INSIDE
Development in Focus
Panoramic 34 review
IKEA’s HÖSTAGILLE collection
Jane Clare on wine
BarrySloane Garston-born actor on chasing his dreams, conquering America, and returning home for new BBC crime drama
Liverpool’s home of true Roman pizza
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September
Hello and
welcome
to September’s YM Liverpool!
First up this month, I’m thrilled to share my chat with Garston-born, LA-based actor Barry Sloane, whose determination, talent, and passion have seen him forge a career packed with memorable roles in high-profile TV and stage productions on both sides of the Atlantic.
He reflects on some of his stand-out moments, from voicing Captain Price in the blockbuster Call of Duty video game series to a blistering turn as Yosser in Boys from the Blackstuff, before looking ahead to his part in Tony Schumacher’s highly-anticipated Liverpool-set BBC drama The Cage.
Meanwhile on the property front, we spotlight a major new Bloor Homes development near Widnes where countryside living meets modern convenience, and go inside one of the stylish waterfront townhouses now available at Romal Capital’s Aquitania.
Elsewhere, IKEA ushers in autumn with its HÖSTAGILLE collection, Annie S echoes the newseason vibe with her favourite transitional outfit picks, and Heather Marsh explores the impact of global warming and how our gardens can help tackle it.
Plus, Will Carr visits Liverpool’s highest fine-dining restaurant, while our wine columnist Jane Clare unpicks the surprising connection between Anfield, Australia, and the grenache grape.
Until next time!
Editor Lawrence Saunders editor@ymliverpool.com
Design Marten Sealby
ADVERTISING Sales 0151 316 0210 sales@ymliverpool.com
DISTRIBUTION Enquiries 0151 316 0210
When you have finished with this magazine please recycle it.
LAWRENCE SAUNDERS Editor
I was
creatingsomething; I was creating arteverything
Garston-born, LA-based actor Barry Sloane is known for bringing raw, emotionally charged characters to life across stage, screen and video games. Here, he reflects on the choices that have shaped a career which includes voicing Captain Price in the blockbuster Call of Duty franchise, a blistering turn as Yosser in Boys from the Blackstuff, and a role in Tony Schumacher’s new Liverpool-set BBC drama The Cage words lawrence saunders it was
From a young age you were involved in music and drama, and you’ve spoken before about having a ‘drive to create and perform’. Where do you think that comes from?
There was never anyone else in our family who acted. I was the first one to do it, which actually alleviated a lot of the pressure. There was no kind of benchmark for anything. There were highly creative people in my family but no one had used that to earn a living. I realise now that it was a positive manifestation – I was creating a reality for myself through thought. I didn’t know how exactly it was going to happen, but I knew I was going to succeed in some way. I was fortunate that one of my mates wanted to start a band, and I say this to my 15-year-old daughter now: ‘You make decisions at points in your life and you don’t realise how pivotal they are going to be’. It’s just a small thing – which mates you pick, and them saying ‘Do you wanna form a band’ – and you’ve no idea what to do, but you think: ‘I’ll just pick up that guitar and hit the strings like Bez from the Happy Mondays or something’. And so I was off and running. I was creating something; I was creating art – it was everything. It was the early to mid ’90s, which was such a great time to be in bands. Not only were The Beatles pivotal in showing me it was possible to be from this city and be anything [I wanted to be], but Oasis, for a working-class lad, were just as important. They just did, they stood there with a snarl and an arrogance and said: ‘We’re gonna f*****g do this’. And it really gave me an extra kick, it was like: ‘Come on, let’s have it!’.
One of the few scouse characters you have played is arguably the most famous Liverpudlian in TV history. What was it like stepping into the role of Yosser Hughes for the stage adaptation of Boys from the Blackstuff?
I’ve always loved Boys from the Blackstuff. Years ago, when I was doing Blood Brothers, I’d make any new non-scouse cast member sit and watch it. I’d say: ‘I know Blood Brothers is a bit light, but this is the city we’re talking about. I want you to understand the time period and the stakes’. I was kind of obsessed with it – definitely obsessed with Bernard Hill’s performance as Yosser. It was my dad’s favourite character of all time as well.
When the opportunity came up to play him, I was doing a revival of Jerusalem in the West End, the play that in 2009 changed my career and mine and my family’s life forever. I told my agent I had to be seen for Yosser. I got a meeting and I was ready – grew the muzzy, put some black make-up under my eyes so I looked like s**t. And I just smashed it. After I finished, Alan Bleasdale said: ‘That was absolutely terrifying’. And I replied: ‘I hope that’s what you’re looking for’ [laughs]. Honestly, I would have been happy just playing Yosser in that audition for 35 minutes – I love the character that much.
I say this to my 15-year-old daughter now: ‘You make decisions at points in your life and you don’t realise how pivotal they are going to be’.
How did you make the leap from playing in bands to landing your first acting roles?
The guy managing our band, Smiling Jackals, also ran an extras agency. He’d put us up for certain things and say: ‘This will pay for your rehearsal’. In 1999, an American production company was casting a Beatles movie in Liverpool, and they were looking for real musicians. I went down to the open audition with the guitar my mum and dad had bought me. I tried out for the role of John Lennon but didn’t get it. I did, however, land a part in the film – I played Ivan Vaughan, the man who introduced John to Paul McCartney. Getting that role was brilliant because it brought music and acting together. It all aligned perfectly for me.
Around 2001/2002, Smiling Jackals were doing really well and we’d had a few showcases with various record companies. At the same time, I was auditioning for Brookside, which I’d tried out for a couple of times before.
A couple of years earlier, the band had been nominated for ‘Best Liverpool Band’ at the Echo Arts Awards. We were all drunk, jumping around and making fools of ourselves – as young lads do. Phil Redmond had spotted me at some point during the night, so when I later went to a meeting about being part of a new family in Brookside, he said: ‘Were you the one jumping around the table and knocking things over like Liam Gallagher?’ And I was like: ‘Yeah, that was me!’ Fortunately, the meeting went well from there and I got offered a role. I had to make a choice then – I couldn’t do Brookside and the band. I chose Brookside, and that became my YTS, my college, my university. One of the best things about that show was how it gave young Liverpool talent a platform to succeed. Those opportunities haven’t really been there since, but they are coming back now, thank God, with things like The Responder, This City Is Ours, and the new one I’ve just finished, The Cage.
It was interesting starting out, because after the success of Brookside and other Liverpool shows, casting breakdowns often said: ‘No scouse accents’. Which was crazy. So I realised quite early on that I had to learn other accents, and I’ve spent much of my career not actually playing scousers.
But fortunately, I got the part, and it’s truly one of the great honours of my career. Performing at the Royal Court was incredibly special. We had grown men, who maybe aren’t used to feeling stuff, shouting out: ‘Don’t you break, Yosser! Don’t you f*****g break!’ It was heartbreaking, because there’s a massive part of the character that the audience identifies with. Taking the show down to London as well, playing it at the National Theatre, showing the fight we scousers have – that was unbelievable. I loved it.
Yosser is such an intense and complex character – was it difficult to switch off after the job ended?
Yes, I was ready for the break, to be honest. I’d already told them I wouldn’t be doing the tour. I really had exhausted myself. I’d read interviews with Bernard before, where he spoke about how he lost himself a little bit playing the role and how it really affected him. Yosser’s energy is very tough to hold, night after night, for a long time. My body broke after I’d finished – I was in agony because of the tension I’d been holding, and I actually lost some hearing. It’s quite profound what can happen with that kind of energy, because you’re calling on it every night and your body doesn’t always understand that it isn’t real. The brain can know it’s not real, but if you keep putting in trauma, the body releases the same chemicals into your system as it would if these things were really happening. So, night after night you’re getting this rush of toxins, and if you don’t clear them properly, it hits you.
It was a tough role, but I wouldn’t change a thing. A true highlight of my career.
Apologies if you’ve been asked this a million times before, but how did you come to voice the central figure in Call of Duty, one of the biggest video game franchises in history?
I did a show in the States called Six, which was about US Navy SEALs. We trained extensively with a group of SEALs over a number of years. That included a full-on SEAL ‘Hell Week’, house clearances, camping, hiking, swimming, parachuting – the whole shebang! I became quite good friends with the lads because we spent so much time together.
When Call of Duty: Modern Warfare came around, one of the SEALs was working as a technical advisor on the game for the developer Infinity Ward. A meeting came about, and they knew I was trained enough not to come in and play some hardman soldier – I could just relax and be the character. A lot of the work in the cut
The Sandman was similar in terms of scale to House of the Dragon. I’ve been doing American TV for over a decade, so I’m used to that side of things.
scenes isn’t about running around with a gun, it’s about how you hold it, how comfortable you are in that environment.
I went in for the audition and did really well – obviously, because I got the job [laughs]. I didn’t know at the time that it was Captain Price I was auditioning for, because they keep these things so hushhush. But midway through, the narrative director, Taylor Kurosaki, wrote on a piece of paper: It’s Captain Price, because they wanted me to nail it. I’d played the previous games, so I knew straight away it was a major role.
I had to say, ‘Under my command, Captain John Price’, and I made him scouse – because I wanted him to be scouse [laughs]. I really pushed for it, but there was a bit of pushback from the Americans who struggled to understand the accent [laughs]. So, I’ve been doing Captain Price since 2018, and it’s been amazing.
What can you tell us about the new BBC drama set in Liverpool called The Cage, and your character, Gary?
It’s the new show from Tony Schumacher, who of course created The Responder. It’s set in a Liverpool city centre casino and stars Sheridan Smith and Michael Socha. Their characters, Leanne and Matty, both work in the casino and are secretly stealing money from the cage –that’s the area where all the financial transactions happen. They are doing it separately until they realise what the other one is up to, and they are kind of caught.
My character, Gary, and his mother, Nancy – played by Geraldine James – own the casino. I’m not exactly legal [laughs]. I’m basically the threat Leanne and Matty don’t want in their lives.
It’s such an amazing show, and Gary is one of the best characters I’ve ever played. I honestly can’t wait for people to see it. Doing my own accent was a massive thing too – it gave me so much freedom to improvise and I just instinctively knew how to play this lad.
This City Is Ours has gone down really well, so I know people are enjoying that type of character. I actually waited until after filming to watch it, because I didn’t want to be influenced by what James [Nelson-Joyce] had done. I’m glad I did, because we’ve both done very different things with our characters [laughs].
You’ve also joined House of the Dragon (the Game of Thrones spin-off) for the third series. What’s it been like stepping into such a massive and popular show? It’s been brilliant. The Sandman, which is out now on Netflix, was
similar in terms of scale. I’ve been doing American TV for over a decade, so I’m used to that side of things. But I’m a fan of Game of Thrones, so being part of that world was great – especially putting all the gear on. I spent a lot of time walking around the castle, which was amazing because the sets are incredible. The costume’s a bit uncomfortable, but it looks f*****g cool, so I’m happy to wear it [laughs]. I’m just excited to be part of it – and for everything else that’s coming up. It’s epic.
If that wasn’t enough, you’ve also got your band back together. How did that come about, and why did you decide now was the right time to reform Smiling Jackals?
It’s been a long time. Me, Nick (Kilroe) and Rob (Nico) have kept in touch regularly over the years since we split. Nick played with a Liverpool band called The Black Velvets, did really well, then went on to be Echo & the Bunnymen’s drummer for nearly 10 years, and also played a bit with the Icicle Works. We actually talked about reforming back in 2015, but I was working a lot in the States then, so getting together in the same place was nearly impossible. The reason it’s worked out now is because of my filming schedule. I’ve been in England for a good chunk of time, so we’ve finally been able to get into the studio and actually record.
So that passion for music and that want to make music has never left you over the years?
It’s just a piece of art. The big difference between doing it now and the first time around is that there’s no pressure. We’re not trying to get to number one – we’re in our 40s, it’s a different vibe. Now it’s just fun: making art with your mates. And, fortunately, because of the reach we’ve got, these new songs have already had hundreds of thousands of listens.
If you’d told the 19-year-old me that would happen, he’d have been over the moon – he’d probably have retired! Mind you, back in ’99 we’d have been selling CDs, so I might have made a nice little killing there. Streaming’s different though [laughs]. But we’re not in it for the money.
We’ve already put out two releases – ‘Health Junkie’ and ‘Monster’ – and there’s another single coming in October.
Barry stars in season two of The Sandman, now streaming on Netflix. The Cage will be available to watch on BBC One and iPlayer in late 2025 or early 2026
Fatal Accident Claims –Consult the legal experts
Losing a loved one in a fatal accident is one of the most devastating experiences any family can face. Alongside the emotional toll, there are often significant financial and legal challenges. At Paul Crowley & Co Solicitors, our specialist team provides expert guidance, combining professionalism with compassion, to help families navigate the complex process of fatal accident claims
Fatal accident claims are brought under two key laws: the Law Reform (Miscellaneous Provisions) Act 1934 and the Fatal Accidents Act 1976. Together, they allow families to claim compensation for the deceased’s pain and suffering, funeral expenses, loss of financial dependency, and loss of services. These cases can be complex, requiring both sensitivity and legal expertise.
Who can bring a claim?
The Fatal Accidents Act allows a wide range of dependents to bring a claim, including spouses, civil partners, former spouses, parents, children (including unborn children), siblings, and extended family members. Cohabitees who lived with the deceased for at least two years before death can also claim dependency, although such claims may face additional challenges. Foster children and children of cohabitees who were not married to the deceased may face difficulties in proving dependency, which highlights the importance of specialist legal advice.
What can be claimed under the 1934 Act?
• Pain and suffering – compensation for the deceased’s suffering between the accident and their passing.
• Funeral expenses – covering the memorial service, and headstone. Families often ask whether expenses can be recovered; the answer is yes.
• Past losses – such as care costs, loss of earnings, and other damages similar to personal injury claims.
What can be claimed under the 1976 Act?
• Loss of dependency – compensation for financial and service dependency, such as loss of earnings or childcare. This is usually calculated as 66% of household income for couples, rising to 75% if there are dependent children.
• Who can claim bereavement damages?
– Bereavement damages are a fixed statutory award of £15,120, available to spouses, civil partners, and parents of unmarried minor children. Sadly, the law excludes children who lose a parent and unmarried cohabitees, despite repeated calls for reform.
• Can funeral expenses be claimed under this Act? – Yes, but only if they have not already been claimed under the 1934 Act.
What else should families consider?
• Bereavement damages remain limited to specific categories, leaving many families excluded despite their loss.
• Loss of dependency reflects the financial support dependents relied upon and is carefully calculated by the courts.
• Loss of services may also be awarded for the deceased’s contributions at home, such as childcare, household tasks, or caring for disabled relatives.
Courts often use the commercial cost of replacing these services to set compensation.
• Life expectancy can affect claims, as they are limited by the likely lifespan of both the deceased and the dependents. In some cases, medical evidence is required.
How long do I have to bring a claim?
In most cases, dependents have three years from the date of death, provided the deceased was still within the time limit for bringing a claim at the time of their passing.
Why choose Paul Crowley & Co Solicitors?
At Paul Crowley & Co, we understand that no compensation can ever replace the loss of a loved one. What we can do is stand beside you with care, compassion, and expertise, guiding you through the legal process.
Paul Crowley & Co are experienced in fatal accident claims and have recently secured a complex settlement for a six-figure sum, demonstrating our ability to achieve meaningful results for families in challenging circumstances. Every family’s situation is unique, and our solicitors take the time to listen, understand your needs, and fight for the support and justice you deserve.
Daniel Griffiths Director, Paul Crowley & Co
| Modern European | £££ | West Tower, Brook Street, L3 9PJ Panaromic
By Will Carr
Tell someone you’ve dined at the city’s highest restaurant and the first question is always the same: ‘How was the view?’ I found myself pondering this as my partner and I travelled up 34 floors to Panoramic. Would the food prove memorable, or would the city’s most impressive view steal the spotlight?
Panoramic’s Art Deco style exudes a timeless charm, and the serving staff vary from bubbly to seemingly plucked straight from an Edwardian stately home. If you’re unprepared for the slightly formal, Jeevesesque service, it’s hard not to feel out of place. As I resembled a lumberjack who’d broken in to pinch the silverware, I couldn’t help feeling remarkably incongruous when the complimentary champagne arrived.
On the Prix Fixe menu, you can choose two courses for £75 or three for £90 –we opted for the latter. The meal begins intriguingly with five different types of bread. The Sun-dried Tomato Croissant Brioche was delicious, as was the Rosemary Focaccia, though both cast a fluffy shadow over the
The Salt-Aged Beef Wellington was the undisputed star: perfectly cooked, generously sized, and devastatingly delicious.
rather uninspired Five Cereal Loaf.
Once the tablecloths were perfectly pressed, we were presented with a trio of delicate appetisers: a Mushroom Tartlet, a Red Leicester Arancini Truffle, and a Fried Sea Bass Bun. Despite their size, each delivered an impressively-complex taste, with the truffle proving especially memorable.
Next came the Cappelletti and Salt-Aged Beef Carpaccio. The Cappelletti were superb – bathing in a delicious broth, they made for a glorious start to the meal. The Carpaccio, however, was less impressive. Though the medley of thinly sliced raw beef was delightfully flavourful, its texture didn’t quite agree with me.
For my main, I chose the French-trimmed Welsh Rib Cutlet which, while sublime in flavour and beautifully paired with a jalapeño sauce, left me – like many meat-on-the-bone dishes – wishing for just a little more meat. Meanwhile, my partner’s Salt-Aged Beef Wellington was the undisputed star: perfectly cooked, generously sized, and devastatingly delicious, it was the crowning glory of the meal.
Onto dessert, I chose the Pistachio Tiramisu – a new twist on the classic. The almost luminous green cream made for a fun experiment and, while not an outright improvement on tradition, it was certainly enjoyable in its own right. My partner sat gleefully enjoying her Lemon Meringue, and when I managed to steal a spoonful, I understood why. So light and heavenly, I can imagine it’s what God serves his angels at Christmas.
All told, is an evening meal at Panoramic 34 worth the £200 plus you’ll be shelling out? The answer is… probably, at least once. If you’ve money to spare and want to enjoy masterfully crafted cuisine while looking down at the world from your tower like Saruman from Lord Of The Rings, Panoramic delivers in style. For me, it may not be a regular haunt, but as a one-off experience, it’s hard to beat. And that view will stay with you long after dessert.
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One foot in THE GRAPES
Jane Clare unpicks the surprising link between Anfield, Australia, and the grenache grape
I’ve just come back from driving into town and the roads were mental. There’s a footie match down at Anfield and I should have timed my trip much better; but needs must, as I had to drop off 40-plus bottles of wine for a three-day wine course. But at least my agitated car journey gave me a theme for this month’s column – Australia and International Grenache Day. You might wonder how Anfield, Australia and grenache are all connected; well in my world they are. Now, being a Burnley fan, I’ve not stepped inside Anfield that often, and on the occasions that I have, deep sighs are mainly involved. Except for the one time my visit was wine-related, and that time brought only happy sighs.
Going back a few years now, I was invited to a wine tasting at the stadium showcasing Claymore Wines from Australia. The founder of the winery (in the Clare Valley, about 100km north of Adelaide) had spent many years in Liverpool and his love of the football club has since shown itself in football-inspired wine names (and music themes too). If you’re a LFC fan, then you may well be aware of the wine You’ll Never Walk Alone GSM – and there are others too.
So, we’ve nailed the Anfield bit, and kind of the Australia bit –but what about grenache in my randomly joined-up thinking of a theme? Let’s head back to the name of that wine and the three letters, GSM. If you see them on an Australian wine, it means the wine is a blend of grenache, syrah (the same as shiraz) and
Flashback:
Carissa Major, general manager at Claymore Wines at Anfield
mourvèdre (sometimes known as mataro). It’s what is known as a Rhône-style blend. In the southern Rhône those grapes are often blended together, each bringing their own characteristics. For grenache, that means red fruits and peppery spice (and body and alcohol, more on that in a moment). Ah, the rub – when a grenache grape ripens it creates lots of sugar, which, once fermented, ultimately equates to lots of alcohol. Grenache loves the sun, it loves the south of France, it loves Spain (where it began life as garnacha), and so obviously, it loves Australia. At a wine event, Master of Wine Tim Atkin told me that if a grenache was a tourist, it would be putting its towel on the sunbeds at 6.30am.
How did this grape – originally from Spain and a mainstay of wines in the south of France – end up in Australia, playing its part in wines that pay tribute to a football club on Merseyside? We know Australia as one of the New World countries, but did you know it also has some of the world’s oldest, oldest vines? The oldest surviving grenache, syrah and mourvèdre vines, some now up to 180 years old, aren’t in Europe, they’re in Australia. It’s a pretty mind-blowing fact – and a long story to explain why, one for another time, I think. So, anyone wanting to mark International Grenache Day has to bring Australia into the celebratory fold – and here I did, also pulling Anfield, Australia, and Grenache together into one theme. That’s what thinking does when you’re stuck in football traffic.
International Grenache Day, Friday 19 September
Grenache is found in some of the world’s best-known wines, such as Rioja and Navarra, those awesome wines from Australia, and in France, wines such as Châteauneuf-du Pape AOC and those southern Rhône blends. In a wine shop or a restaurant, you’ll never be far from a grenache wine – just ask. In this example, Grenache leads the way in the blend: Domaine de Fondrèche Le Mas, Nouveauté (£17, from R&H Fine Wines, Queen Avenue, L2 4TZ). It is from the Ventoux appellation, not far from Châteauneuf-du-Pape.
Or go for a lovely Spanish rosado, such as Senorio de Librares Rioja Rosado (£17.50, from Laura’s Deli & Wine, Dovedale Road, L18 5EP). It’s a 50% blend of garnacha and tempranillo.
Grenache in a glass
Stylish townhouse at city’s newest waterfront development
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Large floor-to-ceiling windows bring in natural light and frame stunning views across the River Mersey to the Wirral peninsula. The open-plan living area includes a high-specification kitchen with integrated appliances, creating a practical and sociable space ideal for entertaining.
Both bedrooms are well proportioned, with contemporary bathrooms finished with full tiling and modern fittings.
Additional features include one allocated parking space with EV charging, secure building access and parcel delivery lockers. Landscaped communal gardens and private outdoor areas provide extra space beyond the home itself.
Named after the Cunard liner that embarked on its maiden voyage from Liverpool to New York in 1914, Aquitania is the first of three buildings completed by Romal Capital at West Waterloo Place – a landmark residential neighbourhood on Liverpool’s iconic waterfront. Situated on a distinctive island site between the Leeds-Liverpool Canal and the River Mersey, the development is just minutes from the city centre, the Royal Albert Dock and Liverpool ONE.
For more information or to view a townhouse at Aquitania, call 0151 203 5000 or email liverpool@ aspireresidential.co.uk
YOUR GUIDE TO Expert Advice from Amanda Azzopardi SCULPTRA
When we think about anti-ageing treatments, most people imagine quick fixes – fillers that plump lines instantly or boosters that deliver a burst of hydration. But what if you could go deeper, supporting your skin’s health at a cellular level and encouraging it to renew itself?
What exactly is Sculptra, and how does it differ from a traditional filler or skin booster?
Sculptra is an advanced injectable treatment designed to gradually restore facial volume and improve skin quality by stimulating your body’s own collagen production. Unlike traditional dermal fillers, which provide an instant plumping effect, or skin boosters, which mainly hydrate the skin, Sculptra works more subtly and naturally over time, helping the
skin rebuild its own supportive structure. Think of it less as a “quick fix” and more as an investment in long-term skin health.
Can you explain the science behind Sculptra and how it stimulates collagen production?
The active ingredient in Sculptra is polyL-lactic acid (PLLA), a biocompatible substance that has been safely used in medicine for decades. When injected into the skin, PLLA particles act as a gentle
stimulator, encouraging fibroblasts (the skin’s repair cells) to produce fresh collagen. This collagen rebuilds the skin’s inner framework, giving it strength, resilience, and volume over time.
How does increased collagen production help improve skin quality? Collagen is the most abundant protein in our skin, responsible for its firmness, elasticity, and youthful appearance. Unfortunately, we start to lose collagen
“Unlike traditional dermal fillers, which provide an instant plumping effect, Sculptra works more subtly and naturally.”
in our mid-20s – around 1% per year –leading to fine lines, sagging, and thinning skin. By stimulating collagen production, Sculptra restores that lost foundation, improving skin thickness, texture, and radiance in a way that looks and feels completely natural.
What areas of the face can be treated with Sculptra?
Sculptra is highly versatile and can treat areas prone to volume loss, such as the cheeks, temples, jawline, and lower face. It is particularly effective for restoring a balanced profile, softening deep folds, and giving the overall face a healthier, more refreshed appearance.
For clients having Sculptra for the first time, how many sessions do you generally suggest?
Most clients benefit from a course of twothree treatments spaced around six-eight weeks apart. This allows the collagen stimulation process to build gradually for a more natural outcome. The exact number of sessions depends on age, skin quality,
usually subsides within a few days. Most people feel comfortable returning to their daily activities immediately afterwards.
What aftercare advice do you provide to clients following a Sculptra treatment?
We recommend a simple “rule of fives”: massage the treated areas for five minutes, five times a day, for five days. This helps evenly distribute the product and supports the collagen stimulation process. Staying
“Think of Sculptra as an investment in your skin’s long-term health rather than a quick cosmetic fix. It doesn’t just mask the signs of ageing; it helps rebuild the skin’s inner framework so you look naturally refreshed and healthier over time.”
and individual goals, which we discuss during consultation.
Is there any downtime or recovery period associated with Sculptra treatments?
Downtime is minimal. Some clients experience slight redness, swelling, or bruising at injection points, but this
hydrated, maintaining a healthy lifestyle, and protecting your skin from the sun also enhance and prolong results.
How long do the results of Sculptra typically last, and are maintenance treatments necessary?
One of the biggest advantages of Sculptra is its longevity. Results typically last
If you’re ready to explore how Sculptra can rejuvenate your skin and restore your natural glow, book a consultation at Amanda Azzopardi Aesthetics. Together, we’ll create a bespoke plan tailored to your goals, so you can feel confident and radiant at every stage of life.
around two years, sometimes longer, depending on individual lifestyle and skin ageing. Maintenance treatments can help extend the benefits, but many clients find the results long-lasting and very costeffective compared to other injectables.
Can you share a success story or transformation that stands out to you?
One of my clients in her late 40s came to me feeling her face had become ‘tired and sunken’. After a course of Sculptra, her skin looked firmer, her cheeks regained natural volume, and her overall complexion glowed with vitality. She told me not only did she look fresher, but she felt more confident and vibrant in every area of her life – which is exactly what treatments like Sculptra are about.
Finally, why should someone consider Sculptra as part of their wider skincare journey?
Healthy ageing is not about chasing youth but about supporting your skin in the most
natural way possible. Sculptra strengthens your skin from within, complementing treatments like skin boosters, laser, and medical-grade skincare. It’s not just about looking younger; it’s about feeling stronger, healthier, and more confident in your own skin.
knocking
...let it in!
With plenty of designs and decorations in vibrant and earthy colours, IKEA’s new HÖSTAGILLE collection can easily transform your home into the ultimate seasonal retreat
Easy ways to autumnise your home
Making your space warm and cosy is a breeze with the new HÖSTAGILLE collection. Autumn-themed decorations, tableware, and candles will make your home so inviting that you might even consider having people over.
Harvest the moment
While the season works its magic outside, get inspired to sprinkle some autumn vibes indoors. With scented candles, earthy-hued bowls and vases, and charming tableware, you can finally welcome autumn in – and make it feel right at home.
Big Changes Are Coming: How to Protect Your Family Wealth from Inheritance Tax
From 2027, a major change to Inheritance Tax (IHT) could affect millions of UK families
For the first time, pensions may be counted as part of your estate. As a result, your loved ones could face a much larger tax bill. If you want to protect your family wealth from Inheritance Tax, now is the right time to act.
What’s Changing in
2027?
Currently, most defined-contribution pensions are outside your taxable estate. If you die before 75, they can be inherited tax-free. After the age of 75, only income tax applies.
However, the government plans to remove this protection. Pensions will no longer be IHT-free
Therefore, if your total estate, including your pension, exceeds the £325,000
threshold, your beneficiaries could pay 40% tax on the excess.
Why
This Could Cost Your Family Thousands
Consider this example:
• Home value: £400,000
• Pension value: £300,000
• Total estate: £700,000
Even with the residence nil-rate band of £175,000, your family could face a large Inheritance Tax bill. As a result, tens of thousands could go to HMRC instead of your loved ones.
Fortunately, you can take steps to protect your family’s inheritance before the rules change.
Wayne Slater Principal Adviser, Spectrum Independent Financial Services
5
Ways to Protect
Your Family Wealth from Inheritance Tax
1. Review and update pension beneficiaries
Keep your nomination forms up to date. This ensures your pension is paid to the right people in a tax-efficient manner.
2. Consider accessing your pension earlier
Using your pension under the current rules can reduce the taxable value of your estate in the future.
3. Use annual gifting allowances
You can give away £3,000 each year. Additionally, other exemptions may also help reduce IHT.
4. Set up life insurance to cover future IHT
A whole-of-life policy in trust can provide funds for your heirs to pay the tax bill.
5. Seek professional financial advice
An Independent Financial Adviser can create a personalised plan to protect your wealth.
The Bottom Line
The 2027 Inheritance Tax changes could significantly affect the wealth you pass on.
However, by acting now, you can protect your family wealth from Inheritance Tax. This will help reduce the potential bill and ensure more of your assets go to your loved ones instead of the Treasury.
Need tailored advice?
We are Independent Financial Advisers based in Liverpool, specialising in taxefficient wealth planning.
Contact us today to start protecting your family’s wealth from Inheritance Tax before the rules change.
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Liverpool Literary Festival returns for 10th year with Mark Kermode headlining
Renowned writer and film critic will appear as part of a packed schedule at Victoria Gallery & Museum
THE UNIVERSITY OF LIVERPOOL’S
Liverpool Literary Festival is back to celebrate a major milestone – its 10th anniversary.
Taking place from Friday 17 to Sunday 19 October 2025, the festival brings together bestselling authors, sharp minds, and passionate readers for a weekend of “inspiring conversation, readings, and a shared love of literature”.
Headlining the 2025 programme is Mark Kermode –renowned writer, film critic, and musician – who will appear in conversation with collaborator Jenny Nelson. The pair will discuss their forthcoming book, Surround Sound: The Stories of Movie Music
Other highlights include:
• Emma Jane Unsworth – BAFTAnominated screenwriter, bestselling novelist, and University of Liverpool alumna – opening the Festival weekend
• Juno Dawson in conversation with Dr Matthew Bradley about Human Rites,
the long-awaited final instalment of her number-one bestselling fantasy series Her Majesty’s Royal Coven
• Liverpool-born author, poet and filmmaker Malik Al Nasir on his new book Searching for My Slave Roots: From Guyana’s Sugar Plantations to Cambridge
• Chris Shepherd – Liverpool-based artist, writer and filmmaker – discussing his debut
A slice of creativity on Penny Lane
Striking new artwork adorns the side of recently launched Croccante Pizza Romana restaurant
A CREATIVE COLLABORATION between a new pizzeria and a local art initiative has brought a bold new mural to one of the most famous streets in music.
In March, Ian van de Waal, an artist based in Wavertree, unveiled plans for a new art trail along Penny Lane. He laid out his vision to install four lifesize Beatles plaques, linked by vibrant murals, to celebrate the area’s musical heritage, bring fresh colour and creativity to the street, and encourage visitors to linger longer – boosting local businesses in the process.
While putting up posters for the project, Ian met Vince Margiotta, who recently opened Croccante Pizza Romana on Church Road with partners Cristiano Mente and Vito Rosa. Originally from Basilicata in southern Italy, Cristiano and Vito bring decades of pizza and hospitality experience to the venture.
Vince, who also runs Cucina di Vincenzo and sister restaurant ViVi with his children, explained that he’d been looking for artwork to brighten up the gable end wall of the new eatery, which serves traditional Roman pizza ‘tonda’, known for its thin base and crispy bite.
Ian recalls: “I told him about the art trail project and it just seemed like a perfect fit. We needed to create something bright, bold and iconic.”
The idea took shape: a Sgt. Pepper–style arm holding a giant pizza slice, surrounded by colourful flowers to tie in with the wider trail.
As this was his first large-scale piece, Ian teamed up with MurWalls, a street art brand known for collaborations with Taylor Swift, Ed Sheeran and Liverpool Football Club.
Ian adds: “The response has been fantastic. People were stopping us as we painted, saying how great it was to see art and colour returning to the area. Hopefully this is just the beginning.”
Curated by the University’s Department of English, the festival has previously welcomed a host of literary greats, including former Chancellor, Colm Tóibín (Brooklyn), Ali Smith, Frank Cottrell-Boyce, Lemn Sissay, Philip Pullman, Sally Rooney, Alan Hollinghurst, and alumna Professor Dame Carol Ann Duffy.
graphic novel Anfield Road, a coming-of-age story set in 1980s Liverpool
Mark Kermode
Malik Al Nasir
Juno Dawson
ASPEN BROOK IS BLOOR HOMES’ brand new collection of three and four-bedroom homes located in the popular commuter town of Widnes* – just 15 minutes by car from Warrington, 30 minutes from Liverpool and 40 minutes from Manchester.
Overlooking beautiful Cheshire countryside, including the extensive Sunnybank Woodland Park close by, the development is a six-minute drive from Widnes train station, while its proximity to five schools within 1.5 miles makes it perfect for young or growing families to put down roots.
As a family-owned housebuilder with a Five Star rating, Bloor has a strong reputation for building quality homes and well-designed communities, reflected in its Trustpilot Excellent status.
Aspen Brook offers 17 different house styles, giving buyers options suited to a range of lifestyles – from professional couples working from home to growing families or those looking to downsize to a lowmaintenance, energy-efficient property.
Each new home features lovely, light-filled living rooms and open plan kitchen/dining areas – including French doors onto the garden – and master bedrooms with en suites alongside spacious family bathrooms.
Alongside these design features, the properties are built with energy-efficient materials and designed for modern living, featuring solar panels and EV chargers to reduce energy costs and lower the carbon footprint.
Overseen by an award-winning site manager, the development offers nine three-bedroom home styles, starting at £299,995 for the Byron, and eight fourbedroom styles, with the Hallam starting at £394,995.
For more information about Aspen Brook visit www.bloorhomes.com
LIVERPOOL LITERARY FESTIVAL
17-19 OCTOBER 2025
Bringing together some of the finest authors, poets and creative thinkers in one of the most vibrant cities in the world.
To see our full line up and book tickets, visit: liverpool.ac.uk/literary-festival or scan the QR code
MARK KERMODE
CHRIS SHEPHERD
SIMON HUG
EMMA JANE UNSWOR
JUNO DAWSON
DOROTHY KOOMSON
Redwing returns as YM Liverpool Property & Business Awards sponsor
The property agency, part of the Regenda Group, has once again pledged its support for the prestigious industry event
REDWING WILL CONTINUE ITS SPONSORSHIP of the ‘Emerging Property Developer of the Year’ category at November’s YM Liverpool Property & Business Awards.
Part of The Regenda Group, Redwing began life in 1963 as ‘Maritime’ and was heavily involved with the revitalisation of Liverpool city centre. The company led on the redevelopment of Dukes Terraces, the last back-to-back mercantile housing in Liverpool, as well as prominent schemes such as The Foundry and Arts Village.
Maritime became ‘Redwing’ in 2015 and now manages more than 2,000 properties across the Liverpool City Region, with a particular focus on bringing to market and managing new build-to-rent developments and helping first-time buyers through affordable products such as Shared Ownership and Rent to Buy.
Alex Andani (pictured), executive director of property at Redwing & The Regenda Group, says: “We’re proud to be sponsoring the ‘Emerging Property Developer of the Year’ category for the second year running at the YM Liverpool Property & Business Awards 2025.
“At Redwing, we’ve had the pleasure of working alongside some brilliant emerging developers across Liverpool – it’s always exciting to
be part of their journey as they bring fresh ideas and energy to the city’s housing landscape.
“The YM Liverpool awards are a fantastic celebration of the people, projects and passion that make our property scene so vibrant. We can’t wait for another amazing evening and wish all the nominees the very best of luck – see you there!”
The prestigious YM Liverpool Property & Business Awards 2025 will be held on 27 November at the Crowne Plaza Hotel.
Accolades will be handed out across a diverse range of categories including ‘Property Developer of the Year’, ‘Best Affordable Housing Scheme’, ‘Build to Rent (BTR) Development of the Year’, ‘Business Leader of the Year’ and ‘LCR Business of the Year’.
For details about tables and sponsorship opportunities, email awards@ymliverpool.com or call 0151 316 0210
PC&Co hosts legal drop-in with Everton in the
Community
New exhibition celebrates city’s brightest ideas
‘Lightbulb
moments’ features 150 objects – from archaeological finds to puzzles and literature
THE UNIVERSITY OF LIVERPOOL’S Victoria Gallery & Museum (VG&M) has been lit up by the opening of ‘Lightbulb moments’, a free exhibition exploring the origins of some of Liverpool’s greatest ideas.
Running through to autumn 2027, the exhibition is being held in the Tate Hall Museum – located within the VG&M – as it reopens after five years closure due to roof restoration and the pandemic.
Great ideas can occur in many places – on a walk, in the shower, or even in bed – and many of them come from Liverpool. ‘Lightbulb moments’ explores the origins of some of the city’s most remarkable discoveries, innovations, and insights, and invites visitors to reflect on what makes ideas possible in the first place.
Drawing from the rich collections of the University of Liverpool and The National Archives, the exhibition displays 150 objects – from archaeological finds and scientific tools to puzzles and literature.
Highlights include teaching materials for Esperanto, the universal language invented by L. Zamenhof in 1887 to promote international peace and a pair of wooden globes – terrestrial (1833) and celestial (1799) – that chart explorers’ routes and mythic constellations while prompting reflection on Britain’s role in global history.
Researchers from across the university also play a role in the exhibition, sharing their own moments of discovery. From history and music to archaeology and chemistry, every faculty brings its own lightbulb moment to the story.
Informal session included advice on a range of important topics
PAUL CROWLEY & CO SOLICITORS was recently invited by Everton in the Community (EitC) to take part in a legal drop-in session for local residents.
The session, delivered by PC&Co’s Julie Jones and Alison Priestley (pictured), provided an opportunity for members of the community to access free legal guidance in a welcoming and approachable setting.
From answering questions about property matters to explaining legal processes and pointing people in the right direction, Julie and Alison were on hand to listen, advise, and connect residents directly with the legal team.
To add a little extra excitement, PC&Co held a prize draw for attendees, with one lucky winner taking home a celebratory bottle of fizz.
Julie says: “Partnering with EitC enables the firm to give back by sharing legal knowledge and connecting with residents across Liverpool.
“Giving back means supporting our community, and we look forward to continuing our involvement with EitC in future sessions as part of this fantastic initiative.”
Liverpool Irish Festival unveils packed 2025 programme
Thousands are expected to visit the city for the largest event of its kind in the UK
LIVERPOOL IRISH FESTIVAL, the UK’s largest Irish arts and culture-led celebration, has announced its 2025 programme, with more than 30 events taking place across the city. Now in its 22nd year, the festival is expected to attract 8,000-10,000 visitors between 16-26 October.
This year’s theme, ‘Arrivals’, explores migration, settlement and belonging, while marking the 180th anniversary of An Gorta Mór (the Great Hunger). The festival opens with the world premiere of a new documentary and companion book Reveal, sharing three years of research into the Liverpool Irish Famine Trail, including The Walk of the Bronze Shoes pilgrimage from Ireland to Liverpool. Programme highlights include the launch of the Festival’s first Literary Salon, featuring acclaimed novelist Eimear McBride in conversation with critic David Collard, and the Liverpool Irish Famine Trail vigil
and memorial, where the Liverpool Irish Centre Choir will perform the commissioned song The Ullaloo Theatre fans can enjoy Gráinne Hunt’s Queer Arrivals at the Unity Theatre, David Gilna’s Did I Ever Tell Ya at Liverpool’s Royal Court, and a double bill from Green Curtain Theatre. Music ranges from folk innovators Dallahan at Liverpool Philharmonic Music
Room to traditional seisiúns at Peter Kavanagh’s pub. Families can look forward to a lively Family Day at the Museum of Liverpool and a spooky Samhain Céilí. Emma Smith, Liverpool Irish Festival artistic director, says: “This year marks some of the deepest work we have done yet. ‘Arrivals’ connects past and present – from famine refugees to contemporary stories of identity and home.”
Harvest Moon
As summer draws to a close, Heather Marsh takes a closer look at the effects of global warming and the role our gardens can play in tackling it
I ALWAYS FIND SEPTEMBER carries a touch of melancholy. Autumn is, as Keats so beautifully described, the ‘season of mists and mellow fruitfulness’. And with the long, hot summer now beginning to fade, I’m not quite ready to say goodbye to it just yet.
It was another dry Glastonbury Festival this year – six in a row now without significant rainfall, and of course without the ubiquitous mud. Watching the legend that is Neil Young perform ‘Harvest Moon’ was the magical highlight of my summer, though it now reminds me that by the end of this month the autumn equinox will be upon us.
A time when day and night hang in perfect balance, and when summer, like it or not, finally draws to an end.
But before then, many of us are paying the price for all that glorious sunshine. My garden is looking decidedly sorry for itself –stressed, scorched, and spent. Findings from the Royal Horticultural Society’s Extreme Heat Survey this July revealed that most
The autumn equinox is upon us. A time when day and night hang in perfect balance.
gardeners struggled to cope with the searing temperatures, with similar groups of plants suffering the most.
Lawns turned brown and stopped growing altogether, though established ones should bounce back with the autumn rains. Herbaceous plants such as anemones, phlox, and astilbes suffered badly – their foliage browned, growth was stunted, and few reached their full flowering potential. Waterlovers like hydrangeas, acers, and ferns came off worst, for obvious reasons.
In my own garden, my beautiful magnolia suffered leaf loss and dieback, along with
rhododendrons and camellias. Even in the shadier corners, these plants struggled, and a few were lost for good. The full impact of this drought won’t be clear until next spring. Camellias, for example, rely on this year’s rainfall to form buds for next year’s blooms – I can’t help but wonder how they’ll fare.
With little to no significant rainfall since March, it’s no wonder that 2025 has become the hottest and driest summer on record. As the children head back to school, perhaps it’s time for us to pay attention too. Climate change and the impact of global warming
‘Mums’ chrysanthemums
are no longer abstract concepts – they are trends we can no longer afford to ignore. The ‘seesaw’ of weather extremes is intensifying. It’s not just about heat: the winters of 2023/24 were the wettest on record in the UK, illustrating just how dramatic these swings can be.
What to do
We can all play our part in tackling climate change by taking small, positive steps. Making our gardens more resilient doesn’t have to be daunting. As gardeners, learning never stops –and most of it comes through experience.
• Planting wisely: Right plant, right place is key. Timing matters too. For instance, planting a new cherry laurel hedge in spring meant constant watering this year, with the plants struggling to establish. In hindsight, autumn would have been far better: the soil is still warm and wetter, giving plants a much stronger start.
• Avoid pruning stressed shrubs: Some newly planted Portuguese laurel lost a lot of foliage as other woody shrubs like Hydrangeas did too and are in a very sorry state. Most plants however still have live buds and will bounce back with the autumn rain. Pruning now would only add stress and risk sending them into shock so do resist the urge to prune until next spring.
• Choose drought-tolerant plants: Mediterranean plants are a smart choice, particularly for hot, sunny spots. Olive trees, lavender, rosemary, mimosa, and yucca all thrived this summer, while ornamental grasses such as pampas and miscanthus also basked in the heat.
• Roses: Surprisingly, all of my roses weathered the drought remarkably well. With generous mulching, regular deadheading, and a little attention, they have rewarded me with a late flush of blooms.
Invest in a water butt
Optimising water use is essential. With hosepipe bans becoming more common, a water butt is a must. Fitted to a downpipe, it collects rainwater from the gutters – and did you know that an average-sized roof can fill over 400 water butts in a year? Plants prefer rainwater too, as it’s naturally acidic and nourishing, helping camellias and other acidloving plants thrive.
Grey water from baths or sinks can also be used in the garden, but it should be applied immediately rather than stored. I’ve found this an excellent way to water pots on the patio – keeping a watering can by the kitchen step allows me to fill it straight from my washing-up bowl.
Sprucing up the garden
A little tidy-up now can rejuvenate the garden and help eke out a bit more from it before summer finally closes its doors. Even with the small amount of recent rain, lawns are already
bouncing back and looking greener. Many plants have shed leaves prematurely due to heat and drought, so a leaf blower can work wonders for instant results.
Finally, to bring some late colour before the autumn leaves take centre stage, these stalwart plants are still working hard in my garden to extend the summer season. Why not give them a try?
• Sedum (Stonecrop) – I’ve grown these succulent perennials for years, and they are true late-season heroes. Their fleshy leaves retain moisture during dry spells, while their starry, ruby-red blooms continue to attract butterflies and bees well into September and October. They also make excellent dried flowers.
• Chrysanthemums – The quintessential autumn flower, often called ‘mums,’ chrysanthemums bring instant warmth and a cheerful burst of colour. Available almost everywhere right now, they come in a stunning range of shades – whites, pinks, purples, yellows, and rusts. A pot of these cheerful blooms can instantly brighten any faded patio.
• Cosmos – With their ferny foliage and delicate, daisy-like flowers that seem to float, they add an airy charm to borders. They selfseed readily, often providing a cheerful display year after year.
• Salvias (especially Salvia ‘Hot Lips’) Few plants show such stamina, and I love it! The red-and-white blooms of ‘Hot Lips’ continue flowering late into the season, providing a striking contrast against their aromatic foliage. Salvias are also beloved by pollinators, making them as useful as they are beautiful.
• Michaelmas Daisies (Asters) – These lateblooming perennials take their common name from St. Michael’s Day in late September. Their clouds of purple, pink, or white flowers extend the garden’s seasonal interest and provide a vital food source for bees preparing for winter.
Salvias (‘Hot Lips’)
Michaelmas Daisies (Asters)
Cosmos
Sedum (Stonecrop)
Children’s lives at risk due to inadequate defibrillator training, warns Oliver King Foundation
The charity’s founder Mark King OBE lost his 12-year-old son to sudden cardiac arrest during a school swimming race in 2012
Acharity dedicated to preventing deaths from sudden cardiac arrest, has written to Prime Minister Sir Keir Starmer, calling for defibrillator training to be provided to teachers and school staff across England.
Mark King OBE, founder of the Oliver King Foundation, acknowledged the government’s commitment to supplying defibrillators to all state-funded schools in England. However, the Merseyside-based charity is now calling for training to ensure lives are not needlessly put at risk as children return to school for the new term.
The government committed in 2022 to providing at least one defibrillator in every state-funded school by the end of the 2022/23 academic year, but the Foundation has raised concerns that in many schools across England the life-saving devices remain unusable because no staff have been trained to operate them.
The charity is warning that defibrillator training must be made a priority in schools, with up to 12 young people in the UK losing their lives to Sudden Arrhythmic Death Syndrome each week. Schools, it stresses, should be safe spaces where teachers and staff are fully equipped to respond in an emergency.
Mark King OBE, who lost his 12-yearold son to sudden cardiac arrest during a school swimming race in 2012, says: “This is a matter of safeguarding the health and lives of our children whilst at school. Training is a common sense solution that
transcends political lines and reflects a shared commitment to the wellbeing of every child in England.
“The presence of defibrillators in schools alone is not going to solve the problem. Providing adequate training is crucial as a means of maximising the valuable investment made by the former government and in ensuring that every child, teacher and visitors in our schools are as safe as possible in the event of a cardiac emergency.
“At the moment training is not being provided adequately and we are hearing from some schools that it is non-existent, with some defibrillators being locked in cupboards never to see the light of day
“Providing adequate training is crucial in the event of a cardiac emergency.”
again. It is deeply worrying.
“Failure to provide this training is putting the lives of schoolchildren needlessly at risk. I am calling on the Prime Minister, who is a father himself, to get his government to act on this. It is becoming an emergency in the school system.
“I have written to the Prime Minister and leaders of all political parties in the UK to raise this issue as children start returning to school.”
An Automated External Defibrillator (AED) defibrillator is a device that gives a high energy electric shock to the heart of someone who is in cardiac arrest. This high energy shock is called defibrillation, and it’s an essential part in trying to save the life of someone who’s in cardiac arrest.
The equipment is used in addition to CPR to save the lives of those suffering cardiac arrest. Research has shown that deploying a defibrillator within 3–5 minutes of collapse can produce survival rates as high as 50–70%.
What’s on...
Events not to be missed over the next four weeks
Oktoberfest offers special discount for NHS & emergency services
Blue Light Card holders can receive 40% off tickets to the region’s largest celebration of Bavarian culture
ORGANISERS OF THIS YEAR’S Oktoberfest Liverpool, the biggest celebration of its kind in the North West, have announced reduced ticket prices for Blue Light Card holders.
Members of the UK’s leading discount provider for the emergency services, NHS, social care, teaching, and armed forces can now purchase Oktoberfest tickets for £7.50 instead of the standard £12.50.
Billed as “the ultimate Oktoberfest experience”, Oktoberfest Liverpool will take place at Exhibition Centre Liverpool on 4 October, promising a day of live music, overflowing steins, Bavarian delicacies, and, of course, plenty of lederhosen.
Festival sponsors, Bavarian brewer ABK, recently revealed that it has chosen Liverpool to showcase its special Oktoberfest beer, which will be available alongside traditional festival favourites.
Additional live entertainment and extra fairground rides have also been added to the huge celebration of Bavarian culture.
Kev McArthur from Oktoberfest Liverpool says: “With more VIP huts, a live oompah band and DJ, a wider range of drinks and snacks as well as host Kam Wojtow from Beer Guide Worldwide, this year’s show is set to be our best yet.”
There are two sessions on Saturday 4 October at 12-5pm and 6-11pm.
For more information follow Oktoberfest Liverpool on Facebook, Instagram and TikTok @oktoberfestliverpool
Popular city centre bar & restaurant ‘Zenn’ goes up for sale
Victoria Street venue opened in 2021 following significant investment from directors and trade sponsors
A PROMINENT LIVERPOOL CITY CENTRE bar and restaurant generating more than £2 million a year has been put up for sale.
Victoria Street’s Zenn has been placed on the market after the current owners decided to focus on other business interests.
Launched in 2021 following significant capital investment from shareholding directors and trade sponsors including Heineken and Bacardi, the venue covers approximately 10,000 sq ft across three floors, comprising a ground-floor restaurant, mezzanine lounge, temple-themed garden and a rooftop terrace.
Zenn’s varied food and events offering includes Pan-Asian dining, Sunday roasts, bottomless brunches, afternoon teas, and DJ-led parties.
The business generates net sales of over £2m a year with gross profit margins of around 61%. The leasehold sale includes goodwill and all fixtures and fittings, with stock available at valuation.
The property is being marketed by Sidney Phillips, with viewings available strictly by appointment.
Romeo & Juliet, Everyman
13 September – 4 October
Can their love defy the stars?
Shakespeare’s heart-wrenching classic has mesmerised audiences for generations, and in this potent, powerful new production, director Ellie Hurt takes it back to its brilliant basics.
Until 14 Sep British Science Festival, various venues
14 Sep Eric Idle – Always Look on the Bright Side of Life, Live!, Liverpool Empire
20 Sep Peter Kay, M&S Bank Arena
6 Oct The Divine Comedy, Philharmonic Hall
8 Oct Heavy Lungs, Arts Club
9-10 Oct Something About George – The George Harrison Story, Playhouse
British Musical Fireworks Championship, Southport 27-28 September
Experience stunning pyro-musical displays, perfectly timed to music, as six previous champions compete for the title of ‘Champion of Champions’ in the picturesque Victoria Park.
MONDAY TO FRIDAY 05:00 - 21:00 SATURDAY 06:00 - 20:00, SUNDAY 07:00 - 19:00
