Portfolio 2020-02

inTERIOR

design

port folio Valeria Landeo

about me EDUCATION

Universidad Peruana de Ciencias Aplicadas -

Peruvian University of Applied Sciences

Interior Design Major

From 2016 to 2021

Columbia College Chicago

Fine Arts & Design Major

Exchange student Fall 2019

Valeria Landeo Interior Design Student

21 years.

a I consider that I have a good capacity for organization and I am capable of managing groups to achieve a common goal, as well as learning easily what comes my way.

LANGUAGES

Spanish Native language

English

Advanced level French

Intermediate level

HOBBIES & INTEResTs

CONTACT online

Passionate about parametric design, art, literature and the development of critical thinking. I am interested in sports, photography and gastronomy.

+51 966 564 904

valeria050898@hotmail.com issuu.com/valerialandeo instagram.com/valerialandeo

WORKSHOPS

Design & Modeling of marble pieces Carrara, Italy

Exposition @ Milano Design Week

Design & Modeling of Murano glass pieces Murano, Italy

Exposition @ Milano Design Week

Design & Modeling of ceramic pieces

SĂŁo Paulo, Brazil

Exposition @ MADE Mercado Arte Design

Completion of a guesthouse in the peruvian

Andes improving ancestral construction techniques

In colaboration w/ IntuyLab

Exposition @ Huachon, Peru

SKILLS

Adobe Illustrator Research schemes Infographics

Adobe Photoshop Photomontages Photo editing

Adobe InDesign Publication layout Architectural panels Autocad Plans drawing

Use of layout Rhinoceros 3D modeling Paneling Tools Grasshopper Parametric modeling

Revit BIM Architectural modeling

Design and prototyping of copper and silver jewelry

Use of jewelry production equipment

@ Chicago, United States

Mold making techniques Plaster cast

Work in liquid clay Silicone molds

@ Chicago, United States

Design and modeling of clay and ceramic pieces

Application of techniques:

Pinch pots, coils, throwing on the

wheel, clay boxes

@ Chicago, United States

Junco (reed) weave and torzal technique

index

Objects Design

Pacha: Design & Food Lab

06

P’uku: Design & Food Lab

08

Ceramics Workshop

10

Jewelry Design

14

ARCHITECTURAL PROJECTS

Modular School: Sierra Region

Hallpa Wasi II

Lodging center

16 18

20

Coworking

24

Agribusiness sales store

Intervention in San Marcos’ house

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32

FURNITURE DESIGN

Console andean-greek

34

Center table Nouvelle Rocaille

35

FABRICATION

Cheetah Bike

36

Encast Pavilion

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Scissors Temporary Pavilion

Crown Hall intervention

40 42

DIGITAL FABRICATION

Coverage with Paneling tools

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46

Parametric bridge

DIGITAL production

Publications

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50

Render post production

RESIDENCES

Housing project

52

Home remodeling

54

Housing design

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Photoshoot Mercado Arte Design Sao Paulo, Brazil

PACHA: Design & Food Lab

Pacha was a college project about producing crockery designed for four typical Peruvian dishes, including “la causa”. This project was organized by the Peruvian University of Applied Sciences (UPC) in collaboration with Peru Design Collective, the Spanish designer Gala Fernandez and the Peruvian chef Diego Oka. Pacha was developed between March and April 2018 in the context of the Salone del Mobile Milano.

The designed object was worked in Murano glass and Carrara marble, the elaboration process was about one month. The history of la causa was taken as a concept under the motto “¡Para la causa!”, a phrase used by the women who sold causas when they went through the streets of Lima.

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The pieces of the whole collective were exhibited at the Fuori Fiera in Milan and, thanks to the success of the exhibition, it was subsequently exhibited in Sao Paulo (Brazil), with various famous Brazilian & Latin American designers in the Biennale Pavilion building.

Photoshoot Camp Design Gallery Fuori Fiera Milano 2018 Ph: Martel, C. / Seminario, D.

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Photoshoot Pagapu plates Mercado Arte Design 2019 Ph: ARDE

Photoshoot Pagapu vessel Mercado Arte Design 2019 Ph: ARDE

P’UKU: Design & Food Lab

P’uku was a two-weeks workshop in Brazil organized

by The Peruvian University of Applied Sciences and the brazilian ceramist Paula Juchem, in collaboration with the architects of Peru Design Collective. P’uku analyzes the way in which Peruvians drink, eat, serve and carry our food. From this analysis, containers were designed to place Peruvian food.

My vessel refers to the action of “Pagapu” (pago/pay to the apu/earth), Pagapu talks about the payment that people in the Andes make to Pacha (earth) to thank her for food and good crops.

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CERAMICS WORKSHOP WITH ARTIST PATRICK MICELI

In this 15-weeks workshop we designed and modeled pieces of clay. Ceramist Patrick taught us how to apply different types of techniques such as pinch pots, coils, throw on the wheel and the box technique.

The first important project was the “Cholita” vessel. For this piece, I used the coils technique. My inspiration was showing peruvian traditions (like clothing, colors and animals, for example, a llama) so Americans could appreciate part of our peruvian culture. This piece was glazed with more than 10 different glaze colors.

Aladdin’s lamp was another important project. For this piece, the coils technique was used. It took about three weeks to finish it (modeling - glazed).

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Photoshoot “Cholita� vessel Ceramics / Fine Arts Columbia College Chicago

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Photoshoot Pinch Pots tower Ceramics / Fine Arts Columbia College Chicago

Photoshoot Clay box Ceramics / Fine Arts Columbia College Chicago

Photoshoot Tile Ceramics / Fine Arts Columbia College Chicago

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14

JEWELRY DESIGN WITH ARTIST LYNN FLORIANO

This amazing collection was the final project of the Jewelry & Objects design class. The subject was to create a set of three rings and one bracelet based on a character, story, poem, etc. For this set, I chose Frank Lloyd Wright, a very famous architect from the US. My pieces are based on the horizontality of the prairie style, which is very characteristic of Wright. In addition, I added the geometric figures (circle, triangle, square) found in the most outstanding works of the architect.

Photoshoot Collection of copper jewelry Jewerly & Objects/Fine Arts Columbia College Chicago

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MODULAR SCHOOL sierra region

The National Program of Educational Infrastructure (PRONIED) launched, in 2018, the Architectural Contest of Modular Schools. In this competition, the Albanelli Omonte studio participated in collaboration with studio “FD Arquitectos� and obtained the first place.

I participated as a collaborator in the second part of the project, which consisted in proposing the catalog that PRONIED will use for the construction of more than 2,000 modular schools in all regions (Costa, Rainy Coast, Sierra, Frost and Jungle) for the bicentennial of Peru .

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School entrance 3D: Jorge Luis Chรกvez M. Post production: Franco Ferraro

Artistic section Double building Art: Valeria Landeo

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Photoshoot Hallpa Wasi House Huachon, Pasco, Peru

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HALLPA WASI II WORKSHOP WITH INTUYLAB

In the workshop with Intuylab, we learned how to build a house from an ancestral technique (adobe and tapial construction) by adding structural reinforcements that would allow maintaining these construction techniques that were being displaced by the community.

We also lived with the community of Huachon, Pasco (the intervened place) and learned about their culture and traditions, as well as their weak points: their lack of identification with their surroundings. From the project, we seek to make the community feel comfortable and proud of where they live.

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lodging center

For this project, the objective was to create a lodging center from a social problem. I identified a problem that occurs in the Peruvian context: the lack of debate and communication between two communities of different social status.

This project seeks to generate flow of communication in an area that perfectly reflects the inequality in Peru: the wall of shame between Casuarinas and Pamplona.

Sixth facade The 6th façade crowns the intervention carried out on the wall through the holes and the columns. It’s a mirror that covers all the slab of the lodging center. Thanks to this mirror, non-verbal, but visual relationships emerge. This type of relationship contrasts with the initial purpose of the wall, which was that one community (Casuarinas) did not see the other (Pamplona).

Debate and oratory The lodging center project is based on the concepts of debate and oratory and aims to generate in children the capacity for critical and analytical thinking to analyze a specific situation in Lima context: the wall of shame between Casuarinas and Pamplona.

Program

This problematic is questioned from the theories of two futurist authors about the domain:

Social area Dinning room Games area Reception Lobby

Lodging area Bedrooms Services Common Hall

Huxley: domain for pleasure (in the case of Casuarinas) Orwell: domain through control (in the case of Pamplona)

Debate area Greater interaction area Exchange of ideas

Context

Construction

Territory Two communities separated by a wall Wall prevents debate and exchange

Wall intervention Foster the debate Meeting space Confrontation between communities that deny each other

Childhood Children between 6 and 12 years old Coexistence among peers Learning through games Development of logical thinking Be social: willing to learn Receptive Willing to criticize the world

Use of game as a strategy Game of columns Promote and generate dialogue and exchange of ideas Typology Center of accommodation distributed linearly Fragmented on wall space Circulation through gangway Zoning and modular structuring

SCHEME

CONCEPT

DIAGNOSIS

Sixth facade Reflection of realities Mirrors pavillion Dual and multiple relationships

Strategy scheme Debate and oratory 20

Photoshoot Analogue steel model Ph: Michele Albanelli

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Design strategies

4: Debate area Creation of an own space for debate Panoramic view to promote critical thinking

3: Construction of lodging center Lodging center that encourages and promotes debate and the exchange of ideas in children Different levels of debate: zoning

2: Columns game Use of structural elements as recreational elements Promotes the fact of going from one place to another through the wall Promote the meeting and exchange between two different realities

1: Redesigned wall Wall drilling is metaphor which means that dialogue must cross all barriers Conversion into unique game space

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Initial modular zoning Four modular buildings for 25 children Specific module: facilitates distribution and circulation between environments Colors represent levels of debate

Support Points Intersections found in modular grid: possible points to place columns that structure the lodging center

Columns Strategically chosen points for column placement

Final distribution Result from modular zoning and study of minimum areas for the construction of a lodging center, taking the debate as an objective

Levels of debate in project Objective: Generate critical thinking capacity thru the exchange of ideas, debate & oratory around a situation in which 2 communities deny each other

Photomontage Exterior perspective Lodging center 23

Photoshoot Detailed sector model Branding and business commerce

Photoshoot Container model Branding and business commerce

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Artistic floorplan First floor of Coworking Branding and business commerce

COWORKING

The Coworking project was designed for students and freelance professionals who need a space in which to concentrate, work and, meanwhile, gain professional contacts.

The challenge of this project was using only 1 module that would be repeated for floors, walls, ceilings, etc.

The development of the project is available in: https://bit.ly/2KwX66z Scan QR code:

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Photoshoot Detailed sector model Branding and business commerce

Photoshoot Designed furniture Branding and business commerce

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Photomontage First floor Second floor

Artistic section 3 floors of coworking Branding and business commerce

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Photomontage Agribusiness sales store Workshop VI

AGRIBUSINESS SALES STORE

The Responsible Agribusiness project aims to link the agriculture and industry sectors thru the investigation of the re-potentialization of the agricultural market by using industrial mechanisms like automated plants and the awareness of the responsible consumption of locally obtained food.

The Hexagon cell module is based on the identification of the modular plot present on the facade of The Alpha, as well as the modular frames present in nature and that are related to the heading of the responsible agribusiness sales premises.

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Photoshoot Analogue model 1/50 Agribusiness sale store

Photoshoot Analogue model 1/50 Agribusiness sale store

Photoshoot Analogue model 1/50 Agribusiness sale store

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Photomontage Agribusiness sales store Workshop VI

Photoshoot Analogue model scale 1/10 Designed furniture 30

Photoshoot Analogue model Scale 1/50

Artistic floor plan Detailed section of project Workshop VI 31

Photomontage New facade Cotabambas sector in San Marco’s house

INTERVENTION IN SAN MARCOs’ HOUSE

The picture below shows the gallery proposed for the restoration project in the San Marcos’ house. On the 1st level, there’s an exploded wall of adobe and quincha that allows us to appreciate the ancestral technique of construction on land in a way never seen before. The mezzanine, together with the staircase, will allow the user to observe the wall at 360 °. This space perfectly compiles the objective of the project: Revalue traditional techniques and, in turn, allow people to generate productive capacity through learning them.

The development of the project is available in: https://bit.ly/3lQ31C6 Scan QR code:

Photomontage Gallery Cotabambas sector in San Marco’s house

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-ATELIERGlass cube, structures according to axis analysis. Color differentiation frames main axis.

-RUNWAYStructuring according to axes, openings allow it to adapt to the preexistence (1st level palm trees).

- NEW FACADEIntervention of the pre-existing façade from the analyzed axes, maintaining the concept of a green wall.

Axonometry Spatial proposal Cotabambas sector in San Marco’s house

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Photoshoot Trends & Styles Materials: Steel and glass

FURNITURE DESIGN CONSOLe andean-greek

To design this furniture, two elements were taken as inspiration: pre-hispanic iconography and the slender forms of the Ionic columns.

The geometricity of the pre-Columbian iconographies was amalgamated by adding the slenderness and the (geometrized) curves of the columns.

Isometry Side view

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Section Front view

Isometry Side view

Section Side view

FURNITURE DESIGN NOUVELLE ROCAILLE

To design this table, many elements were taken as an inspiration: the curves and color palette of the rococo style, the symmetry, straightness and neatness of the neoclassical style and, finally, the utility in the current world, the synthesis and the versatility of the furniture

by Marcel Wanders.

The base structure (in metal) represents neoclassical symmetry and straightness and the central detail (look at section - side view) embraces the rococo curves. The project represents the functionality of antique styles in contemporary furniture (Wanders).

Photoshoot Trends & Styles Materials: Metal and glass

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CHEETAH BIKE

In the Fabrication Level 3 class, the project was study and deconstruct a conventional bicycle to analyze it system and, then, rebuilt a new wooden based bicycle.

So, this allowed us to know how the chain and gear systems work, as well as the operation of an everyday device such as a bicycle.

For the construction of the Cheetah bike prototype, we used digital manufacturing tools, such as laser cutting and CNC cutting.

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Photoshoot Prototype of wooden-based bycicle Photography & Edition: Jorge Luis Chavez 37

Photomontage Encast Pavilion Fabrication

FABRICAtion encast pavilion

The Encast pavilion was developed from an innovative module that has been worked efficiently to achieve a symmetrical three-dimensional structure.

The module was designed according to the necessary parameters to achieve a desired shape for the general pavilion, so each module’s essential to achieve the final structure of Encast.

Likewise, anomalies were designed from the primary structure of the module, so this allowed us to achieve different alternate configurations only by varying one single piece, this makes Encast a versatile and dynamic pavilion.

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I designed a dossier for the Encast pavilion. In this, the process of designing and assembling the structure is documented, as well as the plans & the manufacturing manual. It can be found in: https://bit.ly/2wPy48z Scan QR code:

Axonometry, section and floorplan Encast Pavilion Fabrication

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fabrication SCISSORS TEMPORARY PAVILION

I designed a dossier for this project. In this book, the process of designing and assembling the structure is documented, also the artistic plans and manufacturing manual. It can be found in: https://bit.ly/2oK9KRR Scan QR code:

The Scissors Pavilion was developed from a design methodology for the configuration of deployable flat arches composed of scissor modules that starts in the study of a heptagon.

A modular pavilion was designed for testing the studied method and the analysis of its constructive viability, The pavilion occupies an area of 7 ​​ sqm, is composed of three deployable arches that form a barrel vault, with a free height of 2.25 meters.

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Section and floorplan Scissors Temporary Pavilion Fabrication

Composition example Scissors Temporary Pavilion Fabrication

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General view 3D: Valeria Landeo Render: Frank Fernรกndez

FABRICACION crown hall intervention

The Crown Hall is one of 20 buildings designed by Mies Van der Rohe for the Illinois Institute of Technology (IIT) in Chicago. It is the centerpiece of a masterplan for the campus founded in 1940 that occupies approximately 50 hectares.

The project consists of developing an intervention (mezzanine) inside the Crown Hall for an interaction and rest area for the students. The structural profiles are born of two of the four main steel beams and three of the structural joists that are perpendicular to these beams. Structuring was done in this way to follow the same language that Mies uses in his work: exposed and modulated structure. More information in:

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Section & floorplan 3D: Valeria Landeo Render: Valeria Landeo

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Process diagram Rhinoceros + Paneling Tools Using of software

Elipse Copy (alt + drag)

PtGridSurfaceDomainNumber U: 15 V:10

PtTrimGrid Mode: Edge

Loft Endpoint

PtPanelGridCustom No surface Select custom curves and points

Trim PlanarSrf PtFinEdges Distance 0.25 Select surface

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SOFTWARE+DIGITAL FABRICATION coVERAGE WITH paneling tools intervenTION IN paVILION i OF upc villa

The intervention consisted in the proposal of a cover for the stair of the cafeteria located in the pavilion I of the UPC. For this, the Rhinoceros 5.0 program was used as main software and, in addition, it was complemented with the Paneling Tools plug-in.

First of all, a digital modeling was developed by following a series of commands. Secondly, the forms obtained in the software were exploded and, lastly, the analogous model was made and coated with plaster, cement and polystyrene foam.

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SOFTWARE+DIGITAL FABRICATION PARAMETRIC BRIDGE

This project was part of the final deliverables for the Digital Application course.

The modeling and digital design was done using the Rhinoceros 5.0 software and the Grasshopper plug-in, a parametric design tool. We worked with attractors to create the bridge deck, the design of the bases and the cladding of the boards between base and base.

The projects of the Digital Application group generated such an impact that we were published in the Homo Faber 2.0.

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More information in: https://bit.ly/2UdOgdk Scan QR code:

Photoshoot Parametric bridge Digital Application

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DIGITAL PRODUCTIONS PUBLICATIONS

Small copies of my full magazines developed during my student time at Peru and at the United States, for more information feel free to check out my issuu on: https://issuu.com/valerialandeo

Born in 1962 in the rural province of Junin, Monky eventually made his way to Lima as a cook and laborer. Before the move to the capital, he crafted posters in one color only, but after the move, he expanded his palette into a wildly vibrant range of bold neon colors. He says that his creations are influenced by landscapes, traditional sculpture and traditional costume.

One of the most famous icons of chicha was a singer named El Chacalon, who began his career in 1977 and was the anti-hero of working youth, representing everything the cultural and economic elite of the country despised. Like Elvis Presley in post war America, he was flamboyant, electric and rebellious, and he gave a voice to the working class and the dispossessed. When he died in 1994, at the height of his popularity, 20,000 people showed up at his funeral.

THE MUSICOLOGY OF CHICHA

Formal musicologists might label what Peruvians have come to call chicha as a variety of related but different musical styles. Much of the repertoire consists of souped-up versions of the Huayno song style of the Peruvian highlands. Unlike the more traditional highland singing style, in chicha there is very little melisma, or long melodic improvs on a single vowel as in opera.

The verse and chorus structure exhibit traits, such as the call and response and the multi-rhythms of African music. If you listen closely to the guitar riffs, you can even pick up a hint of the Afro pop of Nigerian Fela Kuti. Peruvians might say that if it sounds like chicha, it is chicha.

The lyrics are imbued with the trials and tribulations of immigrants coming to the city, largely of Andean and Mestizo background, with their many themes of love and death and tales of the daily struggle. There’s nothing esoteric about chicha. It is grounded, raunchy and in your face—a bit like the honky tonk of the country-and-western music in the United States. While the music is a phenomenon of the working class, and from a musical point of view, those 1960s style electric guitars cannot be stopped and the drums just roll on.

The dance itself inspires is characteristic of pre-Columbian Indian cultures, closer to what outsiders see as a restrained shuffle, nay than the “ecstatic”and also dramatic movements of the Afro-Cuban dancers that Americans are used to. So, Chicha is truly a mixed genre that speaks to late 20th and early 21st century Peruvian life, culture and art.

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Chicha (ENG) Magazine about chicha culture and its developmente in Peru Produced and printed in Chicago, IL, United States

“The modeling of the hills, the weaving and fabric that clings to them, the look of it all in tender green or covered with snow or in full glow of summer that bursts into the glorious blaze of autumn,” he later reminisced. “I still feel myself as much a part of it as the trees and birds and bees are, and the red barns.”

early life Frank Lloyd Wright was born June 8, 1867, in Richland Center, Wisconsin.

His mother, Anna Lloyd Jones, was a teacher from a large family from Welsh who settled in Spring Green, Wisconsin, where Wright later built his famous home, Taliesin. His father, William Carey Wright, was a preacher and a musician.

Wright’s family moved frequently during his early years, living in Rhode Island, Massachusetts and Iowa prior settling in Madison, Wisconsin, when Wright was 12 years old. He spent his summers with his mother’s family in Spring Green, falling in love with the Wisconsin landscape he explored as a boy.

[08]

Artist book FLW (ENG) Booklet about Frank Lloyd Wright’s life and works Produced and printed in Chicago, IL, United States

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In 1885, Wright graduated from high school in Madison, but his parents divorced and his father moved away, never to be heard from again. That year, Wright enrolled at the University of Wisconsin at Madison to study civil engineering. To pay his tuition and to help support his family, he worked for the head of faculty (dean) of the engineering department and assisted the famous architect Joseph Silsbee with the construction of the Unity Chapel. The experience convinced him that he wanted to be an architect, and in 1887 he dropped out of school to go to work for Silsbee in Chicago.

[09]

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TYPOGRAPHY SECONDARY TYPEFACE

ITC Franklin Gothic Std

I will use two typefaces for different situations (headliners and body text). The secondary typeface is ITC Franklin Gothic Std. This typeface will be use for headliners and body text.

AaBbCc

There are three weights of ITC Franklin Gothic Std. I will use these weights in the following way:

ITC Franklin Gothic Std Book

AaBbCcDdEeFfGgHhIiJjKkLlMmNnOo PpQqRrSsTtUuVvWwXxYyZz ITC Franklin Gothic Std Book

ITC Franklin Gothic Std Medium

AaBbCcDdEeFfGgHhIiJjKkLlMmNnOo PpQqRrSsTtUuVvWwXxYyZz

Headliner Body text

ITC Franklin Gothic Std Medium

ITC Franklin Gothic Std Heavy

AaBbCcDdEeFfGgHhIiJjKkLlMmNnOo PpQqRrSsTtUuVvWwXxYyZz

Body text ITC Franklin Gothic Std Heavy Body text

CHICHA

C U L T U R E Chicha booklet (ENG) Booklet with primary ideas for Chicha magazine (inspiration, typography, etc) Produced and printed in Chicago, IL, United States

Universidad Peruana de Ciencias Aplicadas Carrera de Diseño Profesional de Interiores

Sydney, Australia - Local de Venta

Sydney, Australia - Local de Venta

Sidney Una ciudad cosmopolita

DATOS DE INTERÉS Fundación Superficie Población Moneda Gentilicio

UBICACIÓN 26 de Enero de 1788 1800 km² 5.25 millones (Org. de las Naciones Unidas) Dolar Australiano Sidneyés

DIVISIÓN DE LA CIUDAD

Sídney se encuentra ubicado al sureste del país de Australia, y en el continente de Oceanía. Ocupa desde una bahía que se extiende unos 19 kilómetros en el mar de Tasmania, al este, hasta las proximidades del suburbio llamado Glebe al oeste.

Sidney en el mundo

RESUMEN

LOCAL DE VENTA 2019-01

Centro Financiero de Sidney

Sídney es conciderada la ciudad más grande y poblada de Australia y Oceanía. Además, del primer asentamiento de la primera colonia británica en Australia y la ciudad más antigua del país. .

Asimismo, es considerada como una de las 15 ciudades más visitadas del mundo, con millones de turistas cada año, debido a ello es que se encuentra en el tercer puesto a nivel mundial con la mayor aglomeración urbana.

SÍDNEY, AUSTRALIA

Sídney

Ubicación de Australia

[12]

Parques

Puertos

Barrio chino

FACTORES CLIMÁTICOS

Estados de Australia

Mapa de Sídney

El clima de Sidney es considerado de temperado a subtropical húmedo. Es soleado durante la mayoría del año, con más de 340 días de sol al año. Los veranos son tibios a calurosos y los inviernos son templados.

max.

30˚

min.

13˚

[13]

Docente: Carla Tosso

Dossier for Workshop VI (SPA) Development of three projects for the Workshop VI class Produced and printed in Lima, Peru

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DIGITAL PRODUCTIONS RENDER POST PRODUCTION

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This is a project of designer Frank Fernandez, which seeks to generate the integration of people from the districts near to the walk Narciso de la Colina, likewise, with this strategy, more commerce is generated in here and in the Number 1 market in Surquillo.

In order not to attack the pre-existence, this walk rises, generating a new space for integration. Also, it seeks to give greater importance to the pedestrian and that’s why Paseo de la Republica avenue is pedestrianized, generating a direct connection with the Narciso de la Colina walk and generating a single space.

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Artistic floorplan Sector developed in detail Interior space and habitat

housing project

The project consisted of a proposal to remodel an existing home in San Juan de Miraflores. For this purpose, specific characteristics of the family that lived in the built house were taken as a premise.

It was concluded that what the family wanted was the least possible contact with outer space and that each member had their own space inside the house, since initially there was no specific zoning. Due to the nature of the family, it was decided to work on the project under the denomination of introverted house and an exclusive space was added for the sale and office space, because part of the family’s income was obtained through a bazaar and the classes that the father gave.

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Longitudinal section Sector developed in detail Interior space and habitat

Longitudinal section Sector developed in detail Interior space and habitat

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HOUSE REMODELING

This project consisted of a remodeling and finishing proposal for a single-family home. The house was located in Villa El Salvador district, in Lima. This project was made in conjunction with interior designer Frank Fernández Ogosi.

For the distribution proposal, we tried to maintain the existing walls so we won’t violate the initial structure.

However, it was necessary to open spaces to generate the feeling of a broader housing.

For the choice of materials, a neutral color palette was taken into account and one that would harmonize with the tastes and preferences of the customers.

See proposal on Figure 1.

HOUSING DESIGN

The project consisted of a distribution proposal and initial proposal of finishes for a one-floor apartment (100sqm) located in Bello Horizonte (Chorrillos, Lima, PE). This project was made in conjunction with interior designer Frank Fernández Ogosi.

For the distribution proposal, the structural columns previously placed in the land were maintained and a proposal was made according to the pre-existence.

See proposal on Figure 2 and 3.

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Figure 1 House floorplan First floor / Finishes proposal Art by Valeria Landeo

Figure 2 House floorplan First floor Final distribution

Figure 3 3D Living room / Kitchenette Render by Frank Fernandez

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