WEST MICHIGAN SYMPHONY
PRÉLUDE
West Michigan Symphony Season Magazine
Volume 14 • Issue 2 • Dec 2025 & Jan 2026
FRIDAY • DEC 19 • 7:30 PM

FRIDAY • JAN 30 • 7:30 PM



Artistic Staff
Scott Speck Music Director
Angela Corbin WMS Debut & Premier Strings Director
Lauren Garza Tune Up Program Manager & Lead Teaching Artist
Beth Slimko WMS Children’s Choir Director
Helen LaGrand Tune Up Teaching Artist
Julia Neckermann Tune Up Teaching Artist
Administrative Staff
Andrew Buelow President/CEO
Amanda Dykhouse Orchestra Librarian
Megan James Marketing & Design Manager
Karen Mueller O'Neill Vice President of Development & Marketing
Maris Myers Patron Services Manager
Gabe Slimko Vice President of Operations & Orchestra
Lisa Tabaczka Finance & O ffice Manager
Karen Vander Zanden Vice President of Community Learning & Engagement
Board of Directors
Kate Kesteloot Scarbrough, Chairperson
Retired Executive Director, Mediation & Restorative Services
Susan Cloutier Crain, Immediate Past Chairperson
Retired Executive Director, Disability Network
Merica S. Dobry, Secretary
Senior Council, Warner Norcross + Judd LLP
Bob Garretson, Treasurer CEO, Embark Financial Partners
Larry Fife
Retired Infotainment Director, Siemens and Continental Automotive
Amy Hosford
General Manager, KN Literary Arts
Donna Joyce
Advancement Director, DOOR International
Bob Kwiecien
Retired Vice President of Sales, Amstore Corporation
Stacy Mellema, CPA
Shareholder, Hungerford
Jason Olthoff
Vice President of Sales, Nichols
Emma Peterson
Director of Philanthropy, Trinity Health
Jennifer Ross
City Clerk, Muskegon Heights
Ryan Sterkenburg CTFA®, CISP®
VP / Senior Trust Administrator, Macatawa Bank
Thomas Trzaska
Chief Engineer, RENK America
West Michigan Symphony is an Equal Opportunity Employer and provides programs and services without regard to race, color, religion, national origin, age, sex or disability. Programs are funded in part by a grant from the Michigan Council for Arts and Cultural Affairs with the generous support of the National Endowment for the Arts.
Dates, artists and programs are subject to change.



WHAT'S INSIDE
Message from the Music Director
Meet the WMS Principal Musicians
West Michigan Symphony Musicians
Message from the Chairperson
West Michigan Symphony Annual Fund
West Michigan Symphony Endowment
West Michigan Symphony Legacy Giving
Home for the Holidays
Superheroes at the Symphony
Community Music Encounters
About West Michigan Symphony
West Michigan Symphony 25/26 Season
The Block 25/26 Season
MISSION
West Michigan Symphony connects and enriches our diverse community through the transformative power of music. We fulfill this pimarily through three core offerings:
• Professional, live symphonic performances in a welcoming environment
• Inspired small ensemble performances in an immersive live listening room
• Learning activities that enrich the lives of children and adults through exploration, participation and performance
VISION
We are a catalyst for a musicinfused West Michigan: leading, facilitating, connecting and collaborating with the community to stimulate cultural vibrancy, inclusivity and pride of place.
Find Us Online
Website: westmichigansymphony.org
Facebook: facebook.com/wmsymphony
Facebook: facebook.com/AtTheBlock
Email: info@westmichigansymphony.org
Instagram: westmichigansymphony
Spotify: West Michigan Symphony
LinkedIn: West Michigan Symphony



On WMS concert nights, ride from the Muskegon Farmers Market (near the clock) to the Frauenthal between 6:30–7:30 pm. Wheelchair accessible. Return shuttles run after the concert until 10 pm.




Dear Friends,
Welcome to Winter at the WMS!
MESSAGE FROM THE MUSIC DIRECTOR
Right on cue, the cold air is settling over West Michigan. And once again, we’ve got just the remedy — a warm evening of orchestral joy. We’ve designed the next two concerts to take you on two very different journeys — one fille with the spirit of the holidays, and one celebrating the larger-than-life power of heroes real and imagined.
In December, our cherished Home for the Holidays concert returns—this time as Around the World. I love this theme for the variety it affords. We’ve used it several times in our Masterworks programming, but this is our firs time for using it in the Holiday concert.
Together with baritone Finn Sagal, the West Michigan Symphony Children’s Choir, and the North Muskegon High School Choir, we perform carols and festive songs from diverse and far-flun cultures, from Spain to Ukraine, from the balmy south to the frigid north—and even a visit to the movie Frozen’s snowy realm. You’ll hear familiar favorites and discover new ones, as we embrace the beauty of our shared traditions.
Then in January, we turn to stories of courage and transformation in Superheroes at the Symphony. Music from Spider-Man, Batman, Wonder Woman and Superman shares the stage with two timeless symphonic masterpieces
Prokofie’s Romeo and Juliet and Stravinsky’s Firebird Whether born from myth, legend, stage, or screen, our protagonists embody a heroism best expressed in music.
Thank you for sharing your winter with us. We’re grateful for your support of this living, breathing art form—and we look forward to taking these journeys with you.

Scott Speck Music Director


MEET THE WMS PRINCIPAL MUSICIANS
Our musicians are West Michigan’s cultural ambassadors and a key part of its creative capital. In addition to WMS, our players teach privately and at major Michigan universities, perform with other orchestras, and appear as recitalists and chamber musicians across the Midwest and beyond.

GENE HAHN Associate Concertmaster

MARK PORTOLESE Associate Principal – Violin 2

IGOR CETKOVIC Principal – Cello

ASAKO FURUOYA Principal – Oboe

EDWARD HICKMAN Principal – Trombone

JACIE ROBINSON Assistant Concertmaster


ADAM LIEBERT Assistant Principal – Violin 1

CARMEN ABELSON Assistant Principal – Violin 2

CAMERON SLAUGH Assistant Principal – Cello

ELIZABETH KAPITANIUK Principal – Clarinet

RILEY LINDSEY Principal – Tuba
ARTURO ZIRALDO Principal – Viola

ROBERT JOHNSON Principal – Bass

CHLOE ROBBINS Principal – Bassoon

LEO TAYLOR Principal – Timpani

AMANDA DYKHOUSE Principal – Violin 2

REBECCA BOELZNER Associate Principal – Viola

JILL MARIE BROWN Principal – Flute

PAUL CLIFTON Principal – Horn

MATTHEW BECK Principal – Percussion

BILL BAXTRESSER Principal – Trumpet

SYLVIA NORRIS Principal – Harp
Music Director
Scott Speck
Mike & Kay Olthoff Endowed Chair
First Violin
Open concertmaster
Gene Hahn interim concertmaster
Gust and Mary Theodore Danigelis
Endowed Chair
Jacie Robinson asst. concertmaster
Sponsored by Bruce & Donna Hood
Adam Liebert asst. principal
Sponsored by Dr Alan Steinman
Hannah Christiansen
Sponsored by Evelyn Geile
Ebedit Fonseca
Robbie Herbst
Jennifer Kotchenruther
Sponsored by Bob & Charlotte Chessman
Jane Mockus
Maya Shiraishi
Sponsored by Kevin & Annette Even
Oxana Sourine
Sponsored by Darlene Collet in memory of Lee Collet
Lena Vidulich
Second Violin
Amanda Dykhouse principal
Warner Norcross + Judd LLP
Endowed Chair
Mark Portolese assc. principal
Sponsored by Joanna Norris
Carmen Abelson asst. principal
Katie Bast
Sponsored by David & Darcy Dye
Patrick Foley
Karen-Jane Henry
Sponsored by Elinore Verplank
Natalie Hockamier
Emily Nardo
Britta Bujak Portenga
Sponsored by Gordon & Mary Buitendorp
Luis Vivas
Viola
Arturo Ziraldo principal
Sponsored by Jan & Laura Deur
Rebecca Boelzner assc. principal
Sponsored by Anonymous
Csaba Erdélyi
Sponsored by JoLee Wennersten
Josh Holcomb
Rebecca Miller
Jane Mockus
WEST MICHIGAN SYMPHONY MUSICIANS
Cello
Igor Cetkovic principal
Sponsored by Steve & Deb Olsen
Open assc. principal
Cameron Slaugh asst. principal
Sponsored by Dr F Remington & Ginny Sprague
Lee Copenhaver
Sponsored by Dr Mark D & Kristina M Clark
Karen Krummel
Sponsored by Susan Rehrer
Grace Mockus
Abigail Monroe
Sponsored by Cynthia Mazurek
Calin Muresan
Sponsored by Elinore Verplank & Thomas Knight
Bass
Robert Johnson principal Frank E. & Flora M. Johnson Endowed Chair
Open assc. principal
Brett Armstrong
Stephen Reichelt
Flute
Jill Marie Brown principal
Sponsored by Anonymous
Abigail Peel
Sponsored by Mary E Malek
Leslie Deppe piccolo
Sponsored by David & Beth Pickard
Oboe
Asako Furuoya principal Sponsored by Joanne & Amy Bensinger
Natalie Feldpausch
Sponsored by Ellie Williams
Clarinet
Elizabeth Kapitaniuk principal Sponsored by Susan Cloutier Crain
Stephanie Hovnanian
Sponsored Anonymously in honor of Jane Blyth
Lisa Raschiatore bass clarinet
Sponsored by Don & Kathy Dahlstrom matched by the Charles Stewart Mott Fundation
Bassoon
Chloe Robbins principal Sponsored by Sheila & Patrick Miller
Jason Kramer
Sponsored by Eric & Merica Dobry
Horn
Paul Clifton principal
Jeffrey Lake Johnson Endowed Chair
Greg Bassett
Lisa Honeycutt
Sponsored by Allen & Sandy Beck
Leah Brockman
Sponsored by Karen & John Wells
Trumpet
Bill Baxtresser principal
Sponsored by Roger & Rebecca Tuuk
Ethan Adams
Sponsored by Tom Knight
Kai-Chun Chang
Sponsored by Robert and Carol Pyka
Trombone
Edward Hickman principal
Sponsored by Stephen & Debra Jackson
Joe Radtke
Carter Woosley bass trombone
Sponsored by Joel & Linda Engel
Tuba
Riley Lindsey principal
Sponsored by David & Darcy Dye
Timpani
Leo Taylor principal
Douglas & Janet Hoch Endowed Chair
Percussion
Matthew Beck principal Sponsored by Jill Sanders
Fabian Correa
Isabella Butler
Harp
Sylvia Norris principal
Sponsored by Valerie & Fred Church-McHugh
Music Librarian
Amanda Dykhouse
Musical Chairs: Sponsor a musician for the season. Endow for a lifetime. For more information, contact Andy Buelow at 231.726.3231 or abuelow@westmichigansymphony.org.
MESSAGE FROM THE CHAIRPERSON
Hello and welcome to the 86th season of your West Michigan Symphony.
The days are shorter and winter-like weather has arrived in West Michigan. Although the days are darker, the holidays brighten our mood and there is so much to celebrate in December. We are excited to share all of the musical traditions from around the world as everyone is Home for the Holidays . We love bringing together our community of music lovers and music makers to share the season. I hope all your gatherings are merry and bright.
Superheroes at the Symphony is a fl ight through amazing music that accompanies their soaring feats. Not all heroes wear capes or have movie scores. Some heroes go a bout their work quietly and uncelebrated. We are grateful to our Local Heros, our police o ffi cers and fi re fi ghters, who labor each day to keep our community safe. Thank you!
January marks a new year and Scott Speck and the sta ff are working hard on the 2026/27 West Michigan Symphony season. I’m already excited about what’s coming up and I know you will be as well.
January is also a time for resolutions. I hope you will resolve to join us next season too.

Kate Kesteloot Scarbrough Chairperson, WMS Board of Directors














January 16–25, 2026






February 14–22, 2026


TICKETS AVAILABLE AT
























West Michigan Symphony Annual Fund
Your annual contributions to West Michigan Symphony help to sustain a vital community resource. Just over 60% of contributions to WMS come from individual patrons, with the remainder generated from corporate and foundation support. We extend our deepest appreciation to you for helping make WMS a cultural touchstone in our community. The listings below represent total pledges and gifts by each patron household from October 1, 2024 through December 8, 2025. This includes our Annual Fund, other special initiatives and events. In particular, we wish to express our gratitude to Mike and Kay Olthofffor their support of our November-December Matching Challenge campaign. We have given careful attention to ensure a complete and accurate list. Please notify us of any inaccuracies by calling 231.726.3231.
Annual & Monthly Giving
Giving to the Annual Fund makes the Orchestra accessible to the entire community! One-time, monthly and annual contributions to WMS are fully tax-deductible and acknowledged with a receipt for tax purposes. You can make a gift designated toward sponsoring a musician, underwriting a youth learning program, or simply “where most needed.”
To make a secure, tax deductible donation now, simply point your smart phone at the QR code with your camera app open and tap the link that appears, visit westmichigansymphony. org/donate, or call 231.726.3231.
$10,000 and up
Anonymous (2)
Susan Cloutier Crain
Jan & Laura Deur
Deborah DeVoursney
Bob & Heather Garretson
Amy J Klop
Daniel & Sheryl Kuznar
Steve & Deb Olsen
Mike & Kay Olthoff
Jason & Jamye Olthoff
Brad & Kathleen Playford
Barbara Potuznik
Douglas Hannink & Jocelyn Shaw
Jack & Becky Slimko
Philip Smith & Family
Liz & Tom Trzaska
$5,000-$9,999
Anonymous
Jane Blyth
Pete & Sherry Brown
George W & Lori Lynn Cannon III
James & Susan Geisler
Mark & Jennifer Gross
Robert & Clara Harrell
Paul & Karen Jackson
Stephen & Debra Jackson
Patricia Johnson
Wendy M Kersman

Kate Kesteloot Scarbrough
Rich & Nancy Klassen
Lois & Bill Lydens
Patrick & Sheila Miller
Joanna Norris
Bonnie Olson Memorial Fund
Jill Sanders
Sawyer Family Fund of CFFMC
Mary Price and Tom Schaub
Dr. Michael and Marijean Smith
Susan & Stephen Struck
Roger & Rebecca Tuuk
Jim & Linda Zolman
$2,500-$4,999
Roy & Esther Baldridge
Amy Bensinger
Joanne Bensinger
Janice Buck
Andy & Beth Buelow
Gordon & Mary Buitendorp
Valerie Church-McHugh & Fred McHugh
Anne M Dake
Mary Douville
William & Mary Lou Eyke
David F Gerdes & Carolyn Smith-Gerdes
Carl & Sylvia Hansen
Jeff & Gen Hazekamp
Bruce & Donna Hood
Amy & William Hosford
Richard & Holly Hughes
Nelson & Elizabeth Huldin
Heather Kettler
Ratan & Vicky Khatri
Mike & Becky Kuznar
Bob & Dee Kwiecien
John & Jessie Martin
Chris McGuigan & Gary Neal
Jane Missimer
Frank & Emma Peterson
David & Beth Pickard
John & Karen Pitcher
Susan Rehrer
Gretchen & Randy Rhoades
John Saling & Diane Fischer
Sam Slaughter & Anne Lehker
Scott Speck
Peter M Turner
Elinore Verplank
Karen & John Wells
Marguerite & Kenneth Winter
Jon J & Cathy Workman
$1,000-$2,499
Anonymous (2)
Charles Alstrom
Melisa Baker
Allen & Sandy Beck
Susan & Frank Bednarek Fund of the CFFMC
Herb & Anne Bevelhymer
Dave Bishop
Ronnie & Kelli Bluhm
Brian & Jill Boersema
Nick Bolema
Rick Charles & Jennifer Grow
Bob & Charlotte Chessman
Darlene Collet
Amy Conn Tenny
Don & Kathy Dahlstrom
Diane DeGrazia
Eric & Merica Dobry
Robert & Cathleen Dubault
William & Donna Eckert
Joel & Linda Engel
Kevin & Annette Even
Mark and Christine Fazakerley
Larry & Lynette Fife
Manley Ford
Evelyn Geile
Mary Anne Gorman
Bill Haug & Jane Curtis
Dr Tom & Heidi Hill
Larry & Lari Hines
Susan Hoekenga
Pat Hunt
Ed Hunt & Nancy McCarthy
Wilda James
Joel & Kathleen Jarvis
Dick & Lynn Kamps Fund of the CFFMC
Barbara Kelso
Patricia Ladas
Tim & Lynette Lipan
Jim & Mary Malek
Cindy Mazurek
Don & Jean Medema
Mark & Bonnie Meengs
Stacy & Eric Mellema
Susan Meston
Barbara & Joseph Mockus
Roger C Morgenstern
Kathryn Neumann
Mike & Dina Poland
Roy & Britta Portenga
Bob & Carol Pyka
Judith Rahrig
Eric & Michelle Ringelberg
Clyde & Beth Rinsema
Dan & Sarah Rinsema-Sybenga
Brian & Julia Rupp
Wietse & Melanie Schaafsma
Duane & Susan Schecter
Laura Schultz
Robert N & Merle N Scolnik Advised Fund of the CFFMC
Allen & Mistelle Serio
Kathy & Kevin Smith
Dr F Remington & Ginny Sprague
Dr Alan Steinman
Ryan & Kris Sterkenburg
John & Mary Swanson
John & Sue Sytsema
Drs David & Linda Taylor
Kristine & Jim Tyler
William & Susan Vander Zanden
Michael & Patricia Wade
JoLee Wennersten
Melody & JR Whitby
Ellie Williams
Jan Witt
Jane J Wright
$500-$999
Anonymous
Ross & Sandra Aden
Colin Billingsley
Eriic & Monica Bollman
Art & Marilyn Bolt
Richard & Marilyn Brown
Ron & Ann Marie Brown
John Max Busard & Elizabeth Busard Fund
Pat & Amy Campanelli
Curtis Chambers & Diana Wojton
George & Deborah Chmelar
Rudy & Pat Chmelar
Dr Donald & Nancy Crandall
Mary Theodore Danigelis
Marcia D'Oyly
Karen Driver
Carla Flanders CMF Marketing & Events
Dana & Jeff Glamz
David & Shari Groendyk
Virginia Hague
Jeff & ail Hall
Michael Hanley
Mike & Jamie Hekker
Cornelia Holley
Norma Jean Horan
Mary Anne & Thom Hornik
Marcia Hovey-Wright & Ernie Boone
Maureen & Don Huldin
Todd & Tami Jacobs
Donna Joyce
Michelle Kantor Hanley
Thomas Knight
R'na & Kara Komarek
Brian & Gay Landstrom
David MacPherson
Adam & Amanda Moblo
Perry & Deb Newson
Eric & Lori Nisja
Amy Norris & MJ Towle
Richard & Katie Norton
Daniel & Dominga Partenio
Patricia Renucci
Sylvia Precious
Bob & Bobbi Sabine
Sally Schwartz
John & Zephyra Selmon
Jonathan Seyferth & Matthew Ellis
Helen & Jay Smith
Dr Carlo V Spataro
Tom and Denise Spoelman
Susan Sridharan
Eileen B Stoffa
Tom & Nanci Stone
Clifford & Lucia Storr
George & Dottie Strabel
Kim Suarez
Robert S Swan
Marty & Heidi Sytsema
Ann & Dan Tabor
George & Laura Thurlow
Don & Jane Tjarksen
Richard & Marge Tourre
Ed DeJong & Diane VanWesep
Susan Vogel-Vanderson
Jay & J'Nai Wallace
Bill & Shirley Walther
Ann M Wassmann & Thomas Edwards
Sheryl Wescott
Judy Wilcox
Dr Roy Winegar & Ms Barbara Klingenmaier
Lynn Winter
Robert & Joanne Zayko
$100-$499
Anonymous (6)
Jason & Ann Aerts
Laura Aikens
James Alexander
Kirsten Anderson
Tom & JIll Archambeau
Bernadette Arnold
Margo Atwell
Larry & Sandy Austin
Earl Baxtresser
Lisa Bayne
David & Sue Bird
William Black
Jeanne Kuharivicz Bleich
Dr Mary & Robert Boyer
Jerry & Marcia Brichan
Jennifer Bride
Michael & Joanna Buboltz
Brenda Burgess
Jay Burrows
Marie Bustin
Don Clemens
E Jane Connell & Steven W Rosen
Bill & Carol Cross
Jessica Wolin & Frank Crownover
Andrew & Samantha Cutler
Debbie Dausey
Bill & Joan Davis
Ian & Shannon Davis
Agnes De Boer
Chris Dean
Paula DeGregorio & Frank Galante
Dean Denman & Gale Ford
Calvin & Patricia Deur
Phil & Kim Deur
Larry DeVoogd
David & Dortha DeWit
John & Jan Ditmar
Joyce Downing
Jane Drake
Judy Draper
Dennis & Barbara Dryer
Amanda & Gregory Dykhouse
Nancy Emmerich
Robert & Jackie Engel
Harold & Mary Englund
Jean Enright
Wallace & Jane Ewing
Jill Farkas
Cork Farkas & Kathy Mauck
Katy & Walt Felver
Eugene Fethke
Dale & Bridget Fox
Steven Frantz
Trevor & Amy Friedeberg
Bruce Froelich & Margot Haynes
LaSandra & Arlen-Dean Gaddy
Cesar Galan
Charles & Jeanne Gembis
Susan & Ellery Gill
Marjorie Gorajec
Ann Gorter
Marcia Grasman
Patricia Groessl & David Leonard
LaDon Gustafson
Revs. Jerry & Susan Hagans
Kirk Hallman & Dawn Boston
George & Eve Hamstra
Richard & Diane Harder
Brad Hastings & Ashley Arnounts
Marcy Henehan
Mike & Ginny Henry
Patricia Hesling
Greg & Debi Hillebrand
Gwen Hoffma
William Hogan
Margaret Hudson
John & Jane Humphrey
Nicholas Huryk
Jessica Jenkins
Robert & Susan Johnson
Natalie Johnson & Dana Pink
Marjorie Jones
Laura & Kourosh Khatir
Kellen & Mary Kiley
Jay Kilgo
Randy & Debra Knapp
Alan Kohley
Judy Komar
Sarah & Gregory Korose
Bruce & Mary Krueger
Pete & Mimi Kunz
Monica Lakatos & Steve Preston
Joan La Mourie
Kenneth & Christine Lee
Fred & Pam Levin
Holly Lookabaugh-Deur & Sean Deur
Marsha Love
Mark Luttenton
Velvet Lyght & Arvin Candelaria
Deborah Margules
Christine Marshall
Adam & Anna Mausolf
Molly McCarthy & Timothy Hicks
Eileen McCormick & Lynne Nash
Shirley McIntire
Mary McKiernan
John & Cindy McKinnon
Mary McLaughlin Eyke
Stephanie McNamara
Howard & Carole Meade Fund
Richard Meads
Carol Meech
Joan Menke-Schaenzer
Rich & Teresa Micheil
LaShelle Mikesell
Tony Moceri
Wendy Morden
John & Lisa Mulder
Michael T. Naess
Jennie Naffie &ichard Oman
Bruce Neckers
Jil & Phil Nehra
Adam & Daisha Ngo
Donielle Nichols
Carol Norris
Bill & Erin O'Brien
David Olsen
Garry & Charlotte Olson
Henry & Mollie Osborn
Cara Owens
Bill Papo
Richard A Pardini
Bob & Linda Penny
Nick & Barb Pietrangelo
Gary & Beth Post
Garry Post and Robert Hill
Thomas Prince
John & Janet Quinn
Anthony Rickley & Terry Chambers
Gail Ringelberg
Claire Ritter
Dr Gary & Pennie Robertson
Derek & Claire Root-Benson
Susan Rositch
Karl & Barbara Rowe Family
Schierholz/Hogan Family Fund of CFFMC
Stephen Schmidt
Gwynne & Steve Schoff
Pat & Ed Schroeder
Susan (Sue) Schuiteman
Brianna Scott
Todd Sellon
John & Elaine Severson
Gregory Shaull
Kim & Andy Sims
Colleen & Joseph Skendzel
Dr Melissa Smith
Emylia Smith
Joanie Smith
Cindy Soyars
Michael & Cindy Stevens
James & Nancy Stier
Robert Strauss
Julie Stuberg
Zachary & Jessica Stucky
Judy Theune
Charles & Susan Rogalla Tindall
Katie Trzaska-Miller
Peggy Tully
David & Mary Turbessi
Brandon & Monica Turnbull
Catherine & Chris Uganski
Ula Rzepien
Bruce Van Dop
John Van Walsum
Vanessa & Alex Vander Meulen
David Vander Wall
Nancy L Vanderwest
Mikala VanDop
John & Gwen Varineau
Sabrina Warren
Louann & Hank Werksma
Nate & Amanda Westbrook
Neil & Beverly Whitbeck
Brewster & Mary Ellen Willcox
Raimonds T Ziemelis
Corporate, Arts Council & Foundation Donors
$10,000 and up
Community Foundation for Muskegon County
Embark Financial Partners
Grand Haven Area Community Foundation
Harbor Steel & Supply Corporation
Hines Corporation
Leonel L. & Mary Loder Fund
The Meijer Foundation
Smith Haughey Rice & Roegge
The Gerber Foundation
$5,000-$9,999
DTE Energy Foundation Fund
Fremont Area Community Foundation
Howmet Community Fund of the CFFMC
Macatawa Bank
Samuel L. Westerman Foundation
Smith Davis Morse Group
The Leonard Luxury Apartments
Trinity Health
Warner Norcross + Judd LLP
White Lake Community Fund of the CFFMC
Women's Division Chamber of Commerce
$2,500-$4,999
Billie Klont Greinke Memorial Fund of the CFFMC
Consumers Energy
Grand Valley State University
Hazekamp's Premier Foods
Hungerford i'move
Lorin Industries
Muskegon Community College
Raymond James
Shoreline Insurance Agency, Inc.
$1,000-$2,499
Charles Stewart Mott Foundation
Mart Dock Corporation
Mary C Payne Fund of the CFFMC
Newkirk Electric
Sparta Community Foundation
Tyler Sales
Webb Chemical Service Corporation
$500-$999
Ann & Bud Eichmann Fund of the CFFMC
City of Muskegon
John L. Wheeler Memorial Scholarship Fund of the CFFMC
Wintrust Community Bank
Past Chairs Committee
The Past Chairs Committee provides ongoing guidance, advocacy and support to the WMS long after its members’ terms are completed. WMS thanks and honors these individuals for their generosity, collective wisdom and continuing leadership.
Tim Arter
Susan Cloutier Crain
Pete Brown
Marcia D’Oyly
David Gerdes
David Hogan
Holly Hughes
Pat Hunt
Paul Jackson
Wendy Kersman
Deb Newson
Kay Olthoff
Mike Olthoff
Sylvia Precious
Chip Sawyer
Ann Tabor
Peter Turner
Jane Toot
Jane Wright
Block Underwriters
Consumers Energy
Grand Valley State University
Lorin Industries
Michael & Kimberly Martin (Endowed)
Muskegon Community College
Steve & Deb Olsen
Mike & Kay Olthoff
Mary Price & Tom Schaub
Shoreline Insurance Agency
Jack & Becky Slimko
Raymond James
Smith, Haughey, Rice and Roegge
Trinity Health
Tyler Sales
Warner Norcross + Judd LLP

































































































































































































































































































































EXHIBIT RUNNING FEBRUARY 11, 2025 - JANUARY 10, 2026






WEST MICHIGAN SYMPHONY ENDOWMENT
Now in its 85th Season, WMS is dedicated to building a music-infused West Michigan, providing professional concerts in a welcoming environment and music encounters and learning that enrich the lives of both children and adults. The Endowment, along with robust annual giving, provides a stable funding base that supports this cause. WMS’s Endowment is held in two funds at the Community Foundation for Muskegon County (CFFMC) and in a third at the Grand Haven Area Community Foundation (GHACF).
Established in 1992, the CFFMC Secure the Spirit fund reported a fair market value of $672,101 on June 30, 2025. Established in 2020, the CFFMC Play Your Part fund reported $3,355,909 on the same date. The GHACF Play Your Part fund, established in 2021, was at $117,290.
The corpus of each fund is owned, managed and directed by these foundations, whose staffand trustees determine the timing and amount of distributions—normally an annual amount equal to 4% of the average balance over the previous 16 quarters. Foundation staffhandles all administrative details and investment responsibilities, freeing WMS leadership and staffto focus on mission delivery.
Play Your Part Campaign
The primary objective for WMS’s 2020-2022 Play Your Part Campaign was to grow the organization’s Endowment, providing a stable revenue model for the future. The second objective was to provide funding for a new string orchestra program for underserved students in Muskegon Public Schools. This initiative, called “Tune Up,” launched in fall 2022 and is now entering its third season. For more information, please see page 29.
As of September 30, 2024, gifts to the Play Your Part Campaign totaled $4,004,879 with outstanding pledges of $22,000 for a total of $4,026,879. We thank all those who have given generously to the campaign to date, and invite you to consider “playing a part” in WMS’s future. Whether through an outright gift or a designation in your will and trusts, your support will ensure continuity and future growth of WMS’s artistic and education footprint.
To learn more, please contact Andy Buelow at 231.726.3231 or abuelow@westmichigansymphony.org.
Maestro: $250,000 and up
Michael & Kay Olthoff
Larry & Lari Hines
Jeffey Lake Johnson
Premier: $100,000-$249,999
Community Foundation for Muskegon County (CFFMC)
Douglas & Janet Hoch
Robert & Wendy Kersman
Scott & Donna Lachniet
Crescendo: $50,000-$99,999
Bernie & Cathy Berntson
Jon & Jane Blyth
Mary Theodore Danigelis
Jan & Laura Deur
Pat & Julie Donahue
Mark & Christine Fazakerley
Mrs Carol Folkert
Grand Haven Area Community Foundation (GHACF)
Howmet Aerospace
Dan & Sheryl Kuznar
Meijer Foundation
Patrick O’Leary Foundation
Steve & Deb Olsen
Jack & Becky Slimko
Warner Norcross + Judd LLP
Symphony: $25,000-$49,999
Pete & Sherry Brown
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West Michigan Symphony Legacy Giving Circle
It Takes just one note to Start a Symphony
With a planned gift to West Michigan Symphony, you can continue to support the Orchestra even after your passing. Planned giving is simply creating a plan to make a gift. You don’t need to be wealthy to make an impact—you just need to make a plan.
The easiest way to make a planned gift is through a charitable bequest, where you designate in your will or trust the assets that you wish to gift to WMS upon your death. A bequest is not all or nothing; you can leave either a percentage of your total estate value, a specifi asset (such as part of an investment portfolio), a specifie amount of money, or the remaining assets in your estate after all your other requests have been satisfie. You can also make a planned gift by designating the WMS as a beneficiay of your retirement or IRA account, or your life insurance.
You can also specify how you would like your gift used by designating it toward music education, the Endowment, or “wherever it is needed.”
Creating a planned gift is a wonderful way to leave a legacy, provide future funding, and ensure that WMS continues to delight, teach and entertain audiences in the future. Talk with your estate plan attorney about your options.
We welcome your questions. Please reach out to Andy Buelow at 231.726.3231, or visit our website at westmichigansymphony.org. We would be happy to provide sample language to include in your estate plan documents, explore your ideas about your plan, or simply connect. And if you do make a planned gift, or have already done so, please consider letting us know so that we can thank you!
Legacy Giving Circle Members:
Allen & Sandy Beck
Andy & Beth Buelow
Susan Cloutier Crain
E. Allan & Anne M. Dake
Jan & Laura Deur
Eric & Merica Dobry
Pat & Julie Donahue
Robert & Jackie Engel
Jeffey Lake Johnson
Clara Lang
Mike & Kay Olthoff
Bob & Bobbi Sabine
Kate Kesteloot
Scarbrough

OTHER WAYS YOU CAN MAKE AN IMPACT
Asset Transfer
Stocks, bonds and mutual funds can be transferred directly to WMS, allowing you to avoid capital gains tax. It is very easy! Contact us for the instructions to share with your financia advisor to initiate the transfer.
Quali ed Charitable Distribution
If you are 70 ½ or older, you can transfer up to $108,000 annually from your IRA directly to a public operating charity, thereby reducing your adjusted gross income. At age 73, the IRS requires that you start taking withdrawals from most qualifie retirement accounts. Gifts to a public charity such as WMS count toward required minimum distributions (RMDs) for the year.
Contact your financia advisor with any questions, or to initiate a gift. Our federal tax ID number is 38-6092131.
Donor–Advised Fund
A donor-advised fund, or DAF, is like a charitable investment account for the sole purpose of supporting organizations you care about. When you contribute cash, securities, or other assets to a donor-advised fund, you are generally eligible to take an immediate tax deduction. Then those funds can be invested for tax-free growth, and you can recommend grants to any eligible IRS-qualifie nonprofi organization like WMS.
You can easily set up a DAF at the Community Foundation for Muskegon County or another public charity. For more information, visit https://muskegonfoundation. org/giving/how-to-start-a-fund/ or contact CFFMC at 231.722.4538.
FREEDOM. MADE






























Home for the Holidays
FRIDAY DEC 19
7:30 PM
SCOTT SPECK CONDUCTOR
FINN SAGAL VOCALIST
NORTH MUSKEGON HIGH SCHOOL CHOIR
BETH SLIMKO, DIRECTOR
WEST MICHIGAN SYMPHONY
CHILDREN’S CHOIR
BETH SLIMKO, DIRECTOR

Ukrainian Christmas Carol Leontovich-Wilhousky/arr. Richard Hayman
Fantasia on Greensleeves Ralph Vaughan Williams
O Holy Night Adolphe Adam/arr. Johnie Dean
Los Peces en el Rio Trad./arr. Juan J. Colomer
Villancico Yaucano Amaury Veray Torregrosa/arr. Maury Vizoso
Danse Noel (Il Est Né le Petit Enfant) arr. John Leavitt
Choral Suite from Frozen Heimr Arnadalr and Vuelie/arr. Roger Emerson
The Sleigh (A la Russe) Richard Kountz/arr. W. Riegger
“Polonaise” from Christmas Eve Nikolai Rimsky-Korsakov
INTERMISSION
Overture to Die Fledermaus
SPONSORS
CONCERT

SEASON Mike & Kay Olthoff
Johann Strauss Jr.
Tu Scendi Dalle Stelle Alphonsus Liguori
Gesù Bambino Pietro Yon/orch. William Ryden
“The Impossible Dream” from Man of La Mancha Dale Wasserman
Radetzky March
Johann Strauss Sr.
A La Nanita Nana arr. Greg Gilpin
A la Media Noche
Sleigh Ride
Traditional Puerto Rican carol/arr. Greg Gilpin
Leroy Anderson
Christmas Sing-Along arr. Lucas Richman
“Auld Lang Syne” from It’s a Wonderful Life Suite arr. Tiomkin
Loop and Infrared Systems in place for the hearing impaired. Please inquire with an usher for use of this system. Please silence and dim screens of all cell phones and other electronic devices. The use of recording devices during the performance is strictly prohibited.

North Muskegon High School Choir
Under the direction of Beth Slimko, the North Muskegon Public Schools Choir Program has grown tremendously since its beginnings. What started in 2004 as a single choir of six female members has blossomed into seven choirs featuring more than 230 dedicated singers from across the district.
The North Muskegon Choirs are proud participants in numerous Michigan School Vocal Music Association (MSVMA) events each year. Through their commitment to excellence, all choirs consistently earn Superior and Excellent ratings in both performance and sight-reading.
In addition to competition and festival success, the choirs have performed at various venues, including the Frauenthal Center with the West Michigan Symphony, Downtown Disney at Walt Disney World, the Rock and Roll Hall of Fame, Lumberjack Hockey games, and numerous other local and regional events. Choir members have also travelled to Chicago, New York City, Los Angeles, and Nashville to record and participate in vocal clinics and masterclasses.
Beyond their musical achievements, the North Muskegon Choirs take great pride in fostering a culture of citizenship, community, and collaboration. The program’s mission extends beyond high artistic standards—students learn the value of teamwork, leadership, and giving back through music.
A MESSAGE FROM CONCERT SPONSOR
Warner Norcross + Judd LLP
Warner Norcross + Judd LLP is honored to be a dedicated partner in the West Michigan Symphony’s mission of enriching our region through the transformative power of music. Together, we are able to elevate, enlighten, and inspire our community through orchestral performances throughout the year.

West Michigan Symphony Children’s Choir
West Michigan Symphony Children’s Choir is a high quality choral program for children ages 8-13. The Children’s Choir brings together young singers from the lakeshore communities, fin-tuning their vocal abilities and rehearsing exciting repertoire. Meeting weekly from September through May, the Children’s Choir performs with the West Michigan Symphony and presents independent concerts and events throughout the area. Members are selected via auditions held in September and January of each year. No prior singing experience is needed—just a love of singing and a passion to share one’s voice with the community. Based at The Block, WMS’s downtown live listening room, the Children’s Choir is part of the organization’s Community Music Encounters: a comprehensive set of learning activities and programs that reach deeply into the community to inspire the next generation of music lovers.
Finn Sagal

Baritone Finn Sagal is a second-year member of the Ryan Opera Center at Lyric Opera of Chicago gaining national recognition for his rich, expressive timbre and stylistic versatility across operatic and concert repertoire. In Lyric’s 2024/25 season, he appeared as A Policeman in The Listeners and was featured in the company’s Rising Stars in Concert showcase. Sagal is an award winner at Neue Stimmen and recipient of the 2025 Sara Tucker Study Grant from the Richard Tucker Music Foundation, as well as The American Opera Society of Chicago Ginger and Jim Meyer Centennial Award. Sagal is also a past winner of the 2017 Songbook

WEST MICHIGAN SYMPHONY
STRINGS AUDITIONS
Monday, January 5, 2026
The Block 360 W. Western Ave. 2nd Floor Muskegon, MI
Do you have string experience? Would you like to be part of a wonderful string orchestra program? Rehearse with us weekly and develop music skills, make friendships, and experience exciting performances opportunities.
Academy Competition, serving as Songbook Youth Ambassador with performances at Lincoln Center, 54 Below, and the Wynn Las Vegas alongside Liza Minnelli, Michael Feinstein, and Kristin Chenoweth.
Recent performances include concerts with WFMT’s Ryan Opera Center Recital Series, where his repertoire ranged from Schubert lieder and Wagner’s “O du, mein holder Abendstern” to Count Almaviva’s aria from The Marriage of Figaro. He has appeared as a guest artist with the Pasadena Symphony and performed at the Great American Songbook Hall of Fame Gala. In the summer of 2023, Sagal was a participant in the Merola Opera Program in San Francisco, following his training at the Aspen Opera Theater and VocalARTS program in 2022.
Sagal earned his master’s degree from the Yale School of Music, where his operatic roles included Nick Shadow (The Rake’s Progress), Junius (The Rape of Lucretia), and the Tutor (Le Comte Ory). He holds a bachelor’s degree in vocal performance from UCLA, where he performed the title role in The Marriage of Figaro and Pluton in Charpentier’s The Descent of Orpheus to the Underworld. Additional honors include the Ginger & Jim Meyer Centennial Award from the American Opera Society of Chicago.

WEST MICHIGAN SYMPHONY
CHILDREN’S CHOIR AUDITIONS
Tuesday, January 6, 2026
The Block 360 W. Western Ave. 2nd Floor Muskegon, MI
This group of young choristers works with a professional choir director to rehearse a wide range of music, learn proper singing techniques, perform in exciting singing opportunities, and make new friends.
For more information or to schedule an audition contact Karen Vander Zanden at 231.928.5738 or kvanderzanden@westmichigansymphony.org
West Michigan Symphony Holiday Gift Guide
Explore these one-of-a-kind experiences for the Music Lovers in Your Life (or you!)
#1 Superheroes at the Symphony Concert Tickets
The ultimate Christmas gift for comic-book adventures.



Experience the legendary themes of cinematic superheroes — Superman, Batman, Wonder Woman, and Spider-Man— along with two symphonic masterpieces that inspired the iconic fil scores.
#2 Give the Gift of Music
3-concert package, best available seats, just $99!

#4 Gift Certificate
Available in various amounts!

#3 Make a donation in someone's name

#5 'Buy It Now' Online Auction
We’ve extended the reach of our annual Gala silent auction by taking a selection of unique items and experiences online. It’s the perfect chance to findone-of-a-kind holiday gifts while supporting WMS’s learning, artistic, and community initiatives.
SUPERHEROES AT THE SYMPHONY
FRIDAY
JAN 30
7:30 PM
FRAUENTHAL THEATER
SCOTT SPECK CONDUCTOR

John Williams (b. 1932)
Superman March
Danny Elfman (b. 1953) Spider-Man Main Title Theme
Danny Elfman (b. 1953) Batman/Batman Returns Suite
SPONSORS

Hans Zimmer (b. 1957), Rupert Gregson-Williams (b. 1996) Wonder Woman Suite
Igor Stravinsky (1882-1971)
Firebird Suite (1919 Version)
I. Introduction
II. The Firebird and its Dance
III. Round of the Princesses
IV. Kashchei’s Infernal Dance
V. Lullaby
VI. Finale-Kashchei’s Death
Intermission
Sergei Prokofiv (1891-1953)
Selections from Romeo & Juliet
I. The Montagues and the Capulets
II. Juliet the Young Girl
III. Masks
IV. Romeo and Juliet
V. The Death of Tybalt
VI. Romeo and Juliet Before Parting
VII. Romeo at Juliet’s Grave


John Williams (b.1932)
Superman March

Okay, we all know his name from a slew of blockbuster fil scores: Jaws, The Paper Chase, Close Encounters of the Third Kind, Star Wars, The Towering Inferno, E.T.: The Extra Terrestrial, Jurassic Park, Home Alone, the Harry Potter film . . . the list is very long. John Williams is also a composer of concert music, including a number of orchestral and choral works extending back to the 1960s and more than a half dozen instrumental concertos. He used his tenure as conductor of the Boston Pops from 1980 to 1993 to introduce many of his works.
The silver screen brought the Superman theme into the mainstream. Richard Donner’s 1978 fil starred Christopher Reeve as the DC Comics superhero, and featured a splendid cast that included Marlon Brando, Gene Hackman, Margot Kidder, Glenn Ford, Terence Stamp, and Maria Schell. Williams was nominated for an Academy Award for his original score. The title theme draws on the lush orchestral heritage of Richard Strauss’s tone poems, with a particular nod to Death and Transfiguation.


Spider-Man Main Title Theme

Danny Elfman was the lead singer and song writer for the new wave/performance art group Oingo Boingo from 1974 to 1995. He has become a significat figue in the fil and television music industry, having written the scores for The Nightmare Before Christmas, Men in Black, Milk, and Good Will Hunting, among others.
An early crossover project in the classical realm was Serenada Schizophrana for the American Composers Orchestra in 2004. American conductor John Mauceri recorded the Serenada, a collaboration that bore fruit in The Overeager Overture, which Elfman composed for Mauceri and the Hollywood Bowl Orchestra. Elfman remains closely associated with Hollywood, where his more recent fil scores include Beetlejuice, Edward Scissorhands, The Nightmare Before Christmas, and Pee Wee’s Big Adventure
A MESSAGE FROM TONIGHT'S SPONSORS HARBOR STEEL
It’s only fittin that Harbor Steel sponsor a concert featuring the Man of Steel himself—along with his cohorts Wonder Woman, Spiderman and the Caped Crusader! John Williams, Danny Elfman and the others were inspired by the great superheroes to create truly great music. These exciting, powerful scores from the silver screen shine in a new light when paired with timeless works by Prokofie and Stravinsky. Harbor Steel is proud to sponsor this performance and to join in an event celebrating our community’s superheroes. Up, up, and away!
RAYMOND JAMES
Welcome to Superheroes at the Symphony! Raymond James & Associates of Downtown Muskegon is proud to sponsor tonight’s concert, held in collaboration with the Muskegon Museum of Art’s upcoming exhibit, The Art of Comics, featuring the great superheroes. Muskegon’s arts and culture scene is part of what keeps our community vibrant and makes it continue to grow and thrive
At Raymond James & Associates, we’re proud to invest our time, money and talents into the communities we serve. It’s so much more than tradition; it’s our way of thanking those who’ve supported us from the start.
The Marvel Comics Spider-Man character has a history in fil extending back to a 1978 made-for-TV version. Elfman composed the scores to the firs two film of Sam Raimi’s cinematic trilogy starring Tobey Maguire. The fil ’s main title music reflets the duality of Peter Parker’s double life: optimistic, heroic, but down to earth vs. strained and anxious, suggesting the forces of evil. The constant undercurrent of a drumbeat evokes the spider’s movement.
Danny Elfman Suite from Batman
The Batman franchise began in 1989 with Tim Burton’s superhero film Its music was Elfman’s firs action film—an the one that transformed him from struggling rock ’n’ roller to established composer and fil musician. His technique was classical: a simple theme cloaked in different versions, ranging from a dark romantic style to one with menacing drums. He did all this with different permutations of the principal theme, lending the score a subtle unity despite its wide-ranging moods. Elfman’s music captures the heart-pounding suspense of the violent conflit between Batman and his arch-enemy, the Joker. Today it is heard in multiple venues ranging from video games to Six Flags amusement parks.

Rupert Gregson-Williams (b.1967)
Wonder Woman Suite

Britain’s Rupert Gregson-Williams is a versatile musician who works as a conductor and producer as well as a composer. His fil credits are impressive, including Hotel Rwanda (which won him the European Film Composer award), Hacksaw Ridge, Aquaman and its sequel, the animated Over the Hedge, and Jerry Seinfeld’s Bee Movie. He is also active in the television industry, and wrote the scores for the popular series Veep and the multiple award-winning Netfli drama The Crown.
Gregson-Williams had a traditional English music education, attending choir school, Lancing College, and St. John’s College Cambridge. Music runs in the family; his older brother Harry Gregson-Williams is also a fil composer. Rupert GregsonWilliams’s pounding Suite delivers the punch of Patty Jenkins’s 2017 blockbuster fil Wonder Woman, which starred Gal Gadot and Chris Pine. Gregson-Williams’s music pulses with power, energy, and lavish orchestration that descend from Hollywood’s golden age. His use of electronica connects his Wonder Woman score with modern adventure film.
Tamara Karsavina, who created the title role in the 1910 production of Firebird, wrote an article in 1948 recalling the young composer’s participation and demeanor as the new ballet went into rehearsal:
Often he came early to the theatre before a rehearsal began, in order to play for me, over and over again, some specially difficu passage. I felt grateful, not only for the help he gave me, but for the manner in which he gave it. For there was no impatience in him with my slow understanding; no condescension of a master of his craft towards the slender equipment of my musical education. It was interesting to watch him at the piano. His body seemed to vibrate with his own rhythm; punctuating staccatos with his head, he made the pattern of his music forcibly clear to me, more so than the counting of bars would have done.
With Firebird’s brilliant and lush orchestration, Stravinsky proved how well he had learned from his teacher RimskyKorsakov. Relying heavily on Russian folk tunes, he also acknowledged the influene of other older contemporaries. The Ronde des princesses shares the exotic orientalism of Borodin’s lyrical Polovetsian Dances. Stravinsky’s grandiose and triumphant final is indebted to Mussorgsky’s “Great Gate of Kiev” in Pictures at an Exhibition
Igor Stravinsky (1883-1971)
The Firebird Suite (1919 Version)

The Firebird is adapted from a Russian fairy tale in which a handsome prince is drawn into an enchanted garden and palace by the exotic bird of the title, who is a sort of good fairy. He falls in love with a beautiful captive princess, but must break the spell of the evil ogre Kashchei (who presides over the palace) before he may claim his bride. Stravinsky was young when he composed Firebird, and drew heavily on Tchaikovskyan ballet models, which were essentially derived from French principles. He took great care to bind the music closely to the action on stage. The Suite follows the essential outline of the story.
Remarkably, Firebird was Stravinsky’s firs ballet, and the firs of the trio of ballets that established him as a composer of international stature. The new work was an instant success, placing Stravinsky on the musical map virtually overnight.
In a sense, though, Firebird also marked Stravinsky’s break with his homeland. Thereafter he was a citizen of the world, living largely in France and Switzerland, and eventually in the United States. The ballet is at once a traditional work and a turning point, marking both the end of an era and the beginning of a brilliant, lengthy career.
Firebird was premiered by the Russian impresario Serge Diaghilev’s Ballets russes in Paris in 1910. The following year, Stravinsky derived a Suite from the ballet, concluding with Kashchei’s “Infernal Dance.” He re-orchestrated the Suite in 1919 for a somewhat smaller orchestra, using the Finale of the complete ballet for his conclusion; that is the version we hear.
IN THE COMPOSER’S WORDS
In his 1936 autobiography, Stravinsky described the circumstances that led to his composing Firebird.
In the summer of 1909 I returned to [my opera Le Rossignol] with the fim intention of finishin it. But a telegram then arrived to upset all my plans. Diaghilev, who had just reached St. Petersburg, asked me to write the music for L’Oiseau de feu for the Russian Ballet season at the Paris Opera House in the spring of 1910.
Only 27, Stravinsky was keenly aware of both the learning experience and prestige he would gain by accepting the assignment.
It was highly flttering to be chosen from among the musicians of my generation, and to be allowed to collaborate in so important an enterprise side by side with personages who were generally recognized as masters in their own spheres.
With the instinct for theatre and sense for life’s adventure that served him admirably for the next six decades, he embraced his new colleagues, dizzy with ideas.
At the moment when I received Diaghilev’s commission, the ballet had just undergone a great transformation owing to the advent of a young ballet master, Fokine, and the flwering of a whole bouquet of artists full of talent and originality: Pavlova, Karsavina, Nijinsky. Notwithstanding all my admiration for the classical ballet and its great master, Marius Petipa, I could not resist the intoxication produced by such ballets as Les Danses du Prince Igor or Carnaval, the only two of Fokine’s productions that I had so far seen. All this greatly tempted me, and impelled me to break through the pale and eagerly seize this opportunity of making close contact with that group of advanced and active artists of which Diaghilev was the soul, and which had long attracted me.
Sergei Prokofiv (1891-1953)
Selections from Romeo and Juliet

Shakespeare’s plays have inspired centuries of artists: poets, painters, and especially musicians. None of his plays has had more impact in music than his firs great tragedy, Romeo and Juliet The tale of star-crossed lovers in Verona was a particular inspiration to 19th- and 20th-century composers. When Sergei Prokofie turned his attention to Romeo and Juliet in the mid1930s, he chose ballet, a realm in which Shakespeare’s play had not yet found a home. Prokofie developed the scenario with Sergei Radlov (1892-1958), a Soviet stage director with considerable Shakespearean experience. Even so, they faced a long battle bringing the project to the stage.
After his score was complete and ready for production, Romeo and Juliet encountered political and artistic snags that resulted in its postponement. Frustrated, Prokofie extracted two sets of seven numbers each from his score, publishing them as orchestral suites. Eventually he extracted a third suite as well. As suites, the ballet’s music became well known in Russian concert halls several years before the ballet was finall produced at Leningrad’s Kirov Ballet in 1940. Romeo and Juliet has since earned the status of a classic, and has become Prokofie’s most beloved ballet score.
The suites bear no direct chronological relationship to events in the ballet. Prokofie rearranged their sequence for musical (as opposed to dramatic) logic, contrast, and coherence. Many conductors mix movements from more than one of the suites, rather than adopting the composer’s selection. In keeping with that flxible tradition, Scott Speck has chosen, for these performances, seven excerpts.
In the firs number, Prokofie communicates the menacing antipathy between the Montagues and Capulets with great artistry. “Juliet, the Young Girl” paints a portrait of the innocent heroine as she appears at the ballet’s beginning, before she has met Romeo. Half girl, half woman, she is untroubled and teasing. Responsibility, passion and tragedy have not yet clouded her life.
“Masks” is the music for Romeo, Mercutio, and Benvolio arriving uninvited at the Capulets’ ball in disguise. Yes, the young men are at a social event and intend to be on their best behavior, but the uncompromising march rhythm makes clear they could be looking for trouble.
Percussion is essential to establishing a martial mood for this movement. “Romeo and Juliet” is the balcony scene, the lovers’ firs meeting alone and together. Prokofie’s poignant, lyrical music covers a panoply of emotions and moods, as the pair discover the layers of each other’s personality and the depths of their mutual love. At approximately eight minutes, this movement is the longest in the suites—and the emotional and dramatic center of Prokofie’s ballet.
The “Death of Tybalt” captures the frenetic atmosphere of the melée as Romeo resolves to avenge Mercutio’s death through a duel with Tybalt, nephew of Juliet’s mother. Tybalt’s death at Romeo’s hand prompts a scene of somber mourning as the Capulets gather around the body of their fallen kinsman. The die is cast, and Romeo is banished from Verona.
“Romeo and Juliet before Parting” communicates the depth of feeling between the doomed young lovers. After he learns of Juliet’s death, Romeo purchases poison in Mantua before returning to Verona, where he slips into the Capulet crypt. In “Romeo at Juliet’s Grave,” Prokofie combines funeral march, anguish, and overwhelming grief. The young man mourns his beloved, unaware that she will soon awaken from her drugged sleep. Knowing that he cannot live without Juliet, he drinks the vial of poison.
Laurie Shulman ©2025



WEST MICHIGAN SYMPHONY
CLICK CLACK MOOSIC
Based on books by Doreen Cronin and Betsy Lewin, this series introduces children ages 3-8 to instrumental music in a storybook format. A host/ narrator introduces the small ensemble of WMS musicians, teaches the children about musical concepts, and then reads the story aloud— accompanied by music written for the series. Let us know if you are Interested in bringing CCM to your area!





Premier Strings brings together youth that are more advanced in their skill and performance levels providing them unique performance opportunities on stage with the West Michigan Symphony during Link Up concerts and forming string quartets that focus on community engagement performances. Debut Strings offers young musicians with at least 1–2 years of experience the opportunity to come together and develop their playing and performance skills.
Douglas Hannink & Jocelyn Shaw, 2025-2026 Season Sponsors
WEST MICHIGAN SYMPHONY
CHILDREN’S CHOIR
Audition-based for children ages 8-13, WMS Children’s Choir performs in its own concerts, collaboratively with Debut and Premier Strings, and on stage with the Symphony during Home for the Holidays and the spring Link Up concerts.
Douglas Hannink & Jocelyn Shaw, 2025-2026 Season Sponsors




LINK UP
Beginning its 22nd season, this free beginner music education program— a collaboration with Carnegie Hall—pairs WMS with 55 area schools in six West Michigan counties. Students in grades 3-5 learn to play music on the recorder and gain an understanding of orchestral repertoire. They benefi from regular contact with classroom visits from Music Mentors from the Orchestra. The program culminates with an interactive concert at the Frauenthal Center during which students perform on recorders along with the Symphony.
TUNE UP
Beginning its fourth year with additional Tune Up teaching staff, this after-school string program partners with Muskegon Public School’s 21st CCLC Impact program. Students involved in Tune Up are learning to play an instrument at an earlier age and findin the thrill of making music. Tune Up offers students a free violin or viola instrument and performing opportunities, right in their own school. Currently offered at Muskegon Public Elementary Schools and the Charles Hackley Middle School.




LUNCH
‘N LEARN
These free noon hour events, hosted by Music Director Scott Speck, are held in The Block on Wednesdays prior to each Masterworks concert. Guests enjoy a delicious lunch and learn about the music on the upcoming concert. Everyone is invited, including those who already have tickets to the concert, those who are curious and want to learn more, downtown community businesses, and area residents.
Sponsored by Embark Financial Partners
Our newest program brings people of West Michigan who have a passion to play their instruments together for a full summer day of music-making with Scott Speck and musicians of WMS. The day includes sectionals and full orchestra rehearsals, food and camaraderie. It closes with a concert performed by all participants—with community and WMS musicians sitting side-by-side.












MUSIC DIRECTOR SCOTT SPECK ABOUT WEST MICHIGAN SYMPHONY
An anchor cultural organization headquartered in Muskegon, WMS is a resident performing group at the Frauenthal Center, where its eight-concert season is the most visible part of a larger artistic enterprise of far-reaching community benefit. Founded in 1939, today’s WMS is comprised of professional musicians of the highest caliber playing challenging repertoire and presenting some of the world’s most acclaimed guest artists. WMS concerts and education events bring 17,000 people— more than 30% of whom are children and students—downtown annually, making it the largest performing arts organization on the West Shore. Audiences come from throughout Muskegon, Ottawa, Kent, Oceana and surrounding counties.
Mission
West Michigan Symphony connects and enriches our diverse community through the transformative power of music. We fulfil this primarily through three core offerings:
• Professional, live symphonic performances in a welcoming environment
• Inspired small ensemble performances in an immersive live listening room
• Learning activities that enrich the lives of children and adults through exploration, participation and performance
Statement Of Diversity, Equity & Inclusion
West Michigan Symphony is committed to building an organization that fosters diversity, equity and inclusion. We acknowledge and celebrate the 19th century European cultural heritage from which the symphony orchestra arises. At the same time, we believe the art form is renewed and enlivened by embracing multifarious cultures and influences.
We will continually explore ways to reflet plurality, inclusivity and curiosity in our artistic programming. We commit to inviting under-represented ethnic groups into an ongoing, active dialogue so that we can learn, grow, and change, making the Symphony a place where everyone feels invited and accepted. In our Board, staff and volunteer base, we will work for greater inclusivity, thereby refleting the rich diversity of the West Michigan community. We will strive to reflet these values throughout our organization.

Scott Speck became Music Director of the West Michigan Symphony in 2002. Since then he is proud to have helped the WMS enter the ranks of the nation's finest regional orchestras.
Scott also holds positions as music director of the Joffrey Ballet, Chicago Philharmonic and Mobile Symphony. He previously held positions as conductor of the San Francisco Ballet; music advisor and conductor of the Honolulu Symphony; and associate conductor of the Los Angeles Opera. During a tour of Asia he was named principal guest conductor of the China Film Philharmonic in Beijing. He was also invited to the White House as music director of the Washington Ballet.
In past seasons Scott Speck has conducted at London’s Royal Opera House at Covent Garden, the Paris Opera, New York's Lincoln Center, Chicago’s Symphony Center, Washington’s Kennedy Center, San Francisco’s War Memorial Opera House, and the Los Angeles Music Center. He has led numerous performances with the symphony orchestras of Chicago, Houston, Baltimore, Paris, Moscow, Shanghai, Beijing, Vancouver, Romania, Slovakia, Buffalo, Columbus, Louisville, New Orleans, Oregon, Rochester, Florida, and Virginia, among many others.
Speck is co-author of the world’s best-selling books on classical music for a popular audience: Classical Music for Dummies, Opera for Dummies, and Ballet for Dummies. He has been a regular commentator on National Public Radio, the BBC, the Australian Broadcasting Corporation and Voice of Russia, broadcast throughout the world.
Born in Boston, Scott Speck is a Fulbright Scholar, a summa cum laude graduate of Yale University, and an Aspen Conducting Fellow. He is fluent in E nglish, German and French, has a diploma in Italian, speaks Spanish and has a reading knowledge of Russian.
scottspeck.org facebook.com/ConductorScottSpeck










CONCERTS AT THE BLOCK MUSKEGON ARTS & CULTURE COALITION
WMS’s Listening Room for the Musically Curious, The Block, is an innovative performance venue featuring a mixture of jazz, classical crossover and "curious." Since its opening in 2013, The Block has become a vibrant downtown gathering space that sparks curiosity, inspiration and fellowship through the shared experience of uncommon live music and educational programs. Audiences have found the venue a refreshing alternative—to the formality of a concert hall on one hand, the clamor of a brewpub on the other. The Block is also a gathering place for various nonprofit, musical and community groups. Recent users have included Black Business Expo, GVSU Piano Chamber Series, Greater Muskegon Economic Development, Harbor Hospice, Muskegon Rotary, the Poppen Foundation, Third Coast Trombone Retreat, Tux ‘n Chucks, and Young Black Professionals, to name a few.
For rental information, call 231.726.3231
WMS is a founding member of the Muskegon Arts & Culture Coalition (MACC), whose purpose is to advocate for and educate the community on the significant economic and quality of life impact of the arts and cultural sector. Muskegon County is home to a wide range of institutions offering exceptional arts and culture experiences that reflect and celebrate our diverse community. The arts have been key to the revitalization of our region for decades, and they remain pivotal in the post-COVID recovery economy. A recent study by Visit Muskegon found that cultural institutions and festivals contributed more than $70 million annually to Muskegon County’s economy. According to the Creative State Michigan Report, the Arts accounted for $2.5 billion in state tourism revenues—more than professional sporting events, golf, boating and sailing, hunting and fishing, hiking and biking combined.
WEST MICHIGAN SYMPHONY
25/26 SEASON

Gershwin’s
Piano Concerto
February 27
Kellen Gray conductor Michelle Cann piano
Immerse yourself in this unforgettable evening featuring the artistry of pianist Michelle Cann and a musical program that reflects the influences of American jazz, AfricanAmerican spirituals and folk themes.
Michael Ellis Ingram Overture to Jubilee
Gershwin Concerto in F Dawson
Negro Folk Symphony
Great Seats Still Available!
CONCERTS BEGIN AT 7:30 PM | Frauenthal Center


Guitar Romance

All-Star Finale
March 20
Scott Speck conductor Camille Zamora vocalist
The Mambo Kings
This celebration takes you on musical journey through Spain and the Americas. Experience the rich diversity of Latin music worldwide with the soaring melodies of Spain, the thrilling AfroCuban rhythms of the Caribbean, the sunlit boleros of Mexico, the elegant tangos of Argentina and Uruguay, and the burning Latin Jazz of Spanish Harlem.
April 17
Scott Speck conductor Pablo Sáinz Villegas guitar
Guitarist Pablo Sáinz Villegas is hailed as “the soul of the Spanish guitar.” His passionate performances, filledwith flair and emotional depth, captivate audiences. Don’t miss this evocative evening showcasing the finestof classical guitar.
Falla Suite No.1 from The Three-Cornered Hat
Piazzolla Tangazo
Rodrigo Soleriana, Suite for Orchestra
Falla Ritual Fire Dance from El Amor Brujo
Rodrigo Concierto de Aranjuez
May 8
Scott Speck conductor Igor Cetkovic cello
Peter Kurdziel organ
What better way to close the season than with a dramatic program of symphonic luminosity? WMS Principal Cellist Igor Cetkovic performs Gulda’s memorable Cello Concerto. Then lose yourself in the sumptuous rumble of the Barton Theatre Organ, as your WMS takes on Saint-Saëns’ magnum opus.
Glinka Overture to Ruslan and Ludmilla
Gulda Cello Concerto
Saint-Saëns Symphony No. 3 “Organ Symphony”
WESTMICHIGANSYMPHONY.ORG
Do you know a student with a love of live musical entertainment?
Encourage them to become a WMS Student Music Pass member. This FREE membership program gives area students access to $5 tickets (best available seats) for all WMS Masterworks performances at the Frauenthal Center and select performances at The Block.

BY WEST MICHIGAN SYMPHONY
25/26 SEASON

Jordan VanHemert Quartet
JAZZ SAXOPHONE
February 7
Saxophonist Jordan VanHemert, born in Korea and raised in Michigan, crafts jazz music that illuminates race and social justice. His music melds Korean cultural roots with blues-infused hard bop, creating a powerful narrative that honors tradition while expressing his unique musical voice.

House Of Hamill
CELTIC FUSION
March 13
Just in time for St. Patrick’s Day, House of Hamill returns to electrify with their dynamic fusion of Celtic traditions and contemporary folk energy. Experience jigs, reels and songs infused with their original take on traditional Irish fiddling
Immersive Listening Room for the Musically Curious
CONCERTS BEGIN AT 7:30 PM

Robert Johnson & Friends
BAROQUE CHAMBER
February 13
Our WMS Principal Bass joins with friends – violinist Letitia Jap, Soprano Jennie Judd Reyes, organist Alexis VanZalen – to bring you an inspiring night of music from Bach, Couperin, Telemann and more.

Camille Zamora
LOVE IN SONG
March 21
Camille Zamora’s voice has been described as “luminous, transcendently lyrical.” On this evening following her appearance with WMS, she’ll take you on a journey from the heart: loves songs across fie centuries and fie continents.

Michelle Cann
CLASSICAL PIANO
February 28
The night after her appearance with WMS at the Frauenthal, pianist Michelle Cann brings a solo performance to The Block. Cann has been described as “technically fearless” and is one of the most sought-after artists of her generation.

Varo String Quartet
CLASSICAL CHAMBER
April 18
Experience the variety of sound that a string quartet can make! The Varo String Quartet – featuring WMS violinists Carmen Abelson and Hannah Christianson – will perform a mix of music, from the innovative works of living composers to classical masterpieces.

Stéphane Wrembel Quartet
GYPSY JAZZ
May 1
While Stéphane Wrembel is considered a world master of the Django Reinhart guitar style, he revels in transcending and expanding—incorporating jazz, blues, classical, swing, flamenco and rock.






Dear Friends,
There’s more to the West Michigan Symphony than meets the eye... and even the ear. What you see before you is truly a miracle: a community resource nurtured and grown over the past 86 years and sustained through the dedication and love of the entire community. WMS brings together the fines musicians and guest artists from across the country and touches the hearts and souls of listeners of all ages. We are proud to sponsor the 2025/26 Season. Enjoy the performance!


Mike & Kay Olthoff 2025/26 Season Sponsors

WEST MICHIGAN SYMPHONY

WMS is the largest presenter of live music in Muskegon County, offering more than 30 events annually at the Frauenthal, The Block and elsewhere for audiences of all ages

WMS impacts more than 6,000 area youth from six West Michigan counties through its music education programs

Music Director Scott Speck also conducts the Joffey Ballet, Chicago Philharmonic and Mobile Symphony

Tune Up provides free string instruments and free after school instruction at all Muskegon Public Elementary schools and Muskegon Middle School.
The Orchestra prepares Masterworks performances in just 3-4 evening rehearsals, Pops in 1-2 rehearsals