Cover: Matthew Porter, Valley View (Detail)
SLIM AARONS
LYLE ASHTON HARRIS
HUNTER BARNES
LIU BOLIN
SOFIA CIANCIULLI
CHUCK CLOSE
GREG DAVIS
E.V. DAY
ROBERTO DUTESCO
ERIC FISCHL
RON GALELLA
CLAUDE GASSIAN
DIONISIO GONZÁLEZ
BOB GRUEN
JR
CHRIS LEVINE
RAPHAEL MAZZUCCO
TODD MURPHY
VIK MUNIZ
MATTHEW PORTER
THOMAS RUFF
DAVID SALLE
ANDRES SERRANO
VEE SPEERS
ANTOINE VERGLAS
MASSIMO VITALI
MASTERS OF PHOTOGRAPHIC ARTISTRY
MARCH
For the first time West Chelsea Contemporary brings photography to the forefront, featuring artists acquired by the world’s most prominent institutions from MoMA and the Metropolitan Museum of Art to Tate Modern and the International Center of Photography Through the Lens: Masters of Photographic Artistry highlights photography's significance in the art world and pays tribute to the groundbreaking visionaries who elevate the discipline. Their collective works serve as a testament to the enduring power of images to captivate, enlighten, and enrich. Whether you're a seasoned collector or an aspiring enthusiast, this unmissable exhibition promises a captivating exploration of photographic mastery, inviting viewers to immerse themselves in the stories, emotions, and beauty captured by these remarkable artists Join notable collectors such as Elton John, Yoko Ono, Rihanna, and Damien Hirst in collecting works by the artists in Through the Lens.
Featuring a distinguished ensemble of over twenty-five blue chip and mid-career photographers, Through the Lens showcases diverse talents who each bring a unique vision to the discipline Matthew Porter has been profiled by The New York Times and acquired by The Metropolitan Museum of Art. Also collected by the MET, Vik Muniz has been awarded a solo exhibition at The Whitney, curated an exhibition at MoMA, and is a two-time participant of the Venice Biennale. E.V. Day was featured in the Whitney Biennale and awarded the Versailles Foundation’s residency at Claude Monet’s Garden. Ron Galella was declared by Andy Warhol as his favorite photographer. Bob Gruen has photographed album covers for Ike & Tina Turner, Yoko Ono, Bob Dylan, and John Lennon Raphael Mazzucco has been featured in Vogue and teamed with Sean “Diddy” Combs to publish his photography book Culo. Greg Davis is a National Geographic published photographer, has been collected by institutions nationwide and the Image Collection archive at National Geographic contains over two hundred of his works. Hunter Barnes’ has a forthcoming exhibition at Middlebury College Museum Of Art in Summer 2024.
Slim Aarons has been featured in Vanity Fair and Life Magazine; his work is widely regarded as the epitome of high-society luxury Roberto Dutesco was honored at the Tribeca Film Festival. Todd Murphy created cover art for the Indigo Girls and is collected by notable musicians John Mellencamp, Michael Stipe, Jon Bon Jovi, and Elton John. Vee Speers was featured at the grand opening of Fotografiska Museum in Stockholm.
With thirty artists spanning a dozen countries and collected by over twenty of the world’s top institutions, the work in Through the Lens offers a diverse exploration of photographic artistry and highlights the medium’s enduring relevance in contemporary art Through the Lens: Masters of Photographic Artistry brings together the top names in contemporary photography for the first time in Austin. Photography collectors will recognize the incredible talents while burgeoning collectors discover why photography is key to any personal collection.
photographed cultural icons such as the Kennedys, Marilyn Monroe, Humphrey Bogart, and Grace Kelly, and worked as a photographer for magazines including Life and Vogue. His photographs have been exhibited in Amsterdam, Los Angeles, and New York, and have sold for five-figure prices on the secondary market. In 1997, the Hulton Archive at Getty Images bought Aarons’s entire archive
Slim Aarons
Beauty and the Beast (23/150), 1959
Chromogenic photographic print on Fujicolor Crystal archival paper
30" x 30"
$3,750
Slim Aarons
Daniel Gainey (/150), 1973
Chromogenic photographic print on Fujicolor Crystal archival paper
20" x 30"
$3,350
Slim Aarons
Desert House Party (/150), 1970
Chromogenic photographic print on Fujicolor Crystal archival paper
20" x 30"
$3,350
American, b 1965
Lyle Ashton Harris has deftly examined the politics of race, sexuality, and gender since the 1980s. In his breakthrough series, “America” (1987–88), Harris photographed himself in drag and whiteface. Raised in New York and Tanzania, he received an MFA in 1990 from the California Institute of the Arts, where he befriended visiting artists and lecturers such as Isaac Julien, Marlon Riggs, and bell hooks. Harris participated in the Whitney’s Independent Study Program in 1992. His work from that decade includes diaristic photos and videos, as well as “The Good Life” (1994), a color portrait series of his biological and chosen queer families Harris’s photographs, films, and collages address subjects such as the vulnerability of the Black male body and the AIDS crisis. His work has been shown in major international group exhibitions, including the Venice Biennale (2007), the Busan Biennale (2008), the Bienal de São Paulo (2016), and the Whitney Biennial (2017) He received the David C. Driskell Prize from the High Museum of Art in 2014 and a Guggenheim Fellowship in 2016.
Lyle Ashton Harris
Blow-Up II (Armory) (from America: Now + Here portfolio) (52/100), 2005
Digital C-Print
24" x 20"
$1,500
American, b 1977
Hunter Barnes is a documentary photographer whose work captures aspects of culture and communities ignored by the mainstream and often misrepresented in the modern American narrative. Barnes trained in photochemistry and traditional photographic techniques. At a young age, he began a nomadic life on the road. In his early twenties, Barnes published his first book documenting the dying communities of the Old West. Other projects followed: four years spent with the Ni Mii Puu, Nez Perce Tribe; months with a serpent handling congregation in the Appalachian Mountains; bikers, lowriders, and street gangs; inmates in California State Prison Intense, true pockets and subcultures of America. The process is an integral part of Barnes' work. He shoots exclusively on film the pace of analogue in harmony with his approach. Fundamental to Hunter’s work is the journey, the people, the place. Then committing them to film before they are greatly changed or gone forever
24" x 20"
Price on request
Hunter Barnes Israel (2/4) Fiber based, hand printed, silver gelatin photograph
Hunter Barnes
A Prayer For Gods’ Will (3/4), 2012
Fiber based, hand printed, silver gelatin photograph
23 75" x 19 87"
Price on request
Lemon Love (AP/1)
Fiber based, hand printed, silver gelatin photograph
13 87" x 10 87"
Price on request
Hunter Barnes
Hunter Barnes
Ben and Estelle (AP/1)
Fiber based, hand printed, silver gelatin photograph
24" x 19 87"
Price on request
Chinese performance artist and photographer Liu Bolin was born in 1973, in Bizhou in the Shandong Province of China. He graduated with a BFA from the Shandong College of Arts in 1995, followed by an MFA from the Central Academy of Fine Arts, Beijing in 2002. Often referred to as “The Invisible Man”, because he camouflages himself into his environment, Liu Bolin’s Hiding in the City series is his own “silent protest” against the policies of the Chinese government since the Cultural Revolution. In these works, Bolin’s audience is urged to look for the “Invisible Man” in the photograph, who is symbolic of the forgotten men of the relentlessly expanding, capitalist economy of China. Political in his aims, Bolin’s hope is to raise people’s awareness of themselves and others within their environment and to highlight the negative consequences of continuing inequality, injustice and environmental damage It takes 3-4 hours to finish one work, with Bolin remaining completely still while assistants camouflage him into his surroundings before photographing him.
Liu Bolin
Dragon Series Panel 1 of 9 (/1), 2010
Archival pigment print
25" x 31 50"
$9,500
internet, responding with absolute transparency to modern narrative conventions that are an inextricable part of her reality.
Sofia
Underwater I (1/50), 2021
Fine art digital print on Canson paper
47" x 33" $2,800
Sofia Cianciulli
Underwater III (1/50), 2021
Fine art digital print on Canson paper
47" x 33" $2,800
Cianciulli
A moment (1/50), 2022
Fine art digital print on Canson paper
47" x 33"
$2,800
Sofia Cianciulli
A moment in time (3/50), 2022
Fine art digital print on Canson paper
37 12" x 50 75"
$2,800
Sofia CianciulliAmerican, b 1940
Museum of Contemporary Art Australia, among other institutions. He has featured in group exhibitions at the Venice Biennale and Documenta on multiple occasions At auction, his work has sold for seven figures. Close has often depicted his family and friends, including fellow artists Robert Rauschenberg, Cindy Sherman, and Richard Serra. His work links him not only to other Photorealists such as Richard Estes and Audrey Flack, but also to the Conceptual art movement
Digital inkjet prints on Somerset paper, four panels
92" x 69"
$35,500
Chuck Close Roy Lichtenstein (PP/Aside from Edition of 12), 1999
Chuck Close
Alex Katz (PP/Aside from Edition of 12), 1996
Digital inkjet prints on Somerset paper, 4 panels
92" x 69" $35,500
Greg Davis is a published and contributing photographer for National Geographic/Disney and was represented by the National Geographic Image Collection for over a decade. Over two hundred of his works can still be found in the archives at National Geographic. Davis’ work was recently published in National Geographic photo books, “America the Beautiful” , “Destinations of a Lifetime” and “Women: The National Geographic Image Collection” , which also has a worldwide traveling exhibition, “Women: A Century of Change” , that features some of Davis’ work. In 2017 he was honored as the Ambassador of the Year for Austin based nonprofit, Well Aware, the first time they had ever awarded this recognition. Well Aware funds and implements sustainable clean water systems that drive development and empower communities in East Africa. Davis worked his way from local festivals to international exhibitions and his works now hangs in private and institutional collections worldwide The Wittliff Collection, The Raymond James Collection and The Grace Museum are just a few of the spaces that house Davis’ collectible works.
Greg Davis
Reflections at Qeswachaka Peru (22/50)
Museum rag archival paper
30" x 45"
$4,900
Greg Davis
Enveloped in Blue Morocco (25/100)
Museum rag archival paper
18" x 27"
$2,500
Greg Davis
In the Blue Mist, China (26/100) Museum rag archival paper
30" x 45"
$4,900
Greg Davis
Turkana Girl, Kenya (15/50)
Museum rag archival paper
24" x 24"
$2,500
Greg Davis
Cormorant Fisherman China (29/100)
Museum rag archival paper
18" x 27"
$2,500
popular culture through a feminist lens, upending symbols of the feminine ideal. In her series of mummified Barbie dolls, Day presented the iconic female figurines encased in materials such as beeswax and silver, which she described as transforming “a sexual or feminized trope into a statement of power and independence.” During a residency at Claude Monet’s garden in Giverny, France in 2010, Day produced prints of flowers that were clipped, pressed in a microwave, scanned digitally, and magnified to 18 times their original size She then manipulated their forms by mirroring half of each image so that the flowers appear perfectly symmetrical. Through this process, Day removed the suggestion of femininity and organic sexuality that flowers are often associated with, instead presenting images that recall religious iconography mandalas, shivas, and chalices E.V.
Chromogenic archival print in colors on glossy wove paper
70 50" x 70 50"
$20,000
E.V. Day Clematis (5/5), 2010-11
Photography in Montreal before beginning a short career in fashion photography. Dutesco's oeuvre is eclectic, spanning the range between wildlife photography, formal abstraction, and political portraiture of world leaders such as Mikhail Gorbachev and the Dalai Lama. Stemming from both personal and political interest in his subject matter, his work has been exhibited worldwide in locations such as the Embassy of Canada’s Gallery in Washington, D.C., and at the 2005 World Expo in Japan in The United States Pavilion Dutesco currently lives and works between Montreal, New York, and São Paulo, Brazil.
$65,000
Roberto Dutesco Generations - The Wild Horses of Sable Island, 2012 Silver gelatin print floated in a hardwood ash frame, hand annotated by artist 59 87" x 75 50"
middle-class upbringing on Long Island, the artist captures both the mundane and the taboo; in bright, gestural strokes, he depicts scenes of grief, inequality, adolescent sexuality, and political malaise. Fischl imbues his subjects, from beachgoers to poolside families, with a sense of gravity and foreboding as he manipulates light and shadow In recent years, he has also painted deadpan scenes of art fairs. Fischl has exhibited widely in New York, Los Angeles, London, Paris, and beyond. His work has fetched seven-figure prices at auction and been acquired for the collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, the Museum of Modern Art, and the Louisiana Museum of Modern Art, among others.
The Gang (from America: Now + Here portfolio) (52/100), 2006
Digital C-Print
20" x 24"
$1,500
Eric Fischl
p g , g ; g g p court battles with Jacqueline Kennedy, resulting in a restraining order for the photographer; and suffered a broken jaw at the hands of Marlon Brando. Galella was the subject of the documentary film, Smash His Camera, and his photographs have appeared in publications including Time, Harper’s Bazaar, Vanity Fair, Rolling Stone, and The New York Times.
Ron Galella
Mick Jagger and John Lennon, 1974
Silver gelatin print
8" x 10"
$550
Ron Galella
John Lennon and Yoko Ono, 1977
Silver gelatin print
10" x 8"
$550
Ron Galella
Bianca Jagger, 1977
Silver gelatin print
10" x 8"
$550
Ron Galella
Barbra Streisand, 1968
Silver gelatin print
10" x 8" $550
Ron Galella
Bob Dylan, 1977
Silver gelatin print
10" x 7 50" $550
French, b 1949
album covers, and have been published in numerous magazines and newspapers throughout the world. Currently, living and working in Paris, his work has been exhibited in museums and galleries in Europe and the United States.
Leonard Cohen, Paris 1994 (2/10), 1994
21 40" x 14 20"
$6,400
Claude Gassian Pigment printSpanish, b 1965
s n habitation and the environment. His work challenges perceptions of space, blending reality with imaginative interventions to create thought-provoking compositions. The photographs are heavily processed accumulations of time, and information, condensed seamlessly within a single moment. As a post-digital maker, Dionisio González exploits photography and challenges the medium’s preconceived neutrality and objectivity assumptions At the same time he challenges himself as being as much a photographer than a virtual architect. His photographs prompt viewers to reflect on the implications of urbanization and technological advancement on our sense of place and identity. González’ work has been exhibited at institutions worldwide, including: Museum of Contemporary Art (MOCA), Cleveland; Musée d’Art Contemporain (CAPC), Bordeaux; Museo Nacional Centro de Arte Reina Sofía, Madrid; Museum of Contemporary Photography, Chicago; Museo de Arte Moderno (MAMBO), Bogotá; Museum Folkwang, Essen; Museo de Arte de São Paulo (MASP); and Museum of Contemporary Art, Toronto
$18,000
Dionisio González Halong IV (4/7), 2009 C-print, diasec, mounted on dibond and aluminum 19 70" x 78 80"
Lennon - The New York Years," and "Rock Seen." Gruen’s work has been exhibited widely, including at the Brooklyn Museum, Pearlstein Gallery at the Drexel University Museum, Blender Gallery in Sydney, and the Beit Hatfutsot Museum in Tel Aviv, among others.
Bob Gruen
John Lennon, NYC, 1974 (35/50), 2014
Silkscreen on 2ply Rising Museum Board
54" x 40"
$6,500
Bob Gruen
Debbie Harry, Max's Kansas City, NYC, 1976 (20/25), 2018
Silkscreen on canvas with diamond dust
25" x 18"
$4,000
Bob Gruen
Debbie Harry, NYC, 1977 (31/50), 2014
Silkscreen on 2ply Rising Museum Board
54" x 40" $6,500
Bob Gruen
Keith Richards, NYC, 1972 (36/50), 2014
Silkscreen on 2ply Rising Museum Board
50" x 40" $6,500
Bob Gruen
Mick Jagger, NYC, 1972 (35/50), 2014
Silkscreen on 2ply Rising Museum Board
50" x 40" $6,500
Bob Gruen
Led Zeppelin, NYC, 1973 (37/50), 2014
Silkscreen on 2ply Rising Museum Board
40" x 50"
$6,500
His practice often comments on such issues as incarceration, immigrant rights, and poverty yet JR infuses his work with joy and hope for change. He has exhibited in cities including New York, London, Paris, Tokyo, Berlin, and Seoul. JR’s work belongs in the collections of the Musée de l’Elysée, the San Francisco Museum of Modern Art, the Brooklyn Museum, the Museum of Modern Art, and the Museum Frieder Burda. In addition to his public interventions, JR has produced a number of films, including a collaboration with the famed French director Agnès Varda.
Unframed, Children Treated in the Ellis Island Hospital Revised by JR, U.S.A (2/3), 2014
Color photograph matte Plexi-glass, aluminum, wood (face mounted)
70 75" x 96"
Price on request
JR
JR
Trompe l'oeil, Les Falaises du Trocadéro, 18 mai 2021, 19h58, Paris, France, 2021 (231/580), 2021
Giclée print laminated with G-gloss, mounted on 3mm Dibond 25 19" x 37 79" $2,800
JR
Trompe l'oeil, Les Falaises du Trocadéro, 19 mai 2021, 19h57, Paris, France, 2021 (231/247), 2021
Giclée print laminated with G-gloss, mounted on 3mm Dibond
25 19" x 37 79" $2,800
JR
Trompe l'oeil, Les Falaises du Trocadéro, 21 mai 2021, 20h03, Paris, France, 2021 (232/247), 2021
Giclée print laminated with G-gloss, mounted on 3mm Dibond 25 19" x 37 79" $2,800
JR
Trompe l'oeil, Les Falaises du Trocadéro, 25 mai 2021, 22h18, Paris, France, 2021 (231/292), 2021
Giclée print laminated with G-gloss, mounted on 3mm Dibond
25 25" x 37 75" $2,800
widely and a spiritual, meditative and philosophical edge permeates his work. Levine is perhaps best known for producing what is already being described as one of the most iconic images of the twenty-first century, Lightness of Being. With light and stillness at its core, the sensational portrait of Her Majesty Queen Elizabeth II presents an utterly fresh depiction of the most famous woman in the world Levine has had artwork in London’s Science Museum and has staged light performances and exhibitions internationally in spaces such as Radio City in New York commissioned by MoMA, The Royal Opera House, MATE museum in Lima, and London’s Fine Art Society Levine’s status as one of the World’s leading light artists has led to a number of high profile cross media collaborations with Massive Attack, Kate Moss, and Grace Jones, and has produced work for Chanel, BMW and Swarovski.
$45,000
Chris Levine Banksy (3D) (27/33), 2019 Archival inkjet print with Fluro Stamp 24 31" x 17 68"Canadian b 1983
captured in the midst of action or still and posing. Over these images, Mazzucco paints, sketches, and splashes colorful pigment, creating an exuberant overlay of marks and brushstrokes in celebration of beauty and expression.
Raphael Mazzucco
Piano Girl, 2021
Mixed media
36" x 24"
$15,000
$22,500
Raphael Mazzucco Adriana, 2017 Archival pigment print, acrylic paint, ink, encased in resin 43 25" x 33 25"
Raphael Mazzucco
Sedona, 2016
Archival print on canvas, acrylic, encased in resin
40" x 60"
$30,435
Raphael Mazzucco
After Time, 2018
Wood transfer print, photo collage, acrylic, found objects, encased in resin
60" x 40"
$25,000
$25,000
Raphael Mazzucco Eternity, 2016 Archival pigment print, acrylic paint, ink, encased in resin 41 50" x 61 50"American, b 1983
concurrently,” he’s said of the city. “Stories accumulate as materials, which, when you think about it, is another way to phrase 'art’.” His works are in the collections of the High Museum of Art in Atlanta, the Tampa Museum of Art, and the New Orleans Museum of Art.
Todd Murphy
Untitled (Straw Dress Replica), 2009/2024
UV printed plexi, archival pigment print, and rag paper with multilayer double-sided printing process
50" x 38"
Price on request
Pool (/10), 2016
UV printed plexi, archival pigment print, and rag paper with multilayer double-sided printing process
50" x 38"
Price on request
Todd Murphy
g p p p g everyday materials for intricate and heavily layered recreations of canonical artworks. Muniz works in a range of media, from trash to peanut butter and jelly, the latter used to recreate Andy Warhol’s famous Double Mona Lisa (1963) that was in turn an appropriation of Da Vinci’s original Layered appropriation is a consistent theme in Muniz’s work: in 2008, he undertook a large-scale project in Brazil, photographing trash-pickers as figures from emblematic paintings, such as Jacques-Louis David’s Neoclassical Death of Marat, and then recreating the photographs in large-scale arrangements of trash. The project was documented in the 2010 film Waste Land in an attempt to raise awareness for urban poverty. Muniz explained the work as a “step away from the realm of fine art,” wanting instead to “change the lives of people with the same materials they deal with every day”
Vik Muniz
Odalisque, after Gustave le Gray (from ‘Rebus') (5/6), 2010
Mounted digital chromogenic print
39 75" x 50 50"
$45,000
American, b 1975
Museum of Art, New York; Cincinnati Art Museum, Ohio; and the UBS Art Collection, New York, among others
$25,000
Matthew Porter Valley View (5/5), 2013 Archival pigment print in artist's frame 42" x 53"German, b 1958
y g p g p y, j p portraiture, landscapes, nudes, architecture, and abstract forms. Ruff came to prominence as part of the Düsseldorf School, a loosely affiliated group of photographers who studied under Bernd and Hilla Becher The seriality of his subjects takes inspiration from the Bechers’ embrace of “typologies” in their own work. Ruff has exhibited in New York, London, Tokyo, Berlin, Paris, and many other cities. His work belongs in the collections of the Art Institute of Chicago, the Hirshhorn Museum and Sculpture Garden, the Metropolitan Museum of Art, Moderna Museet, the Guggenheim Museum, and the S.M.A.K. Museum of Contemporary Art, among others.
Thomas Ruff
Tripe 08 (33/50), 2018
Inkjet on Rag Photographique paper
15 75" x 19 75"
$2,800
American, b 1952
David Salle makes large-scale paintings that arrange art historical and pop cultural references into enigmatic compositions. Salle has variously invoked 19th-century paintings, 1950s advertisements, graffiti, cartoons, and his own photographs. He often embraces widely different moods, styles, and sources within a single canvas, and his compositions can alternately invite and reject psychological, associative interpretations. Altogether, Salle’s sophisticated pastiches offer deadpan commentaries on contemporary life. The artist rose to prominence in the 1980s alongside a generation of painters, including Julian Schnabel and Eric Fischl, who were working in a new expressionist mode; yet he’s also associated with Pictures Generation artists such as Cindy Sherman, Barbara Kruger, and Richard Prince, who rethink mass-media imagery and advertisements throughout their practices. Salle has exhibited around the world, and his canvases belong in the collections of the Albertina Museum, the Museo Reina Sofía, the Museum of Modern Art, the Metropolitan Museum of Art, the Tate, and the Stedelijk Museum, among many others. On the secondary market, his work has commanded six-figure prices.
David Salle
Untitled (from America: Now + Here portfolio) (52/100), 2001
Digital C-Print
24" x 20"
$1,500
ANDRES SERRANO American, b 1950
and Catholic figurines submerged in bodily fluids. Serranos painterly compositions and rich tonalities create strange juxtapositions with his confrontational subject matter In his famous photograph Piss Christ (1987), for example, Serrano uses a glowing, color-saturated palette to depict his transgressive subject: a crucifix suspended in urine. The photograph became a major touchstone in the American culture wars and sparked debates about arts funding in the United States The artist has exhibited in New York, London, Paris, Tokyo, Berlin, Beijing, and Brussels. His work has sold for six figures at auction and belongs in the collections of the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago, and the Stedelijk Museum, among others
America (Jewel-Joy Stevens, America's little Yankee Miss) (from America: Now + Here portfolio) (52/100), 2003
Digital C-Print 24" x 20" $2,500
Andres SerranoAustralian, b 1962
US, Carter Potash Collection, Morten Viskum Collection, and Museum of Fine Arts
Houston, among others.
Immortal #2, Camille (4/8), 2010
Chromogenic print (c-print), mounted to Dibond
34 50" x 26"
$9,998
Vee SpeersFrench, b 1962
in the field and influenced many of the photographers who came after him.
Archival pigment print, mounted to Dibond
59 75" x 42 50"
$19,950
Antoine Verglas Elle, Ibiza (1/10), 2004
Italy in 1995, immortalizing their crowds, architecture, and natural beauty. He’s since widened his scope, shooting beachgoers in Turkey, Spain, and beyond Vitali has exhibited in New York, London, Vienna, Tokyo, and Rome, among other cities, and his work has been acquired by the Guggenheim, the Museo Reina Sofía, and the Elton John Collection. While Vitali’s photographs capture a hazy, Mediterranean beauty, they also consider leisure, voyeurism, and conformity
Massimo Vitali Les Menuires Quartett 3 (No. 0568) (9/9), 1999
Mural-sized chromogenic print, ront-mounted to acrylic, flushmounted to aluminum
59 75" x 75" $45,000
West Chelsea Contemporary is much more than the typical gallery. Offering worldclass art in a dynamic, interactive setting WCC produces museum-quality exhibitions year-round with programming that is free and open to the public.
West Chelsea Contemporary’s collection includes artists influential to Pop Art, Street Art, Graffiti, Post-Graffiti and contemporary art as well as tastemakers of these movements. With a local, national, and international roster of represented artists, West Chelsea Contemporary situates artwork from the primary market alongside a highly curated selection of pieces from the secondary market This novel display of represented, emerging and mid-career artists alongside Blue Chip masters increases each artist’s exposure and serves to make connections between their work.
1009 West 6th Street #120 Austin, TX 78703
Monday - Saturday 10am - 6pm
Sunday 12 - 6pm
512 478 4440
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