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Kate Eastwood Norris. Photo by Margot Schulman.

D.C. LGBTQ bars ‘hanging in there’ amid tough economy

Shakers to close; others struggling in wake of gov’t shutdown, rising prices

By LOU CHIBBARO JR. | lchibbaro@washblade.com

The owners of several of D.C.’s at least 24 LGBTQ bars, some of which also operate as restaurants or cafes, say they are being negatively impacted by the same forces impacting most other D.C. bars and restaurants at this time.

Among the lead issues impacting them have been the deployment by President Donald Trump of National Guard troops on city streets, the nearly two-month long federal government shutdown that just ended, and skyrocketing prices for food and other supplies brought about by the Trump administration’s controversial tariff program.

The Trump administration’s decision to lay off thousands of federal workers shortly after Trump took office in January also appears to have resulted in a decline in the number of people going out to restaurants and bars, including LGBTQ restaurants and bars, according to some of the owners who spoke to the Washington Blade.

Observers of LGBTQ nightlife businesses have pointed out that although nationwide the number of LGBTQ or “gay bars” has declined significantly since 1980, the number of LGBTQ bars in D.C. has increased from just six in 1980 to at least 24 so far in 2025.

If the popular Annie’s Paramount Steak House near Dupont Circle, Mr. Henry’s restaurant, bar and Jazz music performance site on Capitol Hill, and the Red Bear Brewing Company bar, restaurant and music performance site in Northeast near Capitol Hill – each of which have a mixed but large LGBTQ clientele — are included in the D.C. gay bar list, the total number climbs to 27.

As if that were not enough, yet another D.C. gay bar, Rush, was scheduled to open on Nov. 21 at 2001 14th Street, N.W. at the intersection of 14th and U streets, near the location of 10 other LGBTQ bars in the U Street nightlife corridor. That will bring the number of LGBTQ-identified bars to 28.

Among the first of the LGBTQ bar owners to publicly disclose the economic hardships impacting their establishment was David Perruzza, who owns the gay bar and café Pitchers and its adjoining lesbian bar A League of Her Own in the city’s Adams Morgan neighborhood.

In an Oct. 10 Facebook post, Perruzza said he was facing “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.”

He added, “I have 47 people I am responsible for, and I don’t know how to survive in this climate. If I have ever sponsored you or your organization, now is the time to show the love. Not only for me but other bars. I went out tonight and it was depressing. If you want queer bars, we all need your help.”

Asked on Nov. 10 how things were going one month after he posted his Facebook message, Perruzza told the Blade business was still bad.

“I’m not going to sugarcoat it,” he said. “Again, we’re busy. The bar’s busy, but people aren’t buying drinks.” He added, “No, they’re coming in and drinking water and dancing. They’re not buying drinks.”

Like most of the city’s bars, including LGBTQ bars, Perruzza said he provides water jugs and plastic cups for pa-

trons to access drinking water by themselves as needed or desired.

Jo McDaniel, co-owner of As You Are, an LGBTQ bar and café in the Barracks Row section of Capitol Hill at 500 8th Street, S.E., which has a large lesbian clientele, said she, too, was hit hard by the National Guard deployment. She said National Guard troops carrying guns began walking up and down 8th Street in front of As You Are around the last week in August and have continued to do so.

“And then from the 7th [of September] they went from pistols to rifles,” McDaniel said. “Nothing has happened. They’ve just been walking back and forth. But now they have big guns. It’s pretty terrifying.”

She noted that the National Guard presence and the other issues, including the federal shutdown, caused a sharp drop in business that prompted her and her partner to launch a GoFundMe appeal in August, a link to which was still on the As You Are website as of Nov. 16.

“We’re reaching out to you, our community, our allies, and those who believe in safe spaces for marginalized folks to help us get past this challenge so we can all ensure AYA’s survival and continued impact in D.C. and the community at large,” a message on the GoFundMe site says.

Freddie Lutz, owner of Freddie’s Beach Bar, the LGBTQ bar and restaurant in the Crystal City section of Arlington, Va., just outside D.C., said the federal shutdown, rising costs, and even the deployment of National Guard troops in D.C. appears to have had a negative impact on businesses across the river from D.C., including Freddie’s.

“Freddie’s is doing OK but not as good,” he said. “We’re down a little bit. Let’s put it that way,” he added. “I just feel like with all the chaos going in this administration and everything that’s happening it’s like we just have to hang in there and everything will be alright eventually,” he told the Blade.

“But business is down a little bit, and we can use the support of the community just like David Perruzza has been saying,” Lutz said. He said the drop in businesses for at least some of the LGBTQ bars may also be caused by the large and growing number of LGBTQ bars in D.C.

“There are a lot of new gay bars, which are also impacting the rest of us,” he said. “I’m all for it. I want to support them. But it is taking away from some of us, I think.”

Mickey Neighbors is the owner of Sinners and Saints, an LGBTQ bar at 2309 18th Street, N.W. in Adams Morgan located a few doors away from Pitchers and A League of Her Own. He said his business has mostly rebounded from a slowdown caused by the National Guard deployment.

“At first, everyone was kind of scared,” he said. “But then it kind of blew over and there really aren’t that many other bars where the demographic people that come to mine really go to.” He described Sinners and Saints as catering to a younger “BIPOC” crowd, a term that refers to Black, Indigenous, and People of Color.

“We had a downturn of business for a few weeks, but everything is back to normal,” he said.

Stephen Rutgers, co-owner of the LGBTQ bar Crush located at 2007 14th Street, N.W., a few doors down from where the new bar Rush is about to open, said Crush like most other bars was impacted by the National Guard deployment.

“Some bars are going to be fine,” he said. “We are trying to do some creative things to keep people coming in. But overall, everyone is seeing cutbacks, and I don’t think anyone is not seeing that,” he said.

Rutgers said Crush, which in recent weeks has had large crowds on weekends, said he was hopeful that his and other LGBTQ bars would fully rebound when the federal shutdown ends, which occurred the second week in November.

Among other things, Rutgers said a decline in the number of tourists coming to D.C. in response to the Trump administration’s policies has impacted all bars and restaurants, including LGBTQ bars. He said this, combined with the record number of LGBTQ bars now operating in D.C., is likely to result in fewer patrons going to at least some of them.

One of the D.C. LGBTQ bars that put in place a significant change in the way it operates in response to the developments impacting all bars is Spark Social House, a bar and café located on 14th Street, N.W. next door to Crush. In the past week, Spark Social House announced it was ending its status as the city’s only LGBTQ bar that did not serve alcoholic beverages and instead sold a wide range of alcohol-free cocktails.

Owner Nick Tsusaju told the Blade he and his associates made the difficult assessment that under the current economic environment in D.C., which is impacting all bars and restaurants, Spark Social would need to offer both alcohol and non-alcoholic beverages

“You can imagine that if the bars that are selling alcohol are struggling, we are struggling just like other small businesses with the same issues,” he said. “And I think that introducing alcohol is not really an abdication of our values.”

He noted that beginning in December, after Spark Social obtains its liquor license, “we’re introducing a one for one menu where every cocktail comes in two options, booze and boozeless.”

Ed Bailey, co-owner of the D.C. gay bars Trade and Number Nine located near the intersection of 14th and P Streets, N.W., told the Blade in September his two establishments were “ramping up for a busy fall after an unusual summer” impacted by the National Guard deployment. His predictions of a busy fall appear to have come about at least on weekend nights, including Halloween night, where there were long lines of Trade’s mostly gay male clientele waiting to get into the bar.

CONTINUES ON PAGE 08

Shakers this week announced it will close for good later this month. (Washington Blade photo by Michael Key)

D.C.’s nightlife battered by gov’t shutdown, rising prices, more

Stephen Thompson, a bartender at the Fireplace, a longtime gay bar located at 2161 P Street, N.W., near Dupont Circle, said the National Guard presence and other issues impacting other bars have not negatively impacted the Fireplace.

“We are doing fine,” he said. “The National Guard has not hurt our business. The soldiers do walk by a few times a week, but we’ve been looking pretty good the last couple of months.”

One of the at least 10 LGBTQ bars in the U Street, N.W., entertainment corridor, Shakers, at 2014 9th Street, N.W., announced in a statement this week that it will close its doors on Nov. 23.

“After many, many difficult discussions, we ultimately decided it is time for Shakers to close its doors,” says the statement posted by Shakers owners Justin Parker and Daniel Honeycutt. “While we are in so many ways saddened, we are also looking forward to spending a bit more time with our three-year old son,” the statement says.

It also announces that the nearby gay bar Kiki, located around the corner on U Street, will acquire use of the Shakers building and “keep the space dedicated to our LGBTQ+ community.”

In his own statement on social media, Kiki owner Keaton Fedak said, “To now have two LGBTQ+ bars at 9th & U under the Kiki umbrella is a true full-circle moment – rooted in friendship, history, and the community that continues to grow here.”

The owners of several other D.C. LGBTQ bars couldn’t immediately be reached for comment or declined to comment for this story.

Edward Grandis, a D.C. attorney who has worked with some of the D.C. LGBTQ bars, said the COVID pandemic, which led to the temporary shutdown of all bars and restaurants, appears to have had a lasting impact on LGBTQ bars long after the pandemic subsided.

Among other things, Grandis said he has observed that happy hour sessions at most bars, including LGBTQ bars, have not returned to the level of patronage seen prior to

Comings & Goings

David Macknamed inaugural executive director of IN series

By PETER ROSENSTEIN

The Comings & Goings column is about sharing the professional successes of our community. We want to recognize those landing new jobs, new clients for their business, joining boards of organizations and other achievements. Please share your successes with us at comingsandgoings@washblade.com.

The Comings & Goings column also invites LGBTQ+ college students to share their successes with us. If you have been elected to a student government position, gotten an exciting internship, or are graduating and beginning your career with a great job, let us know so we can share your success.

Congratulations to David Mack on being named the inaugural executive director of the IN series. On accepting the position Mack said, “I’m excited to join the D.C. community as IN Series’ inaugural executive director as the company enters its adventurous next chapter. I’m eager to meet audiences across the Baltimore and Washington, D.C. area in order to help expand access to innovative opera — whether they’re longtime enthusiasts or discovering it for the first time. Thank you … to the IN Series hiring committee for inviting me into your world with open arms, and such generosity of spirit.”

Mack is a seasoned arts executive and producer, with more than 15 years of leadership experience in innovative performing arts organizations, including the African American Art &Culture Complex; Joe Goode Performance Group; and Invertigo Dance Theatre. As a strategic arts consultant, his clients have included LA Dance Project, Diavolo, Architecture in Motion, and Center Theatre Group. As general manager of The Industry, he produced Invisible Cities at LA’s Union Station in collaboration with the LA County Metropolitan Transportation Authority. Mack has served on the boards of the LA Producer’s League, Western Arts Alliance, and Creative West, and advocated on behalf of artists as a member of the SF Arts Alliance, and Greater Bay Area Arts

Coalition. Mack was co-founder of Theatre Magnet, Artist Magnet and Artist Magnet Justice Alliance, a series of Oakland-based arts service and consulting organizations. He is currently a DeVos Institute of Arts & Nonprofit Management Global Executive fellow. He earned his master’s in theater at the California Institute of the Arts.

Congratulations also to Chord Bezerra who is returning to the U.S. Pharmacopeia as Senior Design Manager. Upon accepting the position he said, “Returning to U.S. Pharmacopeia as Senior Design Manager feels like coming home to a mission I care deeply about — using design to make complex science clearer, more human, and more accessible to the people it serves.”

Bezerra has more than 20 years of experience in design leadership and management. He has most recently been manager, Brand and Advertising, CareFirst Blue Cross Blue Shield. Prior to that he was Senior Lead Designer (contractor) CareFirst Blue Cross Blue Shield. His initial stint with Pharmacopeia in Rockville, Md., was as a senior graphic designer. While there, he oversaw award-winning design (2020 Hermes & Marcom Awards); mentored and directed junior designers; and fostered visual storytelling solutions by directing junior designers for two years. He has served as chair and founding member of eQuality Alliance, USP’s first LGBTQIA+ Affinity Group.

Bezerra had his own company for many years, Chord Bezerra Creative in D.C. Clients included national and non-profit organizations such as American Association for the Study of Liver Diseases, The Limited, Columbia Business School, Victory Fund, Zengo Cycling, Capital Pride, and Andrew Christian, among others. He earned his bachelor’s degree in communications from the University of Delaware.

the COVID pandemic. He notes that happy hour times, usually in late afternoon or early evening during weekdays, where bars offer reduced price drinks and some offer free drinks to attract large numbers of patrons, have not been drawing the crowds they did in past years.

“The COVID shutdown assisted the online social meeting sites,” Grandis said. “Bars were closed so guys turned to the internet for setting up parties and this has continued even though there are more bars,” he said in referring to the D.C. gay bars. According to Grandis, the gay men in the age range of their 20s and 30s appear to be the largest group that is no longer going to gay bars in large numbers compared to older generations.

“So, I think the trend started before what the feds are doing,” he said in referring to the National Guard presence and the federal shutdown. “And I think what we are witnessing right now is just sort of like another obstacle that people in the gay and entertainment community need to figure out how to attract the 20-year-olds and young 30s back to the bars.”

DAVID MACK (Photo by Jeff Ellingson)

CHORD BEZERRA (Photo courtesy Bezerra)

JANE ALISON HOFFMAN

April 22, 1962-November 3, 2025

Jane Alison Hoffman of Washington, DC died unexpectedly at the age of 63 on November 3, 2025, her dog Freddy by her side. She is survived by her partner of 30 years, Jill P. Strachan, her parents, Joan and Gene Hoffman (Rapid City, SD), her siblings, Billie-Jo McCool, Deb Wilkens, Bruce Hoffman, and many devoted friends. She graduated from the University of South Dakota (USD) in 1985 where she met Mike Oligmueller. They became and remain the closest of friends. She was named “Outstanding Senior” by the USD Business School. At USD, she graduated with honors and was inducted into Beta Gamma Sigma (the business school version of Phi Beta Kappa) and graduated with Honors. As a member of the Delta Sigma Pi professional business fraternity, she co-founded the USD chapter of Business and Professional Women. Subsequently, she earned an MPPM (Master of Public and Private Management) from Yale University’s School of Management (SOM) in 1992. She retained an affectionate connection to her SOM sisters until her death.

Jane’s accomplishments in music began in high school when she was selected for the South Dakota All-State Orchestra, Chorus, and Band. Her formidable chops to hold her own on the trombone made her the first chair in the Band for two years. She was a passionately enthusiastic member of the USD Coyote Marching Band and numerous vocal and instrumental ensembles.

Born in Pierre, South Dakota, Jane enjoyed a long and varied professional career, beginning at Arthur Andersen in Minneapolis, MN. She served as a Peace Corps Volunteer in Blantyre, Malawi and as an investment officer for the Czech American Enterprise Fund in Prague while developing a keen interest in non-profit finance. In Washington, DC, she worked for The Washington Post, and as CFO at National Cooperative Business Association/ CLUSA, Managing Director of Finance for KIPP DC, and CFO at NAFSA/ Association of International Educators. She concluded her career as an Associate for Your Part-Time Controller.

Both Jane’s career and her curiosity transformed her into a happy world traveler, while remaining attached to her South Dakota roots. She explored southeast Asia and parts of Africa as a hitchhiker. While working in the Czech Republic, she visited Poland, Hungary, Austria, Bulgaria, Croatia, Slovakia, and Slovenia. Recent journeys of a more luxurious nature included: Scotland, the Shetland Islands, Ireland, Greece, England, Australia, New Zealand, Sri Lanka, India, the Galapagos Islands, France, Switzerland, and Spain.

Jane’s rapturous laugh and open smile were hallmarks of knowing her and a constant gift to all who encountered her. Jane’s deep belief in the power of art to bring people together is reflected in her membership in the Lesbian & Gay Chorus of Washington (LGCW) and its heir, Not What You Think. Her resonant alto voice graced the music she sang, often as a soloist, and her musicality was bolstered by her strong foundation in music theory. She challenged herself to take piano, ukelele, painting, and photography lessons. As a member of the Board of GALA Choruses, she used her passion to fight for LGBTQ+ rights, a cause she held close to her heart.

Gifts in Jane’s memory to the Capitol Hill Arts Workshop (CHAW) will continue her legacy of creativity, generosity, and connection, supporting the programs and people she so passionately championed. Capitol Hill Arts Workshop | Kindful

Where beauty lives.

Jane and Jill

PHOTO CREDIT: Courtesy of Nancy Powell

Photo: Erik Kvalsvik

High cost of living shuts essential workers out, threatens D.C.’s economic stability

City residents don’t always reflect those who keep it running

By CLINTON ENGELBERGER

When Nic Kelly finishes her 6 a.m. shift as a manager at PetSmart, she walks to her bartending job at Alamo Drafthouse in Crystal City to serve cocktails, beers, and milkshakes for hundreds of guests.

Kelly, 26, doesn’t work a combined 60-65 hours per week to pocket extra cash –– she does it to barely make her almost $1,700 rent each month.

“I’m constantly working, and some days I work two jobs in the same day,” Kelly said. “But twice now I’ve had to borrow money from my mother just to make sure I pay my full rent.”

Yesim Sayin, D.C. Policy Center executive director, said this is unfortunately how the D.C. area is structured –– to keep essential workers, service employees, and lower-income people out and those with greater economic mobility in.

The DMV area’s high cost of living makes it near-impossible for employees who keep the area running to make a living, Sayin said. In 2022, only 36% of D.C.’s essential workers lived in the city, according to a D.C. Policy Center report. D.C. is also ranked 13th in the world for highest cost of living as of Nov. 7.

But for Sayin, there’s more work for policymakers to get done than simply acknowledging the high cost of living. Take a look at how current policies are impacting residents, and what longterm solutions could help the DMV thrive.

Feeling the high cost of living

D.C. has the highest unemployment rate in the country at 6.0% as of August Sayin said the city’s high unemployment rate reflects a lack of geographic mobility in its population, meaning those who can’t find jobs can’t afford to look outside of the DMV area.

Though there are job training groups working to close the unemployment gap, securing a job –– let alone two ––rarely guarantees a comfortable lifestyle for essential and service employees.

A single-person household in D.C. with no children must make at least $25.98 an hour to support themselves, according to the Living Wage Calculator. That number jumps to $51.68 an hour for a single adult with one child. Minimum wage in D.C. is $17.95 an hour and $10 an hour for tipped em -

ployees.

Whether it’s utilizing free meals at the Alamo to save on groceries or borrowing money to make rent, every week could bring a different sacrifice for Kelly.

While Kelly lives and works a few minutes south of D.C., Sayin said the connectedness of the DMV means you don’t have to travel far to feel the withering effects of the area’s high cost of living.

“People don’t really care what flag adorns their skies,” Sayin said. “They’re looking for good housing, good schools, cheaper cost of living, and ease of transportation.”

For those that stay in the DMV area, those conditions are hard to come by. This can lead to people working multiple jobs or turning to gigs, such as Uber driving or selling on Etsy, to fill income gaps. Sayin said there are shortterm benefits to securing these gigs alongside a primary job, such as helping people weather economic storms, avoid going on government assistance or racking up debt.

But she said the long-term implications of relying on gigs or other jobs can harm someone’s professional aspirations.

“You can spend three extra hours on your own profession every work week,

or you can spend three hours driving Uber. One gives you cash, but the other gives you perhaps a different path in your professional life,” Sayin said. “And then 20 years from now, you could be making much more with those additional investments in yourself professionally.”

There’s a strong demand for work in D.C., but when the city starts suffering economically, those who live outside the area –– usually essential or remote workers –– will likely find work elsewhere. Sayin said this negatively impacts those employees’ quality of life, giving them less professional tenure and stability.

D.C.’s cost of living also centralizes power in the city, according to Sayin. When lower-wage employees are priced out, the residents who make up the city don’t always reflect the ones who keep it running.

“Ask your Amazon, Uber or FedEx driver where they live. They’re somewhere in Waldorf. They’re not here,” Sayin said.

Working toward an accessible D.C.

Build more. That’s what Sayin said when thinking of ways to solve D.C.’s affordability crisis.

But it’s not just about building more

–– it’s about building smartly and utilizing the space of the city more strategically, Sayin said.

While D.C. has constructed lots of new housing over the years, Sayin noted that they were mostly built in a handful of neighborhoods tailored to middle and upper-class people such as The Wharf. Similarly, building trendy small units to house young professionals moving to the city take up prime real estate from struggling families that have much less geographic mobility, she said.

“The affordability problem is that today’s stock is yesterday’s construction,” Sayin said.

Solving these issues includes ushering in a modern perspective on outdated policies. Sayin cited a D.C. policy that places restrictions on childcare centers built on second floors. Since D.C. parents pay the highest rates in the country for childcare at $47,174 annually, she said loosening unnecessary restrictions could help fuel supply and lower costs for families.

Sayin said policymakers need to consider the economic challenges facing residents today, and whether the incentives and tradeoffs of living in D.C. are valuable enough to keep them in the city.

For Kelly, the incentives and tradeoffs of staying in the DMV area aren’t enough. She’s considered moving back in with her mom a few times given how much she has to work just to get by.

Aside from wanting higher compensation for the work she does –– she noted that businesses can’t operate without employees like her –– Kelly also questioned the value of the tradeoff of moving so close to the city.

“There’s no reason why I’m paying $1,700 for a little studio,” Kelly said. “You also have to pay for parking, utilities aren’t included and a lot of residents have to pay for amenities. We are just giving these property management companies so much money, and we’re not really seeing a whole lot of benefit from it.”

Sayin said placing value on the working people of the city will inject fresh life into D.C.’s economy. Without a valuable tradeoff for living in or around the city, there’s little keeping essential and service employees from staying and doing work taken for granted by policymakers.

Many of the waiters and other service industry workers who keep D.C. running cannot afford to live here.

213 House members ask Johnson to condemn anti-trans rhetoric

The Congressional Equality Caucus has sent a letter urging Speaker of the House Mike Johnson to condemn the surge in anti-trans rhetoric coming from members of Congress.

The letter, signed by 213 members, criticizes Johnson for permitting some lawmakers to use “demonizing and dehumanizing” language directed at the transgender community.

The first signature on the letter is Rep. Sarah McBride of Delaware, the only transgender member of Congress.

It also includes signatures from Leader Hakeem Jeffries (NY-08), Democratic Whip Katherine Clark (MA-05), House Democratic Caucus Chair Pete Aguilar (CA-33), every member of the Congressional Equality Caucus, and members of every major House Democratic ideological caucus.

Some House Republicans have used slurs to address members of the transgender community during official business, including in committee hearings and on the House floor.

The House has strict rules governing proper language—rules the letter directly cites—while noting that no

corrective action was taken by the Chair or Speaker Pro Tempore when these violations occurred.

The letter also calls out members of Congress—though none by name—for inappropriate comments, including calls to institutionalize all transgender people, references to transgender people as mentally ill, and false claims portraying them as inherently violent or as a national security threat.

Citing FBI data, the letter notes that 463 hate crime incidents were reported due to gender identity bias. It also references a 2023 Williams Institute report showing that transgender people are more than four times more likely than cisgender people to experience violent victimization, despite making up less than 2% of the U.S. population.

The letter ends with a renewed plea for Speaker Johnson to take appropriate measures to protect not only the trans member of Congress from harassment, but also transgender people across the country.

“We urge you to condemn the rise in dehumanizing rhetoric targeting the transgender community and to ensure members of your conference are abiding by

rules of decorum and not using their platforms to demonize and scapegoat the transgender community, including by ensuring members are not using slurs to refer to the transgender community.”

The full letter, including the complete list of signatories, can be found at equality.house.gov.

JOE REBERKENNY

Garcia, Markey push U.S. to promote LGBTQ rights abroad

Two lawmakers on Monday have reintroduced a bill that would require the State Department to promote LGBTQ rights abroad.

A press release notes the International Human Rights Defense Act that U.S. Sen. Edward Markey (D-Mass.) and U.S. Rep. Robert Garcia (D-Calif.) introduced would “direct” the State Department “to monitor and respond to violence against LGBTQ+ people worldwide, while creating a comprehensive plan to combat discrimination, criminalization, and hate-motivated attacks against LGBTQ+ communities” and “formally establish a special envoy to coordinate LGBTQ+ policies across the State Department.”

“LGBTQ+ people here at home and around the world continue to face escalating violence, discrimination, and rollbacks of their rights, and we must act now,” said Garcia in the press release. “This bill will stand up for LGBTQ+ communities at home and abroad, and show the world that our nation can be a leader when it comes to protect-

ing dignity and human rights once again.”

Markey, Garcia, and U.S. Rep. Sara Jacobs (D-Calif.) in 2023 introduced the International Human Rights Defense Act. Markey and former California Congressman Alan Lowenthal in 2019 sponsored the same bill.

The promotion of LGBTQ and intersex rights was a cornerstone of the Biden-Harris administration’s overall foreign policy.

The global LGBTQ and intersex rights movement since the Trump-Vance administration froze nearly all U.S. foreign aid has lost more than an estimated $50 million in funding.

The U.S. Agency for International Development, which funded dozens of advocacy groups around the world, officially shut down on July 1. Secretary of State Marco Rubio earlier this year said the State Department would administer the remaining 17 percent of USAID contracts that had not been cancelled.

Then-President Joe Biden in 2021 named Jessica Stern — the former executive director of Outright International — as his administration’s special U.S. envoy for the promotion of LGBTQ and intersex rights.

The Trump-Vance White House has not named anyone to the position.

Stern, who co-founded the Alliance for Diplomacy and Justice after she left the government, is among those who sharply criticized the removal of LGBTQ- and intersex-specific references from the State Department’s 2024 human rights report.

The Congressional Equality Caucus in a Sept. 9 letter to Rubio urged the State Department to once again include LGBTQ and intersex people in their annual human rights reports. Garcia, U.S. Reps. Julie Johnson (D-Texas), and Sarah McBride (D-Del.), who chair the group’s International LGBTQI+ Rights Task Force, spearheaded the letter. MICHAEL K. LAVERS

Rep. Grijalva reiterates LGBTQ support at swearing in

Adelita Grijalva, Arizona’s new 7th District representative, was sworn into Congress last week, vowing to hold the Trump–Vance administration accountable and to protect LGBTQ rights.

Grijalva becomes the first Latina ever to represent the state of Arizona.

Her swearing in was delayed by a record 50 days because she vowed to be the deciding House vote in favor of a discharge petition to release the Epstein files, although House

Speaker Mike Johnson blamed the delay on the federal government shutdown.

She began her speech by honoring her late father, Raúl Grijalva, who represented the same district until his death earlier this year.

“I rise today, the proud granddaughter of a bracero – a hard-working Mexican immigrant who came to this country with hope for a better life,” said Rep. Grijalva. “And I stand as the proud daughter of a U.S. congressman – a man who spent his entire life fighting for justice, equity, and dignity for the most vulnerable. From working as a vaquero, to serving in Congress in just a single generation – that is the promise of this country.”

During her swearing-in remarks, she referenced the slew of issues surrounding her election — most notably the release of the Epstein files, her support for immigrants, and her sup-

port of the LGBTQ community, especially trans people, as rhetoric from the Trump–Vance administration has increasingly vilified them.

“What is most concerning is not what this administration has done, but what the majority in this body has failed to do: hold Trump accountable as the co-equal branch of government that we are.”

“We need to fight for our immigrant communities and veterans. We need to stand up for our public schools, children, and educators. We need to respect tribal sovereignty and our environment. We need to stand up for LGBTQ+ rights. Because that’s what the American people expect us to do — fight for them. That is why I will sign the discharge petition right now to release the Epstein files, because justice cannot wait another day. Adelante mi gente. Muchas Gracias!”

JOE REBERKENNY

Rep. SARAH MCBRIDE is the first signatory to the letter asking Speaker Johnson to condemn anti-trans rhetoric. (Blade file photo by Michael Key)

Rep. ADELITA GRIJALVA was sworn in last week.

(Photo courtesy of Adelita Grijalva for Congress)

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Japan’s first female PM reluctant to advance LGBTQ rights

Sanae Takaichi last month became Japan’s first female prime minister after she secured the Liberal Democratic Party’s leadership and both chambers of the Diet confirmed her.

She now leads a minority government after forming a coalition with the right-leaning Japan Innovation Party, following Komeito’s decision to end its 26-year partnership with the LDP. Her rise marks a historic break in Japanese politics, but the question remains whether she will advance the rights of Japan’s LGBTQ community.

Despite the milestone her election represents, Takaichi’s record on gender issues offers little indication of progressive change.

She has long emphasized “equality of opportunity ” over structural reforms and has opposed measures that include allowing married couples to use separate surnames, a policy many women say would ease workplace discrimination. During her leadership bid Takaichi pledged to elevate women’s representation in government to Nordic levels, yet she appointed only two women to her 19-member Cabinet. Takaichi has also resisted efforts to modernize the Imperial Household Law to permit female succession, reinforcing her reputation as a conservative on women’s rights.

Takaichi’s stance on LGBTQ rights has been similarly cautious.

In a 2023 Diet budget committee session, she said there should be “no prejudice against sexual orientation or gender identity,” yet described extending marriage rights to same-sex couples as an “extremely difficult issue.”

Her earlier record is consistent.

In 2021, she opposed an LGBTQ-inclusive anti-discrimination bill that members of her own party, arguing its wording was too vague.

Even after becoming LDP leader in October 2025, she reiterated her opposition to marriage equality and emphasized traditional family values. Takaichi highlighted that Article 24 defines marriage as being based on “the mutual consent of both sexes” and frames the institution around “the equal rights of husband and wife,” language she argues leaves no constitutional room for extending marriage rights to samesex couples.

While her rhetoric avoids overt hostility, her record suggests limited appetite for the structural reforms

sought by Japan’s LGBTQ community.

A series of landmark court rulings has built escalating pressure for national reform.

On March 17, 2021, the Sapporo District Court ruled that denying same-sex couples the legal benefits of marriage violated the constitution’s equality clause. In May 2023, the Nagoya District Court similarly declared the ban unconstitutional, with a subsequent decision from the Fukuoka District Court reaffirming Japan’s current legal framework clashes with constitutional equality principles.

The momentum peaked on Oct. 30, 2024, when the Tokyo High Court found the marriage ban incompatible with guarantees of equality and individual dignity. Japan remains the only G7 country without legal recognition of same-sex couples.

Akira Nishiyama, a spokesperson for the Japan Alliance for LGBT Legislation, noted to the Washington Blade that in leadership surveys the group conducted within the LDP in 2021 and again in 2025, Takaichi offered only a cautious position on reforming Japan’s legal gender recognition law. When asked whether she supported easing the requirements under the Act on Special Cases in Handling Gender Status for Persons with Gender Identity Disorder, she responded that “multifaceted and careful discussion is necessary,”

avoiding any commitment to substantive change. Nishiyama added the legal landscape has already shifted.

In October 2023, the Supreme Court ruled that the law’s sterilization requirement for legal gender recognition is unconstitutional, and several family courts have since struck down the appearance requirement on similar grounds. She urged the Takaichi administration to act quickly by amending the statute to remove these provisions, along with other elements long criticized as human rights violations.

“[Prime Minister] Takaichi has stated that ‘careful discussion is necessary’ regarding amendments to ‘Act on Special Cases in Handling Gender Status for Persons with Gender Identity Disorder’ and the enactment of anti-discrimination laws based on Sexual Orientation and Gender Identity (SOGI),” noted Nishiyama. “However, as indicated in Candidate (at that time) Takaichi’s responses to our survey, if she considers issues related to SOGI to be human rights issues, then she has to work hard to advance legal frameworks to address these issues.”

“For example, regarding the government’s announcement that they will consider whether samesex couples could be included or not in the 130 laws concerning common-law marriages couples, [Prime Minister] Takaichi responded to our survey that ‘the government should continue to advance its consideration,’” she added. “As per this response, the Takaichi Cabinet should continue deliberating on this matter and ensure that same-sex couples are included in each relevant law.”

Takeharu Kato, an advocate for marriage equality who spoke to the Blade in a personal capacity, urged observers not to view Takaichi’s appointment solely through a negative lens.

He acknowledged she holds deeply conservative views within the LDP and has openly opposed marriage equality, but noted several aspects of her background could leave room for movement.

“She is Japan’s first female prime minister in history. Furthermore, she does not come from a political family background but rather from an ordinary household,” said Kato. “She also has an unusual career path, having graduated from a local university and worked as a television news anchor before entering politics.”

ANKUSH KUMAR

Kazakh lawmakers advance anti-LGBTQ bill

Lawmakers in Kazakhstan last week advanced a bill that would ban so-called LGBTQ propaganda in the country.

Reuters notes the measure, which members of the country’s lower house of parliament unanimously approved, would ban “‘LGBT propaganda’ online or in the media” with “fines for violators and up to 10 days in jail for repeat offenders.”

The bill now goes to the Kazakh Senate. Reuters reported senators will likely support the measure. President Kassym-Jomart Tokayev has also

indicated he would sign it.

Kazakhstan is a predominantly Muslim former Soviet republic in Central Asia that borders Russia, Turkmenistan, Uzbekistan, Kyrgyzstan, and China.

Consensual same-sex sexual relations are decriminalized in Kazakhstan, but the State Department’s 2023 human rights report notes human rights activists have “reported threats of violence and significant online and in-person verbal abuse towards LGBTQI+ individuals.” The document also indicates discrimination based on sexual orientation and gender identity

remains commonplace in the country. (Jessica Stern, the former special U.S. envoy for the promotion of LGBTQ and intersex rights under the Biden-Harris administration who co-founded the Alliance for Diplomacy and Justice, in August condemned the current White House for the “deliberate erasure ” of LGBTQ and intersex people from the State Department’s 2024 human rights report.)

Russia, Georgia, and Hungary are among the other countries with propaganda laws.

MICHAEL K. LAVERS

Japanese Prime Minister SANAE TAKAICHI (Screen capture via YouTube)

Who Is ‘Bubba?’ New Thoughtson RoyCohn

NicholasF. Benton

WhoisBubba?The contentof anemailinvolving JeffreyEpsteinthat wasreleased last weekaskswhether Russia’s Putinhad the contentsinhis possessionof a video whereTrump isshown “blowing Bubba.”

Socialmedia has gonecrazy over thisand it was no less thanSaturdayNight Live lastweekend that directlyreferencedit inhilarious skits more thanonce.Thesense left bythat episode ofSNLwas, inreferenceto Trump, that the“gloveshad come off.”

Some onsocialmedia suggested sarcastically that theBubbareference has meantthat Trumpis nowdent.” Othersfocused on theBubba reference,withmost, but not all suggesting it referredto Former PresidentClinton,whohas also been namedinthe famous Epstein Files. Thereare other allegations that have been posted which note that Bubbawasthename ofavery underage teenage boy fromWestTexas.

PresidentTrump’s claim that the EpsteinFilesreveal theinvolvementwith the deceasedconvicted pedophile on his “Lolita Express” airplaneand elsewhereweremostly Democratsorother of hiserstwhile political enemiesis laughable Whileit’strue thatClinton and other Democratswere among the many namesinvolved,including that of theSaudiCrownPrince Mohammad BinSalman who met withTrumpat theWhite House justthisweek, they are mentioned nowherenearasoften asTrump,whocouldcrediblybe calledEpstein’s Number Onebest buddy for well over a decade.

A video of TrumpwithEpstein played frequently on thenational newsshows the presidentlooking likethe proverbial kidina candy store. His excitementis uncontained.

But the notion that Trump’s hyper-hedonisticimpulseswere not limited toyoung girlsis one of the importantnewaspects of theEpstein Files that werereleasedthis weekahead ofthe massive volume ofsimilar documentsthat theCon-whelmingly torelease.

Theheinous exploitation of

Epsteinand Trumpengagedin, as manyof thecourageoussurviving -

licly,saying that theyare among a thousand or moreoftotal victimsof thiscruel andcriminal international enterprise,have been accompanied by details fromthoseeyewitness accounts of the victims of violentand cruel behavior.

WhenTrumphasbeen provoked by journalists,especially young women, justthisweekto snapand insultthem, one can imagine how that samebehavior accompanied therapethat he’sbeen accusedof by the many victims who’vecome forward

involving Trump not limitedtogirls underscores thealmosttotally overlookedfact of, asTrumphasassertedinhis ownwords, theenormous impact on Trumpand his political m.o. inhis earlieryearsof thein-

Roy Cohn

Now, Cohn,who died from AIDS in 1986.was known tobea notoriouslyinsatiable homosexual, who ventured out almostdaily from toseek outthecompanyofyoung male hustlers

playwrightTonyKuscherinhisepic twoAIDS era“AngelsinAmerica” plays performedparticularlyaptly by AlPacino intheiraward-winning 2003 HBO miniseries.

Cohn wasa specialaidetothe uglySen.JoeMcCarthywho terrorizedthenationwithhislying witchhunts during televisedhearings whenhe accused hundredsof federalcivil servants of being communistswith tiestothenation’sdeadly adversary, the Soviet Union

In thatearly 1950s era, when homosexualitywaslooked upon very poorly, Cohngot wrapped up inhis own scandal for seekingspecial favorsfor hisfellow Senate subcommitteeaide,theapple of hiseye, C.DavidSchine, whenSchine got drafted into the Army.

Itishard to imaginethat, laterin the1970s, Cohn’s“special friendship”with Trumpwouldhavebeen completely devoid of any sexual aspect

Nonetheless, Trumpcredits Cohn with teaching him how to“hit back twice ashard” whenanyone comesafteryou, and more poignantly,aggressively accusingone’s enemy of exactly whatit is you, yourself, are doing.

ISAAC AMEND

is a writer based in the D.C. area. He is a transgender man and was featured in National Geographic’s ‘Gender Revolution’ documentary. He serves on the board of the LGBT Democrats of Virginia. Contact him on Instagram at @isaacamend

The far right’s bill mill

Fringe movement matures into something far more muscular

For years, the far right has relied on a familiar infrastructure to wage its political battles: coordinated legal networks, back-channeled money, and an ever-growing pipeline of model legislation that moves quietly from one statehouse to another. What used to be a fringe ecosystem of activist lawyers has matured into something far more muscular. Today, the attacks on LGBTQ Americans—especially transgender people—are not random. They are designed, drafted, and deployed by a disciplined constellation of groups that understand how to move legislation with precision. And if Democrats, civil rights advocates, and national LGBTQ organizations continue treating each bill as an isolated outrage rather than a unified offensive, this machine will keep outpacing them.

Most Americans have never heard of outfits like the Alliance Defending Freedom, the American Principles Project, the Leadership Institute’s law arm, or the network of state-based policy shops that orbit the Heritage Foundation. But these entities now function as the shadow authors of state legislation. The anti-trans sports bans that appeared in more than 20 states did not arise organically; they were cloned from drafts circulated by ADF attorneys. The same is true for bills restricting gender-affirming care, limiting name and pronoun accommodations in schools, or expanding “religious liberty” carve-outs that allow discrimination against LGBTQ employees or customers. Legislators often change a few words, swap in a local sponsor, and reintroduce the same provisions session after session — giving the impression of momentum when, in reality, only a handful of ideologues are writing the nation’s culture-war script.

The operational model is simple: produce a bill, partner with a state-level think tank, recruit a legislator to introduce it, and provide legal testimony to defend it. But the strategic sophistication lies upstream. These groups have spent years cultivating relationships with attorneys general, state solicitors, and conservative judges who are sympathetic to their worldview. They draft legislation with litigation in mind, anticipating which language will survive scrutiny before the federal courts they have worked diligently to remake. They treat policy, politics, and jurisprudence as a seamless ecosystem; meanwhile, LGBTQ advocates are forced to fight on three fronts at once, of-

ten with smaller budgets and no comparable network of state-by-state affiliates. What is most striking now is the acceleration. Bills that used to be test-driven in one or two states are being introduced in a dozen simultaneously. After the Supreme Court’s Dobbs decision, the same legal strategists pushing abortion bans pivoted almost immediately toward restricting trans health care, framing puberty blockers and hormone therapy as “sterilization.” The rhetorical shift was not accidental. It was a deliberate legal construction designed to open the door to future Fourteenth Amendment challenges, should the movement secure a case capable of reaching the Supreme Court. This is not simply a legislative fight; it is the groundwork for long-term judicial warfare.

And yet, Democrats and even national LGBTQ groups often treat these measures as if they were spontaneous outbursts of local prejudice. That is politically naïve. The reason similar bills appear in Idaho, Florida, Tennessee, Kansas, and Ohio at the same time is because they originate from the same set of PDFs stored on the same servers belonging to the same legal networks. The far right has embraced an industrial model of anti-LGBTQ policymaking: mass production, rapid deployment, and coordinated amplification by media channels that echo the same talking points across state lines.

The consequence is that the burden falls on queer people themselves—especially trans people—to respond to an avalanche of bills, hearings, lawsuits, and administrative changes that no individual or small advocacy team can fully track. When you have a network of attorneys feeding language to legislators, drafting amicus briefs, and preparing future litigation strategies in advance, you create an asymmetry that is difficult to counter with reactive press releases or one-off legal challenges. This imbalance of power is not about public opinion, which still supports LGBTQ equality by wide margins. It is about institutional positioning. The far right has placed its lawyers where the pressure points are: in state AG offices, in coordinated legislative caucuses, in judicial clerkships, and in the nonprofit legal trenches where issue fights are shaped long before the public hears about them.

FALLSCHURCH NEWS-PRESS

is a longtime LGBTQ rights and Democratic Party activist. He writes regularly for

If the first time you ever saw, or heard, Rep. Marjorie Taylor Greene (R-Ga.), was when she appeared on “The View,” you could be forgiven if you thought what an intelligent, rational, woman she is. If it wasn’t the first time you saw her, you just wondered what happened to the wacko you thought you knew.

Marjorie Taylor Greene has stood up for the women who were the victims of Jeffrey Epstein and his friends. She was one of the 218 who signed on to bring the bill to release the files to a vote in the House. I think the vote will be more lopsided than people think, getting many more Republicans. After it passes the House, it will go to the Senate, and if it passes there, to the felon, for him to decide — will he sign it or veto it?

Greene has also spoken out and criticized the Republican Party for not agreeing to extend the tax credits for the ACA, to ensure the cost of insurance premiums remain at least affordable for most. Again, we all had to wonder what happened to the real MTG, the non-repentant Trumper. This version of Greene has driven the president to an apoplectic state. He has given her a new nickname, and accused her of betraying the entire Republican Party. These are quotes from Trump on social media last Saturday: He called her the “Lightweight Congresswoman Marjorie Taylor Brown (Green grass turns brown when it begins to ROT!),” based on what she said. He accused her of turning left, and according to him “performed poorly on the pathetic View, and became the RINO that we all know she always was. Just another fake politician, no different than Rand Paul Jr. (Thomas Massie), who got caught being a full-fledged Republican In Name Only (RINO)! MAKE AMERICA GREAT AGAIN!!!.”

Although I support what Greene is saying on these two issues we shouldn’t forget Greene is the woman who said oinin the militar is li e throwin our life awa while discussin the . . withdrawal from f hanistan on o ews. he also said regarding two July 4th incidents in which seven people were fatally shot at an Independence Day parade in Highland Park, Illinois, and two police officers were gunned down in Philadelphia, “Two shootings on July 4: One in a rich white neighborhood and the other at a fireworks display. It almost sounds like it’s desi ned to persuade epublicans to o alon with more un control. hen when talking about the Jan. 6, 2021, attack on the Capitol, in which hundreds of Trump supporters stormed the building to stop certification of the presidential election results, she called it “a little riot.” Very bizarre. We are all definitely living in Trump’s alternate universe.

I think the thing that bothers the felon the most is Greene’s insistence the Epstein files be released. It is interesting there is nothing yet public that implicates Trump in actively participating in any pedophilia with Epstein. Some of the released emails do implicate him in knowing what Epstein was doing, but not speaking out about it. But what is making the felon in the White House apparently hysterical, and fighting so hard, to keep the Epstein files from the public? What does he know is in them, that we don’t? He has tried every distraction to move this off the front-page including bombing Venezuelan ships he claims are carrying drugs, without any proof, and threatening a land war against Venezuela. Since that hasn’t worked, he is having his AG, his lapdog, Pam Bondi, have a prosecutor look at only what Democrats could be involved in the Epstein scandal, clearly hoping if there is an active investigation it could keep the files away from the public, possibly for years.

Because of the recent election results, the felon is backtracking on the tariffs he said were so important and a hu e positive for the nited tates. hose results clearly showed the people are blaming him, and the Republican Party, for the rising prices. Even to a clueless, evil, human being like him, it has become clear the tariffs are making life worse for the American people.

So, I say to Marjorie Taylor Greene: Stay this new course you are on. Keep up the work attacking the felon, and Republicans who are going along with him. Know that even those of us who think you are a wacko, thank you.

HEARTFELT

Galen J. Williams and Bradley Gibson in Fremont Ave.

Photo by Marc J. Franklin.

Guillermo Diaz on his role as a queer, Latino actor in Hollywood

Shattering stereotypes and norms with long resume of roles

By ALEXANDER RODRIGUEZ

Actor Guillermo Diaz has been working hard in the entertainment industry for more than three decades. Proud of his heritage and queer identity, he has broken through many glass ceilings to have a prolific career that includes tentpole moments such as roles in the films Party Girl, Half Baked, and Bros, and in major TV shows like Weeds and Scandal, and even in a Britney Spears music video. This season, he made his feature-length directorial debut with the film Dear Luke, Love Me

In an intimate sit-down with the Blade, Diaz shares that he attributes a lot of his success to his Cuban upbringing.

“Well, it prepared me to learn how to lie really well and be a good actor because it was a lot of acting like you were straight, back in the eighties and nineties (laugh). Another thing I learned from my Cuban immigrant parents is that they work super hard. They both had two jobs; we were latchkey kids, and I just saw them constantly working and wanting to provide for us by any means. So that was super instilled in me. That was the one thing that really stuck out that I admire and respect.”

Besides Diaz’s recurring roles on TV, his resume includes appearances in just about every genre of programming out there. If there is a major show out there, he was probably on it. Law and Order, Girls, The Closer, Chappelle’s Show, ER, Party of Five, and the list goes on. He’s accomplished more in his career thus far than most actors do in a lifetime. There is no doubt he is a hard worker.

“It’s a sign that I just loved to work, and it’s funny looking back at it now because you see all those things, but at the time it was just the next gig, the next job. I was just wanting to keep working and acting and learning and doing all that stuff. Then it sort of accumulates, and you look back and you’re like, damn! That’s a lot of stuff!”

Acting was never on Diaz’s radar until he was asked to ﬁll in for a friend in a Beastie Boys medley for a talent show when he was a sophomore in high school.

“Being cast in that historical sort of dramatization of the 1969 Stonewall riots – I couldn’t believe I was in the midst that I was in the middle of doing this and playing the lead drag queen on the ﬁlm. I just felt so honored, and I knew it was important, and I knew I needed to do a really good job. I thought, what a special moment this is. And it kicked my ass shooting that movie.

I remember after doing Stonewall, people saying, well, now you’re either going to have to make a choice if you’re going to lie, or if you’re going to just be honest, and you’re going to have to be out from now on if you’re going to be honest. And I was like, I’m not going to freaking lie. When they’d asked me, I would say I was gay. I think because I never tried to hide it, it didn’t become a thing. So people just kind of ignored it. It didn’t mess with me or my career. I don’t know. Or I just got lucky. I don’t freaking know.”

“I did it and fell in love with it. I was teased a lot in high school. Then, when I did that performance, all those people who teased me were like, you were so great! So I looked at it initially as a thing of like, oh, this is where I’m accepted and people like me when I’m on stage. It’s kind of sad, too, because that’s what I latched onto. And then of course, I fell in love with the craft and performing and acting, but that initial rush was because all these people who were messing with me and teasing me all of a sudden liked me. And I was like, this is what I have to do.”

Little did Diaz know that he would break the mold when it came to stereotypical casting. When he ﬁrst hit the industry, diversity and positive representation were not a thing in Hollywood.

“You just kind of accepted at the time. It was the early nineties. 90% of the time, it was playing a thug or a gun dealer, or a crack head – it was all bad guys, negative characters. But it was either that or not act and not be in anything. So you just kind of accept it, and then you have this sort of vision or hope that in the future it’s going to get better.

Diaz’s management was trepidatious about him playing gay roles for fear of being typecast. But Diaz did play a handful of gay roles early on, although he passed on But I’m A Cheerleader, which went on to become a gay cult classic. Diaz decided early on that he was not going to hide his sexuality. Diaz appeared in the ﬁlm Stonewall. That was the deﬁning point for him in sharing his identity.

As a queer, Latin actor, Diaz is all too aware of what is happening politically and socially in the world towards minority communities. Does he think actors have a place in politics?

“For sure. I mean, we’re people ﬁrst, right? Like, I hate when people sort of are like, oh, you’re an actor, shut up. I’m super political and outspoken, and I’m that guy who will say shit. I’m on the right side of history, at least. I’m not being complicit and silent. So, yeah, I think actors for sure have a place in politics. Absolutely.”

While directing was on Diaz’s radar, it wasn’t something that he was actively searching out. But as life would have it, his friend Mallie McCown sent him her script for Dear Luke, Love Me, a ﬁlm she would play the lead in. Diaz was hooked.

“It was one of those scripts that I had to keep putting down every like 20 pages. I would put it down because I didn’t want it to end. It was so good. Originally, I was just going to come on as a producer of the ﬁlm, and then the director dropped out, and then Mallie asked me if I was interested in directing. I was scared as shit. I had never directed a feature ﬁlm. But I was like, it’s now or never.”

The film covers a decade of the friendship between Penny and Luke, covering themes of platonic love, asexuality, co-dependence, and self-identity. With most of the film focusing on just the two leads, Diaz has crafted an intimate and raw film. What is his message with the film?

“That love is complicated, but it’s beautiful and rewarding and worth all the heartache. I believe that. I don’t want to give away too much in the ﬁlm either, but I think everyone can relate to it because there’s heartache and there’s pain, and there’s beauty and there’s love.”

And in looking at his past work and in looking toward his future career, what kind of legacy does Diaz want to build?

“That I broke some ground, that I knocked down some walls as an artist; I’m hoping that made a difference. It’s funny because when you’re in it, you’re not thinking about all this stuff that could possibly pave the way for other people. You’re just kind of moving along and living your life. But yeah, I would hope that I broke down some walls as a queer Latino.

I hope that people can sort of get something out of me trying to live as authentically as I can, just being my queer self. Hopefully, that helps someone along who is having some troubles being accepted or being comfortable with who they are.”

GUILLERMO DIAZ (Photo courtesy Diaz)

CALENDAR

Friday, November 21

“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., NW. To RSVP, visit the DC Center’s website or email adam@thedccenter.org.

Trans and Genderqueer Game Night will be at 6 p.m. at the DC Center for the LGBT Community. This is a relaxing, laid-back evening of games and fun. All are welcome. There will be card and board games on hand. For more details, visit the DC Center’s website.

GoGayDC will host “LGBTQ+ Community Social in the City” at 7 p.m. at Hotel Zena. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.

Saturday, November 22

GoGay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

Black Lesbian Support Group will be at 11 a.m. on Zoom. This is a peer-led support group devoted to the joys and challenges of being a Black lesbian. For more details, email supportdesk@dccenter.org.

Sunday, November 23

A Tour of Her Own will host “Walking Tour: Over The Rainbow Queer Feminist History” at 10 a.m. at Farrgut Square. Guests are encouraged to come explore feminist history through a queer lens and discover how D.C. has been a pivotal location for the LGBTQ+ community. Tickets start at $15 and can be purchased on Eventbrite. KhushDC will host a screening of “The Queen of My Heart” at 2 p.m. at the DC Center for the LGBT Community. This queer, Pakistani ﬁlm is described as “a vibrant, genre-blending mother-daughter dramedy that explores queerness, memory, and the Bollywood dreams that shape us.” Attendance is free and more details are available on Eventbrite.

Monday, November 24

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam (adamheller@thedccenter.org).

“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging

| By TINASHE CHINGARANDE

at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.

Queer Book Club will be at 6:30 p.m. on Zoom. This month’s reading is “The Mermaid, the Witch, and the Sea” by Maggie Tokuda-Hall. For more information, email info@thedccenter.org.

Tuesday, November 25

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderﬂuid, or just know that you’re not 100% cis. For more details, visit www.genderqueerdc.org or Facebook.

Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a safe space to share experiences about coming out and discuss topics as it relates to doing so — by sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, visit the group’s Facebook.

Wednesday, November 26

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-conﬁdence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email centercareers@thedccenter.org or visit www.thedccenter.org/careers.

“Movement for Healing with Felicia Taliaferro” will be at 3 p.m. This is a space for nervous system nourishment and embodied restoration. For more details, visit the DC Center’s website.

Asexual and Aromantic Group will be at 7 p.m. on Zoom. This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. Currently, this group is a meeting place for both identities, but we realize that as time passes, the groups may choose to host individual meetings.For more details, email For more information, email info@thedccenter.org.

Thursday, November 27

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email supportdesk@thedccenter.org or call 202-682-2245.

OUT & ABOUT

DC Center announces annual Thanksgiving program

The DC Center for the LGBT Community will launch its “Annual Thanksgiving Food Program” on Thursday, Nov. 27.

This program, alongside several ongoing initiatives, will ensure that D.C.’s queer community has nourishment, dignity, and connection year-round. Beyond the Thanksgiving holiday, the Center continues its commitment to food access through several vital programs.

The Free Food Pantry, supported by Wegmans Food Market, provides shelf-stable essentials, available to anyone in need. The Food Rescue Program, in partnership with Food Rescue DC, offers ready-to-eat meals while helping to prevent food waste. In collaboration with Hungry Harvest and MicroHabitat, the Fresh Produce Program distributes seasonal fruits and vegetables weekly through a simple lottery registration. Additionally, the Farmers Market Program, in partnership with Food For Health and AHF, brings locally sourced produce directly to the community each month, promoting healthy eating and supporting local growers.

“Our food programs are about more than just meals, they’re about nourishment, connection, and care,” said Kimberley Bush, executive director of the DC LGBTQ+ Community Center. “In these uncertain times, we are proud to stand with our community and ensure that every person, regardless of circumstance, feels seen, supported, and fed, because everyone deserves a place at the table.”

For more information about the Thanksgiving Program or ongoing food initiatives, please visit www.thedccenter.org or email info@thedccenter.org.

Delaware beaches ring in holidays with tree lightings

The Rehoboth Beach annual tree lighting at the bandstand will take place at 7 p.m. on Friday, Nov. 28. Festivities are preceded by a sing-along by Clear Space Theatre beginning at 6:30 p.m.

And if you’re not tired of tree lightings at the beach, check out the annual Dewey Beach tree lighting along Rt. 1 at Fifer’s market on Saturday, Nov. 29. Festivities start at 5:30 p.m. and include local businesses offering food and drinks along with the lighting.

New take on ‘Some Like It Hot’ offers diverse casting

National Theatre production includes non-binary character

By PATRICK FOLLIARD

For more than a year, out actor Edward Juvier has been part of the national tour of “Some Like It Hot,” the musical adaption of the 1959 classic comedy starring Marilyn Monroe and written and directed by Billy Wilder.

Juvier, 49, plays Osgood Fielding III, a cheery millionaire in Depression-era America.

With music by Marc Shaiman, lyrics by Scott Wittman and Shaiman, and a book by Matthew López and Amber Rufﬁn, the 2022 musical is quite different as well with diverse casting, increasingly complicated backstories, and a non-binary character (Daphne).

A talented tenor and Houston native, Juvier is a Cuban American who’s been working in musical theater since graduating from the Boston Conservatory in 2000.

“I personally love touring,” says Juvier. “I like the life on the road and visiting these old theater houses across the country. Seeing the locals that I remember and my friends and family that live all over. For me, a transient life is great. Maybe not so great for others.”

Early in his career, he toured with “Phantom of the Opera” for six years. He began in the ensemble and covered two principal roles, and moved to swing which gave him the longevity covering 11 different roles in that show, a life-changing gig that he remembers fondly.

WASHINGTON BLADE: As a gay actor touring in a hot musical with some queer themes do you feel that you make an impact?

EDWARD JUVIER: Oh yeah, it’s important for queer people to see representation on stage. Our version of the show is a sneak attack; it doesn’t hit you over the head with themes. Seeing an old story that takes a turn where you’re left to accept what’s happening onstage and by that time, you’re in love and rooting with the characters. You feel it from the audiences and we play some of the reddest of states.

Queer, trans, nonbinary people meet us at the stage door in tears thanking us for the representation. They didn’t even know when they came to the show that they’re going to see something with such an afﬁrming message to their lives, and

they’re thrilled when they ﬁnd that out.

BLADE: How were you drawn into musical theater?

JUVIER: I was lucky that my Texas high school made annual trips to New York to see Broadway shows. On one trip, I remember seeing “Will Rogers Follies,” I felt like Keith Carradine was looking and talking right to me.

And the next day, we saw “Falsettos,” the original production. After seeing those two very different shows it was as if I blasted off into the Broadway world.

BLADE: Did “Falsettos,” a musical about AIDS, resonate with you as young gay student?

JUVIER: Absolutely. It shook me to the core.

BLADE: Has being gay made you a better actor?

JUVIER: I think what makes a great actor is somebody who has enormous empathy, able to put themselves in someone else’s shoes, and what better than a queer artist to be able to empathize.

I came out pre- “Will and Grace.” A different time to be coming out than it is now, which shows immense progress but also put us through challenges. It’s been a part of my journey.

I’m lucky to have the best, most supportive family. No Trumpers to deal with when I go home for the holidays. So, I’m grateful for that especially at this time of year.

BLADE: How do you approach a comic character like Osgood.

JUVIER: I approach him with honesty and simplicity and try to get out of the way of cheap jokes.

When I’m feeling that I’m pushing myself I remind myself to just say the words. I think the musical is so beautifully crafted in a way to brings the show to a new audience. Changes aren’t a diss on the original but the world has changed.

BLADE: Are you a big fan of the original?

JUIVIER: I respect the original. It’s been with me all my life especially being a queer artist. We grew up watching “Some Like It Hot.” This takes old themes and jokes that don’t land so well and brings it to a new audience.

Particularly with my role played originally and so brilliantly by famed comedian Joe E. Brown. In the movie he’s not a multi-dimensional character. He’s more of an old, rich pervy guy. That’s just how it was back then. And I’ve had the great privilege to play him differently.

‘Some Like It Hot’

Nov. 25 - Dec. 7 | The National Theatre 1321 Pennsylvania Ave., N.W. | Tickets starting at $67 Broadwayatthenational.com

‘Some Like It Hot’ with EDWARD JUVIER and touring company. (Photo by Matthew Murphy)

Theater classic gets sapphic twist in provocative ‘Hedda’ A Black, queer portrayal of thwarted female empowerment

By JOHN PAUL KING

It’s not strictly necessary to know anything about Henrik Ibsen when you watch “Hedda” – the festival-acclaimed period drama from filmmaker Nia DaCosta, now streaming on Amazon Prime Video after a brief theatrical release in October – but it might help.

One of three playwrights – alongside Anton Chekhov and August Strindberg – widely cited as “fathers of “modern theater,” the Norwegian Ibsen was sharply influenced by the then-revolutionary science of of psychology. His works were driven by human motivations rather than the workings of fate, and while some of the theories that inspired them may now be outdated, the complexity of his character-driven dramas can be newly interpreted through any lens – which is why he is second only to Shakespeare as the most-frequently performed dramatist in the world.

Arguably his most renowned play, “Hedda Gabler” provides the basis for DaCosta’s movie. The tale of a young newlywed – the daughter of a prominent general, accustomed to a life of luxury and pleasure – who feels trapped as the newly wedded wife of George Tesman, a respected-but-financially-insecure academic, and stirs chaos in an attempt to secure a future she doesn’t really want. Groundbreaking when it premiered in 1891, it became one of the classic “standards” of modern theater, with its title role coveted and famously interpreted by a long list of the 20th century’s greatest female actors – and yes, it’s been adapted for the screen multiple times.

The latest version – DaCosta’s radically reimagined reframing, which moves the drama’s setting from late-19th-century Scandinavia to England of the 1950s –keeps all of the pent-up frustration of its title character, a being of exceptional intelligence and unconventional morality, but adds a few extra layers of repressed “otherness” that give the Ibsen classic a fresh twist for audiences experiencing it more than a century later.

Casting Black, openly queer performer Tessa Thompson in the iconic title role, DaCosta’s film needs go no further to introduce new levels of relevance to a character that is regarded as one of the theater’s most searing portrayals of thwarted female empowerment – but by flipping the gender of another important character, a former lover who is now the chief competition for a job that George (Tom Bateman) is counting on obtaining, it does so anyway.

Instead of the play’s Eilert Lövborg, George’s former colleague and current competition for lucrative employment, “Hedda” gives us Eileen (Nina Hoss), instead, who carries a deep and still potent sexual history – underscored to an almost comical level by the ostentationally buxom boldness of her costume design – which presents a lot of options for exploitation in Hedda’s quest for self-preservation; these are even further expanded by the presence of Thea (Imogen Poots), another of Hedda’s former flings who has now become enmeshed with Eileen, placing a volatile sapphic triangle in the middle of an already delicate situation.

Finally, compounding the urgency of the story’s precarious social politics, DaCosta compresses the play’s action into a single evening, the night of Hedda and George’s homecoming party – in the new and expensive country house they cannot afford – as they return from their honeymoon. There, surrounded by and immersed in an environment where bourgeois convention and amoral debauchery exist in a precarious but socially-sanctioned balance, Hedda plots a course which may ultimately be more about exacting revenge on the circumstances of a life that has made her a prisoner as it is about protecting her husband’s professional prospects.

Sumptuously realized into a glowing and nostalgic pageant of bad behavior in the upper-middle-class, “Hedda” scores big by abandoning Ibsen’s original 19th-century setting in favor for a more recognizably modern milieu in which “color-blind” casting and the queering of key relationships feel less implausible than they might in a more faithful rendering. Thompson’s searingly nihilistic performance – her Hedda is no dutiful social climber trying to preserve a comfortable life, but an actively rebellious presence sowing karmic retribution in a culture of hypocrisy, avarice, and misogyny – recasts this proto-feminist character in such a way that her willingness to burn down the world feels not only authentic, but inevitable. Tired of being told she must comply and cooperate, she instead sets out to settle scores and shift the balance of power in her favor, and if her tactics are ruthless and seemingly devoid of feminine compassion, it’s only because any such sentimentality has long been eliminated from her worldview. Valued for her proximity to power and status rather than her actual possession of those qualities, in

DaCosta’s vision of her story she seems to willingly deploy her position as a means to rebel against a status quo that keeps her forever restricted from the self-realized autonomy she might otherwise deserve, and thanks to the tantalizingly cold fire Thompson brings to the role, we are hard-pressed not to root for her, even when her tactics feel unnecessarily cruel.

As for the imposition of queerness effected by making Eilert into Eileen, or the additional layers of implication inevitably created by this Hedda’s Blackness, these elements serve to underscore a theme that lies at the heart of Ibsen’s play, in which the only path to prosperity and social acceptance lies in strict conformity to social norms; while Hedda’s race and unapologetic bisexuality feel largely accepted in the private environment of a party among friends, we cannot help but recognize them as impediments to surviving and thriving in the society within which she is constrained, and it makes the slow-bubbling desperation of her destructive character arc into a tragedy with a personal ring for anyone who has ever felt like an outsider in their own inner circle, simply by virtue of who they are.

Does it add anything of value to Ibsen’s iconic work? Perhaps not, though the material is certainly rendered more expansive in scope and implication by the inclusion of race and sexuality to the already-stacked

deck of class hierarchy that lies at the heart of the play; there are times when these elements feel like an imposition, a “what-if?” alternate narrative that doesn’t quite gel with the world it portrays and ultimately seems irrelevant in the way it all plays out – though DaCosta’s ending does offer a sliver of redemptive hope that Ibsen denies his Hedda. Still, her retooling of this seminal masterwork does not diminish its greatness, and it allows for a much-needed spirit of inclusion which deepens its message for a diverse modern audience.

Anchored by Thompson’s ferocious performance, and the electricity she shares with co-star Hoss, “Hedda” makes for a smart, solid, and provocative riff on a classic cornerstone of modern dramatic storytelling; enriched by a sumptuous scenic design and rich cinematography by Sean Bobbitt, it may occasionally feel more like a Shonda Rhimes-produced tale of sensationalized scandal and “mean-girl” melodrama, but in the end, it delivers a powerful echo of Ibsen’s classic that expands to accommodate a whole century’s worth of additional yearning.

Besides, how often do we get to see a story of blatant lesbian attraction played out with such eager abandon in a relatively mainstream movie? Answer: not often enough, and that’s plenty reason for us to embrace this queered-up reinvention of a classic with open arms.

The cast of ‘Hedda.’ (Image courtesy of Prime Video)

Pioneering gay journalist takes on Trump 2.0 in new book

Nick Benton’s essays appeared in Fall Church News-Press

FROM STAFF REPORTS

Nicholas Benton is a well-known local LGBTQ advocate and journalist and the longtime owner and editor of the Fall Church News-Press, a weekly newspaper.

In his eighth book out now, Benton offers a new set of remarkable essays all crafted in the first eight months of Trump 2.0 and its wholesale effort at dismantling democracy and the rule of law. Most were published in the Falls Church News-Press, but he adds a new piece to this volume, as an addendum to his “Cult Century” series, revealing for the first time his experiences from decades ago in the political cult of Lyndon LaRouche, aimed at providing a clearer grasp of today’s Cult of Trump.

His “Please Don’t Eat Your Children” set takes off from the satire of Jonathan Swift to explore society’s critical role of drumming creativity out of the young.

Below is an excerpt from “Please Don’t Eat Your Children, Cult Century, and other 2025 Essays.”

Please Don’t Eat Your Children

In his famous short essay, “A Modest Proposal: For Preventing the Children of Poor People in Ireland From Being a Burden to Their Parents or Country and for Making Them Beneficial to the Public,” author and Anglican priest Jonathan Swift (1667-1745) uses cutting satire to suggest that cannibalism of the young might help solve a battery of social ills.

As we examine our broken society today, it seems to me that reflecting on Swift’s social critique can be quite useful. Now we face a nation filled with anger and division and there is little to suggest any real solutions other than insisting people “don’t do that!” We can start out with the observation that young children, left to their own, are neither hateful nor cruel. How do they get that way later on in their lives? What drives them toward such emotional states and behaviors? It is not a problem only for the margins of society, for the extreme misfits or troubled. It is defining the very center of our culture today. Our divisions are not the cause, but the result of something, and nobody is saying what that is.

Swift doesn’t say what it is in his biting little essay. But it is implied by a context of a lack of bounty, or poverty, on the one hand, and an approach to it characterized by obscenely cruel indifference, on the other. He coined the phrase “useless eaters” in defining his radical solution. In Hitler’s Germany, that term resonated through the death camps and some in our present situation are daring to evoke it again as the current administration pushes radical cuts in Medicaid funding.

But while that refers to the old and infirm, mostly, it is the young we are talking about here. The problem is that our society is structured to devour our young and as they begin to find that out, they rebel. Not in all cases is this the practice, of course. Where there is little or no lack, things are different. We nurture our young, as we should, and we love them. Lucky is the child who is born to parents who are of means, and in a community where nurture is possible and valued. But even such children are ultimately not immune from facing a destiny of pale conformity battered by tightly delimited social expectations and debt slavery. If they have enough ambition, education and doors opened for them, some can run the gauntlet with relative effectiveness. Otherwise, our young are raised to die on battlefields, or to struggle in myriad other painful social conflicts aimed at advancing the world of their elders. In the Bible, there is a great

admonition against this process that comes at the very precondition for the tradition it represents that begins with Abraham. It is in the book of Genesis at the beginning of the Biblical story when, as that story goes, God commanded Abraham to kill his son, Isaac, as a sacrifice. As Abraham is about to obey, God steps in and says no. The entire subsequent eons-long struggle to realize Abraham’s commission by God to make a great nation that would be a light to the world would have been cut short right then if Abraham had slain his own son. The message is that all of the Abrahamic traditions, Judaism, Islam and Christianity, owe their source, and in fact are rooted, in God’s command to reject the sacrifice of children to the whims of their elders. The last thousands of years can be best defined in these terms, where nurture is pitted against exploitation of our young with, at best, vastly mixed results. Scenes like that at the opening of “All Quiet on the Western Front,” the World War I novel and film where a teacher rallies a classroom full of boys to enlist in the war, is bone chilling. Or, the lyric in Pink Floyd’s iconic song, Comfortably Numb, “When I was a child, I caught a fleeting glimpse out of the corner of my eye. I turned to look but it was gone. I cannot put my finger on it now. The child is grown, the dream is gone.”

Nick Benton’s new book is available now at Amazon.

Whitman-Walker Gala

LGBTQ community health organization holds annual event at Ritz-Carlton

The Whitman-Walker 2025 Gala was held at the Ritz-Carlton Washington, D.C. on Wednesday, Nov. 12.

(Washington Blade photos by Michael Key)

Revving up the holidays with auto-themed gifts

Lamps, mugs, headphones, and more for

By JOE PHILLIPS

Here’s how to shift your holidays into high gear.

Bentley Bottle Stopper

Pop your cork—in a good way—with a Bentley bottle stopper ($106), made of zinc alloy with chrome plating and rubber rings. The classy design is inspired by the automaker’s iconic “Flying B” mascot from 1930.

Subaru Motorsports Counter Stool

Belly up to the bar with the Subaru Motorsports Counter Stool ($175). The 30-inch-tall metal chair—with padded vinyl cover and automaker logo—is lightweight and swivels 360 degrees.

BMW Luxe Luggage

You won’t have trouble spotting this chic khaki-green BMW M Boardcase ($307) at airport baggage carousels. The high-performance “M” logo is etched on the durable polycarbonate casing, as well as on the main compartment zipper and all four of the sturdy double wheels. Comes with recycled lining, along with laundry and shoe bags.

Ford Yoga Gym Bag

The Ford Yoga Gym Bag ($15) has a wide handle and button strap to securely carry a yoga mat, as well as convenient pockets to stow water bottles and shoes. Made of black polyester, with reﬂ ective silver Ford logo. (Yoga mat not included.)

Kia Mini Lamp with Speaker/Sound

It doesn’t get much more Zen than a Kia Mini Lamp with Speaker and Sound Machine ($50). Made of bamboo, sturdy plastic and a fabric grill, the tiny wireless lamp has LED lighting with three settings. Pair with your phone to choose from eight soothing sounds: brook noise, bird chirp, forest bird, white bird, ocean wave, rainy day, wind and ﬁreside.

Lexus Green Pro Set

Practice makes perfect with the Lexus Green Pro Set ($257), a putting mat with “train-track markings” to help improve any golfer’s alignment. Lexus logo on the wood frame with automatic ball return.

Lamborghini

Wireless Headphones

Turn on, tune in, drop out—well, at least at the end of a hectic day—with these Lamborghini Wireless MW75 Headphones by Master & Dynamic

everyone on your list

($901). Batteries last up to 32 hours or up to 28 hours in active noise-canceling mode.

BMW Quatro Slim Travel Tumbler

The BMW Quatro Slim Travel Tumbler ($23) lives up to its name: sleek, smooth and scratch-resistant. Comes with leak-proof lid and non-spill design.

Ford Vintage Mustang Ceramic Mug

Giddy-up each morning with the Ford Vintage Mustang Ceramic Mug ($29). With cool blue stripes, the 14-ounce mug features a silver handle and iconic pony emblem.

My First Lamborghini by Clementoni

Proving it’s never too early to drive an exotic car, My First Lamborghini by Clementoni ($62) is for children ages two- to four-years old. Kids can activate the remote-control car by pressing the button on the roof or by using the remote. This Lambo certainly is less expensive than an entry-level Huracan, which starts at $250,000.

Rolls-Royce Cameo

For adults looking for their own pint-sized luxury ride, there’s the RollsRoyce Cameo ($5,500). Touted as a piece of art rather than a toy, this miniature collectible is made from the same solid oak and polished aluminum used in a real Rolls. As with those cars, this one even has self-leveling wheel-center caps (which operate independently of the hubcaps so that the RR logo is always in the upright position).

Maserati Notebook

For those of us who still love the art of writing, the Maserati MC20 Sketch Note ($11) is an elegant notebook with 48 sheets of high-quality paper. The front and back covers feature stylish sketches of the interior of a Maserati MC20 supercar and the Maserati logo. Comes with saddle-stitched binding using black thread.

Dodge Demon Dog Collar

If your pooch is more Fluffy-kins and less the guard dog you sometimes need it to be, then there’s the Dodge Demon Seatbelt Buckle Dog Collar ($30). Made of steel and high-density polyester with a tiny seatbelt-buckle clasp, the collar is emblazoned with devilish Dodge Demon logos.

In real estate, it’s déjà vu all over again

1970s and ‘80s volatility led to creative ﬁnancing options

By VALERIE M. BLAKE

In the 1970s and 1980s, mortgage interest rates climbed into the double digits and peaked above 18%. With rates like that, you needed more than a steady job and a down payment to buy a home — you needed creative ﬁnancing ideas.

Today’s market challenges may look different, but the response has been surprisingly familiar: unusual ﬁnancing methods are making a comeback, along with some new ones that didn’t exist decades ago. Here is a brief overview of the most popular tools from that era.

Assumable Mortgages were available with FHA, VA, and USDA loans and, until 1982, even Conventional mortgages. They allowed a buyer to take over the seller’s existing mortgage, including its interest rate, rather than getting a brand-new loan, while compensating the seller for the difference between the assumed loan balance and the contract price.

Often, a seller played a substantial role in a purchase. With Seller Financing (Owner Carry) the seller became the bank, letting the buyer make payments directly to them instead of to a traditional lender.

One variation on Seller Financing was the Land Contract. The seller was still the lender, but the buyer made loan payments to the seller, who then paid his own mortgage and pocketed the difference. The buyer would receive equitable title (the right to use and occupy the property), while the seller kept the title or deed until the contract was paid off or the property sold.

With Wraparound Mortgages, the seller created a new, larger loan for the buyer that “wrapped” around the existing mortgage at an agreed-upon rate. The buyer would then pay the seller, who would continue making mortgage payments on the existing balance, collecting payments and pocketing the spread. Whether title conveyed to the buyer or remained with the seller was negotiated between the parties.

Unlike an assumption, when buying a home Subject To an existing mortgage, the buyer took title to the property and agreed to pay the seller’s mortgage directly to the lender plus any equity to the seller; the mortgage stayed in the seller’s name. Now, most mortgages have a Due on Sale clause that prohibits this kind of transaction

without the expressed consent of the lender.

Rent-to-Own was also a popular way to get into a home. While a potential buyer rented a property, the seller would offer an option to purchase for a set amount to be exercised at a later date (lease option) or allow a portion of the rent collected to be considered as a downpayment once accrued (lease purchase).

Graduated Payment Mortgage (GPM) loans were authorized by the banking industry in the mid-1970s and Adjustable Rate Mortgages (ARM) surfaced in the early 1980s. Both featured low initial payments that gradually increased over time.

With the GPM, although lower than market to start, the interest rate was ﬁxed and payment increases were scheduled. A buyer could rely on the payment amount and save accordingly.

ARMs, on the other hand, had interest rates that could change based on the market index, with less predictability and a higher risk of rate shocks, as we saw during the Great Recession from 2007-2009.

While mortgage rates today aren’t anywhere near the extremes of the 1980s, buyers still face a tough environment: higher prices, limited inventory, and stricter lending standards. That combination has pushed people to explore tried and true alternatives and add new ones.

Assumable mortgages and ARMs are on the table again and seller ﬁnancing is still worth exploring. Just last week, I overheard a colleague asking about a land contract.

Lenders are beginning to use Alternative Credit Evaluation indicators, like rental payment history or bank cash-ﬂow analysis, to assess borrower strength when making mortgage loan decisions.

There are Shared Equity Programs, where companies or nonproﬁts contribute part of a down payment in exchange for a share of the home’s future appreciation. With Crowdfunding Platforms, investors pool money online to ﬁnance real estate purchases or developments.

Another unconventional idea being debated today is the 50-year mortgage, designed to help buyers manage high home prices. Such a mortgage would have a 50year repayment term, rather than the standard 30 years, lowering monthly payments by stretching them over a longer period.

Supporters argue that a 50-year mortgage could make monthly payments significantly more affordable for firsttime buyers who feel priced out of the market. Critics, however, warn that while the monthly payment may be lower, the lifetime interest cost would be much higher. What ties the past and present together is necessity. As long as affordability remains strained, creative financing - old and new - will continue to shape the way real estate gets bought and sold. As with everything real estate, my question will always be, “What’s next?”

VALERIE M. BLAKE

is a licensed Associate Broker in D.C., Maryland, and Virginia with RLAH @properties. Call or text her at 202-246-8602, email her at valerie@DCHomeQuest.com or follow her on Facebook at TheRealst8ofAffairs.

In the 1970s and ‘80s, sellers used creative mortgage options to entice buyers. Some of those trends are appearing again now. (Image via Bigstock/RetroClipArt)

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LEGAL NOTICE

SUPERIOR COURT OF THE DISTRICT OF COLUMBIA

PROBATE DIVISION 2025 ADM 001184

Christopher Josephe Huskins, Name of Decedent

Notice of Appointment, Notice to Creditors and Notice to Unknown Heirs Jesse Manuel Graves, whose address is 3324 93rd St, Apt1S, Jackson Heights, NY 11372 was appointed Personal Representative of the estate of Christopher Josephe Huskins who died on October 23, 2024 without a Will and will serve without Court supervision. All unknown heirs and heirs whose whereabouts are unknown shall enter their appearance in this proceeding. Objections to such appointment shall be ﬁled with the Register of Wills, D.C., 515 5th Street NW, Building A, 3rd Floor, Washington, D.C. 20001 on or before 05/21/2026. Claims against the decedent shall be presented to the undersigned with a copy to the Register of Wills or. ﬁled with the Register of Wills with a copy to the undersigned on or before 05/21/2026 or be forever barred. Persons believed to be heirs or legatees of the decedent who do not receive a copy of this notice by mail within 25 days of its publication shall so inform the Register of Wills, including name, address, and relationship.

Date of ﬁrst publication: November 21, 2025

/s/Jesse Manuel Graves 718-639-6390

/s/Nicole Stevens, Register of Wills.

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