Young Designers of Australia Volume 03

Young Designers of Australia 03 VOLUME 03 AUGUST 2021

DIGITAL ART WEB DESIGN 3D RENDERING MOTION DESIGN LOGO DESIGN TYPOGRAPHY BRAND & IDENTITY PUBLICATION DESIGN PHOTOGRAPHY ART

COVER ILLUSTRATION BY BRIDGET HAYHOE

CREATED IN MELBOURNE

Young Designers of Australia Magazine Free August 2021 Volume 03 Typeset in Moret, Futura PT, Acumin Pro. Created and Designed

by Katerina Hionis designbykh.com Editing and Proofreading

by Daniela Abriola Cover Illustration

by Bridget Hayhoe All contributing artists are credited from pages 239–243.

Young Designers of Australia is published on issuu.com and is free for online reading.

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Introduction When submissions opened for Volume 03, we received an overwhelmingly positive response from students all around Australia who had not heard of Young Designers of Australia before. While the magazine was initially known by mainly Swinburne and RMIT students, it is incredible to witness its growth across a variety of Colleges and Universities around the country. Who would have guessed that a lockdown passion project could expand to what it has become?

It sure has surprised me, in the best way possible.

I am grateful for everyone that believed in the project from the beginning, with special mentions to Charlotte—who messaged everyone creative she knew to help increase submissions for Volume 01. As well as Daniela, who is an incredible editor and is full of great promotion ideas.

I hope you all can enjoy Volume 03 as much as I do— there is an endless amount of amazing, high quality projects for you to see.

Katerina Hionis Creator and Designer

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Contents Bridget Hayhoe 5 Digital Art 9 Web Design 31 3D Rendering 45 Motion Design 59 Logo Design 63 3

Typography 69 Brand & Identity 77 Publication Design 167 Photography 213 Art 233 Contributors 239 4

Meet our front cover illustrator: Bridget Hayhoe

Bridget Hayhoe is a freelance graphic designer, entering her final semester of a Bachelor of Design at RMIT. She has notably worked with RMIT Gallery, NGV and Young Artists of Australia. Currently, she owns and operates a small business, @studio.brh on Instagram.

Her favourite areas of art and design Although she is studying design, art has always been a great passion. At every possible opportunity, she likes to take time away from the screen to work tangibly. She is enthusiastic about everything, ranging from pottery to photography. She is always willing to explore new mediums.

Her favourite project Recently, her favourite project to work on has been a Support Artist role on the Arts West Recovery project under Find Bridget on Instagram at @studio.brh

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Moonee Valley City Council. The project is a paste–up collage mural composed of images of local people in the area.

It can be found on the side of the Craftercise building in Airport West.

Advice for aspiring creatives Bridget’s advice to aspiring creatives would be to give everything a go, regardless if it may not seem like your area of expertise; it’s always great to learn and network with new people and improve or develop a new skill!

Creative fre allows peop challenge th boundaries of design.

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eedom ple to he s

Digita

Alex Duong Emily Chim Iris Ku James Hollingsworth Mun Yap

al Art

uang Jade Liou Sam Wright Howie

Alex Duong

ARTWORKS FOR 0084 PODCAST

2020– | SWINBURNE UNIVERSITY OF TECHNOLOGY

These illustrations are made to feature the 0084 Podcast which I participated in with my friends. It is a Vietnamese podcast telling stories about life in Vietnam through the typical sounds we hear every

day. The concept is to take something small—like a sound—and then magnify it to take listeners on a journey.

DIGITAL ART

ARTWORKS FOR 0084 PODCAST

CONTACT anomalyalex_ Alex Duong

anomalyalex.com

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Emily Chim MY ALTER EGO

2021 | RMIT UNIVERSITY

As my time at university is coming to an end, I have been reminiscing on old projects I have created in the past and challenging myself to recreate these assignments using what I have learnt. My Alter Ego was an illustration assignment given to us in the first year that challenged us to draw ourselves in an alternate universe. When creating the new version,

I tried to keep the drawing as close to the original as possible, with only some small changes. These include snake tattoos, rather than a snake pattern on the skin. Within three years my style and quality of drawing have immensely changed and I am very proud of the progress I have made so far.

DIGITAL ART

MY ALTER EGO

CONTACT @designby.emilychim

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Iris Kuang FRAGMENTED IDENTITY

2021 | RMIT UNIVERSITY

In this university project, we needed to design and produce a creative, direct mailer series to promote a new paper range that is laser–friendly and specialty stocks to designers and printers for Spicers Paper. As human beings, we come to understand ourselves best through our interactions with other people. Everyone you meet is your mirror.

Nowadays, we see ourselves differently, through the way we present ourselves on social media. We care so much about numbers—the numbers of followers we have, the number of likes we get. This design explores the topic of social media and our identities based on a visual theme inspired by the movement of surrealism.

DIGITAL ART

FRAGMENTED IDENTITY

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DIGITAL ART

FRAGMENTED IDENTITY

CONTACT @irisdesign_studio

iriskuang.myportfolio.com

Yingtong Kuang

yingtongkuang@gmail.com

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Jade Liou THE COCOON

2020 | RMIT UNIVERSITY

THE COCOON is a graphic novel about a moth larva trying to escape from a crazy scientist in a fictional world. The story is a metaphor for the courage to counter mainstream social value, rigid systems and stereotypes. To reflect the sci–fi atmosphere

of the background, I decided to create the art style of retro–futurism by using geometrical shapes, pixel fonts and textures filled with noises. Apart from the graphic novel, I also made a series of posters as promotional items.

DIGITAL ART

THE COCOON

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DIGITAL ART

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THE COCOON

DIGITAL ART

THE COCOON

CONTACT @jadeliou Jade Liou

jl.jadeliou@gmail.com

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James Hollingsworth SYMBIODINIUM

2021 | RMIT UNIVERSITY

As with most of my work, this piece was a response to research into natural processes. In this particular case, I was investigating coral formation through symbiosis. I wanted to explore the complex patterns of interconnectivity through complimentary 2D

and 3D forms. All coral sections are produced by applying procedural materials to hand-drawn sketches. I arranged these digital coral elements into a composition to emphasise the beauty and complexity found in natural systems.

DIGITAL ART

SYMBIODINIUM

CONTACT @mild_ritual

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Mun Yap WHAT A WASTE

2021 | RMIT UNIVERSITY

This series of illustrations shows concern over the packaging waste from online shopping, especially during the COVID-19 pandemic. It discusses the excessive amount of packaging used as items

are generally wrapped in layers of plastic and not recycled after. It aims to encourage a change in consumer habits.

DIGITAL ART

WHAT A WASTE

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DIGITAL ART

WHAT A WASTE

CONTACT CONTACT @_bymooney

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munyap.myportfolio.com

by.mooneyap@gmail.com

Sam Wright Howie ALWAYS CHASING NEVER SATISFIED

2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY

Recently I have been connecting with the unique and relaxed style of surfing designs. As someone who enjoys going surfing, I was trying to express the never–ending feeling of desire for the next

wave in this illustration, while bringing forth my own style and perspective. It is a design like this, that often inspires me to create and I hope it has the same effect on someone else.

CONTACT @swh.designs samwhdesigns@gmail.com

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Web D Eleanor Donley Eloyse McCall Minh Ton–Nu Wing Pang

Design Katie Zhou

Eleanor Donley ANATOMIA

2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY

ANATOMIA was created as a concept spa website for a Web Design unit at Swinburne University of Technology. The design has a minimal layout using negative space and an earthy colour palette

to appeal to its audience. Similar to other spa websites, it has a clean and professional aesthetic.

The website was created with a responsive design for mobile and computer displays.

WEB DESIGN

ANATOMIA

CONTACT @eleanordonleydesign

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Eloyse McCall CRISP

2020 | SHILLINGTON COLLEGE OF GRAPHIC DESIGN

Crisp is an identity for an online streaming platform that launches carefully curated, original content.

The brand’s offering is ‘the content you’ve been trying to find’—it is for the person who wants a curated selection of independent TV and film, and is frustrated when they can’t always find it.

The brand aims to be the friend with the ‘hard to

find recommendations’, and the critical source you can trust. The design direction is driven by the brand’s personality and offering–sharp, poised and organised. The logotype is a bespoke typeface designed for the brand, with each letterform a balancing act of circle and line.

WEB DESIGN

CRISP

CONTACT @eloysemccall.work eloysemccall.work

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Katie Zhou HERE

2021 | RMIT UNIVERSITY

Website visualisation design for Here, a project occurring around the city of Melbourne, which aims to acknowledge the birthplace of ideas across many creative fields including literature, art and performance. It seeks to ensure that the provenance or history of these creative contributions will not be lost. Here seeks to

provide the passer–by with a sense of where ideas have been cultivated, including areas like houses, cafés and galleries. These ideas include where authors have penned their books, theatre playwrights have observed characters, painters have captured scenes and so on.

WEB DESIGN

HERE

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WEB DESIGN

CONTACT CONTACT @katiezhoudesign

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HERE

Minh Ton–Nu SKEWUP

2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY

Skewup – Retirees’ Community is a social media/ digital platform for retirees to get creative, make friends, and find things to do in their free time.

The platform helps recent retirees adjust to new

lifestyles by suggesting new hobbies and skills they can take, connecting like–minded people, and prompting nearby events, volunteer works, and casual jobs.

WEB DESIGN

SKEWUP

CONTACT @heiimminh

minhtonnu.myportfolio.com

Minh Ton–Nu

minh.tonnu@outlook.com

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Wing Pang

WING PANG’S PERSONAL WEBSITE!

2020 | UNIVERSITY OF TECHNOLOGY SYDNEY

A responsive portfolio website demonstrating my design and illustration skills. I wanted my website to be unique, colourful, cheerful and reflective of

my own personality. This website was designed and illustrated by myself with love and created through Webflow.

WEB DESIGN

WING PANG’S PERSONAL WEBSITE!

CONTACT @wing.png wingpang.com

hello@wingpang.com

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3D Ren Joel Humphries Jono Lucas Madison Guidone Matt Allan

ndering

Joel Humphries FOMS WORLD

2021 | RMIT UNIVERSITY

I made a 3D alien world for a floristry business called FoMS. I used Cinema 4D to create and render the world. While using Adobe After Effects and Illustrator to create the animated butterflies

and pterodactyls, and colour grade. I made the sound through a combination of live sound recordings and synthesisers.

3D RENDERING

FOMS WORLD

CONTACT @joelhumphries @foms.world

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Jono Lucas ASSORTED 3D WORKS

2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY

Assorted 3D Works is a collection of explorative digital art pieces & motion graphics that aim to intrigue and fascinate its audience. The approach

to this project was purely to create digital artworks to develop my skills within the software that was outside of my comfort zone at the time.

3D RENDERING

ASSORTED 3D WORKS

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3D RENDERING

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ASSORTED 3D WORKS

3D RENDERING

ASSORTED 3D WORKS

CONTACT @jonolucas.3d

jonolucas.com

Jonathan Lucas

jonolucasart@gmail.com

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Madison Guidone DWELL (SERIES)

2020 | CURTIN UNIVERSITY

While staying inside for most of the past year, I took time as a creative to reflect on what makes a room a personal space for most people. The possessions encapsulated within can really make a room more than a liminal space, creating a haven of self– expression. Colours, sentimental items and ideals

of comfort cement a space of value within our lives, with 2020 highlighting that more than ever. Using rendered textures such as gelatine, metals and plastics, this series abridges a ‘dollhouse’ type feel in visuals, but a homely comfort throughout subtext.

3D RENDERING

DWELL (SERIES)

CONTACT @vitaminmdesign vitaminmdesign@gmail.com

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Matt Allan LIMIDEAD PACKAGING

2020 | BILLY BLUE COLLEGE OF DESIGN

This was an assignment where we had to create packaging for an item of our choosing. I went for the ‘easy’ option and selected baseball caps as my subject. We had to develop everything from the branding, concepts, die cut and mock–ups to support our rationale over a 12–week period. This was quite an intensive amount of work for this

short time frame. As the packaging I had designed didn’t have a ready–made mock–up that I could find online, I decided to jump onto Adobe Dimension for the first time and have a try at creating some renderings from scratch. In the end, I think the end results turned out pretty well.

3D RENDERING

LIMIDEAD PACKAGING

CONTACT mattallan.net mattallandesign@gmail.com

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Motion Jasmin Hinss

Design

Jasmin Hinss SCOREBOARD ANIMATIONS

2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY

These short animations were created for the GV Bush Bash T20 League, Round 2 at Cobram Cricket Club. Type–heavy and bold, these animations created a fun atmosphere for a family day out in regional Victoria. Repetition of words was used

to help with legibility from across the field, and to create a sense of building excitement in the crowd for the next player. The colours used follow the Cobram Cricket Club’s team colours, which created reusability for future games.

MOTION DESIGN

SCOREBOARD ANIMATIONS

CONTACT @jastild jasminhinss.com

jmhinss@gmail.com

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Logo D Hamish Mcrae

Mun Yap

Design

Hamish Mcrae TUA CASA

2021 | BILLY BLUE COLLEGE OF DESIGN

Unique typography and illustration for Tua Casa’s logo, a new homewares brand launching this year.

CONTACT CONTACT @hamish_mcrae

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Hamish Mcrae

mcraehj@gmail.com

Mun Yap JO’S BAKERY

2020 | RMIT UNIVERSITY

Small business graphic for Jo’s Bakery. Jo is an aunt of mine who bakes well and dreams of opening a bakery. Jo’s Bakery is the friendly neighbourhood bakery of any suburb. The logo is brightly coloured, minimalistic, and cute. It features a decorative playful bespoke type. It also features a mascot,

an illustration of Aunt Jo, as she is the face of the brand and bakery. The pattern of Jo’s Bakery is a mix of minimalistic illustrations: Aunt Jo, buns and wheat. Both graphics were digitally created with Adobe Illustrator.

LOGO DESIGN

JO’S BAKERY

CONTACT @_bymooney munyap.myportfolio.com

by.mooneyap@gmail.com

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Typog Dan Go Susanna Thibbles Zoe Baumgartner

graphy

Dan Go ARCA

2021 | SHILLINGTON COLLEGE OF GRAPHIC DESIGN

A redesign of Arca’s 2017 self–titled album.

Letterforms were hand made from copper wire, photographed and then manipulated in photoshop to create something that looks organic, textural

and alien. This was to reflect Arca’s eclectic music style. The back–cover design was intentionally left minimal to keep the focus on the front cover.

TYPOGRAPHY

ARCA

CONTACT @dan.go.designs

dangodoesadesign.com

Dan Go

dangodoesadesign@gmail.com

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Susanna Thibbles POWER OF LOVE

2020 | DEAKIN UNIVERSITY

This typography design was inspired by the Black Lives Matter movement, in order to showcase support towards bringing justice and change. We can’t change the past but we can definitely rewrite

the future! Until black lives matter, no lives matter.

‘When the power of love, overcomes the love of power the world will know peace.’

TYPOGRAPHY

POWER OF LOVE

CONTACT @visionaryatelier

susannathibbles.myportfolio.com

Susanna Thibbles

susannathibbles@gmail.com

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Zoe Baumgartner PANTOMIME

2020 | RMIT UNIVERSITY

PANTOMIME is a custom typeface created for the title sequences of Trudi Treble and Bonita Carzino’s film PANTOMIME. The playful sans serif is inspired by Jean Luc Godard’s hand–cut title sequences, created naively and bashfully— all whilst considering what New Wave typography

really is. PANTOMIME was made on the lands of the Kulin and Eora nations, in the suburbs of Melbourne, on a 12–hour train journey, on a Darlinghurst terrace, and in an old pub at the end of a valley.

TYPOGRAPHY

PANTOMIME

CONTACT @zoemaiaa zoebaumgartner.com

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Brand a Identity

Alex Duong Andrea Garcia Arie Ayelen Gallardo Caroline Marta Edie Romalis Eloyse McCall Ha Iris Kuang Juno Wan Katie Zho Linda Liu Mun Yap Nick McLea

and y

ella Weinmann Dan Go amish Mcrae ou Laura King an Tyler Hall

Alex Duong

VIRA CITY—MARS RESETTLEMENT

2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY

A designed brand and identity of an imaginary city on Mars when Earth needs a break from humankind to heal herself and regenerate. Vira City introduces ‘the first Martians’ with the idea of community, innovation and sustainability. As well as increasing the awareness of the present

environmental problem on Earth. The identity inspired by the image of a rising star—connecting Mars and Earth—indicates a new start after the resettlement and mark human’s first step to a multi–planetary future.

BRAND AND IDENTITY

VIRA CITY—MARS RESETTLEMENT

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BRAND AND IDENTITY

VIRA CITY—MARS RESETTLEMENT

CONTACT anomalyalex_ Alex Duong

anomalyalex.com

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Andrea Garcia VIDA

2021 | RMIT UNIVERSITY

A personal branding project I did during my internship with a sustainable B2B food production company. They needed to make a B2C brand for their product; targeted towards Gen Z audiences.

As a result, I made an imaginary brand called Vida, meaning ‘life’. I wanted to invite a fresh, colourful

approach to promote the benefits of eating healthy ingredients whilst still integrating the company’s mission: to feed billions and promote healthier ecosystems. The Pereskia leaf is a highly nutritious ingredient that originates in Brazil, so I made sure to include the country’s vibrant colours and patterns.

BRAND AND IDENTITY

VIDA

CONTACT @andrea.dsgns

s3848780.myportfolio.com

Andrea Garcia

garcia.a2302@gmail.com

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Ariella Weinmann G&

2021 | RMIT UNIVERSITY

G& takes a contemporary twist on your favourite classic, Gin & Tonic. Featuring a range of fruity flavours, G& is distilled to the utmost quality using Australian ingredients, bursting with flavour, creativity and spirit. Distilled in the heart of Healesville, in Victoria’s Yarra Valley, G& draws on the lush surroundings to bring that fresh and

vibrant flavour to your palette. With flavours ranging from Elderflower, Italian Blood Orange, Pink Raspberry, and Lime & Yuzu, you are sure to be refreshed from the first sip. And our drinks are just the starting point. Let your mind and creativity flow with the endless possibilities of mixed concoctions, using G& as your starting point.

BRAND AND IDENTITY

G&

CONTACT @ariellawdesigns ariellaweinmann.com

ariella.weinmann@gmail.com

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Ayelen Gallardo LISTEN

2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY

LISTEN is a non–profit organisation that promotes the visibility and experiences of excluded and underrepresented people across the music industry.

Due to COVID–19, LISTEN had to cancel all of its events in 2020. To reintroduce them to the music scene, I created a re–branding and advertising campaign. For LISTEN to have a strong presence and return to the music industry, I created an advertising campaign. This was to let the audience

know that LISTEN is back and ready to raise awareness about the lack of diversity in the music industry and support artists that are part of the minority. For the re–branding, the goal was to design a brand identity that stays consistent while properly representing the organisation, its values, mission and vision. Note: photography used is property of LISTEN.

BRAND AND IDENTITY

LISTEN

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BRAND AND IDENTITY

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LISTEN

BRAND AND IDENTITY

LISTEN

CONTACT @ayelen.design ayelen.myportfolio.com

ayelenarantxa@hotmail.com

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Caroline Marta DI MEJA MAKAN

2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY

Di Meja Makan is an online homemade F&B business that I developed during the pandemic for my client. When the pandemic hit us in Indonesia, tons of ‘creativepreneur’ were so enthusiastic to build their business. It gave us designers, a big chance to help and support the local entrepreneurs in many ways. I was glad to work with the owners of Di Meja Makan since they appreciated the

outcomes. This brand identity colour palette is inspired by the Bauhaus design movement that uses all the bold vibrant primary colours. If you noticed, the logogram also can be read as the whole sentence for the main logotype. The logogram conveys the meaning itself, ‘Di Meja Makan’, which means ‘From the Dining Table.’

BRAND AND IDENTITY

DI MEJA MAKAN

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BRAND AND IDENTITY

DI MEJA MAKAN

CONTACT @crolinemrta Caroline Marta

crolinemrta@gmail.com

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Caroline Marta VISION FORGED

2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY

Vision Forged is a Bespoke Forged Wheel company based in Los Angeles, CA, United States. They specialise in unique customisations from specs, designs, colours, finishes, millings (engravings) and cap designs. Forged wheels deliver performance and luxury at the same time. In this stage, I stepped out of my comfort zone to design a brand identity that needed to be masculine and fresh at the same

time. My client wanted to incorporate the ‘L.A.’ vibes into its visual aesthetic since their business started in Los Angeles. I was challenged to create a series of cap product designs, and the overall project turned out to be visually satisfying. This work is one of my most challenging projects and I’m happy that my design can be impactful globally.

BRAND AND IDENTITY

VISION FORGED

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BRAND AND IDENTITY

VISION FORGED

CONTACT @crolinemrta Caroline Marta

crolinemrta@gmail.com

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Caroline Marta

VITRA MUSEUM ‘200-YEARS OF CHAIR DESIGN’

2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY

Vitra is not only just a brand but rather a staple of design. This piece is a final project that I did for my online course ‘Wayfinding & Signage Design’ at the University of the Arts London (UAL). The brief was to ‘create a series of visual communication and environmental graphic design application for your chosen museum theme’. Here, I have Vitra Museum to be explored further based on their existing brand identity. I am satisfied with my creativity in regard to producing a series of picogram designs for

Vitra. Learning how to create a circulation diagram for visitors, deeper knowledge about the space you use, design a balance, harmony and efficient wayfinding & signage strategy was the main goal here. The class with UAL really opened my eyes to a new and fresh perspective on how to achieve a successful environmental design strategy to solve visitor’s problems in the space and solve the spatial problem itself.

BRAND AND IDENTITY

VITRA MUSEUM ‘200-YEARS OF CHAIR DESIGN’

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BRAND AND IDENTITY

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VITRA MUSEUM ‘200-YEARS OF CHAIR DESIGN’

BRAND AND IDENTITY

VITRA MUSEUM ‘200-YEARS OF CHAIR DESIGN’

CONTACT @crolinemrta Caroline Marta

crolinemrta@gmail.com

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Dan Go ORAETTA GIN

2021 | SHILLINGTON COLLEGE OF GRAPHIC DESIGN

This was a student brief, it was to ‘design a brand identity for a Tasmanian small–batch distillery’.

The clients were two young artists who had previously worked as an illustrator and a writer.

The end result is a cheeky and youthful brand identity that draws inspiration from the clients’ respective backgrounds. This was done by mixing hand–drawn elements with typed components.

BRAND AND IDENTITY

ORAETTA GIN

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BRAND AND IDENTITY

ORAETTA GIN

CONTACT @dan.go.designs

dangodoesadesign.com

Dan Go

dangodoesadesign@gmail.com

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Edie Romalis LES DAMES BLANCHEST

2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY

Les Dames Blanches is a contemporary conceptualisation of the ancient French myth.

Les Dames Blanches, meaning ‘The White Ladies’ is about the curious women dressed in white, who await young men in the darkest depths of the forest.

Through digital image–making processes and

experimental photography, the story is brought to a contemporary audience as an Australian Ballet performance, with a range of digital and printed design outcomes to immerse the audience into the story—slowly discovering what these curious young women were up to.

BRAND AND IDENTITY

LES DAMES BLANCHES

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BRAND AND IDENTITY

LES DAMES BLANCHES

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BRAND AND IDENTITY

LES DAMES BLANCHES

CONTACT @edie.comm ediesimone.com

edieromalis@gmail.com

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Edie Romalis THE OPEN DIARY PROJECT

2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY

The Open Diary Project is a campaign strategy developed in response to a university brief. The campaign aims to empower menstruating youth aged between ten and 21 years, regardless of gender identity, race or social status. The campaign wants to eliminate the silence and stigma around menstruation. Teenagers confide in their diaries with absolute vulnerability and transparency.

By creating posters, a website and social media platforms, teens are invited to interact (write, draw, type) and share their experiences around menstruation. The Open Diary Project demonstrates authenticity and vulnerability to empower youth to speak about their experiences and make noise for menstruation.

BRAND AND IDENTITY

THE OPEN DIARY PROJECT

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BRAND AND IDENTITY

THE OPEN DIARY PROJECT

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BRAND AND IDENTITY

THE OPEN DIARY PROJECT

CONTACT @edie.comm ediesimone.com

edieromalis@gmail.com

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Eloyse McCall PLEASURE

2020 | SHILLINGTON COLLEGE OF GRAPHIC DESIGN

Pleasure is a brand identity for a gender–neutral make–up subscription service. The brand concept plays on the idea of personal identity as a form of perception—something that is fluid and can transform at will. Positioning make–up as a tool to present, play with, and feel confident in your own identity. The logotype is designed with boldness,

inclusivity and playfulness in mind. The ‘ur’ in ‘pleasure’ is highlighted to play on the brand name as ‘ur pleasure’, as well as being able to stand alone as a separate monogram. Displacement maps have been applied to portrait photography to achieve a sense of illusion and distortion, as a reference to the notion of perception.

BRAND AND IDENTITY

PLEASURE

CONTACT @eloysemccall.work eloysemccall.work

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Hamish Mcrae MRC BRANDING

2021 | BILLY BLUE COLLEGE OF DESIGN

MRC is a branding concept for a contemporary construction and renovations company. The brand includes a custom typeface that revolves around the theme of ‘structure’ and ‘progress’. By using soft colours, they diminish the harsh stereotypes

of the construction labour industry and offers a welcoming, friendly feel to the business. The logo and typeface can be manipulated to provide a stimulating and fun brand identity that offers a range of uses.

BRAND AND IDENTITY

MRC BRANDING

CONTACT @hamish_mcrae mcraehj@gmail.com

Hamish Mcrae

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Hamish Mcrae VOLI

2021 | BILLY BLUE COLLEGE OF DESIGN

The rate of Australian’s contributing to volunteering organisations has declined by 20% since 2014.

People aged 30 and under are the least likely to participate in volunteering activities. Where those that want to, often struggle to find the right opportunity or organisation for them. Voli is a non– profit initiative concept that aims to encourage younger generations to seek, participate in and share volunteering opportunities in their local city.

Working with organisations in need of extra hands,

Voli offers a platform to list volunteering jobs on a dedicated app and website so that younger Australians may have greater access to support their community in a meaningful way. When designing the brand, the vision of the organisation was to foster a greater sense of the community and spread positivity. I wanted the branding to be eye– catching, relevant and exciting. Integrating a hand into the logo demonstrates several meanings and communicates the brand purpose.

BRAND AND IDENTITY

VOLI

CONTACT @hamish_mcrae Hamish Mcrae

mcraehj@gmail.com

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Hamish Mcrae, Isabel Ugonotti, Phoebe Perkins, Ruby Lewis WASTE WEEK

2021 | BILLY BLUE COLLEGE OF DESIGN

Waste Week is an initiative concept created by Isabel Ugonotti, Hamish Mcrae, Ruby Lewis and Phoebe Perkins. The aim is to encourage Gen Z to reduce their food wastage and eliminate further contribution to climate change. As a plug into the

Woolworths Rewards app, users can track their progress and earn points for pledging to participate in ‘Waste Week’. The branding uses fun and colourful tones to communicate with viewers and shift perceptions of left–over or aged produce.

BRAND AND IDENTITY

WASTE WEEK

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BRAND AND IDENTITY

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WASTE WEEK

BRAND AND IDENTITY

WASTE WEEK

CONTACT @hamish_mcrae @byisabelugonotti

@phoebeperkins_

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Iris Kuang GALA

2021 | RMIT UNIVERSITY

Gala is a conceptual ethical indie beauty brand based in Melbourne. It is positioned in the mid to premium range market. They make plant–based, cruelty–free, vegan beauty and haircare. This brand name was inspired by Dalí’s muse and wife Gala Dalí. I produced a set of three adhesive labels

for their hair oil products (rose, lavender, sweet almond). To create a unique and natural feel of the design, I generated those graphics by brushing watercolour on objects and stamping them on paper, and then further manipulated in Photoshop.

BRAND AND IDENTITY

GALA

CONTACT @irisdesign_studio

iriskuang.myportfolio.com

Yingtong Kuang

yingtongkuang@gmail.com

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Iris Kuang RETRIBE

2021 | RMIT UNIVERSITY

Retribe is a non–profit campaign and online platform, that introduces eco-conscious young generations to zero waste living. Inspiring them to reduce plastic consumption and waste through everyday choices and actions. This campaign aims to introduce and make zero waste lifestyle more accessible and help the eco–conscious young ones to kickstart their journey. With a 21–day

mini challenge, they are able to form habits and an online community platform to record and share their stories, get inspiration and courage from each other. It’s also a place for them to be empowered with information to reduce their waste and live in alignment with their environmental values.

BRAND AND IDENTITY

RETRIBE

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BRAND AND IDENTITY

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RETRIBE

BRAND AND IDENTITY

RETRIBE

CONTACT @irisdesign_studio

iriskuang.myportfolio.com

Yingtong Kuang

yingtongkuang@gmail.com

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Juno Wan MORNING KICK

2021 | RMIT UNIVERSITY

Daniel James moved from Sydney to Melbourne two years ago, because of his love of coffee. His dream was to have a small coffee shop in Melbourne’s

CBD, near popular office spaces. The café is named Morning Kick and he needed a complete visual identity for his new venture.

BRAND AND IDENTITY

MORNING KICK

CONTACT @juno_wan junowan.com

hello@junowan.com

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Katie Zhou MAKEUP WITH AL

2021 | RMIT UNIVERSITY

A collection of playful branding material created for Makeup With Al. Al’s bold and striking make–up looks acted as the catalyst for the development of this brand identity. I have chosen a limited vibrant blue and pink colour palette throughout, with an emphasis on shape and form as a way

for customers to understand what type of service they will receive. The main overarching design that brings everything together is the logo, which is made up of personalised serifs, as well as the incorporation of makeup brushes into the letters.

BRAND AND IDENTITY

MAKEUP WITH AL

CONTACT @katiezhoudesign

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Katie Zhou IN THE LOOP

2021 | RMIT UNIVERSITY

Promotional material for In The Loop, an exhibition at ACCA, dissecting toxic productivity and hustle culture which has become so prevalent today.

This looks at how our internalised capitalism has fuelled a desire to be constantly productive, where workaholism has been romanticised with sayings like ‘the grind never stops’. Why is it that

we feel lazy if we are not doing anything ‘important’? This work–obsessed world has reached an unhealthy stage where this hustle culture can lead to toxic productivity. Which ultimately results in a prioritisation of work over mental health and relationships.

BRAND AND IDENTITY

IN THE LOOP

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BRAND AND IDENTITY

IN THE LOOP

CONTACT @katiezhoudesign

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Laura King EASY PEASY

2019 | SWINBURNE UNIVERSITY OF TECHNOLOGY

Easy Peasy is a fictitious food box delivery service.

It prides itself on being environmentally conscious and providing high quality, healthy meals that are easy to prepare. This product is specially targeted towards those who feel uninspired in the kitchen, those that feel like they should cut down on takeaway and or those who just don’t have time

to go to the supermarket! The smiley face brandmark reflects the brand’s values of simplicity and positivity, as well as reflecting the fun and stress–free experience of buying and cooking meals. The hand-drawn look of the imagery is continued into the typeface choice, to convey a fun, easygoing and personal appearance.

BRAND AND IDENTITY

EASY PEASY

CONTACT @lauraking.design to.lauraking@gmail.com

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Linda Liu 1MM NAILS

2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY

Miree Han is a Korean nail artist who recently started her brand 1mm Nails. The brand focuses on individuality, creativity and being unique. She wants to break the mould from what is already there. She needed a brand identity that emulates her values in a contemporary direction that will establish her in the Melbourne community. Strong, punchy and wavy type creates dynamic and clear

communication with a playful tone of voice.

Bold and warm imagery replicates the uniqueness, individuality and experimentalism that she brings to her designs. The colour palette, although soft and delicate is striking against the bold type and imagery. This evokes a sense of vibrancy that best represents the energy that she brings.

BRAND AND IDENTITY

1MM NAILS

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BRAND AND IDENTITY

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1MM NAILS

BRAND AND IDENTITY

1MM NAILS

CONTACT @l__nda.l linda.liuu8@gmail.com

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Linda Liu JANUS

2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY

Janus is known to be the first Roman deity, often referred to as the ‘god of gods’ in the beginning, and end of time and duality. An advertisement poster and mini publication were created for the fictitious play ‘Janus’ hosted by Opera Australia.

For the poster, a refined and contemporary approach was taken where the contrasting

juxtaposition of both the distorted figure and the black and white imagery casts a striking softness, emulating an otherworldliness. This theme was continued throughout the publication. It also takes on a post–modernist approach to its structural layout which exemplifies the power Janus held.

BRAND AND IDENTITY

JANUS

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BRAND AND IDENTITY

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JANUS

BRAND AND IDENTITY

JANUS

CONTACT @l__nda.l linda.liuu8@gmail.com

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Mun Yap EPOCH PUBLISHING

2021 | RMIT UNIVERSITY

The brief was to design a logo and identity/ collaterals for Epoch Publishing, a contemporary publishing company that works with various artists and writers, from Australia and abroad. Epoch Publishing publishes art books, limited edition print books, art prints. It also offers these in digital form such as eBooks. The final logo is contemporary, features an icon that can be used individually

without the wordmark. The logo icon was inspired by the image of an open book (top view), and the visualisation of the ‘structural’ and ‘inclusiveness’ of the brand essence. The strokes are slightly rounded, reflecting print, stamps, a sense of craft.

The chosen spot colour is green, representing the eco–friendliness and sustainable aspect of the company.

BRAND AND IDENTITY

EPOCH PUBLISHING

CONTACT @_bymooney munyap.myportfolio.com

by.mooneyap@gmail.com

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Nick McLean SHINE

2020 | RMIT UNIVERSITY

SHINE is a non–profit employment agency that connects disadvantaged university students in Melbourne to local and ethical employers to cultivate a healthy work–life–study balance.

SHINE operates around five core values: sustainability, hope, inspiration, networking and education. They integrate all of these values to assist disadvantaged students to find employment that empowers them to succeed in their degrees.

To help find employment, SHINE hosts workshops

and finds students jobs with ethical and local employers as well as employment that is relevant to their studies. SHINE offers mentorship and provides students with essential resources such as 12–month prepaid MYKI passes, clothes that will stand out at interviews and jobseeker seminars. Nick designed the brand identity which included a logo and brand toolkit, posters, website, social media content and welcome packs.

BRAND AND IDENTITY

SHINE

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BRAND AND IDENTITY

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SHINE

BRAND AND IDENTITY

SHINE

CONTACT @nickmclean.design nickmclean.design

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Tyler Hall ARTEM WINES

2018 | TASTAFE

Packaging and branding for Artem Wines which is a vineyard based in the Derwent Valley in Southern Tasmania. The small historic town of Bushy Park provides the perfect cool climate for wine grape growing. The truly unique cellar door is situated within the distinguished octagonal

kiln—a traditional hop drying kiln built in the late 1800s—making for a special experience. The branding reflects the weird and the wonderful of Tasmania, with quirky labelling showcasing wonderful creatures and the history of the town.

BRAND AND IDENTITY

ARTEM WINES

CONTACT @typedesigns_ typedesigns.com.au

tyler@typedesigns.com.au

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Tyler Hall BANK OF TASWEGIA

2018 | TASTAFE

Branding, advertising and copywriting material for Bank of Taswegia, which is a Tasmanian owned and operated bank. This campaign is targeted at young Tasmanians (or Taswegians if you will) who are your typical University students and casual workers. Just young people living their best life. The slogan

‘We get it’ is used to build an understanding feeling with the given audience to show that in a busy world, they are understood. This language is used strongly throughout the copywriting which also has a Tassie touch to it.

BRAND AND IDENTITY

BANK OF TASWEGIA

CONTACT @typedesigns_ typedesigns.com.au

tyler@typedesigns.com.au

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Publica Design

Alice Yu Edie Romalis Eleanor Emilija Prodic Iris Kuang Jenna Lachlan Banham Laura King Li Sam Brown Theresa Lee

ation n

Donley a Cahill inda Liu

Alice Yu

ALL ABOUT YUUUUUU

2020 | RMIT UNIVERSITY

Having spent the majority of my time at home, with no more visits to café’s or restaurants, I was forced to turn my kitchen into a mini café. This gave me the idea to create a mini–cookbook/zine inspired by my kitchen and develop a suitable brand language.

The mini cookbook explores the different types of

snacks that I would consume depending on my moods throughout the semester. I decided to focus on snacks since this was more common now than ever, as spending more time at home allowed the freedom for me to eat whenever I wanted.

PUBLICATION DESIGN

ALL ABOUT YUUUUUU

CONTACT @aliceyu_designs aliceyu.myportfolio.com

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Edie Romalis BLOOM

2019 | SWINBURNE UNIVERSITY OF TECHNOLOGY

The city is captivating, it is full of endless opportunities and activities, but as the days begin to repeat themselves, there’s nothing more exciting than the opportunity to take a well– deserved break from the bustling city. Bloom is a printed and online guide to help you escape and rejuvenate by guiding you through some of the best inner city nature escapes, following the

Yarra River. The floral elements used in this publication were sourced from each location, pressed and scanned digitally. However, one thing that was not done at the time, but I would like to do now, is to acknowledge the traditional owners of the land in which this guide takes place. Recognising and paying respects to the Boon Wurrung and Wurundjeri people of this beautiful, stolen land.

PUBLICATION DESIGN

BLOOM

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PUBLICATION DESIGN

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BLOOM

PUBLICATION DESIGN

BLOOM

CONTACT @edie.comm ediesimone.com

edieromalis@gmail.com

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Edie Romalis

SYNAESTHESIA: LIFE IN TECHNICOLOUR

2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY

Inspired by Melbourne Museum’s ‘The Mind: Enter the Labyrinth’ exhibition, Synaesthesia: Life in Technicolour is an information pack on the topic of grapheme–colour synaesthesia. Through the usage of bold and bright multi colouring, contrasted with harsh blacks, the info pack visually explores the effects of grapheme–colour synaesthesia to immerse the audience into the neurological

condition and enhance their informative journey.

Interactivity with the pack is incorporated through the use of ‘hidden’ textual content, that can be viewed through the red, transparent viewfinder, and other printing techniques such as the transparent film, juxtapose the two perceptions of a synaesthete’s and non–synaesthete’s world.

PUBLICATION DESIGN

SYNAESTHESIA: LIFE IN TECHNICOLOUR

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PUBLICATION DESIGN

SYNAESTHESIA: LIFE IN TECHNICOLOUR

CONTACT @edie.comm ediesimone.com

edieromalis@gmail.com

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Eleanor Donley AHOY

2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY

There are endless publications out there that explore tourism by car, tram, train or foot but not many by water. Ahoy was created as a guide to Melbourne’s waterways showcasing the different experiences available to people via water.

It provides individuals with a unique perspective of the city and allows them to view it through a different lens. The design of the composition has combined typography and illustration to embody the movement of water throughout the publication.

PUBLICATION DESIGN

AHOY

CONTACT @eleanordonleydesign

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Emilija Prodic A ZINE ABOUT SEGOE UI FONT

2021 | RMIT UNIVERSITY

This experimental zine explores the font used by Microsoft, which is Segoe UI. Throughout the zine, see–through pages with printed stickers on them are visible. The zine itself is inside of a file folder

to match Windows and Microsoft aesthetics. One of the spreads, a photograph of the creator of the Segoe UI font, is created by only using letters and punctuation marks.

PUBLICATION DESIGN

A ZINE ABOUT SEGOE UI FONT

CONTACT @bobawillbeback Emilija Prodic

emaprodic@gmail.com

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Emilija Prodic THIS IS FOR A UNI UNASSIGNMENT

2021 | RMIT UNIVERSITY

The project, this is for a uni UNassignment, is a zine compiling my impressions and reflection on the communication design course at RMIT University.

It is an experimental zine, where each page was cut in a way that forms an unusual and innovative format of publication. Since I had the freedom to

choose the medium that I would work in, I chose publication as it offered me a broad platform to experiment. Playing with the shape of the pages and fitting all desired content into unusually cut pages was challenging, but the outcome was something innovative with a unique flow.

PUBLICATION DESIGN

THIS IS FOR A UNI UNASSIGNMENT

CONTACT @bobawillbeback Emilija Prodic

emaprodic@gmail.com

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Iris Kuang

VERDECKT ANNUAL REPORT 2020

2021 | RMIT UNIVERSITY

Verkeckt is a conceptual avant–garde fashion label that dares to go against the conventional norm and embraces the up-cycling ethos, aiming for a more sustainable fashion. Verkeckt is a German word that means ‘concealed and undercover’. The annual report is so much more than legal compliance to

communicate the authentic company culture and market the brand awareness, I used treatment of photographs, wayfinding looking graphics and elements of the logo to build up the underground hype of the brand.

PUBLICATION DESIGN

VERDECKT ANNUAL REPORT 2020

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PUBLICATION DESIGN

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VERDECKT ANNUAL REPORT 2020

PUBLICATION DESIGN

VERDECKT ANNUAL REPORT 2020

CONTACT @irisdesign_studio

iriskuang.myportfolio.com

Yingtong Kuang

yingtongkuang@gmail.com

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Jenna Cahill ZERO

2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY

Zero is a sustainable publication with the aim to spark thoughts and conversations on ways to live more sustainably. For me, it was a highly creative project but also allowed me to investigate one of my biggest interests outside of the design world —the environment! In a busy world, there is not always time to put hours into researching ways

to live more sustainably, Zero hopes to be an accessible way for people to find new ideas from Australia and around the globe, to inspire them to continue to make small changes to their lifestyle.

Creating Zero allowed me to reflect on what I can personally contribute to fighting climate change.

PUBLICATION DESIGN

ZERO

CONTACT @jennacahillart Jenna Cahill

jennamcahill@gmail.com

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Lachlan Banham

THE CULTURAL POLITICS OF GENDER PERFORMANCE

2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY

The Cultural Politics of Gender Performance

by Benzi Zhang is an essay that analyses the suppression, mistreatment and lack of representation of the homosexuality community in Chinese society, through cultural values of masculinity through art, theatre and film. This publication creatively expresses these issues

through the use of black and white imagery and bold typography. It is juxtaposed with feminine colours and decorative elements inspired by traditional brush strokes and gender symbols.

The publication was created using Adobe InDesign, Photoshop, Illustrator and the application Procreate.

PUBLICATION DESIGN

THE CULTURAL POLITICS OF GENDER PERFORMANCE

CONTACT @lachi.e lachlanbanham.xyz

dribbble.com/lachlanbanham

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Laura King

EXPERIMENTAL TYPOGRAPHY PUBLICATION

2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY

The purpose of this publication was to design a dynamic and creatively expressive, monothematic publication that explores experimental typography and type as an art form. Expressive typography— manipulated in different ways—is the focal point

throughout the publication, as it works together and in contrast with the body text. To create a modern, forward–thinking and cohesive design, the overall layout is also experimental and strategic in placement.

PUBLICATION DESIGN

EXPERIMENTAL TYPOGRAPHY PUBLICATION

CONTACT @lauraking.design to.lauraking@gmail.com

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Laura King

ROYAL BOTANIC GARDENS ANNUAL REPORT

2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY

The publication aimed to create a functional, engaging and memorable annual report for The Royal Botanic Gardens Victoria. It encompassed the vision, values and purpose of the organisation.

The creative direction was to capture the relaxing and organic environment through photography and a natural colour palette. It’s drawn from the photographs of the rich and diverse flora.

PUBLICATION DESIGN

ROYAL BOTANIC GARDENS ANNUAL REPORT

CONTACT @lauraking.design to.lauraking@gmail.com

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Linda Liu

PLACE AND PLACELESSNESS

2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY

Place and Placelessness ‘Key Texts in Human Geography’ by Phil Hubbard (2008) explores the nuances of the human relationship being displaced, or rather, the idea of the relationship between how humans interact with a place. Exploring the desire to understand relationships between how humans interact with their surroundings, the publication

aimed to see how text and imagery can instil confusion and uneasiness towards the reader.

The process was about evoking emotions that best emulate familiarity and unfamiliarity through distorted and staggered illustration and typography, but still within a strict and rigid system.

PUBLICATION DESIGN

PLACE AND PLACELESSNESS

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PUBLICATION DESIGN

199

PLACE AND PLACELESSNESS

PUBLICATION DESIGN

PLACE AND PLACELESSNESS

200

PUBLICATION DESIGN

PLACE AND PLACELESSNESS

CONTACT CONTACT @l__nda.l linda.liuu8@gmail.com

202

Sam Brown CLUB SAMMICH

2021 | UNIVERSITY OF SOUTH AUSTRALIA

Club Sammich is a magazine formed as part of a digital publication class. It showcases Adelaide’s cult sandwich uprising and features five of the city’s best sammiches. The design was heavily inspired

by traditional signwriting and kitsch aesthetics and its joyful presence create a bold impact in the designer’s portfolio.

PUBLICATION DESIGN

CLUB SAMMICH

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PUBLICATION DESIGN

CLUB SAMMICH

CONTACT @sam.brown.design sam-brown-design.myportfolio.com

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Theresa Lee

RYUICHI SAKAMOTO VINYL ALBUM SERIES

2020 | THE UNIVERSITY OF MELBOURNE

incomplete.—a series of 11 tracks composed by Ryuichi Sakamoto in collaboration with various artists. This project builds a vinyl box–set around the 11 tracks, with one track on each vinyl and is accompanied by 11 posters. The colour progression between the sleeves displays a gradient display, illustrating the colour transition of the sky during twilight. Encapsulating the eerie and atmospheric

sound, the sleeve construction animates when pulling out the vinyl, and breathes life into the shadows that move in the mist. The hole punched in the back of the outer sleeves and dots on the label reflect the sequence and mimic stars, while selected images on the sleeve illustrate the feeling of the track and are further applied to the posters.

PUBLICATION DESIGN

RYUICHI SAKAMOTO VINYL ALBUM SERIES

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PUBLICATION DESIGN

RYUICHI SAKAMOTO VINYL ALBUM SERIES

CONTACT @ti_el.pdf ti-el.com

theresalee0311@gmail.com

212

Photog Caroline Marta Linda Liu Sam Wright Howie

graphy

Caroline Marta

ALL THE AMERICAN DREAMS BEFORE THE PANDEMIC #SHESHOOTSFILM

2019 | SWINBURNE UNIVERSITY OF TECHNOLOGY

It’s obvious to everyone who meets me that I love to travel. The idea of travelling—packing my bags, and disappearing to someplace new—lives inside the brain all the time. I’m an observant traveller who always brings a camera with me, digital or analogue. The photos I capture through my analogue camera are full of surprises, which is one of the most exciting parts of travelling. Back in 2019, right before the pandemic, I had the greatest blessing to travel around the West Coast for three weeks. This is a series of few shots that I took from

my perspective with my pocket analogue camera. I tend to make the bold statement that ‘film is on its way back into our modern lives’ for one reason. Slow, intentional, mindful practices are becoming more and more adopted into our daily lives. Analogue helps me live slow. It gives me the extra minute in the hustle and bustle of adventure to breathe, acknowledge the beauty, and relish in the intentional steps of documentation. It’s a beautiful thing.

PHOTOGRAPHY

ALL THE AMERICAN DREAMS BEFORE THE PANDEMIC #SHESHOOTSFILM

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PHOTOGRAPHY

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ALL THE AMERICAN DREAMS BEFORE THE PANDEMIC #SHESHOOTSFILM

PHOTOGRAPHY

ALL THE AMERICAN DREAMS BEFORE THE PANDEMIC #SHESHOOTSFILM

CONTACT @crolinemrta Caroline Marta

crolinemrta@gmail.com

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Linda Liu PHOTOGRAPHY

2018–21 | SWINBURNE UNIVERSITY OF TECHNOLOGY

A few selected works with a focus on portraiture using natural lighting. The majority of the images are focused on fashion from a variety of different briefs. However, all focus is on bringing allure to

the audience. I wanted the models to convey a story that draws the audience in with their eyes, telling a story of their own.

PHOTOGRAPHY

PHOTOGRAPHY

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PHOTOGRAPHY

227

PHOTOGRAPHY

PHOTOGRAPHY

PHOTOGRAPHY

CONTACT @l__nda.l linda.liuu8@gmail.com

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Sam Wright Howie TRANSLUCENT PHOTOGRAPHY

2021 | SWINBURNE UNIVERSITY OF TECHNOLOGY

This project was made for Photography and Art Direction in semester one, 2021. The translucent bottle/brand I selected for this project was Campari. My intention with the brand portrayal was to keep the style and feel of the vintage posters that Campari is known for, except convey the style photographically. This led me to select the bright

green colours to contrast with the deep red of the bottle. The social media image is contrasting with the poster and billboard by conveying an image of class and wealth. Meeting the audience on social media with a distinguished image that portrays who they could be if they drank Campari.

PHOTOGRAPHY

TRANSLUCENT PHOTOGRAPHY

CONTACT @swh.designs samwrighthowiesam@gmail.com

232

Art Clarine Wilmar

Laura King

Clarine Wilmar

MELBOURNE’S COASTAL NOCTURNAL WORLDS

2021 | RMIT UNIVERSITY

The mixed media artworks within this project explore Melbourne’s lively, but hidden nocturnal worlds—specifically focusing on the coastal habitats. The full moon’s powerful energy has state altering effects, transforming the seaside inhabitants into anthropomorphic beings.

The celebratory nature of these scenes captures the otherworldly persona of nocturnal land and sea animals that are often hidden in plain sight.

With such great vastness and ever–changing natural elements, the sea is full of mysterious but alluring beings.

ART

MELBOURNE’S COASTAL NOCTURNAL WORLDS

CONTACT @clarinewilmar_art clarinewilmar@gmail.com

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Laura King THE BOY WHO DREW CATS

2020 | SWINBURNE UNIVERSITY OF TECHNOLOGY

The Boy Who Drew Cats is a Japanese fairytale that follows a young boy’s journey with his unusual gift.

This visual adaptation is a shadow puppet stage production and children’s magazine. It retells the story from the boy’s perspective many years later,

sharing the story with his grandchildren. The tale is brought to life through various modes of image–making such as illustration, photography and collage.

ART

THE BOY WHO DREW CATS

CONTACT @lauraking.design to.lauraking@gmail.com

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Contributors *CONTRIBUTORS ARE LISTED IN ORDER OF APPEARANCE

DIGITAL DESIGN

WEB DESIGN

3D RENDERING

MOTION DESIGN

LOGO DESIGN

TYPOGRAPHY

BRAND & IDENTITY

PUBLICATION DESIGN

PHOTOGRAPHY

ART

Alex Duong

SWINBURNE UNIVERSITY OF TECHNOLOGY

PG 11–12, 79–82

INSTAGRAM @anomalyalex_

BEHANCE Alex Duong

WEBSITE anomalyalex.com

Emily Chim RMIT UNIVERSITY

PG 13–14

INSTAGRAM @designby.emilychim

Iris Kuang RMIT UNIVERSITY

PG 15–18, 131–138, 185–188

EMAIL yingtongkuang@gmail.com

INSTAGRAM @irisdesign_studio

WEBSITE iriskuang.myportfolio.com 239

Jade Liou

RMIT UNIVERSITY

PG 19–24

EMAIL jl.jadeliou@gmail.com

INSTAGRAM @jadeliou

BEHANCE Jade Liou

Sam Wright Howie

SWINBURNE UNIVERSITY OF TECHNOLOGY

PG 30, 231–232

EMAIL samwhdesigns@gmail.com

INSTAGRAM @swh.designs

James Hollingsworth

Eleanor Donley

PG 25–26

PG 33–34, 179–180

RMIT UNIVERSITY

INSTAGRAM

SWINBURNE UNIVERSITY OF TECHNOLOGY

INSTAGRAM

@mild_ritual

@eleanordonleydesign

Mun Yap

Eloyse McCall

RMIT UNIVERSITY

PG 27–29, 66–68, 157–158

EMAIL by.mooneyap@gmail.com INSTAGRAM @_bymooney

WEBSITE munyap.myportfolio.com

SHILLINGTON COLLEGE OF GRAPHIC DESIGN

PG 35–36, 121–122

INSTAGRAM @eloysemccall.work

WEBSITE eloysemccall.work

Katie Zhou

Joel Humphries

Matt Allan

PG 37–39, 141–146

PG 47–48

PG 57–58

INSTAGRAM

INSTAGRAM

EMAIL

@katiezhoudesign

@foms.world @joelhumphries

mattallandesign@gmail.com

RMIT UNIVERSITY

RMIT UNIVERSITY

BILLY BLUE COLLEGE OF DESIGN

WEBSITE mattallan.net

Minh Ton-Nu

SWINBURNE UNIVERSITY OF TECHNOLOGY

PG 40–42

Jono Lucas

SWINBURNE UNIVERSITY OF TECHNOLOGY

PG 49–54

EMAIL minh.tonnu@outlook.com

EMAIL

INSTAGRAM

jonolucasart@gmail.com

@heiimminh

INSTAGRAM

WEBSITE

@jonolucas.3d

minhtonnu.myportfolio.com

WEBSITE jonolucas.com

Jasmin Hinss

SWINBURNE UNIVERSITY OF TECHNOLOGY

PG 61–62

EMAIL jmhinss@gmail.com

INSTAGRAM @jastild

WEBSITE jasminhinss.com

Wing Pang

UNIVERSITY OF TECHNOLOGY SYDNEY

PG 43–44

EMAIL hello@wingpang.com

INSTAGRAM @wing.png

WEBSITE wingpang.com

Madison Guidone CURTIN UNIVERSITY

PG 55–56

EMAIL

Hamish Mcrae

BILLY BLUE COLLEGE OF DESIGN

PG 65, 123–130

vitaminmdesign@gmail.com

EMAIL

INSTAGRAM

mcraehj@gmail.com

@vitaminmdesign

INSTAGRAM @hamish_mcrae

BEHANCE Hamish Mcrae

240

DIGITAL DESIGN

WEB DESIGN

3D RENDERING

MOTION DESIGN

LOGO DESIGN

TYPOGRAPHY

BRAND & IDENTITY

PUBLICATION DESIGN

PHOTOGRAPHY

ART

Dan Go

SHILLINGTON COLLEGE OF GRAPHIC DESIGN

PG 71–72, 103–106

EMAIL

Andrea Garcia RMIT UNIVERSITY

PG 83–84

EMAIL garcia.a2302@gmail.com

Caroline Marta

SWINBURNE UNIVERSITY OF TECHNOLOGY

PG 91–102, 215–222

EMAIL

dangodoesadesign@gmail.com

INSTAGRAM

crolinemrta@gmail.com

INSTAGRAM

@andrea.dsgns

INSTAGRAM

@dan.go.designs

BEHANCE

@crolinemrta

LINKEDIN

Andrea Garcia

LINKEDIN

Dan Go

WEBSITE

WEBSITE

s3848780.myportfolio.com

Caroline Marta

dangodoesadesign.com

Susanna Thibbles DEAKIN UNIVERSITY

PG 73–74

EMAIL

Ariella Weinmann RMIT UNIVERSITY

PG 85–86

EMAIL ariella.weinmann@gmail.com

susannathibbles@gmail.com

INSTAGRAM

INSTAGRAM

@ariellawdesigns

Edie Romalis

SWINBURNE UNIVERSITY OF TECHNOLOGY

PG 107–120, 171–178

EMAIL edieromalis@gmail.com

INSTAGRAM @edie.comm

@visionaryatelier

WEBSITE

BEHANCE

ariellaweinmann.com

ediesimone.com

Ayelen Gallardo

Isabel Ugonotti

WEBSITE

Susanna Thibbles

WEBSITE susannathibbles.myportfolio.com

SWINBURNE UNIVERSITY OF TECHNOLOGY

Zoe Baumgartner

PG 87–90

PG 75–76

EMAIL

RMIT UNIVERSITY

ayelenarantxa@hotmail.com

INSTAGRAM

INSTAGRAM

@zoemaiaa

@ayelen.design

WEBSITE

WEBSITE

zoebaumgartner.com

ayelen.myportfolio.com

241

BILLY BLUE COLLEGE OF DESIGN

PG 127–130

INSTAGRAM @byisabelugonotti

Phoebe Perkins

BILLY BLUE COLLEGE OF DESIGN

PG 127–130

INSTAGRAM @phoebeperkins_

Juno Wan

Linda Liu

SWINBURNE UNIVERSITY OF TECHNOLOGY

PG 149–156, 197–202, 223–230

EMAIL

EMAIL hello@junowan.com

INSTAGRAM @juno_wan

WEBSITE junowan.com

RMIT UNIVERSITY

PG 169–170

INSTAGRAM @aliceyu_designs

linda.liuu8@gmail.com

WEBSITE

INSTAGRAM

aliceyu.myportfolio.com

@l__nda.l

RMIT UNIVERSITY

PG 139–140

Alice Yu

Nick McLean RMIT UNIVERSITY

PG 159–162

INSTAGRAM

Emilija Prodic RMIT UNIVERSITY

PG 181–184

EMAIL emaprodic@gmail.com

@nickmclean.design

INSTAGRAM

WEBSITE

@bobawillbeback

nickmclean.design

BEHANCE Emilija Prodic

Laura King

SWINBURNE UNIVERSITY OF TECHNOLOGY

PG 147–148, 193–196, 237–238

Tyler Hall TASTAFE

PG 163–166

EMAIL

EMAIL

to.lauraking@gmail.com

tyler@typedesigns.com.au

INSTAGRAM

INSTAGRAM

@lauraking.design

@typedesigns_

WEBSITE typedesigns.com.au

Jenna Cahill

SWINBURNE UNIVERSITY OF TECHNOLOGY

PG 189–190

EMAIL jennamcahill@gmail.com

INSTAGRAM @lauraking.design

LINKEDIN Jenna Cahill

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DIGITAL DESIGN

WEB DESIGN

3D RENDERING

MOTION DESIGN

LOGO DESIGN

TYPOGRAPHY

BRAND & IDENTITY

PUBLICATION DESIGN

PHOTOGRAPHY

ART

Lachlan Banham SWINBURNE UNIVERSITY OF TECHNOLOGY

PG 191–194

INSTAGRAM @lachi.e

WEBSITE lachlanbanham.xyz

WEBSITE dribbble.com/lachlanbanham

Sam Brown

UNIVERSITY OF SOUTH AUSTRALIA

PG 203–208

INSTAGRAM @sam.brown.design

WEBSITE sam-brown-design.myportfolio.com

Theresa Lee

THE UNIVERSITY OF MELBOURNE

PG 209–212

EMAIL theresalee0311@gmail.com

INSTAGRAM @ti_el.pdf

WEBSITE ti-el.com

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Clarine Wilmar RMIT UNIVERSITY

PG 235–236

EMAIL clarinewilmar@gmail.com

INSTAGRAM @clarinewilmar_art

Next Issue: Volume 04

Volume 04 submissions will open in January 2022. For updates and information about Young Designers of Australia, visit designbykh.com/yda or follow us on Instagram at @youngdesignersau.

Read Yda on Issuu Visit issuu.com/youngdesignersau to read Volume 01–03.

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