陳威 作品集

Design is not just what it looks like and feels like.

Design is how it works.

-Steve Jobs

Design Portfolio 晚⧨

Industrial Design 2018-2021

C h e n We i P o r t f o l i o

C h e n We i P o r t f o l i o

Contents 00/

About ỉᵸ䫟㨵

01/

02/

p.03

Product design ヿⴱ⇔幤‪㟃士壆

p.08

㰵切⹧佰䖄

p.18

檦樘㐏㊲⑬㙴

p.28

储圊嶈枙巨ㆄ∶ㅈㄉ

p.38

Material design SYF㫲䩟㘎宨ょ䏦

p.52

3

攱⢿ Product Designer 『∌ 䔞 䔆㗌 ㈲㩆 ( PDLO V V#JPDLO FRP ,QVWDJUDP KWWSV ZZZ LQVWDJUDP FRP FZ

4

储ᶉ ㇸ㘖ῲ⮳㛰ペ₶⊂Ọ⎱⟞堳僤⊂䙫⭟䔆Ə䆘塞㖣⾑䒗娔姯ᷱƏ㘩⸟⎪⊇㛰旃⾑䒗娔姯䙫㴢⊼ ƏṆ⸟旃㳏⛲ⅎ⣽㛰旃㰟乳娔姯䙫岮㖀Ọ⢅怙⭟㠈㱹㕀∗䙫㝘奦Ə⹚⸟凯嶊▃㭈㖬怱忶怵㖬 怱僤␟㔝∗⏫ῲ✗⌧ᷴ⏳䙫㕮⋽Ọ⎱⃠‣妧䙫ⷕ䕗˛

士壆曖⚝

士壆嶝榒

䶇剙娔姯 ⾑䒗娔姯

$GREOH 3KRWRVKRS

Solidwork

䔉⒨娔姯 ⹚杉娔姯

Adoble Illustrator

Alias

Cinema 4D

)XVKLRQ

Keyshot

⨶䱑㨵 2018.06

2019.09

凛䔏檿䴁Ḕ⭟㙕态䦸䕉㥔 ⅌⭟ẅ㴙⤎⭟ ┭⒨娔姯⭟䳢

弰⭟㝘㵞⤎⭟ ⷌ㥔娔姯䳢

‴ᶔ䱑㨵

2021.06

2020.07

⎪凮 堳㔦晉䒗⡪旃㇞ⷌὃ✱

2021.05.26

⎪凮 /H[XV GHVLJQ ⷌὃ✱

⎪凮憸⅟憸⅟娔姯䌵㥩⿜⯶偁

2019.09-2019.11

2021.01-2021.02

⎪凮懄主杲䔉⭟⏯ὃ㠯

ẅ㞶恨㖖⛲暂傈Ụ㛰昷⅓⏟ ⯍侹䔆 ⎪凮 LI 娔姯䌵

2020

䈌曃

廻⅞娔姯䔉⭟⏯ὃ㠯䬓ṳ⏴

2019

ẅ㴙⤎⭟㜆㜒㛪⯐䬓ᷧ⏴

2021

䬓ᷧⰭ 憸䵘䪲䚪䔉⒨娔姯㮻峤 ↇ庴 ⤎⯯晉㠈≜㥔⯍㈗⹚⏗ ⅌⛴∴

5

Product Design Description Ọᷲ娔姯䙭㘖䔉⒨娔姯Ə忶怵⁁䔉⒨娔姯孺ㇸ㛛ṭ姊㱹ῲ娔姯㴨䧲Ọ⎱栳䛕㈧姩⮁ 䙫⮉例Ə⏍⣽ƏṆ忶怵ᷴ⏳䙫〄俪妹⺍Ὥ娔姯㮶ᷧ㨊ὃ⒨˛

6

7

01

F l a t - p a c k o f fi c e c h a i r r

Flat -pack office chair Ye a r /2 0 2 1 p ro j ec t members: 晚 ⧨ ⻡㨈˚㨈❲壤ὃ 㛥 ヶ 㷚 ⻡㨈˚⹚杉娔姯 /,7㘖ᷧ㬥僤㛛㏂⽳傳䙫㈨⹚⋽徍⅓㣬 Ə僤ᾄ䅎ὦ䔏俬䙫曧㰩Ὥ怙堳㛛㏂Ə ᷴ€⥩㭋廼憶⋽䙫檏㞝Ọ⎱㖗䙫怊㡦娔 Chen Wei Portfolio

姯Ṇ㘖ㇸῸ吾憴䙫✗㖠Ə✏㛧⽳ㇸῸṆ

8

∐䔏㊭⻡Ὥ孺㭋䔉⒨㈨⹚⋽Ə总∗⾑䒗 䵺㿆䙫㔯㞃˛

9

Problem Analysis 暏吾㘩Ị䙫怙㭌ƏạῸᷧ⤐徍⅓䙫㘩敺嵱Ὥ嵱敞Ə⛇㭋徍⅓㣬䙫曧㰩憶 ⏑⢅ᷴ㸂Ə俳徍⅓㣬䙫娔姯⋬␒ṭ娘⤁ⱋ杉䙫〄俪Əạ⛇ⷌ䧲˚㩆㦲娔 姯˚㜷峑娔姯䬰䬰䙫惤㘖奨⎢〄俪䙫ⱋ杉Ə俳✏怀㬈䙫娔姯䕝ḔㇸῸ⾅ 㖗䙫怊㡦娔姯Ọ⎱⥩Ἴ㛛凹恐䙫⎢⺎㣬⬷⎢ペƏḍ䴷⏯㈨⹚⋽⋬壄Ὥ娔 姯徍⅓㣬˛

㿟ヿⴱ⇔⇃垛 :娘⤁䙫徍⅓㣬惤㱹㛰怙堳㈨⹚⋽⋬壄Ə⯵凛婙䔉 ⒨✏⋬㜷ᷱ杉Ə㵑岢ṭ娘⤁岮㹷˛

斡ᶣ㳃㯕 ⷩ杉ᷱ䙫徍⅓㣬⤎⤁㕟惤䄈㲼怙堳㷬䏭Ə⯵凛䶙㠣䙫 㣬傳⽯⮠㗺㛪⭚䔆㱀➉˛

10

ᴃ☎倮䒞

11

Research. ⡀ḓㆄⶸ

12

楦㙴⃄㙎

ᷧ㬥徍⅓㣬㛰吾㕟⌨ờ䙫曝ờƏ俳㮶

㮶⼜徍⅓㣬惤㛰吾檏㞝Ὥ㔖㑷吾Ə

ῲ曝ờ惤㘖曧奨⎢⇭㝷Ọ⎱⎢娔姯䙫

俳㮶㬥徍⅓㣬䙫檏㞝Ṇ㛰吾ᷴ⏳䙫

Ə⤎凛ᷱ⇭ㇷṭ㉝㈲˚檏㞝˚⹼惏㔖

⊆僤凮㔖㑷⼞⺍Ə㛰+˚,˚7˚<˚

㞝˚㣬傳˚㣬杉˚㣬✷˚媦䮧㡦˚怊

;䬰⤁㬥怇❲Ə忶怵⤁㬈䙫匰㨈◾

⊼㡦˚㔖㞝˚㣬党˚弑⬷Ə忶怵⇭㝷

婍Ọ⎱怇❲䙫῕棥Ὥ孺檏㞝ᷴⅴ㘖

曝ờƏ✏Ḳ⽳䙫㈨⹚⋽⋬壄Ṇ㛛⊇㖠

⎁憴䙫ㄆ妡俳㘖㛰吾䯴䩡廼憶⋽䙫

ᾦ⎢⁁㊭⻡˛

娔姯ㄆ˛

Sketch. 忶怵娔姯⤁㬥檏㞝Ὥ⾅Ḕ㋸恟㛧恐⏯䔉⒨⋽Ọ⎱娔姯ㄆ䙫檏㞝 Ə俳ᷴ⏳䙫檏㞝⅝⯍Ṇ㘖恐⏯ᷴ⏳䙫徍⅓㣬㠭㞝Əḍ᷻娔姯ṭ ⤁㬥㛰㛙⺍㣬杉䙫娔姯˛

<❲怊㎌㡦

;❲怊㎌㡦

⤁恱❲怊㎌㡦

+❲怊㎌㡦

13

Lit Office chair 凹恐

⮉壤⋽

䏠⍿㳰㚑◔ 忶怵䯴䩡䙫檏㞝娔姯Əᷴ€䶔㋨ṭ剖⥤ 䙫怇❲ㄆƏṆ⊇⼞ṭ㕛檻䙫⹚塈⺍Ə⏖ Ọ㉦⎾ὦ䔏俬ᷱᷲⷍ⏚䙫㘪⊼Əᷴ€⥩ 㭋㕛檻㜷峑⹥ḵ惤ὦ䔏檿⼞⺍⠸冇Ə✏ 㣬党惏⇭ὦ䔏抨Ə⢅⊇䴷㦲⼞⺍˛

䏠⍿ㆄⶸ◔ 㭋㬥徍⅓㣬两⅘㊭ㇷṭ ῲ惏ờƏ孺⋬壄㖠杉僤 䛨㛛⤁䙫䩡敺ƏṆ总ㇷṭ㈨⹚⋽娔姯䙫㢄ờƏḍ 䬍⏯䶇剙娔姯䙫䏭⿜˛

14

15

Color plan 㫡宨䯃 婙㬥栶剙恐⏯⹛廼⥚ 『✏㘩Ⰱ䔉㥔徍⅓˛

⟥◮䱞 㭋㬥栶剙恐⏯✏⮝徍 ⅓Ə廼䚯⎯凹㛴˛

Product details

⏖媦⻶㉝㈲

⮉壤⋽栶剙㐔愴

廼憶⋽怊㡦娔姯

㈨⹚⋽⋬壄

⏖㛦㏂㣬傳⻶娔姯

曀7❲檏㞝 16

㙚㤗涁 㭋㬥栶剙恐⏯䵍棷棙㥔䙫 Ὥ徍⅓Ə⾐㛰棤⑳ㄆ˛

⁵咋 㭋㬥栶剙⾐㛰䦸㉧ㄆỌ⎱ ᾷ吤ㄆƏ恐⏯䦸㉧䔉㥔˛

Knowledge gained ₫⯝恪⁜嬃條熂㉢⯉⊁ỗ⧓ᾦ用使用者的角度來設計產品，以 及如何以業界的角度來思考一個設計，包含了製程上的思考以 及產品行銷的思考，並在設計裡加入適當的創意來襯托出該設 計的獨特之處。

17

Seagrass -Restoration pot

Seagrass Restoration pot Year/2020 project members: 晚⧨ ⻡㨈˚⹚杉壤ὃ 㵞匰⾐備䚭㘖ᷧ㬥∐䔏㰛⺒㷋㳌䆹壤俳 ㇷ䙫⾐備䚭Ə∐䔏⾑䒗娔姯䙫㥩⿜Ὥ娔 Chen Wei Portfolio

姯䙫䚭㠤Ọ姊㱡⏗䁊㲦㵞徸⹥⹛Ὥ㵞匰

18

墒䠛⣅䙫┶栳˛ḍ忶怵㨈䴫⋽䙫娔姯Ὥ 㔥何䚭㠤ƏỌ䬍⏯㛛✗⽉䙫孱⋽˛

19

P ro b le m A n a ly s i s 暏吾➵ⷩ䙫䙣ⰼƏ娘⤁㵞ⲟ䷁惤恔∗ᷴ䕝䙫敲䙣∐䔏Ə⛇㭋Ṇ怇ㇷṭ娘 ⤁✗⌧䙫㵞ⲟ䷁恔∗䠛⣅Ə俳㵞匰Ṇ楽䕝⅝ḔƏ⏗䁊奦惏㲦㵞䙫㵞匰㣙 ざ✗恔∗⚛憴䙫㏴₞俳⯸ṭ㵞匰䙫⬿✏Ə㵞㳲䙫䢚⯮㛪⢅⊇Ə俳娘⤁ᾄ 杇㵞匰䶔䔆䙫⊼㣴䉐Ṇ㛪⎾∗㥜⤎䙫⽘柦˛

㫲⵩㲢㮣 㰛⺒㷋㳌徸⹥⹛ᷧ䛛㘖⏗䁊㰛⺒杉减䙫┶栳ḲᷧƏ⥩ Ἴ㉱㷋㳌憴㖗ⅴ∐䔏ᷧ䛛㘖ㇸῸ‣⽾〄俪䙫✗㖠˛

㰵㯉Ῠ柈⇔ 暏吾ⷌ㥔䙫䙣总Ə䳫Ὥ嵱⤁⮝⺔˚ⷌ㥔㱀㰛㍹⅌㵞 㳲怵⤁䙫㰕㍹⅌⯵凛ℑ棱⋽䙫䔉䔆ƏṆ⧨僬∗㵞匰䙫䔆⬿䒗⡪˛

20

㰵切ⵈ坩䛲➜

21

Research. 䊼㗇㰵切⹧佰␍朊

22

㘎宨⃄㙎

㽵㸽✗⌧

廼峑檏㜷 廼憶⋽˚⟬⛡Ə僤ῄ孞㵞匰Ə

⾐備⌧⟆㛰昷Ə⾬柯奨✏ạ䂡⹙

㜓庒㜷峑Ṇ⯴㵞㳲䄈⮚Ə僤ℬ䕝㵞⹱䙫

㓥˚㲦ⲟ㴨⽘柦⯸䙫⌧⟆˛

㱰䨴䉐˛

⏗䁊㜓ⳝ

䨢㮣 ∐䔏⻉㢫䙫䨢㮣⊇⅌㷋㳌㷞㳌✆Ḕ

㵞匰䙫䔆敞䒗⡪⾬柯奨✏ạ䂡⹙

怙堳䆹壤䆹⭳⽳䔉䔆䙫⬻㴅僤孺㵞㰛㛛

㓥㥜⯸˚㰛峑ṥ㷏˚ℰ䅎⤁⯈䙫

䩦忶㕛ῲ⾐備䚭˛

✗⌧Ə俳⏗䁊奦惏㲦㵞⛇䂡敲䙣

㲟䟚 㛰䟻䩝㋮⇡㰛⺒㷋㳌✏䵺怵柷䆹嘼

⚛憴Ə⛇㭋⾐備䙫㋸㈗⽯⤎Ə䏥

䏭㎷⌮㲟䟚␟昫㰕㰊僤⊂Ə僤␟昫㵞Ḕ

㛰䙫㵞匰✗⌧Ṇ㭊✏忷㼟叵丕˛

䙫㰕Ə孺㵞匰䙫䔆⬿䒗⡪㛛⥤˛

Sketch. 忶怵㨈䴫⋽䙫㥩⿜Ὥ䕒Ə娔姯ṭ⇡ᷴ⏳䙫⹥Ἴ⽉Ə∗㛧⽳㎈䔏 ⅔恱⽉䙫怇❲Ὥ䥨堳娔姯Əḍ愴⏯吾⍈㦒Ə✏⹼惏䙫⬻㴅Ṇ娔 姯ṭᷰⱋ䙫⬻㴅Ὥ孺㵞匰⋴⋷卽僤㛛⥤䙫㉺ἶ㵞⹱˛

23

Seagrass Restoration pot CO2

㰟乳㜷峑

㸂⯸㱀㞺

⏖⛅㔝∐䔏

䏠⍿㳰㚑◔ 㵞匰⁁㖣㵞㳲ℙ䢚ḲᷧƏ㘖姊㱡⅏䏪㙽 ⋽䙫⹒㈲Ə㵞匰䙫ℙ䢚怆⺍㮻䆘⸝曏㝾 檿总 ῴƏ⇭ⷪ⤁总 ῲ⛲⮝㲦ⲟ˛ ㇸ娔姯ṭᷧ㬥㵞匰⾐備䚭Ə∐䔏㰛⺒㷋 㳌ⅴ䔆∐䔏ㇷ䚭㠤Ə⅝⅔恱⽉䴷㦲⼞⺍ ⤎Ə∐㖣㨈䴫⋽ƏṆ僤ῄ孞㵞匰ℴ㖣㻨 䶙˚㻨删䙫䠛⣅Ə⏳㘩∐䔏㰛⺒㷋㳌䙫 㜷峑Ὥ壤ὃ⾐備䚭Ṇ姊㱡ṭ㰛⺒㷋㳌怵 ⤁䙫┶栳Ə总∗䒗ῄⅴ∐䔏䙫䉠剙˛

䏠⍿⾃❁◔ 忶怵㽂㰛ạⓈὭ㔥何婙䔉⒨Əḍ忶怵⿒怆䙫䴫壄 孺㵞匰⾐備䚭僤⤇⿒怆✗✏㵞⹼⻡䪲Ə忶怵⾐備 䚭✏㵞⹼䙫ὃ䔏Ə孺㵞匰䙫䔆ㄲ嵱Ὥ嵱尷⮳˛

24

N O2

O2 CO2

N

25

Using process

✏㰛㺒壈䨕㣴㵞匰劾㖣⾐備䚭Ḕ

䬰∗敞∗⹣劾⽳

何㖣㵞⹼Əḍ㈺

Product details

26

⤁恱⽉⬻⏖ῄ孞㵞匰ℴ㖣ạ 䂡䙫䠛⣅˛ ⅔妹⽉䙫怇❲⢅⊇ṭ㨈䴫⋽ ⋽䙫ᾦ∐『˛

⹼惏ᷰⱋ❲⬻㴅㖠ᾦ㵞匰䙫⋴ ⋷厨⑳㠠䙫䔆敞

廼峑檏㜷 ⏖Ọ怵㿥㍰㵞㳲Ḕ⤁棿䙫㰕 㜷峑⎲╫䒗⡪ 㰛⺒㷋㳌⊇⻉㢫䨢㮣

∐䔏㰛⺒㷋㳌溶㾨䙫䉠⾜⯮㷋 㳌⑳䨢㮣⑳⻉㢫㜏ⰸ㷞⏯壤ㇷ 恐⏯䨕㣴㵞嗢䙫✆⣋

⽳Ə忶怵㽂㰛ạⓈ㔥

海草生長在復育盆裡，並且透過海

㈺⅌⛡⮁㧨怙堳⛡⮁

草的⋴⋷卽Ὥ䩐⛡✏㵞匰⹱ᷱƏḍ 㔠╫䕝✗㵞ⲟ㰛⟆䒗⡪

Knowledge gained ⁁⭳怀ῲ媙栳Ə孺ㇸ㛛ṭ姊∗㰛⺒㷋㳌䙫㜷峑䉠『ƏỌ⎱⥩Ἴ㉱≜ 㖗㜷峑∐䔏✏䔉⒨娔姯ᷱƏṆ㛛ṭ姊⏗䁊㵞㳲䙫䔆ㄲ䳢䵘Ə⁁ᷧῲ 㰟乳娔姯⾬柯奨䟻䩝娘⤁㖠杉䙫岮㖀ƏὭ孺䔉⒨㜓庒僤㛛⭳╫㛛䬍 ⏯䒗⡪˚壤ㇷỌ⎱ạ⛇䬰䬰˛

27

Stranded Rescue stretcher

Stranded Rescue stretcher Ye a r / 2 0 2 0 p ro j e c t members 晚 ⧨ ⻡ 㨈 娔姯 嬄 ὚ 䐲 ⹚ 杉娔姯 每桅㓘㷡㔸㏛㒻㞝孺㯸ἶ⏖Ọ孺㓘㷡䙫 每屁㛛⿒怆㖠ᾦ⭰⅏䙫⛅∗⤎㵞˛㒻㞝 䙫娔姯ᷴ€ὦạῸ僤⤇ὦ䔏⭪㯒ᷴ岢⊂ Chen Wei Portfol io

ƏṆ㸂⯸ṭ䛛㎌㎌姟每桅䙫⏖僤『˛㭋

28

⣽Ə㒻㞝恫⏖Ọῄ孞每桅䙫䚕冁ℴ⎾∕ ₞˛孺怲忨䙫忻Ḕ惤㘖⭰⅏䙫˛

29

P ro b le m A n a ly s i s 每歁㓘㷡㘖⾅⏋凚ằ惤⬿✏䙫┶栳Ə⏋ạ婴䂡怀㘖凑䄝䏥屈Ə䄝俳徸⹥ ⌨⹛Ὥ⤎奶㨈᷻ᷴ䬍⏯恶弖䙫㓘㷡嵱Ὥ嵱栢丨Ə孺㵞㳲䔆ㄲ䙫⤘塈ƏṆ 孺ㇸῸ㛛憴好每屁怀ᷧ㖠杉Ə⥩Ἴ⎢姊㱡㓘㷡┶栳Ə㏂⏌婘媑Ə㘖䔁溣 敺㎌⯵凛ṭ㓘㷡ƏỌ⎱㓘㷡ṭ奨⥩Ἴ㖤㔸㘖ㇸῸ⾬柯娔姯姊㱡䙫惏⇭˛

⟥塍㣟㎯㲸 徸⹥⹛ḔƏ⤎奶㨈䙫㓘㷡嵱䙣栢丨䙣䔆Əᷴ䮈㘖檻 『⤎䙫每桅恫㘖檻❲廪⯶䙫屁桅˛

㐏斡㎒㙴 ✏䏥㛰䙫㓘㷡㔸㏛ḔƏὦ䔏䙫㒻㞝惤㘖ạ䙫㒻㞝Ə俳 ⯵凛每屁✏怲忨Ḕ㛪⛇䂡Ⱑ⯟䬰旃ᾩ俳ㄆ∗ᷴ恐ㇽ㘖⎾₞˛

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㿟㮓⺩廝㐏㊲

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Research. 檦嬘䕂亐⻥ 每屁㘖㵞㳲Ḕ⤎❲䙫ⓡṚ桅⊼䉐Ə✏

凑䄝⛇䴇 䖥䖬˚忞忻˚⛅偙⮁ἴ䳢

㵞㳲Ḕ㉕㻻俬ᷴ⏖ㇽ伡䙫妹剙Ə俳每

䵘㔬暃˚巆暏例檻˛

屁⎯⇭ㇷṭ每桅恫㛰屁桅Ə⅐䨕㛧⤎

ạ䂡⛇䴇 㻨㥔㷞䍙˚㵞㳲⻉㢫䉐˚

䙫ⷕ∌Ⱈ✏㖣檻❲䙫ⷕ䕗Ə俳⅐䨕桅

庴Ṳ偙䳴˚删暢㒅㒱˛

∌⾅⏋凚ằ惤㛰吾㓘㷡䙫䳧拫˛ 俳每屁✏㓘㷡⽳㛧憴奨䙫Ⱈ㘖ῄ㋨㾼 㽋ƏỌ⎱ῄ㋨庒檻㉝㭊Ə孺♛㰊⬻㜄 ᷱƏḍ㪉㟌㘖␍㛰⎾₞Əḍ⯸⎢姟䢗 每屁䙫气˛ 32

㎯㲸≝▞⃄㙎

Sketch. 匰⛽娔姯㖠杉ㇸ吾憴㖣Ⱑ⯟Ọ⎱怇❲ᷱƏ䢡婴⥤㵞屁㛧⸟奲 䙫Ⱑ⯟Ὥ娔姯Əḍ孺婙䔉⒨Ṳ⏖Ọ㠠㓁ᷴ⏳Ⱑ⯟Ὥ⁁媦㕛Ə ⏳㘩Əⅎ⁛䙫怇❲㎈䔏⌱⛺⻶䙫⇟嵞廆⡱Ə孺㵞屁䙫䚕冁僤 ⽾∗ᷧῲ㛴岣䙫ῄ孞˛

33

Stranded Rescue stretcher 㰟乳㜷峑

㔸㏛壄何

⿒怆㔸㏛

䏠⍿㳰㚑◔ 每歁㔸㏛㒻㞝㘖⏖ℬ㰊䙫Ə晋ṭῄ孞⑳ 昙㭉每屁桅䙫䚕冁䔘㖣儒㰛Ə∕₞䬰⛇ 䴇俳㭢ẈƏ⏖⿒怆ℬ㰊Ọ⎱㊽㛚Ṇ孺⢅ ⊇ṭ每歁䙫⬿㴢䍮Ə㒻㞝㘖䔘⯴䚕冁⎲ ⥤䙫㜷㖀壤ㇷ䙫˛ ✏㒻㞝䙫⅐⁛Ə㔥何ṭ㈲㉱Ọ⎱⎴ℰ㢄 ƏỌᾦὦ⭪㛛⮠㗺㊽㛚每歁⛅㵞ḔƏḍ ✏⤃敺Ṇ僤ὦ䔏˛

䏠⍿⾃❁◔ 䟻䩝岮㖀桖䤡每歁㓘㷡䙣䔆䙫⌧⟆⤎⤁㕟惤✏㲀 ✗Ə⛇㭋每歁㔸㏛▕㞝䙫ὦ䔏䔉⟆㘖✏㲦㵞㲀✗ Ə俳弑⬷䙫䉠㭱娔姯Ṇ孺㭋䔉⒨⏖Ọ䔏✏⤁䨕✗ ⽉˛

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35

Using process

Step1: ⯮㵞屁䧢⊼∗㭊杉

Step2: ⯮㔸㏛㒻㞝㔥⅌㵞屁䙫栔惏Ọ

Product details ㎷㉱ 孺㔸㏛俬⏖Ọ杇吾㎷ ㉱Ὥ㊽㛚㔸曊㒻㞝Ə㛛䛨 ⊂Ṇ㛛⿒怆˛

36

⎴ℰ㢄 孺䔉⒨✏㙁ᷱ㘩Ṇ 僤ὦ䔏˛

妑冁廆⡱ ⅎ⁛㜷峑惤㘖ὦ

⭰⅏㉊ 9⬾⽉⭰⅏㉊Ə僤

䔏妑冁廆⡱ḍ僤ῄ㋨㾼㽋

ᾄ䅎每屁䙫⤎⯶Ὥ怙堳媦

Əῄ孞每歁䚕冁˛

㕛Əⷍ⏚ῲᷧῲ⭰⅏㉊˛

Ọ⎱Ⱕ惏

Step3: ㉊䶱ⷍ⏚⅐⁛䙫⭰⅏⸝Ọ昙㭉㵞屁㺸 吤ḍ∐䔏ᷱ㖠䙫㉱㈲⯮㵞屁㊰⛅㵞Ḕ

Knowledge gained 怀㬈⁁䙫㘖‶⏸字栳桅䙫娔姯Ə⾅㛧∄䙫㥩⿜䙣ペ∗㛧䴩㨈❲惤怮 ∗ṭ⽯⤁䙫⛗曊Ə⿵㨊䙫娔姯僤⹒⊐∗每歁Əㇸ恫⤇䏭姊每歁㓘㷡 ▵Ə暽䄝怮∗ṭ䨕䨕┶栳ƏἭṆ忶怵ṭ⏫䨕䙫岮㖀㔝暭˚⯯⮝䙫婉 ┶Ọ⎱㨈❲䙫㸓婍Ὥ孺㕛ῲ娔姯㛛⊇⭳㕛˛

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B i c y c l e To o l D e s i g n

储圊嶈埅⋆ⷍ枙巨 ㆄ∶ㄱㄉ Ye a r /20 2 0 p ro j ec t members: 晚⧨ ⻡㨈⌻⊐ 㝾㘇⭮ ⹚杉壤ὃ˚㨈❲壤ὃ ≰㉦㙖 ⻡㨈⌻⊐˚㨈❲壤ὃ 凑堳庱壮⏯⻶棂弑㊭⍟㉱㈲㘖ᷧ㬥㕛⏯ ⻶䙫凑堳庱ⷌ⅞Ə忶怵⯮棂弑⤾䬹˚⤾ 䬹㝦㈲Ọ⎱棂弑⛡⮁㝦㈲ᷰ䨕ⷌ⅞䙫㕛 Chen Wei Portfolio

⏯孺ὦ䔏俬✏㊭⍟棂弑㘩僤㛛㖠ᾦ䛨㘩

38

Əᷴ€㔠剖ṭỌ⽧ₚ䵘挱㢄䙫捽⮁㖠⻶ Ṇ娔姯ṭᷧ㬥㖗䙫㩆㦲Ὥὦ䔏˛

39

Problem Analysis ⲣ‵弌⟘今ḽ䏦᳋ṽ 凑堳庱⽳弑䙫棂弑✏㊭⍟㘩ᷧ䛛⬿✏ᷧẂ┶

ᷧ刓Ὥ媑凑堳庱⽳弑䙫棂弑䙫挱㢄惤㘖杇吾

栳Ə忶怵妧⯆ƏㇸῸ䙣䏥⾬柯ὦ䔏棂弑⤾䬹

棂弑㝦㈲Ὥ怙堳⛡⮁ƏἭ㘖⸟⸟✏怙堳弰⊼

˚⤾䬹㝦㈲⎱棂弑⛡⮁㝦㈲ᷰ䨕ⷌ⅞Ὥ㊭⍟

䙫㘩 ⸟⸟㛪㛰㏽㘪䙫ガ⽉䙣䔆Ə怇ㇷὦ䔏

Ə俳ⷌ⅞䙫⤁⯈Ṇ怇ㇷṭὦ䔏俬✏㊭⍟棂弑

䙫ᷴᾦ˛

㘩怵㖣ᷴᾦƏ⛇㭋ㇸῸペ㉱怀ᷰ䨕ⷌ⅞㕛⏯ 嵞ὭƏ孺ὦ䔏俬✏忶怵ὦ䔏婙㕛⏯⻶䔉⒨Ὥ ㊭⍟棂弑㛛⊇㴨㚉㖠ᾦ˛

40

戈㝛∟ㄡ弌㑺斡∟

41

42

Research.

ά䰯枙巨ㆄ∶ⲣ‵⃄㙎 棂弑⤾䬹 : 䔏㖣⍈✏棂弑壈杉ḍ怊㎌㉔⊂㝦㈲Ə㛰⇭䂡捽䉀⻶ ⑳⍈⻶ ⛡⮁㝦㈲ : 䔏㖣㉊ἶ棂弑ᷱ䙫挱㢄 ㉔⊂㝦㈲ : ⍈吾⤾䬹Əḍ巆㝦㈲弰䛟⎴䙫㖠⏸Ə孺棂弑廼㗺㊭ ⍟˛

ㆄ∶㯿䣉⃄㙎 䏥㛰䙫棂弑㊭⍟ⷌ⅞⇭ㇷṭ棂弑⤾䬹˚⛡⮁㝦㈲˚⤾䬹㝦㈲ 䬰ⷌ⅞俳ὦ䔏㴨䧲㘖ℯ⯮⤾䬹⍈怙⎢棂弑ⅎƏⅴ⯮⛡⮁㝦㈲ ㉊✏棂弑䙫掯㢄ᷱƏ㛧⽳ⅴ䔏⤾䬹㝦㈲⍈怙⎢⤾䬹壈杉Ə㉱ ⛡⮁㝦㈲⑳㉔⊂㝦㈲⽧⎴㖠⏸弰Ə⍚⏖㊭⍟棂弑˛

43

Sketch ✏匰⛽娔姯ᷱƏ〄俪吾⥩Ἴ㉱ᷰ䨕ⷌ⅞䴷⏯✏ᷧ嵞ƏỌ⎱挱㢄⍈㉊ 䙫㩆㦲娔姯ᷱƏ㛧䴩⮁㠯ㇷ∐䔏弰廟Ὥ孺⛡⮁㝦㈲⑳㉔⊂㝦㈲⏯὜ ḍ✏㛧∴䫖壄ᷱ棂弑⤾䬹Ə✏怇❲ᷱṆ⎪俪ṭ娘⤁䷁㛰㈲ⷌ⅞䙫怇 ❲Ə孺ὦ䔏俬✏ὦ䔏怀柬ⷌ⅞㘩㛰吾㛧὚䙫檻樾

44

⠕䨐㐲⋆ 䵺怵⇭㝷䙣䏥㈧㛰⤾䬹䙫⹼惏惤㛰ῲ㖠 ⽉⍈㉊Ə⛇㭋⏑奨㉱㖠⽉⍈㉊壄何✏㉱ ㈲ᷱⰘ僤䬍⏯⏫䨕奶㠣䙫⤾䬹˛

45

Product rendering ⯮凑堳庱棂弑㊭⍟ⷌ⅞⾅ₚ䵘䙫棂弑⤾䬹˚⤾䬹㝦㈲⎱棂弑⛡⮁㝦㈲ᷰ䨕ⷌ⅞ 䴷⏯ㇷ▕㔖㝦㈲Əὦ⽾㒴ὃ⎱㔝䳴㔃⸝䙫怵䧲㛰吾㛛⇡剙䙫檻樾˛ 㖗⻶棂弑⛡⮁䴷㦲⎽Ịṭₚ䵘挱㢄䙫捽⮁㖠⻶Ə凮棂弑⤾䬹⅘⏳怲ὃ✏⏳ᷧ廟 ⾪ḲᷱƏ㔝斻㘩∮忶怵⅐㔖㉚㈲㜒䫖Ḳ䢨搜⽣㭋␟昫˛

46

Product details 㑮ⷍ枙巨 㖗⻶棂弑⛡⮁䴷㦲桂奭ṭ怵⽧ὦ䔏挱 㢄捽⮁棂弑䙫㖠⻶Ə⅝Ḕ䛟⯴ㆰ㛧⯶ 漹䛋∮⏖⇭桅䂡 漹˚ 漹⎱ 漹 ᷰ㬥⁁㛦㏂䴷㦲Ḕ䙫▕⏸⍈㧤Ə僤⢅

㐲⋆士壆 ⯮棂弑⤾䬹㝦㈲⎱棂弑⛡⮁㝦㈲䴷⏯ 䂡ᷧƏ㊭⍟棂弑㘩⯮⅐俬ⰼ敲Ọ⎴㖠 ⏸⏳㘩⇡⊂㒴ὃƞ⭰壄棂弑㘩∮⯮⅐

⊭㖽㊙ⷍ⠕䨐 ⏖㛦㏂⻶棂弑⤾䬹⏖ᾄ㓁⍈⻶ㇽ捽䉀 ⻶棂弑㛛㏂䛟⯴ㆰ䙫⤾䬹˛

47

Exploded view ⌨ᷧ漹弑 棂弑⤾䬹 棂弑⛡⮁䴷㦲 ⤾䬹⛡⮁曝ờ

㩈冇㉱㈲

䢨搜

䰂垛㯿䣉 ⯮棂弑⤾䬹⤾⅌㉚㈲Ḕ˛ ⯮⤾䬹凮㉚㈲⍈⅌棂弑捽⮁滅˛ 忶怵⤾䬹捽⮁㉚㈲柭⋉⯮捽⮁滅捽䶱˛

ㆄ∶㯿䣉 ⯮棂弑⤾䬹⤾⅌㉚㈲Ḕ˛ ✏棂弑⤾䬹⛡⮁⽳Ə柭⋉⯮棂弑⍈怙㉚ ㈲⛡⮁䴷㦲˛ 忶怵㉱㈲䛟ṹ⎴⏸㖤⊂ḍ⯮棂弑櫭敲˛ 㒴ὃ⭳䕉⽳忶怵䢨搜⯮⅐㔖㝦㈲⛡⮁˛

48

Knowledge gained 怀㬈䙫ὃ⒨㘖⎪⊇憸䵘䪲⅓⏟徍䙫㈲ⷌ⅞㮻峤Əḍ⽾ṭↇ庴Ə ⽯ㄆ嬄晱⎲䙫⌻⊐ƏṆㄆ嬄⅓⏟㛰悊溣⥤䙫㮻峤孺ㇸ僤◾婍吾 ᷴ⏳柿⟆ƏṆ忶怵怀㬈㮻峤孺ㇸ⯴㩆㦲娔姯㛰㛛⤁䙫ṭ姊ƏṆ 㛛ṭ姊凑堳庱ⷌ⅞娔姯凮曧㰩˛

49

Material Design Description Ọᷲ娔姯㘖㛰旃㜷峑㖠杉䙫娔姯Ə忶怵⏫䨕䙫䟻䩝Ọ⎱⯍樾ƏὭ孺㜷峑娔姯㛛⊇㛰嶊⥤ 䎐ƏṆ孺ㇸῸ⏖Ọ⥤⥤〄俪✏怀ῲ怵䧲ḔㇸῸ⭟∗ṭ䔁溣Ọ⎱⸝Ὥ䔁溣ᷴ⏳䙫≜ヶ˛

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02 51

Anth ony p vc mod e l

Anthony pvc model Year/2020 project members: 晚⧨ 䙣ペ˚⯍樾壤ὃ 㤱凹㶜 䙣ペ˚⯍樾壤ὃ $QWKRQ\ SYF PRGHO 㘖ᷧ㬥∐䔏39& Ὥ壤ὃ䙫壄何嗄堺Ə∐䔏39&㖠ᾦ⎽⽾ 䙫㜷㖀ὃ娔姯Əḍ⊇⅌娘⤁嶊⑚䙫娔姯 孺妧䜥⏖Ọ巆ⰼ⒨ṹ⊼˛ Anthony pvc model is a model that uses pvc.The installation art

Chen Wei Portfolio

made by using pvc is easy to obtain

52

materials for design, and add many interesting designs .Allow the audience to interact with the exhibits.

53

㘎㑗⃄㙎

39&䮈㘖⏫⤎⠛⟆㴨态䩡㰊˚㶙檻䙫ₚ忨䙫态怺Ə⮭⮭⇭ⷪ✏娘⤁ㇸῸ䛲ᷴ奲ㇽ⽯曊䙣䏥䙫✗㖠

⮝壈恫㘖㈝⣽惤㛪㛰SYF䮈䙫幋巈Ə俳SYF䮈Ṇ㛰⽯⤁❲ㄲƏ忶怵ᷴ⏳❲ㄲ䙫䴷⏯ㆰ䔏Ə䛟Ὲ㛪✏ㇷ⒨

39& SLSHV DUH WKH WUDQVPLVVLRQ FKDQQHOV IRU DLU DQG OLTXLGV WR FLUFXODWH LQ PDMRU ILHOGV 7

WUDQVPLVVLRQ IXQFWLRQ LV VLOHQWO\ DFWLYDWHG LQ WKH EDFNJURXQG WR PDNH OLIH PRUH FRQYHQLHQ

there will be traces of pvc pipes at home or outdoors, and there are many types of pvc p different attitudes in the finished product.

54

㖠Ə溿溿✏⽳⏗ὃ⊼ₚ忨⊆䔏ὦ䔆㴢㛛⊇ᾦ∐Ə㛪∐䔏㭋㜷㖀Ḣ奨㘖SYF䮈✏䔆㴢Ḕ嘼嘼⏖奲Ə凰⇈㘖

⒨Ḕ␯䏥ᷴ⏳䙫⧦ㄲ˛

7KH\ DUH GHQVHO\ GLVWULEXWHG LQ PDQ\ SODFHV WKDW ZH FDQćW VHH RU DUH KDUG WR ILQG 7KH

QW 7KLV PDWHULDO LV PDLQO\ XVHG IRU 39& SLSHV &DQ EH VHHQ HYHU\ZKHUH LQ OLIH )RU H[DPSOH

pipes. Through the combined application of different types, I believe that they will show

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士壆䋄⺳

娔姯䏭⿜㘖ペỌⷩ杉ᷱ⯶堳䴫壄㨈❲䙫㥩⿜Ọ⎱䴷⏯ạ檻惏ἴ⻝἟39&䮈ㆰ䔏䮫⛴Ə⊇ᷱ Ọạ桅䔆䖬㘩㛪ὦ䔏䙫検棆塲ὃᷧẂK䴇✏ạ檻ⅎ㴨⊼䙫ヶ⿜Ə婕憲ạ檻䴷㦲⎱K䴇䪫⊼䙫㴢 㼸⽉屈Əḍ⢅⊇妧䜥巆ⰼ⒨Ḳ敺ṹ⊼䙫㧩嶊㈧✏˛ 7KH GHVLJQ FRQFHSW LV WR H[WHQG WKH DSSOLFDWLRQ UDQJH RI 39& SLSHV EDVHG RQ WKH concept of small line assembly models on the market and combining human body parts. In addition, the idea of some elements flowing in the human body with the feeding bag that humans use when they are sick, to interpret the structure of the human body .The lively image of moving elements and elements, and increase the fun of interaction between the audience and the exhibits.

56

Ḣ奨㛪ⷳ㜂ㇸῸ䙫娔姯⻶僤⤇巆ạ例㛰ṹ⊼䙫Ə⛇㭋ㇸῸ⎪俪ṭ娘⤁⯶㛲⎲䙫怱㈙壄何Ə ∐䔏⤁ῲ壄何Ὥ孺ὦ䔏俬僤巆ⰼ⒨Ḳ敺⤁滅ṹ⊼Əᷴ€孺ὦ䔏俬僤㛛妑徸ⰼ⒨Ṇ僤⢅⊇㮶柬惏 ờ䙫䍏䉠『˛ We mainly hope that our design can interact with the crowd, so we refer to many children’s game devices. Using multiple devices to allow users to interact with the exhibits at multiple points, not only allows users to get closer to the exhibits, but also increases each section the uniqueness of the piece.

57

58

㘎宨⪤椕

∐䔏搜儼Ọ⎱搜䛋㨈⅞ƏὭ⛡⮁39&廆䮈Ə㔥⅌䃋䮘䂿䃋Ə㺒⺍媦䮧⤎䳫 ⺍Ə䂿䃋ṻ ⇭揿⽳ⅴ儒㨈⍚⏖⽾⇡怇❲˛ 8VH DQ LURQ ZULVW DQG DQ LURQ SODWH PROG WR IL[ WKH 39& KRVH SXW LW LQ WKH RYHQ DQG DGMXVW WKH WHPSHUDWXUH WR DERXW GHJUHHV $IWHU EDNLQJ IRU ILYH PLQXWHV DQG WKHQ demoulding, the shape can be obtained.

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⬓塻䀥 忶怵検棆䮈ⅴ⏫ῲ惏ἴ䙫㴨⊼Ə␯䏥 ⇡ᷴᷧ㨊䙫怇❲ㄆƏ两⅘⇭ㇷṭ䳬˚溪˚ 䶇ᷰ䨕栶剙Əḍ忶怵検棆塲媦䮧䮈⬷ⅎ䙫 㰛㴨Ə孺䮈⬷ⅎ⢅⊇娘⤁㳈㳈Ə⢅⊇好妡 䙫妧䛲『˛ Through feeding tube and then the flow of various parts, showing no the same sense of shape, divided into red , yellow, and green in total. Different colors, and adjust the water flow in the tube through the feeding bag, So that there are many bubbles in the tube, increasing the visual view Look at beautiful.

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䏠⍿ 䯮䩾◔

惏ἴ两⅘⇭ㇷṭ栔˚㈲˚庒檻˚'1$˚党 ˚免塲˚傪Ə ῲ惏ἴƏḍ孺栶㖀䩦怵⎢⏫ῲ惏 ἴƏ俳✏♏⭿䙫壄何ᷱƏㇸῸṆ䔏ṭ39&䶙⬷Ə ḍ䴷⏯㝆䷁⸝Ὥ䵸䵨Ə俳✏㮶ῲ♏⭿㖨㛰惤㛪㛰 ㎷䤡䙫⯶⍈ὭẲ䴠㭋惏ἴỊ塏䙫ヶ㶜˛ The parts are divided into head, hands, body, '1$ IHHW DQG EUDLQ %DJ VWRPDFK SDUWV and let the paint pass through to each part, And for the organ device, we also used 39& nets and knotted .The binding line brings binding, and there will be hints next to each organTo introduce the meaning of this part.

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⺁⹕ 忶怵怀㬈䙫㜷㖀娔姯Ə孺ㇸ⯴39&怀ῲ 㜷峑㛰㛛὚䙫ṭ姊ƏṆㄆ嬄㋮⯵俨⸒䵍ṯㇸ Ὸ娘⤁䙫⌻⊐Ə孺ㇸῸ㜆㜒ⰼ妤ḔƏ僤⤇柭 ∐䙫⭳ㇷ˛ Through this material design, let me XQGHUVWDQG WKH 39& PDWHULDO +DYH D better understanding, and thank the instructor for giving us promises .A lot of assistance, so that we can go smoothly in the final exhibition carry out.

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C h e n We i P o r t f o l i o

Hope yoy like it

Thank you ㄆ嬄Ọᷱὃ⒨䙫⎪凮俬ƏỌ⎱㋮⯵俨⸒Ə孺ㇸ䙫ὃ⒨僤㛛⊇⭳㕛˛

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