Tempus Magazine | Issue 89 | Austin Butler

TIME MACHINE

Austin Butler leads our horology special as the actor joins the Breitling Squad

OUR KIND OF

Rush Hour.

Leave the 9-to-5 behind and enjoy a wilder kind of rush hour. See sardines running off the Mexican coast, penguins queueing in Antarctica or wildebeest thundering across the Serengeti. Seeing is easy, but knowing when to go, where to stay and finding the right guides? That takes specialist knowledge. That’s where we come in. After all, we’ve been creating tailor made adventures for over 30 years.

Talk to our experts today.

Perpetual motion

Tempus began life as a specialist watch magazine, and so it’s no secret that our team keeps a keen eye on the movements and innovations within the world of high horology. Though the watchmaking world seems, from the outside, to tick along at a slow and steady pace, inside the manufactories and studios where expert artisans practise their timeless craft, there is a constant, urgent drive towards discovery, excellence and savoir faire.

That’s never been more apparent than this year, with novelties at Watches and Wonders Geneva 2025 showcasing the incredible strides made in both form and function, style and substance, from Swiss watchmaking and beyond (40) – and inspiring our horology special, beginning on page 36.

Kicking off our look at the watchmaking industry is one of Hollywood’s most exciting actors, Austin Butler, who has become the face of Breitling’s latest campaign for its Top Time B31. Just as this new Top Time is inspired by the iconic original watch –

Breitling’s smallest men’s watch, but packing a bold and charismatic style punch beloved by actors and sporting greats of the 1960s – so too does Austin owe his own passion and style to beloved silver screen icons of the past.

“Growing up, I always liked watches because of the images that I saw of Paul Newman, Steve McQueen and James Dean,” he tells us.

But it’s not just the watch industry accelerating into the future – as Tempus discovered when we examined the issues facing the automotive industry, and asked what does the future really have in store? (54)

Also in this issue, rugby legend Mike Tindall shares the philanthropic drive behind the gin brand he launched with his The Good, the Bad and the Rugby podcast castmates (18), we talk high jewellery masterpieces with expert craftsman Pascal Mouawad (48), and discover the remarkable UK destinations giving us serious wanderlust (66).

Enjoy the issue

Michelle Johnson Editor-in-chief Tempus

INSIDE THE MANUFACTORIES WHERE ARTISANS PRACTISE THEIR TIMELESS CRAFT, THERE’S A CONSTANT DRIVE TOWARDS DISCOVERY, EXCELLENCE AND SAVOIR FAIRE

Contributors

Felicity Carter

Luxury lifestyle writer Felicity chats to Mike Tindall about life after rugby, podcast stardom and how his Blackeye London Dry Gin is making a powerful difference to rugby-related causes (18).

Rikesh Chauhan

Tempus’s style columnist Rikesh has got us all tied up with his ode to his top menswear accessory – ties. Find out why the classic neckwear item is having a makeover and how to make an impact on your outfit (112).

Ming Liu

Putting Ferrari’s newest thoroughbred through its paces is not for the faint of heart. Luxury journalist, watch and motoring specialist Ming discovers a car with real horsepower on page 26.

Simon Mundie

What makes high performance possible? Performance coach, author and broadcaster Simon shares his insights into achieving flow – and how this powerful mindset is the key to success (92).

Editorial team

Editor-in-chief

Michelle Johnson michelle@tempusmagazine.co.uk

Creative Director Ross Forbes ross@tempusmagazine.co.uk

Digital Editor

Shivani Dubey shivani@tempusmagazine.co.uk

Wealth Editor

Lysanne Currie

Motoring Editor Rory FH Smith

Chief Sub-Editor Dominique Dinse

Designer Emma Howcutt-Kelly

COMMERCIAL

Head of Partnerships

Dan Scudder dan@tempusmagazine.co.uk +44 (0) 203 519 1005

VANTAGE MEDIA

Chairman Floyd Woodrow

Managing Director Peter Malmstrom

COVER IMAGE

Austin Butler wears the Top Time B31 in Breitling’s Top Time Campaign (Photographer: Matthew Brookes. Stylist: Sandra Amador. Groomer: Jillian Halouska. Courtesy of ©Breitling) Article on page: 36

CONTENTS

10 The Luxe List Our essential guide to this season’s finest gifts and most exciting new launches

14 Tailoring black style How the Met Gala put Black Dandyism in the spotlight

18 Rugby spirit England rugby legend Mike Tindall talks Blackeye Gin, podcasting and life beyond the game

26 A new thoroughbred We take the Ferrari Purosangue on a road test of discovery

30 Impossible journeys Private travel expert Amanda Teale shares her global philosophy

32 A world away Head to Hawaii’s most exclusive and private island paradise, Lāna’i

36 Time to rock ‘n’ roll Actor Austin Butler joins Breitling’s Squad as the face of the watchmaker’s new campaign

40 The wonder of time Discover the most exciting discoveries from Watches and Wonders Geneva 2025

48 Capturing the sun Pascal Mouawad reveals all about leading his family jewellery maison into a new legacy

52 Beneath the skin Skincare expert Shane Cooper shares the secrets to achieving a lasting glow

54 The road ahead Start your engines as we discover what’s next for the automotive industry

62 Second wind Nick English is turning his passion for high-octane craftsmanship to the world of electric vehicles

66 Local heroes The best UK destinations combining five-star luxury with rugged, rural appeal

76 Home for the senses How to transform your space with the interior design sensescaping trend

82 Prestige pets The designer clothes, hi-tech homeware and canine-only members clubs for your prize pooches

84 Liquid history We visit maison Martell to discover the lasting legacy of this historic cognac

88 A rare spirit Diageo Luxury Group’s Julie Bramham shares the endless allure of exceptional spirits

92 Go with the flow Performance coach Simon Mundie reveals the power of flow state

94 In perfect alignment La Fabrique du Temps’ artistic director Matthiew Heigi on Louis Vuitton’s artistic novelties

100 Cutting-edge protection The inaugural Tempus Concierge Event dives into the world of HNW security

103 RE:VIEW Peruvian-Japanese cuisine takes centre stage, plus our pick of the season’s theatre, exhibitions and more

108 Save the date The finest events of the season

112 All tied up Explore this season’s must-have sartorial accessory with Tempus style columnist Rikesh Chauhan

36 Austin Butler stars in Breitling's Top Time B31 campaign

The LUXE LIST

Our essential guide to the most exciting new launches and finest seasonal gifts

2

Stirling1314 Chess Set

Whether a chess grandmaster or master of interior design, there are few more impressive accents to one’s home than these unique sculptural chess sets, inspired by Scottish history and meticulously crafted and cast in solid pewter. Choose the limited-edition Battle of Bannockburn chess set (right) – featuring Scottish hero Robert the Bruce and his army facing off against the English King Edward II –or the Robert Burns set, with Scottish poet and lyricist Rabbie leading the way against the evil forces of Auld Nick (the Devil). Uniquely, in both sets, all 32 pieces are different, each depicting a character or place in the story. The metal-edged chessboards are inlaid with pewter playing squares, etched with symbols representing each theme. Checkmate. Find out more on page 24 stirling1314.com

Modi Luminaire

3

Henry Holland Galaxy Collection

Elevate your homeware game with Henry Holland’s Galaxy collection (left). Reiterating the brand’s commitment to sustainability, the collection is born from a mindful approach to material use – repurposing clay offcuts and reimagining colour combinations formed during the process of its signature striped nerikomi technique. Drawing inspiration from the ancient Japanese art of sumina-gashi paper marbling, the Galaxy Collection introduces a fluid, organic pattern that feels both spontaneous and meticulously crafted. Think gorgeously designed plates, cups, cutlery and more. This is one brand that is sure to be a hit at your next summer garden party.

henryhollandstudio.com

Breitling Top Time B31

The Breitling Top Time B31(left) is the brand’s latest creation, featuring the Calibre B31 – the first three-hand manufacture movement designed and developed by Breitling. Four years in the making, its unique architecture incorporates Breitling’s signature components – the free-sprung balance wheel for improved precision, and the skeletonised bidirectional oscillating weight powering the automatic movement – all visible through the watch’s open case back. To paraphrase Breitling ambassador Austin Butler in Dune Part Two: may thy watch tick and chime on. Discover Austin’s style on page 36

breitling.com

Enhance your living space with exceptional lighting designs from Modi, where uncompromising style meets exquisite craftsmanship. Discover a curated collection of bespoke decorative pieces crafted by revered artisans of the luxury sphere. Each luminaire (right) is crafted from the finest materials – be it onyx, marble, crystal, cast bronze, polished brass or alabaster – ensuring that every piece radiates sophistication and timeless beauty. Whether selecting an exquisite chandelier, or designing your own creation, Modi’s expert team is dedicated to helping you source the perfect luminaire to brighten your home. »

modistore.co.uk

6

Oyster 805

Yachting is now even more luxurious as Oyster Yachts unveils its suite of bespoke global concierge services –plus a new 80ft superyacht-inspired cruiser, the Oyster 805 (right). Through the new-ly launched Explorers Club, Oyster is making global cruising accessible with fully supported, curated voyages to remote and extraordinary destinations. And with the Oyster 805, it is providing superyacht features in an exceptionally capable bluewater sailing yacht. Time to plan your next ocean adventure.

oysteryachts.com

Steppes Travel

5

With over 30 years of expertise, Steppes Travel takes you one step further, crafting journeys that inspire, connect and leave a positive impact. Whether cruising the Galapagos Islands with an expert tour leader, tracing the Silk Route’s storied past or venturing into Patagonia’s wild landscapes, their immersive, tailor made experiences turn travel into something truly remarkable. Voted a Condé Nast Specialist Tour Operator in 2023 and 2024, and Conde Nast Travel Specialists in 2025, their award-winning knowledge and passion ensure unforgettable adventures. Turn those long-held dreams into dates in the diary. Discover more on page 74

steppestravel.com

7

Marantz Horizon

Do you hear that? Blending timeless design with sensory craftsmanship, Marantz Horizon (left) can transform any space into a warm and welcoming environment with its rich, high-quality sound. On top of that, its halo of 100 illumination LEDs work in tandem with ceiling, floor and table lights to create ambient, layered lighting. Paired with a metallic porthole and luxurious marble base, the Horizon transforms the home into an enriching environment filled with vibrant sound and an indulgent aesthetic. Truly the epitome of sophisticated sound design.

marantz.com

Baker

Brothers Summer of Colour Collection

Step into the summer mood with Bakers Brothers’ dazzling collection of coloured gemstone jewellery (right). With vivid sapphires and striking rubies to playful tourmalines, glistening opals and glowing emeralds, each gemstone is hand-selected to capture the joy of sun-soaked adventures. From bold statement rings to delicate necklaces that can be layered to create a truly unique look, this carefully curated selection brings a fresh, luxurious twist to summer styling with jewellery that reflect the joy and colour of sun-soaked days. Truly unforgettable.

Tequila Don Julio 194구

Take a sip of luxury with Tequila Don Julio (left) as they unveil their exclusive partnership with (It Goes Like) hitmaker Peggy Gou: the Don Julio 194구 (구 pronounced “Gou”). Entirely designed by DJ Peggy, this is as ridiculously catchy as her hits – the perfect complement to the ultra-smooth, luxurious taste of Tequila Don Julio 1942, with notes of caramel and oak giving it a lingering sweet warmth. There is also a surprise Peggy Gou illustration inside the carton. So, as Don Julio brings tequila into the luxury world, let’s raise a glass to the pioneers of this spirit. ¡Salud!

donjulio.com

bakerbrothersdiamonds.com 10

Il Salviatino

A 15th-century villa turned boutique hotel with exquisite suites – each one completely different from the other – a state-of-the-art-spa, stunning views of the city and an incredible in-house restaurant, Il Salviatino is a haven for relaxation and rejuvenation in Florence. It is here that legendary masters like Salvador Dalì and Gabriele D’Annunzio held their vibrant literary salons. During your stay, take a moment to indulge in the hotel’s newly refurbished Aquae Vitali spa. Featuring infrared sauna, heating pools and hammam, it offers a variety of relaxing and invigorating treatments. A perfect intersection of history, art and unparalleled relaxation, it makes you never want to leave – which is saying something when a city like Florence awaits just moments away.

salviatino.com

Tailoring BLACK STYLE

With fashion’s biggest night focusing triumphantly on menswear, we look back at the most fashionable looks of the 2025 Met Gala

Words: Shivani Dubey

The first Monday in May is the biggest event in the fashion calendar. This is the day when the Metropolitan Museum of Art, New York unveils its costume exhibit with the Met Gala – an extravagant night that merges fashion, celebrity and culture, to raise crucial funds for the Metropolitan Museum of Art’s Costume Institute.

For 2025, the Costume Exhibit is featuring pieces on the theme: “Superfine: Tailoring Black Style”, centred around the political and aesthetic constructs of Black dandyism.

Inspired by exhibit co-curator Monica Miller’s 2009 book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity, in which she explores this as both an aesthetic and political construct, this is the first exhibition since 2003’s “Men in Skirts” to focus exclusively on menswear.

Contemporary designers including Grace Wales Bonner, Pharrell Williams – both of whom designed many looks for this year’s event – and the late Virgil Abloh were, as Monica notes: “Well versed in the kinds of issues that we’re talking about in the exhibition, [issues] that are related to race and power, that are related to immigration, slavery, colonies and colonisation, empowerment, joy, aesthetics.”

At the 5 May gala, celebrity guests were tasked with dressing to the theme of “Tailored for You”, with a focus on menswear – think perfectly tailored suits, along with classic menswear staples such as hats, ties, brooches, pocket squares, canes and more.

The red carpet was led by this year’s co-chairs Pharrell Williams, actor Colman Domingo –who paid poignant tribute to late fashion titan André Leon Tally with a flamboyant blue cape –F1 driver Sir Lewis Hamilton and musician A$AP Rocky (who was accompanied by superstar »

Glittering stars: Rihanna (far left) in Fenty Beauty, Cynthia Erivo wears Bucherer jewellery (left), Angel Reese (above) with Graff jewels, Caleb McLaughlin (top) wears a Zenith timepiece, Charli XCX wears Bucherer jewellery.

FASHION

Met style: Tyla (above) and Pamela Anderson (far left) wear Pandora jewels; Nicole Kidman in Cindy Chao (below left); Charlie XCX accessorises with Bucherer (below left); RegéJean Page wears a vintage TAG Heuer (centre).

singer Rihanna as she revealed her pregnancy –and the imminent arrival of baby number three for the couple) and honorary co-chair, basketball star LeBron James.

Standout fashion moments included Wicked star Cynthia Erivo in custom Givenchy by Sarah Burton and Burcherer jewels, Euphoria actor Zendaya’s impeccably tailored all-white Louis Vuitton ensemble, musicians Rihanna and Teyana Taylor in custom Marc Jacobs, rapper Cardi B and actor Jodie Turner-Smith in custom Burberry – as well as a showstopping return to the Met steps by Diana Ross – created by the diva herself in collaboration with her son Evan Ross and Nigerian designer Ugo Mozie.

The men at the 2025 Met Gala also took full advantage of the menswear-centric theme and went above and beyond just boring tuxedos and black ties. Stranger Things star Caleb McLaughlin wore duck-blue velvet gloves, a Zenith timepiece and carried a cane. Meanwhile, Damson Idris showed up in a racing suit in a nod to his upcoming film, F1, which was then torn open to reveal a statement scarlet three-piece Tommy Hilfiger ensemble.

Just some of the other celebrities who took the 2025 Met Gala fashion to the next level included model Alton Mason and SenegaleseItalian influencer Khaby Lame, both in Boss, Chance the Rapper in a hand-tailored Versace vest once worn by Tupac, Atlanta star Brian Tyree Henry wearing Nigerian label Orange Culture, Severance’s Tramell Tillman in Thom Browne, Bollywood icon Shah Rukh Khan, in custom Sabyasachi, Punjabi singer Diljit Dosanjh in a custom ivory and gold sherwani designed by Prabal Gurung and Regé-Jean Page, wearing vintage TAG Heuer with his custom Brioni suit and overcoat.

metmuseum.org

RUGBY SPIRIT

England rugby legend Mike Tindall talks Blackeye Gin, podcasting and life beyond the game

Words: Felicity Carter

Atough and tactical centre, Mike Tindall MBE, the England rugby legends, is known for his 75 national caps and, of course, playing a key role in England’s historic 2003 Rugby World Cup victory. He also won several Six Nations titles with successful stints with Bath and Gloucester, gaining a reputation for his leadership and physicality that secured him as a fan favourite.

Since hanging up his boots in 2014, Mike has found success in a variety of impactful ventures, including founding his highly acclaimed podcast The Good, The Bad and The Rugby in 2020 with former professional rugby player James Haskell and commentator Alex Payne. Outside of his work, Mike is father to Mia Grace, 11, Lena Elizabeth, seven, and four-year-old Lucas

Philip, with royal Olympic equestrian Zara Tindall. In 2023 – inspired by a gin-fuelled recording that delighted fans – the trio ventured into the world of premium spirits with Blackeye Gin, a brand personifying rugby’s resilience and camaraderie. Combining craftsmanship with a philanthropic mission to support the future of the sport, and its players, this venture reflects their shared passion for the sport and storytelling beyond the pitch. Not just another celebrity-founded drink, Blackeye Gin is a carefully crafted spirit, and in true pursuit of excellence, it’s been recognised for its quality, earning a Double Gold Medal at the prestigious 2024 San Francisco World Spirits Competition. But what makes this gin stand out in a crowded market, and how does sporting legacy tie into its creation? Tindall tells all. »

How did Blackeye Gin begin?

We had been having some issues with our old podcast, so we did one of our episodes while drinking gin. It turned out to be one of our best performing episodes – our listeners loved it – and someone said we should just make our own so we could do it with gin we really loved. What started as a funny idea became one we took seriously, and Blackeye was born. It’s how all the best ideas come to being isn’t it?

What was the process from suggestion to making it happen?

We collaborated with Hawkridge distillery and spent a day working with gin experts combining botanicals from the farm I live on for the first batch. Alex [Payne] then met with Simon Hunt, the former CEO of William Grant & Sons, who really helped us refine the concept, marrying it up with our passion for rugby, and giving us a charity focus.

Tell us about its mission, and the Blackeye Rugby Fund?

We understand the world and its challenges, especially for ex-players, and over time came up with the concept of the Blackeye Rugby Fund, with £1.50 of every bottle sold donated back to the game. Our aim is to tackle industry issues head-on and become the largest donor to rugbyrelated causes. We’re investing in looking after those who have been seriously injured, exploring insurance and protection for future injured players and funding research into ways to make the game safer for future generations. We’re also working with an advisory board made up of past and present rugby players and industry experts to help us run the fund and decide the direction of the investments for maximum impact and areas that are underrepresented but important.

Do you each have a specific role in the business?

I think we are all unique both in personality but also in roles. Alex tries to keep Hask [James Haskell] and I on message and focused on what we need to do; I want to do as much as we can and try and make it happen; and Hask – well, Hask is Hask. He has a heart of gold, but he is like a Duracell Bunny, going a million miles an hour with everything, but it works. What you see on the podcast is how we operate in the business; we have a great laugh on the pod but also get through what we need to. We do the same with Blackeye. It’s been a huge learning curve but we’ve had such a good time along the way too.

How does Blackeye Gin stand out from other premium gins?

I believe what really makes us special is the combination of a genuinely amazing tasting gin combined with a sense of purpose to do something good. After refining the design and the ingredients, Blackeye now uses botanicals from the key rugby nations around the world, and we’re super proud of it. We won a Double Gold Medal at the San Francisco World Spirits Competition last year and were awarded a score of 95/100, meaning it’s an outstanding premium spirit on its own, which I think speaks for itself. And every single bottle purchased really does drive money into preserving the future of the game. »

High impact: Mike Tindall (right and previous) co-founded Blackeye Gin (main) with his podcast co-stars James Haskell and Alex Payne (next page)

What’s your perfect serve with Blackeye Gin?

We’re really proud of how versatile Blackeye is and we always point out that you can drink it neat, but we’ve also got three different ways of serving it. Hask loves a Dirty Martini, Alex has got the Lemon Drop – or, as it’s otherwise known, the Payne Killer – and then mine’s served with a tonic and full wheel of orange. Anyone that I’ve ever served it to with orange really sees the benefit of having that extra citrus in it. Hask always says that Mediterranean tonic works nicely but I think any premium tonic will get the job done.

You were there at the very start of the podcast boom with House of Rugby, and The Good, The Bad and The Rugby – did you find the podcast served as a therapeutic outlet during lockdown?

Absolutely. Lockdown was an incredibly isolating time for everyone and having that sense of community and camaraderie was so important, and is what the sporting world is all about, really. We’re very grateful to have such loyal listeners who all come together around our shared passion for the game and gave us a reason to keep doing what we did.

Which have been your favourite episodes?

The episodes that go somewhere I’m not expecting. Efe Obada and Jamie Gillan who both play in the NFL [American Football] were great; the stories to get to the level they play at were so random and unique which was fascinating to discover. Also, James Waterhouse’s transition from rugby to being the [BBC News] correspondent on the ground in the Ukraine – again, it’s just such a different story and so interesting.

What keeps you motivated in the same way rugby did – and have you tapped into the discipline from your professional days?

After I retired, I found filling the gap that rugby left really hard. I don’t think anything truly recreates that feeling you have when you play as part of a team like we had. But over time I have found that the things I do in business have really pushed me to challenge myself in new ways. And yes: you must be disciplined, learn how to respect different opinions and work in a team environment.

Did you always know you wanted to go into business after retiring, or did it happen naturally?

The reality when it comes to rugby is that careers have a relatively short lifespan. This is why the work we’re doing with the Blackeye Fund is so close to all our hearts. It’s been great to be able to transfer some of these skills I had in the sport and develop my career after retiring in a way that keeps me connected to the game, connected with rugby fans and working with players past and present.

What’s next for you?

I am really lucky to have a lot of things on the go at the moment, [including] some exciting work with the pod, Hospitality Finder, Blackeye and the charities I am involved with. It looks like we will have another bumper year at the [Mike Tindall Charity Golf Day] this year, which has raised over £1m for Cure Parkinson’s and the Matt Hampson Foundation; I have just come back from Mikey’s Mountain Miles, a charity ski event in its second year; and who can forget guest editing The Beano! I am hoping next year will be just as mixed with lots of interesting things to keep me busy.

blackeyegin.com

in the

HISTORY MAKING

Discover the luxury chess sets that are changing the game by bringing Scotland’s history to life

ONE OF THE GREAT THINGS ABOUT CHESS IS HOW IT SPANS THE GENERATIONS

- John Morgan

For the 605 million adults around the world who play chess regularly, this ancient strategic pastime is as much an art as it is a game. Enter Stirling1314, makers of stunning luxury chess sets reflecting Scottish history, who are taking this to an entirely new level.

Stirling1314 was founded in the late 1990s by John and Morag Morgan, who then owned Cornerstone Gallery in Dunblane. A chance meeting with fantasy chess set designer, Steve Trickett, whom John describes as a “sparking, long-haired artisan”, inspired the husband-and-wife team to work with him to create two stunning, limited-edition pewter chess sets, inspired by two key figures from Scotland’s rich and storied history – Robert the Bruce and Robert Burns.

Unique from almost every other chess set in the world, all 32 pieces depict different characters or places in the story of each set. Every chess piece is meticulously crafted and cast in solid pewter. The metal-edged chessboards are inlaid with pewter playing squares, etched with symbols representing each set’s story – the Battle of Bannockburn set portraying the emblems of Scotland’s thistle and England’s rose, while each light pewter square of the Robert Burns chessboard carries a different quotation from the poet’s best loved works, in his own handwriting.

“Only in those rarest of moments will you find a chess set with all 32 pieces different,” says John. “And you may never see a chess set with pieces and boards as exquisitely designed and crafted, something not just for the moment, but for generations to come.”

THE SCOTCH GAME

One of the most famed battles in medieval history, the Battle of Bannockburn, was fought in 1314 between the victorious Robert the Bruce, King of Scots, and the army of King Edward II of England. John was

originally inspired by this historic battle for Scottish independence after reading The Bruce trilogy by historical novelist Nigel Tranter. “I read the books cover to cover without stopping,” says John.

After that meeting with artist Steve, he reached out to Nigel himself to run past him the idea of a 32-different piece luxury chess set based on the famed battle. “I was humbled by the reality, that this writing legend thought the idea was nothing short of genius,” says John – and so work began.

In 1996, two years after the event, the very first Battle of Bannockburn chess set emerged, led by the opposing kings, Robert the Bruce and Edward II, followed by a catalogue of warriors and strategists who played their part in the lead-up to the battle itself. This first ever set was bought by Walt Disneyworld for the Epcot Centre in Florida. It was later sold to Herb Wreschner of Westport, Connecticut, who taught his son, Harrison, and then his grandson, Corbin, to play chess on that very set.

“One of the great things about chess is how it spans the generations,” says John. “It’s something the world is witnessing, yet again, with a new and growing level of enthusiasm for the game.”

Far from the fields of battle, John’s love for the life and works of wordsmith and romantic Robert Burns (1759-1796) began in his early twenties and has been a significant part of his life since then, having now chaired his own Burns Club for 37 years. It was perhaps then inevitable that the second Stirling 1314 limited-edition chess set should honour Scotland’s beloved national poet, ‘Rabbie’ Burns.

It is no surprise that this unique set represents 32 different friends, fantasies, and places from Burns’s life and works, in a quite different battle of good against evil – the two kings represented by Rabbie on one side and ‘Auld Nick’ (the Devil) on the other.

Check mate: Stirling1314’s unique chess sets (above) are inspired by heroes from Scottish history, including Robert Bruce and Robert Burns

NEW GENERATIONS

Modern-day chess has responded to the invitation of digital to reach out to new generations but, as John notes, there is a growing number of those who still view luxury chess sets as works of art.

“There is no doubting the timeless attraction of chess, but there is another market which is growing exponentially, where chess sets, particularly on grander scale, are making their way into homes where playing the game is not the priority. Instead, an impressive set on display in any home makes a statement all its own.

“One of the great pleasures in our professional lives is watching our clients’ reactions when they see the chess sets physically for the first time,” says John. “No amount of photography or description prepares you for the impact. These are large, heavy, imposing sets and that first view is truly mesmerising.

“Loving how owners have our sets on permanent display – whether it's traditional or contemporary, crowning an epic lounge or tucked into the corner of a study – that’s what this is all about,” he says. “We had a similar epiphany recently when we watched, for the first time, true chess experts finding an extra dimension when they played our sets. Suddenly, there was no longer anything quite as simple as losing a knight, a bishop or even a pawn, when the individuality of each piece gives it a character and responsibility of its own.”

As for the future of Stirling1314’s epic creations, John is in the planning stages of their next set. “Later this year we will start work on a third, equally impressive chess set, modelled on another timeless theme – one whose story has also survived hundreds of years and will, almost certainly, still be talked about hundreds of years from now.”

Find out more by visiting stirling1314.com

The new thoroughbred

We take the Ferrari Purosangue on a road test like no other – and discover why the marque’s first ever four-door four-seater car is racing ahead

Words: Ming Liu

FCLIPPING THROUGH MEDIEVAL VILLAGES, THE PUROSANGUE HUGGED THE ROAD BEAUTIFULLY; THE FERRARI’S DISTINCTIVE 12-CYLINDER HARMONICS AND EYE-CATCHING LOOKS TURNING HEADS ALONG THE WAY

ive hundred kilometres of open road in rural southwestern France and a 725cv, naturally-aspirated V12 that’s the most exciting four-door, four-seater car right now? Had to be the new Ferrari Purosangue. Christened ‘thoroughbred’ in Italian, the Purosangue is the first ever four-door Ferrari –and Tempus’s fabulous, ultra-wicked ride for a recent jaunt from Biarritz to Bordeaux.

The adventure began at the Regina Experimental, a breathtaking five-star hotel perched on the dramatic cliffs of the Basque coast. With views of the sea and the legendary Golf de Biarritz, the property is a feast of juxtapositions: raw materials like straw and Japanese rope mesh with chic clapboarding and marine stripes, all framed in the Belle Époque’s signature graphic lines and curves.

Prepping for our departure, it’s here – the iconic lighthouse pitched in the distance and sea-salt air filling our lungs – that we took a moment to take in the Purosangue’s features.

executed through rear-hinged doors that theatrically open with the push of a subtle lever. Folding coolly out to reveal an ultrastylish, roomy interior, the idea was to create a kind of lounge, “sporty yet chic, a welcoming and refined living room,” said Flavio.

This is a car where space is never an afterthought: each of the four, full-size heated seats can be independently adjusted and reclined, with extra space for luggage, skis, what have you, thanks to rear seats that rake forwards. They’re also the first seats to be finished with a brand new Alcantara material, crafted from 68% recycled polyester and produced in Europe. Meanwhile, the car’s dash is notably equipped with a dual cockpit digital display, which is also replicated in the rear – and putting the Purosangue experience into the hands of all in the car.

gastronomic destination. Dinner was served at La Table, with Jean-Paul’s excellent tasting menu highlighting local flavours accented by the likes of local venison tartare, Porcini mushrooms and Piedmont hazelnut juice. Local wine pairings came courtesy of Jurançon Yura and the monastery’s own cuvée, all presided over by the charming and knowledgeable Tossens’ son, Tom. The property also has a Japanese restaurant, which alongside the spa and restorative, pastoral views have already enticed me to return.

Unbridled style: the Ferrari Purosangue promises top performance and driving thrills

A promise of Ferrari’s top performance and driving thrills, yet now fitted with highground clearance and ultimate comfort, it is understatement to say that the Purosangue presented a huge challenge for the Maranello marque. A totally new concept and range –plus the added pressure of making a splash in an ever-crowded market – the car’s production was an all-hands-on-deck kind of affair. “There were so many challenges, so many pieces that needed to fit together like a sort of big jigsaw puzzle,” recalled Pietro Virgolin, the Purosangue’s product marketing manager, when the car first launched. Consider its architecture, which took a whole year alone to perfect. “Architecture defines the design, as it determines the proportions and therefore also the formal equilibrium of the object,” says Flavio Manzoni, Ferrari’s chief design officer. “This task was extremely difficult, but also extremely challenging and stimulating.”

As Ferrari’s first four-door, one naturally makes a beeline for the interior. Space and drama were clearly the brief, and brilliantly

With 205km of road ahead of us, we set off into the heartland of the Pyrénées-Atlantiques department, swapping the Atlantic coast for glimpses of the rugged, majestic Pyrenees, their peaks just seeing their first dustings of snow. The Purosangue purred its way through small, charming communes – Bidache, Came, Escos – where lush verdant lowlands and endless carpets of green meet gentle rolling hills, tiny farms dotted in the distance. Manoeuvring endless roundabouts and clipping through rustic, medieval villages, the Purosangue hugged the road beautifully, the Ferrari’s distinctive 12-cylinder harmonics and eye-catching looks turning heads along the way. Chestnut tree lined roads, flanked by dense grassland and farmlands of maize and sunflower gave way to orchards and later vineyards, hinting at our first destination: the gem that is Le Monastère de Saint-Mont.

Alight in a gold, late-autumn sun when we pulled up, the monastery in the department of Gers is a true labour of love for husband-andwife team Jean-Paul and Béatrice Tossens. The current custodians of this monastery first built in 1045, the Tossens have beautifully restored the property into a hotel, spa and

The next morning we set out on the 302km journey north towards Bordeaux. This featured the trip’s best views by far, the Purosangue gliding past wide, open wheat and corn fields in Manciet, via vineyards in Maulichères and along the tree-lined roads of Nogaro, in the heart of Armagnac country, which was preparing for the autumn harvest. Lunch was a pitstop at the majestic Château Hôtel Grand Barrail in Saint-Émilion, overlooking the fivestar property’s impressive grounds.

An hour before arriving in Bordeaux, the heavens suddenly opened, which was a welcome moment to switch into the Purosangue’s Wet mode (there is also Sport, Comfort and Ice). No doubt this was another moment for Ferrari’s new active suspension system to shine, a cutting-edge technology that delivers top sporting features like roll and pitch control and improved traction.

Our arrival meant sadly parting ways with our Purosangue, but which was sweetened by an exclusive visit to Château les Carmes HautBrion, an incredible 440-year-old wine estate just a cork’s throw from the city and which apparently has its own postcode. Featuring a Philippe Starck-designed winery and James Bond baddie lair-like vat room, complete with lift to the top floor tasting room, the property exudes all the style, innate elegance, flair and verve as the Purosangue, beautifully summing up a Gallic drive of dreams.

ferrari.com

IMPOSSIBLE JOURNEYS

Private travel expert Amanda Teale shares the secrets behind curating the travel that matters

Words: Judy Cogan

Executing the perfect dream holiday can be a stressful task even on a limitless budget. Super yachts at short notice, access to tropical private islands and securing VIP tickets to sold out global events: it’s all in a day’s work for Amanda Teale, the CEO of Minerva Private Travel – the most successful luxury travel brand you’ve probably never heard of.

In fact, publicity is the antithesis of Amanda’s approach. “I only take on new clients by referral,” she says. “It’s been a slow burn, but I still make it very hard for people to find me.”

Amanda founded her business in 1999 from her living room. She now oversees offices in the UK, USA and Italy, from which she curates bespoke once-in-a-lifetime travel experiences for her elite privacy-hungry client base. No request is too big (or small), no phone call too late (or early) – and no two trips are ever the same.

Here we talk to the woman who thrives on making the impossible possible.

Amanda, what makes your services stand out from other luxury travel companies?

There are so many travel specialists and concierges out there, but few people know the travel industry like I do. After building relationships in this trade over 35 years there isn’t much I can’t do by picking up a phone. I’ve also got a black book of massage therapists, beauticians, hairdressers, waiting staff, entertainers, drivers – you name it. If a client suddenly wants a house party for 100 people in their holiday villa my team and I arrange everything.

It’s not just about booking luxury hotels or restaurants, although I do that too. I plan out-ofthis-world trips from scratch, based on specific client desires, everywhere from the Caribbean to an African Safari.

What lengths do you go to ensure a flawless experience?

I like to make myself available at all times; my clients want full access to me and my expertise. I’m a control freak and very detail oriented. I quite often go down and inspect a private

car myself to ensure it’s in beautiful condition and stocked with chilled water and cashmere blankets. We have greeters at the airports who meet clients from the plane (not just at arrivals). We will contact the hotel five minutes before they arrive to make sure the concierge is ready with their room keys. If they’ve got a problem or an unexpected delay, I know how to fix it. They never have to worry about a thing.

Do you limit how many clients you work with at any one time?

The number is moving all the time and people’s needs for my services can change in a heartbeat. I’ll have a huge client who books five family holidays with me a year at £100,000 a piece and

suddenly gets divorced. People get sick, elderly parents pass away. Travel is also so volatile. We’ve survived 9/11, the 2010 Iceland ash cloud and Covid-19. I’m never in a position where I can’t take on more clients, but I am now in a position where I get to decide who I take on.

Have you ever had to refuse a client’s request?

I’ve just finished a booking for a client who wanted to go surfing in Western Sumatra but also stay in a super yacht. It’s a very challenging

area of the world for a yacht to remain stable, and most super yachts are docked in the Mediterranean all summer. On this rare occasion we couldn’t deliver, so we had to think of the very next best thing – an amazing villa, for example.

What was the most memorable trip you’ve curated?

One of the most challenging trips I have taken on was for a client in the US who had a friend dying of cancer and wanted to help him fulfil the last couple of things on his bucket list. We flew them to do an amazing trip through Iceland. It had to be done very carefully because he was limited in his physical ability. We then put together a second trip to St. Barts. I flew in my own private chef to take care of them and with my compliments. When you get feedback saying, ‘This has been absolutely incredible’, it is the single most rewarding thing and makes all the hard work worth it.

Have you encountered any disasters along the way?

I once chartered a yacht for a client for an obscene amount of money and the day before they were due to embark from the harbourside in Nice the yacht disappeared. The owner had decided he didn’t want to charter it anymore and he just took off. That’s probably the hardest call I had to make to a client. In the immediate moment I had to secure him something else quickly.

How does your career impact your personal life and travel plans?

I love to travel and have wanted to work in travel since I was 11 and had aspirations to be an air hostess. That said, I haven’t had a proper holiday myself in 25 years. I go to Cornwall every summer and I try to take some time off, but really I just maintain my client’s travels. This job does get stressful, but I love what I do. I wouldn’t have it any other way. theminervatravelgroup.com

A WORLD AWAY

We find out why Hawaii’s most exclusive and private island paradise, Lāna’i, is the ultimate unspoilt getaway

Words: Judy Cogan

TRAVEL

The ultimate status symbol for the rich and famous, above a superyacht or a platinum credit, has to be owning a private island. Look to Leonardo DiCaprio who owns Blackadore Caye, a 104-acre island off the coast of Belize. There’s Sir Richard Branson’s luxury Caribbean nook, Necker Island, and singer Shakira co-owns Bonds Bay, an island in the Bahamas.

These invite-only sun-drenched boltholes usually offer optimum privacy and exclusivity for high-profile

people, but there is one slight exception to the rule. Billionaire Larry Ellison, chief technology officer of software company Oracle and seventh richest man in the world owns 98% of Lāna‘i, the 140sq mi lesserknown Hawaiian island. The 80-year-old tech tycoon purchased it in 2012 for $300m (£200m).

Fondly known as Pineapple Island – a nod to Lāna‘i’s booming pineapple farming industry in the 1920s and a time when it provided 75% of all these tropical fruits to the world – it is also home to around 3,300

residents with the remaining 2% of the island owned by the state of Hawaii and individual homeowners. Lāna‘i is fringed with rocky coves, jutting red-lava cliffs and custard-yellow sandy beaches. Inland a patchwork of unspoilt terrain unfolds as rocky lunar landscapes, fragrant pine forests and scrubby bush. And like any celebrity-owned private island worth its weight in gold, privacy-hungry A-listers fly in on private jets or choppers to enjoy the island’s sheltered off-grid vibe in the North Pacific Ocean. »

INSPIRED OPULENCE

The likes of Bill and Melinda Gates, singer Usher and comedian and actor Ken Jeong have stayed inland at the Four Seasons Resort Sensei, 1,800ft above sea level and ensconced in dense vegetation, while Jessica Alba, Will Smith and Cindy Crawford have booked rooms at the island’s beach-hugging White Lotus-style Four Seasons Resort Lāna‘i – two very different fivestar properties from the only major hotel brand permitted on the island.

For both resorts, the island is accessible to visitors via an hour-long ferry trip from Maui to Manele Harbour on Lāna‘i or a 25-minute flight on Lāna‘i Air from Honolulu. Your luxury experience starts at Lāna‘i Air or Manele harbour when a Four Seasons chauffeur will meet you and whisk you to your chosen accommodation.

The Four Seasons Sensei, a 24-acre utopia, opened in 2019 as a partnership between Ellison and US physician, scientist and author Dr David Agus. It’s an adults-only wellness-led resort that focuses on three main lifestyle pillars: movement, nourishment and rest. There are serene pools to lounge around and an airy yoga shala as well as mind-bendingly hi-tech spa treatments and private one-on-one biomarker sessions. Fashionable fare is available at the resort’s onsite Nobu, situated inside a glass pavilion.

The jaw-dropping grounds feature ancient banyan trees, towering birds-of-paradise and dinner plate-sized red hibiscus flowers. A series of modern sculptures pepper the property – work by Jaume Plensa, Fernando Botero and Jeff Koons – with onsen pools camouflaged in a Japanese rock garden. It’s both wildly lush and manicured.

In contrast, across the island, the oceanside Four Seasons Lāna‘i resort tumbles into Hulopo’e Bay with a part-public part-private paradise beach flanked by swaying palm trees. At the public end, a scattering of lively locals surf, snorkel and barbecue, playing music on portable speakers. Children swim in man-made rocky tidepools. A short gentle hike upwards reveals Puu Pehe (Sweetheart Rock), a rugged landmark 150ft off the coastline that bestows a beloved romantic legend.

The unassuming Lāna‘i city (‘city’ being a loose term) is a 20-minute drive from the beach resort on the road to Sensei and the only lived-in settlement on the island – accounting for 99% of the island’s permanent population of 3,367. Quaint and neat as a pin, it remains largely unchanged since it was founded in the early 1900s as a plantation town. There are no major supermarkets, cinema multiplexes, chain restaurants or shopping malls on Lāna‘i and it’s void of public transport and traffic lights, so the unfettered spirit, beauty and culture shine brighter than elsewhere in Hawaii. The private management company Pulama, which Larry founded, oversees the island’s upkeep.

Private paradise: Discover authentic Hawaii with The Four Seasons Sensei (right) and Four Seasons L ā na‘i (left and previous)

HISTORICALLY, LĀNA‘I HAS ALWAYS OFFERED ITS OWN SPIN ON HAWAIIAN CULTURE

UNSPOLT AUTHENTICITY

A good way to explore the island is on foot –hiking the Koloiki Ridge or Munro trails for example – or on e-bikes. For a faster paced adventure cover some of the 400 miles of fourwheel-drive trails (only 30 miles of the island’s roads are paved) by jeep. The Four Seasons HoloHolo (translated as ‘go riding, sailing’) can be booked as an independent jeep hire or a bespoke guided tour taking in history, culture and natural beauty.

Lāna‘i’s 800-year-old Waia’opae fishpond, which once fed the island’s population when a more traditional fishing lifestyle thrived, is a worthy stop. Kaunolū Village Site on the south coast is a former fishing village, abandoned in the 1880s and a US National Historic Landmark since 1962. In the island’s northwest, Polihua Beach attracts green turtles with its algae-rich environs, and isn’t far from Shipwreck Beach where a grounded Second World War vessel sits off the coast not far from sugary sand and lounging seals. In the winter humpback whales regularly pass through.

Meanwhile the western uplands boast a remarkable natural rock garden: Keahiakawelo (The Fire of Kawelo), nicknamed ‘Garden of the Gods’. It overlooks neighbouring island Molokai and the earth is a rich Mars-like rusty-red colour decorated with bundles of bulky orange-tinged boulders and neat rock towers – the claim is they hold the spirits of ancient warriors.

Historically, Lāna‘i has always offered its own spin on Hawaiian culture. In the 1790s Mexican cowboys were brought in to teach locals how to care for cattle and there are Mexican influences on the island’s menus to this day, with juicy seafood tacos and fresh mahi mahi ceviche served with tangy pineapple slaw. To take a deeper dive into the island’s history and culture, head to Lāna‘i Culture and Heritage Centre, a museum that tells the story of Lāna‘i’s ancient Hawaiian roots up to the present day with artifacts, photos, documents and exhibits on the people and wildlife who shaped the island.

For years, Lāna‘i has held onto its reputation as an agriculture-focused landscape, but really it’s the most authentic best-kept secret of the USA’s 50th state – and remains like nowhere else in the world. fourseasons.com

TIME TO ROCK ’N’ ROLL

Austin Butler pays homage to James Dean as he joins Breitling’s Squad as the face of the watchmaker’s new campaign

Words: Michelle Johnson

Against the dramatic backdrop of a sundrenched desert film set, actor Austin Butler looks every inch the classic Hollywood antihero as he sits astride a motorbike clad in denim and leather – and the new Breitling Top Time B31. Breitling’s smallest men’s watch, the Top Time is inspired by vintage timepieces that exude the free spirit and quiet confidence of the watch brand – two traits the Oscar-nominated film star personifies in his life as in this new campaign.

California native Austin, 33, started his career as a Nickelodeon child star before his major breakout role in Quentin Tarantino’s Once Upon a Time in Hollywood (2019). He earned critical acclaim – including a Golden Globe and Bafta win and Academy Award nomination – for his portrayal of Elvis Presley in Baz Luhrmann 2022 biopic Elvis, and has since gone on to star in The Bikeriders (2023) and Dune: Part II – Denis Villeneuve’s epic adaptation of the Frank Herbert definitive science fiction novel, starring Timothée Chalamet, Zendaya, and Florence Pugh.

Austin’s on-screen range and versatility in thanks, in part, to his childhood heroes, particularly one iconic 1950s big screen legend. “Watching James Dean growing up – he just had this animalistic energy,” Austin says. “It drove me to want to act. There were years where I was just trying to make it work.” »

The Rebel Without a Cause star’s style was influential on Austin’s own style, and he credits films – and actors – from the ‘50s and ‘60s for his own love of horology.

“Growing up, I always liked watches because of the images that I saw of Paul Newman, Steve McQueen and James Dean, but it wasn’t until the last few years that I started having conversations with people that were actual watchmaking experts,” he says, adding that Breitling CEO Georges Kern was influential to inspiring his newfound fascination with the technical aspects of watchmaking.

“Georges walked me through every step of the artistry of making a watch and he just made me fall in love with it. Particularly with Breitling – it’s the heritage, its connection with aviation and adventure.”

For his part, Georges is equally complimentary of the new addition to Breitling’s famed ‘squad’ of famous friends. “I spent time with Austin on the campaign set and was blown away by his dedication and

attention to detail,” he said. “He cares about getting everything just right – something we relate to at Breitling.”

The Breitling Top Time collection was first launched in the 1960s and soon became a favourite among motorsport enthusiasts, fashion icons and action heroes – Sean Connery’s James Bond famously wore a Q-modified Top Time in Thunderball (1965).

As the face of this new collection, it’s no surprise that Austin fits so perfectly among this cohort of adventurous stars.

“My dad’s a very practical man. I think it’s the lifestyle that he lives that has influenced me on more of a fundamental level,” says Austin. “Growing up he would take me to Arizona where my grandparents lived. That variety he showed me by helping me ride a motor bike, ride horses or going to the countryside [greatly influenced me].”

The new Top Time B31 – powered by a new in-house B31 calibre – has been four years in the making, taking its visual cues from the collection’s stunning vintage legacy, with its

unique architecture incorporating Breitling’s signature components – free-sprung balance wheel for improved precision and a skeletonised bidirectional oscillating weight powering the automatic movement – all visible through the watch’s open case back. The watch is finished with a leather strap or stainless-steel bracelet with asymmetrical centre link.

“The Top Time speaks to the way I’ve always wanted to live my life: free and ready to rock ‘n’ roll,” says Austin, adding that, for him, true style is in the details, not defined by fashion. “I’m really about comfort; I’m practical with my clothing and I’m not up with trends.”

With his diverse roles, on-screen charisma and critical acclaim, Austin is making his mark as one of this generation’s most exciting actors – and, inspired by the greats, no doubt entering a new era of timeless style.

breitling.com

Free spirit: Austin Butler stars as the face of Breitling’s new Top Time campaign, wearing the Top Time B31 (previous and right) and, above, the new collection

THE WONDER

In April, the world’s leading watchmakers and horological geniuses gathered in Geneva for the largest watch fair in the business: Watches and Wonders. It is here that brands from Cartier and TAG Heuer to Ulysse Nardin and Louis Moinet showcased their latest groundbreaking novelties. Here, we round up some of the most exciting discoveries from the show

Words: Shivani Dubey

Hermès Maillon Iibre

Hermès's bold Maillon Iibre collection reinterprets the brand's statement anchor chain link as a wristwatch and a brooch watch. The radical wristwatch (left) has a complex structure, with diamond or terracotta tourmaline centre stones, and features a discreet display of time incorporated into the bracelet design. The brooch watch can be worn on its own or transformed into a pendant thanks to its leather cordlet – a nod to the brand’s leatherworking-saddlery heritage. hermes.com

Roger Dubuis Excalibur Grande Complication – 45mm

One of the most innovative Swiss watchmaking houses, Roger Dubuis has launched this groundbreaking design (left) to celebrate 30 years of the maison. It features a bioretrograde display and 100% in-house grande complication calibre containing a semi-instantaneous perpetual calendar. It displays day, date, month and leap year, a minute repeater and an automatic flying tourbillon powered by a double micro rotor, comes in a pink-gold case – and is limited to just eight pieces worldwide. rogerdubuis.com

Jaeger-LeCoultre Reverso One Precious Flowers

Jaeger-LeCoultre has unveiled two new designs in its Precious Flowers collection: Green Arums (right) and Purple Arums. Exploring the beauty of flowers, both models are presented in pink-gold cases and limited to just 10 pieces each. Fixed by shiny alligator straps that complement the enamel colours, these watches are run by the hand-wound Jaeger-LeCoultre Calibre 846, a movement shaped by the maison especially for the Reverso. » jaeger-lecoultre.com

Gerald Charles Maestro GC39 25th Anniversary Edition

Gerald Charles is marking its 25th anniversary this novelty (left), inspired by its founder Gérald Charles Genta. Based on the classic ‘montre à guichet’, or ‘window watch’ style, it features a stepped, fluid case shape and a radiant dial.At 12 o’clock, the dial opens to reveal a 12-hour disc and a jumping hours complication. geraldcharles.com

Parmigiani Fleurier Toric Quantième Perpétuel

Parmigiani Fleurier has expanded its Toric collection with this clever iteration (right). Offered in two exclusive editions – 18K rose gold and platinum – it is limited to just 50 pieces each. For both versions, the manufacture movement is crafted in 18K rose gold. The case is offered in either 18K rose gold or 950 platinum, while the dial is made of 18K rose gold or 18K white gold and features a sapphire caseback. parmigiani.com

IWC Schaffhausen Big Pilot’s Watch Shock Absorber Tourbillon Skeleton XPL

This groundbreaking novelty (right) marks the first time IWC uses its patented shock-absorber system to protect a tourbillon. The cantilever spring was completely re-designed and adapted to accommodate the IWC-manufactured 82915 calibre with a flying minute tourbillon. To reduce the mass of the movement and maximise performance, the plates, bridges and rotor are skeletonised – also offering a better view of the complicated mechanics and the bulk metallic glass shock absorber spring inside. iwc.com

Piaget Sixtie

Piaget has unveiled a series of trapeze watches deeply rooted in the maison’s historic codes: the Piaget Sixtie (right), which echoes the flamboyance that marked the late 1960s. The watch is meant to adorn the wrist like a jewel, exuding femininity in a sophisticated and delicate way. This high jewellery watch comes in a stainless steel case and 18K pink gold 4N bezel with a white solar satin-brushed dial. » piaget.com

THE PIAGET SIXTIE EXUDES FEMININITY IN A SOPHISTICATED AND DELICATE WAY

Ulysse Nardin Diver [AIR]

Another trailblazer in the horology world, Ulysse Nardin has created the lightest mechanical dive watch ever made with this novelty (right). Weighing just 52g, it features a new high-tech highly skeletonised UN-374 calibre, which can withstand the impact of 5,000 G-forces. The Diver [AIR] is equipped with two ultralight, elasticated straps in white and orange, fastened with a scratch closing for added practicality. The brand has also used recycled materials where possible to ensure a strong focus on sustainability. ulysse-nardin.com

TAG Heuer Monaco Split-Seconds Chronograph F1

TAG Heuer continues its ongoing connection with Formula 1 with its latest racy iteration (left), limited to just 10 pieces. The watch features the Calibre TH81-00 split-seconds chronograph movement, which allows simultaneous timing of multiple intervals, and the lightweight case is crafted from light ceramic and white sapphire crystals. The various design elements pay tribute to Formula 1 – including the red-tinted translucent dial, asphalt-textured chronograph counters and the iconic phrase from legendary F1 commentator David Croft on the dial –“Lights out and away we go”. tagheuer.com

Vacheron Constantin Les Cabinotiers

Solaria Ultra Grand Complication

This bold wristwatch is Vacheron Constantin’s most complicated ever made, featuring 41 complications. This single-piece edition, the result of eight years of research and development, features a new manufacture movement, calibre 3665, incorporating five rare astronomical functions – including the temporal tracking of celestial objects. vacheronconstantin.com

Why regular watch servicing truly matters

Step inside the Baker Brothers’ workshop in conversation with Jimmy, the jewellery and watch specialist’s Rolex trained in-house watchmaker

Perfect timing: Baker Brothers’ in-house watchmaker

Jimmy (top right) shares his tips for servicing treasured timepieces

In the intricate world of horology, where craftsmanship and precision intertwine, the importance of servicing a timepiece goes far beyond aesthetics or accuracy alone. At Baker Brothers, we’re fortunate to have Jimmy, our highly skilled in-house watchmaker, whose deep knowledge and passion for watches make him the ideal person to shed light on this essential topic.

Jimmy, why is regular servicing so important for maintaining a watch?

For collectors and enthusiasts alike, a watch isn’t just a tool for telling time, it’s often a symbol of innovation, legacy and artistry. Fine mechanical, luxury Swiss watches are the result of decades, sometimes centuries, of horological advancement. They represent a fusion of engineering excellence and design sophistication. Watches are compact mechanical marvels, often housing hundreds of components that work in harmony. These mechanisms undergo millions of vibrations and movements each year and, naturally, this level of activity leads to wear over time. Regular servicing helps to maintain performance, protect those tiny, intricate parts from damage, and extend the lifespan of the watch. It’s about preserving the precision and reliability that these timepieces are known for.

What does the watch servicing process look like at Baker Brothers?

When someone brings their watch in, we always begin with a thorough initial assessment. We talk with the customer to understand any specific concerns they’ve noticed – maybe the

timekeeping’s off, or the power reserve isn’t lasting as long – then we conduct a full diagnostic check. Before any work is carried out, we offer a clear explanation of the expected servicing needs, any likely costs, and the estimated turnaround time. Once our customers are happy, the watch is carefully dismantled. Each part is cleaned ultrasonically to remove old lubricants and debris, and we inspect everything for signs of wear or damage. Any worn parts are replaced using manufacturer-approved components. After that, the movement is reassembled, lubricated precisely and adjusted for optimal accuracy. It’s a detailed process that requires both technical skill and a steady hand.

How does Baker Brothers maintain transparency throughout the process?

Transparency is something we take very seriously. Our customers trust us with pieces that often hold not just financial but emotional value too. That trust must be earned and maintained. We always communicate openly if we find something unexpected during servicing and nothing is done without our customer’s approval. Whether it’s a worn rotor or a broken gear, we explain the issue and the solution clearly before proceeding. That way, there are no surprises, and our customers stay fully informed every step of the way.

What are the long-term benefits of having a watch serviced regularly?

The benefits are both practical and preventative. Regular servicing keeps the movement running smoothly, ensuring accurate timekeeping and

dependable performance. But more than that, it helps prevent costly issues down the line. Catching a worn seal or a drying lubricant early can stop water ingress or movement damage before it happens. In the long run, proactive care is far less expensive – and far less stressful – than a major repair caused by neglect.

Many customers see their watches as deeply personal items. Can you speak to the emotional aspect of servicing?

A watch often carries a story with it, perhaps it was a graduation gift, a wedding present, or a piece passed down through from previous generations. When we service a watch, we’re not just working on a machine; we’re helping to preserve those memories and stories. Watches mark important moments for people: birthdays, anniversaries, milestones. Looking after one properly ensures it can continue to be part of a family’s history. That’s why I always say servicing is about preservation, not just maintenance.

It’s clear that your work is as much about passion as it is about precision. Thank you, it really is a privilege. Helping someone keep their watch ticking beautifully for years to come is incredibly rewarding. These timepieces deserve the care and attention they were built with, and I’m proud to be part of that journey at Baker Brothers.

Contact Baker Brothers via their website bakerbrothersdiamonds.com or phone 01234 630821

CAPTURING THE SUN

As high jewellery brand Mouawad releases another chapter of its exquisite Sun on Seven Wonders of the World collection, brand co-guardian Pascal Mouawad reveals all about leading the family business into a new legacy

Words: Michelle Johnson

The sun is a symbol of light, purity and brilliance – and so are diamonds,” says Pascal Mouawad, co-guardian of renowned diamond jewellery maison Mouawad. We are meeting in the brand’s new London home on Grosvenor Place, Belgravia, where Chapter II of the extraordinary Sun on Seven Wonders of the World high jewellery collection is displayed alongside Guinness World Record-holding masterpieces, and new fine jewellery collections – including the delicate Wings of Wonder novelties.

In a private viewing room, richly aromatic Turkish coffee in hand, we examine the unique pieces – Chapter I is dedicated to Machu Picchu, Peru and The Colosseum, Rome; Chapter II pays homage to Petra in Jordan, Brazil’s Christ the Redeemer, and Chichen Itza, Mexico; while Chapter III (released this year) is set to honour The Great Wall of China and India’s Taj Mahal. Each unique masterpiece, from earrings to necklaces, bangles to rings, takes its inspiration from the architecture of these great world structures and is built around phenomenal yellow diamonds, collected and perfected by the brand.

“The sun – represented by the yellow diamonds – is really what ties this collection together,” explains Pascal. “Then we’re taking different elements and motifs from architecture, from a story, and replicating this in each piece. They’re all masterpieces.

“In the Petra collection, you can see graduated colours of yellow diamonds, reminiscent of the contrast of colour and shadows in by the cliffs of Petra. In the Colosseum pieces, you can see the Roman arches around the central diamond in both the sautoir and bangle. Similarly, the stonework of Macchu Picchu, and the geometric cross of Christ the Redeemer. For Chichen Itza, we took the steps of the pyramids as well as referencing the Maya serpent god, Kukulkan.”

With individual pieces priced from USD900k (£ 676k) to USD4.3m (£3.2m), the collection began with Mouawad’s library of exceptional gemstones – with diamonds of up to 50-carats creating the play of natural light upon the seven wonders of the world.

“These yellow diamonds are wonders of the world in themselves,” says Pascal. “They are important stones, representing the journey of the sun on all seven wonders, and symbolising the connection between time, beauty and nature. Every piece of jewellery has a story behind it, bringing it to life like the sun creates life for us.”

HEAVENLY JOURNEY

For Pascal, any piece of high jewellery always begins with the stones – an area where Mouawad has made its name throughout its 135-year history.

“If you want to create high jewellery, you need to have a love for acquiring these stones,” he says. “As a matter of fact, we have the largest yellow diamond in the world – the ‘Vision Impossible Made Possible’ diamond, which was bought as a 140-carat rough, and we were able to cut it into a beautiful round diamond.”

Once the brand has sourced, cut and polished the stones, it is only then that the process of design and creation begins –whether they become part of a collection or a one-off piece.

“They definitely speak to us, for sure,” says Pascal. “There’s a lot of fun, joy and passion that goes into the process. We’re very passionate about gemstones. It’s a legacy that spans over numerous generations.”

Mouawad was founded in 1890 by Lebanese jeweller David Mouawad who – after more than two decades in New York and Mexico learning the craft of watchmaker, goldsmith and jeweller – opened his first workshop in Beirut making fine clocks and bespoke jewellery pieces. His son, Fayez, was a champion of fine jewellery watches, and expanded his father’s business into Saudi Arabia and beyond thanks to his strong network of wealthy clientele. The third generation, led by Robert Mouawad, carried the family legacy to Europe, Asia and North America. In the 1970s, Robert established a headquarters in Geneva, acquired some of the world’s largest diamonds and redefined the brand’s reputation as specialist high jewellers.

“My father, Robert, is known as a collector of very important diamonds and acquired some magnificent stones that are still in the history books. The Taylor-Burton, for instance,” says Pascal. “Collecting these beautiful gems, those museum pieces, is something that we very much enjoy doing. They’re sold to royalties and to collectors alike.”

In 2010, the company reins were handed to the fourth generation: Robert’s sons Fred, Alain and Pascal. Their vision would further the brand’s reputation for ‘crafting the extraodinary’. As for the future, the fifth generation of coguardians is already bringing fresh ideas to secure Mouawad’s legacy – Anastasia (daughter of Alain) and Jimmy (son of Fred), founder of the philanthropic Mouawad Diamond Impact Fund.

“Today, everyone’s looking for storytelling and iconic designs,” he says. “There’s also the phenomenon of responsible diamonds and ethical sourcing, which is more important than ever – so, we provide certification for that. And, for us, the quality of the craftsmanship is also really important, as well as the service you provide to your clients.” »

Unique wonders: The Sun on Seven Wonders of the World high jewellery collection Chapter II celebrates Chichen Itza, Mexico (main) and Petra, Jordan (above). Left, Pascal Mouawad

Mediterranean roots.”

The brand’s return to London – its first UK store since the early-2000s – is a key part of Pascal’s strategy, as the city is home to local high-end clientele as well as visitors worldwide.

Pascal notes that a key trend in recent years is the move away from high jewellery to fine jewellery, which is becoming increasingly popular. In response, Mouawad introduced new collections including Wings of Wonder, with its recognisable butterfly motif, and added new gem-focused novelties to the Flower of Eternity collection.

“We want to always push the boundaries and create innovative, high-quality designs,” he says. “And we’re family-run, so providing a bespoke service to customers is also really important – making them feel they’re walking into a family environment and really taking care of them.” This is especially demonstrable in Mouawad’s bespoke commissions: “Because we’re vertically integrated, we’re very agile and very fast. That’s why we’ve been very successful with royal commissions – because they don’t like to wait.”

As for his plans for the future, Pascal takes inspiration from previous generations. “We want to continue the legacy that was started by our predecessors,” he says. “Our goal is to continue to build key stores in cities throughout the world and grow the business slowly to continue to provide extraordinary craftsmanship and innovative designs. My ambition and my wish is to see this legacy continue for many more generations to come.”

mouawad.com

Feeling fine: Mouawad’s trendsetting fine jewellery collections Wings of Wonder (main and left) and Flowers of Eternity (right)

THESE YELLOW DIAMONDS ARE WONDERS OF THE WORLD IN THEMSELVES... EVERY PIECE OF JEWELLERY HAS A STORY BEHIND IT, BRINGING IT TO LIFE LIKE THE SUN CREATES LIFE FOR US

Beneath the skin

How Shane Cooper’s personalised and high-tech approach to skincare is challenging our expectations of long-lasting beauty treatments

Words: Michelle Johnson

With a loyal clientele that includes celebrities such as model Cara Delevingne, singer Sabrina Carpenter, and actors Sienna Miller and Hannah Waddingham, all seeking his red carpet-ready treatments and long-lasting noninvasive techniques, you might expect Shane Cooper’s London space to look as high-tech as his equipment. Instead, his warm and personal ethos is established from the moment you step into his first-floor mews address in stylish South Kensington.

The key to Shane’s success is the combination of incredible knowledge and welcoming approach. His treatments are personalised to each customer’s needs and skin – starting from an initial assessment conducted in part via official questionnaire and part through a welcome natter with Shane’s partner and business partner, Craig. The expansive treatment room is richly decorated with artwork, plants and various objets d’art, comfortingly lit and comfortably outfitted. There is no rush to appointments, no hustling from one room to another. The result is an immediate sense of ease and exclusivity.

Shane’s treatments are, in many ways, redefining the landscape of aesthetic procedures. At a time where the Botox boom still reigns supreme, and aesthetic beauty so often involves either the needle or knife, it is rare to find a clinic that focuses purely on non-invasive – yet still scientifically-led and innovative – techniques. With more than 18 technologies at his fingertips, Shane is adaptable to his clients’ skin on the day.

His A-List Facial, for example, combines different machines and techniques – from muscle-toning micro-currents; tri-polar radio frequency to stimulate collagen production; oxygen therapy; ultrasound infusion to deliver active ingredients deeply into the skin; lymphatic drainage to detoxify and reduce puffiness; and LED light therapy to promote repair.

To tone and tighten, Shane’s contouring treatments make use of High Intensity Focused Ultrasound (known as HIFU) alongside radio frequency to reach multiple layers of tissue with no surgery and no downtime. His Gold Lift Treatment targets scars, stretch marks and loose skin by combining warming radio frequency with precise micro-needling to stimulate the skin’s natural healing response and trigger deep tissue regeneration via collagen and elastin production.

At the heart of Shane’s Bio-Hacking Facial – designed to restore skin integrity, reduce inflammation and delay the signs of ageing at a cellular level – the skin’s natural repair mechanisms are supported to regenerate cells and preserve the length of telomeres, which play a vital role in cellular ageing via use of a Pulse Triggered Laser, the only system of its kind in the world.

The results can vary, depending on the level and consistency of treatment, but even a single session achieves a noticeable glow and return to healthier skin, no matter the inconsistencies of London weather or demands of the social calendar. But it’s not just your skin that feels the impact of Shane’s personalised approach

to skincare.

One of his driving factors is the wellness of his clients – he began his career in mental health and substance misuse, and his knowledge about internal wellbeing shines through in conversation as much as his passion for skincare. If you enjoy conversation through your facial, you can expect to journey through skin health, nutrition, science and mindfulness as you are pampered by a true expert. It’s no surprise that his clients return time and again, or that his success thus far has been through word of mouth. Clients begin their session feeling seen and heard, and leave feeling rejuvenated and energised in body and mind.

What’s more, his latest Exosome Facial treatment, developed using advanced Korean stem cell science and designed to repair, hydrate, and rejuvenate is becoming increasingly popular with clients for both event readiness and long-term skin health. His own skincare product range offers the same combination of science-led results and pure indulgence, from his hyaluronic boosting serum and collagen firming cream to his hyaluronic mist (a pre-make up must for special events) and award-winning oxygenation mask (as satisfying to use as it is effective), his products are gentle, opulent and impactful.

With state-of-the-art technology at his fingertips and a real understanding of his clients’ individual needs and goals, Shane’s treatments are setting the bar for how we approach skincare.

shanecooperskin.com

Skin deep: Shane Cooper’s (above) South Kensington address offers non-invasive, holistic skincare

The road ahead

As new technologies, political upheavals and customer expectations continue to evolve, what really is next for the automotive industry? Tempus explores the vital trends to know

Words:

Rory FH Smith

It’s a tough time to be a carmaker: trade wars, punishing tariffs, a complicated energy market and new technology developing by the day. In an industry where it takes years for a car to go from concept to road-going reality, it’s a battle for car brands to keep up and stay ahead of the competition, let alone consumer expectations. Given the pace of change in society, the economy and technology, it’s no surprise to learn that way

we move about on the road is undergoing a radical transformation.

“Vehicles are no longer just modes of transportation; they are designed to feel distinct and to embody the identity of the brands that create them,” says Luke Miles, founder of NewTerritory, an independent brand experience studio. “As consumer expectations evolve, the car itself is transforming into a host for its audience, offering immersive experiences

that go beyond traditional functionality.”

Given the testing times and changing tides, more manufacturers are aiming upwards, creating a new golden age of luxury cars that push the boundaries of what’s possible in terms of tech, performance, look and feel. With the global luxury car market burgeoning and new brands emerging alongside the automotive establishment, what exactly does the future hold for road-going luxury transportation? »

THE GREAT ENERGY DEBATE | COMBUSTION, HYBRID, ELECTRIC OR HYDROGEN?

The great energy debate rages on when it comes to balancing sustainability with practicality and desirability on the road. Electrification has been the buzzword (excuse the pun) for most car brands for more than a decade, as the switch to fully electric vehicles (EVs) looked imminent. While electric still appears to be the end goal when it comes to the cars of the future, consumers have momentarily cooled on the idea of a pure electric vehicle as legislators push back the deadline for a full EV adoption, shining a light on the hybrid middle ground, which blends both combination and electric. In the UK, the policy shift means hybrids will be sold until 2035 while ‘microvolume’ carmakers such as Aston Martin, Bentley and McLaren are exempt from the EV sales quotas.

“The industry is on the way to electrification and one of our most important strategic tasks is to manage this,” says Bentley CEO and chairman Frank-Steffen Walliser.

“Now, plug-in hybrid is a very important milestone in our journey to electrification – it’s not just another bridging technology – our customers have not only accepted the move to hybrid, they really love it. We’ve had a lot of very positive feedback on that.”

As for hydrogen, brands like Toyota, Honda, Hyundai and BMW have got behind the technology, developing new fuel cell vehicles (FCEVs) and enhancing hydrogen infrastructure but it’s far from the same level of attention plug-in electric vehicles have received, particularly when it comes to luxury. Despite the advancements in fuel cell technology, challenges remain, such as high production costs and safety concerns.

SUSTAINABILITY | THE RISE OF THE LIGHTWEIGHT

If there’s one consistent trend in the development of cars over the past century, it’s their increasing size and weight. Today, a Mercedes-Benz EQS SUV has a weight of close to three tonnes, while the first-generation Mercedes S-Class from the 1970s weighed less than two. While much of that weight comes from the unparalleled levels of technology and tricks that modern luxury cars offer, the weight gain also comes from the engineering that underpins them, particularly when it comes to electric cars.

“Electric cars are very heavy, a typical one is two and a half tonnes, whereas our cars are around 1000 kilograms,” says Phil Lee, CEO of Gordon Murray Automotive, makers of the V12-engined T.50 supercar.

“If the car is lighter, you don’t have to move all that mass around, and batteries are heavy,” he explains. “Hybrid can be a solution but the main thing is to make sure that the cars stay light.”

With a history of designing Formula One cars, Gordon Murray is well versed in the improved efficiency and performance of lightweight vehicles but more mainstream luxury manufacturers are following suit. Alpine has it’s peppy A110 two-seater sportscar, which weighs just 1.102kg, Morgan recently revealed its new 1.170kg Supersport and this year the market welcomed new British start-up Longbow, which plans to produce two sub-1000kg ‘Featherweight Electric Vehicles’ (FEV) by 2026.

AUTOMATION | TO DRIVE OR BE DRIVEN?

Most cars on sale today boast some level of autonomy, such as autonomous emergency braking and systems that adapt the vehicles speed but the mass-adoption of full, ‘hands and eyes-off’ autonomy in everyday life is still someway off. Uber is trialling taxis without drivers across the US and the technology looks destined to hit UK roads next, after the Automated Vehicles Act was introduced in 2024, paving the way for the first self-driving cars to appear on our roads by the end of 2026. With drivers relieved of their duty, there are “significant opportunities for both manufacturers and consumers,” says Luke.

“With autonomous capabilities reducing the need for driver engagement, vehicles can become flexible, multipurpose spaces designed for productivity, relaxation or entertainment,” he adds. “This shift allows manufacturers to adopt a hospitality-first mindset – like a fine hotel, curating experiences that cater to individual passenger needs. The flexibility enables brands to rethink everything, from seating arrangements to personalised digital services, ensuring that the vehicle serves as an intuitive, responsive host.”

In the luxury world, where customer experience is everything, this ‘hospitality mindset’ will become a space for differentiation, with experiences served at every touchpoint – from the point of enquiry and purchase all the way through to ownership.

When it comes to brands that pride themselves on performance and undiluted driving experiences, the path to automation is less clear cut. With Aston Martin recently embracing its new “Intensity. Driven” strapline, the great British carmaker is dialling up the idea of driving as an experience but it’s likely performance car makers will need to balance this with increasing levels of autonomy. Afterall, wouldn’t you be happy to hand over the driving duties during a monotonous motorway slog and then take it back when the opportunity for a B-road blast emerges? »

Forward drive: The Rolls-Royce Arcadia Droptail (previous), Bentley Bentayga (left), Mirai (top left) and Waymo (above) lead the pack in innovation.

Top right, the McLaren F1 classic supercar designed by Gordon Murray

PERSONALISATION | THE GROWTH OF BESPOKE

As the market for luxury cars continues to grow, so does owners’ appetites for individuality and more bespoke vehicles. In 2024, Ferrari raised its earnings forecast for the year, attributing the growth to high sales of premium models and a surge in demand for personalised features, which the marque claimed accounted for about 19% of its 2023 revenue.

Similarly, Bentley and Rolls-Royce (pictured, this page) have reported increased profits due to the personalisation trend, with both marques dialing up their bespoke coachbuilding divisions over the past decade. Limited to only the most affluent and dedicated owners, both companies create special limitededitions, such as the £2m Bentley Batur and the Rolls-Royce Droptail, which is rumored to cost in the region of £25m apiece.

“Personalisation will be key,” says Luke. “With vehicles acting more like hosts, being able to adjust to individual preferences and creating a deeper connection between the car and its occupants is crucial.”

WITH AUTONOMOUS CAPABILITIES REDUCING THE NEED FOR DRIVER ENGAGEMENT, VEHICLES CAN BECOME FLEXIBLE, MULTI-PURPOSE SPACES DESIGNED FOR PRODUCTIVITY, RELAXATION OR ENTERTAINMENT

— Luke Miles, Founder, NewTerritory

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A MODERN MAN

Discover pioneering preventative men’s healthcare with Harley Street’s The WellMan Clinic

PREVENTATIVE HEALTH: THE FOUNDATION OF LONGEVITY

As men age, they face increasing risks of conditions such as heart disease, diabetes, prostate issues, and hormonal imbalances. Despite these risks, many delay seeking medical advice until symptoms become debilitating. The WellMan Clinic (below) is committed to changing this reactive approach by championing preventative health as the key to longevity and sustained quality of life.

Through comprehensive health assessments, the clinic provides a deep dive into men’s overall well-being, using sophisticated modern methodologies in evaluating cardiovascular health, blood fat levels, prostate function and hormone balance. Regular screenings enable the early detection of potential issues, allowing for timely medical intervention and lifestyle adjustments. This proactive strategy empowers men to take control of their health before problems arise, rather than waiting for symptoms to dictate action.

THE CRITICAL ROLE OF TESTOSTERONE IN MEN’S HEALTH

Testosterone is a fundamental hormone for men’s health, influencing energy levels, cognitive function, muscle mass, bone density, metabolism, cardiovascular health and sexual activity. However, natural testosterone decline begins as early as the mid-30s and can lead to fatigue, irritability, weight gain, reduced motivation, a diminished sense of well-being, and lack of libido and erectile dysfunction.

One of The WellMan Clinic’s most transformative treatments is Testosterone Replacement Therapy (TRT), a meticulously managed programme designed to restore hormonal balance safely and effectively. Each patient undergoes thorough diagnostic

testing before treatment begins, ensuring a personalised approach tailored to their specific needs. The clinic’s experienced specialists continuously monitor progress, adjusting treatment plans to optimise results while avoiding side effects.

OPTIMISING HEALTH AND VITALITY FOR MEN OVER 40

The WellMan Clinic’s commitment to men’s health extends beyond testosterone therapy. The clinic provides holistic wellness programmes, including tailored nutrition plans, weight management strategies, and guidance on maintaining optimal metabolic health. By integrating preventative screening with targeted treatments, the clinic helps men sustain their vitality, confidence and long-term well-being.

A LEGACY OF EXCELLENCE IN MEN’S HEALTHCARE

With almost 40 years of experience, The WellMan Clinic remains a trusted authority in men’s health matters. Its reputation is built on expertise, discretion, and personalised medical care in a worldclass setting. Patients benefit from cutting-edge advances in men’s health, delivered by a team that understands the complexities of male ageing and the importance of proactive care.

For men over 40 seeking to prioritise their health, The WellMan Clinic offers a pathway to enhanced energy, sharper focus and long-term well-being. Whether through comprehensive health assessments, preventative screenings or innovative hormone therapies, the clinic remains at the forefront of men’s healthcare.

To learn more about The WellMan Clinic’s services and how they can support your health journey, visit wellmanclinic.org

SECOND WIND

Having conquered the worlds of aviation and haute horology, Nick English is turning his passion for high-octane craftsmanship to the world of electric vehicles. Here, he speaks to Tempus about reviving the much-beloved Moke International

Words: Rory FH Smith

While Nick English might be best known for his efforts in aviation and timekeeping as co-founder of watchmaker, Bremont, 2024 marked a new era for the seasoned entrepreneur.

Moving on from his day-to-day role in the meticulous world of watches, English now finds himself immersed in all things automotive, as the newly named executive chairman of Moke International, the company responsible for reviving the lovable, lazy holiday runabout as an all-electric low-speed vehicle (LSV) for the modern age.

“I’ve always had a big passion for cars; from restoring them, to racing them,” enthuses Nick (right). From his Austin Healy and Land Rover, to completing the Paris to Peking Rally with a friend in a vintage Bentley, Nick has always harboured a hefty soft spot for British cars. “There is this amazing history of car making here,” he says, fresh from a visit to a specialist metalworker in the Midlands, the UK’s car making heartland.

It was while working with British filmmaker Matthew Vaughn during his time at Bremont that Nick got to know Moke professionally. After playing a starring role in Argylle in 2024, the Moke added yet another film to its roster of credits, which range from James Bond to The Prisoner, with the likes of the Beach Boys, the Beatles and Brigitte Bardot all pictured behind the wheel over the years. Before meeting Matthew, Nick – like most of us –had come across the humble holiday runabout outside of his working life.

“The one thing about Moke is it’s one of these holiday destination experiences,” he explains. “On islands like Menorca, you see cars like Mokes and [Citroen] Meharis nipping around and they’re just associated with sun, surf and smiles. I always joke that the Moke is a second car for second home somewhere in the sun, but that makes it quite special, because people are buying it for the enjoyment factor.”

Starting life as an odd-ball project dreamt up by Mini designer Sir Alec Issigonis for the British Military in the late 1950s, the Moke was originally »

IT’S NOT JUST ABOUT THE DESTINATION –IT’S ABOUT THE WHOLE JOURNEY TO THE DESTINATION – THAT’S WHAT MAKES IT FUN

named the Buckboard. Designed to be a suitably lightweight, air-transportable utility vehicle, the pocket-sized fighting machine failed to impress due to its low ground clearance and weak 848cc engine.

Undeterred, the Buckboard was revised with larger tyres and improved off-road capabilities, coming back in 1962 as the Mini Moke – an archaic dialect term for donkey. Still unable to make its way into military commander’s hearts, its makers, the British Motor Corporation (BMC), turned its attention to the civilian population, marketing the Austin Mini Moke as a VAT-exempt, utilitarian vehicle that came without doors.

The Moke soon found fame in TV, film and as the personal transport for rockstar royalty like George Harrison and Paul McCartney, while the model blossomed into chic symbol of 1960s life in the sun overseas. “George loved cars – all of the Beatles did,” wrote the guitarist’s former wife Pattie Boyd in her autobiography, Wonderful Tonight. “After the E-type he bought a silver Aston Martin DB5 and a Mini Moke, a little jeep-like car with no doors and no roof that was really fun in the summer. People would cruise up and down the King’s Road in them.”

ALL ABOUT THE JOURNEY

With the last Moke rolling off the BMC production line in 1993, the fun, four-wheeled icon went into hibernation. Only a steady stream of imitation models produced in China and the US would fill the Moke-shaped void in the market until it made a comeback 25 years later. Following a redesign by acclaimed British designer Michael Young, the Moke was reborn in 2018 as a fun, road-going, all-electric holiday runabout.

Powered by a dinky 10.5kWh battery, the Moke’s powerplant is featherweight compared to the heavy, cumbersome items in most roadgoing EVs. Despite having only 44bhp, it’s more than enough to power the £36,000 Moke from standing to 30mph in 4.5 seconds and to transport four passengers around an island, resort or to and from a long, lazy lunch. Driving around the quiet country roads surrounding

the Beaverbrook estate in the Surrey Hills with all the doors and canvas roof stripped back is a liberating experience. With a near silent powertrain and just the sound of the Bimini roof flapping around like a ship’s mainsail, it’s as close as you can get to nature while driving.

“I think everyone’s just excited to see the business moving forward again, which is brilliant,” says Nick. “The fact that we have gone to full EV is bang on where we needed to go.” Tapping into the growing LSV market, particularly in the US, Nick reports that Moke has already secured tie-ups with resort groups including the Four Seasons and the legendary Surf Club in Miami. In the UK, Moke has partnered with the quintessentially British Beaverbrook hotel in Surrey, providing a fleet of bright orange Mokes, which guests can use to silently, effotlessly and enjoyably get around the country house estate.

“It’s not just about the destination – it’s about the whole journey to the destination – that’s what makes it fun,” explains Nick. Bringing his meticulous eye for detail and control over from the watch world, Nick is clear about Moke’s ambition to bring its production in-house, to ensure quality but also better serve its customers seeking greater levels of personalisation. “In the watch industry, you buy a model of watch and someone might then want to change the colour, or do this and that,” he says. “With our ambition to bring production in-house, we can have full control over paint and accessories and everything else.”

Aside from the Meyers Manx dune buggy, there’s not much else to rival the Moke when it comes to a no-frills vehicle to buzz between beaches in. Bringing a whole new dimension to top-down driving, the Moke is enjoying its second life as an all-electric car dedicated to fun in the sun.

“The Moke is an event,” says Nick. “So much of life is about getting out of something sterile. I just love the journey and I always want to make it interesting. The Moke does that in spades – it’s just brilliant.”

mokeinternational.com

Electric feel: Moke International’s line of electric LSVs (top left) are fabricated in the UK (left). Below, Beaverbrook Hotel’s bright orange Moke vehicles

Local Heroes

We explore four of the best UK destinations that are combining five-star luxury with rugged, rural appeal. Whether you’re looking to head to the coast, discover mountainous terrain or take a sporting break with impressive views, there’s no place like home when it comes to the great outdoors this summer

ENGLAND | CARBIS BAY, CORNWALL

Situated on the beautiful Cornish coast, fivestar Carbis Bay Hotel & Estate (this page and previous) has been a family favourite luxury getaway for 125 years. The Baker family, as long- standing owners, have managed the difficult task of preserving its roots as a muchloved seaside hotel while bringing it firmly into the 21st century and building its reputation as an award-winning premier waterside resort.

Nowhere in the world does the adage ‘where the sea meets the sky’ ring truer than the sight of glistening turquoise waters lapping at 25 acres of pristine blue flag beach. On a clear day, the view seems to stretch endlessly, with Godrevy Lighthouse the focal point on the horizon.

Carbis Bay Hotel itself comprises 38 luxurious rooms in its Main House Hotel, with Beach Lodges and Beach Houses, plus Valley Cottages and Suites offering private stays. Luxury glamping from Carbis Bay Estate adds another element to those wanting to immerse themselves in the area’s wild nature, while nearby 19th-century Treloyhan Manor offers a more central experience within St Ives – just minutes by train via one of the country’s most beautiful coastal train journeys.

With six restaurants, C Bay Spa, the Kids’ Club!, and activities including ocean sports

equipment hire and yacht charter, there’s endless entertainment and occupation to be found from the comfort of the hotel. The concierge team are there at the simple press of a button, whether to rebuild your fire or deliver delectable morning breakfast hampers.

The impressive hotel is no stranger to highprofile guests – in 2021 it was the location of the G7 summit, playing host to leaders from across the world. Guests may notice lodges now named after their famous guests – from the moment we unlock the door to Lodge One – USA – it immediately feels like home, only better. We are greeted by light flooding into the stairwell, which, with its circular design, gives the illusion of almost being inside a lighthouse. Our walk to the beach can be measured in mere steps, so there’s no excuse for not taking a quick bracing dip in the sea; the sight of seals and dolphins playing in the bay is a real highlight. When the sun sets and the stars twinkle in the inky blackness – unimpeded by urban light pollution – it’s the perfect time to ensconce ourselves in our private rooftop hot tub with a glass of champagne.

The following day, we tour the estate’s sub-tropical gardens before heading to the promenade, where we’re welcomed by The Deli & Deli Restaurant. Walter’s on the Beach offers a glamorous beachside bar and restaurant, while

The Beach Club provides more laid-back dining, with a relaxed Mediterranean feeling that focuses on providing classic and simple dishes that are beautifully executed.

Adam Handling’s award-winning establishment Ugly Butterfly is the perfect dropin spot for everything from signature cocktails, afternoon tea or fine dining experience. Neon signs adorn the walls featuring the slogan ‘Why Waste?’ – reflecting chef Adam’s ethos that everything in the restaurant has a purpose. If you are not already fully relaxed by the sea air, a trip to the C-Bay spa will quickly remedy this. Rain or shine, the spa’s infinity pool overlooking the beach is a more than comfortable temperature, while the spa’s candlelit treatment rooms – including one dedicated to couples –offer treatments including facials, mani-pedis, aromatherapy experiences, scrubs, seaweed wraps and massages.

With so many different options in the estate’s ever-expanding portfolio, the biggest choice you will have to make is picking just one accommodation option for your next getaway –and by far the hardest part of the trip will be the day you have to pack your bag and leave. »

carbisbayhotel.co.uk

Words: Floyd Woodrow

WALES | THE GROVE OF NARBERTH, PEMBROKESHIRE

Hidden in the rolling Narberth hills, surrounded by meadows and woodlands lies the Grove of Narberth. Once a historic house, this charming bolthole (this page) – Small Luxury Hotels of the World’s hotel of the year 2023/24 – is now the perfect destination to explore the charming Welsh landscape. The rooms and suites at this hotel are all distinct from one another. For example, Sorrel in the Herb Cottage contains a private garden and wood burning stove, while Seddon has a fourposter bed and views of the Preseli Hills. The hotel’s close proximity to Pembrokeshire Coast National Park also makes it an ideal location for hikers and explorers.

The Grove puts a strong emphasis on sustainability; it generates 100% renewable electricity, sustainable heating and is completely self-sufficient in honey production. The hotel has also planted 4,000 indigenous trees to encourage local wildlife. Community is also a strong focus at the Grove, fostering close relationships with Pembrokeshire’s rural coastal communities. The hotel also seeks out local suppliers and artisan producers, and features paintings and sculptures by local artists on its walls. A serene luxury escape in the heart of the Welsh countryside, the Grove of Narberth is one history-rich destination that perfectly represents what Wales is all about.

grovenarberth.co.uk

NORTHERN IRELAND | SLIEVE DONARD, COUNTY DOWN

Slieve Donard (this page) is a Victorian-style coastal gem in the Mourne Mountains which features a rich history and ties to icons like Charlie Chaplin. The decor pays homage to the destination’s seaside beauty and rich Irish traditions, while preserving the Victorian elements and characteristics of the building. Suites are spacious and luxurious, featuring bespoke designs rooted in local history and a palette inspired by the hotel’s stunning natural surroundings. There are four restaurants all focused on seasonal, local ingredients and a spa that overlooks the wildly beautiful Irish sea. Some amenities on offer at the spa include ESPA treatments, a 20m pool, sauna and fitness facilities.

In terms of activities, guests can enjoy hikes through Tollymore Forest Park and Slieve Donard Trail, water activities at Newcastle Beach and visit historical sites such as Dundrum Castle. The hotel’s proximity to the Royal County Down Golf Course also makes it an excellent choice for golfers – the concierge can arrange tee times at guests’ convenience and even have golf clubs shipped to and from the hotel. A wonderful destination for both family vacations and golf adventures, Slieve Donard is some of the very best Northern Ireland has to offer. »

marineandlawn.com/slievedonard

SCOTLAND | MARINE TROON, AYRSHIRE

Against the crashing backdrop of the Firth of Clyde, Marine Troon (this page) strikes an imposing silhouette; a commanding red-brick property perched on the divide between land and sea. Surrounded by grasses and dunes, its location is impeccably placed for the adjacent golf course. And not just any golf course, but the illustrious Royal Troon.

Frequent host of The Open Championship, the Royal Troon Golf Club is deservedly admired. Its famed ‘Postage Stamp’ eighth hole provides ample challenge for those wanting to test their skills, while blustery winter mornings with the wind rushing off the ocean offer further opposition for those so inclined. Yet with a relatively mild climate, stunning vistas, and varied nature, it’s well worth a visit whether you’re a golfer or not. Seabirds throng the tideline and surrounding dunes, and if your feet follow the charmingly named Smugglers Path you’ll find yourself tracing the shore before winding through grasses and dunes, across manicured turf, and back to the tranquillity of Marine Troon. You understand why Queen Elizabeth II bestowed it with the ‘Royal’ title — the only golf course so honoured during her reign.

I’m visiting to try a challenge of a different kind – to experience Marine Troon’s first Adventure Weekend. A relaxing mixture of yoga, breathwork, coastal walks and nutritious fare is juxtaposed with an immersion in the Firth. The weekend fosters resilience and community, embracing the mental and physical health benefits of cold-water swimming. Having twice braved the wild waters, I can report that the experience brings an unexpected rush of joy and vitality and is well worth the wade into the ocean’s icy embrace – I’m relieved to discover this – is followed by a much-needed sauna.

A chance to thaw, and commune with fellow adventurers in the hotel’s enchanting spa.

Spacious and bright, one entirely-glass wall of the heated pool area overlooks the expansive lawn and vista across to the Isle of Arran. An ample hot tub, steam room, and sauna provide varied opportunities to relax, with a separate gym and weights room for those looking for a more high-energy pastime.

Marine Troon’s appeal is its blend of oldworld charm and contemporary luxury. Bringing together its location’s rich golfing heritage with modern comfort and style, sporting touches and Scottish culture abound. Entering through grand revolving wooden doors, the property unfurls around you, its elegant entrance providing tantalising glimpses into The Seal Bar and restaurant, The Rabbit. The former, overlooking and named for Royal Troon’s opening hole, is a relaxed spot for elevated pub classics, light bites, coffees, teas and evening cocktails, while the latter, also overlooking its namesake, Hole 17, is the hotel’s more traditional restaurant, offering seasonal Scottish fare, robust Sunday roasts, and quintessentially British afternoon teas.

Upstairs, bedrooms are compact but comfortable, with refined touches from gilt picture frames and rich wooden side tables to marble bathrooms. Cream and blue wallpaper lends a lighter feel, paired with richly patterned vintage carpets. Avoiding dusty clichés, rooms have a fresh and contemporary appeal, with tartan and marine paintings adding a comforting touch of tradition.

For golfing enthusiasts, the location is already hard to beat but, for non-golfers, the lure of Troon’s Scottish shore is still well worth exploring.

marineandlawn.com/marinetroon

Words: Tessa Crowley

Tailor-made travel

Steppes Travel’s Giles Cross shares his journey to discovery beyond the norm – and why personality is the key to shaping true adventure

ONCE YOU’VE TRAVELLED LIKE THIS, IT’S HARD TO GO BACK

- Giles Cross

To be honest, I’ve always been a bit odd. I’ve always liked to do things my own way, to look at the world from a different angle, never content with having or seeing the same as everyone else. When others turned right, left always looked more interesting..

I had to wear a suit to work for many years and was never comfortable. The suits I bought always seemed to be made for someone else, somebody who fit the idea of a person who wasn’t really me. So, I went to a tailor. I went bespoke.

I remember that first bespoke suit, made especially for me, vividly. The weight and style of the fabric, the way it fitted my shoulders; the lining, the subtle details that made it unmistakably mine. I was used to adjusting myself to fit the suit rather than the other way around but once I’d experienced the precision, comfort and quiet confidence of something made only for me – andthe personal care that went into making it – it was difficult to go back to ‘off the peg’ clothing.

It was only a matter of time before I realised my travels were following the same path.

I’d book holidays that were convenient: packaged itineraries, scheduled tours, hotel rooms chosen for their proximity to sights rather than for what they offered beyond a place to sleep. They ticked the boxes but something always felt like it was missing. The

The beauty of bespoke: Steppes Travel create unique holidays tailored for their clients

destinations felt familiar, even if I’d never been before. It was as if I was going on someone else’s holiday, stepping through a series of well-worn footprints, rather than making my own.

I decided to do it differently. I did what I’d done before – I went to a ‘tailor’. I went bespoke.

The first time I sat down with a travel consultant, they asked questions I’d never been asked before. Not just where I wanted to go or wanted to see, but they wanted to know why. They asked how I wanted to feel, what kind of traveller I was and who I was travelling with. They wanted to understand what made me tick. Slowly, my trip started to take shape – not from a template, but from me: my interests, my rhythms and my sense of curiosity.

It felt different from the start, right from the planning through to the delivery. No rushing to catch up with a rigid schedule, no queuing for ‘must-sees’ and ‘must-dos’. Instead, there was spaceto follow an unexpected recommendation, to linger in my fascinations, to slow down when something caught my eye and to speed up when I was ready for the next thing.

I started to recognise the nuances of tailor-made travel in the same way I came to appreciate the finer points of my custommade suits. The details mattered. The fabric of a journey, woven with experiences chosen for me rather than for the masses. There was

comfort, not just in the quality, but in the knowledge that everything had been arranged with me in mind.

As with my wardrobe, I found myself reluctant to return to the world of ‘one-size-fits-all’. Once you’ve travelled like this, it’s hard to go back. It was never about luxury. It was about something deeper: the idea that my time, my interests and my perspective were worth considering. I realised it wasn’t about the destination, in the same way as it was never about ‘the suit’. It was about how it made me feel.

Tailor-made travel doesn’t mean excessive planning or losing the spontaneity that makes travel so rewarding. Quite the opposite. It allows for a freedom that packaged trips rarely offer. It acknowledges that the most memorable experiences often happen in the moments between the planned ones. It makes sure that you’re not just another visitor. You’re exactly where you’re meant to be.

Once you’ve experienced that, there’s no going back.

Voted a Conde Nast Leading Specialist Tour Operator 2023 and 2024, Steppes Travel have been creating beautiful adventures and remarkable holidays for more than 30 years.

+44 (0) 1285402195 steppestravel.com

Home for the SENSES

How do you create a home that stimulates all five of your senses? Tempus speaks to some of the best interior design experts for their insights into the latest decor trend: sensescaping

Designing the perfect home can be a Herculean task. When considering our homes we so often take the location, amenities and functionality into account, before moving to the visual aesthetic and creative direction – but what of our other senses? The struggle of having just finished a redesign only to find a new trend or inspiration that makes you want to tear everything down and start all over is one that we’re all too familiar with. So how can we create a home that stimulates all five of our senses to create a haven tailored exclusively to you? This is where sensescaping comes in.

Sensescaping is an interior design trend that engages all five of our senses to enhance wellbeing and create particular moods throughout your home. The idea is that by catering to each of our senses – sight, smell, touch, sound and taste – we can create a sensory haven that evokes certain emotions and feelings depending on the room we’re in.

This is not a new concept but has recently gained momentum. For centuries, cultures around the world have understood that spaces should be experienced holistically – where scent, texture, light, and sound work in harmony.

“Sensory design helps create spaces that not only look beautiful but feel alive,” explains luxury interior designer Kelly Hoppen. “For me it’s about using my design philosophies to create interiors that feed all the senses. For instance, soft textures can evoke calmness, while the right lighting can influence mood and productivity.”

Design has always been about evoking our senses, says Gemma Holsgrove, studio director and partner at design house Sims Hilditch. Sight is often the most influential sense in interior design – shaping how we perceive a space through colours, lighting, and materials – but we can also engage other senses to transform how a space can make us feel.

“For example, soothing, neutral tones and natural

materials promote a sense of calm and relaxation, making them ideal for a bedroom,” says Gemma. “In contrast, a library might feature richer hues to foster intensity and focus.”

Sensescaping is more than just about making a home look good – it’s a holistic approach to creating interiors that engage all the senses, fostering immersive, wellnessfocused environments. And it can have an incredible impact on your wellbeing.

“A room’s sensory design can support specific activities and set the desired mood, whether for relaxation, focus, or socialising. By thoughtfully addressing all five senses, a space can feel harmonious and supportive,” explains Portia Fox, founder and creative director of her eponymous London-based design studio.

Additionally, she says, sensory design can positively influence emotions and cognitive function. Scents like lavender can soothe the mind, while fresh, uplifting aromas such as orange blossom can boost energy. When combined with textures, lighting, and sound, this approach creates a deeply immersive environment that supports overall wellbeing.

Depending on the season, you can also choose to adapt different interior aesthetics using some very simple steps, explains Kelly. For example, in the summer, you might go with lighter fabrics like linen, plus floral scents and brighter colours. In winter, switching to heavier textures and warmer hues create a cosy atmosphere (think the popular Scandinavian hygge trend that dominated interior design in the mid-2010s).

“Seasonal decor doesn’t need to be a complete overhaul; small changes can have a significant impact on the mood of your home. It’s about embracing the natural rhythm of the year and allowing your space to evolve with it,” she adds. Here, we detail six different ways in which you can incorporate sensory design into your homes to create an environment that brings wellness to your doorstep. »

Sensory living: Alynfa Barn House by Jules Copsey and creative partner Anna

EMBRACE CALMING COLOURS

Designers suggest applying principles of colour psychology to choose hues that evoke desired emotions, like blues and greens for calmness or yellows for energy. Opt for earthy tones and neutral palettes to create a soothing backdrop. Colour psychology involves understanding how colours influence human emotions and behaviours. Incorporating this philosophy into designing your home can greatly influence the feelings being in each room can evoke in you.

“We see first-hand during our personalised design process that customers want colours and layouts that are calming and will reduce stress,” says Megan Baker from My Fitted Bedroom. “They want their spaces to positively impact their senses and overall wellbeing, beyond being something functional or just pleasing to the eye.”

INCORPORATE TACTILE MATERIALS

Textures play an essential part in sensory design, says Portia Fox. From the softness of a throw blanket to the richness of patinated furniture, tactile contrasts add depth and interest. A beautiful room without attention to acoustics or tactile elements might feel sterile.

Using fabrics like velvet, bouclé, faux fur, and linen for furniture, cushions, and throws can add depth and comfort. Adding natural materials such as wood, stone, and ceramics can also provide a variety of textures. Using handwoven textiles and artisanal materials is another way to add authenticity and a deeper connection to homes.

“Bedrooms benefit from warm, soft textures like plush fabrics or upholstered furniture, creating a comforting and inviting atmosphere,” explains Alicia Meireles, creative director at Own London. “On the other hand, kitchens and living spaces thrive on clean, polished materials such as stone or reflective surfaces that feel practical and energising.”

Clockwise from top: The OWO residence designed by Sims Hilditch; Goldmund Asteria wireless speakers; Alynfa Barn House Sensory Living by Jules Copsey and creative partner Anna; My Fitted Bedroom Elan Wardrobes by Megan Baker

ENHANCE SOUNDSCAPES

Whether soundproofing urban homes to create peaceful retreats or installing discreet audio systems for immersive soundscapes, carefully considering acoustics is an important element of sensory design, explains Portia.

Tips include installing soft background music systems or white-noise machines to reduce stress, or using thick rugs, upholstered furniture and curtains to absorb sound and minimise echoes. Acoustic wall panels are also an important part of this trend.

When it comes to sound, brands such as Goldmund offer precision-engineered speakers, amplifiers and audio systems. Its Asteria wireless speakers offer minimalist designed that amplifies not just the sound but the aesthetic of an entire room.

PLAY WITH LIGHTING

“I often start with lighting,” says Kelly Hoppen. “Making use of natural lighting and harnessing it to highlight different textures at different times of the day is really powerful.” One way to do this is by layering textures so that your space adapts to your needs, she explains. This helps to cover all senses and utilise them to aid comfort and productivity. Add dimmable lights and smart bulbs to adjust brightness and colour based on mood or activity. Consider warm, soft-toned lighting for a cosy atmosphere in the evenings. Use natural light by incorporating sheer curtains or blinds to soften the ambiance. Layer lighting to suit various moods and times of day, blending natural light with ambient, task, and accent lighting to create spaces that feel warm and adaptable. »

Sense and sensibility: Aromaria (below) use scent to enhance space; movement and texture are are the core of Arighi Bianchi designs (above)

DESIGN FOR MOVEMENT AND FLOW

Spatial planning is extremely important in designing a home, says Alicia Meireles. Arranging furniture to create open, easyto-navigate spaces that feel welcoming and functional can be a great way to incorporate sensescaping into your homes. Use rounded furniture edges and flowing layouts to enhance a sense of comfort and safety. Include soft rugs and mats that feel inviting underfoot.

“For example, when designing layouts, I make sure to position kitchens away from bedrooms to prevent cooking smells from traveling and disrupting rest,” she says. “In my own home, I layer sensory details – subtle scented candles, dimmable lighting, and carefully chosen artwork – to create spaces that feel personal and balanced.”

FOCUS ON SCENT

Scent is one of the most powerful sensory triggers, capable of setting the mood, enhancing comfort, and even improving well-being, says Erin Hollingshead, Aromaria’s regional director for the UK and EU. It provides an invisible layer to home decor that instantly creates an emotional and memorable connection with the space. A well-chosen fragrance can evoke warmth, sophistication, or tranquillity, making a home feel truly lived-in and harmonious.

For home fragrance, using a combination of diffusers, scented candles, room sprays and perfume sticks can completely transform a living space. One way to effortlessly transition scents is by layering – keeping a consistent base note while rotating complementary top notes to reflect the season. This ensures continuity while allowing for subtle, meaningful changes throughout the year. Other brands such as Aromaria, Unwritten and Maison Louis Marie are great examples of bespoke fragrance brands that enhance any space you walk into.

Similarly, One&Only provides bespoke scents and fragrances inspired by its numerous luxury resorts, villas and homes. With such an acute awareness of how a scent can transform a room, these beautiful blends more than deliver on the promise of a holistic experience.

More than a move

Est.1646

Contact Pickfords Gold:

0203

Pickfords Gold sets a higher standard for both domestic and international moving in and around the heart of London, offering a comprehensive range of services to ensure a seamless transition to your new home.

From meticulous packing of your belongings to specialised handling of antiques, fine art and high-value items, our expertise caters to the unique needs of discerning homeowners.

Our dedicated on-site move executive acts as your personal representative throughout the process, overseeing every detail to provide peace of mind.

Additionally, our white glove home makers service goes beyond the move itself, offering bed-making, kitchen setup and wardrobe organisation to make your new house feel like home.

Fully bespoke and tailored to suit owners of homes of distinction, Pickfords Gold ensures that every aspect of your move is handled with the utmost care and professionalism.

Words: Judy Cogan

PRESTIGE PETS

As luxury brands catch up to the spending power of dog-lovers and their prize pooches, we present the exclusive designer clothes, hi-tech homeware and canine-only members clubs to help your pets look and feel paw-some

Luxury pet pampering is booming and goes far beyond doggie spas and pawdicures. For many pet owners, one’s furry friend is another member of the family –and should be treated accordingly, with access to high-end products and experiences. If your pet parenting skills need an upgrade take the lead (pun intended) from Donatella Versace’s adorable Jack Russell terrier Audrey, who has enviable accessories and eats dinner sitting in a chair at a set table, or designer Thom Browne’s pooch Hector, who remains looking ‘fetch’ with his all-cashmere wardrobe.

COUTURE CANINES

When did dogs start dressing better than humans?

Take ‘Tika the Iggy’, the 7lb Italian greyhound with 1.5m Instagram followers, a book deal and appearances at NYFW, and opened doors for other animal influencers such as Izzy the Frenchy (1m followers) and Menswear Dog (375k). Fashion brands such as Burberry, Moncler and Ralph Lauren have sprung on to this booming market catering for the canine elite with exclusive petfocused accessory lines.

The global dog clothing and accessories market hit $11.01bn in 2024 and is expected to reach $15.74bn by 2030. As an ode to man’s best friend Pharrell Williams launched his DOG LVers collection for Louis Vuitton (main and above), combining luxury menswear with innovative designs for pooches. Drops are due for 2025 with the latest collection featuring rosetteembroidered suits, dalmatian-patterned footwear and bone-shaped bags alongside monogrammed kennels and dog bowls, plus velvet berets and bandanas for fashion-pups about town.

Meanwhile New York running club Lunge’s collaboration with Porto Rocha has produced a range of luxury pet accessories inspired by the energy of city dog walkers. Using a colour palette of black, off-white, cornflower blue and moss green, the collection (designed in NYC and

LUXURY PET PAMPERING IS BOOMING AND GOES FAR BEYOND DOGGIE SPAS AND PAWDICURES

made in Brazil) blends premium with playful and includes harnesses, collars, leads and tags.

Lunge founder and creative director Nicholas Schroder says: “Personal style is one of the most important ways we express identity, and the accessories we buy for our pets are an extension of that. But the pet category has lagged behind when it comes to style – until recently, there was a misconception that making stylish pet products meant sacrificing functionality, but now we know it doesn’t have to be that way.”

THE DOGHOUSE

Technological innovations in homeware have been a big driver in this luxury evolution. Look out for products like Carepet’s smart bed, which monitors pet health, and the ground-breaking Oro dog nanny robot, designed to recognise anxiety in dogs and provide comfort and engagement at home from playing games to taking photos and tracking the wellbeing of your furry friend.

Danish furniture brand Hay’s recent pet collection, a design collab with Copenhagen boutique Holly Golightly, offers stand-out designs from dog beds made from recycled polyester and in a bright colour palette to leads, scarves and bowls. For dogs on the move the Voyage car comfort seat by Pets So Good makes long car journeys fun and the fabric is water and dirt resistant.

DOG DAYS

In Toronto, Hound House (above) – a ‘canine social collective’ – opened at the end of 2024, offering a blended space for people and their pups, including indoor dog park, co-working space, cafe, bar and premium pet shop. This side of the pond, George, the swanky private members’ club in the heart of Mayfair, is also a popular spot for dog-lovers who can’t be parted from their pooches. This exclusive establishment, which underwent a recent renovation, is named after British entrepreneur and founder Mark Birley’s very own four-legged friend. It even has its own George Dog Committee, a new initiative that builds on the club’s notable canine offering to include bespoke dog menus, premium beds and bowls.

City dogs looking for their happy place will love WagWorks, a dog-centric membership club in Fulham that offers daycare, training, healthcare and grooming led by industry experts. After taking your dog for a grooming and spa session performed by canine holistic therapists at Love My Human in Chelsea head to Love My Human Townhouse (a few doors down) to try out the restaurant with a doggy menu – including beef wellington, fish cakes and beef bone marrow broth.

Man’s best friend: Hound House (top and top right); DOG LVers (left and inset)

A RARE SPIRIT

Diageo Luxury Group’s Julie Bramham shares the endless allure of exceptional spirits – and new obsessions

Words: Michelle Johnson

When the world’s most influential luxury spirits group Diageo announced a new high-end venture in November last year, designed to bring the most exceptional and rare liquids across its impressive portfolio into one experience-led collection, it set out a clear vision for the future. Managing the likes of key scotch brands such as Brora and Port Ellen, fine wine business Justerini & Brooks, as well as 15 brand homes including Johnnie Walker Princes Street, the newly-formed Diageo Luxury Group is responsible for “chartering luxury strategy and accelerating the growth of brands that retail at $100 and above” – the fastest growing price tier in international spirits – and underpinned by growing consumer trends such as young and diverse customers and a desire for

intangible experiences.

The power behind this bold new strategy is Julie Bramham (above), whose 25-year career with Diageo includes leading Johnnie Walker as the whisky giant’s global brand director. Now, Julie’s focus is uplifting the incredible stories of the spirits brands transforming the luxury space, supporting the blending team in charge of preserving – and showcasing – the 10 million maturing casks of rare liquid under Diageo’s care, and curating a range of experiences and events for the world’s most prestigious collectors and connoisseurs of fine spirits – no mean feat.

Here, Julie looks back on the first six months of the Diageo Luxury Group and why the spirits industry is more exciting than ever before. »

SPIRITS BRING TOGETHER

HISTORY,

CULTURE,

CRAFTSMANSHIP, AND CELEBRATION – ALL IN ONE GLASS

Julie, congratulations on the launch of the Diageo Luxury Group. What has the response been from the market and your clients so far?

Thank you, it’s been an extraordinary start. The response has been incredibly positive, both from our clients and across the industry. Bringing together our luxury spirits, brand homes, and private client services into one focused group has created real clarity, and excitement. We’ve seen a strong appetite for the kind of curated, high-touch experiences and rare products that only Diageo can offer at this scale. It’s also given us a chance to deepen relationships with collectors, connoisseurs, and partners around the world.

What is the driving ethos of your approach?

We’re operating at the intersection of heritage and innovation. Luxury today is about more than product; it’s about access, storytelling and experience. Creating the Diageo Luxury Group allows us to be intentional in how we show up in the luxury space: bespoke, globally consistent, and obsessively focused on craft and client experience. It gives us the agility to innovate and build deeper brand worlds around our most exceptional spirits.

Your focus very much brings rare and fine spirits and wines to centre stage. How does this differ from other parts of the business? What sets us apart is the scale and depth of our luxury offering. From our blending team who selects from the 10million casks maturing in Scotland to curate a special selection every year for private sales, to our revived ghost distilleries like Brora and Port Ellen, to fine wine through Justerini & Brooks – as well as our full luxury tequila offering such as Don Julio 1942 – we’re combining heritage, provenance and innovation in a way that’s truly unique. We’re not just selling rare spirits; we’re creating tailored journeys for consumers, rooted in storytelling, personalisation and access to places and liquids most people never see.

What are some of the most exciting brands that you’re working with?

It’s hard to choose – they’re all extraordinary. But Brora and Port Ellen hold a special place for me. There’s something magical about bringing these icons back to life. I’m also deeply passionate about the work we’re doing at Justerini & Brooks – not just as a fine wine and spirits merchant, but as a curator of heritage, quality and future-forward thinking. And seeing how, in partnership with our global brand teams, Don Julio 1942 and Casamigos are shifting perceptions of tequila as a luxury spirit is incredibly energising.

What has been the response to tequila as a luxury spirit?

The rise of tequila as a luxury spirit has been phenomenal. Don Julio 1942, in particular, has become a cultural icon in luxury spaces globally – thanks to the incredible work around the world led by the global brand team. The demand is being driven by a more diverse audience that’s looking for craft, heritage and celebration. It’s exciting to see the category mature and be appreciated for its complexity and quality, much like fine whisky or wine.

You work with some the most incredible master blenders and distillers in the business. How crucial is their expertise to what you do?

They are the soul of everything we do. Their craftsmanship, instinct, and innovation are at the heart of every bottle we bring to market. I spend as much time as I can with them – whether it’s at a distillery, blending room, or tasting sessions –their insight shapes the luxury pipeline. Their deep respect for tradition, paired with a curiosity for what’s next, inspires me every day.

With such rare liquids at the heart of the concept, how important is it to build experiences for your clients?

Exclusivity matters – but experience is everything. We’ve found that today’s luxury clients want to feel a deeper connection to the brands they engage with. That’s why our focus on brand homes, private client programmes, curated experiences, and bespoke journeys is so important. Whether it’s a one-on-one cask selection or an immersive visit to The Vault at Johnnie Walker Princes Street, it’s about creating emotional value – moments that become stories.

You previously led Johnnie Walker before launching Diageo Luxury Group – what excites you about the spirits industry?

It’s the people, the places, and the endless stories. Spirits bring together history, culture, craftsmanship, and celebration – all in one glass. What excites me most is the emotional connection people have to the brands, and how we can build on that through innovation and storytelling. There’s always something new to discover.

How would you describe your style of leadership?

I’d say it’s collaborative, visionary and driven by purpose. I believe in empowering people, listening deeply and setting bold ambitions. At Diageo Luxury Group, we’re not just selling products — we’re shaping culture. That requires creativity, trust, and a shared sense of mission. I’m lucky to be surrounded by brilliant people who challenge and inspire me every day.

Finally, are there any spirits or categories that you think have been neglected from the luxury or fine spirit world?

Yes, we believe that heritage and craft within the spirits world are starting to be celebrated in new ways. There’s also incredible room to explore luxury through innovation – not just age or rarity, but finish, sustainability, and narrative. The landscape is evolving – and we’re watching closely.

diageo.com

Rare and exceptional: Julie Bramham shares the incredible spirits at the heart of the Diageo Luxury Group, including Don Julio (previous) and Johnnie Walker Vaults (left) and example Baccarat decanter (inset, above)

Liquid history

Maison Martell is one of the oldest cognac houses in the world. We explore the spirits brand’s lasting legacy and visit its historic home for a gastronomic journey like no other

Words: Shivani Dubey

There are very few places in the world where, once you step into them, you feel the weight of the incredible legacy they possess. The Maison Martell distillery in Cognac, France, is one such location. From the 5km of archival history, perfectly preserved from the 1700s, to the aged casks and cellars filled with barrels of cognac dating back 300 years, there is history in every corner.

The oldest of the world’s great cognac houses, Martell was founded by Jean Martell in 1715 and has since become renowned for the finesse and elegance of its audacious eaux-de-vie. The family’s historic home, the Château de Chanteloup, has been a haven of serenity and refinement in the heart of the Borderies (the smallest and coolest of the six cognac regions) and, until 2024, was only accessible by invitation to friends of the esteemed family.

Now, however, cognac connoisseurs can not only step into this historic home but also partake in a heritage tour of the Martell archives to witness first hand a legacy of savoir-faire handed down through nine generations.

The highlight for any connoisseur or history buff is certainly the archive and cellar tour. From books upon books of stunningly calligraphed notes, sales logs and more – many of which were

written by Jean and his wife Rachel themselves – to centuries-worth of advertisements, art and even menu cards for a dinner gala honouring Hollywood star-turned-Princess of Monaco, Grace Kelly, the Martell archive has carefully preserved the brand’s legacy.

Deep in the Jean Martell cellar, the maison stores barrels of every single blend of its cognac ever created – including casks dating back an astonishing three centuries. In fact, in February 2024 the brand made use of this impressive heritage by releasing a new ultra-premium cognac aged in 300-year-old oak barrels.

Each spirit and expression enjoys a unique character shaped by the ageing process and carefully guided and blended by cellar master Christophe Valtaud. A Cognac region native, Christophe is an expert in both local terroir and heritage, letting this deep connection guide his hand as he honours the maison’s storied history while driving innovation to meet today’s expectations. His most exclusive collection to date, Les Remarquables de Martell, is valued at €1m – the liquid is a precious blend of two of the brand’s oldest and rarest eaux-de-vie, ensuring the blends of today still hold the legacy of the past, he says. »

MARTELL’S PRIVATE BLENDING SESSION IS AN EXPERIENCE IN ITSELF, RESULTING IN A COGNAC

THAT IS EXACTLY TO ONE’S UNIQUE TASTE

Aged to perfection: Visit Martell’s archive for a taste of history spanning three centuries (previous); fine dining experiences at Château de Chanteloup (top)

A TASTE OF HISTORY

After a tour of the cellars, we head to the impeccably maintained Château de Chanteloup, which has been home to the signature terroir of Martell since 1715. Transformed in the 1930s by Maurice FirinoMartell into a Deauville-style manor for his wife Elisabeth, the château is now open to the public thanks to the launch of the brand’s new gastronomic experience: Signature Martell par Alexandre Mazzia.

Offering more than a meal, the experience is made of three tiers: Signature Martell, which involves simply a leisurely lunch or dinner at the château; Au Coeur de Martell, which invites guests to the very heart of the Maison with a private visit and tasting in the historic cellar; and Grand Voyage Martell, which also adds a private blending session to complete the full programme.

The private blending session is an experience in itself. Christophe takes us through a detailed history of each blend in the maison’s beautiful tasting room while teaching us how to create our own personalised blends from the many iterations of Martell cognacs available to us. It

is a truly unforgettable experience, resulting in a blend that is exactly to one’s unique taste.

Co-created by cellar master Christophe and chef Alexandre Mazzia, Signature Martell is an intimate sensory dining experience pairing cognac and gastronomy. At the heart of the château, the dining concept features a single, modular table open to the kitchen, ensuring intimacy and attentiveness throughout, inviting interaction between the guests and the chefs.

The whole experience is designed around cognacs, thanks to input from Christophe and a masterful menu designed by threeMichelin-starred chef Alexandre. The menu is ever evolving, offering a culinary tour of France with some of the most innovative and flavourful dishes I’ve ever sampled. From the softest scallops to lamb jus-coated bread with deliciously creamy butter, the dishes just keep on coming.

The team at the château are incredibly knowledgeable, and take you through each course without skipping a beat. Not to mention the Martell cognacs that pair so well with each course. Overall, we consumed more than 20 dishes – without a single false note.

Martell has history coursing through every drop of its fine spirits and, whether you are a cognac connoisseur or a novice eager to learn more, there is truly no better place to discover more. Through the Signature Martell par Alexandre Mazzia experience, Martell has modernised its enduring legacy to offer even more to its discerning customers.

What Jean Martell gave birth to in 1715 has now turned into a powerful voice in the world of spirits, shaping and innovating the industry for the 21st century in a way only a brand as established as Martell can – all the while, continuing to honour, protect and celebrate the centuries of heritage and craftsmanship that has defined the brand.

Some of the best memories are made when you come together with loved ones, sipping on a tipple or two as you reminisce about all the moments that led you to where you are now. Taking part in the Signature Martell experience is something like that: an incredible journey through time, history and tradition, creating unforgettable memories one sip at a time.

martell.com

When Jonny Wilkinson kicked the drop goal that won England their one and only rugby World Cup in 2003, he was “in flow”. He described the historic moment at the end of that year’s final – when he secured English rugby’s greatest ever victory – in transcendent terms. “I could feel my leg going back but it’s not me kicking it – it’s a knowing of it,” he told me.

Flow is the state in which we feel and perform at our best. Research from the McKinsey Institute suggests executives in flow can be as much as 500% more productive than their competition. That means if you can spend Monday in flow, you could theoretically have the rest of the week off.

There are two fundamental characteristics of this precious state. The first is a distortion of time. Everyone is familiar with that sense of being so engaged with what they’re doing that an hour flies by in what feels like minutes – but perhaps fewer are familiar with the experience of having all the time in the world while everyone else rushes around in a panic.

GO WITH THE FLOW

Performance coach, author and broadcaster. Simon Mundie shares the power of finding flow

The second key characteristic is a loss of your sense of self. When you’re fully present in the moment, thoughts about the past and future drop away. The voice in your head that normally narrates your every move goes quiet. You stop thinking about what you’re doing, what others think of you, or what could go wrong.

That’s why Wilkinson spoke about an absence of self – of ‘me’ – during that moment. And that kind of language is not unusual: Tennis star Emma Raducanu described the joy of her body moving without thinking as she won the 2021 US Open, while former England cricket captain Jos Buttler told me about the thrill of “being a spectator” while his unconscious took “complete control”.

So how do you create the conditions for flow to emerge? It starts with focus. In a world full of distraction, swipes and notifications, developing your attention is essential. You don’t get flow from multitasking – but from single-tasking.

Being able to switch off is equally important. Flow isn’t something you force – it

comes from leaving sufficient space. You may have noticed some of your best ideas bubble up while walking, cooking or half asleep. We need to give the intelligent unconscious time to connect the dots.

This is where flow stops being just a performance tool – and starts becoming a way of life. When you learn to access your intuitive mind, you tap into a deeper intelligence – one that helps you meet challenges with clarity, creativity and calm.

Flow isn’t just for the big moments. It can become your default mode – one you bring into work, relationships, sport, and daily life. And the more time you spend there, the more things start to click.

Having worked with elite athletes, neuroscientists and leading organisations, I have seen how powerful flow state can be – and I help individuals and teams access it more consistently.

Not just to do more. But to feel better doing it.

simonmundie.com

In perfect alignment

As Louis Vuitton releases its extraordinary new Tambour Convergence, Tempus speaks to La Fabrique du Temps’ artistic director, Matthiew Heigi

Words: Michelle Johnson

I AM NEVER SATISFIED. I LIKE TO CHALLENGE MYSELF AND EVERYBODY ELSE. OUR TEAM IS INCREDIBLY COMMITTED TO THE HIGHEST

ike the sun shining through parting clouds, the time on the Louis Vuitton Tambour Convergence drifts across the art deco-style aperture at 12 o’clock of its solid rose-gold case, polished to a high shine. This uniquely stylish new expression from the fashion maison’s La Fabrique du Temps is not so much a departure from its Tambour collection as another step in the evolution of the watch manufactory’s call to arms: to create Swiss watches at the highest possible level of technical expertise and artistic savoir faire.

For La Fabrique du Temps’ artistic director, Matthieu Heigi, this is a perfect example of the driving ethos of collaboration – between designers, watchmakers, case experts, métiers d’art and more – that drives the manufactory to create ever more interesting, artistic and technically impressive timepieces.

The first two Tambour Convergence novelties – both sized at 37mm and powered by the in-house automatic movement LFTMA01.01 – showcase the dragging hours and minutes visible via the sculpted window on the watchface. Available in gleaming mirrorpolished Pink Gold expression or in Platinum and Diamond – glittering with snow-set diamonds applied by hand over 32 hours. On the reverse, the open case back exposes the precise inner workings of the timepiece.

Here, Matthieu shares the inspiration behind these unique watches and why collaboration is the key to pushing the boundaries of watchmaking. »

New expression: Matthieu Heigi (left) says the Tambour Convergence (previous) is about “finding interesting ways” to express time

Matthieu, tell us about the genesis of the new Tambour Convergence. What inspired this novelty?

The genesis of this project was about finding an interesting way of displaying time. I really wanted to have time passing in a way that showed its constant movement. That’s why we have this circular display of time in a very small niche and, in doing this, it created a good occasion to have a unique case. Aesthetically speaking, I wanted the time window to be like an opening in the clouds where you can see the sun shining through. The shape is reminiscent to 1920s architecture. You have this big, polished surface, which really is eye-catching. It’s something you can spot from very far away, because it’s a luminous, bright and joyful design. That is very important for me.

The eye-catching case surface also allows for so much creativity, as we can see in the Platinum and Diamonds expression. Yes, in terms of creativity, it opens many doors – and we can imagine a lot of things coming in the future. We have the two first editions with polished pink gold, and the other with what I call the ‘caviar setting’ because the diamonds are set in such a close and skilful way. This allows us to have a lot of sparkle, all while demonstrating the knowledge we have at La Fabrique du Temps’ métiers d’art.

Is that high level of métiers d’art something you’re very keen to emphasise and elevate?

It’s true that we have been elevating the

watches. It is really where we want to go, and I am never satisfied. I like to challenge myself and everybody else. Our team is incredibly committed to the highest standards of watchmaking and, when you look at the detail of the finishing in both Convergence watches, this is a clear example of that.

How unique is it to have such a range of in-house expertise as you do at La Fabrique du Temps?

It is absolutely fundamental, for me. To have all these units, métiers d’art and savoir-faire at the same place is unique, and we really do work hand-in-hand. Every single step of the process is a real collaboration; there is a family spirit where we all communicate with each other – this is the key to the success of the products.

Matthieu, you and your team are all experts within their fields – what drives your desire to innovate?

What drives this spirit of searching, all the time, for new techniques, materials and more, is a combination of spontaneous ideas that pop up from the studio but also from our watchmakers in every field. When we approach a new material, for instance, we really try to approach it on our own way. When you do a ceramic watch, most of the time it’s construction that is made, it’s a powder of ceramic that is compressed together to produce a case. Instead of doing that, we wanted to have polished, satinate surface, and you can do that only in one way – the most complex way! We treated the

ceramic like we would a piece of gold or metal. It takes more time and skill, but the result is the Tambour Ceramique.

Part of the joy of the Tambour expressions is the Louis Vuitton design references. How does this feature impact design?

We have a brand with a very rich history, and from the very beginning Louis Vuitton displayed creativity. It is easy to look at the past and be inspired. At the same time, in terms of watchmaking, we are only 20 years old – so we don’t have boundaries. We can display all our creativity in the watch field because we don’t have to respect specific rules, like might be the case for watchmakers with long histories, like Patek Philippe. In watchmaking, we have no taboo. That’s the reason why we came out with designs that I think are quite bold, sometimes audacious, like the Carpe Diem or Precisely. We push the limits every time.

Looking at the wider watchmaking industry, are there any important trends that you think are shaping horology?

I’m always curious about what our fellow watchmakers are doing, but I tend to be, as much as possible, focused on Louis Vuitton and our own history, how we display our creativity through our own perspective. My main focus is on what we have in our collection and how we develop. Clearly, Tambour is a good expression of that and plays a big role in the creativity we display.

louisvuitton.com

Tempus hosted the inaugural Tempus Concierge Event on 12 March in partnership with boutique security specialists, Valkyrie, and hosted at the glamorous IBV International Vaults London. More than 50 guests from London’s most prestigious family offices, private concierges and luxury brand specialists gathered at IBV’s UK headquarters –historic Stanhope House on London’s Park Lane – for a vibrant networking evening with Valkyrie on hand to discuss the latest trends in HNW physical and cyber security.

Guests were delighted by demonstrations of just some of the technical equipment (or bugs) used by criminals, exhibited by Valkyrie’s team of security experts (above), before touring the sophisticated vaults below grounds. Refreshments included champagne and canapes provided by The Dorchester, which were enjoyed by guests as conversation flowed upstairs.

“We are delighted to welcome [our guests] to the IBV International Vaults London to celebrate our first Tempus Concierge Event, designed to showcase the fantastic brands and essential services available to high-networth individuals,” said Tempus editor-in-chief

CUTTING-EDGE PROTECTION

The inaugural Tempus Concierge Event showcases HNW security in partnership with Valkyrie and IBV International Vaults

Michelle Johnson (centre left). “I’m thrilled to launch this event in partnership with Valkyrie, serving affluent individuals, enterprises and governments with the most high-tech – and holistic – security measures.”

Valkyrie is a boutique security and investigations company specialising in physical and digital security, cyber resilience and expert crisis response in the face of real and emerging threats. Its holistic approach encompasses services from technical surveillance countermeasures (TSCM) and cyber security to crisis management and complex investigations for individuals, companies and government bodies.

“It’s never been more important for HNWs and their trusted advisors to identify where their security may be exposed. Criminals are increasingly sophisticated, constantly refining both their technical capabilities and physical methods of attack,” said Valkyrie’s managing director David Webb (centre). “Partnering with Tempus allowed us to spotlight these evolving threats and raise awareness around building a more secure, resilient environment – whether in business, at home or while travelling.”

IBV International Vaults offers state-of-

the-art security to 40,000 members in global locations including South Africa, Switzerland and Dubai. Its London headquarters was founded in 2020 to offer a range of Secure Safe Custody Vaults for customers’ treasured possessions and vital documents in the heart of Mayfair, as well as bullion trading and a members’ Wealth Club, launched in 2025. Sean Hoey, IBV International Vaults London’s managing director (below right), said of the event: “It was a pleasure to welcome Tempus and Valkyrie for the first Tempus Concierge Event. Although our vaults rest in a historic building – one of the original Park Lane houses, in fact – our Secure Safe Custody Vaults utilise cutting-edge security, making this the perfect location to showcase where hig- tech security and luxury lifestyle meet.”

Guests departed with gift bags that included Valkyrie’s Security Passport – featuring vital tips to stay secure – along with scented candles and room sprays from Aromaria, Maison Louis Marie and One&Only, skincare from Clean Beauty Club, and, of course, the latest issue of Tempus.

Subscribe to the Tempus Edit newsletter or visit tempusmagazine.co.uk for updates on events, giveaways and the latest luxury lifestyle news

Security in style: The inaugural Tempus Concierge Event brought HNW decision makers together at the IBV International Vaults London, in partnership with Valkyrie

CURATED FOR CREATIVE MINDS

RE :VIEW

Discover PeruvianJapanese fare and flare at Piraña

Plus+

• Diana Ross headlines Henley Festival

• Rosamund Pike stars in new National Theatre courtroom drama

• Rev your engines for Goodwood Festival of Speed

• Save the Date: your global luxury calendar

FINE DINING |

PIRAÑA

Immersive fusion

Exquisite Japanese-Peruvian fare in a truly box office venue – welcome to Piraña

With a pulsating atmosphere and stunning interior, Piraña has already established itself on the Mayfair dining scene thanks to executive chef Mark Morrans’ (formerly of Nobu) sensational Japanese-Peruvian fusion menu.

The mesmerising space spans two expansive rooms and a private dining area, with unique detailing throughout – high ceilings with mindboggling curves, textured walls in shades of blue, with subtle lighting to enhance every fascinating nook. The star of the show is the monstrously huge interior wall, with its volcanic rock appearance. Everything here is deliberate and purposeful, right down to the very real piranha bobbing around in a huge tank.

We arrive at 7pm to find a nice buzz building as diners take their tables to the backdrop of soft house music. Our arrival is met with a glass of champagne accompanied by a bowl of ultra-thin and crispy plantain chips with spicy salsa. This welcome snack, so simple yet bursting with flavour, is a perfect indication of the sharing dishes and small plates set to define our experience.

An appetiser of grilled sake edamame beans with lemon and Maldon salt grabs the attention as we sample superb cocktails before diving into a trio of small plates: seabream ceviche with truffle leche de tigre and puffed black rice; dragon rolls of tempura prawn, unagi and avocado; and tuna tataki and jalapeno with shiso salsa.

The next batch of dishes continue the delightful exploration of Peru’s most famous culinary export. Rock shrimp tempura with spicy mayo, lime and crunchy corn, and a portion of Kushiyaki teriyaki beef skewers are utterly

faultless – accompanied by yet more exquisite cocktails (this time a Spice Fire offsets the subtle warmth of the dishes).

As we wait for our next course, the evening’s DJ takes his place to build the energy of the restaurant like a master conductor. The entertainment is loud but the venue’s acoustic still allow guests to enjoy intimate conversation.

Now suitably energised by the musical uplift, we are met with the most incredible round of dishes. The grilled black cod, with caramelised miso and pickled myoga, is nothing short of remarkable, melting in the mouth. Delicate strips of Japanese wagyu sirloin are as delicious as expected, the meat buttery, sweet and succulent.

A portion of nasu dengaku – a sensational grilled aubergine, miso, pomegranate and burrella – is a truly next level accompaniment.

The final temptation of what dessert might look and taste like in the Japanese-Peruvian style is too much to deny: a classy white chocolate cheesecake with raspberry creémeux and fresh fruits, accompanied by a warm and homely matcha fondant with white chocolate and coconut sorbet brings the house down on a truly wonderful dining experience.

There is something for everyone at Piraña. It’s decadent, thrilling, almost outrageous in parts, but always a magical attack on the senses. With careful planning and consideration, this could become a true mainstay of London’s immersive fine dining scene.

7-9 St James’s St, London SW1A 1EE piranalondon.com

Words: Dan Scudder

Diana Ross headlines at Henley’s black tie festival

Henley Festival, held every year in this Thameside enclave, is the UK’s only black-tie music festival, with a musical programme featuring the best pop, world, classical, folk and jazz set alongside stellar comedy and cabaret, stunning art galleries and sculpture installations, roving performers, as well as dining, drinks, dancing and jaw-dropping fireworks.

This year’s festival-goers will be serenaded by a host of extraordinary headliners including Queen of Motown Diana Ross (pictured), Italian tenor

Mateo Bocelli, and even pop band McFly. Comedians Ed Byrne, Ivo Graham, Matt Forde, Rob Auton and Alistair McGowan will also take to the stage.

Founded as a charity more than 40 years ago with a mission to support the next generation of talent, the RISE stage gives a unique platform for emerging musicians and visual artists, as well offering opportunities for young people aspiring to work behind the scenes.

“It’s an honour to be continuing our RISE programme into yet another year,

supporting young and emerging artists by offering paid opportunities to perform, exhibit or complete work placements,” says Henley Festival CEO Jo Bausor.

“It’s at the core of everything we do as a festival and there is no greater privilege than helping these incredible young artists and students kickstart their careers in roles across the cultural spectrum.”

Henley Bridge, Henley-on-Thames. 9-13 July henley-festival.co.uk

Rosamund Pike treads the boards in anticipated courtroom drama

Rosamund Pike (right) is one of the most versatile actors working in the UK, with acclaimed performances in Gone Girl, Pride and Prejudice and Saltburn, to name a few. Now, the actor is bringing her star power to the National Theatre as she takes centre stage in Inter Alia, a new play by writer Suzie Miller and the team behind Prima Facie – the smash hit courtroom one-hander brought to life by Killing Eve star Jodie Comer. Rosamund plays Jessica Parks, a smart, compassionate and highly esteemed London Crown Court judge. She’s challenging the system one case at a time – while, behind the robes, she is a karaoke-loving supportive wife and parent. As she balances the juggling act many working mothers are so familiar with, an event threatens to upend her life completely. Will she be able to hold her family upright through it all?

Lyttelton Theatre, National Theatre, South Bank. 10 July13 September 2025 nationaltheatre.org.uk

MOTORING | GOODWOOD

Goodwood Festival of Speed celebrates 125 years of motorsports

Held in the parkland surrounding the historic eponymous stately home, Goodwood Festival of Speed is motorsport’s ultimate garden party. This year, the festival’s theme is ‘The Winning Formula – Champions and Challengers’, celebrating 75 years of the Formula 1 World Championship and 125 years of motorsport history. The event will showcase champions and groundbreaking machinery from across motorsport, including F1 (Max Verstappen, left, was a guest in 2024), WRC, IndyCar, MotoGP and more. With a focus on excellence and innovation, the festival will pay tribute to motorsport legends (including fourtime WorldSBK Champion Carl Fogarty MBE) and the relentless pursuit of “the winning formula”. A mustvisit for any car enthusiast, this is one event in the yearly calendar you simply don’t want to miss.

Goodwood House, West Sussex. 10-13 July 2025 goodwood.com

DATE the

Your luxury events calendar for this season

19-22 Jun 17-20 Jun 30 Jun - 13 Jul

Pitti Immagine Uomo

Italy’s foremost menswear event returns to Florence this summer at the former fortress of Alessandro de’Medici. Among highlights is South Korean streetwear brand Post Archive Faction (PAF), debuting its SS25 collection as the show’s honorary guest designer. uomo.pittimmagine.com

Art Basel

The art world’s must-visit returns to showcase the Basel’s finest institutions, emerging talent and established masters, featuring more than 4,000 artists. This year’s Unlimited exhibit is curated by Giovanni Carmine, the director of Switzerland’s prestigious Kunst Halle Sankt Gallen. artbasel.com

Wimbledon Tennis Championships

Summer sport begins in style in SW19. Spectators will enjoy the thrills and spills of the tennis tournament, whether in the Centre Court Royal Box or chicly picnicking on Murray Mound. Will Carlos Alcaraz remain this year’s favourite to win the coveted men’s trophy? Watch this space… wimbledon.com

F1 British Grand Prix

4-6 Jul

18 Jul -13 Sep

BBC Proms

Silverstone hosts the British F1 Grand Prix as racing’s best drivers compete. While familiar names Max Verstappen and Lewis Hamilton take to the track, young contender Lando Norris continues an incredible season – and is hotly tipped as an early contender for Sports Personality of the Year. f1.com

The UK’s best classical music festival celebrates live from the Royal Albert Hall. This year’s highlights include performances by the French National Orchestra, star soloists violinist Hilary Hahn and pianist Sir András Schiff, and contemporary pieces from the Great American Songbook. bbc.co.uk/proms

While every effort has been made to ensure accuracy, changes to event calendars may occur. Please check with individual event organisers for more information.

17 Aug

Pebble Beach Concours d’Elegance

The world’s most expensive concours d’elegance is the highlight of California’s Pebble Beach Automotive Week. This show will feature three major marques celebrating their centennials: Invicta, Chrysler and Moretti. Collectors, start your engines… pebblebeachconcours.net

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The Scotch Game

ALL TIED UP

Tempus style columnist Rikesh Chauhan loosens the knot on the season’s surprising must-have accessory – and how to wear it

From oversized and casual at London Fashion Week to svelte and bedazzled at the 2025 Met Gala, it’s safe to say that the traditional necktie is having something of a moment. As a self-proclaimed champion of the tie for over a decade, I feel it’s high time the rest of the world took notice of just how much a great tie can accentuate – and often perfect – a good outfit.

Not only is this accessory going to spoil you for choice in terms of colour, you can experiment with fabrics, sizes, how you wear it (sans shirt, in the style of Lenny Kravitz, for example) and even where you wear it: I saw a tie moonlighting as a belt

Timeless elegance, beautiful construction and incredibly soughtafter, this is the Rolls-Royce of ties. The vintage style pairs perfectly with a crisp white shirt for a sophisticated look.

brioni.com

recently and, while one might astutely presume it was more form than function, if it works, it works.

Here are a few ties that I’ve got on my wishlist. Ozwald Boateng and his team decked out everyone from Burna Boy to Ncuti Gatwa at this year’s Met Gala, with colour, texture and design at the forefront of every look. The ties are no exception to that, and the Green Tribal Silk Tie (the wide version) is an eye-catching piece for your sartorial arsenal.

Something a little more pared back and formal, but equally impressive, is the silk-cashmere-linen twill blend silk tie by artisans Brioni. When it

comes to finding beautiful vintage ties, Brioni has a habit of almost always popping up – and, when it produces stuff like this, it’s no wonder. Designed to last due to its impeccable craftsmanship and quality fabric, the timeless style will ensure it’ll last generations.

Now I would be remiss to feature ties in this column and not feature Drake’s, arguably the best tie-maker the UK has had since time immemorial. It was near-on impossible to pick just one, but I finally whittled its exceptional collection down to this green, red and gold hand-rolled silk grenadine. Why? Well, just look at it.

and

London’s heavy hitters knock it out of the park every single time – you simply can’t go wrong with a Drake’s tie. This classic stripe is hugely versatile thanks to its refined tones and textures.

drakes.com

Eye-catching yet elegant enough to work with a variety of tailoring, be it dressed up or down, this woven silk tie showcases the tailor’s signature tribal pattern for style that stands out.

ozwaldboateng.co.uk

Green Tribal Silk Tie in Wide by Ozwald Boateng

Charcoal Grey Silk, Cashmere and Linen Twill Tie by Brioni

Green, Red

Gold Hand-Rolled Silk Grenadine Tie by Drake’s