Washington Blade, Volume 56, Issue 27, July 04, 2025 by Washington Blade

(Photo via Bigstock/Svetikova)

ADDRESS PO Box 60664

Washington DC 20039

PHONE

202-747-2077

E-MAIL

news@washblade.com

INTERNET

washingtonblade.com

PUBLISHED BY Brown Naff Pitts Omnimedia, Inc.

PUBLISHER

LYNNE J. BROWN

lbrown@washblade.com ext. 8075

EDITORIAL

EDITOR

KEVIN NAFF

knaff@washblade.com ext. 8088

SR. NEWS REPORTER

LOU CHIBBARO JR. lchibbaro@washblade.com ext. 8079

WHITE HOUSE CORRESPONDENT

CHRIS KANE

ckane@washblade.com extg 8083

INTERNATIONAL NEWS EDITOR

MICHAEL K. LAVERS

mlavers@washblade.com ext. 8093

LOCAL NEWS REPORTER

JOE REBERKENNY

jreberkenny@washblade.com ext. 9463

POP CULTURE REPORTER

JOHN PAUL KING

PHOTO EDITOR

MICHAEL KEY mkey@washblade.com ext 8084

CONTRIBUTING WRITERS

DANIEL ITAI, ISAAC AMEND, TINASHE CHINGARANDE, PETER ROSENSTEIN, PATRICK FOLLIARD, TERRI SCHLICHENMEYER, JOE PHILLIPS, EVAN CAPLAN, ANKUSH KUMAR, ESTEBAN RIOSECO, SAM KISIKA, ELVIS KAWEDO, JAKE STEWART, HENRY CARNELL, DAWN ENNIS

CREATIVE DESIGN/PRODUCTION

MEAGHAN JUBA

production@azercreative.com

SALES & ADMINISTRATION

DIRECTOR OF SALES & MARKETING

STEPHEN RUTGERS

srutgers@washblade.com ext. 8077

SR. ACCT. EXECUTIVE

BRIAN PITTS

bpitts@washblade.com ext. 8089

CLASSIFIED ADVERTISING/ADMINISTRATION

PHILLIP G. ROCKSTROH

prockstroh@washblade.com ext. 8092

NATIONAL ADVERTISING

RIVENDELL MEDIA

212-242-6863; sales@rivendellmedia.com

For distribution, contact Lynne Brown at 202-747-2077,

Community Partners

Man sentenced to 15 years in prison for drug deal that killed two DC gay men

Prosecutors sought 210-month sentence

By JOE REBERKENNY

On June 26 Jevaughn Mark, 33, of D.C., was sentenced to 180 months in federal prison for running what prosecutors called a “prolific drug delivery service” that led to the fentanyl overdose deaths of two men in D.C.’s gay community.

The 15-year sentence comes three months after Mark, aka “Ledo,” pleaded guilty to conspiracy to distribute 40 grams or more of fentanyl and 500 grams or more of cocaine, as well as unlawful possession of a firearm by a felon. As part of the plea deal, Mark accepted responsibility for causing the deaths of Brandon Román and Robert “Robbie” Barletta. U.S. District Court Judge Tanya S. Chutkan also ordered five years of supervised release following his prison term.

Prosecutors from the U.S. Attorney’s Office for the District of Columbia argued that Mark knowingly sold fentanyl and was at least partially responsible for the men’s deaths. The office had asked the court for a 210-month sentence.

On Dec. 27, 2023, Román, 38, and Barletta, 28, were found unconscious in their Northwest Washington home after a 911 call brought police and emergency responders to the scene. A

police investigation later revealed that Román had purchased what he believed was ketamine from Mark. DEA testing of the remaining drugs found no ketamine — only fentanyl, xylazine, and caffeine.

Friends and family members wore rainbow ribbons in solidarity with Román, a prominent D.C. attorney and LGBTQ rights advocate, and Barletta, a historic preservation expert and home renovation business owner — both of whom were active members of Washington’s gay community.

“There is no good outcome here,” Chutkan said from the bench before issuing the sentence. “These people didn’t deserve to die.”

While noting Mark’s “long record,” Chutkan opted for a sentence shorter than what the government had requested, citing what she believed to be genuine remorse.

“I believe Mr. Mark when he wishes he could take it back,” she said.

Following the sentencing, the Washington Blade spoke with Jeanine Pirro, the recently appointed U.S. Attorney for D.C., who echoed the judge’s compassion, but stood by her office’s

push for a longer sentence.

“We had asked for more time,” Pirro said. “He’s a felon in possession, and there’s the fentanyl. But he’s got a prior record. There are various other crimes. This guy’s been operating with impunity.”

“My job is to make sure we recognize both Brandon and Robbie with dignity,” she added. “They are two very special human beings who should not have died — and they died as a result of not only someone else’s criminal behavior, but someone else’s reckless behavior in ignoring what he should not have ignored.”

DEA Special Agent in Charge Ibrar Mian emphasized the broader dangers of the drug trade in a written statement.

“The drug market is characterized by the illegal availability of polydrug mixtures, many of which have lethal amounts of fentanyl,” Mian said. “Criminals like Mr. Mark pose a deadly threat by selling drugs with fentanyl, which users unknowingly consume, often leading to their deaths. Illegal drug distribution affects the very foundations of our families and communities, so every time we take criminals like Mr. Mark off the

GLAA issues ratings in Ward 8 DC Council speak election

Declines to rate ousted Council member Trayon White who’s seeking re-election

By LOU CHIBBARO JR.

GLAA D.C., formerly known as the Gay & Lesbian Activists Alliance of Washington, announced on June 22 its ratings for three of the four candidates running in the city’s July 15 Ward 8 D.C. Council special election, saying each of the three have records of support for the LGBTQ community.

The election was called earlier this year when the Ward 8 seat became vacant after the Council voted unanimously to expel Ward 8 Council member Trayon White (D) following his arrest by the FBI on a federal bribery charge in August 2024.

White, who has denied any wrongdo-

ing and was released while awaiting his trial scheduled for January 2026, is one of the four candidates running in the special election to regain his seat on the Council. Under D.C. law, he can legally run for office and serve again on the Council if he wins up until the time he is convicted of the criminal offense he is charged with.

While not mentioning White by name, in a statement accompanying its candidate ratings GLAA said it has a policy of not rating any candidates expelled or who resign from an elected position for ethics violations, including “malfeasance.”

The three candidates it rated — Sheila Bunn, Mike Austin, and Salim Adofo — are longtime Ward 8 community advocates who have been involved in local government affairs for many years and, according to LGBTQ activists who know them, have been supportive of LGBTQ rights. All three are running as Democrats.

White also has a record of supporting LGBTQ issues while serving on the Council since 2017.

GLAA rates candidates on a scale of -10, the lowest possible rating, to +10, its highest rating. Since it began candidate ratings in the 1970s it has based the ratings mostly on

Spanberger touts equality, reproductive rights in Arlington

Democratic Va. gubernatorial nominee spoke at Freddie’s Beach Bar

By JOE REBERKENNY

With the general election heating up and LGBTQ rights under increasing threat nationwide, Virginia gubernatorial candidate Abigail Spanberger brought her “Span Virginia Bus Tour” to Arlington’s Freddie’s Beach Bar on June 27 for a campaign stop filled with cheers, policy pledges, and community spirit. Spanberger, who served three terms in the U.S. House of Representatives from 2019 through early 2025 for Virginia’s 7th Congressional District, also served as a federal law enforcement officer specializing in nar-

cotics and money laundering cases, and as a CIA case officer working on counterterrorism and nuclear counterproliferation.

Spanberger is running against Republican nominee Winsome Earle-Sears, the current lieutenant governor of Virginia, who said she was “morally opposed” to a bill protecting marriage equality in the commonwealth.

She was joined by other Democratic candidates and supporters: lieutenant gubernatorial candidate Ghazala Hashmi, attorney general candidate Jay Jones, Virginia state

streets, lives are saved.”

Mian also credited the DEA teams, USAO-DC litigators, and local and state partners for their work in investigating and removing “illegal drugs from this individual who was involved in violent activities.”

Asked whether she had a message for the LGBTQ community — statistically more vulnerable to substance use disorders than the general population — Pirro was direct about her commitment to equal justice.

“The only thing I can say to the LGBT community is that there is a level playing field here,” Pirro said. “Everybody gets the same justice. You have a problem, you have an issue, you come to me. I have a long history of fighting for equal rights for everyone. Everyone deserves dignity, everyone deserves protection, and everyone deserves justice — and you’re gonna get that from me.”

LGBTQ-related issues.

But in recent years, it has shifted gears to base the ratings mostly on non-LGBTQ specific issues, saying those issues — such as housing, healthcare, and a call for decriminalizing sex work — impact the LGBTQ community as well as all D.C. residents.

The following are the GLAA D.C. ratings for the three Ward 8 candidates it rated:

Sheila Bunn – 7.5

Mike Austin – 6.5

Salim Adofo – 4.5

Bunn is a former staff member for D.C. Congressional Del. Eleanor Holmes Norton (D-D.C.) and has worked for former D.C. Mayor and later D.C. Council member Vincent Gray (D-Ward 7), a longtime strong supporter of the LGBTQ community.

Sen. Adam Ebbin (D-Alexandria), and Congressman Don Beyer.

“I’m so excited to be here, and I am so grateful to the entire staff of Freddy’s for letting us overtake this incredible venue that is not just an awesome place to come together in community, but is a symbol to so many people of joy, of happiness, of community and of celebrating our friends and our neighbors,” Spanberger told the packed restaurant. “It is exciting to be here, and particularly during this Pride month, and particu-

larly as we reflect on the 10-year anniversary of Obergefell and the reality that we still have so much work to do.”

BRANDON ROMÁN and ROBBIE BARLETTA (Photo via Instagram)

From left: FREDDIE LUTZ, ABIGAIL SPANBERGER, GHAZALA HASHMI, and JAY JONES at Freddie’s Beach Bar in Arlington, Va., on June 27, 2025. (Washington Blade photo by Joe Reberkenny)

GenOUT Chorus offers solace, strength to LGBTQ teens

Summer camp held from June 23-27

By JOE REBERKENNY

As Pride month draws to a close and Washington begins to take down its rainbow flags and WorldPride decorations, it can be easy to confine the ideas of LGBTQ liberation to June. One historic organization in Washington has been speaking out — or singing out if you will — to ensure that LGBTQ youth are allowed to explore and be themselves every month of the year.

The Gay Men’s Chorus of Washington is one of the oldest and largest LGBTQ choruses in the world. With more than 300 members and more than 40 years in the D.C. LGBTQ community, to say it is an institution would be an understatement.

Beginning in 1981, following an inspiring performance by the San Francisco Gay Men’s Chorus at the Kennedy Center, a group of 18 gay men — led by a “straight” woman and friend of Washington’s gay community, Marsha Pearson — created the GMCW. Since its establishment the organization has only grown in number and relevance within the city. From hosting multiple concerts a year, international equality trips, and creating a dedicated space to “inspire equality and inclusion with musical performances and education,” the GMCW is one of the cornerstone organizations in the Washington LGBTQ community.

One of the most remarkable parts of the GMCW is its youth outreach program and choir: GenOUT. The outreach ensemble specializes in providing a space for Washington’s LGBTQ and allied youth, ages 13-18, to find their voice through song and connect that voice to community. The GenOUT program has been around since 2001, and since 2015 has provided a platform for their voices to be heard — literally — making it the first LGBTQ youth chorus in the Washington area.

The Washington Blade sat down with

GenOUT Director C. Paul Heins and member Ailsa Ostovitz to discuss why GenOUT, and more specifically the GenOUT summer camp, which was held from June 23-27, has become an essential space for LGBTQ youth in the D.C. area to find their voice amid less-than-supportive administration and rising anti-LGBTQ rhetoric in the nation.

“This is my 11th season with GenOUT, and also the 11th season with Gay Men’s Chorus of Washington,” Heins said when explaining how he ended up in the director role for the self-selected, no audition required youth outreach ensemble. “I was hired in August of 2014 to start GenOUT. I spent that first fall researching other choruses, figuring out the infrastructure, promoting the chorus, and building relationships with schools, organizations, and faith communities. And then we started in January of 2015 with nine brave singers and since then, we’ve had 150+ singers from 80 or more schools in the DMV participate.”

Ailsa Ostovitz, on the other hand, being in high school had not had as much experience with choirs — yet her commitment and unwavering passion for the work she — and the other performers within GenOUT provide to each other was unmistakable.

“I’ve been a part of the course since April of 2022, and that was like seventh grade— which is wild to think about,” Ostovitz said when reflecting on how long she had been a part of GenOUT. She explained how she had begun to develop a drive for filling leadership roles within GenOUT after gaining valuable experiences and education from the organization.

“This is my first year in leadership,” she added. “The rest of the years, I kind of hung back. I really wanted to — especially last season — kind of put myself in the position of a peer and think ‘What would

I want from people that are supposed to represent me to the adults? What would I want out of that?’”

And with those questions in mind, Ostovitz explained she buckled down and worked hard to get to where she is now as a member of the leadership team within the GenOUT choir.

“I spent a lot of time working with my section leader, and, looking up at him and being like, ‘What are you doing now that I can do in the future?’ And so this year, I ran for leadership,” Ostovitz said. “I got section leader, and that was cool. I’ve just spent a lot of time — most of my time in this course — learning leadership skills to kind of help me in all sorts of things in life, because I like to take control of things, and I like doing stuff.”

These leadership skills are just a handful of the things that students like Ostovitz learn while participating in the program. This year’s theme was “Make Them Hear Us!: Empowering LGBTQ+ and Allied Youth Through Music, Media, and Community,” and provided multiple opportunities for GenOUT’s members to engage with new concepts, ideas, and experiences.

From field trips to mentoring opportunities to an end-of-camp performance, it becomes clear when speaking to those familiar with the GenOUT experience: it

Longtime DC resident Thomas Walsh dies at 87

Pa. native’s husband was by his side when he passed away

By STAFF REPORTS

Long-time D.C. resident Thomas Walsh died on May 16. He was 87.

Walsh was born on Sept. 17, 1937, in Scranton, Pa. His family later moved to Levittown, Pa.

Walsh met his husband, Anthony Carcaldi, at the Blue Note, a gay bar in Asbury Park, N.J., in 1964.

“I walked in the bar with friends from New York City,” recalled Carcaldi. “I looked at the piano and this person was singing ... and all I noticed were his blue eyes.”

Walsh was singing “Because of You.”

“I walked up to the piano while Tom was singing and stared at him, which caused him to forget the words,” said Carcaldi. “He composed himself and started from the beginning.”

Carcaldi and Walsh became a couple in 1965, a year after they met, when they moved to Philadelphia.

“We moved in together and have been together ever since,” said Carcaldi.

Walsh was a freelance graphic designer until he accepted a job in Temple University’s audiovisual department. Walsh and Carcaldi moved to D.C. in 1980.

is not your traditional summer day camp.

“The title of the camp references the anthem that GMCW has sung for many years,” Heins said. “‘Make Them Hear You’ from the musical ‘Ragtime’ encourages us to share important stories — stories that honor the fights that we’ve been fighting, the rights that we have won, affirmations that we seek for every human being, and the focus on media — specifically developing young people’s understandings of the kinds of media that they can access and use to share their voice.”

The camp offers singing and dancing lessons, creative writing exercises, LGBTQ+ history lessons, and open discussions about identity — providing an outlet for students to figure out who they want to be and find their voice.

“What this camp does, I believe, is it helps foster young people’s voices and not only encourages them to speak, but to give them the skills to speak in a way that will be heard meaningfully,” Heins added. “I have noted that youth in queer choruses like GenOUT have said that singing in a chorus allows young people to express themselves more honestly and with greater passion than other forms of expression. They’ve also said that singing with others that understand you on a very deep, profound level, makes the expression much easier and more beautiful. I think that experience is what really makes this a special opportunity for young, LGBTQ and allied people.”

Ostovitz echoed Heins’s sentiment, emphasizing that the space GenOUT provides allows her to feel empowered in ways more than by creating leadership skills that will help her later in life. GenOUT has allowed for her to see the humanity and similarities LGBTQ youth all face in a straight world.

Walsh began a graphic design business and counted Booz Allen as among his clients. Carcaldi said one of his husband’s “main loves was painting,” and became a fine artist in 2005.

Walsh showed his art at the Nevin Kelly Gallery on U Street, the Martha Spak Studio near the Wharf, and at the Wexler Gallery in Philadelphia. Walsh also sang with the Gay Men’s Chorus of Washington.

Walsh and Carcaldi married at D.C. City Hall in 2014.

“Tom and I have been together since

1964 until his death,” said Carcaldi. “Tom died peacefully with me at his side in bed on May 16, 2025, holding Tom in my arms as he made the transition out of life.” A celebration of life will take place in September.

(Photo courtesy of the GENOut Chorus)

THOMAS WALSH (Photo courtesy of Anthony Carcaldi)

Supreme Court rules parents must have option to opt children out of specific lessons

By CHRISTOPHER KANE

The U.S. Supreme Court on June 27 ruled that public schools must give advance notice to parents and allow them the opportunity to opt their children out of lessons or classroom instruction on matters of gender and sexuality that conflict with their religious beliefs.

Mahmoud v. Taylor was decided 6-3 along party lines, with conservative Justice Samuel Alito authoring the majority opinion and liberal Justices Sonia Sotomayor, Elena Kagan, and Ketanji Brown-Jackson in dissent.

Parents from diverse religious backgrounds sued to challenge the policy in Maryland’s Montgomery County Public Schools when storybooks featuring LGBTQ characters were added to the elementary school English curriculum in 2022.

The school board argued in the brief submitted to the Supreme Court that “the storybooks themselves do not instruct about gender or sexuality. They are not textbooks. They merely introduce students to characters who are LGBTQ or have LGBTQfamily members, and those characters’ experiences and points of view.”

Advocacy groups dedicated to advancing free speech and expression filed amicus briefs in support of the district.

PEN America argued the case should be viewed in the context of broader efforts to censor and restrict what is available and allowable in public schools, for

instance by passing book bans and “Don’t Say Gay” laws.

The ACLU said the policy of not allowing opt-outs is religion-neutral, writing that the Supreme Court should apply rational basis review, which requires only that the school district show that its conduct was “rationally related” to a “legitimate” government interest.

LGBTQ groups also objected to the challenge against the district’s policy, with many submitting amici briefs including: the National Center for Lesbian Rights, GLAD Law, Family Equality, COLAGE, Lambda Legal, the Leadership Conference on Civil and Human Rights, PFLAG., and the National Women’s Law Center.

The Human Rights Campaign did not submit a brief but did issue a statement by the group’s President Kelley Robinson: “LGBTQ+ stories matter. They matter so students can see themselves and their families in the books they read, so they can know they’re not alone.”

“And they matter for all students who need to learn about the world around them and understand that while we may all be different, we all deserve to be valued and loved,” she said. “All students lose when we limit what they can learn, what they can read, and what their teachers can say. The Supreme Court should reject this attempt to silence our educators and ban our stories.”

ACA rule that makes PrEP free upheld

The Supreme Court on June 27 upheld a portion of the Affordable Care Act requiring private health insurers to cover the cost of preventative care including PrEP, which significantly reduces the risk of transmitting HIV.

Conservative Justice Brett Kavanaugh authored the majority opinion in the case, Kennedy v. Braidwood Management. He was joined by two conservatives, Chief Justice John Roberts and Justice Amy Coney Barrett, along with the three liberal justices, Sonia Sotomayor, Elena Kagan, and Ketanji Brown-Jackson.

The court’s decision rejected the plaintiffs’ challenge to the Affordable Care Act’s reliance on the U.S. Preventative Services Task Force to “unilaterally” determine which types of care and services must be covered by payors without cost-sharing.

An independent all-volunteer panel of nationally recognized experts in prevention and primary care, the 16 task force members are selected by the secretary of the U.S. Department of Health and Human Services to serve four-year terms.

They are responsible for evaluating the efficacy of counseling, screenings for diseases like cancer and diabetes, and preventative medicines — like Truvada for PrEP, drugs to reduce heart disease and strokes, and eye ointment for newborns to prevent infections.

Parties bringing the challenge objected especially to the mandatory coverage of PrEP, with some arguing the drugs would “encourage and facilitate homosexual behavior” against their religious beliefs.

UPenn erases Lia Thomas’s records as part of White House settlement University agreed to ban trans women from women’s sports teams

By CHRISTOPHER KANE

In a settlement with the Trump-Vance administration announced on July 1, the University of Pennsylvania will ban transgender athletes from competing and erase swimming records set by transgender former student Lia Thomas.

The U.S. Department of Education’s Office for Civil Rights found the university in violation of Title IX, the federal rights law barring sex-based discrimination in educational institutions, by “permitting males to compete in women’s intercollegiate athletics and to occupy women-only intimate facilities.”

The statement issued by University of Pennsylvania President J. Larry Jameson highlighted how the law’s interpretation was changed substantially under President Donald Trump’s second term.

“The Department of Education OCR investigated the participation of one transgender athlete on the women’s swimming team three years ago, during the 20212022 swim season,” he wrote. “At that time, Penn was in compliance with NCAA eligibility rules and Title IX as then interpreted.”

Jameson continued, “Penn has always followed — and continues to follow — Title IX and the applicable policy of the NCAA regarding transgender athletes. NCAA eligibility rules changed in February 2025 with Executive Orders 14168 and 14201 and Penn will continue to adhere to these new rules.”

Writing that “we acknowledge that some student-athletes were disadvantaged by these rules” in place while Thomas was allowed to compete, the university president added, “We recognize this and will apologize to those who experienced a competitive disadvantage or experienced anxiety because of the policies in effect at the time.”

House Democrats oppose Bessent’s removal of SOGI from discrimination complaint forms

Congressional Equality Caucus sharply criticized move

By CHRISTOPHER KANE

A letter issued last week by a group of House Democrats objects to Treasury Secretary Scott Bessent’s removal of sexual orientation and gender identity as bases for sex discrimination complaints in several Equal Employment Opportunity forms.

“Today’s resolution agreement with UPenn is yet another example of the Trump effect in action,” Education Secretary Linda McMahon said in a statement. “Thanks to the leadership of President Trump, UPenn has agreed both to apologize for its past Title IX violations and to ensure that women’s sports are protected at the university for future generations of female athletes.”

Under former President Joe Biden, the department’s Office of Civil Rights sought to protect against anti-LGBTQ discrimination in education, bringing investigations and enforcement actions in cases where school officials might, for example, require trans students to use restrooms and facilities consistent with their birth sex or fail to respond to peer harassment over their gender identity.

Much of the legal reasoning behind the Biden-Harris administration’s positions extended from the 2020 U.S. Supreme Court case Bostock v. Clayton County, which found that sex-based discrimination includes that which is based on sexual orientation or gender identity under Title VII rules covering employment practices.

The Trump-Vance administration last week put the state of California on notice that its trans athlete policies were, or once were, in violation of Title IX, which comes amid the ongoing battle with Maine over the same issue.

Bessent, who is gay, is the highest ranking openly LGBTQ official in American history and the second out Cabinet member next to Pete Buttigieg, who served as transportation secretary during the Biden-Harris administration.

The signatories to the letter include a few out members of Congress, Congressional Equality Caucus chair and co-chairs Mark Takano (Calif.), Ritchie Torres (N.Y.), and Becca Balint (Vt.), along with U.S. Reps. Nikema Williams (Ga.), Hank Johnson (Ga.), Raja Krishnamoorthi (Ill.), Delia Ramirez (Ill.), Joyce Beatty (Ohio), Lloyd Doggett (Texas), Eleanor Holmes Norton (D.C.), Josh Gottheimer (N.J.), and Sylvia Garcia (D-Texas).

The letter explains the “critical role” played by the EEO given the strictures and limits on how federal employees can find recourse for unlawful workplace discrimination — namely, without the ability to file

complaints directly with the Employment Opportunity Commission or otherwise engage with the agency unless the complainant “appeal[s] an agency’s decision following the agency’s investigation or request[s] a hearing before an administrative judge.”

“Your attempt to remove ‘gender identity’ and ‘sexual orientation’ as bases for sex discrimination complaints in numerous Equal Employment Opportunity (EEO) forms will create unnecessary hurdles to employees filing EEO complaints and undermine enforcement of federal employee’s nondiscrimination protections,” the members wrote in their letter.

They further explain the legal basis behind LGBTQ inclusive nondiscrimination protections for federal employees in the EEOC’s decisions in Macy v. Holder (2012) and Baldwin v. Foxx (2015) and the U.S. Supreme Court’s decision in Bostock v. Clayton County (2020).

“It appears that these changes may be an attempt by the department to dissuade employees from reporting gender identity and sexual orientation discrimination,” the lawmakers wrote. “Without forms clearly enumerating gender identity and sexual orientation as forms of sex discrimination, the average employee who experiences these forms of discrimination may see these forms and not realize that the discrimination they experienced was unlawful and something that they can report and seek recourse for.”

“A more alarming view would be that the department no longer plans to fulfill its legal obligations to investigate complaints of gender identity and sexual orientation and ensure its employees are working in an environment free from these forms of discrimination,” they added.

Two teens shot steps from Stonewall Inn after NYC Pride parade

One victims left in critical condition

By JOE REBERKENNY

On June 29, following the annual NYC Pride March, two girls were shot in Sheridan Square, feet away from the historic Stonewall Inn.

According to an NYPD report, the two girls, aged 16 and 17, were shot around 10:15 p.m. as Pride festivities began to wind down. The 16-year-old was struck in the head and, according to police sources, is said to be in critical condition, while the 17-year-old was said to be in stable condition.

The Washington Blade confirmed with the NYPD the details from the police reports.

New York State Assemblywoman Deborah Glick, whose district includes Greenwich Village, took to social media to comment on the shooting.

“After decades of peaceful Pride celebrations — this year gun fire and two people shot near the Stonewall Inn is a reminder that gun violence is everywhere,” the lesbian lawmaker said on X. “Guns are a problem despite the NRA BS.”

Education Secretary LINDA MCMAHON (Screen capture: C-SPAN)

The Stonewall National Memorial in New York on June 19, 2024. (Washington Blade photo by Michael K. Lavers)

Treasury Secretary SCOTT BESSENT (Washington Blade photo by Michael Key)

Upwards of 100K people march in Budapest Pride

Participants defined Hungarian government’s ban on public LGBTQ events

By MICHAEL K. LAVERS

More than 100,000 people on June 28 defied the Hungarian government’s ban on public LGBTQ events and participated in the 30th annual Budapest Pride parade.

The New York Times published a picture that shows throngs of people marching on Budapest’s Erzsébet Bridge over the Danube River. Openly gay MEP Krzysztof Śmiszek, who was previously Poland’s deputy justice minister, is among the dozens of European lawmakers who participated in the march that began at Budapest City Hall.

The New York Times reported Hungarian police officers stood along the march, but they did not try to stop it. Śmiszek described the march to the Washington Blade as “beautiful and huge.”

“[It was] very peaceful and political,” he said.

Prime Minister Viktor Orbán and his Fidesz-KDNP coa-

lition government have faced widespread criticism over its anti-LGBTQ crackdown.

Hungarian lawmakers in March passed a bill that bans Pride events and allow authorities to use facial recognition technology to identify those who participate in them. MPs in April amended the Hungarian

Anaya Bangar challenges ban on trans women in female cricket teams

Former Indian cricketer Sanjay Bangar’s daughter has received support

By ANKUSH KUMAR

Anaya Bangar, the daughter of former Indian cricketer Sanjay Bangar, has partnered with the Manchester Metropolitan University Institute of Sport in the U.K. to assess her physiological profile following her gender-affirming surgery and undergoing hormone replacement therapy.

From January to March 2025, the 23-year-old underwent an eight-week research project that measured her glucose levels, oxygen uptake, muscle mass, strength, and endurance after extensive training.

The results, shared via Instagram, revealed her metrics align with those of cisgender female athletes, positioning her as eligible for women’s cricket under current scientific standards. Bangar’s findings challenge the International Cricket Council’s 2023 ban on transgender athletes in women’s cricket, prompting her to call for a science-based dialogue with the Board of Control for Cricket in India and the ICC to reform policies for trans inclusion.

“I am talking with scientific evidence in my hand,” Bangar said in an interview posted to her Instagram page. “So, I hope, this makes an impact and I will be hoping to BCCI and ICC talking with me and discussing this further.”

On Nov. 21, 2023, the ICC enacted a controversial policy barring trans women from international women’s cricket. Finalized after a board meeting in Ahmedabad, India, the regulation prohibits any trans player who has experienced male puberty from competing, irrespective of gender-affirming surgery or hormone therapy. Developed through a 9-month consultation led by the ICC’s Medical Advisory Committee, the rule aims to safeguard the “integrity, safety, and fairness” of women’s cricket but has drawn criticism for excluding athletes like Canada’s Danielle McGahey, the first trans woman to play internationally. The policy, which allows domestic boards to set their own rules, is slated for review by November 2025.

Bangar shared a document on social media verifying her participation in a physiological study at the Manchester Metropolitan University Institute of Sport, conducted from Jan. 20 to March 3, 2025, focused on cricket performance. The report confirmed that her vital metrics — including hemoglobin, blood glucose, peak power, and mean power — aligned with those of cisgender female athletes. Initially, her fasting blood glucose measured 6.1 mmol/L, slightly above the typ-

ical non-diabetic range of 4.0–5.9 mmol/L, but subsequent tests showed it normalized, reinforcing the study’s findings that her physical profile meets female athletic standards.

“I am submitting this to the BCCI and ICC, with full transparency and hope,” said Bangar. “My only intention is to start a conversation based on facts not fear. To build space, not divide it.”

In a letter to the BCCI and the ICC, Bangar emphasized her test results from the Manchester Metropolitan University study. She explained that the research aimed to assess how hormone therapy had influenced her strength, stamina, hemoglobin, glucose levels, and overall performance, benchmarked directly against cisgender female athletic standards.

Bangar’s letter to the BCCI and the ICC clarified the Manchester study was not intended as a political statement but as a catalyst for a science-driven dialogue on fairness and inclusion in cricket. She emphasized the importance of prioritizing empirical data over assumptions to shape equitable policies for trans athletes in the sport.

Bangar urged the BCCI, the world’s most influential cricket authority, to initiate a formal dialogue on trans women’s inclusion in women’s cricket, rooted in medical science, performance metrics, and ethical fairness. She called for the exploration of eligibility pathways based on sport-specific criteria, such as hemoglobin thresholds, testosterone suppression timelines, and standardized performance testing. Additionally, she advocated for collaboration with experts, athletes, and legal advisors to develop policies that balance inclusivity with competitive integrity.

“I am releasing my report and story publicly not for sympathy, but for truth. Because inclusion does not mean ignoring fairness, it means measuring it, transparently and responsibly,” said Bangar in a letter to the BCCI. “I would deeply appreciate the opportunity to meet with you or a representative of the BCCI or ICC to present my findings, discuss possible policy pathways, and work towards a future where every athlete is evaluated based on real data, not outdated perceptions.”

Before her transition, Bangar competed for Islam Gymkhana in Mumbai and Hinckley Cricket Club in the U.K., showcasing her talent in domestic cricket circuits. Her father, Sanjay Bangar, was a dependable all-rounder for the Indian national

constitution to ban public LGBTQ events.

Budapest Mayor Gergely Karácsony endorsed the march, even though Orbán’s government threatened to arrest him and fine participants.

“Today a country shows that no ruling party can tell it on what topic, for what cause it is allowed to march and why not,” said Budapest Pride President Viktória Radványi on June 28 in a Facebook post. “A country demonstrates that whoever will be in government can count on us: dedicated, persistent citizens intolerant to oppression, who will organize themselves and stand against tyranny with their heads held high.”

More than two dozen activists in D.C. who protested outside the Hungarian Embassy on Friday expressed their support for Budapest Pride.

cricket team from 2001 to 2004, playing 12 test matches and 15 One Day Internationals. He later served as a batting coach for the Indian team from 2014 to 2019, contributing to its strategic development.

Cricket in India is a cultural phenomenon, commanding a fanbase of more than 1 billion, with more than 80 percent of global cricket viewership originating from the country.

The International Cricket Council, the sport’s governing body, oversees 12 full member nations and more than 90 associate members, with the U.S. recently gaining associate member status in 2019 and co-hosting the 2024 ICC Men’s T20 World Cup. The BCCI generated approximately $2.25 billion in revenue in the 2023–24 financial year, primarily from the Indian Premier League, bilateral series, and ICC revenue sharing. The ICC earns over $3 billion from media rights in India alone for the 2024–27 cycle, contributing nearly 90 percent of its global media rights revenue, with the BCCI receiving 38.5 percent of the ICC’s annual earnings, approximately $231 million per year.

Women’s cricket in India enjoys a growing fanbase, with over 300 million viewers for the Women’s Premier League in 2024, making it a significant driver of the sport’s global popularity. The International Cricket Council oversees women’s cricket in 12 full member nations and over 90 associate members, with the U.S. fielding a women’s team since gaining associate status in 2019 and competing in ICC events like the 2024 Women’s T20 World Cup qualifiers. The BCCI invests heavily in women’s cricket, allocating approximately $60 million annually to the WPL and domestic programs in 2024–25, while contributing to the ICC’s $20 million budget for women’s cricket development globally. India’s media market for women’s cricket, including WPL broadcasting rights, generated $120 million in 2024, accounting for over 50 percent of the ICC’s women’s cricket media revenue.

Budapest Pride participants march across the Erzsébet Bridge over the Danube River in Budapest, Hungary, on June 28, 2025. (Courtesy photo)

ANAYA BANGAR (Photo courtesy of Anaya Bangar’s Instagram page)

EMMA CIESLIK

is a D.C.-based museum worker and public historian.

Community comes together to repair WorldPride history exhibition

Vandals damaged pictures, timeline walls on June 22

Earlier this month, vandals shouting homophobic slurs damaged the 8-foot hero cubes and timeline walls of the Rainbow History Project’s (RHP) WorldPride exhibition “Pickets, Protests, and Parades: The History of Gay Pride in Washington.” The week’s incident was the ﬁfth homophobic attack on the exhibition chronicling DC’s LGBTQ+ History, the vandalism damage was only made worse by the storms this past week.

In response, RHP posted a call online for volunteers and donations and over a dozen volunteers showed up on Saturday to repair the exhibition in its ﬁnal stretch.

It took three hours, but the group assembled during a heat advisory to bend the fences back into place, ﬁx the cubes, and zip tie all the materials together to keep them safe. Some of those who came out to volunteer, Slatt said, were known RHP volunteers but most were total strangers who had attended an event here or there or just wanted to get involved for the ﬁrst time, one was even in D.C. as an out-of-town guest and after seeing the Instagram call, decided to spend their day lifting some heavy fencing back into place.

When asked why they showed up, volunteer Abbey said: “especially during Pride month, it’s so important to come together as a community, not just to celebrate, but to support each other. To know that this historic exhibit is even able to exist right now under this administration is really amazing. The fact that we’re just able to help continue it in its last leg of being out here is really important.”

“Rainbow History Project does a lot of work for the community,” another volunteer Ellie said, “they show up in a lot of ways that I think we really need right now, so in terms of being asked to come out and do a couple hours of lifting, that is something that we can easily support and do.”

“We put out a call asking for support from the community, and so we didn’t know what we’d get,” Slatt continued, “but strangers have shown up. We were upset, we were crying. We were trying to come up with a battle plan and more and more people have shown up with open arms and empty hands to do this. It’s 95 degrees, we are melting in the heat. It’s just amazing the number of people who have come here.”

If anything, the anonymous exhibit designer said, the people who vandalized the exhibit made the community stronger and mobilized members passionate about preserving and sharing our histories. Their efforts backﬁred in a big way — bringing together people who had only attended one or two RHP events or had read about the organization online to actively contribute to the work.

It’s a meaningful representation of the history of D.C.’s LGBTQ+ community, one that often starts with a small group of people who come together to protest but soon mobilize their communities and enact monumental change in the nation’s capital.

“If Pride in D.C. started with 10 people picketing the White House,” Slatt remarked, “you just got 12 more to join the gay history movement.”

This was especially poignant, another volunteer Mattie said, on the week that the Supreme Court issued a decision allowing Tennessee to ban puberty blockers and hormone therapy for minors seeking gender afﬁrming care. It was a devastating moment for the LGBTQ+ community who mobilized once more in front of the Supreme Court this past Friday.

“It’s been actually really important to see this community come together in the face of direct attack on our history in the wake of direct attacks on our rights,” Mattie said, “and we stand up to that. We come together, and we represent. That is so important to maintaining our strength and our community throughout trying times now and ahead.”

When asked about how community members can support RHP’s work and repair the damage long-term to the exhibit, Slatt urged people to donate to RHP, to volunteer as exhibit monitors, and to come visit the exhibit.

“We’ve been doing this for 25 years. This is our 25th anniversary, and if it weren’t for volunteers donating their time and their talents, if it weren’t for small dollar donors, we would never have gotten anything done,” Slatt said. “I’d say to anyone out there that we are on this plaza all through Independence weekend, we are here through the Smithsonian Folklife Festival, people can come on down.”

Slatt and other volunteers will be leading tours each evening at 7 p.m. at Freedom Plaza, and people can pre-order the exhibition catalog right now, which will be delivered in time for LGBTQ+ History Month in October.

PETER ROSENSTEIN

is a longtime LGBTQ rights and Democratic Party activist. He writes regularly for the Blade.

Can we still celebrate Fourth of July this year?

President Donald Trump wants to be king

Independence Day, commonly known as the Fourth of July, is a federal holiday commemorating the ratiﬁcation of the Declaration of Independence by the Second Continental Congress on July 4, 1776, establishing the United States of America. The delegates of the Second Continental Congress declared the 13 colonies are no longer subject (and subordinate) to the monarch of Britain, King George III and were now united, free, and independent states. The Congress voted to approve independence by passing the Lee resolution on July 2, and adopted the Declaration of Independence two days later, on July 4.

Today we have a felon in the White House, who wants to be a king, and doesn’t know what the Declaration of Independence means. Each day we see more erosion of what our country has fought to stand for over the years. We began with a country run by white men, where slavery was accepted, and where women weren’t included in our constitution, or allowed to vote. We have come far, and next year will celebrate 250 years. Slowly, but surely, we have moved forward. That is until Nov. 5, 2024, when the nation elected the felon who now sits in the Oval Ofﬁce.

There are some who say they didn’t know what he would do when they voted for him. They are the ones who were either fooled, believing his lies, or just weren’t smart enough to read the blueprint which laid out what he would do, Project 2025. It is there for everyone to see. There should be no surprise at what he is doing to the country, and the world. Last Friday his Supreme Court, and yes, it is his, the three people he had conﬁrmed in his ﬁrst term, gave him permission to be the king he wants to be. The kind of king our Declaration of Independence said we were renouncing. A man who with the stroke of a pen can ruin thousands of lives, and change the course of America’s future. A man who has set back our country by decades, in just a few months.

So, I understand why many are suggesting there is nothing to celebrate this Fourth of July. How do we have parties, and ﬁreworks, celebrating the 249th year of our independence when so many are being sidelined and harmed by the felon and his MAGA sycophants in the Congress, and on the Supreme Court. Yes, there are those celebrating all he is doing. Those who want to pretend transgender people don’t exist, and put their lives in danger; those who think it’s alright to take away a women’s right to control her body, and her healthcare; those who think parents should be able to interfere on a daily basis with their children’s schooling and wipe out the existence of gay people for them. Those who pretend there was a mandate in the last election, when it was only won by about 1 percent. Those who think disparaging veterans, ﬁring them, and taking away their healthcare, is ok. Those in the LGBTQ community like Log Cabin Republicans, who think supporting a racist, sexist, homophobe is the right thing to do.

So, what do we, as decent caring people, do this Fourth of July. What do we say to those who are being harmed as we celebrate. What do we say to those trans people, those women, those immigrants who came here to escape their own dictators, and are now ﬁnding they have come to a country with its own would-be dictator. I say to them, please don’t give up on America. Don’t give up on the possibility decent loving people in our country will ﬁnally wake up and say, “enough.” That the majority of Americans will remember we fought a revolution to escape a king, and we fought a civil war to end slavery. That we moved forward and gave women the right to vote, and gave the LGBTQ community the right to marry. Don’t give up on the people that did all that, and think they won’t rise up again, and tell the felon, racist, homophobe, misogynist, found liable for sexual assault, now in the White House, and his sycophants in congress, and his cult, that we will take back our country in the 2026 midterm elections. That we will vote in large numbers, and demand our freedom from the tyranny that he is foisting on our country.

So yes, I will celebrate this Fourth of July not for what is happening in our country today, but rather for what our country actually stands for. Not for birthday parades, and abandonment of the heroes in Ukraine in support of dictators like Putin. But for the belief the decent people in our country will rise up and vote. That is what I will celebrate and pray for this Fourth of July. That is what I think the ﬁreworks will mean this July Fourth. I refuse to accept defeat the same way our revolutionary soldiers wouldn’t, and the way our troops in the civil war wouldn’t till the confederacy was defeated.

I will celebrate this Fourth of July because I refuse to accept we will not defeat those who would destroy our beautiful country, and what it really stands for.

JOHN KLENERT

is a longtime D.C. resident and member of the DC Vote and LGBTQ+ Victory Fund Campaign boards of directors.

Is it time for DC to have new congressional representation?

Del. Eleanor Holmes Norton will turn 89 in June

With WorldPride, Supreme Court decisions, military parades in our streets, mayor and City Council discussions about a new football stadium, it is entirely understandable if we missed the real local political story for our future in the halls of Congress. Starting this past May, the whispered longtime discussions about the city’s representation in Congress broke out. Stories in Mother Jones, Reddit, Politico, Axios, NBC News, the New York Times, and even the Washington Post have raised the question of time for a change after so many years. A little background for those who may not be longtime residents is deﬁnitely necessary.

Since the passage of the 1973 District of Columbia Home Rule Act, we District residents have had only two people represent us in Congress, Walter Fauntroy and Eleanor Holmes Norton, who was ﬁrst elected in 1990 after Mr. Fauntroy decided to run for mayor of our nation’s capital city.

No one can deny Mrs. Norton’s love and devotion for the District. Without the right to vote for legislation except in committee, she has labored hard and often times very loud to protect us from congressional interference and has successfully passed District of Columbia statehood

twice in the House of Representatives only to see the efforts fail in the U.S. Senate where our representation is nonexistent.

However, the question must be asked: Is it time for a new person to accept the challenges of working with fellow Democrats and even with Republicans who look for any opportunity to harm our city? Let us remember that the GOP House stripped away millions of OUR dollars from the D.C. budget, trashed needle exchange programs, attacked reproductive freedoms, interfered with our gun laws at a moment’s notice and recently have even proposed returning the District to Maryland, which does not want us, or simply abolishing the mayor and City Council and returning to the old days of three commissioners or the very silly proposal to change the name of our Metro system to honor you know you.

Mrs. Norton will be 89 years old next year around the time of the June 2026 primary and advising us she is running for another two-year term. Besides her position there will be other major elected city positions to vote for, namely mayor, several City Council members and Board of Education, the district attorney and the ANC. Voting for a change must not be taken as an insult to her. It should be raised and praised as an immense thank you from our LGBTQ+ community to Mrs. Norton for her many years of service not only as our voice in Congress but must include her chairing the Equal Employment Opportunity Commission, her time at the ACLU, teaching constitutional law at Georgetown University Law School, and her role in the 1963 March on Washington. Personally, I am hoping she will accept all the accolades which will come her way. Her service can continue by becoming the mentor/tutor to her replacement. It is time!

Del. ELEANOR HOLMES NORTON (D-D.C.) (Washington Blade photo by Michael Key)

headliner comedian zach zimmerman

saturday, august 30 a night of comedy plus! live auction!

for tickets, event + accessibility info, scan the qr code

dj robbie leslie

dj joe gauthreaux

one ticket, two dances

a benefit to support camp rehoboth delaware’s lgbtq+ community center 37

sunday, august 31 || 7:00 pm a night of dance

302-227-5620

camprehoboth.org

AMERICAN CLASSIC IN THE HEART OF THE HISTORIC CENTER OF LEWES!

ThisextensivelyrenovatedclassicAmeri canColonialRevivalhomeinLewes'HistoricDistrictoff ers aprivateoasisjuststepsfromdowntown!The main fl oorfeaturesformal li vinganddiningrooms,agreatroom,andasl eek,m odernkitchenwithhigh-endappli ances, fl owingseamlesslywith h ardwood fl ooringthruout.Alargescreenedporch, backdeck,andprivatelandscapedyardwi th akoipondandoutdoorshowerprovideample roomforoutdoorentertaining.Thesecondlevelincludesabrightworkspace,alargeowner’ssuitewi th alux uri ousbathandwalk-incl osets,and2 additionalbeds&baths.Afu ll thi rd fl oor off ers aloft,a4thensuitebedroomwi th deckaccess,andalargeversatileroomalsowi th deckaccess, providingsweepingviews.Thepropertyalsoboastsafu ll basement,atwo-cargarage,ampleparking,andsomuchm ore. This un iqueretreat blendsclassicarchitecturewithm odernamenities,o ff erin gachancetohaveitallintheheartofLewes.Scheduleashowingtoday!

‘Noah’s

By GREGG SHAPIRO

Doug Spearman takes his chance

Arc: The Movie’ debuted on Paramount+ last month

There’s no question that when Patrik-Ian Polk’s series “Noah’s Arc” premiered on Logo 20 years ago, it was a groundbreaking creation. The story of a group of Black gay men and their wonderful friendship. The titular arc was that of the cute main character, Noah (Darryl Stephens), and his close-knit circle of friends, including Chance played by gay actor Doug Spearman. This compelling and loving fraternity may, in fact, be what brought viewers back repeatedly, including a 2008 movie, “Noah’s Arc: Jumping the Broom,” as well as the 2020 “Noah’s Arc” short, and now, a new full-length feature “Noah’s Arc: The Movie,” debuting on Paramount+ on June 20. In the movie, ﬁlled with equal measures of laughs and tears, Chance, who has faced a devastating loss, ﬁnds his dependable friends there, ready to support and comfort him at a moment’s notice. I had the pleasure of speaking with Spearman the morning of the streaming premiere of “Noah’s Arc: The Movie.”

WASHINGTON BLADE: Doug, since the early 2000s, when the “Noah’s Arc” series premiered on Logo, you have been playing the character of Chance, including in the latest installment, “Noah’s Arc: The Movie.” What was it about Chance that appealed to you as an actor?

SPEARMAN: When Patrik (-Ian Polk) called me to ask me to play him (Chance), I was at JFK Airport in the baggage claim, waiting for a suitcase. He explained what the part was. The thing that stuck out to me was the fact that Chance was in a long-term relationship with another Black man. And, they had a child; they had a 4-year-old daughter named Kenya. I had never seen two Black gay men raise a child on TV before. I thought it was the most revolutionary thing I’d ever seen. I immediately thought I’ve got to do this because that was something nobody had seen. I thought it was incredibly important to take the part.

BLADE: “Noah’s Arc: The Movie” was, once again, written and directed by Patrik-Ian Polk, who you just mentioned, is the creator of the entire franchise. What’s the secret to your long-standing working relationship?

SPEARMAN: [Laughs] the whole team, all of us, are like a band of brothers. We ﬁght like brothers, we come together like brothers, we hash things out, we talk, because we’re all very different from our characters. I think the challenge of playing these guys and then uplifting these men, playing a part, especially something written by Patrik, is like solving a math equation. There’s always a challenge that’s enjoyable for me as an actor: to try to ﬁnd out what it is that Patrik wants, and then how do I do it.

BLADE: I think you do a very good job of it.

SPEARMAN: Thank you very much.

BLADE: In the years between “Jumping the Broom” and the new full-length movie, many changes have occurred, and the story addresses some of them, including gay widowhood, which is something that the aging community is now confronting, as well as mental health issues. Please say a few words about how you approached those subjects in the new movie.

SPEARMAN: I had a lot of loss in my life, right before we started shooting. Two months before we started shooting the first series, my mother died. I was going through the grief process through that whole first season. Since then, I’ve lost a lot of people in my life. In fact, when we started shooting the second season, the second week we were shooting, my ex died of a heart attack. I was having to fold that into what I was doing with my life on the set and off the set. You’ve got to show up and you’ve got to do your work. The first two seasons of “Noah’s Arc” are always tinged with the memory of grief. So, when I had to deal with the death that Chance faces (in the new movie), which is a significant death in his life, it wasn’t that hard to reach back, especially the scene in the graveyard. It was something that I unfortunately could pull from personal experience.

BLADE: Shifting gears, the movie features delightful cast surprises, including Jasmine Guy and TS Madison. Did you have a chance to interact with either or both when they were on set?

SPEARMAN: No, I didn’t have any scenes with Jasmine, and I missed her. I wish I had gotten to see her because I actually got to direct Jasmine for a CBS promo shoot for “Queen,” back in the early ‘90s. I had a huge crush on her when she was on “A Different World.” So, I really would have liked to reconnect. But TS and I got to see each other every day because I was in all her scenes. It was extraordinary being around somebody like that. That is one outspoken woman!

BLADE: Even though Beyoncé never makes an appearance in the movie, there’s a lot of talk about her. Would you say you are a Beyoncé fan?

SPEARMAN: Yes! I’m breathing! Yes, I’m a Beyoncé fan. I actually got the chance to meet her. I knew her mom. Her mom was extraordinary to me. She is in the second movie I directed. She also gave us a wedding gown to use in the very ﬁrst scene of the movie. That family is extraordinarily important to me. Not only just to be a fan, but to be somebody who’s gotten to know them and work with them and see how hard they work. I don’t think anybody works as hard as Tina or Beyoncé.

BLADE: There was a recent news item about gay actor Benito Skinner of the Amazon Prime series “Overcompensating” being told not to bother auditioning for straight roles. As an out actor yourself, how important do you think it is for queer characters to be portrayed by queer actors, and vice versa?

SPEARMAN: Being queer is a multifaceted identity. There’s no one kind of queer person. I think ﬁnding the best actor that’s your ﬁrst circle of casting. I think one of the joys about being an actor is that you get to play different parts. I play straight guys all the time. Dads and husbands and things like that. I think a lot of people are told not to do it. In fact, I wouldn’t be Chance if the actor who was originally cast as Chance hadn’t been pulled out of the series by his agents because they didn’t want him to play a gay character.

BLADE: That’s amazing! Thank you for sharing that. Without giving away too much, the ending of the movie is a little ambiguous, even ending with a question mark. If there was a “Noah’s Arc: The Movie” sequel, would you come back for that?

SPEARMAN: Yeah! A lot of it would depend on what Chance’s journey is going to be like. Patrik and I have conversations like that all the time. He’s very interested and supportive of input. I hope I would be, as we all would be, part of the creative growth with these characters. They live in Patrik’s head, and he writes them, but we’re the ones who have to ﬂesh them out. It’s a conversation, it’s always a conversation.

BLADE: You are currently performing in Molière’s “The Imaginary Invalid” as part of the New Orleans Shakespeare Festival at Tulane. What has this experience been like for you?

SPEARMAN: It’s extraordinary! I started on stage when I was seven. There’s nothing like working with a live audience and having that immediacy. I’m working with an extraordinarily talented cast in a really great play, and I have some of the best scene partners I could ever want.

BLADE: Are there any upcoming ﬁlm or TV projects you’d like to mention?

SPEARMAN: I’m still a writer, and I’m still a director, and I’ve still got scripts that I would like to make. I have a little something that’s a cross between “Treme” and “Bridgerton” that I want to do. I’m always trying to ﬁgure out what the next thing is.

(Photo courtesy of Paramount+)

CALENDAR |

By TINASHE CHINGARANDE

Celebrate the Fourth of July the gay way!

The Rainbow History Project will host “Pickets, Protests and Parade Exhibit Tour” at 7 p.m. at Freedom Plaza. This event honors the courage, resilience and resistance of D.C.’s gay community. For more details, visit Eventbrite

GoGay DC will host “LGBTQ Community Social” at 7 p.m. at Hyatt Centric Arlington (1325 Wilson Blvd.). This fun event is ideal for meeting new people and community building. Attendance is free and more details are available on Eventbrite

Xavier Entertainment DC will host “Cowboy Carter Afterparty” at 10 p.m. at Nellie’s Sports Bar. There will be ﬁreworks, parades, and patriotic fun. For more details, visit Eventbrite

Mezcal Amaras will host “Sha Boing Boing Showdown” at 6 p.m. at Snappy’s Small Bar (3917 Georgia Ave., N.W.). Get ready to test your hotdog eating abilities. Tickets start at $12.51 and can be purchased on Eventbrite

Illusions Drag Queen Show will host “Drag Queen Dinner Show” at 7 p.m. at 2323 18th St. N.W. Guests will be treated to the very best celebrity drag impersonations in entertainment. Tickets start at $12.97 and are available on Eventbrite

Thurst Lounge will host “A Thirsty Cowboy Afterparty” at 5 p.m. DJ Apollo will be performing. For more details, visit Thurst’s website.

9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” at 9 p.m. The DJ will play plenty of disco hits from the 70s and 80s. Tickets cost $45.30 and can be purchased on Ticketmaster.

‘A Wrinkle in Time’ comes to Arena Stage

Actor, singer Taylor Iman Jones stars as Meg Murry

By PATRICK FOLLIARD

Currently at Arena Stage, talented out actor and singer Taylor Iman Jones is rekindling an old friendship with an adored character of fiction.

Broadway vet Jones is starring as 13-year-old Meg Murry in “A Wrinkle in Time,” the world-premiere musical adaptation of Madeleine L’Engle’s same-titled book.

For many readers, especially women, the classic 1962 young adult novel, was their first foray into sci-fi, particularly one with a female protagonist.

The story centers on Meg, an awkward schoolgirl whose physicist father has mysteriously disappeared. Now, Meg, her popular friend Calvin, and smart younger brother Charles Wallace are tasked with moving through time and space to find him. Along they way they encounter adventure and evil.

For Jones, 33, playing 13-year-old Meg feels freeing in ways. She says, “As you get older, you’re told to grow up, so I like letting go of some of that. To feel feelings in their rawest form and to tap back into that is fun. I like the spontaneity. There are highs and lows to revisit.”

Born and raised in the San Francisco Bay Area, Jones began piano lessons at just six and soon added band and plays to their pursuits. Following high school, she made a deep dive into California theater for seven years before making the big move to New York in 2017 where after just two months she was singing on Broadway.

The determined and appealing Jones, who lives in New York with their partner, boasts an impressive bio. She has appeared on Broadway as Catherine Parr, Henry VIII’s sixth and final wife in “Six”, and in the original casts of “Head Over Heels” and “Groundhog Day.” She’s been seen in national tours of “Hamilton” and “American Idiot.”

WASHINGTON BLADE: It seems “A Wrinkle in Time” and Meg mean a lot to a lot of people.

TAYLOR IMAN JONES: The book tells the story of a girl with so much undiscovered power who’s accomplishing things she never imagined that she could.

BLADE: Can you relate?

JONES: Meg wears her emotions on her sleeve. I can certainly relate to that. I’m a Pisces. Sometimes being hyperemotional and very empathetic can

feel like a burden, but as I’ve matured, I have realized that it’s not a bad quality. And it’s something I’ve learned to harness and to enjoy. I love that I can play a role like Meg in front of thousands of people.

BLADE: Was “Wrinkle in Time” a book you knew well?

JONES: Oh yeah, it’s a favorite book that lives in my heart and my mind. It’s one of the first books that taught me about the adventure of reading.

BLADE: And playing a favorite character must be a kick.

JONES: It really is.

BLADE: Meg is a big part in a big show.

JONES: This musical is huge. They’re traveling through space and meeting people on different planets. 20-person cast. 30 songs in the show. Quite the undertaking and I’m proud of us. I’m on stage for the entire musical and I

sing four or five numbers.

As a mezzo soprano I guess you’d say I have the luxury of being able to do a lot of musicals that span a lot of different genres: rock musical, pop musical, and standards. “A Wrinkle in Time” is contemporary musical theater.

For me, singing is probably the least difficult part of the show. What’s harder for me is the way Meg experiences trauma; I need to be careful when I’m screaming and yelling.

BLADE: It seems mostly women have been involved in making this production happen (book by Lauren Yee; music and lyrics by Heather Christian; directed by Lee Sunday Evans; and choreography by Ani Taj.)

JONES: It’s true, the director, writer, etc., and most of our producers are all women. This doesn’t happen most of the time. For me it means new ideas and fresh energy, and pushing the lim -

its of musical theater.

It’s also created a wonderful space in which to work. It can be more generous, and understanding. And centering the story on a young girl is something we can all relate to.

BLADE: Will “A Wrinkle in Time” resonate with queer theatergoers and their families?

JONES: I think so, especially on the heels of pride month. It’s truly a show for all ages about finding your inner strength and fighting for the things that you love; not letting evil win over the power of good, and not just for yourself but for those around you too.

“A Wrinkle in Time”

Through July 20 | Arena Stage 1101 Sixth St., S.W. | Tickets range from $59-$209 | Arenastage.org

TAYLOR IMAN JONES (Meg), left, and JON PATRICK WALKER (Meg’s father) in ‘A Wrinkle in Time’ at Arena Stage.

(Photo by T. Charles Erickson Photography)

Two new documentaries highlight trans history

‘I’m

Your Venus’ on Netflix, ‘Enigma’ on HBO/Max

By JOHN PAUL KING

One of the most telling things about queer history is that so much of it has to be gleaned by reading between the lines.

There are the obvious tentpoles: the activism, the politics, the names, and accomplishments of key cultural heroes. Without the stories of lived experience behind them, however, these things are mere information; to connect with these facts on a personal level requires relatable everyday detail — and for most of our past, such things could only be discussed in secret.

In recent decades, thanks to increased societal acceptance, there’s been a new sense of academic “legitimacy” bestowed upon the scholarship of queer history, and much has been illuminated that was once kept in the dark. The once-repressed expressions of our queer ancestors now allow us to see our reflections staring back at us through the centuries, and connect us to them in a way that feels personal.

One of the most effective formats for building that connection, naturally enough, is documentary filmmaking — an assertion illustrated by two new docs, each focused on figures whose lives are intertwined with the evolution of modern trans culture.

“I’m Your Venus,” now streaming on Netfllix, bookends an iconic documentary from the past: “Paris is Burning” (1990), Jennie Livingston’s seminal portrait of New York City’s ballroom scene of the ‘80s, In that film, a young trans woman named Venus Xtravaganz delivered first-person confessionals for the camera that instantly won the hearts of audiences — only for them to break with the shattering revelation that she had been murdered before the film’s completion.

That 1988 murder was never solved, but Venus — whose surname was Pellagatti before she joined the House of Xtravaganza – was never forgotten; four decades later, her family (or rather, families) want some answers, and filmmaker Kimberly Reed follows her biological siblings — Joe, Louie, and John, Jr. — as they connect with her ballroom clan in an effort to bring closure to her loss; with the help of trans advocates, they succeed in getting her murder case re-opened, and work to achieve a posthumous legal name change to honor her memory and solidify her legacy.

It’s a remarkably kind and unapologetically sentimental chronicle of events, especially considering the brutal circumstances of Venus’ killing — a brutal death by strangling, almost certainly perpetrated by a transphobic “john” who left her body hidden under a mattress in a seedy hotel — and her decision to leave her birth family for a chosen one. As to the latter, there are no hard feelings among her blood relatives, who assert — mostly convincingly — that they always accepted her for who she was; one senses that a lot of inner growth has contributed to the Pallagatti clan’s mission, which admittedly sometimes resembles an attempt at making amends. For the murder itself, it’s best to leave that part of the story unspoiled — though it’s fair to say that any answers which may or may not have been found are overshadowed by the spirit of love, dignity, and determination that underscore the search for them, however performative some of it might occasionally feel. Ultimately, Venus is still the star of the show, her authentic and unvarnished truth remaining eloquent despite the passage of more than 40 years.

Perhaps more layered and certainly more provocative, documentarian Zackary Drucker’s “Enigma” (now streaming on HBO/Max) delves further back into trans history, tracing the parallel lives of two women — trans pioneer and activist April Ashley and self-styled European “disco queen” Amanda Lear — whose paths to fame both began in Paris of the 1950s, where they were friends and performers together at Le Carrousel, a notorious-and-popular drag cabaret that attracted the glitterati of Europe.

Ashley — who died at 86 in 2021 — was a former merchant seaman from Liverpool whose “underground” success as a drag performer funded a successful gender reassignment surgery and led to a career as a fashion model, as well as her elevation-by-wedding into British high society — though the marriage was annulled after she was publicly outed by a friend, despite her husband’s awareness of her trans identity at the time of their marriage. She went on to become a formidable advocate for trans equality — and for environmental organizations like Greenpeace — who would earn an MBE for her efforts, and wrote an autobiography in which she shared candid stories about her experiences and relationships as part of the “exotic” Parisian scene from which she launched her later life.

The other figure profiled by “Enigma” — and possibly the one to which its title most directly refers — is Amanda Lear, who also (“allegedly”) started her rise to fame at Le Carrouselbefore embarking on a later career that would include fash -

ion modeling, pop stardom, and a long-term friendship with surrealist painter Salvador Dalí. A self-proclaimed “disco queen” whose success in Europe never quite spread to American culture, despite highly public relationships and collaborations with musical icons like David Bowie and Roxy Music, Lear’s trajectory has taken her in a different direction than Ashley’s. In the film’s extensive live interview segments, she repeatedly denies and discredits suggestions of her trans identity, sticking to a long-maintained script in which any and all details of her origins are obscured and denied as a matter of course.

At times, it’s almost amusing to observe her performative (there’s that word again) denials, which occasionally approach a kind of deliberate “camp” absurdity in their adamance, but there’s also a kind of grudging respect that’s inspired by the sheer doggedness with which she insists on controlling the narrative — however misguided it may seem to those of us on the outside. Debate about her gender-at-birth has continued for decades, even predating Ashley’s book, so the movie’s “revelations” are hardly new, nor even particularly controversial — but her insistence on discrediting them provides sharp contrast with the casual candor of Asnley’s elegantly confident persona, underscoring the different responses to transphobia that would direct the separate lives of both these former (alleged) friends,

For what it’s worth, Lear sent an email to the Washington Post, calling the movie “a pathetic piece of trash” and denying not just her trans identity but any friendship or association with Ashley, despite ample photographic and anecdotal evidence to the contrary — and while it might come across as callous or desperate for her to maintain the presumed façade, it’s a powerful testament to the power of cultural bullying to suppress the truth of queer existence; the contrast between the life each of these women chose to live speaks volumes, and makes “Enigma” into one of the most interesting — and truthful — trans documentaries to emerge thus far.

While neither film presents a comprehensive or definitive view of trans experience (is such a thing even possible, really?), both offer a perspective on the past which both honors the truth of queer existence and illustrates the ways in which the stigma imposed by mainstream prejudice can shape our responses to the identity through which the public perceives us.

That makes them both worth your attention, especially when our queer history — and the acknowledgement of trans existence itself — is at risk or being rolled right back up into the closet.

‘I’m Your Venus’ explores the death and legacy of trans ballroom icon VENUZ XTRAVAGANZA (Image courtesy of Netfilx)

Embracing the chaos can be part of the fun

‘Make

Sure You Die Screaming’ offers many twists and turns

By TERRI SCHLICHENMEYER

Sometimes, you just want to shut the door and forget what’s on the other side.

You could just wipe it from your memory, like it didn’t occur. Or create an alternate universe where bad things never happen to you and where, as in the new novel “Make Sure You Die Screaming”by Zee Carlstromn, you can pretend not to care.

Their mother called them “Holden,” but they’d stopped using that name and they hadn’t decided what to use now. What do you call an alcoholic, queer, pessimistic former ad executive who’s also “The World’s First Honest White Man,” although they no longer identify as a man? It’s a conundrum that they’ll have to figure out soon because a cop’s been following them almost since they left Chicago with Yivi, their psychic new best friend.

Until yesterday, they’d been sleeping on a futon in some lady’s basement, drinking whatever Yivi mixed, and trying not to think about Jenny. They killed Jenny, they’re sure of it. And that’s one reason why it’s prudent to freak out about the cop.

The other reason is that the car they’re driving was stolen from their ex-boyfriend who probably doesn’t know it’s gone yet.

This road trip wasn’t exactly well-planned. Their mother called, saying they were needed in Arkansas to find their father, who’d gone missing so, against their better judgment, they packed as much alcohol as Yivi could find and headed south. Their dad had always been unique, a cruel man, abusive, intractable; he suffered from PTSD, and probably another half-dozen acronyms, the doctors were never sure. They didn’t want to find him, but their mother called...

It was probably for the best; Yivi claimed that a drug dealer was chasing her, and leaving Chicago seemed like a good thing.

They wanted a drink more than anything. Except maybe not more than they wanted to escape thoughts of their old life, of Jenny and her death. And the more miles that passed, the closer they came to the end of the road.

If you think there’s a real possibility that “Make Sure You Die Screaming” might run off the rails a time or three, you’re right. It’s really out there, but not always in a bad way. Reading it, in fact, is like squatting down in a wet, stinky alley just after the trash collector has come: it’s filthy, dank, and profanity-filled. Then again, it’s also absurd and dark and philosophical, highly enjoyable but also satisfying and a little disturbing; Palahniuk-like but less metaphoric.

That’s a stew that works and author Zee Carlstrom stirs it well, with characters who are sardonic and witty while fighting the feeling that they’re unredeemable losers – which they’re not, and that becomes obvious.

You’ll see that all the way to one of the weirdest endings ever.

Readers who can withstand this book’s utter confusion by remembering that chaos is half the point will enjoy taking the road trip inside “Make Sure You Die Screaming.” Just buckle up tight. Then shut the door, and read.

‘Make

Sure You Die Screaming’

By Zee Carlstrom

c.2025, Flatiron | $26.99 | 224 pages

Manchester is vibrant tapestry of culture, history, and Pride

Alan Turning Memorial is among English city’s many attractions

By JOEY AMATO

Manchester, England, is not only famous for its industrial heritage, music scene, and football clubs — it’s also home to one of the most vibrant and historically significant LGBTQ communities in the U.K. Often referred to as the “gay capital of the North,” Manchester has been a pioneer in LGBTQ rights, visibility, and celebration, cultivating a culture of inclusivity that continues to thrive today.

The roots of Manchester’s LGBTQ history stretch back centuries, but it was during the 20th century that the city truly became a hub for activism and progress. In 1880, a scandal known as the “Manchester Drag Ball” brought national attention to the city when police raided a fancy dress ball attended by men in drag. Though the incident was used to stigmatize the community, it also marked one of the first widely publicized moments of queer expression in the city.

Manchester is home to several institutions that preserve and celebrate queer history. The LGBT Foundation, based in the city, is one of the U.K.’s leading LGBTQ charities, providing health and support services as well as educational resources.

The city is also immortalized in pop culture as the backdrop for “Queer as Folk,” the groundbreaking 1999 television series created by Russell T Davies. The show, set in Manchester’s Gay Village, helped bring the realities of LGBTQ life to mainstream audiences and played a pivotal role in shaping public attitudes.

Manchester, is a city that lives and breathes resilience. It’s a place where cobblestone streets echo with the voices of industrial workers, punk rockers, activists, and proud members of the LGBTQ community. I came here seeking stories — some hidden in old libraries, others pulsing through neon-lit streets — and left with a sense of belonging I hadn’t expected.

My base for this journey was the magnificent Kimpton Clocktower Hotel. Located in a former insurance building dating back to the 1890s, it seamlessly marries historic grandeur with modern luxury. Walking through its doors felt like entering a different era. The soaring ceilings, intricate tilework, and dramatic staircases told stories of old Manchester, while the in-room record players spinning tracks by Oasis made sure I knew exactly where I was.

The heart of the hotel is The Refuge, a restaurant and bar that buzzes with energy. Whether sipping cocktails beneath the Winter Garden’s lush greenery or sharing small plates that borrow flavors from around the world, I felt immersed in the city’s welcoming vibe. Even in its luxury, the Kimpton feels like a place for everyone, especially when there is a DJ spinning some cool jazzy beats.

One thing I loved about this property is their “Forgot it? We’ve got it” service. Whether its toothpaste, a shaving kit, or

phone charger, the helpful staff have you covered. I tend to forget at least one necessity on every trip. The Kimpton’s central location places guests within walking distance of Manchester’s vibrant cultural scene, including the Palace Theatre, Canal Street, and various shopping and dining options.

My first stop in Manchester was the John Rylands Library, an architectural marvel of neo-Gothic design. I was there specifically to view “The Secret Public” exhibition. It traces Manchester’s underground art scene, especially its ties to queer culture and punk resistance. Flyers, magazines, and photographs are on display.

And while we are on the topic of LGBTQ history, the best way to understand Manchester’s queer roots is by talking to the locals. The Free Manchester Walking Tours offers a Queer History Tour, led by passionate guides who have in depth knowledge of the city’s LGBTQ history and culture. We began our tour in Sackville Gardens, home to the Alan Turing Memorial and the Beacon of Hope, a tribute to those affected by HIV/AIDS. It’s a space for reflection, nestled just beside Canal Street’s constant thrum. For those not familiar with Alan Turing, he was a pioneering mathematician and computer scientist, best known for his role in cracking the German Enigma code during World War II, a breakthrough that helped shorten the war and save countless lives. Often regarded as the father of modern computing, Turing laid the theoretical foundation for artificial intelligence. Despite his monumental contributions, he was persecuted for being gay, ultimately leading to his tragic death in 1954. Today, he is celebrated as both a scientific genius and a symbol of the ongoing struggle for LGBTQ rights.

No trip to Manchester would be complete without a night — or three — spent in the Gay Village. Centered around Canal Street, it’s a place that radiates warmth and freedom. What once was a hidden, underground scene in the 1980s has become a global symbol of LGBTQ pride.

During the day, you’ll find people sipping coffee along the canal and by night, the rainbow flags light up the street. Spaces like Via and the Eagle pulse with music and laughter, while Cruz 101 remains a sacred institution for dancefloor devotees. This is more than a party district; it’s a cultural hub, one that has helped shape national conversations and lead by example.

Manchester’s gay scene is more than just nightlife. In the Northern Quarter, I stumbled into Feel Good Club. a queerowned café that quickly became one of my favorite stops during my trip. Feel Good Club is a café but the space also hosts workshops, mental wellness events, and spontaneous conversations with strangers who somehow feel like old friends. I ordered a bowl of apple-soaked oats and I have to say, it was one of the most delicious and inexpensive things I ate during my entire trip to England. I should have asked for the recipe!

A few blocks away sits Queer Lit, an LGBTQ bookstore filled to the brim with stories I wish I’d had growing up. From queer romance and fiction to books on trans identity and intersectionality, the shop is both cozy and revolutionary. Queer Lit claims to have the largest selection of LGBTQ books in all of Europe. Beyond books, the store hosts events such as workshops, live readings, and book clubs, providing a safe and inclusive space for the community to gather and

celebrate queer literature. They also serve a variety of beverages. I would definitely recommend trying one of their hot chocolate drinks.

Though my trip didn’t coincide with Manchester Pride, visitors can expect tens of thousands each August. Pride here features a blend of celebration and activism. From glitter-filled marches to thoughtful panel discussions, it’s a reflection of the city itself: joyful, inclusive, and unafraid to speak truth to power. Importantly, the money raised goes straight back into the community, funding LGBTQ+ health initiatives, charities, and support services. Also in August is SCENE, Manchester’s LGBTQ+ Film and TV Festival, which consists of a week of new and classic LGBTQ cinema and TV screenings, panels, and other events.

All this touring and learning about queer history made me hungry, so for dinner, I ventured to Maray, a Middle Eastern-inspired gem in the city center. Its signature “Disco Cauliflower” — roasted whole and topped with tahini, pomegranate, and harissa — was a revelation. The food, like the city, defied expectations. It was spicy, complex and comforting. I would also recommend trying the crispy sea bass with broccoli slaw. Maray’s vibe is relaxed yet refined, a perfect place to unwind after a day of exploration. Its inclusive, welcoming spirit felt aligned with everything I’d experienced in Manchester so far.

For a more casual dining experience, head over to Freight Island, a unique food hall and entertainment venue located near Piccadilly Station. The venue features a variety of locally owned food stalls including Mia’s Arepas, Ornella’s Little Kitchen and Mega Gyros. It’s a great place to grab a quick bite or cocktail after work with friends.

Manchester may not be as polished as London, but that adds to its charm and intrigue. I tend to enjoy cities like Manchester over their larger neighbors. During my entire stay, I was able to walk to every attraction I visited and by experience, the best way to see a city is on foot. It’s also a great way to burn off those extra calories.

Whether you’re wandering Canal Street at sunset, or simply sipping hot chocolate at Queer Lit, Manchester is a place where you can be yourself and belong.

Enjoy the journey!

Gay Village (Photo by Joey Amato)

Alan Turing Memorial (Photo by Joey Amato)

Celebrate the power of homeownership this Fourth of July

Owning a home is powerful act of self-determination

By SCOTT HELMS | President/Owner of Gayrealestate.com

This Fourth of July, celebrate more than independence: celebrate the power of LGBTQ+ homeownership. Explore resources, rights, and representation with GayRealEstate.com, the trusted leader in LGBTQ+ real estate for over 30 years.

Home is more than a house: it’s a symbol of freedom

As the fireworks light up the sky this Fourth of July, LGBTQ+ individuals and families across the country are not just celebrating the nation’s independence — they’re celebrating personal milestones of freedom, visibility, and the right to call a place their own.

For many in the LGBTQ+ community, owning a home represents more than stability — it’s a powerful act of self-determination. After generations of discrimination and exclusion from housing opportunities, more LGBTQ+ people are stepping into homeownership with pride and purpose.

Why homeownership matters to the LGBTQ+ community

While progress has been made, LGBTQ+ homebuyers still face unique challenges, including:

• Housing discrimination, even in states with legal protections

• Limited access to LGBTQ+ friendly realtors and resources

• Concerns about safety and acceptance in new neighborhoods

• Lack of representation in the real estate industry

That’s why the Fourth of July is a perfect time to reflect not just on freedom as a concept, but on how that freedom is expressed in the real world — through ownership, safety, and pride in where and how we live.

Finding LGBTQ+ Friendly Neighborhoods

One of the top concerns for LGBTQ+ buyers is whether they’ll feel safe, accepted, and welcome in their new neighborhood. Thanks to evolving attitudes and stronger community support, many cities across the U.S. now offer inclusive, affirming environments.

Some of the best cities for LGBTQ+ home buyers include:

• Wilton Manors, Fla. – A vibrant LGBTQ+ hub with strong community ties

• Palm Springs, Calif. – A longtime favorite for LGBTQ+ homeowners

• Asheville, N.C. – Progressive and artsy, with growing LGBTQ+ visibility

• Portland, Ore. – Inclusive, eco-conscious, and diverse

• Philadelphia, PA – Rich in history and LGBTQ+ community leadership

When you work with an LGBTQ+ friendly realtor, you get insight into more than property values — you get a real perspective on where you’ll feel most at home.

Navigating the real estate process with confidence

Whether you’re a first-time gay homebuyer or preparing to sell your home as an LGBTQ+ couple, it’s essential to understand your rights and options. Here are a few key tips:

1. Work with a trusted LGBTQ+ real estate agent

Representation matters. A gay realtor, lesbian real estate agent, or LGBTQ+ friendly agent understands the unique concerns you may face and advocates for you every step of the way.

Use GayRealEstate.com to connect with LGBTQ+ real estate agents near you. For over 30 years, we’ve helped LGBTQ+ buyers and sellers find their ideal home and a professional who respects their identity.

2. Know your legal protections

While federal law (via the Fair Housing Act and Supreme Court rulings) prohibits housing discrimination based on sexual orientation or gender identity, enforcement can vary by state. Make sure to research:

• State-level housing discrimination laws

• Local LGBTQ+ protections and resources

• What to do if you experience discrimination during a transaction

3. Secure inclusive financing

While most lenders follow fair lending rules, it’s smart to seek out banks or credit unions with LGBTQ+ inclusive policies and a history of non-discriminatory lending practices.

4. Plan for the future as a family

For same-sex couples, especially unmarried partners, it’s vital to review how you’ll hold the title, designate beneficiaries, and plan your estate.

Ask your agent or attorney about:

• Joint tenancy with right of survivorship

• Living trusts

• Powers of attorney and healthcare proxies

Selling a home as an LGBTQ+ homeowner

If you’re listing your home, working with a gay-friendly real estate agent ensures your identity and story are honored — not hidden — in the process.

Highlight:

• Your community connections

• Your home’s role in creating a safe space

• Local LGBTQ+ resources to attract like-minded buyers

Showcasing the full value of your home includes sharing what it meant to live there authentically and safely.

Your home, your freedom

The Fourth of July reminds us that freedom isn’t just an abstract idea — it’s lived every day in the spaces where we find comfort, love, and belonging. For the LGBTQ+ community, the right to own and thrive in a home is part of the larger journey toward full equality.

At GayRealEstate.com, we believe every LGBTQ+ person deserves:

• A safe place to live

• A community that welcomes them

• An advocate in the home buying or selling process

Ready to make a move?

Whether you’re dreaming of your first home, upgrading with your partner, or selling a space that helped shape your identity, GayRealEstate.com is your trusted partner. With our nationwide network of gay realtors, lesbian real estate agents, and LGBTQ+ friendly professionals, we make your journey smooth, respectful, and informed.

Visit GayRealEstate.com to:

• Search LGBTQ+ friendly homes

• Connect with inclusive real estate agents

• Access free guides for buyers and sellers

• Protect your rights and get expert advice

This Fourth of July, celebrate more than independence — celebrate your freedom to live, love, and own with pride.

EMPLOYMENT

DIR INTL FIN PROD (WASH DC)

Dev EU fin grant appl; EU/US compl w/ HR pol; audit req. 10yr+ exp proj fin w/ Creative Eur; smrt acct, ADP, Shotgun, flu French, pref Spanish/Italian giaver.productions.c@gmail.com

Moving? Downsizing? One item to Whole Estate? Gold Jewelry, Sterling Silver, Quality Glass, Some Furniture, Etc.

TheAtticLLC.com

Gary Roman: 301-520-0755

CLEANING

FERNANDO’S CLEANING

Residential & Commercial Cleaning, Reasonable Rates, Free Estimates, Routine, 1-Time, Move-In/Move-Out 202-486-6183

COUNSELING

COUNSELING FOR LGBTQ

People. Individual/Couples counseling with a volunteer peer counselor. GMCC, serving our community since 1973. 202-580-8661 gaymenscounseling.org No fees. Donation requested.

HANDYMAN

BRITISH REMODELING

Local licensed company with over 25 years of experience. Specializing in bathrooms, kitchens & all interior/exterior repairs. Drywall, paint, electrical, wallpaper, rooﬁng & siding. Trevor 703-303-8699

LEGAL SERVICES

ADOPTION, DONOR, SURROGACY

legal services. Catelyn represents LGBTQ clients in DC, MD & VA interested in adoption or ART matters.

MODERN FAMILY FORMATION Law Offices, Slattery Law, LLC. 240-245-7765

Catelyn@ModernFamilyFormation.com LIMOUSINES

KASPER’S LIVERY SERVICE

Since 1987. Gay & Veteran Owner/ Operator. Enjoy Lincoln’s “Sanctuary of the Senses” in this Nautilus! Proper DC License & Livery Insured. www.KasperLivery.com

tell our advertisers, “I saw your ad in the Blade!!”

This lovely 42-foot Chris-Craft yacht is in good condition, & is located at the Wharf Marina. It comes with live-aboard rights where you can enjoy a beautiful area of DC—on the water!—at a fraction of land prices. $1800 monthly fees. Tour the boat & meet DC’s friendliest, safest & happiest community. ALL communities are cherished here. View the Washington Monument & meet our neighborhood! $150,000.00.

http://bit.ly/3HFgAE3

Mike Thornton, 703-597-4441 miket@mikethorntonagency.com

2005 S. QUINCY ST.

and your ad will appear in print & online! If you need assistance, please email the text & image to: classiﬁeds@washblade.com or call 202-747-2077 x 8092 leave a message!

*First 25 words or less. Each additional word at $1.00 each. Monday, 5 pm deadline for Friday’s print issue! BUYING JEWELRY/ESTATES CASH FOR ESTATES

—an exceptionally maintained 3-bedroom, 2-bath raised rambler offering thoughtful design & natural beauty. Skylights & vaulted ceilings fill the dining area with light & create a bright, open layout ideal for relaxing or entertaining. The spacious primary suite, accessed by a charming spiral staircase, overlooks the dining room & is flooded with sunlight. Hardwood floors run throughout, & the modern kitchen features premium stainless steel appliances. Outside, the private backyard retreat is surrounded by mature trees, lush landscaping, & a tranquil pond. Certified by the National Wildlife Federation as a Backyard Wildlife Habitat, it offers a haven for local wildlife. A large matching shed provides ample storage or workspace. Minutes to Columbia Pike, major commuter routes, & DCA, with the W&OD Trail & Shirlington’s shops & dining nearby. This is a home where comfort meets convenience, in a setting that feels worlds away.

Mike Webb

5100 Leesburg Pike #200, Alexandria, VA 22302 703-979-3016