VIM Spring 2025

KEEKKINIS.COM @KEEKKINIS

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COLLECTIVE B R O O K E B E H AY L O AVA H U G H E S S O P H I E S PA R K M A N LILIA CHUNG RYLEE DENICOLO JACIE WALDEN DQ WILSON ELLA COUTURE SAMANTHA SANTOLIQUIDO MEGAN COLE AVA D E A N TA N I S H A N A N I S E T T Y E N N A LY S E F R E T Z MADI LUCIDO DANIELLE OKEKE FATO U D I E N G BRENNAN PETRUCCI FAT I M A F E R N A N D E Z S A R A H S O C H AY L A U R E N P R E B AY M A K AY L A R I C E BELLA BABCOCK CLAIRE ERB

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EDITORS-IN-CHIEF:

LIV CEITHAML & BRANDON ROBERTS

ASSISTANT TO THE EDITORS: GRACE OLUWOLE

ART DIRECTORS: Sabrina Seldon & Evelyn Diamond ASSISTANT ART DIRECTOR: Nia Kalinovic Art Team: Jill Moreno, Marissa Malleck, Morgan Tschetter, Zachary Balcoff, Ava Isham, Harrison Sanders, Courtney Cohen Stephanie Monk, Lily Schwalm, Kalyn McNamara, Julianna Chan, Emily Banks ADVERTISING DIRECTORS: Emily Cassetti & Abby O’Connor ASSISTANT ADVERTISING DIRECTOR: Haley Burton Advertising Team: Grace Wagner, Chiara Palomera-Perez Amelia Lally, Leilah Sutton, Samantha Woodell, Jessica Burau ALUMNI RELATIONS DIRECTORS: Sophie Nunez & Riley Stebbins Alumni Relations Team: Jessica Clauser, Grace Obrochta, Sofia Camacho BLOG & PODCAST DIRECTORS: Gia Economopoulos & Zoe Komar ASSISTANT PODCAST DIRECTOR: Ella Normandin Blog & Podcast Team: Maria Wegryzn, Gabriela Swenson BOARD OF DIVERSITY, EQUITY & INCLUSION DIRECTORS: Autumn Cottrell & Paris Carter DEI Team: Avonleigh Blenkhorn, Chloe Lee, Laasya Koduri, Ann Mwanda, Veda Chandrasekar, Tabarak Alqaizy CREATIVE DIRECTORS: Kate Blaszkiewicz & Vanessa Yousif ASSISTANT CREATIVE DIRECTORS: Audrey McNeely, Katie Mulhearn CREATIVE BEAUTY DIRECTORS: Emily Burke, Evan Yalowitz ASSISTANT CREATIVE BEAUTY DIRECTOR: Alison Baumgartner Creative Beauty Team: Lauren Davis, Analise Krawczuk, Camila Alessandra Bello Castro, Sanjida Ahmed Yejin Moon, Alexis Fleming, Ugochi Ike, Kristina Andresen COPY EDITING DIRECTORS: Maddi Bist & Bella Short Copy Editing Team: Cleo Vollstedt, Georgia Hill, Katelyn Holsten, Helena Najar, Ashley Park, Hannah Veale, Claire Donohoe EVENTS DIRECTOR: Riley Lingerfelt & Megan Malinowski Events Team: Allysa Feldpausch, Abigail Worley Nanthana Chenthil, Navya Abraham FASHION DIRECTORS: Lily Stroup, Celeste Roberts & Halina Newland ASSISTANT FASHION DIRECTORS: Ella Chamberlain, Genevieve Orlewicz Fashion Team: Ava Fawcett, Danielle Okeke, Holly VandenBussche Shelby Salame, Jacie Rish, Hayden Starr, Olivia Selcanin FASHION RELATIONS DIRECTORS: Zoe Jansen, Josie Deveau ASSISTANT FASHION RELATIONS DIRECTOR: Amina Dubois, Anna Milnes, Jillian Whitley Fashion Relations Team: Renata Babajan, Lizzy Boulad, Hajra Ahmad, Evelyn Short, Amina Dubois, Mariana Teeple, Martyna Krajewska

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FILM DIRECTORS: Antonio Dimovski & Parker Beavens ASSISTANT FILM DIRECTORS: Evie Ansari & Abby Nellis Film Team: Ever Pratt-Hart, Ellen Latysh, Tony Cox, Anisa Devolli FINANCE DIRECTORS: Sofia Mukhtar & Denise Grigorov ASSISTANT FINANCE DIRECTOR: Abby Drueke, Elise LaCour Finance Team: Sydney DerKevorkian, Sydney Olejnik, Scarlett Savage Namyaa Khanna, Chloe Klimp

GRAPHIC DESIGN DIRECTOR: Margaret Gauss ASSISTANT GRAPHIC DESIGN DIRECTORS: Lyle Hoffman, Gabrielle Blau Graphic Design Team: Ava Hughes, Emily Bruebach HEALTH & BEAUTY DIRECTORS: Lane Pruban & Peggy Smith ASSISTANT HEALTH & BEAUTY DIRECTOR: Victoria Klimowski Health & Beauty Team: Hajer Alsalman, Laura Stephan, Reza Gupta Emma Stuckey, Gabby Smith, Isabella Kramer, Grace Kimball, Nadia Bednar, Emma Bowman, Madison Lucido LIFESTYLE DIRECTORS: Caesar Roundtree & Gracie Sink ASSISTANT LIFESTYLE DIRECTOR: Ashley Grifka Lifestyle Team: Grace Dejong, Sarah Flemming, Meghan Valde, Sophie Sparkman, Ashlyn Gordy, Jayda Groth, Saniah Pringle

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MARKETING DIRECTORS: Allie Thomas & Lea Tsalis ASSISTANT MARKETING DIRECTOR: Destany Yang, Daryl Mccausey, Grace Hensley Marketing Team: Ananya Jagota, Jacie Walden, Makayla Rice, Enna Fretz

PHOTOGRAPHY DIRECTORS: Amanda Lada & Megan Rabaut ASSISTANT PHOTOGRAPHY DIRECTORS: Alexis Schmidt, Sofia Pate Photography Team: Maya Kolton, Brianna Schmidt, Dylan Heinen Katya Sabo Bocik, Megan Basile, Natalie Vezina, Olivia Gamelin Aastha Singh, Shahad Almoayyad, Dakota Hendren PUBLIC RELATIONS DIRECTORS: Olivia Thaler & Amanda Vogel ASSISTANT PUBLIC RELATIONS DIRECTORS: Emma Keane Public Relations Team: Laxmi Cspur, Kaylie Johnson, Clare Miller, Bella Vaughan, Adrianna Orlando, Izzy Kang, Brooke Tyszkiewicz, Sophia Jundy STUDENT RELATIONS DIRECTORS: Lucy Stoy & Alaina Nofar Student Relations Team: Joanna Jepson, Kate Vang, Olivia Gilcher Darien McEnroe, Sofia Leone, Rylee Denicolo

SOCIAL MEDIA DIRECTORS: Amelia Zeitlin & Reghan Scharlach Social Media Team: Kaitlin Martin, Ashley Lam, Sasha Lieberman, Milonee Darjee, Grace Preslock, Rachel Sprowles, Teny Topouzian, Adriana Ferrarotti, Abigail Hurst, Grace Hallet, Catherine Keller, Rachel Smilanic UX DIRECTORS: Jenna Salhab & Neha Gurung UX Team: Abigail Berlin, Avery Kuehl, Rosa Loeschner FOUNDERS: Kerry Chereskin, Lauren Christopherson & Julie Christopherson

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CREATIVE

PLAYING GAMES 74 UNIDENTIFIED ENTITIES 24

HEALTH & BEAUTY

YOU’RE GOING TO WANT TO SIT DOWN FOR THIS 16 UNDER THE WEATHER 62 THROUGH THE KALEIDOSCOPE 48 PHOBIA 12

FASHION

CARCASS 20 THE STYLE EXPERIMENT 28 TWIGGY 18 ALL BUTTONED UP 72 LAUNDRY DAY 8

04 05 06 07 CREATIVE BEAUTY

INVERSION 70 AFTER THE AFTER PARTY 60

LIFESTYLE

UNMATCHED & UNFORGETTABLE 52 PAGEANT QUEENS 56 FUNDAMENTALS 65 THE RISK OF FORGIVENESS 34

GRAPHICS & ART

GIANTS IN THE SKY 68 PLANET VIM 32 MEET THE DIRECTORS 78

DIVERSITY, EQUITY AND INCLUSION LUNAR NEW YEAR 40

PHOTO

INTO THE SHADOWS 54 5

Letter From The Editors

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Spring ‘25 The Spring 2025 edition of VIM is a lasting love letter from us to MSU. With both of us being a part of this completely student-led publication for all four years, this is a bittersweet goodbye. Our hard-working team creates two magazines every year, consisting of fashion, beauty, and lifestyle stories available to students free of charge. VIM is a safe and inclusive space where all members have the opportunity to explore and develop their creative and professional desires.

This semester’s magazine, once again, marks a few new accomplishments. Our art team has their first-ever spread in the magazine, “Planet VIM.” Our Alumni Relations team collaborated with our UX team to create an Alumni database (password protected) built into our website to further VIM’s reach post-graduation. With the Alumni database, we hope to give current VIM members greater opportunity to connect with past members.

At our biweekly meetings, we spoke to many industry professionals across the fashion, beauty and lifestyle fields. We learned about the ins and outs of influencing, entrepreneurship, celebrity event planning, the Cartier luxury business and the esteemed Condé Nast.

As our last semester as VIM’s Editors-In-Chief comes to an end, we want to thank all of our hard-working and dedicated directors, team members and collective members. More specifically, we want to highlight our seniors, who have contributed so deeply to this organization in their time at MSU. We are incredibly proud of the work that everyone has contributed this school year.

Signing off one last time,

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Style: Ella Chamberlain, Shelby Salame Glam: Ali Baumgartner, Kristina Andersen Photo: Dylan Heinen, Amanda Lada Models: Kate Hazen, Da’Veeda Fitih-Turner Writer: Genevieve Orlewicz Spread Designer: Julianna Chan 8

Fashion seemingly has rules about which colors, fabrics and patterns match or clash, but these rules are often broken when laundry day comes around. Understanding the importance of laundry day is essential when learning how to create new outfits without purchasing more clothes. So play around and mix and match pieces. If it can mix in the wash, why not in the wardrobe?

As household appliance prices reach staggering heights, many struggle to maintain proper clothing hygiene. But do not stress; if putting together an outfit on laundry day is feasible, washing those clothes is, too. Laundromats have become a community cornerstone and a staple for many, providing a convenient and affordable clothing-care solution to those without in-home laundry appliances.

Beyond washing and drying, many laundromats have turned their dials, offering dry cleaning, ironing options and other amenities.

These facilities remain vital, ensuring that economic circumstances do not dictate clothing hygiene.

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These community staples cater to sustainable practices, too. For example, implementing energy-efficient machines, water-saving techniques and eco-friendly detergents helps to combat the harm laundry practices have on the planet.

Consider fast fashion, a notorious clothing production form that moves more rapidly than a laundry machine’s fastest spin cycle. From textile dye and garment microplastics seeping into the oceans to millions of pounds in garment waste each year, it is time to hop off the fast-fashion bandwagon and think twice before buying. Investing in long-lasting, durable and better-quality clothing is made possible by having the ability to care for clothing properly.

Just as laundromats accommodate a wide range of clothing, the increased accessibility has turned peoples’ concerns from “how to wash clothing” to “what to wear,” promoting inclusivity in the fashion world. Additionally, increased exposure to other styles at these centers of inspiration leads to finer curations of personal styles. With fashion being a popular form of self-expression and integral to identity, better care for clothing means better care for oneself.

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Laundromats spin the cycle of fashion, proving it knows no bounds. Laundromats are not just facilities to wash clothes.

They are places where affordability, sustainability, community and self-expression all spin harmoniously. The so-called ‘clash’ is nothing more than the bebop-esque rhythm of the buttons on blouses and the zippers on jeans tapping against the washing machines. So learn about clothes and the possibilities they offer next laundry day!

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VIM PICTURES PRESENTS...

Style: Lane Pruban Glam: Emily Burke, Ali Baumgartner Photo: Sofia Pate, Megan Basile

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Clowns. Spiders. Loud noises. Phobias are Clowns.

Spiders.

Loudhold noises.

Phobias are an extreme fear that little or no actual an extreme fear that hold little or no actual danger. These fears can develop for a variety of danger. fears can develop a variety of reasons;These such as genetics, bad orfor uncomfortable reasons; such as genetics, bad or uncomfortable experiences or learned behaviors. Turbulence experiences or learned behaviors.

Turbulence on a plane, getting stuck in an elevator, or a bug on a plane, getting stuck in an elevator, or a lead bug crawling on your hand –– any of these could crawling on your hand –– any of these could lead to the development of a phobia. to the development of a phobia.

These irrational fears can be harmless and These irrational fears can be and funny, such as anatidaephobia: theharmless fear of a duck funny, such as anatidaephobia: the fear of a duck watching you, or nomophobia: the fear of not watching you, or nomophobia: themore fear intense of not having your phone.

Others can be having your phone.

Others can be more intense like claustrophobia: the fear of being in a small like claustrophobia: the fear being in a small space, and hypochondria: theoffear of being sick. space, and hypochondria: the fear of being These can lead to stress-inducing physical sick. and These lead to stress-inducing physical mental can systems ranging from panic attacksand to mental systems to breakdowns.

You ranging might notfrom evenpanic realizeattacks you have breakdowns. mightit not even realize youof have a phobia andYou mistake as normalcy.

Some the amost phobia and mistake it as normalcy.

Some of the common phobias are… most common phobias are…

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Entomophobia:

the fear of insects. Individuals with this phobia may scream, hide or even run away when spotting a bug. This fear can be broken down into other specified phobias, for example, arachnophobia: the fear of spiders.

Trypophobia:

an intense distress of repetitive tiny holes.

Some example triggers can be honeycombs, sponges and strawberries.

Phonophobia:

the fear of loud noises. Other phobias associated with this fear are misophonia, chewing or breathing leading to panic or annoyance, and hyperacusis, where sounds feel heightened.

With new phobias being discovered and diagnosed, it seems individuals have to work harder to fight their fears. Therapy or gradual exposure works best when overcoming a phobia. If you have a fear of elevators, try taking it once a day, then two, then three.

Slowly but surely your phobia could slowly dissipate. Another way to combat a phobia is by building relaxation skills and mindsets.

This can be done through physical activity like yoga, going on walks or working out.

We are all human, and phobias are just a part of what makes us unique. With time and patience, we can work to overcome these intense (and sometimes ridiculous sounding) phobias. So, the next time you are on a plane, sitting in the dark or standing next to a clown, remember you’re not alone — and your fears might be more common than you think.

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Models: Yazan Zalmout, Tiffany Feher Writer: Lane Pruban Spread Designer: Julianna Chan

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Style: Lane Pruban Glam: Yejin Moon, Alexis Fleming Photo: Sofia Pate, Dakota Hendren Models: Gage Pruban Writer: Lane Pruban Spread Designer: Sabrina Seldon

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Take a seat. Now, feel the present moment. When someone cares deeply about another, tension builds within the body when delivering news. Humans fear the unknown, especially when the outcome is uncontrollable. No one wants to be the bearer of bad news, but even when delivering good news, a strange feeling lingers in the mind that can often bring anxiety to any situation.

Anxiety and anxious excitement are two very different things, but they can both be very impactful. Whether enthusiasm or anticipation for an awkward conversation are at play, they add an imaginary weight to one’s mentality. As a stressful situation arises, the body goes into a fight or flight mode,causing the muscles to tighten and lock up—this

is called muscle tension.Common areas where this tension might manifest are the shoulders, neck and back. All of this can happen in seconds without one even realizing it.

There are numerous ways

to combat this type of stress. One of the most common ways is using relaxation methods like deep breathing, closing the eyes, rolling the shoulders or thinking of a safe place. Another remedy can be physical activity, preferably outside, to breathe fresh air and clear the mind. Another effective strategy is taking a step back. Understanding that not everything is controllable is key when combating muscle tension.

Access the situation, and keep in mind that anxiety is not the end of the world.

Knowing when to step away and care for oneself is key to avoiding stress within the body. With practice and support from these tools, stress can be processed even while standing—no need to sit down to manage it.

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A Twist

on Twiggy

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ig ig jewelry, jewelry, and and even even bigger bigger eyeliner.

Just two eyeliner. Just two ingredients ingredients in in the the recipe recipe that that helped helped shape shape the iconic look Twiggy trademarked the iconic look Twiggy trademarked for for herself. herself. Often Often sporting sporting colorful colorful tights, tights, alluring makeup makeup and and A-line A-line dresses, dresses, alluring her style style was was in in stark stark contrast contrast with with her the modest fashion seen in major the modest fashion seen in major department department stores stores during during the the mid-60s. mid-60s.

In an era of beehive-esque In an era of beehive-esque hair hair set set with with pounds of hairspray, Twiggy’s pounds of hairspray, Twiggy’s short, short, sleek sleek cut cut was was cause cause for for controversy. controversy.

Where was her voluminous Where was her voluminous hair, hair, her her rosy cheeks?

Where were the rosy cheeks? Where were the kneekneelength length skirts skirts and and sensible sensible shoes? shoes? What What was she thinking? As her large blue

eyes eyes began began to to paint paint the the pages pages of of more more and more magazine spreads, one and more magazine spreads, one thing thing became became apparent: apparent: It It was was no no longer longer necessary necessary to to conform conform to to a a period’s period’s strict standards of femininity strict standards of femininity to to be be seen seen as desirable desirable or or attractive. attractive. A A cultural cultural as shift began began in in full full swing. swing. shift Gone Gone were were the the days days of of shapewear, shapewear, padding and tight waistlines. padding and tight waistlines. Even Even the the most perfectly manufactured hourglass most perfectly manufactured hourglass figure figure could could not not compare compare to to the the ‘wow ‘wow factor’ that a bit of authenticity factor’ that a bit of authenticity inspired. inspired.

In In future future years, years, fashion fashion and and beauty beauty standards standards alike alike would would begin begin to to replicate replicate this belief in rapid succession. Bolder

designs, designs, brighter brighter patterns, patterns, eye-catching eye-catching hairstyles and eclectic hairstyles and eclectic makeup makeup choices choices all all took took their their turn turn being being favored favored by by the the public eye, with many everyday people public eye, with many everyday people becoming becoming increasingly increasingly comfortable comfortable expressing themselves themselves while while going going expressing through their their day-to-day day-to-day activities. activities. through Fashion Fashion is is a a revolving revolving door door of of artists, artists, each determined to make their each determined to make their mark mark on on the the industry. industry. Some Some thrive, thrive, others others come come close, close, and and many many never never do. do. Twiggy Twiggy is is a a success story for the ages.

Not solely success story for the ages. Not solely because because of of her her appearance appearance but but due due to to her pure originality. her pure originality.

Direction: Genevieve Orlewicz Style: Ava Fawcett Glam: Ali Baumgartner, Kristina Andresen, Lauren Davis Photo: Dakota Hendren, Olivia Gamelin

Models: Lauren Davis, Evelyn Ansari, Olivia Phillips Writer: Halina Newland Spread Designer: Emily Banks

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Tcenturies and evolves with time. The process varies lines intertwined with muscles. Thom Brown’s Anatomy he history of fashion and garment construction spans

focus on elements from the skeletal bone structure to vein

through periods, but as trends change, one thing stays the same: the purpose of dressing the body. The body takes on the role of performance, and elements of dress shine.

Clothing is designed to conceal, cradle or accentuate the body. Designers make intentional choices to highlight the desired sections of the body they see fit to convey their message. They choose ways to incorporate boning, underwire, hoop skirts, waist cinchers and darts to conceal or reveal parts of the body.

Gown utilized one half of the dress to show off the intricate pattern created by the body’s deep red muscles and blue veins. Numerous designers, including Roberto Cavalli’s 2000 collection dress worn by Zendaya, utilize a version of a metal spine paired with a backless silhouette. Similarly, Schiaparelli’s 2021-22 couture black gown worn by Bella Hadid featured a revealing ‘U’ neckline with a gold-dipped metal necklace resembling the lungs’ bronchi passageway.

Furthermore, Robert Wun created an extraordinary interpretation of the four layers of the human body separated into the skin, the flesh, the bones and the soul.

Originating in the 16th century, corsets passed beyond the function of a traditional undergarment as it transformed the body to resemble an hourglass figure. Later, due to the demands of WWI, the use of metal in corsets was no longer a priority, giving the world the underwire brassiere. The modern world tends to focus more on exposing the beauty of the body with cutouts and plunging necklines. It rarely relies on the excessive layers of highly structured and restricting garments, including stiff petticoats and corsets.

The fascinating and intense nature of the human body has been a source of numerous designers’ inspiration. Artists

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Recurring themes of metal integrated with fabric and structured garments showcasing the desired shapes of the body have followed numerous designers over the years. Designers’ ability to pursue their unique vision of a familiar yet astonishing form, the human body, is an inspiring yet typically underappreciated quality. Undeniably, the elaborate human anatomy continues to inspire how fashion designers create garments for the outermost layer of the human body.

Style: Lily Stroup, Danielle Okeke Glam: Ugochi Ike, Evan Yalowitz Photo: Shahad Almoayyad, Megan Rabaut Models: Dublyn Bottom, Andrew Mamo Writer: Hayden Starr Spread Designer: Lily Schwalm, Stephanie Monk Direction: Lily Stroup

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ANDREW MAMO • ASHLYN GORDY • MANUSHREE GANTA DIRECTED BY VANESSA YOUSIF • PHOTOGRAPHY BY ALEXIS SCHMIDT AND MEGAN RABAUT

GLAMOUR BY CAMILA BELLO CASTRO , EMILY BURKE , AND SANJIDA AHMED • SPREAD DESIGN BY JILLIAN MORENO

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THE STYLE EXPERIMENT Fashion has long been a medium for self-expression, but it is an ever-evolving experiment at its core. Experimental dressing pushes the boundaries of style, allowing individuals to challenge traditional norms, mix unexpected elements, and explore their identities through clothing. Whether layering unconventional textures, embracing avant-garde silhouettes or repurposing vintage pieces in modern ways, fashion is a creative playground where personal style is constantly in flux.

Historically, rigid societal expectations often dictated fashion, with clear distinctions between what was consid-

ered appropriate for different genders, classes and occasions. However, as cultural movements have challenged these norms, style has become more fluid and expressive. The 20th century saw rebellious shifts, from the flapper dresses of the 1920s to the punk rock aesthetics of the 1970s, each era redefining what fashion could be. Today, the boundaries of style continue to expand, proving that fashion is not just about following trends but about breaking the rules and reimagining self-expression.

and spontaneous. Some individuals carefully curate their outfits to make bold statements, while others stumble upon unique combinations by chance.

The rise of social media and street style culture has only amplified this phenomenon, showcasing how fashion is not confined to the runway; it thrives in everyday life. Trends emerge from trial and error, subcultures blending aesthetics and individuals daring to be different.

The beauty of experimental dressing lies in its ability to be both intentional

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Direction: Celeste Roberts Style: Celeste Roberts Glam: Evan Yalowitz, Emily Burke, Ali Baumgartner Photo: Megan Rabaut, Maya Kolton Models: Jessica Zhang Writer: Elinor Duck, Olivia Selcanin Spread Designer: Courtney Cohen

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At Michigan State University, students experiment with style every day, showcasing individuality in fresh and bold ways. Students on campus often defy past standards by rocking groundbreaking outfits such as monochromatic sweat sets and legging combos that curate a striking look.

Students are not afraid to reclaim styles that were once considered a fashion misstep, such as denim on denim. Students are embracing these looks and pulling them off with style. Fashion has evolved into a hotspot of experimentation, with many different prints and designs getting thrown into the mix. Conventional rules are no longer considered to be set in stone, as bending them is commonplace in the current era.

Unlike in the past, when defying societal norms through fashion was often frowned upon, today’s students are celebrated for doing just that. Bright colors, edgy patterns and dark makeup are embraced as ways to express mood and identity.

Students mix and match trends from previous decades, like 70s-style bell bottoms or vintage graphic tees, even if they do not align with today’s “trends.”

Experimenting with fashion goes beyond appearance; it is a journey of self-discovery, helping students find and express true identities.

The freedom to explore different styles without fear of judgment creates an environment where creativity is bound to thrive.

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orgiveness is a complex act that transcends its simple definition. MerriamWebster defines forgiving as a verb meaning “to cease to feel resentment,” but this definition overlooks the complexity of the emotional processes involved in letting go of resentment toward someone who has caused harm. The need to forgive can arise from various situations — a friend speaking negatively behind closed doors, a partner’s betrayal of boundaries or trust or a family member keeping a secret. When these actions come to light, justifications or apologies are made, leading to a difficult choice between forgiving, forgetting or holding onto the pain. Forgiveness brings buried thoughts to the surface, often leading to an individual’s maladaptive selfinterrogation. Does forgiving make them weak? Are they compromising standards and boundaries? And the ultimate concern — will the person

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they forgive cause harm again?

Amid the agony, sleepless nights and moments of deep reflection, the focus shifts to the evaluation of relationships themselves. Has the relationship always been toxic? Is forgiveness even necessary if it has only brought on negativity? Or is this a relationship worth salvaging because, despite the hurt, it’s been a steady source of joy many times prior? Forgiveness can be difficult, sometimes scary, because the possibility of being wronged again will always exist. That is the risk in forgiveness — it opens the door for healing or hurting (and sometimes both). Throughout this journey, powerful realizations arise. Maybe forgiveness is not for the perpetrator at all, but for the alleviation of the heavy burden that is resentment.

Consider life as a series of decisions about what to hold onto and what to release. In the end, hoarding the pain and anger caused by someone else’s actions only causes more

harm, disrupting the potential for inner peace. Forgiveness is not a one-size-fits-all process — its meaning and necessity vary from case to case. Sometimes it doesn’t need to be offered at all. Sometimes the pain caused by someone’s actions, betrayal or disrespect cuts so deep that forgiveness is simply unwarranted. And that’s okay.

Forgiveness is often misunderstood as reconciliation, but in reality doesn’t require love, hate or any lingering emotions at all. True forgiveness can manifest as indifference — the ability to let go of the emotional weight while recognizing that an individual no longer has the right to occupy space in the heart or mind.

It’s not about excusing behavior or welcoming them back; it’s about relieving the pain caused by their actions and choosing to move forward on terms that strengthen and serve life or goals beyond the hurt of the situation.

Style: Caesar Roundtree Glam: Kristina Andresen Photo: Megan Basile, Dylan Heinen Models: Adena Marie Norwood Writer: Caesar Roundtree Spread Designer: Ava Isham

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B BEHIND EHIND

THE THE SEAMS SEAMS

VIM VIM

2025 2025 FASHION FASHION SHOW SHOW

Glam: Glam:Evan EvanYalowitz, Yalowitz,Emily EmilyBurke, Burke,AliAli Baumgartner, Baumgartner,Lauren LaurenDavis, Davis,Analise Analise Krawczuk, Krawczuk,Camila CamilaBello BelloCastro, Castro,Sanjida Sanjida Ahmed, Ahmed,Alexis AlexisFleming, Fleming,Ugochi UgochiIke, Ike,Kristina Kristina Andresen, Andresen,Ateeyah AteeyahAbdul-Wasi Abdul-Wasi Photo: Photo:Dakota DakotaHendren, Hendren,Brianna BriannaSchmidt, Schmidt, Sofia SofiaPate, Pate,Alexis AlexisSchmidt, Schmidt,Maya MayaKolton, Kolton, Megan MeganBasile, Basile,Katya KatyaSabo SaboBocik Bocik Writers: Writers:Josie JosieDeveau, Deveau,Zoe ZoeJansen Jansen Spread SpreadDesigner: Designer:Zachary ZacharyBalcoff Balcoff

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A AMODEL MODELSTRUTS STRUTSdown downthe therunway runwaywearing wearing

aaparty partydress dresswith withaabubble bubblehem, hem,keyhole keyholeneckline, neckline, low low waist waist and and iridescent iridescent feathers feathers designed designed by by Tristian TristianLaney, Laney,made madefrom fromsecond-hand second-handdenim denimand and floral floralpatterned patternedknit. knit.Next Nextcomes comesaamodel modelwearing wearing aablue blueball ballgown gownlayered layeredwith withtulle tulleininshades shadesofof blue, blue,purple purpleand andsilver, silver,designed designedby byZoe ZoeJansen, Jansen, inspired inspiredby bythe theimportant importantwomen womenininher herlife. life.Then, Then, aa hooded, hooded, pillow-like pillow-like dress dress with with lace lace detailing detailing resembling resemblingthe thelook lookofofaasheet sheetdesigned designedby byLiv Liv Ceithaml, Ceithaml,inspired inspiredby by“Alice “AliceininWonderland” Wonderland”and and “Fancy “FancyNancy,” Nancy,”her herfavorite favoritechildhood childhoodbooks. books.

LLIGHTS IGHTSFLICKER FLICKERthroughout throughoutthe theaudience, audience, the thesmell smellofofhairspray hairsprayfilling fillingthe theair, air,and andbooming booming music musicechoing echoingthrough throughthe thestage stagedoors doorsisiswhat what the theannual annualVIM VIMFashion FashionShow Showisisallallabout. about.Year Year after afteryear, year,VIM VIMcreates createsan anopportunity opportunityfor forstudents students toto showcase showcase their their designs designs and and catwalks; catwalks; this this year, year,they theyare arebreaking breakingallallthe therules. rules.“Behind “Behindthe the Seams” Seams”gives givesaafresh freshlook lookinto intothe theperspective perspective ofofthe thedesigners, designers,giving givingthem themaanew newopportunity opportunity totobe becreative creativeand andpresent presentlooks looksthat thatreflect reflecttheir their style. style.Behind Behindthe thecurtain, curtain,aateam teamofof10 10people people rush rushthrough throughthe thehalls, halls,putting puttingtogether togetherthe thelast last pieces piecesbefore beforethe theshow showbegins. begins.

TTHE HEFASHION FASHIONRELATIONS RELATIONSteam teamhas hasbeen been working workingallallyear yearfor forthis thisevent, event,and andnow nowititisistime timetoto put putititallalltogether. together.While Whilecreative creativebeauty beautyisiscoming coming up upwith withhair hairand andmake-up make-uplooks lookson onthe thespot spottoto match matchthe themodel’s model’soutfits, outfits,from from10 10a.m. a.m.toto66p.m., p.m., the the dressing dressing room room isis chaotic chaotic with with high high energy. energy.

Team Teammembers memberspass passaround aroundcurling curlingirons, irons,hair hairgel gel and andeye eyeshadow. shadow.

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ACH ACHMODELS MODELSUNIQUE UNIQUEfeatures featuresemphasize emphasize the thedifferent differentdesigns designsthey theydon donwhile whilestrutting struttingdown downthe therunway. runway.

While WhileVIM VIMisisthe thefashion, fashion,beauty beautyand andlifestyle lifestylepublication publicationatat Michigan MichiganState StateUniversity, University,participation participationininthis thisevent eventisisnot not limited limitedtotothe theclub. club.All AllMSU MSUstudents studentsare arewelcome welcometotojoin joininin asasmodels, models,designers designersand andguests. guests.

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unar New Year is an annual celebration filled with joy, food, family and good fortune.

Traditionally, many celebrate Lunar New Year as it marks the beginning of the lunar calendar year. Lunar New Year began in China and spread to many other countries: Vietnam, Thailand, Taiwan, Singapore, Malaysia, Indonesia, Laos, Philippines and Korea. Many of these cultures are graced with food delicacies that are only received during this celebration.

Giving and receiving jade and eating mandarin oranges, seeking good fortune. All while admiring the fresh flowers to begin the new year with new beginnings.

Simon Phan, a student at Michigan State University, is a part of the Vietnamese Student Association, serving

as Entertainment Chair on the e-board, and Chloe Lee, who is also a Michigan State Student and a member of the Korean Student Association. Despite parting from their family and friends, they both found solace in being a part of on-campus organizations while navigating what it looks like to celebrate holidays and cultures significant to their culture, such as Lunar New Year.

Being firmly rooted in Korean culture, this celebratory time is filled with remembrance of traditions that Lee will carry into the future. Growing up, she recalls eating rice cake soup and other traditional Korean staples and taking time to bow down and pay respect to her elders as she received words of wisdom. The occasion was a special moment for Lee to connect with her cousins and to give and receive

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love from family that she may only see during this time of year. She expressed the joy of wearing certain cultural clothing that made her feel proud of her culture’s tradition.

Phan details his experiences eating Banh Tet, or Sticky Rice Cakes, and receiving red envelopes filled with money from his youth while celebrating Lunar New Year within the Catholic church. He also shared with Lee the memory of honoring his ancestors and seeking good fortune for his family by reorganizing his home to signify bringing fresh energy into the new year.

Both of their experiences highlight the differences in how East Asian cultures choose to celebrate the

new year. Nevertheless, they are firmly connected, sharing a similar understanding between their cultures.

Along with this common push and pull feeling of navigating being connected to their Asian culture whilst still being American. Both Phan and Lee were deeply integrated into their cultures, which helped them continue to appreciate and navigate what celebrating their culture means to each of them.

There are many celebrations and holidays that Lee and Phan celebrate that continue to give them affirmation of their Asian roots. Nevertheless, Lunar New Year is a significant celebration that connects Lee and Phan and many others from various

cultures and how they choose to celebrate — connecting with family and friends, indulging in good foods and playing games, praying to ancestors and receiving words of wisdom from their elders for future guidance and protection. With the end of winter approaching and spring on the horizon, fresh flowers were cut, and good omens were traded and placed in hopes of a prosperous new year. Happy Lunar New Year to anyone and everyone who celebrates!

Style: Autumn Cottrell Glam: Lauren Davis, Ugochi Ike Photo: Kaiden Ellis, Olivia Gamelin Models: Simon Phan, Chloe Lee Writer: Autumn Cottrell Spread Designer: Marissa Malleck

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Direction: Kate Blaszkiewicz Glam: Lauren Davis, Analise Krawczuk, Ugochi Ike Photo: Amanda Lada, Megan Rabaut, Alexis Schmidt Models: Rachel Zhai, Fatou Dieng Spread Designers: Sabrina Seldon, Evelyn Diamond

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Style: Laura Stephan, Hajer Alsalman Glam: Yejin Moon, Sanjida Ahmed Photo: Aastha Singh, Kaiden Ellis Model: Ashley Lam Writer: Laura Stephan, Hajer Alsalman Spread Designer: Zachary Balcoff

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STEP INTO THE THE STEP INTO

KALEIDOSCOPE. KALEIDOSCOPE. Here, colors shift, patterns change and the beauty of complexity takes center stage. But beyond the vibrant twists and turns lies a deeper story — one of struggle, resilience and the silent battles against PCOS, endometriosis and PMDD. These conditions color the lives of millions of women with layers of pain and misunderstanding, often left undiagnosed and unmanaged. It’s time to rewrite the narrative and shine a light on the need for awareness.

Polycystic Ovarian Syndrome (PCOS) is a condition where hormonal imbalances affect the ovaries, leading to symptoms such as irregular menstrual periods, excessive hair growth and potential infertility. Approximately 6% to 13% of reproductive-age women are diagnosed with PCOS, facing not only physical symptoms but also significant emotional distress.

Endometriosis occurs when tissue similar to the lining inside the uterus grows outside of it, causing pain, severe menstrual cramps and potential infertility. It affects about 10% of reproductive-age women and often requires a surgical diagnosis, contributing to a lengthy process that can exacerbate the emotional and physical toll on the woman with the condition. The overlapping symptoms with PCOS, such as painful periods and fertility concerns, often lead to misdiagnosis or delayed treatment.

Premenstrual Dysphoric Disorder (PMDD) represents the most severe form of Premenstrual Syndrome (PMS), with symptoms that include extreme mood swings, depression, irritability and anxiety. Affecting between 5% to 8% of reproductiveage women, PMDD’s impact on emotional wellbeing can be debilitating, influencing every aspect of a woman’s life from personal relationships to professional performance. The emotional symptoms of PMDD often mirror the psychological distress caused by the chronic pain associated with endometriosis and the hormonal fluctuations in PCOS, creating a trifecta of emotional and physical health challenges.

While these conditions are discussed independently of each other, the symptoms often overlap — sharing chronic pelvic pain, irregular menstrual cycles, mood swings and more. The kaleidoscope reflects the complex and widerange nature of these health conditions. More specifically, PMDD, endometriosis and PCOS include symptoms that are constantly changing

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throughout the menstrual cycle and can vary significantly from person to person — much like a kaleidoscope depicting a wide array of shapes and colors. Turning the knob of the kaleidoscope, new colors, shapes and images emerge — just as endometriosis brings new symptoms each month.

The kaleidoscope’s overlapping colors blend uniquely at every turn, forming a complex image that is difficult to separate — just like the diagnosis of endometriosis, which involves multiple organs.

Misdiagnosis of women’s health conditions, especially endometriosis, happens more often than most realize. Studies have shown that 75.2% of patients report being misdiagnosed with another physical or mental health problem by gynecologists or other general health practitioners. Some patients are told that their symptoms are due to weight-related issues, anxiety or stress. Other patients are told they have conditions such as chronic pelvic pain syndrome, bleeding disorders, appendicitis or irritable colon.

Misdiagnosis disproportionately affects individuals from marginalized and vulnerable populations, who often face barriers to quality medical care and accurate diagnostic technology.

Despite the 22 billion spent annually on the treatment and care of endometriosis, less than 1% of the NIH budget is allocated for the research, diagnosis, treatment and therapy for endometriosis.

In the same way, missed diagnoses of PCOS are highest among women who are Black, on Medicaid, non-English speaking and with a lower body mass index (BMI). Without proper diagnosis, this can delay the proper treatment that could improve an individual’s quality of life, reduce comorbidities and mitigate longterm health risks. Additionally, this creates a financial burden for patients, who must seek opinions from multiple healthcare professionals and undergo unnecessary testing — not to mention the emotional toll and burden this places on patients who are already struggling.

Misdiagnosis of these health conditions comes from a multitude of different factors at the societal level. Some examples include gender biases in medicine, a lack of funding for women’s health research and insufficient medical education on endometriosis and PCOS. Though these complex experiences color the lives of millions of women, learning to look through a different lens and raise awareness, push for healthcare reform and challenge medical biases is essential for initiating real change. Ultimately improving the lives of women who experience these conditions and their access to effective

Despite the $22 billion spent annually on the treatment and care of endometriosis, less than 1% of the NIH budget is allocated for the research, diagnosis, treatment and therapy for endometriosis.

Misdiagnosis of these health conditions comes from a multitude of different factors at the societal level.

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Unmatched &

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Unforgettable

A first love is a unique and irreplaceable experience in many people’s lives. It’s an experience that will remain in one’s heart as the first romantic connection with another. With first love, every moment feels new. From the butterflies felt when that person walks in a room, to the simple moments like holding hands, sharing secrets or experiencing the excitement of mutual affection — these experiences are deeply ingrained into one’s memory for a lifetime, making it truly unforgettable.

If lucky, some may have the joy of experiencing love for the first time. Whether that first love fades away, moves on or remains by one’s side, it will always hold a unique place in someone’s heart. This beauty of first love is that it is the first time someone truly opens up in a vulnerable way with a person they feel completely comfortable with. Being around someone who makes

all problems disappear and brings a sense of true ease is a beautiful experience. That person pauses and allows one to relax and breathe. This allows individuals to better understand emotions and the meaning of caring deeply for someone. As time moves on and people grow older, some may have more mature and stable relationships, but the memory of a first love will always resonate. It’s more a happy feeling and memory; representing the first true understanding of what it means to love and be loved.

This unique combination of vulnerability, intensity and innocence, is what makes first love so beautiful and impossible to forget.

While first love can bring unimaginable joy, it can also be very painful because it brings along the first heartbreak. This concept can be difficult to process, but can also create a sense of nostalgia in the future. The memories of first love can

evoke certain feelings from one’s past, making it hard to fully let go and move on.

First love is full of excitement and vulnerability from the many firsts, which can become the standard for future relationships. In other words, it’s

Unmatched & Unforgettable.

Style: Ashley Grifka Glam: Emily Burke Photo: Shahad Almoayyad Models: Jordyn Lake, Dominic Bednar Writer: Ashley Grifka Spread Designers: Emily Banks, Courtney Cohen

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Style: Jayda Groth Glam: Analise Krawczuk, Ugochi Ike, Lauren Davis, Ali Baumgartner Photo: Brianna Schmidt, Maya Kolton Models: Sophie Sparkman, Shahad Almoayyad, Jenessa Ediagbonya, Lacy Jewell Writers: Jayda Groth, Saniah Pringel, Sophie Sparkman Spread Designer: Morgan Tschetter

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Pageant Queens

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The act of picking a queen based on appearance has served as a source of entertainment for centuries. Although pageantry has taken many forms throughout history, what is recognized today as the modern beauty pageant developed in 1921. Miss America began as a plan to bring tourists into Atlantic City, and in turn, kickstarted a billion dollar industry. The competition raised conversation on issues of class, gender and race. As America headed into the 1950’s, women were taking charge of how they expressed their sexuality. At the same time, beauty pageants began spreading nationally and globally. In 1952, the Miss Universe pageant held its first competition, and placed women from all around the world on one stage. With the two largest beauty competitions established, the pageant industry has only become more complex.

Behind the romanticized glitz and glamour of beauty pageants, lies the constant competitive nature of the performances and the

negative mental health effects on young women. With the general public perceiving every aspect of the contestants’ appearance, anxiety and depression inevitably slip their way in, making it easy to exploit children and young adults. Contestants can fall victim to the toxic work environment that is commonly accompanied with harassment, bullying and lack of support. The hyperawareness and toxic atmosphere that derives from pageants has shown to negatively affect body image for the contestants and viewers at home. Studies show that contestants in pageants are likely to develop eating disorders and mental health issues due to contestants feeling as though they are being “pitted against” one another. With body dissatisfaction and low self-esteem in play, the value they have in themselves relies on the way they look. It is crucial to understand the dark mental toll that contestants undergo when their high-heels hit the pageant stage. Where there is bad, there is also good.

Pageants have the best of both worlds, and as the world evolves so does the pageant industry.

The evolution of pageants began with addressing flaws, including lack of inclusivity and unrealistic expectations. Today, pageants have made the decision to accept different identities to compete despite their race, weight or gender assigned at birth. With the acceptance of diversity and inclusion, a safe and impactful community is able to flourish.

Pageants bring competitors together and truly empower women. As competitions shift their focus on raising up its competitors and viewers, contestants are able to build connections and create great networking opportunities.

Teen winners can receive college scholarships, while the crowned Miss Universe becomes an ambassador to multiple charities.

In the future, pageants plan to develop more emphasis on social causes, advocacy and mental health support for contestants.

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AFTER THE AFTER PARTY

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Style: Emily Burke Glam: Emily Burke, Ugochi Ike Photo: Sofia Pate, Olivia Gamelin Models: Emily Burke, Isabella Toma Spread Designer: Ava Isham

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UNDER

THE WEATHER

Style: Peggy Smith Glam: Analise Krawczuk Photo: Amanda Lada, Natalie Vezina, Aastha Singh Models: Paige Stroster Writer: Peggy Smith Spread Designer: Stephanie Monk

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So often in busy lives, important things are neglected to focus on the task at hand. Whether forgetting a friend’s birthday but dropping everything for a work deadline, staying up late to write an essay but failing to text back a parent, or resisting a rest day from the gym, it is common to forget that the body needs time to recover. The balance of school, jobs and a social life is easy to be consumed by, even when the body begs for rest. Whether it is the common cold or the “frat flu,” many fail to obey their immune systems and take time to recover.

When “under the weather,” the immune system works overtime to get back tinto tip-top shape.

Overworking can not only lead to illness, but if it continues while sick, the recovery period is even longer. Hydration and symptom management can only go so far if students continue to attend classes, exercise at the gym and go out with friends. Respecting the body’s wishes looks different for everyone. However, the goal of making a full recovery should be consistent. Resting is having a warm bowl of chicken noodle soup while watching that show that’s been in the queue for too long or finally reading a book recreationally.

Shifting worries away from falling behind to getting better will only build strength back up.

Illness prevention and recovery share one common denominator: rest. In a world that overemphasizes the hustle, asking for permission to take a break often feels necessary. Ignoring the body’s warning signs does more harm than good.

Pushing through sickness and discomfort might seem wise, but it ultimately leads to longer recovery and potentially more serious health complications.

Think of recovery as an investment in long-term success. A few days away from work, school, the gym and social activities allow for a more energetic and focused return. While it may feel like a luxury, taking time off is essential to staying healthy and avoiding burnout. Confucius is credited with saying, “A healthy man wants a thousand things; a sick man only wants one.” Without good health, it can be difficult to enjoy anything at all.

Try to let go of the pressure to keep pushing through. In those quiet moments of recovery, it is important to embrace moments of stillness.

Health is the foundation of life, so take care of it. Trust that the body will be grateful for time to restore, recharge and return stronger than ever.

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FUNDAMENTALS MEN IN SPORTS

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On On the the surface, surface, sports sports maymay seem seem like like a global a global spectacle spectacle on on primetime primetime TV. TV. But But beneath beneath the the excitement excitement andand loudloud cheers, cheers, theythey holdhold a much a much deeper deeper significance, significance, especially especially for men. for men.

From From an an early early age,age, sports sports are are often often ingrained ingrained in the in the liveslives of young of young men, men, whether whether through through attending attending games games as as children children or being or being raised raised in sports-oriented in sports-oriented families. families.

ThisThis exposure exposure naturally naturally pushes pushes many many to to On the surface, sports may seem like a global spectacle on pursue pursue sports sports grade inbeneath grade school school andand beyond, beyond, where where primetime TV.inBut the excitement and loud cheers, competition, competition, discipline discipline and and teamwork teamwork become become they hold a much deeper significance, especially for men.

From an early age, sports often ingrained fundamental fundamental aspects aspects of their ofare their daily daily lives. lives.in the lives of

young men, whether through attending games as children or being raised inexperiences sports-oriented families. exposure Over Over time, time, these these experiences play play a significant aThis significant naturally pushes many to pursue sports in grade school roleand role in beyond, shaping in shaping theirtheir mentality, mentality, confidence confidence andand where competition, discipline and teamwork overall overall personality, personality, influencing influencing how how they they approach approach become fundamental aspects of their daily lives.

challenges challenges on on andand off off the the field. field.

TheThe journey journey of of Over time, these experiences play a significant role in a young a young man’s man’s development development in sports in sports begins begins their mentality, confidence and overall personality, withshaping with coaching. coaching.

While While a coach’s a coach’s primary primary rolerole is tois to influencing how they approach challenges on and off the field. refine refine skills, skills, strategize strategize plays plays andand leadlead the the team team The journey of a young man’s development in sports begins to victory, to victory, theirtheir influence influence extends extends farrole beyond faris beyond theskills, the with coaching.

While a coach’s primary to refine game. game.

Coaches Coaches witness witness players players at their at their highest highest strategize plays and lead the team to victory, their influence andextends and lowest, lowest, guiding them through through theirtheir sport sport andandat farguiding beyond the them game.

Coaches witness players their highest and lowest, guiding them through their sport life.life.

They They helphelp shape shape character, character, instill instill discipline discipline and life.

They help shape character, instill discipline and andand support support crucial crucial life life decisions, decisions, all all of which of which support crucial life decisions, all of which are essential as are are essential essential as aasboy a boy transitions transitions intointo manhood. manhood. a boy transitions into manhood. Having a respectable and Having Having a respectable a respectable and and honorable honorable coach coach to to looka honorable coach to look up to can significantly look impact up player’s to upcan to can significantly significantly impact impact a player’s apersonal player’s choices, choices, choices, mindset and overall growth. mindset mindset andand overall overall personal personal growth. growth.

Beyond the guidance found in coaching, men also build strong friendships withfound their teammates.

Spending countless Beyond Beyond the the guidance guidance found in coaching, in coaching, menmen also also hours together during grueling practices, team meetings and build build strong strong friendships friendships withwith theirtheir teammates. teammates. traveling for games fosters a unique camaraderie. Shared Spending Spending countless countless hours hours together together during during grueling grueling experiences of victory, defeat and personal challenges practices, practices, team team meetings meetings andand traveling traveling for games for games create deep connections built on trust, support and mutual respect. bonds extend Shared beyond the experiences game, forming fosters fosters a unique aThese unique camaraderie. camaraderie.

Shared experiences lifelong friendships that provide a challenges sense of brotherhood and of victory, of victory, defeat defeat and and personal personal challenges create create belonging.

deep deep connections connections builtbuilt on on trust, trust, support support andand mutual mutual respect. respect.

These These bonds bonds extend extend beyond beyond the the Sports instill in men the fundamental value of teamwork. game, game, forming forming lifelong friendships that that provide provide a but a They learn thatlifelong success isn’tfriendships just about individual talent sense sense of playing brotherhood of brotherhood and belonging. belonging. about for andand with each other. With coordination, communication and trust, athletes develop the ability to work together toward goal, understanding their actions Sports Sports instill instill in amen incommon men the the fundamental fundamental value value of of impact the entire team. This lesson extends beyond the teamwork. teamwork.

They They learn learn thatthat success success isn’tisn’t justjust about about game, as life requires teamwork — whether in friendships, individual individual talent talent but but about about playing playing for for and and with with family or careers. Just like in sports, individuals in society each each other. other.

With With coordination, coordination, communication communication and and aren’t only playing for themselves but also for the people trust, trust, athletes athletes develop develop the the ability ability to work to work together together who support, depend on and grow alongside them.

toward toward a common a common goal, goal, understanding understanding theirtheir actions actions impact impact the entire the entire team. team.

ThisThis lesson lesson extends extends beyond beyond the the game, game, as life as life requires requires teamwork teamwork — — whether whether in friendships, in friendships, family family or careers. or careers.

JustJust like like in sports, in sports, individuals individuals in society in society aren’t aren’t onlyonly playing playing for themselves for themselves but but alsoalso for the for the people people whowho support, support, depend depend on and on and grow grow alongside alongside them. them.

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Style: Ceaser Roundtree Photo: Megan Basile Models:Jacob Fines, Deni Tepic, Ndiaga Diouf Writer: Ceaser Roundtree Spread Designer: Harrison Sanders

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Style: Evan Yalowitz Style: Evan Yalowitz Glam: Alexis Evan Yalowitz, Glam: Evan Yalowitz, Analise Krawczuk, Fleming Analise Alexis Fleming Photo: Megan Rabaut, Katya Krawczuk, Sabo Bocik @photosnflicks Photo: Megan Models: Taeya Wright, KileyRabaut, Peirce Katya Sabo Bocik Models: Taeya Wright, Kiley Peirce Spread Designer: Lily Schwalm Spread Designer: Lily Schwalm

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All Buttoned Up Buttons have been used for thousands of years, evolving from decorative and symbolic statements on a garment to functional items that hold two pieces of fabric together. The history of buttons can be roughly traced back to 2000 BCE. The rise of tailored clothing during the Middle Ages led to the use of buttons to enclose garments. Their popularity increased over the years, and their functional use in garment-making was widespread throughout Europe by the 14th century.

Buttons were a sign of wealth in the Renaissance Era, often made of expensive gemstones or metals like gold and silver. To this day, buttons represent a level of prestige or power, often used in formal and workwear designs. For example, a suit jacket that a person of power wears always features buttons— whether for decor or functionality.

Over the decades, alternative clasp methods like zippers and velcro have been preferred for massproduced clothing items, as they require less craftsmanship and more inexpensive materials.

However, they are no replacement for the timeless button, which remains a fashion staple for function and decor today. In the 20th century, there was a massive uptick in the production of plastic buttons, which is how they have maintained relevance in modern fashion.

Beyond practicality, buttons have been a canvas for artistic expression. This practice has been used primarily by luxury fashion houses that often design intricate buttons to elevate custom garments. Buttons are iconic symbols in fashion that are recognizable to anyone, whether the button is decorative or functional. Despite the evolution of fashion, buttons remain a significant symbol of fashion in every era.

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Direction: Celeste Roberts Style: Celeste Roberts, Holly VandenBussche Glam: Alexis Fleming, Ugochi Ike Photo: Brianna Schmidt, Dakota Hendren Models: Arabella VanderZee Writer: Jacie Rish Spread Designer: Jill Moreno

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Direction: Katie Mulhearn Glam: Emily Burke, Analise Krawczuk, Sanjida Ahmed Photo: Maya Kolton, Olivia Gamelin Models: Ramisa Anjum, Miniya Buxton, Isabel Richmond Spread Design: Kalyn McNamara

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