EDITORS-IN-CHIEF: BRANDON ROBERTS & LIV CEITHAML ASSISTANTS TO THE EDITORS: MILCAH SOLOMON & GRACE OLUWOLE
ART DIRECTORS: Sabrina Seldon & Evelyn Diamond
ASSISTANT ART DIRECTOR: Nia Kalinovic
Art Team: Marissa Malleck, Gracie McClure, Bailey Maloney, Harrison Sanders, Jill Moreno, Morgan Tschetter, Zachary Balcoff, Ava Isam, Julius Patto & Liz Ciaramellano
ASSISTANT FILM DIRECTORS: Evie Ansari & Abby Nellis
Film Team: Ever Pratt-Hart, Isabel Feeley, Anvi Thakur & Alice Walsh
FINANCE DIRECTORS: Sofia Mukhtar & Denise Grigorov
ASSISTANT FINANCE DIRECTOR: Abby Drueke
Finance Team: Prisha Akasapu, Sydney DerKevorkian, Sydney Olejnik, Elise LaCour, Amiyah Adams & Chloe Klimp
GRAPHIC DESIGN DIRECTOR: Savannah VerHage
ASSISTANT GRAPHIC DESIGN DIRECTOR: Maraget Gauss
Graphic Design Team: Marki Jennings, Emily Bruebach & Ava Darnell
HEALTH & BEAUTY DIRECTORS: Lane Pruban & Peggy Smith
ASSISTANT HEALTH & BEAUTY DIRECTOR: Victoria Klimowski
Health & Beauty Team: Abby Jones, Andy Gucciardo, Hajer Alsalman, Reza Gupta, Dina Inadeska, Sofia Poulos, Emma Stuckey, Gabby Smith, Natalie Alexander & Grace Lowell
LIFESTYLE DIRECTORS: Caesar Roundtree & Gracie Sink
The lights grow dim and dimmer until darkness sweeps over the audience. A hush falls over the crowd, and anticipation for what’s to come is building in the room. After a few minutes of whispering and shuffling feet, a bright shimmering light spills over the stage and illuminates the audience. A statuesque silhouette is immediately visible, shrouded in shadow. The crowd squints and cranes their necks, trying their best to see who it could be. The sharp outlines of highly stylized garments are apparent, with audience members eagerly waiting to see who the chosen model is. No doubt someone famous, someone of near-celebrity status, for an event like this. But as the light finally passes over the individual poised on the stage, confusion takes hold. There is no big reveal or immediate recognition of the model’s eyes, hair, or side profile. Their face is completely obscured from view, hidden by a large decorative lampshade hanging low over their head.
The addition of the lampshade, while out of the ordinary, conveys a crucial message. It challenges the audience to engage with the garments without the influence of the models’ identities. The obscured faces invite viewers to focus on the construction and intricate detail of the clothing alone by placing a physical and symbolic barrier between the audience and the model. The lampshades introduce an element of anonymity, speaking to the modern struggle of living in a fast-paced, fame-driven world. In an era dominated by social media and constant visibility, the models’ obscured faces symbolize a retreat from the pressure to conform to specific beauty standards.
By prioritizing the outfits over personal identity, the presentation encourages viewers to reflect and appreciate the art in front of them instead of being hyper-focused on how much star power the model may or may not have, prompting a discussion about the nature of fashion in modern society. Are critics and the public so focused on the individual that they overlook the artistry in their garments?
Silhouettes play a crucial role in the interpretation of a viewable object. Creators commonly note that good cartoon character design needs a recognizable silhouette. The same rings true for designers in the fashion industry.
Style: Lily Stroup
Glam: Camila A. Bello Castro
Photo: Aastha Singh, Olivia Gamelin
Models: Alana June, Amaya Morren, Harrison Sanders
Spread Designer: Evelyn Diamond
Writer: Halina Newland
Though many supermodels are famous for distinguishable features, one would seldom be able to tell who they are looking at if only presented with a simple silhouette. If a designer were to incorporate lampshades as a signature symbol for their brand, it would become instantly recognizable among other brands of similar standing. Consumers would associate the unmistakable lampshade shape with that brand, and the brand could sell hats resembling lampshades as a matching accessory to the pieces already featured in the designer’s collection.
A group of classically dressed models in the upscale hotel lounge would be an excellent way to introduce the designer to the general public, making a compelling first impression, especially if featured in a widely read or popular fashion magazine. Sophistication and timelessness are typically well received no matter how they are presented, but there’s a real repetition problem within those two subjects. Many designers have made the upscale American classic style their personal signature, but few have extremely distinguishing things featured in their branding. Something that can easily catch the untrained eye and make even the most casual fashion hobbyist say “Oh, I know that one.”
MATERIALS, TEXTURE, AND TEXTILE DETAILS
are paramount when the only thing in focus is an outfit. Using aesthetically pleasing textiles can enrich the viewing experience and lead consumers to form more positive opinions on the piece. The dif ference of a few hundred dollars can dictate whether the outfit is well re ceived, praised or scoffed at and tossed to the side. The expense is always worth it in terms of image and reputation. Even if an item of clothing is intricately designed and expertly tailored, cheap fabric can ruin it entirely. Luxury materials like silk, lace and cashmere can serve as a visual narrative that illustrates craftsmanship, attention to detail and personal style.
Altogether, the choice to conceal mod els’ faces not only helps to showcase the actual fashion at stake but also gives every party involved a break from the exhausting and crushing weight of facial beauty standards and extreme judgment that are common place in society today. The omitting of identity and celebrity status in a couture centered setting gives the audience, the designer and the model a rare chance to appreciate an artistic ensemble without the usual unceasing pressure to be physically flawless.
OUTDOING UPDO the OUTDOING
Style: Ateeyah Abdul-Wasi
Glam: Analise Krawczuk, Ateeyah Abdul-Wasi, Camila A. Bello Castro
Models: Helena Thomas, Madelynn Yang, Ruben Contreras Spencer
Spread Designer: Jill Moreno
Film: Alice Walsh , Evan Yalowitz
In a world that celebrates diversity and uniqueness, it’s almost inevitable to compare oneself to the average person seen on the street. From physical to social attributes, the same question arises: Why is this tendency so strong?
Psychologist Leon Festinger was the first to popularize this idea by presenting the Social Comparison Theory in 1954. Festinger proposed that people assess their self-worth by comparing themselves to others. This can be broken down into two comparisons: upward and downward. Upward comparison is believing another person to be better than oneself based on their material goods, social standings, attractiveness and intelligence. On the other hand, downward comparison is looking down on others to make oneself feel better. According to Festinger, people utilize these two types to satisfy a basic psychological need to gauge self-
worth by measuring personal success and weakness. This inner battle of self-doubt puts individuals into a mental ring fighting against bullies of their own creation, directly affecting motivation and performance in school, activities and relationships. So, how can this battle be won when it feels like time is running out?
It’s easy to tell oneself to stop being so self-critical, or self-deprecating, but those methods prove to be ineffective especially from the ages of 18-22 when it feels like self-doubt is at its peak. Here are some techniques to integrate into your daily life to knock out that internal comparison. First, focus on personal strengths and practice gratitude. Celebrating successes, and appreciating what is already present will build a sense of self-confidence. One way to do this is by writing in a journal. In this journal, an individual could write down how they feel or things to be grateful for.
Second, it is important to remember that nobody is perfect. Lastly, set realistic goals. This could be as simple as creating daily goals to increase motivation such as making the bed and doing laundry or they could be long term goals such as spending more time on homework or taking up a hobby. Just like in a boxing match, the tables can turn at any time. With the right motivation and perseverance, it is possible to overcome the urge to compare and focus on personal growth to knock comparison out.
Style: Lane Pruban
Glam: Emily Burke, Alison Baumgartner
Photo: Megan Basile, Emma Conwell
Model: Abigail Hurst
Spread Designer: Gracie McClure
Words: Lane Pruban
Crate digging, coined by the Hip-Hop community of the ’70s: going to a record store and searching for vinyl records to sample. The terminology is often used today to reference secondhand shopping and upcycling. Newfangled admiration for repurposing vintage pieces is not a new phenomenon. Trends of the past have a rich history of repurposing. With the resurging prevalence of crate digging in the 2000s, innovation of the past was kept alive.
Today, the 2000s are viewed as a period of inspiration for style interpretation and lifestyle. From personalized jewelry and bellyrevealing low-rise jeans to striking cool tones, oversized sportswear and prominent logos, Hip-Hop culture greatly influenced the Y2K culture nostalgically remembered today. With a creative eye for fashion and access to various styles, individuals saw clothing as an opportunity for selfexpression.
Without immense admiration for a craft or method, creativity rarely sees generational advancement. Crate digging is more than picking up vinyl records or pieces to hoard. It is the process of unearthing a piece of history and crafting it true to a contemporary identity. Recycling and upcycling influenced a craze of ingenious creativity. The reemergence of retro fashions, bedazzled accessories and even skirts over jeans are striking examples. Through crate digging and sampling, Hip-Hop encouraged finding the roots, remixing the blueprint and creating something new.
Hip-hop culture relies on creativity, community and expression. Blueprints of the past foster the creative spirit. A sense of individuality keeps originality alive. Through crate-digging, Hip-Hop artists and their producers looked to the past for classics to give a new life. An iconic example is the drum break of The Winstons’ 1969 song “Amen, Brother.” The break has been sampled over 6,000 times, heavily influencing modern Hip-Hop while inspiring ingenuity and curating an intergenerational interest in the arts.
Contemporary styles, music, and culture can sometimes feel monotonous and generic. Reviving and modernizing past trends allow us to indulge or appreciate forgotten sounds and styles. Crate digging and sampling commemorate the excellence of the past while inspiring fresh adaptation and creativity.
The past’s trends, cultures, and attitudes greatly influence today’s art world. An artist’s understanding of their craft’s history helps them carry on the valuable messages, ideas, and genius of artists who came before.
Style: Michael Barfield
Glam: Lauren Davis, Ateeyah Abdul-Wasi
Photo: Megan Rabaut, Dylan Heinen
Models: Olivia Hinton
Spread Designer: Bailey Maloney, Zachary Balcoff
Writer: Laila Padmore
Direction: Katie Mulhearn
Glam: Alison Baumgartner, Lauren Davis
Photo: Megan Basile, Andrew Li
Models: Aymin Triki, Anna Milnes, Lillia Mojica
Spread Designer: Julius Patto
Style: Ria Gupta
Glam: Alison Baumgartner, Ani Krawczuk
Photo: Brianna Schmidt, Sofia Pate
Models: Hyunah Chung, Jessica Evuleocha
Spread Designer: Jill Moreno
Writer: Ria Gupta
Most have done their fair share of experimenting with various skincare products, wondering if Accutane actually works, running fingers over the bumps in the skin, willing the redness to fade. Acne plagues around 50 million Americans annually per the American Academy of Dermatology, but has affected over 80% of Americans at various stages of life. Despite being common, there’s still a sense of mortification when a bump forms. Recently, however, clever inventions like the pimple patch make it so that acne is no longer something to be ashamed of.
From clear patches to stars to gems, those struggling with acne stray further from advice to just “put some concealer on.” Yet, as records of human history prove, these innovations aren’t straying away from anything. The pimple-patching method dates as far back as the late 1600s.
The French sold these dated accessories as plaisters (plasters) or mouches (flies), terms referring to the patch’s resemblance to a “soul patch,” a small tuft of hair on the chin. Records show the practice of applying patches dates back to the Ancient Romans but was not mainstream until 17th century England. The method originally started as a way to hide irregularities on the skin, as clear, unblemished skin was the norm. However, the patches soon became a fashionable practice that women invested in. It became commonplace for women to commission shapes of various sizes, accessorizing even when there was nothing to cover up.
The patches didn’t look too different from today’s. They, too, used star, moon and heart shapes. The only major difference was the material. Modern pimple patches are made with hydrocolloid: a gel-like material used to heal wounds and prevent scarring. Back then, patches were made of paper or velvet fabric with no healing properties.
The benefit of the modern pimple patch is its ability to heal the skin. Rather than applying layers of makeup that do more to clog pores than fix the problem, hydrocolloid focuses on protecting the skin as it heals. Patches are known to block out excess oils and reduce inflammation. Most patches are waterproof, meaning that they last throughout dayto-day activities without drying out the skin or needing reapplication.
They are convenient, too, considering the application process takes no more than a few minutes. Cleanse and moisturize the face as normal, before removing one from the pack and placing it on the affected area. Let it sit for six to eight hours, or overnight, before removing. There are no extra steps, no rushed trips to the bathroom to reapply. Once it’s on, it’s pimple be-gone. The removal process is also simple: grab the patch, peel and wipe away any excess.
Pimple patches can also be styled for any occasion. Opt for the gems on a night out, clear ones while at work or bright stars to a gen-ed history lecture. There’s a patch for everything.
With so many people struggling with the painful (and often embarrassing) impacts of acne, individuals should be able to alleviate shame from the occasional forehead bump. Good skin means more than just the amount of “La Roche-Posay” and “CeraVe” on your bathroom counter. Good skin means confidence, blemishes and all. It’s time to patch up this toxic relationship with acne and embrace the chance to be spotted.
Now what?
All that time wasted, or was it?
What if failure was not the end, but a redirection?
The crowd is cheering, and you are gasping for air. You finally run across the finish line and look to the left. You did not finish first, you finished second. Now what? You’ve trained rigorously for this race only to fall short of what you anticipated or perhaps what you thought you deserved. All that time wasted, or was it?
In a world that glorifies winners, second place can feel like a bitter disappointment. Many equate not achieving the top spot with failure, but what if we reframed our perspective? What if failure was not the end, but a redirection? Embracing failure as a tool for building resilience and strength provides the opportunity to become a better competitor.
When people stumble, they must reevaluate their approach. Some may believe they do not have the potential to succeed and stray from putting themselves in a vulnerable position again, but embracing this mindset will not allow one to thrive in the long run. It is natural to express emotion when the outcome is not as anticipated, but it is essential to not stay in this mindset for long. This idea is a cliche for a reason: “everything happens for a reason.” When things do not go as planned, failures can be used as ammunition to overcome obstacles in the future.
The effort preceding a setback can feel pointless, hours of hard work dedicated to the uncertainty of first place. Though it may not seem like it at the moment, each experience is a stepping stone on the path to contentment. The journey to success and the struggles along the way make the taste of victory that much sweeter.
Challenging one’s past self may be more beneficial than facing competitors. Enjoying the unique journey that has led one thus far promotes a healthier self-image and provides a new sense of happiness. The experiences someone goes through to achieve a goal has the potential to be as impressive as the accomplishment itself. The number of times a person can fall down and still get back up is a testament to character, which is why second place is a unique gift.
An Apple A Day
The phrase “an apple a day keeps the doctor away” has been a famous slogan for encouraging healthy eating habits since the 1860s. However, overuse of the phrase throughout centuries, the popularity of fast food alternatives, and the overall commonality of apples have diminished its meaning and turned it into just another old cliche saying. Franchises and chain restaurants have led to a steady decline in healthy eating habits, particularly regarding consuming fruits and vegetables. Living in a world dominated by fast food, consuming a sustainable diet has become increasingly difficult, leading to drowsiness, difficulty completing coursework and negative impacts on mental and physical health.
When asked to name a fruit, an apple often is the first to come to mind. Apples have been deeply embedded in our culture and media since childhood, with their nutritional benefits frequently highlighted by doctors and showcased in television shows and movies for decades. The accessibility of apples has made them significant throughout history. A bag of apples can be purchased for only a couple of dollars, easily stored and kept for weeks, and thrown in a backpack on your walk out of the door each morning. Apples, composed primarily of water, various vitamins and antioxidants, are a filling snack that can help stabilize and lower blood sugar during a long school day.
College life can make it hard to maintain a balanced diet. All-nighters, days spent stuck in the library and seemingly endless lectures can inhibit students’ ability to eat three nutritious meals a day. Many students often struggle to balance academics, extracurricular activities, and jobs. Eating a protein bar for breakfast and ramen noodles for dinner has become socially acceptable among students on every campus. However, one
Spread Designer: Marissa Malleck
Writer: Emma Stuckey
Style: Emma Stuckey
Glam: Yejin Moon, Sanjida Ahmed
Photo: Renee Marsack, Aastha Singh
Models: Rylee DeNicolo
must recognize the importance of fueling the body with vitamins and nutrients and take advantage of the healthy food options that they do have.
Inconvenience is often cited as the reason for poor dietary choices among students. Fruit is not advertised while walking through campus the same way fast-food chains and junk food-filled vending machines are. Students value convenience and affordability, meaning that fruit, which can be expensive and hard to find, is not always the first choice. In the dining halls, students may reach for carb or protein-heavy options, leaving little consideration for fruits and vegetables.
Despite the challenges, there are ways students can make healthier food choices. Although there are very few grocery stores on campus, taking the trip to one can be very beneficial. Getting into a routine of grocery shopping or meal prepping is an excellent path to finding value in the foods you purchase and consume. Investing in a mini fridge or setting aside a portion of your refrigerator for produce is a great way to keep nutritious foods accessible and ready to eat. Packing healthy snacks to eat in between classes and incorporating fruit into your meals also helps ensure sufficient vitamin intake. When meeting with friends, consider choosing a cafe or coffee shop because they often carry fruit. Next time you’re at the dining hall, leave some room on your plate for fruit, and don’t be afraid to return for seconds!
Style: Emma White Glam: Emma White
Photo: Dylan Heinen, Megan Basile, Alexis Schmidt
Models: Lauren Davis, Ruchika Gupta Spread Designer: Morgan Tschetter
In a world where fashion often feels predefined and uniform, a unique concept emerges
–– one that challenges the very essence of traditional modeling and invites individuality to take center stage. Models are dressed head-to-toe in stark white ensembles, each outfit a blank canvas awaiting transformation.
The conventional model is used as a way to show off other artists’ work, but this concept invites and embraces the models to become the artists. They are encouraged to express their individuality, their emotions and their stories through bold strokes of color.
Utilizing the body as the canvas, how are the boundaries of art and expression explored?
Each model’s creation will be as unique as they are, showcasing a spectrum of styles, techniques and emotional expressions. The final images capture the essence of each individual, encouraging viewers to appreciate the artistry behind the paint and the personalities it reveals. For a change, the models were able to create the art and display it at the same time. This approach challenges conventional ideas about fashion shoots, sparking a conversation about how clothing is so much more than just garments to wear; it serves as a medium to express artistic ideas.
Fashion is a deeply personal and creative journey that deserves recognition in all forms.
As the white fabric absorbs the vibrant hues with each swipe of paint, a unique masterpiece begins to take shape, with each model’s personality reflected in their work. The result is anything but perfect, but this concept invites and celebrates these imperfections.
The final brushstroke dries and the paint settles into vivid colors of expression are inimitable.
The final brushstroke dries and the paint settles into vivid colors of expression are inimitable.
Individuality in fashion means crossing boundaries and not caring about the perceptions of others. True artistry lies not only within the final result but also in the journey leading to
Individuality in fashion means crossing boundaries and not caring about the perceptions of others. True artistry lies not only within the final result but also in the journey leading to
Whether this means discovering personal style or turning outfits into art, there’s room for everyone to express.
Whether this means discovering personal style or turning outfits into art, there’s room for everyone to express.
The ability to create freely and make room for self-exploration is part of the incredible nature of fashion that many know and love. Fashion needs authenticity to progress and to challenge the traditional ideas within the industry.
The ability to create freely and make room for self-exploration is part of the incredible nature of fashion that many know and love. Fashion needs authenticity to progress and to challenge the traditional ideas within the industry.
Style: Ella Chamberlain Glam: Emma White Photo: Emma Conwell, Amanda Lada Models: Gabriel Ganos, Victoria Klimowski
Style: Ella Chamberlain Glam: Emma White Photo: Emma Conwell, Amanda Lada Writer: Jacie Rish
Models: Gabriel Ganos, Victoria Klimowski Spread Designer: Liz Ciaramellano
Imagine life as a long, steep staircase. At the top of this staircase is a hazy, distant image of ideal “success”as an adult, and each step that comes before it represents a new responsibility, decision or experience. As people enter adulthood, the staircase of life becomes even more daunting and endless. People are told to climb quickly—get the degree, land the job, start the perfect life—all while managing relationships, mental health and happiness. Yet, the more focus channeled into reaching this idea of success, the more exhausting each step becomes, and a person may begin to lose their sense of self. Instead of moving forward confidently, individuals feel overwhelmed, constantly comparing
their staircase to others’, worrying that they are falling behind in a race to the top. What if, instead of rushing towards the top of the staircase, people focused on just the next step in front of them? Living with this mindset may be easier said than done, but that does not make it any less possible. People can start by setting small, achievable goals that align with their values. Each morning, take a few minutes to give gratitude, list personal priorities and reaffirm core beliefs. Each night, reflect on the day and what can be learned. Practices like journaling, meditation and taking intentional breaks can help keep a person grounded and help them find a sense of joy. This mindful approach allows people to acknowledge and
accept where they are, take on responsibilities with intention, and appreciate each experience. Every step becomes an opportunity to grow, learn and strengthen oneself at a manageable pace. A person can let go of the need to keep up with others and be perfect and instead truly enjoy every part of their journey of personal growth. Individuals must focus on managing life’s growing responsibilities with intentionality and positivity. One day, people will reach the top of their staircase, look back down, and wish they had enjoyed each step more. After all, life doesn’t come with an elevator; it’s all about taking one step at a time. As Miley Cyrus said, “It’s the climb.”
Model: Rachel Zhai
Spread Design: Harrison Sanders
Style: Sofia Poulos
Glam: Lauren Davis, Alison Baumgartner
Photo: Amanda Lada, Andrew Li
Writer: Sofia Poulos
Direction: Jayda Groth
Style: Jayda Groth
Writer: Jayda Groth and Meghan Valade
Glam: Yejin Moon
Photo: Natalie Vezina, Megan Basile
Models: Matias Jimenez, Karlee Wu, Elise Clark
Spread Designer: Liz Ciaramellano and Julius Patto
Matias Jimenez
is a junior studying kinesiology. Jimenez was diagnosed with Congenital Adrenal Hyperplasia, a genetic disorder that affects your adrenal glands, which produces the hormones your body needs to function properly, in fifth grade and Hyper Mobility Syndrome, a genetic condition that involves extreme flexibility along with pain and other symptoms, in his sophomore year of high school. Outside of the classroom, Jimenez remains active as a prominent member of Michigan State’s triathlon club.
Karlee Wu
is a sophomore studying psychology and dietetics. When she was 18 years old, she was diagnosed with Postural Orthostatic Tachycardia Syndrome, a condition that causes a number of symptoms when you transition from lying down to standing up, such as a fast heart rate, dizziness and fatigue. Wu’s goal is to become a registered dietician, working with people who have chronic illnesses.
Elise Clark
is a sophomore studying human development and family studies. She was diagnosed with Gastrointestinal Pseudo-Obstruction, a condition in which there are symptoms of blockage of the bowels without any physical blockage, when she was two years old. Clark plans on becoming a child life specialist, assisting the mental health and well-being of hospitalized children.
Clark:
All three models were interviewed by Jayda Groth, a fellow student with Type One Diabetes who wanted to shed light on the invisible aspects of chronic illness and highlight the models’ resilience. Their illnesses impact a large portion of their lives, but are not central to their identities.
How do you think your chronic illness has influenced your student life?
It’s made it a lot harder obviously. Even this morning I woke up and threw up four times. I’m not going to lie, it’s hard, but the show goes on. It’s just a lot of pushing myself, while also letting myself sit some things out.
Do you remember how it felt when you were diagnosed?
I was actually kind of excited because I knew I had it for a long time. It’s a good feeling to be like, oh, this is something that can be helped, and it’s not just me
Our disabilities are considered “invisible”. What do you wish people could see about your disability?
I wish they could see how much work I put into it. Even my closest friends don’t always see how much I think about it and how much it impacts me.
What’s something you wish you could do that your disability limits?
I wish I could feel my emotions or do any physical activity without the pain, the physical pain.
Jiminez: Clark:
What is the biggest misconception about your chronic illness?
People think I’m weak. I have had 36 surgeries. I don’t want to be pitied, I want to be lifted up.
Is there anything you wish people couldn’t see?
A lot of the time I have to sit and lay in weird places. That’s when I wish people couldn’t see me because I know it’s people’s first instinct to assume.
Wu: Jiminez:
What is something you wish people understood about disabilities?
We are normal people, just with a little more spice I guess. There’s this ‘uniqueness, but we are just like everyone, trying to get through the day.
Is there a change you want to see in the future regarding chronic illness?
I would definitely like to see more research done on chronic ilnesses, and people have this perception that a disability has to look a certain way and it doesn’t.
Direction: Holly VandenBussche
Style: Holly VandenBussche, Ava Fawcett
Glam: Lauren Davis, Sanjida Ahmed
Writer: Ava Fawcett
Photo: Brianna Schmidt, Megan Basile
Models: Praewa Montross, Sahib Singh
Spread Designer: Morgan Tschetter
Throughout history, nature’s transformative and healing powers have been revered and celebrated across cultures. Today, this ancient connection is reflected by choices in the natural elements incorporated into living spaces, lifestyles and clothing. Earthy colors like greens, browns and soft beiges evoke a sense of warmth, serenity and safety, tapping into the comfort found in familiar, natural settings like forests, mountains and open fields. Color psychology shows these hues are grounding, subtle reminders of a deep bond with nature. By incorporating earthy tones into clothing, one channels nature’s calming and centering effects into daily routines.
Earth-toned fabrics, organic-inspired textures, and simple, flowing patterns carry nature’s easing, gentle influence. But the comfort of earth tones goes beyond aesthetics; These colors are physically and psychologically grounding connections to the natural world. While these hues alone provide sense of calm, physical immersion in nature takes grounding to an even deeper level, offering profound benefits for both the body and mind. Simple grounding practices like lying on the grass, hugging a tree, breathing mindfully on a walk or swimming in natural water are not only centering but have been shown to improve physical health.
Research suggests that electrical charges from the earth can positively impact the body, promoting heart health, easing muscle pain, boosting immunity, and even reducing stress. Beyond physical benefits, nature also can support emotional healing, helping to release traumas and deeply rooted experiences. It provides a space for reflection, helping to process painful memories and find peace in letting them go. Fortunately, these grounding practices are widely accessible. Even on Michigan State’s campus, there are countless opportunities to engage with nature. These simple yet powerful acts nurture mental and physical well-being, sanctuaries of peace in an overwhelming world.
UNI TYI N D D DD
C C
WW When the average person hears the word “dance,” they often picture styles popularized by the media, like jazz, lyrical or tap. But for countless others, cultural dance is an anchor—a connection to a legacy carried within every rhythm, gesture and step. It’s more than art; it’s a link to ancestors, a celebration of heritage and a shared experience that transcends language. Dance becomes a sanctuary where identities are affirmed, stories are kept alive and individuals find community in the pulse of tradition.
For many people of color in America, participating in cultural practices is a way to honor the sacrifices and traditions of their families. They’re carrying forward dances that have been passed down for centuries, embodying the resilience of their ancestors and the pride of their communities.
Oftentimes, mainstream culture is unaware of the diverse array of dance styles practiced locally. This is true right here on Michigan State’s campus. Dance groups and clubs serve as much more than just performance spaces; they are communities that welcome students into a shared cultural identity and allow them to engage with traditions that might otherwise feel distant. Through fusion styles, dancers find ways to
their heritage to the present, blending modern elements with traditional forms. “There are lots of fusion dance forms—it’s not fully modern. We mesh what we know and make it modern as well,” said Harini Sangeetham, a Bharatanatyam dancer. Bharatanatyam is a traditional Indian dance and Sangeetham’s experience is one of many that reflect how young people use dance to navigate cultural identity, preserving meaningful traditions through modern adaptation.
On a campus as diverse as Michigan State’s, cultural dance groups bring unique voices together, fostering connections among students of vastly different backgrounds who share the desire to stay rooted in their heritage. They’re bridging generations, embodying the spirit of their cultures and creating a sense of belonging in a world that can sometimes feel isolating. For many students, each rehearsal is an opportunity to celebrate who they are and where they come from in the company of those able to relate to their journey.
Cultural dance organizations on campus invite everyone into these shared spaces, encouraging others to engage with and appreciate the depth and beauty of traditions they might never have encountered otherwise. Watching a cultural performance, students and spectators alike are given a window into stories, struggles and celebrations that bypass language and borders.
Through every practice and every performance, dancers not only strengthen a connection with their heritage, but invite others to experience the unity and pride of cultural expression.
Dance is more than movement; it is an ongoing dialogue between past and present, tradition and adaptation, individuality and community. Cultural dance is a form of modern resistance against erasure. And for all who witness it, cultural dance on Michigan State’s campus is a celebration of diversity—a reminder that, while Spartans may come from
In a world where femininity has been pushed into the standards of gentleness, nurture and perfection, women have the ability to redefine what a true woman is and can be. Young girls have grown up looking at the “perfect” image of what a woman is supposed to be without realizing the true strengths and beauty women can hold. Being a woman is so much more than having perfect hair, a thin body, and being “girly”. Growing up, women should be told that being a woman, can be strong, powerful, independent and confident.
To this day, many girls feel an ongoing sense of nervousness about working out in a public gym, fearing judgment and the idea of not fitting in. What many do not realize is how similar women all can be. It’s hard to be confident in the modern world when all the screens are constantly promoting unrealistic beauty standards that tell women how they should look and act. But, if they look a little closer, they may realize there are so many strong women yearning for others to listen.
Ilona Maher, an American Olympic rugby medalist, continues to share her story on how being strong is beautiful. In an interview with “Women’s Health” Maher states,
“It’s just important for these girls to see me constantly out there showing that being big can be beautiful, and it doesn’t take away from your femininity in a way.”
Maher adds on, “Growing up, I had no athletes — except for Serena Williams — who looked like me and played a sport like me. I want to be somebody out there [so girls] don’t feel like they need to change.”
Maher is helping redefine what it truly means to be feminine and help
change the way these young girls view themselves. For girls who have a love for going to the gym and working out, it can be easy to get in your head and ask yourself questions like, “Do I look too broad? “or “Do I look too ‘manly’?” What women should be asking themselves is, “How do I get stronger?” and “How do I maintain being healthy?” Being a strong woman with muscles is something women should show off and be proud of. It is statistically proven that it is harder for women to gain and maintain lean muscle. So, if they work so hard to obtain it, why hide it? Maintaining a strong and healthy lifestyle can be shown in many different ways, and is not only good for the body but also for the mind.
When women see the word “feminine,” what does it really mean? To VIM magazine, being feminine means being confident, assertive, strong, empowered, bold and someone who holds an undeniably unique beauty.
AND FITTED
Style: Grace DeJong
Glam: Lauren Davis, Emma White, Sanjda Ahmed
Photo: Brianna Schmidt, Sofia Pate
Models: Alana Lundgaard, Carlina Pitello
Writer: Grace DeJong
Spread Designer: Sabrina Seldon
The nostalgia of the past carries a lot of history. It is crucial to remember to appreciate how far society has come when looking backward at history. Advancements and strides in equality and inclusion have added diverse character and tones of unity to society.
However, modernity has its downfalls. Quality and brand
Recently, the fashion community has been raging about sustainability. Still, with excessive quantity and production rates at the forefront of the manufacturing industry, the consumer mindset of disposability continues to thrive. The modern choices for manufacturers often boil down to the most inexpensive options: screen printing over embroidery, pleather over durable leather, polyester over natural fibers and quantity over quality. This shift is depleting the sustainability of second-hand shopping and making heirlooms for future generations scarce.
The 1950s diners and 1990s racing stadiums undoubtedly flow with personality, recognizing fan favorites like individualism and stellar standards that prove the impact of quality. Without such standards, there may not be many items to represent the recent decades. By combining creative touches of character with excellent craftsmanship, impactful leaders and sustainable practices, these efforts can ensure the past will maintain its place in the future.
mini skirts have been resurfacing through the latest trends, from denim, print, patterns and even leather The mini skirt was first popularized in London during the early ‘60s, when British designer Mary Quant had the idea to shorten the skirt to sit above the knee rather than below.
Quant’s plan to let women’s legs free symbolized female independence.
Popular fashion icons of the time hopped on the trend and soon the mini skirt went global. At this time, society was accustomed to strict modesty rules for women. The trend led to great controversy as the masses deliberated whether or not women should be allowed to wear the periodically provocative style. Opinions on mini skirts were split down the middle.
Writers:
Models:
Spread
While most women embraced the new “scandalous” fashion, some women remained skeptical and anxious. Some businesses refused service to women wearing the mini skirt. A few African states implemented national bans to prevent the popularization of the trend. A group of women had enough when The House of Dior did not have any mini skirts at their 1966 fashion show. Strong-willed women protested outside the show holding signs that read “mini skirts forever” and “support the mini skirt,” symbolic of their refusal to go back in time.
Style: Saniah Pringle
Glam: Sanjida Ahmed, Yejin Moon
Photo: Maya Kolton, Olivia Gamelin
Saniah Pringle, Ashlyn Gordy
Renee Marsack
Designer: Ava Isham
Half a century later, the mini skirt remains a staple, and can be found in the closets of modern fashionistas
Every few years, it re-emerges as a major trend. So, what keeps this iconic piece so relevant? From highend runways to Pinterest boards, some may lean into the aesthetic that the mini skirt brings — both vintage and fearlessly modern. For a casual vibe, consider a denim mini paired with chunky sneakers and a solid colored camisole. For a more elegant look, style a satin, pleated mini skirt with a blazer and knee high boots for a chic, modern statement. The mini skirt is a versatile addition to any wardrobe, making it a staple piece for an individualistic and unique style.
Beyond the seams and fabric, the mini skirt has been a symbol of women’s solidarity and self-expression. For many, it’s an emblem of power bursting through the dressing room curtains, ready to be heard. For others, it’s a nostalgic feeling, worn with a mix of admiration and humor. The most iconic characteristics of style are creativity and confidence; key factors in the beloved self-expression of the fashion world.
