Thursday Scholarship Series: Faculty Jazz Ensemble and Jazz Ensemble I with Special Guest Michele Co
WITH INTERNATIONALLY RENOWNED COMPOSER MICHELE CORCELLA
THURSDAY, OCTOBER 2, 2025 at 7:30 p.m.
HODGSON CONCERT HALL
Thursday, October 2, 2025 at 7:30 p.m.
Hodgson Concert Hall
UGA Performing Arts Center
UGA Faculty Jazz Nonet
Dave D’Angelo, Senior Lecturer Jazz Studies Program, alto saxophone
Brandon Quarles, Assistant Professor Saxophone, baritone saxophone
Brandon Craswell, Professor of Trumpet, trumpet
Josh Bynum, Professor of Trombone, trombone
Jean Martin-Williams, Professor of Horn, horn
Matthew Shipes, Professor of Tuba, tuba
James Weidman, Assistant Professor Jazz Piano and African American Studies, piano
Greg Satterthwaite, Assistant Professor Jazz Piano and African American Studies, piano
Tim Adams, Professor of Percussion, drums
Daniel Pina, DMA Doctoral Candidate, string bass
UGA Jazz Ensemble I Dave D’Angelo, conductor
with special guest, Michele Corcella, composer
PROGRAM
Featuring pieces by Michele Corcella, Director of Jazz Ensembles and Jazz Composing/Arranging at Giovanni Batista Martini Conservatory, Bologna, Italy.
UGA Faculty Jazz Nonet
Order to be announced from stage
14 W. 55th Street
The Charming Fiddler
The Strange Host
Vulcania
INTERMISSION
UGA Jazz Ensemble I
Order to be announced from stage
Last Tango In Paris
Dawn Mo’ Joe
Jinrikisha
Satie
Theloniously
UNIVERSITY OF GEORGIA JAZZ ENSEMBLE I
Alto/Soprano Saxophone
Ethan Santucci
Maggie Watson
Tenor Saxophone
Thomas Carter
Carter Naughton
Baritone Saxophone
Emily Johnson
Dave D’Angelo, conductor
Trombone
Thomas Cook
Thomas Pajares
Jonah Madaris
Bass Trombone
David “Trip” Drennan
Trumpet
Teddy Cone
Michael Mank
Hayes Thomas Nathan Vazquez
Piano
Diego Legras
Acoustic Bass
Daniel Pina
Austin Carter
Drums/Cymbals
Rodney “Myles” Cutter
Kai Owens
Michele Corcella graduated in Musical Studies (DAMS) at the University of Bologna, defending a thesis on Duke Ellington’s soundtracks. In addition, while at the Bologna Conservatory, he graduated in Jazz Music, as well as Arrangement and Composition for Multimedia Music. Corcella also studied orchestral conducting at the Imola International Academy “Incontri col Maestro.”
At the international level, Corcella has won numerous composition awards such as Eddie Lang (2009), 2 Agosto (2009), Jazzverk (2010), Bargajazz (2012), Scrivere in Jazz (2014), Siae Libera il Jazz (2015), and the European Jazz Composers Competition (2018).
Corcella has worked as composer, arranger, or conductor with Kenny Wheeler, Randy Brecker, John Taylor, David Liebman, Anders Jormin, Jules Buckley, Enrico Pieranunzi, Gianluigi Trovesi, Gianluca Petrella, and WDR Big Band. In the classical field, he has worked with Mario Brunello, Altenberg Trio Wien, Orchestra Sinfonica del Teatro Comunale di Bologna, and Orchestra dei Pomeriggi Musicali di Milano.
Timothy Adams Jr., the Mildred Goodrum Heyward Professor in Music, was named Chair of the Percussion Department at the Hugh Hodgson School of Music in fall 2010. A master educator, Mr. Adams’ students have seen great success around the country and the world as performers, educators, and music therapists.
Prior to joining the faculty at UGA, Mr. Adams held the post of Principal Timpanist of the Pittsburgh Symphony Orchestra for fifteen years and was Professor of Music at Carnegie Mellon University. During his tenure in Pittsburgh, Adams spent ten summers as Percussion faculty at the Brevard Music Center where he was frequently a featured soloist and recitalist.
An orchestra musician of the highest caliber for over 30 years, Adams began his entrée into playing professionally while still in high school as a substitute percussionist and timpanist with the Atlanta Symphony Orchestra.
Adams received both his Bachelors and Masters degrees at the Cleveland Institute of Music under the tutelage of the great Cloyd Duff, Richard Weiner, and Paul Yancich of the Cleveland Orchestra. During this time, Adams became first call substitute percussionist with the Cleveland Orchestra, and was also utilized as keyboard substitute.
While attending the Cleveland Institute of Music, Adams spent two summers as a fellowship recipient of the Tanglewood Music Center, performing under the batons of Leonard Bernstein, Kurt Masur, Elliott Carter, Trevor Pinnock, Seiji Ozawa, Michael Tilson Thomas, and John Williams.
Hailed for his “inspiring energy, clear musical conviction, and warm lyrical tone” (International Trombone Association Journal), Josh Bynum keeps an active schedule balancing roles as educator, soloist, chamber musician, and orchestral trombonist. In addition to serving as Professor of Trombone at the University of Georgia, a position he has held since 2010, Josh spends his summer as Trombone artist faculty for the Sewanee Summer Music Festival and is an artist & clinician for the Edwards Instrument Company.
Josh performs regularly as a first-call substitute with the Atlanta Symphony Orchestra, including the entire 2015 season. With the ASO, he appears on two commercial recordings featuring the
music of Jonathan Leshnoff and Christopher Theofanidis. Bynum is also a member of the Iris Orchestra and enjoys performing with the Charleston Symphony Orchestra and Atlanta Ballet Orchestra. He plays regularly with the Atlanta Opera Orchestra, including the entire 2025 season.
Josh has given clinics and featured performances at the American Trombone Workshop, International Trombone Festival, and Georgia Music Educators Association Conference. He has also been an invited artist and lecturer at various workshops and universities across the country and has given consortium premiere performances of several new works for trombone and wind ensemble. His solo CD Catalyst was the recipient of the UGA Creative Research Medal in Arts & Humanities and has been featured on Georgia Public Broadcasting’s Classical Today. Bynum’s contemporary chamber group the Mod[ular] Ensemble is featured on the album New Cartography, performing the music of Peter Van Zandt Lane.
His students have distinguished themselves by winning international and national competitions, attaining positions with professional performing organizations, placement at prestigious graduate programs, and appointment to academic positions (from university-level to the public school system). Bynum was recently awarded the UGA General Sandy Beaver Teaching Professorship, in recognition for sustained excellence and innovation in teaching.
Josh is a member of the ITA Pedagogy Council and serves as editor and contributor to the quarterly Pedagogy Corner column of the International Trombone Association Journal. His research interests include concepts of effective section playing and creative problem solving in the practice room.
Brandon Craswell holds undergraduate and graduate degrees in trumpet performance from Indiana University, and a Doctor of Musical Arts degree from the University of Kentucky. Currently he is Professor of Trumpet at University of Georgia, in Athens, Georgia where he teaches and performs with the Georgia Brass Quintet.
In demand as an orchestral musician, Craswell performs regularly with the Atlanta Symphony Orchestra, the Iris Orchestra in Memphis, Tennessee, and the Charleston Symphony. Additional orchestral engagements include playing with the Indianapolis, Jacksonville, Honolulu, and Virginia Symphonies, including a performance at Carnegie Hall with the Atlanta Symphony Orchestra. In the summer of 2010, he played principal trumpet with the Santiago, Chile Philharmonic. He was also a member of the Civic Orchestra of Chicago for two seasons, working with Adolph Herseth, former principal trumpet of the Chicago Symphony Orchestra for over fifty years.
David D’Angelo is a jazz performer, music educator, woodwind doubler, Broadway musician, movie soundtrack musician, film actor, orchestral clarinetist, and published author. He holds a bachelor’s degree in Music Education (clarinet) and a Master’s degree in woodwinds from Youngstown State University, where he studied with Joe Edwards. Other teachers include Louie Paul of the Pittsburgh Symphony and Peter Seminaur of the New York Philharmonic.
As an educator, D’Angelo developed the instrumental music program at Atlanta’s Pace Academy in addition to working at Woodward Academy. While in New York, he was instructor of clarinet and saxophone at Wagner College, Staten Island, for seven years. In 1999, performed at the I.A.J.E. Conference in Anaheim as director of Section 8 Jazz, receiving the national award for outstanding achievement in jazz education.
PROGRAM NOTES
As an alto saxophonist, D’Angelo was a member of the Buddy Rich Orchestra, taking part in several world tours from 1980 - 1982. During this time, he was featured on Rich’s on MCA Records release The Buddy Rich Band. David has two recordings out as a bandleader: Section 8 (Doubletime records), and Step Up.
D’Angelo spent 27 years working in New York as a woodwind doubler on Broadway shows. In 1996, he was asked to participate in the Buddy Rich Reunion Band’s Grammy-nominated recording Burning For Buddy, which was produced by Neal Peart of Rush. The album featured such guest drummers as Billy Cobham, Dave Weckl, Omar Hakim, Bill Bruford, and Matt Sorum.
In 1999 D’Angelo was cast as an onscreen jazz saxophonist in the Disney movie A Cradle Will Rock, written and directed by Tim Robbins. David is also the author of a study in harmony for clarinet, Chords and Keys for Clarinet.
Jean Martin-Williams is Josiah Meigs Distinguished Teaching Professor in the University of Georgia Hugh Hodgson School of Music. She teaches horn, directs the University of Georgia Horn Choir, coaches chamber music, and is a member of the Georgia Woodwind Quintet. Martin-Williams served for eleven years as the Director of UGA’s Lilly Teaching Fellows program, under the auspices of the Center for Teaching and Learning. She has a passion for teaching and improving pedagogy and served on the University committee that established the First Year Odyssey Seminar program. From 20162024 she also served as an Associate Dean for the Franklin College of Arts and Sciences as an advocate for the arts and undergraduate instruction. In 2022 she received the University Professor award from UGA.
Before joining the University of Georgia faculty, she was a full-time performer in New York City, performing in a variety of chamber and orchestral settings including the Metropolitan Opera, the Mostly Mozart Festival, and the New York Chamber Symphony. She continues to be an active performer and is a member of the New York Pops Orchestra. During the summer, she has served on the artist faculty of the Brevard Music Center in North Carolina and the Chamber Music Center of the Northeast at Bennington College in Vermont.
As a soloist, chamber musician, and lecturer, Martin-Williams has appeared at the Georgia Music Educators conference, the Southeast Horn Workshop, the International Horn Society conference, the International Trumpet Conference, the International Double Reed Society, and Music Educators National Conference.
Daniel Pina is a Brazilian double bassist currently in his final year of the Doctor of Musical Arts (DMA) program in Bass Performance. He earned his undergraduate degree in Brazil before moving to California, where he completed both his Artist Certificate and Master of Music degree under the guidance of Professor Nico Abondolo. Daniel is the bass instructor at Georgia College & State University and teaches the Latin American Music class at the University of Georgia. An active performer, he plays with the Augusta Symphony and has appeared with ensembles such as the LA Virtuosi Orchestra. Based in Georgia, Daniel is also a frequent jazz performer in Athens and Atlanta. His work blends classical, jazz, and Brazilian popular music, reflecting a strong commitment to artistic diversity and cultural dialogue.
PROGRAM NOTES
Melodic, soulful and smooth, Greg Satterthwaite brings an energy and touch to the piano that has become his signature sound. As a jazz artist, Satterthwaite brings forth improvisational music that speaks to who he is as a performer and composer. His performances are rooted in his passion to continue to uphold the legacy and rich tradition of jazz music and the pioneers and innovators that created such a phenomenal art form.
Graduating from some of the nation’s most prestigious jazz programs, Satterthwaite earned his Doctor of Musical Arts degree from the University of North Texas in Jazz Piano Performance, a Master of Arts in Commercial Music from Florida Atlantic University and a Bachelor of Music from the University of Miami. Satterthwaite is an Assistant Professor of Jazz Piano and African American Studies at the University of Georgia. He has studied with Stephen Scott, Ron Miller, Pat Coil, Dave Meder, Quincy Davis, Brad Leali, and Lynn Seaton. His educational experiences have impacted his teaching philosophy as he brings forth the knowledge, observations, and backgrounds of the educators, artists and creative makers that he has interacted with and learned from over the years. As a scholarly contribution to the field, Satterthwaite presented “Beyond Fourths and Pentatonics: A Critical Analysis of Selected Recordings of McCoy Tyner 1962 to 1963” at the national 2021 Jazz Education Network Conference.
Satterthwaite has performed at festivals and venues including the Swan City Piano Festival, Denton Arts and Jazz Festival, SunFest, the Velvet Note, Good Times Jazz Bar & Restaurant, the University of South Carolina, and the Murchison Performing Arts Center to name a few. In 2022, he performed with the Marcus Lewis Big Band: Brass and Boujee during the 2022 Jazz Education Network national conference. Additionally, he has either performed or recorded with Grammy winning and nominated artists including Terreon Gully, Quentin Baxter, Rodney Whitaker, Curtis Lundy, and Delbert Felix.
Satterthwaite arranged and composed all songs on his debut album “Who I Am,” which can be heard on major music streaming platforms, and he is currently recording his sophomore album “Savannah Blue,” which is to be released in 2023. He is the co-founder of JazzSpire, a platform that inspires, lifts, and brightens everyday life through the arts.
Matthew Shipes is the Associate Professor of Tuba and Euphonium at The University of Georgia and tubist with the Georgia Brass Quintet. A dedicated advocate of tuba and euphonium performance and pedagogy, Matt has also worked with the International Tuba Euphonium Association (ITEA) as Membership Marketer and Social Media director, communicating with an international audience of enthusiasts, students and professionals.
In 2020 Matt created the first-ever international euphonium mock-band e-competition, Stars and Shipes, engaging over 100 participants from several countries around the world and featuring a judging panel of top euphonium performers from the premier military bands in Washington D.C. over three years.
Matt was a member of The United States Air Force Band in Washington, D.C as a euphoniumist in the Ceremonial Brass, a position he held until 2016. While in the band, he had many opportunities to perform for former President Obama, several foreign leaders, and for hundreds of ceremonies at Arlington National Cemetery.
Matt has performed recitals and given masterclasses across the country, including a featured solo recital at the 2019 United States Army Band’s Tuba and Euphonium Workshop. He was
also an invited speaker at the 2019 International Tuba and Euphonium Conference (ITEC) at the University of Iowa, and presented his class, “A Guide to Military Band Auditions,” which he has presented at several regional tuba and euphonium conferences as well. He also performed at the 2016 ITEC at the University of Tennessee, and has most recently been a featured soloist at regional ITEA conferences.
Brandon Quarles is the Assistant Professor of Saxophone at the University of Georgia’s Hugh Hodgson School of Music. Quarles was previously the Lecturer of Saxophone and Allied Areas at UGA where he directed the Contemporary Chamber Ensemble and taught courses on entrepreneurship and the history of music in Athens, GA. Prior to joining the faculty of UGA, Quarles was the Associate Lecturer in Classical Saxophone at the University of WisconsinMadison and was an Instructor for Northwestern University’s general music curriculum where he taught a course on The Beatles.
A multi-instrumentalist and composer, Quarles’ performance experience spans a wide array of genres and styles. He was a founding member of the Chicago-based saxophone quartet ~Nois, serving as the ensemble’s Executive Director and soprano saxophonist from 2016-2021. Quarles has performed in 22 states and five countries, and has premiered over 70 works for the saxophone to date. He has performed with symphony orchestras such as the Grant Park Symphony (Chicago); contemporary chamber ensembles such as Eighth Blackbird, Ensemble Dal Niente, and ensemble vim; and indie rock bands such as My Brightest Diamond and Night Palace, among others. Quarles can be heard on over 10 commercially available recordings, including All My Ghosts by his band The Employment Pages. He is a proud alumnus of the University of Georgia (BM 2015) and Northwestern University (MM 2017 and DMA 2021).
He is honored to have been the student of saxophonists Clint Schmitt, Connie Frigo, and Taimur Sullivan.
Decades long experience with a multitude of notable artists -- from his early days as accompanist to iconic vocalists Abbey Lincoln and Cassandra Wilson, on to his years as a member of M-Base Collective innovator Steve Coleman’s group and music director for the late great Kevin Mahogany, up to his current tenure with saxophonist Joe Lovano’s critically acclaimed nonet and Grammy nominated Us Five band -- has proven pianist/composer/ arranger James Weidman to be one of the most versatile artists in music today and prepared him well for his steady emergence as an important bandleader in his own right.
Weidman’s versatility is evidenced in the wide ranging music of the various ensembles that he currently leads: The Aperturistic Trio (with bassist Harvie S and drummer Steve Williams) which explores his own cutting edge original compositions; The Rhythm Keepers (featuring Marvin Horne on guitar), a group in the tradition of Nat King Cole’s classic trio that swings jazz standards out of the Great American Songbook; and Spiritual Impressions, an ensemble including singer Ruth Naomi Floyd that features him doubling on piano and organ performing his own stirring arrangements 19th century Black Spirituals. He also concurrently co-leads the James Weidman-Steve Williams Quartet performing the Music of Clifford Jordan.
James Weidman was born July 23, 1953 in Youngstown, Ohio, where he grew up and began playing piano at the age of seven. He was first schooled in the elements of jazz by his father, saxophonist James Weidman, Sr., and by the time he was fourteen he was playing organ in his father’s band. He says, “I’ve never forgotten my father’s advice from the first time I ever played
with him: ‘Keep the time, stay out of the way, and tell a story.’” In later years, while still studying at Youngstown State University (from which he graduated cum laude in 1976 with a degree in classical piano and music education) he became a first call sideman for visiting jazz headliners, including Pepper Adams, Slide Hampton, Woody Herman, Bobby Hutcherson, Gloria Lynne, James Moody, Harold Ousley, Cecil Payne, Max Roach, Archie Shepp, Dakota Staton, and Bobby Watson.
It was with this background that aided him in the development of his skilled touch as an adept soloist as well as a superior accompaniment Weidman made his inevitable move to New York City in 1978, where he worked around town as a sideman with various veterans and up-andcomers, while co-leading the band Taja with longtime Randy Weston saxophonist TK Blue, before coming into the orbit of conceptualist Steve Coleman and the M-Base Collective. He recalls, “Steve’s compositions forced you to think differently; playing his very demanding rhythms and harmonies was really challenging. It gave me a freer outlook on music.” Weidman’s early recordings with Coleman, along with M-Base disciples Robin Eubanks, Greg Osby, Lonnie Plaxico and Cassandra Wilson, as well as other forward thinking players like Marty Ehrlich and Jay Hoggard, signaled the development of Weidman’s personally individualistic approach to music that has been continuously evidenced on his own recordings of predominantly original compositions, beginning with his 1997 debut as a leader, People Music (a trio outing featuring bassist Belden Bullock and drummer Marvin Smitty Smith) and continuing with succeeding dates All About Time (with Hoggard, bassist Ed Howard, drummer Marcus Baylor and vocalist Charene Dawn) and the superbly innovative Three Worlds (with trombonist Ray Anderson, saxophonist/clarinetist Marty Ehrlich, bassist Brad Jones and drummer Francisco Mela)
HUGH HODGSON SCHOOL OF MUSIC FACULTY
Daniel Bara, Interim Director
Brandon Craswell, Associate Director, Director of Undergraduate Studies
Emily Gertsch, Associate Director, Director of Graduate Studies
Amy Pollard, Associate Director, Director of Performance Activities
percussion percussion voice voice voice voice voice voice organ piano piano piano piano piano piano piano piano
violin violin guitar
harp
violin cello
Suziki
double bass viola
BANDS
Mia Athanas
Brett Bawcum
Jack A. Eaddy, Jr.
*Nicholas Enrico Williams
CHORAL
Daniel Bara
Colin Mann
Daniel Shafer
COMMUNITY MUSIC SCHOOL
SUMMER CAMPS
Stephen Fischer
COMPOSITION & THEORY
Tyler Beckett
Adrian Childs
Emily Gertsch
Daniel Karcher
*Emily Koh
Peter Lane
Dickie Lee
Jared Tubbs
Trinity Vélez-Justo
JAZZ STUDIES
David D’Angelo
Gregory Satterthwaite
James Weidman
MUSIC EDUCATION
*Rebecca Atkins
Alison Farley
Tyler Goehring
Roy Legette
Kristen Lynch
Michael Robinson
Johanna Royo
Brian Wesolowski
Edith Hollander, Administrative Assistant to the Director
Director of Public Relations
Development Associate Music Library Manager
Undergraduate Academic Advisor
Piano Technician
Senior Piano Technician
Marcus Morris
Kathleen Powell
Rocky Raffle
James Sewell
Jared Tubbs
Marshall Williams
MUSIC THERAPY
*Ellyn Evans
Sally Ann Nichols
Jenny Stull
MUSICOLOGY & ETHNOMUSICOLOGY
Karen Bergmann
Naomi Graber
*David Haas
Jared Holton
Jean Kidula
Sarah Pickett
Rumya Putcha
Joanna Smolko
OPERA
Daniel Ellis
Andrew Voelker
ORCHESTRA
Mark Cedel
RECORDING & STREAMING
Eric Dluzniewski
Paul Griffith
*Area Chair
Assistant Director of Athletic Bands
Graduate Program Administrator
Administrative Associate in Bands
Production & Events Manager
Sectioning Officer
Director of Admissions
HUGH HODGSON SCHOOL OF MUSIC STAFF
SUPPORT THE SCHOOL OF MUSIC
HOW TO GIVE
Under each of the available funds below is a QR code where you can scan and donate directly to that fund. However, if you would like to learn more about alternative ways to donate, scan the QR code now to visit our “How to Give” page with additional details and options.
Scholarships and Graduate assistantships funded by donations to the Thursday Scholarship Fund make it possible for students to learn and pursue their passions at the Hugh Hodgson School of Music. Please consider a taxdeductible gift to the Thursday Scholarship Fund so we may continue to support our students and make their education possible. Scan the QR code now or reach out to Melissa Roberts at roberts@uga.edu or 706-254-2111.
SUPPORT INDIVIDUAL AREAS OF THE SCHOOL OF MUSIC
In addition to our primary Support and Scholarship Funds, many specialized areas of interest, including our orchestra and choral programs, have support and scholarship funds you can contribute to directly. You can now learn more about all the ways and areas you can support the Hugh Hodgson School of Music. Scan the QR code or visit music.uga.edu/giving-and-alumni to the support the Hugh Hodgson School of Music area of your choice.
JOIN THE DIRECTOR’S CIRCLE
Gifts of all amounts are greatly appreciated. However, annual giving at the $1,500 level and higher provides membership in the Director’s Circle, our Hugh Hodgson School of Music Honor Roll. Director’s Circle members are invited to exclusive events and performances throughout the academic year.
For large gifts, please contact Melissa Roberts at roberts@uga.edu or 706-254-2111.
THANK YOU FOR YOUR CONTINUED SUPPORT OF THE UNIVERSITY OF GEORGIA HUGH HODGSON SCHOOL OF MUSIC.
TUES 10/7
3:30 p.m.
Ramsey Concert Hall FREE CONCERT
GUEST ARTIST RECITAL: ISAAC BUSTOS, guitar
“Soulful and virtually flawless,” hails the Portland Oregonian and the Boston Globe writes, “In warm, round tones, the notes of Bach cascaded from the guitar, every note correct and played without hesitation.” Classical guitarist, pedagogue and educator Dr. Isaac Bustos enjoys an extensive performing career that has taken him to Canada, Central America, Europe, China, and all over the US.
TUES 10/7
7:30 p.m.
Hodgson Concert Hall FREE CONCERT
UNIVERSITY CHORUS & UGA GLEE CLUB
UNIVERSITY CHORUS
The University Chorus is UGA’s largest mixed choral ensemble and specializes in classical choral and choral/orchestral repertoire.
UGA GLEE CLUB
TUES 9/9
7:30 p.m. WED 10/8 7:30 p.m.
WED 10/8
5:30 p.m.
Ramsey Concert Hall FREE CONCERT
The UGA Glee Club perform repertoire for tenor/bass voices several times a semester both as individual ensembles and as part of the UGA combined choirs. The Glee Clubs are home to undergraduate and graduate music majors, minors, and students from majors across the university.
Both ensembles are conducted by Colin Mann.
BRASS HONORS RECITAL
Join the UGA Hugh Hodgson School of Music Brass department for a performance featuring the top brass students!
TUES 9/9
FRI 10/10
7:30 p.m.
7:30 p.m.
Hodgson Concert Hall
$15, Adult
$3, Student
HODGSON SINGERS & TREBLE CHOIR
This evening’s program features two of our stunning vocal ensembles. Alongside the Hodgson Singers, conducted by Daniel Bara, will be the Treble Choir, conducted by one of the newest additions to the Hugh Hodgson School of Music faculty. Colin Mann, new assistant professor of music and associate director of choral activities, joins the UGA faculty this fall.
