Studio 3 e-Booklet

PLAN TO SECTION RELATIONSHIP

CIRCULATION

SOLID VOID

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SPATIAL TYPOLOGY

LINEAR TYPOLOGY

THE COMPOSITION CAN BE SEEN AS LINEAR FORM, DIRECTIONAL QUALITY AND FLOW OF SPACE

DEFINED BY PARALLEL PLANES

THE LIGHT WITHIN THE LINEAR PATH FORCE THE USER TO MOVE THROUGH THE SPACE

INTRODUCTION

AN UNDERGROUND PLACE THAT CAN ENTIRELY BE SEEN AS A VERY LARGE SITESPECIFIC ARTWORK THAT CONNECTS ARCHITECTURE PEOPLE AND NATURE BY CHANGING THE AMBIENCE OF THE SPACE TSELF WITH THE PASSAGE OF TIME THROUGH THE AMOUNT OF NATURAL LIGHT ENTERING THE SPACE

VARIATION

A HIGHLY COMPLEX AND VARIED SEQUENCE OF “LIGHTSCAPES” ARE CREATED WITHIN A CONFIGURATION OF SIMPLE GEOMETRIC FORM IN EACH SPACES SUCH AS TRIANGLE, RECTANGLE AND SQUARE.

LIGHT & SHADOW A2

SPATIAL POETIC

USE LIGHT ENERGY TO RUN WITH THE DIAGONAL AND SHARP EDGES OF THE CONCRETE BY TURNING A STATIC CONCRETE TO A CONCRETE THAT HAVE SENSE OF MOT ON.

L GHT S COMING IN FROM THE TOP OPEN NG.

INSIDE / OUTSIDE RELATIONSHIP

FRAMING THE VIEW

CONNECTING THE USER WITH THE NATURE BY CONTROLLING THE USER LOOKS TOWARDS THE SCENE OF BLUE SKY AND PANORAMIC SEA VIEW THROUGH THE USE OF L GHT USING DIFFERENT KIND OF SHAPE

SUN PATH ANALYSIS

VOLUME AND SCALE

THE BIG OPEN COURTYARD VOLUME CAN MAKE THE HUMAN SCALE BE SMALL WHEN THEY ARE SURROUNDED BY HIGH AND TALL STRUCTURE, GIVING THE SENSE OF BEING MINIATURE. THE L GHT IS MORE D STRIBUTED IN LARGE VOLUME SPACE COMAPRED TO SMALL VOLUME SPACE

HIERARCHY OF SPACE

D1

L GHT S REFLECTED W TH N THE SPACE

1 2

1. 2. A

THE BRIGHT LIGHT THAT ENTER THE SPACE WHICH REFLECTED BY THE PURELY WH TE CEILING WALL AND FLOOR CREATE A CONTRAST WITH THE ARTWORKS THAT ARE MORE D M IN COLOUR THE LIGHT IN THE SPACE AND THE SHADOW ON THE ARTWORKS MAKE THE USER MORE FOCUS WHEN INSIDE THE SPACE.

1. 2.

LINEAR PATH THAT ARE BRIGHT AND VISIBLE TO BLUE SKY VIEW ALLOW THE USER TO APPRECIATE THE BEAUTY OF NATURE AS HUMAN IS A PART OF NATURE. A2

INSIDE A DARK AND NARROW CONCRETE SPACE, A RIGHT AMOUNT OF NATURAL LIGHT COMING THROUGH THE S DE OF THE WALL WILL GIVE A WARM FEELING TO THE USER AND LEADING THEM TO ANOTHER SPACE

LIGHT IS COM NG N FROM THE SIDE OPENING. B1

MIXTURE OF NATURAL LIGHT AND DARK SHADOWS PROV DE GUIDANCE THROUGHOUT THE SPACE G VING SENSE OF MYSTERIOUS WHILE APPROACHING THE ENTRANCE.

LIGHT IS COM NG IN FROM THE TOP OPENING AND THE SIDE OPEN NG. C1

THE L GHT STREAM NG IN FROM THE FOUR EDGES OF THE CE L NG EXHIBITS THE SPACE LOOK LIKE A FRAME OF PAINTING MOVEMENT OF SUNRISE TO SUNSET MAKES THE ART LOOKS ALIFE

NAOSHIMA, KAGAWA DISTRICT, JAPAN

ZHENGZHOU ART MUSEUM & ZHENGZHOU ARCHIVES

TJAD ARCHITECTS

INTRODUCTION

ZHENGZHOU ART MUSEUM AND ZHENGZHOU ARCHIVE IS DESIGNED BY TJAD ARCHITECTS THE ART MUSEUM AND ARCHIVE IS LOCATED N THE DEVELOPING CLUSTER ARCHITECTURE AREA R SING FROM THE WILDERNESS IN THE WEST OF ZHENGZHOU.

FORMING THE FUTURE CULTURAL CENTER GROUP ALONG WITH TWO OTHER BUILDINGS, THE PROJECT ADDRESSES THE DUALITY OF URBAN AND H STORICAL IDENTITY OF THE CITY

SUN PATH ANALYSIS

HIERACHY OF SPACES

TIME

SPATIAL POETIC

POCKMARKED FACADE WITH WINDOW OPENINGS OF D FFERENT SCALES ALLOW LESS LIGHT INTENS TY TO PENETRATE INSIDE COMING FROM THE MORN NG AND EVENING SUN WH LE MORE LIGHT DUR NG THE NOON

A0. SUN SHADOW PATTERN STUDY

AZIMUTH: 258 63°

ALTITUDE: 27 04°

TIME: 17:34 GMT+8

DATE: 06/04/2021

BRIGHTLY LIT SPACES FROM THE EAST FACADE ARE THE ENTRY POINTS FOR V SITORS BECAUSE THE L GHT DURING THE DAY AND MIDDAY PENETRATES TO THE DEEPER SPACES ACTING AS GUIDES FOR MOVEMENT.

INSIDE / OUTSIDE RELATIONSHIP

THE STAIRCASE LEADING TO THE ART ATR UM IS OR ENTATED TOWARDS THE SUN TO ALLOW MAX MUM DAYLIGHT INSIDE WHICH CREATES AN NVIT NG ATMOSPHERE FOR VISITORS.

AS TIME PASSES, THE L GHT AND SHADOW FROM THE TOP SKYL GHT CHANGES AND CREATES PATTERNS WHICH DIRECT THE MOVEMENT OF THE VISITORS

CIRCULATION

VOLUME & SCALE

CENTRIC TYPOLOGY

A CENTRAL DOM NANT PO NT WHICH ORGANISES ALL LEVELS OF SPACES, AND ALLOW USER TO EXPERIENCE

DIFFERENCE OF LIGHT AT DIFFERENT TIMEZONES

CIRCULATION IS LINEAR AND VERTICAL. THE STAIRCASES PENETRATE AND LINK THE TWO LEVELS AND HIGHTEN THE VIEWER S PERCEPTION OF TIME N TERMS OF SPACE AND LIGHT.

PRIMARY CIRCULAT ON SECONDARY CIRCULATION

INTENSITY OF LIGHT WH LE WALKING THROUGH THE BUILDING, THE SUDDEN CHANGE THROUGH SPACE DIVIS ON AND LIGHT ALLOW USER TO EXPERIENCE THE CHANGE OF SPACE AND ZONE.

THE S DE COURT AT THE ARCH VES ESTABLISHES THE L NEARITY OF THE SPACE WHERE THE LINEAR SKYLIGHT AND WINDOW OPENINGS ACT AS GUIDES AND CREATE RHYTHMIC PATTERNS N A MUNDANE AREA TO EXCITE VISITORS

DUE TO THE DES GN OF THE ARCHIVES LARGER VOLUMES OF SPACES RECEIVE GREATER AMOUNTS OF LIGHT DURING THE DAY AND MIDDAY; WHEREAS THE SMALLER VOLUMES OF SPACES RECE VE LESSER LIGHT FROM THE EVEN NG SUN

WARM GREY PRECAST CONCRETE DECORATIVE PANELS AND STRIPE CONCRETE AS THE FACADE JUXTAPOSES THE USUALLY COOL FEEL CONCRETE EVOKES MAKING THE VISUAL TEXTURE LOOK MORE DETAILED AND LESS MONOLITH C DURING THE MORNING AND M DDAY.

1.

2.

B1

B2

C1

ZHONGYUAN DISTRICT, ZHENGHOU, HENAN, CHINA

RE: alm

THE JOURNEY TAKES THE USER ON A PATH OF SELF-DISCOVERY TO RELIVE THE MOMENTS OF CHILDHOOD AND THE REALIZAT ON THAT THE TRANSITION INTO ADULTHOOD MEANS FORGOING THE CAREFREE L FE TO ACCEPT THE REALITY OF HARDSHIPS IN LIFE INCORPORATING THE PLAYFUL NATURE OF CHILDHOOD INTO THE SPATIAL EXPERIENCE THE STRUCTURE IS PART ALLY SUBMERGED UNDERWATER WITH THE PLAY OF WATER PATTERN MOVEMENT. THE FRAGMENTS OF TUCKED AWAY MEMORIES COMPELS THE USER TO APPROACH NTO THE ENTRANCE GUIDED BY STRIPES OF LIGHT CONVERGING INTO WITHIN. THE COARSE SURFACE OF THE ENTRANCE GRADUALLY BECOMES SMOOTHER AS THE USER DESCENDS DOWNWARDS, LEAD BY THE STRIPES OF LIGHT, GUIDING HIM AS HE STARTS TO RECALL H S MEMORIES OF CHILDHOOD. THE PATH THEN LEADS THE USER DOWNWARDS CURIOUS, THE USER FOLLOWS THE PATH AND SEES PATTERNS OF DANCING L GHT CASTED ON THE FLOOR, ACCOMPANIED BY SHADOWS. FOLLOWING THE LIGHT WHICH INCREASES IN SIZE THE SPACE LEADS THE USER TO A SPACE COMPLETELY BATHED IN PATTERNS OF LIGHT SURPRISED, THE USER RECALLS THE MEMORIES OF HIS CHILDHOOD AS HE IS OVERWHELMED WITH THE JOY OF REMEMBERING THE FUN TIMES DUR NG CHILDHOOD. MOVING FORWARD THE SPACE SUDDENLY BECOMES DARK WITH LITTLE LIGHT FRAGMENTS POURING IN. THE USER WALKS DOWN THE VO D-L KE SPACE, RELYING ON THE LITTLE LIGHT AND THE TOUCH OF THE WALL SURFACE NEXT TO HIM TO NAVIGATE HIS WAY DOWN. WATER CASCADES IN THE SLIPS OF THE WALLS SPLASHING H M AT RANDOM AS THE STREAM OF WATER BOUNCES UPON THE CHANGING TEXTURE OF THE WALL. THROUGHOUT THE JOURNEY, THE USER FEELS CONFUSED AND UNCERTAIN ABOUT HIS FEELINGS AND DECIDES TO HAVE A MOMENT OF REFLECTION. REFLECTING, THE LIGHT CHANGES PORTRAYING THE CHANGING FEELINGS FELT BY THE USER. THE JOURNEY THEN LEADS TO A LONG DARK PATH THAT GRADUALLY NARROWS AND BECOMES HIGHER AND STEEPER. THE JOURNEY AIMS TO EVOKE A SENSE OF CONSTRAINT AND MELANCHOLY AS THE USER SLOWLY COMES TO TERMS W TH THE REALIZATION THAT HIS CHILDHOOD MOMENT HAS ENDED AND THAT HE HAS TO FACE THE REAL TY OF ADULTHOOD.

LINEAR CIRCULATION

CONTROL THE USER CIRCULATION TO MOVE THROUGHOUT THE SPACE THROUGH GUIDANCE OF LIGHT

SITE PLAN (SCALE 1:75)