Waddington’s West | November 12 - 17, 2022

Page 1

Waddington’s West

NOVEMBER 12 — 17, 2022

Waddington’s West

NOVEMBER 12 — 17, 2022

bid and view all lots online at www.waddingtons.ca on view

Monday to Friday — 8:30 am to 5:30 pm Or by Appointment preview held at 343 Railway Street, Suite 101 Vancouver, British Columbia V6A 1A4 tel: 416-504-9100 toll free: 1-877-504-5700

specialist Jacqui Dixon jd@waddingtons.ca 778-837-4588

This catalogue and its contents © 2022 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

front cover Lot 37 JUDAS ULLULAQ SHAMAN

front inside cover Lot 3

ILLINGWORTH HOLEY KERR, IN THE WINDERMERE - SPRING, RED MOUNTAIN (DETAIL)

back inside cover Lot 51 NATSIVAAR ANGELS IN THE MOON, 1960

back cover Lot 25 TONY HUNT SR. THUNDERBIRD CARVED WOODEN PANEL

Photography & design by Waddington’s All Rights reserved.

ILLINGWORTH HOLEY KERR (1905-1985)

ROUGH DAY NAPILII, MAUI, 1976 watercolour on paper signed lower centre; titled and dated 1976 to label verso 11 x 15 in — 27.9 x 35.6 cm

PROVENANCE: Private Collection, Alberta $800 — 1,200

2

DOROTHY KNOWLES (B.1927)

UNTITLED LANDSCAPE, 1976 oil on canvas signed and dated 76 lower right 23.5 x 20.5 in — 59.7 x 52.1 cm

PROVENANCE: Private Collection, Alberta $3,000 — 5,000

1

ILLINGWORTH HOLEY KERR (1905-1989)

IN THE WINDERMERE - SPRING, RED MOUNTAIN, 1950-71 oil on canvas signed lower right; signed, titled and dated 1950-71 verso 24 x 30 in — 61 x 76.2 cm

PROVENANCE: Private Collection, Alberta $5,000 — 7,000

4

DOROTHY KNOWLES (B.1927) WINTER’S COMING, 1978 watercolour on paper signed and dated 78 lower right 22 x 30 in — 55.9 x 76.2 cm

PROVENANCE: Private Collection, Alberta $1,500 — 2,500

3

ROBERT GENN (1936-2014)

BLUNDEN HARBOUR, 1978 oil on board signed lower right: signed, titled and dated 1978 verso 10 x 12 in — 25.4 x 30.5 cm

PROVENANCE: The Art Emporium, Vancouver, BC Private Collection, British Columbia $1,000 — 1,500 6

RONALD WILLIAM BOLT (1938-2019)

SCOTIA TWILIGHT, 1977 colour serigraph signed, dated 77 and numbered A/P; unframed sheet 39 x 29 in — 99.1 x 73.7 cm

PROVENANCE: Private Collection, British Columbia $200 — 300

5

7

LIONEL LEMOINE FITZGERALD (1890-1956)

BACKYARD GARDEN LANDSCAPE, 1947 watercolour; signed, and stamped on the reverse with inventory number 215 sight 23.5 x 17.25 in — 59.7 x 43.8 cm

PROVENANCE: Peter Ohler Fine Arts Private Collection, British Columbia $2,000 — 3,000

8

RONALD LANGLEY BLOORE (1925-2009) UNTITLED oil on hardboard 24 x 24 in — 61 x 61 cm

PROVENANCE: Private Collection, British Columbia $4,000 — 6,000

STANLEY MOREL COSGROVE (1911-2002)

SOUS-BOIS oil on canvas board signed lower right 12 x 16 in — 30.5 x 40.6 cm

PROVENANCE: Private Collection, British Columbia $1,500 — 2,500

10

JAMES HENDERSON (1871-1951)

UNTITLED oil on canvas signed lower right 12 x 18 in — 30.5 x 45.7 cm

PROVENANCE: Private Collection, Oregon, USA $2,000 — 3,000

9

11

RONALD WILLIAM BOLT (1938-2019)

PRE-CAMBRIAN MINIATURE # 11, 1978 oil on board signed and dated 78 lower right; signed and titled verso 12 x 12 in — 30.5 x 30.5 cm

PROVENANCE: Private Collection, British Columbia $800 — 1,200

12

RONALD WILLIAM BOLT (1938-2019)

PRE CAMBRIAN MINIATURE # 14, 1978 oil on board signed and dated 78 lower right; signed and titled verso 12 x 12 in — 30.5 x 30.5 cm

PROVENANCE: Private Collection, British Columbia $800 — 1,200

LUI LIU (B. 1957)

MAGIC VS MAGNETIC, 1996 oil on canvas signed and dated 96 lower right 22 x 28 in — 55.9 x 71.1 cm

PROVENANCE: Purchased directly from the artist in 1996 from his studio in Yorkville Village, Toronto; Private Collection, British Columbia $10,000 — 15,000

14

JAMES HENDERSON (1871-1951), CANADIAN

QU’APPELLE VALLEY oil on canvas laid down on board; signed lower right 14 x 12 in — 35.6 x 30.5 cm

PROVENANCE: Private Collection, British Columbia $1,000 — 1,500

13

KATHE KOLLWITZ (1867-1945)

SCHLACHTFELD, PLATE 6 FROM THE PORTFOLIO “BAUERNKRIEG”, 1921 etching with drypoint and aquatint on wove paper signed, dated and inscribed “1921 Originaliradieruno von Kathe Kollwitz” image 16.25 x 20.75 in — 41.3 x 52.7 cm

PROVENANCE: Private Collection, British Columbia $200 — 300

16

AFTER ERNST BARLACH (1870-1938), GERMAN

DAS WIEDERSEHEN, 1960 patinated bronze over cast plaster; signed on the base E. Barlach and © MPI for “Munson Williams Proctor Institute Utica New York Collection;. a later cast 19.3 x 7.7 x 4.7 in — 49 x 19.5 x 12 cm

PROVENANCE: Private Collection, British Columbia $800 — 1,200

15

LEO MOL (1915-2009)

RECLINING NUDE, 1995 bronze signed, dated 1995 and numbered 5/20 13.2 x 13 x 5.1 in — 33.5 x 33 x 13 cm

PROVENANCE: Private Collection, British Columbia $2,000 — 3,000 18

ANTONIO GREDIAGA KIEFF (B.1936 )

UNTITLED (ABSTRACT FORM) bronze mounted to wooden base; signed and numbered 1/9 including base 10.5 x 4.75 x 4 in — 26.7 x 12.1 x 10.2 cm

PROVENANCE: Private Collection, British Columbia $800 — 1,200

17

JOSEPH SLEEP (1914-1978)

FLOWERS AND BIRDS mixed media on rice paper; signed; unframed 41 x 35 in — 104.1 x 88.9 cm

PROVENANCE: Private Collection, British Columbia $100 — 150

20

JOSEPH SLEEP (1914-1978)

CAT PORTRAIT WITH FLOWERS, BIRDS AND WHALES, 1978 acrylic on canvas signed and dated 1978 49 x 24 in — 124.5 x 61 cm

PROVENANCE: Private Collection, British Columbia $700` — 1,000

19

NORVAL MORRISSEAU (1931-2007)

TWO OWLS

acrylic on paper signed in syllabics 31 ins x 53 ins; 78.7 cms x 134.6 cms

PROVENANCE: Private Collection, British Columbia $15,000 — 25,000 22

NORVAL MORRISSEAU (1931-2007)

GABE acrylic on canvas signed in syllabics lower right 16 x 20 in — 40.6 x 50.8 cm

PROVENANCE: Acquired directly from the artist By descent to current Private Collection, Nanaimo BC

$1,500 — 2,000

21

JOE WILSON (B.1966)

SUN MASK

red cedar, acrylic paint, wood signed 25.2 vx 32.7 in 64.0 x 83.0 cm

PROVENANCE: Private Collection, British Columbia $1,000 — 1,500

24

A PAINTED HAIDA BENTWOOD BOX WITH LID CA. 1852 painted on all four sides 26 x 20 x 16.5 in — 66 x 50.8 x 41.9 cm

PROVENANCE: Private Collection, British Columbia $6,000 — 8,000

23

TONY HUNT SR. (1942-2017)

THUNDERBIRD CARVED WOODEN PANEL 1974 cedar, acrylic paint signed and dated 1974 41.5 x 24 x 1.25 in — 105.4 x 61 x 3.2 cm

PROVENANCE: Private Collection, British Columbia $5,000 — 7,000 26

A FINE TLINGIT SPRUCE ROOT BASKET, LATE 19TH CENTURY spruce root 5 x 6 x 5 in — 12.7 x 15.2 x 12.7 cm

PROVENANCE: Private Collection, British Columbia $500 — 700

25

27

19TH CENTURY HAIDA FEAST BOWL WITH CARVED FROG DESIGN AND SPOON

alder, abalone 4 x 6 x 16 in — 10.2 x 15.2 x 40.6 cm

PROVENANCE: Private Collection, British Columbia $2,500 — 4,500

28

GODFREY HUNT (1917-1987) KILLER WHALE MASK cedar signed 23.5 x 9.5 x 9 in — 59.7 x 24.1 x 22.9 cm

PROVENANCE: Ann and Bruce Iver Howe Collection, Vancouver, BC $500 — 700

ATTRIBUTED TO CHARLES GLADSTONE (1877-1954)

MODEL TOTEM CA. 1910 argillite 11 ins x 2.25 ins x 2.25 ins; 27.9 cms x 5.7 cms x 5.7 cms

PROVENANCE: Private Collection, British Columbia $1,500 — 2,000 30

ROBERT CHARLES DAVIDSON (B.1946)

FROG PENDANT silver inscribed RD and numbered 15/16 1.5 x 2 x 2 in — 3.8 x 5.1 x 5.1 cm

PROVENANCE: Private Collection, British Columbia $7,000 — 9,000

29

31

FLOYD (TYEE) JOSEPH (B.1953), SALISH SPIRIT OF THE LOON silver; inscribed FJ TYEE, 85, spirit of the loon, Squamish nation

1 x 2.4 in — 2.5 x 6 cm; widest length width 6.3 in — 16 cm

PROVENANCE: Private Collection, British Columbia $500 — 700

32

JAMES (JIM) HART (B.1952) LIFE IN HAND, 1994 acrylic on paper original painting designed for the Vancouver Aquarium fundraiser “Salmonchanted Evening” 18 x 13.25 in — 45.7 x 33.7 cm

PROVENANCE: Private Collection, British Columbia $6,000 — 8,000

REPLICA OF TRADITIONAL HAIDA PADDLE IN PRESENTATION CASE

cedar, acrylic paint, plexiglass Presented to the Commissioner General, Bruce Howe, of the Canada Pavilion at Expo ‘86.

3.4 ins x 17.5 ins; 8.6 cms x 44.5 cms

PROVENANCE: Private Collection, British Columbia

$400 — 600

LLOYD WADHAMS (1938-1992), KWAKWAKA’WAKW

TWO PAINTED MODEL TOTEMS CA. 1930

wood, acrylic paint; one totem is signed 13.5 x 8.5 x 4 in — 34.3 x 21.6 x 10.2 cm; 12 x 8.5 x 4.25 in — 30.5 x 21.6 x 10.8 cm

PROVENANCE:

Private Collection, British Columbia

$500 — 700

33
34

35

ARTHUR MOODY (1887-1967) AND PAT MCGUIRE (B.1943)

TWO ARGILLITE PENDANTS, EAGLE AND FROG, WITH DENTALIUM SHELL AND GLASS BEADS NECKLACES

argillite, dentalium and glass Arthur Moody pendant is signed and inscribed Skidegate, BC width 30 in — 76.2 cm, diameter 2 in — 5.1 cm; width 28 in — 71.1 cm, diameter 1.75 in — 4.4 cm

PROVENANCE: Private Collection, British Columbia $300 — 500

36

UNIDENTIFIED ARTIST

BUTTON BLANKET WITH KILLER WHALE DESIGN felt, acrylic 28 x 32 in — 71.1 x 81.3 cm

PROVENANCE: Private Collection, British Columbia $100 — 125

JUDAS ULLULAQ (1937-1999), UQSUQTUUQ (GJOA HAVEN)

SHAMAN

stone, antler, leather 15 x 16 x 7 in — 35 x 36 x 30 cm

PROVENANCE: Private Collection, Idaho, USA $7,000 — 10,000

LAZAROOSIE KYAK (1919-1976), MITTIMATALIK (POND INLET)

MUSK OX stone, antler; signed in syllabics 4 x 6 x 2.25 in — 10.2 x 15.2 x 5.7 cm

PROVENANCE: Private Collection, British Columbia $500 — 700

37
38

DAVID IKUTAAQ (1929-1984), QAMANI’TUAQ (BAKER LAKE)

STANDING FIGURE stone; signed in syllabics 8.25 x 8.25 x 5 in — 21 x 21 x 12.7 cm

PROVENANCE: George R. Dinney Collection, British Columbia (formerly Winnipeg, MB) $500 — 700 40

DAVID IKUTAAQ (1929-1984), QAMANI’TUAQ (BAKER LAKE)

SEATED FIGURE stone; signed in syllabics 4.5 x 5.5 x 4.5 in — 11.4 x 14 x 11.4 cm

PROVENANCE: George R. Dinney Collection, Victoria, BC (formerly Winnipeg, MB) $400 — 600

39

DAVIDEE KAVIK (B. 1915)

HUNTER AND BEAR stone, leather signed in syllabics 6.5 x 13 x 3 in — 16.5 x 33 x 7.6 cm

PROVENANCE: George R. Dinney Collection, Winnipeg, MB By descent to the present Private Collection, British Columbia; $400 — 600 42

DAVIDEE KAVIK (B.1915), SANIKILUAQ (BELCHER ISLANDS)

HUNTER stone, antler, hide; signed in syllabics 10 x 3 x 8 in — 25.4 x 7.6 x 20.3 cm

PROVENANCE: Private Collection, British Columbia. $300 — 500

41

DAVID RUBEN PIQTOUKUN (B. 1950), PAULATUK

MOTHER & CHILD stone, catlinite, acrylic base 13 x 8 x 6 in — 33 x 20.3 x 15.2 cm

PROVENANCE: Private Collection, Idaho, USA $800 — 1,200

44

DAVID RUBEN PIQTOUKUN (B. 1950), PAULATUK

OLD MAN WITH WALKING STICK, 1993 stone, wood; signed in Roman and dated 1993; figure is not glued to base 14 x 6.5 x 9 in — 35.6 x 16.5 x 22.9 cm

PROVENANCE: Private Collection, Idaho, USA $1,500 — 2,000

43

ELIJAH MICHAEL (1929-2008), KIMMIRUT (LAKE HARBOUR)

OWL SPIRIT stone

20 x 15 x 3 in — 50.8 x 38.1 x 7.6 cm

PROVENANCE: Private Collection, Idaho, USA

$400 — 600

46

LATCHOLASSIE AKESUK (1919-2000), KINNGAIT (CAPE DORSET)

OWL stone

9.3 x 7.7 x 5.5 in — 23.5 x 19.5 x 14 cm

PROVENANCE: Private Collection, British Columbia

$500 — 700

45

JOHN PANGNARK (1920-1980), ARVIAT (ESKIMO POINT)

RECLINING FIGURE, CA. 1974 stone

2 x 1.5 x 2.4 in — 5 x 3.8 x 6 cm

PROVENANCE: George R. Dinney Collection, Winnipeg, MB By ascent to current Private Collection, British Columbia $1,000 — 1,500

48

LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT)

FAMILY GROUPING stone

1.8 x 4.8 x 1.5 in — 4.6 x 12.2 x 3.8 cm

PROVENANCE: George R. Dinney Collection, Winnipeg, MB By ascent to current Private Collection, British Columbia $300 — 500

47

LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT)

EMERGING FACES, CA.1973 stone

2.8 x 3.5 x 2 in — 7 x 9 x 5 cm

PROVENANCE: George R. Dinney Collection, Winnipeg, MB

By ascent to current Private Collection, British Columbia $300 — 500 50

OOMAGAJUK TIKIVIK (B.1921) FISHERMAN WITH FISH stone signed in syllabics 9 x 5.5 x 10 in — 22.9 x 14 x 25.4 cm

PROVENANCE: George R. Dinney Collection, Winnipeg, MB

By ascent to current Private Collection, British Columbia $400 — 600

49

NATSIVAAR (1919-1962), KINNGAIT (CAPE DORSET)

ANGELS IN THE MOON, 1960 stonecut; signed, titled, dated 1960 and numbered 49/50 24.8 x 18.1 in — 63 x 46 cm

PROVENANCE: Private Collection, British Columbia $3,000 — 4,000

52

KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET)

OWL SPIRIT, 1968 stonecut; signed, titled, dated 1968 and numbered 26/50 sight 22 x 26.8 in — 56 x 68 cm

PROVENANCE: George R. Dinney Collection, Winnipeg, MB By ascent to current Private Collection, British Columbia $2,000 — 3,000

51

KENOJUAK ASHEVAK (1927-2013)

IN TRANSITION, 1999 etching and aquatint signed, titled, dated 1999 and numbered 14/35 sheet 28 x 31 in — 71.1 x 78.7 cm

PROVENANCE: Private Collection, British Columbia $500 — 700 54

KENOJUAK ASHEVAK (1927-2013)

BIRD LANDSCAPE, 1982 lithograph signed, titled, dated 1982 and numbered 46/50 19.5 x 25.25 in — 49.5 x 64.1 cm

PROVENANCE: Private Collection, British Columbia $600 — 900

53

55

PUDLO PUDLAT (1916-1992), KINNGAIT (CAPE DORSET)

WHALE HUNTER’S BOAT, 1987 lithograph; signed, titled, dated 1987 and numbered 29/50, sight sight 19.25 x 26.5 in — 48.9 x 67.3 cm

PROVENANCE: Private Collection, Idaho, USA $300 — 500

56

LOUIE ARNAYUIRNAAQ (B.1968), QAMANI’TUAQ (BAKER LAKE)

FIGURE stone; signed in syllabics 9 x 4.5 x 1.75 in — 22.9 x 11.4 x 4.4 cm

PROVENANCE: Private Collection, British Columbia $200 — 400

ISACCI KOONOO, MITTIMATALIK (POND INLET)

HUNTER CARRYING CARIBOU stone, antler

7 x 9 x 4 in — 17.8 x 22.9 x 10.2 cm

PROVENANCE: Private Collection, British Columbia

$300 — 500

58

UNIDENTIFIED ARTIST, INUKJUAK (PORT HARRISON)

SEATED CARIBOU stone, antler

5.25 x 7 x 3.5 in — 13.3 x 17.8 x 8.9 cm

PROVENANCE: Private Collection, British Columbia

$300 — 500

57

ELI TIKEAYAK (1933-1996), KANGIQLINIQ (RANKIN INLET)

TWO FIGURES

stone ; signed in syllabics

5 x 2 x 1.5 in — 12.7 x 5.1 x 3.8 cm; 5 x 2 x 1.5 in — 12.7 x 5.1 x 3.8 cm

PROVENANCE: Private Collection, British Columbia $100 — 200

60

KAKA ASHOONA (1928-1996), KINNGAIT (CAPE DORSET)

DANCING WALRUS stone, antler; signed in Roman 17.25 x 13.75 x 6 in — 43.8 x 34.9 x 15.2 cm

PROVENANCE: Private Collection, British Columbia $1,000 — 1,500

59

KUPAPIK NINGEOCHEAK (B.1970), SALLIQ (CORAL HARBOUR)

LARGE BIRD TRANSFORMATION, 1999 stone; signed in syllabics

17 x 18 x 5.5 in — 43.2 x 45.7 x 14 cm

PROVENANCE: Private Collection, Idaho, USA

$400 — 500

62

PETER TUNNILLIE (B.1964), KINNGAIT (CAPE DORSET)

FATHER & CHILDREN PLAYING stone on acrylic base 16 x 14 x 7 in — 40.6 x 35.6 x 17.8 cm

PROVENANCE: Private Collection, Idaho, USA

$400 — 600

61

63

KELLYPALIK QIMIRPIK (B. 1948), KINNGAIT (CAPE DORSET)

SPIRIT FACES stone, antler; signed in Roman 15 x 22 x 11.5 in — 94 x 66 x 29.2 cm

PROVENANCE: Private Collection, Idaho, USA $600 — 900

64

ABRAHAM APAKARK ANGHIK (B.1951), PAULATUK

TRANSFORMATION PIECE, 1990 stone, resin, catlinite; signed in Roman and dated 90 5 x 7 x 15 in — 12.7 x 17.8 x 38.1 cm

PROVENANCE: Private Collection, Idaho, USA $500 — 700

EYEETSIAK PETER (1937-2011), KINNGAIT (CAPE DORSET)

DRUM DANCER stone, hide, antler 16.5 x 9 x 4 in — 41.9 x 22.9 x 10.2 cm

PROVENANCE: Private Collection, Idaho, USA $300 — 500

66

JOHN TERRIAK (B.1950), NAIN ARCTIC FOX, 1999 stone; signed in Roman and dated 1999 5 x 3.5 x 10 in — 12.7 x 8.9 x 25.4 cm

PROVENANCE: Private Collection, Idaho, USA $200 — 400

65

67

JOHNNY INUKPUK (1911-2007), INUKJUAK (PORT HARRISON)

MOTHER, CHILD AND DOG stone; signed in syllabics 11.4 x 5.1 x 9.4 in — 29 x 13 x 24 cm

PROVENANCE: Private Collection, British Columbia $500 — 700

68

JOHNNY INUKPUK JR (1930-1984), INUKJUAK (PORT HARRISON) MAN IN AMAUTI stone 13 x 7.9 x 3.9 in — 33 x 20 x 10 cm

PROVENANCE: Private Collection, British Columbia $200 — 400

UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC)

HUNTER AND SEALS stone; indistinctly signed 9 x 7 x 3 in — 22.9 x 17.8 x 7.6 cm

PROVENANCE: Private Collection, British Columbia $200 — 400 70

ELIZABETH

BOB, IKPIARJUK (ARCTIC BAY)

TWO BIRDS stone; signed in Roman 3.5 x 1.6 x 1.4 in — 9 x 4 x 3.5 cm; 1.6 x 1.2 x 3.9 in — 4 x 3 x 10 cm

PROVENANCE: Private Collection, British Columbia $200 — 300

69

DAVID KINGATOOK, TALOYOAK (SPENCE BAY)

STANDING BIRD stone; signed in syllabics

15 x 9 x 5 in — 38.1 x 22.9 x 12.7 cm

PROVENANCE: Private Collection, Idaho, USA $300 — 500

72

UNIDENTIFIED ARTIST

BIRD WITH OUTSTRETCHED WINGS stone

9.5 x 5.5 x 3 in — 24.1 x 14 x 7.6 cm

PROVENANCE: Private Collection, Idaho, USA $200 — 400

71

JONASIE QUARQORTOK FABER (B.1944), GREENLAND

EAGLE, 1999 stone; signed in Roman and dated 1999 9 x 5 x 5.5 in — 22.9 x 12.7 x 14 cm

PROVENANCE: Private Collection, Idaho, USA $300 — 500

74

TEMELA OOPIK (1946-2018) HUNTER CROUCHING OVER PREY stone, antler 6.7 x 13.4 x 17.3 in — 17 x 34 x 44 cm

PROVENANCE: Private Collection, British Columbia $400 — 600

73

75

REBECCA QIYUAKYUK (B.1930), PANNIRTUQ (PANGNIRTUNG)

PREENING BIRD stone

11 x 12 x 3 in — 27.9 x 30.5 x 7.6 cm

PROVENANCE: Private Collection, Idaho, USA $300 — 500

76

UNIDENTIFIED ARTIST

BIRD ON ANTLER BASE antler

30 x 8.5 x 8 in — 76.2 x 21.6 x 20.3 cm

PROVENANCE: Private Collection, Idaho, USA $100 — 200

UNIDENTIFIED ARTIST

THREE FISH antler, stone

4.5 x 10.5 x 2.5 in — 11.4 x 26.7 x 6.4 cm; 6 x 16.6 x 4 in — 15.2 x 42.2 x 10.2 cm; 5 x 12 x 1.5 in — 12.7 x 30.5 x 3.8 cm

PROVENANCE: Private Collection, Idaho, USA

$200 — 300

78

UNIDENTIFIED ARTIST

HUNTER & SEAL antler, sinew

11.5 x 6 x 5 in — 29.2 x 15.2 x 12.7 cm

PROVENANCE: Private Collection, Idaho, USA

$150 — 200

77

UNIDENTIFIED AND DANIEL IQAQRIALU (B,1954), KANGIQTUGAAPIK (CLYDE RIVER)

TWO ANTLER CARVINGS antler

8 x 6.5 x 2.5 in — 20.3 x 16.5 x 6.4 cm; 5 x 4 x 4 in — 12.7 x 10.2 x 10.2 cm

PROVENANCE: Private Collection, Idaho, USA $150 — 200

80

PITALOOSIE SAILA (1942-2021), KINNGAIT (CAPE DORSET)

TALEELAYO, 1974 stonecut; signed, titled, dated 1974 and numbered 35/50, sight 22.5 x 32 in — 57.2 x 81.3 cm

PROVENANCE: Private Collection, British Columbia $200 — 400

79

PUDLO PUDLAT (1916-1992) KAYAK JOURNEY, 1990 stonecut and stencil signed, titled and dated 1990 and numbered 34/50 sight 16 x 29 in — 40.6 x 73.7 cm

PROVENANCE: Private Collection, Idaho, USA

$200 — 400 82

IKAYUKTA TUNNILLIE (1911-1980), KINNGAIT (CAPE DORSET)

BIRDS, 1987 lithograph; signed, titled, dated 1987 and numbered 4/50, framed, sight 14.6 x 18.3 in — 37 x 46.5 cm

PROVENANCE: Private Collection, Idaho, USA

$200 — 400

81

IKAYUKTA TUNNILLIE (1911-1980), KINNGAIT (CAPE DORSET)

TWO WORKS: JULUGAK JUPILAK & JULUGAK, 1978 lithograph; signed, titled, dated 1978 and numbered 4/50 each sheet 3 x 3.7 in — 7.5 x 9.5 cm; each sheet 7.5 x 9.5 in — 19.1 x 24.1 cm

PROVENANCE: Private Collection, Idaho, USA $150 — 250

84

PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET)

CARIBOU AT PLAY, 1980 stonecut and stencil; signed, titled, dated 1980 and numbered 4/50, framed, sight 28.5 x 34.5 x 1.5 in — 54.4 x 69 cm

PROVENANCE: Private Collection, Idaho, USA $200 — 400

83

PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET)

THE EGGS BEGAN TO CRACK, 1981 stonecut and stencil; signed, titled, dated 1981 and numbered 5/50, framed, sight 17.9 x 24.8 x 00 in — 45.5 x 63 cm

PROVENANCE: Private Collection, Idaho, USA

$200 — 400 86

PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET)

SERIOUS GAME, 1966 felt tip drawing; signed in syllabics; titled and dated to gallery label verso 16 x 13.75 in — 40.6 x 34.9 cm

PROVENANCE: George Dinney Collection, Winnipeg MB ??

$400 — 600

85

87

ELIYAKOTA SAMUALIE (1939-1987)

HUMAN/OWL TRANSFORMATION felt tip and pencil on paper; signed in syllabics; unframed 19.9 x 26 in — 50.5 x 66 cm

PROVENANCE: Private Collection, British Columbia $200 — 400

88

PETER PITSEOLAK (1902-1973), KINNGAIT (CAPE DORSET) BAFFIN HAWK stonecut; unframed; signed, titled, dated 1972 and numbered 49/50

PROVENANCE: Private collection, British Columbia $100 — 200

UNIDENTIFIED ARTIST, QAMANI’TUAQ (BAKER LAKE)

INUK AND ARCTIC ANIMALS WALL HANGING

stroud, thread, embroidery floss enclosed in a plexiglass case; signed 28 x 25 in — 71.1 x 63.5 cm

PROVENANCE: Private collection, Idaho $200 — 400

89

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

ALL PRICES IN CANADIAN FUNDS

bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

waddington’s commission rates

Items selling for $7,501 or more 10%

Items selling for $2,501 to $7,500 15%

Items selling for $251 to $2,500 20%

Items selling for $250 or less 25%

*There is a minimum handling charge of $20 per item

canadian art department commission rates

Items selling for $7,501 or more 10%

Items selling for $2,501 to $7,500 15%

Items selling for $2,500 or less 20%

*There is a minimum handling charge of $100 per item

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Buying at Waddington’s
Selling at Waddington’s

1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 20% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:

(a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer;

(b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Conditions of Sale

Waddington’s

275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca

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