Waddington’s West | November 12 - 17, 2022

Waddington’s West NOVEMBER 12 — 17, 2022

Waddington’s West NOVEMBER 12 — 17, 2022

bid and view all lots online at www.waddingtons.ca

specialist Jacqui Dixon jd@waddingtons.ca

on view

778-837-4588

Monday to Friday — 8:30 am to 5:30 pm Or by Appointment

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Lot 37 JUDAS ULLULAQ SHAMAN

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Lot 3 ILLINGWORTH HOLEY KERR, IN THE WINDERMERE - SPRING, RED MOUNTAIN (DETAIL)

preview held at 343 Railway Street, Suite 101 Vancouver, British Columbia V6A 1A4

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Lot 51 NATSIVAAR ANGELS IN THE MOON, 1960

tel: 416-504-9100 toll free: 1-877-504-5700

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Lot 25 TONY HUNT SR. THUNDERBIRD CARVED WOODEN PANEL

This catalogue and its contents © 2022 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.

1 ILLINGWORTH HOLEY KERR (1905-1985) ROUGH DAY NAPILII, MAUI, 1976

watercolour on paper signed lower centre; titled and dated 1976 to label verso 11 x 15 in — 27.9 x 35.6 cm PROVENANCE:

Private Collection, Alberta $800 — 1,200

2 DOROTHY KNOWLES (B.1927) UNTITLED LANDSCAPE, 1976

oil on canvas signed and dated 76 lower right 23.5 x 20.5 in — 59.7 x 52.1 cm PROVENANCE:

Private Collection, Alberta $3,000 — 5,000

3 ILLINGWORTH HOLEY KERR (1905-1989) IN THE WINDERMERE - SPRING, RED MOUNTAIN, 1950-71

oil on canvas signed lower right; signed, titled and dated 1950-71 verso 24 x 30 in — 61 x 76.2 cm PROVENANCE:

Private Collection, Alberta $5,000 — 7,000

4 DOROTHY KNOWLES (B.1927) WINTER’S COMING, 1978

watercolour on paper signed and dated 78 lower right 22 x 30 in — 55.9 x 76.2 cm PROVENANCE:

Private Collection, Alberta $1,500 — 2,500

5 ROBERT GENN (1936-2014) BLUNDEN HARBOUR, 1978

oil on board signed lower right: signed, titled and dated 1978 verso 10 x 12 in — 25.4 x 30.5 cm PROVENANCE:

The Art Emporium, Vancouver, BC Private Collection, British Columbia $1,000 — 1,500

6 RONALD WILLIAM BOLT (1938-2019) SCOTIA TWILIGHT, 1977

colour serigraph signed, dated 77 and numbered A/P; unframed sheet 39 x 29 in — 99.1 x 73.7 cm PROVENANCE:

Private Collection, British Columbia $200 — 300

7 LIONEL LEMOINE FITZGERALD (1890-1956) BACKYARD GARDEN LANDSCAPE, 1947

watercolour; signed, and stamped on the reverse with inventory number 215 sight 23.5 x 17.25 in — 59.7 x 43.8 cm PROVENANCE:

Peter Ohler Fine Arts Private Collection, British Columbia $2,000 — 3,000

8 RONALD LANGLEY BLOORE (1925-2009) UNTITLED

oil on hardboard 24 x 24 in — 61 x 61 cm PROVENANCE:

Private Collection, British Columbia $4,000 — 6,000

9 STANLEY MOREL COSGROVE (1911-2002) SOUS-BOIS

oil on canvas board signed lower right 12 x 16 in — 30.5 x 40.6 cm PROVENANCE:

Private Collection, British Columbia $1,500 — 2,500

10 JAMES HENDERSON (1871-1951) UNTITLED

oil on canvas signed lower right 12 x 18 in — 30.5 x 45.7 cm PROVENANCE:

Private Collection, Oregon, USA $2,000 — 3,000

11 RONALD WILLIAM BOLT (1938-2019) PRE-CAMBRIAN MINIATURE # 11, 1978

oil on board signed and dated 78 lower right; signed and titled verso 12 x 12 in — 30.5 x 30.5 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

12 RONALD WILLIAM BOLT (1938-2019) PRE CAMBRIAN MINIATURE # 14, 1978

oil on board signed and dated 78 lower right; signed and titled verso 12 x 12 in — 30.5 x 30.5 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

13 LUI LIU (B. 1957) MAGIC VS MAGNETIC, 1996

oil on canvas signed and dated 96 lower right 22 x 28 in — 55.9 x 71.1 cm PROVENANCE:

Purchased directly from the artist in 1996 from his studio in Yorkville Village, Toronto; Private Collection, British Columbia $10,000 — 15,000

14 JAMES HENDERSON (1871-1951), CANADIAN QU’APPELLE VALLEY

oil on canvas laid down on board; signed lower right 14 x 12 in — 35.6 x 30.5 cm PROVENANCE:

Private Collection, British Columbia $1,000 — 1,500

15 KATHE KOLLWITZ (1867-1945) SCHLACHTFELD, PLATE 6 FROM THE PORTFOLIO “BAUERNKRIEG”, 1921

etching with drypoint and aquatint on wove paper signed, dated and inscribed “1921 Originaliradieruno von Kathe Kollwitz” image 16.25 x 20.75 in — 41.3 x 52.7 cm PROVENANCE:

Private Collection, British Columbia $200 — 300

16 AFTER ERNST BARLACH (1870-1938), GERMAN DAS WIEDERSEHEN, 1960

patinated bronze over cast plaster; signed on the base E. Barlach and © MPI for “Munson Williams Proctor Institute Utica New York Collection;. a later cast 19.3 x 7.7 x 4.7 in — 49 x 19.5 x 12 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

17 LEO MOL (1915-2009) RECLINING NUDE, 1995

bronze signed, dated 1995 and numbered 5/20 13.2 x 13 x 5.1 in — 33.5 x 33 x 13 cm PROVENANCE:

Private Collection, British Columbia $2,000 — 3,000

18 ANTONIO GREDIAGA KIEFF (B.1936 ) UNTITLED (ABSTRACT FORM)

bronze mounted to wooden base; signed and numbered 1/9 including base 10.5 x 4.75 x 4 in — 26.7 x 12.1 x 10.2 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

19 JOSEPH SLEEP (1914-1978) FLOWERS AND BIRDS

mixed media on rice paper; signed; unframed 41 x 35 in — 104.1 x 88.9 cm PROVENANCE:

Private Collection, British Columbia $100 — 150

20 JOSEPH SLEEP (1914-1978) CAT PORTRAIT WITH FLOWERS, BIRDS AND WHALES, 1978

acrylic on canvas signed and dated 1978 49 x 24 in — 124.5 x 61 cm PROVENANCE:

Private Collection, British Columbia $700` — 1,000

21 NORVAL MORRISSEAU (1931-2007) TWO OWLS

acrylic on paper signed in syllabics 31 ins x 53 ins; 78.7 cms x 134.6 cms PROVENANCE:

Private Collection, British Columbia $15,000 — 25,000

22 NORVAL MORRISSEAU (1931-2007) GABE

acrylic on canvas signed in syllabics lower right 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:

Acquired directly from the artist By descent to current Private Collection, Nanaimo BC $1,500 — 2,000

23 JOE WILSON (B.1966) SUN MASK

red cedar, acrylic paint, wood signed 25.2 vx 32.7 in 64.0 x 83.0 cm

PROVENANCE:

Private Collection, British Columbia $1,000 — 1,500

24 A PAINTED HAIDA BENTWOOD BOX WITH LID CA. 1852

painted on all four sides 26 x 20 x 16.5 in — 66 x 50.8 x 41.9 cm PROVENANCE:

Private Collection, British Columbia $6,000 — 8,000

25 TONY HUNT SR. (1942-2017) THUNDERBIRD CARVED WOODEN PANEL 1974

cedar, acrylic paint signed and dated 1974 41.5 x 24 x 1.25 in — 105.4 x 61 x 3.2 cm PROVENANCE:

Private Collection, British Columbia $5,000 — 7,000

26 A FINE TLINGIT SPRUCE ROOT BASKET, LATE 19TH CENTURY

spruce root 5 x 6 x 5 in — 12.7 x 15.2 x 12.7 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

27 19TH CENTURY HAIDA FEAST BOWL WITH CARVED FROG DESIGN AND SPOON

alder, abalone 4 x 6 x 16 in — 10.2 x 15.2 x 40.6 cm PROVENANCE:

Private Collection, British Columbia $2,500 — 4,500

28 GODFREY HUNT (1917-1987) KILLER WHALE MASK

cedar signed 23.5 x 9.5 x 9 in — 59.7 x 24.1 x 22.9 cm PROVENANCE:

Ann and Bruce Iver Howe Collection, Vancouver, BC $500 — 700

29 ATTRIBUTED TO CHARLES GLADSTONE (1877-1954) MODEL TOTEM CA. 1910

argillite 11 ins x 2.25 ins x 2.25 ins; 27.9 cms x 5.7 cms x 5.7 cms PROVENANCE:

Private Collection, British Columbia $1,500 — 2,000

30 ROBERT CHARLES DAVIDSON (B.1946) FROG PENDANT

silver inscribed RD and numbered 15/16 1.5 x 2 x 2 in — 3.8 x 5.1 x 5.1 cm PROVENANCE:

Private Collection, British Columbia $7,000 — 9,000

31 FLOYD (TYEE) JOSEPH (B.1953), SALISH SPIRIT OF THE LOON

silver; inscribed FJ TYEE, 85, spirit of the loon, Squamish nation 1 x 2.4 in — 2.5 x 6 cm; widest length width 6.3 in — 16 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

32 JAMES (JIM) HART (B.1952) LIFE IN HAND, 1994

acrylic on paper original painting designed for the Vancouver Aquarium fundraiser “Salmonchanted Evening” 18 x 13.25 in — 45.7 x 33.7 cm PROVENANCE:

Private Collection, British Columbia $6,000 — 8,000

33 EARL M. MAGNUSSEN REPLICA OF TRADITIONAL HAIDA PADDLE IN PRESENTATION CASE

cedar, acrylic paint, plexiglass Presented to the Commissioner General, Bruce Howe, of the Canada Pavilion at Expo ‘86.

3.4 ins x 17.5 ins; 8.6 cms x 44.5 cms PROVENANCE:

Private Collection, British Columbia $400 — 600

34 LLOYD WADHAMS (1938-1992), KWAKWAKA’WAKW TWO PAINTED MODEL TOTEMS CA. 1930

wood, acrylic paint; one totem is signed 13.5 x 8.5 x 4 in — 34.3 x 21.6 x 10.2 cm; 12 x 8.5 x 4.25 in — 30.5 x 21.6 x 10.8 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

35 ARTHUR MOODY (1887-1967) AND PAT MCGUIRE (B.1943) TWO ARGILLITE PENDANTS, EAGLE AND FROG, WITH DENTALIUM SHELL AND GLASS BEADS NECKLACES

argillite, dentalium and glass Arthur Moody pendant is signed and inscribed Skidegate, BC width 30 in — 76.2 cm, diameter 2 in — 5.1 cm; width 28 in — 71.1 cm, diameter 1.75 in — 4.4 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

36 UNIDENTIFIED ARTIST BUTTON BLANKET WITH KILLER WHALE DESIGN

felt, acrylic 28 x 32 in — 71.1 x 81.3 cm PROVENANCE:

Private Collection, British Columbia $100 — 125

37 JUDAS ULLULAQ (1937-1999), UQSUQTUUQ (GJOA HAVEN) SHAMAN

stone, antler, leather 15 x 16 x 7 in — 35 x 36 x 30 cm PROVENANCE:

Private Collection, Idaho, USA $7,000 — 10,000

38 LAZAROOSIE KYAK (1919-1976), MITTIMATALIK (POND INLET) MUSK OX

stone, antler; signed in syllabics 4 x 6 x 2.25 in — 10.2 x 15.2 x 5.7 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

39 DAVID IKUTAAQ (1929-1984), QAMANI’TUAQ (BAKER LAKE) STANDING FIGURE

stone; signed in syllabics 8.25 x 8.25 x 5 in — 21 x 21 x 12.7 cm PROVENANCE:

George R. Dinney Collection, British Columbia (formerly Winnipeg, MB) $500 — 700

40 DAVID IKUTAAQ (1929-1984), QAMANI’TUAQ (BAKER LAKE) SEATED FIGURE

stone; signed in syllabics 4.5 x 5.5 x 4.5 in — 11.4 x 14 x 11.4 cm PROVENANCE:

George R. Dinney Collection, Victoria, BC (formerly Winnipeg, MB) $400 — 600

41 DAVIDEE KAVIK (B. 1915) HUNTER AND BEAR

stone, leather signed in syllabics 6.5 x 13 x 3 in — 16.5 x 33 x 7.6 cm PROVENANCE:

George R. Dinney Collection, Winnipeg, MB By descent to the present Private Collection, British Columbia; $400 — 600

42 DAVIDEE KAVIK (B.1915), SANIKILUAQ (BELCHER ISLANDS) HUNTER

stone, antler, hide; signed in syllabics 10 x 3 x 8 in — 25.4 x 7.6 x 20.3 cm PROVENANCE:

Private Collection, British Columbia. $300 — 500

43 DAVID RUBEN PIQTOUKUN (B. 1950), PAULATUK MOTHER & CHILD

stone, catlinite, acrylic base 13 x 8 x 6 in — 33 x 20.3 x 15.2 cm PROVENANCE:

Private Collection, Idaho, USA $800 — 1,200

44 DAVID RUBEN PIQTOUKUN (B. 1950), PAULATUK OLD MAN WITH WALKING STICK, 1993

stone, wood; signed in Roman and dated 1993; figure is not glued to base 14 x 6.5 x 9 in — 35.6 x 16.5 x 22.9 cm PROVENANCE:

Private Collection, Idaho, USA $1,500 — 2,000

45 ELIJAH MICHAEL (1929-2008), KIMMIRUT (LAKE HARBOUR) OWL SPIRIT

stone 20 x 15 x 3 in — 50.8 x 38.1 x 7.6 cm PROVENANCE:

Private Collection, Idaho, USA $400 — 600

46 LATCHOLASSIE AKESUK (1919-2000), KINNGAIT (CAPE DORSET) OWL

stone 9.3 x 7.7 x 5.5 in — 23.5 x 19.5 x 14 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

47 JOHN PANGNARK (1920-1980), ARVIAT (ESKIMO POINT) RECLINING FIGURE, CA. 1974

stone 2 x 1.5 x 2.4 in — 5 x 3.8 x 6 cm PROVENANCE:

George R. Dinney Collection, Winnipeg, MB By ascent to current Private Collection, British Columbia $1,000 — 1,500

48 LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT) FAMILY GROUPING

stone 1.8 x 4.8 x 1.5 in — 4.6 x 12.2 x 3.8 cm PROVENANCE:

George R. Dinney Collection, Winnipeg, MB By ascent to current Private Collection, British Columbia $300 — 500

49 LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT) EMERGING FACES, CA.1973

stone 2.8 x 3.5 x 2 in — 7 x 9 x 5 cm PROVENANCE:

George R. Dinney Collection, Winnipeg, MB By ascent to current Private Collection, British Columbia $300 — 500

50 OOMAGAJUK TIKIVIK (B.1921) FISHERMAN WITH FISH

stone signed in syllabics 9 x 5.5 x 10 in — 22.9 x 14 x 25.4 cm PROVENANCE:

George R. Dinney Collection, Winnipeg, MB By ascent to current Private Collection, British Columbia $400 — 600

51 NATSIVAAR (1919-1962), KINNGAIT (CAPE DORSET) ANGELS IN THE MOON, 1960

stonecut; signed, titled, dated 1960 and numbered 49/50 24.8 x 18.1 in — 63 x 46 cm PROVENANCE:

Private Collection, British Columbia $3,000 — 4,000

52 KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET) OWL SPIRIT, 1968

stonecut; signed, titled, dated 1968 and numbered 26/50 sight 22 x 26.8 in — 56 x 68 cm PROVENANCE:

George R. Dinney Collection, Winnipeg, MB By ascent to current Private Collection, British Columbia $2,000 — 3,000

53 KENOJUAK ASHEVAK (1927-2013) IN TRANSITION, 1999

etching and aquatint signed, titled, dated 1999 and numbered 14/35 sheet 28 x 31 in — 71.1 x 78.7 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

54 KENOJUAK ASHEVAK (1927-2013) BIRD LANDSCAPE, 1982

lithograph signed, titled, dated 1982 and numbered 46/50 19.5 x 25.25 in — 49.5 x 64.1 cm PROVENANCE:

Private Collection, British Columbia $600 — 900

55 PUDLO PUDLAT (1916-1992), KINNGAIT (CAPE DORSET) WHALE HUNTER’S BOAT, 1987

lithograph; signed, titled, dated 1987 and numbered 29/50, sight sight 19.25 x 26.5 in — 48.9 x 67.3 cm PROVENANCE:

Private Collection, Idaho, USA $300 — 500

56 LOUIE ARNAYUIRNAAQ (B.1968), QAMANI’TUAQ (BAKER LAKE) FIGURE

stone; signed in syllabics 9 x 4.5 x 1.75 in — 22.9 x 11.4 x 4.4 cm PROVENANCE:

Private Collection, British Columbia $200 — 400

57 ISACCI KOONOO, MITTIMATALIK (POND INLET) HUNTER CARRYING CARIBOU

stone, antler 7 x 9 x 4 in — 17.8 x 22.9 x 10.2 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

58 UNIDENTIFIED ARTIST, INUKJUAK (PORT HARRISON) SEATED CARIBOU

stone, antler 5.25 x 7 x 3.5 in — 13.3 x 17.8 x 8.9 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

59 ELI TIKEAYAK (1933-1996), KANGIQLINIQ (RANKIN INLET) TWO FIGURES

stone ; signed in syllabics 5 x 2 x 1.5 in — 12.7 x 5.1 x 3.8 cm; 5 x 2 x 1.5 in — 12.7 x 5.1 x 3.8 cm PROVENANCE:

Private Collection, British Columbia $100 — 200

60 KAKA ASHOONA (1928-1996), KINNGAIT (CAPE DORSET) DANCING WALRUS

stone, antler; signed in Roman 17.25 x 13.75 x 6 in — 43.8 x 34.9 x 15.2 cm PROVENANCE:

Private Collection, British Columbia $1,000 — 1,500

61 KUPAPIK NINGEOCHEAK (B.1970), SALLIQ (CORAL HARBOUR) LARGE BIRD TRANSFORMATION, 1999

stone; signed in syllabics 17 x 18 x 5.5 in — 43.2 x 45.7 x 14 cm PROVENANCE:

Private Collection, Idaho, USA $400 — 500

62 PETER TUNNILLIE (B.1964), KINNGAIT (CAPE DORSET) FATHER & CHILDREN PLAYING

stone on acrylic base 16 x 14 x 7 in — 40.6 x 35.6 x 17.8 cm PROVENANCE:

Private Collection, Idaho, USA $400 — 600

63 KELLYPALIK QIMIRPIK (B. 1948), KINNGAIT (CAPE DORSET) SPIRIT FACES

stone, antler; signed in Roman 15 x 22 x 11.5 in — 94 x 66 x 29.2 cm PROVENANCE:

Private Collection, Idaho, USA $600 — 900

64 ABRAHAM APAKARK ANGHIK (B.1951), PAULATUK TRANSFORMATION PIECE, 1990

stone, resin, catlinite; signed in Roman and dated 90 5 x 7 x 15 in — 12.7 x 17.8 x 38.1 cm PROVENANCE:

Private Collection, Idaho, USA $500 — 700

65 EYEETSIAK PETER (1937-2011), KINNGAIT (CAPE DORSET) DRUM DANCER

stone, hide, antler 16.5 x 9 x 4 in — 41.9 x 22.9 x 10.2 cm PROVENANCE:

Private Collection, Idaho, USA $300 — 500

66 JOHN TERRIAK (B.1950), NAIN ARCTIC FOX, 1999

stone; signed in Roman and dated 1999 5 x 3.5 x 10 in — 12.7 x 8.9 x 25.4 cm PROVENANCE:

Private Collection, Idaho, USA $200 — 400

67 JOHNNY INUKPUK (1911-2007), INUKJUAK (PORT HARRISON) MOTHER, CHILD AND DOG

stone; signed in syllabics 11.4 x 5.1 x 9.4 in — 29 x 13 x 24 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

68 JOHNNY INUKPUK JR (1930-1984), INUKJUAK (PORT HARRISON) MAN IN AMAUTI

stone 13 x 7.9 x 3.9 in — 33 x 20 x 10 cm PROVENANCE:

Private Collection, British Columbia $200 — 400

69 UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC) HUNTER AND SEALS

stone; indistinctly signed 9 x 7 x 3 in — 22.9 x 17.8 x 7.6 cm PROVENANCE:

Private Collection, British Columbia $200 — 400

70 ELIZABETH BOB, IKPIARJUK (ARCTIC BAY) TWO BIRDS

stone; signed in Roman 3.5 x 1.6 x 1.4 in — 9 x 4 x 3.5 cm; 1.6 x 1.2 x 3.9 in — 4 x 3 x 10 cm PROVENANCE:

Private Collection, British Columbia $200 — 300

71 DAVID KINGATOOK, TALOYOAK (SPENCE BAY) STANDING BIRD

stone; signed in syllabics 15 x 9 x 5 in — 38.1 x 22.9 x 12.7 cm PROVENANCE:

Private Collection, Idaho, USA $300 — 500

72 UNIDENTIFIED ARTIST BIRD WITH OUTSTRETCHED WINGS

stone 9.5 x 5.5 x 3 in — 24.1 x 14 x 7.6 cm PROVENANCE:

Private Collection, Idaho, USA $200 — 400

73 JONASIE QUARQORTOK FABER (B.1944), GREENLAND EAGLE, 1999

stone; signed in Roman and dated 1999 9 x 5 x 5.5 in — 22.9 x 12.7 x 14 cm PROVENANCE:

Private Collection, Idaho, USA $300 — 500

74 TEMELA OOPIK (1946-2018) HUNTER CROUCHING OVER PREY

stone, antler 6.7 x 13.4 x 17.3 in — 17 x 34 x 44 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

75 REBECCA QIYUAKYUK (B.1930), PANNIRTUQ (PANGNIRTUNG) PREENING BIRD

stone 11 x 12 x 3 in — 27.9 x 30.5 x 7.6 cm PROVENANCE:

Private Collection, Idaho, USA $300 — 500

76 UNIDENTIFIED ARTIST BIRD ON ANTLER BASE

antler 30 x 8.5 x 8 in — 76.2 x 21.6 x 20.3 cm PROVENANCE:

Private Collection, Idaho, USA $100 — 200

77 UNIDENTIFIED ARTIST THREE FISH

antler, stone 4.5 x 10.5 x 2.5 in — 11.4 x 26.7 x 6.4 cm; 6 x 16.6 x 4 in — 15.2 x 42.2 x 10.2 cm; 5 x 12 x 1.5 in — 12.7 x 30.5 x 3.8 cm PROVENANCE:

Private Collection, Idaho, USA $200 — 300

78 UNIDENTIFIED ARTIST HUNTER & SEAL

antler, sinew 11.5 x 6 x 5 in — 29.2 x 15.2 x 12.7 cm PROVENANCE:

Private Collection, Idaho, USA $150 — 200

79 UNIDENTIFIED AND DANIEL IQAQRIALU (B,1954), KANGIQTUGAAPIK (CLYDE RIVER) TWO ANTLER CARVINGS

antler 8 x 6.5 x 2.5 in — 20.3 x 16.5 x 6.4 cm; 5 x 4 x 4 in — 12.7 x 10.2 x 10.2 cm PROVENANCE:

Private Collection, Idaho, USA $150 — 200

80 PITALOOSIE SAILA (1942-2021), KINNGAIT (CAPE DORSET) TALEELAYO, 1974

stonecut; signed, titled, dated 1974 and numbered 35/50, sight 22.5 x 32 in — 57.2 x 81.3 cm PROVENANCE:

Private Collection, British Columbia $200 — 400

81 PUDLO PUDLAT (1916-1992) KAYAK JOURNEY, 1990

stonecut and stencil signed, titled and dated 1990 and numbered 34/50 sight 16 x 29 in — 40.6 x 73.7 cm PROVENANCE:

Private Collection, Idaho, USA $200 — 400

82 IKAYUKTA TUNNILLIE (1911-1980), KINNGAIT (CAPE DORSET) BIRDS, 1987

lithograph; signed, titled, dated 1987 and numbered 4/50, framed, sight 14.6 x 18.3 in — 37 x 46.5 cm PROVENANCE:

Private Collection, Idaho, USA $200 — 400

83 IKAYUKTA TUNNILLIE (1911-1980), KINNGAIT (CAPE DORSET) TWO WORKS: JULUGAK JUPILAK & JULUGAK, 1978

lithograph; signed, titled, dated 1978 and numbered 4/50 each sheet 3 x 3.7 in — 7.5 x 9.5 cm; each sheet 7.5 x 9.5 in — 19.1 x 24.1 cm PROVENANCE:

Private Collection, Idaho, USA $150 — 250

84 PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET) CARIBOU AT PLAY, 1980

stonecut and stencil; signed, titled, dated 1980 and numbered 4/50, framed, sight 28.5 x 34.5 x 1.5 in — 54.4 x 69 cm PROVENANCE:

Private Collection, Idaho, USA $200 — 400

85 PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET) THE EGGS BEGAN TO CRACK, 1981

stonecut and stencil; signed, titled, dated 1981 and numbered 5/50, framed, sight 17.9 x 24.8 x 00 in — 45.5 x 63 cm PROVENANCE:

Private Collection, Idaho, USA $200 — 400

86 PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET) SERIOUS GAME, 1966

felt tip drawing; signed in syllabics; titled and dated to gallery label verso 16 x 13.75 in — 40.6 x 34.9 cm PROVENANCE:

George Dinney Collection, Winnipeg MB ?? $400 — 600

87 ELIYAKOTA SAMUALIE (1939-1987) HUMAN/OWL TRANSFORMATION

felt tip and pencil on paper; signed in syllabics; unframed 19.9 x 26 in — 50.5 x 66 cm PROVENANCE:

Private Collection, British Columbia $200 — 400

88 PETER PITSEOLAK (1902-1973), KINNGAIT (CAPE DORSET) BAFFIN HAWK

stonecut; unframed; signed, titled, dated 1972 and numbered 49/50 PROVENANCE:

Private collection, British Columbia $100 — 200

89 UNIDENTIFIED ARTIST, QAMANI’TUAQ (BAKER LAKE) INUK AND ARCTIC ANIMALS WALL HANGING

stroud, thread, embroidery floss enclosed in a plexiglass case; signed 28 x 25 in — 71.1 x 63.5 cm PROVENANCE:

Private collection, Idaho $200 — 400

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot.

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payment

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The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $100 per item

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca).

For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others.

Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

2. Each lot sold is subject to a 20% buyers premium as part of the purchase price.

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000).

13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca