BRAZIL MUSIC
LATIN AMERICAN MUSIC ENSEMBLE
THE MANY SOUNDS OF Directed by Daniel Pina
TUESDAY, NOVEMBER 4, 2025 at 7:30 p.m.
RAMSEY CONCERT HALL
Tuesday, November 4, 2025 at 7:30 p.m.
Ramsey Concert Hall
UGA Performing Arts Center
THE MANY SOUNDS OF
BRAZIL
University of Georgia Latin American Music Ensemble
Daniel Pina, instructor
Maria Kamila, assistant to the instructor
Jean Ngoya Kidula, course convener
PROGRAM
Desabafo
Manhã de carnaval
Eu só quero um xodó
Cecéu (b.1950)
Luiz Bonfá (1922 - 2001)
Antônio Maria (1921 - 1964)
Dominguinhos (1941 - 2013)
Anastácia (b.1941)
From United States of Piauí Gonzaguinha (1945 - 1991)
No reino da pedra verde Clóvis Pereira (1932 - 2024)
Reconvexo
Caetano Veloso (b.1942)
Mas que nada Jorge Ben Jor (b.1945)
Água de beber / Wave
Antonio Carlos Jobim (1927 - 1994) Vinicius de Moraes (1913–1980)
Desabafo: The Voice of Contemporary Forró
Composed by Mary Maciel Ribeiro, known as Cecéu (b. 1950), “Desabafo” brings the strength and sensitivity of modern Northeastern Brazilian forró. Cecéu, a singer and composer from Paraíba, is celebrated for blending traditional forró rhythms with a contemporary, emotionally rich approach. Through its melody and lyrics, “Desabafo” expresses deep feelings of struggle and resilience, connecting Northeastern cultural roots with universal themes. In this arrangement for voice and double bass, the duo explores a fresh interpretation of the piece, highlighting the intimate dialogue between melody and rhythm while honoring the spirit of Brazil’s Northeast.
Manhã de Carnaval: A Timeless Classic Across Languages
Composed by Luiz Bonfá (1922–2001) with lyrics by Antônio Maria (1921–1964), “Manhã de Carnaval” is one of Brazil’s most beloved and widely performed songs. Originally written for the 1959 film Orfeu Negro (Black Orpheus), this piece has transcended borders and languages, becoming a standard in jazz, bossa nova, and popular music worldwide. Its haunting melody and poetic lyrics have been interpreted in Portuguese, English, and many other languages. Our arrangement pays tribute to this global journey by including versions in English, Portuguese, and instrumental, showcasing the song’s universal appeal and enduring emotional power.
Eu Só Quero Um Xodó: The Heartbeat of Forró
Composed by Dominguinhos (1941–2013) and Anastácia (b. 1941), “Eu Só Quero Um Xodó” is a classic of the forró genre, deeply rooted in the culture of Brazil’s Northeast. Dominguinhos, a master accordionist and composer, alongside singer Anastácia, crafted a song that combines infectious rhythm with heartfelt lyrics about love and longing. This piece captures the warmth and vibrancy of forró music, inviting listeners to experience the joy and emotional depth that define this beloved Brazilian style.
From United States of Piauí: A Playful Musical Journey
Composed by Gonzaguinha (1945–1991), “From United States of Piauí” is a witty and affectionate tribute to the northeastern Brazilian state of Piauí. Known for its clever lyrics and catchy melody, the song humorously imagines Piauí as its own “United States” — a playful twist on geography and culture. It’s especially fitting that we perform this piece here in the United States, bringing together two very different “United States” through the universal language of music. This performance celebrates cultural connections and the joy of sharing Brazil’s unique stories far beyond its borders.
No Reino da Pedra Verde: A Sonic Journey Through Brazilian Folk Traditions
Composed by Clóvis Pereira (1932–2024), “No Reino da Pedra Verde” is a beautiful example of the Armorial Movement, which blends classical music techniques and instruments with the rich cultural heritage of Northeast Brazilian folk traditions. The piece transports listeners to a mythical “Green Stone Kingdom,” evoking images of nature, folklore, and regional storytelling. Clóvis Pereira’s work reflects the diversity and depth of Brazil’s musical landscape, bridging classical sophistication with the heartfelt rhythms and melodies of the Northeast.
Reconvexo: A Vibrant Blend of Tradition and Innovation
Composed by Caetano Veloso (b. 1942), “Reconvexo” showcases the innovative spirit of one of Brazil’s most influential musicians. Veloso is known for blending traditional Brazilian rhythms with modern and experimental sounds, and this piece is no exception. “Reconvexo” reflects his ability to honor cultural roots while pushing musical boundaries, creating a dynamic and captivating listening experience. This arrangement highlights the rich percussion textures and the shifts between African rhythms characteristic of Brazilian Axé and Afoxé music, bringing an energetic and rhythmic vitality.
Mas Que Nada: The Infectious Groove of Brazilian Popular Music
Composed by Jorge Ben Jor (b. 1945), “Mas Que Nada” is one of Brazil’s most iconic and widely recognized songs. Originally released in 1963, it blends samba rhythms with catchy melodies and a lively, upbeat spirit that has made it a global favorite. The song’s playful lyrics and infectious groove capture the joy and vibrancy of Brazilian popular music.
Água de Beber & Wave: The Heart of Bossa Nova’s Intimacy
Composed by Antônio Carlos Jobim (1927–1994) and Vinicius de Moraes (1913–1980), “Água de Beber” and “Wave” are timeless gems of the bossa nova genre. These songs embody the smooth, relaxed style that defined the movement, blending jazz harmonies with Brazilian rhythms and poetic lyrics. In Brazil, bossa nova is often experienced in informal, cozy settings with one acoustic guitar and a group of friends singing together, creating an intimate, natural atmosphere. Our performance aims to capture this authentic spirit, presenting these classics with simplicity and warmth, just as they were originally shared and enjoyed.
This concert by the Latin American Music Ensemble is the culmination of a semester-long journey exploring the rich and diverse music of Brazil, with a special focus on styles from the country’s Northeast. Featuring rhythms and traditions, the program reflects both the depth and vibrancy of Brazilian culture. For many of the students, this was their first in-depth experience with Brazilian music. Throughout the semester, they engaged not only with the sounds but also with the stories, cultural context, and historical roots of each style—through listening, discussion, movement, and hands-on music-making. In this performance, you’ll hear them singing in Portuguese, playing percussion, and performing on their primary instruments, bringing these traditions to life with authenticity and enthusiasm.
LATIN AMERICAN MUSIC ENSEMBLE
Student Performers:
Joshua Aderhold
Javier Agredo
Daniel Boscan
Colin Ellis
Phoebe Feibus
Victor Guevara
Owen Margaret-Verrett
Shayna Suddeth
Jose Vasquez
Guest Performers:
André Araújo de Souza, violin
Jhonni Campos, violin
Nicolas Alvarez, percussion
Tony Oscar, percussion
UGA
HUGH HODGSON SCHOOL OF MUSIC FACULTY
Daniel Bara, Interim Director
Brandon Craswell, Associate Director, Director of Undergraduate Studies
Emily Gertsch, Associate Director, Director of Graduate Studies
Amy Pollard, Associate Director, Director of Performance Activities
PERFORMANCE FACULTY
*Angela Jones-Reus
D. Ray McClellan
Reid Messich
Amy Pollard
Brandon Quarles
Josh Bynum
Brandon Craswell
Jean Martin-Williams
James Naigus
*Matthew Shipes
Gilbert Villagrana
Kimberly Toscano Adams
*Timothy Adams
Gregory Broughton
Jay Ivey
*Elizabeth Knight
Amy Petrongelli
Anne Slovin
Wanda Yang Temko
John Coble
Damon Denton
Scott Higgins
Grace Huang
Emely Phelps
Evgeny Rivkin
Anatoly Sheludyakov
*Liza Stepanova
Alan Woo
Levon Ambartsumian
Shakhida Azimkhodjaeva
*Daniel Bolshoy
Monica Hargrave
Michael Heald
James Kim
Edward Kreitman
Milton Masciadri
Maggie Snyder
Shaun Baer
Levi Dean
Elizabeth Durusau
Heather Gozdan-Bynum
Tony Graves
Scott Higgins
flute clarinet oboe bassoon saxophone trombone trumpet horn horn
tuba/euphonium trumpet
percussion percussion voice voice voice voice voice voice organ piano piano piano piano piano piano piano
piano
violin violin guitar
harp
violin cello
Suziki
double bass
viola
BANDS
Mia Athanas
Brett Bawcum
Jack A. Eaddy, Jr.
*Nicholas Enrico Williams
CHORAL
Daniel Bara
Colin Mann
Daniel Shafer
COMMUNITY MUSIC SCHOOL
SUMMER CAMPS
Stephen Fischer
COMPOSITION & THEORY
Tyler Beckett
Adrian Childs
Emily Gertsch
Daniel Karcher
*Emily Koh
Peter Lane
Dickie Lee
Jared Tubbs
Trinity Vélez-Justo
JAZZ STUDIES
David D’Angelo
Gregory Satterthwaite
James Weidman
MUSIC EDUCATION
*Rebecca Atkins
Alison Farley
Tyler Goehring
Roy Legette
Kristen Lynch
Michael Robinson
Johanna Royo
Brian Wesolowski
Edith Hollander, Administrative Assistant to the Director
Director of Public Relations
Development Associate Music Library Manager
Undergraduate Academic Advisor
Piano Technician
Senior Piano Technician
Marcus Morris
Kathleen Powell
Rocky Raffle
James Sewell
Jared Tubbs
Marshall Williams
MUSIC THERAPY
*Ellyn Evans
Sally Ann Nichols
Jenny Stull
MUSICOLOGY & ETHNOMUSICOLOGY
Karen Bergmann
Naomi Graber
*David Haas
Jared Holton
Jean Kidula
Sarah Pickett
Rumya Putcha
Joanna Smolko
OPERA
Daniel Ellis
Andrew Voelker
ORCHESTRA
Mark Cedel
RECORDING & STREAMING
Eric Dluzniewski
Paul Griffith
*Area Chair
Assistant Director of Athletic Bands
Graduate Program Administrator
Administrative Associate in Bands
Production & Events Manager
Sectioning Officer
Director of Admissions
HUGH HODGSON SCHOOL OF MUSIC STAFF
SUPPORT THE SCHOOL OF MUSIC
HOW TO GIVE
Under each of the available funds below is a QR code where you can scan and donate directly to that fund. However, if you would like to learn more about alternative ways to donate, scan the QR code now to visit our “How to Give” page with additional details and options.
Scholarships and Graduate assistantships funded by donations to the Thursday Scholarship Fund make it possible for students to learn and pursue their passions at the Hugh Hodgson School of Music. Please consider a taxdeductible gift to the Thursday Scholarship Fund so we may continue to support our students and make their education possible. Scan the QR code now or reach out to Melissa Roberts at roberts@uga.edu or 706-254-2111.
AREAS OF THE SCHOOL OF MUSIC
In addition to our primary Support and Scholarship Funds, many specialized areas of interest, including our orchestra and choral programs, have support and scholarship funds you can contribute to directly. You can now learn more about all the ways and areas you can support the Hugh Hodgson School of Music. Scan the QR code or visit music.uga.edu/giving-and-alumni to the support the Hugh Hodgson School of Music area of your choice.
JOIN THE DIRECTOR’S CIRCLE
Gifts of all amounts are greatly appreciated. However, annual giving at the $1,500 level and higher provides membership in the Director’s Circle, our Hugh Hodgson School of Music Honor Roll. Director’s Circle members are invited to exclusive events and performances throughout the academic year.
For large gifts, please contact Melissa Roberts at roberts@uga.edu or 706-254-2111.
THANK YOU FOR YOUR CONTINUED SUPPORT OF THE UNIVERSITY OF GEORGIA HUGH HODGSON SCHOOL OF MUSIC.
WED 11/5
5:30 p.m.
Ramsey Concert Hall FREE CONCERT
UNIVERISTY OF GEORGIA PERCUSSION STUDIO RECITAL
This performance will feature current UGA percussion students. The Universtiy of Georgia Percussion Studio is under the driection of Kimberly Toscano Adams and Timothy K. Adams, Jr.
TUES 9/9
WED 11/5
7:30 p.m.
7:30 p.m.
Ramsey Concert Hall FREE CONCERT
RSVP ENCOURAGED BUT NOT REQUIRED
FACULTY ARTIST SERIES: DAMON DENTON, piano
Damon Denton was born in Charleston, S.C., and grew up in Severna Park, Maryland. He is a graduate of the Peabody Institute of the Johns Hopkins University and The Juilliard School where he received a Master of Music degree studying under Russian pianist, Oxana Yablonskaya. He has been a faculty accompanist at the University of Georgia since 2010. During his career, Denton has performed concerts in England, Ireland, Mexico, Germany, South Africa, and throughout the United States. Venue highlights have included: Lincoln Center’s Alice Tully Hall, Carnegie Hall’s Weill Recital Hall, The University of South Africa, and The State Theater of Pretoria among others. This event includes a reception with the artist immediately following.
TUES 9/9
FRI 11/7
SUN 11/9 7:30 p.m.
7:30 p.m.
3 p.m.
Both performances will be held in Hodgson Concert Hall
$20, Adult
$3, Student
Additional fees for online purchases apply.
THURSDAY SCHOLARSHIP SERIES
UGA OPERA THEATRE PRESENTS “THE RING OF POLYKRATES” BY
ERICH WOLFGANG KORNGOLD
Composed in 1914 by a 17-year-old Erich Wolfgang Korngold—decades before his Oscar-winning Hollywood triumph The Adventures of Robin Hood—this sparkling comic opera brims with youthful brilliance, lyrical charm, and a dash of psychological intrigue. Romantic, clever, and strikingly modern, The Ring of Polykrates is a witty reminder: be careful what you wish for— perfection is a fragile thing.
MON 11/10
7:30 p.m.
Edge Concert Hall FREE CONCERT
TUES 9/9
7:30 p.m.
UNIVERSITY OF GEORGIA TUBA EUPHONIUM STUDIO
This concert will feature the students of the UGA Tuba Euphonium studio. The studio is under the direction of Associate Professor of Tuba and Euphonium and Brass Area Chair, Matthew Shipes.