The Derry Girls star on life in Liverpool and her new Netflix series
Hello and welcome to July’s YM Liverpool
!
First up, I’m thrilled to bring you my chat with our wonderful cover star Saoirse-Monica Jackson. Best known for her portrayal of Erin Quinn in Channel 4’s global megahit Derry Girls, the Irish actress has relocated here to Liverpool, where she is currently filming new BBC crime drama This City Is Ours. Saoirse explains why settling on Merseyside made perfect sense and gives us the lowdown on her role in Netflix’s upcoming dark comedy The Decameron.
Sticking with Liverpool-based talent, we caught up with singer-songwriter Jamie Webster during a break in his busy summer schedule to discuss his recent Glastonbury set, massive Sefton Park gig and Liverpool FC’s new head coach.
Elsewhere, we’ve got all the best pics from the recent launch of Amici on Aigburth Road and the John Lewis team shares its tips on how to throw the perfect picnic.
Plus Heather Marsh reveals her newly adopted method for tackling every gardener’s worst enemy, Annie S is here to help elevate your holiday wardrobe, and Jon Atkinson profiles a multi-award-winning South Australian winery in his latest column. Until next time!
When you have finished with this magazine please recycle it.
Irish actress SaoirseMonica Jackson on swapping London for Liverpool, branching out after Derry Girls and perfecting her scouse accent
WORDS LAWRENCE SAUNDERS
Finding the
Balance
How did you end up moving here to Liverpool?
I feel like I was always meant to live in Liverpool. I have a lot of family that moved here before I was born so I visited quite often when I was a teenager. I went to university in Manchester but I always wished I was in Liverpool! When I met my partner during COVID, I was living in London and he was in Berlin but wanted to come back to the UK. We were looking to settle somewhere and he’s not mad on London, and didn’t want to move home to Glasgow either, so we chose Liverpool. When you’re travelling a lot for work, it’s nice to live somewhere which is so convenient. I think the two of us being Irish and Scottish as well, [Liverpool] just suits us. I love it here and I love the scousers! I always say Liverpool is like a ‘big Derry’. Much of the city is built around the River Foyle and it feels like a centrepoint for everything that happens there – having the River Mersey here gives me that same feeling.
How did you first get into acting?
I went to an all-girls Catholic school in Creggan, Derry, and I had an amazing drama teacher who helped me navigate the different courses I could enrol on. I don’t think many other girls were applying to do drama at my school. I was looking on UCAS and discovered this course in Manchester that had a comedy module. I didn’t see [a comedy module] on any other courses across the country so I went for Manchester. I moved to London after my course finished and stayed there for nearly 10 years. I loved living there and still go down there to see friends but I think when you’re a wee bit older you’re like: ‘I need to get out of it all!’
You’re currently filming the new BBC crime drama This City Is Ours here in Liverpool. How has everything been going with that? I was busting to do a BBC drama and when this came in, it just felt so perfect – I’m delighted to be doing this job. It’s such a luxury working on a TV job and being able to come home to your own bed at night as well! Being able to put a wash on, go to your normal supermarket and regular gym classes. As boring as that all sounds, it’s really great! You do get used to being away from home a lot though, and you sort of settle wherever you go. Actors are generally lovely people and you become almost like a family when you’re working abroad for long periods.
This isn’t the first time you’ve filmed here in Liverpool though, is it?
No, I actually did two jobs in Liverpool before this. The first thing I was ever cast in was The Five, a Harlan Coben TV series which was filmed here in Liverpool. I also did a short called Liverpool Ferry. This is what I mean, I always feel like I’m meant to be here!
The cast for This City is Ours includes a host of young Liverpool actors. What’s it been like working alongside them? It’s a real privilege and I was really excited to work with a Liverpool cast. I think there are so many idiocracies that we as Irish people, maybe particularly from the north, share with scousers. At the same time, I felt like I had to nail the accent and I put a lot of work into making sure I was doing it right. There is a specific mentality and swagger that scousers have, but it has been done wrong [on screen] so many times in the past – almost in a comical way. That’s something
Pampinea. This all sounds quite dark but I promise it’s very funny at the same time!
I understand the series was filmed on location in Italy. What was that experience like?
We filmed in a castle in Viterbo, which is about an hour and a half from Rome, as well as at some really famous studios in Rome itself. The sets and costumes were so beautiful. I’d never seen artistry like it. It was fantastic to experience a different culture and see how the creatives work over on that side of Europe – they definitely put people in the UK to a bit of shame! Their work ethic and creativity was just unbelievable.
When Derry Girls finished, did you make a conscious decision to seek out more dramatic and non-comedic roles?
I can relate to being Irish because I’ve seen us being done in a derogatory way before as well, so that was the last thing I wanted to do. Being from Derry, I understand how social structures work in a working-class city but it also puts the pressure on because you know how important it is.
The Decameron is your other new show, which is out later this month on Netflix. Can you give our readers an idea of what the series is about?
It’s very loosely based on the 14th Century short-story collection The Decameron by Giovanni Boccaccio. The series centres on 10 leading actors and their different journeys in a high-stakes, high-pressure situation. We meet these characters as they get invited to a villa in Florence to ride out the Black Death. I think we can all relate to this premise somewhat after being through the pandemic. The show also deals with class structure. The nobles are coming to the villa with their servants, and I play a servant called Misia. Misia’s identity and self-esteem are all wrapped up in being the perfect servant to Pampinea, who is played by the amazing Zosia Mamet. Misia is quite a complex woman. She’s sort of always on the brink of something, usually a breakdown. She probably has the least self esteem out of all of the characters, but that doesn’t mean she’s not strong. She’s quite strong-willed, and she would really do anything for
I think originally I maybe wanted to do something else. I don’t think I realised though how lucky I was that I was able to start in comedy. On reflection, I have a bit more gratitude for that because it feels like, at times, there’s more camaraderie in that space. With drama, of course, you are supporting each other emotionally but it feels more singular. But at the time [after Derry Girls], I really wanted to do drama. You always want to try something else. I feel like now I’m in quite a lucky position where I’ve found a balance between dramatic and comedic roles. I’m very grateful for that.
I really wanted to do drama [after Derry Girls]. You always want to try something else but I don’t think I realised how lucky I was to get my start in comedy.
How do you feel now when you look back on the impact of Derry Girls and its legacy?
I was shocked by how little our neighbouring country knew about the politics of Ireland and the civil war which had happened in such recent times. Without getting too political, it was really an eye-opener for me about the British government. In the north of Ireland, they only teach you English history in school. The Troubles was happening all around us but we weren’t being taught about it. For Derry Girls to come out and show my peers and contemporaries what was really going on, both sides of the story, was only a positive thing. It’s always good to know what’s going on in the world and I think that’s best digested through comedy. I don’t think [educating people] was necessarily Lisa McGee’s aim when she wrote Derry Girls. She wanted to write a show about girls from Derry, but she couldn’t ignore the backdrop of The Troubles, and then it became almost like its own character in the show.
The Decameron arrives on Netflix on 25 July
Zosia Mamet and Saoirse-Monica Jackson in The Decameron
A Derry Girls mural adorns the side of a wall in the city’s Orchard Street
Liverpool’s ‘civic heart’ to celebrate milestone with special events
St George’s Hall is marking its 170th anniversary by telling the city – ‘It’s Yours’
‘SGH170’ BRINGS TOGETHER the old and new, blending the rich heritage of one of the city’s cultural crown jewels with an exciting programme of music, comedy and more including new commissions and performances in new spaces. Selected key events include:
EONARIUM Enlightenment The Great Hall, 6 July–29 September – Explore the four seasons through a breathtaking visual and auditory experience, and immerse yourself in a unique perspective of spring, summer, autumn and winter. During this 30-minute spectacle, let yourself be enchanted by the iconic melodies of Vivaldi’s “Four Seasons” accompanied by spectacular visuals.
The Jacaranda’s Rock N’ Roll Circus: The Concert Room, 1 August – The Jacaranda’s Rock N’ Roll Circus is a band of local musicians, with guests from many local bands, who play music mainly from the 60s ‘Rock N Roll Era’ every Saturday night in the Jac basement.
Comedy in the Concert Room: The Concert Room, 2 August – An evening of laughter in the iconic concert room of St George’s Hall to celebrate the venue’s 170th anniversary. Featuring Liverpool’s own Adam Rowe plus Live at the Apollo favourites Josh Pugh and Laura
Lexx and hosted by award-winning comedian Sam Avery.
The Wombat Jazz Festival: The Concert Room, 1 September – This all-day event, the first of its kind in Liverpool, will see performances from Andrew Ibi and David Kayode, plus a headline set from The Grapes Band with Ni Maxine. More local legends are to be announced.
Claire McColgan, director of Culture Liverpool, says: “How lucky are we in Liverpool to have St George’s Hall? It’s one of Britain’s most beautiful buildings and it deserves to be celebrated in a special way.
“It’s also been at the heart of many of Liverpool’s lowest and highest points. Its history is the people’s – it’s where we have come for almost two centuries to protest, to mourn and to celebrate as one.
“St George’s Hall belongs to us all. It’s yours. and I’m thrilled the programme is going to cater for so many different genres to celebrate that fact.”
Tickets are available to book online at stgeorgeshallliverpool.co.uk
Law firm solidifies ‘top-tier position’ with awards recognition
Montirex launches new mental health campaign
Local sportswear brand is supporting national charity CALM
LIVERPOOL SPORTSWEAR BRAND MONTIREX has kicked off a new campaign to help tackle mental health issues among young men.
In support of CALM (Campaign Against Living Miserably), Montirex has released a powerful short, starring actor Alfie Cain, that drives home the importance of creating safe spaces for conversations to be had, and the powerful impact that simply talking to a mate can have.
To encourage conversation, Montirex has set up ‘open goalposts’ across the country as it’s there that “friends become teammates, problems are shared, and communities are formed”.
The goalposts have been temporarily painted onto walls at selected locations in Liverpool, London, Dublin and Birmingham and accompanied with a QR code that takes users to Montirex’s ‘Break the Wall’ website where users can find advice and resources and be directed to CALM.
Daniel Yuen, co-founder of Montirex, says: “Mental health is a huge challenge for young people and CALM does great work in getting support to people who need it.
“If our campaign gets more young men talking to each other and breaking down the walls that exist around mental health, we’ll be proud to have played a small part in tackling those issues.”
The campaign is being supported by Montirex athletes Leon and Fabian Edwards, Mick Conlan and artists Belters Only, as well as support from Baiteze Squad, Mohib Sheraz and Mick Medeiros.
For more information visit montirex.com/pages/break-the-wall
Paul Crowley & Co Solicitors has enjoyed a string of nominations and wins
RECENT RECOGNITION at multiple award ceremonies has further solidified Paul Crowley & Co Solicitors standing as one of Liverpool’s top-tier providers of legal services, according to the firm’s head of business development.
Julie Jones says PC&Co’s dedication to fostering a “nurturing and inclusive work environment that promotes growth and development” has led to it being amongst the nominations for the Small Employer of the Year award in the Employer’s Excellence Awards.
Meanwhile, the firm’s office manager, Rachel Frost, has been nominated for the Outstanding Employee Award, recognition that underscores her important contributions to PC&Co.
The firm’s commendations extend further and at the SME News UK Legal Awards 2024, it was named Merseyside Personal Injury Solicitors of the Year. Julie says this accolade acknowledges the company’s “expertise and successful track record in managing personal injury cases, further showcasing its commitment to delivering high-quality legal services”.
PC&Co has also been nominated in the Private Client Modern Law Awards for its Wills and Probate team –highlighting the team’s “adeptness” in managing intricate wills and probate matters.
Julie expressed her admiration for the firm’s dedication to providing exceptional legal services, commitment to its employees and focus on client satisfaction.
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Accepting a police caution –Consult the legal experts
If you are contacted by the police in England to attend an interview under caution, often referred to as a voluntary interview, it is important that you understand the seriousness of what you say or don’t say to the police. The criminal law team from Paul Crowley & Co solicitors will provide you with free expert legal advice and accompany you to the interview so that you are aware of any consequences should you accept or refuse a caution
A voluntary police interview can seem very informal, however the interview will be recorded and can be used as evidence resulting in the commencement of criminal proceedings.
What is a police caution?
A caution is a formal notice given when you admit to an offence. There are two types of caution:
Simple: Issued where there is enough evidence that the police think there would be a possibility of conviction if there were a court case. You must also have admitted to the offence and agree to accept the caution.
Conditional: These are the same as simple cautions except have conditions attached, which, if you don’t follow, will result in you being charged and required to go to court. They could include conditions such as repairing criminal damage or going to treatment for drug abuse.
What is the police caution wording?
The wording of a Police caution is: “You do not have to say anything. But, it may harm your defence if you do not mention
when questioned something which you later rely on in court. Anything you do say may be given in evidence”. Our expert lawyers at Paul Crowley & Co will be able to advise you as anything you say to the police will be recorded and used as evidence.
When are cautions given?
Cautions will only be offered to you where the offence is very minor or if you are a first-time offender. If you already have a caution and are accused of another offence, it is unlikely you will be offered another unless the offences are minor and unrelated to each other.
Does a police caution go on your record?
Yes, it will be recorded against you on the police national computer so you will have a criminal record. Police cautions are disclosed on standard and enhanced Disclosure and Barring (DBS) service checks for 6 years after they are issued, but they can appear on your record for longer than that because the police have the discretion to disclose cautions even after this time period if they feel it is relevant.
What does not accepting a caution mean for you?
If the police have sufficient evidence and you refuse the caution, they will likely charge you with the offence and you will be required to attend court to make a plea. This could potentially lead to a criminal conviction, which is more serious than a caution.
Should I accept my caution?
If you are already employed, find out what your contract says about disclosure of cautions. If you are planning on applying somewhere where they are likely to carry out a standard or enhanced DBS check (like teaching or care work) then consider whether the caution is related to that employment. You would also want to know whether the offence is eligible to be filtered after a certain amount of time.
If you have been offered a police caution, call our friendly team of experts at Paul Crowley & Co and we will provide you with initial free legal advice. If you ask for a solicitor at the police station, Paul Crowley & Co will attend within 45 minutes.
Emma Smith Director, Paul Crowley & Co
By Will Carr | Greek | ££ | Blackstock Market, 15 Blackstock
Street, L3 6ER
Much to my dismay, Blackstock Market is not so-named because it’s a metal-themed music bar, but rather because it can be found on Blackstock Street. However, as you step into the nondescript building and drink in the atmosphere, you may be forgiven for thinking that’s what the owners had in mind.
If you can imagine a nightclub and a food court having a baby in a dystopian cyberpunk future then you are on the right lines. Food stalls line two walls, while the ornate Hot Water Comedy Club theatre marquee occupies another. A huge, fake tree dominates the centre of the room, in the rafters beside a large stage, while a DJ booth sits under a gigantic set of headphones made out of Kopparberg cans. Upside-down cars hang above the bar, parked on the ceiling, because why not?
We had to just sit for a while and soak in the casual vibe. The long tables and benches, designed for the large groups that pile in looking to enjoy some food and drink before a show, aren’t the most comfortable things I’ve ever sat on. However, we were soon
The chicken skewers were grilled exceptionally well and had a crisp coating but were still tender, with a rich, smoky flavour.
distracted by a musician, who, like the food we discovered, was a cut above the usual fare.
There were plenty of stalls to choose from but Laros, the only one specialising in Greek cuisine, took our fancy. I’d wanted to stop into its Bold Street restaurant for a long time. I ordered the Souvlaki box (£12.50) and my partner decided on the Mega Greek Hotbox (£12.50).
The Souvlaki box was a perfect choice. The chicken skewers were grilled exceptionally well and had a crisp coating but were still tender, with a rich, smoky flavour. The accompanying fries were nicely seasoned and the salad, including a tomato, red onion and feta cheese, tasted fresh.
The grilled pita bread was soft and was a great way to enjoy the dipping sauce. I’d recommend this to anyone considering doing anything after dinner other than lying down. My hunger was well satisfied but I felt I could still cut a rug on the dance floor if I needed to.
That couldn’t be said of my partner, who, after the Mega Greek Hotbox, was left in a food coma for the next half hour. All I can say is, thank God the music was good because we weren’t moving anywhere. Salt and pepper fries, chillies, jalapeños and spring onion accompanied an unfathomable amount of chicken. The honey mustard sauce was mild, which was good because it was coated in it. Though delicious, my partner could only finish about half of it.
For a casual drinker, who may never leave the beer-soaked confines of Mathew Street
or Concert Square, Blackstock Market is a hike, but it’s a hike worth going on. There’s a lot of variety, so even your pickiest of friends will find something they like, and you’re free to grab a drink from the bar, a burger from one stall and dessert from another, all using a simple app and QR code.
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How to plan the
PERFECT PICNIC
Improve your outdoor dining experience with this plethora of picnic items worthy of your basket
THERE’S SOMETHING SO ENJOYABLE about eating outside. Maybe it reminds us of eating snacks in the playground as kids, or maybe it’s just because the English weather is so temperamental it’s always a novelty when you can dine al fresco. Whatever the reason, this summer we’re preparing to picnic like never before. Whether you want to treat your picnic like a full-on dining experience with glassware, plates, bowls and proper cutlery or you’re more of a throw-down-a-rug and eat with your hands picnic-er, we’ve got you covered.
n GLASSWARE Steer clear of disposable glasses and invest in coloured glass and recycled lightweight plastic to give your picnic (and your kitchen) a pop of colour. Don’t overlook jugs, and opt for stackable glasses that won’t take up valuable picnic-basket space – we guarantee you’ll use them on repeat.
Classic check picnic rug
£25
Plastic wine glass, set of 4
£14
lights around the trees and dotting lanterns around to make the most of those dusky summer evenings.
n PLATES, BOWLS & SERVEWARE
n THROWS & LIGHTING
A decent picnic blanket is the lynchpin to any successful picnic. Look for ones that are hardwearing and easy to machine wash for all those accidental spillages. Equally as important is a picnic hamper or cool bag where you can store snacks safely while keeping them cool and squish-free. If you’re having a more grown-up picnic, elevate your afternoon and accessorise with soft furnishings and lighting to bring your picnic blanket to life. We like draping festoon
Lisbon melamine side plate, set of 4
£12
Set the tone with vibrant plates, bowls and serving platters to bring a spot of colour to your picnic. Melamine and mango wood are ideal for al fresco meals because they’re lightweight to carry and shatterproof, making them suitable for all ages. We love a classy food cover, too.
n CUSHIONS & SEATING
Add a little extra comfort to your picnic and layer seating with a mixture of outdoors cushions, pouffes and lowlevel options – ideal if you’re picnicking with the older generation. The super organised
Orangery leaf cushion
£18
Classic striped folding picnic chair
£23
New Italian restaurant opens on Aigburth Road following £100k investment
Amici officially launched with an evening of canapés, drinks and live entertainment
NEW ITALIAN RESTAURANT AMICI has launched on Aigburth Road following a £100,000 refurbishment project.
The eatery, which replaced the former Justino’s restaurant, has a capacity of 120 and includes new seating and decor throughout, a new kitchen, and a renovated bar area.
Amici’s menu features a range of Italian-inspired options from Stuzzichini and wood stone oven-fired pizzas to calzones, risotto, pasta, fish and meat dishes.
Standout mains include classic pasta dishes such as Truffle Tortellini, Spaghetti Alle Vongole, Lasagne al Forno and Spaghetti Pescatore.
On Sundays, guests can enjoy Amici’s ‘classic roast’ with a choice of roasted beef rump, roast chicken, roasted leg of lamb or nut roast, served with carrot puree, seasonal veg, braised red cabbage, rock salt roast potato, Yorkshire pudding, apricot and sage stuffing and red wine gravy.
The venue’s homebaked dessert options include chocolate raspberry brûlée served with shortbread, the ultimate Italian dessert Tiramisu, Limoncello cheesecake tart, chocolate brownie, affogato with cinnamon ice cream and Frangelico hazelnut liqueur.
Amici will be open seven days a week from 12pm. From 9pm on
Friday and Saturdays, the venue will have live, acoustic music for guests who want to stay and enjoy drinks in the bar area.
James Nolan, owner of Amici, says: “After weeks of renovations and so much hard work behind the scenes, we’re delighted to unveil our new Italian restaurant, Amici, in the heart of South Liverpool on Aigburth Road.
“Now that our doors are open, we’re very excited to welcome local guests and those a little further afield to Amici. We hope to see you soon for delicious Italian dishes, cocktails and wine.”
Amici’s Louise Gibney and James Nolan welcomed guests including Hollyoaks
actress Jessamy Stoddart (far left)
Berton
Vineyard IN FOCUS
Jon Atkinson shares four of his favourite bottles from this multi-award-winning South Australian winery
BOB BERTON HAS BEEN in the Australian wine business for many years now; he got out of accountancy to “start at the bottom” in the wine industry. Ultimately, he ended up running De Bortoli for 10 years and then Miranda for three, before taking the plunge with his wife, Cherie in 1996 and buying their own 75-acre vineyard in the High Eden, a sub-region of the Eden Valley. However, it was not until 2005 that he established his eponymous winery by purchasing a
former Southcorp (Penfolds) facility at Yenda, New South Wales. At this point, they were joined by then sales director Paul Bartholomaeus, Jamie Bennet, and winemaker James Ceccato –between them having well over 100 years of wine trade experience. Although not on the scale of the likes of Treasury Wine Estates (Penfold’s, Lindeman’s, etc.) or Accolade Wines (Hardy’s, Banrock Station), Berton Vineyard is now a significant player in the
Australian wine industry, producing more than 15 million bottles a year. The Yenda facility was instrumental in this growth as they could make wine from their High Eden vineyard, but moreover, create a range of brands from fruit grown on their doorstep. They have invested significantly in the winery, making a series of efficiencies to lower their carbon footprint, reduce waste and energy consumption and improve their sustainability credentials.
Head over Heels Cabernet Merlot 2019 (14%)
Bob was one of the first of our major suppliers that I met after starting at Wine Time. On being introduced as “Jon, who’ll be running our new shop in Liverpool”, the larger-than-life, pony-tailed Mr Berton responded with: “Fair dinkum!” One of the many things that I have come to admire about Berton Vineyard is just how much bang you get for your buck compared to so many other Aussie wineries, as is exemplified by my recommendations for this month…
A blend of grapes grown in the warm climate and fertile soils of Riverina that were de-stemmed, pressed then fermented with multiple ‘pump overs’ to preserve fruit flavours and maximize the colour extraction. Having been vinified separately and allowed to mature in high-quality French oak barrels, the parcels were blended before bottling.
The resulting wine displays refined varietal aromas of blackcurrant, raspberry and dried herbs entwined with toasty vanilla oak. The palate is rich and full, offering generous flavours of poached plum, mixed berries, earth, allspice, and cocoa powder. Although this is a style of wine that would ordinarily be consumed in its youth, there is enough quality here to merit cellaring for several years, indeed at five years of age, this has thrown off some of its primary fruit characteristics and is exhibiting more complex and nuanced aromas and flavours.
‘Metal Label’ Viognier 2021 (13%)
Another example of a ‘classic’ French variety that has established itself away from its spiritual home! Viognier is responsible for the exotic, hauntingly perfumed whites of Condrieu in the northern Rhône valley. It doesn’t always travel well; for example, I’ve had some Californian offerings that have been rather clumsy but this from Bob’s vineyards in the Riverina is a wellmade and finely balanced example. Classic aromas of peach, orange blossom and apricot lead to a palate that is rich in tropical and citrus fruits. The key to good Viognier is retaining the aromatics and acidity and ensuring that the fruit is sufficiently ripe when picked – Viognier just doesn’t often seem to work below 13.5% ABV!
Efficient irrigation methods supply water from the Murrumbidgee River in gravity-fed channel systems. The grapes are harvested at night to retain freshness and minimise oxidation. After a gentle pressing the juice was clarified before a slow fermentation at cool temperatures of 14 to 16°C using a carefully selected yeast to optimise lush, varietal flavours. The wine was then aged on the lees for a couple of months, which enhances both texture and aroma. £10.50
Eden Valley ‘Reserve’ Chardonnay 2021 (13.5%)
The Berton ‘Reserve’ series looks to showcase different grape varieties, each grown in what is considered to be an optimal region. It is therefore no surprise that they looked to the slightly cool (by Australian standards) Eden Valley to source the Chardonnay for the range. The Eden Valley is essentially a higher altitude extension of the betterknown Barossa.
Berton Reserve Eden Valley Chardonnay is an oak-aged blend of 94% Chardonnay and 6% Semillon. Its aromas are of white peach and apricot, beautifully balanced by the cinnamon spice from the judicious oak ageing. Flavours of lime, peach, honeydew and toast make this a great partner for seafood risotto. Light straw in colour with silvery hues, the Reserve Chardonnay displays aromas of white rose, almond biscotti and tropical fruit. The palate brings together fresh flavours of loquat, ripe grapefruit and lemon that drift to hints of nutmeg and vanillin on a creamy persistent finish. £13.95
‘The Bonsai’ High Eden Shiraz 2017 (14.5%)
When Bob and Cherie first acquired their High Eden vineyard, there wasn’t a permanent water supply – it wasn’t until two years later, in 1998, when the dam filled and the vines finally got a decent drink! It was due to these conditions and the seemingly hydrophobic podzolic soils that the vines struggled to become established. After a few years, the vines still looked like ‘rootlings’; a Swedish friend jokingly called it the bonsai vineyard – and the name stuck and later became the name of their premium Shiraz.
This has an opaque purple-black appearance with a vivid ruby rim and quite a perfumed nose with plum & blueberry fruits with liquorice, cacao, coffee bean & five spice. Lush, spicy & full-bodied in the mouth but with decent acidity & a firm but gentle tannic grip with a long, spicy finish with generous dark fruits. Top-drawer Aussie Shiraz that represents particularly good value. £21.50 TO CLICK & COLLECT ANY OF THESE RECOMMENDATIONS OR TO VIEW THE REST OF OUR RANGE PLEASE VISIT WWW.WINETIMEWINES.CO.UK
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people where I am write for the “I
Liverpool singer-songwriter Jamie Webster
“milestone”
”
on his love affair with Glastonbury,
gig in Sefton Park and why he will always be grateful to LFC fans
WORDS LAWRENCE SAUNDERS
You played Glastonbury Festival last month for the third year in a row. Starting on Leftfield in 2022, you went to the Avalon Stage in 2023 and The Other Stage this year… Pyramid Stage in 2025?
That would be lovely! We’ll have to wait and see. My set on the Avalon Stage in 2023 was good enough to warrant me coming back to a bigger stage this year – we locked out about three fields. My dream is to play the Pyramid Stage one day. I mean, I’m a realist, I feel like headlining it might be a little bit out of reach but just to play on that stage would be the holy grail for me. We’ll see whether it’s 2025 or 2027 because I think they’re having a fallow year in 2026.
What is it about Glastonbury that makes it stand out from other festivals? Both as a performer and as a punter. I went about six times as a punter – as most scousers have! When you arrive at the festival for the first time, you’re overwhelmed by not only the size of it but by how much there is to do and how nice everyone is. Even if not nice people are there, I bet they are nice at Glastonbury! There’s just something about the place. It’s the best party in the world. I’d take a gig at Glastonbury over a cup final any day of the week. As an artist, the experience of playing Glastonbury is unbelievable and it makes people within the music industry take notice of you when they see you’re on the line-up.
I feel lucky to be doing what I’m doing – my electrician days are way behind me for the time being! who put me
The biggest show of your career so far is taking place this month at Sefton Park. How does it feel to be playing in front of 40,000 people in one of Liverpool’s most iconic locations?
Even though I grew up in the north end of Liverpool, I went to St Margaret’s secondary school on Aigburth Road. When I finished primary school there was a lot of bad stuff going on in my area (Croxteth/West Derby) with gangs. A lot of the trouble was starting in schools and because my mum knew I had a brain, she didn’t want me to p**s away an education by hanging around with idiots. Danny, who plays guitar in my band and introduced me to a lot of music, was in my year at St Margaret’s. It was nice that I went to that school but I had to wake up at half six and get two buses! We used to get off near St Hilda’s to meet our girl mates and then walk through Sefton Park. I live on the doorstep of Croxteth Park and I’m always there but on a weekend me and my wife love taking the dog around Sefton and walking down Lark Lane. It’s a dream to be playing at Sefton Park. Some huge names have played there in the past like Nile Rodgers, Echo & the Bunnymen and Kings of Leon. It’s a massive milestone for me but the problem is where do I go next!
Many people first became aware of you because of your interpretations of popular football songs. Now you’ve released three studio albums of your own material, do you think the
public recognises you as Jamie Webster ‘singer/songwriter’, rather than Liverpool FC’s semi-official musician? Depends on who you ask. There’ll be a lot of people now who will say ‘Jamie Webster? Yeah, he’s a musician. Jamie Webster ‘Weekend In Paradise’, Jamie Webster ‘We Get By’, whatever’. The problem is the people who fell in love with me for the Liverpool stuff probably aren’t the biggest music fans. For a lot of people [not playing Liverpool songs at gigs] was a hard thing to get their heads around. I still get messages on social media from people asking if I’ll be playing ‘Allez Allez Allez’ at Glastonbury, and I’m like ‘no!’ [laughs]. Don’t get me wrong, I am so grateful to Liverpool fans because they gave me a platform in the first place – when I released my first single (‘Weekend In Paradise’) it was only the Liverpool fans who gave it a go. But sometimes as LFC fans, we think we are the only football fans in the world, and the only thing that matters. If I sang a LFC song at one of my gigs, 40% of the crowd could be Evertonians or there could be people there from Newcastle or Glasgow, and I’d be alienating them.
Are you still involved with LFC on a professional basis?
I’m going on tour with LFC this pre-season, I love them. I did songs for Klopp’s last game. I’ve got a great relationship with the club and I want that to continue of course but the thing that gets me out of bed in the morning is my own music and everything which comes with that. The LFC stuff is a hobby, the best hobby in the world. I live a nice life and I’m very, very fortunate. The fans’ belief in me has made this all possible – that’s why I write the music I write, I write for the people who have put me where I am. I feel lucky to be doing what I’m doing – whether I’m singing an LFC song or ‘Something In The Air’. My electrician days are way behind me for the time being!
What are your thoughts on the new LFC head coach and the upcoming season?
I like the things Arne Slot has said so far. He’s given Jürgen massive credit and admitted that his tactics are quite similar but that he’s got a few different ideas of his own. Towards the end of last season, there were a few results that didn’t go our way and I think the freshness [that Arne brings] will be good. As fans, we must do exactly what Jürgen said and get behind the new manager the way we got behind him. Whether Arne Slot wins or loses his first five games, we owe him a proper atmosphere at Anfield. We need to show him what type of club he’s joined – don’t just let Jürgen tell him how good the fans are! Let’s show him what it means to be a LFC manager and the energy levels that he needs to meet. We are behind him 100%, we will walk through walls for him like we did for Jürgen, but he’s got to deliver on his end as well. When I met Jürgen in New York in 2019 he said to me: ‘Keep doing what you’re doing and we’ll keep doing what we’re doing as a team. I’m not saying if we all do this we’ll definitely win everything but there’s a lot better chance that we will’ – and we f*****g did! As fans, I think we owe Arne Slot the same levels of enthusiasm, energy and passion that we showed Jürgen – especially in the early stages. He [Arne] seems like a nice, down-to-earth guy. He speaks English better than most of the people in this city as well! I’m going on the pre-season tour to play for the fans but I’m keen to get an eye on him – see how he is with the backroom staff and his players. Not that I’m the one he’s got to impress [laughs] but as a fan I just want to see what kind of manager we’ve got.
Nexus secures £20m funding package to complete Baltic Triangle apartments
Maslow Capital has described the project as a “transformative
moment for the city’s residential sector”
LIVERPOOL-BASED PROPERTY FIRM
Nexus Residential has secured a £20 million funding injection from Maslow Capital to deliver its new Baltic Triangle eco-apartment scheme.
The multi-million-pound facility will allow construction to complete at Central Park – a 174-unit development which includes a mixture of one, two and three-bedroom apartments, a hotel-style reception and concierge, as well as a private roof terrace with views of Liverpool Cathedral.
The £35m scheme will also include cycle storage, underground car parking and a gymnasium for residents, while £1m has been invested into an adjoining public piazza with arches inspired by the Royal Albert Dock.
The funding deal is the third Nexus has completed with Maslow Capital, with One Baltic Square (adjacent to Central Park) recently completed and Merchant’s Wharf in Salford now nearing practical completion. This latest facility brings the total funding provided across all three projects to £60m.
Central Park is set to include state-of-theart eco-friendly features such as solar panels, electric vehicle chargers, heat recovery systems, LED lighting and air source heat pumps.
Legacie, which has previously led on several eco-installations at Liverpool sites such as Reliance House and Element – The Quarter, is the main construction company working on Central Park.
The scheme is being promoted by international sales agent, RWinvest, which has successfully pre-sold all the new homes off-plan.
Meanwhile, Nexus has paid around £350,000 in section 106 contributions to Liverpool City Council. These funds will directly support planned enhancements to the adjacent park on Gore Street.
Additionally, the contributions will cover off-site tree planting in the local area, improvements to the city centre, and a contribution to public art. Once the
development is completed, the total section 106 contributions will be approximately £500,000.
Michael Gledhill, managing director of Nexus Residential, says: “We are really pleased to have agreed this funding facility with Maslow Capital, which helps continue our relationship and follows on from the successful delivery of our Liverpool and Manchester schemes.
“Central Park will help bring much-needed, high-quality homes to an increasingly popular part of the city.
“We are on-site and working at pace to help deliver another development the city can be proud of.”
Central Park is due to be completed in late 2025.
Developer unveils £110m apartment scheme in Liverpool’s emerging Northern Quarter
Proposals will “breathe new life” into derelict site
NORTH WEST DEVELOPER
JARRON is bringing forward a new £110 million residential development featuring 406 luxury apartments and townhouses across two 15-storey blocks in Liverpool city centre.
Jarron, which acquired the Metalworks site on Leeds Street in September 2023, will deliver a mix of one, two and three-bed apartments, as well as five ‘New York City style’ townhouses.
The scheme will also provide a range of amenity space including a residents’ lounge, bar, co-working space, cinema room, gym, a running track and rooftop terrace.
The flagship development, which is the latest of several Jarron live-builds across Liverpool, Newcastle and Sheffield will create an estimated 380+ jobs during its design, construction and operational phases.
Jarron says its proposals, which are expected to go before Liverpool City Council planning chiefs imminently, will “breathe new life” into a site which has stood vacant for several years and is located within the city’s emerging ‘Northern Quarter’ area adjacent to the business district.
Will Clarke, development director at Jarron, says: “Liverpool city centre is a historic and vibrant area and our Metalworks scheme will provide high quality and much-needed residential accommodation that will build on this success.
“This is a game-changing residential project, with first-class amenities for residents in an ideal location for work, travel and leisure.
“We are looking forward to the scheme progressing at a pace.”
Littlewoods restoration enters ‘critical phase’ as demolition of clock tower begins
Digital analysis has found that the tower could collapse, if left
CAPITAL&CENTRIC is part-way through initial work on the Littlewoods Project to secure the historic buildings and prep the site for a re-birth as a film and TV-led destination.
As part of the current planned works at the site, investigations have been ongoing into what will be required to make the building structurally sound once more, ready for the final restoration to begin.
Teams of engineers surveying the existing buildings have concluded that the tower needs to be dismantled and rebuilt due to decades of it being vacant.
Digital analysis of laser monitoring – placed on the tower to track its movement and condition – has confirmed what engineers suspected, that the tower is unsafe and, if left, could collapse.
layers and securing the structural integrity of each section.
Deconstruction of the tower has now begun and will be completed over a period of weeks.
The intention is to rebuild the tower in the same spot, reusing elements of the original from the overhaul of the site.
John Moffat, joint managing director at Capital&Centric, says: “Our priorities are keeping everyone safe and saving what we can of the buildings, working to minimise the amount of structure needing to be re-built.”
Work started on site in December last year. Since then, the team has been assessing the condition of the building in stages, peeling away the
Once complete, it will pave the way for main contractors to move in, with two new 20,000 sq ft studios for big budget productions the first to be constructed on the neighbouring land.
Plans submitted to the city council detail how the Littlewoods Project will open up the site to the public for the first time, with landscaped courtyard gardens and a roof terrace, screening and performance zone, and foodhall.
Capital&Centric is currently in talks with a variety of operators interested in taking space at the site, with the vision to transform the 1930s buildings into an internationally-recognised destination for TV and film production.
Inheritance tax – what’s the deal?
Trevor O’Loughlin, chartered financial planner
“There are few more confusing – or unpopular –taxes than Inheritance Tax (IHT). Leaving loved ones to incur up to a 40% reduction due to tax on their inheritance is a hard ask.
“Yet despite many children and grandchildren being ill-equipped to grapple with IHT, more and more families are having to deal with it. It’s a situation that is set to continue, with the Office of Budget Responsibility forecasting that IHT revenues will reach £9 billion by 2026/2027.
“Once thought of as a tax on the truly affluent, IHT now affects more families than ever.
“In positive news, the residence nil rate band threshold is now set at £175,000 for those who qualify when passing their main residence to direct lineal dependants. This goes some way to reflect surges in property prices.
“You can also factor that the first £325,000 of your estate is likely to be exempt from IHT. This means that, subject to various conditions, if you’re married
or in a civil partnership, you could have combined nil rate bands of up to £1,000,000.
“The simple fact remains that IHT could be considered a voluntary tax. The treasury relies on our inertia and reluctance to confront the issues of death and inheritance.
“It can come as a shock to discover that a large proportion of your wealth, which includes the family home, investments such as individual savings accounts (ISAs), life assurance plans not in trust and even old family heirlooms, might have to be sold to meet tax bills when you die.
“There are many perfectly legitimate ways to mitigate IHT through foresight and careful financial planning. You don’t need high powered tax planning, just a willingness to discuss the issue, act and make use of the many options available.
“The best way to deal with any concerns is to seek professional advice and guidance on your position.”
Knowsley-based energy retrofit firm expands with new West Midlands office opening
Next Energy will improve 1,500 homes in the region via a mix of fabric and renewable measures
Energy retrofitting specialist Next Energy has secured two new major clients, announcing the opening of a new office to support the expansion.
The Prescot-based company has been engaged by West Midlands Combined Authority (WMCA) and Sandwell Borough Council to work on 1,500 properties in the region. Next Energy will improve the homes via a mix of fabric and renewable measures worth a combined £15 million.
To bolster the expansion, the firm has opened new office premises in the West Midlands as it looks to maximise the rollout of support in the region, creating more than 50 new roles in the area.
Earlier this year, Next Energy, which installs energy efficient measures in homes for social landlords and local authorities, announced a £45.8m pipeline for the first quarter of 2024, including a multi-million contract with Manchester City Council.
Next has also grown its national ECO 4 capabilities alongside partners Octopus Energy, British Gas, Ovo Energy and E.ON,
and is now delivering Local Authority Flex for a total of 46 councils across the UK.
Michael Madigan, director at Next Energy, says: “The contracts with West Midlands Combined Authority and Sandwell Borough Council are important partnerships for Next Energy. We continue to ensure homes are more energy efficient, bringing down household bills in the process and tackling the climate crisis.
“The new office premises in the West Midlands also emphasises our commitment to local employment and ensures a greater presence for additional control and support on these major projects. Next Energy is already recruiting in the area and using a local supply chain.
“I am looking forward to working with West Midlands Combined Authority and Sandwell Borough Council on both projects and providing a brighter, more sustainable and cost-effective future for residents.”
Liverpool-based sales agent confirms trio of major promotions
RWinvest specialises in connecting investors with high-yield property investment opportunities
Liverpool-based international sales agent RWinvest has confirmed a trio of major promotions across its UK operation.
The business, which has a headquarters in Liverpool and an office in London, is also opening a new £30 million, purpose-built, 2,500 sq ft base in Manchester.
Lewis Francis, who started his career with RWInvest in Liverpool in 2016, has been promoted to associate director for the Manchester operation. Meanwhile, Bradley Ashley has been promoted to associate director in Liverpool. Bradley will be based in the new RWinvest office located at One Baltic Square.
years, having started as a sales executive.
In the capital, Felix Taylor has also been promoted to associate director. Felix has worked with RWinvest for almost 10
Michael Gledhill, director at RWInvest (pictured), says: “We have a culture of rewarding success at RWInvest. Felix, Lewis and Bradley are key members of our team and I am delighted they will continue their careers with us in these senior positions.
“All three have been with the company for a significant period and their promotion will no doubt continue our significant growth.
“It is an exciting period for RWinvest, moving into new, purpose-built offices in both Liverpool and Manchester, and we have many more exciting opportunities in the pipeline for the rest of 2024.”
RWinvest has helped bring over £1 billion worth of investment into the UK property market and has confirmed growth of more than 30% in the last 12 months.
20
July – 1 September
Dazzling shows, thrilling workshops, and uncover the magic of a secret garden art installation... plus a whole lot more this summer!
Holly Johnson promises hit-packed Frankie Goes To Hollywood set at Liverpool Celebrates festival
Singer will headline opening night of event which honours legacy of Mathew Street Festival
L“There is a brilliant buzz around Liverpool and a great energy. I’ll be performing all of my greatest hits on the opening night.”
iverpool music legend Holly Johnson will return to the city this summer to perform a special Frankie Goes To Hollywood set at Liverpool Celebrates Mathew Street Festival.
The singer, whose band rose to prominence in the 1980s with smash-hit singles ‘Relax’ and ‘The Power of Love’, will headline the opening Friday night of the four-day event which celebrates the legacy of the Mathew Street Festival – 10 years on since it last took place.
Holly will headline a night of live music celebrating Liverpool and its music heritage, joining The Lightning Seeds, Space, China Crisis, Tea Street Band and The Sway in opening the festival.
He says: “I always love performing in Liverpool and I am really looking forward to the Liverpool Celebrates Mathew Street Festival. There’s a brilliant lineup over the entire August bank holiday weekend. It’s good for the city to be showcasing all of this music talent at a festival of this scale.
“The city’s music heritage is well known all over the world – I suppose this is another event which shines a light on it, and it is lovely to be asked to be part of it as the headline Friday act alongside a whole host of amazing Liverpool and international bands.
“I’ll be performing all of my greatest hits on the opening night in front of thousands of people next to the Liver Building… I am sure there will be a few Liver Birds in the crowd too!
“There is a brilliant buzz around Liverpool and a great energy. I felt it when I performed at the special Eurovision opening ceremony at St George’s Hall last year.
“I’ve got a few festivals this year but the biggest will be performing in Liverpool which is always special and even more so this year with it being the 40th anniversary of ‘Relax’, ‘Two Tribes’, ‘The Power Of Love’ and the ‘Welcome To The Pleasuredome’ album topping the charts. I also have an exhibition at The Museum Of Liverpool in September.”
Taking place across the August bank holiday weekend (23-26 August), Liverpool Celebrates commemorates the 10th anniversary of the last Mathew Street Festival, with The Jacksons, now composed of brothers Jackie, Tito and Marlon, set to headline the Saturday, joined by a 10-piece live band.
Jonny Bongo, of the popular Bongo’s Bingo event, will also bring his ‘Festival Experience’ to the Pier Head, with N-Trance also set to take the stage, Tribute acts will perform The Beatles, Queen, Prince, Oasis and Elton John tributes across the Sunday and Monday.
The final day of the festival will be hosted in partnership with Ronald McDonald House Alder Hey to aid a complete refurbishment, with a recent ‘Battle of the Artists’ competition allowing two local bands or singers the opportunity to perform on the main Pier Head stage during the festival.
For more information, and to buy tickets, visit www.liverpoolcelebrates.co.uk
is a
growing in the
‘A weedflower wrong place’
Heather Marsh reveals her newly adopted method for tackling every gardener’s worst enemy
I HAVE A SIZEABLE GARDEN and trying to keep on top of the weeds is like painting the Forth Bridge. It’s a task I don’t relish and one that is frustratingly never-ending. Don’t get me wrong, I do try my best but I’ve never been one for the well-manicured look as some of my friends manage to achieve. Somehow, even after hours spent clearing a small border of ground elder and bindweed, I will look a week later to find most have returned and I’m back to square one. The invasion of weeds at this time of year, especially with all the rain, is inevitable and they can quickly overrun your garden. I’d begun to rethink my approach to dealing with weeds when I came across a poster which contained the following quote: ‘A weed is a flower growing in the wrong place’. I know that realistically some hardcore weeds you just can’t afford to ignore but there are plenty of lightweight weeds that deserve a bit of leniency and just need to be managed and controlled. All plants are a great way to attract birds, bees and wildlife and increase biodiversity in our gardens, so why don’t we cut them some slack?
Here are some plants that often grow in the wrong places but may be worth keeping…
Dandelion (Taraxcum)
Who doesn’t remember picking these golden yellow flowers as a child and blowing the fluffy ‘clock’ seedheads? Dandelions are classed as perennial weeds and can grow from a large evergreen rosette with a strong deep tap root. To get rid of these out of lawns I use a trowel and simply dig them up – making sure to get every bit of the root out intact as if it breaks, any piece left will grow again into another plant. Doing this when the ground is wet and soft makes the job much easier. Also, removing spent flowers before they get a chance to set seed ultimately helps to reduce their spread.
Brambles (Rubus fruticosus)
I find brambles savage to control and deal with. With its long thorny stems growing up to three metres or more in length, an established thicket can be difficult to eradicate. Investing in a pair of leather gauntlets will prove invaluable in tackling this brutal beast as again, it’s only by removing the root completely that you will totally suppress the plant. However, if you can
manage to contain this bountiful plant, and don’t mind a few scratches, having your own patch of blackberries at your disposal is surely one of life’s great simple pleasures.
Ground elder (Aegopodium podagraria)
This fast-growing perennial is the bane of my life –especially when it smothers everything in my fruit and vegetable garden. A member of the carrot family, the ground elder grows to form a thick carpet and is hard to dig out and prevent from coming back as again. I’ve found that laying down a suppressive membrane topped with wood chippings does work to a certain extent, but eradicating it completely requires time and patience. In the meantime, I have allowed some plants to flower and have to admit they are quite lovely. Similar to the elder blossom in looks, which is where its name originates, there is no botanical connection.
Creeping buttercup (Ranunculus repens)
This perennial runs riot in my garden – often smothering and outcompeting other plants in my herbaceous borders. Spreading quickly, this weed sends out a dense network of runners that grow deep, again making it difficult to dig up and eradicate. Its saving grace is that its pretty buttercup flowers are rich in pollen and nectar – making it a great attraction to bees and butterflies.
Nettles (Urtica dioica)
Classed as a perennial weed that can grow up to two metres in height, nettles are easy to control with nonchemical methods, weedkiller really isn’t necessary. Pulling nettles up wearing sturdy garden gloves is the easiest and quickest way of controlling them. Regularly cutting back larger areas of new growth will weaken and eventually kill the plants. A strimmer is ideal for this. Collecting and soaking the cut leaves in a bucket of water makes a great homemade fertiliser. Young nettle leaves are also a tasty and nutritious alternative to spinach and can also be used to make a refreshing tea. If that’s not enough to win you over, these weeds are a magnet for all kinds of wildlife –tortoiseshell and peacock butterflies in particular like to nest on the nettle’s leaves.
Fireweed (Rosebay willowherb)
This flower will grow on burnt ground and during the second world war, it was known as ’bombweed’ as it thrived in ruined buildings. With tall deep pink flower spikes, fireweed is now often seen growing along railway lines, roadsides and on waste ground. Easily controlled thanks to its shallow
UNTIL NEXT TIME, HAPPY
Whack those weeds
There are basically two kinds of weeds: annuals, which grow from windblown seeds and grow afresh each year but are usually easily pulled up, and the really troublesome perennial types, which grow through winter and return year after year. Using chemical weed killers is a method I wouldn’t initially recommend, preferring a more natural approach like a trowel or spade.
However, when invasive weeds become a threat to biodiversity the use of regulated chemical weed killer may be the only alternative. Please note that specialist advice should always be sought when using on larger areas. Spot spraying weeds on gravel or paving should be done by following the manufacturer’s instructions and never on a windy day. Wearing a mask and gloves and keeping pets and children away from the area being treated are all precautions I’d strongly recommend. I recently tried an organic alternative to a chemical weedkiller on my patio and it worked a treat.
Here’s the recipe if you want to give it a go…
Four cups of vinegar to half a cup of salt, with a couple of squirts of washing-up liquid (multiples thereof as required) I used an empty washing-up liquid bottle to squirt it in between the flags or alternatively, you could paint it on using a broad paintbrush. Another ‘natural’ weed killer I’ve heard of is Coca-Cola. I remember my brother using it to clean parts for his motorcycle but apparently, it kills weeds as well… no comment on what it must do to your innards.
roots which make the plant a breeze to pull up. Spread by seed and underground rhizomes, I’d be more than happy if this lovely flower found its way into my garden.
Bindweed (Calystegia sepium)
Another troublesome weed I begrudgingly host in my garden – mainly found tightly wrapped around my raspberry canes, smothering leaves and fruit in the process. Not an easy one to remove as they persist from a tough perennial root system that can grow as deep as five metres. Again, even after being pulled out, the tiniest bit of root left behind can quickly regenerate. Despite all this, bindweed is a very attractive plant with heart-shaped leaves and pretty white trumpet flowers that bees, birds and butterflies all love.
Stone Manufacturer
CSS Granite Ltd are a family-run business based in Widnes, with over 30 years experience working within the stone industry. We are now one of the leading producers of granite and quartz worktops in the North West. Specialising in granite and quartz worktops for kitchens, restaurants, bars and hotels. Our granite worktops are renowned for their quality finish, achieved by using our own in-house precision machinery and our highly experienced stone masons.
We hand select materials from around the world ensuring only quality products are produced in our own factory in Widnes.
Flight Club to bring ‘the joy of Social Darts’ to Liverpool
Guests can expect fast-paced games, two bars and an outdoor terrace overlooking Chavasse Park
FLIGHT CLUB IS OPENING A “BREATHTAKING” BAR in Liverpool ONE next month and everyone is welcome to join in the fun.
Born from an idea first dreamt up by two friends in a Devon pub, Flight Club offers a range of “fast and exciting” multi-player games designed to bring people together and keep players “unexpectedly hooked”.
With 16 Social Darts playing areas encouraging groups to “unleash their competitive side”, two bars offering a range of signature cocktails, and an outdoor terrace overlooking Chavasse Park, Flight Club Liverpool is promising to be a “winning destination” for gatherings.
The venue’s décor aims to combine the heritage of darts, the warmth of a homely pub, and the “thrill and excitement” of a fairground with wood panelling and lights that dance in time to the music.
Flight Club Liverpool will pay homage to the city’s rich musical history and locals are being told to look out for a custom mural inspired by a street party outside the Philharmonic Hall as well as a disco phone box which will invite you to “step inside and dance away to your favourite hits”.
From weekend brunches with Prosecco and bottomless pizza to Social Darts tournaments, Flight Club Liverpool is pitching itself as the “perfect corporate social experience” where up to 350 guests can come together.
Flight Club Liverpool opens on 23 August
Italian brothers open new Gran Caffè site on Lark Lane
Donato & Paolo have been serving handcrafted delicacies in Liverpool for more than a decade
GRAN CAFFÈ, Liverpool’s authentic Italian coffee shop, has opened on Lark Lane in South Liverpool.
Renowned for its coffee, pastries, sandwiches and artisan gelato, Gran Caffè is a pasticceria – which translates to cake and pastry shop.
Owned by brothers Paolo and Donato Cillo, Gran Caffè first opened in Williamson Square in 2011. Since then, the family-run business has enjoyed significant growth, launching another coffee shop on Duke Street in 2023.
This third Gran Caffè is the first to open outside of Liverpool city centre, on the city’s bustling Lark Lane, and features a more developed menu and all-day offering.
What’s on...
Events not to be missed over the next four weeks
60 Years of A Hard Day’s Night, The Beatles Story From 11 July
Step on set and become immersed in recreations of key scenes from the movie; walk onto the platform at Marylebone Station; relive iconic clips from the film and come face-to-face with pieces of original memorabilia from 1964, including a very rare copy of the ‘A Hard Day’s Night’ album signed by all four Beatles.
13 July In the Park Presents Cream Classical Live, Sefton Park
13-14 July Southport Air Show, Southport seafront
19-21 July Formby Festival, Duke Street Park
20 July In Conversation with Michael Mansfield, Everyman
26 July Kool & The Gang, M&S Bank Arena
Liverpool Arab Arts Festival, venues across the city 12-21 July
The UK’s longest-running festival of Arab arts and culture returns with a packed schedule of artists, musicians, comedians and more – exploring Liverpool’s unique identity as a port city. Expect brand-new artistic commissions exploring the social, historical and cultural links between our city and the Arab region.
