the timepieces in for polishing whenever it sustains a scratch, and only ever entrusting the watch to a Rolex-trained polisher. This will help to ensure the longevity of the watch and keep it looking its best for decades to come.”
“Every watch that comes through our workshop has a story, but some can really leave a lasting impression”
Joseph Bentley, Head Watchmaker at Prestons Norwich
What makes the Rolex Servicing process so special?
Joseph: “Rolex watches are designed and built to last. The service process begins from the moment a client brings their wristwatch to one of our showrooms and continues through to its return, complete with its two-year international guarantee.
The servicing of a Rolex watch comprises several detailed steps requiring the use of specific tools and instruments that are tested and sometimes even developed by the brand. I love how meticulous every step is, nothing is rushed and every detail matters.
The team and I begin the service process by separating the bracelet from the case and carefully removing the movement. From that point on, the movement, case and bracelet each follow their own dedicated servicing path.
Each component is carefully examined to determine whether it still meets Rolex requirements, cleaned, dried, lubricated and carefully reassembled piece by piece. The case, bracelet and parts are individually re-polished or satin-finished by hand by myself or another member of our workshop team.
Once reassembled, the watch is tested for accuracy, precision and waterproofness as well as pressure-tested to ensure it meets the expected chronometric performance set by Rolex. At the end of the process, the timepiece is placed in a specialist pouch and is presented back to the client by one of our dedicated sales consultants. It is an incredibly detailed and rewarding process.”
“There is true beauty in restoring a watch to its original condition while preserving its unique character”
Nick Bentley, Polisher at Prestons Norwich
“Our service centres in Wilmslow and Norwich ensure the highest standards are maintained across all our watchmaking services”
Steve Tillston, Head Watchmaker at Prestons Wilmslow
What do you think having an in-house Rolex Authorised Service Centre brings to Prestons and their clients?
Jake: “It offers in-house expertise to each of our clients, as often we are client-facing in the showroom or the Service Centre. The team and I genuinely love to show our clients the servicing process and guide them through the work that will be undertaken on their timepiece.”
Ryan: “When a client brings a watch to us, it can be a great act of trust. I remember we were once visited by a lady who had received her watch as a bequest from her mother. The timepiece was unfortunately in need of significant repairs, and she was nervous about any changes we might make to it. I was so glad to be able to speak with her in person, so that she could be reassured that the character and sentiment of the watch would remain intact.”
Andrew: “It is so important for our clients to know that we offer full servicing in-house. For me, it is a great way for both new and existing clients to see firsthand the trusted team that will service and look after their watch, knowing it is in safe hands. The process in some respects feels so personal and therefore being able to meet with myself, or a member of our after sales team really builds trust.”
What makes the Prestons Experience so special?
Steve: “Here at Prestons, we operate to traditional values of service and quality. Our service centres in Wilmslow and Norwich ensure the highest standards are maintained across all our watchmaking services, while our showrooms allow us to meet with and understand our clients’ needs.”
Laura: “Whether a client brings their watch into us at Prestons Guildford, or at one of our other locations, each of our Rolex Authorised Service Centres ensures they can trust that it receives our personal care at every step of the process”
Steve, Joseph and their teams look forward to supporting and advising Prestons’ clients for years to come. From all at Prestons, we look forward to welcoming you to our showrooms soon.
For further information please visit: prestonsdiamonds.co.uk
Wilmslow | Guildford | Norwich | Leeds prestonsdiamonds.co.uk
By PENDLE HARTE
AIRE 360
The AIRE 360 ceramic styler is designed to create effortless, bouncy blow-dries and curls that last all day with zero heat damage. The curling attachments are coated in custom-blend ceramic to harness high-performance heat to smooth, boost shine, and create long-lasting curls – and it comes in a handy carry bag too. £249.99. t3micro.co.uk
Karen Betts’ microblading
NDIPTYQUE
Fleur de Peau fuses musks and flowers, inspired by the culture of ancient Greece – and it now comes as an Eau de Toilette and a refillable solid perfume featuring a combination of white musks with vibrant pink peppercorn notes and the sparkling freshness of mandarin. diptyqueparis.com
AKT’s revolutionary, aluminiumsalts free formula transforms from a luxurious, skin-nourishing balm into a dry, invisible powder: actively protecting, deodorising, and absorbing perspiration. aktlondon.com
o pain, no gain, they say. Well they’re wrong about microblading, unless you count the two weekends a year where you might look like you’ve overdone it slightly on the brows. Because there’s certainly no physical pain – and the gains are significant. Before I took the plunge, my brows were terrible. Sparse, wonky, messy, asymmetrical. Still, I was afraid of permanently transforming them into dark, angular, fierce-looking arches – but Karen Betts is not about that at all. Her approach to treatment is to replicate a natural look, and she’ll tell you that directly. In fact, she’ll refuse to give you what she deems the wrong brows. So what is microblading? Essentially, it’s a tattoo. But microblading uses a blade-shaped tool with a row of tiny, barely visible needles to create hair-like strokes along your brows while depositing pigment into your skin. Traditional tattoos use ink, while microblading is done with safer pigment. These fade over time without changing colour. After an initial session my brows look quite intense (the awkward weekend) but tone down quickly, and a follow up appointment two months later ensures that results will last for about a year. “I’ll just book you in for this time next year then shall I?” asks Karen’s assistant. The answer’s a firm yes. I’m never going back to terrible brows.
KAREN BETTS
32 Dover Street, W1 karenbetts.com
skinandme.com
C-Tetra Advanced 20 Vitamin C Gel Serum with Phyto Exosomes, 30ml £69 medik8.com
C.E.O. Glow Vitamin C and Turmeric Face Oil, £34 johnlewis.com
TRINNY LONDON Bounce Back Intense Peptide Moisturiser, 50ml £54 johnlewis.com
150ml £23.00 clinique.co.uk KATE SOMERVILLE
By PENDLE HARTE
Peptide K8® Power Cream, 30ml £135 katesomerville.co.uk
HOKA HAS A SHOE FOR EVERY SURFACE
EVOLVE JOURNEY
The Evolve Journey Wellness Journal is a beautifully designed tool for setting intentions and tracking progress: both physical and mental. £34.99. evolvejourney.co.uk
HEULOG ACTIVE
Heulog Active’s The Tenby leggings are a stylish workout win. The wide waistband stays put mid-squat, and the fabric feels silky but supportive. £85. heulogactive.com
CATALYSE
When I need an energy kick before a heavy li , Catalyse’s Mayi The Energy Blend is a game-changer. Packed with botanical infusions, it delivers a noticeable boost without the caffeine crash. £29.99 (for 12 servings). catalyselifedrinks.com
By CARLY GLENDINNING
Carly Glendinning gets serious about weight lifting with Personal Trainer, Charlotte Dunn
The weights area in my gym is definitely no longer a totally male-dominated area, but for some reason I still felt intimidated. Blame it on being a Millenial (yawn!), but the mere thought of being 'mansplained' or o ered help to move the bench was enough to put me o . The time had come, however, to take my weight lifting to the next level, so I decided to enlist Personal Trainer Charlotte Dunn to work with me on my confidence. Super warm and genuinely lovely to work with, Charlotte specialises in creating 1:1 training programmes. She blends a variety of methods including strength training,
cardiovascular work, and Pilates, working with her clients face-to-face in her luxurious fitness studio in Mayfair or virtually.
We started with a video consultation where I explained my goals and we chatted through my existing routine. Charlotte came back with a smart, glute-focused plan.
As my strength built, we took things up a notch. I took Charlotte on-camera with me to the gym, where she virtually held my hand through my first barbell lifts and laid the groundwork for pull-up training, something I’d always wanted to do. Charlotte encouraged me to lift heavier, train with intention,
and own my space on the gym floor. Her ultra-approachable coaching style made every session feel empowering. But what really stood out was how she gave me the tools (and belief!) to level up.
coachedbycharlotte.com
This October, breast consultants from New Victoria Hospital are drawing attention to an important message: women with dense breast tissue may require more than standard mammogram screening to detect cancer early and improve survival rates.
Dense breast tissue is a common finding, a ecting about 40% of women between the ages of 50 and 71. The challenge: both dense tissue and tumours appear white on a mammogram, making it di cult to pick up early cancers when they’re most treatable. Up to 10% of women have “very dense” breasts, a group that not only faces an elevated risk of breast cancer but is also more likely to have cancers missed by mammography alone.
Recent research from the University of Cambridge found that enhanced screening for women with dense breasts could detect an extra 3,500 cases of cancer and potentially save 700 lives each year. The National Screening Committee in the UK is reviewing whether additional screening should be routinely o ered to this group, but as of now, the NHS calls women for screening every three years between ages 50 and 71, regardless of breast density.
This Breast Cancer Awareness month, we discuss why women with dense breasts should consider more than just a mammogram
For many women, breast tissue is naturally denser in their 40s. Consultant breast surgeons like Ms Katerina Micha at New Victoria Hospital in Kingston upon Thames recommend women in this age group consider independent screening. At New Victoria Hospital, asymptomatic women over 40, who haven't had a mammogram in the past year, can self refer and self pay. Early detection at this stage dramatically increases treatment options and survival rates. “Asymptomatic women over 40, even those without a family history, can take charge of their breast health and gain reassurance from regular checks,” Ms Micha explains. “Early diagnosis is absolutely critical—it leads to far better outcomes.”
For those seeking a thorough evaluation, New Victoria Hospital o ers One-Stop Breast Clinic services, providing a clinical breast exam, mammogram and/or ultrasound, and biopsy if needed, on the same day. 3D mammography (tomosynthesis) help detect tumours in dense breasts more e ectively. If you notice a lump or any abnormal changes, rapid access to expert assessment is crucial. While most breast lumps are not cancer, every change should be professionally checked.
THE VALUE OF SELF-CHECKS
Regular self-examination remains an important practice. New Victoria Hospital’s Oncoplastic Breast Surgeon Ms Chloe Constantinou urges women to check their breasts monthly. She recommends examining in good light, checking for lumps, skin changes, or changes in the nipples—including shape, inversion, or discharge. Swelling in the armpit is another sign that should not be ignored.
EARLY ACTION MAKES A DIFFERENCE
Early detection not only raises survival rates, but often allows for less invasive treatments. Smaller cancers can typically be treated with breast-conserving surgery, and outcomes are excellent.
The bottom line: if you have dense breasts or a family history of cancer, don’t wait. Knowledge, vigilance, and regular checks are powerful tools in the fight against breast cancer.
Breast Clinic Appointment
CHD Living: care with purpose, joy and possibility from a family-owned group
At CHD Living, care is never just a service –it’s a relationship. It’s the morning cup of tea shared with a smile.
The first steps taken after rehabilitation.
The moment a family feels, for the first time in weeks, that their loved one is safe and truly seen.
For over 40 years, our familyowned group has supported people across Surrey, Hampshire and South London through every chapter of life’s journey. From residential care homes to pioneering neurorehabilitation centres and highly personalised home care services, we o er a complete spectrum of support tailored to individual needs.
But what truly sets us apart is our guiding philosophy: Creating Happiness Daily. It’s more than a motto. It’s our commitment to making every day brighter, warmer and more meaningful for those we care for.
Whether someone is recovering from a stroke, living with dementia, or simply needs a helping hand to stay independent at home, CHD Living provides specialist care that adapts as life changes. Our joined-up services are built around the individual, so no matter where someone starts their journey with us, we can walk with them every step of the way.
Our teams bring together medical knowledge and emotional intelligence in equal measure. At our rehabilitation centres, therapists help people rebuild strength, confidence and independence after life-changing injuries. In our care homes, teams go above and beyond to provide not only practical support but heartfelt companionship. And across our home care division, we empower people to continue
living where they feel happiest, surrounded by the memories and comforts of home.
Behind every care plan is a story. A son who sees his father smile again. A grandmother who takes part in a painting class for the first time in years. A couple who reunite for an anniversary lunch organised by the team. These moments are why we do what we do. This Autumn and Winter, we are proud to be growing our CHD Living family with the opening of two brandnew care homes, situated in Pyrford, Woking and Elstead, near Farnham. At CHD Living, we don’t just care for people – we care about them. Every day is a chance to bring comfort, spark a smile, and create lasting memories. That’s what Creating Happiness Daily means to us.
To find out more about our services, or to register interest in our new homes, visit chdliving.co.uk, or call 01428 772 469
LUXURY RETIREMENT LIVING, REDEFINED AT BATTERSEA PLACE
LifeCare Residences o ers a lifestyle of comfort, style and ease at Battersea Place. While we take care of the everyday details with exceptional service, you can enjoy the reassurance of true peace of mind and the freedom to spend time on what matters most.
BATTERSEA PLACE: LUXURIOUS LIVING IN THE HEART OF LONDON
Located directly opposite the serene Battersea Park, our London retirement village is perfectly positioned between tranquil greenery and the vibrancy of central London. From here, it’s an easy stroll across the Albert Bridge to the chic streets of Chelsea and Knightsbridge, with their fine dining, high-end luxury boutiques, and renowned galleries.
APARTMENTS DESIGNED FOR COMFORT & STYLE
Our beautifully designed one, two, and three-bedroom apartments provide private sanctuaries, blending contemporary interiors with timeless comfort. Spacious living areas, elegant finishes and thoughtfully designed layouts create a welcoming home. Each residence is complemented by the high standards of service and access to impeccable services and amenities.
Step beyond your front door and discover a vibrant community, along with exceptional facilities and support. Our weekly calendar is thoughtfully curated to o er everything from engaging talks and cultural experiences to fitness classes, art workshops and social
"I don’t think there is anything better than living here. It’s confidence. I wanted my daughter to feel that wherever I was, I was self-su cient. I don’t want for anything now. The team at Battersea Place are lovely – they are there to help you and they really do – they are wonderful."
Anne Hobson - Battersea Place Resident
gatherings. Whether you prefer lively interaction or quiet relaxation, there’s always something to suit your mood.
With a dedicated 24/7 concierge, regular excursions, chau eur service, and onsite emergency response, you can enjoy both independence and reassurance. Every detail is designed to enhance your comfort and wellbeing, leaving you free to embrace the very best of London living. We invite you to experience a new standard of retirement living. For more information, please visit lifecareresidences.co.uk or contact our Sales and Marketing Manager, Ina Betsi, on 020 7924 8641 or ibetsi@batterseaplace.co.uk
CARL HANSEN & SØN
Mogensen’s classic Hunting Table is now available with a wider tabletop, adapted to allow space for larger dinner parties. The table is constructed for frequent use with rounded corners and edges in solid wood, revealing Mogensen’s passion for democratic and accessible design.
Carl Hansen & Søn Flagship Store London, 48A Pimlico Road, SW1W 8LP carlhansen.com
COMPILED
BY
PENDLE HARTE
Roma, Capri, Ibiza or Paris? Take your pick with Jonathan Adler’s Jet Set glassware set. The four glasses are hand-blown with handembossed colour details. £98 jonathanadler.com
La Valse Heìsitation is a crystal perfume fl acon in limited edition of 250 produced by Lalique in collaboration with the Magritte Foundation. The design is inspired by Magritte’s 1950 painting of the same name which depicts two green apples, each veiled with a mask. £2,150 lalique.com
This pink fl ower glass light shade is shaped like a whimsical fl ower, creating a magical vibe as the lightbulb becomes the radiant centre of the bloom. £50 rockettstgeorge.co.uk
Ferm Living’s Boya glasses draw inspiration from buoys and ancient Mediterranean glassware. Named a er the Spanish word for ‘buoy,’ their playful shape adds charm to any setting. £39 fermliving.co.uk
Industville’s Dulwich glass wall light layers glass bowl shades in a mocha tint around an alabaster style globe glass centre. Its organic shape creates a sense of movement and warmth. £199 industville.co.uk
Iittala’s Solare glassware has a new seasonal palette inspired by the shi ing light of the Nordic autumn. These muted, natural hues evoke stillness, enhancing everyday moments of gathering and hosting. Each piece is mouthblown at the Iittala Factory in Finland. iittala.com
the bowl, and clear, elegant
These striped coupe glasses by Shrimps for OLiver Bonas have a distinctive pink and yellow pinstripe pattern around the bowl, and clear, elegant stems. £34.50 for two. oliverbonas.com
Hay’s tint coupe glasses are made of dishwasher-proof borosilicate glass, which is signifi cantly more durable than normal glass. Set of two, £45 libertylondon.com
L’Objet’s Prism is a glassware collection of bold colour combinations, hand-cut and decorated to playfully refl ect light. Available in Amber, Green, Purple, and Bordeaux. uk.l-objet.com
The retro design of the Crawford Glass Shade is reminiscent of the 70s with its tawny brown hue and scalloped ridged shade. Curved downwards in a bowl shape, this focuses the light perfectly. £22 brown cultfurniture.com
Hans J. Wegner’s dining tables are connected by the trinity of simplicity, functionality, and form. Imagined in the 1960s and crafted from solid wood using traditional techniques, the CH327 and CH337-CH338-CH339 tables exhibit handcrafted detailing and aesthetic timelessness. Whether the shape, length, or design, the tables o er easy adaptability embracing the demands of everyday life.
The campaign price applies to the selected products and variants from September 1st to November 30th, 2025.
ADDISON ROSS
Addison Ross's growing Bobbin collection spans salt and pepper grinders in several sizes and multiple colours, from brights to monochrome, as well as candlesticks and a stylish cordless lamp. We love them all. addisonross.com
Compiled by PENDLE HARTE
JONATHAN ADLER
Jonathan Adler's Wellington Side Table features a sculptural blackened steel frame capped with ball fi nials and wrapped rattan peel edging inset with high-gloss orange lacquer surfaces.It's an eye-catching piece and currently on sale at £625. jonathanadler.com
WODAR
If you’re still using a kettle and the worktop is struggling with clutter, then a hot water tap is for you. Wodar's traditional and modern designs come in two colourways and six metallic options, ensuring that there’s one for every kitchen. wodar.com
STEEL APPEAL
STELLAR
Stellar's range of premium cookware now includes the Profile Matte collection in a brushed stainless steel fi nish that combines contemporary style with everyday practicality. It's a joy to look at and to use. 3.25L saucepan, £71 stellar.co.uk
SPARK AND BELL
Clever design o en includes additional functionality and this handcra ed table lamp features an integrated and very useful trinket tray. The Rowan table lamp has an opal glass globe and a jesmonite base, in two fi nishes with a choice of cable colour. £265 sparkandbell.com
Private members’ clubs have always had a magnetic pull. Behind their discreet doors in Mayfair townhouses, Shoreditch warehouses or Covent Garden palaces, lie enchanting worlds: velvetdraped lounges, candlelit corners, curated art, and the unmistakable hum of conviviality. While membership remains elusive for many, the interiors of these clubs have begun to influence how Londoners want to live at home. The private members’ club aesthetic—once synonymous with old-school formality— has become a modern design language of intimacy, tactility, and atmosphere.
Over the past decade, this aesthetic has diversified dramatically. The velvetand-leather grandeur of Annabel’s is not the same as the industrial chic of Shoreditch House or the contemporary polish of The Arts Club. Each interprets the same idea – spaces that feel exclusive, cocooning, and social through different stylistic vocabularies. Increasingly, designers are distilling these moods into private residences, giving homeowners a slice of club-like comfort that works for everyday life.
Take Soho House, the trailblazer of relaxed luxury. Its interiors, shaped by figures like Ilse Crawford and Vicky Charles, favour layered textures, flattering light, and a lived-in eclecticism. Sofas are low and generous, art hangs salon-style, and vintage rugs anchor mismatched chairs. The vibe is at once cosmopolitan and informal, designed for a Sunday afternoon nap as easily as a latenight party. For many, this interpretation of club design feels closest to modern
London living: global, democratic, stylish without pretension.
By contrast, The Ned in the City takes inspiration from its grand 1920s building. Its interiors, created by Soho House Design, are a masterclass in atmosphere: bankinghall ceilings soar above marble counters, while private lounges retreat into low-lit intimacy. At home, this translates into a combination of monumental architecture and intimate detailing: statement lighting in dining rooms, then velvet armchairs tucked into alcoves for quiet conversation. Annabel’s, redesigned by Martin Brudnizki, remains the most flamboyant expression of club luxury. It revels in maximalism: jewel-toned velvets, lacquered walls, extravagant chandeliers, and fantastical murals. For some homeowners, this is the inspiration—rooms that surprise, seduce, and make every evening feel like
theatre. Brudnizki himself has described the aim as creating “a house of joy,” a phrase that resonates with anyone who believes interiors should transport as much as they shelter.
One of the most anticipated additions to this landscape is The Zetter Bloomsbury, set to open early next year. Located just steps from the British Museum, this boutique hotel occupies six 300-year-old Georgian townhouses, seamlessly blending original architectural details with carefully curated interiors. Designed by James Thurstan Waterworth, former European Design Director of Soho House, the hotel promises to offer a "home away from home" experience, characterized by its eclectic and original interiors that resonate with the building's history and surroundings . 180 House on The Strand demonstrates another evolution: contemporary
“Even a small snug or study can take on the intimacy of a club if it layers light, texture, and mood”
minimalism softened with texture. Its roof terraces and lounges rely less on ornament and more on proportion, palette, and light. The lesson here is restraint—creating impact not through clutter but through space, natural materials, and carefully chosen objects. A London flat designed in this spirit might feature oak floors, plaster walls in warm neutrals, and just a handful of sculptural furniture pieces, all illuminated by pools of warm light.
Meanwhile, Home House in Marylebone embraces heritage with a playful twist. Its Georgian architecture provides the bones— sweeping staircases, grand windows— while interiors lean into conviviality with bold colour and dramatic flourishes. For a homeowner, it suggests a design ethos of respecting the building’s history while daring to be bold in the details. At The Lansdowne Club in Mayfair, recently refurbished suites feature clean lines, soft neutral tones, and refined finishes that create a calm, modern atmosphere. Walnut timbers and subtle metallic details add warmth without overwhelming the space. Sleek integrated technology, such as discreet LED lighting and wired headboards, ensures comfort and convenience while maintaining a minimalist aesthetic. The overall effect is a seamless blend of timeless sophistication with a distinctly modern sensibility.
Across these clubs, certain principles repeat. Lighting is always intimate, never harsh. Furniture encourages lingering, from velvet banquettes to leather club chairs. Art is curated with personality, not just decoration—whether a wall of contemporary
British painting at Soho House or eclectic pieces hung salon-style at The Arts Club. Texture is paramount: layered fabrics, warm woods, polished metals, and handmade ceramics combine to make every surface feel considered. Above all, these interiors prize atmosphere, creating environments that feel both special and comfortable.
Designers working in this sphere often cross the boundary between clubs and private commissions. Martin Brudnizki, David Collins Studio, and Bryan O’Sullivan are among the names shaping London’s most glamorous interiors, whether for hospitality or for residential clients who want a touch of that club magic at home. Their projects prove that the aesthetic is not about copying one particular club but about distilling a sensibility: rooms that feel cocooning, tactile, and social, designed as much for hosting as for retreat.
For homeowners, translating the private members’ club aesthetic doesn’t necessarily require a ballroom-sized budget. A few key gestures can transform a room: swapping ceiling spotlights for shaded lamps and sconces; choosing jewel tones or earthy palettes instead of stark whites; investing in a velvet sofa or a leather armchair; curating a gallery wall of art that feels personal; styling a bar cabinet with cut-crystal glassware and favourite spirits. Even a small snug or study can take on the intimacy of a club if it layers light, texture, and mood.
As the boundaries between work, leisure, and home continue to blur, the
“A club-inspired home does not shout for attention; it envelops”
club aesthetic offers a way to make domestic spaces more versatile and atmospheric. In an age of transparency and digital overload, the allure of privacy and atmosphere feels more luxurious than ever. A club-inspired home does not shout for attention; it envelops. It suggests that the greatest indulgence is not excess, but belonging—to a circle, to a ritual, to a room that feels like a world of its own. London’s clubs each interpret that idea differently, from the maximalist fantasy of Annabel’s to the relaxed eclecticism of Shoreditch House. Yet together they form a language of modern luxury that is no longer confined to membership lists. With imagination and careful design, it can live within the walls of your own home.
We are ZMA, award-winning London based architects that come with enthusiasm and experience.
We are ZMA, award-winning London based architects that come with enthusiasm and experience.
With a long-standing reputation for delivering personallycrafted homes, we propose solutions that maybe you wouldn’t have thought of. We listen, and with our know-how, we’ve built enough to intervene in a way that is efficient, effective and compelling, and definitely, definitely the right solution.
With a long-standing reputation for delivering personallycrafted homes, we propose solutions that maybe you wouldn’t have thought of. We listen, and with our know-how, we’ve built enough to intervene in a way that is efficient, effective and compelling, and definitely, definitely the right solution.
IN BED
Luxury is all in the sheets. You might hanker a er that crisp, cool fi ve star hotel feel – but linen is defi nitely more stylish with its matte, artfully crumpled look. We love the collection at Piglet in Bed: it feels so from the start and gets even so er with time. pigletinbed.com
ORIGINAL BTC
Lighting is key in creating atmosphere, and you can never have too many lamps. Original BTC's ever-stylish Hector lamp creates a warm glow thanks to its bone china shade. £279 harrods.com
A bedside radio is an essential, but it needs to look good. Roberts' combination of retro aesthetics and contemporary features is a winner, and this Rambler Midi features DAB and Bluetooth, with excellent sound quality and a clear display. £179.99 robertsradio.com
Tamilla is a new collection by Francis Sultana for The Conran Shop. It's a range of furniture that celebrates materiality, from cane to marble, with a pared-back European aesthetic that suits the members' club perfectly. Side table, £495 theconranshop.com
Luxe upholstery is a key part of this look and Laura Stephens' new Scroll Chair is inspired by a 1930s antique piece. With scroll-shaped arms and an arched backrest, it’s designed to bring warmth and personality to any room. £2,950 laurastephens.co.uk
Iconic design is a combination of simplicity, aesthetics and functionality
Carl Hansen & Søn presents a wider version of Børge Mogensen’s hunting table from 1950
The Hunting Table embodies Børge Mogensen’s unique ability to merge robust craftsmanship with aesthetic, functional details in which the materials speak for themselves. After relaunching the table in its original dimensions in 2018, Carl Hansen & Søn is now introducing a wider, more spacious version to accommodate larger dinner parties.
The structural design of the Hunting Table comprises two solid-wood trestles with angled legs supporting a slim veneer tabletop with rounded corners and solid-wood edging. Stability is maximized by two diagonal brace bars mounted between the frame and tabletop in brass or stainless steel - a functional touch that accentuates the table’s handcrafted expression. Another refined detail is showcased in the table legs’ through-tenon joint, secured with contrasting wood wedges, meticulously hand-sanded and finished by the skilled artisans at Carl Hansen & Søn.
Knud Erik Hansen, CEO and third generation owner-manager of Carl Hansen & Søn said: “Børge Mogensen originally designed the elegant Hunting Table for the Cabinetmaker Guild’s Furniture Exhibition in Copenhagen in 1950 under the theme ‘The Hunting Cabin’, for which he also designed the BM1106 Huntsman Chair. These tables bear the distinct hallmark of Børge Mogensen by uniting his sense for simplicity and complexity in an exquisite design.After several years on the market, we’ve experienced an increasing demand for a wider version of the Hunting Table, which is why we’re pleased to present this spacious table that seats eight.”
Carl Hansen & Søn Flagship Store London, 48A Pimlico Road, SW1W 8LP 020 7730 8454 @carlhansenandson_london carlhansen.com
Carpe Diem Beds is expanding The Iconic Collection and releasing new products for the bedroom sanctuary
IIn celebration of this year’s 30th anniversary, Carpe Diem Beds has expanded The Iconic Collection, an innovative series of floating luxury beds first released last May. The brand is adding their best-selling bed model, Sandö, to the collection and releasing a range of new products to help customers turn their bedrooms into sanctuaries. The Iconic Collection debuted with four innovative designs: Kungsö, Hällsö Walnut, Hällsö Upholstery, and Vindö. Known for their innovative style, these beds feature a distinctive centred leg design, creating an ethereal floating effect. With the addition of Sandö Iconic, the collection continues to set new standards for luxury and innovation in the world of sleep.
New standards for luxury and innovation in the world of sleep
As Carpe Diem Beds’ most popular continental bed model, Sandö has been thoughtfully reimagined to align with the rest of The Iconic Collection. Its updated design incorporates the centred leg, giving it the ethereal floating appearance while maintaining the ergonomic excellence that has made it a customer favourite. Sandö Iconic stands out due to its unique combination of three patented spring systems. Like all beds in the collection, Sandö Iconic includes both the Contour Pocket System and Visco Elastic Bottom Layer. The third layer,
the X-pocket, is positioned between the top and bottom spring systems, providing exceptional suspension depth that creates an unparalleled sensation of weightlessnes and enhances the sleep experience, offering an ideal balance of support and relaxation.
Carpe Diem Beds offers more than just luxury beds; they provide a variety of bedroom furniture and accessories that inspire customers to create their own bedroom sanctuary. The
concept of a 360° view is central to the company’s philosophy, as they believe the bedroom should be the heart of the home – a space where one can truly unwind.
Among the new releases are the Otterö Headboard, Holme Walnut Nightstand, Holme Walnut Top and Cylinder Bed Leg in Walnut, all crafted from walnut, highlighting a commitment to materials that embody beauty, tranquillity, and lasting quality. This aligns with one of the company’s primary sources of design inspiration: nature.
You can experience the craftsmanship and innovation behind Carpe Diem Beds firsthand by visiting the London flagship store in Wigmore Street or exploring the full range online at carpediembeds. co.uk. For those looking to design their dream bed themselves, the 3D bed configurator allows you to build a bed tailored to your exact specifications and design desires. Once you experience the unparalleled comfort of Carpe Diem Beds, no other bed will do. 15 Wigmore Street, W1; 020 3982 3252 carpediembeds.co.uk
When pattern comes alive, every wall tells a story
Luxury wallcoverings for interiors that inspire
A look at the cult fashion brand’s new homeware collection
ult fashion brand Shrimps has launched a limitededition 21-piece tableware collection that makes breakfast look as good as it tastes. The result? A table dressed as thoughtfully as an outfit.
The idea comes straight from designer Hannah Weiland’s own kitchen table. The Shrimps founder has always treasured slow Sunday mornings spent with her family, bagels piled high and conversation flowing. Those cosy rituals became the heartbeat of this collection: pieces that don’t just serve food but celebrate the act of gathering. Every plate, mug, and jug feels designed to spark joy, capture a mood, and turn brunch into a little ceremony.
And then there’s Lenny. The lion—drawn by Weiland herself—prowls playfully through the range, appearing as a sculptural butter dish, a subtle motif on ceramics, and even as part of the collection’s storytelling thread. He’s more than decoration; he’s a mascot of sorts, representing strength, warmth, and the creative bond between the two brands. It’s these details that elevate the tableware beyond utility into something with real personality.
“I wanted to capture the calm and considered moments of brunch,” says Weiland. “The lion felt right—both strong and friendly, a symbol that ties the collection together. We also reimagined texture, which has always been such an important part of Shrimps’ fashion identity. Translating the tactile feel of our knitwear into ceramics was a chal-
lenge, but also really exciting.”
That focus on texture shows. From delicately twisted candlesticks to sculptural, hand-finished mugs, the collection feels alive with touch and form. The colour palette sings too: pops of coral pink, acid yellow, marmalade orange, and terracotta dance across a neutral backdrop, creating a playful yet harmonious mix. Vintage-inspired silhouettes ground the brighter tones, while Lenny’s hand-drawn presence ties everything together with a wink of charm.
It’s easy to imagine these pieces becoming part of daily rituals—morning coffee in a coral mug, or a dinner party lit by those twisting candlesticks. Like Shrimps’ clothing, they feel characterful, witty, and a little bit collectible, destined for Instagram feeds as much as kitchen cupboards.
The collection is a collaboration with Oliver Bonas, blending the store’s eye for lifestyle design with Shrimps’ reputation for o eat creativity and’ playful, fashionforward spirit.
The home of the late Gretchen Andersen, founder of The Lacquer Chest, is featured in a new book dedicated to authentic and individual style
By RUTH GUILDING
Gretchen Andersen followed the ebbs and flows of the antiques trade with the keen intelligence of a trawler-skipper working the seabed’s teeming floor. In the fluxes of the mid-20th century, she had seen that the past was a foreign country full of wonderful things that no one else seemed to value. Everybody shopped at her shop, The Lacquer Chest – pop stars, Terence Conran, Elizabeth David, David Hockney, Lucian Freud. Gretchen used her sophisticated seeing eye to seek out the things that the past had discarded, always ‘buying for herself ’, and soon her customers just wanted the things that she liked and wanted too.
Her little stuccoed house was more of a cottage, at the end of a cul-de-sac near Kensington High Street reached by a bowery path between two rows of short front gardens. It was full of wonderful things, but it’s the colours and paint on the walls that I return to whenever I think of it, for hers was the palette that I held in my mind when we moved into a new-old house a couple of years ago.
Gretchen’s decorating style was thrifty and self-invented, too. There were impossible-to-copy wallpapers such as the 3-shillings- a-roll marbled paper from a closing down sale, on her staircase, but I did borrow the way she’d painted the window frames and glazing bars in with the mossy green colour on the walls of her bedroom. She said that this was
decorating the way the French do it and it makes the room look bigger: ‘I think the English pick out everything in white.’ Her knocked-through back kitchen was painted by someone she fondly described as a ‘difficult genius’, a colourist who used nine different yellows and then added a single muted lavender stripe to one ceiling rafter.
It felt like being inside a light box, elevating the zany perfection of a red and white tin colander hanging by the sink into an art installation. Best of all was to sit on the Windsor chairs at the kitchen table for tea – and her gripping, omnivorous talk.
Ram House on the Dulwich Estate is an impressive scheme by Zac Monro Architects. Absolutely chats to him about the project
Q What was on the site when you first saw it? Did you retain anything of the original building?
A The Dulwich Estate is one of London’s most acclaimed examples of suburban modernism — and it’s entering a new chapter as a new generation looks to adapt these houses for 21st-century living. ZMA as a practice has been deeply involved in this transformation, reimagining these homes with a balance of respect for their heritage and a push toward sustainability. In this case, we rebuilt the house next door, so the owners knew us and were keen to explore possibilities for their house.
Though it did have some charm, there was a lot wrong with it. It sat uncomfortably on the site, with oddly shaped garden spaces; it had small openings and low ceilings, and the
beautiful mature trees that surrounded it were causing the foundations to wobble and the walls to crack, so something had to be done. More importantly, the house wasn’t doing justice to its exceptional location.
Q What did the clients want in terms of living space?
AThe main thing they wanted was a sense of transparent open plan living, spaces that give onto and flowed into the garden, somewhere where the leafy shadows of those big oak trees would permeate deep into the plan of the house throughout the seasons.
Practically, they wanted a core to the house that connected these main spaces with their master suite, and then two separate zones one for the artist studio and another for the guest bedrooms.
And crucially, they also wanted garden spaces that were part of the living spaces.
Q You changed the orientation of the house - how does that work? Is that something you have done before?
A When we’re working on a house, especially a new build, we’re always looking at the orientation: where the sun rises, where the sun sets, where you might want to sit and have a cup of tea in the morning, for example. We’re also looking at the critical views, and the kind of external rooms that are created by the architecture.
In this case the existing house didn’t face any of the gardens, it just broke them up, so re-orientating enabled us to make the house face a bigger, more open garden square. This not only made for a more human connection, it also created two other gardens: a more private courtyard
garden to at the back and a bigger, more open welcoming front garden. Having a house correctly orientated in the setting goes a long way to making it feel like it belongs there, and does the same for its inhabitants.
Q What was the primary goal with the house: light flow, sustainability, aesthetics?
A Inside, the main goal was to be able to feel a sense of connection with this urban rural setting. This often means a sense of transparency, being able to see from one side to the other, always having glimpses out onto nature and a sense of overall openness in the internal spaces.
Outside, the primary goal was to make the house something appropriate to the setting and surrounding architecture, harmonious but also a little bold.
Q Tell us about the materials used.
A In order to keep the human scale, the house reads as three distinct volumes with their own materials. The main upper volume is made up of specialist clay tiles. That volume is balanced between a dark wooden and a white rendered block, leaving lots of space between them for an open-plan layout. The ground plane then comes into its own as polished concrete surface that moves seamlessly through the house from one garden to another.
In terms of structure, the openness requires a steel frame, but everything else is timber frame and sustainable installation to keep the carbon footprint as low as possible.
Q Was planning permission straightforward?
A When is Planning ever straightforward!
And in this case, you have the added complication of needing permission from the Dulwich Estate who have an unappealable right of veto. As we’ve been here before, we took that into account, being careful with pre-applications, and discussions, and involving the neighbours. When we made our case clearly with the issues of subsidence and poor energy use, it was a case of either the trees or the building. So in this case we kept the trees and rebuilt the building.
Q Was this project different to anything you had done before?
A Every project is different, that’s a wonderful thing about working with different clients. Of course, we have a wealth of experience with this kind of project, but people tend to come to us because of our approach. Clients were brave enough to be quite bold, and that’s what has made Ram House such a unique house on the street.
For us it’s the latest version in our crusade to upgrade these kind of midcentury-rooted homes, homes that you find slightly unloved all over the country.
Q And as a practice, what would you say your signature is?
A We are known for Inside out homes (hence the name of our Amazon TV series), and all our projects, be they extensions, renovations, barn-conversions or newbuild houses, focus on that connection to the outside world. As a result we’ve often found ourselves balancing heritage and innovation in a sort of urban-rural setting. We like buildings to be as light and as human as they can be.
z-m-a.co.uk
If you’re looking for a statement piece in your home, consider the furniture range from London Transport Museum. This exclusive collection lets you order custom moquette furniture, designed to standout in any space. Whether you need a statement piece or a stylish space-saving solution, there’s something for every home. Choose from sofas, armchairs, storage cubes, benches, and more, all handcrafted in the UK and upholstered with the same iconic, durable moquette fabric used across London’s Tubes, buses and trams.
A century of design and durability
Moquette, derived from the French word for carpet, is a hard-wearing wool fabric used in public transport upholstery worldwide. For over 100 years, it has been a signature of London’s transport system, covering seats on buses, trains, trams, and trolleybuses. Millions of commuters have sat on these vibrant patterns, making moquette a true emblem of the city's identity.
The first moquette design was developed
Bring a touch of London’s transport heritage into your home
in the 1920s, its geometric design embracing the Art Deco style of the era. By the 1930s, renowned designers were commissioned to create stylish yet practical patterns. Over time, moquette designs have evolved alongside London’s changing aesthetic, yet their durability and charm remain unmatched.
A perfect fit for any space
The London Transport Museum Shop o ers a diverse range of furniture options to fit any room. O ering a selection of seating options, the range includes a variety of armchairs, as well as compact sofas and 2 and 3 seat sofas for larger spaces. If you are short on space, a storage cube or footstool is a
“Go vintage with the Routemaster pattern or embrace the Elizabeth line design”
functional yet stylish approach, and benches and ottomans are available to order which can be great for adding a London-inspired design touch to hallways or communal areas.
With 20 moquette designs available, you can go vintage with the Routemaster pattern or embrace a modern touch with the Elizabeth line design. Each bespoke piece celebrates London’s transport heritage while adding bold character to your interior.
Handcrafted quality and delivery
Every piece of moquette furniture is handmade in the UK, using time-honoured upholstery techniques. This meticulous craftsmanship ensures durability, comfort, and an impeccable finish.
Because each piece is custom-made, delivery takes approximately 10 weeks to allow for careful handcrafting. There is a 10-year guarantee on selected furniture frames, covering manufacturing faults on the frame and internal springs. Prices start from £200 with free delivery to the UK only. ltmuseumshop.co.uk
Absolutely meets FrugaAbdullahi, showroom manager at JensenBedsChelsea Harbour, to discover how they can help you find the right bed
Q What can a customer expect when they first walk into the Jensen Beds showroom at Chelsea Harbour?
A When you arrive at the showroom (located on the first floor, Design Centre South, Chelsea Harbour), you’ll be invited to experience the renowned sleep comfort first-hand immersed in elegant Scandinavian design, crafted in Norway, and built on decades of innovation.
Q How do you guide customers through the showroom to help them find the right bed?
A Jensen offers personalised consultations, available in-person at Chelsea Harbour. You’ll receive tailored guidance from sleep science professionals to find a bed suited to your sleeping habits and comfort needs.
Q Do you offer personalised consultations or sleep assessments for visitors?
A We provide individual consultations in person, with experts guiding you step-bystep toward a personalised sleep solution.
Q What role does the showroom play compared to buying online – what advantages does visiting in person offer?
A Visiting the showroom lets you try the beds in real life, feeling the quality of materials, comfort level, aesthetics, and adjustability. You also benefit from expert guidance that optimises your purchase, which is something that can’t be replicated online.
Q Can customers try out different firmness levels or customisations in the showroom?
A We have the majority of our bed models in different tensions on display to explore. Like the adjustable Countess, which allows you to experience flexibility settings to provide the best sleeping position features such as head and foot raising for added comfort.
• Scandinavian aesthetics and ergonomic zoned support.
• Durability backed by warranties.
• Expert sleep guidance and personalized service.
Q Could you explain the importance of Jensen’s Scandinavian design heritage in the products?
A The beds reflect classic Scandinavian design – timeless, comfort, understated, inspired by nature, and focused on clean lines and mindful material selection. It’s a heritage rooted in form, function, and quality.
A Absolutely. Options range across firmness levels, adjustable bases (like the Countess Lean and Supreme Aqtive II), custom textiles, and control features including app and voice commands ensuring you can match the bed to your preferences and body type. On the continental range and the Nordic, we also offer bespoke size beds for different body height and weight to accommodate clients with the best comfortable sleeping solution.
Q How long can customers expect a Jensen bed to last?
Q Do you host any special events, demonstrations, or workshops at Chelsea Harbour?
A We hold exclusive sleep talk events twice a year with our Olympic sleep coach Dr. Sanjay Verma, who is an internationally recognised sleep expert, training athletes, and professional sports teams on the science of recovery. Through these exclusive workshops and talks clients can experience and benefit from the same strategies that help elite athletes achieve restorative sleep and peak performance. Customers can sign up on our website directly to have early access and invitation through receiving our newsletters.
Q What sets Jensen Beds apart from other premium bed brands?
A Jensen’s strengths include:
• Norwegian craftsmanship since 1947.
• Innovative Exact Comfort Adjustment and proprietary Aloy spring systems.
Q How does the brand incorporate ergonomics and back support into every bed?
A Jensen integrates ergonomic comfort through systems like Jensen Original Zone System, featuring a soft shoulder zone and reinforced lower-back support, and advanced Aloy spring systems designed to adapt body shape and maintain proper spinal alignment.
Q What role does sustainability play in the materials and production process?
A Sustainability is a clear focus for us; Jensen beds are made in Norway; materials are sourced from neighbouring countries to decrease carbon footprint. We carry environmental certifications in Europe (like the Swan label), and their products are designed to be durable and recyclable.
Q Are Jensen Beds customisable to suit different body type?
A Jensen backs its quality with a 5-year comprehensive guarantee, plus a 25-year warranty covering frame and spring breakages. As for everything in life, it is expected to have an expiry date depending on how well maintenance is practiced.
Q Why did Jensen choose Chelsea Harbour for the flagship showroom?
A Chelsea Harbour, within the Design Centre, is a prestigious venue that aligns well with Jensen's values of design, craftsmanship, and personal service.
Q Why should someone choose Jensen over another brand?
A The most compelling point is the holistic combination of expert sleep science, adjustable ergonomic and comfort design, Scandinavian craftsmanship, sustainability, and unmatched warranty coverage, ensuring not just a luxurious bed, but a transformational sleep experience personalised for you.
£5,646
We are offering one lucky winner the chance to win the ultimate in luxury sleep, a SuperKing Jensen Premiere Continental Bed, complete with mattress topper and headboard
Jensen Beds embody the best of Scandinavian design, combining simplicity, timeless style and inspiration drawn from nature. Using quality materials, clean lines and decades of expertise, they craft beds that are both comfortable and beautiful. Norwegian-made since 1947, Jensen Beds are designed to make you fully rested, every day. Experience this comfort for yourself and drift off in a bed that combines Scandinavian elegance, exceptional craftsmanship, and the promise of truly restorative sleep. The Jensen Premiere
Continental Bed features two layers of pocket springs and the Jensen® Original Zone System with an extra-long, soft shoulder zone for flexibility. Its reversible mattress combines stable pocket springs with Innergetic® Sonocore latex, built-in lower back support, and a double spring base. Plus, exact comfort adjustment lets you tailor the mattress firmness to your weight and personal preference. Bring everyday luxury and comfort into your own home, sleep deeply, wake effortlessly, and enjoy the quiet luxury of a perfect bed.
jensen-beds.com/uk
One lucky winner has the chance to take home the luxury Jensen Premiere Continental bed, complete with a 180 x 200 cm mattress topper, legs and headboard. To enter, head to absolutelymagazines.com/win/
TERMS AND CONDITIONS
• Over 18’s and UK residents only. • The
Inside the stylish new development on the site that was once Mirabelle
Tthe former site of famed Mayfair restaurant, Mirabelle, once frequented by notable figures such as JFK and Winston Churchill, has been transformed. 60 Curzon is now a boutique collection of 32 private residences and its show apartment, designed by interior design studio Elicyon, exhibits a blend of Art Deco influence with a contemporary twist. Within the first and only private residential building in Europe designed by legendary French architect Thierry Despont - renowned for his Art Deco interiors and distinguished projects including Claridge’s and Ritz Paris - the Elicyon designed apartment pays reverence to the building’s stylised glamour and linear geometrical façade.
Through thoughtful curation of vintage and contemporary details, Elicyon has crafted an inviting four-bedroom apartment with a natural flow that radiates warmth. The spacious home is defined by soft curves and rounded silhouettes, with subtle motifs identifiable in the textured wallpaper, bespoke cabinetry, and rounded furniture seen throughout. Elicyon’s meticulous layering of unique antique pieces, including original Art Deco walnut side tables and a checkered oak cabinet in the guest bedroom, alongside a bold pair of reupholstered powder blue ground-hugging armchairs in the principal bedroom, creates a gallery-like atmosphere. Building on this aesthetic, statement vintage pieces such as a 1936 maple wood grand piano and a 300kg 19th century marble urn, not only pay homage to the site’s heritage but also serve as striking focal points, anchoring the apartment’s design in history and craftsmanship. An Art Deco scalloped dressing table chair from Marylebone Antiques, a bespoke shelving unit crafted by Rochford Joinery, and olivegreen glazed tile bedside cabinets by British ceramicist Matthew Raw, further reinforce the apartment’s Art Deco feel.
Echoing 60 Curzon’s history as a fine dining destination, and in anticipation of a new restaurant that will soon be welcomed on the development’s ground floor, Elicyon has expertly shaped an environment that blends the art of entertaining with the appeal of personal retreat. Welcoming communal areas are enriched
The spacious home is defined by soft curves and rounded Parker silhouettes
with intimate details, striking the perfect balance between social vibrancy and reserved comfort. In the dining room, a bespoke Tamu Ash Veneer, antique mirrored drinks cabinet, an antique bar trolley, and the Chappell Baby Grand Piano all honour 60 Curzon’s culinary legacy, establishing the ideal setting for hosting. Recognising 60 Curzon as Mayfair’s newest residential landmark, Elicyon mirrors the elegance and cosmopolitan flair of this iconic London neighbourhood through the apartment’s curated mix of global furnishing and art. Mirroring Mayfair’s blend of history with modern luxury, Elicyon has blended vintage pieces with contemporary furniture, reflecting the style of a well-travelled resident who values both historical and modern design. Designed to serve as a natural extension of the apartment’s elegant interior, an expansive terrace has been styled with playful outdoor furniture, oversized antique planters, and verdant greenery, bringing a sense of whimsy to this rare outdoor sanctuary in the heart of prime central London.
Charu Gandhi, Founder and Director of Elicyon said: “Collaborating on the inaugural show apartment for 60 Curzon has been a unique opportunity to capture Mayfair's storied elegance within a contemporary setting. We drew inspiration from the building’s architectural heritage and crafted a space that seamlessly balances Art Deco influences with modern comforts. Every detail, from the restored vintage pieces to the custom furnishings, was selected to create an atmosphere that feels timeless yet fresh – a perfect reflection of the vibrant and historic character of this iconic address.” Beyond the sophisticated interiors, the future resident of the apartment will also enjoy exclusive access to 60 Curzon’s state-of-the-art amenities, including a pool, gym and treatment rooms. The building’s club lounge and temperature-controlled storage will also be available for the storage of personal items like fine wines, whiskies, and cigars
The apartment is on the market for £24,750,000
Inspired by our heritage, designed for the modern bedroom. The Iconic Collection features floating beds with unparalleled comfort and exclusive fabrics. Handmade in Sweden
In the heart of the Cotswolds, inside a modest farmhouse surrounded by fields and gardens, British designer Penelope Chilvers has reimagined her family kitchen into something far greater than a functional space. It is, as she describes, “a room for storytelling, connection, and memorymaking” — a place where tradition meets the future, where artistry meets utility, and where a collaboration with heritage design brand Neptune finds its fullest expression.
This partnership between Chilvers and Neptune, unveiled this summer, is more than just a brandambassador announcement. It’s a meeting of values: artistry, timeless design, craftsmanship, and a profound respect for heritage.
“I am delighted to be invited to be an ambassador for Neptune,” Penelope says. “As a creative whose work celebrates tradition and craft, there’s a lot about my own artistic and creative practice that aligns with Neptune’s approach to design and production.”
The project began with a question many families eventually face: how can a home evolve as the needs of its occupants grow? For Penelope, whose farmhouse kitchen once served as a cosy parlour for two, the answer was clear.
“Suddenly the house had new purpose,” she explains. “I imagined a kitchen with children running around
the table constantly. But for this to happen, we had to take down a wall and merge the dining room and kitchen into one space.”
It wasn’t about chasing trends or enlarging the space for grandeur’s sake. Instead, Penelope sought to create something layered, intimate, and enduring — a room that would serve her family for the next 30 years. Her vision crystallised after visiting Neptune’s showroom in Cheltenham.
“When I saw how timeless, long-lasting, and sympathetic their designs were for a small Cotswold farmhouse like ours, I started dreaming of designing a kitchen to suit the next 30 years of our life,” she says.
The final design brings together Neptune’s Suffolk cabinetry, painted in Polenta — a warm, seasonal shade that glows softly in natural light — with the deep, tactile grain of Henley oak. The effect is one of harmony: a palette rooted in tradition but alive with quiet vibrancy.
This thoughtful combination balances elegance and utility, heritage and future. It’s a kitchen designed not only to withstand the patina of daily life but to embrace it, celebrating the marks of use as part of its ongoing story.
Among the standout features is a glazed cabinet that Penelope transformed into a piece of functional art. Inside, she hand-painted delicate botanical motifs and
"Just as her shoes are designed to age beautifully with wear, this kitchen is built to grow more beautiful with time"
subtle butterflies, inspired by the gardens surrounding the farmhouse.
“I wanted to create something that felt intimate and reflective — a moment of nature captured indoors,” she explains. “The butterflies are a symbol of beauty and fragility, and a quiet reminder of the responsibility we all share to protect the natural world. Painting the inside of the cabinet pays homage to nature itself and brings my garden indoors in the winter months.”
The piece reflects not only Penelope’s artistic vision but also her sense of legacy. She imagines her young grandchildren returning year after year to the family home, the “butterfly cabinet” becoming a touchstone of childhood memory.
“I imagine with hopefulness,” she reflects, “as my baby grandchildren grow, they will look forward to returning to the house with the butterfly cabinet throughout their childhoods.”
The kitchen’s narrative is strengthened by carefully chosen finishing touches.
Made-to-measure merino wool curtains by British textile designer Tori Murphy frame the windows and soften the view onto the garden. Each element of the room is considered, layered, and personal — no detail left without meaning.
This approach mirrors Penelope’s broader creative philosophy. Known for her footwear and accessories that celebrate craftsmanship and tradition, she brings the same eye for artistry to her home. Just as her shoes are designed to age beautifully with wear, this kitchen is built to grow more beautiful with time. For Neptune, the collaboration feels like a natural extension of its own philosophy. Fred Horlock, the brand’s design director, describes it as a meeting of minds.
“Collaborating with Penelope Chilvers felt like a natural extension of Neptune’s philosophy,” he explains. “Her dedication to traditional craft, sustainability, and storytelling through design perfectly echoes our commitment to creating
spaces that endure and inspire. This kitchen is more than a functional space — it’s a living, breathing home that honours heritage while embracing family life and the future. Together, we’ve crafted something truly special that reflects our shared belief in beauty, longevity, and respect for the environment.”
For Penelope, the project has become a personal reflection of her own creative ethos — one where artistry is always entwined with meaning.
“I wanted to create something that felt intimate and reflective,” she says again, gesturing towards the butterfly cabinet. “Something that captured nature indoors, something my family could carry with them into the future.”
In the quiet Cotswold farmhouse, amid oak grains and golden tones, Penelope Chilvers and Neptune have crafted more than a kitchen. They’ve created a space of memory, artistry, and belonging — a room that will continue to tell its story for decades to come.
How Kitchen Architecture’s individual approach – combined with a minimal aesthetic – created an elegant and functional kitchen for a family that loves cooking, socialising and entertaining
An impressive island creates a sleek stage for living in this beautiful, minimal family kitchen. The client’s love for cooking and entertaining as a family was a key consideration in the design process and this kitchen, crafted to be elegant and highly practical, has ample storage to meet their needs.
Kitchen Architecture worked closely with Lewandowski Architects to bring the concept for the new living space to life and ensure a seamless flow between the kitchen and the connecting indoor and outdoor spaces. The impressive island in anthracite and stainless steel adds to the minimal aesthetic kitchen, creating a stage for life. The bar formed from the stainless-steel work surface provides an informal social and dining spot. From the island, the cook can socialise with ease while enjoying stunning views through the floor-to-ceiling glazing.
The clients, a couple with two adult children, envisioned a kitchen seamlessly blending into their living space. They wanted a design more akin to bespoke furniture than a traditional kitchen, allowing it to integrate effortlessly into their home. The result is a sleek and minimal space, achieved through Kitchen Architecture’s high-end materials and calm colour tones, ensuring both style and practicality.
KEY DESIGN ELEMENTS
Ths beautiful Kitchen Architecture kitchen features bulthaup furniture in anthracite, selected for its soft
and smooth appearance. This finish interacts beautifully with the natural light that floods the space, thanks to the almost fully glazed rear elevation. Stainless steel worktops add a timeless touch, creating a seamless and expansive work surface that is practical and visually striking.
A meticulously planned layout improves the space’s functionality and aesthetic appeal. A long kitchen island serves as the central hub. The tall appliance block, featuring Gaggenau ovens and a Bora hob with downdraft extraction, is recessed to maintain a sleek profile.
Working closely with Lewandowski Architects, the kitchen design complements the home’s modern architectural style with the almost entirely glazed rear elevation maximising the connection to the grounds and enhancing the sense of openness and connectivity.
Using high-quality materials and intelligent storage solutions ensures the kitchen is beautiful and highly functional. Hidden storage within the extended-height tall units and the unobtrusive downdraft hob adds to the minimalist aesthetic.
kitchenarchitecture.co.uk; 020 8785 1960
Kitchen design by Kitchen Architecture
Architects: Lewandowski Architects
Photos: Darren Chung
What does the kitchen of 2025 look like? Absolutely some of the major current trends
BLAKES
blakeslondon.com
The days of uniformity are behind us; today’s kitchens thrive on contrast, texture, and layering. Wood, stone, metal, glass, and even concrete are combined in inventive ways to craft spaces that feel bespoke and carefully considered. When rooted in quality and authenticity, trendinspired design endures long after the trend has passed.
Proportion is key: a kitchen should feel balanced, harmonious, and effortless in everyday life. Craftsmanship and materiality matter enormously. By using luxurious natural materials and finishes, and combining them with high-quality joinery, each design gains richness and depth that
westlondonkitchens.com
Schuller’s beautiful modern take on the classic Shaker style brings timeless elegance and charm to your kitchen with all the benefits of award-winning German design and manufacturing, together with the convenience of modern versatile solutions. West London Kitchens has been designing and installing stunning bespoke Schuller and traditional English kitchens all over London and the South East for over 15 years. They specialise in creating real kitchens for real families, looking for the best options for their homes at family friendly prices. Much of their business comes via word-of-mouth recommendations from happy clients, and their builders, architects and interior designers. They’re proud of their reputation and their customer service is second to none.
improves over time. Without chasing trends, the occasional on-trend element can be incorporated successfully if it feels true to the space and is executed with coherence, consistency, and refined finishes. The result is a kitchen that feels personal and enduring rather than a passing fashion statement. Successful material juxtaposition relies on a coherent palette, careful attention to scale and proportion, and strategic lighting to highlight textures and surfaces. The aim is to create a kitchen that supports the way a home is lived in, delights over time, and provides a backdrop for everyday life and the memories created within it. Mixing materials is no longer a risk; it has become the standard for creating kitchens that are elegant, functional, and timeless.
“A kitchen that delights over time, and provides a backdrop for everyday life”
OLIVE & BARR
oliveandbarr.com
The rise of slim shaker cabinetry has been a notable budding trend, reflecting the shift towards understated luxury in kitchen design. This growing movement highlights a desire for simplicity, elegance, and functionality in equal measure. Olive & Barr and their latest Skinny Shaker are at the forefront of this trend. The newly launched range is a refined, contemporary twist on the muchloved Shaker kitchen. Designed for modern living, blending timeless cabinetry with a sleeker profile, ideal for those seeking understated elegance and functional design. This new evolution in kitchen design reflects the broader shift in how we define luxury - less about opulence, more about thoughtful detail and enduring quality. The clean lines and exceptional craftsmanship create a kitchen aesthetic that feels both fresh and timeless.
PUCCINI
puccinikitchens.co.uk
Puccini Kitchen’s recently refurbished showroom in Brockley SE4 is the epitome of design elegance and contemporary styling. With seven stunning door styles on display, including fluted timber, Fenix, metal lacquer and porcelain, there’s never been a better time to visit. They’ve earned their reputation as a trusted name in London’s premium kitchen design landscape. Homeowners trust them because they have consistently delivered kitchen solutions that exceed expectations. Each Puccini kitchen is unique and they work closely with you to bring your kitchen to life with precision and creativity. Their reviews speak volumes, focusing on design – ‘I can’t praise them highly enough. It’s all down to Andrew’s design input and experience. I am so happy with the result’ –choice– ‘Every detail was thoroughly curated and executed to perfection’ and service –‘The service was brilliant from start to finish and the quality of the product is great!’ Andrew, their MD, sums up their goal as ‘Creating Happiness’. Beautiful kitchen, happy customer
Founded in 2007, Battersea-based Onestà is a high end, multi discipline studio delivering bespoke spatial design for the whole home.
The team at Onestà worked in collaboration with architect Mia Molato to design a modernindustrial kitchen and two complementary bathrooms for this compact, open plan converted Mews in Fulham.
In the kitchen, the rich Quercia Grigia units pared with the marbled Moorland Fog quartz worktops and splashback create perfect backdrop. Warming and softening the sparse, minimalist home, the deep, textural tones draw the eye and boldly zone the large space. Impactful black hardware, brassware and lighting inject a punch of personality while cohesively unifying the kitchen and complementing the industrial staircase. Lighting is positioned distinctively at various heights to further define the space and amplify specific regions when in use.
The warm, sleek minimalist family bathroom was designed with modern-industrial aesthetic in mind. Using the same tiles throughout the wetroom style shower as well as the rest of the bathroom, creates a streamline aesthetic. Onestà designed a wall mounted Atlasplan sloped basin in Smoke Boost Stone Matte to complement the tiles and contrast the tradi-
tional stained oak cabinetry. This style of sloped sink, that allows water to run freely away, is becoming increasingly popular as clients move away from filling up the bathroom sink. Introducing a large frameless mirror continues the minimal look and widens the space.
The generous en-suite bathroom features a bespoke BV Italia vanity unit finished in Rovere Liscio Cuoio. Topped with a generous made-tomeasure Lusso double stone sink, this timeless, easy to maintain, unit-sink combination takes centre stage in this functional, sophisticated and spacious en-suite bathroom.
“For this project, cohesion and continuation of design aesthetic through the home was important. With the rest of the home feeling minimalist, our kitchen and bathrooms were designed to have impact and bring a sense of warmth and cosiness to areas of function while maintaining clean lines and a defined look,” explains Daniele Brutto, co-founder of Onestà.
Every space Onestà creates is unique and exceptional, with an emphasis on cohesive furniture design for kitchens, bathrooms and bedrooms. With the client at the heart of every project, Onestà represents the very pinnacle of product and interior design. Daniele Brutto and the in-house design team combine exquisite Italian materials with inventive design solutions to bring clients’ visions to life through meticulously crafted fitted furniture. onesta.design • 02079242285 info@onesta.design • @onesta.design
OUR BATHROOM SHOWROOM HAS DOUBLED IN SIZE
Steel frames are best for both style and thermal efficiency, say the team at Crittall Windows
In the streets of Kensington and Chelsea, where architectural heritage meets contemporary living, discerning homeowners are rediscovering the appeal of steel windows and doors. Far from systems manufactured more than a century ago, steel fenestration today is the perfect example of sophisticated design, combining sleek aesthetics with breakthrough performance.
At the forefront of steel window and door design is Crittall Windows, whose legacy spans 175 years. From its Essex manufacturing facility, each frame is crafted from high-grade recycled steel, hot-dip galvanized and finished with Duralife powder coating – a process that ensures decades of outstanding beauty requiring minimal maintenance.
The transformation of steel windows and doors has been nothing short of remarkable. Homeowners once faced choosing between style and thermal efficiency but, thanks to Crittall Windows, modern systems can ef-
fortlessly deliver both. Advanced weather stripping and quality glazing achieve exceptional energy performance, while thermally enhanced profiles maintain the infamous slim sightlines that flood properties with natural light. The result? A home that remains comfortable all year-round.
Security has also evolved over the years. Today’s systems feature multiple locking mechanisms and reinforced glazing options, offering peace of mind to homeowners without compromising the clean lines that make steel so visually striking. For London properties where aesthetics and protection matter, this combination is invaluable.
The versatility of steel windows and doors has also improved dramatically. Beyond the iconic black steel synonymous with Crittall, bespoke colours spanning the RAL spectrum are now available. Plus, partnerships with hardware makers, like Frank Allart and Formani, ensure every detail represents impeccable craftmanship. Whether select-
“THE PERFECT COMBINATION OF TIMELESS DESIGN AND CUTTING-EDGE PERFORMANCE ”
ing external doors for weather protection and security or internal steel room dividers for tonnes of natural light, each element is made to measure and finished to the highest standard.
With galvanized steel frames designed to last over sixty years, minimal maintenance requirements and complete UK manufacturing control, products made by Crittall Windows offer exceptional long-term value to a borough where properties represent the true definition of quality and character.
As London homeowners plan their next renovation projects, steel windows and doors offer something rare: the perfect combination of timeless design and cutting-edge performance, manufactured by steel specialists who understand that true luxury lies in the details.
Discover the full range of steel window and door possibilities today, visit: crittall-windows.co.uk.
DESIGN:
Transform your home for the season with our new beautifully cra ed waterproof wall panels
DESIGN:
Transform your home for the season with our new beautifully cra ed waterproof wall panels
Carefully curated collections of more than 15,000 exceptional quality tiles for oors & walls inside & out, engineered wood ooring & luxury vinyl tiles & planks at a ordable prices
Explore every design possibility online or visit our dedicated Ascot showroom
IIf kitchens are the heart of the home, Espresso Design has perfected the art of making that heart beat with style, ingenuity and effortless functionality.
Specialising in sleek, bespoke kitchens and interiors, this award-winning design studio has made its mark on the capital’s most elegant properties. Their beautifully curated showrooms — one at the prestigious Design Centre Chelsea Harbour and the other, freshly refurbished, on St John’s Hill in Wandsworth —are stunning, design-led destinations where creativity, craftsmanship and lifestyle meet.
Espresso Design’s Chelsea outpost is a masterclass in cosmopolitan chic. Here, the focus is on high-end inspiration, with a series of sophisticated displays showcasing cuttingedge kitchen concepts, luxurious materials and the latest technology from appliance brands such as Gaggenau, Miele and Siemens.
Just across the river, their newly renovated Wandsworth showroom offers an equally captivating experience. This fresh, light-filled space feels like stepping into a series of different rooms. Sleek, archi-
tectural cabinetry stands alongside richly textured timbers and sculptural stone and marble surfaces, each element carefully chosen to reflect the artistry and quality for which Espresso Design is renowned.
Among the highlights is a striking walk-in pantry concept, capturing the growing appetite for “room within a room” layouts. Far more than an organisational tool, it evokes a sense of traditional architectural elegance and turns a practical consideration into a discreet yet dramatic feature.
While the displays offer inspiration on a grand scale, the newly introduced samples area brings the design process to a tactile, personal level. Visitors are invited to mix, match and explore an array of finishes — cool marbles, warm oaks, polished metals — creating palettes that speak to their own tastes. This hands-on experience complements Espresso Design’s meticulous digital renderings and mood boards, ensuring that every project is as individual as the home it belongs to.
The showroom extends its vision beyond kitchens, offering intelligent solutions for
dressing rooms, home offices and utility spaces. Each display has been composed with an eye for proportion and harmony, illustrating how thoughtful design can make the most of every inch of a London property.
At both locations, what sets Espresso Design apart is its warm, collaborative ethos. Clients are encouraged to open drawers, explore hidden pantries or perch at the chef’s table to watch a live cooking demonstration. The experienced design team take time to understand each client’s lifestyle, ensuring every project is as individual as the people who live in it. Sustainability is woven through their approach too, with responsibly sourced woods, water-based finishes and energysaving appliances forming part of the brand’s considered offering.
Espresso Design’s showrooms are more than destinations for browsing; they’re hubs of inspiration and creativity. It’s this hands-on approach, combined with the warmth of the design team, that makes planning a project with Espresso Design feel like a creative collaboration rather than a transaction. espressodesign.co.uk
A temporary home for traditional Japanese craftsmanship in Shoreditch
For more than three centuries, Nakagawa has been a guardian of Japan’s craft traditions. Since its founding in 1716, the company has worked hand in hand with generations of artisans to ensure that kogei—the collective name for heritage crafts passed down through families and regions—remains alive, relevant and evolving. Now, after over 800 collaborations with craftspeople across the country and the establishment of more than 60 stores at home, Nakagawa is ready to take a bold step abroad with its first European outpost in the Shoreditch design district, a pop-up store that will run until July 2026.
The move marks Nakagawa’s most significant international expansion to date, following a series of pop-ups in Taipei, Shanghai, Beijing and Seoul. For London, it means a rare opportunity to encounter Japanese craft traditions in a contemporary context. The store will present around 500 objects spanning textiles, ceramics, kitchenware, clothing and home accessories, each made by skilled artisans and intended to age gracefully with daily use. In an era of massproduced goods, the project feels both timely and deliberate: an invitation to slow down, to reconnect with the idea of objects that last, and to consider the link between sustainability and tradition.
Nakagawa’s origins lie in Nara, once Japan’s imperial capital and long a centre of craftsmanship. Founder Nakaya Kihei built his business around Nara-Sarashi, a ramie fabric prized by samurai for its strength and elegance. Over the centuries, as Japan modernised, the company adapted without ever losing sight of its roots. Today it works with artisans from across the country, from the ceramic kilns of Shigaraki to the metalworkers of Takaoka, transforming practices honed over centuries into products designed for contemporary life. This philosophy, summed up by the phrase “preservation through transformation,” is central to the brand’s identity. Rather than freezing tradition in time, Nakagawa believes in letting it evolve, ensuring that heritage techniques remain relevant in modern homes.
The Shoreditch shop will put this ethos into practice with a selection that is both practical and poetic. Among the highlights are Hana-Fukin dishcloths, one of Nakagawa’s most celebrated products. Originally made from mosquito net fabric, they have been reimagined for kitchens as lightweight, quick-drying, and highly absorbent cloths. The product’s transformation from utilitarian netting into everyday essential exemplifies Nakagawa’s approach: reinterpreting the old for the needs of today. For London, the brand has produced two exclusive Hana-Fukin designs inspired by Columbia Road Flower Market. The designs celebrate both Nara’s kaya-ori weaving tradition and the local spirit of Shoreditch, fusing two cultures in a single cloth.
Alongside these textiles, visitors will find pieces such as the Oigen Casting Nambu iron kettle, which embodies the precision of Japanese metalwork and the durability of cast iron. Each object on the shelves tells a similar story: of techniques passed through generations, of regional identities, of artisans who view their work not just as production but as stewardship of cultural memory.
The store is not only about retail. Nakagawa is determined to offer Londoners a more immersive encounter with Japanese craft through a programme of workshops. These will range from kintsugi—the golden repair method that turns broken ceramics into objects of renewed beauty—to tea ceremonies and even traditional ice shaving, the delicate art of preparing kakigōri. Such events aim to convey the philosophies underpinning kogei: respect for materials, an embrace of imperfection, and the idea that craft connects people across time and culture. As Tomoya Yasuda of Nakagawa explains, “True craftsmanship connects people across generations and cultures. Bringing our first pop-up to Shoreditch is a milestone moment, and we are excited to share the spirit of Japanese kogei with the London community. Through our products and workshops, we
hope visitors will experience how tradition and modern life can come together to inspire more sustainable and meaningful ways of living.”
The design of the store itself embodies the dialogue between Japan and Britain. London-based studio Jones Neville has drawn inspiration from the Victorian circular bandstand in Boundary Garden, just a short walk from the site. The structure, long a symbol of gathering and community, provides a conceptual anchor for the space. Locally sourced London native sycamore has been used throughout the interior, creating a quiet interplay between British material heritage and Japanese craft sensibility. Graphic design is by A Practice for Everyday Life, ensuring that every aspect of the shop reflects careful thought about how tradition and modernity might meet.
By situating itself in Shoreditch, Nakagawa is entering a neighbourhood already attuned to design and
“An immersive encounter with Japanese craft”
craft. Yet its approach feels distinct: this is not about nostalgia or exoticism, but about offering an alternative to disposable culture. The London pop-up suggests that the values embedded in Japanese craft—care, longevity, respect for material and maker—resonate far beyond their place of origin. For Nakagawa, the store is a chance to test that proposition with a new audience. For Londoners, it is an invitation to handle, learn from, and perhaps take home pieces of a tradition that has been sustained for over 300 years.
When was the last time you truly considered your bathroom a sanctuary – a space offering calm, renewal and inspiration as well as function? C.P. Hart, the UK’s leading luxury bathroom specialist, believes that bathrooms deserve as much thought, care and character as any other room in your home. With imagination and expertise, it can become a place of ritual, retreat and restoration.
“For over 88 years, C.P. Hart has been at the forefront of luxury bathroom design, sourcing the world’s finest collections – many exclusive to us – and collaborating with artisans to create distinctive ranges of our own,” says Dean Weston, Managing Director at C.P. Hart. “Our collections, combined with our award-winning design and installation services, bring tailored bathroom projects to life across the UK.”
Across 16 UK showrooms, each carefully curated to inspire, C.P. Hart showcases exceptional products for every aspect of the bathroom – from tiles and fi xtures to the ever-growing world of wellness. “Every space is designaed to spark ideas, showcasing standout design studios, room set displays and areas to meet with our experts,” explains Dean.
“Our showrooms also highlight C.P. Hart’s growing commitment to wellness, with dedicated areas where visitors can explore the
future of home spa living – from saunas and steam solutions to multi-sensory showring that nurture both body and mind.”
C.P. Hart’s recent showroom developments reflect an exciting chapter, with the Guildford space now doubled in size across two inspiring floors, and the opening of their new Hatch End showroom in November, further strengthening the brand’s nationwide presence.
At the heart of C.P. Hart’s approach is their award-winning Design Service. In every showroom, C.P. Hart’s qualified designers translate your ideas into beautifully conceived schemes – whether a serene, spa-inspired retreat, a balanced contemporary aesthetic or a striking, statement bathroom.
“Every project begins with a conversation,” says Emma Scott, Director of Client Design. “By understanding your lifestyle, preferences, and design inspirations, our team crafts solutions that are meticulously planned, highly functional, and completely personal – helping you create the bathroom you’ve always imagined.”
For more information, or to begin your bathroom journey, contact your nearest showroom or visit cphart.co.uk
Find your nearest showroom cphart.co.uk/showrooms
Cult Furniture’s new campaign features a collection of sofas with personas designed to reflect the way we really live
Cult Furniture’s latest campaign proves your sofa is more than just a seat, it’s where life happens. The place you collapse after a long day, curl up with a new Netflix obsession, spill secrets with your best friend, or console over a breakup. It’s the heart of the living room, the stage for everyday rituals. Cult celebrates this idea in its new campaign, Every Sofa Has a Story, a playful, stylish, and comfort-first approach to choosing the right sofa for your lifestyle. Whether you’re after something indulgent and romantic, or practical and cosy, this is a campaign that reminds us our furniture should feel personal.
THE BINGE BUDDY: HALTON
Perfect for streaming marathons, lazy
Sundays, or “just one more episode” that turns into five, the Halton has earned its title as the Binge Buddy. Upholstered in a warm cappuccino-brown boucle, it’s crafted for comfort with deep-set, pocket-sprung seating and a feather and fibre filling that feels like a hug. Its sweeping, soft lines and supportive arms are designed for those who want a balance of luxury and practicality, something that looks refined but still begs to be lounged on. With its classic-meetsmodern silhouette, the Halton is as much about design credentials as it is about indulgent downtime. Think of it as the costar to your latest box set obsession.
THE BOOTY CALL: CONNICK
The Connick in mohair-style velvet is unapologetically sultry. Plush, tactile, and dripping with 70s-inspired glamour, this sofa has earned the cheeky nickname
Booty Call. It’s the piece that transforms an ordinary night into something extraordinary, whether that’s a spontaneous get-together, cocktails at home, or simply sinking into its oversized bubble-style cushions after hours.
The Connick is low-backed with a sleek, narrow frame, making it perfect for openplan living. Its warm truffle-brown velvet is made from 100% recycled PET yarns, proving sustainability and sensuality can go hand in hand. With its deep colour and irresistibly soft texture, this sofa is less about background furniture and more about making an entrance.
The Ivy 3-Seater manages both comfort and style with effortless confidence. Nicknamed Heartbreak HQ, it’s the place to pour a glass of wine, debrief with friends, or regroup after a long day. With its cocooning curves,
yet striking. Its bold curves and low-slung silhouette make it a statement piece, while the deep, plump cushions practically beg you to sink in. It’s retro-luxe comfort with a fresh, contemporary edge, the kind of sofa that doesn’t just support your lifestyle, it elevates it.
With Every Sofa Has a Story, Cult are redefining the sofa as the anchor of the home. It reflects personality, sets the tone for how we live, and becomes the backdrop for countless memories.
ribbed detailing, and walnut trim, the Ivy channels 70s revival with a modern twist. Upholstered in recycled speckled boucle, it’s tactile, timeless, and forgivingly soft, perfect for those nights when all you want is comfort, or the mornings when style takes the spotlight. It’s not just a sofa, it’s an emotional support system disguised as impeccable design.
There’s no denying the Cloud is romance material. Plush, sculptural, and effortlessly chic, it’s where whispers happen, where long conversations stretch into the early hours, and where comfort is an unspoken promise. Hence its persona: Pillow Talk. Spoilt for choice with either SpeckledCappuccino boucle, Speckled Espresso boucle, Speckled Red Berry boucle or Caramel Brown options, the Cloud is soft
By giving each design its own narrative, Cult transforms furniture shopping from a practical choice into an expressive one. Do you want a sofa that supports your Sunday binge sessions, one that makes a statement at parties, or one that’s there for you through the highs and lows? Whatever your answer, the campaign makes it easy to see how your furniture can embody your story.
With over 15 years in the industry, Cult has built its reputation on trend-led yet accessible designs, fast delivery, and an ever-growing commitment to sustainability. From sofas crafted in eco-conscious fabrics to timeless pieces that outlast passing fads, the brand has become a go-to for design lovers who want both form and function.
Explore the collection and find your sofa story at cultfurniture.com
Each Atkin & Thyme piece is designed to tell a story and spark emotion
The new Atkin & Thyme collection mixes heritage and contemporary design, adding the wow factor to your home
tkin & Thyme has spent over a decade creating furniture that goes beyond function –each piece is designed to tell a story, spark emotion, and bring character into the spaces we live in.
The brand’s distinctive collections showcase a thoughtful blend of characterful marbles, hand-selected woods, and luxurious finishes, with a strong emphasis on quality craftsmanship and timeless materials.
From indoor/outdoor coffee tables to UK-made, made to order sofas, elegant bed frames, statement lighting and dining furniture, every design is created to suit modern lifestyles while adding charm and individuality to the home.
This season’s collection is synonymous to the Atkin & Thyme style – heritage style pieces with classic silhouettes, with a contemporary twist. Each piece has a point of difference, character and brings comfort and warmth to any home.
The autumn/winter 2025 collection brings rich nutty brown wood finishes together with warm green marbles, or textural creamy travertine stone for a more pared-back look. The classic nest-making season also sees statement metal finishes, lighter characterful woods, and five new upholstery ranges for cosying up in front of a roaring fire.
Earlier this year, Atkin & Thyme took centre stage as the official Furniture Partner for Grand Designs Live, London, giving visitors the opportunity to experience its designs in person and appreciate the quality firsthand. The brand also celebrated recognition from the Ideal Home Awards, with the Brera Bedside Table – crafted from rich Emperador Italian marble – winning praise from both design enthusiasts and industry experts.
The full Brera Collection continues to captivate with its refined detailing and sculptural lines, with a new desk joining the collection for autumn/winter 2025. With new arrivals regularly joining the collection, there’s always
something fresh to discover. Whether you’re updating a single corner or reimagining an entire room, Atkin & Thyme offers timeless pieces that bring beauty, personality, and purpose to your home.
atkinandthyme.co.uk
Paperd is the creation of architect and graphic designer
Mauricio Tognetti, born as a tribute to his childhood holidays at his grandfather’s house. There, he would sit for hours on the porch, mesmerised by the ceramic tiles whose repetitions seemed to trick the eye into movement. That early fascination with pattern became an enduring obsession, recently rekindled by travels to Lisbon and Brussels, where he rediscovered how beautifully pattern can be woven into the fabric of modern living.
This personal story echoes a much older tradition. For centuries, pattern has signified order in Roman mosaics and Greek colonnades, flowed organically through Art Nouveau, or served as a tool of disruption in 1960s Pop Art. At Paperd, every motif carries meaning – whether as a doorway to other cultures or as a way of bringing unity to contemporary interiors.
In this spirit, Paperd creates visual symphonies for the wall – patterns that play with light and shadow, repetition and variation, to shape atmospheres of irresistible allure. To live among these designs is to inhabit a world where every room whispers its own quiet theatre.
The collections are studies in sophistication: from modernist clarity of bold forms and refined tones, to lyrical collaborations that translate paintings into compositions of striking intimacy, to a celebration of cultural vibrancy that fuses art, architecture and tradition in vivid hues evoking the soul of Mexico.
Looking ahead, Paperd will continue to weave inspiration from the world’s traditions of pattern, reimagining them for modern life. Its language of rhythm and repetition will extend beyond walls, flowing into textiles, ceramics and furniture, infusing design into the fabric of everyday spaces. Collaboration will remain at the heart of this journey, inviting artists, architects and designers to create works where cultures meet, and pattern finds
ever-new forms of expression.
For those with a specific vision, Paperd offers true collaboration – colours can be adjusted, motifs refined, or entirely new patterns created to suit a project, with commercial-grade finishes available to combine durability with elegance in hospitality and public spaces. Every piece is then brought to life in the UK, printed on luxury non-woven coverings with the look and feel of fine textiles. Made with sustainably sourced materials and PVC-free inks, they embody elegance with conscience. paperd.co.uk
Design lovers rejoice: BoConcept’s new AW25 collection is out now
Danish design has always been about more than aesthetics. It’s about creating harmony between function and beauty, comfort and expression, craftsmanship and creativity. This ethos defines BoConcept’s new AW25 Collection, curated by Global Artistic Director Helena Christensen, and shaped by world-renowned designers Claudio Bellini Studio, ARDE, and Says Who. The result is a collection that elevates everyday life into something extraordinary.
MILANO: A PLAYGROUND OF POSSIBILITY
A highlight of the collection is Milano, a striking collaboration with Claudio Bellini Studio. This modular sofa blends Danish minimalism with Italian elegance.
Architectural in its lines yet luxuriously soft at its core, Milano was designed for both structure and sensuality. Its deeper,
more relaxed proportions invite you to sink in, unwind, and connect. More than seating, it’s a setting for living beautifully every day. Pair it with the new marble coffee tables for a space where artistry and comfort converge.
Ø LOUNGE CHAIR: AN ISLAND OF COMFORT
Designed with Helena Christensen, the Ø Lounge Chair draws inspiration from Denmark’s islands. With its oversized silhouette, rounded curves, and cocoon-like softness, Ø redefines what a chair can be: not just a piece of furniture, but a personal sanctuary. Exclusive Lucca fabric and a playful collection of Flora-inspired cushions extend this vision, echoing Helena’s warmth and artistry. The collaboration continues with Copenhagen rug makers Linie Designs.
BOLZANO BED: CALM BY DESIGN
Everyday serenity takes shape in the Bolzano Bed. Its soft curves, plush upholstery, and 360° fabric-wrapped detailing
The result is a collection that elevates everyday life
transform the bedroom into a cocooning retreat. The strength of Bolzano lies in its quiet confidence. Every surface is designed to soothe, every proportion invites calm. More than a statement of style, it’s a bed that nurtures well-being.
ELEMENT: BEDROOM SOLUTIONS MADE PERSONAL
For modern living, versatility is everything. The new Element Collection offers fully modular, customisable bedroom solutions – allowing you to design a space that works as hard as it inspires. With mix-and-match finishes, sleek nightstands, and integrated storage, Element is both practical and elegant.
PARIS LIGHTING: ATMOSPHERE IN FORM
Lighting is about more than illumination – it sets the mood. The new Paris Lamp Collection by Hans Thyge Raunkjæris inspired by the timeless Citroën DS. With its bold circular silhouette and sculptural form, Paris transforms light into atmosphere. Portable, rechargeable, and touch-controlled, these lamps bring flexibility, sophistication, and emotion to every corner of the home.
AARHUS: DESIGN WITH INTEGRITY
Sustainability meets elegance in the Aarhus Sofa and Table Collection, created in collaboration with ARDE. With a solid wood frame, soft curves, and detachable covers, Aarhus is designed for enduring beauty.
Awarded the Nordic Swan Ecolabel, it’s a collection that embodies BoConcept’s commitment to people and planet.
BoConcept is more than a furniture brand – it’s a design partner. Their Interior Design Service is complimentary, available in-store, online, or even in the comfort of your home. Their designers listen carefully to your ideas, measure your space, and guide you through layouts, colours, finishes, and styling. You’ll even see your space come to life in stunning 3D floorplans.
The AW25 Collection is a celebration of intentional living. From sofas and beds to lighting and accessories, every piece has been designed to create a consistent, contemporary look across your home. Nearly every item is customisable, most pieces carry a 5-year warranty (and 10 years on sofa frames), and everything is crafted with the Danish values of quality and care.
Experience the new collection at one of their London and South East stores at Battersea Reach, Fenwick Brent Cross, Fenwick Kingston, Finchley Road, Guildford, Harrods, Notting Hill, Tottenham Court Road, Westfield London, Fenwick Bracknell and St Albans, or explore the full collection in their AW25 Lookbook at boconcept.com
Open-plan living, along with so many people now working from home, has made it hard for individuals to find a quiet spot to relax and unwind. As a result, the bathroom is increasingly seen as a private sanctuary. Reading a book or listening to a podcast in the bath has become, for many, an important time-out from the pace of everyday life. Here are a few tips for making your bathroom into the relaxing retreat you need it to be.
To create a relaxing setting in which to unwind, you need to declutter. Clear countertops and rehouse toiletries and cleaning materials in a smart vanity unit that fits under the basin or a built-in mirror fronted cabinet. Woven baskets also offer useful, flexible storage.
Choose calming, nature-inspired colours such as warm beige, sage green or soft blue
to instantly cultivate serenity. Then bring the outdoors in with wood or bamboo accessories such as trays, soap holders or stools. Stone or marble accents also evoke spa elegance. Add humidity-loving plants, such as peace lilies and ferns, to purify air and soothe the senses.
Lighting dramatically impacts mood. Add a dimmer switch to effortlessly shift between bright task light and a soft, spa-like glow. You might consider adding accent lighting, such as LED strips under shelves to intensify the ambience.Candles will also add a cosy flicker to a long, indulgent soak in the tub.
The only option for bathrooms used to be chrome, but instead consider brass, brushed brass or bronze taps and shower fittings for a less clinical look. Consider indulgent upgrades like drenching showerheads or walk-in showers for openness and sophistication. Heated towel rails and underfloor heating will further enhance comfort and
warmth. And, if space allows, a freestanding bath, especially near a window, is the ultimate spa luxury.
Incorporate aromatherapy with essential oil diffusers or scented candles in a calming fragrance. And further curate this sensory atmosphere with soft music or nature sounds. Pamper your senses with plush towels, robes and thoughtfully displayed products like scrubs and bath salts.
Even a small vintage chair will elevate comfort and give your bathroom a spa-worthy feel. You will definitely need a small stool next to your freestanding bath to accommodate your scented candle and glass of wine. With these elements, your bathroom can be transformed into a peaceful, spalike haven you’ll want to linger in every day.
Bathroom specialist Aston Matthews has showrooms in London and Guildford. astonmatthews.co.uk @astonmatthewsbathrooms
How stoneCIRCLE transformed a fabulous architect-designed residence with marble and onyx
This fabulous architectdesigned residence makes stunning use of marble and onyx in all six bathrooms in the property, as well as the kitchen and bar area. The French client chose different types of distinctive onyx and marble for each room, imparting a glamourous feel to the whole property.
The master bathroom is resplendent in Jade Green. The centrepiece is a massive double vanity unit, clad entirely in the marble with the twin basins carved out of the stone and the veining flowing down the wall and across the front of the drawers. The walk-in shower has the same marble on the floor and walls with striking bookmatched veins, fi nished with a built-in marble seat. The same marble is used in the dressing room next door.
Each of the guest bathrooms features a different coloured natural stone and complementary accessories in styles varying from the very feminine with pink onyx, matched with pink wallpaper and vanity unit, to the strikingly masculine with black and gold marble for the floor, walls, and vanity top, and gold coloured taps and basin. Elsewhere, blue marble was teamed with pale blue paint and a wooden floor to create a calm haven in one bathroom, and geometric floor tiles and different shades of blue on the walls for a modern, vibrant feel in another.
In the living area, a beautiful translucent pink onyx bar top and back wall glow with concealed back lighting. And the design is carried through to the floor where discs of the pink onyx have been inset into the wooden parquet flooring.
The kitchen is home to a large island entirely clad in gorgeous brown and green onyx which tones with the brown leather bar stools and the wooden parquet floor, perfect for chatting to family and friends while cooking.
All of the stone was manufactured and installed by stoneCIRCLE. The company has been fabricating stone for interiors since 1968, and works with top architects and interior designers on some of the most desirable residences. They have their own teams of installers working across the south of England fitting the stone they fabricate. Please contact them to discuss how you could use stone to transform your home.
stone-circle.com
“DESIGN IS ONE OF DENMARK’S MOST VISIBLE CULTURAL EXPORTS”
By PENDLE HARTE
Our long weekend in Copenhagen o ers a compact introduction to the city’s mix of history, design, and everyday culture. Staying at Villa Copenhagen, exploring by bike, and sampling food from bakeries and street markets creates a balanced picture of how the city lives today. It's a fun, vibrant and stylish place.
Our base for the weekend is Villa Copenhagen, a hotel set in the city’s former central post o ce. Behind its neoclassical façade, the interiors are stripped back and contemporary: muted tones, natural materials and stylish design. The rooftop pool, heated year-round, is one of its most distinctive features, o ering views over the rooftops. The hotel’s sustainability initiatives: energy-e cient systems, recycled materials and locally sourced menus mirror broader urban priorities in Copenhagen.
The city is one of the world’s most bicycle-friendly, and using Donkey Republic bikes demonstrates why. We download an app and book our bikes for 48 hours. If we have trouble identifying our orange bikes in a sea of similar ones, we don't need to search for numeric codes – these bikes have names. Mine is Lydia. Dedicated lanes, separate tra c lights, and thoughtful infrastructure make cycling straightforward, even for visitors. On two wheels we're speeding around town, along the boulevards of Vesterbro, the canals and bridges of Christianshavn and the quieter residential streets of Østerbro.
Another essential perspective comes from a canalboat tour. Boats leave from Nyhavn, where 17th-century houses line the waterfront. From the deck, the city appears calmer and more measured. The route includes the Opera House, the Black Diamond library, and the Little Mermaid statue, but the quieter moments along the way stand out: bridges at eye level, houseboats clustered along the edges, and the sight of residents using the waterfront as an everyday gathering place.
Within Christianshavn lies Freetown Christiania, established in the 1970s and still maintaining its semi-autonomous identity. The area is marked by murals, handmade houses, gardens, and workshops. Streets are lined with improvised structures and art, creating an atmosphere distinct from the polished architecture of the city center. It's a fascinating insight into a utopian community.
Design is one of Denmark’s most visible cultural exports, and the Designmuseum Danmark presents its history in depth. The collection includes classic furniture by designers such as Arne Jacobsen and Finn Juhl, lighting by Poul Henningsen, as well as ceramics, textiles, and contemporary work. The displays emphasise not only the aesthetics of Danish design but its guiding principles: functionality, sustainability, and attention to everyday use.
No stay in Copenhagen is complete without sampling its bakeries. Hart Bageri, founded by former Noma baker Richard Hart, is among the most celebrated.
“A FORMER INDUSTRIAL SITE IS NOW REPURPOSED AS A CREATIVE HUB”
Its specialties include sourdough loaves, pastries flavored with cardamom or seasonal fruits, and laminated doughs that draw locals and visitors alike.
For a contrasting food experience, Re en, located on Refshaleøen, brings together dozens of street food stalls from around the world. The market occupies a former industrial site, now repurposed as a creative hub. Visitors find options ranging from bao buns and Nepali dumplings to tacos and reimagined Danish classics. Long communal tables, live music, and harbor views create a casual, open-air atmosphere. Sustainability is a central focus, with many stalls committed to zero-waste practices and environmentally friendly packaging. A long weekend is enough to establish a rhythm: mornings that start with cycling, afternoons shaped by water or design, evenings ending with food by the harbor. What emerges is not a single image but a layered impression of a city that operates smoothly while leaving space for creativity and variety. Copenhagen, we love you.
Rates at Villa Copenhagen, a member of Preferred Hotels & Resorts L.V.X. Collection, start from £140 per room per night, based on two sharing. preferredhotels.com
The Copenhagen Card o ers unlimited access to public transport and free entry to more than 80 attractions, including museums, castles, and canal tours. Available for 24 to 120 hours, it’s a convenient way to explore the city while saving money and skipping ticket lines at major sights. copenhagencard.omc
7 NIGHTS FROM £1,649
Direct flights, 5★ beach resort, half board and private transfers
Relax on the two intimate, white sand beaches • Use the dive centre to see the vibrant marine life • Take advantage of the Beautiful Heavenly Spa by Westin • Enjoy the facilities including two pools, non-motorised watersports, tennis courts and kids' club
SPECIAL OFFER 40% room discount – saving £950 per couple. Book by 15 Oct 25.
A journey to Rome and the hills of Umbria staying in Relais & Chateaux properties o ers inimitable Italian scenery, cuisine and style
By SANDY CADIZ-SMITH
Any Italian adventure is guaranteed to tick all boxes for food, wine and views. But Umbria, often overlooked in favour of its glossier neighbour Tuscany, delivers all this and more. This is Italy’s only landlocked region – no rugged coastlines or sunsoaked beaches here – but what it lacks in sea breezes it makes up for in scenery, cuisine and history.
Think rolling hills draped in olive groves, forests that deliver tru es like buried
treasure, medieval hilltop towns with cobbled streets and crumbling stone walls, and earthy, generous and flavourful food. It’s the perfect place to hit pause – to breathe, slow your pace, and soak up the gentler rhythm of life in this enchanting part of Italy.
Our journey begins in Rome. There’s always something dream-like about arriving in the Eternal City, where every corner holds history. We’re staying at the stunning Relais & Chateaux Palazzo Ripetta, an independent five-star hotel right in its heart, and just a short stroll from some of the most iconic sights.
When we’ve had our fill of cobbled streets and ancient wonders, we retreat to our hotel’s blissful courtyard where fountains trickle and flowers bloom and our elegant deluxe room awaits. We enjoy a mixology masterclass in the stylish bar and a fabulous three-course dinner in the courtyard. It’s
"The air smells sweet and the peace envelops us as we turn into a winding driveway through a forest filled with birdsong"
the perfect Roman base. We also visit the Relais & Chateaux Hotel Raphael for lunch on the rooftop at Mater Terrae, the only vegan Relais & Chateaux restaurant in all Italy, and a flavourful experience in an oasis of calm above the city's hum.
We leave Rome's bustle behind to head north into Umbrian hill country, slipping into the softer, slower tempo of Italy’s green heart. The air smells sweet and the peace envelops us as we turn into a winding driveway through a forest filled with birdsong. We’ve arrived somewhere extraordinary – the Relais & Chateaux Borgo dei Conti Resort.
We’re welcomed with chilled Prosecco and escorted to a gasp-inducing suite. It’s simply huge, with separate living area, shining marble bathroom and a giant bed guaranteeing the sweetest of dreams. The grounds are also vast with a beautiful pool area, plenty of shaded trails and even an apiary, where beekeeper Giorgio Poeta welcomes us dressed resplendently in yellow. How we love that honey. Worldly cares are banished as we relax totally and immerse ourselves in the beauty of nature, some splendid fine dining in the restaurant, Cedri, and a rejuvenating facial in the coolness of the spa.
For our final stop we climb even higher into the mountains, where the air’s crisper and the vistas even greener. We’re headed to Relais & Chateux Palazzo Seneca within the ancient stone walls of Norcia. This beautiful medieval village of 5,000 inhabitants has seen its share of challenges, including a major earthquake that shook its
foundations in 2016. But Norcia is nothing if not resilient and its gentle charm remains intact as restoration continues.
Our hotel has just 24 rooms and sits on a narrow cobbled street. It’s rambling and cool with plenty of areas for quiet contemplation and uniquely designed bedrooms. The best Umbrian artisans have lovingly refurbished this property and it shows. It feels historic and elegant while having all the mod cons you'd expect at a hotel of quality.
Norcia is the home of the black tru e so, of course, we’re soon out in the forest with tru e dogs Octo and Luna in search of treasure. We find plenty and learn all about the countryside from our knowledgeable tru e hunter Nicola. We finish our forest adventure in his cabin in the woods, sipping on local red wine and sampling the local salami and cheese. Norcia is both the spiritual and culinary home of salami in Italy thanks to its cool mountain air and deep-rooted rustic traditions.
Being surrounded by such a rich culinary heritage, it’s no surprise that the food at Palazzo Seneca is superb. Their Vespasia restaurant has a Michelin Star and a Green
Established in 1954, the Relais & Chateaux Association brings together an exceptional collection of 580 hotels and restaurants around the world, operated by independent owners. There are properties in 65 countries across five continents with every owner committed to sharing their local culture as well as their passion for what is good and beautiful. relaisandchateaux.com
Star and chef Fabio Cappiello serves up a raft of glorious dishes. And we eat a lot of tru es – it’s kind of compulsory when you’re staying in their home turf. Umbria is a hard place to leave and it stays lodged in your soul. The beauty, the food and wine, the tranquility, the greenness and the warm welcome are all remarkable. And, best of all, it is blissfully uncrowded and gloriously unrushed – a place to slow the pace and let everyday cares melt away while enjoying the timeless pleasures of authentic Italian cuisine and hospitality.
Palazzo Ripetta, Rome – relaischateaux. com/gb/hotel/palazzo-ripetta/ Hotel Raphael – relaischateaux.com/gb/ hotel/hotel-raphael/ Borgo dei Conti Resort – relaischateaux. com/us/hotel/borgo-dei-conti-resort/ Palazzo Seneca – relaischateaux.com/gb/ hotel/palazzo-seneca/
A better life for you With an enviable work/life balance, thriving community and attractive tax system, it’s easy to see why people choose to move to Guernsey. Join us in London on 9 October 2025 and discover why you should, and how you can, move to Guernsey. Scan the QR code to book tickets.
This is where comfort, care and the magic of the countryside come together in one elegant escape
When winter casts its frosted spell over Ascot, Coworth Park becomes the ultimate destination for a cosy countryside
Christmas. Just 45 minutes from London, this 240-acre estate is where comfort, care, and the quiet magic of the countryside come together in one elegant escape.
From 22nd November, the Georgian manor house is transformed into a festive retreat. Twinkling lights, roaring fires, and the scent of mulled wine set the stage for an unforgettable stay. Guests are welcomed with sherry and mince pies on Christmas Eve, before settling in for two days of country house celebration. Coworth Park’s Christmas House Party package invites guests for a two or three-night break, complete with festive dining, luxury accommodation, and a programme of seasonal events.
Children post letters to Father Christmas, craft treats for the reindeer, and join the Twelve Days of Christmas treasure hunt, while grown-ups linger by the fire or indulge in a seasonal cocktail.
theatre. For relaxed dining, The Barn o ers a rustic-chic menu of British favourites.
At the Michelin-starred Woven by Adam Smith, Christmas dining is elevated to an art form. Nostalgic flavours are reimagined with precision and flair, from modern takes on traditional roasts to puddings that arrive like edible theatre. It’s fine dining that feels festive and deeply comforting.
Christmas Day at Coworth Park is a masterclass in thoughtful luxury: Champagne with Father Christmas, a four-course lunch at The Barn or a five-course tasting feast at Woven, followed by the King’s broadcast in the Garden Room and a relaxed Mansion House bu et dinner with live music.
Boxing Day invites guests to slow down. After a lazy brunch, a harpistaccompanied cream tea and a countryside walk o er the perfect pause before one last night of seasonal feasting.
Whether you join for an indulgent Christmas stay, a Michelin-starred festive lunch, or a day of countryside cheer, Coworth Park makes Christmas feel timeless. Comfort is personal, care is genuine, and every detail is designed to make this season unforgettable.
Food is at the heart of the celebrations.
In the Drawing Room, festive afternoon tea becomes an event in itself – think pear and cinnamon scones, Mont Blanc pastries, and live carols that turn tea into
dorchestercollection.com/ascot/ coworth-park/festive
Q Tell us a bit about Away Holidays?
A At Away Holidays, we create tailored travel experiences, from city breaks and all-inclusive escapes to romantic honeymoons, family beach holidays, multi-centre trips and cultural journeys across incredible regions such as South East Asia, the Indian subcontinent, Indian Ocean and UAE. Our team of travel experts is available 24/7 to personalise every trip, ensuring it suits your needs. Thanks to longstanding partnerships with hotels and airlines, we o er competitive prices and exceptional value. We make travel simple, stress-free and unforgettable, and with ATOL protection, you can relax knowing you’re in safe hands.
Q What emerging trends have you noticed in the world of travel?
A We’re seeing an exciting shift in what people are looking for. Travellers want authentic experiences: wellness retreats, food-focused journeys and immersive cultural trips are on the rise. There’s also a stronger awareness around sustainability and giving back to local communities. I’m also seeing more multigenerational travel, and there’s a growing appetite for exclusive, authentic experiences that go beyond a beautiful hotel room.
Q What destinations do you expect to be popular going into 2026?
A The Middle East is buzzing – Dubai, Doha, Abu Dhabi and even Saudi Arabia are capturing people’s imagination, especially for families. The Indian Ocean islands, particularly the Maldives and Mauritius, remain firm favourites for those seeking luxury and relaxation. Thailand, Malaysia, Indonesia and India are
We quiz Jaymin Borkhatria, CCO of Away Holidays about travel trends
seeing wonderful momentum. And Japan, with its blend of ancient culture and modern innovation, continues to be a dream destination.
Q Are there any destinations in Middle East, India and Southeast Asia that you believe are hidden gems?
A Absolutely! In India, Hampi is extraordinary – ancient ruins that feel like open-air history. Tadoba Sanctuary in Maharashtra is incredible for tiger spotting and Uttarakhand o ers stunning Himalayan views and a real spiritual energy. Odisha’s tribal culture is like stepping into living history and the Chilika Lake train route is breathtaking. In Goa, the Portuguese heritage is fascinating and Nagaland feels like a whole other world. In Southeast Asia, Laos is wonderfully under the radar – so peaceful and authentic. And in Sri Lanka, the east coast beaches and hill country still feel like hidden treasures. In the
Middle East, Saudi Arabia’s rose plantations in the Asir region are spectacular, perfect for nature lovers and photographers alike.
Q Do you have any tips or advice for people visiting Middle East, India and Southeast Asia?
A My biggest advice is to embrace it all! Yes, plan carefully but leave space for spontaneity – some of your best memories come from unexpected moments. Travel light and don’t miss the local food. If you see a busy place full of locals, that’s usually the best option. And finally, always book with a trusted provider. Reliable support and local connections can completely transform your trip from good to unforgettable.
Q What’s your favourite place you’ve ever visited?
A That’s a hard one, but I’d have to say the Maldives. The moment you see those turquoise waters from the seaplane, it takes your breath away. The beaches are pristine, the atmosphere is serene and underwater it’s like another world – colourful fish, coral gardens, even sea turtles gliding past. Every time I go, I’m reminded why travel is so powerful. It’s not just about the destination – it refreshes your whole spirit.
awayholidays.co.uk
Nestled in a tranquil and intimate lagoon of the historic village of Balaclava, facing the exotic Turtle Bay, a protected marine park on the northwest coast of Mauritius, lies The Westin Turtle Bay Resort & Spa Mauritius. A luxury escape where tranquillity meets indulgence, this aweinspiring resort o ers a range of enriching experiences and holistic wellness to leave you feeling relaxed, refreshed and inspired.
The Westin Brand Pillars of Wellness are deeply embedded in the resort, where natural tropical elements like Balau wood and lava rocks blend with contemporary yet sophisticated design to create a serene and elegant atmosphere. The resort's Heavenly Spa by Westin will take you on a wellness journey to revive the mind, body and soul, o ering an extensive range of spa packages and a private garden to relax in before and after the treatments. Moreover, the resort features one of the island’s largest infinity
A
pools with picturesque views, as well as a more intimate pool within the ‘Whisper zone’ to enhance tranquillity. Each of its 190 spacious and contemporary suites continues to amplify the peaceful themes of the resort – they are welcoming and light-filled, with a comprehensive choice of accommodation including direct beachfront rooms and a selection of suites with private lounge area. The delectable dining experiences is ensured to leave your tastebuds satisfied. There are 5 themed restaurants that are inspired by local, healthy produce and include the finest exotic ingredients. Enjoy
“A luxury escape where tranquillity meets indulgence”
delectable Mauritian fusion cuisine, authentic contemporary Indian flavours, Asian delicacies and imaginative dishes that together form an unforgettable culinary experience. When you’re not relaxing, enjoy full use of the hotel’s facilities including sublime tennis courts, non-motorised watersports, and even their own dive centre. Not to be missed is the hotel’s private speedboat tour which provides the chance to see turtles and dolphins.
If you’re looking for a luxury getaway where you can relax in an serene, unique environment, indulge in phenomenal food and lay back on pristine beaches with incredible views – then this is the resort for you.
Speak to one of Trailfinders travel consultants to book your dream trip to the The Westin Turtle Bay Resort & Spa. Trailfinders can assist with the entire holiday and the team at Trailfinders is on hand 365/24/7 until you’re safely home and your money is completely financially secure in the Trailfinders trust account. 020 7368 1506 trailfinders.com
“The Solstice has long been known as a happy place at sea”
Why a special relaunch from Celebrity Cruises can o er you the holiday of your dreams
In May 2026, Celebrity Cruises will unveil the fully renewed Celebrity Solstice®, o ering travellers an entirely reimagined experience at sea. From dining and entertainment to accommodation and outdoor escapes, every corner of this beloved ship has been redesigned to deliver fresh luxury with a sense of familiar comfort. Guests can expect new outdoor escapes, new entertainment, new dining, new rooms – new everything. The Solstice has long been known as a happy place at sea, and now it’s set to become even more extraordinary with carefully curated spaces and experiences designed to delight every guest.
The Solstice is raising the bar on dining, starting with Trattoria Romana. This glamorous new venue recalls the golden age of dining, complete with tableside
preparations and indulgent touches that make every meal feel like an event.
For lovers of premium cuts and seafood, the Fine Cut Steakhouse takes centre stage. Featuring 30-day dry-aged steaks, marketfresh seafood, and impeccable service, this restaurant has already earned glowing recognition from Forbes Travel Guide.
Meanwhile, Luminae, the exclusive restaurant for guests of The Retreat, will debut a new menu crafted by Michelin-starred chef Daniel Boulud, an indulgence not to be missed.
Entertainment has been completely reimagined. The Boulevard Lounge delivers cabaret-inspired glamour, transforming from interactive daytime hub to an elegant nighttime escape. For a more playful vibe, the Celebrity Barcade o ers retro-cool gaming with a chic lounge atmosphere, blending competition and camaraderie in equal measure.
ROOMS MADE FOR REJUVENATION
Every stateroom and suite on board has been refreshed, with a particular focus on enhancing relaxation. The expanded AquaClass® accommodation now feature spa-inspired details such as massaging shower heads, aromatherapy di users, yoga mats, luxurious robes, slippers, and even a pillow menu to ensure the perfect night’s sleep.
For the ultimate indulgence, The Retreat® has been elevated with redesigned suites, a serene new sundeck, and an oversized hot tub pool. Guests will also enjoy private dining at Luminae, where fine cuisine meets flawless service.
The redesigned Sunset Park brings the spirit of an outdoor festival to sea days. Guests can enjoy live concerts, fresh cocktails, and elevated bites, all in an open-air setting where every hour feels like happy hour.
With its sweeping transformation, the Celebrity Solstice® is more than a ship – it’s a destination in itself. Sailing from May 2026, it promises a new standard of luxury cruising for guests seeking relaxation, entertainment, and unforgettable experiences at sea.
To find out more, contact Canada Travel Specialists on 0333 014 3608 or visit canadatravelspecialists.com
Rosemead Preparatory School and Nursery celebrates its Independent Prep School of the Year award at TES Schools Awards
This summer, Rosemead Preparatory School and Nursery was delighted to be named as Independent Prep School of the Year at the Tes Schools Awards 2025.
The prestigious awards, often referred to as the Oscars of education, celebrate the most outstanding schools and teachers across the UK’s state and independent sectors, recognising excellence from early years through to secondary education.
The glittering awards ceremony took place on at the Grosvenor Hotel, Park Lane, London, where Rosemead was honoured alongside other exceptional schools and educators.
The judging panel, made up of leading figures from across the education sector, praised Rosemead for its personalised approach, vibrant community and holistic educational o ering.
In 2023, Rosemead joined the St Dunstan’s Education Group, a move that has helped strengthen the school’s vision and strategic development.
Speaking about the Tes Award, Nick
Hewlett, CEO of the Group, said: ‘This is a phenomenal achievement for Rosemead and richly deserved. The school has been on an extraordinary journey, and I pay huge tribute to the entire leadership team who have transformed this school. It has been a joy to welcome Rosemead into the Group.
‘The Good Schools Guide was absolutely right to call Rosemead the “one to watch” in south London – and now the Tes Schools Awards have confirmed it.’
This latest recognition builds on a series of recent successes. In the last academic year, Rosemead won two prestigious awards – for Excellence and Innovation in Equality, Diversity and Inclusion at the Independent Schools Association (ISA) Awards, and Best EDIB (Equality, Diversity, Inclusion and Belonging) at the Education Choices Awards 2024. Following the Tes win, Rosemead has also been shortlisted for IndependentSchooloftheYearfor Diversity, Equality, Inclusion and Justice (DEIJ)
“The Good Schools Guide called Rosemead the “one to watch” in south London”
at IndependentSchoolsoftheYearAwards which take place in October. Rosemead was also one of the first prep schools in the country to receive a significant strength in its most recent ISI inspection.
‘A highly customised approach to every pupil’s academic progress is a significant strength of the school,’ the report explained. ‘A customised learning programme in mathematics, English and reasoning caters for pupils in Year 4 and above. This, supported by an extensive enrichment programme and much support for individuals, impacts on all groups of pupils, enabling them to make good and often rapid progress over time.’
Prospective families will have the opportunity to meet the leadership team, current sta and students, and learn more about the award-winning education at Rosemead at their upcoming open morning. Rosemead hosts events in October, November and January. Book at rosemeadprep.org.uk
Saturday 15th November – 9.30am
Explore starting school life in Reception
Find out how joining in Year 5 sets pupils up for success
Learn about our outstanding Year 7 entry programme
An outstanding prep school in all areas, where every child’s potential comes to life Book today!
By JADE MCLELLAN, HEAD OF SENIOR SCHOOL
At St Dunstan’s College Senior School, Catford, we view the pursuit of excellence as a dynamic and evolving endeavour, requiring a thoughtful balance between remaining anchored in a principled educational philosophy and responding intelligently to the shifting landscape of the world. Our groupwide vision: Excellence. Di erently reflects our mission to cultivate a progressive community where innovation, integrity and individuality flourish in a culture of academic excellence.
From the very beginning of their journey, we ask our students to reflect not just on what they want to achieve, but on who they want to become. Which values will guide their decisions? Which principles will shape their lives? We believe that education must prepare young people not only for the world as it is, but for the world as it could be.
We are unapologetically ambitious. Our A Level results place us comfortably among the top 60 independent schools in the UK, and our students go on to a dazzling array of destinations, from Oxford and Cambridge to drama schools,
conservatoires and art foundations. Our students are taught not just what to learn, but how to learn and why it matters.
True excellence demands a willingness to think di erently, act boldly, and lead with purpose. It is why St Dunstan’s has been celebrated as one of the most progressive school groups in the UK. In recent years, the Senior School has proudly been named Tes Independent School of the Year, Co-educational School of the Year and awarded Most Progressive Independent School in Southeast England. These accolades that reflect our commitment to innovation, inclusion, and excellence across every area of school life.
Our curriculum is brave and bold. It does not shy away from the complex, the uncomfortable, or the contemporary. We discuss challenging topics such as misogyny, fake news and money management, equipping our students to think critically, act responsibly, and engage with the world around them with intelligence and empathy. Crucially, our education is designed not just for today, but for tomorrowpreparing students for jobs, industries, and challenges that may not yet exist.
St Dunstan’s was established with the bold vision of challenging the norms of education. From our founding days, when a courageous group of governors introduced science and technology into the curriculum, making us one of the first schools in the world to do so, and we have remained ambitious and progressive. We have just launched an AI Education and Ethics programme, equipping pupils to navigate the digital future with discernment and confidence. But innovation at St Dunstan’s extends far beyond technology. It is reflected in our approach to wellbeing, in our evidence-led pedagogy, and in our commitment to developing adaptable, analytical thinkers who are prepared to lead in a world that demands lifelong learning. With integrity as a cornerstone, we nurture young people to be thoughtful, ethical leaders and individuals who are prepared not only to thrive in the world, but to improve it.
Find out more about St Dunstan’s College Senior School at one of their upcoming Open Events throughout October and November. In August, St Dunstan’s celebrated its best-ever A Level results in the school’s history. 89% of all grades achieved were A*- B with an outstanding 64% being A - A*
University options beyond the ‘Big Four’ prestige locations are coming into play, says Jessica Harris, Head of Quintessentially Education
The UK, US, Canada and Australia have dominated the global education market for decades. This ‘Big Four’ o ered both world-renowned institutions and the promise of long-term opportunity for aspirational students. But an unmistakable shift is taking place in international education, opening up competition for global talent like never before.
As a dual UK and US agency, we are supporting increasing numbers of students looking to a broader range of programmes across new regions. While demand for the UK and US remains high, there has been a significant increase in families casting the net wider.
A host of reasons, including migratory pressures, rising tuition fees, demographic shifts, political and regulatory changes, and credibility of post-study pathways,
have led ambitious students to question previous assumptions and consider alternative places to study.
Policy and visa shifts can disrupt the best laid plans. Recent changes to student visa processing times and post-study work rules in some countries have created uncertainty. For example, in Australia, visa fees jumped to AUD $1,600 last year, with a further proposed rise for this year. Other policy changes have meant post-study work is now capped at two years. In the US, meanwhile, heightened scrutiny on visa applications, evolving documentation requirements and shifting timelines for F-1 processing have made it increasingly important for students to prepare early and remain adaptable.
Rising costs across the ‘Big Four’ means students and their families are recognising potentially better value elsewhere. Tuition fees in these four countries can exceed £50,000 per year before living expenses. In countries such as Germany, Austria or the Netherlands, tuition fees are minimal by comparison, even for international students. In Germany, for example, most
public universities charge no tuition fees or request very modest semester contributions of around €250–€350 for undergraduate study. There are exceptions such as BadenWürttemberg, where non-EU students pay about €1,500 per semester, but that’s still a fraction of UK or US tuition fees.
Growing global prestige is another factor influencing students’ desire to consider a broader set of university locations. While the UK and the US continue to dominate the top of the QS World University Rankings, an increasing number of European and Asian institutes such as ETH Zurich and the National University of Singapore (placed seventh and eighth in QS World University Rankings 2025) are appearing. These institutions are attracting worldclass faculty and securing international research partnerships as their prestige becomes more recognised.
Cultural and professional opportunities are also seen as another factor. Studying outside the Big Four can immerse students in dynamic, fast-growing regions – whether it’s joining the tech ecosystem
of Singapore, learning in multilingual Brussels or building professional connections in Dubai’s thriving business scene. Such experiences can di erentiate graduates in a competitive job market. These locations may also bring flexibility
“Rising costs in the ‘Big Four’ nations means students and their families are recognising potentially better value universities elsewhere”
for transfers and postgraduate study. Certainly, a degree from a respected university in Europe or Asia can act as a springboard to postgraduate study in the UK or US, o ering an alternative route to the same long-term goals.
From Germany’s tuition-free public universities to the Netherlands’ innovative English-taught programmes, Europe o ers an exceptional return on investment. Institutions such as TU Munich, Heidelberg University, and Wageningen University are beginning to really rival their UK/US counterparts in research output and graduate employability.
And for students who coveted Harvard’s government, public policy and economics courses, Sciences Po is an excellent alternative. This prestigious French university, which has long attracted many of Europe’s political elite (President Macron included) has campuses in Paris and a number of historic French towns and teaches many undergraduate courses in English.
For those pursuing a STEM pathway, a great alternative to MIT in Boston or Imperial College in London is the Delft University of Technology in the Netherlands. Also known as TU Delft, this public university is much cheaper than MIT.
The annual fees for international students are the equivalent of approximately $18,600 USD per year, compared to MIT’s $57,790 USD, and the town has much lower living costs than Boston. Bocconi University in Milan is a fantastic alternative to both the University of Pennsylvania and LSE in London – o ering a similar range of economics, finance and management courses – while IE University in Madrid has similarly good courses in business, management and international relations.
And for students who want something collegiate and historic with English as the primary language, proximity to the UK, and generous post-study work visas, Ireland’s Trinity College Dublin and University College Dublin o er a seamless cultural transition with strong academic credentials.
Regional hubs such as National University of Singapore and University of Hong Kong combine academic excellence with access to the fastest-growing markets in the world – ideal for future leaders in business, finance, and technology. Meanwhile, Dubai and Abu Dhabi now host an impressive roster of international branch campuses for leading UK, US, and Australian universities. This means globally recognised degrees in a strategically located and cosmopolitan environment.
For instance, University of Birmingham Dubai o ers the same UK-accredited degrees as its home campus, and with a strong focus on business, engineering, and computer science. Heriot-Watt University
“Learning in multilingual Brussels or building professional connections in Dubai – such experiences differentiate graduates in a competitive job market”
Dubai is renowned for its business and engineering programmes, while in Abu Dhabi, New York University Abu Dhabi (NYUAD) stands out for its liberal arts approach and strong research profile, combining US academic traditions with an immersive global outlook.
For families who value the prestige of a UK or US education but seek a warmer climate, dynamic job market, and lower living costs than London or New York, these UAE campuses may be an astute choice – particularly for those students interested in internships and industry connections in the Gulf’s thriving sectors, which include technology, construction, hospitality and renewables. Exploring beyond the Big Four is about widening possibilities. Students can get expert help in creating shortlists tailored to their academic goals, career aspirations and lifestyle preferences. At Quintessentially Education, our advice to students is to ensure they choose universities that are not just reputable but right for them. So, alongside the tangible values such as tuition costs, living expenses and graduate outcomes, think about the admissions process and the all-important lifestyle components. It can be especially helpful to talk to other students who have attended shortlisted institutions for firsthand feedback.
The good news for students is that a prestigious degree remains within reach, regardless of geopolitics. The key lies in having an informed and flexible strategy that balances ambition with pragmatism. The best higher education plans can evolve if the situation changes by keeping a range of potential options on the table.
With advanced tools and an innovative learning approach, children design, build, and explore through hands-on, collaborative projects. Each experience sparks curiosity and confidence, nurturing imaginative thinkers who discover the joy of learning while unlocking their potential to innovate and lead in tomorrow’s world.
Absolutely
Q What was your first Headship role and what did you learn from it?
A My path to headship has been unconventional. I started out my career as an electrical engineer in the nuclear power industry before retraining as a teacher and working in schools as varied as rural Scotland and central London. I became Head of Skippers Hill Manor Prep in 2020 – right in the middle of the pandemic. Leading a school through lockdowns and social distancing taught me something powerful: a school is so much more than lessons and timetables. It is a living community of children, parents and sta – and when that community works together with a shared sense of purpose, children flourish.
Q How long have you been at Aberdour and what attracted you to working there?
A I was thrilled to join Aberdour
School as Head in April 2025. What drew me here was Aberdour’s distinctive philosophy: build the education around the child, not the other way round. The school’s ethos of “finding the brilliance in every child” completely resonated with me – it’s exactly why I went into teaching. When I discovered teaching, I stumbled upon a passion and ability I never knew I had. That’s what I want for Aberdour’s children: to find their own brilliance as early as possible, and to spend as much of their childhood as they can enthralled by the things that inspire them.
Q How would you describe your leadership style?
A Rather than defining myself by a particular leadership model, I like to keep it simple: kindness, hard work, aspiration – and fun. I want Aberdour to be a school where children and sta feel valued, empowered,
and encouraged to give their best. Where empathy and ambition go hand in hand. And where laughter is heard every single day. By nurturing a culture where everyone feels valued and inspired, we create a school that is truly greater than the sum of its parts.
Q What is your vision for the future of your school?
A My vision is for Aberdour to stay true to what makes it special: a stand-alone prep school that knows every child, nurtures every talent, and keeps innovating. Belonging is at the heart of that vision. When children feel seen and known, they are happier, more confident and perform better in every area of school life. I want Aberdour to be a place where children quite literally bounce through the gates every morning.
aberdourschool.co.uk
Francis Holland Schools Trust’s aim is to be at the forefront of forward-thinking, values-led girls’ education in London. Its three schools are placed in exceptional central locations which enable them to treat London as their extended classroom, enhancing their ability to nurture pupils’ potential and help them become resilient, fulfilled adults who will make a positive di erence in the world.
At Francis Holland Regent’s Park, located just steps from one of London’s most beautiful parks since 1878, girls aged 11-18 benefit from daily lunchtime walks and abundant sporting opportunities. The curriculum is enriched by the city’s resources, with pupils attending workshops and lectures from industry leaders such as data scientists from JP Morgan and CEOs including Amanda Pritchard of NHS England, while visits to EY, the Bank of England and corporate headquarters ensure pupils are future ready. Partnerships with universities including LSE and UCL enhance an exemplary enrichment programme.
The Architects Ambassadors programme, run with RIBA and St Marylebone School, empowers pupils to design sustainable
projects. Having won a national STEM award in 2024, the school is especially committed to ensuring girls excel in this field. Through a pioneering Women in Tech series, pupils gain the skills and confidence to thrive in traditionally male-dominated sectors.
Francis Holland Sloane Square for girls aged 11-18, founded in 1881, stands in Belgravia, just a two-minute walk from Sloane Square. Nearby, green spaces such as Battersea Park are enjoyed frequently and o er a wealth of sporting opportunities. Just around the corner are the Royal Court Theatre and the Saatchi Gallery. From the Globe Theatre to the British Museum, the Imperial War Museum to the Courtauld Institute, the Houses of Parliament to the Old Bailey, hundreds of nearby places of social or cultural interest provide opportunities to develop intellectual curiosity.
The school’s award-winning Futures programme is greatly enhanced by its central location, which facilitates frequent visits from alumnae and visiting professionals. In all year groups, pupils are encouraged to develop entrepreneurial skills through initiatives such as Young Enterprise, Tycoon In Schools and Girls Are Investors. In the Sixth Form, independent engagement with London life flourishes: lectures at Imperial and KCL are popular, while local sports studios such as KXU and Vita broaden PE beyond traditional sports.
Francis Holland Prep’s location in the original Chelsea Library, just o the King’s Road, enables weekly trips to renowned galleries and museums including the nearby Science Museum, V&A and Natural History Museum. The Prep holds traditional values of compassion, humility and kindness, but its metropolitan outlook instils a unique resilience, dexterity and maturity in girls aged 4-11. This ensures that pupils are ready to embrace their senior school journey, whether they go on to one of the two Francis Holland Senior Schools or other leading London independent schools or boarding schools. francisholland.org.uk
Wetherby Pembridge draws on the established rigour and academic traditions of Wetherby and Pembridge Hall, blending time-honoured values with an innovative, forward-looking education. Students are prepared to lead—not just in the classroom, but to make a lasting, positive impact on the world around them.
Supplementing your child's education at Cresconova Labs
In the heart of Chelsea and Kensington, Cresconova Labs is transforming what supplemental education can look like. It is not tutoring, nor standard enrichment — it is an environment where children discover the joy of creating, experimenting, and bringing ideas to life.
As Artificial Intelligence and other technologies reshape our world, the qualities that matter most — creativity, imagination, collaboration, and resilience — become even more powerful when paired with the right tools. At Cresconova Labs, advanced technologies are not ends in themselves but catalysts, helping children turn ideas into reality through hands-on, collaborative projects that spark curiosity, build confidence, and nurture future innovators. Picture a group of children huddled together designing capsules and determined
to keep their “egg-stronaut” safe. They measure angles, calculate force, test materials, and debate design choices, all while racing against the clock to refine their capsules. At launch, the staircase becomes their proving ground. Some eggs land intact, others not, but each outcome sparks laughter, fresh hypotheses, and another round of iteration. What seems like play is actually deep learning in action— strengthened by resilience, teamwork, and inventive thinking.
In another room, students are just as intensely focused, turning fabric remnants into haute couture, more than just an accessory — designed with precision, crafted with a focus on texture and form, creating a one-of-a-kind piece focused on environmental responsibility. Students explore history through textiles, apply geometry in patternmaking, and express individuality through color and form. The session ends with a joyful runway moment, but beneath the fashion design lies critical thinking, imagination, and a consciousness of sustainability.
From rockets to runways, every activity at Cresconova Labs reflects a multidisciplinary approach, showing children that true
innovation lives at the intersections. The tools — resin printers, laser cutters, robotics, AR/VR — are just the beginning; the true outcome is mastery, when knowledge across disciplines converges into creativity.
“At Cresconova Labs, creativity is not the opposite of rigor; it is the highest form of it, preparing children not just to consume technology but to create it,” says Christine Braun, Cresconova’s Chief Creative O cer, formerly Director of REEF Makerspace, Harvard University.
While children are immersed in these experiences, parents are not forgotten. A calm, light-filled lounge o ers co ee, curated books, and work-friendly spaces. For many, it becomes a mini-retreat, a welcome pause before the rhythm of family life resumes.
Cresconova Labs’ vision is clear: to o er the community something truly new — an experience where curiosity meets creativity, where children build resilience and imagination, and where tomorrow’s innovators begin their journey.
cresconova.org/labs communication@cresconova.org +44 20 4604 4885
workspace than a traditional classroom. It’s inspiring to see our senior pupils engage confidently in this innovative environment.
As Head of Hazelwood School, I’m deeply committed to the formative years of education. These early years not only shape what children know, but who they become. At Hazelwood, our mission goes beyond academic excellence; we focus on developing empathetic, adaptable, collaborative, and curious young people. In an ever-changing world, children must be equipped with both knowledge and essential human skills—such as the ability to listen, problem-solve, and apply their learning creatively to real-world situations.
Hazelwood is a coeducational Nursery and Prep School for children aged 9 months to 13 years, set in 25 acres of woodland on the Surrey-Kent border. We pride ourselves on o ering a dynamic curriculum, outstanding facilities, and a
forward-thinking approach to teaching.
A recent innovation at Hazelwood is our Flexible Classroom scheme
Initially a small trial, this has transformed the learning environment school-wide. Children now choose how they learn best— whether on comfy seating, floor seating, standing desks, or in quiet zones. There are designated areas for independent study, focused one-to-one support, or collaborative brainstorming at circular tables. This flexibility has fostered greater engagement, curiosity, and ownership over their learning. We’ve seen children thrive, whether sitting on wobble stools, working at standing desks, or sitting on the floor with a lap desk. The environment encourages exploration, fostering both personal and academic growth.
We’ve also recently opened our Upper School Learning Centre for Years 7&8. Designed for collaboration and independent thinking, it feels more like a creative
Additionally, the relocation of our Reception classes to the main campus has been a game-changer. Our youngest children are now fully integrated into the school community, enjoying new spaces for play, including a large all-weather awning for year-round outdoor play, a sandpit and a dedicated Forest School development area. It’s already proving to be a magical space where our 4- and 5-year-olds are thriving—learning, playing, and growing with joy and confidence.
Wellbeing is central to our school philosophy. Our Wellbeing Hub, launched last year, provides a safe space for children needing calm, support, or extra help with learning. We know that happy children learn best, and we are dedicated to nurturing the whole child.
Hazelwood remains committed to innovation, academic excellence, and empowering children to grow, explore, and flourish. I’m truly privileged to lead such a forward-thinking school.
To arrange a visit or tour, please contact admissions@hazelwoodschool.com or visit hazelwoodschool.co.uk.
LINDIE LOUW
Why tailored legal and tax planning is key to protecting both your wealth and your wishes
By ELNORA TERAKOPIAN
For many of us, the family home is far more than bricks and mortar. It is a place where life unfolds, where birthdays are celebrated, milestones marked, and everyday moments become treasured memories. It is where younger generations laugh and play while older generations catch up over co ee and cake. A home is the backdrop against which
children and grandchildren grow, and where memories to treasure for a lifetime are made.
For some families, a home may even span lifetimes. Generations have been born, raised, and in some cases, lived out their final years under the same roof. Today, households take many shapes: single-parent families, blended families, cohabiting partners, or multiple generations living together. Each brings its own story, but all share the same truth: the family home is an asset that deserves careful thought and protection.
From a legal and financial perspective, the home is also one of the most valuable assets a person is likely to own. This is why it is imperative to deal with it properly, either through a carefully drafted Will or as part of wider lifetime tax planning.
Where there is no Will, the intestacy rules will dictate who inherits the home. This can have disastrous consequences if, for example, a surviving spouse or cohabitee does not own a share in the property, or if the property is owned as tenants in common. In such cases, the surviving partner may not automatically inherit the deceased’s share, leaving them in a vulnerable position. They may have to make a claim against the estate to secure their future in the home which is an additional burden at an already di cult time.
Even for married couples, intestacy rules do not always ensure the entire property passes to the surviving spouse. Depending on the value of the estate, and whether there are children, the property could be divided in ways that are neither tax-e cient nor reflective of the deceased’s true wishes.
Blended families also bring unique considerations. Provision may need to be made for children from previous relationships. In these cases, life interest trusts in the Will can be an e ective way of safeguarding the deceased’s share of the property, ensuring both the surviving partner and children are provided for fairly.
With thoughtful planning and the right legal advice, you can make sure your family home is protected not only as an asset, but as a legacy. At Owen White Catlin, we help clients put the right structures in place so their wishes are respected and their loved ones are safeguarded for generations to come.
If you would like to talk through your options or simply want to know more, please get in touch with our Chiswick team.
020 8987 1400 contact@owc.co.uk owenwhitecatlin.co.uk
