DESIGN INTEGRATION 2 - KHOR JOO CHING by vicmia

P O R T F O L I O THE TEA LIBRARY KHOR JOO CHING 20101213/1 ARC6111: DESIGN INTEGRATION YEAR 3 SEMESTER 5

 THEME RESEARCH \INTERIM REVIEW - PROJECT INTRODUCTION - INITIAL STUDY - PROGRESS OF RESEARCH - PROGRAMMES - BUBBLE DIAGRAM - ABSTRACT MODEL - CONCEPT STATEMENT\FINALSKETCHESREVIEW-CURRENTSITUATION-CONCEPTSTATEMENT-PRELIMINARYIDEAS

What does POST-COVID ENVIRONMENT means? For me, the post-COVID environment means that many things have changed. For exam ple, the rapid development of online stores, more and more people are trying to get in touch with the sideline business of micro-business, and the concern about health and improving the immunity of the individual’s body. This is the stage where we are now. This is the post-pandemic environment as I understand it.

PROJECT INTRODUCTION

IN A POST COVID ENVIRONMENT

What does FUN means? The meaning of fun is something that is enjoyable (an enjoyable experience). For me, FUN means very interesting things, can be played, can be enjoyed, can be decompressed, can be relaxed, it is a thing that makes people feel happy.

BCU X MIA l Major Project l Theme Research - Interim Review

What does art space means? Art is a cultural phenomenon created by people in order to better satisfy their own comfort needs for subjective de ciencies and the behavioral needs of emotional organs. Art is a special way for people to play entertainment games in daily life, and it is also an important means for people to communicate with each other. It belongs to the category of entertain ment game culture. For me, ART SPACE is to do art-related things in the space, such as painting class, dance performances, art exhibitions, music seminars, etc.

1. Sketches -

Thoughts and changes in the essence of art and Howdesignto understand the impact of the post-pan demic era?

2. Exploration Stu - ART SPACE FOR FUN IN POST-COVIDCOVID-19ENVIRONMENT

Unprecedented impact on the art scene

Online Learning Because Covid-19, All schools in Malaysia use online teaching to avoid the rapid spread of the pandemic. More Time at Home You can spend more time with your family during the MCO period, watching movies, chat ting, cleaning, painting, etc. More and more people are buying things online In the area where I live, I can see a lot of people going to Bomba to pick up packages, and every one will keep a distance of 1m. Meet friends online Even if we live in the same area with friends, we still choose to meet online and watch movies together using online commu nication platforms

What can my major do for the current social di culties?

-By combining own reasons for aspirations and discussing the contributions of artists and designers to society, it can better demonstrate the importance of research themes and reasons for aspirations.

INITIAL STUDY

BCU X MIA l Major Project l Theme Research - Interim Review

The once lively art museums are forgot ten, and art institutions and spaces used for lively discussions, such as design exhibition areas full of new discoveries, are gradually disappearing. Undeniable that a sense of site is very important. From the perspective of human feelings, the superimposition of the space and environment on the scene can make an art or design work the most complete display. Even if online exhibitions have become a helpless choice during the pandemic and post-pandemic periods, it still allows everyone to see more possi bilities. For example, it is not necessarily not be a better possibility that people who have no conditions to go to the scene can learn about art through new ways and means.Resistance under the status quo and healing by art Art can relieve stress in special times and show the healing side of art. Children who stay at home express and relieve anxiety and heal themselves through fairy tale paintings. Look around

Post-pandemic and changes in social life

The pandemic has changed the way of life and action, and needs and Social art activities have also been changed. Avoiding the gathering of people is just super cial during the pandemic. In fact, health is the most important thing. The adjustment of the surrounding environ ment and relations is also an important characteristic of the post-epidemic era. Post-pandemic and changes in social life

CashierArtist

The advantage is that no matter the distance, anyone can join the line. There is no need to pay extra transportation fees to go to the art exhibition, which is the advantage of online art exhibitions. In addition, because of the pandemic, everyone began to pay attention to their own health and how to improve their immunity. However, to improve immunity, the most important thing is diet, so I want to add healthy eating to my proj ect and work on creating a space that provides health and live studios. Furthermore, from isolation at home to continued isolation at home or resumption of work and school, many people have experienced such psychological twists and turns: from being unconcerned to nervous and anxious, from full of con dence to confusion and emptiness, waking up every day without stopping Being brushed by the news of the epidemic, it seems that it has been brought into the panic of the whole people unconsciously. Problem and Solution

End Users Healthy Lover Tea Lover Art Lover Stress People Art Student Galleries face the challenge of turning physical to online For many people, the pace of life wasPeopledisruptedare also starting to pay attention to their health and how to improve their immunity

Due to the pandemic, many galleries are facing the problem of lack of customers and the challenge of switching from a physical to an online model. In this regard, I propose to create a live broadcast platform station, where each artist can rent a live broadcast room to conduct live auction of their paintings or conduct online art exhibitions to communicate.

BCU X MIA l Major Project l Theme Research - Interim Review

INITIAL STUDY 3. Montage - post-pandemic and changes in social life 5. Values, Theme, Stakeholders -ValuesProvide people with a place to heal, reduce stress, and help people to get a healthier life. -ThemeHealing style healthy repast and art space Stakeholders ClientsX Users

Waiter

Chef Drawing Teacher

The Studio at KL o ers a wide range of fun and professional Art classes for adults, beginners to experienced. Teachers have a wealth of experience: using oil to acrylic medium, producing water color to mixed media art.

The rst reason is they have many teachers with rich teaching experience. The second reason is that they have no age limit, so those who are interested can join the

1. Clients BCU X MIA l Major Project l Theme Research - Interim Review

The rst reason is that I like the style of his insta page, which resembles my theme healing style. The second reason is that I also like his name very much. Liten Wooden means small wooden house, which coincides with the wooden furniture I want to use. Wooden furniture can give people a warm and healing feeling. The third reason is that his bento box also gives me a warm feeling, and the food looks delicious, which makes me very appetizing. Also provide the health of customer.

PROGRESS OF RESEARCH

The rst reason is that I like the style of his insta page, which resembles my theme healing style. The second reason is that I also like his name very much. Liten Wooden means small wooden house, which coincides with the wooden furni ture I want to use. Wooden furniture can give people a warm and healing feeling. The third reason is that his bento box also gives me a warm feeling, and the food looks delicious, which makes me very appetizing. Also provide the health of customer.

In a time of science and medicine, it's reported that an ancient medicinal—yep, that's tea—continues to show impressive bene t in the ght against COVID-19.

Theirclass.studio also provides online registra tion, the following picture is their timetable

BOH has been a leading tea producer in Malaysia since 1929. One of the few fully-integrated tea companies in the world, BOH grows, processes, packs and markets its own brand of authentic, home-grown, Malaysian teas.

Reason one, I like simple watercolor land scape paintings of healing The second reason is that he has a tea room. I just want to create a space like this that can combine art and tea house.

Tham Siew Inn Artist Gallery was founded in 2001, for the past 20 years we stood and rooted in the UNESCO Heritage Core Zone of Malacca old town, sharing our creativity with visiting art lovers, collectors, designers, architects; both individuals and groups alike. We have collaborated many successful art projects including providing bespoke piece of original painting for private space, large scale unique mixed media artworks, sculptures and we also provide di erent styles of open edition and limited edition artworks for hotels, hospitals and more.

Mom’s home-cooked healthy greens are always the best – Liten Wooden You know how when we were young, our Moms always made us eat our greens and they would look so healthy that they seem unappetising to us when we were kids? Now, for those of us keen to keep t and nourish our bodies with nutritious yet yummy meals, Mom’s home-cooked healthy goodness is always the best, and that’s what Liten Wooden o ers – hearty salad bowls that are also colourful and pleasing to the eyes. Despite a limited menu, their meals are lovingly prepared and well-portioned. Their homemade tomato sauce is also well-loved by customers!

This case is combinationaofcafeandart

Photo: Xu Studio, Lin Zijun New Media Artist: Fito Segrera

BCU X MIA l Major Project l Theme Research - Interim Review

Main materials: terrazzo, stainless steel, glass Learning the design of dining area, one inspirartion thing is see how the designer use something to link the art and cafe together. On this project, I saw they used the art instal lation on the ceiling of dining area, Its create the cafe different the others, Because can hear the sometimes magnificent and detailed sound of the waves coming from an art installation suspended in space, aptly titled, ‘Waves’, so it is different from traditional cafe with lazy background music. And it will make the space different higher level.

Design Company: XU Studio Project Location: Shenzhen, China Project Date: 2017.12 Project area: 350㎡

PROGRESS OF RESEARCH

Large expansive open spaces, along with moveable, attachable furniture, bring exibility and unlimited possibili ties to the project’s function and opera tion, among them: cafe, F&B, seminar salons, art exhibitions and immersive theater performances. Spatial and functional exibility, as well as adapt ability of design to local conditions, combine to reinforce Extra Time’s hallmark as an ‘anti-franchise franchise’.

XU Studio has specially customized the Frame series table for Extra Time at Sea World Culture and Arts Center. The concept consists of a simple metal frame supporting a simple wooden tabletop. A misalignment of approximately 5cm allows for natural breaks between tables. However, when needed, the tables can join up to instantly and seamlessly form a longer table.

Design team: Xu ShiJin, Xu Yijun, Luo Chengyu, Ding Ling, Liang Shanshan, Jiang YuSang, He Zhiwei

Lighting consultants and construction: Lifor Lighting Consultant

2. Case Study - Combination of Restaurant and Art Gallery + Customized table series

Learning from the layout, I saw they have create many entrance for people to choose to enter the space where they want to go.

Joan Littlewood Cedric Price

THE DEER PARK” is an exhibition sponsored by Birkenstock, designed by Tang Jiansong architectural space for young artist Jiang Sheng of Buddhastatues sculpture and fash ion design brand MSMIN during Fashion Week in Shanghai. The concept of the temple was not yet formed, and the Dharma proclaimed in the open garden, which is very similar to the pattern of western civilization of square. “Deer Park” is intended to take the meaning of “The place where ideas converge and communicate.” picture from the instagram where she take the picture at Tham Siew Inn Artist Gallery. It looks like a chair in the park, and then it feels like she is taking pictures in the park. This project is very interesting. This can create a indoors feeling almost like outdoors feeling, but the only downside is that it lacks of sunlight. In conclusion, this project inspired me to create a art exhibition indoors that looks like being outdoors, with sunlight and green plants. In addition, green plants can make the surrounding look calm and cool. It is what I think suitable for art exhibition.

BCU X MIA l Major Project l

3. Case Study - How the relationship between art and geenery at the same space Theme Research Interim Review

The Fun Palace GROUP / LEE JING WEI

Fun Fun andembodieshadTheaccumulationspaceAfterwards,established.compiledingThePask'scomputerdesignHisniquesPalaceideasuserstoprojecttoarchitecture

The original idea of "Fun Palace" actually came from a pioneer producer Joan Littlewood. She has always wanted to create a new theater model: "A theater is not composed of a stage, actors and audiences, but a purely performing and interactive theater, like a complex of London's public gardens, concert halls and streets. The audience is not just the audience, but the actors themselves.

design drawings that this is a completely exposed steel structure, with space created by prefabricated modules. Almost all components can be dismantled, moved, and reassembled.

(Cedric Price and structural engineer Frank Newby designed the structural matrix of the bridge crane to allow the assembly of prefabricated modules)

Project: “The Deer Park” ExhibitionAddress: Shanghai China Area: 400m²Type: Art Exhibition Design Time: July 2017 – October 2017Architect: Tang Jiansong Assistant Architect: Li Yihao Photographer: Xu XiaodongStatue: JiangSheng plan: showing the layout of green plants with geometric forms, gold foil re ective backplanes and the sculptures

"Fun Palace" Design Process

4. Primary Case Study - Fun Palace (Group Work)

In order to create a space where people shuttle in the afternoon courtyard in the exhibition, the architects designed two elements throughout the audi ence, one of which is a huge green plant geometric modeling, and the other is covered with gold foil re ective backplane.

PROGRESS OF RESEARCH

In the 1960s after World War II, Britain began to gradually recover its economy and prospered its soci ety. Young people yearn for freedom and advocate enjoyment. "Time" also gave London a small nick name "swinging London" (swinging London). Both music fashion and social development have been

Of course, architects are not to be outdone. At that time, the British construction industry and engi neering equipment exhibition industry developed rapidly, which gave birth to the avant-garde archi tecture group Archigram at that time. Price studied at Cambridge University and AA College in this context. Therefore, many of his designs are not buildings in the traditional sense, but rather consider a kind of uncertainty and instability.

The latest computerized punch card system would track and allot resources for various activities. theoretical framework to conceive social situations among competing players and produce optimal decision-making of independent and competing actors in a strategic setting.Cybernetic could help Fun palace to generate sta tistics of what the audience want and control them In a systematic way. But Game Theory are able to calculate and predict what audience want and "Long term performative Strategies” In Conclusion, the idea of applying cybernetic & Gametheory system in operating a Building is pretty Insane and Impossible back then in 1962. Therefore, this Idea is actually happening in today, technologies are improving and people would accept this innovations.

87CASE STUDIESGROUP / ONG ZHEN CHUEN PROGRESS OF RESEARCH BCU X MIA l Major Project l Theme Research - Interim Review

Pask plans to use an array of sensors and inputs that would provide real-time feedback on use and occupancy to computers

Using game theory, real-world scenarios for such situations as pricing competition and product releases (and many more) can be laid out and their outcomes predicted. Scenarios include the prisoner's dilemma and the dictator game among many others.

Price, Little Wood, and Pask considered that Fun Palace could be controlled by it requires “system” to work out by its own.

José Hernández (2015) From the Fun Palace to the Generator Cedric Price and the conception of the first intelligent building. ARQ (Santiago) Available at: lo.php?pid=S0717-69962015000200007&script=sci_arttext&tlng=enhttps://www.scielo.cl/scie

How it Works in Fun Palace? Game Theory How Cybernetic & Game Theory Combine Zhen Chuen’s Thoughts

GROUP / GOH ZENG HUANG Palace" and Cybernetics will eventually develop into a complex of architecture, theatre, and new construction tech it’s over. But it's not that simple. Cedric Price thinks: coincided with Gordon Pask, a cybernetic expert at the time. Immediately afterwards, the "Fun Palace" deviated from the normal architectural design process and began to develop in technology, psychology and sociology. cybernetics team proposed to treat "Fun Palace" as a building based on computer technology. of the building will be regarded as data. Put people sensors and access devices in the build collect users' interests and activity preferences, and then assign priority levels. These data will be by IBM360-30, the most advanced computer at the time, and general user trends will be Afterwards,established.the building will relocate movable walls and walkways according to user needs to form a meets user needs. This process will continuously optimize and self-improve through the accumulation of parameters. project was repeatedly hampered (with a suspense)in itsimplementation, and eventually Price give up. But thedesign of Fun Palacehas had a profound impact on future generations. It a new way of thinking about architecture, whether it is the relationship between people architecture or the relationship between architectural design and science and technology.

BBC News (2015) Can game theory explain the greek debt crisis? BBC Available at: https://www.bbc.com/news/magazine-33254857 Stanley, M. (2005). The Fun Palace: Cedric Price’s experiment in architecture and technology. Technoetic Arts, 3(2), pp.85-86.

Cybernetics & Game Theory

Procedural cybernetics diagram designed by Gordon Pask for Fun Palace 86CASE STUDIES

Father of Cybernetic: Norbert Wiener Fun Palace’s Cybernetician: Gordon Pask Game theory Pioneer: John Von Neumann

“The science of communication and control theory that is concerned especially with the comparative study of automatic control systems (such as the nervous system and brain and mechanical-electrical communication systems)”

“The key pioneers of game theory were mathematician John von Neumann and economist Oskar Morgenstern in the Game1940s.theory has a wide range of applications, including psychology, evolutionary biology, war, politics, econom ics, and business.”

88CASE STUDIES PROGRESS OF RESEARCH BCU X MIA l Major Project l Theme Research - Interim Review 89CASE STUDIESGROUP / GOH ZENG HUANG

Design Concept of the Pompiduo Centre

1. Exposing infrastructure of the building Why exposing the infrastructure of the building ? It helps to maximize the internal space when turned the contrusction inside - out and exposed a skeleton of brightly coloured tube for mechanical systems.

P lug-In City was devised to promote the circulation and accelerate the city-in-flux . The clean, zoned, hierarchical separation that charac terized orthodox urban planning gave what to what Cook would call the “ come-go ” of Plug-In-city. Urban experience would consequently be less determine, physically and mentally. If city planning had tradi tionally encouraged contemplation of the fixed and ideal archi tectural object, Plug-In planning promoted architecture as an event that could only be realized by the active involvement of its inhabitants. It was a supposition that would be generally accepted by avant-gar des working in the wake of Archigram in the 1960s, such as Coop Him melblau, Haus-Rucker-Co, and Utopie.

90CASE STUDIESGROUP / KHOR QIU MEI PROGRESS OF RESEARCH BCU X MIA l Major Project l Theme Research - Interim Review

Archigram's Plug-In City 1962-1964 Interestingly, Pieter Bruegel painted in the sixteenth century a representation of the Tower of Babel as building that is constantly redefining its needs, as it grows larger and more complex. The painting depicts a tower piercing the clouds, show ing all the problems then associated with cities, buildings and life within and the constant change and reaction to new situations during the process of building.

But is this influences by the ‘Fun Palace’ ? In this project, they just influences the open forms and flexible space to conceptualize the Pompiduo Centre.

How to identify the colour used for ? Blue is for air, green is for fluids, yellow is for electricity cables and red is for the movement and flow (elevators and stairs) and safety (fire extinguishers).

The problem with that framing is that Archigram’s work still looks decidedly like the future half a century later. It’s a big, bold look back at a group whose big, bold ideas—collectivist housing, flexible design, and architecture with wit, verve, and humor that seems transposed from comic books—made a massive impact onAdesign.rchigram had not arrived at a workable architecture of technology and ‘‘environments’’, but they had come up with an attractive set of proposals for what this architecture might look like, and in doing so had most successfully achieved the powerful ‘‘ imagebility ’’.

ARCHIGRAM PLUG-IN CITY

2. Circulation / movements they apply How to form the movements in the space ?

91CASE STUDIESGROUP / PROGRESS OF RESEARCH

Jean Prouvé (April 8th, 1901 - March 23rd, 1984) a French engineer and designer Main achievement was transferring the manufacturing technology from industry to the architecture, without losing the aesthetic qualities.

91CASE STUDIES Design Concept of the Pompiduo Centre 1. Exposing infrastructure of the building 2. Circulation / movements they apply Why exposing the infrastructure of the building ? It helps to maximize the internal space when turned the contrusction inside - out and exposed a skeleton of brightly coloured tube for mechanical systems. How to identify the colour used for ? Blue is for air, green is for fluids, yellow is for electricity cables and red is for the movement and flow (elevators and stairs) and safety (fire extinguishers). But is this influences by the ‘Fun Palace’ ? In this project, they just influences the open forms and flexible space to conceptualize the Pompiduo Centre. How to form the movements in the space ? This is one of their competition drawings as a collage works, which was portraying the museum itself as a movements. What is in my mind ? In my opinion, it is influences by the works of Cedric Price who experimented in 1960s is because it contains a large six story coloumn (free space) and it allows the interior space ro be easily rearranged by placing building services.

While there, he worked in the studio of Franco Albini, the master of Italian Neo-Rationalism, celebrated for elegantly melding the traditional and technological in his architecture and furniture design.

This is one of their competition drawings as a collage works, which was portraying the museum itself as a movements. What is in my mind ? In my opinion, it is influences by the works of Cedric Price who experimented in 1960s is because it contains a large six story coloumn (free space) and it allows the interior space ro be easily rearranged by placing building services.

British-born architect and educator She was a co-founder and partner in Team 4, and a partner in Colquhoun, Miller and Partners, which became John Miller and Partners in 1990.

92CASE STUDIESGROUP / LAI PI JIA

TAN ZHAN ZHAO

Perhaps Rogers' most famous building and a clear expression of his inside-out architecture, Centre Pompidou drew global attention to both its architects and the high-tech movement.

Richard George Rogers (born 23 July 1933) an Italian-British architect noted for his modernist and functionalist designs in high-tech architecture.

Designed with Italian architect Renzo Piano, the art gallery has its structure and mechanical services visible on the exterior of the building, creating open, flexible interior spaces.

This school came together with the intent of making art readily accessible, to forge a relationship between art and industry, and to articulate a link between art and social consciousness.

ARCHITECTURAL TEAM Centre Pompidou, Paris, France (1977)

Susan Jane Rogers known as Su Rogers (born 22 February 1939)

Born in Nancy so he grew up surrounded by the ideals and energy of his father Victor Prouvé's art collective, "l'École de Nancy".

BCU X MIA l Major Project l Theme Research - Interim Review

Renzo Piano (born 14 September 1937) a world renowned Italian architect and recipient of the Pritzker Architecture Prize. Piano was born in Genova, Italy, in 1937. His interest for architecture came from his father who was a builder. He was educated and subsequently taught at the Politecnico di Milano.

Best known for her work with Renzo Piano and her first husband, Richard Rogers, designing the ground-breaking, high-tech arts building, the Pompidou Centre

By comparing with Fun Palace, the structure moves from the traditional organization of the structure to external which inspire by Fun Palace, so that the interior space can be more flexible and broad.

MATERIALSGlassI-beam Steel CENTRE POMPIDOU STRUCTURE ANALYSIS

CirculationHorizontal

Pair of X braces resolved into a single base to pin connection with the ground.

AirEmergencyCirculationConditionerSystemSteelStructure 10 levels of 7,500m2 each Length: 166m Width: Height:60m42m

Hollow round members are capped by cast U-shaped member. Fixed joints are designed to be stabiliser rather than to perform corporately with the main system.

CirculationVertical

Although Centre Pompidou are successful in transforming the simple expediency of the Fun Palace into a formal exercise in high-tech aesthetics. However the other structure design by the Fun Palace are not used in Centre Pompidou. It is because the mechanical systems are most likely lead to failure.

From the inspration of Fun Palace, Centre Pompidou create three different circulation with two of the circulation by the tube pum bling idea. Fun Palace are using external circulation, however Centre Pompidou are not.

93CASE STUDIESGROUP / LAU HAO RENPROGRESS OF RESEARCH BCU X MIA l Major Project l Theme Research - Interim Review

Basement are made of reinforced concrete. The concrete below picks up the loads from the steel columns.

What is the minimum width required for an escape? Where did you nd this information The minimum width required for an escape : Must be at least 28 inches wide at all points. If there is only one exit leading to the exit, the width of the exit must be at least equal to the width of the outlet channel. Information found in OSHA Fact Sheet

PROGRESS OF RESEARCH

GROUP II - INSTITUTIONAL GROUP III - OTHER RESIDENTIAL GROUP IV - OFFICE GROUP V - SHOP GROUP VI - FACTORY GROUP VII - PLACE OF ASSEMBLY GROUP VIII - STORAGE OR GENERAL / OTHERS NOT INCLUSIVE

5. Group 3 - Exercise 1 (UBBL - FIRE STRATEGIES)

From the 5th schedule of UBBL, what is the ‘purpose group’ of the project building?

FROM I-VII

What is the maximum permitted distance of travel to an exit? The maximum permitted distance of travel to an exit : In a building without sprinkler systems, the maximum travel distance to an exit must not exceed 150 feet. In a building protected by approved and supervised sprinkler systems, it must not exceed 200 feet.

What is the minimum number of exits required? Where did you nd this Minimuminformation?number of exits required: Must have at least two exit routes to permit prompt evacuation of However,employees.if the number of employees, the size of the building, and the layout of the workplace does not allow employees to evacuate safely, then more than two exits are required. Information found in OSHA Fact Sheet

Information found in Bomba guide section 4.4.11 (ii) Page 73 & 168 (1) & 177 (d,e) Page 63/66

What width must a door be in a public building? Where did you nd this information? In both public and common use spaces and within dwelling units, the wall thickness of all cased openings must be no greater than 24 inches if the width of the doorway or passage is the minimum 32 inches. Doorways with a depth greater than 24 inches must be widened to provide the 36-inch minimum clear width for an accessible route. What is the minimum distance between seatings in your theater? Where and how did you nd this information?Information found in Bomba guide section 4.4.12.1 Page 74

GROUP I - SMALL RESIDENTIAL

Information found in UBBL, Section 106 (1) (Page 39) What is the required height of a staircase handrail in a public build ing? Where did you nd this information? In building other than residential building, a handrail shall be provided on each side of the staircase when the width of the stair case is 1100 millimetres or more.

(3) The required width of a staircase shall be the clear width between walls but handrails may be permitted to encroach on this width to å maximum of 75 millimetres.

What width must a staircase be for a public building? In any staircase, the widths of staircases shall be in accordance with by-law 168. (1)168.Except as provided for in by-law 194 every upper oor subcnes. shall have means of egress via at least two separate staircases. (2) Staircases shall be of such width that in the event of anÿ one staircasé not being available for escape purposes the remaining staircases shall accommodate the highest occupancy load of any one oor discharging into it calculated in accordance with provi sions in the Seventh schedule to these By-laws.

6. Group 3 - Exercise 1 (UBBL - ACCESS STRATEGIES)

Information found in UBBL, Section 107 (3) (Page39) What is the minimum number of staircases you need? By-law 168 and 177 stipulate that every upper oor shall have means of egress via at least two separate staircase (with exception of By-law 194), assuming exit distances are complied with. A minimum of two staircases are therefore required for compliance. Except as provided for in by-law 194 every upper oor shall have means of egress via at least two separate staircases. Except as [rpvided in these By-laws, the minimum number of exits is Attwo.least one of the staircase should be a minimum of two units width except that 900 milimetres may be allowed where total occupancy of all oors served by staircases is less than 50.

BCU X MIA l Major Project l Theme Research - Interim Review

(5) Doors giving access to staircases shall be so positioned that their swing shall at no point encroach on the required width of the stair case or landing. What is the maximum and minimum rise and going for a public staircase? Where did you nd this information? In any staircase, the rise of any staircase shall be not more than 180 millimetres and the tread shall be not less than 255 millimctres and the dimensions of the rise and the tread of the staircase so chosen shall be uniform and consistent throughout.

(4) The required width of a staircase shall be maintained throughout its length including at landings.

PROGRAMMES & BUBBLE DIAGRAM & ABSTRACT MODEL BCU X MIA l Major Project l Theme Research - Interim Review LITENBOHWOODENX THAM SIEW INN GALLERYARTIST THEATSTUDIOKL \ BAR COUNTER \ DINING AREA \PRIVATE DINING AREA \ KITCHEN \ TEA TASTING ROOM \ TEA RETAIL AREA \ ART EXHIBITION \ GREENERY SPACE \ ARTIST STUDIO \ LIVE BOARDCAST ROOM \ PAITING AREA \ STORE ROOM 1. Programmes 1. Bubble Diagram 1. Abstract Model

According to Research Data Information, I would like to create a healing space, drink a cup of tea, warm to your heart, and let the artist's artwork to heal you, or join the painting studio draw your emotion to relieve stress. And the concept idea is let nature come in the space, create a bucolic refuge in the midst of a great bustling city. I would like to used the arches and circle element more inside the space. The one reason, circles are in Chinese compo sition, representing the end of each sentence, or the beginning of another sentence. So, I would like to used this meaning element in the space, tell to the people, when you enter the space, you will say goodbye to your pain, your stress, your trouble, then say hi to the new life, to enjoy everyday you have, and to cherish anything beside you, include your family, your friends, your pet. To believe that the future will be better.

CONCEPT STATEMENT

BCU X MIA l Major Project l Theme Research - Interim Review

Image 02 Global burden of major depression and anxiety by age and gender in 2020

On December 8, 2019, COVID-19 spread from Wuhan to various countries. The special period of MCO home isolation has disrupted the rhythm and plans of many people's lives. In addition, the freedom of being restricted and being locked at home every day has caused many people to lack interest in anything and have confused thoughts, resulting in negative emotions and negative attitude, etc. In severe cases, it can lead to an increase in anxiety disorders. And according to research (Image 01), if without COVID-19, model estimates indicate that there will be 298 million cases of anxiety disorders worldwide in 2020 (3,825 cases per 100,000 people). Actual

Image 01 : Global prevalence of major depression A and anxiety B during COVID-19 in 2020 analysis shows that there will be 374 million cases in 2020 (4802 cases per 100,000 people), an increase of 26%. Nearly 52 million of the new cases are women and about 24 million men. In 2020, the number of women su ering from anxiety disorders has increased by nearly 28%, while men have increased by 22%. Overall, women are twice as likely to su er from anxiety disor ders as men. Also, according to research (image 02), com pared with the elderly, young people are more susceptible to major depression and anxiety. Severe depression and anxiety disorders peaked in people aged 20-24, and decreased with age, with an increase of 1118 cases of major depression per 100,000 people and an increase of 1331 cases of anxiety disorders per 100,000 people. In summary, research shows that major depression and anxiety disorders have increased by 28% and 26% globally in 2020, and the prevalence of living in countries severely a ected by COVID-19 has risen sharply, among which women and young people are a ected maximum.

。。。。。。。。。。。。。。。。。。。。。。。。。。。。。

SKETCHESBCUXMIAlMajorProjectlTheme Research - Interim Review

X MIA l Major Project l Theme Research - Final Review

The impact of COVID-19 more and more people focus on how to increase their healthy

Eventually, most of peoples know about tea, but they don’t know tea history.

CURRENT SITUATION

As one of the most important elements in people's daily lives, tea culture is our inexhaustible treasure house. It has an impact on people's thoughts, design, culture and so on. The rich and varied meanings and connotations of traditional tea culture are worth and learning from many industries. At the same time, after the arrival of the new century, the library construction and development of got more and more people's attention, in the process of construction of the pursuit of personalized and humanized service, the traditional tea culture elements has long through the innovation of countless new dynasties. People who love tea have formed their own innovative way of drinking tea which are di erent steps to be followed before drinking tea which itself is an art. It begins from the selection of aged tea leaves from the various tea growing areas like Japan and China. The methodology involves the way how the tea is cooked in hot water, and the exact time needed for the tea to be brewed and served before drinking. These also applies to the various types of tea set that are used at di erent times such as during tea ceremonies at weddings, o cial and social functions. It had been found that in Malaysia that they are very few places where tea drinking has been catered for people who want to just drink traditional Chinese tea, although they are places where traditional or medicated tea is served at local co ee shops or Dim Sum is served early in the morning. It can be seen that some customers even bring their own brand of tea and tea set to drink their tea there with their friends. My research also found that they are no speci c places in Malaysia where one can study or do their person al work or even have group discussions with Chinese tea served there. Unlike places like Starbuck which allows students or people to study there but they do not serve Chinese tea. They may be places which are not tea-themed but instead co ee-themed like Starbucks. It is common knowledge, only elderly Chinese community know about tea history, culture and the art of drinking tea. As such the younger generation do not possess this speci c knowledge about drinking tea and its history. The main intention of this paper is to popularise the tea drinking culture to the younger Chinese generation so that this art of tea drinking which has many positive attributes is not lost in the future and this tradition be carried on and not forgotten by the younger generation in this country. Therefore, this project paper has a dual-prong purpose which would kill two birds with one stone that is to preserve a dying culture and provide a place for students to study or work in a safe and a comfortable learning environment during this present post-covid era. My design concept is tea-themed because Chinese tea has many medical bene ts in terms of longevity and preserving traditional Chinese culture in a safe environment.

Tea culture is one of the most important elements in Chinese daily life. After observation, Malaysia lack of places for people to study their work. Malaysia has a lower percentage of tea-themed shops than coffee-themed shops.(Most peoples know about tea are elder people)

BCU

CONCEPT STATEMENT

BCU X MIA l Major Project l Theme Research - Final Review

My vision is The Tea Library where the building houses a place for tea drinking, studying, discussing or socialising in the same building which we now call The Tea Library.

The Tea Library has three oors, covers a total area of about 1000 square meters, and has a collection of about 10,000 books. It is a combination of teahouse and small library. In the library section, there are many handmade crafts of ceramic artists, murals of tea culture and gardens and so on. The Tea Library is inspired by the natural landscape of the tea garden where the entrance into the building is anked by murals depicting a landscaped-tea garden. The oor is designed like a pathway in a garden leading to the tea gallery and the walls cover with the history of tea. Walk ing into the store will bring customers a relaxing experi ence. It is di cult nowadays to nd a place to relax, study or discuss in modern cities like Penang, Kuala Lumpur or even Singapore. Although there are tea shops like Tealive, Taboba, BaWangChaJi and so on but unfortunately these are not designed for relaxing or studying because there is no privacy with many people walking in and out and there fore these tea shops are not conducive for relaxation or Atstudying.TheTea Library, customers can choose their favourite tea utensil types of tea, snacks and also choose the area where they would like to sit for example, in the open area or cubi cled spaces and a library with about 10,000 books available for their reading pleasure. There is a RM10 entry fee for open-space seating and di erent fee structure for cubicled areas. The Tea Library is opened 24-hours per day. The RM10 is considered as a cover charge which includes drinks and snacks. Dining is only allowed at the open areas and not the cubicled areas.

PRELIMINARY IDEAS (SKETCHES) BCU X MIA l Major Project l Theme Research - Final Review

FIELD STUDY \MACRO-SITE LOCATION - HISTORICAL ANALYSIS - SITE CONTEXT - TRAFFIC ANALYSIS - VEGETATION - POPULATION & ACTIVITIES \MICROANALYSIS-ANNOTATION-SITEPLAN-LAYOUTPLAN-ROOFPLAN-SECTION-ELEVATION&VIEWS-ISOMETRICVIEW-BUILDINGSTRUCTURE

SITE LOCATION - THE ROW KL BCU X MIA l Major Project l Field StudyADDRESS:-MACRO22-64, Jalan Doraisamy, Chow Kit, 50300 Kuala Lumpur, Wilayah Persekutuan Kuala Lumpur.

HISTORICAL ANALYSIS BCU X MIA l Major Project l Field Study - MACRO

SITE CONTEXT BCU X MIA l Major Project l Field Study - MACRO

TRAFFIC ANALYSIS BCU X MIA l Major Project l Field Study - MACRO

COCOS NUCIFERA LEGENDS NUCIFERACOCUS POPOWIA VELUTINA KING VELUTINAPOPOWIAKING PTEROCARPUS INDICUS PTEROCARPUSINDICUS PELTOPHORUM PTEROCARPUM PTEROCARPUMPELTOPHORUMLAGERSTROEMIA SPECIOSA LAGERSTROEMIASPECIOSA FICUS BENJAMINA BENJAMINAFICUS SAMANEA SAMAN SAMANEASAMAN 25SITE ANALYSISVEGETATION / JOO CHING AND HAO REN VEGETATIONBCUXMIAlMajorProjectlFieldStudy - MACRO

POPULATION & ACTIVITIES ANALYSIS BCU X MIA l Major Project l Field Study - MACRO Kuala Lumpur is the capital of Malaysia, it is the largest city in Malaysia, and Chow Kit is a part of it. Kuala Lumpur covers an area of 243 km² with an esti mated population of 1.75 million as of 2020.

ANNOTATION - GROUND FLOOR BCU X MIA l Major Project l Field Study - MICRO PULOLIMA SPACEEVENTRESTAURANTCOMMONGRINDMOJOANDBAR GRADENPULPY TAKEBAYASHIKAPPO TWOOX BOUTIQUEBATIK CHAMBER 3 LAYOUT PLAN (GROUND) SCALE 1: 250 @ A3 43SITE BUILDING INFOGROUND FLOOR ANNOTATION / KHOR QIU MEI

LAYOUT PLAN (FIRST) SCALE 1: 250 @ A3 SALOONSWITCHHAIR CONSULTANCYTAILOR SHADESKL BOUTIQUEBATIKOFFICE SPACEEVENT SPACEEVENT 44SITE BUILDING INFOFIRST FLOOR ANNOTATION / KHOR QIU MEI ANNOTATION- FIRST FLOOR BCU X MIA l Major Project l Field Study - MICRO

LAYOUT PLAN (SECOND) SCALE 1: 250 @ A3 45SITE BUILDING INFOSECOND FLOOR ANNOTATION / KHOR QIU MEI ANNOTATION - SECOND FLOOR BCU X MIA l Major Project l Field Study - MICRO

ROOF PLAN SCALE 1:150 1:3000 1:30001:30001:20001:2000 1:2000 46SITE BUILDING INFOROOF ANNOTATION / KHOR QIU MEI ANNOTATION - ROOF BCU X MIA l Major Project l Field Study - MICRO

SITE PLAN (GROUND) SCALE 1: 250 @ A3 ENTRANCE PARKING LOT JALAN DORAISAMY JALAN DORAISAMY PULOLIMA SPACEEVENTRESTAURANTCOMMONGRIDNMOJOANDBAR GRADENPULPY TAKEBAYASHIKAPPO TWOOX BOUTIQUEBATIK CHAMBER3 47SITE BUILDING INFOSITE PLAN / ONG ZHEN CHUENSITE PLAN (GROUND) BCU X MIA l Major Project l Field Study - MICRO ROOF PLAN SCALE 1:150 1:3000 1:30001:30001:20001:2000 1:2000 46SITE BUILDING INFOROOF ANNOTATION / KHOR QIU MEI

PULOLIMA SPACEEVENTRESTAURANTCOMMONGRIDNMOJOANDBAR GRADENPULPY TAKEBAYASHIKAPPO TWOOX BOUTIQUEBATIK CHAMBER3CABDEF 1 2 3 4 5 6 7 8 9 10 11 12 13 14 LAYOUT PLAN (GROUND) SCALE 1: 250 @ A3 70970 6075 6075 6075 6075 6075 6075 6075 6075 6075 6075 6075 2889 1425 21413 60005400195042753788 A'AB B' 48SITE BUILDING INFOGROUND FLOOR PLAN / ONG ZHEN CHUEN SITE BUILDING INFO BCU X MIA l Major Project l Field Study - MICRO

LAYOUT PLAN (SECOND) SCALE 1: 250 @ A3 CABDEF 1 2 3 4 5 6 7 8 9 10 11 12 13 14 70970 30375 6075 6075 6075 6075 6075 6075 4324 21413 7350378842756000 A'AB B' 50SITE BUILDING INFOSECOND FLOOR PLAN / ONG ZHEN CHUEN LAYOUT PLAN - SECOND FLOOR BCU X MIA l Major Project l Field Study - MICRO

ROOF PLAN SCALE 1: 250 @ A3 1:3000 1:30001:3000 1:2000CABDEF 1 2 3 4 5 6 7 8 9 10 11 12 13 14 70970 30375 30375 6075 4324 21413 6000735042753788 A'AB B' 1:20001:2000 51SITE BUILDING INFOROOF PLAN / ONG ZHEN CHUEN ROOF PLAN BCU X MIA l Major Project l Field Study - MICRO

SECTION A-A' SCALE 1: 250 @ A3 1 2 3 4 5 6 7 8 9 10 11 12 13 14 71869 6075 6075 6075 6075 6075 6075 6075 6075 6075 6075 6075 3750 1294 SECTION B-B' SCALE 1: 250 @ A3 GROUND FLOOR LEVEL FIRST FLOOR LEVEL SECOND FLOOR LEVEL 21413 3788 4275 7350 6000 B ADEF C GROUND FLOOR LEVEL FIRST FLOOR LEVEL 52SITE BUILDING INFOSECTION DRAWINGS / ONG ZHEN CHUEN BCU X MIA l Major Project l Field Study - MICRO

ELEVATION DRAWINGS / ONG ZHEN GROUND FLOOR LEVEL 1234567891011121314 71869 6075607560756075607560756075607560756075607537501294 ELEVATION BACK SCALE 1: 250 @ A3 GROUND FLOOR LEVEL 1 2 3 4 5 6 7 8 9 10 11 12 13 14 71869 6075 6075 6075 6075 6075 6075 6075 6075 6075 6075 6075 3750 1294 ELEVATION FRONT SCALE 1: 250 @ A3 53SITE BUILDING INFOELEVATION DRAWINGS / ONG ZHEN CHUEN BCU X MIA l Major Project l Field Study - MICRO ELEVATION

61SITE DRAWING3D MODEL / CHUAH YI WU 60SITE DRAWING3D MODEL CHUAH YI WU E FDCBA 21413 37884275195054006000 ELEVATION LEFT SCALE 1: 250 @ A3 21413 3788 4275 7350 6000 ELEVATION RIGHT SCALE 1: 250 @ A3 B ADEF C GROUND FLOOR LEVEL GROUND FLOOR LEVEL 54SITE BUILDING INFOCHUEN ELEVATION & VIEWS BCU X MIA l Major Project l Field Study - MICRO

THE ROW KL - ISOMETRIC VIEW 58SITE DRAWING3D MODEL / CHUAH YI WU THE ROW KL - ISOMETRIC VIEW 56SITE DRAWING3D MODEL / CHUAH YI WU THE ROW KL - ISOMETRIC VIEW 57SITE DRAWINGSECTIONAL STRUCTURE MODEL / CHUAH YI WU ISOMETRIC VIEW BCU X MIA l Major Project l Field Study - MICRO THE ROW KL - ISOMETRIC VIEW 59SITE DRAWING3D MODEL / CHUAH YI WU

THE ROW KL . BUILDING STRUCTURE 1.LEGENDROOF TILES 2. ROOF PURLINS 3. 2ND FLOOR ROOF TILES 4. TRUSSED RAFTERS 5. BRICK WALL WITH PLASTER FINISHING 6. I-SECTION STEEL COLUMN 7. REINFORCEMENT RIGID 6 62SITE DRAWINGSTRUCTURE MODEL / CHUAH YI WU BUILDING STRUCTURE BCU X MIA l Major Project l Field Study - MICRO

Introduction The building it has already rebuild by Studiobikin, they are divided into 4 different construction structure with all skeleton construction. The structure Support the roof only by linear elements (columns), so the space under it is not defined in the two horizontal dimensions This type offers great freedom for the introduction of generous openings which can be introduced on all sides.

63SITE DRAWINGSECTIONAL STRUCTURE MODEL / CHUAH YI WUBUILDING STRUCTURE BCU X MIA l Major Project l Field Study - MICRO

STRUCTURE 1 STRUCTURE 1 REINFORCED CONCRETE SKELETON CONSTRUCTION STRUCTURE 2 STRUCTURE 3 STRUCTURE 4 STRUCTURE 2 I-SECTION STEEL SKELETON CONSTRUCTION STRUCTURE 3 REINFORCED CONCRETE SKELETON CONSTRUCTION STRUCTURE 4 REINFORCED CONCRETE SKELETON CONSTRUCTION

Trussed frame with one direction roof structure I-channel steel column and beam Steel is tensile and has a high strength to weight ratio which means it has high strength per unit mass. So no matter how large the overall structure is, the steel sections will be small and lightweight, unlike other building materials. Steel can be easily fabricated and produced massively. Steel sections can be produced off-site at shop floors and then assembled onside. This saves time and increas es the efficiency of the overall construction process. Structural steel is very flexible. You can mould it into any shape, without changing its properties. You can convert it into sheets or turn it into wires as per the design. Structural steel is relatively cheap compared to other building materials. It is very durable. Struc tural steel structures can withstand external pressures such as eart quakes, thunderstorms, and cyclones. A wellbuilt steel structure can last up to 30 years if maintained well.

64SITE DRAWINGSECTIONAL STRUCTURE MODEL / CHUAH YI WU BUILDING STRUCTURE BCU X MIA l Major Project l Field Study - MICRO

STRUCTURE 2- CUT SECTION STRUCTURE 4 - CUT SECTION

Short columns are members in which the least cross-sectional dimension pres ent is appreciable relative to the length of the member. The load-carrying capacity of a short column is ind pendent of the length of the member, and when excessively loaded, the short column typically fails by crushing. Conse quently, its ultimate loadcarrying capacity depends primarily on the strength of the material used and its cross-sectional area. As a compressive member becomes longer and longer, the relative proportions of the member change to the extent that it can be described as a slender element, or long column. The behavior of a slender element under a compressive load differs dramatically from that of a short column

STRUCTURE 1 - CUT SECTION ISOMETRIC

65SITE DRAWINGDETAILED CONSTRUCTION METHOD / CHUAH YI WUBUILDING STRUCTURE BCU X MIA l Major Project l Field Study - MICRO

66SITE DRAWINGDETAILED CONSTRUCTION METHOD / CHUAH YI WUBUILDING STRUCTURE BCU X MIA l Major Project l Field Study - MICRO

MAIN PROJECT \THE TEA LIBRARY - PROGRAMMES - SPACE REQUIREMENT - STAKEHOLDER - PROJECT BUILDING SELECTION - FURNITURE LAYOUT PLAN - SECTION X-X - FURNITURE RENDER LAYOUT PLAN - GROUND FLOOR - 3D PERSPECTIVE - DFD MATERIALS STUDY - DFD 3D MODEL MAKING - GANTT CHART

ConclusionInconclusion,

Target audience & stakeholder

PROGRAMMES & SPACE REQUIREMENT & STAKEHOLDER BCU X MIA l Major Project l Main Project- The Tea Library \DINING TABLES \DINING CHAIRS \ SINK \SHOW\CASHIER\CABINETCOUNTER\TABLESCASEWINDOW\SCANMACHINE\TABLES\CHAIRS\BOOKSHELFS\SELF-SERVICETEADRINKING\SOCKETS\HANGING\SEATINGS\TABLES \GO CHESS TABLE \HAGING CHAIRS \DINING TABLES \DINING \SELF-SERVICECHAIRSTEADRINKING\Micro-waveoven\TABLES\SEATINGS\CABINET \MIRRORS\SINKS\TOILETS\CABINETS\SHELFS\OFFICE\OFFICE\CCTVTABLECHAIRS\SHELF \SEATINGS\SCAN\SEATING\TABLEDOOR\SOCKETS\POOLAREA\PLANTS \ \PPT\CHAIRSTABLESSCREEN

The Tea Library hopes to pursue to achieve the ideal place for tea drinkers to meet and socialise in an environ ment which is conducive and comfortable to the young and old. Whether it is work, leisure, reviewing lessons, chess games or other activities, visitors to the tea library can practice bump ing "a cup of good tea" and “Yam Cha”.

There are three stakeholders in this project. We hope to seek the cooperation from the National Library of Malaysia and also the various state libraries to source or borrow books to be place at our library. We can also source our supplies from book publishers locally or overseas publishers. Requests can also be made to the Japanese and Chinese embassies for books and materials pertaining to the tea industry. We hope that the private sectors will be able to contribute or participate in this venture. Sponsors will be able to display their company prod ucts with regard to the tea industry or the utensil used by tea drinkers. Thirdly, companies or individuals who are interested to rent out the private rooms at The Tea Library made the reservations in advance. In The Tea Library's opinion, the tea shop is not only a place for drinking tea, but also for socializing and reading books are the basic elements needed to form relationships between friends who visit there. The tea shop can also be a multi-functional gathering space to share life’s interests and promote tea drinking culture. These tea-drinking spaces pay attention to life’s experiences and the culture, focus ing on the integration of aesthetics and function.

LAYOUT PLAN (FIRST) SCALE 1: 250 @ A3 SALOONSWITCHHAIR CONSULTANCYTAILOR SHADESKL BOUTIQUEBATIKOFFICE SPACEEVENT SPACEEVENTCABDEF 1 2 3 4 5 6 7 8 9 10 11 12 13 14 70970 6075 6075 6075 6075 6075 6075 6075 6075 6075 6075 6075 2889 1425 A'AB B' 49SITE BUILDING INFOFIRST FLOOR PLAN / ONG ZHEN CHUEN PULOLIMA SPACEEVENTRESTAURANTCOMMONGRIDNMOJOANDBAR GRADENPULPY TAKEBAYASHIKAPPO TWOOX BOUTIQUEBATIK CHAMBERCABDEF 1 2 3 4 5 6 7 8 9 10 11 12 13 14 LAYOUT PLAN (GROUND) SCALE 1: 250 @ A3 70970 6075 6075 6075 6075 6075 6075 6075 6075 6075 6075 6075 2889 1425 21413 A'AB B' 48SITE BUILDING INFOGROUND FLOOR PLAN / ONG ZHEN CHUEN LAYOUT PLAN (SECOND) SCALE 1: 250 @ A3 45SITE BUILDING INFOSECOND FLOOR ANNOTATION / KHOR QIU MEI PROJECT BUILDING SELECTION BCU X MIA l Major Project l Field Study - MICRO I choose this side is because it has a rooftop, can to create a open air park or garden. Also, the building is a corner site, can have more sunlight come into the space.

FURNITURE LAYOUT PLAN BCU X MIA l Major Project l Main Project- The Tea Library OUT DOOR DINING AREA RETAIL READINGAREAAREA 1 TEAGALLERYREADINGAREA3 2AREAREADING TEA STUDIO OFFICE PLAYINGSTOREWCROOMAREAINDOORDININGAREA DISCUSSION ROOM READING AREA 4 STOREWCROOMVOID

FURNITURE LAYOUT PLAN Library

Gound Floor

OPEN AIR PARK

The rst oor mainly takes private room as the theme. The second oor provides 2 large private rooms and 6 small private rooms. The design concept of private mainly refers to the concept of renting o ce boxes in Japan. The large private room can accommodate 2-5 people, while the small one can accommodate 1-3 people. This environment is mainly for people who need private o ce space or study. The front area on the second oor houses 3 private meeting rooms. A conference room can accommodate 6-8 people. If the customer needs a bigger meeting room, we can change the layout of the meeting room freely by using partitions to make the room bigger. For example, a meeting room can be expanded from 3 small rooms to 1 large room. Moreover, the second oor is provided with Void to allow the interaction of the game area to be seen from the second oor. The Void ceiling is designed with plant lighting, which is used to reduce the heat of sunlight. Finally, there are 3 tea making spots on the second oor for customers to make tea. The overall second oor is designed to provide a quiet and private environment for customers. If customers are stressed or anxious in the box, Tealibrary also o ers two small balconies for customers to relax.Of course the oor of second oor will be made of solid wood to accentuate the tea element.

BCU X MIA l Major Project l Main Project- The Tea

STOREWCROOMVOID

Second Floor

The second oor presents relaxation mainly around the theme of open-air park, combined with the design of private room on the second oor, creating the concept of 2 large lakes and 6 small lakes. The function of huhu has a relaxing e ect. When users can't think, they can go outside to calm down and relax their interests. And the concept of the lake perfectly embodies the elements of tea. The nal oor will be decorated with green plants to relax the eyes and breathe fresh air. The overall design style is mainly to let users slow down in the fast-paced city, while allowing users to experience the combination of tea and lake element.

First Floor

The ground oor of the Tealibrary has three spaces and two smaller spaces.It has retail area, dinning area, arched garden corridor, play area and tea studio.Before we enter rst oor lets talk about business philosophy.Tealibrary operates on a one-time fee. For example, when the customer pays the admission fee, the sta will give the customer a card as admission. Customers will enjoy complimentary tea sets, tea, and snacks at Tealibrary. In the Retail Area, tea leaves and tea sets are mainly displayed for customer. If a customer wants to buy tea after experiencing Tealibrary's service. They can be purchased from retail Area sta . Secondly, considering that the business model of our shop is one-time charge and library model. The taste of the food will disturb the relaxing experience of customers, and the Tealibrary will provide dining areas for customers. A bar is set up in the dining area to provide users with microwave ovens so that customers can enjoy hot food. A small door is also set up in the dining area for users to collect their takeout. Third, we also set up a garden corridor. The ground of the garden corridor is mainly stone road, and it provides a reading area for customers. In here, the walls are designed mainly to display the history of tea to let users understand the tea culture. Fourth, Tealibrary also o ers private game area and private tea area. The public game area mainly provides games such as Go chess and chinese chess and enhances the tea element of the building. Since tea elements also cover tea art, tea ceremony, tea events and so on, Tealibrary also set up private tea room for more professional scholars to use. Integrating the area of the rst oor, the space will adopt solid wood to represent the tea element and clean sense of style to design the rst oor.

GROUND FLOOR LEVEL FIRST FLOOR LEVEL SECOND FLOOR LEVEL SECTION X-X BCU X MIA l Major Project l Main Project- The Tea Library X X

FURNITURE RENDER LAYOUT PLANS - GROUND FLOOR BCU X MIA l Major Project l Main Project- The Tea Library

ISOMETRIC VIEW - GROUND FLOOR BCU X MIA l Major Project l Main Project- The Tea Library

3D PERSPECTIVE - FRONT VIEW (DELIVERY PICK UP COUNTER) BCU X MIA l Major Project l Main Project- The Tea Library

3D PERSPECTIVE - FRONT VIEW (ENTRANCE OF RETAIL AREA) BCU X MIA l Major Project l Main Project- The Tea Library

3D PERSPECTIVE - READING AREA 1 BCU X MIA l Major Project l Main Project- The Tea Library

3D PERSPECTIVE - TEA GALLERY & READING AREA 2 BCU X MIA l Major Project l Main Project- The Tea Library

3D PERSPECTIVE - TEA STUDIO & PLAYING AREA BCU X MIA l Major Project l Main Project- The Tea Library

3D PERSPECTIVE - READING AREA 3 & INDOOR DINING AREA BCU X MIA l Major Project l Main Project- The Tea Library

DFD MATERIALS STUDY BCU X MIA l Major Project l Main Project- The Tea Library

DFD 3D MODEL MAKING BCU X MIA l Major Project l Main Project- The Tea Library

GANTT CHART BCU X MIA l Major Project l Main Project- The Tea Library STUDENTNAMEDATE ID 11-Oct 18-Oct 25-Oct 1-Nov 8-Nov 15-Nov 22-Nov 29-Nov 6-Dec 13-Dec 20-Dec 27-Dec 3-Jan 10-Jan 17-Jan 24-Jan 1 Pre-Design 1.1 Value Research 11-Oct-21 20-Oct-21 9 100% 1.2 Clients, stakeholder,users 18-Oct-21 28-Oct-21 10 100% 1.3 Precedent Studies (Health food+tea+art space)(Healing style) 28-Oct-21 3-Nov-21 5 100% 1.4 Site Research, Site Analysis 3-Nov-21 15-Nov-21 12 100% 1.5 Group Exercise - UBBL 15-Nov-21 18-Nov-21 3 100% 1.6 Bubble Diagram 16-Nov-21 19-Nov-21 3 100% 1.7 Abstract Model 19-Nov-21 21-Nov-21 2 100% 1.8 PPT(Interim review) 21-Nov-21 28-Nov-21 7 100% 2 Re-organized 2.1 Value, Theme, Program, Stakeholder 28-Nov-21 3-Dec-21 5 100% 2.2 Percedent Studies (Tea Culture) + (Co-working space) 3-Dec-21 7-Dec-21 4 100% 2.3 Space Requirement 7-Dec-21 9-Dec-21 2 100% 2.4 Bubble Diagram 8-Dec-21 12-Dec-21 4 100% 3 Design Development 3.1 Concept 12-Dec-21 15-Dec-21 3 100% 3.3 Percedent Studies (DFD Material) 18-Dec-21 22-Dec-21 4 100% 3.4 DFD design 22-Dec-21 28-Dec-21 6 50% 4 Schematic design 4.1 Floor Plan 28-Dec-21 3-Jan-22 5 100% 4.2 Section 2-Jan-22 6-Jan-22 4 100% 4.3 3D model 6-Jan-22 18-Jan-22 12 100% 4.4 Render image 18-Jan-22 22-Jan-22 4 100% PROGRESS Oct-21 Nov-21 Dec-21 Jan-22 NUMBER TASK TITLE START DATE DUE DATE DURATION Make a copy of this template into your Drive folder. GANTT CHART PROJECT ADDRESS THE ROW KL KHOR11-Oct-21JOOCHING20101213/1PROJECT NAME DESIGN INTEGRATION PROJECT NUMBER ARC6111

EMAIL jooching0707@gmail.com