Verbiculture: February 2021 Issue 3

Page 13

Photos: Kolman Rosenberg (2021)

STRENGTH IN CHARACTER Dancers who aspire to perform in the

Character training helps bring stylistic

She was a former principal dancer with

great classical ballets are required to

detail to classical and contemporary

the Eifman Ballet. Her first education

know what is called, Character Dance.

roles and develops the coordination

began at the Odessa State

In multiple act classical ballets,

required to become a versatile dancer.

Choreographic Institute in Ukraine.

there are sections where folk dances

She then went on to graduate with her

from various countries in Europe are

Dr. Carlson met Inna Stabrova when

Masters in Choreography from The

part of the choreography. Character

she immigrated to the United States in

Vaganova State Academy of Ballet in St.

dance is not something you would

the 1990's. Dr. Carlson was then the

Petersburg, Russia. After graduation,

normally associate with Verb Ballets.

Director of the University of Akron's

she received a teaching certification in

Many dancers today have not received

School of Dance and felt Inna was a

Character Dance from Bella Ojegova.

that training or have not studied it to

perfect match to supplement the

an advanced level. Dr. Margaret

students' training. So began a long

Inna Stabrova set two character works

Carlson, Producing Artistic Director of

friendship.

on the company to debut on the Going

Verb Ballets, wanted to bring the

Solo program. The men will dance a

character variations into the repertory

Inna Stabrova has a reputation as a

Spanish Jota and the full company will

to provide a deeper education for our

gifted teacher and was an exceptional

dance a Ukrainian folk dance.

dancers.

dancer as well. verbiculture | February 2021

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Verbiculture: February 2021 Issue 3 by ocballet - Issuu