The Limitless Institution_ Design Journal

LIMITLESSLIMIT REFLECTIVE JOURNAL& DESIGN.

STUDIO_4(4) ART, LIFE, & OTHER THINGS Level D, MSD, University of Melbourne,

DESIGN BY _YILUN (TONY) ZHU

ALL ARCHIVE WORKS SEM2

SM2, 2023

2 0 2 3

CONTENT.

Site &Planning

Samuel Hunter Master of Architecture Studio D SEM2 2023

PREFACE.

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THE SITE. THE INSTITUTION. CREATIVE ESSENTIALS. WORK IN PROGRESS. A SHORT SUMMERY. THE FIN.

Site &Alchemy

Brief &Final Design

The Four Tasks

MId-Sem Archive

Post MId-Sem WIP

Risk &Safety Learning

Final words 3

PREFACE.

SOME WORDS...

Embracing the journey of melding limitless possibilities with heritage has been an enlightening experience. Initially, the weight of merging our rich heritage with the essence of boundless craftsmanship loomed large on my shoulders. Much like any endeavour of great significance, there were hurdles when our collective efforts had to synchronise seamlessly.

However, with the right mix of individuals - those whose skills refined where yours might wane, and whose artistry elevated the vision - the task became not only

'Don't try to understand it.

Feel it.' _ TENET

achievable but deeply enriching. There is something profoundly gratifying about

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witnessing not just your project flourish, but watching it take shape alongside committed peers. Every debate, every brainstorming session, was a reminder that they were just as invested in this legacy as I was.

Whilst this venture did not alter my innate belief that heritage is more than just a concept, it unquestionably deepened my appreciation for teamwork. It compelled me to push the boundaries of limitless creativity and seek the most authentic representation of our craftsmanship. There was a profound depth of learning here, surpassing any other project I've undertaken in the past.

CODES/ RULES/ PRINCIPLERS

Looking sloppy on the whiteboard but shocking...

STUDIO 4(4) DESIGN CODE OF CONDUCT 1.LESS REFINEMENT, MORE IDEAS... DON’T TRY & TRSOLVE THINGS TOO QUICKLY. 2.DESIGN IS AN OPEN PROCESS, NEVER CLOSED TO IDEAS. 3.CELEBRATE DIVERSITY & PLURALISM- MULTI OVER, MONO ALWAYS. 4.KRIOL NOT WOOLSHEDS. NEVER LAZY VERNACULAR. 5.CREATE ETHICAC ARCHITECTURE THATS IDENTIFIABLE TO COTS OF PEOPLE... AN ARCHITECTURE OF PUBLIC GENEROSITY. 6.EMBRACE AMBIGUCITY & IRONY AT ALL CONTS...

7.FIND JOY IN THE NON-BEAUTIFUL- UGLY, CRWDE, RAW,SUBUME. 8.TOUCH THE GROUND IN A MULTITUDE OF WAYS...NEVER LIGHTLY. 9. NEVER DESIGN ALONE. DESIGN THROUGH DISCOURSE. 10. COMPOSITION IS NOT A DESIGN IDEA.

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Imagine By_ Everyone

STARTING HERE.

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BEGINNING OUR JOURNEY INTO COLLECTIVE MEMORY, WE CHOSE A SITE RICH IN CHARACTER. MY PIECE? FAR RIGHT, WELCOME TO THE CLIFTON HILL. 7

THE SITE. The first exploration of Clifton Hill was on foot. Searching the site like an “objective” survey of what we see. What was collectively most observed was the graffiti - though I personally noticed the high amount of signs. Useful, outdated, or other. On top of that, almost all of these were all altered from their original condition. The changes of graffiti, dirt, weather, and time where visibly experienced.

The combination of these and the objects residue left upon the fenced-in empty yard of the factory cumulatively build into the reading of site I was interested in: reading the void. The yard was the void - the spaces that weren’t taken up by the permanent foundations of a building structure, but used as a dumping ground of sorts.

The design task of Alchemy asked the following of us: You are to visit the site as a class and study its exterior fabric. In the style of Brett Whiteley’s picture ‘Alchemy’, you are to draw a portrait of this building that unpacks it’s history - An architectural character in the urban environment sitting idle while the world morphs and changes around it.

Produce: Each individual is to produce 1xA2 portrait full-bleed colour (no white space) that will dovetail into the drawing either side of it.

Basic Site analysis drawing based on Google Earth

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THE WALLS

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Facades' story Clifton Hill, an emblematic locale, showcases a rich tapestry of architectural facades, each narrating its own unique story. The walls, in varying hues and textures, echo a blend of history and contemporary design. Glass blocks, old brickwork, metallic grids, and vibrant street art all intertwine, offering a visual journey that reflects the neighborhood's evolving ethos. Among these, the rustic charm of weathered paint and the stark minimalism of numbered doorways juxtapose the bustling modern life with a nod to days gone by. These facades, while diverse, collectively epitomize the spirit of Clifton Hill: a harmonious blend of the old and new, tradition and innovation, and artistry and functionality.

Photography_ YIlun Zhu

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THE ITEMS

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Living/ Life "Tokens of lived experiences, footprints of fleeting moments. An abandoned bicycle, consumed by nature's embrace, whispers tales of youthful adventures and spontaneous rides. Dilapidated bricks and pebbles harbor secrets of forgotten paths, while a vibrant crosswalk teems with life, echoing the rhythm of hurried footsteps and lingering gazes. Mural-covered walls and the soft hum of a passing bus weave stories of daily rituals and passionate rebellions.

Beneath the looming towers, every corner, every item, seems to murmur a collective narrative, a tapestry of dreams and routines. "

Photography_ YIlun Zhu Tower, always tower from every angle...

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PLANNING /ANALYSIS. User Profiles...

Majority of the People are Early 40s, they are more likely to enjoy their weekend with their children. People in their 30s would enjoy weekend cultural events. While young pupils and uni students might be more attracted by the social activities in the city center. Those Retired people are more interested in activities held in the area. And also it is recognizable that indigenous residents are playing their role in this community.

20% of the residents have different cultural backgrounds, England,New Zealand , Greece , The US, Asia . Our Visual Art Institute should consider emerging cultural conflict in the institution to achieve social sustainability.

Data analysised based on: Australian Bureau of Statistics, "Mosaic of Numbers: Insights from 2021", Digital Database, 2021, Australian Census Vault, Canberra. https://abs.gov.au/census/find-census-data/quickstats/2021/ SAL20574 14

Located in Alexandra Parade, the immediate and surrounding sites can be noted as heritage-listed, displaying architectural language from classical, industrial and post-modernist periods that we will continue to reference.

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ALCHMEY.

what do we look for when we look at drawings?

[1] Colour pallette

[17] Foreground & Background

[2] Contrast & brightness

[18] Focal points

[3] Transparency

[19] Softness & grain

[4] Vignette

[20] Readability

[5] Highlights & shadows

[21] Style

[6] Gradient

[22] Perspective

[7] Linework quality

[23] Characters & Entourage

[8] Tone

[24] Narrative - does it tell a story?...

[9] Material - hatch, finish, texture [10] Dimension [11] Composition [12] Feeling [13] Atmosphere [14] Motion [15] Hierarchy [16] Imagination

THE EVOLUTION OF COLLECTIVE MEMORY.

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Kegs, kegs, kegs...

Beer Boom!!

Brewing

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WIDGETS: HOW TO FLOW INTO THE STORY "Design," as it often unravels, finds itself caught between articulation and abstraction. Just like the term 'composition', which mirrors both the essence and the elements of a drawing, design straddles the line between concept and creation. It's neither purely imaginative nor strictly functional; it's the intertwining of both.

Drawing insights from the locale, vestiges of forgotten moments merge with a shared societal memory, culminating into a realm of reverie. Within this realm, time melds; the epochs of yesteryears, the immediacy of now, the allure of the morrow, and the enigmas of the undefined coalesce seamlessly. Desires, veiled within our innermost recesses, intertwine with the tangible residues of the surroundings, echoing the heartbeat of the community and its dwellers.

From this rich tapestry that crafts "Brewed Boundlessness," the following facets emerge: • Initiation: The Brewery and The Horizon • Migration: As patrons and wooden beams intertwine • Calibration: Count of amber-filled containers • Documentation: Wood, Artworks, Signals, Convictions The analogy to the spiritual journey, much like 'design' as a terminology, serves merely as a narrative instrument.

It's not about religious fervor but rather the sacredness of community rituals. These rituals, once dormant, found voice in "Brewed Boundlessness," resonated through the trimester's milestones, and echo profoundly in the final rendition, "LIMITLESS".

What do we look for in narratives/storytelling?

[1] Set the scene [2] Evoking language [3] Describe the landscape, entourage, time, history, scene [4] Importance of senses - sight, smell, sound, touch, taste [5] Situate the project in a social setting [6] Be poetic. Use alliterations, humor, irony, sarcasm, romance, rhyme, hyperboles

Feedback on whole class, how to present...

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THE ART OF COLLECTIVE MEMORY / 14.

Brett Whiteley’s Alchemy, 1973.

(Reference precedent) Fig. , Whiteley, Brett, Alchemy, Oil and mixed media on wood, 1973, Brett Whiteley Studio, Surrey Hills. https://www.artgallery.nsw.gov.au/media/collection_images/3/348.1998.a-r%23%23S.jpg

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DESCRIPTION

"Mess, or perhaps it's better called chaos—that's the narrative whirling through the countless stories of Clifton Hill.

The water floods and recedes, life alicycles from birth to death, and travellers hurry through as if chased by the wind.

Yet, through all these twists and turns, the land beneath our feet remains steadfast. Nature, with its rivers and waters, may bring disasters, but it also offers the brew to heal our wounds, a tonic to forget our sorrows.

So, what do you say we all head to the local, eh? That snug pub around the corner where we all know each other's names. Kegs are flying, and you can almost hear the clink of glasses. Ah, this is living, isn't it? Let's enjoy these pints and these moments. After all, history's boomerang is ever in motion, and who knows what it'll bring round next? But hey, no worries—tomorrow is just another day of sun, right?

Now that we're all settled in, pint in hand, let's get down to brass tacks. We've got a cracking story to tell you—a project that's as riveting as it is timely. So, hold onto your hats because we're about to embark on an adventure of design, pulling in the highs and lows, and the chaos, to make something that does justice to this wonderful, messy world we're all a part of.

ALCHEMY - THE COLLECTIVE MEMORY OF SITE. Zhu, Yilun, Collective Memory 14, Illustrator and Photoshop on Digital A2 Canvas, 2023.

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Imagine By_ Our Group

THE INSTITUTION.

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AVANT-GARDE THEME, BRING BACK FORGETTERN CRAFTMANHIP, A HARMONIOUS BLEND OF COMMUNITY AND NATURE. WELCOME TO THE LIMITLESS INSTITUTION. 25

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The Academy

SAFETY!

In our spatial analysis, spaces are categorized by

usage duration, from 15 minutes to 12 hours,

with darker visual shades denoting longer use. The

Auditorium emerges as the central hub of activity,

while apartments require design nuances for personal

well-being. Factors like natural light and spatial

flexibility enhance productivity in various spaces, from

Laboratories to Offices. With safety as a core concern

in Workshops and Labs, and privacy vital for office

spaces, optimizing each area according to its distinct

usage pattern is crucial for maximal functionality and

efficiency.

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Ground Floor 32

Third Floor 33

Underground 34

Roof 35

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Accessways

ACCESSCODE. Based on Knowledge from AS1428.1

Handrails

- Must be continuous and extend for 300mm beyond the start and end of the ramp or stair.

- Diameter between 30mm and 50mm.

- Located at a height between 865mm and 1000mm above the floor.

Toilet Facilities

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- Must provide adequate circulation spaces.

- Grab rails required on both sides of the toilet.

- Clear space required in front of the toilet.

- Minimum width: 1000mm.

- Continuous accessible paths of travel required.

- Slip-resistant surface.

Ramps

- Maximum gradient: 1:14 for rises less than 190mm; 1:20 for rises between 190mm and 280mm.

- Landings required every 9m on steep ramps.

- Handrails required on both sides.

Signage

Doorways

- Tactile and braille signage required for certain facilities.

- Must contrast visually with the background.

- Located at a height of 1200mm to 1600mm above the floor.

- Minimum clear width: 850mm.

- Doors to have lever handles positioned between 900mm and 1100mm above the floor.

- No high threshold (max 20mm high for sliding doors).

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Imagine By_ Our Group

THE MID-LIMIT.

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TO RADICALLY CHANGE THE CLINICAL DEVELOPMENT IN CITIES AND LASTING IMPACT ON OUR NEIGHBORHOODS FROM THE DUAL AND OPPOSITIONAL SIDES AT PLAY WITHIN THE ARTS SECTOR. 57

SITE ANALYSIS (THROUGH THE BREAKDOWN OF ALCHEMY).

We began our concept development through the breakdown of our collective site drawing, alchemy. Following the passage of time through the depiction of the Clifton Hill Shot Tower and Factory site throughout its many ages, the panels are a key tool of site analysis, displaying important themes of narrative, histories and characters that create a clear depiction of the contextual setting for our proposition moving forward. Themes such as conflict, industry, the shot towers, the passage of time, nature's contrast and gentrification became prevalent.

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Beginning with our first assignment; conservation and renewal, ideas such as urbanism, preservation, shroud and circulation have been depicted in our drawings. We have extracted and combined the main elements of our drawings to collate this collage which has led to the question; How can the MVAI preserve and enhance the heritage-listed site?

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The Manufacturing and Commodity project drew out the ideas of interlace and sustainability, forming the question; What factors of sustainability must be considered for the manufacturing and commodity processes?

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The Dissemination and Storage assignment highlighted the theme of the system, which then proposed the question; How can back-of-house spaces enhance the exhibition space?

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The Academy assignment focuses on the themes of heritage, functionalism, intersection and the publicness of the rural realm, provoking the questions of; How can regional arts institutes influence our design and, can art transcend establishment and create community connection?

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industry in Melbourne’s inner city. You have

Outdoor Gallery/ Exhibition

Reception Hall

You have been exploring spaces for creative

EXTERNAL Arrival Forecourt/ Events

BRIEF.

Artist in Residence

Audito

acknowledged the dual and oppositional sides at play within the arts sector; one materialising from the unbridled expression of the artist, and the other a commercial market that can seem at odds with community values and creative pro-

INTERNAL

cess. You recognize that both intrinsically value the other. You appreciate this has led to a cyclical development in cities and a lasting impact on our neighbourhoods, that goes something like

Studios

Workshop

Postgraduate Offices Presentation Space 1

Presentation Space 2

this…city prospers, city falls, artist moves in, city gentrifies, artist moves out…and so on.

You, like ourselves, have become interested in looking at a more sustainable integration of the arts in all markets. A new self-sustaining ‘Arts Forum’ where multiple arts-related activities support and feed into a repeatable system-

ADMINISTRATION General Store

Exhibition/ Gallery

without binding or restricting art practice.

Art Store

In your groups, you are required to propose a significant architectural ‘masterplan’ for the Coops Shot Tower site. Architectural brief is attached.

Your proposals will form a new mixed-use build-

MANUFACTURING HUB

ing for the site, and ultimately the headquarters

Factory Floor( The Machine Room)

for the inaugural Melbourne Visual Arts Institute (MVAI), a new institute focussed on a sustainable, closed loop Visual Arts industry. Visual Arts culture should be at the centre of your project

a renovation and partially an addition to the existing industrial structure – this is entirely up to you and what suits your proposal. Your architectural strategies regarding heritage should be talked to directly and linked to key concepts.

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Registration &security

elemental and infrastructural, it will be partially

Packing/Unpacking

or incorporate the adjacent context, it will be

Shipping/Receiving

vertical or horizontal, it can be subterranean

Loading/ Receiving

proposals. Your building can be of any scale;

Ope

orium

Breakout Courtyards

BOTH

Apartments Retail/ Cafe

Storage

en Plan Offices

Mix of Meeting Spaces

Laboratory 5

Laboratory 4

Boardroom Photolab

Staff Facilities to allow for Amenity

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Workshop (Clean)

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Staff/ Students Common Toilets, cleaners, general stores, support

Laboratory 2

CONVENSATION

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RETURN BRIEF. An apartment , people with different backgrounds live in here , they cook , and rest in an open harmonious space.

The illustration on an oppress ,dark , fast pace space, for waste area.

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A studio with shower , bathroom. People devote themselves to creation. In here , there is no concept of time. People do sculpture , visual art , discuss their work here.

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KEY IDEAS.

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The Victorian Government suggests contemporary learning should allow internal and external open sharing spaces for students and teachers.Besides , the spaces should be a mixture of cultural conflict to strengthen the bounding with people from different countries.

It is a contrast to the traditional learning environment , the emphasis on teacher and student hierarchy , rigid planning, standardized system and physical classes Besides , to form a comprehensive sharing environment , biological diversity is essential in our proposal , the function of greenery is stress relieving , water and is mentally restorative . Therefore , the water and landscape element would across all the programs to form a healthy and biodiversity environment.

We analyzed 5 type of gardens Formal Gardens are, Symmetry, with Focal Points and Central Axis Natural Gardens underscore the importance of emulating native landscapes and ecosystems.

Landscape Gardens take cues from nature rather than following rigid geometric patterns.

By comparing all of these garden types, we choose Natural Gardens, as we consider Sustainable Integration.

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ADDITIONAL.

We looked into several landscaping and public square precedents, summarized some common components that nowadays are highly liked to be used.

We make the architecture radical by mixing the tectonics from different eras to symbolize the idea of Art.It is boundless , limitless .These are the possible combination of classical , industrial and postmodern tectonics.

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The Alchemy of the Limitless is a diagram that integrates all the key components of the presentation that have led to the core ideas for our concept design.

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GARDEN LINKAGE. 73

CONCEPT MASSING.

The shot town is activated by the art institution merges with the healing garden, the paths are curvy to motivate people to walk longer.The water crosses all the programs for mental restorative purpose.The landscape formed with the existing contour to archive the natural garden tactic underscores the importance of emulating native landscapes and ecosystems. The heart of the institute is a sunken platform allowing a transparent , idea sharing environment between the academy.

The academy is fluid internally and externally, open between teachers and students.

The aging school programs, vertical studio ,and the mixture of cultural spaces .Emphasis on equality , respect on cultural conflict.In here,people with multicultural backgrounds could have a strong bond here.

This master plan is a combination of social , environmental and economical sustainable considerations.A silent manifesto confronts the society nowadays.

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THE CULTURAL LANDSCAPE OF CONFLICT.

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This drawing illustrates the capitalist situation in this contemporary world in a sarcastic way.People are helpless when the rich monopolizes the urban form and shape.The labor suffers in this unequal society for profit to make a living.People are mentally distorted as the money define one’s success in this world.They try to against the reality, never have any change.

However, we are proposing a sustainable solution as a silent manifest to confront this situation.

Ng, Ava, Cultural Narrtive, Illustrator and Photoshop on Digital Canvas, 2023.

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Group with Dristi Chakma

FIRST ESSENTIAL.

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CONSERVATION AND RENEWAL: THE ACT OF SHROUDING. 79

Group with Dristi Chakma

ESSENTIAL DESIGN / 01

But in Sam's words: Colour, YUCK...

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Discussion Sketch &Test Chunk

Details brings density....

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DESCRIPTION Coop’s Fashion!

The Melbourne Fashion Festival is going on and the venue is Coop’s Fashion Hub! The lights seemed to turn the hill into daytime. The neon spotlights were 10,000 feet high and reached up to the clouds.

Featuring a line-up of Australia’s leading designers, a celebration of both ready-to-wear and red-carpet dressing, with a mix of statement-making collections taking inspiration from glamour, extravagant silhouettes, and individual style.

What a tremendous sparkling event! Oh, let’s stroll around and look at the backstage! Aww, it’s such a mess but isn’t that how after all night taking fights, they housed such a closing runway event?

This shiny runway is the most heart-winning place no doubt about that! The top chunk is the most important zone for all the brainstorming areas by industry-led designers. They even have a tiny boutique display with those gorgeous collections! Those are not for sale, but you can still get them by placing an order in the “Info Fashion” booth.

The grand masquerade was held at shot tower factory. The lights seemed to turn the hill into daytime. The neon spotlights were 10,000 feet high and reached up to the clouds. Imagine, if you will, the presence of almost every famous and respectable person. Strangely no one knew where the organisers, the Coopers, were, they hadn't been spotted by anyone all night. The cacophony of music drowned out the sound of the looms that had been working on the first floor, the factory's greatest treasure, the secret to bringing life back to this lifeless place that had been abandoned for years. The looms worked day and night to weave the strange fabrics that wrapped around the factory, the mysterious and beautiful fabrics that brought cooprs textiles to life. In the highest part of the factory, in the design room, a figure hidden in the darkness watches indifferently all the songs and dances below, watching his fashion show.

At this juncture in our design process, our thoughts have largely revolved around form, function, and aesthetics, with considerations of risk and safety yet to be integrated comprehensively. But the giant scissors is definitely one exsiting RISK...

CONSERVATION AND RENEWAL: THE ACT OF SHROUDING. 83

Group with Dristi Chakma

SECOND ESSENTIAL.

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MANUFACTURING AND SOMETHING: THE ACT OF ECHOING. 85

Group with Dristi Chakma

ESSENTIAL DESIGN / 02

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This week just finished so solid, even no need for a second bite....

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DESCRIPTION In the deepening twilight of an evening in Clifton Hill, the gates of Coops garments and apparel opened with grandeur, presenting both beauty and risks intertwined. This temple of elegance crafted twin towers that spoke to the soul of the city's style. The Spiral relic, showcasing traditions and craftsmanship, hid the potential of being marred by rust or the sharp kiss of a sewing machine needle, while the glistening modern creation displayed the bold aspirations of the new age, yet the glass bridges brought whispers of fragility. The interlace of pathways leading the workers and visitors providing a ride in capsules stopping any floor they want with a vertical circulation of old school analog pulleys which is fun and riskier at the same time . On the right, the flow of importing fabric, relaxing, and sewing carried the unspoken risks of fabric catching fire or the sudden bump of forklifts. To the left, the display and shopfront housed fitting rooms and product windows where the gap between interlaces might cause a misstep and a fall. Beneath the grand dome was an atrium, a complex shared space, where designers and tailors were engaged in creation, their motion a thrilling yet precarious movement. The fabric rolls in the open racks loomed with the latent threat of collapse, and the very tools that breathed life into garments stood ready to snag an errant finger or stain the clothes, the fabric even any masterwork freshly cooked by the designer. It is the garment industries heart and soul, sewn into fabric, woven into memory, a chapter in the city's story, penned in threads and silhouettes, both enchanting and cautionary, a celebration beneath the gantry.

SUBJECT : NEW DEVEOPMENT IN CHIFTION HILL. Dear Editor, I had the privilege to visit the New Coops garment factory, or should I say not. The pathways and entrances need to be more accurate with a clear indication. Making it easy to get lost, especially for a shopaholic. The institute symbolises fast fashion and is cramped with migrant workers. Stitching the same garment, which I now have five of!

The interior, especially the tube slide, is designed for motion sickness. A great solution would be promoting taking the stairs, and then we all fit into what we buy.

In a nutshell, this place is a hell hole of capitalism, draining all our retirement money and making it a national issue.

P.S. The relators were unfriendly and refused to show me some of the expensive garments. All I have to say is that it is a big mistake!

Concerned citizens, Han & Hrisheeta

Sometimes just observation can find out more risk...

MANUFACTURING AND SOMETHING: THE ACT OF ECHOING. 89

Group with Chenxuan Sun &Ziyu Zhou

THIRD ESSENTIAL.

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SIG *X* NO

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DISSEMINATION AND STORAGE: THE ACT OF INVERSION. 91

Group with Chenxuan Sun &Ziyu Zhou

ESSENTIAL DESIGN / 03

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Interior Creating &Tests This is the first week with new group members, so just want to try something new. Besides the readings and references from Sam. We trying to get some more visualize scenarios from movies...

Collector's Museum from Guardians of the Galaxy

Boeing 747 from TENET

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GNAL

SI *X* NO

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DESCRIPTION An old factory brimming with museum collections, occupied, filled, never belonging to its appearance permeated with a literary atmosphere. There are no porters in sight, instead there are drones all over the sky carrying goods. This mind-boggling combination of modern technology and goods is avant-garde, imaginative, flexible, and substitutive, like a group of new age people Shouting against the old era.

So here, drones and robotic arms replace human, and what's behind the computer program is perfect and precision.

It's the opposite of what you'd imagine to be unpowered, uncharged, unmanageable. The jobs here are being taken over by robots, all by robots.

The gallery is more than just a traditional exhibition space. The exterior is designed to challenge the norms of traditional architecture, with mixed yet impactful forms. Each wall is like the narrator of a story, a blend of old and modern, rough and delicate qualities. The design of the interior Spaces uses curves and folds to create a continuous sense of movement that leads visitors into the various display areas.

The rough brick walls conceal countless warehouse Spaces, while the gaps radiate artistic light. Each warehouse becomes a secret art display space, allowing visitors to explore the stored treasures while also being deeply attracted by various works of art. The whole building is like a living entity, and every breath speaks of the intimate relationship between storage and art, challenging the boundaries of traditional space.

As if inspired by the TENENT, the movie, Christopher Nolan, was the giant 747 can hit the well-protected arts vault.

Even now perhaps the vehicle approaching the unloading area, can be catch on fire, can be hit loading panels, can be overturned. Not every daily working routine is safe as much, but some chaos can come with smoke and dust from the direction of south pathway.

Chaos, is that what it, is that what it shows up. Electronics are helpful, are efficient, are reliable. They are the most stable part to run this storage space, they can be trust, but not always. A sudden signal lose on camera, a spark on the lifting arms, a smoke comes out unnoticeable from the landing drones.

This time, for the storage, we tried to make those RISKS already brings some problem... It is happening...

DISSEMINATION AND STORAGE: THE ACT OF INVERSION. 95

FOURTH ESSENTIAL.

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Group with Ziyu Zhou

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THE ACADEMY & THE STUDIO: THE ACT OF INTERSECTION. 97

ESSENTIAL DESIGN / 04

Group with Ziyu Zhou 98

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Idea of Geometry spatialization

Test in 3D model

Traditional academy elements test

Prada Foundation by OMA Important architecture is also the concept of the wall and the towering building at the end Sit Verrier De Meisenthal

by SO-IL + FREAKS Architecture Linkage between different buildings

Final outcome is also influenced by San Cataldo Cemetery / Aldo Rossi 99

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DESCRIPTION Version1: In the heart of an architectural marvel lies a fusion of imagination and functionality, aptly named "The Academy & The Studio." Here, lines blur between tradition and innovation, with geometric spatialization guiding one's senses through a labyrinth of inspiration. As if a master painter has splashed a canvas with dreams, diverse elements overlay harmoniously, creating a symphony of ideas in a singular space. Yet, amidst this artistic fervor, one can't overlook the hints of danger — a precarious balance that only heightens the space's allure. However, fear not, for woven seamlessly into the fabric of this design are intricate safety measures, ensuring that while the heart races with excitement, it remains cushioned by the comfort of security.

Version 2: Nestled in the epicenter of architectural brilliance, "The Academy & The Studio" emerges as a tapestry of creative fervor and pragmatic design. It's a realm where the past romances the future, and geometric contours craft a sensory voyage through a kaleidoscope of innovation. Envision a canvas, where dreams manifest in vivid hues and layers, marrying diverse elements into a harmonious tableau. Yet, amid this mosaic of imagination, subtle whispers of danger linger, adding an intoxicating edge to its allure. Still, fret not, for interwoven within this masterpiece are meticulous safety measures, ensuring that while the spirit soars in wonder, it is ever cradled in the embrace of security.

Parcels are secure. Things are all located in their own place. Builder with PPE. Everything looks fine and safe. But we all know that RISKS always exsist....

THE ACADEMY & THE STUDIO: THE ACT OF INTERSECTION. 101

Group with Ava Ng, Winslet D'Souza &Ziyu Zhou

WORK IN PROGRESS.

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PUSH HARD FROM WEEK8 -WEEK13.

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POST MID-SEM CLARITY. What is the issue?

Clifton Hill was once a suburb that thrived and celebrated the arts. The strength of the arts sector is unfortunately now that of a bygone era, leading to various forms of creativity being lost within the community. This is not a specific phenomenon to Clifton Hill, but one felt across our nation. At a state level, this is due to the lack of funding within the creative industry, the result of which is a lack of; creative spaces, support of the artist and the marketing of the arts. Hence, both creative spaces and the artist remain vulnerable and at risk in Victoria.

What is the solution?

Inspired by the Bauhaus Artist Movement in the early 1920s, the guiding principle of which was, to allow many art forms to communicate and influence one another, rather than exist separately. Similarly, our approach is to create space for the unbridled expression of the artist and the commercial market, to not only coexist but prosper.

How do we do this?

By merging together the key components of Avant-Garde architecture + landscape through the process of Alchemy.

Site Issues An Abundant Heritage

Silent Manifesto

Mission Statement

The Architecture Speaks Itself

This art institute commit to practicing alchemy. It blends in landscape and Avant-garde Architecture to restore and strengthen the innovative spirit as artists and creators. .

A craftsmanship education headquarters for the inaugural Melbourne Visual Arts Institute (MVAI), a new institute focused on a sustainable, closed loop Visual Arts industry.

What will it serve?

­

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Ruin With Vandalism

Avant-garde : To activate the site

Disconnected From the Urban

Alchemy: Blend In

Unaccessible

Form A Community

Avant-garde Architecture

The Avant-garde architecture is a school principle symbolizes the limitless possibility as creators and activate the forgotten heritage

Landscape

The focus on enhancing the quality of life for inhabitants through restorative qualities can contribute to improving well-being and mental health.

Blend In Something New:

Craftsmanship Artists

____________________________

New creations ____________________________

Reveal The Heritage ____________________________

____________________________

M C

Th Su Of

The

The to C

Main Concept

he Arts Institute as a ustainable Integration f all atelier markets

Tower as a Monument

e Yard as a Connection Community

Targets

Local Community

Craftsmanship Industry

Merging

Flexibility

Studio

Atelier Markets

Open Sharing Learning

Cultural Conflicts

Cultural Corridor

Manufacturing

Canvas

Exhibition

Fashion And Textile

Boots and Hats

Activate the Heritage

The Academy as a Realm of Equality

Pottery

Fluidity

Public Engagement

Conversation

Stress Relief - Greenery Restorative - Water

Quality Of Life 105

MASSING

WATER

GREEN

FLEXIBLITY

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OPEN SHARING

What is Alchemy?

To transform base metals such as lead or copper into silver or gold and to discover a cure for disease and a way of extending life.

Transform?

The existing Heritage-listed site of the Clifton Hill Shot Tower and Factory.

Cure for Disease?

The forgotten arts of Clifton Hill -focusing on Pottery & Textiles

Extending Life?

Through both the celebration of the arts and the support of the struggling artist with learning and development opportunities, affordable housing and regenerative healing gardens.

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Laura's Workshop

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The Academy

Public Contemporary Learning Auditorium

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Public Atelier Market spacee

Ground Floor

Public Engagement

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Retail, Cafe, Artist in Residence Administration The Academy and Back-of-House

First Floor

112 Public Engagement Retail, Cafe, Artist in Residence Apartment Administration The Academy and Back-of-House Manufacturing Hub, Storage and Conservation

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ATELIER MARKET HERITAGE WALK

PUBLIC GARDEN

TEXTILE EXHIBITION

HERITAGE EXHIBITION

HERITAGE EXHIBITION

POTTERY WORKSHOP

Progress, Progress, Progress...

STUDIOS SKY POTTERY STAFF STUDIOS STAFF LIGHT / TWIN TOWER CULTU RAL C ORRID OR PUBLIC GARDEN

TEXTILE EXHIBITION 113

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Under Ground

First Floor

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N

Ground Floor

Second Floor

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N

Mid-break Progress

Third Floor

N

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This is how the Sketch of the Final drawing from Sam looks like...

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Feedback from Sam for Test1

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Test2

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20 October 2023

26 October 2023

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22 October 2023

CLOSING.

Group with Ava Ng, Winslet D'Souza &Ziyu Zhou

The Disquieting Muses Giorgio de Chirico (1916, Public domain)

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JUST BE LIMITLESS LIMITLESSNESS. 123

FINAL MISSION STATEMENT.

The Limitless Institution in Clifton Hill smartly juggles different priorities. It honors the past by sinking an original factory underground and creating an Underground Heritage Walk, offering a fresh perspective on history.

Taking a leaf from the collaborative spirit of the Bauhaus Movement, it encourages a friendly interaction between different artistic fields and the commercial world, through public spaces and storefronts, nurturing a thriving creative community.

The project's modern design, inspired by well-known architectural styles, combines bold industrial features with the soft touch of nature, showcasing a modern outlook blended with traditional craftsmanship. It aims for urban renewal by bringing back a vibrant creative hub, improving city living and promoting community ties.

Through smart design, this project marries nature and architecture, creating a comforting space for artists. This supportive environment helps enhance quality artistry and product creation, reviving forgotten craftsmanship. In doing so, it spins a self-sustaining tale for the arts and stands as a meaningful example of how urban art institutions can encourage creativity and engage the community.

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THE FIN.

SOME WORDS...

I think I should write down a proper summary for this whole amazing semster.

But the truth is I reallly got emotional when I look back the journey through it.

Not gonna lie that it is really intense experience. But what I learnt and I can take from here, that is the most precious memories.

Just also some frequnet chat with Sam on every Tuesday:

'Don't try to understand it.

Feel it.' _ TENET

"Hi Tony, you feeling good?"

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"No, dead."

It is always about Squeeze yourself to the limit, and then come back stronger to the next round of work.

Any other things want to mention?

C'MON DEES!!!! :D

CODES/ RULES/ PRINCIPLERS

STUDIO 4(4) DESIGN CODE OF CONDUCT 1.LESS REFINEMENT, MORE IDEAS... DON’T TRY & TRSOLVE THINGS TOO QUICKLY. 2.DESIGN IS AN OPEN PROCESS, NEVER CLOSED TO IDEAS. 3.CELEBRATE DIVERSITY & PLURALISM- MULTI OVER, MONO ALWAYS. 4.KRIOL NOT WOOLSHEDS. NEVER LAZY VERNACULAR. 5.CREATE ETHICAC ARCHITECTURE THATS IDENTIFIABLE TO COTS OF PEOPLE... AN ARCHITECTURE OF PUBLIC GENEROSITY. 6.EMBRACE AMBIGUCITY & IRONY AT ALL CONTS...

7.FIND JOY IN THE NON-BEAUTIFUL- UGLY, CRWDE, RAW,SUBUME. 8.TOUCH THE GROUND IN A MULTITUDE OF WAYS...NEVER LIGHTLY. 9. NEVER DESIGN ALONE. DESIGN THROUGH DISCOURSE. 10. COMPOSITION IS NOT A DESIGN IDEA.

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ArchDaily. “MODUL Architectural Bureau Transforms Industrial Factory into Dramatic Exhibition Hall Outside Moscow,” March 13, 2019. https://www.archdaily.com/913141/modul-architectural-bureau-transforms-industrial-factory-in to-dramatic-exhibition-hall-outside-moscow.

ArchDaily. “MVRDV to Transform Iconic Expo 2000 Pavilion into Co-Working Complex,” July 10, 2020. https://www.archdaily.com/943508/mvrdv-to-transform-iconic-expo-2000-pavilion-into-co-workingcomplex.

ArchDaily. “New Acropolis Museum / Bernard Tschumi Architects,” May 27, 2010. https://www.archdaily.com/61898/new-acropolis-museum-bernard-tschumi-architects.

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ArchDaily. “Seattle Central Library / OMA + LMN,” February 10, 2009. https://www.archdaily.com/11651/seattle-central-library-oma-lmn?ad_source=search&ad_medi um=projects_tab.

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ArchDaily. “Springvale Community Hub / Lyons,” March 11, 2021. https://www.archdaily.com/958384/springvale-community-hub-lyons?ad_source=search&ad_medi um=projects_tab. archive.pinupmagazine.org. “FOUR TYPOLOGIES of GARDENS.” Accessed November 1, 2023. https://archive.pinupmagazine.org/articles/four-gardens#9.

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https://www.debutart.com/artist/doug-john-miller.

Divisare. “Hua Li –TAO (Trace Architecture Office), Chen Hao · Haikou Jiangdong Huandao Experimental School.”

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Divisare. “Kokaistudios, Terrence Zhang · Baoshan WTE Exhibition Center.” Accessed November 1, 2023. https://divisare.com/projects/430925-kokaistudios-terrence-zhang-baoshan-wte-exhibition-center.

Divisare. “Peter Zumthor, August Fischer · Shelter for Roman Ruins,” n.d. https://divisare.com/projects/397572-peter-zumthor-august-fischer-shelter-for-roman-ruins.

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———. “The Bricks and Stones of Clifton Hill.” Melbourne Circle: stories from the suburbs, September 29, 2015. https://melbournecircle.net/2015/09/29/the-bricks-and-stones-of-clifton-hill/#more-1962. oztwowheel. “Clifton Hill Hotels Listing.” Collingwood Historical Society Inc, November 11, 2023. https://collingwoodhs.org.au/view/clifton-hill-hotels-listing/.

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